The five stages of a fight with the girlfriend:

1. The girlfriend is shocked.

2. The girlfriend is sad.

3. The girlfriend is frustrated.

4. The girlfriend is angry.

5. The girlfriend is indifferent.

The smart guy, usually sprinkled with a generous dose of callousness, knows how to keep the girl at stage 3, with the occasional shift in emotion to 2 or 4.

If you are a guy, never, ever push your girlfriend to stage 5. If not, you will be like Dan (i.e. Jude Law’s character in Closer) who returns to the room to find that Alice (i.e. Natalie Portman’s character) has stopped loving him.

Further notes:

Closer has, for some time, been my favorite movie about love. Excellent commentary about the movie over at IMDB.

An excerpt:

Marber seems to be preoccupied with the way a slighted lover will beg or even demand to know every excruciating detail about their lover’s infidelity. This inexplicable and seemingly masochistic phenomenon pervades Closer on both a literal and thematic level, because Marber has a very simple and universal idea to present. This need to hear these painful truths is the thesis of Closer. What we’re soon able to see through the weaving of the characters’ relationships is that this desire is a manifestation of any lover’s need to possess his or her beloved. The victim of an infidelity grapples not just with the pain of betrayal but also with the inescapable knowledge of a most intimate element of their lover that will never, ever be theirs. In the same way that a man might find himself unable to live with the knowledge of his girlfriend’s past sexual encounters (a la Chasing Amy), the cheated-on man or woman has to confront their pain, however irrational, for being unable to think of every element of their partner as their own.

Closer revolves around this theme. On the one hand, it does this through the literal story of a man wanting to know the details of how and where and with whom his wife cheated on him, vainly trying to take back those intimate moments and claim them as his own. On the other hand, however, Closer uses this theme in a much more general way. A man may grasp at the lustful experiences of his wife, trying to reverse his exclusion from them, but the way that grasping is employed in Closer shows us that even if it weren’t for the infidelity, he would be grasping anyway. We all would. Our need to feel we have complete possession of our lover is what drives us to desperately dig deeper and deeper, trying to gain some secret knowledge of who and what they are at their most pure and uncompromised level.

In the end, however, this level doesn’t exist. The digging, the struggling and the grasping is futile as no person can be reduced to a singular truth. We are an entirely different thing, practically a different animal, from moment to moment. As Natalie Portman’s character so perfectly illustrates by the end, even the most mundane details about who we are can turn out to be transitory or meaningless.

So… yeah. Transformers: Revenge of the Fallen is not a Transformers film. A Transformers film would have featured robots with personalities, robots that we cared about. It wouldn’t have contained robots that piss and fart and have testicles and and vomit (seriously, both Megatron and Jetfire vomit every fucking time they speak, and god only knows why). It wouldn’t have featured 15 minutes of nonsense about some doofus going to college, nor 15 minutes of footage of military stock footage. And most of all, it wouldn’t have featured a massive close-up of John Turturro’s bare ass.

I grew up with Transformers and love the franchise especially with what they did when the universe was reinvented with Beast Wars and Beast Machines.

I should hate Michael Bay and what he did with the franchise, basically he spat on the geeks’ faces and trampled on our memories for blockbuster dollars. And even though I think Megan Fox is the awesomeness, I would admit that there were too many gratuitous shots of her.

Yet…

I’m ashamed to admit that I actually enjoyed the movie despite the glaring holes in plot, total lack of respect to continuity and lack of character development for the robots.

Why?

Because I never thought I would see big giant robots fighting each other in a live-action movie. And I have.

However, I think more could have been done and I’m hoping for a reboot ten years down the line so that we can chuck the second movie together with Batman Forever and Batman & Robin.

And for people who said you can’t make a movie where the fans care about the robot, I introduce you to Wall-E.

It is pretty sad that the best Transformers movie is still the cartoon version released in 1986 (which I vaguely remembered watching in the cinema).

The Autobots have joined the military to hunt down the Decepticons. We’re told the Decepticons are “doing things,” but they appear to be hiding peacefully when the Autobots show up and brutally murder them.

No. No it is not. If they wanted to protect Earth, why did they leave the Matrix on the planet? They’re a space-faring race, they could have hid it anywhere in galaxy! Second of all, what the fuck does making a tomb of their own bodies do? Shouldn’t they have stayed alive to protect the Matrix? Or finish off the Fallen? Or just not die and leave Earth and the entire Transformer race in jeopardy?

For those who want to save money, this is Transformers 2 in 1 minute:

Just to refresh your memory, Transformer 2 is awesome not only because of giant robots fighting, but also because of Megan Fox:

Before beginning to discuss any questions concerning bloggers and journalists, it is necessary to state my intuitive understanding of certain terms, which will shed some light on the terms’, albeit not definitive, meanings.

Bloggers are writers who produce content that exist primarily online in the form of published blog posts. As writers, they are not defined by their methodology and ethics in crafting their post. However there is a perception that a blogger’s ethics and skills as a craftsman of words is lacking the professionalism that is attributed to journalists.

Journalists are writers who currently produce content that exist primarily offline which is available on print, radio and tv. As writers, they are held to a higher standard of ethics by the public (a standard which they supposedly uphold) and there is an assumption they have a professional skillset that distinguishes their writing from bloggers.

Social media is content that is produced by individuals who engage in conversation and exchange content online. Social media is a subset of digital media.

Traditional media is whatever we grew up with before the advent of the internet.

Someone ( I apologise that I have forgotten his name ) said that bloggers and journalists are of the same breed. He is insulting someone there but I’m not really sure who. In any case, his point was valid. The time really has come to start distinguishing between the medium and craftsman. Journalists have been taking their craft online and unfortunately some bloggers have been taking their inanity off.

Traditional media, digital media and social media aren’t monolithic systems that play a singular role.

Traditional media, and more specifically, newspapers have played a myriad of roles:
1. A platform for brand marketing.
2. A platform for classified ads.
3. A source of breaking news.
4. A source of entertainment.
5. A source of investigative journalism.
6. A source of analysis.
7. A source of good and great writing.

When we say traditional media is dying, what we are in fact are saying is that traditional media have lost their monopoly on some roles and have been supplanted by other systems like Craigslist, Twitter and Facebook for others.

The roles that can be played, and the effectiveness of the players are, sadly or maybe realistically, tied to how the players can monetize what they do and as long as the general consumers of online content refuse to pay for content, the ‘Sword of Damocles’ hangs over anyone who tries to fulfill the roles 5, 6 and 7 above.

A big portion of money spent by brands is not online. This is the pot of gold that Facebook have been pursuing as Facebook tries to get brands to spend more money online. The onus at this point, at least in respect to the role traditional media plays as a platform for branding marketing, is on social media to justify themselves for the proclamations that the new way is the best way. Saying this is the new tidal way of change and everyone should just go with the flow is selling snake oil.

And while it might be true that the measurements used in traditional media is also another pile of horse-shit, the ‘you-do-it-too-why-i-cant-do-it-too’ is hardly an intelligent argument to make against the people who are used to an entrenched system. You don’t win a girl over by being the same as the current boyfriend. You win the girl over by being better and proving you are better than the current boyfriend.

Or you could just keep telling the girl the boyfriend has cheated or might have died. Oh wait….

UniqueFrequency kept hammering the point that he got information from his friends (or rather members of his network) though online channels. The truth of the matter is that the last leg of the chain in which information travels to reach UniqueFrequency doesn’t matter shit if traditional media exists as a link somewhere along that chain.

We who like to blow the trumpet of the new crown prince of media need to ask what happens when the old king is finally dethroned? What happens when we realized then that the old and seemingly debilitated king was really the glue holding the realm together.

What happens when traditional media indeed dies as we have so gleefully prophesied?

Update:

UniqueFrequency takes offense at the representation of his points. Screenshot of his tweets below.
I apologize for failing to mention, and I concede I missed the part where UniqueFrequency acknowledged traditional media as the source. However, as clarified by the tweets, his example was given to downplay the importance of traditional media at least as perceived by other members of Gen Y, a perspective he states that he obviously does not share.
It is that perception and its pitfalls that I’m addressing above. It is still my opinion that most advocates of Social Media themselves have that perception and while it was not apparent to me last night that UniqueFrequency was above all that, it is obviously clear to all of us now that he is. My sincere apologies in representing otherwise.

In the ideal case, there is an inverse relationship between speed and the reliability of news. Gosh, even GOD had to take 6 days to create the universe. I think it would be safe to cut traditional news outlets some slack in reporting news that has just happened, news that we might have already heard over Twitter.

The question is what other details are appended to the ‘breaking’ news coverage. Is there analysis. Are things aggregated better in a way that provides more informative context?

More data isn’t more information. The Twitter apps being created to help filter the noise out from the signals is a reflection and recognition of the problem. Journalists and traditional media play the role of filters and curators, a role which admittedly they should try to do better online.

Is there a place for citizen journalism to kick in and break news while the meatier stuff is prepared the old school way? While I despise how STOMP has devolved, it began with a rather noble premise and was a good start by traditional media to lead in the experimentation of new ways to deal with the evolving behavior of consumers and producers of news.

There were some comments made last night about the wisdom of the crowd. People who brandish that term around without at least acknowledging that there are certain preconditions that need to exist in a system before the said wisdom can be realized deserves to be shot.

I might even have the temerity to add that a lot of the systems we claim that enable wisdom to be extracted from the crowd to not have all the 4 basic elements required.

The 4 elements are:

Diversity of opinion
Each person should have private information even if it’s just an eccentric interpretation of the known facts.
Independence
People’s opinions aren’t determined by the opinions of those around them.
Decentralization
People are able to specialize and draw on local knowledge.
Aggregation
Some mechanism exists for turning private judgments into a collective decision.

I can’t remember who said it, or where I read it from, but this quote got stuck in my head when DK and UniqueFrequency were arguing for the self-correcting mechanism of information propagated online.

A careless whisper can lead to death.

Just something to think about when we tuck ourselves safely into bed at night, assured that all is right in a world where increasingly disinformation is so easily spread. And while, disinformation can also be easily debunked, sometimes it may be too late, seeds of doubt may have already been sowed or the new information does not reach those who were exposed to disinformation..

If there was ever an alien invasion, I would propose that DK and Euniqueflair be our ambassadors for peace. The tone they struck last night from the blogging camp was sugarine concilliatory and stark contrast to the belligerent stance of UniqueFrequency. euniqueflair would bequile our alien overlords with her charm and dk would seal the deal with an impassioned impression of Jack Nicholson’s Mars Attack ‘Little people, why can’t we all just get along? ‘ speech.

The question is not whether digital media and traditional media ( by extension, whether unpaid bloggers, citizen journalists and journalists ) will coexist. The question isn’t even whether coexistence will be adversarial or symbiotic.

The real question is how we will coexists? Which of the different roles will either Social Media or Traditional Media take up. Which new systems will be in place to allow, if not, improve the way existing roles are played out.

Will roles be lost or mutated to a point that society as a whole suffer?

Who will mourn the loss of the 4th Estate?

For example, will we lose the kind of intrepid journalism that brings CNN reporters to war fronts?
Will citizen journalism by participants on the ground of war fronts bring us the same, if not better, coverage and analysis that mitigates such a potential loss?
What systems are we will building in place to deal with such a potential loss?
How can we continue to fund investigative and intrepid journalism?

Such questions are of the kind we need to ask going forward with further open room sessions. If not, all we will be doing is enjoying the company of great friends, good bear and navel gazing. Which we will of course share will the rest of the word on Twitter.

Update:
Rereading some of the tweets from last night between DK and me. I have a feeling he interpreted the question in this tweet ‘@dk the question is not whether we will coexist.. The question is how.’ as me questioning the possibility/probability of such a coexistence.

In fact, the ‘how’ was more of a reference to the mundane details of such a relationship. Who takes out the trash? Who brings home the bacon? Who will cook the food?

“Can a relationship exist?” and “How a relationship exists?” are two different questions.

Story Template:

As a [X]
I want [Y]
so that [Z]

Story Acceptance Template:

Given some initial context (the givens),
When an event occurs,
then ensure some outcomes.

The fragments of the scenario – the givens, event, and outcomes – are fine-grained enough to be represented directly in code. JBehave defines an object model that enables us to directly map the scenario fragments to Java classes.

Dan North on stories:

It has to be a description of a requirement and its business benefit, and a set of criteria by which we all agree that it is “done”. This is a more rigorous definition than in other agile methodologies, where it is variously described as a “promise of a conversation” or a “description of a feature”. (A BDD story can just as easily describe a non-functional requirement, as long as the work can be scoped, estimated and agreed on.)

Indeed. And I guess dialogue is the one thing that Twitter is really good at facilitating. What do you think is the real potential of Twitter for the purpose of facilitating social change?

Oh, come on …

Next thing I’ll be hearing is that Twitter will be where Jesus first announces his second coming.

Whatever is happening in Iran, is happening because there are people putting their lives on the line. It isn’t because of Twitter or whatever it is that Twitter is good at.

People are making it sound like we never ever had any facilitators for social change.

And to people who say Twitter is making it easier to facilitate social change… I call bullshit. Change never happens unless people are ready for it to happen. The tool used is incidental.

All Twitter does is allow more gutless people to masturbate in their glory of armchair activism safe from everything.

noun.
Someone who assiduously builds himself (it’s usually a him) up as a social media expert with copious blog posts, tweets, et cetera that cite what the genuine innovators have done, and adds on a layer of jargon and marketing speak in the hope that clueless brand manager types will hire him as a consultant, and similarly ignorant media will think of him as an expert. (The latter is likely, because media types tend to have take the ‘re’ out of ‘research’ and hit Google, and the SMC will have ensured high rankings by linking to — and being linked back to reciprocally by — other SMCs.) If either of these things happen at least once, he will then post/tweet/status-message it to all and sundry. Over time, he starts to believe it himself.
The only people more boring than SMCs are SEOs.

via: zigzackly

It would not be presumptuous to assume a testing team incentivized to find bugs in an application will perform more rigorous testing and act as a perfect foil to the development team.

In theory.

In practice, if the testing team does not have the knowledge of the business requirements and application, if the team does not have the skill-set to track what’s going on with an application, if they have to rely on the development team to interpret results then the whole point of separation is lost.

The testing team needs to be able to operate independently from the development team when determining why a test case fails.

It is also not sufficient for the testing team to say a test case has failed. The testing team needs to be able to ascertain the point in the business process where the error occurred which is possible with logging and information from the database.

If they can never understand the ‘why’ then the chances of false positives and false negatives increase.

And seriously, Google is your friend. In case you forgot how to use Google, click this link.

Managed to get free tickets for the Video Games Live concert. Initially I wanted to go for it after my mom told me about it (yes, I know it is sad that I had to find out about this concert from my mom) but couldn’t because the budget for this month was tight.

So, when I got approached with the offer for free tickets if I helped spread the word, I had the joy of a kid who has just been told he can go and play Nintendo at his friend’s house.

Double w00t.

VGL is not just a concert, but a celebration of the entire video game industry that people of all ages will adore. Created and produced by Jack Wall and Tommy Tallarico, Guinness Record holder for prolificacy in video game composing, VGL is a tribute to video games culture over the last three decades. The concert will stage music and footage from the most popular video games from past to present, including Mario, Halo, Final Fantasy, WarCraft, Sonic, Metal Gear Solid, Interactive Space Invaders, Diablo III, Metroid, Pac-Man, Kingdom Hearts, Castlevania, Zelda and many more.

This is what I would be enjoying on Friday night:

For most of us who had the good fortune of growing up with gaming in the eighties and nineties, it is really interesting to see how those games have managed to become embedded into the mainstream and how people have used those influences to produce other creative works.

An example - making the movie Death Race even more awesome:

1. There can be only 1 killer.
2. There is at least 1 death in each episode.
3. The killer is from this list of 25 characters.

Scream introduced to the genre (or did it just popularized) the idea of two killers working in tandem. The idea of using multiple killers is useful in providing airtight alibis for suspects which throw the viewers off a scent especially when continuity issues become impossible to resolve satisfactorily.

The people from CBS responsible for the show seem to be insisting that there is only 1 killer. It could be just wordplay from desperate individuals who realized the game is up. After all, if everyone is sure they know who the killers are, then what’s the point of watching the show.

We said only 1 killer. We didn’t say he/she didn’t have a helper.

Since only Booth died in Episode 4, the ‘at least 1 death in each episode’ is the rule that’s keeping the theory that Booth faked his own death from gaining more credence.

If this series is truly drawing inspiration from ‘Scream’ and ‘And Then There Were None’, it would be a fair guess to say Henry Dunn or Jimmy is going to meet with an early ‘demise’ while trying to save either Trish or Abby. A little corn syrup might do the trick?

There is a fair amount of speculation on the forums that the killer might be a character that has not been introduced or hitherto been lurking in the background. Either of the above scenarios would be evidence of lazy storytelling by the writers with the former totally inexcusable while the latter just unfair to the viewers because of the differences between a crime series and a whodunit murder mystery.

The crime series focuses on the discovery and (hopeful) apprehension of the perpetrator(s) via a process of investigation, induction and deduction by the characters in the world we are privy to .

A whodunit murder mystery, which is how CBS is marketing ‘Harper’s Island’, is about understanding a complex puzzle and the unraveling of its mystery by the viewers via clues and red herrings scattered by the producers of the show in the show’s universe.

After 9 episodes there is faint suspicions that the people responsible for the show have been spreading disinformation about its premise and episode structure to confuse viewers. That would be outright cheating. Red herrings should only exist in the alternate universe.

In trying to narrow down the list of suspects, reliance on the show’s timeline is a flawed premise. The sequence of events we (the viewers) see may not be the same as that on Harper’s Island. We cannot say that Henry could not kill someone because he was with Trish in the previous scene a ‘couple of seconds’ ago because those couple of seconds do not correspond to a ‘couple of seconds’ in their world.

The disparity in time flow allows the possibility that some airtight alibis could be discounted. Yet it seems increasingly likely that the only conclusion on the killer’s identity in this 1 killer universe can only come from the unsatisfactory choices of Nikki or Maggie.

Some quick guesses after episode 9:

Wakefield had a child with Abby’s mom. That child is not Abby.

The Wakefield child with Abby’s mom is a guy unless the gender neutral word ‘child’ was used to make us over-think the possibility that Abby is Wakefield’s daughter.

The child is either Henry Dunn or Jimmy. I’m leaning towards Jimmy because of Abby’s mother’s discomfort with Abby and Jimmy’s camping trip yet it seems highly unlikely that Jimmy killed JD unless he killed JD before going to the inn to meet up with the rest, before joining up with Abby, before discovering Shane and the slain deputy and before going off to the cabin to rescue the sheriff. I wonder if it was possible for him to sneak a few arrows at Harkin with Abby by his side.

Notes:

This show could be borrowing a lot from ‘And Then There Were None’. If you haven’t read the book, I seriously recommend not clicking the link.

HARPER’S ISLAND is about a group of family and friends who travel to a secluded island off the coast of Seattle for a destination wedding. This island is famous for a streak of unsolved murders from seven years ago. Although they’ve come to laugh and to love, what they don’t know is they’ve also come… to die. As the wedding festivities begin, friendships are tested and secrets exposed as a murderer claims victims, one by one, transforming the wedding week of fun and celebration into a terrifying struggle for survival.

In every episode, someone is killed and every person is a suspect, from the wedding party to the island locals. By the end of the 13 episodes, all questions will be answered, the killer will be revealed and only a few will survive.