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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Daniel Lee (director) / Ho Leung Lau, Daniel Lee (screenplay), Guanzhong Luo (novel “Romance of the Three Kingdoms”)
CAST: Andy Lau … Zhao Zilong
Sammo Hung Kam-Bo … Luo Ping-An
Maggie Q … Cao Ying
Vanness Wu … Zhao Bao
Andy On … Deng Zhi
Rongguang Yu … Han De
Quanxin Pu … Zhuge Liang
Damian Lau … Cao Cao

No need for synopsis. All people know Romance of The Three Kingdom is very complicated story. This film starred by Andy Lau, Sammo Hung, Maggie Q, tries to present one part of the story, that is General Zhao Zilong (Zhao Yun). Although there are still Liu Bei, Cao Cao, Zhang Fei, Guan Yu, but the focus of the movie is in Zhao Zilong.

Andy Lau stars as Zhao Zilong, a top general of the Kingdom of Shu who takes a last stand against the invading forces from the Kingdom of Wei. Maggie Q is fictional Cao Ying, a granddaughter of Wei warlord Cao Cao, whose eldest son Cao Pi becomes the first emperor of the Wei kingdom.

Yep, there will be another movie titled ‘The Battle of Red Cliff’ that will be launched later this year.

Story is good, actors are good, so there’s no reason not to watch it.

You can check the movie website at here.

three @ Yahoo! Video

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Starring: Dan Aykroyd, Devon Gummersall, Amelia Heinle, Theresa Russell, Christopher Cousins, Mario Roccuzzo, John Cho

Director: Scott Ziehl

Running Time: 90 minutes

Horror, Science Fiction, Thriller.

Originally produced by US low budget horror geeks "Creature Features" for straight-to-cable-TV treatment, this simplistic throwback to the B-grade monster movies of the 50s has since built up a minor cult following.

Though borrowing its name from a 1958 flick featuring monstrous arachnids running riot in a small American town, this 2001 update has much more in common with Jeff Goldblum's insect incarnation in "The Fly". Though Dan Aykroyd takes the lead in the credits as the hackneyed gumshoe tracing a spate of serial killings, it's Devon Gummersall who snaps up the bulk of the screen time.

Gummersall plays Quentin Kemmer, a nerdy comic book-obsessive who skirts around the issue of asking out neighbour Stephanie (Amelia Heinle) when he's not working as a security guard at a top secret lab where some strange experiments on spiders are taking place. When amiable partner Nick (Mario Roccuzzo) gets killed in a shoot-out on the job, our Quentin decides to take drastic measures and injects himself with some spider "mojo juice".

Before long Quentin develops Geoff Capes-style strength and looks like turning into the superhero he always dreamt of being, and even Stephanie (who, incidentally, sports one wild set of eyebrows) can't help but take a bit of an interest. But there's a catch - our would-be hero also begins to take on all of the other traits associated with spiders, including speed, stickiness and a constant hunger which - you've guessed it - makes him need to kill. And I haven't even started on those extra legs yet.

The picture has a camp, comic book feel and at times it's difficult to tell whether this is consciously supposed to be an intelligent spoof or if director Scott Ziehl really believes he's making a serious horror movie. The special effects are better than you'd expect and the acting decent, though you can't help but feel for Aykroyd, having to turn his hand to such low profile work. Are times really that hard? Doesn't anyone remember "Ghostbusters" any more?

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Here is the trailer of ‘New York’.

Starring - John Abraham, Katrina Kaif, Neil Nitin Mukesh

Directed by : Kabir Khan

About the movie:

“New York” is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. For most of us, larger events in the world are just headlines in the newspapers but these events can change our lives… forever. “New York” is one such story of 3 young friends whose beautiful lives are turned upside down by larger events beyond their control.

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:Kulir 100°

Banner: Mayajaal Entertainment

Direction: Anita Udeep

Star-casts: Sanjeev, Riya Poongodi, Thalaivasal Vijay, Adhitya and many others.

Music: Bobo Sashi

With previous week not being so fair enough for film buffs, it's quite moderately contrastive here. Kulir 100 Degree - what an interesting title that's so stark. Anita Udeep being worked on so many international projects delivers her first directorial feature. Finest part is that the film’s duration is just couple of hours and she doesn’t drag you long for this simple story.

Nothing exceptional we find here...

Surya (Sanjeev), a youngster on his 11th STD is much involved in rowdyism, although he's an intellectual guy in his class. His mom Parvathi has been staying away from her husband (Adhitya) who's again a damn bully. Despites this alienation, Surya maintains a cordial relationship with his dad. Fearing that his future may get spoilt, Surya is sent to Lake View Boarding School in Ooty where things are so new to him. Rest of the film is all about how life moves on there with first love, a lovable friendship, troublesome enmity…

Newcomer Sanjeev goes for a matured performance and it's a good start. He's good on emoting perfectly as well dance. Model Riya is cool as a Barbie girl but doesn’t suit the onscreen. The fat Babloo adds to the humor quotients as well adds substance to the show.

Anita Udeep has done a brilliant job on coloring the visuals. Cinematography by L.K. Vijay scores 10/10 while Lenin's editing is commendable.

On the other end, Anita Udeep could've have added more interesting parts in this film. Although, there is romance, humor and action, It's not presented in adequate proportions and slightly scatters away audiences' attention.

As a whole, 'Kulir 100 Degree' is a flick you can watch once if you've 0 degrees of expectations...

Verdict: Watch it once.

Kulir100cam-com @ Yahoo! Video

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Cast: Sohail Khan, Vrajesh Hirjee, Yash Tonk, Amrita Arora, Arti Chhabria, Sayyaji Shinde, Kulbhushan Kharbanda

Director: Ajay Chandok

Another left-over morsel from the cans, ‘Team, The Force’ is the kind of film someone made with Team B when they couldn’t afford Team A. You see Sohail instead of Salman, and you know exactly where this is coming from.

Sohail, Vrajesh and Yash play a poverty-stricken musical-minded trio who want to play and sing and make a living.

Kindly Kulbhushan stumps up the money, but is targeted by local goon (Sayyaji) to sign over the papers of his property, or else. The fellows wade in, ready to do battle. Amrita and Arti bare shoulders and a lot else. It is Yash, not Sohail, who takes off his shirt. As always Vrajesh is wasted. And a song goes thus: kya item hai re baap; hey, you shutaaap.

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Cast: Ranjith, Sindhu Tolani, Vivek, Kanja Karuppu, Manobala, Thiyagu, Ilavarasu

Direction: Selvabharathy

Music: Deva.

Selvabharathy known for hilarious entertainers has come up with a movie that is a right mix of humour and emotions. It dwells on the special bonding shared between a mother and her son.

With Vivek at the scheme of things, he has managed to render a laugh-riot. Ranjith as Pasupathi is an apt choice for the lead role Ranjith has essayed the role with some comfort. Sindhu Tholani as Pasupathi's friend helps him in nursing his mother back to good health.

But the real scene stealer is Vivek. He plays a cop in a local station, who assists Pasupathi in his endeavors. Vivek's typical one-liners works out wonders in the movie. Shouldering a major burden in the movie, he has come up with a good performance after Sivaji.

Ranjith, leads his life for his mother. He comes from Rasakapalayam to Chennai to earn his livelihood. He meets Dass (Vivek), a constable.

After his acquaintance, he manages to gets the job of assisting the cops at the local police station. Pasupathi's heroics in pinning a criminal down result in rich rewards for Daas. He gets promoted as the local inspector. A sequence of events leads to Pasupathi's mother developing cardiac failure. In a bid to save his mother, Pasupathi runs around to arrange for money to meet the medical expenses. But fate comes in the form of a group of extremists, who hatches a conspiracy that lands Paupathi in prison. The movie ends on sentimental note with a touchy climax.

The rest of the cast includes Thyagu, Ilavarasu, Ganja Karuppu among others. Deva has composed the music, while Tajmal has handled the cinematography. Selvabharathy has managed to provide fun through the segments involving Vivek and Ranjith.

Amidst cliched mother sentiment stories, Pasupathi is different for it has a racy screenplay and sequences that are engrossing.

On the flip side, the director has lost the momentum in the second half. The screenplay has lagged down.

On the whole, the movie is enjoyable in parts thanks to Vivek.

Pasupathy-[com] @ Yahoo! Video

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Cast:Prithviraj, Kavya Madhavan, Manoj K Jayan, Kalabhavan Mani, Cochin Haneefa, Revathi,

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Starring: Vashanth, Poornitha, Sreeman, Karunas, Raj

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Movie Review:
Genre: Drama

Cast: Paintal, Neha Sharma, Mohit Sharma, Parikshit

Producer: Ravi Ahlawat

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Starring: Amitabh Bachchan

Movie Released: 2009

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chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:
Banner: G K Corporation Presents

Cast: Vishal, Shriya, Prakash Raj

Direction: Sabha Ayyappan

Production: Vikram Krishna

Music: Mani Sharma

Making a movie for the masses loaded with heroism is never an easy task. But all credit to debutant Sabha Ayappan, who has managed to walk the tight rope with glee. With Vishal at the scheme of things, the young film-maker has managed to cook up a racy and pacy masala mix that sustains interest right from the first frame.

After experimenting on screen with his last Sathyam (which ended up as a debacle), Vishal has chosen to continue his journey in a way that was typical of him till Sathyam. Thoranai is an ‘unadulterated formula film’ which has commercial elements packaged at the right mix.

The movie touted as hilarious entertainer, has loads of heroism with Vishal not just flexing his muscles but uttering punch lines that would draw cheers from his fans. The pace at which it progresses make one forget the logical loose ends in it.

Sabha Ayyappan seems to have recycled several scenes that were oft-seen and admired in mass entertainers of actors like Vijay and Vishal too to an extent. In a nutshell, it is about a young man ( Vishal), who comes to Chennai in search of his brother, who had eloped from the house several years ago. Shocked to see him become a gangster, he goes hammer and tongs to reform him and take him back to his village.

Guru (Kishore) and Thamzhirasu (Prakashraj) are dreaded gangsters in Chennai. They are against pitted each other and fight to establish their supremacy in city. They indulge in gang war painting Chennai red. Enters Murugan (Vishal). A native of Madurai, he comes to Chennai with a mission. He leaves his village promising his mother (Geetha) that he would return only with his brother, who had run away from the house about two decades ago.

Murugan gets the help of his friend Veluchamy (Santhanam). He comes across the gangsters and a sequence of events results in him incurring both their wrath. In a bloody duel with Guru, he comes to know that he is his brother, whom he has been searching for long. Now he is entrusted with the task of protecting him from Thamizharasu. How he accomplishes his task forms the crux. In between, he sings romantic duets with Indhu (Shriya), an IT employee, whom he falls for at the first sight during his stay in Chennai.

It is a callous Vishal all through the movie. He does the task entrusted to him properly. His encounters with Prakashraj make an interesting watch. Vishal excels not just in stunt sequences but also in comedy. Shriya makes a breezy appearance as Vishal’s ladylove. She sings a couple of songs in skimpily clad costumes and tries humour in the company of Aarthy. Santhanam as usual entertains with his double entendre which would go down well with the front-benchers.

Prakashraj is back in his familiar territory playing a menacing baddie. As a dreaded gangster, he fulfills his job. Kishore as Vishal’s brother is adequate for the role. His subtle performance does lend some credibility to his character. The movie boasts of a huge star cast which includes Lal, M S Baskar, Shayaji Shindae, Mayilsamy, Paravai Muniamma and T P Gajendran. Manisharma, who rendered peppy tunes in Vishal’s Malaikottai before, seems to have disappointed this time around. The songs fails to impress.

The movie which proceeds at quick pace post-interval seems to have lost his way towards the second half. It becomes more clichéd and predictable. At many places the dialogues too give one a feel of having been heard before many times.

Produced by GK Film Corporation, Thoranai is an unpretentious entertainer for those who love mass themes loaded with commercial elements. Unwind yourself and sit back for a racy entertainer this hot summer.

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Movie Review:
Cast:Bruce Campbell,Embeth Davidtz,Marcus Gilbert

Music:Jospeh LoDuca

Director:Sam Raimi

Genre:Horror|Thriller

Release Year:1993

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LONDON — A 47-year-old Scottish charity volunteer has become an unlikely international media sensation after a stunning talent show performance, amid reports she is set to cash in with a quick record deal.

By Thursday, a video clip of Susan Boyle's singing debut on the Britain's Got Talent television show last weekend had over 12 million views on YouTube, with the number rising fast.

U.S. actress Demi Moore was apparently moved to tears by the clip, while the story has been picked up around the world, with U.S., Australian and other broadcasters reportedly queuing up for interviews.

"Susan has clearly wowed the audience, the judges and the world with a truly fantastic performance," said Tom Kerr, leader of West Lothian council in Scotland where Boyle lives with her cat Pebbles.

The West Lothian Courier, her local paper, added that she was "doing what the Beatles did in the '60s" — that is, taking the United States by storm.

And, while press coverage in Britain was relatively muted, media in the United States are lapping up the story.

Global news channel CNN said it had been flooded with messages about Boyle.

The San Francisco Chronicle, under the headline "Just who is the singer Susan Boyle?" noted that "Unless you live under a rock, you know about the Scottish woman who has taken the industrialized world by storm."

"U.K. talent show stunned by Scottish virgin Susan Boyle," ran Australia's Herald Sun newspaper.

In Britain coverage was less frenetic — perhaps because Britain's Got Talent airs on private broadcaster ITV and so the story was not highlighted by rival channels.

In the clip, the down-to-earth Boyle walked on stage, saying she dreamed of emulating West End star Elaine Page.

When she began to sing, the panel of three judges led by music guru Simon Cowell appeared visibly taken aback, and the audience in Glasgow rose to its feet as her voiced soared through "I Dreamed a Dream" from Les Miserables.

Cowell was already lining up a record deal for her, Britain's Press Association reported, while versions of the song she sang entered the midweek singles chart here and the iTunes chart.

U.S. actress Moore posted the comment "It made me teary" on her Twitter page, after viewing the clip.

When told about Moore's reaction, Boyle told reporters outside her home Thursday: "That's overwhelming. That's something else."

But she appeared unfazed, saying: "I just take it all in my stride, I'm enjoying it."

Boyle's success — she is now favoured to win the British talent show — has drawn comparisons with Paul Potts, an opera-singing mobile phone salesman who won in 2007. Potts went on to have number one albums in 15 countries.

Susan Boyle Sings on Britain's Got Talent 2009 Episode 1 @ Yahoo! Video

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Movie Review:

Director : Bryan Singer
Release Date : 9 May 2003
Genre : Action
Cast : Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Anna Paquin, Rebecca Romijn, Brian Cox, Alan Cumming, Bruce Davison, Aaron Stanford, Shawn Ashmore, Kelly Hu..

Seen on: May 1, 2009

The players: Director: Gavin Hood, Writers: David Benioff, Scott Silver, James Vanderbilt, Cast: Hugh Jackman, Liev Schreiber, Lynn Collins, Danny Huston, Ryan Reynolds

Facts of interest: Gavin Hood also directed "Tsotsi" and "Rendition."

The plot: The film traces the origin of Logan aka. Wolverine, who hunts down Victor Creed and William Stryker after they screw him over big time.

Our thoughts: What you’ve seen in the trailers for Gavin Hood’s “X-Men Origins: Wolverine” is exactly what you get: fast-paced action sequences with massive explosions, but barely any story. I can’t say the first big blockbuster of the summer season at the movies totally disappointed me, but I admit I left the theater dissatisfied.

Maybe I didn’t love “Wolverine” as much as I thought because I walked into the film expecting the same kind of genuine depth I so much enjoyed in “X-Men” and its absolutely brilliant sequel “X2.” Or maybe I was just hoping to find out more about the origin of Wolverine instead of watching him spend 107 minutes chasing after his biggest enemies.

Whatever the reason, “X-Men Origins: Wolverine” falls victim to a shallow script that clearly fails to deliver a story line intriguing and unique enough to turn this prequel into a memorable experience. Alas, Hood’s film, though filled with decent action and nice visual effects, is nothing but a forgettable installment in a great series (not counting “The Last Stand”).

What this film is really missing is character, a flaw that kept bugging me all throughout the movie. Sure, we do catch a good glimpse at what happened to Logan during his childhood and how he came to be so powerful and consumed by revenge, but other than that, the film clearly refuses to offer viewers a complex character they should really care about.

Sophisticated superhero flicks such as “Spider-Man,” “Iron Man,” and the past two “Batman” movies devoted considerable time exploring flawed heroes who wrestled with the dark sides of life, but not so much “Wolverine.” No, Logan is pretty much an indestructible mutant who rarely faces a tricky challenge, and the film’s analysis of his psyche just doesn’t cut it.

As I said before, Wolverine spends most of the movie trying to seek revenge against his brother Victor Creed (Liev Schreiber) and William Stryker (Danny Huston), and although the plot lacks both suspense and surprises, I still admit the large amount of loud, brainless action sequences manage to deliver decent big-screen entertainment.

Sure, many of the battles you get to see in “Wolverine” lack intensity and simply can’t measure up to some of the awesome action moments we’ve seen in other recent superhero films, but all in all, they did a pretty good job of keeping the movie out of the boredom zone. In other words, “Wolverine” could have been a lot worse.

Poor character development is certainly one of Hood’s film’s main weaknesses, but much to my surprise, I still ended up enjoying Hugh Jackman’s performance as the aggressive mutant who gets screwed many times and won’t rest until he’s kicked some major butt. The same goes for Huston, Schreiber and even the beautiful Lynn Collins.

Freaky quote: “I'm coming for blood, no code of conduct, no law." – Hugh Jackman

The final word: “X-Men Origins: Wolverine” is not a waste of time or money, but it’s not exactly a marvelous action blockbuster either. The film has enough potential and superficial energy to keep folks entertained for 107 minutes, but don’t dare expect more. Logan’s claws may be shiny and sharp, but they don’t cut deep enough.

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Movie Review:

Cast: Saif Ali Khan, Pooja Bhatt, Atul Agnihotri, Sheeba

Director: Lawrence d’ Souza

Do not mistake this for the 1982 entertainer of the same name, starring Kamal Haasan and Reena Roy. But this ‘Sanam Teri Kasam’ is not exactly new either—it’s been stuck in the cans for over a dozen years.

It’s coming out spills open a can of worms, confronting us with the kind of dreadful cinema we used to make back then.

Casanova Saif loves ‘em and leaves ‘em, till one day he runs into the true love of his life (Pooja). They spend the first half of the film trying to get into awkward clichés; the next half gets complicated with poor Pooja getting tricked into becoming the wife of Saif’s best friend Atul, leaving Saif to mope, and cry on Sheeba’s heavily-pancaked shoulder.

Remember Saif when he started out?

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Watch Online Latest Movie Detective Naani 2009

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

Watch Online Latest Bollywood Movie Detective Naani

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Movie Review:

Detective Naani Movie Review

Detective Naani: Grand Mess

Rating: 1.5 out of 5*

Starring: Ava Mukherjee, Master Zain Khan, Ankur Nayyar, Amrita Saluja, Shubhangi Gokhale, Amit Verma and Shweta Gulati

Director: Romilla Mukherjee

During her daily ritual of morning walk, 75 year old Naani (Ava Mukherjee the famous Dabur model) witnesses a small girl (Saili Shettye) peeping at her nervously. Intrigued, as Naani tries to find more about the girl she stumbles on a huge racket. In her mission to unearth the big mystery she is aided by her aspiring detective grandson (Zain Khan) as also from some unexpected quarters. How her mission ends in a success and what positive changes this journey brings in the lives of Naani and those around her form the rest of the plot.

The basic plot premise sounds interesting on paper but the whole execution and unintelligent screenplay makes you wish it could have better made into an episode of a TV series. Since it has an unusual detective jodi of a grandmother and her grandson, the whodunit should have been laced with more funnier and imaginative moments. But unnecessary time is wasted on lack luster sub plots such as the two online lovers etc. Even the intended romantic track between the investigating CID officer (Ankar Nayyar) and Naani's divorcee daughter (Amrita Saluja) appears half baked. What is worse is the running time which stretches to 135 minutes. You keep looking at your watch as one stupid sequence follows the other, hoping it all to end!

Sometimes you feel like forgiving all the above problems since it's the director's debut attempt and try to take solace in good acting but well you are disappointed on this front as well. While Zain Khan gets irritating after a point the rest all are no good either. Ava Mukherjee is the only saving grace.

Just give this film a miss. It tries to be a cute whodunit but ends up being a mess and a waste of your time.

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Watch Hollywood Movie In Tamil Silver Bullet

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

Watch Latest English To Tamil Dubbed Movie Silver Bullet

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Movie Review:

Everyone should have an Uncle Red . . .

I mean I don't, but I wish I did. And in Stephen King's Silver Bullet, the relationship between Uncle Red (Gary Busey), Marty Coslaw (Corey Haim) and Jane Coslaw (Megan Follows) was really at the heart of the story. Well, that and the murderous werewolf that was stalking the local residents, that is.

The film begins with a bang (well more like a thud) as one of the town drunks who works on the railroad tracks is found dead. Everyone kind of assumes that in a drunken stupor he somehow got himself caught on the tracks. But when other (more respectable) townsfolk wind up dead, everyone realizes that there is some kind of monster on the loose. Only they don't realize how right they are about the monster part.

Marty who is paralyzed and his sister, Jane who is constantly given the responsibility to watch over Marty, are the only two in town who realize what is stalking the townspeople. After their Uncle Red gives Marty a new hot-rod wheelchair (fondly nicknamed The Silver Bullet) and some Fourth of July fireworks, Marty sneaks out of his second story bedroom to shoot them off. This is no easy feat for a little boy whose legs don't quite work. I mean, getting out might not be too far beyond the realm of possibility, but getting back up? It was a stretch to say the least. But I digress . . . So Marty is off shooting off his fireworks which wake up the Werewolf who promptly comes to attack Marty. But Marty has saved a rocket for his last firework and shoots it into the monster's eye. He then hightails it back home and somehow gets away from the wounded Werewolf.

The next day he begs Jane to help him find out who in town is the Werewolf. She is not quite sure she believes Marty but decides to do her best to see all the townspeople. At the end of her travels she runs into a towns person who does have an eye injury ( I won't disclose now in case you watch). She is then convinced so she and Marty go to the only adult they think might help them - Uncle Red. He is reluctant to help but when the kids both give him silver necklaces to have made into a silver bullet, he does. He then arranges for their parents to be away on the next full moon (which happened to fall on Halloween - what a coincidence!). And then they wait for the Werewolf to cometh . . .

This is a really cute and touching story. It is like a G-rated horror film in my opinion. Well, G-rated might be an understatement, but it is a great little horror flick to watch with the kiddies on a Sunday afternoon.

Something to look out for in the movie is the character of Owen Knopfler (Lawrence Tierney) as he walked around with his "Peacemaker". I just couldn't help thinking "Toby Whang? . . . Toby Wong? . . . " everytime I saw him in a shot. If you are a Reservoir Dogs fan, you will get my reference! If not, watch Reservoir Dogs it is an awesome film.

TamilDubbed @ Yahoo! Video

Watch Latest Tamil Dubbed Movie Stealth

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Rated: PG-13
Distributor: Columbia Pictures
Release Date: 2005-07-29

Starring: Josh Lucas, Jessica Biel, Jamie Foxx, Sam Shepard, Richard Roxburgh, Joe Morton

Directed by Rob Cohen
Produced by Mike Medavoy, Arnold Messer, Neal H. Moritz, Laura Ziskin
Written by W.D. Richter

Picture three of Hollywood's most promising actors trapped in the absolute worst eighties rock video imaginable. In a strange way, it’s wonderful. Whether by accident or intent, Stealth misses only a theme song by Kenny Loggins to capture all things both good and bad about mid-eighties blockbusters. Director Rob Cohen has borrowed heavily from movies like D.A.R.Y.L., War Games, Top Gun, and even Flight of the Navigator, lifting almost wholesale all their silliest moments and jamming them into a huge wad of goofy, take my breath away nostalgia. It's wacky, half-baked, and fast paced. I'm not sure if I should club it to death or hug it.

W.D. Richter’s script is the story of three hotshot naval pilots forced to help the military test out their latest advancement, a warplane without a driver. It’s not a simple drone; the plane is controlled by an intelligent computer whose brain rests inside a rather stylish looking ball mounted in the cockpit. The ball is named EDI or “Eddie”, and has one of those really soothing, friendly computer voices that tells you it’s up to no good. Our Homo sapien hotshots are Ben (Josh Lucas), Kara (Jessica Biel), and Henry (Jamie Foxx), but it’s Eddie that has all the personality. Lucas, Biel, and Foxx are all extremely gifted actors, there’s just nothing written in the screenplay for them to sink their teeth into. You have to wonder what they’re even doing here. In the case of Foxx he signed up for it before he commanded the respect earned with an Oscar. In the case of Biel, she looks to have been searching for a place to show off the muscles she acquired on the set of Blade Trinity. Josh Lucas, I’m going to assume he needed a new swimming pool. From the vacant “kill me now” expressions behind their eyes, it’s obvious that none of them are happy. Their characters are running on empty, and there’s nothing any of these usually talented people could have done to save them. Oh, they eat popsicles and wear bikinis, but other than a stock “I fear being replaced by computers” overreaction from Ben they’re a pretty banal group, of the type you’ll find in any military movie

What’s most unique about them is their planes, which instead of being normal military fighters are souped-up super-planes. It’s a little unnecessary, when you consider Eddie is already himself super-enhanced. The film might have been better were they running around in older fighters, trying to battle superior technology with sheer brains and instinct rather than fighting superior technology with slightly less superior technology. But this isn’t that kind of movie. It’s a throwback to a time when if you could fit a Mr. Fusion on a Delorion and turn it into a flying contraption, then by God you did, because that’s a pretty cool thing to do.

As you’d expect, eventually Eddie goes haywire and stops following orders. There’s a weird attempt to indicate that this may have been caused by a lightning strike, but if you’re going to spend that much money on a jet you’d think the government would equip it to handle a thunderstorm. Ben and his cadre are ordered to hunt Eddie down, but find themselves being undermined by a typically corrupt Navy General. Mixed in there is a really laughable plane crash and a lot of missile launches and explosions culminating in a heavy handed funeral sequence that’s bound to elicit unlooked for laughter.

Rob Cohen is the man to blame for both The Fast and the Furious and xXx, so it’s no surprise thatStealth fits comfortably into their mold of silly excitement. Like Cohen’s previous films, it drips with his signature noisy, amped up, frequently annoying style. But unlike his other work where the man at least seems to know where he’s going with the material, Cohen doesn’t really appear to be taking Stealth anywhere except perhaps straight over the edge.

There’s no denying it, Stealth is ridiculous. It’s a big, sloppy, fur ball of stupid, wild action sequences punctuated by lame military pomposity. Twenty years ago this film would have been huge. Today it’s hilarious. It’s a big, lumbering, idiotic brute of an action film; giddy with high-octane schmaltz and so full of unjustified hubris it’ll give you an incurable case of the giggles. Even the effects are good for a chuckle, with rollickingly dumb crash sequences and unnecessarily CGI’d warplanes packed into every frame of the film. A lot of people are going to hate it, but if you’re a little lonely for the good old days of manic computers, personality free pilots, and terrible soundtracks, then you won’t want to miss this one. Stealth is a movie so bad, it’s almost good.

vimanam @ Yahoo! Video

Watch Tamil Latest Movie Resident Evil

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Resident Evil is the latest movie to be released based on a popular video game. Let me state upfront that I have not played this particular game, but I do not think being a fan of the game could've possibly improved my enjoyment of this film. Suffice to say you're not going to be hearing much about this one at the Oscars.There isn't much story here. Basically, there's about as much storyline as one might expect in a video game. Imagine that! Unfortunately when moving a game to the big screen, one generally expects the story and characters to get fleshed out a bit. It just doesn't happen here. The general idea is that this is set in the 21st Century where a big evil company is doing naughty things such as DNA manipulation and virus generation in the name of top secret military research. The virus gets loose, and a computer controlling the secret underground society goes haywire. And that's just about enough setup to send in a special ops response team and give them some flesh eating zombies and other mutating creatures to shoot. The movie has a whole "Night of the Living Dead" thing going.

When I say there's no character development, I'm not kidding. The movie stars Milla Jovovich, and we never even find out her name. I guess they assume we know it from the game. I must say she's looking good here. She's bulked up a bit since The Fifth Element and looks much much better. We do catch some of the other character's names, but unfortunately the dialog is limited to exclamations, barking commands, etc. This movie really does just kinda start in the middle of the action like a video game and ends without closure. The prospect of a sequel is scary because I do not want to have to sit through it and review it!

Other than a bit of eye candy, there's just not much to this movie. Resident Evil might be worth screening on DVD if you're into horror and shoot-em-up type action. But there's no reason to go out of your way to catch it on the big screen, and somehow I do not think it will be in theaters more than a couple of weeks anyway. We give it 2 stars, and we're being generous.

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Watch Online Movie Titanic

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

First off, I have been waiting for Titanic to be released into theaters ever since I first heard they were making it. Hearing James Cameron would direct, I was a little worried that he would turn it into an action film. I felt that the maiden voyage of the R.M.S. Titanic had more going for it than action, and it deserved more respect (not that I'm saying the action genre isn't respectful... or maybe I am). Upon seeing the first previews of the film (over a year ago), I realized that Cameron had created something that has to be seen. It wasn't going to be an action film, but a romantic love story revolving around the Titanic's disastrous voyage. And then, come July, and I heard the worst news of the year--Titanic was being pushed to December. I was incredibly disappointed, but the film's trailers still loomed in my mind. December 19 was approaching fast, but it seemed to take forever.

And then it hit theaters. I bought tickets the night before, just to make sure I had them. The film's title appeared in big, bold letters against an oceanic background. I let out a small cheer for myself and the film. For over three hours, I sat in my seat, spellbound. There really are no words to describe it. This is an experience one must see to believe. The trailers make it look like an action-packed, visual-effects filled story that had a romance story as a subplot. Instead, the sinking of the Titanic is the subplot, while the romance becomes the film's center. On exiting the theater (and wiping away the tears), I overheard comments from an audience member who thought it was going to be a disaster film filled with peril and death. This was a rather tasteless remark, and I wanted to turn to him and ask him if he had ever seen any of the previews. However, he was partially right... it is filled with death and peril. But only for the final hour or so.

Titanic begins deep under the ocean (over two and half miles below the surface). The dark blue surrounds the camera's view, and then a light in the background appears. Several small submarines move in the darkness (reminiscent of Cameron's The Abyss) and the light shines upon a "ghost ship coming out of the darkness." What's so remarkable about this scene is that these shots are actual footage of the real Titanic. Cameron shot this footage, taking shots from inside the ship with small vessels attached to cables. The head of these excursions into the Titanic is led by Brock Lovett (Bill Paxton), an explorer hoping to find a valuable diamond which was believed to be aboard the ship. Instead of finding the diamond, they find a safe full of drawings and other rotted paper. One of these drawings is of a nude woman, who happens to be wearing the diamond, appropriately called The Heart of the Ocean.

Showing the picture on the TV, Lovett receives a phone call from Rose Calvert (Gloria Stuart), who claims to be the woman in the picture. She is flown in, where she begins to tell a story about a woman, Rose DeWitt Butaker (Kate Winslet). Rose is a 17 year old girl being forced to marry a man she does not love. This man is Cal Hockley (Billy Zane), a rich eccentric with more love for his money than Rose. Calvert's story begins with these two arriving at the farewell of the R.M.S. Titanic, nicknamed "The Unsinkable." The first class members board with pets and luggage, while third class members need to be checked for lice and other diseases before boarding. A poor artist, Jack Dawson (Leonardo DiCaprio), wins a ticket for third class during a poker game. His friend, Fabrizio De Rossi (Danny Nucci), also boards in order to escape to America. Shortly after the ship leaves the dock, Jack spots Rose standing on the first class level. Rose is so miserable with her engagement that she runs to the edge of the boat to commit suicide. Jack stops her, and the two begin a friendship which later turns into a passionate affair.

As all this is going on, the ship itself is being pushed to its limits. Considered to be the fastest and largest moveable manmade object, one passenger, Bruce Ismay (Jonathan Hyde), wants Captain E.J. Smith (Bernard Hill) to break the speed record. Against fair warnings, the Captain complies and pushes the ship to full power. This, of course, leads to the demise of the Titanic. The sinking of the Titanic is by far the most exhilarating moments I have ever seen on screen. The awesome grandeur of this sequence is perfect film making. Sure, there may be a couple moments where the special effects waver, but that is not important to the story or to Cameron. The incredible suspense that amounts is more than any other film this year, surpassing the terrific Contact's transportation moment. I thought I had seen everything, from the White House exploding, to the destruction of an entire city. But I had never seen anything like this. The energy this scene creates alone would power any other film. But Titanic has much more to offer than any other film. It combines humor, romance, action, suspense, and sex into one incredible motion picture that defies explanation.

Of course, Titanic's central aspect is the love story between Jack and Rose, and the crush it has on Cal. The romantic story isn't original, but this is not a bad thing. Cameron re-invents the story to fit the time period and its characters. Everything fits perfectly, with nothing ever seeming contrived or awkward. Jack's immediate interest in Rose, and Rose likewise, is completely understandable. She is suffering emotionally, and Jack is there to support her. Themes from Romeo and Juliet are included, such as Rose being an upper-classman, and Jack being lower class. But the emotional connection between Rose and Jack is almost palpable, and this fuels the film's first two hours. We watch the trials of Jack and Rose, and as they overcome them, the ship comes closer to destiny. With a ship as large as the Titanic was, it was destined to crash. And of course, the ship isn't stocked with enough lifeboats to accommodate the 2,200 passengers. In the end, over 700 people survive, while the rest drown, freeze, or commit suicide.

The resolution of the film, after the ship's gone under, is just as powerful as anything else in the movie. It ends rather surprisingly, with a touching symbolic conclusion. Most films end predictably, or inappropriately, but Titanic ends just on the right note. In fact, the symbolism of the final scene is so perfect, that many people will contemplate over the meaning for months. The film does end rather depressingly, and unexpectedly, but when you think about it, it couldn't have ended any other way. All the questions are answered, and we are left with a weak smile due to the intense situation we were just put through. The Titanic sinking is an emotional roller coaster, with many more realistic deaths than any Independence Day. The death scenes are so realistic, that you find yourself caring for every single passenger. Cameron never compromises the integrity of his film, and the deaths of the passengers is never overemphasized. He doesn't linger on each death, but takes it as it comes to show us the realism without trying to force emotions out of the audience. But emotions do show, and almost anyone will find themselves wiping away a few tears.

Titanic's technical effects are the most impressive of any film this year. The production design, by Peter Lamont, is so meticulous in the small details, that we never realize the impact it has on the overall production. Everything, from the silverware to the enormous furnaces and engines, is perfectly in place. The cinematography, by Russell Carpenter, is incredibly rich. The detail in each shot is quite exquisite, and the visuals are very impressive without seeming too much like artificial visuals to make us gawk. What we gawk at is the realism. The pistons that spin the propellers are huge, but the visual impact is even stronger. Since Titanic is a period piece, the costumes, by Deborah Lynn Scott, had to be perfect. And they are. Nothing seems like it doesn't belong in the early 20th century. And then, there are the special effects. Combining the power of Industrial Light & Magic with Cameron's Digital Domain (as well as a couple other companies), Titanic contains the most impressive special effects this year, and ever. Most special effects come across as effects, and nothing more. Titanic uses special effects to enhance the realism of the story, not the other way around. The ship is brought to the screen via visual effects, models, and a near full-scale model. Watching people fall from the ship is incredible, and the death scenes were too realistic for some people in the audience. When the ship splits in half and lands back on the water, a gasp is heard from almost everyone in the audience. The music, by Cameron-regular James Horner, is extremely appropriate, giving the film a more epic-type feel to it. The music is terrific, and deserves the Oscar for Best Original Score.

Cameron, as a storyteller, is among the best ever. His technique is perfect for these kinds of expensive motion pictures. But Cameron always makes good movies, no matter what kind of a budget he may have. Perhaps the biggest downfall of Titanic is its enormous budget. Somewhere around $200 million, Titanic easily surpasses Waterworld as the most expensive film to date. But while watching Titanic, you can see where the money went. And you also don't care what it cost. You want to thank Cameron for giving us a film like this one. Cameron had major control over the production of this film, taking the directing and screenwriting into his own hands. He also co-edited and co-produced. Cameron's screenplays are typically well written, with smart dialogue, funny humor, and great action. But Titanic contains an emotional element last seen in Terminator 2: Judgment Day, and elevates it even more. This is a beautifully written screenplay, with terrific humor and very dramatic situations. Thankfully, Cameron opted to focus the story on the adventures of two fictional characters, instead of many different ones. We get to know them, and care for them. By the time the ship begins to sink, we actually care that the people on the ship live, instead of watching the mayhem swallow faceless victims up.

Titanic's cast is among the best this year. Leonardo DiCaprio is not one of my favorite actors (he was in last year's horrible William Shakespeare's Romeo + Juliet), but here, he sheds the cocky image (more than likely a result of Cameron's control over his actors). DiCaprio gives his best performance to date, never seeming like an actor portraying a character. However, it is Kate Winslet's performance that steals the show. Her impressive resume of work has made her one of my favorite actresses, and this just adds to it. Winslet portrays all the confusion and love and hate that any other actress couldn't do as effectively. The scenes with her and DiCaprio are emotionally charged, and the connection between the two reminds us of what good chemistry can do for a film. Billy Zane has proven to be a reliable actor, but again, he tops himself as the villain of the film. Zane adds just enough love and warmth to the role in the beginning, but as Winslet begins falling in love with DiCaprio, he sheds that image until the final moments of the film. He shows an evil and jealous side to his personality, but it's never artificial. Gloria Stuart gives a remarkable performance in a role that marks her return during a long dry spell (her last film was in 1986). Stuart's Rose is old, but she still has the spirit of when she was 17. Her face glows with love. Bill Paxton also does a very good job, though his character is mainly there in order to begin the story. Kathy Bates gives yet another terrific turn as the real-life Mrs. Molly Brown. This ensemble cast is quite good, but it is DiCaprio and Winslet who shine on screen.

Titanic is rated PG-13 for disaster related peril and violence, nudity, sensuality, and brief language. The nudity is not inappropriate, as it is done tastefully. Winslet appears topless, but Cameron never exploits the nudity. If we do manage to see her topless, it is not because Cameron wanted to, but because the camera happened to be there. Titanic is a grand epic motion picture which is sure to sweep the Oscars. This is the first film since Schindler's List that I have wanted to win Best Picture, and has a good chance at doing it. Let's face it, James Cameron deserves some recognition for all his hard work. In fact, this is the first film since the 1993 epic that I have wanted to sweep the Oscars (which is unfortunate because I want Contact to win a few too). Titanic is by far the best film of the year. Titanic will be remembered as an instant classic, going down in history as the most expensive film ever made, but also as one of the best films ever made.

Love @ Yahoo! Video

Watch Latest Hollywood Movie Victoria 2009

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

Watch Latest Hollywood Movie Victoria 2009

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Movie Review:

Director : Jean-Marc Vallée

Release Date : 6 March 2009

Genre : Drama

Cast : Emily Blunt, Rupert Friend, Jim Broadbent, Miranda Richardson, Mark Strong..

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Watch Online Latest Hindi Movie Suno Na – Ek Nanhi Aawaz 2009

chaitu0987@yahoo.co.in (admin) — Fri, 26 Jun 2009 10:48:00 +0000

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Movie Review:

Suno Na – Ek Nanhi Aawaz: Is simply boring.

Rating: 1.5 out of 5*

Starring: Tara Sharma, Dharmendra Gohil, Avinash Tiwari, Rinku Patel, Makarand Shukla and Neha Baam

Director: Amy Thanawala

Small town girl from Andhra, Anupama’s (Tara Sharma) boyfriend ditches her after she becomes pregnant. But Anu taking a brave step decides to get keep the child much against her family’s wishes. Facing their opposition, she moves to Mumbai with her best friend Raina (Rinku Patel) and even manages to get a job. Soon she begins experiencing an unusual thing. She starts hearing her yet unborn child talking to her. She names her unborn child Sammy and starts enjoying conversations with it. As Anu sets out to get a father for her child, she encounters three men from varied backgrounds. First one is her neighbour, musician HMV (Avinash), the second one is middle class professor Dhruv (Dharmendra Gohil) and the third one is her office colleague Deepak (Makrand). But then as Anu is trying to zero down on one, she realizes HMV is gay, Deepak is too conservative to accept someone else’s child and Dhruv is heartbroken on knowing she is carrying someone’s child without marrying him. Finally it boils down to a hospital climax which is the height of idiocy wherein all the three suitors are shown going inside the labour room wearing the scrubs. As expected by the audience by now, the new born turns out to be a girl. Professor saab Dhruv then makes Anu realize that it was her own inner voice she was listening to and not the unborn baby’s!

The whole concept of the film is suited more for a TV serial than a full fledged film. As you sit down to watch the film, your interest wanes of 20 minutes into the film. Lack of imaginative writing, screenplay full of clichés seen umpteen times before starts grating on your nerves and you wait for the film to end. Towards the end also you lose the curiosity who shall Anu end up with.

Tara Sharma is a decent actress but has a bad dialogue delivery. Amongst the three newcomers in male leads, Avinash Tiwari is okay while the rest two just about pass the muster. Rinku Patel is good.

Just give this film a pass and save yourself the agony which seems much worse than actual labour pains.