I used up my last gluestick on these cuties.

They are only about 3 inches square, and are perfect for secretly tucking a note under someone’s door, or for giving your masseuse a cash tip.

I rarely doodle, but had a lot of fun just “zoning out” and using some archival pens on this one.

Popcorn: The beautiful result of a sudden, but planned, explosion. A person has to apply a great deal of heat in order for that unique, creative outburst of starch to occur.

Without applying the heat and pressure to the kernel, nothing will change, and the seed simply stays in a state of potential, without a result.

I’m always pressuring myself into feeling like I should be aiming for “the popcorn” when all I really want is to sit still, sifting the cool, smooth kernels through my fingers; to revel in their stasis, their uniformity, their predictable shape.

Once popped, if the corn is not devoured very soon by hungry and enthusiastic consumers, it will swiftly begin to grow stale, and will no longer be enjoyable. Is it better to keep the un-popped kernels tucked in the freezer door, and to never see the potential become a reality?

If all of our kernels turned into popcorn without any effort on our part, we would end up drowning in a sea of popcorn. We would hate having it around. It would get crushed underfoot instead of being enjoyed. We would grow fat on eating it, but would never appreciate it’s effortless abundance.

I hope that I can learn to not feel guilty about the time that I spend enjoying my un-popped kernels for what they represent. I also hope that I have the courage to sometimes turn on (and to endure) the heat, and the good fortune to get a great big bowl of popcorn as a result. Best of all, it wish to surround myself with the right crowd of hungry people to help me appreciate and enjoy the end result.

Belly dance belt: various leather scraps, vintage flower pin, sparkly gems, shoelace webbing trim, and aluminum pop tabs.

You know?…Those thingys that you grab onto, to help you open an aluminum soda/soup can? Whatever you happen to call them in your region — pull tabs, pop tabs, soda can pulls — they can be found in abundance.

Because I spent my childhood in the northeast part of the US, I call them “POP” tabs. You may remember that I previously made a necklace from pop tabs.

These little tabs happen to make a really fantastic sound when clinking and clanking against each other! They don’t cost anything. Even if you’re not a soda drinker, chances are, you can get someone to collect them for you. The aluminum weighs almost nothing, so there’s a lot bang for your buck as far as tinkling noises go.

Over a year ago, I made a chainmail aluminum pop tab belt, to wear as part of my regular dance practice gear. Apologies in advance for the chigger-sized photo:

A tiny photo of aluminum chainmail belt.

I made it from four sections of chainmail (and leather) to wear as a stand-alone piece, but I was easily able to disassemble it in order to reuse parts of it for this particular belt assemblage here. The great part is that I can put the original belt back together if I choose to, in the future.

If I get enough requests for it, I’ll post some sketches or a tutorial on how to cut and link the tabs together. As well as how I made the jump rings from electric fence wire.

This project came together quite fast – only somewhere around 3 leisurely hours – and it’s made entirely from fabric remnants, chosen to approximate the color of reddish and brown hair. I made it up as I went along, so I’ll do my best to describe the process!

I created the wig as a finishing touch to my most recent belly dance costume. Because, you see… my natural hair is not very long at all right now, and that’s not very gypsy-like, which is the goal for this particular costume. You’ll get to see the whole ensemble later on, I’m sure.

The above photo shows just ONE of many ways that you can arrange and wear the separate items that I made. To entice your further into trying this project, allow me to demonstrate the various ways in which you could assemble the elements:

Mandatory materials for the Wig (by itself) :
* At least 2 or 3 colors of scrap fabric. These can mimic real hair tones, or be really wild – Your choice!
* Scissors to cut the fabric into thin lengths, to be braided.
* The ability to make a basic braid with 3 strands.

Optional materials:
* Plastic or metal baubles, beads or “dread” beads, jump rings, dangly trinkets or pieces of costume jewelry — if you want to tie them into the pieces of the wig. Don’t use anything too heavy or too low down on the braids, or you’ll risk swinging one of the decorations right into your eye while wearing the wig!
* A sewing machine is helpful if you have it. Especially if you choose fabric that unravels easily. If you choose fabric that does not unravel when cut, you’ll be fine without a machine, unless you want to get fancy with the scarf base. Or, use a machine if you don’t want to tie the ends of the braids, and instead want to stitch across the fabric at the bottom end to reduce bulk at the ends of each “strand of hair” (I did this… was a LOT more work, but, eh… a slightly better result for me, so it was worth it).
* A bit of velcro if you want to use it instead of tying things at the base of your hairline in back.
* Elastic if you wish, thick enough to be used as a headband if that’s what you wanna do.
* decorative trim, a long charm bracelet, bellydance coins, or any other thing if you want to make an extra dangly ornament in front (i.e. the decorative headband above my eyes in the photo).
* any other colored scarves that you want to wrap around your head (I used a teal one just behind the forehead ornament).

To give you an overview of what I’ll be describing later, allow me illustrate the EXACT way that I arranged these elements onto my head, in three steps. Here is the page from my sketchbook:

FABRIC specs:
You’ll want to make sure that the type of fabric you choose is easy to work with, because you’ll probably want to braid much of it, as I did. I figured 3 colors was the minimum to create a good deal of interest and depth. The amount of material you need will depend on how full you want your wig to be.

1. The mid-toned fabric that I chose (which is also the color of the “scarf” piece in front) is a very stretchy, soft, thin cotton. It does not fray easily when cut. It feels good against my head and skin, which is important if you’ll be wearing it next to your face, as I am.

2. The deep brown fabric that I chose happens to unravel and stretch out to thin, frayed lines when you cut it one way (which was actually cool for this purpose) and was stable and not stretchy when cut the other way. It was a bit thicker, but still soft and flexible.

3. The yellowish highlight color is some sort of gauzy polyester, and had the tendency to unravel in both directions when cut. Since I only used a bit here and there, for accents… it was manageable when braided with one of the other two colors, which I was gonna do anyways. Next time I hope to be more choosey and pick fabrics that behave better. But also, right now, the variety adds some texture, which is also good. Your choice.

With the fabric, I created the following elements: (pics to come soon!)

1. A basic stretchy headscarf – mine mimics the main color of the “hair” in the wig, and pretty much serves as a base for the wig, and for other decorations and scarves to adorn the forehead area. Keeps things from moving around. Just cut a rectangle of fabric with enough enough width to cover the hair you wanna cover, and long enough to be tied snugly around the base of your hairline.

I ultimately decided to make my scarf a bit more fancy, and to embellish it so that it could stand alone if needed. The braided “ridge” along the back actually prevents the wig (when worn on top of the scarf and in front of this ridge) from slipping backward while moving around, especially when swinging around and dancing. If you always intend to wear your wig in the same way, you could actually just sew (or permanently attach) the wig part to the scarf, for convenience. Personally, I liked the flexibility of several pieces.

2. The Wig – I started with one main length of braided fabric long enough to tie around my head in the same way as the headband. I attached decorative ends to the braid, so that I could easily find the ends and be able to tell them apart from all of the other strands of braid that I would be adding (which is equally helpful when you’re UNtying the wig from your head!). I closed the ends of the main braid into a desk drawer, so that I had a half circle handing from the drawer — by suspending the main braid in the air like this, it simply made it easier for me to insert all of my pieces of cut fabric into the loops of the braid, without getting everything tangled and confused.

Each piece of fabric was pulled through a loop in the main braid, so that it made two lengths of fabric which hung down (sometimes equal, sometimes purposefully different lengths). In addition, I strategically inserted shorter lengths toward each end of the main braid, and longer lengths in the middle where I wanted most of the bulk. I braided the lengths of cut fabric as I went along, gathering three strands together from the pieces in close proximity to each other. I also made sure to vary the combinations of fabric colors in a way that would mimic highlights and lowlights in real hair, and decided to keep most of the darkest color towards the center, and the highlights toward the edges.

Alternatively, you could just pre-braid a whole bunch of combinations and lengths of fabric, and then sew them to the scarf separately where you want them. But, I wanted each and every braid of hair to be integrated into the main braid before combining them. This is to increase long-term stability, and to reduce the sudden increase in bulk that would occur with braids becoming doubled in thickness right at the point where they attach to the headscarf.

3. Various other lengths of braided fabric, from the same materials used in the wig. You can use these lengths of braid to tie up the wig onto your starting/existing ponytail so that everything matches, and for a little bit more volume. I definitely found it easier to use these long ties, as opposed to trying to use a regular thin plain hair elastic to grab ALL of the volume of the wig to tie it back. I put decorative ends on the ends of these extra ties, same as the ends of the wig ties. Really helps you to FIND the ties when you want to undo everything.

Or, if you wish, you can attach/sew these extra lengths of braid onto the headscarf (separate from the wig), to match and create more interest. I did both of the above.

I also made:
4. The front forehead decoration is made with a purchased ankle bracelet. I first sewed the bracelet to the darkest “hair fabric” which was NOT stretchy so it was a good stable choice for the metal jewelry. I sewed it mostly by hand using a regular needle with some clear (invisible) nylon sewing thread, but was able to do some zigzag with the thread on my machine. (Was tricky – I broke a machine needle trying that, but I’m not sure that I saved any amount of time, versus just hand-sewing with a whipstitch.) I then attached the fabric with the bracelet to a length of dark brown elastic that fit all the way around my head, and used it also like a headband. I ended up putting velcro in the back of this headband to make it easier to put on over top of the scarf.
[Thanks for your patience, I’ll INSERT A PHOTO soon!]

I tried to be as detailed as possible in my directions, but I’ll also attempt to take photos of the individual items in case any confusion remains. Would also like to be able to take photos at each stage of the creation process, but I always get caught up in what I’m doing — and I forget. (What I really need is a photo gnome to follow me around and document what I’m doing.)

This was my first ever attempt to create something like this from scratch. As I mentioned, I made it up as I went along, and there are some things I could have done better, and some things I could have streamlined. But even so, it’s a very successful and quick experiment!

***I’ll be wearing this wig at Fog Fest this weekend (Sept 29th and 30th, 2012)! Wish us luck!

Seated Figure - Jamie K. McIntosh

After some big and exciting transitions over the past 6 months, I’m finally in a good place to create some art again.

Recently I’ve had the chance to do some figure drawing, for the first time since I was in college! It feels great to draw some things again, and I had forgotten how nice it is to do a quick art exercise and get some instant results. Start, draw for 5 minutes…. then sit back and admire ’cause you’re done!

I also photographed some pages from my sketchbook that I might share later – plans for a few quilts, a few wearable items, and some things that may never get created but were fun to try to plan. Possibly some 3D experiments soon.

Dress made from camping tent - Jamie K. McIntosh

But I can’t help myself from sharing one of them today, because it’s like money burning a hole in my pocket. The dress is made from a discarded nylon camping tent, and the necklace is made from shotgun shells.

This photo is one of the products of a great photo session with Liam Spradlin and model Brittany Dingeldein. I’ve got a lot of great things planned for my new collection of fantastic eye candy, but it’s still in the works! In the meantime, please be patient and be on the lookout for the next time that I decide to cave in and post some more “secret” stuff. (I’m only human!)

The Lexington Fashion Collaborative will be holding our Future of Fashion show this coming Saturday, May 28th! Now in it’s third year, The Future of Fashion 3 will be held at Buster’s, a music venue in Lexington, KY. Please visit the LFC website for specific details about the events taking place that day, participating designers, and ticket prices. Or, hop over to our Facebook Event Page.

I’m so proud to say that this show gets bigger and better every year. I mean, c’mon… this year we even have a *special effects* team! It will be an event that lasts most of the day, with booths for vendors and local boutiques, a textile expo in the afternoon, and separate afternoon runway shows especially for accessory and children’s designers to show their work. The main event and finale is the evening show, where 16 designers (including myself) will be showing their newest works.

See you there! (I’ll be the one wearing green plastic soda bottles.)

Jamie K. McIntosh - painted shoe sculpture

Yes. I know… I know!! I should have posted this to my blog a week ago. But I’ll most likely be doing something like this again in the future, so don’t dismay if you can’t fit this into your schedule last-minute

On Saturday the 21st, I’ll be teaching a “Paint a Shoe or Two” workshop at the Scott County Arts and Cultural Center in Georgetown KY. Join me from 11am to 1pm… bring a pair of shoes, your imagination, and ten dollars, and I’ll show you how to transform your shoes into works of art!

The workshop is inspired by some of the works of folk art that are currently on display in the gallery space. The gallery will be open, of course, and we’ll have plenty of time to hang out while creating some fun wearable sculptures! If you want your shoes to be wearable, we can just paint and decorate the surface. Or, if you want to go wild and create a fun sculpture from them, we can do that, too. Whatever floats your boat, wets your whistle, or teeters your totter…. we can make it happen!

Stay tuned for another blog post in a few days. I’ll be posting photos of some of my new wearables, to be modeled on the runway during the 3rd annual Future of Fashion show in Lexington, Kentucky. For now, hop over to the website for the Lexington Fashion Collaborative for more info!