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    <title>Whimsley</title>
    
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    <id>tag:typepad.com,2003:weblog-254810</id>
    <updated>2009-07-03T22:47:05-04:00</updated>
    <subtitle>Occasional badly-informed opinions, worth exactly what you pay for them. Mostly technology and politics with a pseudo-philosophical twist.</subtitle>
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    <link rel="self" href="http://feeds.feedburner.com/Whimsley" type="application/atom+xml" /><entry>
        <title>Googling Barbie Again</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/aJWi5kiRSME/googling-barbie-again.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/07/googling-barbie-again.html" thr:count="6" thr:updated="2009-07-07T19:04:54-04:00" />
        <id>tag:typepad.com,2003:post-6a00d83451d3b369e2011571b3c0c0970b</id>
        <published>2009-07-03T22:47:05-04:00</published>
        <updated>2009-07-03T22:47:05-04:00</updated>
        <summary>My writer's block has writer's block. Still, I don't want this place to be abandoned completely so I'm going to revisit an oldie but goodie: what do you see when you google barbie? Yochai Benkler made a big deal of...</summary>
        <author>
            <name>tomslee</name>
        </author>
        
        
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&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;My writer's block has writer's block. Still, I don't want this place to be abandoned completely so I'm going to revisit an oldie but goodie: what do you see when you google barbie?&lt;br /&gt;&lt;br /&gt;Yochai Benkler made a big deal of the Google search results for Barbie in his book &lt;i&gt;The Wealth of Networks&lt;/i&gt; (2006), where he claimed that, whereas other search engines gave you only sales-related Barbie sites in the top ten, Google's "radically decentralized" algorithm revealed an entirely different picture of Barbie. "The little girl who searches for Barbie on Google will encounter a culturally contested figure. The same girl, searching on Overture, will encounter a commodity toy".&lt;br /&gt;&lt;br /&gt;But that was in 2006. Since then things have changed in the google-sphere. I posted about this 18 months ago in &lt;a href="http://whimsley.typepad.com/whimsley/2008/01/barbie-back-to.html"&gt;Barbie slinks back to the confines of feminist-criticism symposia&lt;/a&gt;. Here were the Google first page results from 2006 as reported by Benkler:&lt;br /&gt;&lt;br /&gt;barbie.com&lt;br /&gt;Barbie Collecter&lt;br /&gt;AdiosBarbie.com&lt;br /&gt;Barbie Bazaar&lt;br /&gt;If You Were a Barbie, Which Messed Up Version would you be?&lt;br /&gt;Visible Barbie project (macabre images...)&lt;br /&gt;Barbie: The Image of us all (1995 undergraduate paper)&lt;br /&gt;Andigraph.free.fre (Barbie and Ken sex animation)&lt;br /&gt;Suicide bomber Barbie&lt;br /&gt;Barbies (dressed and painted as countercultural images)&lt;br /&gt;&lt;br /&gt;and here were the results in January 2008:&lt;br /&gt;&lt;br /&gt;Barbie.com - Activities and Games for Girls Online! (together with eight other links to My Scene, Evertythingggirl, Polly Pocket, Kellyclub, and so on). &lt;br /&gt;Barbie.co.uk - Activities and Games for Girls Online!&lt;br /&gt;Barbie - Wikipedia, the free encyclopedia&lt;br /&gt;Barbie Collector -&amp;nbsp; &amp;nbsp;&amp;nbsp; (The official Mattel site for Barbie Collector)&lt;br /&gt;Barbie Girls&lt;br /&gt;Mattel - Our Toys - Barbie&lt;br /&gt;The Distorted Barbie&lt;br /&gt;YouTube - barbie girl - aqua&lt;br /&gt;Barbie - Barbie Dress up - Fashion for Barbie&lt;br /&gt;Barbie.ca&lt;br /&gt;&lt;br /&gt;and I concluded that "this search is basically owned by Mattel. Clicking the top link takes you to a pink page with "Think Pink" written in the middle of it, and the majority of the sites feature pink prominently. No more defining the cultural symbols of our day for you, nine-year-old girl! Quit the self-aware political discourse and get back to dressing that doll in gender-appropriate colours (as selected for you by Mattel)."&lt;br /&gt;&lt;br /&gt;Every now and again I &lt;a href="http://www.google.ca/search?q=barbie"&gt;google barbie &lt;/a&gt;and see what's changed as the Google search engine becomes more elaborate. So here are today's results (from southern Ontario).&lt;br /&gt;&lt;br /&gt;Barbie.com - Activities and Games for Girls Online! (together with eight other links to My Scene, Evertythingggirl, Polly Pocket, Kellyclub, and so on). &lt;br /&gt;Barbie.com - Fun and Games&lt;br /&gt;Barbie - Wikipedia, the free encyclopedia&lt;br /&gt;News results for barbie (with several other links)&lt;br /&gt;Barbie Collector -&amp;nbsp; &amp;nbsp;&amp;nbsp; (The official Mattel site for Barbie Collector)&lt;br /&gt;Barbie.co.uk - Activities and Games for Girls Online!&lt;br /&gt;  Barbie.ca&lt;br /&gt;Barbie Girls - and a sublink&lt;br /&gt;Celebrate 50 Years of Barbie&lt;br /&gt;Video results for barbie - with two links to Aqua's Barbie Girl video&lt;br /&gt;Searches related to barbie - all strictly orthodox except for one about Taiwanese actress and singer Barbie Xu.&lt;br /&gt;&lt;br /&gt;Yes, the little girl who searches for Barbie on Google will now encounter a commodity toy.&lt;br /&gt;&lt;br /&gt;The one big change in the last 18 months is that the remaining countercultural site from 2008 has now been pushed over the edge to page 2 of the search results, displaced by two Google-owned collections of links (News and Videos). I'm sure you've seen this in your own searches. Google presents more links on and around the "top ten" results, in "related searches", and in collections of video, news, and image links. One effect of this change is that Google now often gets one more click from you before you leave their domain. Google is extending its role from pointing you vaguely towards your destination to guiding you more precisely, and more profitably, all the way along the path.&lt;br /&gt;&lt;br /&gt;Of the other top-level links, seven are owned by Mattel (Two to barbie.com, Barbie collector, Barbie Girls, barbie.co.uk, barbie.ca, Celebrate 50 years of Barbie) and the remaining link is to Wikipedia, now the only non-commercial site on the front page. Following &lt;a href="http://www.roughtype.com/archives/2009/01/all_hail_the_in.php"&gt;Nick Carr's informal experiment&lt;/a&gt; we may have expected Wikipedia to move even higher in the results, but it has just held its place. &lt;br /&gt;&lt;br /&gt;Independent sites are out there in their millions of course, but they are unfortunately being pushed to the periphery of our field of vision by commercial efforts - of Mattel in this case. It should be no surprise that as the web has become mainstream, and as corporations realise the necessity of investing in their web presence, the web begins to look more like other mainstream media. Perhaps more evidence that the Web's counter-cultural moment is over.&lt;br /&gt;&lt;blockquote&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/07/googling-barbie-again.html</feedburner:origLink></entry>
    <entry>
        <title>Netflix Prize: Basically Won</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/O-GO-OR7tdw/netflix-prize-basically-won.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451d3b369e201157075b66c970c</id>
        <published>2009-06-26T23:38:32-04:00</published>
        <updated>2009-06-26T23:38:32-04:00</updated>
        <summary>The Netflix Prize has a winning entry. There are i's to dot and t's to cross, but there is now an entry that has achieved the 10% improvement over Netflix's existing system that the prize demanded. Judging from the team...</summary>
        <author>
            <name>tomslee</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>The Netflix Prize has a winning entry. There are i's to dot and t's to
cross, but there is now an entry that has achieved the 10% improvement
over Netflix's existing system that the prize demanded.</p><p><a align="center" href="http://whimsley.typepad.com/.a/6a00d83451d3b369e201157075b44d970c-popup" onclick="window.open( this.href, '_blank', 'width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0' ); return false" style="display: inline;" width="90%"><img alt="Moz-screenshot" class="at-xid-6a00d83451d3b369e201157075b44d970c " src="http://whimsley.typepad.com/.a/6a00d83451d3b369e201157075b44d970c-320wi" /></a> </p><p>Judging
from the team name, the winning entry is a joint effort between three
leading teams: BellKor, Pragmatic Theory, and BigChaos. </p><br /><div>Congratulations to
the winners!</div></div>
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/06/netflix-prize-basically-won.html</feedburner:origLink></entry>
    <entry>
        <title>Review: Market Rebels, by Hayagreeva Rao</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/mq-2Jvpwils/raos-market-rebels-a-review-1.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/06/raos-market-rebels-a-review-1.html" thr:count="7" thr:updated="2009-06-24T18:26:25-04:00" />
        <id>tag:typepad.com,2003:post-68335701</id>
        <published>2009-06-21T13:37:46-04:00</published>
        <updated>2009-06-21T19:14:52-04:00</updated>
        <summary>Market Rebels: How Activists Make or Break Radical Innovations, Hayagreeva Rao, Princeton University Press 2009 For decades, economists have extended their intellectual reach beyond mere money in an attempt to encompass all the social sciences in their analytical framework. But...</summary>
        <author>
            <name>tomslee</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        
        
<content type="xhtml" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em>Market Rebels: How Activists Make or Break Radical Innovations</em>, Hayagreeva Rao, Princeton University Press 2009</p><hr size="2" /><p>For decades, economists have extended their intellectual reach beyond mere money in an attempt to encompass all the social sciences in their analytical framework. But now the boot is on the other foot and it looks like even core economic observations may be better explained by other social sciences. Robert Solow apparently said that attempts to explain differences in economic growth across countries typically end in "a blaze of amateur sociology". The focus on psychology in explanations of the banking crash shows that growth is not the only area of economics where the discipline runs out of steam before reaching its destination. The rise of behavioural economics, surely a last-gasp attempt by economists to match their models to the real world without changing departments, suggests that the condition goes deep. </p><p>Despite its title, Hayagreeva Rao's <em>Market Rebels</em> (<a href="http://openlibrary.org/b/OL21097110M/Market-rebels">Open Library link</a>, <a href="http://press.princeton.edu/titles/8732.html">publisher's page</a>) challenges the economic analysis of innovations. At 180 pages and full of case studies it's easy to read quickly, but I was so taken by it that I went through it a second time and found much that I had missed. Rao does not hammer the reader over the head with the implications of his case studies, but for me as a non-sociologist and non-economist the implications are huge and I'll be thinking about the book for a long time.</p><p>The case studies are diverse, but are centered around a single claim: the "joined hands of activists" play an important part in the creation, diffusion, and blocking of innovations. Collective action matters. Rao describes how hobbyists were key to the cultural acceptance of the car and the development of the personal computer; how microbrewers brought diversity back to beer; how nouvelle cuisine grew from the rebellious student movements of Paris 1968; how shareholder activism has pushed large companies to change behaviours; how community activists attempted to stall the spread of chain stores and then of big-box stores; how the green movement blocked the development of biotechnology in Europe. These studies, many based on his own research, help to bring activist groups and their campaigns out from the wings and into the spotlight as we think about innovation and social change, and by doing so Rao is performing a valuable service.</p><p>The book is not strong on systematic analysis. The closest he gets to describing what determines whether movements succeed or fail is that successful movements must create "hot causes" and "cool mobilizations". Both concepts are tied in to the concept of "identity", which for Rao is the underlying motive that causes people to join with or against social movements. A "hot cause" is the spark that successful activists use to light a fire. It's a lightning-rod incident or issue that arouses strong emotions such as pride or anger. Examples include the frustrated demonization of "big beer" by real ale enthusiasts; the outrageous bonus paid to Home Depot CEO Robert Nardelli which crystallized the shareholder rights movement. But "hot causes" by themselves are not enough for a prolonged campaign. "Cool mobilizations" are actions that keep a movement going forward by "engaging audiences in new behaviors and new experiences that are improvisational and insurgent". Examples include setting up a microbrewery or formulating shareholder resolutions. The concepts are useful, but it's a shame Rao doesn't have a stronger turn of phrase. Naming concepts can be key to owning them, and "hot cause" and "cool mobilization" are too literal and clumsy to take on the weight they need. But this is a detail (and I don't have better ideas).</p><p>For someone who has spent most of their non-fiction reading time reading economics and economics-inspired books in recent years, Rao's is a welcome and refreshing change. Economic analysis too-often reduces the political left-right split to the false dichotomy of market vs state, but this reduction maps badly on to the real experience of political activism. Those who protest Monsanto's private-sector use of genetic engineering are often the same as those who protest state-driven wars. Many of those who oppose new Wal-Mart stores also oppose the extension of surveillance powers by the state. Where do such activists see themselves in a market vs state debate? For many, they don't: market vs state is not what it's about. So it's not surprising that economists have a blind spot when it comes to social movements, and that the discipline systematically minimizes their impact. By putting social movements at the centre of his stories, Rao shows that they can and do have an influence, and that they deserve a place in any serious look at institutions that shape social change.</p><p>Although he says almost nothing about the Internet and digital collaboration, <em>Market Rebels</em>' focus on innovations makes the book obviously relevant. Rao's analysis is a welcome alternative to the usual focus of widely-read writers like Yochai Benkler and Clay Shirky. These writers take the economics point of view and focus on issues such information as a public good, lowering transaction costs for online exchanges, and the vanishingly small marginal cost of reproduction of digital information. Rao's unspoken counterargument, which convinces me, is that group formation is not a problem of information, it's a problem of identity. If he is right then although we can expect to see many examples of successful groups in the online world, we won't see not a huge flowering of groupiness compared to the information-starved analogue world.</p><p>What's more, if Rao is right and initiatives such as Wikipedia, blogging and the Open Source movement really are social movements, then they may have a limited lifespan. Digital activist identity is a rebellious and anti-establishement stance, but such a stance can only be maintained while the movement is oppositional. Open Source, with a longer history behind it than Wikipedia or blogging, has changed its identity to being more professionalized, more establishment. Its participants are less likely to be the radicals of yesteryear. Once Wikipedia is established as a success for a few years, rebellion becomes irrelevant as a motive and one may wonder whether the activists will find the "cool mobilizations" to maintain involvement and participation.</p><p>If there is an economics tie-in with Rao's analysis, it's with the analysis of identity pioneered by Rachel Kranton and Robert Akerlof (and which I sketched in the final chapter of <em><a href="http://www.tomslee.net/" id="wb97" title="my book">No One Makes You Shop at Wal-Mart</a></em>). Rao does little to pick apart the concept of identity and it looks to me like the K&amp;A analysis would have been helpful to him. For Kranton and Akerlof, identity is a set of social categories (car enthusiast, green activist), a set of prescriptions that go along with those categories, and a set of costs and benefits associated with following or not following these prescriptions. We each choose an identity from the range that society provides ("environmentalist", "conservative", etc). Forcing this choice is the object behind Rao's "hot cause": the lightning-rod issue that polarizes participants into supporters and opponents ("which side are you on, boys, which side are you on?", as the greatest living American sings). Once you have chosen an identity, you must affirm it by following the prescriptions associated with that identity (shopping at independent stores, eating nouvelle cuisine, etc) or you pay the price of dissonance if you take actions that go against those prescriptions (shopping at Wal-Mart, eating classical cuisine). Creating a strong set of such prescriptions is the essence of Rao's "cool mobilizations", which serve to maintain a sense of solidarity and identity among movement members. </p><p>One of the more common criticisms of <em>No One Makes You Shop at Wal-Mart</em> was that, although I argued in favour of collective action as a corrective force to free markets, I had little to say about what forms that action should take. It's a fair knock, and I'm happy that I can now point such readers to Rao's book. Not only does he take on several of the issues that I cover (Wal-Mart and big-box stores, biotechnology, real ale) but he takes them much further than I could ever had done, and in a wonderfully specific and constructive way that provides concrete guidance to activists. I take my hat off to him.</p></div>
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/06/raos-market-rebels-a-review-1.html</feedburner:origLink></entry>
    <entry>
        <title>Google, meet Wal-Mart</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/dkLDw5X_Lc8/google-meet-wal-mart.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/04/google-meet-wal-mart.html" thr:count="4" thr:updated="2009-05-01T07:41:49-04:00" />
        <id>tag:typepad.com,2003:post-65039465</id>
        <published>2009-04-03T11:31:09-04:00</published>
        <updated>2009-04-03T17:49:29-04:00</updated>
        <summary>Hey Google, let me introduce you to Wal-Mart. You're both looking a little out of place at this swanky party, and you don't look like natural friends, but actually you have a lot in common and you'll get along fine....</summary>
        <author>
            <name>tomslee</name>
        </author>
        
        
<content type="html" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;Hey Google, let me introduce you to Wal-Mart.&lt;br /&gt;&lt;br /&gt;You're both looking a little out of place at this swanky party, and you don't look like natural friends, but actually you have a lot in common and you'll get along fine. Oh I know you are a lot more attractive than Wal-Mart - younger, cooler, and with much better taste in office furniture. But underneath all the surface appearances you share the same hobbies and even the same values, so you'll overcome any awkwardness pretty soon. Trust me, you're birds of a feather.&lt;br /&gt;&lt;br /&gt;What hobbies? Well, you love to collect vast amounts of crap and then make it easy and cheap for people to get at it. And guess what? So does Wal-Mart. Don't get me wrong, Wal-Mart isn't in your league. He only gets crap from a small number of people compared to you. But he does have some great stories about making bargains. Just ask him to tell about the time he told Coca Cola to go back and redesign their Diet Coke recipe just for him - it's hilarious.&lt;br /&gt;&lt;br /&gt;And you know that crowdsourcing thing you do, where you get other people to work for free because it's fun? Well he's pretty good at that too, except he does it with whole companies. Like, he gets deodorant companies to manage his deodorant shelves for him, so he doesn't have to! Wouldn't you love to pull a trick like that with NBC or Fox? Look, I know he wears crappy clothes, but he can be a hoot when he's in the mood.&lt;br /&gt;&lt;br /&gt;It's not too surprising that you have these things in common when you think about it. You're both really good with technology and numbers to start with. And I heard some stories about you from &lt;a href="http://www.techcrunch.com/2009/03/01/what-an-antitrust-case-against-google-might-look-like/"&gt;Eric Clemons&lt;/a&gt;. Actually he was telling me that you remind him of airline customer reservation systems (CRSs) Sabre and Apollo. He told me that you come "between the shopper and the ultimate service provider (hotel, airline, retailer, or manufacturer), just as we saw in the case of the airline CRSs. The conditions are right for Google to enjoy enormous market power over service providers, who feel they must bid for positions in Google’s sponsored search keyword auctions." Well that's Wal-Mart to a tee.&lt;br /&gt;&lt;br /&gt;Plus, you and Wal-Mart both have a sense of mission - that you are acting on behalf of your customers and bargaining for them against these powerful institutions like Coca Cola or CBS. You know what Wal-Mart says? He says "There is&amp;nbsp; only one boss. The customer. And he can fire everybody in the company from the chairman on down, simply by spending his money somewhere else". Isn't that the kind of thing you would say? Except you would be classier about it. You wouldn't talk about anything as crass as money.&lt;br /&gt;&lt;br /&gt;So you could learn a lot from Wal-Mart, but it wouldn't just be a one-way conversation. I think you could tell Wal-Mart some pretty good stories too. There's a thing you both do which I love. You've both got (I hope you don't mind me saying) piles of money, but whenever someone asks you to pay for something you have this great way of showing your empty pockets - and they are always empty - and saying "I'd love to, but I just can't afford it. I'm nearly broke as it is". It's a hoot! But you do it even better than Wal-Mart. His line is always that he makes only a penny or two on each sale so he's nearly broke. Even he doesn't have the gall to say he makes nothing.&lt;br /&gt;&lt;br /&gt;You should tell him the story about the musicians. You know the one. Where you got Billy Bragg and Robin Gibb to work together. Not singing together - that would be a thing - but &lt;a href="http://www.timesonline.co.uk/tol/comment/letters/article6017765.ece"&gt;writing a letter&lt;/a&gt; at least. They said that YouTube should pay artists a royalty when someone listens to a song, kind of like when radio broadcasters or TV stations do. And after paying $1.65 billion-with-a-B to buy YouTube from &lt;a href="http://www.youtube.com/watch?v=QCVxQ_3Ejkg"&gt;these guys&lt;/a&gt;, you just &lt;a href="http://www.guardian.co.uk/media/pda/2009/mar/09/digital-music-and-audio-youtube"&gt;stood there with a straight face and said&lt;/a&gt; "I can't afford it". It was hilarious! What were your words? Oh yes, you cannot be expected to engage in a business in which you lose money every time a music video is played. And you got plenty of people to &lt;a href="http://www.webtvwire.com/prs-steps-up-row-with-youtube-billy-bragg-radiohead-and-bono-all-argue-the-case/"&gt;buy it&lt;/a&gt; &lt;a href="http://techdirt.com/articles/20090311/0056264066.shtml"&gt;as well&lt;/a&gt; even though you never said how much money you make on advertising. They think Billy Bragg is the privileged jerk and you're the poor guy on the corner just trying to make a living and on the side of the little guy. Really, you've outdone Wal-Mart on this one. &lt;br /&gt;&lt;br /&gt;So let me introduce you. Google, meet Wal-Mart. Wal-Mart, meet Google. You're two of a kind.&lt;br /&gt;&lt;br /&gt;&lt;div class="zemanta-pixie"&gt;&lt;img class="zemanta-pixie-img" src="http://img.zemanta.com/pixy.gif?x-id=5692489c-d994-87f8-a193-69ddfb2222c2" /&gt;&lt;/div&gt;&lt;/p&gt;&lt;/div&gt;
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    <entry>
        <title>Simulations and Mechanisms</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/OUMBCggWAWo/simulations-and-mechanisms.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/simulations-and-mechanisms.html" thr:count="5" thr:updated="2009-03-25T16:20:12-04:00" />
        <id>tag:typepad.com,2003:post-64596349</id>
        <published>2009-03-24T22:09:26-04:00</published>
        <updated>2009-03-24T23:21:22-04:00</updated>
        <summary>I've learned two lessons in the last couple of days. First, if you want to get some attention for a blog post, call it something eschatological like "Online Monoculture and the End of the Niche". If I had called it...</summary>
        <author>
            <name>tomslee</name>
        </author>
        
        
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<div xmlns="http://www.w3.org/1999/xhtml"><p>I've learned two lessons in the last couple of days.</p><p>First, if you want to get some attention for a blog post, call it something eschatological like "<a href="http://whimsley.typepad.com/whimsley/2009/03/online-monoculture-and-the-end-of-the-niche.html">Online Monoculture and the End of the Niche</a>". If I had called it "Simulation of a 48-product market under simplistic assumptions" somehow I don't think I would be writing a follow up. I don't like this lesson much. But I don't feel too guilty: if I was really trolling for traffic I could have called it "Learning from the Big Penis Book" [see <a href="http://musicmachinery.com/2009/03/23/collaborative-filtering-and-diversity/">Music Machinery</a> for why].</p><p>Second, no matter how hard you try to be clear, many people don't get what you are trying to say. So maybe it's not their fault. For examples, see some of the comments <a href="http://www.reddit.com/r/programming/comments/870lo/online_monoculture_and_the_end_of_the_niche/">here</a> and <a href="http://www.marginalrevolution.com/marginalrevolution/2009/03/assorted-links-13.html">here</a> and even a bit <a href="http://crookedtimber.org/2009/03/17/tom-slee-on-monopoly-populism-and-cultural-niches/" target="_blank">here</a> and on the <a href="http://whimsley.typepad.com/whimsley/2009/03/online-monoculture-and-the-end-of-the-niche.html">original</a>. The main complaint is that picking two example runs from a simplistic simulation of a small system with a small and fixed number of customers and products doesn't simulate the entire Internet. Where is the statistical sampling, the exploration of the sensitivity to parameters, the validating of the recommendation model? And on and on.</p><p>These folks don't get why people do simple models of complex things.</p><p>The goal of simulations is not always to reproduce reality as closely as possible. In fact, building a finely-tuned, elaborate model of a particular phenomenon actually gets in the way of finding generalizations, commonalities, and trends, because with an accurate model you cannot find commonalities.</p><p>For example (and I'm not comparing my little blog post to any of these people's work), in chemistry, Roald Hoffmann got a Nobel Prize and may be the most influential theorist of his generation because he chose to use a highly simplified model of electronic structure (the extended Huckel model). It is well known that the extended Huckel model fails to include the most elementary features needed to reproduce a chemical bond. Yet Hoffman was able to use this simple model to identify and explain huge numbers of trends among chemical structures precisely because it leaves out so many complicating factors. Later work using more sophisticated models like ab initio computations and density functional methods let you do much more accurate studies of individual molecules, but it's a lot harder to extract a comprehensible model of the broad factors at work.</p><p>Or in economics, think of Paul Krugman's <a href="http://www.slate.com/id/1916/">description</a> of an economy with two products (hot dogs and buns). Silly, but justifiably so. In fact, read that piece for a lovely explanation of why such a thought experiment is worthwhile.</p><p>Or elsewhere in social sciences, think of Thomas Schelling's explorations of selection and sorting in <a href="http://openlibrary.org/b/OL4729113M/Micromotives-and-macrobehavior">Micromotives and Macrobehaviour</a>, or of Robert Axelrod's brilliantly overreaching <a href="http://openlibrary.org/b/OL1976045M/evolution-of-cooperation">The Evolution of Cooperation</a>, which built a whole set of theories on a single two-choice game and influenced a generation of political scientists in the process. All these efforts work precisely because they look at simple and even unrealistic models. That's the only way you can capture <strong>mechanisms</strong>: general causes that lead to particular outcomes. More precise models would not improve these works - they would just obscure the insights.</p><p>That said, there are valid questions. Under some circumstances, aggregating large numbers of opinions into a single recommendation can give this odd combination of broader individual horizons and a narrower overall culture. Are there demonstrable cases of the monopoly populism model out there in the wild (aside from the big penis book)? Is this a common phenomenon or an uninteresting curiosity? Well I don't know. I do think so, obviously, otherwise I would not have written the post. But it's a hunch, a hypothesis, a suggestion, that I find intriguing and which I may or may not try to follow up. Hey, it's a blog post, not an academic paper.</p><div class="zemanta-pixie"><img class="zemanta-pixie-img " src="http://img.zemanta.com/pixy.gif?x-id=5a5c98ca-4fd4-4f5d-96a5-b4876738b0a0" /></div></div>
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/03/simulations-and-mechanisms.html</feedburner:origLink></entry>
    <entry>
        <title>Online Monoculture and the End of the Niche</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/oOjnWO2u4YU/online-monoculture-and-the-end-of-the-niche.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/online-monoculture-and-the-end-of-the-niche.html" thr:count="34" thr:updated="2009-04-06T11:37:02-04:00" />
        <id>tag:typepad.com,2003:post-64180197</id>
        <published>2009-03-15T13:57:50-04:00</published>
        <updated>2009-03-15T14:02:32-04:00</updated>
        <summary>Online merchants such as Amazon, iTunes and Netflix may stock more items than your local book, CD, or video store, but they are no friend to "niche culture". Internet sharing mechanisms such as YouTube and Google PageRank, which distil the...</summary>
        <author>
            <name>tomslee</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Tech" />
        
        
<content type="html" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;/div&gt;Online merchants such as Amazon, iTunes and Netflix may stock more items than your local book, CD, or video store, but they are no friend to "niche culture". Internet sharing mechanisms such as YouTube and Google PageRank, which distil the clicks of millions of people into recommendations, may also be promoting an online monoculture. Even word of mouth recommendations such as blogging links may exert a homogenizing pressure and lead to an online culture that is less democratic and less equitable, than offline culture.&lt;br&gt;&lt;br&gt;Whenever I make these claims someone says "Well I use Netflix and it's shown me all kinds of films I didn't know about before. It's broadened my experience, so that's an increase in diversity." And someone else points to the latest viral home video on YouTube as evidence of niche success. &lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;br&gt;So this post explains why your gut feel is wrong.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;The argument comes from a paper by Daniel M. Fleder and Kartik Hosanagar called&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;a title="Blockbuster Culture's Next Rise or Fall: The Impact of Recommender Systems on Sales Diversity" href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=955984" id="xmzj"&gt;Blockbuster Culture's Next Rise or Fall: The Impact of Recommender Systems on Sales Diversity&lt;/a&gt;. They simulate a number of different kinds of recommender system and look at how these systems affect the diversity of a set of choices. Towards the end of the paper they observe that some of their recommender systems increase the experience of diversity for every individual in the sample and yet decrease the overall diversity of the culture. So I wrote a program that does basically what they do in their paper and tweaked it to highlight this result.&lt;br&gt;&lt;br&gt;The result is what's important here, rather than the particular algorithm used to generate this instance of it. But I know some people will want to know how the results are generated, so I'll give a short sketch. If you want more than this, Fleder and Hosanagar provide details, my tweaks to their model are available as source code (python) if you want, and if you post in the comments we could get into a discussion. But it's not important, trust me.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;/div&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;Each simulation starts with 48 customers and 48 products. Each product is described by two attributes, with values generated according to a normal distribution. So the products are distributed on a two-dimensional grid, with a value of about -3 to +3 along each axis. Each customer is assigned a taste for each attribute, so they also are scattered about in the same space. The idea is that a customer will prefer, other things being equal, a product that is close to it in these attributes. Here are two distributions of customers (blue) and products (red). You can see that most customers share a mainstream taste around the middle of the graph, but there are a few who have odd tastes off to the edges. Likewise, most products have attributes that are mainstream, but there are a few "niche" products closer to the edge.&lt;br&gt;&lt;img  style="max-width: 800px;" src="http://whimsley.typepad.com/.a/6a00d83451d3b369e2011168f819ee970c-pi" width="100%"&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;In this particular simulation, a customer can choose the same item over and over again, so it simulates something like streaming radio more than a bookstore. Each simulation starts off with a priming phase, in which each customer makes 75 choices according to a function which favours nearby products, but with some randomness so that they may on occasion choose one further away. After 75 choices we turn on a recommender function. Whenever a customer goes to make a choice, the recommender system identifies a product and recommends it to the customer. The recommendation increases the chance that the customer will choose the recommended product. Fleder and Hosanagar look at a few recommender functions. The one I use works like this:&lt;br&gt;&lt;br&gt;&lt;ul style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;li style="margin-top: 0px; margin-bottom: 0px;"&gt;The set of 48 customers is divided into equal-sized communities, with members&amp;amp;nbsp;chosen at random so they may not be close in taste.&lt;/li&gt;
&lt;li style="margin-top: 0px; margin-bottom: 0px;"&gt;The recommender function chooses an item by looking at what customers in the same community have chosen. It recommends the one most popular among others in the community.&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;&lt;br&gt;I'm just going to show you two simulations. Run 1 above - which I will call Internet World - treats the entire set of 48 customers as a single community. The other (run 28 above), which I will call Offline World, breaks it into 24 communities of two people each. In Offline World I will get recommendations from the people around me and you will get recommendations from the people around you, but these recommendations are separate and isolated. In Internet World we each get recommendations from all 48 customers.&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;br&gt;Here are the results for the two simulation runs I'm going to focus on. The results of these simulations are far from the only possible outcome, but they show why the gut feeling may fail, and I've chosen them for that purpose.&lt;/div&gt;&lt;br&gt;In Internet World each customer experiences an average of 3.5 products over the course of 75 choices with an active recommender system, while in Offline World each customer experiences only 2.4 different products. So the wider set of people providing recommendations in Internet World has led to an increase in individual diversity. This is like saying that "Netflix shows me pictures I would never had heard about from my friends alone", or "Amazon recommended a book I had never heard of, and I liked it".&lt;br&gt;&lt;br&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;On the other hand, the overall diversity of the culture can be measured by the Gini coefficient of the products. A Gini coefficient of zero is complete equality (each product is chosen an equal number of times) and a Gini coefficient of 1 is complete inequality (only one product is ever chosen by anyone). And Internet World has a Gini of 0.79 while Offline World has a Gini of only 0.52. Internet World is less diverse than Offline World.&lt;br&gt;&lt;br&gt;How can these seemingly contradictory results happen? Let's take a look.&lt;br&gt;&lt;br&gt;In the following graph, each dot is a customer, arranged in their two-attribute preference space (just like in the graphs above). But this time the area of each dot is proportional to the number of unique products they experience. So in Run 1 (Internet World) you can see that the dots are, on average, bigger than the dots in Run 28 (Offline World). This shows the greater individual experience of diversity in Internet World; for example, there is a customer with attributes of (1.1, -0.8) who samples no less than 38 different products, and only seven of the 48 customers stay with a single product throughout the whole simulation. Meanwhile in Offline World  the most eclectic customer samples only nine and there are no fewer than 19 customers who sample just one product. The experience of individual customers in Internet World is of broader horizons and more selection, as recommendations pour in from far and wide, rather than from the limited experiences of their small community in Offline World. This picture has become the standard narrative of choice in the Internet World - our cultural experiences, liberated from the parochial tastes and limited awareness of those who happen to live close to us, are broadened by exposure to the wisdom of crowds, and the result is variety, diversity, and democratization. It is the age of the niche.&lt;/div&gt;&lt;br&gt;&lt;img  style="max-width: 800px;" src="http://whimsley.typepad.com/.a/6a00d83451d3b369e2011168f81de9970c-pi" width="100%"&gt;&lt;br&gt;But wait!&lt;br&gt;&lt;br&gt;Here is a graph of the products in each simulation. This time, the area of each dot shows its popularity: how often a customer chooses it.&lt;/span&gt;&lt;div id="i3ug" style="padding: 1em 0pt; text-align: left; margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;img  style="max-width: 800px;" src="http://whimsley.typepad.com/.a/6a00d83451d3b369e2011168f81e48970c-pi" width="100%"&gt;&lt;br&gt;&lt;br&gt;You can see that on the left, in Internet World, a few products were chosen a lot, especially the one centred on about (-0.2, -0.2). In Offline World there are many more medium-sized dots, showing that the consumption of products is more equal. In Internet World one product has "gone viral" and gets chosen over 1500 times out of the total of 3600, while 26 products languish in the obscurity of being sampled fewer than ten times. In Offline World no single product is chosen more than 10% of the time, and only 14 products are sampled fewer than ten times. In short, niche products do better in Offline World than in Internet World.&lt;br&gt;&lt;br&gt;While each customer on average experiences more unique products in Internet World, the recommender system generates a correlation among the customers. To use a geographical analogy, in Internet World the customers see further, but they are all looking out from the same tall hilltop. In Offline World individual customers are standing on different, lower, hilltops. They may not see as far individually, but more of the ground is visible to someone. In Internet World, a lot of the ground cannot be seen by anyone because they are all standing on the same big hilltop.&lt;br&gt;&lt;br&gt;The end result is the Gini values mentioned before. Here are Lorentz curves for Internet World (blue) and Offline World (green), in which the products are lined up in order of increasing popularity along the x axis, and the cumulative choices for those products is plotted up the Y axis.&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;br&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: sans-serif;"&gt;&lt;img  style="max-width: 800px;" src="http://whimsley.typepad.com/.a/6a00d83451d3b369e2011168f81ea8970c-pi" width="100%"&gt;&lt;br&gt;&lt;br&gt;So there it is. Individual diversity and cultural homogeneity coexisting in what we might call&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;em&gt;monopoly populism&lt;/em&gt;.&lt;br&gt;&lt;br&gt;But don't think this is just about automated recommender systems, like the ones that Amazon and Netflix use. The recommender "system" could be anything that tends to build on its own popularity, including word of mouth. A couple of weeks ago someone pointed me to&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;a id="ajqr" href="http://www.youtube.com/watch?v=10FKWOn4qGA" title="this video" style="color: #551a8b;"&gt;this video&lt;/a&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;of Madin, a six-year-old soccer prodigy from Algeria, and the next day my son, who moves in very different online circles to me, was watching the same one. I know who Jim Cramer is even though we don't get CNBC in Canada because everyone is talking about him and&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;a id="q83g" href="http://www.thebigmoney.com/articles/news/2009/03/13/play-jim-cramers-crashteroids-game" title="helping his disembodied head to shoot down Jon Stewart" style="color: #551a8b;"&gt;helping his disembodied head to shoot down Jon Stewart&lt;/a&gt;. More people watched Tina Fey being Sarah Palin online than on Saturday Night Live, and Fey is now famous in countries where no one watches the TV show. Clay Shirky writes&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;a id="yx.r" href="http://www.shirky.com/weblog/2009/03/newspapers-and-thinking-the-unthinkable/" title="an essay" style="color: #551a8b;"&gt;an essay&lt;/a&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;and I get five different links to it in my Google Reader feed in one morning. Our online experiences are heavily correlated, and we end up with monopoly populism.&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;div style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: sans-serif;"&gt;A "niche", remember, is a protected and hidden recess or cranny, not just another row in a big database. Ecological niches need protection from the surrounding harsh environment if they are to thrive. Simply putting lots of music into a single online iTunes store is no recipe for a broad, niche-friendly culture.&lt;/span&gt;&lt;/div&gt;&lt;br&gt;&lt;div class="zemanta-pixie"&gt;&lt;img  class="zemanta-pixie-img " src="http://img.zemanta.com/pixy.gif?x-id=939bf4ca-2825-4a01-9900-4b368e4e9452"&gt;&lt;/div&gt;&lt;/div&gt;
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/03/online-monoculture-and-the-end-of-the-niche.html</feedburner:origLink></entry>
    <entry>
        <title>Mr. Amazon's Bookshop: The French Lieutenant's Bookshop?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/0jv60rnyiZw/the-french-lieutenants-bookshop.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/the-french-lieutenants-bookshop.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-64093161</id>
        <published>2009-03-14T17:21:41-04:00</published>
        <updated>2009-03-14T17:23:07-04:00</updated>
        <summary>[This would be the thirteenth episode of Mr. Amazon's Bookshop, if it were an episode. The previous episode is here. A list of all episodes is here. In the previous episode, Kylie and Edmund vanished from Whimsley Hall after finding...</summary>
        <author>
            <name>tomslee</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Mr. Amazon's Bookshop" />
        
        
<content type="xhtml" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>[This would be the thirteenth episode of Mr. Amazon's Bookshop, if it were an episode. The previous episode is <a href="http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-recommending-the-big-sellers.html">here</a>. A list of all episodes is <a href="http://whimsley.typepad.com/whimsley/2008/12/mr-amazons-bookshop.html">here</a>. In the previous episode, Kylie and Edmund vanished from Whimsley Hall after finding out that Mr. Amazon's recommendations were doing nothing to help sell Kylie's story <em>The Adventures of Wazzock</em>. Whimsley sunk into a brief depression before being roused by Jennie the one-legged housekeeper, who sent him into the village just in time to see Kylie and a pack of teenagers heading towards Mr. Amazon's Bookshop with trouble on their minds.] </p><p>I wrote the first ten episodes of this story in a couple of weeks around Christmas, when I had some time off work and the story seemed fresh and interesting. The two most recent episodes have been written on weekends in and around cooking, cleaning and so on. And now we have all the principals with the exception of Jennie the one-legged housekeeper - Whimsley, Google, Kylie, Edmund (who is in the crowd, near the back, though you might not have noticed him), Mr. Amazon -  in one place, and something dramatic is obviously about to happen. But what?</p><p>Now I don't want to go all John Fowles here (see the book in the title) and pontificate about the nature of the plot as artifice and the role of the author. That's so last century. Plus, when Fowles wrote that he could send his heroine this way or that, and when he wrote his alternative endings, he had actually finished his book, so the questioning of his role as author was a little precious. </p><p>My problem is different. I don't have two ways to finish the story, I have none. In fact, there is no story from here on.</p><p>I have some ideas about things that might happen next, including what seems to me a rather neat twist about the obviously impending assault on Mr. Amazon's Bookshop, but they are vague and they have problems. Not least among them is my growing tiredness with Whimsley himself. His one-dimensional nature was a benefit in <a href="http://whimsley.typepad.com/whimsley/2008/03/mr-googles-guid.html">Mr. Google's Guidebook</a> (written just over a year ago! how time flies), but after stretching him over 15,000 words rather than 2,000 I am not sure there is much more to be said about the internet from the point of view of a delusional alcoholic gothic anachronism.</p><p>I did think Kylie may provide an alternative focus for the story, but she has fallen somewhere between a youthful village mob-boss, a smart and witty kid, and a yokel, without one aspect of her character really crystallizing in my imagination. </p><p>And then there is the technology issue. Clearly the Kindle has to come in to the plot somehow. Having Google already on scene means that a last-minute twist driven by the <a href="http://www.googlebooksettlement.com/">Google Book Settlement</a> might be a nice way to finish off the tale. Perhaps Kylie drives Amazon out of town only to hand Google her stories for him to distribute? And I am sure that after all this it will turn out that there are indeed mole-people, but that they are working for Google, not Amazon, slavishly copying all those books for his ever-expanding guidebook.</p><p>So we will see. I realize this raises questions about the responsibility of the author to finish a story once started. I would like to finish it, and I expect that I will do so. But there will be no episode this week. </p><p>This is not a fish for attention and reinforcement, by the way. I have appreciated the comments on earlier episodes. And to prove that it is not, I will close comments on this posting. It's just an observation that I have other things going on, like work and family and friends and books and spring, and I have no episodes stocked away ready to be brought out and posted. If anyone wishes to continue the story on their own blog, feel free: I will be happy to link to it.</p><p>So with that, see you next week, with luck.</p><div class="zemanta-pixie"><img class="zemanta-pixie-img " src="http://img.zemanta.com/pixy.gif?x-id=5d81a813-e3b2-45f3-8ec9-514c9e7b22c1" /></div></div>
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/03/the-french-lieutenants-bookshop.html</feedburner:origLink></entry>
    <entry>
        <title>Mr. Amazon's Bookshop: Where is Kylie?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/y7VDQLXNi-c/mr-amazons-bookshop-where-is-kylie.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-where-is-kylie.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-63916977</id>
        <published>2009-03-10T23:45:52-04:00</published>
        <updated>2009-03-10T23:45:52-04:00</updated>
        <summary>[This is the twelfth episode of Mr. Amazon's Bookshop. The previous episode is here. A list of all episodes is here. In the previous episode, Kylie and Edmund spent a morning running Whimsley's differ and made some disturbing findings about...</summary>
        <author>
            <name>tomslee</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Mr. Amazon's Bookshop" />
        
        
<content type="xhtml" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>[This is the twelfth episode of Mr. Amazon's Bookshop. The previous episode is <a href="http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-recommending-the-big-sellers.html">here</a>. A list of all episodes is <a href="http://whimsley.typepad.com/whimsley/2008/12/mr-amazons-bookshop.html">here</a>. In the previous episode, Kylie and Edmund spent a morning running Whimsley's differ and made some disturbing findings about the Mr. Amazon's recommendations. Then Kylie left without warning to go and steal some lunch, leaving Whimsley even more bemused than usual.]<br /><br />After the excitement and confusion of Kylie and Edmund's investigation, evening found me tired and emotional. My head was spinning with all the numbers they had collected and what Kylie seemed to make of them. You may not believe this, but I was feeling a little out of my depth. At sea even. We gentry typically have little use for numbers bigger than a dozen or so; anything more and we have hired help to deal with them. And though my interest in the differ had got me more familiar with numerology than most of my class, I had always been more enthusiastic about building the device than actually using it.<br /><br />I had written Kylie off as riff-raff when I first met her, but I was beginning to realize that some of these youngsters may actually know a thing or two. Her outburst about Mr. Amazon's unfairness carried the mark of immaturity and self-dramatization so characteristic of her class and sex, but as I pored over the notebook I really did not know what to make of the reams of Edmund's writing in my notebook. Yesterday Kylie had showed me one page of summary and claimed that is showed Mr. Amazon's populist claims to be fraudulent, but as I turned page after page of my notebook I could make neither head nor tail of the admirably neat tables and lists that I saw in front of me. My first thought was that it would be embarrassing to have to ask for more detailed explanations, but then I realized that numerology is really a matter for the trades, not for men of standing, so there is no shame in being a little foggy when it comes to details. My neighbour Mr. Belloc was correct when he told me of his friend's fate:<br /><div style="margin-left: 40px;"><br /><blockquote>Lord Finchley tried to mend the electric light<br />It struck him dead, and serve him right.<br />It is the duty of the wealthy man<br />To give employment to the artisan.<br /></blockquote></div><br />By then I was looking forward to Kylie's return, when I would demand further explanation of her investigations and take our next steps in what seemed increasingly like a campaign against Mr. Amazon and his book "shop". I had the bit between my teeth and was ready to run - I felt energized and zealous.<br /><br />But Kylie did not reappear the next day. I fretted, and paced the grounds. <br /><br />And she did not appear the following day either. I went by the gardener's hut to ask Edmund her whereabouts, but Edmund had vanished as well! I expressed my concern to his father, who told me Edmund frequently went to stay with relatives in the village and that I "should not worry my little head", which seemed charming enough, but was hardly helpful.<br /><br />When neither was to be seen on the third morning, my spirits tumbled and I retreated into the gloom of Whimsley Hall. Their explosion of youthful energy reminded me what a grim dwelling it has become over the years, and their sudden absence plunged me into weeks of sour temper. The stone pillars, the sepulchural halls, the long shadows - they speak to my bones through the generations of Whimsleys, and yet there are times when I resent their weight and their lugubrious depths. A darkness came over me in those days, despite the summer sunshine outside. I spent morning after morning in the breakfast room just staring at the patterns made by the damp on the ornate wallpaper, afternoons in the library poring slack-jawed over erotic tales and cheap pulp novels. The evenings in fitful, chemically-assisted slumber. <br /><br />Google would bring me the newspaper each morning and tell me the odd facts he always has at his fingertips that would normally keep me amused, yet they could do nothing to lift my spirits. Jennie would clatter into the room, swinging on her crutch, to bring me my breakfast or to clean away a few of the every-accumulating cobwebs. Usually a friendly sight, she became a Barquentine-like presence, stunted and cantakerous and clouded with a deep rage. And why not? He family has served mine for six generations, tied almost as intimately as myself to the arches and history of Whimsley Hall. She has watched from close up my failure to maintain its legacy, to prevent its fall. The world was changing around me, I felt. Whimsley Hall has been, truth to tell, an anachronism for years. And now, in the new world of the prim Mr. Amazon and his impersonally-friendly recommendations, what place would there be for the traditional virtues of short sharp floggings, of loyalty and doffings of caps and tied cottages? Ritual and symbol were fading. I could see no way to raise myself from despondency.<br /><br />It was Jennie who dragged me out of my self-absorpion, as autumn approached and the winds and rain came back to scour Whimsley village. One morning she hobbled in with my usual breakfast tray of fried eggs, fried bacon, fried black pudding, fried potatoes, fried sausages, fried mushrooms, fried tomatoes and fried bread, together with a half-full bowl of soup. She was breathing deeply, clearly exhausted from her journey up the staircase as she cleared a spot on the desk and threw the tray unceremoniously in front of me. "There you go. Full English. Not that it will help."<br /><br />"What do you mean, help?" Jennie rarely spoke these days, so I was taken aback.<br /><br />"You've not been eating right for weeks. Ever since that excitement with Kylie and Edmund and the differ. You're going downhill in a big way sir, and I'm not going to stand by and watch it happen. You need to pull yourself together."<br /><br />Of course, if there is one thing guaranteed not to help a person in spiritual pain it is telling them to pull themselves together. I scowled and stabbed a fork half-hearedly at a half-hearted sausage.<br /><br />"You're fretting about them numbers Kylie and Edmund put together ain't you? She's too quick for the likes of you, that one."<br /><br />"You know Kylie?"<br /><br />"Well", she said in a most un-servant-like tone, "they don't call it Whimsley <i>village</i> for nothing. It's not exactly surprising if I live down the street from Kylie Higgins is it? There's not that many streets. And even if I didn't, everyone knows Kylie. You can't miss that one, what with running the bookie's for her Dad. She's smart, that kid, and she puts up with no nonsense."<br /><br />"The bookie's eh? That would explain her facility with numbers. Do you know where she is? She said she would be back, but then she and Edmund just vanished."<br /><br />"Well she's been up to no good, I can tell you that. Sometimes I sit on my porch of an evening you know. Watch the dogs fight, just to pass the time. It's not easy to get around a lot, what with having one leg. Not that some people care, getting me to hop up and down staircases all bloody day long."<br /><br />"A little exercise will do you good, I'm sure. Just you wait and see. But what do you mean 'up to no good'?"<br /><br />"What I heard was that she decided Mr. Amazon's a fraud. So she's been rounding up some of the local kids - teenagers with nowt to do over the summer holidays. She started off by telling them stories about this Wazzock character and his dragon and they loved it. But then last night she just stopped. They got mad and she just says 'Well if you want to know more you'd better go and get Mr. Bloody Amazon to sell you a book then.' They didn't look so keen on that, so she says 'And if you don't want to buy one, maybe you could just take it. Who's to stop you?'" So I reckon she's got it in for this Amazon and she's going to set the neighbourhood kids on him - break in and do the place over, if you get my meaning. Maybe they've already done it."<br /><br />"I've no doubt she's capable of vandalism. But vandalism won't help sell her book, will it? I think I'll have to talk some sense into the young harridan. We pillars of the community have a duty, don't you know?"<br /><br />"You betcha. You'd better not waste any time if you want to stop her. You'll probably find her at the bookie's or in the park by the pond. So you won't be needing these eggs then? Not to worry, I'll look after them." And with that Jennie whisked the tray from under my nose, and clattered off towards the staircase before I could say anything, spilling the remaining soup in all directions as she went.<br /><br />It was indeed time, I decided, to take action. Raising myself from my torpor I flung open the windows and breathed in the stale odour of the Whimsley air. I found my walking stick, put on my heaviest boots and within a few minutes I was striding off down the road to the village, with the cobwebs of my mind left among the cobwebs of Whimsley Hall. Just as I approached the gate I noticed Google talking to the gardener. He's a big man and might be handy if there's trouble, I decided. "You're with me Google!" I cried, "There's trouble at Mr. Amazon's shop and we need to be the voice of reason. I know you don't like the man - not too keen on him myself - but we can't have hooliganism in Whimsley village. Not cricket is it?" I'm gratified to say that Google looked shocked. I can tell you that doesn't happen often. He dropped his conversation like a hot potato and came after me, and the gardener followed too.<br /><br />We approached the village and turned up the street on which Mr. Amazon's bookshop was found, and were greeted by the sight of a crowd of youth - perhaps twenty of them - approaching the shop from the other end. They looked tense and nervous; sleeves rolled up, ready for business. Kylie was at their head, but she didn't even acknowledge my presence. Instead the crowd went straight to the bookshop and she yanked at the door.<br /><br />It did not open.<br /><br />"Hey, Amazon!" she yelled. "I want some answers. And I want you to sell some copies of my book. I've got some customers here, so let us in, right?" She hammered on the door again.<br /><br />It looked like there was going to be trouble. How delicious!<br /><br /><div class="zemanta-pixie"><img class="zemanta-pixie-img" src="http://img.zemanta.com/pixy.gif?x-id=8e445d13-8356-4126-8322-1918e40422fa" /></div></p></div>
</content>


    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-where-is-kylie.html</feedburner:origLink></entry>
    <entry>
        <title>Mr. Amazon's Bookshop: Recommending the Big Sellers</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/SEiQwJmF-g0/mr-amazons-bookshop-recommending-the-big-sellers.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-recommending-the-big-sellers.html" thr:count="4" thr:updated="2009-03-09T20:14:32-04:00" />
        <id>tag:typepad.com,2003:post-63612859</id>
        <published>2009-03-03T20:48:54-05:00</published>
        <updated>2009-03-03T20:48:54-05:00</updated>
        <summary>[This is the eleventh episode of Mr. Amazon's Bookshop. A list of all episodes is here; the previous episode is here. In the previous episode Kylie began to think that Mr. Amazon might be "just like the bastard publishers", pushing...</summary>
        <author>
            <name>tomslee</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Mr. Amazon's Bookshop" />
        
        
<content type="html" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;h1&gt;&lt;font face="sans-serif"&gt;&lt;a id="Mr_Amazon_s_Many_Bookshops_006" name="Mr_Amazon_s_Many_Bookshops_006"&gt;&lt;/a&gt;&lt;/font&gt;&lt;/h1&gt;[This is the eleventh episode of&amp;nbsp;&lt;em&gt;Mr. Amazon's Bookshop&lt;/em&gt;. A list of all episodes is&amp;nbsp;&lt;a href="http://whimsley.typepad.com/whimsley/2008/12/mr-amazons-bookshop.html" style="text-decoration: underline; color: rgb(0, 0, 0);"&gt;here&lt;/a&gt;; the previous episode is &lt;a href="http://whimsley.typepad.com/whimsley/2009/02/mr-amazons-bo-2.html" style="text-decoration: underline; color: rgb(0, 0, 0);"&gt;here&lt;/a&gt;. In the previous episode Kylie began to think that Mr. Amazon might be "just like the bastard publishers", pushing big sellers at customers rather than promoting books like her own novel &lt;i&gt;The Adventures of Wazzock&lt;/i&gt;. Meanwhile, Whimsley was becoming increasingly befuddled by the swirl of activity around him. His befuddlement even interfered with his sleep....]&lt;br /&gt;&lt;br /&gt;&lt;font face="sans-serif"&gt;I had trouble sleeping that night. It wasn't just the heat mixing with the cat-urine-induced damp of the carpets to produce the acidic tang that so characterizes Whimsley Hall in the summer; I find that odour reminds me of my own childhood and is surprisingly comforting. No, Kylie's virulence had quite upset me and my usual tonics did not seem to relax me as they usually do. But finally I slept fitfully, only to dream...&lt;br /&gt;&lt;br /&gt;I looked out of my bedroom window to see a book lying in the middle of the vegetable garden. As I watched, the book opened and a vine grew from its spine, each page becoming a leaf. The vine sprouted pods periodically along its length, and each one erupted to vomit a new book onto the ground. These new books sprouted vines in turn, and the vegetable garden was soon a mass of twisting green creepers, writhing ever closer to the walls of Whimsley Hall. Before I knew what was happening, they were appearing at the window, and each leaf bore the face of Mr. Amazon. "If you like vegetables", said one, "maybe you would be interested in this," and the leaf rotted on the stalk, emitting a stench of rotten turnip. "If you like books", said another "maybe you would like a phonograph, or some toys, or some gourmet groceries", and an avalanche of bread, mechanical devices, soup, toy soldiers, and other contrivances flooded the floor of my bedroom. "It's a new economy of abundance!" crowed a face to my left; "It's a world of choice!" cheered one to my right. More and more, faster and faster, the faces wriggled and wormed their way over the windowsill, in through the ceiling, up through the floor, until I could hardly move&lt;br /&gt;&lt;br /&gt;I woke suddenly, tangled in the bedclothes, sweating and shaking. The room was empty, the window closed, the night quiet. I squirmed out from the sheets, ran to the window and stared out, but everything was peaceful. Reassured but exhausted, I put my nightcap back on my head and returned to my bed, and drifted back to slumber. But just as I was about to lose consciousness, I thought I heard Mr. Amazon's voice again. "If you want a vision of the future, imagine a human trying on a new boot - forever."&lt;br /&gt;&lt;br /&gt;The following day dawned grey and wet. The rain battered the windows, and I felt a mixture of relief and disappointment as I realized Kylie was unlikely to venture all the way from the village to Whimsley Hall today, but before I had even started in on my kippers there was a knock at the window.&lt;br /&gt;&lt;br /&gt; "What're you doing Mr. W? Me and the imbecile had been busy for hours. Come and have a look."&lt;br /&gt;&lt;br /&gt;I ran to the door, and sure enough, steam was billowing from the stable chimney. The differ was running. I stood straight, called for an umbrella, and set out to join the urchins. Jennie the one-legged housekeeper carried the umbrella for me so that I could finish my kippers and tea on the way over. The umbrella kept knocking against my head as she bounced up and down. It really is most inconvenient to keep her on sometimes, but one does what one can.&lt;br /&gt;&lt;br /&gt; "So tell me," I demanded as I strode - impressively I'm sure - into the stables.&amp;nbsp; "What have you been doing with my differ?"&lt;br /&gt;&lt;br /&gt;"Well," started Kylie, "the undersized lamebrain here was watching you when you set up your dials to send the questions to Mr. Amazon. So we worked out how to send our own questions. And we chose another book, and we grew a shop from it. We did the same as you did: choose one book as the seed; visit about a thousand times. Each visit, we look at summat between 0 and 20 books, and the shortarse wrote down all the output." She pointed at Edmund, asleep in the corner. "This time we chose something called &lt;i&gt;The Shack&lt;/i&gt; by William Paul Young. It's a one of a kind invitation to journey to the very heart of God, and a lot of people seem to like it. So we've got the whole bookshop down in your notebook. You'll be needing some new cats by the way." She gestured to a damp pile of fur on the floor opposite the dials.&lt;br /&gt;&lt;br /&gt; "And what did you find?"&lt;br /&gt;&lt;br /&gt; "In short, a lot. Here, why don't I pour you a drink and you can take a seat while I tell you all about it." She poured what looked like a stiff gin into a cup and handed it over.&lt;br /&gt;&lt;br /&gt; I took the drink with thanks, and sat attentively.&lt;br /&gt;&lt;br /&gt; "First things first. In the &lt;i&gt;Shack&lt;/i&gt; shop, we spent half the time looking at books in the top 2204 sellers, which is pretty much just the same as the &lt;i&gt;Special Topics in Calamity Physics&lt;/i&gt; book shop. And four fifths of the time is spent in the top 22,700, which is five thousand less than yesterday's bookshop, and there's only one in ten views that are outside the top one hundred grand. So that's slanted even more to the best sellers than the &lt;i&gt;Special Topics&lt;/i&gt; shop."&lt;br /&gt;&lt;br /&gt; "You've obviously been busy," I was having a hard time following all these numbers, but Kylie ploughed on remorselessly.&lt;br /&gt;&lt;br /&gt;"So dummkopf here, he's pumping the bellows like mad and writing it all down and he says 'Let's do some more Kylie!', so we did. He's quite the bundle of energy this kid", She punched him amiably in the stomach and Edmund stirred in his sleep. "I'll show you the results here."&lt;br /&gt;&lt;br /&gt;A sheet of paper in my notebook had a summary of each of the shops they had created, the median sales rank, and the time spent in browsing around the top 100,000 sellers. Here it is.&lt;br /&gt;&lt;/font&gt;               &lt;br style="font-family: Courier New;" /&gt; &lt;b&gt;&lt;span style="font-family: Courier New;"&gt;Store Median&amp;nbsp; Top 100K&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: Courier New;"&gt;Seed Book&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;7&amp;nbsp;&amp;nbsp; &amp;nbsp; 1742&amp;nbsp;&amp;nbsp; &amp;nbsp;87.5&amp;nbsp;&amp;nbsp; &amp;nbsp;Testimony&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;4&amp;nbsp;&amp;nbsp; &amp;nbsp; 2007&amp;nbsp;&amp;nbsp; &amp;nbsp;91.4&amp;nbsp;&amp;nbsp; &amp;nbsp;The Lucky One&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;9&amp;nbsp;&amp;nbsp; &amp;nbsp; 2113&amp;nbsp;&amp;nbsp; &amp;nbsp;89.4&amp;nbsp;&amp;nbsp; &amp;nbsp;The Shock Doctrine&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;10&amp;nbsp;&amp;nbsp; &amp;nbsp; 2113&amp;nbsp;&amp;nbsp; &amp;nbsp;87.6&amp;nbsp;&amp;nbsp; &amp;nbsp;Special Topics in Calamity Physics&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;12&amp;nbsp;&amp;nbsp; &amp;nbsp; 2191&amp;nbsp;&amp;nbsp; &amp;nbsp;86.5&amp;nbsp;&amp;nbsp; &amp;nbsp;Our Mutual Friend&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;1&amp;nbsp;&amp;nbsp; &amp;nbsp; 2192&amp;nbsp;&amp;nbsp; &amp;nbsp;89.8&amp;nbsp;&amp;nbsp; &amp;nbsp;The Shack&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;29&amp;nbsp;&amp;nbsp; &amp;nbsp; 2238&amp;nbsp;&amp;nbsp; &amp;nbsp;98.3&amp;nbsp;&amp;nbsp; &amp;nbsp;Bones&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;20&amp;nbsp;&amp;nbsp; &amp;nbsp; 2276&amp;nbsp;&amp;nbsp; &amp;nbsp;88.2&amp;nbsp;&amp;nbsp; &amp;nbsp;The Shock Doctrine&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;22&amp;nbsp;&amp;nbsp; &amp;nbsp; 2388&amp;nbsp;&amp;nbsp; &amp;nbsp;88.5&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;17&amp;nbsp;&amp;nbsp; &amp;nbsp; 2471&amp;nbsp;&amp;nbsp; &amp;nbsp;92.5&amp;nbsp;&amp;nbsp; &amp;nbsp;Our Mutual Friend&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;8&amp;nbsp;&amp;nbsp; &amp;nbsp; 2650&amp;nbsp;&amp;nbsp; &amp;nbsp;86.6&amp;nbsp;&amp;nbsp; &amp;nbsp;Conservatism That Can Win Again&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;21&amp;nbsp;&amp;nbsp; &amp;nbsp; 2808&amp;nbsp;&amp;nbsp; &amp;nbsp;90.4&amp;nbsp;&amp;nbsp; &amp;nbsp;The Conscience of a Liberal&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;24&amp;nbsp; &amp;nbsp;&amp;nbsp; 2888&amp;nbsp;&amp;nbsp; &amp;nbsp;90.1&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;27 &amp;nbsp;&amp;nbsp;&amp;nbsp; 3135&amp;nbsp;&amp;nbsp; &amp;nbsp;88.8&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;5&amp;nbsp; &amp;nbsp;&amp;nbsp; 3158&amp;nbsp;&amp;nbsp; &amp;nbsp;96.0 &amp;nbsp;&amp;nbsp; Seven Habits of Highly Successful People&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;19&amp;nbsp;&amp;nbsp; &amp;nbsp; 3380&amp;nbsp;&amp;nbsp; &amp;nbsp;89.1&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;6&amp;nbsp; &amp;nbsp;&amp;nbsp; 3438&amp;nbsp;&amp;nbsp; &amp;nbsp;91.2&amp;nbsp;&amp;nbsp; &amp;nbsp;No One Makes You Shop at Wal-Mart&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;14 &amp;nbsp;&amp;nbsp;&amp;nbsp; 3487&amp;nbsp;&amp;nbsp; &amp;nbsp;88.2&amp;nbsp;&amp;nbsp; &amp;nbsp;The Conscience of a Liberal&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;25&amp;nbsp; &amp;nbsp;&amp;nbsp; 3610&amp;nbsp;&amp;nbsp; &amp;nbsp;88.3&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;23&amp;nbsp;&amp;nbsp; &amp;nbsp; 3627&amp;nbsp;&amp;nbsp; &amp;nbsp;93.3&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;26&amp;nbsp;&amp;nbsp; &amp;nbsp; 3681&amp;nbsp;&amp;nbsp; &amp;nbsp;91.5&amp;nbsp;&amp;nbsp; &amp;nbsp;The Long Tail&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;18&amp;nbsp; &amp;nbsp;&amp;nbsp; 4060&amp;nbsp;&amp;nbsp; &amp;nbsp;84.8&amp;nbsp;&amp;nbsp; &amp;nbsp;The Conscience of a Liberal&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;13 &amp;nbsp;&amp;nbsp;&amp;nbsp; 4101&amp;nbsp;&amp;nbsp; &amp;nbsp;88.0 &amp;nbsp;&amp;nbsp; Surrender is Not an Option&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;16&amp;nbsp;&amp;nbsp; &amp;nbsp; 5326&amp;nbsp;&amp;nbsp; &amp;nbsp;90.0 &amp;nbsp;&amp;nbsp; Riddley Walker&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;30&amp;nbsp;&amp;nbsp; &amp;nbsp; 5750&amp;nbsp;&amp;nbsp;&amp;nbsp; 87.9&amp;nbsp;&amp;nbsp; &amp;nbsp;Graph Drawing&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;28&amp;nbsp;&amp;nbsp; &amp;nbsp; 6117&amp;nbsp;&amp;nbsp;&amp;nbsp; 88.3&amp;nbsp;&amp;nbsp; &amp;nbsp;The Secret History&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;2&amp;nbsp;&amp;nbsp; &amp;nbsp; 6222&amp;nbsp;&amp;nbsp;&amp;nbsp; 86.2&amp;nbsp;&amp;nbsp; &amp;nbsp;How To Eat&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;15&amp;nbsp;&amp;nbsp; &amp;nbsp; 7231&amp;nbsp;&amp;nbsp;&amp;nbsp; 84.6&amp;nbsp;&amp;nbsp; &amp;nbsp;Our Mutual Friend&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;31&amp;nbsp;&amp;nbsp; &amp;nbsp; 7583&amp;nbsp;&amp;nbsp; &amp;nbsp;100&amp;nbsp;&amp;nbsp; &amp;nbsp; The Secret History&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;&amp;nbsp;2&amp;nbsp;&amp;nbsp; &amp;nbsp;17794&amp;nbsp;&amp;nbsp; &amp;nbsp;76.3&amp;nbsp;&amp;nbsp; &amp;nbsp;Last Best Gifts&lt;/span&gt;&lt;br style="font-family: Courier New;" /&gt; &lt;span style="font-family: Courier New;"&gt;11&amp;nbsp;&amp;nbsp; &amp;nbsp;51992&amp;nbsp;&amp;nbsp; &amp;nbsp;58.5&amp;nbsp;&amp;nbsp; &amp;nbsp;The Dilbert Principle&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;font face="sans-serif"&gt; I pored over the numbers, unsure what to make of them. "So explain, snotnose" I grumbled. Somehow this venture did not feel entirely mine any more.&lt;br /&gt;&lt;br /&gt;"It's like this," the vixen explained, slightly patronizingly I felt, "We did a number of books as seeds to see how things went differently depending on your starting point."&lt;br /&gt;&lt;br /&gt; "But some have the same book name."&lt;br /&gt;&lt;br /&gt;"That's because each bookshop may go different ways, depending on what choices the cat tells you to make, and we wanted to see if the results depended a lot on what book you start with. So would you always get the same shop if you start with one book."&lt;br /&gt;&lt;br /&gt; "And do you?"&lt;br /&gt;&lt;br /&gt; "Sometimes yes, sometimes no. Like, we did &lt;i&gt;Our Mutual Friend&lt;/i&gt; twice because we both did Charles Dickens at school and hated it. Can't that man say anything in less than twenty pages? And you can see that one of them ended up with a median of 2471 and one with a median of over 7,000. That's quite a difference on this list. And we did &lt;i&gt;The Long Tail&lt;/i&gt; quite a few times because Mr. Amazon told me about that when I asked him how he could help &lt;i&gt;The Adventures of Wazzock&lt;/i&gt; to get what it deserves. But in the end, with a few exceptions it doesn't make much difference what book you start with. You'll spend at least half your time in the top 10,000 books, which is like browsing around the heavy traffic area of a regular bookshop. And you'll spend almost all your time in the top 100,000, so you don't really see much that you wouldn't see in a normal bookshop."&lt;br /&gt;&lt;br /&gt; "What about these exceptions you mention?"&lt;br /&gt;&lt;br /&gt; "There are three that are different, and all for the same reason. Look at these bottom three in the list. &lt;i&gt;The Secret History&lt;/i&gt;, &lt;i&gt;Last Best Gifts&lt;/i&gt;, and &lt;i&gt;The Dilbert Principle&lt;/i&gt;."&lt;br /&gt;&lt;br /&gt; "What about them?"&lt;br /&gt;&lt;br /&gt; "Well &lt;i&gt;The Dilbert Principle&lt;/i&gt; is the book that spends most of its time out in the outsider part of the shop, beyond the 100 grand mark. Any idea why?"&lt;br /&gt;&lt;br /&gt; "Well I have heard that Dilbert is an humorous illustration of some kind. Isn't that right?"&lt;br /&gt;&lt;br /&gt;"Yeah, so what you get is, you bounce around a lot of other comic books. Every one of the top 14 books is a Dilbert book and from what I can tell all but two of the top 80 are comics. There's not really any one big bestseller in comics, so that's why you spend so much time in the outsider books."&lt;br /&gt;&lt;br /&gt; "And what about &lt;i&gt;Last Best Gifts&lt;/i&gt;?"&lt;br /&gt;&lt;br /&gt;"A bit different. It's basically an academic book and you end up going round a lot of other academic books. You don't always do that - like Graph Theory is pretty much like a bestseller - but &lt;i&gt;Last Best Gifts&lt;/i&gt;&lt;/font&gt; seems to just wander the academic ghetto. What a bunch of losers!"&lt;br /&gt;&lt;br /&gt;&lt;font face="sans-serif"&gt; "And &lt;i&gt;The Secret History&lt;/i&gt;?"&lt;br /&gt;&lt;br /&gt;"Now that one is very strange." Kylie frowned and scratched her stomach, contemplating the oddities of the world. "This shop has the least number of books of all. Ten thousand different views and there's only 14 different books in the lot! The reason is that early on it gets into books by this bloke Christopher Moore who, it says here, writes offbeat humour. And then all the recommendations are for other Christopher Moore books. And the really odd thing is that none of those books appear in any of the other bookshops. You either like Christopher Moore or you don't I guess."&lt;br /&gt;&lt;br /&gt; "So what have we learned?"&lt;br /&gt;&lt;br /&gt;"Well, first that it's really easy to get distracted by these little stories of what makes one bookshop different from another."&lt;br /&gt;&lt;br /&gt; "And second?"&lt;br /&gt;&lt;br /&gt;"That'll have to wait until tomorrow. I'm hungry and I'm going to steal some lunch." And with that she stalked, hands deep in pockets, down the drive towards the village.&lt;/font&gt;      &lt;br /&gt; &lt;h1&gt;&lt;a id="What_Next_22999881695133906_77" name="What_Next_22999881695133906_77"&gt;&lt;/a&gt; &lt;/h1&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="zemanta-pixie"&gt;&lt;img class="zemanta-pixie-img" src="http://img.zemanta.com/pixy.gif?x-id=07521fc8-8743-49a2-a6ce-b8ea486acd57" /&gt;&lt;/div&gt;&lt;/div&gt;
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    <feedburner:origLink>http://whimsley.typepad.com/whimsley/2009/03/mr-amazons-bookshop-recommending-the-big-sellers.html</feedburner:origLink></entry>
    <entry>
        <title>The Brilliant Bechdel/Wallace Movie Test</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Whimsley/~3/PwBSGIbLKU0/the-brilliant-bechdelwallace-movie-test.html" />
        <link rel="replies" type="text/html" href="http://whimsley.typepad.com/whimsley/2009/03/the-brilliant-bechdelwallace-movie-test.html" thr:count="3" thr:updated="2009-03-24T14:57:17-04:00" />
        <id>tag:typepad.com,2003:post-63568545</id>
        <published>2009-03-02T22:35:42-05:00</published>
        <updated>2009-03-02T22:36:24-05:00</updated>
        <summary>I had not heard of this amazing test until seeing a mention in the morning paper, but it has been around since 1985. That was when Liz Wallace told it to her friend Alison Bechdel who put it in the...</summary>
        <author>
            <name>tomslee</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-CA" xml:base="http://whimsley.typepad.com/whimsley/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>I had not heard of this amazing test until seeing a mention in the morning paper, but it has been around since 1985. That was when Liz Wallace told it to her friend Alison Bechdel who put it in the comic strip <span style="font-style: italic;">Dykes to Watch Out For</span>. See <a href="http://www.dykestowatchoutfor.com/the-rule">here</a> for the comic and <a href="http://bitchphd.blogspot.com/2008/07/bechdel-rule-and-dark-knight.html">here</a> for discussion.</p><div>For others who have been in the dark, here is their devastatingly simple rule.<br /><br /><div>To be worth watching, a movie must</div><div><ol>
<li>Have at least two women in it,</li>
<li>who talk to each other, </li>
<li>about something besides a man. </li>
</ol>
<span>This morning's paper went through the Time Magazine top ten movies of all time list. Classics like <span style="font-style: italic;">The Godfather </span>and <span style="font-style: italic;">2001 A Space Odyssey </span>fail. I have a feeling both TV programs I watched this evening fail. And I'm half way through reading <span style="font-style: italic;">The Unbearable Lightness of Being</span>, which I think is likely to fail as well.</span></div></div></div>
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