Vinyl Art

RightThisMinute

2015-02-01T05:16:00.000-07:00

Recently I've made a couple timelapse videos that show a complete painting in around 3 minutes. The Hendrix is currently embedded at http://vinylart.info/ and also currently has over 20000 views on YouTube! One reason for this is that the syndicated TV show "RightThisMinute" shared the video and the information about the local display I talked about in my last post here. This is their clip about it:

Very cool. Then they were interested in sharing my Bowie video as well! In this one they do a really good job of showing how and where to buy my work. Here it is:

While this one hasn't gotten the views on YouTube, it did lead to a whole bunch of sales. Awesome. And we'll see where this all leads like always.

Peace.

Moments of Surprise

2014-11-29T20:31:00.001-07:00

This is the display including that Hendrix. It was installed at the Chandler Fashion Center the day before Thanksgiving. What timing! It'll be up indefinitely too, so we'll see what kind of attention and business it brings.

It came about because of the fellow who had me do http://vinylart.blogspot.com/2014/04/the-stones-project.html?m=0 awhile back. He saw my exhibit years ago in a restaurant in Pacific Palisades, CA where I grew up. He then referred a couple other people who work with him and then had me paint the Stones. He works for Macerich, the company that manages a lot of malls on the coasts and in the Phoenix metro area, having bought Westcor. It turns out they are trying to soften the advertising feel with moments of surprise. My moment of surprise was the national SVP head of marketing contacting me to ask if I'd be interested in having my work on display in a local mall. Holy smokes.

And this is the result. What's up on top is a BIG TV with my new Timelapse video of the Hendrix that they bought for the display. http://youtu.be/_o7zdo8_Aw0 is that video. It shows the full piece from start to finish in under 3 minutes. I love how the video came out. I edited it in Windows Moviemaker, of all things.

Along with the painting are displayed 2 stills taken in a photo shoot by my friend Zane Ewton of http://zefflerphoto.wordpress.com/ that show stages of the piece. Zane really knows how to tell a story with his work and the shots help to tell the story of my work in the display.

I don't know what will come of this at all. They might want to do more at other malls, and I'm hoping to do one at the Santa Monica Place, again where I grew up. We'll see. Whatever is supposed to happen always does.

And that's certainly something for which to be thankful. So Happy Thanksgiving!

Peace.

Foreshadowing

2014-11-02T20:20:00.001-07:00

Foreshadowing is a term usually used literarily. However it's kind of perfect for my work too. The black of the vinyl is all foreshadowing in a sense, creating the depth out of which I bring the faces. It feels more like I'm sculpting the face with the white acrylic, not painting it. For whatever reason, this idea, this technique, this process makes sense to my brain, creating these reverse newspaper photographs.

This Jimi Hendrix is a piece that's particularly exciting because of where it will be displayed soon. I can't say yet because of where but I'm hoping it'll be big.

More #foreshadowing.

"Approved!"

2014-09-07T07:01:00.001-07:00

I'm picturing Wiig's SNL Target Lady. My Wikipedia page was approved! It was a process with a learning curve for sure. And it required a bit of patience. But...

https://en.wikipedia.org/wiki/Daniel_Edlen

Peace.

The Stones Project

2014-04-25T18:50:00.001-07:00

This is epic. This is the coolest piece I've done. This is the coolest framing job of my work. This is why I do these.

This is why the fellow had me do these:

As a kid I always loved the Stones … tried to learn everything I could about them: first it was Mick, then I started learning about Keith, then Ronnie … in the three of them, I see the flash, the grit, the fun … but the beat holds it all together.

I read this passage and it stuck with me: "There's an old saying among those who have know the Stones a long time. It's that Mick wants to be Keith, and they all want to be Charlie. Why Charlie? Because he's genuinely hip, he's got innate good taste, and understands restraint. Charlie kept his family together, and he never got off on the star trip that the rest of them did. He's just Charlie Watts and when the job's over, he goes home and feeds his horses."

Who knows if it's true, but it's a great reminder when I'm sitting in my office all day not to get caught up in the perks of being a corporate exec … do the job and go home spend time with my wife, call my mother more often, enjoy the sunshine and my garden. Work comes around again tomorrow … until it doesn't.

Andy Warhol

2014-02-13T06:25:00.001-07:00

I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.

They always say that time changes things, but you actually have to change them yourself.

Isn't life a series of images that change as they repeat themselves?

- Andy Warhol

redis(cover)

2013-08-17T16:18:00.001-07:00

(i)nspired by photo by John Kelly on White Album cover

New music is great isn't it?

Especially when it reminds you of old music you like.

Right?

It's interesting how we gravitate towards what we already know. Music can remind us of other music in a lot of ways like rhythm, key, chord progression, lyric structure and instrumentation. Sometimes music directly references other music like Oasis sounding a bit like the Beatles. One popular way to pay homage to a musical influence and try to gain fans by recalling older music is to cover songs.

I'm just getting into the Black Keys and it was definitely cool to hear their version of the Beatles' She Said, She Said on their debut album. The Beatles recorded a lot of covers early on contractually with their label. It was smart for the Black Keys to remind me of Revolver too, my favorite album ever.

I like to think I 'cover' the work of the photographers from whom I draw inspiration. I try to credit them when I can, when I know who took the image I'm painting. When I paint a well known photo of an icon, I hope fans of the musician and photographer enjoy the piece more because of the familiarity.

When people see an exhibit of Vinyl Art in person, eyes light up when they recognize their favorites. Stories get told, memories get relived, music gets rediscovered.

That's why I paint these.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

IFTTT

2013-07-29T19:34:00.001-07:00

If this then that.

In my college course on artificial intelligence I learned how life can be modeled as sets of rules structured this way. Amidst the chaos it does seem that much of our existence can follow this structure.

It's just hard to follow, though. Like why Stevie Ray Vaughan ended up on that last minute fateful flight. Like why the piece I painted for Jason had to be of this portrait of Stevie Ray so that now I cry painting it because... well you know.

Anyway, IFTTT is easy to follow. And cool. It's a site/app/community thing that pulls together iOS functionality with lots of social media sites allowing one to create a 'recipe' taking the input from one 'channel' and generating output to another. It's very versatile and user friendly. I've scratched the surface with recipes to automatically spread posts to this blog on Twitter, Facebook and LinkedIn. We'll see what else I might cook up.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Woof!

2013-02-24T17:52:00.001-07:00

"Can't do it man. The master of funk descends on hartford at 7:30." - PCU

Awhile back I had the honor to gift a piece to Lou Reed (http://vinylart.blogspot.com/2009/12/full-bleed.html). Then, thanks to Stephen Tisdale (http://vinylshuffle.com), I got to give a piece to George Clinton for his birthday.

Yeah, THAT George Clinton.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Full Circle with @riozilla and @amoebamusic

2012-11-12T15:59:00.001-07:00

Back in high school, I was friends with Rio Caraeff. He introduced me to some great music, including The The's album "Dusk" which is one of my favorites still.

Today Rio is CEO of VEVO, the company presenting official music videos and live shows through YouTube in the one way acceptable to the major record labels. Recently he commissioned the 4 above pieces: Michael Jackson, Beyonce, 50 Cent and Adele. Almost 20 years later, full circle.

Back in school, too, I took a family trip to San Francisco. It was around the time I was starting to get into my dad's vinyl: Brubeck, Beatles, Khachaturian and Mangione. We went to the Haight and I was introduced to Amoeba Records. Woah.

Seeing that place got me seriously started hanging out in West L.A. record stores like Record Surplus, Moby Disc, Rhino Records and Penny Lane. I spent countless teenage hours crate digging. Some of the records became my first canvases.

Today, Amoeblog shared http://www.amoeba.com/blog/2012/11/jamoeblog/daniel-edlen-s-vinyl-art-creates-on-the-artifacts-of-creativity-.html about me. Another pretty cool full circle moment.

Nice day, today.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Seeing the Music

2012-10-25T14:47:00.000-07:00

"If only we could pull out our brain and use only our eyes." - Pablo Picasso

The way I conceive it, art only happens when we do what Picasso is talking about. When we flow in the moment without our brain filtering and simply allow whatever is supposed to come out to do so.

When you lose track of time, you've found your art. When you find what enables that loss, you've found your connection to your art.

For me, music is my connection. It's sort of like meditation, not thinking about each dab of the brush, simply seeing the light and dark. Seeing the music.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

No Light Without Shadow

2012-10-20T10:00:00.001-07:00

I was standing next to my John Coltrane portrait at the Open Studios event at http://santamonicaartstudios.com last weekend and a thought struck me. Following that show I sold the above Freddie Mercury, which reminded me of that thought.

Both pieces have black on the label because they're white. It's a challenge to paint pieces like that with just white on the record and black on the label. I have to make sure the light on the record is balanced by the shadows on the label, otherwise the portrait is broken.

I've been sharing Zen and Taoist quotes on Twitter at http://twitter.com/dedlen recently. A lot of them are about recognizing the yin and yang of life, the two sides of things when distinction is made. I don't particularly like adjectives because they require and create categorization and differentiation, but they exist in our lives. So one has to find balance between the two sides, between the light and the dark.

Like I do when I paint shadows on the label and the light on the record.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Underwater Basket Weaving

2012-09-25T16:38:00.001-07:00

Underwater basket weaving is an idiom which refers to classes at university generally thought of as filler and not valuable in education. A lot of activity in online marketing feels like that. But it's not. It's a useful skill with cumulative results.

Years ago I connected with Robert Benson through this very blog. A wonderful fellow with a huge heart, he continues to this day to share news about my Vinyl Art.

Back then he wrote http://collectingvinylrecords.blogspot.com/2008/01/vinyl-art-new-canvas.html and published it in a way that sees it spread even still. Its content, and links, stand up today.

Robert told me marketing on the Internet is like weaving a basket. Since then I've tried to spread awareness of my handpainted portraits on records far and wide to all different audiences, interconnecting and interlacing strands of the web to build a network of support of my art. With the explosion of social media and mobile interaction I've embraced Twitter, Facebook and the like. It is definitely challenging to do this on my own without representation, but it is very rewarding to connect with customers directly, getting to follow the stories of my pieces.

I've got a couple very cool stories coming up to share, but in the meantime I've gotten to weave a couple more strong strands into my basket.

First is http://inhabitat.com/daniel-edlen-upcycles-records-into-detailed-portraits-of-rock-n-rolls-greatest/ on Inhabitat written by Lori Zimmer. I shared a couple double album pieces that hadn't seen much exposure before and Lori pulled great text from http://www.mymodernmet.com/profiles/blogs/daniel-edlen-famous-musician-portraits-vinyl written by Alice Yoo.

Second is http://www.huffingtonpost.com/2012/09/14/artist-daniel-edlen-paint_n_1885577.html on the Huffington Post. Kathleen Massara asked some great questions and included the Coltrane that will be one of those cool stories.

I list such posts on my http://vinylart.info/where.htm with active links to those still live, pliable strands of soaked willow rods to make my basket. I'm proud of that list and hopefully it's strong and able to support my art. I'll certainly continue to weave it with content on this blog and a myriad of other places online.

Not easy and not worthless.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Help Save Music Education, Really!

2012-08-31T11:06:00.001-07:00

Our goal of $25,000 will help launch our newest program, Online Instrument Drives, which is an easy to use donation platform that helps thousands of youth receive the instruments they need to participate in music education! Music teachers request the instruments their students need, instrument donors choose the requests they want to fulfill, financial donors contribute to the cost of shipping and repair, and students get instruments!

Nate Anderson and his Ear Candy Charity are brilliant. They're creating an adoption agency for musical instruments, for kids. It's a 'win' on so many levels it's crazy. The campaign is half over, but isn't halfway to its goal yet. So please check out the link below, give if you can and spread the word far and wide!

http://www.indiegogo.com/EarCandy

Peace.

____________________________

creating art on the artifacts of

http://danieledlen.com

Calling (Collect)ors

2012-07-22T10:34:00.001-07:00

Once a month I send out an email newsletter with Vinyl Art updates that you can sign up for on this blog or at http://vinylart.info/why.htm for free. http://vinylart.info/press.htm has some old excerpts.

Some people automatically send such info to previous customers, potential collectors. I don't. I figure that if someone is interested in following me after buying a piece that they'll get to it somehow. I just publicly share when I'm sending it out.

I mean, when you call collect, who pays? Who really pays?

Peace.

How To Get Your Share

2012-07-16T16:58:00.001-07:00

It's tough, this art marketing thing. My ultimate goal is to get to paint, to get to contribute what I can, to get to be of value to you and my family. To do that, I have to serve my art, like I talked about in my last post.

A major part of serving my art has become sharing it online in a myriad of ways. To make it a win-win, like the late Stephen Covey proposed, so I'm happy, the gallery site is happy and you're happy, I've discovered that I have to know what the sites and you want.

I think I understand what the sites want: my content. Perfect! I want them to have it. But along with that content comes the same responsibility to serve. Sites work best when I work them best, by sharing what I've shared through them, sending you to them so you see what you want there. Their hope is that you'll share what you want by sharing what they want.

Basically, I think Scott Belsky of Behance wants you to share my Vinyl Art by sharing http://www.behance.net/gallery/Vinyl-Art/4519517 because it shares my content in the best and easiest way it can. My job then is to use the site as best as I can, making the comment that the CEO left on my project most gratifying.

It is a wonderful site, on the whole and in detail. I'd encourage you to start with my project, the content of which should be somewhat familiar, and then see what else grabs you there.

To get your share.

Peace.

Serve Your Art

2012-07-06T15:18:00.001-07:00

There's an episode of The Cosby Show in which one of the daughters, I think Vanessa, has brought home a guy to dinner and sprung their plans for marriage on the family at dinner. Cos gives this brilliant analogy of a cook preparing an amazing dinner and plating it on the underside of a garbage can lid. For some reason, that analogy has stuck with me.

Also rattling around my head is the idea that one's art is distinct from one's self. The artist is not his art, the artist DOES his art, creating artifacts. In the best moments of painting, I feel like my art is flowing through me as a vessel. I just watch. You know, that zen-like-type moment when you're in harmony with the universe. I'm just the storyteller.

Both of these inform the phrase "serve your art". Different definitions of "serve". Both vital, to me, for the artist to keep in mind.

1) Presentation of one's art is pretty dang important to the success of the communication between artifact and audience. In and of themselves, a frame or a promotional flyer or a CD label or a website aren't important for their own sakes. They serve to serve. The concierge, the ambience, the tablecloth, the plate, the garnish all create the context and focus attention on the actual value in a restaurant, the food. When those are somehow out of sync, the moment is broken and what might be a masterful meal gets fed to the dogs behind the joint.

While this is probably obvious to state, it's difficult to do. Well, I should say it's been difficult for me to do, anyway. It goes beyond the concerted marketing effort. It requires a psychological understanding of one's art and the way its artifacts connect with others. I've been pretty good at understanding my relationship with my art, so there's that. But allowing the artifacts of that art to reach out into the world is hard. I probably get in its way and don't even really know it. Letting the artifact speak for itself is the challenge while at the same time providing that context for the world to consume it.

This isn't to say the presentation should disappear, but, as an errant brush stroke can break the illusion of the portrait, that context, that packaging can help or hinder the delivery of your art's message. Serve your art. Serve it well.

2) The best artists allow their art to happen, I think. So as the art is presented, it is also performed. Here it is the artist who becomes part of the context for the act of the art. I don't mean the artist serves their art as a master, but if the artist wants the artifacts of their art to be serveable, presentable, the act of the art itself must be served. By this I mean to point out the importance of understanding your relationship with your art, how the art acts through you. And how to best facilitate that process.

This might be less obvious to state, as well as difficult to do. Art is often taught as a process to be controlled, not communicated. Students are encouraged to bring out what they have to say, not to let out what they see. For a long time, I've struggled with my feeling that I'm a glorified copier because when I was little I WAS taught how to allow myself to see and communicate that, but later I ran into the more common thinking that an artist must HAVE a vision, something inside. Artists end up getting in the way of the art as well as the artifacts, in this sense.

Fortunate is the artist whose art has happened upon them, a vision from the universe that is expressed through the artist, if allowed. I was lucky that my art found me adequately taught to use tools and at a point in life without imposed boundaries. Rediscovering it years later as a so-called niche allows me to retain its initial form and idea with a well-defined concept for me to serve. Serve your art. Serve it well.

Hopefully I've served this play on words well, providing some glimmer of an internal idea you might have been trying to bring out and understand for yourself. I know I'm still trying to understand it, myself.

If you have any response, please don't hesitate to leave it here publicly or to privately tell me at vinylart@danieledlen.com.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

fl(ashes)

2012-06-05T19:02:00.001-07:00

In a flash. He's gone.http://vinylart.blogspot.com/search/label/Jason

A blur, a teary-eyed blur of years follows. Ashes remain on the mantle. Paintings remain on the wall.

Clarity slowly returns. In fits, the blur lifts. Life goes on, death fades. The ashes no longer sit on the mantle. The paintings are rehung with others.

But every once in awhile. That flash returns. That moment when life turned to death hits again. Focus is lost as tears flood. The full memory replays.
But life goes on.

Peace.

____________________________

creating art on the artifacts of creativity

http://danieledlen.com

Dammit

2012-05-05T09:09:00.001-07:00

I'm trying to wrap my head around the event of Yauch's death.

Dammit.

When Cobain went, I was in school and his music connected with my life. I spent the rest of that day flat on my back in the dark with Nevermind blasting. Since, I think about that day whenever I hear their music.

I don't talk much about what I play while I paint. It happens to be largely the Beastie Boys. I hadn't gotten into their music back in the day, as I didn't appreciate rap as a teen. But after hearing Check Your Head and Ill Communication and then Paul's Boutique. Crap man, that is good music. It's really perfect music for me, for my art. The rhythm, the groove. And a lot of that was MCA. And now he's gone. And now I'll think about that whenever I play their music.

Even while I paint.

Dammit.

Rest In Peace, Yauch.

Moving. Again. Back.

2012-04-26T08:35:00.001-07:00

So after a year in CA we're heading back to AZ. Yep.

This'll be my new little room.

In the meantime, in Pacific Palisades I'm having a swan song solo show at the restaurant I sold a bunch at a year and a half ago.

http://www.prlog.org/11843755-restaurant-serves-up-tasty-vinyl-art.html

It'll be nice to have the 30 pieces safe while we move. During our move to CA they were on display at VH1 in NYNY.

Speaking of NYNY, my first commission after we move back will be for a really cool corporate client headquartered there. I can't share details yet but it'll be a great set of 4 pieces. Hopefully I'll get a shot of them hanging!

Until then, here's to a smooth move!

Peace.

Firsts

2012-02-29T10:44:00.000-07:00

So I've tried a couple traditional gallery group shows. Next, art fairs! Hadn't planned on doing this, but this March I'll be showing work in person in Laguna Beach for First Thursdays at the Blue Laguna and then in Las Vegas at Zappos First Fridays.

I painted a bunch of new pieces to fill out my collection so hopefully there'd be something for any music fan. A few are posted at http://vinylart.info/why.htm if you want to see them bigger than the photo above.

It'll be a couple late nights but should be worth it. I figured it was worth a shot to find that right audience in the right context.

It'd be a first.

Peace.

P(art)icipating

2012-01-21T12:42:00.001-07:00

On Feb.4 a music-inspired group art show called Pink Noise will open at Parlor Gallery in Asbury Park, New Jersey. These pieces of mine will be included! They contacted me late last year about participating so it's the first show for me of 2012. Woohoo! You can see work from other participating artists at http://www.parlor-gallery.com/?page_id=2426

Also coming up early this year, I'll hopefully be participating in First Fridays in Las Vegas! Close to the strip, a few blocks north of The Stratosphere they apparently have a growing monthly nighttime shindig. I'm planning on getting a booth in March. I'll certainly share details when everything's set.

Now I just need to paint more paintings!

Peace.

Yule (b)Log

2011-12-13T12:34:00.001-07:00

The weather in southern CA has been perfect for our 1st holiday season here. Just perfect.

We love the gloom.

We love feeling the need to be warm and cozy.

We love the warmth of family.

I was glad to be included in the 1st Holiday Sale at the Santa Monica Art Studios because my mother has her studio there.

And I sold the Louis Armstrong!

He went to a fellow who delighted in twice telling me how his father loves Louis, how he loves Louis, and how his 4 year old granddaughter now loves Louis. Beautiful.

I hope all the pieces that are being given as holiday gifts this year bring joy and delight. I know it's been a joy painting them.

Peace, and Happy Holidays!

On The Record Label

2011-11-16T10:48:00.002-07:00

Stark white. Lou Reed was the 1st piece I painted with white acrylic straight from the tube, no gray. It was on a demo record, which I thought was appropriate at the time. Demos usually have a white label.

I hadn't thought of sharing the importance of the label until I was commissioned to paint on this Matisyahu album which also has a white label. The art of the record label is wonderful. It has its size constraint like what I do does as well. And it seeks to both brand the album, connecting it to the record company, and unify the record with the album cover art.

Historically, usually, the record labels seem to simply be a connection to the record company like those shown at http://dj-spyder.blogspot.com/2008/11/text-less-record-label-artwork.html without any album text. I love these because they are often instantly recognizable and add that nostalgic element to my composition.

Ones like the Matisyahu though make for a unique composition and sometimes a more artistic piece. I just finished painting all five members of The Strokes, each on a different album, each with a unique label. The grouping, then, has a different feel than, say the Zeppelin grouping shown at the end of http://superhypeblog.com/?p=5758, all with the standard Atlantic label.

I try to work with the label when figuring out my composition. I like to draw attention to specific songs or the album artist with the placement and size of the portrait. In this Matisyahu, his name becomes part of his eyebrow. In this Zach de la Rocha, one of my favorite pieces, the label became the camera lens.

When the label is light, or white even, sometimes I need to use black paint instead of white. Usually it's for the eye, like in this piece and that Lou Reed. Mick Mars is another that ended up with a cool composition highlighting the album title and using black on the label.

A goal I have for my Vinyl Art is to celebrate the creativity that has gone into producing the artifact, the record. The design and content of the label is a big part of that. They are, after all, part of the record.

Peace.

Die By The Drop

2011-11-04T10:27:00.003-07:00

"the hardest decision you will ever have to make / lies underneath your fingers" - dead wax inscription

By L.Phelps

I've been thinking a lot lately about changes. About who I am. About what direction my life is going.

Fifteen years ago, I was a different person. I was young, idealistic, and thought that anything and everything was possible. I was half right. Anything and everything is possible. I was only half right about this because I made a gigantic miscalculation.

It's up to me to make it happen.

It's not that I am lazy. Far from it. I am a stubborn ass. If I set my mind on something, there is no stopping me.

The problem? I feel like my life is constantly being pulled in two directions. The life I am living. Safe, comfortable, predictable. And the life I could be living.

I am too scared to make the change.

Failing would be the death of me. The twist? Not trying will be the death of me too, just in a different way.