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      <description>Watch the installation of Richard Artschwager&amp;#8217;s blps on and along the High Line, near the future home of the Whitney, as well as on the Museum&amp;#8217;s current building uptown. Video produced by The Standard, New York</description>
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      <blip:puredescription>October 1, 2011 &amp;#8211; January 14, 2013. The Whitney is constructing a new building in downtown Manhattan, which will open to the public in 2015. Watch the building rise from the ground up in this regularly-updated time-lapse video, which documents progress on the construction site.</blip:puredescription>
      <blip:license>No license (All rights reserved)</blip:license>
      <description>October 1, 2011 &amp;#8211; January 14, 2013. The Whitney is constructing a new building in downtown Manhattan, which will open to the public in 2015. Watch the building rise from the ground up in this regularly-updated time-lapse video, which documents progress on the construction site.</description>
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      <category>Art</category>
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      <blip:puredescription>In this video, curator Scott Rothkopf discusses the production of Wade Guyton&amp;apos;s eight-panel painting Untitled (2008) and connects the work to our relationship with technology.</blip:puredescription>
      <blip:license>No license (All rights reserved)</blip:license>
      <description>In this video, curator Scott Rothkopf discusses the production of Wade Guyton&amp;apos;s eight-panel painting Untitled (2008) and connects the work to our relationship with technology.</description>
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      <category>Art</category>
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      <title>Topping Out</title>
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      <blip:puredescription>The future Whitney will be nine stories tall. This &amp;#8220;topping out&amp;#8221; ceremony, which took place on December 17, 2012, marks the installation of the structure&amp;apos;s highest steel beam.</blip:puredescription>
      <blip:license>No license (All rights reserved)</blip:license>
      <description>The future Whitney will be nine stories tall. This &amp;#8220;topping out&amp;#8221; ceremony, which took place on December 17, 2012, marks the installation of the structure&amp;apos;s highest steel beam.</description>
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      <category>Art</category>
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      <title>Walter Annenberg Annual Lecture: Sarah Sze</title>
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      <blip:puredescription>Known for large-scale sculptural installations, wall-mounted reliefs, and works on paper, Sarah Sze transforms our perception of quotidian items, such as notebook paper, plastic spoons, string, and straws, by assembling works of extraordinary beauty, movement, balance, and surprise. By playing with scale and illusion created through the mass accretion of small objects, she creates architectonic pieces that seem to defy gravity and form their own model universe. The Whitney has exhibited and supported Sze&amp;#8217;s work since early in her career and remains steadfastly committed to her vision of what an artwork can be. In this eighth Walter Annenberg Lecture, Sze speaks about her work in conversation with Adam D. Weinberg, the Whitney&amp;#8217;s Alice Pratt Brown Director. In honor of the late Walter H. Annenberg, philanthropist, patron of the arts, and former ambassador, the Whitney Museum of American Art established the Walter Annenberg Annual Lecture to advance this country&amp;#8217;s understanding of its art and culture. Support for this lecture and for public programs at the Whitney Museum is provided, in part, by Jack and Susan Rudin in honor of Beth Rudin DeWoody, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the Museum&amp;#8217;s Education Committee.</blip:puredescription>
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      <blip:puredescription>In these excerpts from Kusama: Princess of Polka Dots directed by Heather Lenz, artist Yayoi Kusama, gallerist Richard Castellone, and Tate Curator Frances Morris discuss Kusama&amp;apos;s childhood in Japan, her move to New York, and the themes of infinity and accumulation in her work.</blip:puredescription>
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      <blip:puredescription>In this video, artist Will Barnet discusses his eighty-plus year career and his painting Male and Female (1954), which is on view in the exhibition Signs &amp;amp; Symbols. Art &amp;#169; Will Barnet/Licensed by VAGA, New York, NY. Courtesy Alexandre Gallery</blip:puredescription>
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      <blip:puredescription>In this video, David Smith biographer Michael Brenson discusses Smith&amp;apos;s monumental sculpture, on view in the exhibition David Smith: Cubes and Anarchy.</blip:puredescription>
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      <blip:puredescription>In this video blog (or, &amp;#8220;vlog&amp;#8221;), educator Andrew Fisher discusses the performance work Body Drama (2011) by Xavier Cha, on view in the exhibition Xavier Cha: Body Drama.</blip:puredescription>
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      <blip:puredescription>This video documents the May 24, 2011 groundbreaking ceremony for the Whitney&amp;#8217;s new building in downtown Manhattan.</blip:puredescription>
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      <description>This video documents the May 24, 2011 groundbreaking ceremony for the Whitney&amp;#8217;s new building in downtown Manhattan.</description>
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      <pubDate>Wed, 22 Jun 2011 16:45:14 +0000</pubDate>
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      <blip:puredescription>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim discusses artist Glenn Ligon&amp;#8217;s unique ;perspective and artistic process in American Sign Language, focusing on selected works in the retrospective exhibition</blip:puredescription>
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      <description>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim discusses artist Glenn Ligon&amp;#8217;s unique ;perspective and artistic process in American Sign Language, focusing on selected works in the retrospective exhibition</description>
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      <blip:puredescription>Using sketches and renderings from architect Renzo Piano&amp;apos;s studio, this video gives insight into the plans for the Whitney&amp;apos;s building in downtown Manhattan.</blip:puredescription>
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      <description>Using sketches and renderings from architect Renzo Piano&amp;apos;s studio, this video gives insight into the plans for the Whitney&amp;apos;s building in downtown Manhattan.</description>
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      <blip:puredescription>In this video, we celebrate the Whitney&amp;#8217;s new building by visiting the Museum in its current and future home.</blip:puredescription>
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      <description>In this video, we celebrate the Whitney&amp;#8217;s new building by visiting the Museum in its current and future home.</description>
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      <blip:puredescription>In this video, the Whitney introduces artists from its permanent collection to downtown Manhattan!</blip:puredescription>
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      <blip:puredescription>In celebration of the Whitney&amp;apos;s groundbreaking on its building in downtown Manhattan, designed by Renzo Piano, this video remembers the Museum&amp;apos;s historical roots.</blip:puredescription>
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      <blip:puredescription>In this video, Whitney curator Scott Rothkopf discusses the artist Robert Grosvenor&amp;#8217;s Minimalist sculpture , now on view in the exhibition</blip:puredescription>
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      <description>In this video, Whitney curator Scott Rothkopf discusses the artist Robert Grosvenor&amp;#8217;s Minimalist sculpture , now on view in the exhibition</description>
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      <blip:puredescription>In this video blog (or, &amp;#8220;vlog&amp;#8221;), Whitney educator Andrew Fisher discusses artist the work of Edward Hopper in American Sign Language, focusing on selected works in the exhibition Modern Life: Edward Hopper and His Time.</blip:puredescription>
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      <description>In this video blog (or, &amp;#8220;vlog&amp;#8221;), Whitney educator Andrew Fisher discusses artist the work of Edward Hopper in American Sign Language, focusing on selected works in the exhibition Modern Life: Edward Hopper and His Time.</description>
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      <blip:puredescription>In this video, artist Glenn Ligon and curator Scott Rothkopf discuss Ligon&amp;apos;s &amp;quot;America&amp;quot; neons and his body of work in response to James Baldwin&amp;apos;s essay &amp;quot;Stranger in the Village,&amp;quot; both of which are on view in the exhibition .</blip:puredescription>
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      <description>In this video, artist Glenn Ligon and curator Scott Rothkopf discuss Ligon&amp;apos;s &amp;quot;America&amp;quot; neons and his body of work in response to James Baldwin&amp;apos;s essay &amp;quot;Stranger in the Village,&amp;quot; both of which are on view in the exhibition .</description>
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      <blip:puredescription>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim discusses the exhibition Paul Thek: Diver, A Retrospective in American Sign Language.</blip:puredescription>
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      <description>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim discusses the exhibition Paul Thek: Diver, A Retrospective in American Sign Language.</description>
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      <blip:puredescription>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim and Whitney educator Andrew Fisher discuss a performance by the artist Elizabeth Streb in American Sign Language, which was originally conceived by the artist Trisha Brown. It was part of the Whitney exhibition Off the Wall Part 2: Seven Works by Trisha Brown.</blip:puredescription>
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      <description>In this video blog (or, &amp;#8220;vlog&amp;#8221;), artist and Whitney educator Christine S. Kim and Whitney educator Andrew Fisher discuss a performance by the artist Elizabeth Streb in American Sign Language, which was originally conceived by the artist Trisha Brown. It was part of the Whitney exhibition Off the Wall Part 2: Seven Works by Trisha Brown.</description>
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      <blip:puredescription>In this video, Whitney curator Carter Foster discusses the artist Charles LeDray&amp;apos;s installation MENS SUITS (2006-2009), on view in the exhibition Charles LeDray: workworkworkworkwork.</blip:puredescription>
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