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	<title>U, S, and Toby</title>
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	<link>http://berkeley-film.tobiasdeml.com</link>
	<description>Chapter 3: Filmmaking and Research in Berkeley</description>
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		<title>A Love Letter to the Berkeley Film Studies Experience</title>
		<link>http://berkeley-film.tobiasdeml.com/2015/01/22/a-love-letter-to-studying-film-at-uc-berkeley-film-studies-experience/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2015/01/22/a-love-letter-to-studying-film-at-uc-berkeley-film-studies-experience/#respond</comments>
		<pubDate>Thu, 22 Jan 2015 19:13:56 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[All I Want Is Silence]]></category>
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		<category><![CDATA[#Cinebear filmmaking at Cal]]></category>
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		<category><![CDATA[All I Want Is Silence Tobias Deml]]></category>
		<category><![CDATA[appeal]]></category>
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		<category><![CDATA[Jeffrey Skoller]]></category>
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		<category><![CDATA[love letter]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=2014</guid>
		<description><![CDATA[An Extremely Unlikely Choice Be fearless, challenge your assumptions and follow your dreams. Be a true #cinebear. It was at the end of 2012; I had founded a small production company in LA, had worked on 65+ film projects either as a director, cinematographer or producer. My career was slowly getting...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Finding The Meaning of Life</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/10/16/finding-the-meaning-of-life/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/10/16/finding-the-meaning-of-life/#comments</comments>
		<pubDate>Thu, 16 Oct 2014 03:07:58 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Leisure Activity]]></category>
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		<category><![CDATA[Bob Buhrl]]></category>
		<category><![CDATA[changing lives]]></category>
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		<category><![CDATA[looking death in the eye]]></category>
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		<category><![CDATA[the meaning of life is to create lasting value for other people]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1897</guid>
		<description><![CDATA[The title of this article might sound pretentious, a click-bait or an immature call for attention – who could claim to know the meaning of life – so it is important to note that this realization is possibly only valid to my own life. Nevertheless, it would be foolish to...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Why Fashion Films shouldn&#8217;t simply be Eye Candy, and Models aren&#8217;t Mannequins</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/08/09/why-fashion-films-shouldnt-simply-be-eye-candy-and-models-arent-mannequins/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/08/09/why-fashion-films-shouldnt-simply-be-eye-candy-and-models-arent-mannequins/#respond</comments>
		<pubDate>Sat, 09 Aug 2014 17:36:23 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Tal Berkovich]]></category>
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		<category><![CDATA[The Artist Is Present]]></category>
		<category><![CDATA[Theory of Film]]></category>
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		<category><![CDATA[working with models]]></category>

		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1902</guid>
		<description><![CDATA[Introduction to the Project When I say “We know each other from SMC”, this usually classifies a friendship that goes way back on my subjective perception of time. Like, 4 years or so. Good times, undoubtedly. The people I kept in touch with over the years are mostly people who...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>14 Days of Desert, Life and Bodypaint</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/08/05/14-days-of-desert-life-and-bodypaint/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/08/05/14-days-of-desert-life-and-bodypaint/#comments</comments>
		<pubDate>Tue, 05 Aug 2014 21:16:03 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Jean-Paul Bourdier]]></category>
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		<category><![CDATA[Naked]]></category>
		<category><![CDATA[Nakedness]]></category>
		<category><![CDATA[nakedness and constructed reality]]></category>
		<category><![CDATA[nakedness as sin]]></category>
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		<category><![CDATA[Salt Flats]]></category>
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		<category><![CDATA[social construction]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1895</guid>
		<description><![CDATA[Venturing Into the Unknown &#8211; Prelude This section explains how I got on board of the project, since that&#8217;s of interest to some of you. If you want to get to the meat of the story, just skip down to &#8220;Taking the Trip of a Lifetime&#8221;. In the fall of...]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>#cinebears: The History of a Hashtag and the Future (?) of UC Berkeley Student Filmmaking</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/05/21/cinebears-the-history-of-a-hashtag-and-the-future-of-uc-berkeley-student-filmmaking/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/05/21/cinebears-the-history-of-a-hashtag-and-the-future-of-uc-berkeley-student-filmmaking/#comments</comments>
		<pubDate>Wed, 21 May 2014 17:46:57 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1875</guid>
		<description><![CDATA[I am sitting in a Starbucks in Burbank (a city that&#8217;s part of LA county) as I write this, surrounded by ridiculous air conditioning and noisy jazz. Very recent memories of a visit at the Disney Animation Studios [thanks to my long-time-no-see friend from my computer animation times in Austria, Ralf]...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Guest Article: The Art of Television Cinematography &#8211; Interview with Maja Zamojda from the UK series &#8220;Skins&#8221;</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/05/02/guest-article-the-art-of-television-cinematography-interview-with-maja-zamojda-from-the-uk-series-skins/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/05/02/guest-article-the-art-of-television-cinematography-interview-with-maja-zamojda-from-the-uk-series-skins/#comments</comments>
		<pubDate>Fri, 02 May 2014 20:58:53 +0000</pubDate>
		<dc:creator><![CDATA[Richard Alexander]]></dc:creator>
				<category><![CDATA[Cinematography]]></category>
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		<category><![CDATA[Maja Zamojda of "Skins: Fire" episodes]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1845</guid>
		<description><![CDATA[Growing up, the cinema often referred to celluloid projected on the big screen. Television was a platform left to dramas, soaps, and hospital or crime shows made on a tight budget. However, as more and more content is becoming readily available across many multi-media platforms, the &#8220;cinema&#8221; vibe is flourishing...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Inter-/Transdisciplinary Research and Education Mash-Up at UC Berkeley</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/04/24/inter-transdisciplinary-research-and-education-mash-up-at-uc-berkeley/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/04/24/inter-transdisciplinary-research-and-education-mash-up-at-uc-berkeley/#comments</comments>
		<pubDate>Thu, 24 Apr 2014 19:22:18 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Cities and the Moving Image]]></category>
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		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1827</guid>
		<description><![CDATA[Warning: This post is pretty berkeley[adj]. If that classification doesn&#8217;t make any sense to you, it will &#8211; in a few paragraphs. Prelude One thing you can get at Berkeley is smart people. While you find out that 70% of the people living in LA are &#8220;actually actors&#8221;, in Berkeley...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Like &#8230; Kind Of, Sort of, Maybe, Uhm.</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/02/06/like-kind-of-sort-of-maybe-uhm/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/02/06/like-kind-of-sort-of-maybe-uhm/#respond</comments>
		<pubDate>Thu, 06 Feb 2014 01:53:36 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Advanced Film Production]]></category>
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		<category><![CDATA[linguistics]]></category>
		<category><![CDATA[maybe]]></category>
		<category><![CDATA[Millenials generation]]></category>
		<category><![CDATA[negating what you say]]></category>
		<category><![CDATA[Neurolingusitic Programming]]></category>
		<category><![CDATA[NLP]]></category>
		<category><![CDATA[R L Stevenson]]></category>
		<category><![CDATA[self image dictated by language]]></category>
		<category><![CDATA[sort of]]></category>
		<category><![CDATA[the tradition of using like as a fill word]]></category>
		<category><![CDATA[use of English language]]></category>
		<category><![CDATA[Use of words]]></category>
		<category><![CDATA[You know]]></category>
		<category><![CDATA[You know like]]></category>

		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1800</guid>
		<description><![CDATA[The Everpresent Ridiculous Way We Millenials Learn to Talk When I came to the US in 2008, I only used the word &#8220;like&#8221; as a synonym for &#8220;similar to&#8221;. A few months later, immersed into the culture and language of California, the word radically increased in my daily use. For...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>GUEST ARTICLE: CINEMATOGRAPHY DECAL WEEK 10 – COMPOSITION</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/02/02/guest-article-cinematography-decal-week-10-composition/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/02/02/guest-article-cinematography-decal-week-10-composition/#respond</comments>
		<pubDate>Sun, 02 Feb 2014 05:34:23 +0000</pubDate>
		<dc:creator><![CDATA[Casey Currey-Wilson]]></dc:creator>
				<category><![CDATA[Cinematography DeCal]]></category>
		<category><![CDATA[Guest Article]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[arrangement of objects]]></category>
		<category><![CDATA[Casey Currey-Wilson]]></category>
		<category><![CDATA[Composition techniques]]></category>
		<category><![CDATA[Framing]]></category>
		<category><![CDATA[learning from the old masters]]></category>
		<category><![CDATA[Lighting and Composition]]></category>
		<category><![CDATA[Pixel 1.0 Symposium Presentation on Composition Tobias Deml]]></category>
		<category><![CDATA[principles of Image Design]]></category>
		<category><![CDATA[Rembrandt]]></category>
		<category><![CDATA[Vermeer]]></category>

		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1314</guid>
		<description><![CDATA[Greetings, fellow filmmakers and readers of Tobias Deml’s excellent blog. My name is Casey Currey-Wilson, and I’m a freshman at UC Berkeley taking Toby’s Cinematography DeCal this semester. This week’s topic: Composition. Before we properly delve into this important topic, I’d like to share a little bit of background. I...]]></description>
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		</item>
		<item>
		<title>Guest Article: Postapocalyptic Directing for “Phoenix 9″</title>
		<link>http://berkeley-film.tobiasdeml.com/2014/01/31/guest-article-postapocalyptic-directing-for-phoenix-9%e2%80%b3/</link>
		<comments>http://berkeley-film.tobiasdeml.com/2014/01/31/guest-article-postapocalyptic-directing-for-phoenix-9%e2%80%b3/#respond</comments>
		<pubDate>Fri, 31 Jan 2014 22:11:25 +0000</pubDate>
		<dc:creator><![CDATA[Amir Reichart]]></dc:creator>
				<category><![CDATA[Director Diaries]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Guest Article]]></category>
		<category><![CDATA[Acting]]></category>
		<category><![CDATA[acting lessons]]></category>
		<category><![CDATA[Actors]]></category>
		<category><![CDATA[Aileen Xu as "Alison"]]></category>
		<category><![CDATA[Amir Reichart]]></category>
		<category><![CDATA[Amir Reichart (Director)]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Carl Edward Williams as "Henry"]]></category>
		<category><![CDATA[Concept Art]]></category>
		<category><![CDATA[Corey Rieger as "Gus"]]></category>
		<category><![CDATA[Daniela Flynn as "Claire"]]></category>
		<category><![CDATA[dealing with stress]]></category>
		<category><![CDATA[Diary]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Directors Diary]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[financing]]></category>
		<category><![CDATA[from short to feature film]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[learning from experiences]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[pitch film]]></category>
		<category><![CDATA[pressure]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[random meetings]]></category>
		<category><![CDATA[Russell Dennis Lewis as "Ben" and Paul Lange as "Warren".]]></category>
		<category><![CDATA[Ryan Nelson as "Ace"]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[selection process]]></category>
		<category><![CDATA[Short film]]></category>
		<category><![CDATA[stress]]></category>
		<category><![CDATA[Success with online film distribution]]></category>
		<category><![CDATA[Tennis]]></category>
		<category><![CDATA[working with a Cinematographer]]></category>
		<category><![CDATA[working with actors]]></category>
		<category><![CDATA[working with DPs]]></category>

		<guid isPermaLink="false">http://berkeley-film.tobiasdeml.com/?p=1747</guid>
		<description><![CDATA[Phoenix 9 from the Director&#8217;s Point of View It has been half a year now since we shot Phoenix 9 in Los Angeles. By that time, I was writing an own blog in German, where I was writing in detail about what was going on during pre-production (ff you can...]]></description>
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