<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-8994283764865713087</id><updated>2024-11-01T01:04:21.802-07:00</updated><category term="Tribeca Film Festival"/><category term="New York"/><category term="Tribeca"/><category term="2011"/><category term="Austin Film Society"/><category term="Film"/><category term="Tribeca Cinemas"/><category term="Tribeca Film"/><category term="2010"/><category term="Attendance"/><category term="Awards"/><category term="Craig Hatkoff"/><category term="Digital Media"/><category term="Documentary"/><category term="Film Festival"/><category term="Jane 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term="RUSH"/><category term="Richard Linklater"/><category term="Shut Up Little Man"/><category term="Slacker"/><category term="Social Issues"/><category term="Social Message"/><category term="Soundtrack for a Revolution"/><category term="South Africa"/><category term="Streaming"/><category term="Talihina Sky"/><category term="Taylor Swift"/><category term="The Bang Bang Club"/><category term="The Cove"/><category term="The Last Rites of Joe May"/><category term="The Other City"/><category term="The Writer's Guild Foundation"/><category term="Tom Hanks"/><category term="Tony Kaye"/><category term="Tribeca Enterprises"/><category term="UCLA"/><category term="US"/><category term="Under Our Skin"/><category term="Video"/><category term="Washington DC"/><category term="Weekly Update"/><category term="Which Way Home"/><category term="William Peterson"/><category term="Winners"/><category term="Writers Guild Foundation"/><category term="Writers' Program"/><category term="Young Hall Courtyard"/><title type="text">UNITEDFILMMAKER.COM | Entertainment Industry Network</title><subtitle type="html">UnitedFilmmaker.com is an online entertainment industry network. </subtitle><link href="http://unitedfilmmaker.blogspot.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default?start-index=26&amp;max-results=25" rel="next" type="application/atom+xml"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>49</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-2867076303881367894</id><published>2011-08-04T17:52:00.000-07:00</published><updated>2011-08-04T17:59:00.667-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="UCLA"/><category scheme="http://www.blogger.com/atom/ns#" term="Writers Guild Foundation"/><category scheme="http://www.blogger.com/atom/ns#" term="Writers' Program"/><category scheme="http://www.blogger.com/atom/ns#" term="Young Hall Courtyard"/><title type="text">Join the Writers Guild Foundation at the 12th annual UCLA Extension Writers Faire</title><content type="html">&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;a href="http://www.wgfoundation.org/images/writers-guild-foundation-banner2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="81" src="http://www.wgfoundation.org/images/writers-guild-foundation-banner2.jpg" width="640" /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;b&gt;Sunday, August 28; 11am – 3pm&lt;br /&gt;
Exhibit Mall opens at 10am&lt;br /&gt;
UCLA campus, Young Hall Courtyard&lt;br /&gt;
Admission is FREE.  Parking on campus in Lot 2 is $11.&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Five great reasons to attend the Writers Faire:&lt;/b&gt;&lt;br /&gt;
1.      Hear lively discussions about the art and craft of writing by more than 60 Writers’ Program instructors in your choice of 24 unique mini-classes&lt;br /&gt;
2.      Enroll in most fall Writers’ Program courses at a 10% discount (This day only; advanced courses not included.  You must enroll at the Faire in order to get the discount.)&lt;br /&gt;
3.      Get one-on-one advisement on courses and certificate programs&lt;br /&gt;
4.      Attend a special session on graduate programs in creative writing&lt;br /&gt;
5.      Visit with 20 professional and community organizations, graduate programs, and writing-allied businesses who share a common goal of promoting writing in Los Angeles&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
Can’t attend the Faire?  Watch a live stream of four mini-classes by clicking on &lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=90418&amp;amp;L=207224"&gt;http://www.ustream.tv/channel/writers-faire&lt;/a&gt; or &lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=90418&amp;amp;L=207225"&gt;https://www.facebook.com/writersprogram&lt;/a&gt; from 11am-3pm on August 28.   The Writers’ Program offers more than 50 online screenwriting and creative writing courses in fall, so you can be a part of their writing community no matter where you live.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;For more info, contact the UCLA Extension Writers’ Program.&lt;/b&gt;&lt;br /&gt;
&lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=90418&amp;amp;L=30852"&gt;www.uclaextension.edu/writers&lt;/a&gt;&lt;br /&gt;
&lt;a href="tel:%28310%29%20825-9415"&gt;(310) 825-9415&lt;/a&gt;&lt;br /&gt;
&lt;a href="mailto:writers@uclaextension.edu"&gt;writers@uclaextension.edu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;a href="http://www.comf5.com/?r=" style="color: #114170;" target="_blank"&gt;&lt;img border="0" src="http://www.attainresponse.com/img/ar_mail_footer.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2867076303881367894" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2867076303881367894" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/08/join-writers-guild-foundation-at-12th.html" rel="alternate" title="Join the Writers Guild Foundation at the 12th annual UCLA Extension Writers Faire" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-7937412033683590847</id><published>2011-08-04T16:23:00.000-07:00</published><updated>2011-08-04T16:27:09.169-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Edward Burns"/><category scheme="http://www.blogger.com/atom/ns#" term="Newly Weds"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film"/><title type="text">TRIBECA FILM ACQUIRES EDWARD BURNS’ NEWLYWEDS TO BE RELEASED ACROSS MULTI PLATFORMS</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: 'Times New Roman', serif; font-size: 13px;"&gt;Actor/Writer/Director Explores Relationships in Multi-Character Story&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align="center" style="font-family: arial, sans-serif; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;***&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="font-family: arial, sans-serif; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“…its story is made crisp and new by some very intimate performances.”- Movieline&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="font-family: arial, sans-serif; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“Newlyweds is vintage Burns: charming, talky and funny.” - Forbes&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;a href="http://3.bp.blogspot.com/-RpPCe8Urltk/TjsqbJdZ_II/AAAAAAAAnQo/9MuyW4Kf7X0/s1600/Tribeca+Film+2011.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-RpPCe8Urltk/TjsqbJdZ_II/AAAAAAAAnQo/9MuyW4Kf7X0/s1600/Tribeca+Film+2011.png" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;New York, NY – August 4, 2011 – Tribeca Film announced today that it has acquired US and Canadian distribution rights to&amp;nbsp;&lt;i&gt;Newlyweds&lt;/i&gt;, actor/writer/director Edward Burns’ comedic relationship drama that had its world premiere as the Closing Night selection at the 2011 Tribeca Film Festival. A release in late 2011 is planned across multiple platforms.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Since the 1995 release of the critically-acclaimed&amp;nbsp;&lt;i&gt;The Brothers McMullen&lt;/i&gt;, Edward Burns has been an independent film renegade, utilizing cutting-edge technology to make quality motion pictures on low budgets while reaching wide audiences through new platforms such as iTunes and Video on Demand.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Newlyweds&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&amp;nbsp;is the 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;film written and directed by Burns. Shot in a fast paced 12 days exclusively in New York City’s Tribeca neighborhood, the film is a chronicle of modern marriage complete with the crackling humor and sharp insights into contemporary relationships that Burns fans have come to love.&amp;nbsp;&amp;nbsp; The film tracks a newly wedded couple whose honeymoon period is upended by the arrival of the husband’s wild-child baby sister and the crumbling marriage of the wife’s meddlesome sister.&amp;nbsp; A 21st Century Manhattan love story,&lt;i&gt;Newlyweds&lt;/i&gt;&amp;nbsp;highlights the unarguable truth that when you get married, you’re not just getting a husband or wife, you’re getting the family, the friends, and even the exes.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;The cast includes Burns, Caitlin FitzGerald (&lt;i&gt;It’s Complicated&lt;/i&gt;), Max Baker, Marsha Dietlein Bennett and Kerry Bishé (&lt;i&gt;Nice Guy Johnny&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Scrubs&lt;/i&gt;). Burns produced&amp;nbsp;&lt;i&gt;Newlyweds&amp;nbsp;&lt;/i&gt;with producing partner Aaron Lubin and William Rexer. Mike Harrop served as executive producer.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“I have enjoyed a great relationship with the Tribeca Film Festival since its inception and I am so thrilled to be collaborating with them to bring&amp;nbsp;&lt;i&gt;Newlyweds&lt;/i&gt;&amp;nbsp;to a broad commercial audience,” said Burns. “The unique, multi-platform release of&amp;nbsp;&lt;i&gt;Nice Guy Johnny&lt;/i&gt;&amp;nbsp;broke new ground last year and brought my work to audiences who have traditionally had trouble accessing independent films theatrically. I am extremely confident that we will really build on that success now that we have Tribeca Film onboard for&amp;nbsp;&lt;i&gt;Newlyweds.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“&lt;i&gt;Newlyweds&lt;/i&gt;&amp;nbsp;shows how authentic filmmaking can spring from intentionally modest circumstances. Made on a remarkably small budget, it is a rich and resonant exploration of relationships brought to life by vivid location work and lively, intelligent performances,” said Geoffrey Gilmore, Chief Creative Officer of Tribeca Enterprises. “We look forward to presenting&amp;nbsp;&lt;i&gt;Newlyweds&lt;/i&gt;&amp;nbsp;to North American audiences.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;The deal was negotiated by Nick Savva, Director of Acquisitions, and Nancy Schafer, SVP, for Tribeca Film with Burns and Lubin along with Cinetic Media’s John Sloss.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“&lt;i&gt;Newlyweds&lt;/i&gt;&amp;nbsp;walks along a well-traveled path blazed previously by Woody Allen, but its story is made crisp and new by some very intimate performances,” noted Movieline. Bishe and Fitzgerald “excel at playing simmering resentment on screen,” raved Elle magazine.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;About Tribeca Film:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Tribeca Film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including theatrical, video-on-demand, digital, home video and television.&amp;nbsp; It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/7937412033683590847" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/7937412033683590847" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/08/tribeca-film-acquires-edward-burns.html" rel="alternate" title="TRIBECA FILM ACQUIRES EDWARD BURNS’ NEWLYWEDS TO BE RELEASED ACROSS MULTI PLATFORMS" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://3.bp.blogspot.com/-RpPCe8Urltk/TjsqbJdZ_II/AAAAAAAAnQo/9MuyW4Kf7X0/s72-c/Tribeca+Film+2011.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-2172079677538689973</id><published>2011-07-28T09:21:00.000-07:00</published><updated>2011-07-28T10:14:16.372-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="The Last Rites of Joe May"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca"/><title type="text">TRIBECA FILM ACQUIRES THE LAST RITES OF JOE MAY</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-doOZJDmU32A/TjGYsEHVZLI/AAAAAAAAnOY/ZqUqMvLpo2E/s1600/LastRightsJoe.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="232" src="http://3.bp.blogspot.com/-doOZJDmU32A/TjGYsEHVZLI/AAAAAAAAnOY/ZqUqMvLpo2E/s400/LastRightsJoe.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white; font-family: 'Times New Roman', serif; font-size: 15px;"&gt;Dennis Farina Anchors Powerful Character Portrait Made in Association with Chicago’s Steppenwolf Films, founded by the creators of the Theatre Company&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align="center" style="font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;***&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“Farina recalls Burt Lancaster in&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Atlantic City&lt;i&gt;&amp;nbsp;… there is an emotional payoff that feels solid and right.&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;- Variety&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;New York, NY – July 28, 2011 – Tribeca Film announced today that it has acquired all distribution rights in the US and Canada to&amp;nbsp;&lt;i&gt;The Last Rites of Joe May&lt;/i&gt;, an emotionally powerful drama centering on a hustler (Dennis Farina,&amp;nbsp;&lt;i&gt;Get Shorty, Midnight Run, Snatch&lt;/i&gt;) traveling a winding road to redemption.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;i&gt;&lt;span lang="EN"&gt;Joe May&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;written and directed by Joe Maggio and produced by Stephanie Striegel and Bill Straus in association with Chicago’s Steppenwolf Films, had its world premiere in competition at the 2011 Tribeca Film Festival. The title&amp;nbsp;&lt;/span&gt;&lt;span lang="EN" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;will be released in October on VOD and theatrically by Tribeca Film,&amp;nbsp;&lt;/span&gt;&lt;span lang="EN" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;which is supported by Founding Partner American Express, and brings films to consumers across a range of platforms, including nationwide VOD, theatrical, DVD, pay-TV and digital.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The deal was negotiated by Nick Savva, Director of Acquisitions for Tribeca Film with Nate Bolotin of XYZ Films on behalf of the producers.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;span lang="EN" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;In the spirit of classic 1970’s filmmaking&lt;i&gt;, Joe May&lt;/i&gt;&amp;nbsp;is the story of a sixty&lt;b&gt;-&lt;/b&gt;something Chicagoan named Joe May, a short-money hustler of Rolex knockoffs and bootleg DVDs.&amp;nbsp;Joe returns home from a lengthy hospital stay only to find that his landlord thought he was dead and rented out his apartment to Jenny (Jamie Anne Allman, AMC’s&amp;nbsp;&lt;i&gt;The Killing&lt;/i&gt;), a single mom with a young daughter.&amp;nbsp;Begrudgingly, Joe accepts Jenny’s offer to share the apartment. Joe attempts to plot his comeback scheme with help from an old contact (Gary Cole), but instead a domino effect gets everything going against him.&amp;nbsp;With his health failing and resources dwindling, Joe is presented with one last shot at redemption in the eyes of a community that’s all but left him for dead.&amp;nbsp;Farina’s Joe May “is designed in the classic tough-guy mold, but the veteran character-actor’s performance also serves to disassemble it,” observed indieWIRE when the film played TFF.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“I'm thrilled to have Tribeca handling the release of&amp;nbsp;&lt;i&gt;The Last Rites of Joe May&lt;/i&gt;,” said Maggio. “It's a really personal film and Tribeca was so passionate about it, right from the beginning. I couldn't have asked for a better fit.”&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“Joe Maggio has imagined a character that resonates with subtlety and truth in addressing the realities of the final denouement of one’s life in&amp;nbsp;&lt;i&gt;The Last Rites of Joe May&lt;/i&gt;,” said Geoffrey Gilmore, Chief Creative Officer of Tribeca Enterprises.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“Dennis Farina delivers the performance of his lifetime with a realism and vulnerability that we haven’t seen before.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;About Tribeca Film:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Tribeca Film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including video-on-demand, theatrical, digital, home video and television.&amp;nbsp; It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film.&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2172079677538689973" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2172079677538689973" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/07/tribeca-film-acquires-last-rites-of-joe.html" rel="alternate" title="TRIBECA FILM ACQUIRES THE LAST RITES OF JOE MAY" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://3.bp.blogspot.com/-doOZJDmU32A/TjGYsEHVZLI/AAAAAAAAnOY/ZqUqMvLpo2E/s72-c/LastRightsJoe.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-2549143256923998309</id><published>2011-06-10T09:48:00.001-07:00</published><updated>2011-06-10T09:49:17.018-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="20th Anniversary"/><category scheme="http://www.blogger.com/atom/ns#" term="Austin Film Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Linklater"/><category scheme="http://www.blogger.com/atom/ns#" term="Slacker"/><title type="text">AFS &amp; THE ALAMO DRAFTHOUSE CINEMA CELEBRATE THE  20th ANNIVERSARY OF  ‘SLACKER’ WITH RICHARD LINKLATER</title><content type="html">&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; line-height: 15px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=28368&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1867" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 15px; margin-right: 15px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 670px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;" valign="bottom" width="670"&gt;AFS &amp;amp; THE ALAMO DRAFTHOUSE CINEMA CELEBRATE THE&lt;br /&gt;
20th ANNIVERSARY OF&lt;br /&gt;
‘SLACKER’ WITH RICHARD LINKLATER&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 10px; padding-right: 10px; padding-top: 12px;" valign="top" width="670"&gt;&lt;strong&gt;For Immediate Release&lt;br /&gt;
June 9, 2011&lt;/strong&gt;&lt;br /&gt;
Contact: Agnes Varnum, Director of Marketing, Austin Film Society or Brandy Fons, Fons PR for The Alamo Drafthouse&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="mailto:agnes@austinfilm.org" style="color: #114170;" target="_blank"&gt;agnes@austinfilm.org&lt;/a&gt;&amp;nbsp;or&amp;nbsp;&lt;a href="tel:512-322-0145%20x3213" style="color: #114170;" target="_blank" value="+15123220145"&gt;512-322-0145 x3213&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="mailto:brandy@fonspr.com" style="color: #114170;" target="_blank"&gt;brandy@fonspr.com&lt;/a&gt;&amp;nbsp;or&amp;nbsp;&lt;a href="tel:310-809-8882" style="color: #114170;" target="_blank" value="+13108098882"&gt;310-809-8882&lt;/a&gt;&lt;br /&gt;
&lt;img src="http://www.austinfilm.org/view.image?Id=2220" style="float: right; margin-bottom: 5px; margin-top: 5px;" width="200" /&gt;(Austin, TX)—The&amp;nbsp;&lt;strong&gt;Austin Film Society&lt;/strong&gt;&amp;nbsp;and&amp;nbsp;&lt;strong&gt;The Alamo Drafthouse Cinema&lt;/strong&gt;&amp;nbsp;will present a Rolling Roadshow screening of&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.aspx?pid=1418&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;SLACKER&lt;/a&gt;&amp;nbsp;with writer/director&amp;nbsp;&lt;strong&gt;Richard Linklater in attendance&lt;/strong&gt;&amp;nbsp;on&lt;strong&gt;&amp;nbsp;Wednesday, June 22 at Austin Studios&lt;/strong&gt;&amp;nbsp;(1901 E 51st Street). Doors open at 8 PM, screening at 9 PM. Guests should bring camp chairs or blankets. Proceeds benefit the&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.aspx?pid=300&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;Texas Filmmakers’ Production Fund.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;About SLACKER&lt;/strong&gt;&lt;br /&gt;
&lt;img src="http://www.austinfilm.org/view.image?Id=2609" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: right; margin-left: 5px; margin-right: 5px;" width="200" /&gt;SLACKER is a loving extended-family photo album, an insider’s ethnographic study of (mainly) 20-somethings trying to make sense of their world at the dawn of the 1990s. With an intriguing style inspired by Ophuls and Bresson, Richard Linklater’s break-out film follows an array of characters talking about ideas from books, movies, TV shows, music, and occasionally from direct observation and analysis. There is no “disorder” or “deficit” in this A.D.D-structured film. Instead, just like flipping through multiple channels on cable TV, we move from one person to another, walking around Austin, picking up bits and pieces of views, thoughts, fears, delusional certainties, and paranoid fantasies from dozens of post-punk, post-college young adults who are avoiding 9-5 jobs, families, commitments, and growing up. SLACKER may very well encapsulate the last time that many young people had the time and desire to contemplate the meaning of life and enjoy a pressure-free existence. Read more on the film by&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.aspx?pid=1418&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;Chale Nafus, Director of Programming and Co-Founder of AFS &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
High resolution publicity stills available by replying to this message.&lt;br /&gt;
&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Admission is free for Austin Film Society members and Austin Studios neighbors. General admission tickets $10 in advance, $15 at the door.&amp;nbsp;&lt;/strong&gt;Tickets can be purchased at&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.aspx?pid=1418&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;austinfilm.org&lt;/a&gt;&amp;nbsp;or by calling&amp;nbsp;&lt;a href="tel:512-322-0145" style="color: #114170;" target="_blank" value="+15123220145"&gt;512-322-0145&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Special thanks to 2011 Texas Filmmakers’ Production Fund major sponsors:&amp;nbsp;&lt;strong&gt;The Alamo Drafthouse Cinema, Alpha Cine Labs, Kodak, The Four Seasons Austin, Marc English Design, Cultural Arts Division of the City of Austin, Texas Commission on the Arts, The Paramount Theatre, Freeman&lt;/strong&gt;&amp;nbsp;and&amp;nbsp;&lt;strong&gt;Stuck On On.&lt;/strong&gt;&lt;br /&gt;
The Austin Film Society’s programs are funded and supported in part by the&amp;nbsp;&lt;strong&gt;City of Austin&lt;/strong&gt;&amp;nbsp;through the&amp;nbsp;&lt;strong&gt;Cultural Arts Division&lt;/strong&gt;&amp;nbsp;and by a grant from the&amp;nbsp;&lt;strong&gt;Texas Commission on the Arts&lt;/strong&gt;&amp;nbsp;and an award from the&amp;nbsp;&lt;strong&gt;National Endowment for the Arts&lt;/strong&gt;, which believes that a great nation deserves great art.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.drafthouse.com%2f&amp;amp;srcid=28368&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;The Alamo Drafthouse&lt;/a&gt;&amp;nbsp;&lt;/strong&gt;is a lifestyle entertainment brand with an acclaimed cinema-eatery, the largest genre film festival in the United Sates and an online collectible art store. Named “the best theater in America” by Entertainment Weekly, the Alamo Drafthouse Cinema has built a reputation as a movie lover’s oasis not only by combining food and drink service with the movie-going experience, but also introducing unique programming and high-profile, star studded special events. Alamo Drafthouse Founder &amp;amp; CEO, Tim League, created Fantastic Fest, a world renowned film festival dubbed “The Geek Telluride” by Variety. Fantastic Fest showcases eight days of offbeat cinema from independents, international filmmakers and major Hollywood Studios. The Alamo Drafthouse’s collectible art boutique, Mondo, offers breathtaking, original products featuring designs from world-famous artists based on licenses for popular TV and movie properties including Star Wars, Star Trek and Universal Monsters. The Alamo Drafthouse Cinema is expanding its brand in new and exciting ways, including the launch of Drafthouse Films, a new film distribution label, and plans to extend its theaters and unique programming philosophy to additional markets across the United States. More information about Alamo Drafthouse&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fdrafthouse.com%2fmain%2ffranchise%2f&amp;amp;srcid=28368&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;franchise opportunities&lt;/a&gt;&amp;nbsp;are available on the&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fdrafthouse.com%2f&amp;amp;srcid=28368&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;official website&lt;/a&gt;.&lt;br /&gt;
&lt;strong&gt;Austin Film Society&lt;/strong&gt;&amp;nbsp;promotes the appreciation of film and supports creative media production by screening rarely seen films, giving grants and other support to emerging filmmakers, and providing access and education about film to youth and the public. Through Austin Studios, which AFS opened in 2000 in partnership with the City of Austin, AFS helps attract film development and production to Austin and Texas. Gala film premieres and the annual Texas Film Hall of Fame Awards raise funds as well as awareness of the impact of film on economy and community. Austin Film Society is ranked among the top film centers in the country and recognized by the National Endowment for the Arts and Directors Guild of America. For more information on Austin Film Society, visit&lt;a href="http://www.austinfilm.org/page.aspx?pid=183&amp;amp;srctid=1&amp;amp;erid=1822504" style="color: #114170;" target="_blank"&gt;www.austinfilm.org&lt;/a&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2549143256923998309" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2549143256923998309" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/06/afs-alamo-drafthouse-cinema-celebrate.html" rel="alternate" title="AFS &amp; THE ALAMO DRAFTHOUSE CINEMA CELEBRATE THE  20th ANNIVERSARY OF  ‘SLACKER’ WITH RICHARD LINKLATER" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-6716121220288547724</id><published>2011-06-09T09:55:00.000-07:00</published><updated>2011-06-09T09:55:39.978-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Shut Up Little Man"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca"/><title type="text">TRIBECA FILM ACQUIRES SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://media.tribecafilm.com/images/SHUT_UP_LITTLE_MAN1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="215" src="http://media.tribecafilm.com/images/SHUT_UP_LITTLE_MAN1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #585858; font-family: Arial, Verdana, sans-serif; font-size: 12px; line-height: 14px;"&gt;Eddie Lee Sausage and Mitch Deprey in &lt;br /&gt;
"Shut Up Little Man" distributed by Tribeca Film. &lt;br /&gt;
Photo Credit- Mitchell Deprey.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div align="center" style="border-collapse: collapse; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif; font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif; font-size: 15px;"&gt;Feature Documentary premiered at the Sundance Film Festival in the International Documentary Competition&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;***&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“Alternately hilarious and discomfiting&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, and finally rather poignant.”- VARIETY&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;New York, NY – June 9, 2011 – Tribeca Film announced today that it has acquired select US distribution rights, including VOD, theatrical, digital, DVD and festival, to&amp;nbsp;&lt;i&gt;Shut Up Little Man! An Audio Misadventure&lt;/i&gt;&amp;nbsp;from Closer Productions, written and directed by Matthew Bate and produced by Bate and Sophie Hyde.&amp;nbsp;&lt;i&gt;Shut Up Little Man!&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;will be released&amp;nbsp;nationwide on&amp;nbsp;VOD August 25, 2011, and&amp;nbsp;theatrically the same day&amp;nbsp;(expanding on September 9), by Tribeca Film, a comprehensive distribution label operated by Tribeca Enterprises.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The documentary premiered in competition at the 2011 Sundance Film Festival and has played in New Directors/New Films and the True/False Film Festival.&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span lang="EN" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Tribeca Film, supported by Founding Partner American Express, brings films to consumers across a range of platforms, including nationwide VOD, theatrical, DVD, pay-TV and digital.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;In 1987, Eddie and Mitch, two young punks from the Midwest, moved into a low-rent tenament apartment in the Lower Haight district of San Francisco. Through paper-thin walls, they were informally introduced to their middle-aged alcoholic neighbors, the most unlikely of roommates—Raymond Huffman, a raging homophobe, and Peter Haskett, a flamboyant gay man. Night after night, the boys were treated to a seemingly endless stream of vodka-fueled altercations between the two and for 18 months, they hung a microphone from their kitchen window to chronicle the bizarre and violent relationship between their insane neighbors. Oftentimes nonsensical and always vitriolic, the diatribes of Peter and Ray were an audio goldmine just begging to be recorded and passed around on the underground tape market. Their tapes went on to inspire a cult following, spawning sell-out CD’s, comic artworks by Dan Clowes (Ghostworld), stage-plays, music from the likes of Devo and a Hollywood feeding Frenzy.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“We are delighted to be releasing the film with Tribeca Film,” said director Matthew Bate. “It’s a great underground American story and we are particularly thrilled to see it in the hands of people who will love and nurture its life in cinemas and on the small screen.”&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;“&lt;i&gt;Shut Up Little Man!&lt;/i&gt;&amp;nbsp;is a darkly comic documentary examining the blurred boundaries between art and exploitation,” said Geoffrey Gilmore, Chief Creative Officer of Tribeca Enterprises. “The film depicts how counter-cultural phenomena spread in the pre-digital age, and we are looking forward to sharing it with audiences.”&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Shut Up Little Man!&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;is executive produced by Stephen Cleary and Julie Ryan and co-produced by Julie Byrne and Bryan Mason. The music is composed by Jonny Elk Walsh, animation is by Raynor Pettge, with cinematography and editing by Bryan Mason.&amp;nbsp;&lt;i&gt;Shut Up Little Man!&lt;/i&gt;&amp;nbsp;is the first film to be released from the South Australian Film Corporation's FILMLAB program with investment by the Adelaide Film Festival.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The US distribution deal was negotiated by Nick Savva, Director of Acquisitions for Tribeca Film with Josh Braun and David Koh of Submarine Entertainment and Orly Ravid of The Film Collaborative on behalf of the producers and director.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;About Tribeca Film:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Tribeca Film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including theatrical, video-on-demand, digital, home video and television.&amp;nbsp; It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film.&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/6716121220288547724" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/6716121220288547724" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/06/tribeca-film-acquires-shut-up-little.html" rel="alternate" title="TRIBECA FILM ACQUIRES SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-6155638674738828307</id><published>2011-06-08T17:06:00.000-07:00</published><updated>2011-06-08T17:08:32.653-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Los Angeles"/><category scheme="http://www.blogger.com/atom/ns#" term="Master Class"/><category scheme="http://www.blogger.com/atom/ns#" term="The Writer's Guild Foundation"/><title type="text">THE WRITERS GUILD FOUNDATION ANNUAL SUMMER CRAFT EVENT - JUNE 25</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-oS-zaeI1DIU/TfAOctC1UtI/AAAAAAAAltM/qt-qfFXc5IM/s1600/Writers-Guild-Foundation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="40" src="http://4.bp.blogspot.com/-oS-zaeI1DIU/TfAOctC1UtI/AAAAAAAAltM/qt-qfFXc5IM/s320/Writers-Guild-Foundation.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;em&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;em&gt;&lt;span style="font-size: x-small;"&gt;The Writers Guild Foundation invites you to our annual summer craft event - June 25.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;span style="font-size: large;"&gt;&lt;strong&gt;The Craft of the Screenplay - A Master Class&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: small;"&gt;&lt;strong&gt;Saturday June 25, 2011&lt;br /&gt;
Writers Guild Foundation&lt;br /&gt;
7000 W. Third Street, Los Angeles, CA 90048&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;Intensive, in-depth, and practical lessons on storytelling in the screenplay format, taught by masters of the craft, with application to today's marketplace.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;&lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=83321&amp;amp;L=196892" style="color: #114170;" target="_blank"&gt;GET TICKETS NOW&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;9:15 am: Check In, doors open&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;10:00 am: MASTER CLASS WITH NICHOLAS MEYER – WHAT MAKES A GOOD STORY?&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;What are the elements that make for a good story? How can one tell if a story has sufficient “legs” to take it all the way? What can you add to or subtract from your story to make it more compelling?&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;12:00 noon: MASTER CLASS – 3 APPROACHES TO SCREENPLAY STRUCTURE&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;WITH TED ELLIOTT, JOHN LEE HANCOCK, AND CRAIG MAZIN&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;Beginnings, middles and ends. Setups and payoffs. What are the building blocks that you’ll need to make your story work on screen? How can you raise the dramatic stakes? What are some of the tricks you can use to keep the audience engaged?&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;2:30 pm: MASTER CLASS WITH JOHN AUGUST – MANAGING EXPECTATIONS&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;Screenwriters control everything on the page -- what characters do and say, which way the plot twists -- but they can't control what readers expect. Readers (and filmgoers) arrive with preconceptions of the genre, of the characters, of What Should Happen Next. Can smart screenwriters anticipate these expectations? How can they use this knowledge to their benefit, saving pages and plotlines?&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;4:30 pm: PANEL: INSIDE THE MARKETPLACE&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;What do you need to know about getting your screenplay into the right hands? Where should you start? What are some pitfalls to avoid? Should you write to the marketplace or follow your passion? Are there things it’s useful to know about production realities, or doesn’t that matter?&amp;nbsp;&lt;strong&gt;Panelists: Leslie Dixon, Marc Platt (producer), JP Evans (Agent, CAA), John Burnham (Agent, ICM), Laurence Mark (producer).&lt;/strong&gt;&amp;nbsp;Moderator: TBA&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;6:00 pm – 7:00 pm Wine and Cheese Reception in WGF Shavelson-Webb Library&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;&lt;em&gt;SPACE IS VERY LIMITED.&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=83321&amp;amp;L=196892" style="color: #114170;" target="_blank"&gt;&lt;strong&gt;GET TICKETS NOW&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;em&gt;&lt;strong&gt;Prices includes all-day parking, lunch, and evening reception.&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;$150 - General&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;$125 - WGA member with ID*&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;$110 - Student with dated, current full-time ID*&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;*Valid ID must be shown at check-in or General price will be charged.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;CANCELLATION POLICY:&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;Cancellations received prior to 5pm, Monday June 20: Full refund less $20 processing fee&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;Cancellations received 5:01pm 6/20/11 to 5pm Thursday June 23: 50% refund&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;NO REFUND FOR CANCELLATIONS RECEIVED AFTER 5PM 6/23/11.&lt;br /&gt;
Call&amp;nbsp;&lt;a href="tel:323-782-4692" style="color: #114170;" target="_blank" value="+13237824692"&gt;323-782-4692&lt;/a&gt;&amp;nbsp;if you need to cancel.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;Full info &amp;amp; tickets:&amp;nbsp;&lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=83321&amp;amp;L=4824" style="color: #114170;" target="_blank"&gt;http://www.wgfoundation.org/&lt;wbr&gt;&lt;/wbr&gt;craftworkshops.aspx&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;strong&gt;Tickets only:&amp;nbsp;&lt;/strong&gt;&lt;a href="http://mf5.attainresponse.com/mf5/link.php?F=H&amp;amp;M=999971&amp;amp;N=83321&amp;amp;L=196892" style="color: #114170;" target="_blank"&gt;http://www.brownpapertickets.&lt;wbr&gt;&lt;/wbr&gt;com/event/174802&lt;/a&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;a href="http://www.comf5.com/?r=" style="color: #114170;" target="_blank"&gt;&lt;img border="0" src="http://www.attainresponse.com/img/ar_mail_footer.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/6155638674738828307" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/6155638674738828307" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/06/writers-guild-foundation-annual-summer.html" rel="alternate" title="THE WRITERS GUILD FOUNDATION ANNUAL SUMMER CRAFT EVENT - JUNE 25" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://4.bp.blogspot.com/-oS-zaeI1DIU/TfAOctC1UtI/AAAAAAAAltM/qt-qfFXc5IM/s72-c/Writers-Guild-Foundation.jpg" width="72"/><georss:featurename>7000 W 3rd St, Los Angeles, CA 90048, USA</georss:featurename><georss:point>34.071299 -118.36159029999999</georss:point><georss:box>-0.90068499999999574 -178.1272153 69.043283 -58.595965299999989</georss:box></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-5816704576324453209</id><published>2011-06-07T10:19:00.000-07:00</published><updated>2011-06-07T10:23:59.718-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Black Eyed Peas"/><category scheme="http://www.blogger.com/atom/ns#" term="Carole King"/><category scheme="http://www.blogger.com/atom/ns#" term="Debbie Harry"/><category scheme="http://www.blogger.com/atom/ns#" term="LL Cool J"/><category scheme="http://www.blogger.com/atom/ns#" term="MC Hammer"/><category scheme="http://www.blogger.com/atom/ns#" term="Natasha Bedingfield"/><category scheme="http://www.blogger.com/atom/ns#" term="Taylor Swift"/><title type="text">TAYLOR SWIFT TO MAKE SPECIAL APPEARANCE WITH THE BLACK EYED PEAS AT THE CHASE PRESENTS “CONCERT 4 NYC” TO BENEFIT ROBIN HOOD ON JUNE</title><content type="html">&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="clear: left; float: left; font-size: 12pt; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: -webkit-auto;"&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=1306a6cc38d0532e&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" imageanchor="1" style="clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="cid:image001.jpg@01CC24F4.705A2D80" border="0" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=1306a6cc38d0532e&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;(New York, NY June 7, 2011) – Four-time Grammy winner Taylor Swift will make a special appearance with The Black Eyed Peas at the historic Chase presents the “Concert 4 NYC” in Central Park on June 9&lt;sup&gt;th&lt;/sup&gt;. In addition to Taylor Swift, Natasha Bedingfield, MC Hammer, Debbie Harry, LL Cool J and Carole King will perform to support the Robin Hood Foundation and its mission to fight poverty in New York City. Robin Hood has enlisted celebrity friends to help bring awareness and raise funds for the Foundation including Zach Braff, Whoopi Goldberg, Jimmy Smits and others who will make special appearances throughout the evening.&amp;nbsp;&lt;span style="font-size: 10.5pt;"&gt;Chase, the largest private-sector employer in New York City, is the presenting sponsor.&amp;nbsp;&lt;/span&gt;Clear Channel is the event’s exclusive radio partner.&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Concertgoers must have a ticket to enter the event. Tickets are still available for sale to this once-in-a-lifetime event through&amp;nbsp;&lt;a href="http://blackeyedpeasnyc.eventbrite.com/" style="color: #114170;" target="_blank"&gt;http://blackeyedpeasnyc.&lt;wbr&gt;&lt;/wbr&gt;eventbrite.com/&lt;/a&gt;.&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;“We are thrilled to have Taylor on board to benefit two very important causes,” said Fergie of The Black Eyed Peas. “Not only will she will be an amazing addition to our lineup, she is an incredible inspiration to people of all ages and her music gives a voice to those who feel left behind.”&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;Taylor Swift is the reigning&amp;nbsp;&lt;i&gt;Billboard&lt;/i&gt;&amp;nbsp;Top 200 Albums Artist and&amp;nbsp;&lt;i&gt;Entertainment Weekly&lt;/i&gt;&amp;nbsp;and Academy of Country Music Entertainer of the Year, the top-selling digital artist in music history, has had singles top both the Country and Pop radio charts, and in 2010 sold more albums than any other artist in any genre of music. Her current album,&amp;nbsp;&lt;i&gt;Speak Now,&lt;/i&gt;&amp;nbsp;sold over 1 million copies in its debut week and is the biggest debuting country studio album in history, and her 6x-Platinum&amp;nbsp;&lt;i&gt;Fearless&lt;/i&gt;&amp;nbsp;album is the most awarded album in Country music history.&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;The concert will raise funds and awareness for Robin Hood, a public charity targeting poverty in New York City by funding and partnering with the best and most effective programs. Robin Hood’s grants and guidance support food pantries, homeless shelters, health clinics and provide work-force training for impoverished New Yorkers in the five boroughs. As part of the partnership with The Black Eyed Peas, Robin Hood will fund the opening of three Peapod Academies in New York City over the coming years, which will support disadvantaged youth, by providing music and artistic education, such as music engineering, mixing and video editing, among other opportunities.&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Throughout the concert, music lovers will be encouraged to donate to Robin Hood via text message. For more information on the concert, ticket availability, and how to donate, please visit&amp;nbsp;&lt;a href="http://www.robinhood.org/" style="color: #114170;" target="_blank"&gt;www.robinhood.org&lt;/a&gt;.&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/5816704576324453209" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/5816704576324453209" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/06/taylor-swift-to-make-special-appearance.html" rel="alternate" title="TAYLOR SWIFT TO MAKE SPECIAL APPEARANCE WITH THE BLACK EYED PEAS AT THE CHASE PRESENTS “CONCERT 4 NYC” TO BENEFIT ROBIN HOOD ON JUNE" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-2560494192093823580</id><published>2011-05-03T09:13:00.000-07:00</published><updated>2011-06-04T20:18:43.380-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="Attendance"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">10th ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES ATTENDANCE</title><content type="html">&lt;center&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: arial, sans-serif;"&gt;&lt;div align="center" style="font-size: 13px; text-align: center;"&gt;&lt;span style="clear: left; float: left; font-size: 11pt; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: 19px; line-height: 19px;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;a href="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12fb669301f18f91&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="91" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12fb669301f18f91&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" width="138" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;New York, NY – May 3, 2010 –&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The 2011 Tribeca Film Festival (TFF), co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by Founding Sponsor American Express, today announced that more than 430,000 people attended screenings, panels, talks and free community events – including the opening night world premiere of Cameron Crowe’s&amp;nbsp;&lt;i&gt;The Union,&amp;nbsp;&lt;/i&gt;the Tribeca Drive-In series, Street Fair and Family Festival, Tribeca/ESPN Sports Day, Tribeca Disruptive Innovation awards, and NYFest – during&amp;nbsp;&amp;nbsp;the Festival’s 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;edition.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;“We are lucky to have the best audiences in the world, and I was excited to see them respond so enthusiastically and embrace all aspects of our 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;Festival,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “We all are feeling energized after seeing the incredible connection between filmmakers and the community this year.&amp;nbsp;I am proud of what the Festival has become in its first decade, but more than that I can’t wait to see what comes next.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Beginning on April 20 and running through May 1, the Festival hosted over 400 screenings and panels with over 95% attendance. 93 features and 60 short films from 40 countries were enjoyed by more than 115,000 movie-goers and panel attendees during the course of the 12 day Festival, with theaters frequently at capacity.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 13px; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;This year,&lt;/span&gt;&amp;nbsp;the Tribeca (Online) Film Festival, presented by American Express, also offered a robust array of free content. Visitors to&amp;nbsp;&lt;a href="http://tribecafilm.com/tribecaonline" style="color: #114170;" target="_blank"&gt;tribecafilm.com/tribecaonline&lt;/a&gt;&amp;nbsp;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;watched a selection of&amp;nbsp;features and shorts in the Streaming Room; interacted with experts from the worlds of film and technology through the Future of Film blog; connected with filmmakers through the Filmmaker Feed; and had questions answered by talent, industry notables and filmmakers in&amp;nbsp;the enhanced&amp;nbsp;Tribeca Q&amp;amp;A. The site also live-streamed events including red carpets, the Festival awards ceremony, and panels and talks including the Directors Series conversation between TFF Co-Founder Robert De Niro and Brian Williams.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;“We are enormously grateful to the filmmakers and the audiences whose support of Tribeca made our 10th Festival so special,”&amp;nbsp;said Tribeca co-founder Jane Rosenthal. “Tribeca is more than just films and a series of events; it is about the spirit of community, storytelling and the subsequent conversations and initiatives it ignites. &amp;nbsp;That is the legacy of this festival.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;TFF kicked off its 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;edition with a free open-air screening of Cameron Crowe’s world premiere documentary&amp;nbsp;&lt;i&gt;The Union,&amp;nbsp;&lt;/i&gt;followed by a performance from film subject Elton John as a thank you to the New York community at the North Cove at the World Financial Plaza. The event was the first of four free film screenings under the stars, and was followed by the Tribeca Drive-In series which featured&amp;nbsp;&lt;i&gt;Fame&lt;/i&gt;,&amp;nbsp;&lt;i&gt;When the Drum is Beating&amp;nbsp;&lt;/i&gt;and&amp;nbsp;&lt;i&gt;The Muppets Take Manhattan&lt;/i&gt;, co-sponsored by JetBlue and Time Warner Cable and hosted by Brookfield. In total, 9,300&lt;i&gt;&amp;nbsp;&lt;/i&gt;enjoyed free, outdoor films and interactive entertainment from music to Muppets.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;Festival organizers and NYPD Community Affairs Officer Rick Lee estimated that a crowd of 300,000 enjoyed the signature Tribeca Family Festival Street Fair and Tribeca/ESPN Sports Day on Saturday, April 30. The annual event, which featured live entertainment and family fun including performances from the casts of seven Broadway shows, visits from NY Knicks and Rangers, and even a photo-op with Bubby’s giant faux cow, took place in the Tribeca neighborhood.&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="color: black;"&gt;This year the festival added four additional blocks to the footprint of the Street Fair. Visitors and families mingled shoulder to shoulder for almost the entire day at the fair, which stretched down Greenwich Street from Chambers to Hubert streets, and in Washington Market Park. The day included free community events, activities, performances, and celebrations by local merchants and community groups.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;More than 1,800 attendees joined the conversation at the Festival’s 10 free panels and discussions, while events hosted by the Tribeca Film Institute drew a total of 4,200 attendees. 1,650 also participated in the inaugural NYFest, the city’s first Film and Entertainment Soccer Tournament in conjunction with TFF and in partnership with Umbro.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;2011 Tribeca Film Festival Facts, Figures and anecdotes:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;In all, 156 of 170 directors attended TFF, from a range of distances. The shortest: Edward Burns, a longtime resident of the Tribeca neighborhood. The longest: Kivu Ruhorahoza, of&amp;nbsp;&lt;i&gt;Grey Matter&lt;/i&gt;, whose total round trip flight from Rwanda totaled nearly 40 hours.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The Festival hosted three Rwandan short filmmakers, who presented films they made with support from the Tribeca Film Institute. The TFF screening was not only the first time they had seen their movies on a big screen -- it was the first time they had ever been in a movie theater.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;A total of 803 delegates attended TFF – 691 from the U.S. and 112 from countries including Bulgaria, Israel, Norway and South Korea.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;At the premiere of eventual Heineken Audience Award Winner&amp;nbsp;&lt;i&gt;Give Up Tomorrow&lt;/i&gt;, the filmmakers brought 12 guests up for the Q&amp;amp;A after the film, including family members of subject Paco Larrañaga and activists who traveled to TFF from the Philippines, London, and Spain.&amp;nbsp;The film received an extended standing ovation all the way through the credits and as the guests took the stage.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;On the day that World Narrative Competition entry&amp;nbsp;&lt;i&gt;Jesus Henry Christ&lt;/i&gt;&amp;nbsp;had its world premiere, star Toni Collette gave birth to a healthy baby boy. The audience made a short video to congratulate the star and new mom.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Powerful documentaries including&amp;nbsp;&lt;i&gt;The Bully Project, Renee, Give Up Tomorrow&amp;nbsp;&lt;/i&gt;and&amp;nbsp;&lt;i&gt;Sing Your Song&amp;nbsp;&lt;/i&gt;received standing ovations at premieres and screenings, while documentary subjects from Carol Channing to Harry Belafonte to Ozzy Osbourne received outpourings of love from audiences – and in Ozzy’s case, an impersonator was even in the audience.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The Trip&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;stars Steve Coogan and Rob Brydon performed their dueling Michael Caine impressions at the audiences’ request during their premiere.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;20 Film Fellows graduated from the Tribeca Film Institute’s youth education program after 12 days of experiencing the Festival with filmmaker badges and access, and premiering their short films during TFF.&lt;/span&gt;&lt;/li&gt;
&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;In a TFF full of milestones, two crew members marked their 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;Festival as volunteers with Tribeca: Elaine Harrison and&amp;nbsp;&lt;/span&gt;Sheila Lee who, for the 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;consecutive year, took time off from her job as a nurse to volunteer at TFF.&amp;nbsp;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="font-size: 13px; margin-left: 0.5in; text-align: justify;"&gt;&lt;span style="font-family: Symbol; font-size: 12pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;Kansas-based Ethan McCord, the subject of Tribeca short documentary winner&amp;nbsp;&lt;i&gt;Incident In New Baghdad&lt;/i&gt;, attended the festival with his girlfriend Tammy and an engagement ring. He proposed in Times Square and she accepted.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial;"&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 13px; text-align: justify;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;About the Tribeca Film Festival:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: 11pt; line-height: 15px;"&gt;&lt;div style="text-align: justify;"&gt;Robert De Niro, Jane Rosenthal and Craig Hatkoff founded the Tribeca Film Festival in 2001 following the attacks on the World Trade Center to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture.&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-size: 13px; line-height: 13px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The Festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center.&amp;nbsp;Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-size: 13px; line-height: 13px; text-align: justify;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Since Tribeca’s founding through 2010, the Tribeca Festival has screened over 1100 films from over 80 countries and it has attracted an international audience of more than 2.3 million attendees and generated an estimated $600 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="font-size: 11pt;"&gt;About the 2011 Festival Sponsors:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of filmmaking, bringing business and energy to New York City and offering Cardmembers and festivalgoers the opportunity to enjoy the best of storytelling through film.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;The Festival is pleased to announce the return of its Signature Sponsors: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored to welcome the following new Signature Sponsors: Accenture, Bing, Cadillac, Doha Film Institute, JetBlue Airways, and Magnum Ice Cream.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/center&gt;&lt;center&gt;&lt;div id="fb-root"&gt;&lt;/div&gt;&lt;script src="http://connect.facebook.net/en_US/all.js#appId=166381680049198&amp;amp;xfbml=1"&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2560494192093823580" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2560494192093823580" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/05/10th-annual-tribeca-film-festival.html" rel="alternate" title="10th ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES ATTENDANCE" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-261600268331488119</id><published>2011-05-01T11:55:00.001-07:00</published><updated>2011-06-04T21:55:25.522-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="Audience Award Winner"/><category scheme="http://www.blogger.com/atom/ns#" term="Give It Up Tomorrow"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">2011 TRIBECA FILM FESTIVAL ANNOUNCES  HEINEKEN AUDIENCE AWARD WINNER – GIVE UP TOMORROW</title><content type="html">&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="clear: left; float: left; font-size: 11pt; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center; text-autospace: none;"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;a href="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12fa9711062bf290&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="96" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12fa9711062bf290&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" width="144" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;New York, NY [April 30, 2011] – &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;The  10th annual Tribeca Film Festival (TFF), co-founded by Robert De Niro,  Jane Rosenthal and Craig Hatkoff, and presented by founding sponsor  American Express, announced the winner of the Heineken Audience Award – &lt;i&gt;Give Up Tomorrow&lt;/i&gt; – tonight at Eye Beam in New York City. The film’s director, Michael Collins, will receive a cash prize of $25,000.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Throughout  the Festival, which kicked off on April 20, audiences have been able to  vote for the Heineken Audience Award by completing nomination ballots  upon exiting screenings of TFF films. Films in the World Narrative  Competition, World Documentary Competition, Viewpoints, Spotlight and  Cinemania sections were eligible for the Heineken Audience Award, the  audience choice for best feature film. Final results were tabulated and  announced during this evening’s Festival wrap party&lt;b&gt;.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Give Up Tomorrow&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;  received a Special Jury Mention in the World Documentary Competition at  this year’s TFF and played to rapturous response and standing ovations.&amp;nbsp; The  film was also supported by the Tribeca Film Institute’s Gucci Tribeca  Documentary Fund, and the filmmaker is an alumnus of the Tribeca Film  Institute’s Tribeca All Access program. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;The  film tells the story of culinary student Paco Larrañaga, who, at 19  years old in 1997, was arrested for the kidnap, rape, and murder of two  sisters on the provincial island of Cebu in the Philippines. Despite  demonstrable evidence of his innocence, including 40 eyewitnesses and  photographs placing him hundreds of miles from the scene, Paco’s legal  ordeal was only just beginning. Dubbed the Philippines’ “trial of the  century,” Paco’s ordeal became a galvanizing focal point in a  far-reaching exposé of gross miscarriage of justice at the highest  levels. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Following  the case and its aftermath for more than a decade, the film traces  Paco’s story from the ethnic and class tensions at its roots, through a  distracting thread of tabloid sensationalism, and ultimately to appeals  and interventions from foreign governments and NGOs as the injustice of  Paco’s situation becomes ever more stark and undeniable.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;“From the first standing ovation of &lt;i&gt;Give Up Tomorrow&lt;/i&gt;  at its premiere at the Festival it was clear that audiences were  passionate about the portrayal of Paco Larrañaga's unjust incarceration.  We hope that the film will raise awareness of Paco’s plight and lead to  his freedom," said Nancy Schafer, Executive Director of the Tribeca  Film Festival. "This film is remarkably well crafted and I hope this  award brings it the additional visibility it deserves.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;"Tribeca  was there from the beginning. They really gave us the introduction to  the film world," said director Michael Collins. "This award gives us so  much hope. Now I know that the film is going to be seen by a broader  audience and I'm incredibly grateful." &lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Give Up Tomorrow&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;  will screen tomorrow (Sunday, May 1) at 12 noon and 9 p.m. at Clearview  Cinemas Chelsea, as will the rest of the films that won awards at the  2011 Tribeca Film Festival. Specific times for the other films are  available on the Festival website, &lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.  All other 2011 TFF award winners were announced previously at an awards  show on Thursday, April 28, 2011. A full list of winners can be found  at &lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-autospace: none;"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Tickets for 2011 Festival:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Tickets  for the Festival will be $16.00 for evening and weekend screenings, and  $8.00 for daytime weekday and late night screenings.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;Single tickets can be purchased online at &lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;,  or by telephone, toll free, at (866) 941-FEST (3378), or at one of the  Ticket Outlets, with locations at Tribeca Cinemas at 54 Varick Street,  Chelsea Clearview Cinemas at 260 West 23rd Street, and AMC Village VII  at 66 3rd Avenue. The 2011 Festival will continue ticket discounts for  evening and weekend screenings for students, seniors and select downtown  Manhattan residents. Discounted tickets are available at Ticket Outlet  locations only. Discounted ticket packages can only be purchased online  and by phone. Additional information and further details on the Festival  can be found at &lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="background: white;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="background: white;"&gt;&lt;b&gt;About the Tribeca Film Festival:&lt;/b&gt;&lt;br /&gt;
Robert  De Niro, Jane Rosenthal and Craig Hatkoff founded the Tribeca Film  Festival in 2001 following the attacks on the World Trade Center to spur  the economic and cultural revitalization of the lower Manhattan  district through an annual celebration of film, music and culture.&lt;/div&gt;&lt;div style="background: white;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="background: white;"&gt;The  Festival’s mission is to help filmmakers reach the broadest possible  audience, enable the international film community and general public to  experience the power of cinema and promote New York City as a major  filmmaking center.&amp;nbsp;Tribeca Film Festival is well known for being a  diverse international film festival that supports emerging and  established directors.&amp;nbsp;&lt;/div&gt;&lt;div style="background: white;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="background: white;"&gt;The  Tribeca Festival has screened more than 1,100 films from over 80  countries since its first festival in 2002. Since its founding, it has  attracted an international audience of more than 2.3 million attendees  and has generated an estimated $600 million in economic activity for New  York City.&lt;/div&gt;&lt;div style="background: white;"&gt;&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="font-family: 'Times New Roman', serif;"&gt;About the 2011 Festival Sponsors:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;As  Founding Sponsor of the Tribeca Film Festival, American Express is  committed to supporting the Festival and the art of filmmaking, bringing  business and energy to New York City and offering Cardmembers and  festivalgoers the opportunity to enjoy the best of storytelling through  film.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;The  Festival is pleased to announce the return of its Signature Sponsors:  Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan  Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken  USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York  Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time  Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored  to welcome the following new Signature Sponsors: Accenture, Bing,  Cadillac, Doha Film Institute, JetBlue Airways&lt;a href="http://www.blogger.com/post-edit.g?blogID=8994283764865713087&amp;amp;postID=261600268331488119" name="12fa9711062bf290__GoBack"&gt;&lt;/a&gt;, and Magnum Ice Cream.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/261600268331488119" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/261600268331488119" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/05/2011-tribeca-film-festival-announces.html" rel="alternate" title="2011 TRIBECA FILM FESTIVAL ANNOUNCES  HEINEKEN AUDIENCE AWARD WINNER – GIVE UP TOMORROW" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-4236372070237618857</id><published>2011-04-28T18:46:00.001-07:00</published><updated>2011-06-04T21:58:58.330-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="Awards"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">2011 TRIBECA FILM FESTIVAL ANNOUNCES AWARDS</title><content type="html">&lt;center&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif;"&gt;&lt;div align="center" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; text-align: center;"&gt;&lt;span style="clear: left; float: left; font-size: 11pt; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img height="79" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12f9ec60713b5fb4&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" width="119" /&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; text-align: center;"&gt;&lt;b style="font-size: 13px; line-height: 13px;"&gt;* * *&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;em&gt;&lt;b&gt;SHE MONKEYS&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-style: normal;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;JOURNALS OF MUSAN&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-style: normal;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;BOMBAY BEACH&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-style: normal;"&gt;&amp;nbsp;AND&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;LIKE WATER&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-style: normal;"&gt;WIN TOP AWARDS IN JURIED WORLD COMPETITIONS&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;* * *&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;strong&gt;FESTIVAL AWARDS MORE THAN $185,000 IN CASH PRIZES&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; font-weight: normal; line-height: 15px;"&gt;[April 28, 2011 – New York, NY]&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;– The 10th annual Tribeca Film Festival, co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by founding sponsor American Express, announced the winners of its competition categories tonight at a ceremony hosted at the W Union Square in New York City.&amp;nbsp;The Festival runs through May 1, 2011.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The world competition winners for narrative and documentary films were chosen from 12 narrative and 12 documentary features from 21 countries. Best New Director prizes were awarded for both narrative and documentary films, selected from all feature films by a first-time director throughout the program.&amp;nbsp;&amp;nbsp;Awards were also given for the best narrative short, best documentary short and student visionary films in the short film competitions. This year’s Festival included 93 features and 60 short films from 40 countries.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;This year the Festival introduced new annual awards in the narrative competition for Best Cinematography and Best Screenplay, and in the documentary competition for Best Editing. Also announced at the awards were the Tribeca (Online) Film Festival feature and short film winners selected by the online audience.&amp;nbsp;The winner of the Heineken Audience Award, determined by audience votes throughout the Festival, will be announced on April 30.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;“It’s wonderful to have reached our 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;edition and to be able to celebrate with all of these gifted filmmakers. We’ve been fortunate that as we have grown we have remained a place that welcomes a diverse range of stories told by compelling and exciting filmmakers,” said Jane Rosenthal.&amp;nbsp;&amp;nbsp;“We are truly honored that the community has supported the Festival all these years – the community of New York and the international film community.”&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;“We are truly pleased to have had such a great group of filmmakers at Tribeca,” said Nancy Schafer, Executive Director of the Festival. “Audiences and juries have responded so positively to the films and on behalf of the programming team I thank all our filmmakers for sharing their work with us and our audience.”&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Screenings of all winning films will take place throughout the final day of the Festival, May 1, at various venues. Specific times and ticketing information are available on the Festival website,&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;In addition to cash awards and in-kind services provided by sponsors including American Express, AKA Hotel Residences, Accenture, Persol, Apple, Company 3 and Kodak, the Festival presented the winners with original pieces of art created by seven acclaimed artists, including Robert De Niro Sr. and Nate Lowman.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Following are the jurors, the winners and their awards:&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;WORLD NARRATIVE COMPETITION CATEGORIES:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse;"&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="font-size: 13px; line-height: 13px;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The jurors for the&amp;nbsp;&lt;b&gt;2011 World Narrative Competition&lt;/b&gt;&amp;nbsp;were Souleymane Cissé, Scott Glenn, David Gordon Green, Rula Jebreal, Art Linson, Jason Sudeikis and Dianne Wiest.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;ul style="font-size: 13px; line-height: 13px;"&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The Founders Award for Best Narrative Feature&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;–&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;She Monkeys&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;(&lt;i&gt;Apflickorna&lt;/i&gt;)&lt;/span&gt;&lt;/strong&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;directed by Lisa Aschan, written by Josefine Adolfsson and Lisa Aschan (Sweden). Winner receives $25,000 and the art award “Anna Christie Entering the Bar, 1965-1967” by Robert De Niro Sr. Sponsored by AKA Hotel Residences. The award was given by Jane Rosenthal and Robert De Niro and Larry Korman from AKA Residences.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;span style="color: #073763;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments:&amp;nbsp;&amp;nbsp;“&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Haunting, resonant, but never posed. Conventional shots become dangerous. With balanced storytelling that moves between danger and innocence, this film speaks of sex, adolescence, power, and ambition. It is original and authentic.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Actor in a Narrative Feature Film&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Ramadhan “Shami” Bizimana&lt;/b&gt;&amp;nbsp;as Yvan in&amp;nbsp;&lt;i&gt;Grey Matter&lt;/i&gt;&amp;nbsp;(&lt;i&gt;Matière Grise&lt;/i&gt;)&lt;i&gt;,&amp;nbsp;&lt;/i&gt;directed and written by Kivu Ruhorahoza (Rwanda, Australia). Winner receives $2,500. The award was given by Rula Jebreal.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;In a world shattered by genocide, this performance was so pure.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Actress in a Narrative Feature Film&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Carice van Houten&lt;/b&gt;&amp;nbsp;as Ingrid Jonker in&amp;nbsp;&lt;i&gt;Black Butterflies,&amp;nbsp;&lt;/i&gt;directed by Paula van der Oest, written by Greg Latter (Germany, Netherlands, South Africa). Winner receives $2,500. The award was given by Rula Jebreal.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;There are a million colors in this complicated performance. We award this honor for bravery and fragility, and for showing tremendous range and strength throughout.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Cinematography in a Narrative Feature Film&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Luisa Tillinger,&lt;/b&gt;&amp;nbsp;&lt;b&gt;&lt;i&gt;Artificial Paradises&lt;/i&gt;&amp;nbsp;(&lt;i&gt;Paraisos Artificiales&lt;/i&gt;)&lt;/b&gt;&amp;nbsp;(Mexico).&amp;nbsp;&amp;nbsp;Winner receives $5,000 and $50,000 in post production services provided by Company 3. The award was given by Rula Jebreal.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;A beautiful portrait of landscape and emotion.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Screenplay for a Narrative Feature Film&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Jannicke Systad Jabobsen,&amp;nbsp;&lt;i&gt;Turn Me On, Goddammit&amp;nbsp;&lt;/i&gt;(&lt;i&gt;Få meg på, for faen&lt;/i&gt;)&lt;/b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;(Norway). Winner receives $5,000. The award was given by Rula Jebreal.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Jury Comments: “This jury was unanimous. Hands-down this is the best screenplay.”&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;BEST NEW NARRATIVE DIRECTOR:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #073763; font-size: 15px; line-height: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;span style="border-collapse: collapse; color: #073763; font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; color: #073763; font-size: small; line-height: normal;"&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;The jurors for the&amp;nbsp;&lt;b&gt;2011 Best New Narrative Director Competition&lt;/b&gt;&amp;nbsp;were&amp;nbsp;&lt;/span&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;Paul Dano, Atom Egoyan, Zoe Kazan, Anna Kendrick, Rainn Wilson.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best New Narrative Director&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;– Park Jungbum, writer and director of&amp;nbsp;&lt;b&gt;&lt;i&gt;Journals of Musan (Musan Il-gi)&amp;nbsp;&lt;/i&gt;&lt;/b&gt;(South Korea). Winner receives $25,000, sponsored by American Express; $50,000 in post production services provided by Company 3; and the art award “Double Happiness” by Nate Lowman. The award was given by Zoe Kazan and Jessica Igoe from American Express.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;This film is an extraordinary study of an outcast, one that examines a complex journey with compassion and grace. The jury was unanimous in honoring this rare film, which is both emotionally arresting and an important social document. We are proud to commend this auspicious debut from an extremely talented filmmaker.”&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;h1 style="border-collapse: collapse; font-size: 13px; line-height: 15pt; margin-bottom: 0.0001pt; margin-left: 1in; margin-right: 0in; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: 'Courier New'; font-size: 11pt; font-weight: normal;"&gt;o&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="X-NONE" style="font-size: 11pt;"&gt;Special Jury Mention –&lt;/span&gt;&lt;span lang="X-NONE" style="font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 11pt; font-weight: normal;"&gt;Kivu Ruhorahoza, writer and director of&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Grey Matter&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;(&lt;i&gt;Matière&amp;nbsp;&amp;nbsp;Grise&lt;/i&gt;)&lt;/span&gt;&lt;span style="font-size: 11pt; font-weight: normal;"&gt;. The announcement was made by Anna Kendrick.&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="border-collapse: collapse; font-size: 13px; margin-bottom: 0.0001pt; margin-left: 1in; margin-right: 0in; text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="border-collapse: collapse; font-size: 13px; margin-bottom: 0.0001pt; margin-left: 1in; margin-right: 0in; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-size: 11pt; font-weight: normal;"&gt;Jury Comments:&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;“&lt;/span&gt;&lt;span lang="X-NONE" style="font-size: 11pt; font-weight: normal;"&gt;For its audacious and experimental approach, this film speaks of recent horrors and genocide with great originality. We wanted to give a special commendation to this filmmaker for his courage and vision.&lt;/span&gt;&lt;span style="font-size: 11pt; font-weight: normal;"&gt;”&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;WORLD DOCUMENTARY COMPETITION CATEGORIES:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #073763; font-size: 15px; line-height: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;span style="border-collapse: collapse; color: #073763; font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="border-collapse: collapse; color: #073763; font-size: 11pt; line-height: 15px;"&gt;The jurors for the&amp;nbsp;&lt;b&gt;2011 World Documentary Competition&lt;/b&gt;&amp;nbsp;were Amir Bar-Lev, Michael Cera, RJ Cutler, Abigail Disney, Whoopi Goldberg, Louie Psihoyos and Peter Scarlet.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Documentary Feature&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Bombay Beach&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;directed by Alma Har’el (USA, Israel).&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Winner receives $25,000 and the art award “Nathans” by&amp;nbsp;Jeff Chien-Hsing Liao.&amp;nbsp;The award was given by Louie Psihoyos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “Our unanimous award for the film’s&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;beauty, lyricism, empathy and invention.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Editing in a Documentary Feature&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Purcell Carson,&amp;nbsp;&lt;i&gt;Semper Fi: Always Faithful&lt;/i&gt;&amp;nbsp;&lt;/b&gt;(USA). Winner receives $5,000. The award was given by Amir Bar-Lev.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The film skillfully weaves journalistic investigation with emotional personal narrative.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;BEST NEW DOCUMENTARY DIRECTOR COMPETITION:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;span style="text-transform: uppercase;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #073763; font-size: 15px; line-height: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;span style="border-collapse: collapse; color: #073763; font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; color: #073763; font-size: small; line-height: normal;"&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;The jurors for the&amp;nbsp;&lt;b&gt;2011 World Documentary Competition&lt;/b&gt;&amp;nbsp;were&amp;nbsp;&lt;/span&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;Margaret Bodde, Jared Cohen, J.D. Heyman, Lauren Hutton, Annie Sundberg&lt;/span&gt;&lt;span style="border-collapse: collapse; font-size: 11pt; line-height: 15px;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best New Documentary Director&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;/span&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Pablo Croce for&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Like Water&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;(USA).&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Winner receives $25,000, sponsored by American Express; and the art award “Path to the Stage” by&amp;nbsp;Inka Essenhigh. The award was given by Lauren Hutton and Jessica Igoe from American Express.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Jury Comments: “The film opens up a violent world in an unexpected way through its sensitive and seamless portrayal of its complex hero, ultimate fighter Anderson Silva.”&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: 'Courier New'; font-size: 11pt; line-height: 15px;"&gt;o&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Special Jury Mention&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;Michael Collins&lt;/b&gt;, director of&amp;nbsp;&lt;b&gt;&lt;i&gt;Give Up Tomorrow&lt;/i&gt;&lt;/b&gt;&amp;nbsp;(UK, USA). The announcement was made by Lauren Hutton.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Jury Comments: “A powerful work of investigative journalism. We honor the filmmakers six years of hard work in illustrating how a society can clash with justice, and the impact on an individual life. Everyone should see this film.”&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; color: #073763; font-size: 13px; line-height: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong style="border-collapse: collapse;"&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-size: 13px; line-height: 13px; text-align: justify;"&gt;&lt;strong style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="border-collapse: separate; color: #073763; font-size: small; font-weight: normal; line-height: normal;"&gt;&lt;strong style="border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;SHORT FILM COMPETITION CATEGORIES&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;strong style="border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;span style="font-size: 11pt; line-height: 15px; text-transform: uppercase;"&gt;:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The&amp;nbsp;&lt;b&gt;2011 Best Narrative Short Competition&lt;/b&gt;&amp;nbsp;jurors were Nora Ephron, Ceci Kurzman, Denis Leary, Fran Lebowitz, David O. Russell, Paul Schneider and Jimmy Wales.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Narrative Short&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Man and Boy&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;, directed by David Leon and Marcus McSweeney, written by David Leon and Rashid Rasaq (UK). Winner receives $5,000, sponsored by Persol; 5,000 feet of film stock donated by Kodak; and the art award “Gold Dust (Undeclared) by Taryn Simon. The award was given by Denis Leary and Victor Melendez from Persol.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The jury liked this film’s marriage of brilliant acting, superb technical prowess, and provocative subject matter, and it’s a movie memorable for upending expectations.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0.5in; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Special Jury Mention –&amp;nbsp;&lt;b&gt;&lt;i&gt;The Terms&lt;/i&gt;&lt;/b&gt;, written and directed by Jason LaMotte (UK)&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;Jury Comments: “Dark, original and beautifully written.”&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The&amp;nbsp;&lt;b&gt;2011 Best Documentary and Student Short Competition&lt;/b&gt;&amp;nbsp;jurors were Ahmed Ahmed, Agnes Gund, Zoe Kravitz, Nicole Lapin, Lisa Shields, Christine Vachon and Patrick Wilson.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Documentary Short&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;&lt;i&gt;Incident in New Baghdad&lt;/i&gt;&lt;/b&gt;, written and directed by James Spione (US). Winner receives $5,000, sponsored by Persol; 5,000 feet of film stock donated Kodak; and the art award “Big Penny” by Tom Otterness. The award was given by Nicole Lapin and Victor Melendez from Persol.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;The winner is a film that bravely explores the residual effects of experiencing trauma in war in a truthful and fearless manner.&amp;nbsp;Using a mixture of archival and current material, this timely film is the story of one man’s struggle to reconcile war, his place in it, and the legacy he will pass on to his children.”&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: 'Courier New'; font-size: 11pt; line-height: 15px;"&gt;o&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Special Jury Mention –&amp;nbsp;&lt;b&gt;&lt;i&gt;Guru,&amp;nbsp;&lt;/i&gt;&lt;/b&gt;written and directed by Jonathan VanBallenberghe (USA).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Jury Comments:&amp;nbsp;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;“&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Congratulations to a film that started in one direction and ended up going in another. This unexpected journey was well crafted and followed a unique character for whom we were rooting.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;span style="font-size: 11pt;"&gt;Student Visionary Award&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;–&amp;nbsp;&lt;b&gt;&lt;i&gt;Rooms,&lt;/i&gt;&lt;/b&gt;&amp;nbsp;written and directed by Joanna Jurewicz (USA). Winner receives MacPro Desktop with Final Cut Pro and a 24-inch monitor provided by Apple; and the art award “&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Study: Northern City Renaissance (Mass MoCA #79N)” by Stephen Hannock&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;. This award was also given by Ahmed Ahmed.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;A simply told story with great depth that examines an average day in the life of an ordinary person living through other people. We applaud this director for her focus, attention to detail, and nuanced acting.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: 'Courier New'; font-size: 11pt; line-height: 15px;"&gt;o&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Special Jury Mention:&amp;nbsp;&lt;b&gt;&lt;i&gt;Eva – Working Title&lt;/i&gt;&lt;/b&gt;, written and directed by Dor Fadlon (Israel)&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 1in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;Jury Comments: “&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Characterized by bold directorial choices, this film is a disturbing and intriguing story of an actor’s struggle, and examines the price paid for realizing one’s dreams. We congratulate this filmmaker for his ability to fully realize this story in a unique structure.”&lt;/span&gt;&lt;em&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;em&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: #073763; font-size: 11pt; font-style: normal; line-height: 15px;"&gt;TRIBECA (ONLINE) FILM FESTIVAL CATEGORIES:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/em&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px;"&gt;The 2011 Tribeca (Online) Film Festival winners were voted on by visitors to&amp;nbsp;&lt;a href="http://tribecafilm.com/" target="_blank"&gt;tribecafilm.com&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-size: 13px; line-height: 13px; text-indent: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Tribeca (Online) Film Festival Best Feature Film&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;:&lt;b&gt;&amp;nbsp;&lt;i&gt;Donor Unknown&lt;/i&gt;&lt;/b&gt;, directed and written by Jerry Rothwell (UK). Winner receives $25,000, sponsored by American Express, and the art award “Untitled” by Sarah Crowner. The award was given by Geoffrey Gilmore and Jessica Igoe from American Express.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 13px; margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Tribeca (Online) Film Festival Best Short Film&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;:&amp;nbsp;&lt;b&gt;&lt;i&gt;Dungeon Master,&lt;/i&gt;&lt;/b&gt;&amp;nbsp;directed by Shiloh &amp;amp; Rider Strong (UK). Winners receive $5,000, sponsored by Accenture. The award was given by Geoffrey Gilmore and Dr. Gavin Michael from Accenture.&lt;br /&gt;
&lt;/span&gt;&lt;em&gt;&lt;b&gt;&lt;span style="font-style: normal;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;em&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size: 11pt; font-style: normal; line-height: 15px; text-transform: uppercase;"&gt;FULL LIST OF ELIGIBLE 2011 TFF FILMS IN EACH CATEGORY OF COMPETITION:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/em&gt;&lt;b&gt;&lt;u&gt;&lt;span style="text-transform: uppercase;"&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="font-size: 11pt; font-weight: normal; line-height: 15px;"&gt;World Narrative Feature Competition:&amp;nbsp;&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Founders Award for Best Narrative Feature: 12 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Actress in a Narrative Feature: 12 actresses&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Actor in a Narrative Feature: 11 actors&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Cinematography in a Narrative Feature:&amp;nbsp;&amp;nbsp;12 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Screenplay for a Narrative Feature:&amp;nbsp;&amp;nbsp;12 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;World Documentary Feature Competition:&amp;nbsp;&lt;/span&gt;&lt;/u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Documentary Feature: 12 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Editing in a Documentary Film:&amp;nbsp;&amp;nbsp;12 filmmakers&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;u&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;All feature sections, first time directors with films making their North American, International, or World Premiere&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best New Narrative Director: directors selected from 17 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best New Documentary Director: directors selected from 17 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Short Films in Competition&lt;/span&gt;&lt;/u&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;:&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Narrative Short: 35 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Best Documentary Short: 14 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-left: 0.5in;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt; line-height: 15px;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;Student Visionary Award: 10 films&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;&lt;span style="color: #073763; font-size: 11pt; font-weight: normal; line-height: 15px;"&gt;For more information on all of the films in the 2011 Tribeca Film Festival, please visit&amp;nbsp;&lt;a href="http://tribecafilm.com/" target="_blank"&gt;tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Tickets for 2011 Festival:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt;"&gt;Tickets for the Festival will be $16.00 for evening and weekend screenings, and $8.00 for daytime weekday and late night screenings.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt;"&gt;Single ticket and discounted ticket package sales begin for the general public on Monday, April 18, 2011. Single tickets can be purchased online at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;, or by telephone, toll free, at (866) 941-FEST (3378), or at one of the Ticket Outlets, with locations at Tribeca Cinemas at 54 Varick Street, Chelsea Clearview Cinemas at 260 West 23rd Street, and AMC Village VII at 66 3rd Avenue. The 2011 Festival will continue ticket discounts for evening and weekend screenings for students, seniors and select downtown Manhattan residents. Discounted tickets are available at Ticket Outlet locations only. Discounted ticket packages can only be purchased online and by phone. Additional information and further details on the Festival can be found at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-size: 13px; line-height: 13px; text-align: justify;"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;About the Tribeca Film Festival:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763; font-size: 15px; line-height: 15px;"&gt;Robert De Niro, Jane Rosenthal and Craig Hatkoff founded the Tribeca Film Festival in 2001 following the attacks on the World Trade Center to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The Festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center.&amp;nbsp;Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;The Tribeca Festival has screened over 1100 films from over 80 countries since its first festival in 2002. Since its founding, it has attracted an international audience of more than 2.3 million attendees and has generated an estimated $600 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt; line-height: 15px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="color: #073763; font-size: 11pt;"&gt;About the 2011 Festival Sponsors:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt;"&gt;As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of filmmaking, bringing business and energy to New York City and offering Cardmembers and festivalgoers the opportunity to enjoy the best of storytelling through film.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #073763; font-size: 11pt;"&gt;The Festival is pleased to announce the return of its Signature Sponsors: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored to welcome the following new Signature Sponsors: Accenture, Bing, Cadillac, Doha Film Institute, JetBlue Airways, and Magnum Ice Cream.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-collapse: collapse; font-size: 13px; line-height: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-size: 13px;"&gt;&lt;span style="font-size: 11pt; line-height: 15px;"&gt;&lt;br /&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/4236372070237618857" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/4236372070237618857" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/2011-tribeca-film-festival-announces.html" rel="alternate" title="2011 TRIBECA FILM FESTIVAL ANNOUNCES AWARDS" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-5456268328877710336</id><published>2011-04-28T17:04:00.000-07:00</published><updated>2011-04-28T17:06:58.621-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Austin"/><category scheme="http://www.blogger.com/atom/ns#" term="Austin Film Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Film"/><title type="text">AFS &amp; The Alamo Drafthouse Cinemas Launch SLACKER 2011 Film &amp; Campaign</title><content type="html">&lt;center&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: Verdana; font-size: 11px;"&gt;&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1867" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 15px; margin-right: 15px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 670px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" height="30" style="color: #333333; font-family: arial, sans-serif; font: normal normal bold 16px/normal Arial, Verdana, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom" width="670"&gt;AFS &amp;amp; The Alamo Drafthouse Cinemas Launch SLACKER 2011 Film &amp;amp; Campaign&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 10px; padding-right: 10px; padding-top: 12px;" valign="top" width="670"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;table align="right" bgcolor="#ffffff" border="0" cellpadding="2" cellspacing="0" style="padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px; width: 200px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;strong&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=2519" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: right;" width="200" /&gt;&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" style="background-color: #c2c2c1; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;strong&gt;Participating Filmmakers &amp;amp; Teams&lt;/strong&gt;&lt;br /&gt;
Miguel Alvarez&lt;br /&gt;
Alamo Drafthouse Cinemas&lt;br /&gt;
AFS Film Club&lt;br /&gt;
Bradley Beesley&lt;br /&gt;
John Bryant&lt;br /&gt;
Bob Byington&lt;br /&gt;
Mike Dolan&lt;br /&gt;
Sam Wainwright Douglas&lt;br /&gt;
Jay Duplass&lt;br /&gt;
Chris Eska&lt;br /&gt;
Paul Gordon&lt;br /&gt;
Amy Grappell&lt;br /&gt;
Duane Graves&lt;br /&gt;
Berndt Mader&lt;br /&gt;
Geoff Marslett&lt;br /&gt;
Spencer Parsons&lt;br /&gt;
PJ Raval&lt;br /&gt;
Bob Ray&lt;br /&gt;
Reel Women UT Chapter&lt;br /&gt;
Elisabeth Sikes&lt;br /&gt;
Karen Skloss&lt;br /&gt;
Ben Steinbauer&lt;br /&gt;
David &amp;amp; Nathan Zellner&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
(Austin, TX)--The&lt;strong&gt;&amp;nbsp;Austin Film Society&lt;/strong&gt;&amp;nbsp;and&amp;nbsp;&lt;strong&gt;The Alamo Drafthouse Cinemas&lt;/strong&gt;&amp;nbsp;are excited to announce that 23 of the most celebrated Austin filmmakers will remake vignettes from AFS Founder &amp;amp; Artistic Director&amp;nbsp;&lt;strong&gt;Richard Linklater&lt;/strong&gt;’s seminal film&amp;nbsp;&lt;strong&gt;SLACKER&lt;/strong&gt;. This homage project was conceived by The Alamo Drafthouse team to celebrate SLACKER's 20th anniversary year by bringing the film community together to honor one of Texas' best homegrown films. AFS came aboard with a stellar group of filmmakers and a Kickstarter-like campaign to raise an additional $60,000 toward the&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.austinfilm.org%2fpage.aspx%3fpid%3d300&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;2011 Texas Filmmakers Production Fund&lt;/a&gt;&amp;nbsp;(accepting applications until June 1).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Each scene will be recreated, using the original dialogue and locations (whenever possible), and individual scenes will then be compiled to create the remake, presenting the city’s changing face while showcasing some of its most exciting talent. Donations&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;of $50 or higher to SLACKER 2011 will receive a ticket to the&amp;nbsp;&lt;strong&gt;World Premiere on August 31st&lt;/strong&gt;with the remake filmmakers and Richard Linklater in attendance for Q&amp;amp;A. More details on the event will be released when finalized. Project details and updates can be found at&lt;a href="http://www.austinfilm.org/page.aspx?pid=1385&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;austinfilm.org/slacker2011&lt;/a&gt;&lt;br /&gt;
The levels of support for SLACKER 2011:&lt;br /&gt;
&lt;div style="padding-left: 30px;"&gt;$25,000 – Executive Producer credit on SLACKER 2011, the option for an walk-on speaking role, an autographed DVD of SLACKER &amp;amp; the remake, and VIP seating for 10 at the World Premiere screening.&lt;br /&gt;
&lt;br /&gt;
$10,000 – Producer credit on SLACKER 2011, the option for a featured extra role, an autographed DVD of SLACKER &amp;amp; the remake, and VIP seating for 6 at the World Premiere screening.&lt;br /&gt;
&lt;br /&gt;
$5,000&amp;nbsp; – Get a walk-on speaking role in SLACKER 2011, Special Thanks on the finished film, an autographed DVD of SLACKER &amp;amp; the remake, and 4 VIP tickets to the World Premiere screening.&lt;br /&gt;
&lt;br /&gt;
$1,000 – Be a background extra in SLACKER 2011, get Special Thanks credit on the finished remake film, an autographed DVD of SLACKER &amp;amp; the remake, and 2 VIP tickets to the World Premiere screening.&lt;br /&gt;
&lt;br /&gt;
$500 - Get Special Thanks credit on the finished remake film, an autographed DVD of SLACKER &amp;amp; the remake, and 2 VIP tickets to the World Premiere screening.&lt;br /&gt;
&lt;br /&gt;
$100 - Thanks credit on the finished remake film, a DVD copy and 2 tickets to the World Premiere screening.&lt;br /&gt;
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$50 - $99 – One ticket to the World Premiere screening and thanks on our website as a valuable donor to the Texas Filmmakers’ Production Fund.&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;strong&gt;Austin Film Society&lt;/strong&gt;&amp;nbsp;promotes the appreciation of film and supports creative media production by screening rarely seen films, giving grants and other support to emerging filmmakers, and providing access and education about film to youth and the public. Through Austin Studios, which AFS opened in 2000 in partnership with the City of Austin, AFS helps attract film development and production to Austin and Texas. Gala film premieres and the annual Texas Film Hall of Fame Awards raise funds as well as awareness of the impact of film on economy and community. Austin Film Society is ranked among the top film centers in the country and recognized by the National Endowment for the Arts and Directors Guild of America. The Austin Film Society’s programs are funded and supported in part by the&amp;nbsp;&lt;strong&gt;City of Austin&lt;/strong&gt;&amp;nbsp;through the&amp;nbsp;&lt;strong&gt;Cultural Arts Division&lt;/strong&gt;&amp;nbsp;and by a grant from the&amp;nbsp;&lt;strong&gt;Texas Commission on the Arts&lt;/strong&gt;&amp;nbsp;and an award from the&amp;nbsp;&lt;strong&gt;National Endowment for the Arts&lt;/strong&gt;, which believes that a great nation deserves great art. For more information on Austin Film Society, visit&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.aspx?pid=183&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;www.austinfilm.org&lt;/a&gt;&lt;br /&gt;
&lt;strong&gt;The Alamo Drafthouse&lt;/strong&gt;&amp;nbsp;is a lifestyle entertainment brand with an acclaimed cinema-eatery, the largest genre film festival in the United Sates and an online collectible art store. Named “the best theater in America” by Entertainment Weekly, the Alamo Drafthouse Cinema has built a reputation as a movie lover’s oasis not only by combining food and drink service with the movie-going experience, but also introducing unique programming and high-profile, star studded special events. Alamo Drafthouse Founder &amp;amp; CEO, Tim League, created Fantastic Fest, a world renowned film festival dubbed “The Geek Telluride” by Variety. Also regarded as the “Comic Con of film festivals” Fantastic Fest showcases eight days of offbeat cinema from independents, international filmmakers and major Hollywood Studios. The Alamo Drafthouse’s collectible art boutique, Mondo, offers breathtaking, original products featuring designs from world-famous artists based on licenses for popular TV and Movie properties including Star Wars, Star Trek &amp;amp; Universal Monsters. The Alamo Drafthouse Cinema is expanding its brand in new and exciting ways, including the launch of Drafthouse Films, a new film distribution label and plans to extend its theaters and unique programming philosophy to additional markets across the United States. More information about Alamo Drafthouse&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fdrafthouse.com%2fmain%2ffranchise%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;franchise opportunities&lt;/a&gt;&amp;nbsp;are available on the&amp;nbsp;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fdrafthouse.com%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;official website&lt;/a&gt;.&lt;br /&gt;
&lt;h3&gt;Thank You to 2011 Texas Filmmakers' Production Fund Sponsors&lt;/h3&gt;&lt;table border="0" cellpadding="0"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.alphacine.com%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img height="56" src="http://www.austinfilm.org/view.image?Id=601" style="min-height: 56px; width: 200px;" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fmotion.kodak.com%2fus%2fen%2fmotion%2findex.htm&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1961" width="100" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.originalalamo.com%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=2220" width="120" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fmarcenglishdesign.com%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=605" width="100" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.ci.austin.tx.us%2fculturalcontracts%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1715" style="min-height: 111px; width: 77px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.arts.state.tx.us%2f&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1716" style="min-height: 86px; width: 65px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.fourseasons.com%2faustin&amp;amp;srcid=25588&amp;amp;srctid=1&amp;amp;erid=1643487" style="color: #114170;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=593" width="120" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div align="center"&gt;###&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/5456268328877710336" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/5456268328877710336" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/afs-alamo-drafthouse-cinemas-launch.html" rel="alternate" title="AFS &amp; The Alamo Drafthouse Cinemas Launch SLACKER 2011 Film &amp; Campaign" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-8761892614441553153</id><published>2011-04-28T13:47:00.000-07:00</published><updated>2011-04-28T13:47:25.945-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All Access Program"/><category scheme="http://www.blogger.com/atom/ns#" term="Grantees"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Institute"/><category scheme="http://www.blogger.com/atom/ns#" term="Winners"/><title type="text">TRIBECA FILM INSTITUTE ANNOUNCES 2011 AWARD WINNERS AND GRANTEES FOR TRIBECA ALL ACCESS PROGRAM</title><content type="html">&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;&lt;img alt="TFI.bmp" height="80" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12f9d0e4dc696248&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" width="222" /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;TRIBECA FILM INSTITUTE ANNOUNCES 2011 AWARD WINNERS&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;AND GRANTEES FOR TRIBECA ALL ACCESS PROGRAM,&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;LATIN AMERICA MEDIA ARTS FUND AND THE TFI DOCUMENTARY FUND&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;***&lt;/span&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 14pt;"&gt;Overall TFI Funds for Filmmakers Reach $1,000,000&lt;/span&gt;&lt;/i&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;[New York, NY – April 28, 2011] –&lt;b&gt;&amp;nbsp;&lt;/b&gt;The Tribeca Film Institute (TFI) today announced several program award winners and grantees at the TFI Awards Luncheon at Riverpark NYC during the 2011 Tribeca Film Festival. Two winners of the Tribeca All Access (TAA) Creative Promise Awards presented by Time Warner; seven new TAA alumni grants and fellowships; four winners of the Latin America Media Arts Fund; and four grantees supported by Insurgent Media for the inaugural TFI Documentary Fund were all presented today, totaling $125,000 in funds.&amp;nbsp;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;“This year’s winners and grantees are true examples of the incredible strength of films and talent resulting from the support of the Tribeca Film Institute,” said Beth Janson, Executive Director of the Tribeca Film Institute. “Our main hope is that these films go on to completion and build strong relationships with audiences.”&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;During the TFI Awards Ceremony at Riverpark NYC in Manhattan, the following Tribeca All Access Creative Promise winners were announced:&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;TAA Creative Promise Award for Documentary&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Gideon’s Army&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-indent: 0.5in;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Every day, more and more people are arrested, handcuffed, shoved into a&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;squad car, and booked. Weeks turn into months and their only line of defense is in the hands of a public defender. “Gideon’s Army” asks, are public defenders up to the fight?&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Dawn Porter&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;(Director)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;TAA Creative Promise Award for Narrative&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;County Line&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;A Southern town's underbelly exposed when its sheriff tries to rid himself of a drug alliance with a family friend and investigate the deaths of his female informants. In the process, he must confront his son's addiction to the drugs he's allowed in his county.&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tina Mabry&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;(Director, Producer)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Morgan R. Stiff (Producer, Screenwriter, Editor)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Lee V. Stiff, (Producer, Executive Producer)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The winners were selected from 12 projects based on the strength of their vision and filmmaking promise.&amp;nbsp; The 2011 TAA Creative Promise Awards, presented by Time Warner, comes with a total prize of $20,000: $10,000 for narrative and $10,000 for documentary, as well as an original piece of art from a contemporary artist. The 2011 Narrative jurors were Hiam&lt;b&gt;&amp;nbsp;&lt;/b&gt;Abbass, Ajay Naidu and F. Gary Gray. The 2011 Documentary jurors were Elvis Mitchell, Suroosh Alvi, and John Quinones. Now in its eighth year, TAA was created to help foster and nurture relationships between film industry executives and filmmakers from traditionally underrepresented communities.&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;h2 style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;TAA also extended its programming and support for alumni this year including $25,000 in grants and fellowships for past TAA projects in development or new works by program alumni. The following grants were announced today:&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/h2&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tribeca All Access Ontrack Grant Narrative&lt;br /&gt;
&lt;i&gt;When I Saw You&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;br /&gt;
Jordan, 1960s. An eccentric and unbounded boy runs away from home knowing full well his young mother will follow in this search for freedom.&lt;br /&gt;
&lt;b&gt;Annemarie Jacir (Director, Producer, Screenwriter)&lt;/b&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tribeca All Access Ontrack Grant Documentary&lt;br /&gt;
&lt;i&gt;Untitled Gay Retiree Documentary&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;br /&gt;
Set against the backdrop of various LGBTQ-friendly communities, Untitled Gay Retiree Documentary captures the experiences of several LGBTQ seniors as they navigate the adventures, challenges and surprises of their "golden years."&lt;br /&gt;
&lt;b&gt;PJ Raval (Director, Producer)&lt;/b&gt;&lt;br /&gt;
Sara Giustini (Producer)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
Kyle Henry (Editor)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tribeca All Access Trans Media Award Narrative&lt;br /&gt;
&lt;i&gt;Chinafornia&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;br /&gt;
America, 2018. Unable to pay the ten trillion dollars it owes to China, the U.S. comes up with a plan: it gives China the&amp;nbsp; state of California. ANIMATION&lt;br /&gt;
&lt;b&gt;Ellie Lee (Director, Screenwriter)&lt;/b&gt;Peter Dowd (Screenwriter)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tribeca All Access Trans Media Award Documentary&lt;br /&gt;
&lt;i&gt;Untitled Mu Xin Project&lt;/i&gt;&amp;nbsp;(Working Title)&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;br /&gt;
In the sweep of China's turbulent history, Mu Xin sacrificed everything for his art. Starting while he was illegally imprisoned, he transformed his experiences into a body of work merging East, West, classicism, modernism, terror and transcendence.&lt;br /&gt;
He has avoided speaking of the horrors he has seen - until now.&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Francisco Bello&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;b&gt;(Director, Producer, Director of Photography)&lt;/b&gt;&lt;br /&gt;
Tim Sternberg (Director, Producer, Editor)&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;h2 style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The TAA Adrienne Shelly Foundation Filmmaker Grant&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;El Jardin&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;El Jardin&lt;/span&gt;&lt;/i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;is a portrait of a cemetery in the drug heartland of México. Since the war on drugs began in 2007 it has claimed over 35,000 lives. The cemetery has doubled in size and the mausoleums have doubled in height.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Natalia Almada (Director/Producer)&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The Games for Change Fellowship for TAA Alumni&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The Undocumented&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The Undocumented&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;is a feature length documentary which chronicles Arizona's deadly summer months, following Border Patrol agents who fight to prevent migrant deaths, medical investigators and the Mexican Consulate who work to identify migrants who die crossing the border, and Mexican families who struggle to accept the loss of loved ones.&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Marco Williams&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;b&gt;(Director)&lt;/b&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span style="color: black; font-family: Symbol; font-size: 11pt;"&gt;·&lt;/span&gt;&lt;span style="color: black; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Audience Activation Grant&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The Ipo Boys&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;(aka&amp;nbsp;&lt;i&gt;They Are All My Brothers&lt;/i&gt;)&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;&lt;br /&gt;
Several boys at a home for abandoned youth in Mexico rebuild their lives while contributing to the social enterprise that sustains them: world-renowned French artisan goat cheese. DOCUMENTARY&lt;br /&gt;
&lt;b&gt;Nicole Opper (Director, Producer)&lt;/b&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;“I’m incredibly proud of the Creative Promise Award winners but also can’t wait to see just how far this week’s meetings and networking will take each of the 12 filmmakers,” said Tamir Muhammad, Director of Feature Programming, TFI. “It’s also very exciting to see alumni come back and receive additional support through our newer grants – I’m looking forward to the successes of everyone here today.”&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The Latin America Media Arts Fund also announced four winners to support innovative film and video artists who are living or working in Mexico, Central and South America. The awards announced today included:&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;The Battle for Land&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;(Columbia), Directed by Juan Mejia--&amp;nbsp;&lt;i&gt;The Battle for Land&lt;/i&gt;&amp;nbsp;delves deep into the complexities of mass displacement pushing us past prevailing ideas where displacement is seen as an aberration of war, and progressively revealing a more intricate and terrifying picture. It is above all a journey deep into the heart of uprooting and the dark side of progress.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Cocaine Prison&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;&amp;nbsp;(Bolivia), Directed by Violeta Ayala-- Trying to establish a cocaine business inside Bolivia's craziest prison an unlikely friendship develops, between two 'little fish', a young ambitious trafficker and a middle-aged cocaine worker fighting for release, personifying the country's love affair with cocaine.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Toys&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;(Mexico), Directed by Alba Mora-Roca--&amp;nbsp;&lt;i&gt;Toys&lt;/i&gt;&amp;nbsp;explores how a family's peculiar love for toys helps children overcome the effects of violence in Mexico. It follows a Mexican-Japanese family who, having gathered the largest toy collection in Latin America, travels north to do workshops with victims of the violence generated by fighting drug cartels.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;When Two Worlds Collide&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;&amp;nbsp;(Peru), Directed by Taira Akbar and Heidi Brandenburg-- An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The four selected films will each receive $10,000 in grants and guidance by TFI and were selected by a jury consisting of&lt;b&gt;&amp;nbsp;Benicio Del Toro&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Paola Mendoza&lt;/b&gt;&amp;nbsp;and&amp;nbsp;&lt;b&gt;Mónica Lozano&lt;/b&gt;.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Four additional grantees of the TFI Documentary Fund were also announced through the backing of NY-based Insurgent Media.&lt;b&gt;&amp;nbsp;&lt;/b&gt;Insurgent Media was founded by Andrew Karsch, Erik Gordon and Fisher Stevens and is a central innovator in the production and distribution of thought-provoking filmed content.&amp;nbsp;&lt;/span&gt;&lt;span lang="EN" style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The recipients announced today include:&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Teenage&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Directed by Matt Wolf and written by Jon Savage–&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;i&gt;Teenage&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;is an unconventional historical film about youth culture based on an acclaimed book by the punk author Jon Savage. The film examines the invention of modern teenagers in wartime America with profiles of extraordinary adolescents.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Of Monsters and Men&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;, Directed by Morgan Matthews–&amp;nbsp;&lt;i&gt;Of Monsters and Men&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;is a fascinating and touching portrait of men who are obsessed with monsters and their adventures to find them.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Smash &amp;amp; Grab: The Story of the Pink Panthers&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;, Directed by Havana Marking and Producer by Mike Lerner–&amp;nbsp;&lt;i&gt;Smash &amp;amp; Grab: The Story of the Pink Panthers&lt;/i&gt;, in their own words, the most successful jewel thieves of all time take you into their world: the post-Milosovic Balkans, the modern diamond trade and a 21st Century crime gang.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;" type="disc"&gt;&lt;li style="color: black; margin-left: 15px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;Don’t Stop Believin’: Everyman’s Journey&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: Cambria, serif; font-size: 11pt;"&gt;, Directed by Ramona Diaz –&amp;nbsp;&lt;i&gt;Don’t Stop Believin’: Everyman’s Journey&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;follows the real life rock-n-roll fairy tale story of Filipino Arnel Pineda, who was plucked from You Tube to become the front man for iconic American rock band, Journey, thereby becoming the latest performer to go from the Internet to real life celebrity.&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;The TFI Documentary Fund grantees will receive $10,000 each in grants as well as guidance and consultation from TFI on the film’s production. Benefits include: festival and distribution planning and strategizing sessions; fundraising; and industry and/or crew match-making and introductions. The Fund was created to further the development of character-driven documentaries.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;“We are supporting nearly 30 documentary projects in 2011 representing a broad spectrum of ideas from around the globe and offering a good mix of artists’ experience,” said Ryan Harrington, TFI’s Director of Documentary Programming. “TFI is excited and proud to continue to grow and strengthen the resources that we provide to our filmmakers.”&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Grants which were previously announced were also recognized at the annual awards ceremony including: TFI Sloan Filmmaker Fund grantees, provided by the Alfred P. Sloan Foundation and the TFI Documentary Fund HBO Fellowships.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;During this year’s Tribeca Film Festival (April 20-May 1), TFI filmmakers from programs including Tribeca All Access and the TFI Sloan Filmmaker Fund, participated in one-on-one industry meetings on Tuesday, April 26 and Wednesday, April 27 to network with film industry executives, potential investors, development executives, producers and agents.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 12pt;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 11pt;"&gt;Tribeca All Access is made possible by Bloomberg, with major support from Time Warner and additional support from the Hollywood Foreign Press Association, the Academy Foundation, the New York State Council on the Arts and the NYS Department Cultural Affairs. The TFI Latin America Media Arts Fund is made possible by Movie City, Canacine and Heineken.&lt;/span&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;About the Tribeca Film Institute:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;The Tribeca Film Institute is a 501(c)3 year round nonprofit arts organization founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in the wake of September 11, 2001. TFI empowers filmmakers through grants and professional development, and is a resource and advocate for individual artists in the field. The Institute’s educational programming leverages an extensive film community network to help underserved New York City students learn filmmaking and gain the media skills necessary to be productive citizens and creative individuals in the 21&lt;sup&gt;st&lt;/sup&gt;&amp;nbsp;century. Administering a dozen major programs annually, TFI is a critical contributor to the fabric of filmmaking and aids in protecting the livelihood of filmmakers and media artists.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;&amp;nbsp;For more information and a list of all TFI programs visit&amp;nbsp;&lt;a href="http://www.tribecafilminstitute.org/" style="color: #114170;" target="_blank"&gt;http://www.&lt;wbr&gt;&lt;/wbr&gt;tribecafilminstitute.org/&lt;/a&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;About Tribeca Film Festival:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center.&amp;nbsp;It is well known for being a diverse international film festival that supports emerging and established directors.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Cambria, serif; font-size: 10pt;"&gt;The Tribeca Film Festival has screened more than 1,100 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 3 million attendees and has generated an estimated $600 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;center&gt;&lt;div id="fb-root"&gt;&lt;/div&gt;&lt;script src="http://connect.facebook.net/en_US/all.js#appId=166381680049198&amp;amp;xfbml=1"&gt;
&lt;/script&gt;&lt;fb:comments href="http://www.unitedfilmmaker.com" num_posts="5" width="600"&gt;&lt;/fb:comments&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/8761892614441553153" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/8761892614441553153" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/tribeca-film-institute-announces-2011.html" rel="alternate" title="TRIBECA FILM INSTITUTE ANNOUNCES 2011 AWARD WINNERS AND GRANTEES FOR TRIBECA ALL ACCESS PROGRAM" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-9170493361802940119</id><published>2011-04-24T13:13:00.000-07:00</published><updated>2011-04-24T13:13:06.201-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Day 5"/><category scheme="http://www.blogger.com/atom/ns#" term="Easter"/><category scheme="http://www.blogger.com/atom/ns#" term="New York"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">Day 5: Happy Easter! We're Hunting for Ozzy...</title><content type="html">&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://ad.doubleclick.net/clk;239899220;62635041;k;pc=%5BTPAS_ID%5D" style="color: #114170;" target="_blank"&gt;&lt;img alt="Tribeca Film Newsletter" border="0" src="http://media.tribecafilm.com/designimages/TribecaFilmDotCom_TFF.png" width="525" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: normal; padding-right: 5px; text-align: right; text-decoration: none; text-transform: capitalize; vertical-align: sub;"&gt;04 . 24 . 11&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" height="21" style="font-family: arial, sans-serif; font-size: 13px; width: 720px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.emailthis.com/et/emailThis?clickMap=createNL&amp;amp;NL=Y&amp;amp;url=http://www.tribecafilm.com/mailings/3623964.html&amp;amp;title=Tribeca%20Film%20Newsletter&amp;amp;partnerID=415489" style="color: #114170;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_01.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog" style="color: #114170;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_02.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/swagbag/" style="color: #114170;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_03.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/register/" style="color: #114170;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_04.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/contact" style="color: #114170;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_05.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table border="0" cellpadding="2" cellspacing="0" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="5" height="10" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Fnews-views%2FToday_at_Tribeca_424.html&amp;amp;18=0.3255174243342932" style="color: #114170;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/festival/news-views/Today_at_Tribeca_424.html" style="color: #114170;" target="_blank"&gt;&lt;img alt="today at tribeca" border="0" height="178" src="http://media.tribecafilmfestival.org/images/today+at+tribeca+thumb.png" title="today at tribeca" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Fnews-views%2FToday_at_Tribeca_424.html&amp;amp;18=0.8698764042834969" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Today at Tribeca: 4.24&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Kristin McCracken&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Day 5: Panels with&amp;nbsp;&lt;b&gt;Peter Bart&lt;/b&gt;,&lt;b&gt;Geoff Gilmore&lt;/b&gt;, and lots of&amp;nbsp;&lt;b&gt;doc filmmakers&lt;/b&gt;; online streaming of&amp;nbsp;&lt;b&gt;My Last Round&lt;/b&gt;, and the rockin' debut of&amp;nbsp;&lt;b&gt;Ozzy&lt;/b&gt;&amp;nbsp;in theaters... Happy Easter! &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Fnews-views%2FToday_at_Tribeca_424.html&amp;amp;18=0.5155731333979339" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fphotos%2FTribeca_Drive-In_When_the_Drum_is_Beating.html&amp;amp;18=0.2723246830412266" style="color: #114170;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=8994283764865713087" style="color: #114170;"&gt;&lt;img alt="Tribeca Drive-In®: When the Drum is Beating" border="0" height="213" src="http://media.tribecafilmfestival.org/images/320*213/IMG_2552.jpg" title="Tribeca Drive-In®: When the Drum is Beating" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fphotos%2FTribeca_Drive-In_When_the_Drum_is_Beating.html&amp;amp;18=0.6341330466352906" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Photos: When the Drum is Beating&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
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The weather may have been cold, but the spirit of the music was warm as the Haitian band&lt;b&gt;Septentrional&lt;/b&gt;&amp;nbsp;took the stage at the&amp;nbsp;&lt;b&gt;Tribeca Drive-In®&lt;/b&gt;. &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fphotos%2FTribeca_Drive-In_When_the_Drum_is_Beating.html&amp;amp;18=0.9656242544466033" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ftribecaonline%2Ffuture-of-film%2FRapidly-Changing-Media-Environment-Publishing-and-Film.html&amp;amp;18=0.40871810856234114" style="color: #114170;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/tribecaonline/future-of-film/Rapidly-Changing-Media-Environment-Publishing-and-Film.html" style="color: #114170;" target="_blank"&gt;&lt;img alt="Pat Conroy The Boo" border="0" height="197" src="http://media.tribecafilmfestival.org/images/Conroy_TheBooThumb.jpg" title="Pat Conroy The Boo" width="317" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ftribecaonline%2Ffuture-of-film%2FRapidly-Changing-Media-Environment-Publishing-and-Film.html&amp;amp;18=0.10841801785529148" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Rapidly Changing Media Environment: Publishing and Film&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Jeffrey Sharp&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Jeffrey Sharp, the cofounder of Open Road Integrated Media, explores how digital publishing and film make it possible for stories to live on all screens.&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ftribecaonline%2Ffuture-of-film%2FRapidly-Changing-Media-Environment-Publishing-and-Film.html&amp;amp;18=0.6532575117327636" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style="color: #e92394;"&gt;By Kristin McCracken&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Is it possible to turn tragedy into hope? These directors document some victims of terrorism who've done just that. At TFF,&amp;nbsp;&lt;b&gt;Sean Penn&lt;/b&gt;&amp;nbsp;will be on hand for a&amp;nbsp;&lt;b&gt;Tribeca Talks&lt;/b&gt;discussion. &lt;br /&gt;
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&lt;tr&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/tribeca-flashpoint/Flashpoint_Report_Amplify_the_Message.html" style="color: #114170;" target="_blank"&gt;&lt;img alt="Tribeca Talks Industry: Amplify the Message" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/Rider+Strong+Amplify+the+Message+thumb.png" title="Tribeca Talks Industry: Amplify the Message" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ftribeca-flashpoint%2FFlashpoint_Report_Amplify_the_Message.html&amp;amp;18=0.5005860984294845" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Flashpoint Report: Amplify the Message&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Jeremy Kraner&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Did you miss the&amp;nbsp;&lt;b&gt;Amplify the Message&lt;/b&gt;panel? Read the report, and check out the archived video—yes, the whole thing!— here:&amp;nbsp;&lt;b&gt;Rider Strong&lt;/b&gt;, anyone?&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ftribeca-flashpoint%2FFlashpoint_Report_Amplify_the_Message.html&amp;amp;18=0.8801154361920307" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="15"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/festival/news-views/The_Bangles_PS_22_Chorus.html" style="color: #114170;" target="_blank"&gt;&lt;img alt="The Bangles &amp;amp; PS 22 Chorus" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/Bangles+thumb.png" title="The Bangles &amp;amp; PS 22 Chorus" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Fnews-views%2FThe_Bangles_PS_22_Chorus.html&amp;amp;18=0.28296008816236784" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;The Bangles &amp;amp; PS 22 Chorus&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Kristin McCracken&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Video proof of the duet between&amp;nbsp;&lt;b&gt;The Bangles&lt;/b&gt;&amp;nbsp;and the&amp;nbsp;&lt;b&gt;PS 22 chorus&lt;/b&gt;&amp;nbsp;from opening night. Who doesn't love&amp;nbsp;&lt;b&gt;Walk Like an Egyptian&lt;/b&gt;?&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Fnews-views%2FThe_Bangles_PS_22_Chorus.html&amp;amp;18=0.9020972035251901" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;br /&gt;
&lt;div style="color: #404041; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;"&gt;&lt;/div&gt;Got a big screen idea? My Movie Pitch is giving you the chance to pitch your movie idea in 60 seconds or less. One grand prize winner will have their idea made into a short film by an acclaimed Tribeca Film director and see it premiere at the 2012 Tribeca Film Festival. 10 finalists and the top 100 pitches will win prizes too. Submit your pitch today at&amp;nbsp;&lt;strong&gt;&lt;a href="http://www.youtube.com/AmericanExpressFilm" style="color: #114170;" target="_blank"&gt;YouTube.com/&lt;wbr&gt;&lt;/wbr&gt;AmericanExpressFilm&lt;/a&gt;&lt;/strong&gt;.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;Founding Sponsor&lt;/div&gt;&lt;div align="center" style="width: 720px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.americanexpress.com&amp;amp;18=0.18158838545286105%22" style="color: #114170;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilmfestival.org/images/AMEX_LargeFIP_color.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" style="width: 720px;"&gt;&lt;table style="width: 580px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="center" colspan="8" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;&lt;br /&gt;
Signature Sponsors&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.accenture.com&amp;amp;18=0.13143476789839614" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="accenture" border="0" height="42" src="http://media.tribecafilmfestival.org/images/spons-accenture.gif" width="87" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.sloan.org&amp;amp;18=0.6177149055455163" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/sloan_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.apple.com%2Fretail&amp;amp;18=0.3278612290272451" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/apple_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.bing.com%2F&amp;amp;18=0.9894149656752539" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" height="25" src="http://media.tribecafilm.com/images/bing_bL.png" width="65" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.bloomberg.com&amp;amp;18=0.052842707044477244" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/bloomberg_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.bmcc.cuny.edu&amp;amp;18=0.77812475962046" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/bmcc_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.brookfieldproperties.com&amp;amp;18=0.8203829299310648" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/brookfield_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.cadillac.com%2F&amp;amp;18=0.4171966155099115" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/images/Cadillac_Script_logosmall.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.caesarsac.com&amp;amp;18=0.2952633363353918" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/images/caesarslogo.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.dohafilminstitute.com%2F&amp;amp;18=0.5028264654843019" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" height="59" src="http://media.tribecafilm.com/images/DFILogo.jpg" width="84" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.heineken.com%2F&amp;amp;18=0.7800511211419277" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/heineken_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fjetblue.com%2F&amp;amp;18=0.020039768253825807" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/designimages/jetblue.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.lg.com&amp;amp;18=0.1765282789598096" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" src="http://media.tribecafilm.com/images/LGlogo.jpg" style="min-height: 24px; width: 126px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.magnumicecream.com%2F&amp;amp;18=0.9944969812541267" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" src="http://media.tribecafilm.com/designimages/MagnumBWlogo.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="160"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.rrdonnelley.com&amp;amp;18=0.5999210039401727" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" height="13" src="http://media.tribecafilm.com/images/RRDonnelleyLogo.jpg" width="145" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.stoli.com&amp;amp;18=0.4509456114875835" style="color: #114170;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.stoli.com&amp;amp;18=0.5503867873694125" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" src="http://media.tribecafilm.com/designimages/stoli_trans_blk.png" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="center" colspan="9" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;Signature Media Sponsors&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.nbcnewyork.com%2Fstation%2Fshows%2Fnew-york-nonstop.html&amp;amp;18=0.5571055566541194" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" height="41" src="http://media.tribecafilm.com/images/NBCLogo.jpg" width="86" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.nbcnewyork.com%2Fon-air%2Fshows%2FNew-York-Nonstop.html&amp;amp;18=0.10731642242939488" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" border="0" height="53" src="http://media.tribecafilm.com/images/NBCLogo2.jpg" width="75" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.movienightout.com&amp;amp;18=0.16328987679341955" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" src="http://media.tribecafilm.com/designimages/movieNightOutSmallLogo.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr height="70px" valign="middle"&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.nytimes.com&amp;amp;18=0.10285698960308953" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" src="http://media.tribecafilm.com/designimages/nytimes_trans_blk.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.timewarnercable.com&amp;amp;18=0.05942629667448118" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="TWC" border="0" src="http://media.tribecafilm.com/images/TWClogo2.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="center" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="120px"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.vanityfair.com&amp;amp;18=0.012010198044847598" style="color: #114170;" target="_blank"&gt;&lt;img align="middle" alt="" border="0" src="http://media.tribecafilm.com/designimages/vanityfair_trans_blk1.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table style="width: 580px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;&lt;br /&gt;
Friends of the Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.brguestrestaurants.com&amp;amp;18=0.4992671930160989" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;BR Guest Hospitality&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.chanel.com&amp;amp;18=0.24368598194727709" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Chanel&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww2.goldmansachs.com%2F&amp;amp;18=0.363997846019082" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Goldman Sachs&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.maccosmetics.com&amp;amp;18=0.27179458202037776" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;M·A·C&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.nyc.gov%2Fhtml%2Ffilm%2Fhtml%2Findex%2Findex.shtml&amp;amp;18=0.6223379937417914" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;NYC Mayor's Office of Media and Entertainment&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.persol.com%2F&amp;amp;18=0.2650688349666267" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Persol&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.joinred.com&amp;amp;18=3.699529814590319E-4" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;(RED)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.rockstargames.com%2F&amp;amp;18=0.48167306079842886" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Rockstar Games&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.vitaminwater.com%2F&amp;amp;18=0.40113064738142745" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;smartwater&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.starwoodhotels.com%2Fwhotels%2Fpromotions%2F6w.html%3Fsection%3Dpromotion%26category%3DPLAY%26EM%3DWH_TRIBECA_SO_MEDIA_2011&amp;amp;18=0.12825218196911992" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;W Hotels Worldwide&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.willleathergoods.com%2F&amp;amp;18=0.15151459565250658" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;WILL LEATHER GOODS&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="color: #eb2890; font-family: Arial, Helvetica, sans-serif; font-size: 14px; font-weight: bold; line-height: 13px; text-decoration: none;"&gt;Media Friends of the Festival&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.1067litefm.com%2Fmain.html&amp;amp;18=0.8470071611901767" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;106.7 Lite FM&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.rottentomatoes.com%2F&amp;amp;18=0.5329152008850381" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Flixster&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.gettyimages.com&amp;amp;18=0.7083756749847574" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Getty Images&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.hollywoodreporter.com&amp;amp;18=0.8435689377094404" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;The Hollywood Reporter&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.ogilvy.com%2F&amp;amp;18=0.036302684566553944" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Ogilvy&lt;/a&gt;&amp;nbsp;&amp;nbsp;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fradio.disney.go.com%2Fmusic%2Fyourstation%2Fnewyork%2Findex.html&amp;amp;18=0.9066790132693975" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Radio Disney&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fweb.scanlife.com%2Fus_en%2F&amp;amp;18=0.5788803043316298" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;ScanLife&lt;/a&gt; &amp;nbsp;&amp;nbsp;  ·&amp;nbsp; &lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.screendaily.com&amp;amp;18=0.08161677772034837" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Screen International&lt;/a&gt;&amp;nbsp;&amp;nbsp;  ·&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.timeout.com%2Fnewyork&amp;amp;18=0.2259221115319343" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Time Out New York&lt;/a&gt;&amp;nbsp;&amp;nbsp;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3623964&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.z100.com%2Fmain.html&amp;amp;18=0.44899927336513246" style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-decoration: none;" target="_blank"&gt;Z100&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="Tribeca Film Newsletter" border="0" src="http://media.tribecafilm.com/designimages/tf-com-footer-lt2011.png" /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/9170493361802940119" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/9170493361802940119" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/day-5-happy-easter-were-hunting-for.html" rel="alternate" title="Day 5: Happy Easter! We're Hunting for Ozzy..." type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-3323037079037069647</id><published>2011-04-15T23:53:00.000-07:00</published><updated>2011-04-22T00:00:06.276-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="New York"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">Tribeca Film Festival Announces Sponsor Line Up for 2011 Festival</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;b&gt;Tribeca Film Festival Announces Sponsor Line Up for 2011 Festival;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Attracts Top-Tier Brands and Global Companies Dedicated to Independent Filmmaking&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Festival Welcomes New Signature Partners Including Accenture, Bing, Doha Film Institute, JetBlue Airways, and Magnum Ice Cream&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Top Brands and Media Companies Help to Expand the Festival's&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Audience and Support the Festival's Filmmakers&lt;/b&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
NEW YORK, April XX, 2011 -- Tribeca Film Festival, one of the leading film festivals, today announced &lt;br /&gt;
the Festival sponsorship lineup for the 2011 Festival. Led by Founding Partner American Express, the 2011 sponsors are a diverse group of brands and organizations that are dedicated to supporting the Festival, filmmakers, and the community. The 10th  Tribeca Film Festival runs from April 20 - May 1 in New York City.&lt;br /&gt;
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A range of top brands and media companies enhance the Tribeca Film Festival experience and support the Festival ensuring that the rich program of film and conversation is enjoyed by audiences at the Festival and online. Brands play an integral role by supporting the Festival operations, enhancing the Festival-goer’s experience and making possible many of the services provided to filmmakers during the Festival. Sponsors receive strong visibility and reach hundreds of thousands of Festival-goers in New York and millions nationally through Tribeca’s extended visibility from media partnerships and its online presence. &lt;br /&gt;
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&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
“We are honored to have such a remarkable group of partners, so many of whom have been involved with the Festival over many years" said Jon Patricof, Chief Operating Officer of Tribeca Enterprises. "Some of the Festival's most unique and successful elements over the years have been developed hand in hand with our partners and we thank them for their continued creativity and dedication.”&lt;br /&gt;
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New sponsors participating this year include: Bing, Clear Channel Radio New York, Doha Film Institute, Flixster, Goldman Sachs, JetBlue Airways, Magnum Ice Cream, The Ministry of Foreign Affairs, International Trade and Worship of the Argentine Republic, Persol, Rockstar Games, ScanLife, WILL LEATHER GOODS, Wines of Argentina, and a partnership with (RED). &lt;br /&gt;
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"Tribeca Film Festival offers world class brands an ideal environment to reach and engage their target audiences all while supporting the arts and independent filmmaking,” said Adam Sloan, Executive Vice President of Tribeca Enterprises. “Our partners are able to engage filmmakers, the entertainment industry and consumers alike through custom and innovative marketing experiences and media extensions.”&lt;br /&gt;
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The sponsors of the 2011 Tribeca Film Festival include:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Founding Partner:&lt;br /&gt;
&lt;br /&gt;
American Express&lt;br /&gt;
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Signature Sponsors:&lt;br /&gt;
&lt;br /&gt;
The Tribeca Film Festival is honored to welcome the following new Signature Sponsors: Accenture, Bing, Doha Film Institute, JetBlue Airways, and Magnum Ice Cream.&lt;br /&gt;
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Returning Signature Sponsors include: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken, LG Electronics USA, RR Donnelley, and Stolichnaya Vodka. Returning Signature Media Sponsors include NBC 4 New York, NBC New York Nonstop, NCM Media Networks, The New York Times, Time Warner Cable, and Vanity Fair.&lt;br /&gt;
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Friends of the Festival:&lt;br /&gt;
&lt;br /&gt;
BR Guest Hospitality, CHANEL, Goldman Sachs, NYC Mayor’s Office of Media and Entertainment, M·A·C, Persol, (RED), Rockstar Games, smartwater®. W Hotels Worldwide, and WILL LEATHER GOODS. Media Friends of the Festival include 103.5 KTU, 106.7 Lite fm, Flixster, Getty Images, The Hollywood Reporter, Ogilvy &amp;amp; Mather, Q104.3, Radio Disney, ScanLife, Screen International, Time Out New York, and Z100.&lt;br /&gt;
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Supporters:&lt;br /&gt;
&lt;br /&gt;
AJA Video Systems, AKA Hotel Residences, AOL, Directors Guild of America, Illy Caffé North America, Inc., The James New York Hotel, The Ministry of Foreign Affairs, International Trade, and Worship of the Argentine Republic, MOFILM, Mondrian SoHo – Morgans Hotel Group, Plein Sud, TITAN, Umbro,  Shooting People, Smyth Tribeca - A Thompson Hotel, Variety, Wines of Argentina, and The YouTube Screening Room.&lt;br /&gt;
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&lt;br /&gt;
Industry Sponsors:&lt;br /&gt;
&lt;br /&gt;
Alpha Cine Labs, Broadway Video Digital Media, Company 3, Deluxe, Dolby Production Services, Kodak, Motion Picture Film, Magno Sound &amp;amp; Video, Panavision NY, and SAP.&lt;br /&gt;
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Industry Event Sponsor: A&amp;amp;E IndieFilms, Barnes &amp;amp; Noble, Bluebird Express, Connecticut Office of Film, Television &amp;amp; Digital Media, Mega Playground NY, North Carolina Film Office, SAGIndie/Screen Actors Guild, The New York Cosmos, Wyoming Film Office.&lt;br /&gt;
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About Tribeca Film Festival:&lt;br /&gt;
&lt;br /&gt;
The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. It is well known for being a diverse international film festival that supports emerging and established directors.&lt;br /&gt;
&lt;br /&gt;
Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.&lt;br /&gt;
&lt;br /&gt;
The Tribeca Film Festival has screened more than 1,100 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 3 million attendees and has generated an estimated $600 million in economic activity for New York City.&lt;br /&gt;
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&lt;/script&gt;&lt;/center&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/3323037079037069647" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/3323037079037069647" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/tribeca-film-festival-announces-sponsor.html" rel="alternate" title="Tribeca Film Festival Announces Sponsor Line Up for 2011 Festival" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-3684406032821317005</id><published>2011-04-04T10:09:00.000-07:00</published><updated>2011-04-20T15:25:12.115-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="American Express"/><category scheme="http://www.blogger.com/atom/ns#" term="Blythe Danner"/><category scheme="http://www.blogger.com/atom/ns#" term="Bryan Cranston"/><category scheme="http://www.blogger.com/atom/ns#" term="James Caan"/><category scheme="http://www.blogger.com/atom/ns#" term="Kings of Leon"/><category scheme="http://www.blogger.com/atom/ns#" term="Lucy Liu"/><category scheme="http://www.blogger.com/atom/ns#" term="Marcia Gay Harden"/><category scheme="http://www.blogger.com/atom/ns#" term="Talihina Sky"/><category scheme="http://www.blogger.com/atom/ns#" term="Tony Kaye"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="William Peterson"/><title type="text">2011 TRIBECA FILM FESTIVAL ADDS TWO MORE TITLES</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.tribecafilm.com/festival/" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-MEfKkp1nYHg/TZn7JgD6UpI/AAAAAAAAfzA/VpuSdwjsbuU/s1600/Tribeca+2011.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; text-align: center;"&gt;&lt;b&gt;Lineup Now to Include World Premiere of Tony Kaye’s&amp;nbsp;&lt;i&gt;Detachment&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; text-align: center;"&gt;&lt;b&gt;And Work-in-Progress Screening of Kings of Leon Documentary&amp;nbsp;&lt;i&gt;Talihina Sky&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;* * *&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Detachment&lt;i&gt;&amp;nbsp;Cast Includes Adrien Brody, Christina Hendricks, Lucy Liu and James Caan&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: left;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;[New York, NY – April 4, 2011] –&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;The 2011 Tribeca Film Festival (TFF), presented by Founding Sponsor American Express, has added two more films to its feature lineup: a world premiere of Tony Kaye’s drama&amp;nbsp;&lt;i&gt;Detachment&lt;/i&gt;&amp;nbsp;and a work-in-progress screening of Stephen C. Mitchell’s&amp;nbsp;&lt;i&gt;Talihina Sky: The Story of Kings of Leon&lt;/i&gt;. The 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;edition of the Festival will take place from April 20 to May 1 in lower Manhattan.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;Detachment&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;is the latest absorbing, multi-layered character study by Kaye (&lt;i&gt;American History X&lt;/i&gt;), chronicling the intertwining lives of several high school teachers, administrators and students. Adrien Brody leads a star-studded cast that includes Christina Hendricks, Lucy Liu, James Caan, Marcia Gay Harden, Blythe Danner, Tim Blake Nelson, William Petersen and Bryan Cranston.&amp;nbsp;&lt;i&gt;Talihina Sky&lt;/i&gt;&amp;nbsp;is an energetic, behind-the-scenes look at the multiplatinum Kings of Leon, who had a remarkable rise from Pentecostal Southern roots to the top of the charts.&amp;nbsp;&lt;i&gt;Detachment&lt;/i&gt;&amp;nbsp;will debut as part of the Spotlight section at TFF, while&amp;nbsp;&lt;i&gt;Talihina Sky: The Story of Kings of Leon&lt;/i&gt;&amp;nbsp;is a special screening.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;“We're thrilled that we were able to include both of these films in the lineup,” said David Kwok, Director of Programming. “Both complement the program well. Talihina Sky caps off a strong year of music films, and Detachment adds to the distinct dramas that we're presenting, and it's great that it's set in New York and made here.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0.25in; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;Detachment&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 11pt;"&gt;, directed by Tony Kaye, written by Carl Lund. (USA) – World Premiere, Narrative.&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Director Tony Kaye creates a unique and stylized portrait of the American education system seen through the eyes of substitute teacher Henry Barthes. Henry wanders in and out of students’ lives, imparting knowledge where he can in the short time he has with them. Then a new assignment places him at a failing public school run by Principal Dearden and alters his insular world. Henry’s stoic front is slowly chipped away by three women who impact his view on life: a student, a fellow teacher, and a teenage runaway.&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.25in; text-align: justify;"&gt;&lt;span lang="X-NONE" style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Talihina Sky: The Story of Kings of Leon&lt;/span&gt;&lt;/b&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed by Stephen C. Mitchell.&lt;/span&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;(USA) – Wor&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;k in Progress&lt;/span&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, Documentary. Who are Kings of Leon? This energetic&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;,&lt;/span&gt;&lt;span lang="X-NONE" style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;behind-the-scenes documentary provides some fascinating insight for fans and non-fans alike. Known now as an all-American rock-and-roll band with millions of fans around the world, Kings of Leon remind us that they will never forget their strict Pentecostal upbringing or rough-and-tumble backcountry roots. In fact, that may just be what makes them unstoppable.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="font-size: 11pt;"&gt;About Tribeca Film Festival:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center.&amp;nbsp;It is well known for being a diverse international film festival that supports emerging and established directors.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;The Tribeca Film Festival has screened more than 1,100 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 3 million attendees and has generated an estimated $600 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB" style="font-size: 11pt;"&gt;About the 2011 Festival Sponsors:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of filmmaking, bringing business and energy to New York City and offering Cardmembers and festivalgoers the opportunity to enjoy the best of storytelling through film.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;span style="font-size: 11pt;"&gt;The Festival is pleased to announce the return of its Signature Sponsors: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored to welcome the following new Signature Sponsors: Accenture, Bing, the Doha Film Institute, JetBlue Airways, and Magnum Ice Cream.&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/3684406032821317005" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/3684406032821317005" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/04/2011-tribeca-film-festival-adds-two.html" rel="alternate" title="2011 TRIBECA FILM FESTIVAL ADDS TWO MORE TITLES" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://3.bp.blogspot.com/-MEfKkp1nYHg/TZn7JgD6UpI/AAAAAAAAfzA/VpuSdwjsbuU/s72-c/Tribeca+2011.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-1168082273801420322</id><published>2011-03-21T13:07:00.000-07:00</published><updated>2011-03-21T13:11:50.409-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Digital Media"/><category scheme="http://www.blogger.com/atom/ns#" term="Interactive"/><category scheme="http://www.blogger.com/atom/ns#" term="Online"/><category scheme="http://www.blogger.com/atom/ns#" term="Streaming"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Video"/><title type="text">TRIBECA (ONLINE) FILM FESTIVAL CREATES INNOVATIVE FESTIVAL EXPERIENCE ONLINE</title><content type="html">&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="clear: left; float: left; font-family: 'Times New Roman', serif; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img src="https://mail.google.com/mail/?ui=2&amp;amp;ik=0fb32f10c9&amp;amp;view=att&amp;amp;th=12ed993db5577d7d&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" /&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Tribeca (Online) Film Festival to Host Digital Environment with Free Exclusive Premium Content Including Six Feature Length Festival Films, Past Festival Favorite Films, Interactive Filmmaker Q&amp;amp;A’s&lt;br /&gt;
and Live, Interactive Conversation&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;New York, NY [March 21, 2011] –&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&amp;nbsp;The 2011 Tribeca Film Festival (TFF) today unveiled the Tribeca (Online) Film Festival supported by founding partner American Express. The pioneering digital initiative will allow domestic audiences to view feature and short films for free and worldwide audiences to engage with filmmakers and industry experts as TFF’s 10&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;edition runs concurrently in lower Manhattan from April 20 to May 1.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The debut of the 2011 Tribeca (Online) Film Festival offers film enthusiasts nationwide new avenues to experience a film festival. Tribeca (Online) is employing the latest digital video and web technology to deliver an immersive, interactive experience unlike any other, re-contextualizing Festival content and presentation.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The multi-dimensional experience features five areas: Festival Streaming Room, Live From..., Tribeca Q&amp;amp;A, Filmmaker Feed, and the Future of Film blog.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Streaming Room will host six feature films from the 2011 Tribeca Film Festival, including two that are making their world premieres at TFF, and 18 short films, four of which are world premieres, and 9 of which retrospective short films from past Tribeca Film Festivals. Each film will have three to five 24-hour screening windows, during which there will be a select number of “seats” available. Using an innovative digital reservation system, viewers can reserve “seats” at&amp;nbsp;&lt;a href="http://www.tribecaonline.com/" target="_blank"&gt;www.tribecaonline.com&lt;/a&gt;. Reservations begin on April 12 for American Express Cardmembers and April 18 for general public. Online viewers will be able to vote for the Best Tribeca Online Feature Film, a prize of $25,000, sponsored by American Express, and Best Tribeca Online Short Film, a prize of $5,000, sponsored by Accenture.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;In Live From….online audiences across the globe will have the ability to watch live streams of Festival events, including the opening press conference, red carpet premieres, and the award show. Viewers will also have the opportunity to engage with other audience members and onsite participants.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Tribeca Q&amp;amp;A, which launches today, will offer the online audience the opportunity to engage with the larger online community, one another, and experts by submitting questions to a pool of 20-25 exciting film and new media experts from Tribeca’s Jane Rosenthal, Geoff Gilmore, and Nancy Schafer, to Whoopi Goldberg, and Brian Williams, and filmmakers David Gordon Green, and Zach Braff, plus a host of participating Tribeca (Online) filmmakers, programmers, actors, jurors, film experts, and more. Community members will vote on individual questions, and top-rated queries will be submitted for official response, made available to the public.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 38.25pt;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Filmmaker Feed contains aggregated information on all Tribeca (Online) Film Festival filmmakers, each of whom will have a custom page on the feed, with a biography, interviews, favorite links, social media feeds (Twitter/Facebook), blog posts, vide updates, and more;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 74.25pt;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 38.25pt;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Future of Film blog, brings together experts from the worlds of film and technology to comment on the ever-changing media environment in featured posts. Participants will be announced early April;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The selected feature films each explore poignantly relevant social themes – from the effect of forbidden love to the strength of community, to the power of social networking.&amp;nbsp;The complete list of feature films streamed on the Tribeca (Online) Film Festival is as follows:&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Donor Unknown&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed by Jerry Rothwell. (UK) – North American Premiere, Documentary. JoEllen Marsh grew up knowing her father only as Donor 150. As one of the first generation of “test-tube babies,” she yearns for connection with potential siblings, and turns to the Internet to track them down. As JoEllen slowly broadens her family tree, in the process she forges a fascinatingly modern model of family.&amp;nbsp;After connecting with dozens of siblings across the country, JoEllen decides it’s finally time to seek out Donor 150.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Flowers of Evil (Fleurs du Mal)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed by David Dusa, written by David Dusa, Raphaëlle Maes, and Louise MolieÌre. (France) – North American Premiere, Narrative. Paris-Tehran. A rootless story of young love between Gecko, an Algerian-French hotel bellman and parkourer, and Anahita, an Iranian student forced to leave her country for her own safety after the controversial elections in 2009. Obsessed with tracking the political movement, Anahita’s friends broadcast through YouTube and coordinate via Twitter. Romance and the Internet become the ground to explore histories lost and identity yet to be found.&amp;nbsp;&lt;i&gt;In French, Farsi with English subtitles&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-left: 0.5in;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;My Last Round (Mi Último Round)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed and written by Julio Jorquera. (Chile, Argentina) – North American Premiere, Narrative. When successful boxer Octavio falls in love with kitchen hand Hugo, they move from their small-town homes in the south of Chile to capital city Santiago to protect their taboo relationship. But when Hugo feels unexpected desire for co-worker Jennifer, Octavio is left heartbroken and throws himself into a high-stakes boxing match against all odds. A handsome cast and evocative cinematography offer a sexy, subtle film that evokes hits like&amp;nbsp;&lt;i&gt;The Wrestler&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;Brokeback Mountain&lt;/i&gt;.&amp;nbsp;&lt;i&gt;In Spanish with English subtitles.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Neon Flesh (Carne de Neon)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed and written by Paco Cabezas. (Spain, Argentina, Sweden) – North American Premiere. Young hustler Ricky was left to a life on the streets at the age of 12 when his hooker mother got sent to the can, but upon learning she’ll soon be released, Ricky enlists a couple of good-for-nothing buddies to help him open a whorehouse as a tribute to Mom. This stylish, edgy crime flick plunges headlong into the fringe world of pimps and junkies where succeeding in business can cost your life….&amp;nbsp;&lt;i&gt;In Spanish with English subtitles&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;New York Says Thank You&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed by Scott Rettberg. (USA) – World Premiere, Documentary.&amp;nbsp;&lt;i&gt;New York Says Thank You&lt;/i&gt;&amp;nbsp;is an epic story following the journey of New Yorkers whose lives were touched by September 11 as they travel the country helping communities rebuild after disasters. Along the way, they face their emotions and ultimately triumph over tragedy through an idea that evolved from a five-year-old New York City boy.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0.5in; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Rabies (Kalevet)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, directed and written by Aharon Keshales and Navot Papushado. (Israel) – North American Premiere. A psychotic serial killer on the loose in the woods crosses paths with a group of unsuspecting teenagers. Soon people are dying one by one… but the bad guy isn’t who you think. Turning genre conventions on their head with a smart script and plenty of unexpected scares,&amp;nbsp;&lt;i&gt;Rabies&lt;/i&gt;&amp;nbsp;is a surprising debut worthy of its mantle as Israel's first-ever slasher horror film.&amp;nbsp;&lt;i&gt;In Hebrew with English subtitles.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The short films streaming on Tribeca (Online) are:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Crash&amp;amp;Burn&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), World Premiere, directed and written by Rick Rodgers. Two-man rock duo Crash&amp;amp;Burn is turned upside down when Burn decides to have transgender surgery.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0.5in; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Dungeon Master&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), New York Premiere, directed and written by Rider Strong and Shiloh Strong.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Shane and his friends thought it would be fun to recapture their geeky youth until&amp;nbsp;&lt;i&gt;The Dungeon Master&lt;/i&gt;&amp;nbsp;arrived.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Kiss&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (Australia), North American Premiere, directed and written by Ashlee Page.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Fueled by alcohol and hormones, Aimee and Steph take a swim on a hot summer night in&amp;nbsp;&lt;i&gt;The Kiss&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Mr. Stache&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), World Premiere, directed and written by Jac Schaeffer.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Experience the awesome adventures of a man and his mustache in&amp;nbsp;&lt;i&gt;Mr. Stache&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Ride&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (UK), World Premiere, directed and written by Marion Pilowsky.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;A student accepts a lift from a stranger but&amp;nbsp;&lt;i&gt;The Ride&amp;nbsp;&lt;/i&gt;leads to unexpected consequences.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Rooms&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), World Premiere, directed by Joanna Jurewicz, written by Joanna Jurewicz and Adam Walsh.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;A hotel housekeeper dreams of home in&amp;nbsp;&lt;i&gt;Rooms&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Summer Snapshot&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), New York Premiere, directed by Ian McCluskey.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;In&amp;nbsp;&lt;i&gt;Summer Snapshot&lt;/i&gt;&amp;nbsp;a group of friends reflect on a special sun-kissed day.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Terms&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (UK), New York Premiere, directed and written by Jason LaMotte&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;A father and son face off in&amp;nbsp;&lt;i&gt;The Terms&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Year Zero&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), World Premiere, directed and written by Richard Cunningham III. In&amp;nbsp;&lt;i&gt;Year Zero&amp;nbsp;&lt;/i&gt;a sole survivor battles the zombie apocalypse in New York City&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Retrospective shorts will also be available, as the Tribeca (Online) Film Festival takes a look back at award-winning and audience-approved films from the past nine years of the Festival:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;All of these films will be available for free at the Tribeca Online Film Festival.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Wormhole&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Jessica Sharzer (2002). Winner of 6 awards including the 2002 Gold Medal Student Academy Award®.&amp;nbsp;&amp;nbsp;Wally decides to search for a wormhole that he believes will lead him back to his kidnapped brother.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Off Duty&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Buboo Kakati (2003). Buboo Kakati is a three-time Emmy® Award Winner and a 23-time Emmy® Award Nominee for her work in Writing, Producing, Direction, Editing, and Post Production.&amp;nbsp;&amp;nbsp;The teenage son of a New York City cab driver dreams only of gaining his father’s love and approval as he balances school and a job as a delivery boy.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Gowanus Brooklyn&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Ryan Fleck (2004). Recipient of the Boston Independent Film Festival Special Jury Prize and Sundance Film Festival Short Filmmaking Award. A tomboy discovers her teacher smoking crack and experiences a newfound fascination with the complicated adult world in the short that inspired the feature film Half Nelson&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Dance Mania Fantastic&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Sasie Sealy (2005). Recipient of the Best Student Film Award at the 2005 Tribeca Film Festival. Out of work and unable to tell his family he’s been fired, a young New Yorker of Japanese descent finds utopian escapism by spending his days and weeks at the local arcade.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Tribe&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Documentary, directed by Tiffany Shlain (2006). Recipient of 15 awards including IndieWire’s Sundance Critics’ Choice Award in 2006. Barbie dolls and the history of Jewish people actually have quite a lot in common according to this documentary short.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Clear Cut, Simple&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Vineet Dewan (2007). Winner of 8 awards including Best Short at BAFTA/LA Student Film Awards. An American soldier in Iraq is torn between his duty to the military and his friendship with his Iraqi interpreter, based on a true story.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;New Boy&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (Ireland), Narrative, directed by Steph Green (2008). Recipient of 10 awards and nomination for 2009 Best Short Film Academy Award®. Based on a true story,&amp;nbsp;&lt;i&gt;New Boy&lt;/i&gt;&amp;nbsp;captures the experience of being the new kid in school through the eyes of a nine year-old African boy.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Confession&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (Ireland), Narrative, directed by Thomas Hefferon (2009). Official selection of over 30 film festivals, receiving runner-up awards at both the Rhode Island International Film Festival and the Filmstock Film Festival. An Irish lad seeks solace from a priest.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0.5in; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;ul style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-bottom: 0px; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;some boys don't leave&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;, (USA), Narrative, directed by Maggie Kiley (2010). Maggie Kiley is the recipient of several awards, including the Student Visionary Award at the 2010 Tribeca Film Festival.The breakup happens but the break does not.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Starting today, the Tribeca Film Festival screening schedule for 2011 TFF will be live on&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;; additional programs will be added upon announcement.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;To keep up with all Tribeca initiatives, visit the Tribeca Film Festival website at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;, and join the My Tribeca community at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/register/" target="_blank"&gt;http://www.tribecafilm.com/&lt;wbr&gt;&lt;/wbr&gt;register/&lt;/a&gt;, where you can also subscribe to the Tribeca Newsletter.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Like the Tribeca Film Festival Facebook page at&amp;nbsp;&lt;a href="http://www.facebook.com/TribecaFilm" target="_blank"&gt;http://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;TribecaFilm&lt;/a&gt;. To join the conversation on Twitter, follow @TribecaFilmFest and use the hashtag #tribecafest.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Tickets for 2011 Festival&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Tickets for the Festival will be $16.00 for evening and weekend screenings, and $8.00 for daytime weekday and late night screenings.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Advance selection ticket packages and passes go on sale today, Monday, March 14 for the general public. All advance packages and passes can be purchased online at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;, or by telephone, toll free, at (866) 941-FEST (3378).&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Single ticket and discounted ticket package sales begin for American Express Cardmembers on Tuesday, April 12, 2011, for downtown residents on Sunday, April 17, 2011, and for the general public on Monday, April 18, 2011. Single tickets can be purchased online, by telephone, or at one of the Ticket Outlets, with locations at Tribeca Cinemas at 54 Varick Street, Chelsea Clearview Cinemas at 260 W. 23rd Street, and AMC Village VII at 66 3rd Avenue. The 2011 Festival will continue ticket discounts for evening and weekend screenings for students, seniors and select downtown Manhattan residents. Discounted tickets are available at Ticket Outlet locations only. Discounted ticket packages can only be purchased online and by phone. Additional information and further details on the Festival can be found at&amp;nbsp;&lt;a href="http://www.tribecafilm.com/" target="_blank"&gt;www.tribecafilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;About the Tribeca Film Festival&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema, and promote New York City as a major filmmaking center.&amp;nbsp;It is well known for being a diverse international film festival that supports emerging and established directors.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;The Tribeca Film Festival has screened more than 1,100 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 3 million attendees and has generated an estimated $600 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: #073763;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;About the 2011 Festival Sponsors&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of film making, bringing business and energy to New York City and offering Cardmembers and festival-goers the opportunity to enjoy the best of storytelling through film.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: #073763; font-family: 'Times New Roman', serif; font-size: 11pt;"&gt;&lt;br /&gt;
The Festival is pleased to announce the return of its Signature Sponsors: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored to welcome the following new Signature Sponsors: Accenture, Bing, JetBlue Airways, Doha Film Institute and Magnum Ice Cream.&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/1168082273801420322" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/1168082273801420322" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/03/tribeca-online-film-festival-creates.html" rel="alternate" title="TRIBECA (ONLINE) FILM FESTIVAL CREATES INNOVATIVE FESTIVAL EXPERIENCE ONLINE" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-2508718246685593474</id><published>2011-01-27T11:20:00.000-08:00</published><updated>2011-03-21T13:12:36.762-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Oscars"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film"/><title type="text">TRIBECA 01/27/11</title><content type="html">&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="Tribeca Film Newsletter" border="0" src="http://media.tribecafilm.com/designimages/logotranspbck.png" width="451" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #333c6e; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: normal; padding-right: 5px; text-align: right; text-decoration: none; text-transform: capitalize; vertical-align: sub;"&gt;01 . 27 . 11&lt;/div&gt;&lt;table border="0" cellpadding="0" cellspacing="0" height="21" style="font-family: arial, sans-serif; font-size: 13px; width: 720px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.emailthis.com/et/emailThis?clickMap=createNL&amp;amp;NL=Y&amp;amp;url=http://www.tribecafilm.com/mailings/3468514.html&amp;amp;title=Tribeca%20Film%20Newsletter&amp;amp;partnerID=415489" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_01.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_02.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/swagbag/" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_03.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/register/" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_04.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/contact" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" src="http://media.tribecafilm.com/designimages/tf-com-subnav-720x30_05.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
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&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table border="0" cellpadding="2" cellspacing="0" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="5" height="10" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FOscar_Talking_Points.html&amp;amp;18=0.8413131734506355" style="color: #1c51a8;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/features/Oscar_Talking_Points.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Oscars thumb" border="0" height="178" src="http://media.tribecafilm.com/images/Oscars+thumb.jpg" title="Oscars thumb" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FOscar_Talking_Points.html&amp;amp;18=0.040754475967886394" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Oscar Talking Points&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Nathaniel Rogers&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
From Academy afterglow to festival prestige, Tribeca's Oscar blogger highlights the keys to this year's nominees. &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FOscar_Talking_Points.html&amp;amp;18=0.938145552793877" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FWhen_We_Leave_Feo_Aladag.html&amp;amp;18=0.8940168343842286" style="color: #1c51a8;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/features/When_We_Leave_Feo_Aladag.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="When We Leave: Director Feo Aladag" border="0" height="178" src="http://media.tribecafilmfestival.org/images/When+We+Leave+Feo+Aladag+thumb.jpg" title="When We Leave: Director Feo Aladag" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FWhen_We_Leave_Feo_Aladag.html&amp;amp;18=0.4989162477116039" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;When We Leave: Feo Aladag&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Kristin McCracken&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
The German director tackles the hot-button global issue of traditional honor killings in her debut feature, named&amp;nbsp;&lt;b&gt;Best Narrative Feature&lt;/b&gt;&amp;nbsp;at&amp;nbsp;&lt;b&gt;TFF 2010&lt;/b&gt;. &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FWhen_We_Leave_Feo_Aladag.html&amp;amp;18=0.10398655155818182" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FGregg_Araki_Interview_Kaboom.html&amp;amp;18=0.10551649645622474" style="color: #1c51a8;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/features/Gregg_Araki_Interview_Kaboom.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Kaboom: Gregg Araki interview" border="0" height="178" src="http://media.tribecafilmfestival.org/images/Kaboom+closeup+thumb.jpg" title="Kaboom: Gregg Araki interview" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FGregg_Araki_Interview_Kaboom.html&amp;amp;18=0.6802629521035439" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;KABOOM: Araki Returns&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Steven Erickson&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;strong&gt;Gregg Araki&lt;/strong&gt;'s latest film revisits the days of&amp;nbsp;&lt;strong&gt;New Queer Cinema&lt;/strong&gt;, presenting a pansexual college utopia laced with hallucinogens. &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FGregg_Araki_Interview_Kaboom.html&amp;amp;18=0.2139459679397283" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FSilent_Bob_Strikes_Back.html&amp;amp;18=0.5446960756917025" style="color: #1c51a8;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/Silent_Bob_Strikes_Back.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="kevin smith" border="0" height="178" src="http://media.tribecafilmfestival.org/images/kevin+smith+thumb.jpg" title="kevin smith" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FSilent_Bob_Strikes_Back.html&amp;amp;18=0.27833629367208956" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Silent Bob Strikes Back&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Emily Ackerman&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Last night at&amp;nbsp;&lt;strong&gt;Sundance&lt;/strong&gt;,&amp;nbsp;&lt;strong&gt;Kevin Smith&lt;/strong&gt;&amp;nbsp;stuck it to the studios and bought his own flick for $20. Indie-filmmaking 2.0? You be the judge.&lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FSilent_Bob_Strikes_Back.html&amp;amp;18=0.8259499696149313" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style="color: #e92394;"&gt;By Emily Ackerman&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Why are Hollywood’s lone-rangers long overdue for a comeback? &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FWestern_Watch.html&amp;amp;18=0.6916903967429238" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;a href="https://tickets.tribecafilmfestival.org/Online/miscItems.asp?type=Merchandise" style="color: #1c51a8;" target="_blank"&gt;&lt;img src="http://media.tribecafilm.com/images/merchAD-160x75.gif" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img border="0" height="300" src="http://cas.clickability.com/t?d=268471&amp;amp;c=8500446&amp;amp;n=217179&amp;amp;a=388474&amp;amp;r=-1935443086&amp;amp;u=http%3A%2F%2Fmedia.tribecafilmfestival.org%2Fcasimages%2FML5G-win_dvd-160x300.png&amp;amp;nl=y" width="160" /&gt;&lt;/span&gt;&lt;a href="http://cas.clickability.com/cac?a=388379&amp;amp;n=217234&amp;amp;d=268471&amp;amp;c=8500446&amp;amp;nl=y" style="color: #1c51a8; margin-left: 1em; margin-right: 1em;" target="_blank"&gt;&lt;img alt="Hight Art Swag" border="0" height="300" src="http://cas.clickability.com/t?d=268471&amp;amp;c=8500446&amp;amp;n=217234&amp;amp;a=388379&amp;amp;r=-115681081&amp;amp;u=http%3A%2F%2Fmedia.tribecafilmfestival.org%2Fcasimages%2FHighArt-Swag-160x300.jpg&amp;amp;nl=y" width="160" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div align="center" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font-weight: normal;"&gt;ADVERTISEMENT&lt;/div&gt;&lt;div align="center" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://cas.clickability.com/cac?a=386914&amp;amp;n=216324&amp;amp;d=268471&amp;amp;c=8500446&amp;amp;nl=y" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Save the Dates" border="0" height="250" src="http://cas.clickability.com/t?d=268471&amp;amp;c=8500446&amp;amp;n=216324&amp;amp;a=386914&amp;amp;r=1848977011&amp;amp;u=http%3A%2F%2Fmedia.tribecafilmfestival.org%2Fcasimages%2Ftff11-savethedates-505x250.png&amp;amp;nl=y" width="505" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table align="left" style="font-family: arial, sans-serif; font-size: 13px; width: 545px;"&gt;&lt;tbody&gt;
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&lt;tr&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/features/Faces_of_Tribeca_Film_Julian_Kemp.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Faces of Tribeca Film: Julian Kemp" border="0" height="137" src="http://media.tribecafilm.com/images/245*137/Julian+Kemp+thumb+2.jpg" title="Faces of Tribeca Film: Julian Kemp" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FFaces_of_Tribeca_Film_Julian_Kemp.html&amp;amp;18=0.5507775656126757" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Julian Kemp on My Last Five Girlfriends&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Kristin McCracken&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Not your generic chick flick, this romantic comedy is told from the male perspective, capable of wooing male and female audiences alike. Now available on DVD, iTunes and Netflix Instant!&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FFaces_of_Tribeca_Film_Julian_Kemp.html&amp;amp;18=0.4124882232753919" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/83rd_Academy_Awards_Nominations_Are_In.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Oscars thumb" border="0" height="137" src="http://media.tribecafilm.com/images/245*137/Oscars+thumb.jpg" title="Oscars thumb" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2F83rd_Academy_Awards_Nominations_Are_In.html&amp;amp;18=0.348235772827158" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Oscar Nominations 2011!&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Emily Ackerman&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Finally! Here are the nominees for the 83rd&amp;nbsp;&lt;strong&gt;Academy Awards&lt;/strong&gt;. As always, there are a few surprises....&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2F83rd_Academy_Awards_Nominations_Are_In.html&amp;amp;18=0.4730940063012825" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="15"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/festival/features/Faces_of_the_Festival_Mat_Whitecross.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="" border="0" height="137" src="http://media.tribecafilm.com/images/245*137/matwhitecross_thum.jpg" title="" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Ffeatures%2FFaces_of_the_Festival_Mat_Whitecross.html&amp;amp;18=0.2962468515025628" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Mat Whitecross on sex &amp;amp; drugs &amp;amp; rock &amp;amp; roll&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Jenni Miller&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
Meet the director of Tribeca Film's&amp;nbsp;&lt;b&gt;sex &amp;amp; drugs &amp;amp; rock &amp;amp; roll&lt;/b&gt;. Rock &amp;amp; roll, people! Isn't that what makes the world go around? Now available on DVD, on iTunes and on Netflix Instant!&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Ffestival%2Ffeatures%2FFaces_of_the_Festival_Mat_Whitecross.html&amp;amp;18=0.6302347993790204" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/Sure-Footed_Ponies_Rain_Rain_Rising_Rivers.html" style="color: #1c51a8;" target="_blank"&gt;&lt;img alt="Sure-Footed Ponies: Rain, Rain, Rising Waters" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/Sure+Footed+Ponies+mud+thumb.jpg" title="Sure-Footed Ponies: Rain, Rain, Rising Waters" width="245" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FSure-Footed_Ponies_Rain_Rain_Rising_Rivers.html&amp;amp;18=0.4685086262291309" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Sure-Footed Ponies: Rain, Rain, Rising Rivers&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #e92394;"&gt;By Andrew Mudge&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
January 24, 2011—&lt;b&gt;Between Semonkong and Maseru&lt;/b&gt;. Par for the course, rain mucks up the filmmaking works in Lesotho.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3468514&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FSure-Footed_Ponies_Rain_Rain_Rising_Rivers.html&amp;amp;18=0.5165837692208827" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://twitter.com/TribecaFilmFest" style="color: #1c51a8;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tribeca-on-twitter-263x75.gif" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;a href="http://www.facebook.com/pages/Tribeca-Film-Festival/10854154757" style="color: #1c51a8;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tribeca-on-facebook-263x75.gif" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align="center" style="font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 720px;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;img alt="Tribeca Film Newsletter" border="0" src="http://media.tribecafilm.com/designimages/tf-com-footer-lt2011.png" /&gt;&lt;/span&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2508718246685593474" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2508718246685593474" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2011/01/tribeca-012711.html" rel="alternate" title="TRIBECA 01/27/11" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-1840410081353839039</id><published>2010-11-17T12:09:00.000-08:00</published><updated>2011-02-09T14:52:45.457-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Apartheid"/><category scheme="http://www.blogger.com/atom/ns#" term="South Africa"/><category scheme="http://www.blogger.com/atom/ns#" term="The Bang Bang Club"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film"/><title type="text">TRIBECA FILM ACQUIRES POWERHOUSE DRAMA THE BANG BANG CLUB FROM ENTERTAINMENT ONE</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;b&gt;Spring 2011 Release Set for True-Life Story of Photojournalists Who Documented the Fall of Apartheid Rule in South Africa&lt;/b&gt;&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;em&gt;&lt;strong style="font-weight: bold;"&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/em&gt;&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;***&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;strong style="font-weight: bold;"&gt;Ryan Philippe, Malin Akerman and Taylor Kitsch Lead Stellar Ensemble Cast&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong style="font-weight: bold;"&gt;New York, NY [November 17, 2010]&lt;/strong&gt;&lt;strong style="font-weight: bold;"&gt;&amp;nbsp;&lt;/strong&gt;– Tribeca Film has acquired US rights to&amp;nbsp;&lt;em&gt;The Bang Bang Club&lt;/em&gt;, a gripping drama based on the incredible lives of a group of young photojournalists whose graphic images drew the world’s attention to South Africa during the last stages of apartheid while enduring the stresses, tensions, and moral dilemmas of working in situations of extreme conflict.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
The Bang Bang Club was the name given to four young photographers, Greg Marinovich, Kevin Carter, Ken Oosterbroek and Joao Silva, whose photographs captured the final bloody days of white rule in South Africa and the final demise of apartheid. The film, based on the page-turning book of the same name, tells the remarkable and sometimes harrowing story of these young men – and the extraordinary extremes they went to in order to capture their pictures. The film stars Ryan Phillippe (&lt;em&gt;Stop-Loss&lt;/em&gt;), Malin Akerman (&lt;em&gt;Watchmen&lt;/em&gt;), Taylor Kitsch (&lt;em&gt;Friday Night Lights&lt;/em&gt;), Neels Van Jaarsveld and Frank Rautenbach.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
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The character-driven drama, written and directed by Steven Silver (&lt;em&gt;The Diameter of a Bomb&lt;/em&gt;), had its world premiere at the Toronto International Film Festival. The film is a Foundry Films/Out of Africa production from producers Daniel Iron, Lance Samuels and Adam Friedlander.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
Tribeca Film will release it theatrically in the second quarter of 2011, as well as on video-on-demand, and other platforms.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
“&lt;em&gt;The Bang Bang Club&lt;/em&gt;&amp;nbsp;takes you deep inside the final days of apartheid, showing you everything these photographers went through in order to show the world what was unfolding there,” said Nick Savva, Director, Acquisitions for Tribeca Film. “The entire cast delivers compelling performances and the experience of watching the film is unforgettable. Tribeca Film is proud to be able to introduce US audiences to this film.”&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
“Tribeca Film will be able to champion&amp;nbsp;&lt;em&gt;The Bang Bang Club&lt;/em&gt;&amp;nbsp;in truly unique ways,” said Geoffrey Gilmore, Chief Creative Officer of Tribeca Enterprises. “We will offer audiences a range of avenues through which they can discover this extraordinary and effective work. Along with our partners at American Express, we look forward to working with Entertainment One, Steven Silver and his producing team to maximize the potential for this film.”&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
“Entertainment One has been intimately involved and a firm believer in this film since its earliest days,” said Charlotte Mickie, EVP, Entertainment One Films International. “This project has been a 10-year labor of love for Steven Silver and everyone involved in the project, notably the stellar cast, was infected by the passion he brought to this film. We’re thrilled that audiences across the U.S. will have the opportunity to get caught up in this moving drama.”&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
“I could not be happier that Tribeca has come aboard,” said Silver. &amp;nbsp;“The film, the story, and the real people whose experiences we share, are very important to me. Tribeca gets the film, they get us - we are in great hands and I am excited about what they can do to bring the film to U.S. audiences.”&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
“Both Lance Samuels and I are delighted to have Tribeca as our new partner in our film,” said Iron.&amp;nbsp;“Their commitment to the film's release is wholly evident to us and we are proud to be working with them.”&lt;br /&gt;
The deal was negotiated by Adam Sloan, EVP, Tribeca Enterprises and Randy Manis, Tribeca Film’s acquisitions consultant, with Daniel Iron from Foundry Films and Charlotte Mickie from eOne, the film’s international sales agent.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: underline;"&gt;About Tribeca Film:&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
Tribeca Film is a comprehensive distribution platform dedicated to acquiring and marketing independent films across multiple platforms, including theatrical, video-on-demand, digital, home video and television.&amp;nbsp; It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: underline;"&gt;About Entertainment One:&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Entertainment One (LSE:ETO) is a leading international entertainment company that specializes in the acquisition, production and distribution of film and television content.&amp;nbsp; The company’s comprehensive network extends around the globe including Canada, the U.S., the UK, Ireland, Benelux, France, Scandinavia, Australia, New Zealand and South Africa.&amp;nbsp; Through established Entertainment and Distribution divisions, the company provides extensive expertise in film distribution, television and music production, kids programming and merchandising and licensing. Its current rights library is exploited across all media formats and includes more than 20,000 film and television titles, 2,400 hours of television programming and 45,000 music tracks.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/1840410081353839039" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/1840410081353839039" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2010/11/tribeca-film-acquires-powerhouse-drama.html" rel="alternate" title="TRIBECA FILM ACQUIRES POWERHOUSE DRAMA THE BANG BANG CLUB FROM ENTERTAINMENT ONE" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-7620108568976692126</id><published>2010-10-19T00:22:00.000-07:00</published><updated>2010-10-19T00:57:59.318-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPETITION JURY"/><category scheme="http://www.blogger.com/atom/ns#" term="DOHA"/><category scheme="http://www.blogger.com/atom/ns#" term="Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca"/><title type="text">DOHA TRIBECA FILM FESTIVAL ANNOUNCES COMPETITION JURY</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_5zm54MKb2z0/TL1FpjZzzwI/AAAAAAAAauY/FjPru4TMAg4/s1600/DFI-DTFF_english-arabic+logo.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_5zm54MKb2z0/TL1FpjZzzwI/AAAAAAAAauY/FjPru4TMAg4/s200/DFI-DTFF_english-arabic+logo.JPG" width="111" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;DOHA TRIBECA FILM FESTIVAL ANNOUNCES COMPETITION JURY LED BY LEGENDARY EGYPTIAN ACTRESS YOSRA&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;International Jury also includes Salma Hayek Pinault, Nick Moran, Bhavna Talwar and Danis Tanovic&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Eight new titles added to Festival Programme&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;18&amp;nbsp;October 2010 (Doha. Qatar) -&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;The Doha Tribeca Film Festival (DTFF) today announced that internationally acclaimed Egyptian actress&amp;nbsp;&lt;b&gt;Yosra&lt;/b&gt;&amp;nbsp;has been appointed President of the Jury for the 2&lt;sup&gt;nd&lt;/sup&gt;&amp;nbsp;annual Festival, October 26 – 30, 2010.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Yosra replaces previously announced Jury President Hany Abu-Assad who has had to step back from his role due to a delay in production with his latest film,&amp;nbsp;&lt;b&gt;&lt;i&gt;The Courier&lt;/i&gt;&lt;/b&gt;, currently shooting on location in Louisiana.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Yosra will be joined by four other outstanding and diverse members of the film industry who comprise the inaugural jury –&amp;nbsp; prolific Academy Award nominated actress, producer and director&amp;nbsp;&lt;b&gt;Salma Hayek Pinault&lt;/b&gt;&amp;nbsp;(&lt;i&gt;Frida&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Ugly Betty&lt;/i&gt;), English actor, writer, and director&amp;nbsp;&lt;b&gt;Nick Moran&lt;/b&gt;&amp;nbsp;(&lt;a href="https://mail.dohafilminstitute.com/OWA/redir.aspx?C=6a97329885754fce9f73a5cb198dbb53&amp;amp;URL=http%3a%2f%2fen.wikipedia.org%2fwiki%2fLock%2c_Stock%2c_and_Two_Smoking_Barrels" style="font-weight: bold;" target="_blank" title="Lock, Stock, and Two Smoking Barrels"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="text-decoration: none;"&gt;Lock, Stock, and Two Smoking Barrels&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;),Indian director&amp;nbsp;&lt;b&gt;Bhavna Talwar&lt;/b&gt;&amp;nbsp;(&lt;i&gt;Dharm&lt;/i&gt;) and Bosnian&amp;nbsp; screenwriter and film director of the Academy Award winning&amp;nbsp;&lt;i&gt;No Man’s Land,&amp;nbsp;&lt;/i&gt;&lt;b&gt;Danis Tanovic&lt;/b&gt;. Together they will choose the winners of the Festival’s Arab Film Competition: Best Arab Film and Best Arab Filmmaker who will each receive monetary awards of US$100,000.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Additionally, the festival has also added seven more feature films to its programme - including Andrew Lau’s&amp;nbsp;&lt;b&gt;&lt;i&gt;Legend of the Fist: The Return of Chen Zhen,&amp;nbsp;&lt;/i&gt;&lt;/b&gt;John Curran’s&amp;nbsp;&lt;b&gt;&lt;i&gt;Stone&amp;nbsp;&lt;/i&gt;&lt;/b&gt;starring Robert De Niro and Edward Norton,&amp;nbsp;&lt;b&gt;&lt;i&gt;Machete&amp;nbsp;&lt;/i&gt;&lt;/b&gt;starring Jessica Alba, Danny Trejo and Don Johnson,&amp;nbsp;&lt;b&gt;&lt;i&gt;Casino Jack&amp;nbsp;&lt;/i&gt;&lt;/b&gt;starring Kevin Spacey and a special IMAX presentation of&amp;nbsp;&lt;b&gt;&lt;i&gt;Paranormal Activity 2.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Two previously unannounced Indian films&amp;nbsp;&lt;b&gt;&lt;i&gt;Rakht Charitra&amp;nbsp;&lt;/i&gt;&lt;/b&gt;by Ramgopal Verma and Vikramaditya Motwane’s&amp;nbsp;&lt;b&gt;&lt;i&gt;Udaan&amp;nbsp;&lt;/i&gt;&lt;/b&gt;will also have their Qatar premiere at the festival and one new title,&amp;nbsp;&lt;b&gt;&lt;i&gt;Champs Elysees Je t’aime,&amp;nbsp;&lt;/i&gt;&lt;/b&gt;has been added to the Arab Short Film Competition.&amp;nbsp;&amp;nbsp; Tickets for all films at DTFF are on sale at box offices located at the City Center Cinema and the Villaggio Cinemas.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Yosra said: “I’m honoured to be the first Jury President of the Doha Tribeca Film Festival, and I want to thank my fellow jurors Salma, Nick, Danis and Bhavna for joining me. It’s a great privilege for me to work with them and I hope that together, we can fulfill the expectations of the filmmakers, and can contribute towards highlighting the Arab Cinema and further encouraging the talent from the region.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;DFI Executive Director Amanda Palmer said: “We are&amp;nbsp;delighted Yosra is joining us in Doha as our first Jury President for DTFF's&amp;nbsp;first Arab Film Competition. Yosra supported us immensely in our first year as a festival, and in our second year it's an honour to welcome this&amp;nbsp;cinematic icon to preside&amp;nbsp;over an&amp;nbsp;international jury. This&amp;nbsp;jury, Salma Hayek Pinault, Nick Moran, Danis Tanovic, and&amp;nbsp;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Bhavna Talwar,&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;truly understand and reflect&amp;nbsp;Doha's&amp;nbsp;mission to support new talent in the region,&amp;nbsp;they have the right sensibilities, perspectives and expertise, and we're looking forward to introducing them to a new generation of talent here in the Middle East.”&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;ABOUT THE DTFF 2010 JURY&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Yosra&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&amp;nbsp;is one of the major cinema figures in the Arab world. Having held the lead roles in numerous films, she has been granted over fifty cinema awards. She has also starred in highly popular serial television dramas and released an album as a singer. Yosra represented the Egyptian actors to discuss potential improvements of their professional conditions with President Mubarak. As a UNDP good will ambassador, she actively fights against human trafficking, poverty and child abuse. She also supports street children, as well as various educational and environmental causes.&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;span lang="EN-GB"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-GB" style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Academy Award nominated actress&amp;nbsp;&lt;b&gt;Salma Hayek Pinault&lt;/b&gt;&amp;nbsp;has proven herself as a prolific actress, producer, director, and activist. She received an Academy Award Nomination, a Golden Globe Nomination, a SAG Nomination, and a BAFTA Nomination for Best Actress for the title role in Julie Taymor's&amp;nbsp;&lt;i&gt;Frida&lt;/i&gt;. She produced the highly successful series Ugly Betty for American television and won an Emmy for her directorial debut,&amp;nbsp;&lt;i&gt;The Maldinado Miracle&lt;/i&gt;. Hayek continues to support, educate and fight for such causes as life-threatening maternal and neonatal tetanus; domestic violence education, awareness and prevention; as well as various humanitarian and environmental causes.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-GB" style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Forced to stop his university studies during the siege of Sarajevo during the Bosnian War, Bosnian film director and screenwriter&amp;nbsp;&lt;b&gt;Danis Tanovic&lt;/b&gt;went on a dangerous two-year mission to follow the Army closely with a camera crew to produce documentary footage. Tanovic’s first narrative feature,&amp;nbsp;&lt;i&gt;No Man’s Land,&lt;/i&gt;&amp;nbsp;won a total of 42 awards, including the Academy Award for Best Foreign Film in 2001, the European Film Academy Award for Best Screenplay, and the Golden Globe Award for Best Foreign Language Film in 2002.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span lang="EN-GB"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;As an actor&lt;b&gt;&amp;nbsp;Nick Moran&lt;/b&gt;&amp;nbsp;made his name with roles in hit films such as Guy Ritchie’s&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://mail.dohafilminstitute.com/OWA/redir.aspx?C=6a97329885754fce9f73a5cb198dbb53&amp;amp;URL=http%3a%2f%2fen.wikipedia.org%2fwiki%2fLock%2c_Stock%2c_and_Two_Smoking_Barrels" style="font-weight: bold;" target="_blank" title="Lock, Stock, and Two Smoking Barrels"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="text-decoration: none;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Lock, Stock, and Two Smoking Barrels&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;. In 2008, Moran marked his directorial debut with&amp;nbsp;&lt;i&gt;Telstar&lt;/i&gt;, the story of songwriter and music producer Joe Meek which he co-wrote and directed for both stage and screen.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://mail.dohafilminstitute.com/OWA/redir.aspx?C=6a97329885754fce9f73a5cb198dbb53&amp;amp;URL=http%3a%2f%2fen.wikipedia.org%2fwiki%2fThe_Kid_(2010_film)" style="font-weight: bold;" target="_blank" title="The Kid (2010 film)"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="text-decoration: none;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;The Kid&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span lang="EN-GB"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;, his second feature film as a director, screens at this year’s Doha Tribeca Film Festival.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Bhavna Talwar&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;, the renowned and critically acclaimed National Award winning director&lt;b&gt;,&amp;nbsp;&lt;/b&gt;is amongst the new breed of Indian directors, blending Indian storytelling and sensitivity with Western technique and style. A Gucci Group Award Nominee at Venice,&amp;nbsp;&lt;a href="http://www.blogger.com/post-edit.g?blogID=8994283764865713087&amp;amp;postID=7678278780724636205" name="12bc01a7c2c0a358__GoBack" style="font-weight: bold;"&gt;&lt;/a&gt;Bhavna's debut film,&amp;nbsp;&lt;i&gt;&lt;a href="http://www.dharmthefilm.com/" style="font-weight: bold;" target="_blank"&gt;&lt;span style="text-decoration: none;"&gt;Dharm&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;, has received raving reviews from critics and the media alike, and was chosen as the closing film at the World Cinema Section at the Cannes Film Festival 2007.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;A list of the additional titles in the lineup for the 2010 Doha Tribeca Film Festival follows:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;WORLD PANORAMA&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Legend of the Fist: The Return of Chen Zhen,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by Andrew Lau, screenwriters Cheung Chi Sing, Gordon Chan, Lui Koon Nam, Frankie Tam. (Hong Kong, China) – Feature Narrative&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Donnie Yen continues a role originally played by legendary Bruce Lee in the 1972 film "Fist of Fury" and later adapted for a 1995 TV series which starred Yen. In this quasi-sequel, set in mid-century Shanghai, the martial arts hero infiltrates a Triad gang and becomes a caped crusader that features dazzling sets and amazing martial art fighting scenes.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Cast: Donnie Yen, Shu Qi, Anthony Wong, Huang Bo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Machete,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by Robert Rodriguez, Ethan Maniquis, screenwriters Robert Rodriguez, Alvaro Rodriguez. (USA) – Feature Narrative&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Left for dead after clashing with notorious Mexican drug kingpin Torrez, legendary ex-federale Machete has escaped to Texas, looking to disappear and forget his tragic past. But what he finds is a web of corruption and deceit that leaves a bullet in Senator McLaughlin and Machete a wanted man. From director Robert Rodriguez and co-directed by Ethan Maniquis, Machete features Danny Trejo, Jessica Alba, Michelle Rodriguez, Steven Segal, Don Johnson and Robert De Niro.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Stone,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by John Curran, screenwriter Angus MacLachlan. (USA) – Feature Narrative&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Robert De Niro and Edward Norton reunite in this intense drama that follows a convicted arsonist (Norton) about to be released from prison. When Norton's wife (Milla Jovovich) attempts to seduce his veteran corrections officer Jack Mabry(De Niro) to expedite his release, Jack's life is turned upside down.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Udaan&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;,&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by Vikramaditya Motwane, screenwriters Vikramaditya Motwane, Anurag Kashyap. (India) – Feature Narrative&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Vikramaditya Motwane's debut feature, "Udaan", is the story of Rohan, a teenager who returns home after eight years of boarding school to find himself closeted with an authoritarian father and a younger half-brother who he didn't even know existed. Rohan strives to pursue his dream of becoming a writer.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Cast: Ronit Roy, Ram Kapoor, Manjot Singh, Anand Tiwari, Rajat Barmech&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;SPECIAL SCREENING&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Casino Jack,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by George Hickenlooper, written by Norman Snider. (Canada) – Feature Narrative.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Kevin Spacey gives a stellar performance as high powered GOP lobbyist Jack Abramoff, a veteran schemer who shot to success, then crashed and burned in the George W. Bush era - creating one of the biggest scandals to hit Washington in recent years. Balancing both fact and fiction Director George Hickenlooper creates a wild and humorous ride along the underbelly of American politics.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Paranormal Activity 2,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by Tod Williams, screenwriters Michael R. Perry, Oren Peli. (USA) – Feature Narrative&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Join us for a special IMAX screening of the highly anticipated new film&amp;nbsp;&lt;i&gt;Paranormal Activity 2&lt;/i&gt;. Following in the tradition of such great horror classics as “The Exorcist” and “The Blair Witch Project,” audiences will be scared and transfixed by this latest addition to the genre. Sure to be one of the fall’s most exciting releases, director Tod Williams’ “Paranormal Activity 2” follows a young couple disturbed by a presence in their home that may or may not be demonic. The movie’s visual style adds an additional level of menace to the film, and is a perfect complement to the terrifying nature of the narrative. Starring Kate Featherston as the tormented young heroine, you will not want to miss a sneak peek of this thrilling and frightening new film!&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Rakht Charitra,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;directed by Ram Gopal Varma, screenwriter Prashant Pandey. (India) – Feature Narrative&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;This film tackles the many conspiracy theories swirling around the 2005 murder of Paritala Ravi, the ruthless, powerful Indian politician who started as a communist like his father but soon joined the populist Telugu Desam Party. Made in Hindi, Telugu and Tamil, the crime epic is both blood-chilling and bloody.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Cast: Vivek Oberoi, Surya, Priyamani, Shatrughan Sinha, Radhika Apte, Kota Srinivasan Rao, Tanikella Bharani, Ashish Vidhyarthi, Zarina Wahab&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;ARAB SHORT FILM COMPETITION&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Champs Elysees Je t’aime (Champs Elysees, I love you),&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&amp;nbsp;directed and written by Mahdi Ali Ali. (Qatar, France) – Short Narrative&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;A female college student from the Gulf currently residing in the romantic French capital must make a decision: should she passively surrender to the traditional expectations of her family's pre-arranged marriage plans, or should she open her life to true love in Europe?&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;Cast:&amp;nbsp; Samir Talhaaoui, Gania Latroch&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;About Doha Tribeca Film Festival&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;As the Doha Film Institute's annual celebration of all things film, the Doha Tribeca Film Festival (DTFF ) is a community minded five day event that showcases the best of Arab and international films. The Festival also reflects DFI´s film financing and year-round educational arms with industry programs and filmmaker events designed to fulfill DFI´s mission of empowering storytellers and building a long term film industry in Qatar. Launched in 2009, the Doha Tribeca Film Festival reflects a successful cultural partnership between DFI and Tribeca Enterprises. Based on a mutual mission to promote the influence of cinema, the importance of community culture and the need for arts education, the Festival provides an annual platform that celebrates the wonders of film appreciation and entertainment from every corner of the globe.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #444444;"&gt;DTFF 2010 is proud to be supported by: official airline partner Qatar Airways, Volunteer Programme official sponsor Virgin Mobile Qatar, and&amp;nbsp;hospitality partners, Four Seasons Hotel, W Hotel and Grand Hyatt.&lt;/span&gt;&lt;/div&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/7620108568976692126" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/7620108568976692126" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2010/10/doha-tribeca-film-festival-announces_19.html" rel="alternate" title="DOHA TRIBECA FILM FESTIVAL ANNOUNCES COMPETITION JURY" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://4.bp.blogspot.com/_5zm54MKb2z0/TL1FpjZzzwI/AAAAAAAAauY/FjPru4TMAg4/s72-c/DFI-DTFF_english-arabic+logo.JPG" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-9110835326541659942</id><published>2010-09-27T08:29:00.000-07:00</published><updated>2010-10-19T00:55:55.129-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Announcement"/><category scheme="http://www.blogger.com/atom/ns#" term="Austing Film Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Board Members"/><title type="text">ROBB NAMED AUSTIN FILM SOCIETY BOARD PRESIDENT,  THREE NEW BOARD MEMBERS ANNOUNCED</title><content type="html">&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-collapse: collapse; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; font-family: Verdana; font-size: 11px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom"&gt;&lt;a href="http://www.austinfilm.org/page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=17751&amp;amp;srctid=1&amp;amp;erid=1001900" style="color: #0065cc;" target="_blank"&gt;&lt;img src="http://www.austinfilm.org/view.image?Id=1867" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;table bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 15px; margin-right: 15px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 670px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: arial, sans-serif; font: normal normal bold 16px/normal Arial, Verdana, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;" valign="bottom" width="670"&gt;ROBB NAMED AUSTIN FILM SOCIETY BOARD PRESIDENT,&lt;br /&gt;
THREE NEW BOARD MEMBERS ANNOUNCED&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 10px; padding-right: 10px; padding-top: 12px;" valign="top" width="670"&gt;&lt;strong&gt;For Immediate Release&lt;br /&gt;
September 27, 2010&lt;/strong&gt;&lt;br /&gt;
Contact: Agnes Varnum, Communications Manager, Austin Film Society&lt;br /&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="mailto:agnes@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;agnes@austinfilm.org&lt;/a&gt;&amp;nbsp;or 512-322-0145 x3213&lt;br /&gt;
(Austin, TX)--The&amp;nbsp;&lt;strong&gt;Austin Film Society&lt;/strong&gt;&amp;nbsp;is pleased to announce&amp;nbsp;&lt;strong&gt;Catherine Robb&lt;/strong&gt;&amp;nbsp;of Sedgwick, Detert, Moran &amp;amp; Arnold, LLP taking the helm as the President of the Board, and adds three new directors to its Board: actor and producer&amp;nbsp;&lt;strong&gt;Todd Allen&lt;/strong&gt;, retired Xerox executive&amp;nbsp;&lt;strong&gt;Gloria Castro&lt;/strong&gt;, and Troublemaker Studios business manager&amp;nbsp;&lt;strong&gt;Kevin Dartt&lt;/strong&gt;. Each new director serves a three-year term.&lt;br /&gt;
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“Our board leadership includes many of Austin’s leading lights in the creative industries,” said AFS Executive Director&amp;nbsp;&lt;strong&gt;Rebecca Campbell&lt;/strong&gt;. “We are privileged to have their guidance and support and amazed that they find time to volunteer on behalf of the film community.”&lt;br /&gt;
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&lt;img height="135" src="http://www.austinfilm.org/view.image?Id=579" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: left; margin-left: 5px; margin-right: 5px;" width="110" /&gt;Catherine Robb is a media and entertainment lawyer with&amp;nbsp;&lt;strong&gt;Sedgwick, Detert, Moran &amp;amp; Arnold, LLP&lt;/strong&gt;.&amp;nbsp; Her practice is focused on commercial and business litigation, First Amendment litigation, copyright and trademark litigation, open government issues and privacy concerns. She earned her J.D., 1998, with honors, from the University of Texas School of Law and her B.A. from The University of Virginia.&lt;br /&gt;
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&lt;img height="154" src="http://www.austinfilm.org/view.image?Id=2072" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: right; margin-left: 5px; margin-right: 5px;" width="110" /&gt;Actor-writer-producer Todd Allen, a graduate of University of Texas at Austin, has appeared in over 50 films and television programs. Among the more notable are three films with director Lawrence Kasdan, SILVERADO, GRAND CANYON, and WYATT EARP. Todd also co-starred with Robert Duvall in his Academy Award-nominated THE APOSTLE and again in the Emmy-Award winning AMC original mini-series, BROKEN TRAIL.&lt;br /&gt;
&lt;img src="http://www.austinfilm.org/view.image?Id=2073" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: left; margin-left: 5px; margin-right: 5px;" width="110" /&gt;Gloria Castro made Austin her hometown in 2006, after concluding a long career with&amp;nbsp;&lt;strong&gt;Xerox Corporation&lt;/strong&gt;. Originally joining the southern region office of Xerox in Dallas, she progressed through a number of management roles in Human Resources in Dallas and at the company’s national headquarters in Rochester, NY. Later Gloria moved to southern California, where for several years she was of head of HR for the company’s western region, which included the continental US, Alaska and Hawaii. Her last role was with the international division at the corporate headquarters in Stamford, CT, as HR manager for Latin American operations, covering Mexico, South and Central America. A life-long film fan, Gloria served as board member and president of Cine Las Americas in Austin.&lt;br /&gt;
&lt;img src="http://www.austinfilm.org/view.image?Id=2079" style="border-bottom-color: black; border-bottom-style: solid; border-bottom-width: 1px; border-left-color: black; border-left-style: solid; border-left-width: 1px; border-right-color: black; border-right-style: solid; border-right-width: 1px; border-top-color: black; border-top-style: solid; border-top-width: 1px; float: left; margin-left: 5px; margin-right: 5px;" width="110" /&gt;Kevin Dartt is general counsel and studio manager for&amp;nbsp;&lt;strong&gt;Troublemaker Studios&lt;/strong&gt;.&amp;nbsp; Prior to joining Troublemaker, Kevin was an entertainment attorney with&amp;nbsp;&lt;strong&gt;Graves, Dougherty, Hearon and Moody&lt;/strong&gt;.&lt;br /&gt;
Other moves include&amp;nbsp;&lt;strong&gt;Jann Baskett&lt;/strong&gt;, a principal with&amp;nbsp;&lt;strong&gt;Flashbang Agency&lt;/strong&gt;, taking over the role of Board Vice President, filmmaker&amp;nbsp;&lt;strong&gt;George Sledge&lt;/strong&gt;&amp;nbsp;its Secretary and&amp;nbsp;&lt;strong&gt;Rodney Gibbs&lt;/strong&gt;&amp;nbsp;of&amp;nbsp;&lt;strong&gt;Ricochet Labs&lt;/strong&gt;&amp;nbsp;as Treasurer. Outgoing board members include&amp;nbsp;&lt;strong&gt;Texas Tribune&lt;/strong&gt;&amp;nbsp;CEO&amp;nbsp;&lt;strong&gt;Evan Smith&lt;/strong&gt;&amp;nbsp;and&amp;nbsp;&lt;strong&gt;Janet Pierson&lt;/strong&gt;, producer of&amp;nbsp;&lt;strong&gt;South by Southwest Film Festival&lt;/strong&gt;. Pierson will sit on the AFS Advisory Board.&lt;br /&gt;
The Austin Film Society’s programs are funded and supported in part by the&amp;nbsp;&lt;strong&gt;City of Austin&lt;/strong&gt;&amp;nbsp;through the&amp;nbsp;&lt;strong&gt;Cultural Arts Division&lt;/strong&gt;&amp;nbsp;and by a grant from the&amp;nbsp;&lt;strong&gt;Texas Commission on the Arts&lt;/strong&gt;&amp;nbsp;and an award from the&amp;nbsp;&lt;strong&gt;National Endowment for the Arts&lt;/strong&gt;, which believes that a great nation deserves great art.&lt;br /&gt;
&lt;strong&gt;Austin Film Society&lt;/strong&gt;&amp;nbsp;promotes the appreciation of film and supports creative media production by screening rarely seen films, giving grants and other support to emerging filmmakers, and providing access and education about film to youth and the public. Through Austin Studios, which AFS opened in 2000 in partnership with the City of Austin, AFS helps attract film development and production to Austin and Texas. Gala film premieres and the annual Texas Film Hall of Fame Awards raise funds as well as awareness of the impact of film on economy and community. Austin Film Society is ranked among the top film centers in the country and recognized by the National Endowment for the Arts and Directors Guild of America. For more information on Austin Film Society, visit&lt;a href="http://www.austinfilm.org/page.aspx?pid=183&amp;amp;srctid=1&amp;amp;erid=1001900" style="color: #0065cc;" target="_blank"&gt;www.austinfilm.org&lt;/a&gt;&lt;br /&gt;
&lt;div align="center"&gt;###&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/tbody&gt;&lt;/table&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/9110835326541659942" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/9110835326541659942" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2010/09/robb-named-austin-film-society-board.html" rel="alternate" title="ROBB NAMED AUSTIN FILM SOCIETY BOARD PRESIDENT,  THREE NEW BOARD MEMBERS ANNOUNCED" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-4014471452218712103</id><published>2010-08-30T11:34:00.001-07:00</published><updated>2010-10-19T00:56:57.601-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2010"/><category scheme="http://www.blogger.com/atom/ns#" term="Austin Film Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Filmmakers"/><category scheme="http://www.blogger.com/atom/ns#" term="Grant"/><title type="text">Austin Film Society Grants $111,000 To Texas Filmmakers</title><content type="html">&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-collapse: collapse; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; font-family: Verdana; font-size: 11px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=16719&amp;amp;srctid=1&amp;amp;erid=933735" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" src="http://www.austinfilm.org//view.image?Id=1867" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 15px; margin-right: 15px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 670px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;" valign="bottom" width="670"&gt;Austin Film Society Grants $111,000 To Texas Filmmakers&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 10px; padding-right: 10px; padding-top: 12px;" valign="top" width="670"&gt;&lt;strong&gt;FOR IMMEDIATE RELEASE&lt;br /&gt;
Monday, August 30, 2010&lt;br /&gt;
&lt;br /&gt;
Austin Film Society Media Contacts:&lt;/strong&gt;&lt;br /&gt;
Bryan Poyser, Director of Artist Services&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Agnes Varnum, Communications Manager&lt;br /&gt;
512.322.0145 x 3204,&amp;nbsp;&lt;a href="mailto:bryan@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;bryan@austinfilm.org&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 512.322.0145 x 3213,&amp;nbsp;&lt;a href="mailto:agnes@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;agnes@austinfilm.org&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
(Austin, TX) - The&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Austin Film Society&lt;/span&gt;&amp;nbsp;is very proud to announce the recipients of its 2010&amp;nbsp;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=300&amp;amp;srctid=1&amp;amp;erid=933735" style="color: #0065cc;" target="_blank"&gt;Texas Filmmakers' Production Fund&lt;/a&gt;(TFPF) and&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=306&amp;amp;srctid=1&amp;amp;erid=933735" style="color: #0065cc;" target="_blank"&gt;Travel Grant&lt;/a&gt;&amp;nbsp;programs, which this year gave away a total of&amp;nbsp;&lt;span style="font-weight: bold;"&gt;$111,000&lt;/span&gt;&amp;nbsp;in cash and goods and services to&amp;nbsp;&lt;span style="font-weight: bold;"&gt;33 projects&lt;/span&gt;from emerging Texas filmmakers. AFS has now given out&amp;nbsp;&lt;strong&gt;over $1.1 million to 293 film and video projects&lt;/strong&gt;&amp;nbsp;since the program began in 1996.&lt;br /&gt;
&lt;br /&gt;
Cash grants totaling $93,000 and $6,000 worth of&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Kodak&lt;/span&gt;&amp;nbsp;film stock and $5,000 in in-kind services from Seattle-based&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Alpha Cine Labs&lt;/span&gt;&amp;nbsp;will be dispersed to 24 projects to recipients of the Texas Filmmakers' Production Fund, adding to cash grants totaling $7,000 in stipends already dispersed to 10 Texas filmmakers via the Travel Grant program. The largest grant this year went to Ausinite&amp;nbsp;&lt;strong&gt;Patrick Bresnan&lt;/strong&gt;’s documentary feature&amp;nbsp;&lt;strong&gt;VIETNAM APPRECIATION DAY&lt;/strong&gt;, about a subculture of Vietnam War reenactors in suburban Pennsylvania. He received a $9,000 post-production grant for the film.&lt;br /&gt;
&lt;br /&gt;
"The Austin Film Society is humbled by the hundreds of individuals and companies that contributed to make this year's Texas Filmmakers' Production Fund possible," said&amp;nbsp;&lt;strong&gt;Rebecca Campbell&lt;/strong&gt;, executive director of the Austin Film Society. "It goes to show how committed our community is to independent, diverse voices in filmmaking."&lt;br /&gt;
&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Three Austin filmmakers who made award-winning first features received $7,000 grants to help complete their second films.&amp;nbsp;&lt;strong&gt;Bob Byington&amp;nbsp;&lt;/strong&gt;will follow up the festival darling comedy HARMONY AND ME with SEVEN CHINESE BROTHERS, set to star Patton Oswalt (RATATOUILLE, BIG FAN).&amp;nbsp;&lt;strong&gt;Kyle Henry&lt;/strong&gt;&amp;nbsp;received a grant to complete the 4th and final segment of his omnibus feature FOURPLAY, which began an innovative festival-and-digital-download release earlier this summer. And,&amp;nbsp;&lt;strong&gt;Chris Eska&lt;/strong&gt;, winner of the John Cassavetes Award at the 2008 Independent Spirit Awards for his debut AUGUST EVENING, received a grant for the Civil War-set drama SEPTEMBER MORNING.&lt;br /&gt;
&lt;br /&gt;
Two feature documentaries also received $7,000 grants -&amp;nbsp;&lt;strong&gt;Ruth Villatoro&lt;/strong&gt;’s THE CANTINERA, which follows the daily lives of three “cantineras” in Houston – women hired by Latin bars to drink with their male clients; and&amp;nbsp;&lt;strong&gt;Susanne Mason&lt;/strong&gt;’s RETURN TO SENDER which examines the difficult transition faced by prisoners after they are released.&lt;br /&gt;
&lt;br /&gt;
Projects from outside of Austin also fared well this year. Four filmmakers from Houston received grants – Villatoro’s THE CANTINERA,&lt;strong&gt;Roberto Minervini&lt;/strong&gt;’s narrative feature MARFA RED,&amp;nbsp;&lt;strong&gt;Jenalia Moreno &amp;amp; Nancy Sarnoff&lt;/strong&gt;’s documentary STITCHED and&amp;nbsp;&lt;strong&gt;Mary Magsamen &amp;amp; Stephan Hillerbrand&lt;/strong&gt;’s experimental short FOUR PLACE SETTING.  Two projects by El Paso filmmakers received grants –&amp;nbsp;&lt;strong&gt;Elvira Carrizal-Dukes&lt;/strong&gt;’ narrative feature OCHOA and&amp;nbsp;&lt;strong&gt;Mikey Reyes &amp;amp; Carlos Corral&lt;/strong&gt;’s narrative short RED SANDS. San Antonio filmmaker Will Shipley received a grant for his narrative short MENTIROSO and Laredo filmmaker&amp;nbsp;&lt;strong&gt;Marcela Moran&lt;/strong&gt;&amp;nbsp;received a grant for her documentary short JORNALEROS.&lt;br /&gt;
&lt;br /&gt;
AFS raises funds for TFPF through the annual Texas Film Hall of Fame and major premieres like ME AND ORSON WELLES, PREDATORS and MACHETE. AFS also successfully raised $40,000 for TFPF through online donation and direct mail campaigns this summer. The final grant decisions were made by a panel of three acclaimed filmmakers from outside of the state –&amp;nbsp;&lt;strong&gt;Sam Green&lt;/strong&gt;, the Oscar-nominated director of the documentary THE WEATHER UNDERGROUND;&amp;nbsp;&lt;strong&gt;Emily Hubley&lt;/strong&gt;, director of many award-winning animated shorts and the feature THE TOE TACTIC which premiered at SXSW in 2008; and&amp;nbsp;&lt;strong&gt;Alex Rivera&lt;/strong&gt;, director of the sci-fi feature SLEEP DEALER, winner of two awards at the 2008 Sundance Film Festival.&lt;br /&gt;
&lt;br /&gt;
AFS Director of Artist Services&amp;nbsp;&lt;strong&gt;Bryan Poyser&lt;/strong&gt;&amp;nbsp;administered the 2010 TFPF and he was assisted by TFPF coordinators Elin Dunigan and Emily Robinson.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Special thanks to the sponsors of the Texas Filmmakers' Production Fund: the Texas Commission on the Arts, the City of Austin Cultural Funding Program, Alpha Cine Labs, Kodak, the Four Seasons Hotel, Alamo Drafthouse Cinemas and The Mohawk.&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Photos (300 dpi) available upon request.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;2010 Texas Filmmakers’ Production Fund Recipients&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
59 SECONDS&lt;br /&gt;
Angela Torres Camarena&amp;nbsp;&amp;nbsp; &lt;br /&gt;
15 min narrative&lt;br /&gt;
$3,500 production, post-production &amp;amp; distribution&lt;br /&gt;
&lt;br /&gt;
BIG BOY&lt;br /&gt;
Thomas Hackett&lt;br /&gt;
90 min narrative&lt;br /&gt;
$3,000 post-production&lt;br /&gt;
&lt;br /&gt;
THE CANTINERA&lt;br /&gt;
Ruth Villatoro&lt;br /&gt;
80 min documentary&lt;br /&gt;
$7,000 for production&lt;br /&gt;
&lt;br /&gt;
DEAD TO RIGHTS: THE WILLINGHAM CASE&lt;br /&gt;
Stephen Mims &amp;amp; Joe Bailey&lt;br /&gt;
90 min documentary&lt;br /&gt;
$3,000 production&lt;br /&gt;
&lt;br /&gt;
FOUR PLACE SETTING&lt;br /&gt;
Mary Magsamen &amp;amp; Stephan Hillerbrand&lt;br /&gt;
14 min experimental&lt;br /&gt;
$1,000 post-production &amp;amp; distribution&lt;br /&gt;
$1,000 Alpha Cine Labs services&lt;br /&gt;
&lt;br /&gt;
FOURPLAY&lt;br /&gt;
Kyle Henry&lt;br /&gt;
85 min experimental narrative&lt;br /&gt;
$7,000 post-production&lt;br /&gt;
&lt;br /&gt;
THE GLIDERS OF ARCOSANTI&lt;br /&gt;
Jaime Cano&lt;br /&gt;
28 min narrative&lt;br /&gt;
$2,000 production &amp;amp; post-production&lt;br /&gt;
&lt;br /&gt;
THE HAPPY POET&lt;br /&gt;
Paul Gordon &amp;amp; David Hartstein&lt;br /&gt;
85 min narrative&lt;br /&gt;
$2,000 distribution&lt;br /&gt;
&lt;br /&gt;
JORNALEROS&lt;br /&gt;
Marcela Moran&amp;nbsp;&amp;nbsp; &lt;br /&gt;
30 min documentary&lt;br /&gt;
$1,000 production &amp;amp; post-production&lt;br /&gt;
&lt;br /&gt;
JUST BETWEEN US&lt;br /&gt;
Karen Skloss&lt;br /&gt;
7 min experimental narrative&lt;br /&gt;
$1,000 production &amp;amp; post-production&lt;br /&gt;
$4,000 Alpha Cine Labs services&lt;br /&gt;
&lt;br /&gt;
MARFA RED&lt;br /&gt;
Roberto Minervini&lt;br /&gt;
85 min narrative&lt;br /&gt;
$7,000 post-production &amp;amp; distribution&lt;br /&gt;
&lt;br /&gt;
MENTIROSO&lt;br /&gt;
Wilfred Shipley&lt;br /&gt;
10 min narrative&lt;br /&gt;
$2,000 production&lt;br /&gt;
&lt;br /&gt;
OCHOA&lt;br /&gt;
Elvira Carrizal-Dukes&lt;br /&gt;
90 min narrative&lt;br /&gt;
$2,000 post-production&lt;br /&gt;
&lt;br /&gt;
PARENTS BEHAVING BADLY AT AN 8TH GRADE BASKETBALL GAME&lt;br /&gt;
Scott Meyers&lt;br /&gt;
90 min narrative&lt;br /&gt;
$4,000 post-production&lt;br /&gt;
&lt;br /&gt;
RED SANDS&lt;br /&gt;
Mikey Reyes &amp;amp; Carlos Corral&lt;br /&gt;
18 min narrative&lt;br /&gt;
$2,000 post-production&lt;br /&gt;
&lt;br /&gt;
RETURN TO SENDER&lt;br /&gt;
Susanne Mason&amp;nbsp;&amp;nbsp; &lt;br /&gt;
60 min documentary&lt;br /&gt;
$7,000 production&lt;br /&gt;
&lt;br /&gt;
SAY HELLO TO MR. GO: AN ELEGY FOR SOUTH LOUISIANA&lt;br /&gt;
Don Howard&lt;br /&gt;
57 min documentary&lt;br /&gt;
$3,000 production&lt;br /&gt;
$3,000 Kodak film stock&lt;br /&gt;
&lt;br /&gt;
SEPTEMBER MORNING&lt;br /&gt;
Chris Eska&lt;br /&gt;
85 min narrative&lt;br /&gt;
$7,000 production&lt;br /&gt;
&lt;br /&gt;
SEVEN CHINESE BROTHERS&lt;br /&gt;
Bob Byington&lt;br /&gt;
90 min narrative&lt;br /&gt;
$7,000 production&lt;br /&gt;
&lt;br /&gt;
STITCHED&lt;br /&gt;
Jenalia Moreno &amp;amp; Nancy Sarnoff&lt;br /&gt;
60 min documentary&lt;br /&gt;
$1,500 production&lt;br /&gt;
&lt;br /&gt;
UNTITLED GAY RETIREE DOCUMENTARY &lt;br /&gt;
PJ Raval&lt;br /&gt;
90 min documentary&lt;br /&gt;
$5,000 post-production&lt;br /&gt;
&lt;br /&gt;
UNTITLED ZAYTUNA PROJECT&lt;br /&gt;
Maryam Kashani&lt;br /&gt;
70 min experimental documentary&lt;br /&gt;
$3,000 production; $3,000 Kodak film stock&lt;br /&gt;
&lt;br /&gt;
VIETNAM APPRECIATION DAY&lt;br /&gt;
Patrick Xavier Bresnan&lt;br /&gt;
90 min documentary&lt;br /&gt;
$9,000 post-production&lt;br /&gt;
&lt;br /&gt;
WAR STORIES&lt;br /&gt;
Ricardo Ainslie&lt;br /&gt;
90 min documentary&lt;br /&gt;
$3,000 production &amp;amp; post-production&lt;br /&gt;
&lt;strong&gt;2010 Travel Grant Recipients (To Date)&lt;/strong&gt;&lt;br /&gt;
David Modigliani&lt;br /&gt;
61 BULLETS&lt;br /&gt;
IFP Project Forum&lt;br /&gt;
&lt;br /&gt;
Tammy Nguyen Lee&lt;br /&gt;
OPERATION BABYLIFT: THE LOST CHILDREN OF VIETNAM&lt;br /&gt;
San Diego Asian Film Festival&lt;br /&gt;
&lt;br /&gt;
Michel O. Scott&lt;br /&gt;
THE HORSE BOY&lt;br /&gt;
International Documentary Festival Amsterdam&lt;br /&gt;
&lt;br /&gt;
David Lowery&lt;br /&gt;
ST. NICK&lt;br /&gt;
Thessaloniki Film Festival&lt;br /&gt;
&lt;br /&gt;
Amy Grappell&lt;br /&gt;
QUADRANGLE&lt;br /&gt;
Sundance Film Festival&lt;br /&gt;
Rotterdam Film Festival &lt;br /&gt;
&lt;br /&gt;
Sam Douglas&lt;br /&gt;
CITIZEN ARCHITECT&lt;br /&gt;
Hot Docs&lt;br /&gt;
&lt;br /&gt;
Kyle Henry&lt;br /&gt;
FOURPLAY: SAN FRANCISCO&lt;br /&gt;
Outfest&lt;br /&gt;
&lt;br /&gt;
Clay Liford&lt;br /&gt;
EARTHLING&lt;br /&gt;
Outfest&lt;br /&gt;
&lt;br /&gt;
Chris Ohlson&lt;br /&gt;
MELVIN&lt;br /&gt;
IFP Rough Cuts Labs&lt;br /&gt;
&lt;br /&gt;
Paul Gordon&lt;br /&gt;
THE HAPPY POET&lt;br /&gt;
Traverse City Film Festival&lt;br /&gt;
Austin Film Society promotes the appreciation of film and supports creative filmmaking by screening rarely seen films, giving grants and other support to emerging filmmakers, and providing access and education about film to youth and the public. Through Austin Studios, which AFS opened in 2000 in partnership with the City of Austin, AFS helps attract film development and production to Austin and Texas. Gala film premieres and the annual Texas Film Hall of Fame Awards raise funds as well as awareness of the impact of film on economy and community. The Austin Film Society is ranked among the top film centers in the country and recognized by the National Endowment for the Arts and Directors Guild of America. For more information on Austin Film Society, visit&lt;a href="http://www.austinfilm.org//Page.aspx?pid=183&amp;amp;srctid=1&amp;amp;erid=933735" style="color: #0065cc;" target="_blank"&gt;www.austinfilm.org&lt;/a&gt;.&lt;br /&gt;
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&lt;a href="http://feeds.feedburner.com/Unitedfilmmaker"&gt;&lt;img alt="" height="26" src="http://feeds.feedburner.com/~fc/Unitedfilmmaker?bg=000000&amp;amp;fg=FFFFFF&amp;amp;anim=0" style="border: 0;" width="88" /&gt;&lt;/a&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/4014471452218712103" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/4014471452218712103" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2010/08/austin-film-society-grants-111000-to.html" rel="alternate" title="Austin Film Society Grants $111,000 To Texas Filmmakers" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-8034970278762616041</id><published>2010-08-25T18:24:00.000-07:00</published><updated>2010-08-25T18:24:41.110-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="10th Annual"/><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="Daates"/><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival"/><title type="text">Tribeca Film Festival announces dates for tenth annual festival - April 20 - May 1, 2011</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_5zm54MKb2z0/THXBtDhmUdI/AAAAAAAAWlc/2CQCZgwY3KM/s1600/TFF2011_Marquee300.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="267" src="http://2.bp.blogspot.com/_5zm54MKb2z0/THXBtDhmUdI/AAAAAAAAWlc/2CQCZgwY3KM/s400/TFF2011_Marquee300.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;TENTH ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;2011 DATES AND CALL FOR SUBMISSIONS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;2011 FESTIVAL TO BE HELD APRIL 20 – MAY 1, 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;* * *&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;New York, NY (August 25, 2010) – The Tribeca Film Festival announced today that the tenth annual Tribeca Film Festival will be held April 20 – May 1, 2011.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;The Festival has also announced a Call for Submissions for narrative and documentary features as well as for short film entries.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;Deadlines to submit U.S. and International films for the 2011 Tribeca Film Festival are as follows:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;September 13, 2010 – SUBMISSIONS OPEN&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;November 5, 2010 – EARLY DEADLINE, FEATURES &amp;amp; SHORTS&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;December 10, 2010 – OFFICIAL DEADLINE, ALL FEATURES AND SHORTS&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;COMPLETED IN 2010&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;January 10, 2011 – LATE DEADLINE, 2010 FEATURE LENGTH WORK-IN-PROGRESS AND FILMS COMPLETED AFTER OFFICIAL DEADLINE&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;Starting September 13, 2010, submission forms and complete information regarding eligibility for the 2011 Tribeca Film Festival will be available at&lt;a href="http://www.tribecafilm.com/festival" style="color: #0065cc;" target="_blank"&gt;www.tribecafilm.com/festival&lt;/a&gt;. Questions regarding submissions may be directed to&amp;nbsp;&lt;a href="mailto:entries@tribecafilmfestival.org" style="color: #0065cc;" target="_blank"&gt;entries@tribecafilmfestival.&lt;wbr&gt;&lt;/wbr&gt;org&lt;/a&gt;&amp;nbsp;or by calling&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;212.941.2305.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;About Tribeca Film Festival:&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;Robert De Niro, Jane Rosenthal and Craig Hatkoff founded the Tribeca Film Festival in 2001 following the attacks on the World Trade Center, New York City to spur the economic and&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; line-height: normal; margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;The Festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors. The Tribeca Festival has screened over 1100 films from over 80 countries since its first festival in 2002. Since its founding, it has attracted an international audience of more than 3.25 million attendees and has generated an estimated $660 million in economic activity for New York City.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 12pt;"&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td colspan="5" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" height="21" style="width: 720px;"&gt;&lt;tbody&gt;
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&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="5" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://www.tribecafilm.com/tribecafilm/tf-filmguide/" style="color: #0065cc;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tf-com-newsletter-subINNYC.png" /&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/virtual/" style="color: #0065cc;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tf-com-newsletter-subONLINE.png" /&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/tribecafilm/" style="color: #0065cc;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tf-com-newsletterATHOME.png" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="5" height="10" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="5" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FPublic_Enemy_1_Vincent_Cassel_as_Jacques_Mesrine.html&amp;amp;18=0.2724018127323292" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Public Enemy #1: Vincent Cassel as Jacques Mesrine" border="0" height="178" src="http://media.tribecafilmfestival.org/images/mesrine_720x178.jpg" title="Public Enemy #1: Vincent Cassel as Jacques Mesrine" width="720" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" bgcolor="#FFFFFF" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="545"&gt;&lt;table border="0" cellpadding="2" cellspacing="0"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="5" height="10" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="5" /&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2F2011_Tribeca_Film_Festival_Announced.html&amp;amp;18=0.016134597425743857" style="color: #0065cc;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/2011_Tribeca_Film_Festival_Announced.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="TFF 2011 Marquee" border="0" height="178" src="http://media.tribecafilmfestival.org/images/TFF+2011+thumb.jpg" title="TFF 2011 Marquee" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2F2011_Tribeca_Film_Festival_Announced.html&amp;amp;18=0.3258603838051509" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;2011 Tribeca Film Festival Announced!&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
It's only August, and the new year seems ages away, but it will be here before we know it! Tribeca has announced key dates for the&amp;nbsp;&lt;b&gt;2011 Tribeca Film Festival&lt;/b&gt;. &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2F2011_Tribeca_Film_Festival_Announced.html&amp;amp;18=0.3065299807031827" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FBest_in_Show_Knives_Chau.html&amp;amp;18=0.9195339281662558" style="color: #0065cc;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/Best_in_Show_Knives_Chau.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Best in Show: Knives Chau in Scott Pilgrim vs. the World" border="0" height="178" src="http://media.tribecafilmfestival.org/images/Knives+Chau+thumb.jpg" title="Best in Show: Knives Chau in Scott Pilgrim vs. the World" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FBest_in_Show_Knives_Chau.html&amp;amp;18=0.2825379915957721" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Best in Show: Knives Chau&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Ramona Flowers wins&amp;nbsp;&lt;strong&gt;Scott Pilgrim vs. The World&lt;/strong&gt;’s love triangle, but doesn’t&amp;nbsp;&lt;strong&gt;Knives Chau&amp;nbsp;&lt;/strong&gt;walk off with the picture? &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FBest_in_Show_Knives_Chau.html&amp;amp;18=0.50767216533794" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FTaking_Off_and_Running_with_Nicole_Opper.html&amp;amp;18=0.6325684787051438" style="color: #0065cc;" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.tribecafilm.com/news-features/features/Taking_Off_and_Running_with_Nicole_Opper.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="178" src="http://media.tribecafilm.com/images/offandrunning_thumb.jpg" title="" width="318" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td style="color: #404041; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-decoration: none;" valign="top"&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;strong&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FTaking_Off_and_Running_with_Nicole_Opper.html&amp;amp;18=0.6821386215017772" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-weight: bold; line-height: 20px; text-decoration: none;" target="_blank"&gt;Taking Off and Running with Nicole Opper&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Director&amp;nbsp;&lt;b&gt;Nicole Opper&lt;/b&gt;'s documentary&amp;nbsp;&lt;b&gt;Off and Running&lt;/b&gt;(TFF 2009) began as a portrait of a unique family, but soon grew into so much more. Find it&lt;b&gt;on DVD&lt;/b&gt;&amp;nbsp;this week! &lt;br /&gt;
&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffeatures%2FTaking_Off_and_Running_with_Nicole_Opper.html&amp;amp;18=0.24325405216624618" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="10" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td bgcolor="#FFFFFF" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;td rowspan="5" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-top: 12px;" valign="top" width="160"&gt;&lt;a href="https://tickets.tribecafilmfestival.org/Online/miscItems.asp?type=Merchandise" style="color: #0065cc;" target="_blank"&gt;&lt;img src="http://media.tribecafilm.com/images/merchAD-160x75.gif" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://cas.clickability.com/cac?a=364089&amp;amp;n=203414&amp;amp;d=268471&amp;amp;c=8500446&amp;amp;nl=y" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Infidel DVD Pre-order" border="0" height="600" src="http://cas.clickability.com/t?d=268471&amp;amp;c=8500446&amp;amp;n=203414&amp;amp;a=364089&amp;amp;r=-1833100326&amp;amp;u=http%3A%2F%2Fmedia.tribecafilmfestival.org%2Fcasimages%2FDVD_INFIDEL_SKY.jpg&amp;amp;nl=y" width="160" /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td align="center" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="center" width="505"&gt;&lt;div align="center" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font-weight: normal;"&gt;ADVERTISEMENT&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://cas.clickability.com/cac?a=363724&amp;amp;n=193099&amp;amp;d=268471&amp;amp;c=8500446&amp;amp;nl=y" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Tribeca Flashpoint" border="0" height="250" src="http://cas.clickability.com/t?d=268471&amp;amp;c=8500446&amp;amp;n=193099&amp;amp;a=363724&amp;amp;r=96930825&amp;amp;u=http%3A%2F%2Fmedia.tribecafilmfestival.org%2Fcasimages%2F505x250_webbanner.PNG&amp;amp;nl=y" width="505" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="545"&gt;&lt;table align="left" style="width: 545px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="1" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&amp;nbsp;&lt;/td&gt;&lt;td colspan="1" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/td&gt;&lt;td colspan="1" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/price_of_a_movie/Price_of_a_Movie_82410.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Price of a Movie: 8.24.10" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/POM+thumb+8.24.10.jpg" title="Price of a Movie: 8.24.10" width="245" /&gt;&lt;/a&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fprice_of_a_movie%2FPrice_of_a_Movie_82410.html&amp;amp;18=0.26257310842236503" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Price of a Movie: 8.24.10&lt;/a&gt;&lt;br /&gt;
Get cultured with&amp;nbsp;&lt;strong&gt;The Ice Storm&lt;/strong&gt;author&amp;nbsp;&lt;strong&gt;Rick Moody&lt;/strong&gt;, see&amp;nbsp;&lt;strong&gt;Travolta&lt;/strong&gt;&amp;nbsp;start a disco inferno, and&amp;nbsp;&lt;strong&gt;Bird&lt;/strong&gt;&amp;nbsp;is the word this weekend… and best of all, everything’s free!&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fprice_of_a_movie%2FPrice_of_a_Movie_82410.html&amp;amp;18=0.7071263261377008" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.tribecafilm.com/news-features/free_flick_fridays/Free_Flick_Fridays_Burden_of_Dreams.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Free Flick Fridays: Burden of Dreams" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/burdenofdreamsthumb.jpg" title="Free Flick Fridays: Burden of Dreams" width="245" /&gt;&lt;/a&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffree_flick_fridays%2FFree_Flick_Fridays_Burden_of_Dreams.html&amp;amp;18=0.8377867862866158" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Free Flick Fridays: Burden of Dreams&lt;/a&gt;&lt;br /&gt;
Jungle madness! Watch&amp;nbsp;&lt;b&gt;Werner Herzog&lt;/b&gt;&amp;nbsp;take a steamboat over a hill in&lt;b&gt;Les Blank&lt;/b&gt;'s clear-eyed documentary about the hubris, ambition, and danger fueling the making of&amp;nbsp;&lt;b&gt;Fitzcarraldo&lt;/b&gt;.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Ffree_flick_fridays%2FFree_Flick_Fridays_Burden_of_Dreams.html&amp;amp;18=0.45851679730537787" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" width="15"&gt;&lt;img alt="" height="15" hspace="0" src="http://media.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="1" /&gt;&lt;/td&gt;&lt;td style="border-bottom-color: rgb(88, 88, 88); border-bottom-style: dotted; border-bottom-width: 1px; border-left-color: rgb(88, 88, 88); border-left-style: dotted; border-left-width: 1px; border-right-color: rgb(88, 88, 88); border-right-style: dotted; border-right-width: 1px; border-top-color: rgb(88, 88, 88); border-top-style: dotted; border-top-width: 1px; font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="265"&gt;&lt;div style="padding-bottom: 10px; padding-left: 6px; padding-right: 5px; padding-top: 10px;"&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/The_Infidel_Hits_South_Florida.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Omid Djalili" border="0" height="137" src="http://media.tribecafilm.com/images/245*137/omid+djalili+thumb.jpg" title="Omid Djalili" width="245" /&gt;&lt;/a&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FThe_Infidel_Hits_South_Florida.html&amp;amp;18=0.36921805898968685" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;The Infidel In South Florida!&lt;/a&gt;&lt;br /&gt;
Floridians, don't miss&amp;nbsp;&lt;b&gt;Josh Appignanesi&lt;/b&gt;'s "comedy of ethnic proportions" when its hits your shores this weekend! It's a crowd-pleaser, brought to you by&amp;nbsp;&lt;b&gt;Tribeca Film&lt;/b&gt;.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FThe_Infidel_Hits_South_Florida.html&amp;amp;18=0.8960026575043372" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.tribecafilm.com/news-features/blog/Retro_Pick_Chloe_in_the_Afternoon.html" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Retro Pick: Chloe in the Afternoon" border="0" height="137" src="http://media.tribecafilmfestival.org/images/245*137/Chloe+in+the+Afternoon+thumb.jpg" title="Retro Pick: Chloe in the Afternoon" width="245" /&gt;&lt;/a&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; line-height: 16px; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FRetro_Pick_Chloe_in_the_Afternoon.html&amp;amp;18=0.28051465112440266" style="color: #1f638a; font-family: Arial, Helvetica, sans-serif; font-size: 18px; font-weight: bold; line-height: 17px; text-decoration: none;" target="_blank"&gt;Retro Pick: Chloe in the Afternoon&lt;/a&gt;&lt;br /&gt;
The final film in&amp;nbsp;&lt;strong&gt;Eric Rohmer&lt;/strong&gt;’s&amp;nbsp;&lt;strong&gt;Six Moral Tales&lt;/strong&gt;&amp;nbsp;series is a thoughtful meditation on the meaning of commitment and excess in a highly regulated culture.&lt;/div&gt;&lt;div style="color: #585858; font-family: Verdana, Helvetica, sans-serif; font-size: 12px; font-weight: normal; text-align: left;"&gt;&lt;a href="http://s.clickability.com/s?19=30300&amp;amp;32=4656&amp;amp;36=317727&amp;amp;22=3188324&amp;amp;37=10192037&amp;amp;40=http%3A%2F%2Fwww.tribecafilm.com%2Fnews-features%2Fblog%2FRetro_Pick_Chloe_in_the_Afternoon.html&amp;amp;18=0.12428855156524654" style="color: #1f638a; font-family: Verdana, Arial, sans-serif; font-size: 12px; font-weight: normal; text-align: left; text-decoration: none;" target="_blank"&gt;Read More&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="10"&gt;&lt;img alt="" height="1" hspace="0" src="http://secure.tribecafilmfestival.org/images/spacer.gif" vspace="0" width="10" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" colspan="3" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;a href="http://twitter.com/TribecaFilmFest" style="color: #0065cc;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tribeca-on-twitter-263x75.gif" /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.facebook.com/pages/Tribeca-Film-Festival/10854154757" style="color: #0065cc;" target="_blank"&gt;&lt;img border="0" src="http://media.tribecafilm.com/designimages/tribeca-on-facebook-263x75.gif" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;</content><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2744053011604113112" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/8994283764865713087/posts/default/2744053011604113112" rel="self" type="application/atom+xml"/><link href="http://unitedfilmmaker.blogspot.com/2010/08/mesrine-public-enemy-no-1-scott-pilgrim.html" rel="alternate" title="Mesrine: Public Enemy No. 1, Scott Pilgrim, Off and Running, Werner Herzog, Chloe in the Afternoon, The Infidel in Florida, and more!" type="text/html"/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-8994283764865713087.post-1441045258390374395</id><published>2010-08-16T14:22:00.000-07:00</published><updated>2010-08-16T14:22:00.653-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Austin Film Society"/><category scheme="http://www.blogger.com/atom/ns#" term="Film"/><category scheme="http://www.blogger.com/atom/ns#" term="Weekly Update"/><title type="text">Austin Film Society : Weekly Update</title><content type="html">&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-collapse: collapse; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; text-align: center; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom" width="700"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Austin Film Society Header" src="http://www.austinfilm.org//view.image?Id=1860" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px; display: block;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td alt="left" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 15px; padding-right: 0px; padding-top: 0px;" valign="top" width="220"&gt;&lt;table cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 199px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;th align="left" bgcolor="#00aeef" height="15" style="color: white; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; padding-bottom: 3px; padding-left: 5px; padding-right: 5px; padding-top: 3px;" valign="bottom" width="199"&gt;&lt;strong&gt;UPCOMING AFS EVENTS&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2ffeed.rss%3fid%3d6&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Events RSS Feed" border="0" height="15" src="http://www.austinfilm.org//view.image?Id=1074" style="min-height: 15px; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: left;" valign="bottom" width="199"&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=1213&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Moviemaker Dialogues: Taxes and Accounting for Filmmakers&lt;/a&gt;&lt;br /&gt;
Tues Aug 17, 7 PM&lt;br /&gt;
Austin Studios Screening Room (1901 E 51st St)&lt;br /&gt;
FREE for AFS Filmmaker &amp;amp; Higher level members - call 512-322-0145 to upgrade!&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=https%3a%2f%2fwww.austinfilm.org%2fSSLPage.aspx%3fpid%3d839&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;br /&gt;
Screening: THE WEATHER UNDERGROUND&lt;/a&gt;&lt;br /&gt;
Mon Aug 23, 7 PM&lt;br /&gt;
Alamo Drafthouse South Lamar&lt;br /&gt;
(1120 S Lamar)&lt;br /&gt;
FREE for AFS Members / $6 General Admission&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=https%3a%2f%2fwww.austinfilm.org%2fSSLPage.aspx%3fpid%3d1184&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Screening: SLEEP DEALER&lt;/a&gt;&lt;br /&gt;
Mon Aug 23, 9:30 PM&lt;br /&gt;
Alamo Drafthouse South Lamar&lt;br /&gt;
(1120 S Lamar)&lt;br /&gt;
FREE for AFS Members / $6 General Admission&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=https%3a%2f%2fwww.austinfilm.org%2fSSLPage.aspx%3fpid%3d508&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Screening: THE TOE TACTIC&lt;/a&gt;&lt;br /&gt;
Tues Aug 24, 7:30 PM&lt;br /&gt;
Alamo Drafthouse South Lamar&lt;br /&gt;
(1120 S Lamar)&lt;br /&gt;
FREE for AFS Members / $6 General Admission&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//Page.aspx?pid=885&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Benefit Screening: QUADRANGLE&lt;/a&gt;&lt;br /&gt;
Thurs Aug 26, 7 PM&lt;br /&gt;
KLRU's ACL Studio (Guadalupe &amp;amp; Dean Keeton)&lt;br /&gt;
$20&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=https%3a%2f%2fwww.austinfilm.org%2fSSLPage.aspx%3fpid%3d829&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Celebrate Texas Filmmakers' Production Fund! Party&lt;/a&gt;&lt;br /&gt;
Mon Aug 30, 7 PM&lt;br /&gt;
Mohawk (912 Red River Street)&lt;br /&gt;
Donate $25 or more to TFPF to receive an invitation&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//Page.aspx?pid=1222&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Sneak Peek: MACHETE&lt;/a&gt;&lt;br /&gt;
Thurs Sept 2, 8 PM&lt;br /&gt;
The Paramount Theatre (713 Congress Ave)&lt;br /&gt;
Tickets $30 - $100 including after party - on sale Aug 21 (Member pre-sale Aug 17 - 20 -&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=748&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Join now&lt;/a&gt;!)&lt;br /&gt;
&lt;div style="text-align: right;"&gt;&lt;/div&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=784&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;div style="text-align: right;"&gt;MORE AFS Events&lt;/div&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 199px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;th align="left" bgcolor="#00aeef" height="15" style="color: white; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; padding-bottom: 3px; padding-left: 5px; padding-right: 5px; padding-top: 3px;" valign="bottom" width="199"&gt;&lt;strong&gt;COMMUNITY EVENTS&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2ffeed.rss%3fid%3d7&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="15" src="http://www.austinfilm.org//view.image?Id=1074" style="min-height: 15px; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: left;" valign="bottom" width="199"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2fPage.aspx%3fpid%3d785%26cid%3d4%26ceid%3d915%26cerid%3d0%26cdt%3d8%252f17%252f2010&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;APL's Family Movie Night: ALICE IN WONDERLAND&lt;/a&gt;&lt;br /&gt;
Tues Aug 17 at 6:30 PM&lt;br /&gt;
Pleasant Hill Branch (211 E William Cannon)&lt;br /&gt;
FREE&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austintheatre.org%2fsite%2fCalendar%3fview%3dDetail%26id%3d23988&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;br /&gt;
&lt;br /&gt;
Screening: THE YOUNG GIRLS OF ROCHEFORT&lt;/a&gt;&lt;br /&gt;
Wed Aug 18, 7 PM&lt;br /&gt;
The Paramount Theatre&lt;br /&gt;
(713 Congress)&lt;br /&gt;
$7 for AFS members&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fcrashcamfilms.com%2ffilmtour2010.htm&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Screening: TOTAL BADASS&lt;/a&gt;&lt;br /&gt;
Thurs Aug 19, 7:00 PM&lt;br /&gt;
Alamo Drafthouse South Lamar&lt;br /&gt;
(1120 S Lamar)&lt;br /&gt;
$9.50&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2fPage.aspx%3fpid%3d785%26cid%3d4%26ceid%3d940%26cerid%3d0%26cdt%3d8%252f22%252f2010&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Cinema East: EARTHLING&lt;/a&gt;&lt;br /&gt;
Sun Aug 22 at 8 PM&lt;br /&gt;
Baby Blue Studios (1522 E 12st St)&lt;br /&gt;
FREE&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: right;"&gt;&lt;/div&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2fPage.aspx%3fpid%3d785%26cid%3d4%26cdt%3d6%2f7%2f2010%26ceid%3d886%26cerid%3d0&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;div style="text-align: right;"&gt;&lt;u&gt;MORE Community Events&lt;/u&gt;&lt;/div&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 199px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;th align="left" bgcolor="#00aeef" height="15" style="color: white; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; padding-bottom: 3px; padding-left: 5px; padding-right: 5px; padding-top: 3px;" valign="bottom" width="199"&gt;&lt;strong&gt;WORKSHOPS &amp;amp; CLASSES &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org%2ffeed.rss%3fid%3d7&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="15" src="http://www.austinfilm.org//view.image?Id=1074" style="min-height: 15px; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: left;" valign="bottom" width="199"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilmschool.org%2fclasses%2fadvancedfcp.html&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Advanced Final Cut Pro&lt;/a&gt;&lt;br /&gt;
Fri &amp;amp; Sat, Aug 27 &amp;amp; 28, 10 AM&lt;br /&gt;
Austin School of Film (906 E. 5th St.)&lt;br /&gt;
$525&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilmschool.org%2fclasses%2fscreenwritingessentials.html&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Screenwriting 1&lt;/a&gt;&lt;br /&gt;
Tues, Sept 7 - Oct 26, 6 PM&lt;br /&gt;
Austin School of Film (906 E. 5th St.)&lt;br /&gt;
$700&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilmworks.com%2f&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Austin Film Works Production One&lt;/a&gt;&lt;br /&gt;
Tues, Aug 31, 6:30 PM&lt;br /&gt;
Studio A-7 (701 Tillery St)&lt;br /&gt;
$960&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: right;"&gt;&lt;/div&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=785&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;div style="text-align: right;"&gt;MORE Workshops &amp;amp; Classes&lt;/div&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 199px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;th align="left" bgcolor="#00aeef" height="15" style="color: white; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; padding-bottom: 3px; padding-left: 5px; padding-right: 5px; padding-top: 3px;" valign="bottom" width="199"&gt;&lt;strong&gt;CALL FOR ENTRIES&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.persistenceofvision.org%2fcategory%2ffestivals%2fcalls%2ffeed&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="15" src="http://www.austinfilm.org//view.image?Id=1074" style="min-height: 15px; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: left;" valign="bottom" width="199"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.sundance.org%2fsubmissions%2f&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Sundance Film Festival&lt;/a&gt;&lt;br /&gt;
Early Deadline: August 16&lt;br /&gt;
$45&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.slamdance.com%2ffestival%2fsubmissions.html&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Slamdance Film Festival&lt;/a&gt;&lt;br /&gt;
Deadline: September 24&lt;br /&gt;
$75&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.cjh.org%2fp%2f36&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Joseph S. Steinberg Emerging Jewish Filmmaker Fellowship&lt;/a&gt;&lt;br /&gt;
Deadline: October 1&lt;br /&gt;
No fee&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: right;"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.persistenceofvision.org%2fcategory%2ffestivals%2fcalls%2f&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;MORE Call for Entries&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 199px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;th align="left" bgcolor="#00aeef" height="15" style="color: white; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; padding-bottom: 3px; padding-left: 5px; padding-right: 5px; padding-top: 3px;" valign="bottom" width="199"&gt;&lt;strong&gt;MEMBER NEWS&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.persistenceofvision.org%2fcategory%2fmember_news%2ffeed&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="15" src="http://www.austinfilm.org//view.image?Id=1074" style="min-height: 15px; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; text-align: left;" valign="bottom" width="199"&gt;&lt;strong&gt;Heather Courtney&lt;/strong&gt;&amp;nbsp;is raising funds TFPF funded documentary,&amp;nbsp;&lt;strong&gt;WHERE SOLDIERS COME FROM&lt;/strong&gt;&amp;nbsp;via US Artists&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fprojectsite.unitedstatesartists.org%2fproject%2fwhere_soldiers_come_from_a_documentary_film&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&amp;nbsp;More &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;strong&gt;Bob Byington&lt;/strong&gt;'s film,&amp;nbsp;&lt;strong&gt;RSO [Registered Sex Offender]&lt;/strong&gt;&amp;nbsp;screens at Alamo Drafthouse Downtown on Aug 22, filmmaker in attendance&lt;span style="text-decoration: underline;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.originalalamo.com%2fShow.aspx%3fid%3d7607&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;More &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Ben Steinbauer&lt;/span&gt;'s&amp;nbsp;&lt;span style="font-weight: bold;"&gt;WINNEBAGO MAN&lt;/span&gt;returns to Austin, running Aug 20 - 26&lt;a href="http://www.facebook.com/home.php?#%21/event.php?eid=146393682056563&amp;amp;ref=mf" style="color: #0065cc;" target="_blank"&gt;More &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
What are you up to? Submit Your Member News to&lt;a href="mailto:afs-communications@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;news@austinfilm.org&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-right: 15px;" valign="top" width="450"&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 5px; width: 450px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;" valign="bottom" width="450"&gt;My TFPF Story - Greg Pak &amp;amp; MOUSE&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 0px; padding-right: 5px; padding-top: 10px;" valign="top" width="450"&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=829&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" border="0" height="78" src="http://www.austinfilm.org//view.image?Id=1893" style="text-align: left;" width="81" /&gt;&lt;/a&gt;We're getting there! We have $18K left to raise for this year's&amp;nbsp;&lt;strong&gt;Texas Filmmakers' Production Fund&lt;/strong&gt;&amp;nbsp;with 183 applications for funding from around Texas. To illustrate how important these grants are to the filmmakers who receive them, we are sharing their stories with you.&lt;a href="http://www.austinfilm.org//Page.aspx?pid=1167&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;More about TFPF &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;strong&gt;&lt;img alt="" height="141" src="http://www.austinfilm.org//view.image?Id=2023" style="text-align: right;" width="200" /&gt;AFS: What is the movie or project about?&lt;/strong&gt;&lt;br /&gt;
GP: A young man tries to avoid a conversation about pregnancy with his girlfriend by chasing a mouse around his apartment.&lt;br /&gt;
&lt;h4&gt;Are there any memorable moments in receiving the grant?&lt;/h4&gt;This was one of the first grants I’d ever applied for, so I was incredibly meticulous in the budget I submitted. I met John Pierson, who was one of the judges, a few years later, and he laughed, remembering that the amount I’d requested was calculated to the penny.&lt;br /&gt;
&lt;strong&gt;Since receiving the grant, how has it affected your career as a working artist?&lt;/strong&gt;&lt;br /&gt;
MOUSE was a key moment in my career — it was the first film that I’d directed that really broke through to a large number of film festivals and television venues. It opened a number of doors for me, helping me meet people, festivals, and organizations that would end up being key partners in helping me get my feature film ROBOT STORIES out into the world a few years later.&lt;br /&gt;
&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.persistenceofvision.org%2f2010%2f08%2fgreg-pak-mouse%2f&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Continue reading Greg's TFPF story &amp;gt;&amp;gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 5px; width: 450px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;" valign="bottom" width="450"&gt;Sneak Peek: MACHETE&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 0px; padding-right: 5px; padding-top: 10px;" valign="top" width="450"&gt;&lt;span style="font-weight: bold;"&gt;&lt;img alt="" border="1" height="133" src="http://www.austinfilm.org//view.image?Id=2021" style="text-align: right;" width="200" /&gt;Troublemaker Studios&lt;/span&gt;, the&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Austin Film Society&lt;/span&gt;&amp;nbsp;and&amp;nbsp;&lt;span style="font-weight: bold;"&gt;The Alamo Drafthouse Cinema&lt;/span&gt;&amp;nbsp;are excited to announce an explosive sneak preview of&amp;nbsp;&lt;span style="font-weight: bold;"&gt;MACHETE&lt;/span&gt;directed by&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Robert Rodriguez&lt;/span&gt;&amp;nbsp;and&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Ethan Maniquis&lt;/span&gt;, with&lt;span style="font-weight: bold;"&gt;&amp;nbsp;Danny Trejo&lt;/span&gt;&amp;nbsp;and&lt;span style="font-weight: bold;"&gt;&amp;nbsp;Michelle Rodriguez&lt;/span&gt;&amp;nbsp;leading an all-star cast, on&lt;span style="font-weight: bold;"&gt;Thursday, September 2&lt;/span&gt;&amp;nbsp;at&amp;nbsp;&lt;span style="font-weight: bold;"&gt;8 PM&amp;nbsp;&lt;/span&gt;at&amp;nbsp;&lt;span style="font-weight: bold;"&gt;The Paramount Theater&lt;/span&gt;&amp;nbsp;(713 Congress Avenue). All tickets include admission to the official stunt-filled after-party at&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Austin Studios&lt;/span&gt;&amp;nbsp;(1901 E 51st Street).&lt;strong&gt;About the film:&lt;/strong&gt;&lt;br /&gt;
He looked like just another day laborer from the streets, and the perfect fall guy for a crooked political assassination. But he turned out to be Machete (Danny Trejo), a legendary ex-federale with a deadly attitude and the skills to match. Left for dead after clashing with notorious Mexican drug kingpin Torrez (Steven Seagal), Machete has escaped to Texas, looking to disappear and forget his tragic past. But what he finds is a web of corruption and deceit that leaves a bullet in a senator and Machete a wanted man.&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=1222&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;More &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AFS Members can purchase tickets during a special pre-sale window from August 17th at Noon to August 20th at Noon.&lt;/strong&gt;&amp;nbsp;Tickets will go on sale to the general public on at 12 PM Saturday, August 21 through (866) 9PROTIX,&amp;nbsp;&lt;a href="http://protixonline.com/" style="color: #0065cc;" target="_blank"&gt;protixonline.com&lt;/a&gt;&amp;nbsp;or the Paramount Theatre box office.&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=748&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Join or renew your membership now&lt;/a&gt;!&lt;br /&gt;
&lt;br /&gt;
Proceeds benefit the Texas Filmmakers' Production Fund and the Texas Motion Picture Alliance (TXMPA).&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 5px; width: 450px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;" valign="bottom" width="450"&gt;Taxes and Accounting for Filmmakers&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 0px; padding-right: 5px; padding-top: 10px;" valign="top" width="450"&gt;&lt;img alt="" height="61" src="http://www.austinfilm.org//view.image?Id=2022" style="text-align: right;" width="150" /&gt;Our newest Moviemaker Dialogue is on for tomorrow evening: Accounting and filing taxes can be confusing for filmmakers, if not downright scary. At this informal discussion, get some practical advice from two accountants experienced in handling filmmakers' unique financial challenges.&lt;strong&gt;&amp;nbsp;Deborah Wiley&lt;/strong&gt;&amp;nbsp;and&amp;nbsp;&lt;strong&gt;Vicki Faust&lt;/strong&gt;&amp;nbsp;run the Tax Trailer, a full-service accounting firm offering sophisticated business advice with a South Austin flair for over 15 years.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=271&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Moviemaker Dialogues&lt;/a&gt;&lt;/span&gt;&amp;nbsp;are free for AFS Filmmaker level and higher members. If you would like to upgrade your membership to attend, please call 512-322-0145 for more information.&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=498&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Browse past Moviemaker Dialogues programs &amp;gt;&amp;gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 5px; width: 450px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;" valign="bottom" width="450"&gt;Help QUADRANGLE Qualify for Academy Awards! &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 0px; padding-right: 5px; padding-top: 10px;" valign="top" width="450"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;img alt="" border="1" height="151" hspace="5" src="http://www.austinfilm.org//view.image?Id=1633" style="text-align: right;" vspace="5" width="150" /&gt;Join AFS, Snap Kitchen, Deborah Page Projects, Little Pond Design and Deep Eddy Sweet Tea Vodka for a special screening of&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Amy Grappell&lt;/span&gt;'s award-winning film&amp;nbsp;&lt;span style="font-weight: bold;"&gt;QUADRANGLE&amp;nbsp;&lt;/span&gt;on&amp;nbsp;&lt;strong&gt;August 26 at 7 PM in the KLRU Austin City Limits Studios&lt;/strong&gt;. All tickets $20 -&lt;a href="http://www.austinfilm.org//Page.aspx?pid=885&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;buy tickets now &amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
QUADRANGLE is an unconventional documentary about two "conventional" couples that swapped partners and lived in a group marriage in the early 1970s. Coming out of the era of free love, and struggling with the monotony of marriage and suburban life, Deanna and Paul began swapping partners with another middle class married couple. This four-way affair became a kind of domestic living experiment when the two couples moved into one home, along with their children. While their individual marriages were failing, they found that together they were happy and thought they had discovered an alternative to divorce - a brave new world that would pave the way for how couples would live in the future. Instead it unraveled. Both couples divorced and married their foursome partners, but they could never truly separate because they were bound by the children they shared.&lt;br /&gt;
&lt;br /&gt;
Proceeds will go toward supporting QUADRANGLE's Academy-Award qualifying run in Los Angeles. QUADRANGLE is a fiscally-sponsored project of the Austin Film Society.&lt;a href="http://www.austinfilm.org//Page.aspx?pid=885&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;More information &amp;amp; tickets &amp;gt;&amp;gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(0, 174, 239); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(0, 174, 239); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(0, 174, 239); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 174, 239); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 5px; width: 450px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;" valign="bottom" width="450"&gt;&lt;span&gt;Job Opening // Call for Volunteers&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 0px; padding-right: 5px; padding-top: 10px;" valign="top" width="450"&gt;&lt;span&gt;&lt;strong&gt;HGTV's&lt;/strong&gt;&amp;nbsp;series,&amp;nbsp;&lt;strong&gt;MY FIRST PLACE&lt;/strong&gt;, is looking for first-time homebuyers (and their agents!) in the Austin area.&lt;br /&gt;
&lt;br /&gt;
Taping takes place this summer. Ideal candidates will be enthusiastic buyers with a great story to tell and a desire to share their experiences. Singles, couples and families are all invited to apply!&lt;br /&gt;
&lt;br /&gt;
Request an application by emailing:&amp;nbsp;&lt;strong&gt;&lt;a href="mailto:cbaggish@highnoontv.com" style="color: #0065cc;" target="_blank"&gt;cbaggish@highnoontv.com&lt;/a&gt;&lt;/strong&gt;&amp;nbsp;or call&amp;nbsp;&lt;strong&gt;Cindy Baggish&lt;/strong&gt;&amp;nbsp;at&amp;nbsp;&lt;strong&gt;(303) 712-3093.&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
----------------------&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Director of Photography/Still Photographer/Lighting Director&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
AMS Pictures, Inc.&lt;br /&gt;
16986 Dallas Parkway&lt;br /&gt;
Dallas, TX&lt;br /&gt;
&lt;br /&gt;
EDUCATION and/or EXPERIENCE&lt;br /&gt;
Associates or Bachelors in a TV/Film related program; 5-8 years experience; strong technical production abilities; i.e. camera operation, lighting direction. Computer skills, organized, detail oriented, and time management skills. Must have strong working knowledge of the Adobe Photoshop, Adobe Illustrator, Adobe Lightroom and Apple Aperture software. Willingness to work extended hours when it's needed to meet a projects deadline.&lt;br /&gt;
&lt;br /&gt;
Please submit resume to&amp;nbsp;&lt;strong&gt;Jobs@AMSPictures.com&lt;/strong&gt;.&lt;br /&gt;
&lt;br /&gt;
----------------------&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Volunteer for the Austin Gay &amp;amp; Lesbian Film Festival&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;aGLIFF&lt;/strong&gt;&amp;nbsp;is looking for volunteers to help with their upcoming film festival.&amp;nbsp; The festival runs from September 7 - 12, 2010. &amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.agliff.org%2fvolunteers%2f&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&amp;nbsp;For more information and to apply &amp;gt;&amp;gt;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor="#ececec" colspan="2" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 34px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: center; width: 669px;" valign="middle"&gt;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=183&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Austin Film Society Home&lt;/a&gt;&amp;nbsp;&amp;nbsp;•&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=230&amp;amp;srctid=1&amp;amp;tab=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Membership&lt;/a&gt;&amp;nbsp; •&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=818&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Email Preferences&lt;/a&gt;&amp;nbsp;&amp;nbsp;•&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//Page.aspx?pid=187&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;Privacy Policy&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor="#ececec" colspan="2" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: center;" valign="middle" width="700"&gt;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.facebook.com%2faustinfilm&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Facebook Fan Page" border="0" height="24" src="http://www.austinfilm.org//view.image?Id=1070" width="24" /&gt;&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.myspace.com%2fafs1985&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="MySpace" border="0" height="24" src="http://www.austinfilm.org//view.image?Id=1071" width="24" /&gt;&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2ftwitter.com%2fafs1985&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="Twitter" border="0" height="24" src="http://www.austinfilm.org//view.image?Id=1072" width="24" /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fyoutube.com%2faustinfilmsociety&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="YouTube" border="0" height="24" src="http://www.austinfilm.org//view.image?Id=1073" width="24" /&gt;&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href="http://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.flickr.com%2faustinfilm&amp;amp;srcid=16158&amp;amp;srctid=1&amp;amp;erid=860070" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="flickr" border="0" height="24" src="http://www.austinfilm.org//view.image?Id=1856" width="24" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan="2" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 3px; text-align: center;" valign="middle" width="700"&gt;1901 East 51 Street, Austin, TX 78723&amp;nbsp;&amp;nbsp;&amp;nbsp;|&amp;nbsp;&amp;nbsp;&amp;nbsp;512.322.0145&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.facebook.com/sharer.php" name="fb_share" type="button_count"&gt;Share&lt;/a&gt;&lt;script src="http://static.ak.fbcdn.net/connect.php/js/FB.Share" type="text/javascript"&gt;
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&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-collapse: collapse; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; font-family: Verdana; font-size: 11px; margin-bottom: 15px; margin-left: auto; margin-right: auto; margin-top: 15px; width: 700px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td colspan="2" height="115" style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom"&gt;&lt;a href="https://www.austinfilm.org//page.redir?target=http%3a%2f%2fwww.austinfilm.org&amp;amp;srcid=16141&amp;amp;srctid=1&amp;amp;erid=856342" style="color: #0065cc;" target="_blank"&gt;&lt;img alt="" src="https://www.austinfilm.org//view.image?Id=1867" style="border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-top-style: none; border-top-width: 0px;" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="font-family: arial, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;table bgcolor="#ffffff" cellpadding="0" cellspacing="0" style="border-bottom-color: rgb(236, 236, 236); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(236, 236, 236); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(236, 236, 236); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(236, 236, 236); border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 15px; margin-right: 15px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 670px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" height="30" style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; line-height: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="bottom" width="670"&gt;SNEAK PEEK OF&amp;nbsp;&lt;em&gt;MACHETE&lt;/em&gt;,  EXPLOSIVE AFTER PARTY AT AUSTIN STUDIOS&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #333333; font-family: Arial, Verdana, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 10px; padding-right: 10px; padding-top: 12px;" valign="top" width="670"&gt;&lt;span style="font-weight: bold;"&gt;For Immediate Release&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;August 16, 2010&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Contact: Agnes Varnum, Communications Manager, Austin Film Society&lt;br /&gt;
&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 512-322-0145 x3213 or&amp;nbsp;&lt;a href="mailto:agnes@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;agnes@austinfilm.org&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img align="right" alt="" border="1" height="200" hspace="5" src="https://www.austinfilm.org//view.image?Id=2021" vspace="5" width="300" /&gt;(Austin, TX)—&lt;span style="font-weight: bold;"&gt;Troublemaker Studios&lt;/span&gt;, the&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Austin Film Society&lt;/span&gt;and&amp;nbsp;&lt;span style="font-weight: bold;"&gt;The Alamo Drafthouse Cinema&lt;/span&gt;&amp;nbsp;are excited to announce an explosive sneak preview of&amp;nbsp;&lt;span style="font-weight: bold;"&gt;MACHETE&lt;/span&gt;&amp;nbsp;directed by&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Robert Rodriguez&lt;/span&gt;&amp;nbsp;and&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Ethan Maniquis&lt;/span&gt;, with&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Danny Trejo&lt;/span&gt;&amp;nbsp;and&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Michelle Rodriguez&lt;/span&gt;&amp;nbsp;leading an all-star cast, on&amp;nbsp;&lt;span style="font-weight: bold;"&gt;Thursday, September 2&lt;/span&gt;&amp;nbsp;at&lt;span style="font-weight: bold;"&gt;8 PM&amp;nbsp;&lt;/span&gt;at&amp;nbsp;&lt;span style="font-weight: bold;"&gt;The Paramount Theater&lt;/span&gt;&amp;nbsp;(713 Congress Avenue). All tickets include admission to the official stunt-filled after-party at&lt;span style="font-weight: bold;"&gt;Austin Studios&lt;/span&gt;&amp;nbsp;(1901 E 51st Street).&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;About the film:&lt;/strong&gt;&lt;br /&gt;
He looked like just another day laborer from the streets, and the perfect fall guy for a crooked political assassination. But he turned out to be Machete (Danny Trejo), a legendary ex-federale with a deadly attitude and the skills to match. Left for dead after clashing with notorious Mexican drug kingpin Torrez (Steven Seagal), Machete has escaped to Texas, looking to disappear and forget his tragic past. But what he finds is a web of corruption and deceit that leaves a bullet in a senator and Machete a wanted man.&lt;br /&gt;
&lt;br /&gt;
Machete sets out to clear his name and expose a deep conspiracy.&amp;nbsp;Helping Machete even the odds are Luz (Michelle Rodriguez)—a sexy taco-truck lady with a rebellious spirit and revolutionary heart, and Padre (Cheech Marin)—a priest who’s good with blessings, but better with guns. Carving a path of bullets, blood, and broken hearts, Machete’s quest ultimately leads him back to Torrez for an epic battle of revenge and redemption.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Red carpet arrivals will begin at 7:30 PM. Press wishing to cover the red carpet MUST obtain credentials by emailing Agnes Varnum at&amp;nbsp;&lt;/span&gt;&lt;a href="mailto:agnes@austinfilm.org" style="color: #0065cc;" target="_blank"&gt;agnes@austinfilm.org&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;. No admittance to the red carpet area without prior credentials.  &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
There will be a pre-sale ticket purchase window for Austin Film Society members, MACHETE crew and Fantastic Fest badgeholders from August 17th until August 20th at Noon. Tickets will go on sale to the general public on at 12 PM Saturday, August 21 through (866) 9PROTIX,&amp;nbsp;&lt;a href="http://protixonline.com/" style="color: #0065cc;" target="_blank"&gt;protixonline.com&lt;/a&gt;&amp;nbsp;or the Paramount Theatre box office.&lt;br /&gt;
&lt;br /&gt;
All tickets include Q&amp;amp;A with the filmmakers and entrance to the official after-party at Austin Studios. Pricing as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-left: 40px;"&gt;$100 – premium orchestra seating &lt;br /&gt;
$50 – rear orchestra and mezzanine seating&lt;br /&gt;
$30 – balcony seating&lt;/div&gt;&lt;br /&gt;
Special thanks to Troublemaker Studios, The Paramount Theater and The Austin Chronicle.&lt;br /&gt;
&lt;br /&gt;
Proceeds from this event benefit the Texas Filmmakers Production Fund and the Texas Motion Picture Alliance (TXMPA).&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;
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