<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1810626333088964620</id><updated>2026-10-17T23:05:09.007+02:00</updated><category term="film festivals"/><category term="film festival"/><category term="Avalon"/><category term="travel"/><category term="Belgium"/><category term="books"/><category term="giveaway"/><category term="movie recommendations"/><category term="A Good Man / Un homme bien"/><category term="BIFFF"/><category term="Brussels"/><category term="Offscreen"/><category term="Christmas"/><category term="guest author"/><category term="book signing"/><category term="Halloween"/><category term="The Strangers Outside"/><category term="guest post"/><category term="vampires"/><category term="Drowned Sorrow"/><category term="reading / watching / listening to..."/><category term="Next To Her"/><category term="Razor Reel"/><category term="When Animals Attack"/><category term="life lately"/><category term="press"/><category term="BUT"/><category term="movie trailers"/><category term="Caturday Movies"/><category term="France"/><category term="Gilles Vranckx"/><category term="currently reading / watching / listening to..."/><category term="filming locations"/><category term="giveaways"/><category term="Evil Seeds"/><category term="Netherlands"/><category term="Offsreen Film Festival"/><category term="Traveling Cats"/><category term="book launch"/><category term="urbex"/><category term="GPS With Benefits"/><category term="Razor Reel Fantastic Film Festival"/><category term="Sitges Film Festival"/><category term="Strange Blood"/><category term="book covers"/><category term="horror movies"/><category term="Paris"/><category term="cover reveal"/><category term="movie night recipes"/><category term="reviews"/><category term="Bruges"/><category term="Cannes Film Festival"/><category term="Ibiza"/><category term="TV shows"/><category term="best places to write"/><category term="interview"/><category term="Cinematek"/><category term="Clowders"/><category term="Sitges"/><category term="Spain"/><category term="TV movies"/><category term="animals"/><category term="awards"/><category term="behind the scenes"/><category term="exhibition"/><category term="interviews"/><category term="movies"/><category term="zoo"/><category term="Ardennes"/><category term="Arrow Video"/><category term="Brussels Film Festival"/><category term="Frances"/><category term="Gambia"/><category term="Happy New Year"/><category term="Hilary Grossman"/><category term="Linda Weaver Clarke"/><category term="Meow!"/><category term="RRFFF"/><category term="Sluis"/><category term="Star Wars"/><category term="Strasbourg"/><category term="The Strangers"/><category term="best seller list"/><category term="blog tour"/><category term="character interview"/><category term="contest"/><category term="documentaries"/><category term="music video"/><category term="quiz"/><category term="quizzes"/><category term="recipes"/><category term="zombies"/><category term="&#39;t Spookhuys"/><category term="5 stars"/><category term="9"/><category term="90s"/><category term="90s vampire movies"/><category term="A Christmas Home"/><category term="A.D. 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character study"/><category term="i"/><category term="inspiration"/><category term="intelligent machines"/><category term="locations"/><category term="making-of"/><category term="memorabilia"/><category term="monstrous animals"/><category term="movie"/><category term="movie quotes"/><category term="my cat"/><category term="mystery adventure book"/><category term="occult"/><category term="past lives"/><category term="pictures"/><category term="portrait drawing"/><category term="pumpkin"/><category term="pumpkin drinks"/><category term="restaurant"/><category term="romantic comedy"/><category term="scariest story ever"/><category term="screenplay reviews"/><category term="shadow people"/><category term="short films"/><category term="sponsored trip"/><category term="spooky"/><category term="start each day like it&#39;s your birthday"/><category term="stories"/><category term="theatre"/><category term="vampire animals"/><category term="vampire movies"/><category term="water"/><category term="win a signed copy"/><category term="writing"/><category term="zombie"/><category term="zombie movies"/><category term="zombie walk"/><title type='text'>Celluloid Diaries</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>382</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-5174112806080951260</id><published>2025-10-24T13:38:00.000+02:00</published><updated>2025-10-24T13:38:24.330+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><category scheme="http://www.blogger.com/atom/ns#" term="Bruges"/><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><category scheme="http://www.blogger.com/atom/ns#" term="Razor Reel"/><title type='text'>BOOK SIGNINGS IN BRUGES</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxPG2U5pF8ZwPp9_0jCcspnhoOq7o1WVY9DFrnjM47nMeCPQkxumRwVUhB5UHqo6H68soW05ln46WS_ly8kMtDZByd-hi1m_MaP2DvC6MP0cIlEfgs1rBcnb652cI5BMl-4vuCewILYoCef8n79bX2jKVC9M2luHsRtrEk6JO-OH9se9BtVR6RNdBAC0/s2245/Vanessa%20morgan.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;book signings&quot; border=&quot;0&quot; data-original-height=&quot;2245&quot; data-original-width=&quot;1587&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxPG2U5pF8ZwPp9_0jCcspnhoOq7o1WVY9DFrnjM47nMeCPQkxumRwVUhB5UHqo6H68soW05ln46WS_ly8kMtDZByd-hi1m_MaP2DvC6MP0cIlEfgs1rBcnb652cI5BMl-4vuCewILYoCef8n79bX2jKVC9M2luHsRtrEk6JO-OH9se9BtVR6RNdBAC0/w452-h640/Vanessa%20morgan.png&quot; title=&quot;book signings&quot; width=&quot;452&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Hey, everyone!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;I’ll be signing books at the Razor Reel Flanders Film Festival in Bruges on October 25 and November 1.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;If you’re around, come say hi! I’ll bring copies of my movie reference guides:&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Strange Blood: 71 Essays on Offbeat and Underrated Vampire Movies&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;When Animals Attack: The 70 Best Horror Movies With Killer Animals&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Would love to chat, sign your books, and geek out over movies and cats.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Hope to see you there!&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/5174112806080951260/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/10/book-signings-in-bruges.html#comment-form' title='34 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5174112806080951260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5174112806080951260'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/10/book-signings-in-bruges.html' title='BOOK SIGNINGS IN BRUGES'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxPG2U5pF8ZwPp9_0jCcspnhoOq7o1WVY9DFrnjM47nMeCPQkxumRwVUhB5UHqo6H68soW05ln46WS_ly8kMtDZByd-hi1m_MaP2DvC6MP0cIlEfgs1rBcnb652cI5BMl-4vuCewILYoCef8n79bX2jKVC9M2luHsRtrEk6JO-OH9se9BtVR6RNdBAC0/s72-w452-h640-c/Vanessa%20morgan.png" height="72" width="72"/><thr:total>34</thr:total><georss:featurename>Bruges, Belgium</georss:featurename><georss:point>51.208450799999987 3.2250586</georss:point><georss:box>22.898216963821142 -31.9311914 79.518684636178833 38.3813086</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-749318411822265850</id><published>2025-10-10T10:40:00.000+02:00</published><updated>2025-10-10T10:40:03.944+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><title type='text'>FANTASMAGORIA</title><content type='html'>&lt;p&gt;&lt;span style=&quot;background-color: white; caret-color: rgb(11, 15, 20); color: #0b0f14; font-family: InterVariable, system-ui, -apple-system, BlinkMacSystemFont, &amp;quot;Segoe UI&amp;quot;, Roboto, Helvetica, Arial, sans-serif, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;; font-size: 15px; white-space: pre-wrap;&quot;&gt;The Fantasmagoria Film Festival in Medellín, Colombia, started yesterday. This year’s program focuses on evil children (the theme of my book &lt;a href=&quot;https://amzn.to/3J3EF8i&quot; target=&quot;_blank&quot;&gt;EVIL SEEDS&lt;/a&gt;). I’m honored to be part of the jury alongside filmmakers David Moreau and Jen &amp;amp; Sylvia Soska. The lineup contains some true gems, so check it out if you&#39;re in the area.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUmbT4qBi5byx5WLc4ggTYlIdHNR3-drg3mnAdjxEjRyBWu-wP4sMJD2rmftUjKfWOE-CCFNSOhnhzlB7W49OHUkUW-VcSLZTEdpGo7Xf0Hs2QDilo8MQJZ0DaQ8HyzEH3FQaG_CcNVIjdR7VcEk6VIag5Xod6IKyU1WEffWOZXsGleRLhFW6ZcO5z2Fs/s2560/fantasmagoria-festival.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2560&quot; data-original-width=&quot;1707&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUmbT4qBi5byx5WLc4ggTYlIdHNR3-drg3mnAdjxEjRyBWu-wP4sMJD2rmftUjKfWOE-CCFNSOhnhzlB7W49OHUkUW-VcSLZTEdpGo7Xf0Hs2QDilo8MQJZ0DaQ8HyzEH3FQaG_CcNVIjdR7VcEk6VIag5Xod6IKyU1WEffWOZXsGleRLhFW6ZcO5z2Fs/w426-h640/fantasmagoria-festival.jpg&quot; width=&quot;426&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/749318411822265850/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/10/fantasmagoria.html#comment-form' title='39 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/749318411822265850'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/749318411822265850'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/10/fantasmagoria.html' title='FANTASMAGORIA'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUmbT4qBi5byx5WLc4ggTYlIdHNR3-drg3mnAdjxEjRyBWu-wP4sMJD2rmftUjKfWOE-CCFNSOhnhzlB7W49OHUkUW-VcSLZTEdpGo7Xf0Hs2QDilo8MQJZ0DaQ8HyzEH3FQaG_CcNVIjdR7VcEk6VIag5Xod6IKyU1WEffWOZXsGleRLhFW6ZcO5z2Fs/s72-w426-h640-c/fantasmagoria-festival.jpg" height="72" width="72"/><thr:total>39</thr:total><georss:featurename>Medellín, Medellin, Antioquia, Colombia</georss:featurename><georss:point>6.2476376 -75.565815300000011</georss:point><georss:box>-22.062596236178845 -110.72206530000001 34.557871436178843 -40.409565300000011</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-8525946154733876891</id><published>2025-08-20T16:09:00.000+02:00</published><updated>2025-08-20T16:09:08.217+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><category scheme="http://www.blogger.com/atom/ns#" term="BUT"/><category scheme="http://www.blogger.com/atom/ns#" term="film festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Netherlands"/><title type='text'>Uninvited</title><content type='html'>&lt;p&gt;&amp;nbsp;I’m excited to let you know that I’ll be signing books at the BUT Film Market in Breda on Saturday, August 30. If you’re attending the festival, don’t hesitate to stop by and say hello.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVDOs_l0zazfcokPU4VW9pTfp2sqVi81LyPRzt1UM_VRVTJgal1U59H6bTgYgnE_O20YZGhRU4bEmV6OHdUPxpjf_HLlZwSRUz9mu-AQ8AXzoFv4xICUEMOgP4hGVc0Ya488wYFsJFN3n6uZxXnPM1118BuWUsVsfZt0XOySYpy95h3ZLjzFjM27C89U/s2158/uninvited-movie.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2158&quot; data-original-width=&quot;1521&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVDOs_l0zazfcokPU4VW9pTfp2sqVi81LyPRzt1UM_VRVTJgal1U59H6bTgYgnE_O20YZGhRU4bEmV6OHdUPxpjf_HLlZwSRUz9mu-AQ8AXzoFv4xICUEMOgP4hGVc0Ya488wYFsJFN3n6uZxXnPM1118BuWUsVsfZt0XOySYpy95h3ZLjzFjM27C89U/w453-h640/uninvited-movie.jpg&quot; width=&quot;453&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;That same evening, I’ll also be introducing &lt;a href=&quot;https://cat-movies.com/2025/01/uninvited-1988/&quot;&gt;Greydon Clark’s cult classic UNINVITED (1988)&lt;/a&gt;. If you haven’t seen it before, get ready: this horror/sci-fi hybrid is completely bonkers and follows a seemingly normal house cat that’s host to a mutated, murderous creature. After escaping a laboratory, the cat stows away on a yacht owned by a corrupt businessman and proceeds to eliminate the passengers one by one.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;If you want to know more about how this wild movie came to be, check out my latest book &lt;a href=&quot;https://amzn.to/4iJYvTb&quot;&gt;MEOW! CATS IN HORROR, SCI-FI, AND FANTASY MOVIES&lt;/a&gt; in which Greydon Clark shares insights and stories about the production of UNINVITED.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Hope to see you at the BUT Film Festival!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6qMJygAHq_DKrjlA-PAOSj_HLt7GSHAKYlP_i3PoDSkiBtevm6qcUAOL5gPq43Es6NN_GmtmGzP3BEYibvTZyAL1VXdP7M0GlkL0MyavWYwPlVwAUoa2pzPNkY0oVJ8d4sIAp2Gd9VhYH14ZRU-GRn3PULKK9KVGOFipg6pr_hyphenhyphenS93M5ukZjzg1o2ZTw/s1172/meow-book.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1172&quot; data-original-width=&quot;936&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6qMJygAHq_DKrjlA-PAOSj_HLt7GSHAKYlP_i3PoDSkiBtevm6qcUAOL5gPq43Es6NN_GmtmGzP3BEYibvTZyAL1VXdP7M0GlkL0MyavWYwPlVwAUoa2pzPNkY0oVJ8d4sIAp2Gd9VhYH14ZRU-GRn3PULKK9KVGOFipg6pr_hyphenhyphenS93M5ukZjzg1o2ZTw/w512-h640/meow-book.jpg&quot; width=&quot;512&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/8525946154733876891/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/08/uninvited.html#comment-form' title='32 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8525946154733876891'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8525946154733876891'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/08/uninvited.html' title='Uninvited'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVDOs_l0zazfcokPU4VW9pTfp2sqVi81LyPRzt1UM_VRVTJgal1U59H6bTgYgnE_O20YZGhRU4bEmV6OHdUPxpjf_HLlZwSRUz9mu-AQ8AXzoFv4xICUEMOgP4hGVc0Ya488wYFsJFN3n6uZxXnPM1118BuWUsVsfZt0XOySYpy95h3ZLjzFjM27C89U/s72-w453-h640-c/uninvited-movie.jpg" height="72" width="72"/><thr:total>32</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-2293307792529967920</id><published>2025-04-10T10:39:00.001+02:00</published><updated>2025-04-10T10:39:27.044+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="BIFFF"/><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><title type='text'>Meet Me at BIFFF This Saturday</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqQIEG-FWIiH845Z2EXjZz3-u7dQkXw0fj31o21rQz2HeGEDMxvP-SmqH78DZmAwTru0jV10H_x1qhyTC-jdy2t3Deb-lyVmVRSwIinMcDf5DeqHWMXdG_X_WvDGC-nOShjkefsDzqtJxYauvnS7fhvZK_THBX6UhnKygF3gNuUQh_r1NqAk8LTt3LJY/s600/bifff-book-signing.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;BIFFF book&quot; border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqQIEG-FWIiH845Z2EXjZz3-u7dQkXw0fj31o21rQz2HeGEDMxvP-SmqH78DZmAwTru0jV10H_x1qhyTC-jdy2t3Deb-lyVmVRSwIinMcDf5DeqHWMXdG_X_WvDGC-nOShjkefsDzqtJxYauvnS7fhvZK_THBX6UhnKygF3gNuUQh_r1NqAk8LTt3LJY/w640-h640/bifff-book-signing.jpg&quot; title=&quot;BIFFF book&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p class=&quot;&quot; data-end=&quot;301&quot; data-start=&quot;130&quot;&gt;This Saturday, I’ll be at the&amp;nbsp;&lt;strong data-end=&quot;243&quot; data-start=&quot;185&quot;&gt;Brussels International Fantastic Film Festival (BIFFF)&lt;/strong&gt;&amp;nbsp;for a &lt;strong data-end=&quot;274&quot; data-start=&quot;258&quot;&gt;book signing&lt;/strong&gt;&amp;nbsp;of my horror movie guides.&lt;/p&gt;&lt;p class=&quot;&quot; data-end=&quot;450&quot; data-start=&quot;303&quot;&gt;🕐&amp;nbsp;&lt;strong data-end=&quot;315&quot; data-start=&quot;306&quot;&gt;When:&lt;/strong&gt;&amp;nbsp;Saturday, from&amp;nbsp;&lt;strong data-end=&quot;354&quot; data-start=&quot;331&quot;&gt;1:00 PM to 11:00 PM&lt;/strong&gt;&lt;br data-end=&quot;357&quot; data-start=&quot;354&quot; /&gt;📍&amp;nbsp;&lt;strong data-end=&quot;370&quot; data-start=&quot;360&quot;&gt;Where:&lt;/strong&gt;&amp;nbsp;&lt;strong data-end=&quot;392&quot; data-start=&quot;371&quot;&gt;Palais 10, Heysel&lt;/strong&gt;&amp;nbsp;– right in front of&amp;nbsp;&lt;strong data-end=&quot;423&quot; data-start=&quot;413&quot;&gt;Cine 1&lt;/strong&gt;&lt;br data-end=&quot;426&quot; data-start=&quot;423&quot; /&gt;🎟️&amp;nbsp;&lt;strong data-end=&quot;440&quot; data-start=&quot;430&quot;&gt;Entry:&lt;/strong&gt;&amp;nbsp;&lt;strong data-end=&quot;450&quot; data-start=&quot;441&quot;&gt;Free!&lt;/strong&gt;&lt;/p&gt;&lt;p class=&quot;&quot; data-end=&quot;646&quot; data-start=&quot;452&quot;&gt;Come say hi, grab a signed copy, and let&#39;s chat all things horror.&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/2293307792529967920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/04/bifff-book.html#comment-form' title='47 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2293307792529967920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2293307792529967920'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/04/bifff-book.html' title='Meet Me at BIFFF This Saturday'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqQIEG-FWIiH845Z2EXjZz3-u7dQkXw0fj31o21rQz2HeGEDMxvP-SmqH78DZmAwTru0jV10H_x1qhyTC-jdy2t3Deb-lyVmVRSwIinMcDf5DeqHWMXdG_X_WvDGC-nOShjkefsDzqtJxYauvnS7fhvZK_THBX6UhnKygF3gNuUQh_r1NqAk8LTt3LJY/s72-w640-h640-c/bifff-book-signing.jpg" height="72" width="72"/><thr:total>47</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-6059844508718452283</id><published>2025-04-01T11:05:00.004+02:00</published><updated>2025-04-01T11:05:57.262+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><title type='text'>I&#39;ll be signing books at the FACTS convention</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq0YTSWcv1WbobOMTYMnyU9wcU0Wmz_V1lPlJYvqQvU0H1iP1tK2RGSf6L7qeAebLAiVdhk1Nf3wd9lurBaGI4iasuTyeQMPgeDSg1ftSI_93LKkWYUl1Qyx8n9LIo7v0FPo2pQ6hxrPfSMZ5srqX5imVjoXMpisaV1nzUXPgkRuuEJsZ84dGkjna7T9g/s1350/facts-comic-con.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1350&quot; data-original-width=&quot;1080&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq0YTSWcv1WbobOMTYMnyU9wcU0Wmz_V1lPlJYvqQvU0H1iP1tK2RGSf6L7qeAebLAiVdhk1Nf3wd9lurBaGI4iasuTyeQMPgeDSg1ftSI_93LKkWYUl1Qyx8n9LIo7v0FPo2pQ6hxrPfSMZ5srqX5imVjoXMpisaV1nzUXPgkRuuEJsZ84dGkjna7T9g/w512-h640/facts-comic-con.jpg&quot; width=&quot;512&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;I&#39;m excited to be part of the FACTS convention in Ghent on April 5 &amp;amp; 6. I’ll be signing books throughout the weekend, including my latest release, &lt;i&gt;&lt;a href=&quot;https://amzn.to/4iJYvTb&quot; target=&quot;_blank&quot;&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/a&gt;&lt;/i&gt;.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Stop by and say hello—plus, check out the amazing guest list, including Elijah Wood, Jason Priestley, Alan Shivers, Andrew McCarthy, Evanna Lynch, Gabrielle Carteris, Ben Barnes, and many more.&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/6059844508718452283/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/04/ill-be-signing-books-at-facts-convention.html#comment-form' title='74 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6059844508718452283'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6059844508718452283'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/04/ill-be-signing-books-at-facts-convention.html' title='I&#39;ll be signing books at the FACTS convention'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq0YTSWcv1WbobOMTYMnyU9wcU0Wmz_V1lPlJYvqQvU0H1iP1tK2RGSf6L7qeAebLAiVdhk1Nf3wd9lurBaGI4iasuTyeQMPgeDSg1ftSI_93LKkWYUl1Qyx8n9LIo7v0FPo2pQ6hxrPfSMZ5srqX5imVjoXMpisaV1nzUXPgkRuuEJsZ84dGkjna7T9g/s72-w512-h640-c/facts-comic-con.jpg" height="72" width="72"/><thr:total>74</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-6132632134214102670</id><published>2025-03-14T12:18:00.003+01:00</published><updated>2025-03-14T12:18:40.870+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Brussels"/><category scheme="http://www.blogger.com/atom/ns#" term="Offsreen Film Festival"/><title type='text'>The 27 Best Folk Horror Movies From the UK and Ireland - How Many Have You Seen?</title><content type='html'>&lt;p&gt;Think you’ve seen it all when it comes to folk horror and the Wyrd? Think again. From eerie pagan rites to chilling countryside nightmares, these&amp;nbsp;&lt;strong data-end=&quot;199&quot; data-start=&quot;133&quot;&gt;27 must-see folk horror and wyrd films from the UK and Ireland&lt;/strong&gt;&amp;nbsp;will haunt your imagination.&amp;nbsp;&lt;/p&gt;&lt;p&gt;And the best part? You can catch them all on the big screen at the&amp;nbsp;&lt;strong data-end=&quot;346&quot; data-start=&quot;296&quot;&gt;Offscreen Film Festival in Brussels this month&lt;/strong&gt;.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Ready to get unsettled? Let’s dive in.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZuoi5Leaf31HDPAktXXlc1V0kxL03pHN1tsTjh5Q5h9Vy1-KpKiNZClQzACmvx6QDYoAmYq8sbQLssnpwqkVv4w-u2igt0xVjbdZzI14aE-JaCzlHl20o5iZXMrQ8PQrb7LfXbbzJtBSf77xaqu_Fsq66jag7NR3j64Izc75bDIzm8pUGCOUecD1jb8/s1500/best-folk-horror-movies.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Best Folk Horror Movies&quot; border=&quot;0&quot; data-original-height=&quot;1500&quot; data-original-width=&quot;1000&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZuoi5Leaf31HDPAktXXlc1V0kxL03pHN1tsTjh5Q5h9Vy1-KpKiNZClQzACmvx6QDYoAmYq8sbQLssnpwqkVv4w-u2igt0xVjbdZzI14aE-JaCzlHl20o5iZXMrQ8PQrb7LfXbbzJtBSf77xaqu_Fsq66jag7NR3j64Izc75bDIzm8pUGCOUecD1jb8/w426-h640/best-folk-horror-movies.png&quot; title=&quot;Best Folk Horror Movies&quot; width=&quot;426&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h1 style=&quot;text-align: left;&quot;&gt;Folk Horror and the Wyrd&lt;/h1&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;It isn&#39;t just houses that are haunted. Entire nations can be haunted as well.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The islands comprising Great Britain and the Republic of Ireland gave birth to three of horror&#39;s seminal gothic horror archetypes - Frankenstein, Dr Jekyll/Mr Hyde, Dracula - conceived in the 19th century by, respectively, an Englishwoman, a Scotsman and an Irishman. But there is another form of horror haunting the collective psyche of these lands, though it wasn&#39;t until 2003 that this subgenre was labelled Folk Horror by British director Piers Haggard in an interview about his film&amp;nbsp;&lt;i&gt;The Blood on Satan&#39;s Claw&lt;/i&gt;&amp;nbsp;(1971). This,&amp;nbsp;&lt;i&gt;Witchfinder General&lt;/i&gt;&amp;nbsp;(1968) and&amp;nbsp;&lt;i&gt;The Wicker Man&lt;/i&gt;&amp;nbsp;(1973) are considered the &quot;Unholy Trinity&quot; of Folk Horror, setting out the subgenre&#39;s &quot;rules&quot;. Such films typically contain one or more of the following elements: a small, isolated community on an island or in the countryside; a connection to the landscape; the unearthing of old artefacts of suppressed pagan cultures with links to blood sacrifice and&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; witchcraft; the past intruding on the present, sometimes channelled through standing stones or ancient trees; an obsession with legends and superstition.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;img alt=&quot;The Last Sacrifice&quot; border=&quot;0&quot; data-original-height=&quot;1014&quot; data-original-width=&quot;1920&quot; height=&quot;338&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM87DAOdj2zVPGIJknR_uNU2Z5Rj0bmcTM5WIbskURp4WBj17K_ikbxWwEBES1AOrseQO6iVVYHfyzn1S8LL8-KHehnwoJhikRs0yO2mG6j3TzZN0JUiAwxxtTIXGiQ8dCaAAJ09V2k6gKTtQliHCC1iDzfYECrIsZ2tQLJvluUOLSZRQ_XlvUStlll38/w640-h338/the-last-sacrifice.jpg&quot; style=&quot;caret-color: rgb(0, 0, 238); color: #0000ee; text-align: center; text-decoration: underline;&quot; title=&quot;The Last Sacrifice&quot; width=&quot;640&quot; /&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The subgenre&#39;s roots lie in the 1960s counterculture flirtation with the occult and an arcadian past. In Britain, this spawned an abundance of folkloric TV, films and documentaries drawing on paranormal or uncanny events that would later be grouped together under the Anglo-Saxon term &quot;wyrd&quot;, reflecting the existential unease permeating so much of post-war British culture, particularly in the work of writers such as Nigel Kneale (&lt;i&gt;Quatermass and the Pit&lt;/i&gt;,&amp;nbsp;&lt;i&gt;The Stone Tape&lt;/i&gt;). This sense of collective anxiety peaked in the 1970s, a decade of political, economic and social turmoil, and infiltrated the nation&#39;s living-rooms by way of TV series such as&amp;nbsp;&lt;i&gt;A Ghost Story for Christmas&lt;/i&gt;, telefilms such as Alan Clarke&#39;s&amp;nbsp;&lt;i&gt;Penda&#39;s Fen&lt;/i&gt;&amp;nbsp;(1974), even children&#39;s programmes such as&amp;nbsp;&lt;i&gt;Doctor Who&lt;/i&gt;. In between, younger viewers would be traumatised by government-funded Public Service TV spots, commissioned by the Central Office of Information, which warned, sometimes explicitly, of the lethal consequences of trespassing on farmland or railway tracks.&lt;/p&gt;&lt;div dir=&quot;LTR&quot; id=&quot;magicdomid294&quot;&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Folk Horror reached its zenith in the 1970s, but the children of that decade, now adult creators in their own right, have spearheaded a 21st century revival, exemplified by films such Ben Wheatley&#39;s&amp;nbsp;&lt;i&gt;Kill List&lt;/i&gt;&amp;nbsp;(2011), Liam Gavin&#39;s&amp;nbsp;&lt;i&gt;A Dark Song&lt;/i&gt;&amp;nbsp;(2016), Mark Jenkin&#39;s&amp;nbsp;&lt;i&gt;Enys Men&lt;/i&gt;&amp;nbsp;(2022) and Paul Duane&#39;s&amp;nbsp;&lt;i&gt;All You Need Is Death&lt;/i&gt;&amp;nbsp;(2024). &quot;The Haunted Isles&quot; retrospective at the Offscreen Film Festival in Brussels (March 12 - March 30, 2025) comprises features, TV episodes and shorts, including&amp;nbsp;&lt;i&gt;The Outcasts&lt;/i&gt;&amp;nbsp;(1982), screened in the presence of writer-director Robert Wynne-Simmons, and Ken Russell&#39;s&amp;nbsp;&lt;i&gt;The Lair of the White Worm&lt;/i&gt;&amp;nbsp;(1988). Rupert Russell launches this retrospective with his 2024 documentary&amp;nbsp;&lt;i&gt;The Last Sacrifice&lt;/i&gt;, while a special &quot;Wyrd British TV Night&quot; completes the programme. Finally, the concepts of Folk Horror and Wyrd Media will be explored at an international conference.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h1 style=&quot;text-align: left;&quot;&gt;27 Best Folk Horror and Wyrd Movies in the UK and Ireland&lt;/h1&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Night of the Demon&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A deceptively affable English warlock casts a hex on a visiting American, who refuses to believe he will be killed by a demon in three days&#39; time. Can the niece of a previous victim change the sceptic&#39;s mind in time for him to save himself? Tourneur&#39;s classic supernatural chiller is based on a story by M.R. James.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Devil Rides Out&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Christopher Lee, sporting a dapper goatee, plays one of the good guys for a change in Hammer&#39;s spiffing adaptation of Dennis Wheatley&#39;s novel of the occult, set in 1920s England. His mission? To extricate a young couple from the clutches of evil satanists by storming their Grand Sabbat orgy on Salisbury Plain!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj4_gLSz0QFxh1nD1cVVDvCdiz-OxFyuf8uBnyWY1BCQSNf_3ywHITT8oCkwC1-ll9P7bn4SuN1r32mXGrJraCKzvOsCNIYGRVebkFhqU-VCU6Ah_TzuebwD5cCE7YmYYyCGzQxFgzjvKqaSiYonPB2U6TacZEjxTVsfpAGVheNfyafVQCA-oZHN3j0yU/s1356/the-devil-rides-out_VcvAmR.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Devil Rides Out&quot; border=&quot;0&quot; data-original-height=&quot;980&quot; data-original-width=&quot;1356&quot; height=&quot;462&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj4_gLSz0QFxh1nD1cVVDvCdiz-OxFyuf8uBnyWY1BCQSNf_3ywHITT8oCkwC1-ll9P7bn4SuN1r32mXGrJraCKzvOsCNIYGRVebkFhqU-VCU6Ah_TzuebwD5cCE7YmYYyCGzQxFgzjvKqaSiYonPB2U6TacZEjxTVsfpAGVheNfyafVQCA-oZHN3j0yU/w640-h462/the-devil-rides-out_VcvAmR.png&quot; title=&quot;The Devil Rides Out&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Last Sacrifice&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Rupert Russell&#39;s documentary traces the folk horror boom back to a ritual murder in 1945, a case that exposed the dark side of the British psyche and sparked an interest in occultism that peaked in the 1970s. Includes a cornucopia of extracts from&amp;nbsp;&lt;i&gt;The Wicker Man&lt;/i&gt;&amp;nbsp;and many of the other films showing at Offscreen this year!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Stigma&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A family moves to a country cottage, where their ill-advised attempt to remove a megalith from the garden afflicts the mother with uncontrollable bleeding. The first of the&amp;nbsp;&lt;i&gt;A Ghost Story for Christmas&lt;/i&gt;&amp;nbsp;series not adapted from a pre-existing story shifts into full-on body horror, and still packs a disturbing punch.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv_bMyKDx265aLSaqD72hj-hgyJHK4xSQ__lDZbgfwPhv-2626TL5dEDey1ps2C8Wxo-1Tbh3y24ak43_cr6AdDmqPGLc0F_eIJM5jcMYISrK5XFNtVn931UmRYVeSimtz_ShCnBPNbZOtr-GeMbs19JPl16GjOgMA5fNttu8VMGyfm42meP6M45Ai2Ms/s2044/stigma.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Stigma&quot; border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;2044&quot; height=&quot;500&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv_bMyKDx265aLSaqD72hj-hgyJHK4xSQ__lDZbgfwPhv-2626TL5dEDey1ps2C8Wxo-1Tbh3y24ak43_cr6AdDmqPGLc0F_eIJM5jcMYISrK5XFNtVn931UmRYVeSimtz_ShCnBPNbZOtr-GeMbs19JPl16GjOgMA5fNttu8VMGyfm42meP6M45Ai2Ms/w640-h500/stigma.jpg&quot; title=&quot;Stigma&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Ghostwatch&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;First beamed into unsuspecting British households on Halloween, a jokey &quot;live&quot; BBC investigation into a haunted house, presented by beloved TV personalities, turns into a terrifying experience. This controversial mockumentary horrified audiences (who thought what they were seeing was real!) and stoked a tabloid furore.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;A Field in England&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;In the 17th century, four deserters from the English Civil War find a field full of magic mushrooms and are forced to help an alchemist search for buried gold. Folk horror at its most hallucinatory and unhinged, with Reece Shearsmith, in particular, making the sort of unholy faces that will haunt your nightmares.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDqvQ2ByEgzNlT4U5-xP6j12EAX6oUNrm5fwgieUDsjAxjFs9yVw9ifcxo-noi0nBr2O1wfeMBRtvr_J0RoX-IWqCXgpxKAoW9lDRlTOFHJJ5HUVrJhcKPzZEIpvqKPL-NX_ZOFMr00NdiP_gHGIrg-rw1MkcsukHL8wdm8_J8yPQSb45fGi3IDsglAWM/s3396/a-field-in-england_cb74dc.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;A Field in England&quot; border=&quot;0&quot; data-original-height=&quot;2211&quot; data-original-width=&quot;3396&quot; height=&quot;416&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDqvQ2ByEgzNlT4U5-xP6j12EAX6oUNrm5fwgieUDsjAxjFs9yVw9ifcxo-noi0nBr2O1wfeMBRtvr_J0RoX-IWqCXgpxKAoW9lDRlTOFHJJ5HUVrJhcKPzZEIpvqKPL-NX_ZOFMr00NdiP_gHGIrg-rw1MkcsukHL8wdm8_J8yPQSb45fGi3IDsglAWM/w640-h416/a-field-in-england_cb74dc.jpg&quot; title=&quot;A Field in England&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Lair of the White Worm&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A lesser-known Bram Stoker novel gets the Ken Russell treatment, turning it into a bonkers horror-comedy starring young Hugh Grant as an aristocrat who teams up with an archaeologist to battle a legendary giant worm. Amanda Donohoe&#39;s deliriously camp performance as the snake god&#39;s slinky priestess is not to be missed.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Wicker Man&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A pious police sergeant searches for a missing schoolgirl on a remote Scottish island where he is shocked by the pagan traditions, presided over by Christopher Lee at his most patrician. This uniquely unsettling landmark in folk horror, hailed as &quot;The Citizen Kane of Horror Movies&quot;, builds up to a devastating climax.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ofln1DCC4MuDX-WyBQWormKtdIj4bS__05A1ohR-fhK21bhd1EBqRmIeZTN4cZDVpL2qKR65WOxWdkUDy9T4BI3_NtEaJNgCRiz6LS2hA_x3eNzbZh1ACFsq0UFdhd5Dm0Li0zA_B-EBqfd7QzKAh6gTnp5c31JQulKmB1wGVnbMiC6_ZswWdK4EiW8/s3000/the-wicker-man_8fca3866.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Wicker Man&quot; border=&quot;0&quot; data-original-height=&quot;2250&quot; data-original-width=&quot;3000&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ofln1DCC4MuDX-WyBQWormKtdIj4bS__05A1ohR-fhK21bhd1EBqRmIeZTN4cZDVpL2qKR65WOxWdkUDy9T4BI3_NtEaJNgCRiz6LS2hA_x3eNzbZh1ACFsq0UFdhd5Dm0Li0zA_B-EBqfd7QzKAh6gTnp5c31JQulKmB1wGVnbMiC6_ZswWdK4EiW8/w640-h480/the-wicker-man_8fca3866.jpg&quot; title=&quot;The Wicker Man&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Witchfinder General&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The third and most accomplished film from whizz-kid Reeves before his untimely death is a grim revenge &quot;western&quot; set during the English Civil War. Vincent Price gives one of his best - and scariest - performances as the infamous Matthew Hopkins, who roams the land, torturing suspected witches for profit and pleasure.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Outcasts&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Rural Ireland, 1810: eccentric Maura is accused of witchcraft by her community, but finds solace in the company of &quot;Scarf Michael&quot;, a roving fiddler, and his magical otherworld. This landmark Irish film from Robert Wynne-Simmons (who wrote&amp;nbsp;&lt;i&gt;The Blood on Satan&#39;s Claw&lt;/i&gt;) was only recently rediscovered and restored.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPjDdWkDaehyDoOaLyO48KO7tgmbeMdSXVsVW__XDwjprbYnc_vRGUhJJufJmq7QwDSn_ALP8W0Xor6Z-KvkCvqEVNsCB9mc7eilBxBeKYjuEd0_1zVwaGnBFxFVCHrO5rQERKtb-vlUFNHdij_lpWxt7BgKacbOFl_uZOo7A2fUl66wJ20yOE3UYx04s/s1793/the-outcasts-2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Outcasts&quot; border=&quot;0&quot; data-original-height=&quot;1050&quot; data-original-width=&quot;1793&quot; height=&quot;374&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPjDdWkDaehyDoOaLyO48KO7tgmbeMdSXVsVW__XDwjprbYnc_vRGUhJJufJmq7QwDSn_ALP8W0Xor6Z-KvkCvqEVNsCB9mc7eilBxBeKYjuEd0_1zVwaGnBFxFVCHrO5rQERKtb-vlUFNHdij_lpWxt7BgKacbOFl_uZOo7A2fUl66wJ20yOE3UYx04s/w640-h374/the-outcasts-2.jpg&quot; title=&quot;The Outcasts&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Arcadia&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A montage of film clips drawn from 100 years of archive footage coalesces into a fever dream exploring the British people&#39;s connection to their land. What begins as elegiac becomes increasingly surreal (cheese rolling!), even ominous, set to a soundtrack by Portishead&#39;s Adrian Utley and Goldfrapp&#39;s Will Gregory.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2&gt;The Blood on Satan&#39;s Claw&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;An 18th century farmer unearths a deformed skull in his field, a discovery that leads to local youngsters sprouting patches of demonic fur and forming a satanic cult in which they sacrifice their friends. A landmark folk horror film scripted by Robert Wynne-Simmons, who went on to write and direct&amp;nbsp;&lt;i&gt;The Outcasts&lt;/i&gt;.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYrIe-jWptk0Buj7s4vug62XHiNs4iPh6sXvuzd9b1mO_JWd_jIAz0W9gPTRFh3HhWuyzEEYsoR48CPBSCsf7YcRkzrV15myEqpHYRAjnHKEY4bef_tSDpAwnH9wI3pJCA9X1mV_ZKniheZ2HoePqvZlupro7MMDN3kSafc9a9qRO_s_W9nWS_zrAeTIE/s2880/the-blood-on-satans-claw-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Blood on Satan&#39;s Claw&quot; border=&quot;0&quot; data-original-height=&quot;1460&quot; data-original-width=&quot;2880&quot; height=&quot;324&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYrIe-jWptk0Buj7s4vug62XHiNs4iPh6sXvuzd9b1mO_JWd_jIAz0W9gPTRFh3HhWuyzEEYsoR48CPBSCsf7YcRkzrV15myEqpHYRAjnHKEY4bef_tSDpAwnH9wI3pJCA9X1mV_ZKniheZ2HoePqvZlupro7MMDN3kSafc9a9qRO_s_W9nWS_zrAeTIE/w640-h324/the-blood-on-satans-claw-1.jpg&quot; title=&quot;The Blood on Satan&#39;s Claw&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;A Dark Song&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A grouchy occultist and a bereaved woman sequester themselves in a remote house, where they intend to summon a supernatural entity to help her come to terms with her grief. But the rituals are long and gruelling, neither party is telling the whole truth, and nothing goes as planned in Gavin&#39;s haunting debut feature.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Symptoms&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Helen invites her friend Anne, a writer, to stay at her mansion in the English countryside. But the big old house is full of strange noises, the handyman is a creep, and Anne senses a mystery that she sets out to solve. Larraz&#39;s eerie psychochiller gives Angela Pleasence, who plays Helen, the role of her career.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgueuIyoCyhkRCm3XoKACOjMFceEMMCLvDrShezPduG6v6K2WaLXQcDT0Wz3s_ytTN2Z1Nsg90i9pgiETCM_bB9jDMufCPHiMt8QHjZqDLAscsbUIEKmigzg9gpmAZ6Z3bYXJKOksyun-VKqYK_YN9Q5y6ZGO4N1F0xyxwBhsxBtSRaDAwE_eo38VEJbb0/s2082/Symptoms%20(2)%20(Larraz).jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Symptoms&quot; border=&quot;0&quot; data-original-height=&quot;1482&quot; data-original-width=&quot;2082&quot; height=&quot;456&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgueuIyoCyhkRCm3XoKACOjMFceEMMCLvDrShezPduG6v6K2WaLXQcDT0Wz3s_ytTN2Z1Nsg90i9pgiETCM_bB9jDMufCPHiMt8QHjZqDLAscsbUIEKmigzg9gpmAZ6Z3bYXJKOksyun-VKqYK_YN9Q5y6ZGO4N1F0xyxwBhsxBtSRaDAwE_eo38VEJbb0/w640-h456/Symptoms%20(2)%20(Larraz).jpg&quot; title=&quot;Symptoms&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Quatermass and the Pit&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;In the third and best of Hammer&#39;s big screen versions of Nigel Kneale&#39;s BBC TV trilogy, workmen digging a London Underground extension unearth what seems to be an unexploded bomb. But no - it&#39;s worse! Ghosts, aliens and the devil collide in one of the most mind-boggling origin stories in the horror and sci-fi canon.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2&gt;Enys Men&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A nature volunteer keeps watch over a rare flower on an island off the coast of Cornwall in Jenkin&#39;s immersive, semi-experimental reworking of folk horror tropes. As creeping lichen, an eerie menhir and the island&#39;s ghosts jostle with visions from her past, the solitude begins to take its toll on her mental state.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamhwuPTh3NG7jxSx4re8ijs7-PGpujzWl9qr6TuKh1wB3SJfDASlXvPEMF35n_OGRU3ztd1_MYOI9Jd3YPHBgG6DSO44tUVW2W9I1ksZD3SRJO1xD-LR2MIYmN62w2BgppUIkCyvTUflHev8YpNnP4HJ8ctOi_XkMal37BC_uN42Q8VXJHVGd5HjJWPc/s2084/enys-men-3.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Enys Men&quot; border=&quot;0&quot; data-original-height=&quot;1008&quot; data-original-width=&quot;2084&quot; height=&quot;310&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamhwuPTh3NG7jxSx4re8ijs7-PGpujzWl9qr6TuKh1wB3SJfDASlXvPEMF35n_OGRU3ztd1_MYOI9Jd3YPHBgG6DSO44tUVW2W9I1ksZD3SRJO1xD-LR2MIYmN62w2BgppUIkCyvTUflHev8YpNnP4HJ8ctOi_XkMal37BC_uN42Q8VXJHVGd5HjJWPc/w640-h310/enys-men-3.png&quot; title=&quot;Enys Men&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Stone Tape&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Scientists move into a haunted house, hoping to use its stone walls as a radical new recording medium. But they don&#39;t know what they&#39;re dealing with! Nigel Kneale&#39;s teleplay revolutionised the traditional ghost story, lent its name to a paranormal theory, and was a big influence on John Carpenter&#39;s&amp;nbsp;&lt;i&gt;Prince of Darkness&lt;/i&gt;.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Signalman&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A lone traveller encounters a railway signalman whose signal box is stationed near the mouth of a tunnel, and finds him living in fear of a mysterious figure whose visitations invariably presage disaster. Denholm Elliott gives an acting masterclass in this hair-raising adaptation of a ghost story by Charles Dickens.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmKXaAvMopuPomqrFOJivz4RrVeFP-iqu26qBTyTvLGtY5tqH-egT8PWSkMtfQu4zYBG_0-cicMVLzAfNvfRy8plBKIjnQNVONCG7z-L818nCWMJGNyRn6x-8-SVZ19wU50tHXYZlThJQpaDaSenJZ8n2siM532YGBEusdX7UZEmllDDeQmy9m2K5btjM/s2069/the-signalman-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Signalman&quot; border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;2069&quot; height=&quot;494&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmKXaAvMopuPomqrFOJivz4RrVeFP-iqu26qBTyTvLGtY5tqH-egT8PWSkMtfQu4zYBG_0-cicMVLzAfNvfRy8plBKIjnQNVONCG7z-L818nCWMJGNyRn6x-8-SVZ19wU50tHXYZlThJQpaDaSenJZ8n2siM532YGBEusdX7UZEmllDDeQmy9m2K5btjM/w640-h494/the-signalman-1.jpg&quot; title=&quot;The Signalman&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;From the Old Earth&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;While digging in his garden, a man unearths an ancient Celtic stone head which gives his wife a bad nightmare. One of the first horror films in the Welsh language, this eerie little number was produced by Bwrdd Ffilmiau Cymraeg, the Welsh Film Board, which - incredibly - arranged for it to be screened in primary schools, thus well and truly terrorising a generation of small Welsh children.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Kill List&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Jay, ex-soldier turned hitman, puts his domestic problems on hold to embark on a triple-killing mission with his Irish buddy. But glimpses of their shady client, pagan symbols and Jay&#39;s escalating bloodlust hint that this is not so much a hitman thriller as a deadly expedition into the depravity of the human soul.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEn1N8T-jHo4ck1ic261pRQYgGIWmMzVi_wAMn3-FzJXU90SMoT45adRj5WZ5mKsZGVZOEjo6WY863gUwWqC28jnbQLjyJZRqU9dkSWjZ0JckLdvLfCRLShyphenhyphenHUxhNqqsEX5Vbvb7ZWuOXINi4rCXKpPZiW2nM6StOBp3lhtT3UemCpLZ2AVfE-2mxUaXU/s2048/kill-list.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Kill List&quot; border=&quot;0&quot; data-original-height=&quot;1585&quot; data-original-width=&quot;2048&quot; height=&quot;496&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEn1N8T-jHo4ck1ic261pRQYgGIWmMzVi_wAMn3-FzJXU90SMoT45adRj5WZ5mKsZGVZOEjo6WY863gUwWqC28jnbQLjyJZRqU9dkSWjZ0JckLdvLfCRLShyphenhyphenHUxhNqqsEX5Vbvb7ZWuOXINi4rCXKpPZiW2nM6StOBp3lhtT3UemCpLZ2AVfE-2mxUaXU/w640-h496/kill-list.jpg&quot; title=&quot;Kill List&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Shout&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;People&#39;s souls are trapped in pebbles on the north coast of Devon in this gripping adaptation of an uncanny story by Robert Graves. A strange traveller (Alan Bates) disrupts the lives of a composer and his wife, claiming a shaman has taught him a shout that will kill anyone who hears it. Is he mad, or truly dangerous?&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Woman in Black&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The 2012 film of Susan Hill&#39;s ghost story, with Daniel Radcliffe, is nowhere near as frightening as this earlier TV version with a screenplay by Nigel Kneale. A young London solicitor, assigned to settle a widow&#39;s estate, goes through her papers in a big empty house, where he is unnerved by a threatening presence.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmi12BdFl8pBpgk-OH4KW2KFNFCs_0xCEEK4gzZlJfWn5dl9TlwPrItE5HxOlYfH4M7R7ltkmq4y8KxAFoJ113zvs66zWrBXEtUDSOciPIbQvJjA4rHkKEXowcK_XIVoJfjguIbG1mtPw59KKeaRnvCoKQCInzwmAy4PO4eoWMz0qCcd0oQMkuOUrMKU4/s1600/the-woman-in-black-original.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Woman in Black&quot; border=&quot;0&quot; data-original-height=&quot;900&quot; data-original-width=&quot;1600&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmi12BdFl8pBpgk-OH4KW2KFNFCs_0xCEEK4gzZlJfWn5dl9TlwPrItE5HxOlYfH4M7R7ltkmq4y8KxAFoJ113zvs66zWrBXEtUDSOciPIbQvJjA4rHkKEXowcK_XIVoJfjguIbG1mtPw59KKeaRnvCoKQCInzwmAy4PO4eoWMz0qCcd0oQMkuOUrMKU4/w640-h360/the-woman-in-black-original.jpg&quot; title=&quot;The Woman in Black&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Requiem For a Village&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The past clashes (and sometimes meshes) with the present in this portrait of an English village, as seen through the eyes of an old man tending the graveyard. Docudrama slips into folk horror as dead villagers rise from their tombs to share their memories, and rural tranquility is rudely shattered by a biker gang.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Penda&#39;s Fen&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Alan Clarke, better known for his down-and-dirty social realism, also directed this visionary, eloquent coming-of-age telefilm. A vicar&#39;s son finds his staid views on religion and sexuality challenged by visitations from the pagan past and secret military experiments conducted in the mystical landscape around his village.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNFUnkB2q_iGdUDaLy5UrqVD1AtnxuJj_9RUG5IU-bfKWqKH_7TDZiNduz2mGUefxc9a73faROvbNNE0LFnDdFOrjhr9iKmY0MJHvUiQQdj6bBh1Mn2uH7N65sRQot4tFjtmgYF3CrmpmZ8GST4N3VflIRKcfrM52Pawx74x-C8p2N4lWDGqNP3gxGZV0/s1028/pendas-fen-1974.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Penda&#39;s Fen&quot; border=&quot;0&quot; data-original-height=&quot;768&quot; data-original-width=&quot;1028&quot; height=&quot;478&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNFUnkB2q_iGdUDaLy5UrqVD1AtnxuJj_9RUG5IU-bfKWqKH_7TDZiNduz2mGUefxc9a73faROvbNNE0LFnDdFOrjhr9iKmY0MJHvUiQQdj6bBh1Mn2uH7N65sRQot4tFjtmgYF3CrmpmZ8GST4N3VflIRKcfrM52Pawx74x-C8p2N4lWDGqNP3gxGZV0/w640-h478/pendas-fen-1974.jpg&quot; title=&quot;Penda&#39;s Fen&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;The Appointment&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;What begins as a spooky chiller turns into a nail-biting exercise in mounting dread when a middle-class father (Edward Woodward) is obliged to miss his teenage daughter&#39;s violin recital because of a business appointment. There are dark forces at work, with bad dreams and portents building up to a shattering finale.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;Whistle and I&#39;ll Come to You&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;In this classic BBC adaptation of an M.R. James story, the peerless Michael Horden plays a fusty professor holidaying on England&#39;s east coast, where he finds a whistle in a graveyard - and makes the mistake of blowing it. His nightmares are creepy enough, but you&#39;ll never look at a spare bed the same way again.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq1PPS0DbX8ayF0gbd-HqnIlQx1bEslKRtYuc5Lo-LXBNAsD0z1PregdDdl_SavtJfld__vK6dIEdUOumONbiPYaDvY8tfCE-BT95Mym4-OezQHfhPetVSKDdwjrsbY8c8rqAirNuBEF81Z_AQcPFsSfBcZQfwalxOAE3zg4x33R000B0cOHDxQZsq9Wg/s1229/whistle-and-ill-come-to-you-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Whistle and I&#39;ll Come to You&quot; border=&quot;0&quot; data-original-height=&quot;681&quot; data-original-width=&quot;1229&quot; height=&quot;354&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq1PPS0DbX8ayF0gbd-HqnIlQx1bEslKRtYuc5Lo-LXBNAsD0z1PregdDdl_SavtJfld__vK6dIEdUOumONbiPYaDvY8tfCE-BT95Mym4-OezQHfhPetVSKDdwjrsbY8c8rqAirNuBEF81Z_AQcPFsSfBcZQfwalxOAE3zg4x33R000B0cOHDxQZsq9Wg/w640-h354/whistle-and-ill-come-to-you-1.jpg&quot; title=&quot;Whistle and I&#39;ll Come to You&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;A Warning to the Curious&lt;/h2&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&quot;No digging here!&quot; In 1930s East Anglia, a cash-strapped amateur archaeologist (the great Peter Vaughan) is hunting for a legendary crown, rumoured to be buried off the bleak Norfolk coast. Unfortunately for him, the treasure is guarded by a vicious ghost in this&amp;nbsp;petrifying&amp;nbsp;adaptation of an M.R. James story.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h1 style=&quot;text-align: left;&quot;&gt;How many of these Folk Horror movies have you seen?&lt;/h1&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Have you seen all&amp;nbsp;&lt;strong data-end=&quot;129&quot; data-start=&quot;117&quot;&gt;27 folk horror films&lt;/strong&gt;&amp;nbsp;on this list, or did we introduce you to some new nightmares? Let us know in the comments—which ones are your favorites, and which still haunt you?&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfdRMtNP0iSYpwB7GrtisxZ_xmy8xeti4to1vsZoyVilcvTTnUPbJpF6ZWiQylnFRiNlj-KH5JMW0p-jWUIFfKyVBxDMytb5pw8ACJ2lkxirfYcBV76iPuxdl1bz9FXwPI9axC7maIOb1jpfqC43Yj56Vi241lxZapH2REO0UZTHr7GcxR6L_3ycZXcG0/s2783/the-lair-of-the-white-worm_T9vrrB.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Lair of the White Worm&quot; border=&quot;0&quot; data-original-height=&quot;1822&quot; data-original-width=&quot;2783&quot; height=&quot;420&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfdRMtNP0iSYpwB7GrtisxZ_xmy8xeti4to1vsZoyVilcvTTnUPbJpF6ZWiQylnFRiNlj-KH5JMW0p-jWUIFfKyVBxDMytb5pw8ACJ2lkxirfYcBV76iPuxdl1bz9FXwPI9axC7maIOb1jpfqC43Yj56Vi241lxZapH2REO0UZTHr7GcxR6L_3ycZXcG0/w640-h420/the-lair-of-the-white-worm_T9vrrB.jpg&quot; title=&quot;The Lair of the White Worm&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;h1 style=&quot;text-align: left;&quot;&gt;Want more eerie movie fun?&lt;/h1&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;If you want more eerie movie fun, check out&amp;nbsp;&lt;strong data-end=&quot;166&quot; data-start=&quot;114&quot;&gt;&lt;a href=&quot;https://amzn.to/4iJYvTb&quot; target=&quot;_blank&quot;&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/a&gt;&lt;/strong&gt;.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Covering films from&amp;nbsp;&lt;strong data-end=&quot;176&quot; data-start=&quot;160&quot;&gt;29 countries&lt;/strong&gt;, it’s a deep dive into the weirdest, wildest, and most unexpected cat-centric genre movies. Perfect for horror and sci-fi fans looking for something a little different!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUpFvCcQLUVuvFxmzlFrx-C27yPQVWHaGxSL0xqZkzqpE364m74Z5QL8IYWiw2OONlPJ_VBtq6VScR_LaZwczM23o-Qp-jigSzOlyVFCK3VyFZMGg5t5tFW0BaeYABKvxF-tcuxl3hoOAznFn943DMOWi2sZHAguFVW8hyphenhyphenK6kg67RMF9uX31cPMuhUgxg/s1172/meow-book.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;folk horror movies book&quot; border=&quot;0&quot; data-original-height=&quot;1172&quot; data-original-width=&quot;936&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUpFvCcQLUVuvFxmzlFrx-C27yPQVWHaGxSL0xqZkzqpE364m74Z5QL8IYWiw2OONlPJ_VBtq6VScR_LaZwczM23o-Qp-jigSzOlyVFCK3VyFZMGg5t5tFW0BaeYABKvxF-tcuxl3hoOAznFn943DMOWi2sZHAguFVW8hyphenhyphenK6kg67RMF9uX31cPMuhUgxg/w512-h640/meow-book.jpg&quot; title=&quot;folk horror movies book&quot; width=&quot;512&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/6132632134214102670/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/03/best-folk-horror-movies.html#comment-form' title='30 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6132632134214102670'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6132632134214102670'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/03/best-folk-horror-movies.html' title='The 27 Best Folk Horror Movies From the UK and Ireland - How Many Have You Seen?'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZuoi5Leaf31HDPAktXXlc1V0kxL03pHN1tsTjh5Q5h9Vy1-KpKiNZClQzACmvx6QDYoAmYq8sbQLssnpwqkVv4w-u2igt0xVjbdZzI14aE-JaCzlHl20o5iZXMrQ8PQrb7LfXbbzJtBSf77xaqu_Fsq66jag7NR3j64Izc75bDIzm8pUGCOUecD1jb8/s72-w426-h640-c/best-folk-horror-movies.png" height="72" width="72"/><thr:total>30</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-204366606547472044</id><published>2025-02-20T08:52:00.000+01:00</published><updated>2025-02-20T08:52:35.478+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Offsreen Film Festival"/><title type='text'>Offscreen Film Festival 2025</title><content type='html'>&lt;p&gt;The program of the 18th edition of the &lt;b&gt;Offscreen Film Festival&lt;/b&gt; (for which I am a programmer) is now online.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;The festival keeps an eye on exciting new talent while continuing to explore alternative film history. We have once again assembled an exhilarating programme of more than 60 screenings that swim against mainstream trends. From March 12 until March 30, we plunge into the wonderful world of film at its most offbeat and stimulating, edgy cult viewing, and all the genres from B to Z. And as always, to complement our selection of premieres, we present a special focus, a tribute and a retrospective.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4qR-PfSNVUebBk4TCz6V7O8dJI017suCFlLUG8vOJcQcvWPl9KcexTlzYR0vhCi1qayOu0Or1yMaNxQPcp9bcEKUbg1A82JVEJDYtwt0UwhX1UFM2IFiwEpST7ehlAe0gieF575_JSN9qm5_0CFiNC-PrZwCbDe3d7pFRapkt6vS5_OTJssVKqun3Sn8/s1323/Offscreen%20poster%202025%20web.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Offscreen Film Festival 2025&quot; border=&quot;0&quot; data-original-height=&quot;1323&quot; data-original-width=&quot;937&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4qR-PfSNVUebBk4TCz6V7O8dJI017suCFlLUG8vOJcQcvWPl9KcexTlzYR0vhCi1qayOu0Or1yMaNxQPcp9bcEKUbg1A82JVEJDYtwt0UwhX1UFM2IFiwEpST7ehlAe0gieF575_JSN9qm5_0CFiNC-PrZwCbDe3d7pFRapkt6vS5_OTJssVKqun3Sn8/w454-h640/Offscreen%20poster%202025%20web.jpg&quot; title=&quot;Offscreen Film Festival 2025&quot; width=&quot;454&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;The festival opens on Wednesday 12 March with the premiere of Thibault Emin&#39;s&amp;nbsp;&lt;i&gt;Else&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;in the presence of its director and crew. This Franco-Belgian co-production, a body-horror romance set during a bizarre epidemic in which the infected start to merge with their surroundings, is the first of more than 16 new and unreleased features&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;in our&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;b&gt;Offscreenings&lt;/b&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;selection that take us from Europe (&lt;i&gt;Body Odyssey&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Solvent&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Infinite Summer&lt;/i&gt;) to America&#39;s underbelly (&lt;i&gt;A Desert&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Vulcanizidora&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Dead Mail&lt;/i&gt;) to Japan (Kiyoshi Kurosawa&#39;s genre mash-up&amp;nbsp;&lt;i&gt;Cloud&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;and Toshiaki Toyoda&#39;s mind-blowing&amp;nbsp;&lt;i&gt;Transcending Dimensions&lt;/i&gt;) and across time itself in&amp;nbsp;&lt;i&gt;Timestalker&lt;/i&gt;, to be introduced by its British director and star, Alice Lowe. Last but not least, we are thrilled to present the Benelux premiere of&amp;nbsp;&lt;i&gt;Reflet dans un diamant mort&lt;/i&gt;, the latest film from Brussels-based directing duo Hélène Cattet and Bruno Forzani.&amp;nbsp;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCeFJuQ336THVaOUZkGaOma3fLfMwLByyAa2sagfVrupjPib_TjMdj_6YuACpA7_hxc08xcYq1IebM38RbZfFo3eqqcp4YFwnaQARXnHqSIDn9G69AZZHdX1ef9gGR3I-91BYqWZzHUZffH4I6w6wQfoxPeodYQn-irdQfa1T3YqZ-eSQN1IYRj862A0I/s1916/RDUDM%201.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Reflet dans un diamant mort&quot; border=&quot;0&quot; data-original-height=&quot;776&quot; data-original-width=&quot;1916&quot; height=&quot;260&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCeFJuQ336THVaOUZkGaOma3fLfMwLByyAa2sagfVrupjPib_TjMdj_6YuACpA7_hxc08xcYq1IebM38RbZfFo3eqqcp4YFwnaQARXnHqSIDn9G69AZZHdX1ef9gGR3I-91BYqWZzHUZffH4I6w6wQfoxPeodYQn-irdQfa1T3YqZ-eSQN1IYRj862A0I/w640-h260/RDUDM%201.jpg&quot; title=&quot;Reflet dans un diamant mort&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;In an extensive restrospective under the heading&amp;nbsp;&quot;&lt;b&gt;The Haunted Isles: Folk Horror and the Wyrd in the UK and Ireland&lt;/b&gt;&quot;&amp;nbsp;we will be showing&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;over 30 films, many in newly restored versions, at Cinema Nova and Cinematek. In addition to the original &quot;Unholy Trinity&quot; of Folk Horror classics rooted in the British landscape and its superstitions -&amp;nbsp;&lt;i&gt;Witchfinder General&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1968),&amp;nbsp;&lt;i&gt;The Blood on Satan&#39;s Claw&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1971) and&amp;nbsp;&lt;i&gt;The Wicker Man&lt;/i&gt; (1973) - we dip into paganism, witchcraft, stone circles and ghosts in a rich selection of otherworldly tales, including the newly rediscovered Irish classic&amp;nbsp;&lt;i&gt;The Outcasts&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1982), screened in the presence of writer-director Robert Wynne-Simmons. Also on the menu: Jacques Tourneur&#39;s magnificent&amp;nbsp;&lt;i&gt;Night of the Demon&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1957), Hammer&#39;s adaptation of&amp;nbsp;&lt;i&gt;The Devil Rides Out&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1968), directed by the great Terence Fisher, and Ken Russell&#39;s bonkers horror-comedy&amp;nbsp;&lt;i&gt;The Lair of the White Worm&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1988), starring Hugh Grant and Peter Capaldi at the start of their careers.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;This retrospective will be launched with a screening of Rupert Russell&#39;s documentary&amp;nbsp;&lt;/span&gt;&lt;i&gt;The Last Sacrifice&lt;/i&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2024), which traces the origins of the Folk Horror boom, lavishly illustrated by clips from many of the films in our retrospective, making it the perfect introduction to this theme. The eerie alienation of the subgenre transcends boundaries of genre and format to permeate science fiction (as in Hammer&#39;s 1967 big screen version of Nigel Kneale&#39;s&amp;nbsp;&lt;i&gt;Quatermass and the Pit&lt;/i&gt;) and fantasy, as well as television dramas and series, which we&#39;ll be celebrating in a special&amp;nbsp;&quot;Wyrd British Television Night&quot;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;presented by Bob Fischer of &quot;The Haunted Generation&quot; blog. Among the treats on offer are episodes from spooky TV series such as BBC&#39;s&amp;nbsp;&lt;i&gt;A Ghost Story for Christmas&lt;/i&gt;, the controversial mockumentary&amp;nbsp;&lt;i&gt;Ghostwatch&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1992), and a selection of terrifying government-sponsored Public Information clips showing what happens to naughty children who trespass on farmland or railway lines.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;The Folk Horror phenomenon may have peaked in the 1970s, but we show, too, how its influence can be felt in more recent work by filmmakers who grew up in that decade: Ben Wheatley&#39;s&amp;nbsp;&lt;i&gt;Kill List&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2011), Liam Gavin&#39;s&amp;nbsp;&lt;i&gt;A Dark Song&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2016), Mark Jenkin&#39;s&amp;nbsp;&lt;i&gt;Enys Men&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2022) and Paul Duane&#39;s&amp;nbsp;&lt;i&gt;All You Need Is Death&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2023). Finally, the concepts of Folk Horror and Wyrd Media will be further explored and contextualised at an&amp;nbsp;international conference&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;featuring specialist speakers and a panel discussion. And, not entirely unconnected with these themes,&amp;nbsp;our&amp;nbsp;matinee screening&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;will be the newly restored version of&amp;nbsp;&lt;i&gt;Watership Down&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1978), the gripping animated film of Richard Adams&#39; bestselling rabbit epic.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiylwOEh8xrSlkUfhJPc9Dw2SBea2uKfIjHiuwLMnZKsfwt8RHSojuqXxSVtW91yc28O1ZYd5eQk0BfEpu6SMnjIFjuyOAlRFEoII3wFjOCp2pV1bB1V7CAD-nVTXt6FJzkR89bUD6B8wkR-xKkQcSDr3TpiIqkYcX8r_WtfNkskwINk13xdP7aQMl8emc/s2048/kill-list.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Kill List&quot; border=&quot;0&quot; data-original-height=&quot;1585&quot; data-original-width=&quot;2048&quot; height=&quot;496&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiylwOEh8xrSlkUfhJPc9Dw2SBea2uKfIjHiuwLMnZKsfwt8RHSojuqXxSVtW91yc28O1ZYd5eQk0BfEpu6SMnjIFjuyOAlRFEoII3wFjOCp2pV1bB1V7CAD-nVTXt6FJzkR89bUD6B8wkR-xKkQcSDr3TpiIqkYcX8r_WtfNkskwINk13xdP7aQMl8emc/w640-h496/kill-list.jpg&quot; title=&quot;Kill List&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;Under the banner&amp;nbsp;&quot;&lt;b&gt;Weird Greece&lt;/b&gt;&quot;, we sample the recent &quot;Greek Weird Wave&quot;, spearheaded by the film that put this movement on the map - Yorgos Lanthimos&#39;s internationally acclaimed&amp;nbsp;&lt;i&gt;Dogtooth&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;- followed by lesser-known gems such as&amp;nbsp;&lt;i&gt;Suntan&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2016) and&amp;nbsp;&lt;i&gt;Pity&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(2018). Then we dive back into the 1960s and 1970s, when the Hellenic film industry let off steam in an unprecented deluge of B-movies and exploitation pics featuring all manner of felons, jealous lovers, crazed killers and hedonistic youngsters besporting themselves on &lt;/span&gt;&lt;span lang=&quot;nl-BE&quot;&gt;sun-drenched Aegean beaches, choice examples of which can be seen at Cinema RITCS, Cinéma Aventure and Cinema Nova. Revelling in provocative titles such as&amp;nbsp;&lt;i&gt;The Wild Pussycat&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Diamonds on Her Naked Flesh&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;and&amp;nbsp;&lt;i&gt;Island of Death&lt;/i&gt;,&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;these productions travelled abroad to find enthusiastic audiences in non-Greek grindhouse markets, but have since been largely forgotten.&amp;nbsp;Jacques Spohr, &quot;Greeksploitation&quot; specialist and editor of the zineL&#39;Insatiable, will be hosting a special evening of trailers, outtakes and two sexploitation films. Meanwhile, rare items from his collection of posters, lobby cards and other paraphernalia will be on display at Cinema Nova.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiVOVdwEZLDbQj_SuXy0mVz0ncHC55PBZBU0xc7P_OL91RKSxC7mRm5tHyFgSFOL9PwU15VYzVkl1HnA8kzIPxDuagfrXaU_VS1abZPnHl2GN2RDQG3hjsVwud2EvzWbLV7z0_diO3UFjg7RIBe3PnPyCIeTB7RpJHU7Wc5wgwG-j-Bd8qFNdeBrJDlyQ/s3275/diamonds-on-her-naked-flesh.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Diamonds on Her Naked Flesh&quot; border=&quot;0&quot; data-original-height=&quot;3275&quot; data-original-width=&quot;2458&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiVOVdwEZLDbQj_SuXy0mVz0ncHC55PBZBU0xc7P_OL91RKSxC7mRm5tHyFgSFOL9PwU15VYzVkl1HnA8kzIPxDuagfrXaU_VS1abZPnHl2GN2RDQG3hjsVwud2EvzWbLV7z0_diO3UFjg7RIBe3PnPyCIeTB7RpJHU7Wc5wgwG-j-Bd8qFNdeBrJDlyQ/w480-h640/diamonds-on-her-naked-flesh.jpg&quot; title=&quot;Diamonds on Her Naked Flesh&quot; width=&quot;480&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;Finally, in&amp;nbsp;a &lt;b&gt;special tribute to the creative Belgian team of Picha and Boris Szulzinger&lt;/b&gt;,&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;we present exclusive screenings of seven of their films, all freshly restored by Cinematek and the Royal Belgian Film Archive. Picha, professional pseudonym of Jean-Paul Walravens, is a Brussels-born cartoonist&amp;nbsp;whose adult animated features,&amp;nbsp;such as&amp;nbsp;&lt;i&gt;The Missing Link&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1980) and&amp;nbsp;&lt;i&gt;The Big Bang&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1987), are risqué, grotesque and defiantly non-PC, but also scabrously funny and boundary-pushing. He took his first steps in cinema under the aegis of the late producer Boris Szulzinger, himself a notable director of such cult titles as&amp;nbsp;&lt;i&gt;Les tueurs fous&amp;nbsp;&lt;/i&gt;(1973), which prefigures the likes of&amp;nbsp;&lt;i&gt;Henry: Portrait of a Serial Killer&lt;/i&gt;, and&amp;nbsp;&lt;i&gt;Mama Dracula&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1980), a horror-comedy in which&amp;nbsp;&lt;i&gt;One Flew Over the Cuckoo&#39;s Nest&lt;/i&gt;&#39;s Louise Fletcher plays Countess Elizabeth Báthory. Two documentaries -&amp;nbsp;&lt;i&gt;Cartoon Circus&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;(1972) by Picha and Benoît Lamy, and Luc Jabon&#39;s brand new&amp;nbsp;Picha, envers et contre tout&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;- help put the work in context, while Picha himself will be attending the festival in person to&lt;/span&gt;&amp;nbsp;&lt;span lang=&quot;nl-BE&quot;&gt;talk about his outrageous 1975 succès de scandale,&amp;nbsp;&lt;i&gt;Tarzoon: Shame of the Jungle&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6E-83gm7IuYGrUK3ZkNkoAZ5xXWImtG_Q99-TjYnfXHU9TjIT28Md5cw-XUKA48qoqb8WeEIaDxCt3LrKDf6fFAe3RgxFXet7EBVyXb0SCurcCUDC-vi9RE76JwVthAS83ZuP4qNtZ8X0JwWTG_XSvp_BjsLWmpbygKC8whPeqo9kpfA4NzBr22iA3A/s3656/TARZOON_1.21.2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Tarzoon Shame of the Jungle&quot; border=&quot;0&quot; data-original-height=&quot;2200&quot; data-original-width=&quot;3656&quot; height=&quot;386&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb6E-83gm7IuYGrUK3ZkNkoAZ5xXWImtG_Q99-TjYnfXHU9TjIT28Md5cw-XUKA48qoqb8WeEIaDxCt3LrKDf6fFAe3RgxFXet7EBVyXb0SCurcCUDC-vi9RE76JwVthAS83ZuP4qNtZ8X0JwWTG_XSvp_BjsLWmpbygKC8whPeqo9kpfA4NzBr22iA3A/w640-h386/TARZOON_1.21.2.jpg&quot; title=&quot;Tarzoon Shame of the Jungle&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang=&quot;nl-BE&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/204366606547472044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/02/offscreen-film-festival-2025.html#comment-form' title='32 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/204366606547472044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/204366606547472044'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/02/offscreen-film-festival-2025.html' title='Offscreen Film Festival 2025'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4qR-PfSNVUebBk4TCz6V7O8dJI017suCFlLUG8vOJcQcvWPl9KcexTlzYR0vhCi1qayOu0Or1yMaNxQPcp9bcEKUbg1A82JVEJDYtwt0UwhX1UFM2IFiwEpST7ehlAe0gieF575_JSN9qm5_0CFiNC-PrZwCbDe3d7pFRapkt6vS5_OTJssVKqun3Sn8/s72-w454-h640-c/Offscreen%20poster%202025%20web.jpg" height="72" width="72"/><thr:total>32</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-3029362156968421087</id><published>2025-02-06T14:19:00.001+01:00</published><updated>2025-02-06T14:19:27.875+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Belgium"/><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><category scheme="http://www.blogger.com/atom/ns#" term="Brussels"/><title type='text'>Meet me at the cat café of Brussels!</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Qinps_4vxM4AAtoeuBtN9UkssyJ1VaCirKwasaZFnQACSQMvouH_EiaNNz2Jo4_61-IuM0KWR3PJXWhaOntO9qZNC65A_p6cBPPKRBG1y59VomuFi3-dCoGEq6iI0Uhb1ZADjcHTE0wav2r_eh1PIfPA2j74Ghb4S6LIEsQCjoYtPUC5lVM5nxKVbn0/s1514/cup-cats-bar-a-chats-bruxelles.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Cup Cats&quot; border=&quot;0&quot; data-original-height=&quot;1483&quot; data-original-width=&quot;1514&quot; height=&quot;626&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Qinps_4vxM4AAtoeuBtN9UkssyJ1VaCirKwasaZFnQACSQMvouH_EiaNNz2Jo4_61-IuM0KWR3PJXWhaOntO9qZNC65A_p6cBPPKRBG1y59VomuFi3-dCoGEq6iI0Uhb1ZADjcHTE0wav2r_eh1PIfPA2j74Ghb4S6LIEsQCjoYtPUC5lVM5nxKVbn0/w640-h626/cup-cats-bar-a-chats-bruxelles.jpg&quot; title=&quot;Cup Cats&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;📚🐾 Join me for a book signing at the &lt;a href=&quot;https://traveling-cats.com/2025/01/cup-cats.html&quot; target=&quot;_blank&quot;&gt;cat café Cup Cats in Brussels&lt;/a&gt; on February 8 at 1 PM! I’ll be bringing my cat-themed books: AVALON, CLOWDERS, and MEOW! 🐈 Come say hi and grab a signed copy!&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/3029362156968421087/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/02/meet-me-at-cat-cafe-of-brussels.html#comment-form' title='379 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3029362156968421087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3029362156968421087'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/02/meet-me-at-cat-cafe-of-brussels.html' title='Meet me at the cat café of Brussels!'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Qinps_4vxM4AAtoeuBtN9UkssyJ1VaCirKwasaZFnQACSQMvouH_EiaNNz2Jo4_61-IuM0KWR3PJXWhaOntO9qZNC65A_p6cBPPKRBG1y59VomuFi3-dCoGEq6iI0Uhb1ZADjcHTE0wav2r_eh1PIfPA2j74Ghb4S6LIEsQCjoYtPUC5lVM5nxKVbn0/s72-w640-h626-c/cup-cats-bar-a-chats-bruxelles.jpg" height="72" width="72"/><thr:total>379</thr:total><georss:featurename>Rue des Dominicains 14, 1000 Bruxelles, Belgium</georss:featurename><georss:point>50.8484546 4.3544518</georss:point><georss:box>22.538220763821151 -30.8017982 79.158688436178835 39.5107018</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-2182874107697820372</id><published>2025-01-29T15:19:00.001+01:00</published><updated>2025-01-29T15:19:23.998+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Belgium"/><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><title type='text'>Stripbeurs Putte</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipok1crjDCU6GroiC-DTjoG1ExO9GrUY7EvIqiNZIMkq6fiegEx95yhxVO1irfcYCS4WMfVN5e2JCxlpW1iRqjQEnIZIiFbfCaMNsrzjmmtmml11ya_oa7xGJHeHhy0B3ddY_Nz-4wurGVg3UlbCQpkJN2O4TRrs7vhjt6gmuSLmH5gzUJDuzngzPL25U/s1200/stripbeurs-2.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Stripbeurs Putte&quot; border=&quot;0&quot; data-original-height=&quot;1200&quot; data-original-width=&quot;1200&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipok1crjDCU6GroiC-DTjoG1ExO9GrUY7EvIqiNZIMkq6fiegEx95yhxVO1irfcYCS4WMfVN5e2JCxlpW1iRqjQEnIZIiFbfCaMNsrzjmmtmml11ya_oa7xGJHeHhy0B3ddY_Nz-4wurGVg3UlbCQpkJN2O4TRrs7vhjt6gmuSLmH5gzUJDuzngzPL25U/w640-h640/stripbeurs-2.png&quot; title=&quot;Stripbeurs Putte&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/2182874107697820372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/01/stripbeurs-putte.html#comment-form' title='28 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2182874107697820372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2182874107697820372'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/01/stripbeurs-putte.html' title='Stripbeurs Putte'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipok1crjDCU6GroiC-DTjoG1ExO9GrUY7EvIqiNZIMkq6fiegEx95yhxVO1irfcYCS4WMfVN5e2JCxlpW1iRqjQEnIZIiFbfCaMNsrzjmmtmml11ya_oa7xGJHeHhy0B3ddY_Nz-4wurGVg3UlbCQpkJN2O4TRrs7vhjt6gmuSLmH5gzUJDuzngzPL25U/s72-w640-h640-c/stripbeurs-2.png" height="72" width="72"/><thr:total>28</thr:total><georss:featurename>Klein Boom, 2580 Putte, Belgium</georss:featurename><georss:point>51.052291 4.608681</georss:point><georss:box>22.742057163821151 -30.547569 79.362524836178835 39.764931</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-9212925353220107135</id><published>2025-01-02T07:30:00.001+01:00</published><updated>2025-01-02T07:30:00.112+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><category scheme="http://www.blogger.com/atom/ns#" term="BUT"/><category scheme="http://www.blogger.com/atom/ns#" term="Netherlands"/><title type='text'>Join Me at the Winter BUT in Breda</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj65S6bGizrre1HiL-UP34LyUhhb8U2f32bFoZvXV1GDw1LkUA9ADW-t_Iy6gtgO51dVwlxhSNyDD_MahX0Vn35AA1utFj3CokW1h-UlJtiCuemV-KNwicq2cFNwj1-EfZ24CQ9fFLxj2bu9igpZ9PQDUSI4vi-XIYkn9Wqt17z7HrcoGFFo8nW67jHIr4/s940/winter-but-breda.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Winter BUT Breda&quot; border=&quot;0&quot; data-original-height=&quot;788&quot; data-original-width=&quot;940&quot; height=&quot;335&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj65S6bGizrre1HiL-UP34LyUhhb8U2f32bFoZvXV1GDw1LkUA9ADW-t_Iy6gtgO51dVwlxhSNyDD_MahX0Vn35AA1utFj3CokW1h-UlJtiCuemV-KNwicq2cFNwj1-EfZ24CQ9fFLxj2bu9igpZ9PQDUSI4vi-XIYkn9Wqt17z7HrcoGFFo8nW67jHIr4/w400-h335/winter-but-breda.png&quot; title=&quot;Winter BUT Breda&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Hi everyone!&lt;/p&gt;&lt;p&gt;On &lt;b&gt;January 4&lt;/b&gt;, I’ll be heading to Breda, the Netherlands, for a book signing at&amp;nbsp;&lt;strong&gt;Winter BUT&lt;/strong&gt;! The place to be is&amp;nbsp;&lt;strong&gt;Poppodium Phoenix &lt;/strong&gt;from&amp;nbsp;&lt;strong&gt;12:00 pm to 07:00 pm&lt;/strong&gt;.&amp;nbsp;&lt;/p&gt;&lt;p&gt;The festival celebrates all things underground and alternative and always has something interesting happening, so make sure to check out their full program if you’re planning to visit.&lt;/p&gt;&lt;p&gt;It’s going to be a laid-back and friendly vibe, so don’t hesitate to stop by and say hello. And if you’ve got one of my books already, feel free to bring it along for a signature!&lt;/p&gt;&lt;p&gt;Looking forward to seeing some familiar faces and meeting new ones!&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/9212925353220107135/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2025/01/join-me-at-winter-but-in-breda.html#comment-form' title='65 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/9212925353220107135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/9212925353220107135'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2025/01/join-me-at-winter-but-in-breda.html' title='Join Me at the Winter BUT in Breda'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj65S6bGizrre1HiL-UP34LyUhhb8U2f32bFoZvXV1GDw1LkUA9ADW-t_Iy6gtgO51dVwlxhSNyDD_MahX0Vn35AA1utFj3CokW1h-UlJtiCuemV-KNwicq2cFNwj1-EfZ24CQ9fFLxj2bu9igpZ9PQDUSI4vi-XIYkn9Wqt17z7HrcoGFFo8nW67jHIr4/s72-w400-h335-c/winter-but-breda.png" height="72" width="72"/><thr:total>65</thr:total><georss:featurename>Belcrumweg 60, 4815 HA Breda, Netherlands</georss:featurename><georss:point>51.5993179 4.7696744</georss:point><georss:box>23.289084063821157 -30.3865756 79.909551736178855 39.9259244</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-3646471572490026430</id><published>2024-12-26T19:59:00.001+01:00</published><updated>2024-12-26T19:59:00.116+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Meow!"/><title type='text'>A Night of Feline Terror on 35mm</title><content type='html'>&lt;p&gt;This Friday, the Cinematek in Brussels has a treat for fans of feline terror. Two cat-forward classics,&amp;nbsp;&lt;em&gt;The Shadow of the Cat&lt;/em&gt;&amp;nbsp;(1961) and&amp;nbsp;&lt;em&gt;Sleepwalkers&lt;/em&gt;&amp;nbsp;(1992), will grace the big screen in their original 35mm format. I’ll be there in person to introduce both films, sharing behind-the-scenes insights and stories from my latest book,&amp;nbsp;&lt;em&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Intrigued? You can &lt;a href=&quot;https://amzn.to/4iJYvTb&quot; target=&quot;_blank&quot;&gt;pre-order the Kindle edition now at 50% off&lt;/a&gt;, with the full release (including paperback) coming on February 7.&amp;nbsp;&lt;/p&gt;&lt;p&gt;But first, let’s dig into why these two films deserve a spot in your weekend plans.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4TR34NJZ4EIu3Jox9cW_LnQ9luNF7mHR5NsjLAGju0TSq-HVDWUdGHUBqzTvUCWDgKjVCkkHm9h5Fl8iI4p9rx-ccrR_lCRXstq33SU13ZcRXeMSLiyZutjTCpU16k4EJqaX2May63G5aoTQGxi8Rx95OpvGEUzmLb9YRlA050xc2CVhBis9slR_5dJI/s1172/meow-book.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;feline terror&quot; border=&quot;0&quot; data-original-height=&quot;1172&quot; data-original-width=&quot;936&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4TR34NJZ4EIu3Jox9cW_LnQ9luNF7mHR5NsjLAGju0TSq-HVDWUdGHUBqzTvUCWDgKjVCkkHm9h5Fl8iI4p9rx-ccrR_lCRXstq33SU13ZcRXeMSLiyZutjTCpU16k4EJqaX2May63G5aoTQGxi8Rx95OpvGEUzmLb9YRlA050xc2CVhBis9slR_5dJI/w512-h640/meow-book.jpg&quot; title=&quot;feline terror&quot; width=&quot;512&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h3&gt;&lt;em&gt;The Shadow of the Cat&lt;/em&gt;: An “Old Dark House” with a Feline Twist&lt;/h3&gt;&lt;p&gt;A Hammer film in disguise,&amp;nbsp;&lt;em&gt;&lt;a href=&quot;https://cat-movies.com/2024/12/the-shadow-of-the-cat-1961/&quot; target=&quot;_blank&quot;&gt;The Shadow of the Cat&lt;/a&gt;&lt;/em&gt;&amp;nbsp;is a quintessential example of the “Old Dark House” sub-genre. Set in a sprawling English manor, it unravels a mystery involving nine ill-fated visitors—and a cat named Tabitha who exacts her unique brand of justice.&lt;/p&gt;&lt;p&gt;This 1961 gem owes much to Edgar Allan Poe’s&amp;nbsp;&lt;em&gt;The Black Cat,&lt;/em&gt;&amp;nbsp;borrowing the motif of a feline symbolizing justice and vengeance. Directed by John Gilling (known for Hammer classics like&amp;nbsp;&lt;em&gt;The Reptile&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Plague of the Zombies&lt;/em&gt;), the film also boasts a rare horror score by renowned composer Mikis Theodorakis, better known for&amp;nbsp;&lt;em&gt;Zorba the Greek&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Serpico.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Tabitha the cat steals the show, but fans of vintage horror will also appreciate performances from Hammer queen Barbara Shelley (&lt;em&gt;Dracula&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Village of the Damned&lt;/em&gt;) and André Morrell (&lt;em&gt;The Hound of the Baskervilles&lt;/em&gt;).&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnXzojXvrVOLrwE9qqRqgD9iB7x7LtsekmmnXghLMz5lp_7ccRzZusi_huwmCyeb4NSNnvOMndyynAmW1OXBcOoQNuLu5HGHWU28wRno6KqkD46Jd2hZuix_eJTk0xqNdq0yTJZDjMf9ripA3B9rkBSGED4nPlRWKwZ9Fr4GKgECNn9et2QoVCa-pjl9I/s2925/old-dark-house-movie.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;old dark house movie&quot; border=&quot;0&quot; data-original-height=&quot;2925&quot; data-original-width=&quot;1917&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnXzojXvrVOLrwE9qqRqgD9iB7x7LtsekmmnXghLMz5lp_7ccRzZusi_huwmCyeb4NSNnvOMndyynAmW1OXBcOoQNuLu5HGHWU28wRno6KqkD46Jd2hZuix_eJTk0xqNdq0yTJZDjMf9ripA3B9rkBSGED4nPlRWKwZ9Fr4GKgECNn9et2QoVCa-pjl9I/w419-h640/old-dark-house-movie.jpg&quot; title=&quot;The Shadow of the Cat&quot; width=&quot;419&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h3&gt;&lt;em&gt;Sleepwalkers&lt;/em&gt;: Cult Classic Fun with Morphing CGI&lt;/h3&gt;&lt;p&gt;From the mind of Stephen King comes&amp;nbsp;&lt;a href=&quot;https://cat-movies.com/2024/12/sleepwalkers-1992/&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sleepwalkers&lt;/em&gt;&amp;nbsp;(1992)&lt;/a&gt;, a tale of shape-shifting creatures and the hero cat who stands in their way. Unlike most King adaptations, this one was based on an original screenplay, marking the first collaboration between King and director Mick Garris. The duo would go on to work together on&amp;nbsp;&lt;em&gt;The Stand&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;The Shining&lt;/em&gt;&amp;nbsp;miniseries.&lt;/p&gt;&lt;p&gt;&lt;em&gt;Sleepwalkers&lt;/em&gt;&amp;nbsp;is unapologetically fun, blending horror, camp, and early ‘90s CGI morphing effects—a technique pioneered just a year earlier in&amp;nbsp;&lt;em&gt;Terminator 2&lt;/em&gt;&amp;nbsp;and Michael Jackson’s&amp;nbsp;&lt;em&gt;Black or White.&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;The true hero? Clovis, the brave cat who takes on the titular Sleepwalkers to protect Tanya, played by Mädchen Amick. The cat, portrayed mostly by an exceptionally talented feline named Sparks, became an icon in horror circles.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirbwYpgMCj0X7tmE2sFcstpM3XtT3v7slbv3tcsMjtTFkqP4o1MrGgkwk5xZY_USC1m1qa_fVOt4JOyOJigjyEVplthCTdQ39tQkZZttrO1-v7fg-WHM0gZsa7f8YHNDP3zU0pMI9ZkvO_p95fROaPlR9BgJkW8cud7KuWBWDsfEGtug8fyY7tKDeJLFw/s1790/cinematek-brussel.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Cinematek Brussel&quot; border=&quot;0&quot; data-original-height=&quot;1790&quot; data-original-width=&quot;1551&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirbwYpgMCj0X7tmE2sFcstpM3XtT3v7slbv3tcsMjtTFkqP4o1MrGgkwk5xZY_USC1m1qa_fVOt4JOyOJigjyEVplthCTdQ39tQkZZttrO1-v7fg-WHM0gZsa7f8YHNDP3zU0pMI9ZkvO_p95fROaPlR9BgJkW8cud7KuWBWDsfEGtug8fyY7tKDeJLFw/w554-h640/cinematek-brussel.jpg&quot; title=&quot;Sleepwalkers&quot; width=&quot;554&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h3&gt;Giveaway!&lt;/h3&gt;&lt;p&gt;To celebrate the release of &lt;i&gt;&lt;a href=&quot;https://amzn.to/4iJYvTb&quot; target=&quot;_blank&quot;&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/a&gt;&lt;/i&gt;, I’m also hosting a $25 Amazon Gift Card giveaway! The giveaway is open worldwide and runs until January 25. Participating is simple—fill out the Rafflecopter below to enter. &amp;nbsp;Good luck!&lt;/p&gt;&lt;p&gt;&lt;a class=&quot;rcptr&quot; data-raflid=&quot;ff3f209239&quot; data-template=&quot;&quot; data-theme=&quot;classic&quot; href=&quot;http://www.rafflecopter.com/rafl/display/ff3f209239/&quot; id=&quot;rcwidget_2qsm9fj0&quot; rel=&quot;nofollow&quot;&gt;a Rafflecopter giveaway&lt;/a&gt;
&lt;script src=&quot;https://widget-prime.rafflecopter.com/launch.js&quot;&gt;&lt;/script&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/3646471572490026430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2024/12/a-night-of-feline-terror-on-35mm.html#comment-form' title='32 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3646471572490026430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3646471572490026430'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2024/12/a-night-of-feline-terror-on-35mm.html' title='A Night of Feline Terror on 35mm'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4TR34NJZ4EIu3Jox9cW_LnQ9luNF7mHR5NsjLAGju0TSq-HVDWUdGHUBqzTvUCWDgKjVCkkHm9h5Fl8iI4p9rx-ccrR_lCRXstq33SU13ZcRXeMSLiyZutjTCpU16k4EJqaX2May63G5aoTQGxi8Rx95OpvGEUzmLb9YRlA050xc2CVhBis9slR_5dJI/s72-w512-h640-c/meow-book.jpg" height="72" width="72"/><thr:total>32</thr:total><georss:featurename>Rue Baron Horta 9, 1000 Bruxelles, Belgium</georss:featurename><georss:point>50.844172099999987 4.3601522</georss:point><georss:box>22.533938263821142 -30.7960978 79.154405936178833 39.5164022</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-344238576890425241</id><published>2024-12-21T15:06:00.000+01:00</published><updated>2024-12-21T15:06:04.812+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="cover reveal"/><category scheme="http://www.blogger.com/atom/ns#" term="Meow!"/><title type='text'>Cover Reveal </title><content type='html'>Hello everyone,&lt;p&gt;I’m excited to officially share the cover of my new book,&amp;nbsp;&lt;em&gt;&lt;a href=&quot;https://amzn.to/4048X0r&quot; target=&quot;_blank&quot;&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/a&gt;&lt;/em&gt;, and to let you know that the Kindle version is now available for pre-order at 50% off! 🛒🐱&lt;/p&gt;&lt;p&gt;Both paperback and Kindle will be available on February 7, 2025!&amp;nbsp;&lt;/p&gt;&lt;p&gt;This book has been a long time in the making, and I’m thrilled to reveal this comprehensive guide that celebrates the role of cats in some of the most iconic—and underrated—movies across horror, sci-fi, and fantasy.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYfXwaEmgQyDtm8izcpr5kA4WzGtt9WPMgg_gLN9zs3K08zzbnq4yavt5Xn5dhyJTZiRIX3Cf2A1X1011eLkJl9EoIADT4PtyVS7r1Y6Z6dHrq3L__zlZR6QykMsF8hLfES__bvmvty29sn49gEawdFDNxnJos8tv46JpI0-JxfMaa5vPKnhOvI_rp-68/s1134/meow-cover-reveal.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img alt=&quot;Meow cover reveal&quot; border=&quot;0&quot; data-original-height=&quot;1134&quot; data-original-width=&quot;904&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYfXwaEmgQyDtm8izcpr5kA4WzGtt9WPMgg_gLN9zs3K08zzbnq4yavt5Xn5dhyJTZiRIX3Cf2A1X1011eLkJl9EoIADT4PtyVS7r1Y6Z6dHrq3L__zlZR6QykMsF8hLfES__bvmvty29sn49gEawdFDNxnJos8tv46JpI0-JxfMaa5vPKnhOvI_rp-68/w510-h640/meow-cover-reveal.jpg&quot; title=&quot;Meow cover reveal&quot; width=&quot;510&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h3&gt;About the Book&lt;/h3&gt;&lt;p&gt;&lt;em&gt;Meow!&lt;/em&gt;&amp;nbsp;is more than just a guide—it’s a treasure trove of feline film history and insights, spanning over&amp;nbsp;&lt;strong&gt;250 movies from 29 countries&lt;/strong&gt;. From hidden gems to cult classics, it’s a must-have for anyone who loves cats, movies, or better yet, both!&lt;/p&gt;&lt;p&gt;Contributions from&amp;nbsp;&lt;strong&gt;29 writers&lt;/strong&gt;&amp;nbsp;make this book a true collaborative effort. Their essays bring diverse perspectives and unique insights into the world of feline cinema, exploring themes of mythology, symbolism, and cats as cinematic icons.&lt;/p&gt;&lt;p&gt;Here’s a sneak peek at what you’ll find inside:&lt;/p&gt;&lt;p&gt;🐾&amp;nbsp;&lt;strong&gt;Extensive Cat Movie List:&lt;/strong&gt;&amp;nbsp;An ultimate guide to cat-centric horror, sci-fi, and fantasy films, including short films and TV episodes.&lt;/p&gt;&lt;p&gt;🐾&amp;nbsp;&lt;strong&gt;Best Cat Moments:&lt;/strong&gt;&amp;nbsp;Uncover iconic cat jumpscares and memorable scenes that have thrilled and terrified audiences alike.&lt;/p&gt;&lt;p&gt;🐾&amp;nbsp;&lt;strong&gt;Behind-the-Scenes Trivia:&lt;/strong&gt;&amp;nbsp;Learn fascinating stories about the making of these films and how our feline friends found their way into some of the most unforgettable roles in cinema.&lt;/p&gt;&lt;p&gt;🐾&amp;nbsp;&lt;strong&gt;Expert Reviews &amp;amp; Recommendations:&lt;/strong&gt;&amp;nbsp;Get tips for your next movie night and discover films you may have never heard of before.&lt;/p&gt;&lt;p&gt;Whether you’re a horror buff who loves a good fright, a sci-fi fan curious about cats as cosmic travelers, or a fantasy enthusiast fascinated by mythical felines,&amp;nbsp;&lt;em&gt;Meow!&lt;/em&gt;&amp;nbsp;has something for everyone.&lt;/p&gt;&lt;h3&gt;Pre-Order Now!&lt;/h3&gt;&lt;p&gt;&lt;a href=&quot;https://amzn.to/4048X0r&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Meow! Cats in Horror, Sci-Fi, and Fantasy Movies&lt;/em&gt;&amp;nbsp;is available for Kindle pre-order&lt;/a&gt; starting today. Reserve your copy now at 50% off and be among the first to dive into this ultimate guide to feline film magic.&lt;/p&gt;&lt;p&gt;Follow me on &lt;a href=&quot;https://www.instagram.com/vanessa_morgan_2405/&quot; target=&quot;_blank&quot;&gt;Instagram&lt;/a&gt;, &lt;a href=&quot;http://x.com/eeriestories&quot; target=&quot;_blank&quot;&gt;X&lt;/a&gt;, or &lt;a href=&quot;https://www.facebook.com/people/Vanessa-Morgan/100068728236816/&quot; target=&quot;_blank&quot;&gt;Facebook&lt;/a&gt; (or &lt;a href=&quot;http://eepurl.com/i4RcnU&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;subscribe to my newsletter&lt;/a&gt;) for more updates, including exclusive excerpts, contributor highlights, and behind-the-scenes peeks at how this book came together.&lt;/p&gt;&lt;p&gt;Thank you for your support—and for sharing my love of cats and cinema. I can’t wait for you to hold this book in your hands and explore the world of feline film magic with me!&lt;/p&gt;&lt;p&gt;P.S. Have you ever been startled by a cat scare in a movie or charmed by a magical feline on screen? Share your favorite cat movie moments in the comments—I’d love to hear them!&lt;/p&gt;&lt;h3&gt;$25 Amazon Gift Card Giveaway!&lt;/h3&gt;&lt;p&gt;Enter this $25 Amazon Gift Card toe celebrate the pre-order release of &lt;i&gt;Meow!&lt;/i&gt; For a chance to win, fill out the Rafflecopter below. The giveaway is open worldwide and ends January 25, 2025. Good luck!&lt;/p&gt;&lt;p&gt;&lt;a class=&quot;rcptr&quot; data-raflid=&quot;ff3f209239&quot; data-template=&quot;&quot; data-theme=&quot;classic&quot; href=&quot;http://www.rafflecopter.com/rafl/display/ff3f209239/&quot; id=&quot;rcwidget_2qsm9fj0&quot; rel=&quot;nofollow&quot;&gt;a Rafflecopter giveaway&lt;/a&gt;
&lt;script src=&quot;https://widget-prime.rafflecopter.com/launch.js&quot;&gt;&lt;/script&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/344238576890425241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2024/12/cover-reveal.html#comment-form' title='36 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/344238576890425241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/344238576890425241'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2024/12/cover-reveal.html' title='Cover Reveal '/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYfXwaEmgQyDtm8izcpr5kA4WzGtt9WPMgg_gLN9zs3K08zzbnq4yavt5Xn5dhyJTZiRIX3Cf2A1X1011eLkJl9EoIADT4PtyVS7r1Y6Z6dHrq3L__zlZR6QykMsF8hLfES__bvmvty29sn49gEawdFDNxnJos8tv46JpI0-JxfMaa5vPKnhOvI_rp-68/s72-w510-h640-c/meow-cover-reveal.jpg" height="72" width="72"/><thr:total>36</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-6284939157079803868</id><published>2024-08-28T17:45:00.006+02:00</published><updated>2024-08-28T17:45:49.737+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="BUT"/><category scheme="http://www.blogger.com/atom/ns#" term="film festival"/><category scheme="http://www.blogger.com/atom/ns#" term="i"/><title type='text'>Chad Ferrin&#39;s The Deep Ones and The Old Ones</title><content type='html'>Hey everyone! This Friday at the BUT Film Festival in Breda, I&#39;ll be introducing&amp;nbsp;&lt;em style=&quot;text-align: left;&quot;&gt;The Deep Ones&lt;/em&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;(2020) and&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;text-align: left;&quot;&gt;The Old Ones&lt;/em&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;(2024) by Chad Ferrin. Both films dive deep into the world of H.P. Lovecraft—perfect for those who love a good cosmic scare!&lt;/span&gt;&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://amzn.to/3MmamrJ&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;THE DEEP ONES&lt;/a&gt;&lt;/em&gt;&amp;nbsp;(2020) is Ferrin’s take on Lovecraft’s &lt;em&gt;The Shadow over Innsmouth.&lt;/em&gt;&amp;nbsp;The film plunges viewers into a world where an idyllic seaside community hides a terrifying secret tied to ancient, aquatic beings known as the Deep Ones. With its eerie atmosphere and unsettling storyline, it’s a modern tribute to Lovecraft’s influence on horror.&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD6iHDZSKMx7Nyj-nqUQhsF0HqK37MQcnLpjH3ipsmdKFw1ME9xrq_LdjO-LRjRN7dN3Ki4mqtzHz3DTcEujsiF4DjNeG7-f-sRcjLrZ4gJDXCyOGLCpcDA8quQgqlcpa6sIiPCFgvXWijgcS-_DTDKXf3mk0eS0evRx6rfVGUNE5lgHMay3NxhgX_5IU/s1472/the-deep-ones-chad-ferrin.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Deep Ones by Chad Ferrin&quot; border=&quot;0&quot; data-original-height=&quot;1472&quot; data-original-width=&quot;1000&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD6iHDZSKMx7Nyj-nqUQhsF0HqK37MQcnLpjH3ipsmdKFw1ME9xrq_LdjO-LRjRN7dN3Ki4mqtzHz3DTcEujsiF4DjNeG7-f-sRcjLrZ4gJDXCyOGLCpcDA8quQgqlcpa6sIiPCFgvXWijgcS-_DTDKXf3mk0eS0evRx6rfVGUNE5lgHMay3NxhgX_5IU/w434-h640/the-deep-ones-chad-ferrin.jpg&quot; title=&quot;the deep ones chad ferrin&quot; width=&quot;434&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;em style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;&lt;em style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://amzn.to/4dXL2E7&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;THE OLD ONES&lt;/a&gt;&lt;/em&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;(2024) continues in the same vein, drawing even more deeply from Lovecraft’s mythos. This film explores the cosmic horror of ancient, godlike entities that exist beyond human comprehension.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1xAOJZg_J-ewrKBv93uXs8fQMr5T90PCULqzAYDIOph8WUatkG3DiZr4MZHAxz2HhUuFOqzlooxGOBfJIyYoUeA5n-v6I_Rzy2siMQuRjRxHgnlmcCqpS4D7g_EpyNOCPWRHrLSSOkfBbsngM8heNtuUq0FcpQf0uKfPFiBkK63k4NEoiG2fREWbVUa0/s1400/the-old-ones-chad-ferrin.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Old Ones by Chad Ferrin&quot; border=&quot;0&quot; data-original-height=&quot;1400&quot; data-original-width=&quot;1000&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1xAOJZg_J-ewrKBv93uXs8fQMr5T90PCULqzAYDIOph8WUatkG3DiZr4MZHAxz2HhUuFOqzlooxGOBfJIyYoUeA5n-v6I_Rzy2siMQuRjRxHgnlmcCqpS4D7g_EpyNOCPWRHrLSSOkfBbsngM8heNtuUq0FcpQf0uKfPFiBkK63k4NEoiG2fREWbVUa0/w458-h640/the-old-ones-chad-ferrin.jpg&quot; title=&quot;the old ones chad ferrin&quot; width=&quot;458&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
If you&#39;re into Lovecraftian horror—those tales of ancient gods, cosmic dread, and the insignificance of humanity in the vastness of the universe— come check them out this Friday at the festival!</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/6284939157079803868/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2024/08/chad-ferrins-deep-ones-and-old-ones.html#comment-form' title='69 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6284939157079803868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/6284939157079803868'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2024/08/chad-ferrins-deep-ones-and-old-ones.html' title='Chad Ferrin&#39;s The Deep Ones and The Old Ones'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD6iHDZSKMx7Nyj-nqUQhsF0HqK37MQcnLpjH3ipsmdKFw1ME9xrq_LdjO-LRjRN7dN3Ki4mqtzHz3DTcEujsiF4DjNeG7-f-sRcjLrZ4gJDXCyOGLCpcDA8quQgqlcpa6sIiPCFgvXWijgcS-_DTDKXf3mk0eS0evRx6rfVGUNE5lgHMay3NxhgX_5IU/s72-w434-h640-c/the-deep-ones-chad-ferrin.jpg" height="72" width="72"/><thr:total>69</thr:total><georss:featurename>Breda, Netherlands</georss:featurename><georss:point>51.5719149 4.768323</georss:point><georss:box>29.493900100456056 -30.387927 73.649929699543947 39.924573</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-5663358241562520437</id><published>2024-04-11T14:54:00.001+02:00</published><updated>2024-04-11T14:54:35.208+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="BIFFF"/><title type='text'>Fabio Frizzi masterclass</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_VPvJQz3q_aTOFfqWuE5Qrj-WWEMLBli2pO_O79NALibVaEuy0VibwMcQDspB86wrelrLUXDYB7Jk0suVJgnCTF-jjt9F2YhId3vhpvb2yITsTerk5e2hW1WHdlXLJbebwQ13HrvdK-A9c68ZiMxLoJF0nn4ZZ17iRahYIWNIQOsuHP8pvfELMHUjdM/s600/fabio-frizzi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Fabio Frizzi masterclass&quot; border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_VPvJQz3q_aTOFfqWuE5Qrj-WWEMLBli2pO_O79NALibVaEuy0VibwMcQDspB86wrelrLUXDYB7Jk0suVJgnCTF-jjt9F2YhId3vhpvb2yITsTerk5e2hW1WHdlXLJbebwQ13HrvdK-A9c68ZiMxLoJF0nn4ZZ17iRahYIWNIQOsuHP8pvfELMHUjdM/s16000/fabio-frizzi.jpg&quot; title=&quot;Fabio Frizzi masterclass&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;This Friday, I&#39;ll be hosting a &lt;b&gt;masterclass&lt;/b&gt; with movie composer &lt;b&gt;Fabio Frizzi&lt;/b&gt;.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;His face may not ring a bell, but his musical talent will probably sound familiar to you since Frizzi has had a profound impact on the fantastic film industry. Driven by his passion for genre films, he has collaborated with some of the most (in)famous Italian directors of the golden era, including Lucio Fulci, with whom he has created several iconic scores. Among his most notable soundtracks feature THE BEYOND, CITY OF THE LIVING DEAD, ZOMBI 2, and MANHATTAN BABY.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;In this masterclass, Frizzi will delve deeper into his soundtracks, his relationship with the Italian horror and giallo maestros, and, if you behave, he might even throw in an anecdote or two about a certain Quentin Tarantino, a great fan of gialli in general and of Fulci in particular. He borrowed one of Frizzi’s tunes, stemming from the SEVEN NOTES IN BLACK score, to include in KILL BILL: VOL 1.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;April 12, 2024 – 05:30 pm&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;BIFFF Q&amp;amp;A stage – Palais 12, Heysel&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/5663358241562520437/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2024/04/fabio-frizzi-masterclass.html#comment-form' title='111 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5663358241562520437'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5663358241562520437'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2024/04/fabio-frizzi-masterclass.html' title='Fabio Frizzi masterclass'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_VPvJQz3q_aTOFfqWuE5Qrj-WWEMLBli2pO_O79NALibVaEuy0VibwMcQDspB86wrelrLUXDYB7Jk0suVJgnCTF-jjt9F2YhId3vhpvb2yITsTerk5e2hW1WHdlXLJbebwQ13HrvdK-A9c68ZiMxLoJF0nn4ZZ17iRahYIWNIQOsuHP8pvfELMHUjdM/s72-c/fabio-frizzi.jpg" height="72" width="72"/><thr:total>111</thr:total><georss:featurename>Av. de Miramar, 1020 Bruxelles, Belgium</georss:featurename><georss:point>50.9011934 4.3418827</georss:point><georss:box>22.590959563821151 -30.8143673 79.211427236178849 39.4981327</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-3110416164089031995</id><published>2023-08-25T18:45:00.000+02:00</published><updated>2023-08-25T18:45:14.966+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><title type='text'>WEEKEND OF HELL</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIPjXBHp-kIotrAeOBZhQ4uY8OX-vcCo4JXsXSUZOo25-0Et8GU-GnIj2cKRs3Iw8X03fJdt9SU6ZoL6GtDBD0Rl3gyI3ZmD_B52_bFZMF6yPzHXT7HxNmcUuvlQE_PZ4nog64O-0bLZgcDg9nvthymBAa3-U8XNWvQMHpxUBEqXhhkBcggr4PO_toIMo/s600/weekend-of-hell.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Weekend of Hell&quot; border=&quot;0&quot; data-original-height=&quot;222&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIPjXBHp-kIotrAeOBZhQ4uY8OX-vcCo4JXsXSUZOo25-0Et8GU-GnIj2cKRs3Iw8X03fJdt9SU6ZoL6GtDBD0Rl3gyI3ZmD_B52_bFZMF6yPzHXT7HxNmcUuvlQE_PZ4nog64O-0bLZgcDg9nvthymBAa3-U8XNWvQMHpxUBEqXhhkBcggr4PO_toIMo/s16000/weekend-of-hell.jpg&quot; title=&quot;Weekend of Hell&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;border: 0px solid rgb(217, 217, 227); box-sizing: border-box; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; margin: 0px 0px 1.25em; white-space: pre-wrap;&quot;&gt;📚 I&#39;m thrilled to announce that I&#39;ll be at the Weekend of Hell horror convention in Oberhausen, Germany, on September 2nd and 3rd. 🎉 Join me at the Wicked Vision booth for a book signing of &lt;a href=&quot;https://amzn.to/43k5sBx&quot; target=&quot;_blank&quot;&gt;my horror film guides and supernatural thrillers&lt;/a&gt;. 📖✍️&lt;/p&gt;&lt;p style=&quot;border: 0px solid rgb(217, 217, 227); box-sizing: border-box; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; margin: 1.25em 0px; white-space: pre-wrap;&quot;&gt;Get ready to be in the presence of horror greatness, as I&#39;ll be joined by a star-studded lineup including legends like Sean S. Cunningham, Alyssa Sutherland, Gilles Vranckx, Catriona Maccoll, Christina Lindberg, Lar Park Lincoln, Betsy Baker, and many more! 🌟🎬&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;Mark your calendars for an unforgettable weekend of horror, camaraderie, and spine-chilling fun. See you at the Weekend of Hell in Oberhausen on September 2nd and 3rd! 💀🔪&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;#WeekendOfHell #HorrorCon #AuthorSigning&lt;/span&gt;&amp;nbsp;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/3110416164089031995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/08/weekend-of-hell.html#comment-form' title='80 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3110416164089031995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/3110416164089031995'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/08/weekend-of-hell.html' title='WEEKEND OF HELL'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIPjXBHp-kIotrAeOBZhQ4uY8OX-vcCo4JXsXSUZOo25-0Et8GU-GnIj2cKRs3Iw8X03fJdt9SU6ZoL6GtDBD0Rl3gyI3ZmD_B52_bFZMF6yPzHXT7HxNmcUuvlQE_PZ4nog64O-0bLZgcDg9nvthymBAa3-U8XNWvQMHpxUBEqXhhkBcggr4PO_toIMo/s72-c/weekend-of-hell.jpg" height="72" width="72"/><thr:total>80</thr:total><georss:featurename>Oberhausen, Germany</georss:featurename><georss:point>51.4878429 6.863308</georss:point><georss:box>23.177609063821151 -28.292942 79.798076736178842 42.019558</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-7789633830343207665</id><published>2023-06-27T21:37:00.000+02:00</published><updated>2023-06-27T21:37:07.842+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Sharksploitation"/><title type='text'>Sharksploitation: A New Documentary About Horror Movies with Sharks</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjurZUjXcv11BklghLmeczC-U1nFGG72o9azdmEuvJiSSAseTJp-2v5SmDUgNylduRID9TCyMrnlBBgrJ_8F8XzfCQKe-AzD6YETGwNi9vn_wE1lz7YJqQpR74l2PVPdkXho-9nzuCFf_jrMpBaq_EVPkKQyp0f3XJ_8aZnihmUlMLmqzrtXcyUdmnlBiY/s600/sharksploitation.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Sharksploitation&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjurZUjXcv11BklghLmeczC-U1nFGG72o9azdmEuvJiSSAseTJp-2v5SmDUgNylduRID9TCyMrnlBBgrJ_8F8XzfCQKe-AzD6YETGwNi9vn_wE1lz7YJqQpR74l2PVPdkXho-9nzuCFf_jrMpBaq_EVPkKQyp0f3XJ_8aZnihmUlMLmqzrtXcyUdmnlBiY/s16000/sharksploitation.jpg&quot; title=&quot;Sharksploitation&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;📢 &lt;/span&gt;Exciting News!&amp;nbsp;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;📽️&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;I&#39;m thrilled to share that I&#39;ve had the amazing opportunity to participate in the feature-length documentary &lt;i&gt;Sharksploitation&lt;/i&gt;. Exploring the fascinating realm of horror films featuring our favorite apex predators, this eagerly anticipated documentary is a deep dive into the chilling and captivating world of shark-infested cinema.&amp;nbsp;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;🦈✨&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Because I&#39;m the author and editor of the book &lt;i&gt;&lt;a href=&quot;https://amzn.to/3JzsygB&quot; target=&quot;_blank&quot;&gt;When Animals Attack: The 70 Best Horror Movies with Killer Animals&lt;/a&gt;&lt;/i&gt;, director Stephen Scarlata asked me to be one of the &quot;shark movie specialists&quot; who could offer unique insights and perspectives on these films. Other interviewees include Roger Corman, Joe Dante, and Johannes Roberts.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Mark your calendars for July 21, as that&#39;s the day when &lt;i&gt;Sharksploitation&lt;/i&gt; will make its much-anticipated debut on Shudder.&amp;nbsp;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;🗓️&lt;/span&gt;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;🌊&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;In the meantime, why not dive into the captivating world of killer sharks and other menacing animals through my book &lt;i&gt;&lt;a href=&quot;https://amzn.to/3JzsygB&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;When Animals Attack: The 70 Best Horror Movies with Killer Animals&lt;/a&gt;&lt;/i&gt;.&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNL486ntvyBDZBiRw9zEU0aWW--DdMaRjXRqInSr6eNnUa3vRAfHQV_fWB7siI__SsgliH2nf0oPAqVy5RV0DBFhakVtqG6phThKcTbLe84CG0dwZOgtDHnSTcHv0_cwezVquqp9x1xPur4ihOJ3MY6IwGrtgVYn6qpl0kwwR2R5EpP6JhxKFBUU7rA9s/s823/sharksploitation-documentary.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Sharksploitation documentary&quot; border=&quot;0&quot; data-original-height=&quot;823&quot; data-original-width=&quot;550&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNL486ntvyBDZBiRw9zEU0aWW--DdMaRjXRqInSr6eNnUa3vRAfHQV_fWB7siI__SsgliH2nf0oPAqVy5RV0DBFhakVtqG6phThKcTbLe84CG0dwZOgtDHnSTcHv0_cwezVquqp9x1xPur4ihOJ3MY6IwGrtgVYn6qpl0kwwR2R5EpP6JhxKFBUU7rA9s/s16000/sharksploitation-documentary.jpg&quot; title=&quot;Sharksploitation documentary&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style=&quot;background-color: #f7f7f8; caret-color: rgb(55, 65, 81); color: #374151; font-family: Söhne, ui-sans-serif, system-ui, -apple-system, &amp;quot;Segoe UI&amp;quot;, Roboto, Ubuntu, Cantarell, &amp;quot;Noto Sans&amp;quot;, sans-serif, &amp;quot;Helvetica Neue&amp;quot;, Arial, &amp;quot;Apple Color Emoji&amp;quot;, &amp;quot;Segoe UI Emoji&amp;quot;, &amp;quot;Segoe UI Symbol&amp;quot;, &amp;quot;Noto Color Emoji&amp;quot;; font-size: 16px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/7789633830343207665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/06/sharksploitation-documentary.html#comment-form' title='73 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7789633830343207665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7789633830343207665'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/06/sharksploitation-documentary.html' title='Sharksploitation: A New Documentary About Horror Movies with Sharks'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjurZUjXcv11BklghLmeczC-U1nFGG72o9azdmEuvJiSSAseTJp-2v5SmDUgNylduRID9TCyMrnlBBgrJ_8F8XzfCQKe-AzD6YETGwNi9vn_wE1lz7YJqQpR74l2PVPdkXho-9nzuCFf_jrMpBaq_EVPkKQyp0f3XJ_8aZnihmUlMLmqzrtXcyUdmnlBiY/s72-c/sharksploitation.jpg" height="72" width="72"/><thr:total>73</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-2129539731772776127</id><published>2023-05-19T12:14:00.004+02:00</published><updated>2023-05-19T12:14:26.765+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><category scheme="http://www.blogger.com/atom/ns#" term="Comic Con"/><title type='text'>COMIC CON BRUSSELS 2023</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiNsV4We-hZdqcVlRpdmIv0z8zY1Pi_al4OAny-NUkU6Q0D5xHJYuM5AOYA-pOP-iJXgp-l69giK2azEoj0l2C62mgqNwgmF9_gFQxUezAi2ocvsg5v6DTRiYDwSWUruq9gpqbQfPNeSo6VbpOeysY8ZVsWfBwuKL3CeIYX8WFN9cHvUupv9RnAg-C/s600/comic-con-brussels-2023.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Comic Con Brussels&quot; border=&quot;0&quot; data-original-height=&quot;263&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiNsV4We-hZdqcVlRpdmIv0z8zY1Pi_al4OAny-NUkU6Q0D5xHJYuM5AOYA-pOP-iJXgp-l69giK2azEoj0l2C62mgqNwgmF9_gFQxUezAi2ocvsg5v6DTRiYDwSWUruq9gpqbQfPNeSo6VbpOeysY8ZVsWfBwuKL3CeIYX8WFN9cHvUupv9RnAg-C/s16000/comic-con-brussels-2023.jpg&quot; title=&quot;Comic Con Brussels&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
What will you be doing this weekend? If you happen to be in Belgium, why not come to &lt;b&gt;Comic Con Brussels&lt;/b&gt; on May 20 and May 21, where I&#39;ll be signing copies of my books?&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;I&#39;ll be in the good company of such stars as Jamie Campbell Bower (&lt;i&gt;&lt;a href=&quot;https://amzn.to/43b4mbG&quot; target=&quot;_blank&quot;&gt;Stranger Things&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3WkicGf&quot; target=&quot;_blank&quot;&gt;Twilight&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3Iu26nR&quot; target=&quot;_blank&quot;&gt;Harry Potter&lt;/a&gt;&lt;/i&gt;), Paddy Considine (&lt;i&gt;&lt;a href=&quot;https://amzn.to/41SCEPV&quot; target=&quot;_blank&quot;&gt;House of the Dragon&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/437n7wy&quot; target=&quot;_blank&quot;&gt;Peaky Blinders&lt;/a&gt;&lt;/i&gt;), Giancarlo Esposito (&lt;i&gt;The Mandaloria&lt;/i&gt;n, &lt;i&gt;&lt;a href=&quot;https://amzn.to/435cD0C&quot; target=&quot;_blank&quot;&gt;Breaking Bad&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3pYpLGt&quot; target=&quot;_blank&quot;&gt;Better Call Saul&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/45eI0aY&quot; target=&quot;_blank&quot;&gt;The Boys&lt;/a&gt;&lt;/i&gt;), Robert Englund (&lt;i&gt;&lt;a href=&quot;https://amzn.to/3MHeymK&quot; target=&quot;_blank&quot;&gt;A Nightmare on Elm Street&lt;/a&gt;&lt;/i&gt;), Rose McGowan (&lt;i&gt;&lt;a href=&quot;https://amzn.to/3pW0YTL&quot; target=&quot;_blank&quot;&gt;Scream&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3MGo6yo&quot; target=&quot;_blank&quot;&gt;Charmed&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3InsTC8&quot; target=&quot;_blank&quot;&gt;Jawbreaker&lt;/a&gt;&lt;/i&gt;), Tom Wlaschiha (&lt;i&gt;Stranger Things&lt;/i&gt;, &lt;i&gt;Game of Thrones&lt;/i&gt;), and many more.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/2129539731772776127/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/05/comic-con-brussels-2023.html#comment-form' title='52 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2129539731772776127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/2129539731772776127'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/05/comic-con-brussels-2023.html' title='COMIC CON BRUSSELS 2023'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiNsV4We-hZdqcVlRpdmIv0z8zY1Pi_al4OAny-NUkU6Q0D5xHJYuM5AOYA-pOP-iJXgp-l69giK2azEoj0l2C62mgqNwgmF9_gFQxUezAi2ocvsg5v6DTRiYDwSWUruq9gpqbQfPNeSo6VbpOeysY8ZVsWfBwuKL3CeIYX8WFN9cHvUupv9RnAg-C/s72-c/comic-con-brussels-2023.jpg" height="72" width="72"/><thr:total>52</thr:total><georss:featurename>Brussels, Belgium</georss:featurename><georss:point>50.8476424 4.3571696</georss:point><georss:box>22.537408563821153 -30.7990804 79.157876236178851 39.5134196</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-7579645868710967183</id><published>2023-04-11T10:01:00.001+02:00</published><updated>2023-04-11T10:01:00.257+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="BIFFF"/><category scheme="http://www.blogger.com/atom/ns#" term="Evil Seeds"/><category scheme="http://www.blogger.com/atom/ns#" term="film festival"/><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><title type='text'>BIFFF 2023</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfT0P9TOAz_CEWCvFR9bFVjS4Oe0QBRUp7oGMVi1JiM8Cdq8E1yIyP0Yt0W9z-b29MJVEt1jkPPsEPdQFaIVtGjsG-Gr0f91Z1fQKv9dLRYG6xRY7-_ODUTh8kZIASEi3exnwFDsaQ9njyQEEKuNsgI5LGUWOF9VTB8K3Z_i_fbbcTzWFDx2yWsvK/s848/bifff-2023.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;BIFFF 2023&quot; border=&quot;0&quot; data-original-height=&quot;848&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfT0P9TOAz_CEWCvFR9bFVjS4Oe0QBRUp7oGMVi1JiM8Cdq8E1yIyP0Yt0W9z-b29MJVEt1jkPPsEPdQFaIVtGjsG-Gr0f91Z1fQKv9dLRYG6xRY7-_ODUTh8kZIASEi3exnwFDsaQ9njyQEEKuNsgI5LGUWOF9VTB8K3Z_i_fbbcTzWFDx2yWsvK/s16000/bifff-2023.jpg&quot; title=&quot;BIFFF 2023&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
BIFFF (Brussels International Fantastic Film Festival) is doing an entire section on horrible children this year (not necessarily evil ones). Since I published a book on the subject, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3zIOMr4&quot; target=&quot;_blank&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt;, I will be moderating several Q&amp;amp;A&#39;s with the filmmakers of some of these movies, including &lt;i&gt;The Wrath of Becky&lt;/i&gt; by Suzanne Coote and Matt Angel, &lt;i&gt;The Coffee Table&lt;/i&gt; by Caye Casas and &lt;i&gt;Evil Eye&lt;/i&gt; by Isaac Ezban.
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This year, I will also be part of the &quot;Jury de la Critique&quot; at BIFFF. The ten movies I will be judging are &lt;i&gt;Stéphane&lt;/i&gt; by Timothée Hochet and Lucas Pastor (France), &lt;i&gt;Saturn Bowling&lt;/i&gt; by Patricia Mazuy (France/Belgium), &lt;i&gt;The Coffee Table&lt;/i&gt; by Caye Casas (Spain), &lt;i&gt;UFO Sweden&lt;/i&gt; by Victor Danell (Sweden), &lt;i&gt;Sisu&lt;/i&gt; by Halmari Helander (Finland), &lt;i&gt;Ferocious Wolf&lt;/i&gt; by Gustavo Hernández (Spain/Uruguay/Argentina), &lt;i&gt;The Elderly&lt;/i&gt; by Raúl Cerezo and Fernando González Gómez (Spain), &lt;i&gt;&lt;a href=&quot;https://amzn.to/3Urdi9q&quot; target=&quot;_blank&quot;&gt;Aliens Abducted my Parents and Now I Feel Kinda Left Out&lt;/a&gt;&lt;/i&gt; by Jake Van Wagoner (USA), &lt;i&gt;&lt;a href=&quot;https://amzn.to/3Gx2zVh&quot; target=&quot;_blank&quot;&gt;Infinity Pool&lt;/a&gt;&lt;/i&gt; by Brandon Cronenberg (Canada/Hungary/France), and &lt;i&gt;&lt;a href=&quot;https://amzn.to/3zKGKOb&quot; target=&quot;_blank&quot;&gt;Soft &amp;amp; Quiet&lt;/a&gt;&lt;/i&gt; by Beth De Arújo (USA).
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The Q&amp;amp;A&#39;s can be watched via live streaming on the &lt;a href=&quot;https://www.youtube.com/@BIFFF_festival/featured&quot; target=&quot;_blank&quot;&gt;BIFFF YouTube channel&lt;/a&gt;.
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BIFFF starts today and will run until April 23.
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&lt;br /&gt;&lt;b&gt;
My latest book, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3zIOMr4&quot; target=&quot;_blank&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt;, is now available from Amazon and other retailers.&amp;nbsp;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ4xr8Pr8dHumBoH-LVfKq6LjMxgKSMWzGQwJzQHTSrniggCWBXHVzCqv-ECC23ojPsRliZl6wffvaIJKnI3eqLQ8aQH6cjZ9npJXIjdxYAnRrnNpxbBdrB-Tv3UdM1kHZAF_INget-hNYR2HcG8q6GX_EpEh8zkc8eZHGn93FrVkygP39Oi1tXYDM/s600/brussels-international-fantastic-film-festival-bifff.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Brussels International Fantastic Film Festival BIFFF&quot; border=&quot;0&quot; data-original-height=&quot;371&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ4xr8Pr8dHumBoH-LVfKq6LjMxgKSMWzGQwJzQHTSrniggCWBXHVzCqv-ECC23ojPsRliZl6wffvaIJKnI3eqLQ8aQH6cjZ9npJXIjdxYAnRrnNpxbBdrB-Tv3UdM1kHZAF_INget-hNYR2HcG8q6GX_EpEh8zkc8eZHGn93FrVkygP39Oi1tXYDM/s16000/brussels-international-fantastic-film-festival-bifff.jpg&quot; title=&quot;Brussels International Fantastic Film Festival BIFFF&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/7579645868710967183/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/04/bifff-2023.html#comment-form' title='71 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7579645868710967183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7579645868710967183'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/04/bifff-2023.html' title='BIFFF 2023'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfT0P9TOAz_CEWCvFR9bFVjS4Oe0QBRUp7oGMVi1JiM8Cdq8E1yIyP0Yt0W9z-b29MJVEt1jkPPsEPdQFaIVtGjsG-Gr0f91Z1fQKv9dLRYG6xRY7-_ODUTh8kZIASEi3exnwFDsaQ9njyQEEKuNsgI5LGUWOF9VTB8K3Z_i_fbbcTzWFDx2yWsvK/s72-c/bifff-2023.jpg" height="72" width="72"/><thr:total>71</thr:total><georss:featurename>Brussels, Belgium</georss:featurename><georss:point>50.8476424 4.3571696</georss:point><georss:box>28.470161847979242 -30.7990804 73.225122952020754 39.5134196</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-8813544307391485132</id><published>2023-03-06T10:00:00.001+01:00</published><updated>2023-03-06T10:00:00.217+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><category scheme="http://www.blogger.com/atom/ns#" term="Offsreen Film Festival"/><title type='text'>A WEEKEND WITH BRIGITTE LAHAIE</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7-XWVPgwMac2Vke5YSL_DuxtQGeZaN-rxa-V70nRrISCZSMF3eTtzvxOS7c3w1hddv8TZg_jQHThQlCAm_lrCWXVMHe7CmmjXuShLP86_Gzx3SQNqpb78DXYpqp_4JD8XJ2kUc-vOqYwC9JPYBVlWh_SoT1Cbf-vgfcnbYz3XW-5g9Q-d9-lze9yP/s600/brigitte-lahaie.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Brigitte Lahaie&quot; border=&quot;0&quot; data-original-height=&quot;591&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7-XWVPgwMac2Vke5YSL_DuxtQGeZaN-rxa-V70nRrISCZSMF3eTtzvxOS7c3w1hddv8TZg_jQHThQlCAm_lrCWXVMHe7CmmjXuShLP86_Gzx3SQNqpb78DXYpqp_4JD8XJ2kUc-vOqYwC9JPYBVlWh_SoT1Cbf-vgfcnbYz3XW-5g9Q-d9-lze9yP/s16000/brigitte-lahaie.jpg&quot; title=&quot;Brigitte Lahaie&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
Next weekend, the Offscreen Film Festival is hosting a small Brigitte Lahaie retrospective of which I&#39;ll be introducing the movies &lt;i&gt;&lt;a href=&quot;https://amzn.to/3Jbp6sI&quot; target=&quot;_blank&quot;&gt;Fascination&lt;/a&gt;&lt;/i&gt; by Jean Rollin (France, 1979), &lt;i&gt;&lt;a href=&quot;https://amzn.to/3y8Pywu&quot; target=&quot;_blank&quot;&gt;Je suis à prendre&lt;/a&gt;&lt;/i&gt; by Francis Leroi (France, 1978). &lt;i&gt;&lt;a href=&quot;https://amzn.to/3mnDGV5&quot; target=&quot;_blank&quot;&gt;Faceless&lt;/a&gt;&lt;/i&gt; by Jess Franco (France/Spain, 1988), and &lt;i&gt;&lt;a href=&quot;https://amzn.to/3kJkaBM&quot; target=&quot;_blank&quot;&gt;The Night of the Hunted&lt;/a&gt;&lt;/i&gt; by Jean Rollin (France, 1980). Brigitte Lahaie herself will be present at the festival, and she&#39;ll join me during the introductions of the first three movies.</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/8813544307391485132/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/03/a-weekend-with-brigitte-lahaie.html#comment-form' title='47 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8813544307391485132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8813544307391485132'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/03/a-weekend-with-brigitte-lahaie.html' title='A WEEKEND WITH BRIGITTE LAHAIE'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7-XWVPgwMac2Vke5YSL_DuxtQGeZaN-rxa-V70nRrISCZSMF3eTtzvxOS7c3w1hddv8TZg_jQHThQlCAm_lrCWXVMHe7CmmjXuShLP86_Gzx3SQNqpb78DXYpqp_4JD8XJ2kUc-vOqYwC9JPYBVlWh_SoT1Cbf-vgfcnbYz3XW-5g9Q-d9-lze9yP/s72-c/brigitte-lahaie.jpg" height="72" width="72"/><thr:total>47</thr:total><georss:featurename>Brussels, Belgium</georss:featurename><georss:point>50.8476424 4.3571696</georss:point><georss:box>22.537408563821153 -30.7990804 79.157876236178851 39.5134196</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-7692027254784914223</id><published>2023-02-20T18:30:00.002+01:00</published><updated>2023-02-20T18:30:44.852+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book signing"/><title type='text'>UPCOMING BOOK SIGNING SESSION: INTERNATIONAL FIFE CAT SHOW</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr5nf-wBdwvveqFIufYQlaEYFqAJ22PfOfnrCtl2umCbYutfmiBYvQlY7sL-KvIjJ6lsGvh-1TZ8m_tboLtn9D-HeEG0akpXx1n8gKF82ACUo9NAF0meAhEGT6cMOMOKbAC4JdFtfG2byQ0rrWpTrJ5QWgTdBA083sOQzKXnBpWRDBYzRJplThnrp8/s600/international-cat-show.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;International FIFe Cat Show&quot; border=&quot;0&quot; data-original-height=&quot;442&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr5nf-wBdwvveqFIufYQlaEYFqAJ22PfOfnrCtl2umCbYutfmiBYvQlY7sL-KvIjJ6lsGvh-1TZ8m_tboLtn9D-HeEG0akpXx1n8gKF82ACUo9NAF0meAhEGT6cMOMOKbAC4JdFtfG2byQ0rrWpTrJ5QWgTdBA083sOQzKXnBpWRDBYzRJplThnrp8/s16000/international-cat-show.jpg&quot; title=&quot;International FIFe Cat Show&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;

Cat lovers, join me on Saturday and Sunday, February 25 and 26 at the &lt;b&gt;International FIFe Cat Show&lt;/b&gt; in Court-Saint-Etienne, Belgium, for two days of feline fun!&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;From 09:00 am – 05:00 pm, I will do a &quot;meet and greet&quot; and sign copies of my cat books &lt;a href=&quot;https://amzn.to/3IEXtHW&quot; target=&quot;_blank&quot;&gt;&lt;i&gt;Avalon&lt;/i&gt;&lt;/a&gt; (both English and French editions) and &lt;a href=&quot;https://amzn.to/3XLI90s&quot; target=&quot;_blank&quot;&gt;&lt;i&gt;Clowders&lt;/i&gt;&lt;/a&gt;. Learn more at: &lt;a href=&quot;https://www.facebook.com/events/2171703413003357&quot;&gt;https://www.facebook.com/events/2171703413003357&lt;/a&gt;&amp;nbsp;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/7692027254784914223/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/02/international-fife-cat-show.html#comment-form' title='47 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7692027254784914223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/7692027254784914223'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/02/international-fife-cat-show.html' title='UPCOMING BOOK SIGNING SESSION: INTERNATIONAL FIFE CAT SHOW'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr5nf-wBdwvveqFIufYQlaEYFqAJ22PfOfnrCtl2umCbYutfmiBYvQlY7sL-KvIjJ6lsGvh-1TZ8m_tboLtn9D-HeEG0akpXx1n8gKF82ACUo9NAF0meAhEGT6cMOMOKbAC4JdFtfG2byQ0rrWpTrJ5QWgTdBA083sOQzKXnBpWRDBYzRJplThnrp8/s72-c/international-cat-show.jpg" height="72" width="72"/><thr:total>47</thr:total><georss:featurename>Court-St.-Etienne, Belgium</georss:featurename><georss:point>50.6485892 4.5632038</georss:point><georss:box>22.338355363821158 -30.5930462 78.958823036178842 39.7194538</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-1098544791662895219</id><published>2023-02-07T15:47:00.000+01:00</published><updated>2023-02-07T15:47:16.887+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="film festival"/><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><category scheme="http://www.blogger.com/atom/ns#" term="movie recommendations"/><category scheme="http://www.blogger.com/atom/ns#" term="Offscreen"/><category scheme="http://www.blogger.com/atom/ns#" term="Offsreen Film Festival"/><title type='text'>BEST ROBOT MOVIES OF ALL TIME</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi04VSGWOM9wkawjkt3AuPxLmQ78gsBBkwSeSM1uj_q8F07Xj3F28gUU7Zvtbs-3qzErQFFzcTxKXORVlwWOH-2Ry0fuh2fIaftIDEHMSfnks2re6DCtQKiN-9zUikA2mAOPFSw-874jasZqei4uE6wVNiaINPRzN-gDNe2bRQi7a4uiz_Bp-MujD41/s900/best-robot-movies.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;best robot movies of all time&quot; border=&quot;0&quot; data-original-height=&quot;900&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi04VSGWOM9wkawjkt3AuPxLmQ78gsBBkwSeSM1uj_q8F07Xj3F28gUU7Zvtbs-3qzErQFFzcTxKXORVlwWOH-2Ry0fuh2fIaftIDEHMSfnks2re6DCtQKiN-9zUikA2mAOPFSw-874jasZqei4uE6wVNiaINPRzN-gDNe2bRQi7a4uiz_Bp-MujD41/s16000/best-robot-movies.jpg&quot; title=&quot;Best Robot Movies Of All Time&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Together with the Offscreen Film Festival in Brussels, Belgium, I&#39;ll be hosting a retrospective on &lt;/span&gt;&lt;b style=&quot;text-align: left;&quot;&gt;the best robot movies ever made&lt;/b&gt;&lt;span style=&quot;text-align: left;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;&lt;p&gt;Here is an oerview of the most entertaining robot movies that will be showing at the Offscreen Film Festival, most of them on 35 mm. The festival will take place between March 8 and March 26, 2023.&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_erAIaZnGPbzEXQhq6f9JOGdpk4VgG8T8Q2cugwq43WM3Ix5JbCDktmGydzj6TLHfzMG69eEyJxgC7XU_Lma4sYf6qku5yjoyExv_lcKSTPGP-426a5tDJiAhGhi4e6bq7eOKGnRiDJo8UrAiXBK5F9M2STduvjxJV1JlqQF2evPuamRUv_gGGXNC/s600/metropolis.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Metropolis&quot; border=&quot;0&quot; data-original-height=&quot;458&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_erAIaZnGPbzEXQhq6f9JOGdpk4VgG8T8Q2cugwq43WM3Ix5JbCDktmGydzj6TLHfzMG69eEyJxgC7XU_Lma4sYf6qku5yjoyExv_lcKSTPGP-426a5tDJiAhGhi4e6bq7eOKGnRiDJo8UrAiXBK5F9M2STduvjxJV1JlqQF2evPuamRUv_gGGXNC/s16000/metropolis.jpg&quot; title=&quot;Metropolis&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href=&quot;https://amzn.to/400YsJm&quot; target=&quot;_blank&quot;&gt;METROPOLIS&lt;/a&gt;
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Fritz Lang&#39;s Expressionist silent classic reached a new generation via this Giorgio Moroder version with an 1980s pop soundtrack. Brigitte Helm plays a double role as proletarian heroine Maria and the iconic robot created in her image. See the eternal class war played out in an Art Deco setting, with a cast of thousands!&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDtQfgbMW-MFibBntzH5wpm7bUgRZg7nGl_Hc0zMGrw3EC5IVueIVfTB_uB-ne54x50A1HNFc6Lh4ksGH5Pb4Dayo1Dhncl_aYHHYXm998rxSQOH3dAkdlpPnqm8T6FnomvsfPqf0WTyV4bV-QMB005C9tvqvtT0P_AZecTZzbtiidwq1VnRqyeLUN/s600/the-day-the-earth-stood-still.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Day the Earth Stood Still&quot; border=&quot;0&quot; data-original-height=&quot;461&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDtQfgbMW-MFibBntzH5wpm7bUgRZg7nGl_Hc0zMGrw3EC5IVueIVfTB_uB-ne54x50A1HNFc6Lh4ksGH5Pb4Dayo1Dhncl_aYHHYXm998rxSQOH3dAkdlpPnqm8T6FnomvsfPqf0WTyV4bV-QMB005C9tvqvtT0P_AZecTZzbtiidwq1VnRqyeLUN/s16000/the-day-the-earth-stood-still.jpg&quot; title=&quot;The Day the Earth Stood Still&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3DdBGnI&quot; target=&quot;_blank&quot;&gt;THE DAY THE EARTH STOOD STILL&lt;/a&gt;
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The intergalactic equivalent of a UN observer lands in Washington DC and demands a stop to nuclear testing in this sci-fi allegory with religious undertones. The earthlings ignore his pleas for peace, leaving them at the mercy of a giant robot that can only be stopped with the immortal words &quot;Klaatu barada nikto!&quot;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPYi9BgunGkMLg5n8I-OczwxKkshbP22xi_DRSaHi34hrYK0EU23d76-tqhntyHeNVAAT691D5dxjlEI9kDsV4t25dLg4i6TN_UXto8VuyrUPeCpno7iujAyxvM9esoGRR3xn_OrSh_QXRNJkpoJlzROs3-HYJrDVPeOXfbuxqkG8OQCHiT6UX-cyy/s600/icarus-xb-1.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Ikarie XB-1&quot; border=&quot;0&quot; data-original-height=&quot;337&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPYi9BgunGkMLg5n8I-OczwxKkshbP22xi_DRSaHi34hrYK0EU23d76-tqhntyHeNVAAT691D5dxjlEI9kDsV4t25dLg4i6TN_UXto8VuyrUPeCpno7iujAyxvM9esoGRR3xn_OrSh_QXRNJkpoJlzROs3-HYJrDVPeOXfbuxqkG8OQCHiT6UX-cyy/s16000/icarus-xb-1.jpg&quot; title=&quot;Ikarie XB-1&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3WxpmFD&quot; target=&quot;_blank&quot;&gt;IKARIE XB-1&lt;/a&gt;
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A starship heads to Alpha Centauri on a search for alien intelligence in this classic Stanislaw Lem adaptation, a key influence on everything from&amp;nbsp;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3H9OMn1&quot; target=&quot;_blank&quot;&gt;2001&lt;/a&gt;&lt;/i&gt;&amp;nbsp;to&amp;nbsp;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3XDwaDa&quot; target=&quot;_blank&quot;&gt;Star Trek&lt;/a&gt;&lt;/i&gt;&amp;nbsp;with its depiction of everyday life in space and discovery of an abandoned vessel. The old-fashioned robot is a figure of fun - until he saves the day!&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJtZMAd7aFgBHWP9Ql9YkEzWEEauym9avZsAWcFw_EHjmWMLuLiAonelYfu_07U5Hni3Rz9DkctsraQlXqbjPme0aqmbigvdEZFICifwjp9_ixHd-wQUa3gGs8n6bQ3ROOcXCAXXA2Q1JYyGNIaw4vkeFRlIlxUvtQaxX_nhkDLmEAwnXPNEGRBBCW/s600/the-creation-of-the-humanoids.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Creation of the Humanoids&quot; border=&quot;0&quot; data-original-height=&quot;350&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJtZMAd7aFgBHWP9Ql9YkEzWEEauym9avZsAWcFw_EHjmWMLuLiAonelYfu_07U5Hni3Rz9DkctsraQlXqbjPme0aqmbigvdEZFICifwjp9_ixHd-wQUa3gGs8n6bQ3ROOcXCAXXA2Q1JYyGNIaw4vkeFRlIlxUvtQaxX_nhkDLmEAwnXPNEGRBBCW/s16000/the-creation-of-the-humanoids.jpg&quot; title=&quot;The Creation of the Humanoids&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3wsptYz&quot; target=&quot;_blank&quot;&gt;THE CREATION OF THE HUMANOIDS&lt;/a&gt;
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After a nuclear war, human survivors fear and despise the robots they now depend on, with extremists even launching terrorist attacks against the blue-skinned humanoids. Wooden acting and no-budget sets give an agreeably avant-garde flavour to this forgotten sci-fi gem packed with unusually progressive ideas.
&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4_D5Il2U4Nd9IwYAHppAVw9kTqtmg0T49izx9BthfhHX8uaAReGUqv2yml4RjdC0m_pIEvq8tkqUDjPbCUGvb391A8tRmI9j2wPFwEL3bo-HdkJQruLpoImptuTl5FCkRqvEhYSTR8Tw-28sPvFa_6hw9iRafoJ1mm0YVudpAQoelfGG-uJ0l6pcC/s600/blade-runner.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img alt=&quot;Blade Runner&quot; border=&quot;0&quot; data-original-height=&quot;399&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4_D5Il2U4Nd9IwYAHppAVw9kTqtmg0T49izx9BthfhHX8uaAReGUqv2yml4RjdC0m_pIEvq8tkqUDjPbCUGvb391A8tRmI9j2wPFwEL3bo-HdkJQruLpoImptuTl5FCkRqvEhYSTR8Tw-28sPvFa_6hw9iRafoJ1mm0YVudpAQoelfGG-uJ0l6pcC/s16000/blade-runner.jpg&quot; title=&quot;Blade Runner&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;a href=&quot;https://amzn.to/3ZVPwoF&quot; target=&quot;_blank&quot;&gt;BLADE RUNNER&lt;/a&gt;
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A Los Angeles gumshoe, assigned to terminate rogue replicants, starts to question the ethics of his job. Scott&#39;s visionary reworking of &lt;a href=&quot;https://amzn.to/3ws3m4r&quot; target=&quot;_blank&quot;&gt;Philip K. Dick&#39;s&amp;nbsp;&lt;i&gt;Do Androids Dream of Electric Sheep?&lt;/i&gt;&lt;/a&gt;&amp;nbsp;revolutionised the face of sci-fi cinema with its neo-noir imagery, unforgettable androids, and spine-tingling &lt;a href=&quot;https://amzn.to/3H3PAKp&quot; target=&quot;_blank&quot;&gt;Vangelis score&lt;/a&gt;.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZxlY5R2KtykkDjZPkydu40uSTDX66fnBhs5CUGbaKRqF3y2CFSxHxGvVdjEQeacBMeWJvGdTwWcA6cQXRdjQxnU6VNsRSKOUuV4e8mc7MGSyO-2ofjxRSl3x-M_IjUCxjtCIgAf3zCRW9xenPKfVYuyQ3xRx0iu4j4uAhoTM51B6NikGxQlR07Kx/s600/i-robot_538e56b2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;I, Robot&quot; border=&quot;0&quot; data-original-height=&quot;480&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZxlY5R2KtykkDjZPkydu40uSTDX66fnBhs5CUGbaKRqF3y2CFSxHxGvVdjEQeacBMeWJvGdTwWcA6cQXRdjQxnU6VNsRSKOUuV4e8mc7MGSyO-2ofjxRSl3x-M_IjUCxjtCIgAf3zCRW9xenPKfVYuyQ3xRx0iu4j4uAhoTM51B6NikGxQlR07Kx/s16000/i-robot_538e56b2.jpg&quot; title=&quot;I, Robot&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/40N1i5c&quot; target=&quot;_blank&quot;&gt;I, ROBOT&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;A Chicago cop suspects a robot may be responsible for the death of a robotics company CEO. Are robots starting to ignore Asimov&#39;s Three Laws, which prevent them from harming human beings? Meanwhile, the laws of Hollywood blockbusters ensure a full complement of superb special effects and Will Smith kicking robot ass.&lt;/p&gt;
&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimykHPCLWdZsGdzkIQuVLAJQOdpwYmMVdGEAOtIrSItzFdXQwJpAuwgdrI0vjHMMOEMQYioFUc_rBNzPk8tc91vhpFg6wb-Ff1_hWA9b7We-Gv5Vro8iC15ZIT48OSnJMHKrVeUh0DOVArzMlCbdEjwe0D03EiZfnEQvwT3Fid2H6u33Z9wBCL7z7x/s600/the-iron-giant.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img alt=&quot;The Iron Giant&quot; border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimykHPCLWdZsGdzkIQuVLAJQOdpwYmMVdGEAOtIrSItzFdXQwJpAuwgdrI0vjHMMOEMQYioFUc_rBNzPk8tc91vhpFg6wb-Ff1_hWA9b7We-Gv5Vro8iC15ZIT48OSnJMHKrVeUh0DOVArzMlCbdEjwe0D03EiZfnEQvwT3Fid2H6u33Z9wBCL7z7x/s16000/the-iron-giant.jpg&quot; title=&quot;The Iron Giant&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3H5ZniY&quot; target=&quot;_blank&quot;&gt;THE IRON GIANT&lt;/a&gt;
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During the Cold War, a young boy befriends a big metal-eating robot from outer space which crashlands near his small town, but the paranoid government sends agents to investigate. This lovely animated fable, based on a children&#39;s story by poet Ted Hughes, flopped on its release but is now hailed as a modern classic.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8KzrhiSrbEuVP1WlS3oYxrMGLivkBBWw-eCw6xaqaFOCHeOj1xxG4nsQnFvWE0eStMNEZJQ0cVmyu3T74Xux1fh322zbrX-uoqVymOtFo-wTXPaOY1iwUjD9L64cFNSji6Dc4tAOViLTny8qilJR3gX7xB3YrHmqMDp5mEn9oKTFLCT3NzTvZOZwD/s600/forbidden-planet.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Forbidden Planet&quot; border=&quot;0&quot; data-original-height=&quot;458&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8KzrhiSrbEuVP1WlS3oYxrMGLivkBBWw-eCw6xaqaFOCHeOj1xxG4nsQnFvWE0eStMNEZJQ0cVmyu3T74Xux1fh322zbrX-uoqVymOtFo-wTXPaOY1iwUjD9L64cFNSji6Dc4tAOViLTny8qilJR3gX7xB3YrHmqMDp5mEn9oKTFLCT3NzTvZOZwD/s16000/forbidden-planet.jpg&quot; title=&quot;Forbidden Planet&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3Dded6d&quot; target=&quot;_blank&quot;&gt;FORBIDDEN PLANET&lt;/a&gt;
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William Shakespeare&#39;s&amp;nbsp;&lt;i&gt;The Tempest&lt;/i&gt;&lt;/a&gt;&amp;nbsp;gets a sci-fi makeover in this fantasy masterpiece with an avant-garde score. A starship lands on a planet where a sinister force has killed all but two members of a previous expedition: a scientist and his daughter. Robby the Robot, their mechanical servant, was a big hit with the public.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnQrexyL9gz0H1Jvff1vT9VSkKDzC72w21kK3nai_u4tlaVmsGwAV_i9T5ilhH-J3_cMeeZJcFf0voeSszngV_Sjbw3mCeGb1Tgz0VJ8ZJOtPPcpJeY-X6lTqm_8M5wR1R1ePRI2rTnnszJsn26RVtWZyuuSzKaj0C9znPrdsyLAJDYmG4pkkhomhY/s600/ex-machina.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Ex Machina&quot; border=&quot;0&quot; data-original-height=&quot;339&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnQrexyL9gz0H1Jvff1vT9VSkKDzC72w21kK3nai_u4tlaVmsGwAV_i9T5ilhH-J3_cMeeZJcFf0voeSszngV_Sjbw3mCeGb1Tgz0VJ8ZJOtPPcpJeY-X6lTqm_8M5wR1R1ePRI2rTnnszJsn26RVtWZyuuSzKaj0C9znPrdsyLAJDYmG4pkkhomhY/s16000/ex-machina.jpg&quot; title=&quot;Ex Machina&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3wrmFLp&quot; target=&quot;_blank&quot;&gt;EX MACHINA&lt;/a&gt;
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Alex Garland&#39;s directing debut is a virtual three-hander in which a naïve programmer is helicoptered into a billionaire tech bro&#39;s luxury home to determine whether a female android is capable of independent thought. Toxic masculinity and Machiavellian mind games ensue, with results that will keep you guessing to the end.
&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD6wK4FuI13iZkqXvlBvlLoNlLHGlkeUzvm7IwStLsEOmB5yU9btPVukR21-UnYw-1idlB_LSU_jw_-ki8frqNkzJBr85i9VIZFGabuwHoP2M1SYQ7sNqOwTCyTd1vzaN6a77DWYCVzEXo-rSI96-uE18VN1oN39GZfybF-HVp73QHT60hWQx19yB1/s600/terminator-2-judgment-day.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Terminator 2: Judgement Day&quot; border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD6wK4FuI13iZkqXvlBvlLoNlLHGlkeUzvm7IwStLsEOmB5yU9btPVukR21-UnYw-1idlB_LSU_jw_-ki8frqNkzJBr85i9VIZFGabuwHoP2M1SYQ7sNqOwTCyTd1vzaN6a77DWYCVzEXo-rSI96-uE18VN1oN39GZfybF-HVp73QHT60hWQx19yB1/s16000/terminator-2-judgment-day.jpg&quot; title=&quot;Terminator 2: Judgement Day&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3JfVQl0&quot; target=&quot;_blank&quot;&gt;TERMINATOR 2: JUDGMENT DAY&lt;/a&gt;
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&lt;br /&gt;&lt;a href=&quot;http://www.celluloiddiaries.com/2022/12/le-prix-du-danger-running-man.html&quot; target=&quot;_blank&quot;&gt;Arnold Schwarzenegger&lt;/a&gt; plays a creaky old T-800 sent back in time to protect mankind&#39;s future saviour and his mom from the more advanced T-1000 - a robot made of liquid metal! Just because this blockbuster has a pro-peace message doesn&#39;t mean it&#39;s not packed with chases, explosions and mind-blowing special effects.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXIr6IIMg20GmZ9PvFD7X32PIZnZE48GmzHvR06N4Vq-2em4WCkM4K6iO2DVJdHQwaY1jRHD_HbMrWJay1ioZMAltSbMjtUGptcr_iFzHcxCYoXULcKiiBsqMbysHY9_re21Ncdnr9NnpOrpU3QaLob1qFJcOdu5wSOpNK65UPHGV9BweLyHigFndD/s600/godzilla-vs-mechagodzilla.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Godzilla vs Mechagodzilla&quot; border=&quot;0&quot; data-original-height=&quot;318&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXIr6IIMg20GmZ9PvFD7X32PIZnZE48GmzHvR06N4Vq-2em4WCkM4K6iO2DVJdHQwaY1jRHD_HbMrWJay1ioZMAltSbMjtUGptcr_iFzHcxCYoXULcKiiBsqMbysHY9_re21Ncdnr9NnpOrpU3QaLob1qFJcOdu5wSOpNK65UPHGV9BweLyHigFndD/s16000/godzilla-vs-mechagodzilla.jpg&quot; title=&quot;Godzilla vs Mechagodzilla&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3WBbf23&quot; target=&quot;_blank&quot;&gt;GODZILLA VS MECHAGODZILLA&lt;/a&gt;
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Just when you thought Godzilla was one of the good guys, he goes on the rampage again. But it&#39;s a mechanical imposter, controlled by aliens from another planet! The real Godzilla, outmatched, has to team up with King Caesar, a shaggy kaiju from Okinawa, for a three-way showdown that would do credit to Sergio Leone.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlHBm1Rl_vS3Zt9tEB8uYrOSKEqAT54ksXIXNTWJquA_NAeCWsvA5EshKcPT45hMwI31w-UvKagzhAwDXMXyTQxIEiixHACJdL8Ni4SAXyr8YJaGyaxaYET-hCE6nsJIyNqGsIbYqOz79GmN7lpWhdU-odp8TSeQRn6nYD-uN4eqZIv-sTyNEdUPmL/s600/eva.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Eva&quot; border=&quot;0&quot; data-original-height=&quot;272&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlHBm1Rl_vS3Zt9tEB8uYrOSKEqAT54ksXIXNTWJquA_NAeCWsvA5EshKcPT45hMwI31w-UvKagzhAwDXMXyTQxIEiixHACJdL8Ni4SAXyr8YJaGyaxaYET-hCE6nsJIyNqGsIbYqOz79GmN7lpWhdU-odp8TSeQRn6nYD-uN4eqZIv-sTyNEdUPmL/s16000/eva.jpg&quot; title=&quot;Eva&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3Hv0av7&quot; target=&quot;_blank&quot;&gt;EVA&lt;/a&gt;
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In 2043, androids are part of everyday life.&amp;nbsp;Daniel Brühl (speaking fluent Catalan) plays&amp;nbsp;a&amp;nbsp;cybernetic genius who returns to his hometown to build a robot child modelled on his niece. Exquisite virtual interfaces, a droll robot factotum and adorable robo-cat are the supporting stars in this bewitching sci-fi yarn.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUizeLQTDNThdbjh_3jvXDwyMxqXasXVaZJFqgHPcvbNwB6Oy1OzfnP29vj7n0mpIxM-aKb8xm4bB5GYwraMjCGS3nujlEmNfw20pXwzG2vbv7pPK0Tm8_nkk8wViHLSTP1kxdbyd-QjJavKolJ3hYVOzcWFXij3agZlceEeN_A-z1CXYyaQzDQJxz/s600/westworld.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Westworld&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUizeLQTDNThdbjh_3jvXDwyMxqXasXVaZJFqgHPcvbNwB6Oy1OzfnP29vj7n0mpIxM-aKb8xm4bB5GYwraMjCGS3nujlEmNfw20pXwzG2vbv7pPK0Tm8_nkk8wViHLSTP1kxdbyd-QjJavKolJ3hYVOzcWFXij3agZlceEeN_A-z1CXYyaQzDQJxz/s16000/westworld.jpg&quot; title=&quot;Westworld&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3XW3pBf&quot; target=&quot;_blank&quot;&gt;WESTWORLD&lt;/a&gt;
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You&#39;ve seen &lt;a href=&quot;https://amzn.to/3WxrP2R&quot; target=&quot;_blank&quot;&gt;the TV show&lt;/a&gt;, now revisit Michael Crichton&#39;s original sci-fi classic about a futuristic theme park where tourists can interact with lifelike androids in recreations of the wild west, ancient Rome and medieval times. What could possibly go wrong? Yul Brynner, as an implacable robot gunslinger, is nightmare fodder.
&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMog0E8reJIs_NJzfj_PdYewEiJ53NdEZFSn_E6iRnlcFjpRkVM_GWee1x1ex2syWPFvHW0CdOJRXCZvKfIP_3zBc9MKIVTu7bg52EPmRfmzDIkoHTdNf1HqoaRNG2eLZwNv1eabcjAzvDiDItLO_4ALJ6XBRoDRFKYA206lDJK_2B1yXYDyxNqCDZ/s600/star-wars-episode-v-the-empire-strikes-back.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Empire Strikes Back&quot; border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMog0E8reJIs_NJzfj_PdYewEiJ53NdEZFSn_E6iRnlcFjpRkVM_GWee1x1ex2syWPFvHW0CdOJRXCZvKfIP_3zBc9MKIVTu7bg52EPmRfmzDIkoHTdNf1HqoaRNG2eLZwNv1eabcjAzvDiDItLO_4ALJ6XBRoDRFKYA206lDJK_2B1yXYDyxNqCDZ/s16000/star-wars-episode-v-the-empire-strikes-back.jpg&quot; title=&quot;The Empire Strikes Back&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://amzn.to/3HxjSq4&quot; target=&quot;_blank&quot;&gt;THE EMPIRE STRIKES BACK&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;
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C-3PO and R2-D2 return for the first and best sequel in the&amp;nbsp;&lt;i&gt;Star Wars&lt;/i&gt;&amp;nbsp;franchise, which introduces Yoda and spills the shocking truth about Darth Vader. This time the loveable droid duo faces formidable robotic competition in the shape of Imperial AT-AT Walkers; the tie-in toys were an instant hit with young fans.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJyl3D11aCTRc0cRTE8qaBh_SI7oCpqaNg4myxEhiy2qH8GdqTBAtMpM_SErhQK28sTZYouKtVbIi43vMy7jkS5roT1DWOpiLJ9LsxjFWNSmFZsfTso_6GCTJqWTOdKQf0ZUgjVcU2nKi4-Ylza0C97IH_k0KO8T8CMAwHdG7Z42RCW1YDBQZnFMvc/s600/the-black-hole.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Black Hole&quot; border=&quot;0&quot; data-original-height=&quot;257&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJyl3D11aCTRc0cRTE8qaBh_SI7oCpqaNg4myxEhiy2qH8GdqTBAtMpM_SErhQK28sTZYouKtVbIi43vMy7jkS5roT1DWOpiLJ9LsxjFWNSmFZsfTso_6GCTJqWTOdKQf0ZUgjVcU2nKi4-Ylza0C97IH_k0KO8T8CMAwHdG7Z42RCW1YDBQZnFMvc/s16000/the-black-hole.jpg&quot; title=&quot;The Black Hole&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3j5sQSg&quot; target=&quot;_blank&quot;&gt;THE BLACK HOLE&lt;/a&gt; 
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A deep space research crew finds a missing spaceship at the edge of a black hole in Disney&#39;s sci-fi spectacular with superb effects, a terrific John Barry score, and a trippy ending that traumatised a generation of kids. What will the crew and their faithful droid find on board? A mad scientist, and robots galore!&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz-eVOQLHBCojlgTAk8f07AbjIAq5YTS1TkCFE6cHum-EuuvtDmI1oJI1y9-OnP38uqV5nrn5TTvOehze65oeaYxg0jcqUkMSXp4Hmpygz8RvlOX4AHrnL6zwrmN6bFfS7yW1Ad8U3-YxwLi2SJqczU1X-RBoSpMyoH51X14y-N3ZAuNPsjt0Fxc9p/s600/test-pilota-pirxa.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Test Pilota Pirxa&quot; border=&quot;0&quot; data-original-height=&quot;398&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz-eVOQLHBCojlgTAk8f07AbjIAq5YTS1TkCFE6cHum-EuuvtDmI1oJI1y9-OnP38uqV5nrn5TTvOehze65oeaYxg0jcqUkMSXp4Hmpygz8RvlOX4AHrnL6zwrmN6bFfS7yW1Ad8U3-YxwLi2SJqczU1X-RBoSpMyoH51X14y-N3ZAuNPsjt0Fxc9p/s16000/test-pilota-pirxa.jpg&quot; title=&quot;Test Pilota Pirxa&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3R2ZTTz&quot; target=&quot;_blank&quot;&gt;TEST PILOTA PIRXA&lt;/a&gt;
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A heroic&amp;nbsp;pilot&amp;nbsp;agrees to lead a mission to Saturn, aware UNESCO has placed an android on his crew as part of a risky experiment. Can he work out which of his men is the non-human? This adaptation from one of Stanislaw Lem&#39;s &lt;i&gt;Pirxa&lt;/i&gt; stories blends Cold War aesthetics and Arvo Pärt music with thrilling deep space action.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJYnzmlpjPREVYGSAEQsaneUywsF4HnJ2qkW4DM-wfuH-PyxkSmT4UmBvMn2ZO1Qz2KFZsSN94P5uEJE76nk7H2qRmCzqyHwOHE7-EG7v1bkGvvir7Zh86RhDuYssh5nwwHuphM3cD67yctugLCQnyagxdiQQPEMGEH27tmN9hFUcoU4wTGDwtWjff/s600/ai-artificial-intelligence.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;A.I. Artificial Intelligence&quot; border=&quot;0&quot; data-original-height=&quot;404&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJYnzmlpjPREVYGSAEQsaneUywsF4HnJ2qkW4DM-wfuH-PyxkSmT4UmBvMn2ZO1Qz2KFZsSN94P5uEJE76nk7H2qRmCzqyHwOHE7-EG7v1bkGvvir7Zh86RhDuYssh5nwwHuphM3cD67yctugLCQnyagxdiQQPEMGEH27tmN9hFUcoU4wTGDwtWjff/s16000/ai-artificial-intelligence.jpg&quot; title=&quot;A.I. Artificial Intelligence&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/4053If9&quot; target=&quot;_blank&quot;&gt;A.I. ARTIFICIAL INTELLIGENCE&lt;/a&gt;
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In the 22nd century, a robot child embarks on a Pinocchio-like quest to become a real boy and win back the love of the mother who rejected him. This adaptation of a Brian Aldiss story, initially developed by Stanley Kubrick, goes off on some very dark tangents (The Flesh Fair!) before a poignant emotional payoff.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BQDeDfOqRfq1QucjyVshzOXn42_eTE3KpVBm0eyvnqSOZ9GMKQXlp0E9qLKzkAH5iKrP3ABLUMwAqQu9VmLACAozdYIPC5Feel1RQvKS8nV1qbpUWkjgeR64POvjfEMdFXSwJLMMB6xuBxAs5CgekHdfenaga2NVjDVCMbOT93xC_qat7ti_o8Do/s600/the-questor-tapes.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Questor Tapes&quot; border=&quot;0&quot; data-original-height=&quot;461&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BQDeDfOqRfq1QucjyVshzOXn42_eTE3KpVBm0eyvnqSOZ9GMKQXlp0E9qLKzkAH5iKrP3ABLUMwAqQu9VmLACAozdYIPC5Feel1RQvKS8nV1qbpUWkjgeR64POvjfEMdFXSwJLMMB6xuBxAs5CgekHdfenaga2NVjDVCMbOT93xC_qat7ti_o8Do/s16000/the-questor-tapes.jpg&quot; title=&quot;The Questor Tapes&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3DakCij&quot; target=&quot;_blank&quot;&gt;THE QUESTOR TAPES&lt;/a&gt;
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&lt;i&gt;Star Trek&lt;/i&gt;&amp;nbsp;creator Gene Roddenberry conceived this TV film as the pilot for a series that was never made, but it works on its own as a globe-trotting adventure powered by the bromance between a human and an android, clearly the prototype for&amp;nbsp;&lt;i&gt;Next Generation&lt;/i&gt;&#39;s Data. Typical Roddenberry, it&#39;s humane, touching and funny.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJsO80he82XMrJswxSNA18cER2rNAfVUFh-EI2_xWsAC9DxGCNDCwqT_-WL-doRAII90YiE-ZBbjdjWxi-ncHMV37rVOyz-AJrTY7NcOYPsqvC6ZPFpa85xtn2etaAxRIlV5_bob2p0WnEVm4lU11lB9KJaW8HC1v6KRAxx7r1zfaeglJP0V8bNM7Y/s600/dr-who-and-the-daleks.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Dr Who and the Daleks&quot; border=&quot;0&quot; data-original-height=&quot;529&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJsO80he82XMrJswxSNA18cER2rNAfVUFh-EI2_xWsAC9DxGCNDCwqT_-WL-doRAII90YiE-ZBbjdjWxi-ncHMV37rVOyz-AJrTY7NcOYPsqvC6ZPFpa85xtn2etaAxRIlV5_bob2p0WnEVm4lU11lB9KJaW8HC1v6KRAxx7r1zfaeglJP0V8bNM7Y/s16000/dr-who-and-the-daleks.jpg&quot; title=&quot;Dr Who and the Daleks&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://amzn.to/3XCki4j&quot; target=&quot;_blank&quot;&gt;DR. WHO AND THE DALEKS&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The BBC&#39;s beloved sci-fi TV show first aired in 1963 and quickly spawned this big screen spin-off. Peter Cushing plays the time-travelling doctor who is transported with his two daughters and an assistant to Planet Skaro, home of the doctor&#39;s most fearsome enemies, the robotic Daleks. Their catchphrase? EX-TER-MIN-ATE!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0AzBu_EsI6R8qcppEMeeVsYSHZ4_V4WXn6SVK9LZkdYTtT18Q4Jd1mD5VaOJe8VeENwfFDAwGte4rQw-WjQPceuF83yJxzWYquOIR3uXOmvhbvd-exOv05OWL6ReOJlYcO_5SLd3SL_VDbix1F5pmUopz-KpeINDn5SFL8pu6eH98dXnwvL99a5Dz/s600/the-artifice-girl.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Artifice Girl&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0AzBu_EsI6R8qcppEMeeVsYSHZ4_V4WXn6SVK9LZkdYTtT18Q4Jd1mD5VaOJe8VeENwfFDAwGte4rQw-WjQPceuF83yJxzWYquOIR3uXOmvhbvd-exOv05OWL6ReOJlYcO_5SLd3SL_VDbix1F5pmUopz-KpeINDn5SFL8pu6eH98dXnwvL99a5Dz/s16000/the-artifice-girl.jpg&quot; title=&quot;The Artifice Girl&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;THE ARTIFICE GIRL&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Government agents interrogate a computer geek about the pubescent girl he&#39;s been using to trap sexual predators online. She turns out to be virtual (an uncanny performance by young Tatum Matthews) in a cerebral three-act chamber piece that dives deep into the ethics, pitfalls and potential of Artificial Intelligence.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5lA7p-gnpe9hBgKhRi9dnzb3z-iYNQbEMn41Tnb9xR7EDF7GtLPVXpJb5wQA1eVkoagT626Ezhg_xyVjdPSgeRXYsLDiMu1Xl5zvqu--5SiM0L7yTxsZm1fGViCZZlsQa6AC0wUxlF61yLwj89f6Jfw7rLQnw4iZ2swbrFZt1hKwo-2s_7tRBNE7/s600/metoroporisu.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Metoroporisu&quot; border=&quot;0&quot; data-original-height=&quot;329&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5lA7p-gnpe9hBgKhRi9dnzb3z-iYNQbEMn41Tnb9xR7EDF7GtLPVXpJb5wQA1eVkoagT626Ezhg_xyVjdPSgeRXYsLDiMu1Xl5zvqu--5SiM0L7yTxsZm1fGViCZZlsQa6AC0wUxlF61yLwj89f6Jfw7rLQnw4iZ2swbrFZt1hKwo-2s_7tRBNE7/s16000/metoroporisu.jpg&quot; title=&quot;Metoroporisu&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://amzn.to/3kC9moB&quot; target=&quot;_blank&quot;&gt;METOROPORISU&lt;/a&gt;
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Fritz Lang&#39;s&amp;nbsp;&lt;i&gt;Metropolis&lt;/i&gt;&lt;/a&gt;&amp;nbsp;was inspiration for this spectacular dieselpunk anime in which a female android called Tima struggles against a destiny in which she will be deployed as a superweapon. The cityscapes are stunning, with a retro feel that&#39;s echoed in the ragtime-adjacent score and unexpected use of a Ray Charles hit.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRDM6LaPpF9fLbDreindTbmuv0DlynTuauUGR95cPaYDlWcqjIqy27kFTEfhJvbv2RZHa9E8aYj619MB3-d9jSwuQolHyJJzkv316q0dpqqojpLID0uVWRWI0t45CoI5HuJP9x_H8SWCXmw8WG1llmYTdAUwcomX6gZ1hv3x7-qeXh6nlb9L7TAlVj/s600/ghost-in-the-shell-2-innocence.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Ghost in the Shell 2: Innocence&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRDM6LaPpF9fLbDreindTbmuv0DlynTuauUGR95cPaYDlWcqjIqy27kFTEfhJvbv2RZHa9E8aYj619MB3-d9jSwuQolHyJJzkv316q0dpqqojpLID0uVWRWI0t45CoI5HuJP9x_H8SWCXmw8WG1llmYTdAUwcomX6gZ1hv3x7-qeXh6nlb9L7TAlVj/s16000/ghost-in-the-shell-2-innocence.jpg&quot; title=&quot;Ghost in the Shell 2: Innocence&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3HsBfIP&quot; target=&quot;_blank&quot;&gt;GHOST IN THE SHELL 2: INNOCENCE&lt;/a&gt;
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Major Kusanagi has a cameo, but the protagonist of this underrated sequel is her partner Batou, the world-weary semi-cyborg with a loveable Basset Hound. He and Section 9 trace a series of sexbot killings to a labyrinth of false realities and existential philosophy in an exquisite feast for the eyes, ears and brain.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimxHED6SlBPHqODujPb7OdfStbH52Q67yn0aEkX6Wb7wDEmSZMb5TMjfqRlYUSV8bheNHpuUnJirXdmaD0daGNQoA7037cWeJiJFm8mjhq7CAIs2ZNLJunNs7wdRss1bfbnhpBbVYMx_fVg5fiPpecGV5LoI4xaVhrDwKGMW8tQgafpOBglY8cKUN-/s600/automata.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Automata&quot; border=&quot;0&quot; data-original-height=&quot;399&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimxHED6SlBPHqODujPb7OdfStbH52Q67yn0aEkX6Wb7wDEmSZMb5TMjfqRlYUSV8bheNHpuUnJirXdmaD0daGNQoA7037cWeJiJFm8mjhq7CAIs2ZNLJunNs7wdRss1bfbnhpBbVYMx_fVg5fiPpecGV5LoI4xaVhrDwKGMW8tQgafpOBglY8cKUN-/s16000/automata.jpg&quot; title=&quot;Automata&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3JeqV8H&quot; target=&quot;_blank&quot;&gt;AUTOMATA&lt;/a&gt;
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In 2044, humans need robotic help to survive in a world scorched by solar flares. Antonio Banderas plays an investigator examining claims that robots have been breaching protocol by modifying themselves. This handsome sci-fi epic pits paranoid humans against philosophical machines who may be mankind&#39;s last hope.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW_XBhLjkqHl4qadXsdDNvE-NyPOx71YgDvEgHWvHvcFjwoCWDbOffdmsLFFaX415kcyKrLY61ptqyeHXYpiB65BSnOZFmYWruRFQzUQ9vahxn698sLmugmEFlrwL2Z_ska7H2dZQhPlwkhKRdph8WVV0TNYqcCV8xVUbGzZXmYcx043RcrXPB3oJQ/s600/screamers.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Screamers&quot; border=&quot;0&quot; data-original-height=&quot;337&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW_XBhLjkqHl4qadXsdDNvE-NyPOx71YgDvEgHWvHvcFjwoCWDbOffdmsLFFaX415kcyKrLY61ptqyeHXYpiB65BSnOZFmYWruRFQzUQ9vahxn698sLmugmEFlrwL2Z_ska7H2dZQhPlwkhKRdph8WVV0TNYqcCV8xVUbGzZXmYcx043RcrXPB3oJQ/s16000/screamers.jpg&quot; title=&quot;Screamers&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3Ht6FPk&quot; target=&quot;_blank&quot;&gt;SCREAMERS&lt;/a&gt;
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A long war has left a remote planet littered with lethal robots that are evolving to look and behave just like humans. The lives of a battle-weary colonel (Peter Weller) and his men depend on distinguishing man from machine, but easier said than done in this tense, creepy adaptation of a Philip K. Dick short story.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgut0uwwVaQI5Qvm9WHOZpTHhvwMLl-sVhHUmDpILT1KPh7lk26LX5SKHW1Fx-E82mq79tGgzmqa7d8C9D1MmWvqMcVqMHB-MddzrvpfcdYWf-w460pJM4OZ8G7woa2EOU4LaGrqltoOsJFImpJe98LhXiW6MlPrqtwiACJkmQ99tC2EoWTkBXSnZkM/s600/robocop.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Robocop&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgut0uwwVaQI5Qvm9WHOZpTHhvwMLl-sVhHUmDpILT1KPh7lk26LX5SKHW1Fx-E82mq79tGgzmqa7d8C9D1MmWvqMcVqMHB-MddzrvpfcdYWf-w460pJM4OZ8G7woa2EOU4LaGrqltoOsJFImpJe98LhXiW6MlPrqtwiACJkmQ99tC2EoWTkBXSnZkM/s16000/robocop.jpg&quot; title=&quot;Robocop&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3XBEtzl&quot; target=&quot;_blank&quot;&gt;ROBOCOP&lt;/a&gt;
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&quot;I&#39;ll buy that for a dollar!&quot; Verhoeven stirs hyper-violence, splattery humour and religious allegory into a delicious satire on modern America. Peter Weller does some impressive acting with his mouth and chin (the only visible parts of his face) as a Detroit cop, murdered by crooks, who is resurrected as a cyborg.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeozprjubqY2UoMufkCnG9H1mKMuPltwUOP5z9StSkZ_M3wqxjYxuTHCcrSKJmlvn6ZNwEL2DAO8MAdsU-yYt6f6-PExEk1mQ_6d3fGkeIcH2V8cqSr6EJ0QWtgmLUpwOdK6xX91FKqVznyT9yYWZvZx1-jxMIu2lGet8oMwi8eSWcUkZEz-uFysl3/s600/death-machine.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Death Machine&quot; border=&quot;0&quot; data-original-height=&quot;398&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeozprjubqY2UoMufkCnG9H1mKMuPltwUOP5z9StSkZ_M3wqxjYxuTHCcrSKJmlvn6ZNwEL2DAO8MAdsU-yYt6f6-PExEk1mQ_6d3fGkeIcH2V8cqSr6EJ0QWtgmLUpwOdK6xX91FKqVznyT9yYWZvZx1-jxMIu2lGet8oMwi8eSWcUkZEz-uFysl3/s16000/death-machine.jpg&quot; title=&quot;Death Machine&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3R315X3&quot; target=&quot;_blank&quot;&gt;DEATH MACHINE&lt;/a&gt;
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In what could be the most unhinged performance of his career, Brad Dourif plays a mad scientist who unleashes his choppy, stabby killer robot on CEOs and eco-warriors trapped in a high-rise. Steven Norrington, in his feature debut, directs the hell out of this often hilarious mash-up of&amp;nbsp;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3JfpKWw&quot; target=&quot;_blank&quot;&gt;The Terminator&lt;/a&gt;&lt;/i&gt;,&amp;nbsp;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3XBEtzl&quot; target=&quot;_blank&quot;&gt;RoboCop&lt;/a&gt;&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3JjPelH&quot; target=&quot;_blank&quot;&gt;Hardware&lt;/a&gt;&lt;/i&gt;.
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&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5c0LCs2gzyUAXLYooiig4UJWRVF18b17XZmqIvHNSLtRTXCLFPA83O4YU38cwdXyAsJNI1FSny6KefTtOXEz_7QxpzLCU8QOr8GbrflCEUE7Ezoec4z6_0KuPvrrlMTeCb5wBz5xxuYHlfzUH63iW2m9KQmNVzepdniEhHbf3j1Upe96veY32-6k-/s600/cherry-2000.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img alt=&quot;Cherry 2000&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5c0LCs2gzyUAXLYooiig4UJWRVF18b17XZmqIvHNSLtRTXCLFPA83O4YU38cwdXyAsJNI1FSny6KefTtOXEz_7QxpzLCU8QOr8GbrflCEUE7Ezoec4z6_0KuPvrrlMTeCb5wBz5xxuYHlfzUH63iW2m9KQmNVzepdniEhHbf3j1Upe96veY32-6k-/s16000/cherry-2000.jpg&quot; title=&quot;Cherry 2000&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://amzn.to/3WBSxHG&quot; target=&quot;_blank&quot;&gt;CHERRY 2000&lt;/a&gt;
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In the year 2017, a businessman ventures into a perilous post-apocalyptic wasteland in search of spare parts for his beloved but obsolete sexbot. Melanie Griffith oozes 1980s star charisma as the hardboiled tracker he hires as a guide. Low-budget sci-fi with mad stunts, a western vibe and a Michael Almereyda screenplay.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5l_pWZXvKe5oNl8rBEY55EIp6agvC57Jf5gajzbobWWNddk12t1CG0fTWto_NU3cvyLF3QnbXk37t8zzk5KKM49WFRgIJhlKj7Wx0Kwek3OwmMpCewzu2EswYQA3srrpS2YymaYaDEGQZhLLtedum7EYc3Q2MTGZ61pESCqycNaO3940FK9LvrDIk/s600/hardware.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Hardware&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5l_pWZXvKe5oNl8rBEY55EIp6agvC57Jf5gajzbobWWNddk12t1CG0fTWto_NU3cvyLF3QnbXk37t8zzk5KKM49WFRgIJhlKj7Wx0Kwek3OwmMpCewzu2EswYQA3srrpS2YymaYaDEGQZhLLtedum7EYc3Q2MTGZ61pESCqycNaO3940FK9LvrDIk/s16000/hardware.jpg&quot; title=&quot;Hardware&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3JjPelH&quot; target=&quot;_blank&quot;&gt;HARDWARE&lt;/a&gt;
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Richard Stanley, in his feature debut, works wonders on a minuscule budget with a&amp;nbsp;2000 AD-inspired yarn set in a post-apocalyptic neo-punk netherworld. A sculptress unwittingly solders a piece of lethal military android into her latest scrap metal creation, and the mechanical artwork runs amok. Heavy metal carnage to the max!&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVa_tLEgdgFZjUEnYrxxWpI3uN5qhnA3hWE1vpPoSswEdEabsUdWPfUKD5Hy_81voWWXzw-JvgYEjqYYAa5NUMOE0kNj0GwflXoiMOoHvmirTAOUFUGwsjsG_xoCVAhO-e8DVYNO6LMZisnp7GhRIoyybZfY0L27Ttyj_510MUjpyOC68sb9Ck6OKl/s600/chopping-mall.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Chopping Mall&quot; border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVa_tLEgdgFZjUEnYrxxWpI3uN5qhnA3hWE1vpPoSswEdEabsUdWPfUKD5Hy_81voWWXzw-JvgYEjqYYAa5NUMOE0kNj0GwflXoiMOoHvmirTAOUFUGwsjsG_xoCVAhO-e8DVYNO6LMZisnp7GhRIoyybZfY0L27Ttyj_510MUjpyOC68sb9Ck6OKl/s16000/chopping-mall.jpg&quot; title=&quot;Chopping Mall&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3kGqr0T&quot; target=&quot;_blank&quot;&gt;CHOPPING MALL&lt;/a&gt;
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Security robots get their circuits scrambled by an electrical storm and hunt down the horny teens who are partying after hours in a shopping mall. B-movie mayhem from the Corman stable, packed with gratuitous boobs, cheesy exploding head effects, in-jokes and a cult cast including Dick Miller and Barbara Crampton.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLSVO2uOsig-pi1AQ6sv4-2r_ks_RSJ81XGacioRzMO-SbWTwjYJfjXZT9jcVrjk46FpCCfXtzDu21L-wDQfgD0XKjsmgApHHnHdYlB6JK5mxex2GAbJ5sanLeTMISLM_qVfFzwqgSkFBleiyPJV6WrjJQ04knYj4kqMlsUfWP-2q4iXlAIP4SCWqy/s600/steel-and-lace.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Steel and Lace&quot; border=&quot;0&quot; data-original-height=&quot;438&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLSVO2uOsig-pi1AQ6sv4-2r_ks_RSJ81XGacioRzMO-SbWTwjYJfjXZT9jcVrjk46FpCCfXtzDu21L-wDQfgD0XKjsmgApHHnHdYlB6JK5mxex2GAbJ5sanLeTMISLM_qVfFzwqgSkFBleiyPJV6WrjJQ04knYj4kqMlsUfWP-2q4iXlAIP4SCWqy/s16000/steel-and-lace.jpg&quot; title=&quot;Steel and Lace&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3Deijv0&quot; target=&quot;_blank&quot;&gt;STEEL AND LACE&lt;/a&gt;
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When her evil yuppie rapist is found not guilty, a classical pianist commits suicide, but is resurrected by her genius brother as a killer-cyborg programmed to murder the scumbag and the buddies who gave him a fake alibi. Rape-revenge exploitation with a melancholy streak offset by some creative and surprising kills!&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibl4gFBbCkiSnGZ7B0TCUvDAyN63-v_NmingJPEa6RcPp4lQPQ0jORRxHyUvIeLg96FRDB8CFqRLmHXsPP2CsFaYVwAqyT4rYIW0gwQEje-EpFgkpPCx_ZTk2WiwsyRV8gPE-HsgGIYN2bNJalHNo6CtKPQ2mlBkC42BV_w0appVSHjPDc5LPdfBA_/s600/the-transformers-the-movie.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Transformers: The Movie&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibl4gFBbCkiSnGZ7B0TCUvDAyN63-v_NmingJPEa6RcPp4lQPQ0jORRxHyUvIeLg96FRDB8CFqRLmHXsPP2CsFaYVwAqyT4rYIW0gwQEje-EpFgkpPCx_ZTk2WiwsyRV8gPE-HsgGIYN2bNJalHNo6CtKPQ2mlBkC42BV_w0appVSHjPDc5LPdfBA_/s16000/the-transformers-the-movie.jpg&quot; title=&quot;The Transformers: The Movie&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3HuQ8u1&quot; target=&quot;_blank&quot;&gt;THE TRANSFORMERS: THE MOVIE&lt;/a&gt;
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Heroic Autobots battle evil Decepticons in this spin-off from the animated TV show; more fun than Michael Bay&#39;s live-action pics, and not averse to killing off beloved characters. The illustrious voice cast includes Robert Stack, Leonard Nimoy and Orson Welles, in his final role, as the voracious planet Unicron.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNxjNeJoPqeswX8Vux_nBDcGnKwqt1r3D_QFe5DYERXNjt5oETHzacO_8R3uNgaZAQZY6kNA-y60_Tv6CLleYSRRO5pVMuOT-WlRvo3-2hwNMWPazqQho9mIzW15ZO19sTdzhiRwOdvZsyIE2wc4NIwotm5zqSXP8rNPkRA7kqFO5ClXvZXJxzSoJ/s600/Short-Circuit.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Short Circuit&quot; border=&quot;0&quot; data-original-height=&quot;381&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNxjNeJoPqeswX8Vux_nBDcGnKwqt1r3D_QFe5DYERXNjt5oETHzacO_8R3uNgaZAQZY6kNA-y60_Tv6CLleYSRRO5pVMuOT-WlRvo3-2hwNMWPazqQho9mIzW15ZO19sTdzhiRwOdvZsyIE2wc4NIwotm5zqSXP8rNPkRA7kqFO5ClXvZXJxzSoJ/s16000/Short-Circuit.jpg&quot; title=&quot;Short Circuit&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3XTddvU&quot; target=&quot;_blank&quot;&gt;SHORT CIRCUIT&lt;/a&gt;
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&quot;Number 5 is alive!&quot; A military robot gains sentience and goes on the run in this family-friendly comedy adventure. A scatty animal lover (Ally Sheedy) thinks it&#39;s an extra-terrestrial and teaches it the ways of humans before they team up with the robot&#39;s inventor to evade the army killjoys who want it terminated.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1fv5Hy0nSI7quLTHbgYjEc4agXJReYS3feSAkKSWV34WfhJ94_DJY2rj6rMhvQJI-BqQiqvrHDH38kc1w5NjEAf0nIlNwsM5Sw64vkkrqtRLbAhpr68KqvBskoc7xaAbuMRI0uyx03Zi2qTf5WKK0RNfdieD4abkR84cVFRuTGHskEHrHi81uR9pZ/s600/wall-e.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;WALL-E&quot; border=&quot;0&quot; data-original-height=&quot;336&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1fv5Hy0nSI7quLTHbgYjEc4agXJReYS3feSAkKSWV34WfhJ94_DJY2rj6rMhvQJI-BqQiqvrHDH38kc1w5NjEAf0nIlNwsM5Sw64vkkrqtRLbAhpr68KqvBskoc7xaAbuMRI0uyx03Zi2qTf5WKK0RNfdieD4abkR84cVFRuTGHskEHrHi81uR9pZ/s16000/wall-e.jpg&quot; title=&quot;WALL-E&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;
&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3wyRq0I&quot; target=&quot;_blank&quot;&gt;WALL-E&lt;/a&gt;
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By the year 2805, mankind has abandoned a polluted Earth for luxury starliners, leaving an amiable but lonely robot to clean up the mess in this lovely Pixar animation with an eco-message and inspired action out of the Buster Keaton playbook. Can &lt;a href=&quot;https://amzn.to/3wrR3p1&quot; target=&quot;_blank&quot;&gt;WALL-E&lt;/a&gt; and &lt;a href=&quot;https://amzn.to/3DeslvP&quot; target=&quot;_blank&quot;&gt;his new robo-pal Eve&lt;/a&gt; teach humans how to heal their planet?&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7D9ylbm45q7PcBTLD552zjezmsHn6fBkCoZxnepP7AngKSwjH4CF9Z0PIYyr5YQalGPWdbavHilzNRf6Ltg2PR-INnx8T1NBR4VBK8s0dyJmcj7OSMT01hk9H1zWfazagvc1l_NPAv-oNq3vLeD79DVGtPK73NyQLh3D5Kzm_EA0wcJATNZvgb7C/s600/android.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Android&quot; border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7D9ylbm45q7PcBTLD552zjezmsHn6fBkCoZxnepP7AngKSwjH4CF9Z0PIYyr5YQalGPWdbavHilzNRf6Ltg2PR-INnx8T1NBR4VBK8s0dyJmcj7OSMT01hk9H1zWfazagvc1l_NPAv-oNq3vLeD79DVGtPK73NyQLh3D5Kzm_EA0wcJATNZvgb7C/s16000/android.jpg&quot; title=&quot;Android&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3De1Jem&quot; target=&quot;_blank&quot;&gt;ANDROID&lt;/a&gt;
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In 2036, three criminals seek refuge on a space station occupied only by creepy scientist &lt;a href=&quot;https://amzn.to/3R2nMux&quot; target=&quot;_blank&quot;&gt;Klaus Kinski&lt;/a&gt; and a naïve android, Max 404, who models himself on James Stewart. With its &lt;i&gt;Space Invaders&lt;/i&gt;-era graphics, this no-budget but inventive New World production takes some unexpected turns en route to a violent climax.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOpdb1Aj5drKRc2_062Cb3talqEvmyD6Nkru43pZey93SHWI3QaiuRVHP-cFHTAcgtYURgYM--NdS7HiaDBoQF4o5hBtG1YPJHiZ-33wPxUg4X63LjWCOVubcGcr1D-lgmHX6CNqYnXXs5pwPL3kdoPixBnbA4PCs1IXUf_GmbluH89bnQhWM7iAq/s600/cyborg.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Cyborg&quot; border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOpdb1Aj5drKRc2_062Cb3talqEvmyD6Nkru43pZey93SHWI3QaiuRVHP-cFHTAcgtYURgYM--NdS7HiaDBoQF4o5hBtG1YPJHiZ-33wPxUg4X63LjWCOVubcGcr1D-lgmHX6CNqYnXXs5pwPL3kdoPixBnbA4PCs1IXUf_GmbluH89bnQhWM7iAq/s16000/cyborg.jpg&quot; title=&quot;Cyborg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href=&quot;https://amzn.to/3XG9cLM&quot; target=&quot;_blank&quot;&gt;CYBORG&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In a plague-ridden future, a cyber-woman has to carry life-saving data from New York to Atlanta. Only&amp;nbsp; Jean-Claude Van Damme and his signature helicopter kicks can protect her from the Flesh Pirates! Pyun applies his no-budget know-how to a post-apocalyptic argy-bargy featuring characters named after classic guitars.&lt;/div&gt;&lt;div&gt;
&lt;br /&gt;&lt;div&gt;&lt;b&gt;My latest book, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3wtJEFv&quot; target=&quot;_blank&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt;, is now available from Amazon and other retailers.&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi5JuiexhBxiW8J0A53eM5yscdMUlC4vZZ4dhbj5O6YMFOlwj_CDLiEvtsIih7Apvj1sDo9GsnJDQMEAB93aTqHQOn8AfksnE5xWPKBjwDmDpp8r4ax4Cxjn61gKQ6t3RkkerkClo14PpZAh-lc2FIDfIj-K5-jLD47IiTzvuNEUF9ZMHEolOoJjRI/s824/theres-something-wrong-with-the-children.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;There&#39;s Something Wrong With the Children&quot; border=&quot;0&quot; data-original-height=&quot;824&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi5JuiexhBxiW8J0A53eM5yscdMUlC4vZZ4dhbj5O6YMFOlwj_CDLiEvtsIih7Apvj1sDo9GsnJDQMEAB93aTqHQOn8AfksnE5xWPKBjwDmDpp8r4ax4Cxjn61gKQ6t3RkkerkClo14PpZAh-lc2FIDfIj-K5-jLD47IiTzvuNEUF9ZMHEolOoJjRI/s16000/theres-something-wrong-with-the-children.jpg&quot; title=&quot;Evil Seeds: The Ultimate Movie Guide to Villainous Children&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/1098544791662895219/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/02/best-robot-movies-of-all-time.html#comment-form' title='28 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/1098544791662895219'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/1098544791662895219'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/02/best-robot-movies-of-all-time.html' title='BEST ROBOT MOVIES OF ALL TIME'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi04VSGWOM9wkawjkt3AuPxLmQ78gsBBkwSeSM1uj_q8F07Xj3F28gUU7Zvtbs-3qzErQFFzcTxKXORVlwWOH-2Ry0fuh2fIaftIDEHMSfnks2re6DCtQKiN-9zUikA2mAOPFSw-874jasZqei4uE6wVNiaINPRzN-gDNe2bRQi7a4uiz_Bp-MujD41/s72-c/best-robot-movies.jpg" height="72" width="72"/><thr:total>28</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-5496493677196248931</id><published>2023-01-29T13:25:00.000+01:00</published><updated>2023-01-29T13:25:50.585+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Arrow Video"/><title type='text'>NAKED LUNCH</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfUVww_Ogc2p2g-qsk9vRVfdWTeON0E-V2TtzuQuE_Ij6sGkcgYNTga_83gH0RoOlJXkxNX-F_lV0PGYPAJIOxGQKNS2Rc6uAC6G3CEPvDNFsU4Z-th60s61s0n7eZSQT606Yf1EOJL6LhHfIr7d3_qlfdq4N02r0pSe2cWbra8PWHwAvMYq7ggVr/s600/naked-lunch-arrow-video.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Naked Lunch&quot; border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfUVww_Ogc2p2g-qsk9vRVfdWTeON0E-V2TtzuQuE_Ij6sGkcgYNTga_83gH0RoOlJXkxNX-F_lV0PGYPAJIOxGQKNS2Rc6uAC6G3CEPvDNFsU4Z-th60s61s0n7eZSQT606Yf1EOJL6LhHfIr7d3_qlfdq4N02r0pSe2cWbra8PWHwAvMYq7ggVr/s16000/naked-lunch-arrow-video.jpg&quot; title=&quot;Naked Lunch&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
I wrote a piece about David Cronenberg&#39;s &lt;i&gt;&lt;b&gt;Naked Lunch&lt;/b&gt;&lt;/i&gt; for a new &lt;b&gt;Arrow Video&lt;/b&gt; box set, and I&#39;m super proud of this stunning edition.
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It features a brand new 4K restoration from the Original Camera Negative, overseen by Director of Photography Peter Suschitzky and approved by writer/director David Cronenberg. It is available on both UHD and Blu-Ray.
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On top of that, it has new interviews with producer Jeremy Thomas, cinematographer Peter Suschitzky, composer Howard Shore, SFX genius Chris Walas, and an hour-long conversation with star Peter Weller.
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PLUS: an all new audio commentary by&amp;nbsp;Jack Sargeant&amp;nbsp;and&amp;nbsp;Graham Duff, an archive directors commentary by David Cronenberg, an hour-long new piece by Tony Rayns on William S. Burroughs, a new appreciation by&amp;nbsp;David Huckvale&amp;nbsp;on the music of &lt;i&gt;Naked Lunch&lt;/i&gt;, an all new visual essay by&amp;nbsp;David Cairns, &lt;i&gt;Naked Making Lunch&lt;/i&gt; (the making of doc originally shown as part of the South Bank Show), presented here in a new scan from director Chris Rodley&#39;s own 16mm print, which is slightly longer than the version most people are used to seeing (also viewable with a new audio interview with Chris Rodley - director of &lt;i&gt;Naked Making Lunch&lt;/i&gt; and editor of the essential Cronenberg on Cronenberg), and a gallery of concept art and maquettes by Stephen Dupuis.
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Not to mention an 80-page perfect-bound book containing new writing by Jack Sargeant and yours truly, plus a wealth of archival material.
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And the cherry on this particular cake? All new art by Gilles Vranckx (who also made the book covers for &lt;i&gt;&lt;a href=&quot;https://amzn.to/3Y8dsmQ&quot; target=&quot;_blank&quot;&gt;Evil Seeds, The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt;, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3XSM392&quot; target=&quot;_blank&quot;&gt;Strange Blood: 71 Essays on Offbeat and Underrated Vampire Movies&lt;/a&gt;&lt;/i&gt;, and &lt;i&gt;&lt;a href=&quot;https://amzn.to/3RgAu8P&quot; target=&quot;_blank&quot;&gt;When Animals Attack: The 70 Best Horror Movies with Killer Animals&lt;/a&gt;&lt;/i&gt;).
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UHD is all on one disc, BD is two discs, but both versions contain all the same stuff.
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And, of course, this limited edition version also features a double sided poster, a selection of postcards, plus a reproduction ticket to Interzone and reproduction business cards for both William Lee and Dr. Benway.
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This is a UK only release since other labels have the rights in other territories, but UHD is region free so...
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</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/5496493677196248931/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2023/01/naked-lunch.html#comment-form' title='40 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5496493677196248931'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/5496493677196248931'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2023/01/naked-lunch.html' title='NAKED LUNCH'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfUVww_Ogc2p2g-qsk9vRVfdWTeON0E-V2TtzuQuE_Ij6sGkcgYNTga_83gH0RoOlJXkxNX-F_lV0PGYPAJIOxGQKNS2Rc6uAC6G3CEPvDNFsU4Z-th60s61s0n7eZSQT606Yf1EOJL6LhHfIr7d3_qlfdq4N02r0pSe2cWbra8PWHwAvMYq7ggVr/s72-c/naked-lunch-arrow-video.jpg" height="72" width="72"/><thr:total>40</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-275015673316364734</id><published>2022-12-28T10:10:00.005+01:00</published><updated>2022-12-28T10:10:57.958+01:00</updated><title type='text'>LE PRIX DU DANGER &amp; THE RUNNING MAN</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeDVSxM8LNBt_6LMwUh1YRhJ8VrIvFrG8ekIW9v5S8VeR_MVP8ua1EgMDZR5j-TGUkoGhy-WJNuP9CMCK9o8mT0h4huwcYsYbqcOWZcXTRW10xfiup15hUYAJhbHybwV0eUXPuYsH_AlbqfSfQCjM0ZiW7puPxwO8DE99iok1ckGA1p1USkCp0gdYd/s876/the-running-man.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;the running man&quot; border=&quot;0&quot; data-original-height=&quot;876&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeDVSxM8LNBt_6LMwUh1YRhJ8VrIvFrG8ekIW9v5S8VeR_MVP8ua1EgMDZR5j-TGUkoGhy-WJNuP9CMCK9o8mT0h4huwcYsYbqcOWZcXTRW10xfiup15hUYAJhbHybwV0eUXPuYsH_AlbqfSfQCjM0ZiW7puPxwO8DE99iok1ckGA1p1USkCp0gdYd/s16000/the-running-man.jpg&quot; title=&quot;Arnold Schwarzenegger in The Running Man&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
This Friday, I&#39;ll be giving an introduction to Yves Boisset&#39;s &lt;b&gt;&lt;a href=&quot;https://amzn.to/3GkqmIu&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;i&gt;Le prix du danger&lt;/i&gt; (1982)&lt;/a&gt;&lt;/b&gt; and Paul Michael Glaser&#39;s &lt;b&gt;&lt;a href=&quot;https://amzn.to/3WQgeMP&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;i&gt;The Running Man&lt;/i&gt; (1987)&lt;/a&gt;&lt;/b&gt; at the Cinematek in Brussels. The films are part of a &quot;Reality TV&quot; double-bill.
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About &lt;i&gt;&lt;a href=&quot;https://amzn.to/3GkqmIu&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le prix du danger&lt;/a&gt;&lt;/i&gt;: In a dystopian future, a television station organizes a manhunt, capitalizing on the low instincts and voyeurism of viewers who closely follow the candidate&#39;s elimination. It is reminiscent of what reality TV would become a few years later. Based on a story by American sci-fi writer &lt;a href=&quot;https://amzn.to/3i2eykF&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Robert Sheckley&lt;/a&gt;.
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About &lt;i&gt;&lt;a href=&quot;https://amzn.to/3WQgeMP&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Running Man&lt;/a&gt;&lt;/i&gt;: A few years after &lt;i&gt;&lt;a href=&quot;https://amzn.to/3GkqmIu&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Le prix du danger&lt;/a&gt;&lt;/i&gt;, American director Paul Michael Glaser&#39;s &lt;i&gt;&lt;a href=&quot;https://amzn.to/3WQgeMP&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Running Man&lt;/a&gt;&lt;/i&gt; (starring Arnold Schwarzenegger) was released, using exactly the same plot. Yves Boisset files a lawsuit for plagiarism, which lasts 11 years and which he eventually wins. But &lt;i&gt;&lt;a href=&quot;https://amzn.to/3WQgeMP&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;The Running Man&lt;/a&gt;&lt;/i&gt; is also an adaptation of &lt;a href=&quot;https://amzn.to/3C2LpNi&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;a novel by Stephen King&lt;/a&gt;. However, Glazer (the Starsky from &lt;i&gt;&lt;a href=&quot;https://amzn.to/3jtrfW9&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Starsky &amp;amp; Hutch&lt;/a&gt;&lt;/i&gt;) goes for a much kitschier, entertaining film, which will have an undeniable influence on the world of video games.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;My latest book, &lt;i&gt;&lt;a href=&quot;https://amzn.to/3C6x964&quot; target=&quot;_blank&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt;, is now available from Amazon and other retailers.&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ZpRkHCVpoUddm9hTEvVpESxARGUBBeGY22Xn6eDYYI510FuRObA5TMGhm-L6m-7HLP7djTHAyz7ftuyQebhaC27nVttx37jHW_s2M_cvsXFcJN3lfh6zp3e1xSwT3xvenp8BoQ3jRTyAuvdybQDlv5_J_CQh8wlKBTpPsKm1apqFftWY3TVVvB0P/s824/fussy-librarian.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;the running man&quot; border=&quot;0&quot; data-original-height=&quot;824&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2ZpRkHCVpoUddm9hTEvVpESxARGUBBeGY22Xn6eDYYI510FuRObA5TMGhm-L6m-7HLP7djTHAyz7ftuyQebhaC27nVttx37jHW_s2M_cvsXFcJN3lfh6zp3e1xSwT3xvenp8BoQ3jRTyAuvdybQDlv5_J_CQh8wlKBTpPsKm1apqFftWY3TVVvB0P/s16000/fussy-librarian.jpg&quot; title=&quot;Evil Seeds: The Ultimate Movie Guide to Villainous Children&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/275015673316364734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2022/12/le-prix-du-danger-running-man.html#comment-form' title='80 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/275015673316364734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/275015673316364734'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2022/12/le-prix-du-danger-running-man.html' title='LE PRIX DU DANGER &amp; THE RUNNING MAN'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeDVSxM8LNBt_6LMwUh1YRhJ8VrIvFrG8ekIW9v5S8VeR_MVP8ua1EgMDZR5j-TGUkoGhy-WJNuP9CMCK9o8mT0h4huwcYsYbqcOWZcXTRW10xfiup15hUYAJhbHybwV0eUXPuYsH_AlbqfSfQCjM0ZiW7puPxwO8DE99iok1ckGA1p1USkCp0gdYd/s72-c/the-running-man.jpg" height="72" width="72"/><thr:total>80</thr:total><georss:featurename>Rue Baron Horta 9, 1000 Bruxelles, Belgium</georss:featurename><georss:point>50.844172099999987 4.3601522</georss:point><georss:box>22.533938263821142 -30.7960978 79.154405936178833 39.5164022</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-4868723798469766104</id><published>2022-12-01T16:17:00.000+01:00</published><updated>2022-12-01T16:17:09.509+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Avalon"/><category scheme="http://www.blogger.com/atom/ns#" term="book tour"/><category scheme="http://www.blogger.com/atom/ns#" term="Christmas"/><title type='text'>CHRISTMAS BOOK TOUR &amp; GIVEAWAY</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBggEFURRqRfYrBBqPGqKYIpXSDSPnvxmxZhuGprTV36KTxjNU2f5RLMHF5tfE90RLT4SK07_DLaLhus6YJqR1DSmyvBd_AMc8pegJpyx9pdOoRO99pykSi6jcLfFnuobm0r4MzNibPFEFOavcJV_vvsq-smfzvU4Ebkqx_VJR63nXblPg5HaAOQVz/s600/instagram-book-tours.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;instagram book tours&quot; border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBggEFURRqRfYrBBqPGqKYIpXSDSPnvxmxZhuGprTV36KTxjNU2f5RLMHF5tfE90RLT4SK07_DLaLhus6YJqR1DSmyvBd_AMc8pegJpyx9pdOoRO99pykSi6jcLfFnuobm0r4MzNibPFEFOavcJV_vvsq-smfzvU4Ebkqx_VJR63nXblPg5HaAOQVz/s16000/instagram-book-tours.jpg&quot; title=&quot;Deck the Hall with Books Holiday Extravaganza&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
This month, I&#39;m participating in the &lt;b&gt;Deck the Halls with Books Holiday Extravaganza book tour.&lt;/b&gt; There will be lots of Christmas-themed content for each stop on the tour (such as Christmas recipes for you and your cat), excerpts from my book &lt;i&gt;&lt;b&gt;&lt;a href=&quot;https://amzn.to/3GGLpW6&quot; target=&quot;_blank&quot;&gt;Avalon&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;, and &lt;a href=&quot;https://www.facebook.com/events/520916270083754/&quot; target=&quot;_blank&quot;&gt;a Facebook party on December 13&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;
Nine other authors are joining, too, and every one of us will be doing a giveaway, so make sure you &lt;a href=&quot;https://www.bewitchingbooktours.biz/2022/12/now-on-tour-avalon-heartwarming-true.html&quot; target=&quot;_blank&quot;&gt;follow along&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
See you there!
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/4868723798469766104/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2022/12/christmas-book-tour-giveaway.html#comment-form' title='150 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/4868723798469766104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/4868723798469766104'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2022/12/christmas-book-tour-giveaway.html' title='CHRISTMAS BOOK TOUR &amp; GIVEAWAY'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBggEFURRqRfYrBBqPGqKYIpXSDSPnvxmxZhuGprTV36KTxjNU2f5RLMHF5tfE90RLT4SK07_DLaLhus6YJqR1DSmyvBd_AMc8pegJpyx9pdOoRO99pykSi6jcLfFnuobm0r4MzNibPFEFOavcJV_vvsq-smfzvU4Ebkqx_VJR63nXblPg5HaAOQVz/s72-c/instagram-book-tours.jpg" height="72" width="72"/><thr:total>150</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1810626333088964620.post-8368445669653937217</id><published>2022-11-21T10:59:00.004+01:00</published><updated>2022-11-24T10:49:48.514+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Brussels"/><category scheme="http://www.blogger.com/atom/ns#" term="Cinemamed"/><category scheme="http://www.blogger.com/atom/ns#" term="film festival"/><category scheme="http://www.blogger.com/atom/ns#" term="film festivals"/><title type='text'>Cinemamed</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghHH8b-Lysz75ZGtMnGMOACWNneQ_G0nKmGU1FZqBulq3QzdpEqwByyJh4eg8qepkSMhYbDXRe-VNnmBt1iAVn0okhPM33uFv67EkQZlDzSFD3DvYbaSmD2p4Bo_CRMXVVCL6YMzm6_qMMFt_YX8HFx6m3_RkJIHgI8yHzr_lDThSygSG5ORaDxa5b/s807/cinemamed-film-festival.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;cinemamed&quot; border=&quot;0&quot; data-original-height=&quot;807&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghHH8b-Lysz75ZGtMnGMOACWNneQ_G0nKmGU1FZqBulq3QzdpEqwByyJh4eg8qepkSMhYbDXRe-VNnmBt1iAVn0okhPM33uFv67EkQZlDzSFD3DvYbaSmD2p4Bo_CRMXVVCL6YMzm6_qMMFt_YX8HFx6m3_RkJIHgI8yHzr_lDThSygSG5ORaDxa5b/s16000/cinemamed-film-festival.jpg&quot; title=&quot;Cinemamed&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;From December 2 to 18, I will be part of &lt;a href=&quot;https://www.cinemamed.be/jury-de-la-critique-2022/&quot; target=&quot;_blank&quot;&gt;the jury of &lt;b&gt;Cinemamed&lt;/b&gt;&lt;/a&gt;&amp;nbsp;(Festival cinéma méditerranéen de Bruxelles).&amp;nbsp;&lt;/div&gt;
&lt;br /&gt;
These are &lt;a href=&quot;https://www.cinemamed.be/competition-officielle/&quot; target=&quot;_blank&quot;&gt;the films I will be judging&lt;/a&gt;...&amp;nbsp;&lt;div&gt;
&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3Gm5WPD&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Alcarràs&lt;/a&gt;&lt;/i&gt; by Carla Simón (Spain)&amp;nbsp;&lt;/h2&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF4qj15XnpIyNgofo0D6bjVAcImXeX_roNmJ-OtCjKarVDXK2AeAysaOMLZyVlrIj5OpKrmlAU2pn-NQCPEZjrw2FEM260v8cFfXcznU1yTxFX5xvZjJ3FwGq0LOBLsOq20tThjZ7eug7l_L5-UNb8168zamMI29dvMcosdJ4qmp8hOxnoeJssn7PK/s600/alcarras.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Alcarràs&quot; border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF4qj15XnpIyNgofo0D6bjVAcImXeX_roNmJ-OtCjKarVDXK2AeAysaOMLZyVlrIj5OpKrmlAU2pn-NQCPEZjrw2FEM260v8cFfXcznU1yTxFX5xvZjJ3FwGq0LOBLsOq20tThjZ7eug7l_L5-UNb8168zamMI29dvMcosdJ4qmp8hOxnoeJssn7PK/s16000/alcarras.jpg&quot; title=&quot;Alcarràs&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;a href=&quot;https://amzn.to/3AgGc3t&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Cinema Sabaya&lt;/a&gt;&lt;/i&gt; by Orit Fouks Rotem (Belgium/Israel)&lt;/h2&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin1dT1AcMHAx0OtFbHmxbCW2YmE1-4e-ESXGcTUSO1C_SUlaItyhVlx3lRdwuzmjE9Tn71KASI0g3s3lFT5RLW46YzkZAPsY6LrLI8yBROKbHNAmv6CQQp6WaJ9MSc_jMCnK4esEgzq5x6H0OFh6SCYcVYuOhjV__Psbiy9Zt1kGVFuMAwKdXEhGvY/s600/cinema-sabaya.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Cinema Sabaya&quot; border=&quot;0&quot; data-original-height=&quot;333&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin1dT1AcMHAx0OtFbHmxbCW2YmE1-4e-ESXGcTUSO1C_SUlaItyhVlx3lRdwuzmjE9Tn71KASI0g3s3lFT5RLW46YzkZAPsY6LrLI8yBROKbHNAmv6CQQp6WaJ9MSc_jMCnK4esEgzq5x6H0OFh6SCYcVYuOhjV__Psbiy9Zt1kGVFuMAwKdXEhGvY/s16000/cinema-sabaya.jpg&quot; title=&quot;Cinema Sabaya&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;
&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Les damnés ne pleurent pas&lt;/i&gt; by Fyzal Boulifa (France/Belgium/Morocco)&amp;nbsp;&lt;/h2&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVE9UF9J0xcC3Ty_DvRIV2PV5nKh2H_zbZPq9o6go45Nmf75Le0Wn4VQdtwxsJzYuYM5ZKxX6-BfjkApEc8X58IAvoZS9KreLzSskD089WfsgQzgQG1Plxy0yCRh4CVRqn4BI63uEfkl2OX2xb-D4ffgSaFCvdctE4J80V585FDtmVkJE835jAWsB/s600/les-damne%CC%81s-ne-pleurent-pas.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Les damnés ne pleurent pas&quot; border=&quot;0&quot; data-original-height=&quot;325&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVE9UF9J0xcC3Ty_DvRIV2PV5nKh2H_zbZPq9o6go45Nmf75Le0Wn4VQdtwxsJzYuYM5ZKxX6-BfjkApEc8X58IAvoZS9KreLzSskD089WfsgQzgQG1Plxy0yCRh4CVRqn4BI63uEfkl2OX2xb-D4ffgSaFCvdctE4J80V585FDtmVkJE835jAWsB/s16000/les-damne%CC%81s-ne-pleurent-pas.jpg&quot; title=&quot;Les damnés ne pleurent pas&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Interdit aux chiens et aux Italiens&lt;/i&gt; by Alain Ughetto (France/Italy/Belgium/Switzerland/Portugal)&amp;nbsp;&lt;/h2&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjECr_mP6ites1fRnzUUGsemK_Y8jR4jy9oU5798CjN6olkRtdQr8Uc6w6GOHEs0iG-uzJMp0gGzloRRUVfE-FxqVNbL752h3dWui2RICKXMXj8obFQvvgZZZHYBpgT1Qr2neZJi0dKsQ-ukE5iEth8kz2yivQav-bmn6ZKtMSjXWyN1SCgfcDRe-jR/s600/interdit-aux-chiens-et-aux-italiens.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Interdit aux chiens et aux Italiens&quot; border=&quot;0&quot; data-original-height=&quot;325&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjECr_mP6ites1fRnzUUGsemK_Y8jR4jy9oU5798CjN6olkRtdQr8Uc6w6GOHEs0iG-uzJMp0gGzloRRUVfE-FxqVNbL752h3dWui2RICKXMXj8obFQvvgZZZHYBpgT1Qr2neZJi0dKsQ-ukE5iEth8kz2yivQav-bmn6ZKtMSjXWyN1SCgfcDRe-jR/s16000/interdit-aux-chiens-et-aux-italiens.jpg&quot; title=&quot;Interdit aux chiens et aux Italiens&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Mediterranean Fever&lt;/i&gt; by Maha Haj (&lt;a href=&quot;https://www.traveling-cats.com/search/label/France&quot; target=&quot;_blank&quot;&gt;France&lt;/a&gt;)&amp;nbsp;&lt;/h2&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqfcBeGBA7TmkQaKXf2Y3tou-UinMQwXoH50qFHtGBfWuSSH9NTpP-yHp6luggwtkf_4bgkEpA6u6M9anQSRlcqxC9yRlSey7uzj7WkHGEFM9MUR5Y4tz4XbE-fXFR3n3hMrxa7CZWJsuk0KgLuCx5b9pxAlu4NT8tbj2vb9iv8X0-D6aAwnIP94-i/s600/mediterranean-fever.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Mediterranean Fever&quot; border=&quot;0&quot; data-original-height=&quot;338&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqfcBeGBA7TmkQaKXf2Y3tou-UinMQwXoH50qFHtGBfWuSSH9NTpP-yHp6luggwtkf_4bgkEpA6u6M9anQSRlcqxC9yRlSey7uzj7WkHGEFM9MUR5Y4tz4XbE-fXFR3n3hMrxa7CZWJsuk0KgLuCx5b9pxAlu4NT8tbj2vb9iv8X0-D6aAwnIP94-i/s16000/mediterranean-fever.jpg&quot; title=&quot;Mediterranean Fever&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Snow and the Bear&lt;/i&gt; by Selcen Ergun (&lt;a href=&quot;https://www.traveling-cats.com/search/label/Turkey&quot; target=&quot;_blank&quot;&gt;Turkey&lt;/a&gt;)&amp;nbsp;&lt;/h2&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVRfHd640Iv-w7g6jo8cg_VrOIKWy4E15mtxYFws1HTWtc_yXzq-gHFieVXSWwZXv8VUwCYzl8VoQhqsabTQFzS1kwLvNbmwX6e0C2XsUDbPRIH3dty87H0qSrOvsKkcUM8vA0QqXqiG3UeUMLO96IOYqKhuYpN3zW-3Z9b9S5zyh1Wq0DGAwYiMoy/s600/snow-and-the-bear.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Snow and the Bear&quot; border=&quot;0&quot; data-original-height=&quot;316&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVRfHd640Iv-w7g6jo8cg_VrOIKWy4E15mtxYFws1HTWtc_yXzq-gHFieVXSWwZXv8VUwCYzl8VoQhqsabTQFzS1kwLvNbmwX6e0C2XsUDbPRIH3dty87H0qSrOvsKkcUM8vA0QqXqiG3UeUMLO96IOYqKhuYpN3zW-3Z9b9S5zyh1Wq0DGAwYiMoy/s16000/snow-and-the-bear.jpg&quot; title=&quot;Snow and the Bear&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;h2 style=&quot;text-align: left;&quot;&gt;&lt;i&gt;The Uncle&lt;/i&gt; by David Kapac and Andrija Marsdešić (&lt;a href=&quot;https://www.traveling-cats.com/search/label/Croatia&quot; target=&quot;_blank&quot;&gt;Croatia&lt;/a&gt;)&amp;nbsp;&lt;/h2&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijr6EVey_t5nFqmaFAZMHqRcnnfiDAOyB5eBCSAPPJeMBmkCR8ecUE_eaKIiKbXDKFR2pwYC1FaoLeF1WXf0_5Z_fCXHiS7BbKnfh0hLIhghCZvQJV9bDrrYPpYJ-QU4olCMsPdBUrjoldQ3KcFGOjGynVw0zmpVsX51xbPeqP7wsDElIJ67vptlPi/s600/the-uncle-creoatia.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;The Uncle&quot; border=&quot;0&quot; data-original-height=&quot;421&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijr6EVey_t5nFqmaFAZMHqRcnnfiDAOyB5eBCSAPPJeMBmkCR8ecUE_eaKIiKbXDKFR2pwYC1FaoLeF1WXf0_5Z_fCXHiS7BbKnfh0hLIhghCZvQJV9bDrrYPpYJ-QU4olCMsPdBUrjoldQ3KcFGOjGynVw0zmpVsX51xbPeqP7wsDElIJ67vptlPi/s16000/the-uncle-creoatia.jpg&quot; title=&quot;The Uncle&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;
Have you seen any of these movies? Did you like them?&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;My latest book &lt;i&gt;&lt;a href=&quot;https://amzn.to/3tTkdfo&quot; target=&quot;_blank&quot;&gt;Evil Seeds: The Ultimate Movie Guide to Villainous Children&lt;/a&gt;&lt;/i&gt; is now available &lt;a href=&quot;https://amzn.to/3XFF9US&quot; target=&quot;_blank&quot;&gt;from Amazon&lt;/a&gt; and other retailers.&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYatIAQLzJyFlpv3TrLV_p7MGt61D77lfSsOz5klkHVds5MJnnpDidwAkvSrK9vfJPGgVBs4XbSM5ytQzWpGPMZULz3aSI35zm0GQUwgJLmockho0Ni9rOalscta-qJ1Hj5hAxoC5nDdh3vNhf-ONqdIDAVwbKjdy3UXNEzl4BbvpGrTT2XaXTAlaS/s824/cinemamed-festival.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;cinemamed festival&quot; border=&quot;0&quot; data-original-height=&quot;824&quot; data-original-width=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYatIAQLzJyFlpv3TrLV_p7MGt61D77lfSsOz5klkHVds5MJnnpDidwAkvSrK9vfJPGgVBs4XbSM5ytQzWpGPMZULz3aSI35zm0GQUwgJLmockho0Ni9rOalscta-qJ1Hj5hAxoC5nDdh3vNhf-ONqdIDAVwbKjdy3UXNEzl4BbvpGrTT2XaXTAlaS/s16000/cinemamed-festival.jpg&quot; title=&quot;Evil Seeds: The Ultimate Movie Guide to Villainous Children&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.celluloiddiaries.com/feeds/8368445669653937217/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.celluloiddiaries.com/2022/11/cinemamed.html#comment-form' title='64 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8368445669653937217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1810626333088964620/posts/default/8368445669653937217'/><link rel='alternate' type='text/html' href='http://www.celluloiddiaries.com/2022/11/cinemamed.html' title='Cinemamed'/><author><name>Vanessa Morgan</name><uri>http://www.blogger.com/profile/02953359344425030388</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghHH8b-Lysz75ZGtMnGMOACWNneQ_G0nKmGU1FZqBulq3QzdpEqwByyJh4eg8qepkSMhYbDXRe-VNnmBt1iAVn0okhPM33uFv67EkQZlDzSFD3DvYbaSmD2p4Bo_CRMXVVCL6YMzm6_qMMFt_YX8HFx6m3_RkJIHgI8yHzr_lDThSygSG5ORaDxa5b/s72-c/cinemamed-film-festival.jpg" height="72" width="72"/><thr:total>64</thr:total><georss:featurename>Bd Anspach 85, 1000 Bruxelles, Belgium</georss:featurename><georss:point>50.8477768 4.3487042</georss:point><georss:box>22.537542963821153 -30.8075458 79.158010636178844 39.5049542</georss:box></entry></feed>