<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-16102203</id><updated>2024-03-13T04:03:31.982+01:00</updated><title type='text'>Without Touching</title><subtitle type='html'>un inglés en su país</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default?alt=atom'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default?alt=atom&amp;start-index=26&amp;max-results=25'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>63</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-16102203.post-4208943477231984874</id><published>2007-08-01T12:46:00.000+02:00</published><updated>2007-08-01T14:41:21.501+02:00</updated><title type='text'>&quot;Be water, my friend.&quot;</title><content type='html'>&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2331852903610109378&amp;q=the+duration%3Along&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/bewatermyfriend.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;Un trozo de &quot;La entrevista perdida&quot; de Bruce Lee (1971) en este anuncio para el X3 de BMW: &lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2331852903610109378&quot; target=&quot;_blank&quot;&gt;Be water, my friend&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The full lost interview with Spanish voiceover &lt;em&gt;(not good sound quality, though)&lt;/em&gt;:&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=8389400046636671161&quot; target=&quot;_blank&quot;&gt;Entrevista perdida&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&quot;The Lost Interview&quot; in English:&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=1413383646144124621&quot; target=&quot;_blank&quot;&gt;Lost interview&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/4208943477231984874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/4208943477231984874' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/4208943477231984874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/4208943477231984874'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2007/08/be-water-my-friend.html' title='&quot;Be water, my friend.&quot;'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-3764670020244245521</id><published>2007-05-06T01:29:00.001+02:00</published><updated>2007-05-06T01:29:43.841+02:00</updated><title type='text'>Spanish graffiti.</title><content type='html'>&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-7767804069031030240&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/span_graffiti.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;The trains in Spain sport the colours of the brave artists fighting to stop transport systems sinking into a boring collection of sanitised corporate liveries.&lt;br /&gt;&lt;br /&gt;This is how it&#39;s done. An hour of artists working on trains all over Spain, climbing fences and trolling along tunnels to get to work.&lt;br /&gt;&lt;br /&gt;See the video: &lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-7767804069031030240&quot; target=&quot;_blank&quot;&gt;Reality Show 2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;See some more &#39;burners&#39; at &lt;a href=&quot;http://www.wallspankers.com/wsgraffiti.htm&quot; target=&quot;_blank&quot;&gt;wallspankers.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A nice treat: &lt;a href=&quot;http://www.banksy.co.uk/&quot; target=&quot;_blank&quot;&gt;Banksy&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;--------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-size:130%;&quot;&gt;+ Freely downloadable dance music mixes:&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;House, trance, techno, hard dance, drum &#39;n&#39; bass - &lt;a href=&quot;http://www.dancemuzik.com/forums/forumdisplay.php?f=173&quot; target=&quot;_blank&quot;&gt;Dancemuzic.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Andy Gregory plays progressive trance. His site has dozens of uplifting mix sessions free to download - check out the &#39;Vocal Sessions&#39; - &lt;a href=&quot;http://www.andyg.me.uk/&quot; target=&quot;_blank&quot;&gt;AndyG&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Good house/trance mixes - &lt;a href=&quot;http://www.djpeterworth.com/djmixes.html&quot; target=&quot;_blank&quot;&gt;Peter Worth&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/3764670020244245521/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/3764670020244245521' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/3764670020244245521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/3764670020244245521'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2007/05/spanish-graffiti_06.html' title='Spanish graffiti.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-7857326646993771393</id><published>2007-05-05T20:32:00.000+02:00</published><updated>2007-05-05T20:38:01.702+02:00</updated><title type='text'>Noun - ser - noun</title><content type='html'>&lt;em&gt;I learnt a fact today.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ser&lt;/strong&gt; agrees in number with a following plural noun.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Examples:&lt;/em&gt; &lt;blockquote&gt;El problema son las estudiantes.&lt;br /&gt;&lt;br /&gt;El ejemplo más frecuente citado son los numerosos y múltiples avances tecnológicos.&lt;br /&gt;&lt;br /&gt;La revolución eran simplemente unos festivos fuegos artificiales daneses.&lt;/blockquote&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Source: &lt;em&gt;Using Spanish&lt;/em&gt;, Cambridge University Press.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/7857326646993771393/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/7857326646993771393' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/7857326646993771393'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/7857326646993771393'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2007/05/noun-ser-noun.html' title='Noun - &lt;em&gt;ser&lt;/em&gt; - noun'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-7278939351495470463</id><published>2007-04-25T11:31:00.000+02:00</published><updated>2007-04-25T11:48:40.320+02:00</updated><title type='text'>Culture in Cuba.</title><content type='html'>&lt;a href=&quot;http://education.guardian.co.uk/teacherstv/story/0,,2064408,00.html&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/cubanculture.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;How Cuba keeps alive its cultural heritage.&lt;br /&gt;&lt;br /&gt;From the age of 14, young instructors learn how to teach music, dance, drama and the visual arts. They then go out to primary and secondary schools across the country to teach the pupils there.&lt;br /&gt;&lt;br /&gt;This video gives enticing glimpses of Cuban life, and there&#39;s lots of spoken Spanish with English subtitles.&lt;br /&gt;&lt;br /&gt;Select Windows Media or Real Player version of video here: &lt;br /&gt;&lt;a href=&quot;http://education.guardian.co.uk/teacherstv/story/0,,2064408,00.html&quot; target=&quot;_blank&quot;&gt;Performing arts in Cuba&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/7278939351495470463/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/7278939351495470463' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/7278939351495470463'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/7278939351495470463'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2007/04/culture-in-cuba.html' title='Culture in Cuba.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-117241556364792728</id><published>2007-02-25T15:56:00.000+01:00</published><updated>2007-04-27T23:12:21.951+02:00</updated><title type='text'>José María García, periodista.</title><content type='html'>&lt;a href=&quot;http://www.elmundo.es/especiales/2007/02/comunicacion/quintero_garcia/index.html&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/josemariagarcia.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;This is a video interview of José María García, which was pulled by TVE, but is now available on the El Mundo site.&lt;br /&gt;&lt;br /&gt;García speaks clearly and is easy to understand - &lt;em&gt;good listening for us learners&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.elmundo.es/especiales/2007/02/comunicacion/quintero_garcia/index.html&quot; target=&quot;_blank&quot;&gt;Entrevista de Jesús Quintero a José María García&lt;/a&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;(You have to wait a few seconds while an advertisement clears.)&lt;/span&gt;&lt;/em&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/117241556364792728/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/117241556364792728' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/117241556364792728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/117241556364792728'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2007/02/jos-mara-garca-periodista.html' title='José María García, &lt;em&gt;periodista&lt;/em&gt;.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-116273361273516752</id><published>2006-11-05T14:22:00.000+01:00</published><updated>2006-11-05T16:28:59.546+01:00</updated><title type='text'>&#39;Contrastes&#39;</title><content type='html'>&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2925308981262244758&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/kaori_mujari.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;strong&gt;Kaori Muraji Guitar Concert&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2925308981262244758&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 100px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/high_recommend_grn.gif&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;An hour of beautiful music and delightful video. Kaori Muraji plays pieces by Rodrigo, Manuel de Falla, Sainz de la Maza, and Moreno Torroba. &lt;blockquote&gt;&lt;em&gt;The programme:&lt;/em&gt;&lt;br /&gt;Concierto de Aranjuez &lt;em&gt;(con Orquesta Sinfónica de Madrid)&lt;/em&gt;&lt;br /&gt;Homenaje a Debussy&lt;br /&gt;Tiento Antiguo&lt;br /&gt;Invocación y Danza &lt;em&gt;(&#39;Homenaje a Manuel de Falla&#39;)&lt;/em&gt;&lt;br /&gt;Campana del Alba&lt;br /&gt;En Los Trigales&lt;br /&gt;Fandanguillo&lt;br /&gt;Danza del Molinero&lt;/blockquote&gt;Hear and see on Google Video: &lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2925308981262244758&quot; target=&quot;_blank&quot;&gt;Contrastes&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;em&gt;(Pronouncing &lt;/em&gt;&lt;/span&gt;&lt;a href=&quot;http://sintocarlos.blogspot.com/2006/02/aranj-u-ez-from-atocha.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;em&gt;&#39;Aranjuez&#39;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;em&gt;)&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;a&gt;&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/116273361273516752/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/116273361273516752' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/116273361273516752'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/116273361273516752'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/11/contrastes.html' title='&#39;Contrastes&#39;'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-116213903653173186</id><published>2006-10-29T17:19:00.000+01:00</published><updated>2006-10-31T12:01:55.576+01:00</updated><title type='text'>El 65% de los pacientes tratados con cannabis mejoran su calidad de vida.</title><content type='html'>This is a follow up on an earlier post, &lt;a href=&quot;http://sintocarlos.blogspot.com/2005/12/less-pain-in-spain.html&quot; target=&quot;_blank&quot;&gt;Less pain in Spain&lt;/a&gt;, about cannabis trials in Catalonia.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The results:&lt;/em&gt; &lt;blockquote&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/dope-leaf.jpg&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 96px; CURSOR: hand; HEIGHT: 89px&quot; height=&quot;103&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/dope-leaf.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;On 20 October the Health Committee of Catalonia presented results of a clinical study with the cannabis extract Sativex in patients with different chronic diseases such as multiple sclerosis, neuropathic pain as well as appetite and weight loss. 65 per cent of the 123 participants experienced an improvement of quality of life and a decrease of pain. The other 35 per cent discontinued the treatment due to side effects, mainly dizziness, dry mouth and fatigue.&lt;br /&gt;&lt;br /&gt;It was a pilot study that started in January 2006 in six hospitals in the region of Barcelona. According to the press release of the Health Committee the study demonstrated that cannabis could be an alternative for &quot;patients with severe chronic diseases of different causes that would not well respond to standard medications and would be associated with a decrease of quality of life.&quot;&lt;/blockquote&gt;See the full write up in Spanish on &lt;a href=&quot;http://www.cadenaser.com/articulo/sociedad/65/pacientes/tratados/cannabis/mejoran/csrcsrpor/20061020csrcsrsoc_2/Tes/&quot; target=&quot;_blank&quot;&gt;cadenaser.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Source: &lt;/span&gt;&lt;a href=&quot;http://www.cannabis-med.org/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;IACM Bulletin&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/116213903653173186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/116213903653173186' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/116213903653173186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/116213903653173186'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/10/el-65-de-los-pacientes-tratados-con.html' title='El 65% de los pacientes tratados con cannabis mejoran su calidad de vida.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-115956908687380146</id><published>2006-09-30T00:27:00.000+02:00</published><updated>2006-09-30T17:18:29.053+02:00</updated><title type='text'>Videos venezolanos.</title><content type='html'>&lt;strong&gt;Venezuela 1956&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=8659504369877324182&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 100px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/venez_oil.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;Here&#39;s a lovely film showing Venezuela through the eyes of a North American oil company employee in 1956 -&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=8659504369877324182&quot; target=&quot;_blank&quot;&gt;Creole Assignment: Venezuela&lt;/a&gt;. &lt;blockquote&gt;&lt;em&gt;Comment by johnvillegasi:&lt;/em&gt; &quot;Este extraordinario video de Creole Petroleoum Corporation nos hace reflexionar muchas cosas. Entre ellas, que hasta 1955 Venezuela había tenido gobernantes que querían lo mejor para ella. Prueba de lo anterior es que entre los años 40 y 1980, Venezuela ocupó el 3er lugar en ingreso per capita en el mundo, siguiendo solo a Suiza y EEUU. Permaneció durante esos años como la nación que tuvo mayor crecimiento sostenido a nivel mundial. El producto del petróleo se invertía en infraestructura e industria.&quot;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Venezuela 2002&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;How are your propaganda spotting talents?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Which, do you think, of the following two documentaries conveys the truth?&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=5832390545689805144&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 100px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/venez_chavez.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;This video shows the 1992 coup and counter coup in Venezuela -&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=5832390545689805144&quot; target=&quot;_blank&quot;&gt;The Revolution will not be Televised&lt;/a&gt;. &lt;blockquote&gt;&lt;em&gt;Comment by Marcos (a Venezuelan citizen):&lt;/em&gt; &quot;The footage is very good, &#39;surprisingly good&#39; if you know what i mean. On the other hand, this &#39;documentary&#39; shows some truth, but also some lies and a lot of manipulation. Why? Because it focuses only in both extremes leaving aside all the people, A LOT OF PLEOPLE, who is in between and dislikes the opposition and Chavez&#39;s goverment, why the producers didn&#39;t do some research on this? To finish, for those who don&#39;t speak spanish, the &#39;documentary&#39; is conveniently translated to make look better Chavez&#39;s side.&quot;&lt;/blockquote&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-3378761249364089950&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 100px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/xray.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;That video spawned this one debunking it -&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-3378761249364089950&quot; target=&quot;_blank&quot;&gt;X-Ray of a Lie&lt;/a&gt;. &lt;blockquote&gt;&lt;em&gt;Comment by curandero62:&lt;/em&gt; &quot;Me parece una excelente respuesta para contrarestar a la desinformacion que sufren en el extranjero, por lo menos a puesto a dudar a muchos sobre la veracidad de la informacion que les llega a traves de los medios afectos al regimen de Chavez. Chavez inteligentemente se ha puesto como la victima ante los medios extranjeros, y eso le rindio dividendos dentro de la izquierda, sobre todo europea, que anda como pollo sin cabeza, buscado desesperadamente un lider romantico tipo Fidel en sus primeros años!&quot;&lt;/blockquote&gt;&lt;em&gt;You have to make up your own mind where the truth lies.&lt;/em&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/115956908687380146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/115956908687380146' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115956908687380146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115956908687380146'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/09/videos-venezolanos.html' title='Videos venezolanos.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-115781481153337325</id><published>2006-09-09T17:05:00.000+02:00</published><updated>2007-05-05T22:50:47.330+02:00</updated><title type='text'>&#39;Giant Girl Doll&#39;</title><content type='html'>&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-1522158746296131750&amp;q=%22giant+girl+doll%22&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/giantgirldoll.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;An entrancing video and music combination: &lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-1522158746296131750&amp;q=%22giant+girl+doll%22&quot; target=&quot;_blank&quot;&gt;Giant Girl Doll&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Also&lt;/em&gt; &#39;Loose Change&#39;&lt;/strong&gt;&lt;br /&gt;If you haven&#39;t already seen it, you should watch &#39;Loose Change&#39;. Though the video is criticised, it is nonetheless considered to raise questions that urgently demand serious scrutiny - with big implications for us all.&lt;br /&gt;&lt;br /&gt;In &lt;a href=&quot;http://video.google.co.uk/videoplay?docid=7866929448192753501&amp;amp;q=Loose+Change+2nd+Edition+Recut&quot; target=&quot;_blank&quot;&gt;English&lt;/a&gt;&lt;br /&gt;&lt;em&gt;With subtitles in:&lt;/em&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=3819618435698830727&amp;q=loose+change+spanish&quot; target=&quot;_blank&quot;&gt;Spanish&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-1590675314105139271&amp;amp;q=Loose+Change+2%2C+Nederlandse+ondertitels&quot; target=&quot;_blank&quot;&gt;Dutch&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=6302880871177953720&amp;q=Loose+Change+2d+Edition+FRENCH+ST&quot; target=&quot;_blank&quot;&gt;French&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-1272980089639960023&amp;amp;q=Loose+Change+2+-+deutsche+Untertitel+-+german+subtitles+-+High+Quality&quot; target=&quot;_blank&quot;&gt;German&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=94448691996878155&amp;q=Loose+Change+2nd+Edition+Swedish&quot; target=&quot;_blank&quot;&gt;Swedish&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-307415958406462281&amp;amp;q=Loose+Change+Chinese+Subtitles%2FCaptions&quot; target=&quot;_blank&quot;&gt;Chinese&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-2301934902458285549&amp;q=Loose+Change+2nd+Edition%2C+Korean+Caption&quot; target=&quot;_blank&quot;&gt;Korean&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=6536713546859321156&amp;amp;q=Loose+Change+2+-+Doppiato+in+italiano&quot; target=&quot;_blank&quot;&gt;Italian&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=-6031711356783125956&amp;q=Loose+Change+2nd+Edition%2C+med+danske+undertekster&quot; target=&quot;_blank&quot;&gt;Danish&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=1801080583461721459&amp;amp;q=Loose+Change+2nd+Edition+-+T%C3%BCrk%C3%A7e+altyaz%C4%B1l%C4%B1%2C+Turkish+subtitled&quot; target=&quot;_blank&quot;&gt;Turkish&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=9153709212181510877&amp;q=Loose+Change+2nd+Edition+-+Suomi+tekstit+-+Finnish+subtitles&quot; target=&quot;_blank&quot;&gt;Finnish&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.co.uk/videoplay?docid=2697480328346224247&amp;amp;q=Loose+Change+%5BPOLISH+SUBS%5D&quot; target=&quot;_blank&quot;&gt;Polish&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/115781481153337325/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/115781481153337325' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115781481153337325'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115781481153337325'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/09/giant-girl-doll.html' title='&#39;Giant Girl Doll&#39;'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-115773110996336674</id><published>2006-09-08T17:57:00.000+02:00</published><updated>2006-09-08T17:59:31.713+02:00</updated><title type='text'>&#39;Percusienfa&#39; de Erik Mongrain.</title><content type='html'>Have you ever seen and heard the guitar played like this?&lt;br /&gt;It&#39;s called &#39;guitar tapping&#39;.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://video.google.com/videoplay?docid=-1320800078757954893&quot; target=&quot;_blank&quot;&gt;On Google Video&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=OxnCUu9IAkw&quot; target=&quot;_blank&quot;&gt;On YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This is the composer/artist&#39;s site: &lt;a href=&quot;http://www.erikmongrain.com/indexeng.asp&quot; target=&quot;_blank&quot;&gt;Erik Mongrain&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/115773110996336674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/115773110996336674' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115773110996336674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115773110996336674'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/09/percusienfa-de-erik-mongrain.html' title='&#39;Percusienfa&#39; de Erik Mongrain.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-115365195746787364</id><published>2006-07-23T11:22:00.000+02:00</published><updated>2006-07-23T13:02:33.866+02:00</updated><title type='text'>Podcasts in Spanish.</title><content type='html'>There&#39;s some good Spanish listening downloadable at &lt;a href=&quot;http://news.bbc.co.uk/hi/spanish/programmes/newsid_4272000/4272486.stm&quot; target=&quot;_blank&quot;&gt;BBC Estudio 834&lt;/a&gt;.&lt;blockquote&gt;&quot;BBC Estudio 834 es un espacio de encuentro y conversación. &lt;br /&gt;&lt;br /&gt;Un espacio para entrevistas, charlas informales con personalidades del mundo hispano que han destacado en la política, deportes, cultura y entretenimiento. &lt;br /&gt;&lt;br /&gt;En el corazón del servicio latinoamericano de la BBC, el 834 es el estudio en el que técnicos y productores hemos transmitido por años nuestra programación al mundo de habla hispana.&quot;&lt;/blockquote&gt;&lt;br /&gt;There&#39;s a wealth of Spanish podcasts on topical, bizarre and humorous subjects at &lt;a href=&quot;http://www.laaradio.com/&quot; target=&quot;_blank&quot;&gt;la Aradio&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;If you like your Spanish listening spiced there&#39;s some to warm your ears at &lt;a href=&quot;http://www.sexpodcast.es/&quot; target=&quot;_blank&quot;&gt;Sex Podcast&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;There&#39;s an interesting podcast idea at &lt;a href=&quot;http://bigt.libsyn.com/&quot; target=&quot;_blank&quot;&gt; the albimist&lt;/a&gt; - a serial story in Spanish, English and German (parallel audio?). I&#39;m not sure about the accents.&lt;br /&gt;&lt;br /&gt;Ben and Marina produce regular podcasts in Spanish at &lt;a href=&quot;http://www.notesfromspain.com/podcasts/&quot; target=&quot;_blank&quot;&gt;Notes from Spain&lt;/a&gt; - with transcripts available.&lt;br /&gt;&lt;br /&gt;Choose your own subject of interest at &lt;a href=&quot;http://podcastellano.com/directorio/&quot; target=&quot;_blank&quot;&gt;Directorio de podcasts en español y podcasting en castellano&lt;/a&gt;. And at the smart new directory: &lt;a href=&quot;http://www.podsonoro.com/&quot; target=&quot;_blank&quot;&gt;pod sonoro&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/115365195746787364/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/115365195746787364' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115365195746787364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115365195746787364'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/07/podcasts-in-spanish.html' title='Podcasts in Spanish.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-115186009904216945</id><published>2006-07-02T19:03:00.000+02:00</published><updated>2006-07-02T19:21:08.940+02:00</updated><title type='text'>Roland from Poland.</title><content type='html'>I&#39;m in a work loop, so posts are rare. I&#39;m listening though, and because it&#39;s good I&#39;m posting this, even though it&#39;s off topic. &lt;br /&gt;&lt;br /&gt;&#39;Roland from Poland - Asylum Seeker&#39;. Rightly described as &#39;innovative breakbeat tunes&#39; - from Tim Taylor.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The critics say:&lt;/em&gt;&lt;br /&gt;&quot;A triumph of DIY ethics&quot; &lt;em&gt;The Wire&lt;/em&gt;&lt;br /&gt;&quot;One of the most impressive albums of the year.&quot; &lt;em&gt;Venue&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Free to download at &lt;a href=&quot;http://www.laundry-room.co.uk/laundry.htm&quot; target=&quot;_blank&quot;&gt;laundry-room&lt;/a&gt; (visit &#39;The Sink&#39;): well worthwhile.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/115186009904216945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/115186009904216945' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115186009904216945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/115186009904216945'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/07/roland-from-poland.html' title='Roland from Poland.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114882027605517053</id><published>2006-05-28T14:28:00.000+02:00</published><updated>2006-05-30T16:35:35.463+02:00</updated><title type='text'>Song of the Withered Orange-tree.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/orange_tree_320.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 265px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/orange_tree_320.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;div style=&quot;clear:both;&quot;&gt;This is my favourite little Lorca poem. It&#39;s a good one for out-loud practice, preferably in the middle of a field somewhere; and it&#39;s simple to learn. &lt;blockquote&gt;&lt;br /&gt;&lt;strong&gt;Canción del Naranjo Seco&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Leñador.&lt;br /&gt;Córtame la sombra.&lt;br /&gt;Líbrame del suplicio&lt;br /&gt;de verme sin toronjas.&lt;br /&gt;&lt;br /&gt;¿Por qué nací entre espejos?&lt;br /&gt;El día me da vueltas.&lt;br /&gt;Y la noche me copia&lt;br /&gt;en todas sus estrellas.&lt;br /&gt;&lt;br /&gt;Quiero vivir sin verme.&lt;br /&gt;Y hormigas y vilanos,&lt;br /&gt;soñaré que son mis&lt;br /&gt;hojas y mis pájaros.&lt;br /&gt;&lt;br /&gt;Leñador.&lt;br /&gt;Córtame la sombra.&lt;br /&gt;Líbrame del suplicio&lt;br /&gt;de verme sin toronjas.&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;J L Gili&#39;s translation:&lt;/em&gt;&lt;blockquote&gt;Woodcutter.&lt;br /&gt;Cut my shadow.&lt;br /&gt;Deliver me from the torture&lt;br /&gt;of beholding myself fruitless.&lt;br /&gt;&lt;br /&gt;Why was I born surrounded by mirrors?&lt;br /&gt;The day turns round me.&lt;br /&gt;And the night reproduces me&lt;br /&gt;in each of her stars.&lt;br /&gt;&lt;br /&gt;I want to live without seeing myself.&lt;br /&gt;And I shall dream&lt;br /&gt;that ants and hawks&lt;br /&gt;are my leaves and birds.&lt;br /&gt;&lt;br /&gt;Woodcutter.&lt;br /&gt;Cut my shadow.&lt;br /&gt;Deliver me from the torture&lt;br /&gt;of beholding myself fruitless.&lt;/blockquote&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/carmen_morales_120.jpg&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 120px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/carmen_morales_120.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;Some sources show this poem with a dedication: &#39;&lt;strong&gt;A Carmen Morales&lt;/strong&gt;&#39;.&lt;br /&gt;&lt;br /&gt;I haven&#39;t been able to find anything about her and Lorca. I imagine she is Carmen Morales the actress (in films:&lt;em&gt;Una nueva primavera (1940)&lt;/em&gt;, &lt;a href=&quot;http://72.14.207.104/search?q=cache:BzhqaOSUFWIJ:www.tinet.org/~animaci/lasuvasdelaira.pdf+%22Carmen+Morales%22+%22Las+uvas+de+la+ira%22&amp;hl=en&amp;amp;gl=uk&amp;ct=clnk&amp;amp;cd=5&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Las uvas de la ira (1940)&lt;/em&gt;&lt;/a&gt;- The Grapes of Wrath - and &lt;em&gt;Los amantes de la noche (1949)&lt;/em&gt;), but there&#39;s nothing out there about her, except the names of her films and some photos.&lt;br /&gt;&lt;br /&gt;We have a &lt;a href=&quot;http://www.carmenmorales.tk/&quot; target=&quot;_blank&quot;&gt;new Carmen Morales&lt;/a&gt;, actress, now (&lt;em&gt;School Killer, Hotel Danubio&lt;/em&gt;): the daughter of &lt;a href=&quot;http://orbita.starmedia.com/rociodurcal/secciones/biografia.htm&quot; target=&quot;_blank&quot;&gt;Rocío Dúrcal&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0432682/&quot; target=&quot;_blank&quot;&gt;Antonio Morales&lt;/a&gt; (aka Junior). Their story in &lt;a href=&quot;http://www.elmariachi.com/artists/rocio_durcal.asp&quot; target=&quot;_blank&quot;&gt;Spanish&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Here&#39;s a suberb Lorca resource: &lt;a href=&quot;http://users.fulladsl.be/spb1667/cultural/lorca/indice.html&quot; target=&quot;_blank&quot;&gt;Poesía de Federico García Lorca&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Image: Orange-tree mosaic © 1998 Lindsay Violet Mary Farrell.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114882027605517053/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114882027605517053' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114882027605517053'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114882027605517053'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/05/song-of-withered-orange-tree.html' title='Song of the Withered Orange-tree.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114729755673360751</id><published>2006-05-10T23:44:00.000+02:00</published><updated>2006-05-11T00:14:35.516+02:00</updated><title type='text'>Diarios de Viaje.</title><content type='html'>Some eye candy - and inspiration for making our own travels recollectable &lt;em&gt;(see post below: &#39;El final de la diversidad cultural&#39;)&lt;/em&gt; - &lt;a href=&quot;http://www.joaquingonzalezdorao.com/Hispano/DiariosViaje.html&quot; target=&quot;_blank&quot;&gt;Diarios de Viaje&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;This is a series of diaries, hand-written and illustrated by Joaquin Gonzalez Dorao, a Spanish graphic designer and illustrator, from his journeys to several countries. Beautiful pieces.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114729755673360751/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114729755673360751' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114729755673360751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114729755673360751'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/05/diarios-de-viaje.html' title='Diarios de Viaje.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114564120791842986</id><published>2006-04-21T19:14:00.000+02:00</published><updated>2007-05-18T20:31:52.411+02:00</updated><title type='text'>¿Embarazada?</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/font_of_life_400.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/font_of_life_400.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;Why is the word for pregnant in Spanish so much like the English for embarrassed? I always wondered. Schoolboyish, I know.&lt;br /&gt;&lt;br /&gt;Embarazar was first recorded in Spanish in 1460. The root of the word is in the meaning to bar, block, impede, hinder. I couldn&#39;t think how that connects with being pregnant. What is impeded? - the womb. Or, more likely, it could derive from sex being barred during pregnancy in those days. The &lt;a href=&quot;http://www.florilegium.org/files/PERSONAL/Sex-in-the-MA-art.html&quot; target=&quot;_blank&quot;&gt;Church proclaimed&lt;/a&gt;: &#39;Sex is forbidden when a woman is menstruating, pregnant, nursing, during lent,...&#39; So, when pregnant, she was &#39;barred&#39;.&lt;br /&gt;&lt;br /&gt;If the above derivation is correct, then the Spanish usage of the word is understandable. English adopted the word via the French embarrasser. It was not used to mean &#39;feeling ashamed or awkward&#39; until the 1800s, and this meaning likely developed from the feelings &lt;em&gt;(some would say, particularly English feelings)&lt;/em&gt; associated with being impeded or held back.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Spanish word trail:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;embarazar&lt;/strong&gt;&lt;br /&gt;1. &lt;em&gt;v.tr.&lt;/em&gt; Impedir, estorbar, retardar algo - &lt;em&gt;block, hold back&lt;/em&gt;&lt;br /&gt;2. &lt;em&gt;v.tr.&lt;/em&gt; Dejar &lt;strong&gt;&lt;span style=&quot;color:#660000;&quot;&gt;encinta&lt;/span&gt;&lt;/strong&gt; a una mujer - m&lt;em&gt;ake pregnant&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=&quot;color:#660000;&quot;&gt;encinta&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;adj.&lt;/em&gt; Dicho de una mujer - &lt;strong&gt;&lt;span style=&quot;color:#000066;&quot;&gt;preñada&lt;/span&gt;&lt;/strong&gt;, &lt;em&gt;pregnant&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=&quot;color:#000066;&quot;&gt;preñada&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;adj.&lt;/em&gt; Dicho de una mujer, o de una hembra de cualquier especie que ha &lt;strong&gt;&lt;span style=&quot;color:#006600;&quot;&gt;concebido&lt;/span&gt;&lt;/strong&gt; y tiene el feto o la criatura en el vientre &lt;em&gt;(baby in the belly).&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=&quot;color:#006600;&quot;&gt;concebir&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;1. &lt;em&gt;v.tr.&lt;/em&gt; &lt;em&gt;to conceive, to understand&lt;/em&gt;&lt;br /&gt;2. &lt;em&gt;v.intr.&lt;/em&gt; &lt;em&gt;to become pregnant, conceive (mujer)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The danger of mistaking embarazada for embarrassed makes it a &#39;false friend&#39; &lt;em&gt;(not a false cognate; they are cognates = they share the same root).&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;For those so tempted, you should know:&lt;br /&gt;When an obscene meaning is produced in making a pun on a &lt;a href=&quot;http://www.answers.com/topic/false-friend&quot; target=&quot;_blank&quot;&gt;false friend&lt;/a&gt;, it is called cacemphaton (κακεμφάτον), Greek for &#39;bad-looking&#39;. The prime pun on embarrass/embarazar seems to be this &lt;em&gt;(Google returned 825 of these)&lt;/em&gt;:&lt;br /&gt;&lt;blockquote&gt;When Parker Pen marketed a ballpoint pen in Mexico, its ads were supposed to say &quot;It won&#39;t leak in your pocket and embarrass you.&quot; However, the company mistakenly thought the Spanish word &quot;embarazar&quot; meant embarrass. Instead the ads said: &quot;It won&#39;t leak in your pocket and make you pregnant.&quot;&lt;/blockquote&gt;&lt;br /&gt;Yet, be cautious still, for &lt;em&gt;embarazoso&lt;/em&gt; means exactly the same as &#39;embarrassing&#39;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;Image: Font of Life © 2006 S Carlos&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114564120791842986/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114564120791842986' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114564120791842986'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114564120791842986'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/04/embarazada.html' title='¿Embarazada?'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114431072529757951</id><published>2006-04-06T09:43:00.000+02:00</published><updated>2006-04-07T16:51:02.053+02:00</updated><title type='text'>El final de la diversidad cultural.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/colorsbanner.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/colorsbanner.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;You don&#39;t see this in the UK except, and if you&#39;re lucky, in a large city bookshop; but it&#39;s sold all over Spain. It&#39;s a magazine produced in English-Spanish, English-French and English-Italian combinations; and a very pleasant way to pick up some vocabulary. This is the &lt;a href=&quot;http://www.colorsmagazine.com/&quot; target=&quot;_blank&quot;&gt;COLORS site&lt;/a&gt;, but you only get a flavour there (though you can subscribe).&lt;br /&gt;&lt;br /&gt;It&#39;s bilingual throughout with powerful writing, strong design and fantastic pictures. In this issue dedicated to Travel, for instance, there&#39;s a piece on the effects of travel on cultural diversity: &lt;blockquote&gt;&quot;&lt;strong&gt;See the world while it lasts.&lt;/strong&gt; Technology is infectious. Every time an antenna is raised in a remote village, another local culture becomes extinct. No society is equipped to withstand the onslaught. Every satellite launched, every cable laid, and the death of every elder, hastens the end of cultural diversity. If you are 25, it will disappear during your lifetime. Forget about stopping it; you can&#39;t. Instead savor every chance you get to absorb a passing world, to experience as much as you can before it fades into a big version of anyplace.&quot;&lt;br /&gt;&lt;br /&gt;&quot;&lt;strong&gt;Hay que ver el mundo antes de que desaparezca del mapa.&lt;/strong&gt; La tecnología es contagiosa. Cada nueva antena que se levanta en una aldea remota significa el final de una cultura. Ninguna sociedad tiene los medios para defenderse. Cada vez que se pone en órbita un satélite, cada vez que se entierra un cable de televisíon, cada vez que muere un anciano, se acerca el final de la diversidad cultural. Si hoy tienes 25 años desaparecerá antes de que te mueras. Ni si te ocurra tratar de impedirlo: es imposible. Lo mejor es aprovechar todas las posibilidades que se presenten de saborear el mundo que se desvanece, ver y aprender todo lo que puedas antes de que el mundo se convierta en un lugar donde todos y todo se parece.&quot;&lt;/blockquote&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;(If you&#39;re thinking that gives you plenty of time -&lt;br /&gt;the issue quoted was published in 1995.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/colors_cans.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/colors_cans.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;em&gt;COLORS magazine spread showing used Coke cans from America, Poland, Zimbabwe, Australia, Japan, Finland, Nepal.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;So they recommend:&lt;/em&gt;&lt;/strong&gt; &lt;blockquote&gt;&lt;p&gt;&quot;Go now. Go for &lt;strong&gt;the people&lt;/strong&gt;, not for the weather. Go to learn. Pass along to your friends and later, your kids, the things you learned, wherever you went. Use the technology you have to record what you find. Take pictures, tape music and stories, make videos. And leave nothing behind. When you go back home, take things away in your head, not in your suitcase.&lt;br /&gt;&lt;br /&gt;If you want a souvenir, bring back a used can of Coke.&quot;&lt;br /&gt;&lt;br /&gt;&quot;Viaja, pero que sea &lt;strong&gt;la gente&lt;/strong&gt;, y no el clima del lugar, el objetivo de tu viaje. Viaja y aprende. Así podrás enseñar a tus amigos y, después, a tus hijos todo lo que has aprendido en tus viajes. Aprovecha la tecnología para grabar cuanto encuentres. Saca fotos, graba música e historias y graba videos. No dejes nada olvidado: a volver a tu país, llévatelo todo en la cabeza, no en la maleta.&lt;br /&gt;&lt;br /&gt;Si quieres un souvenir, llévate una lata vacía de Coca Cola.&quot;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;strong&gt;Los mios&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/coke_carton.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/coke_carton.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Dalí&#39;s thoughts:&lt;/em&gt;&lt;br /&gt;&quot;Thanks to IBM machines, social classes are going to disappear, and the whole universe will be cuckolded.&quot;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;From Alain Bosquet&#39;s &lt;/span&gt;&lt;a href=&quot;http://www.ubu.com/historical/dali/dali_conversations.pdf&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Conversations with Dali&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt; (1969).&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114431072529757951/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114431072529757951' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114431072529757951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114431072529757951'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/04/el-final-de-la-diversidad-cultural.html' title='El final de la diversidad cultural.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114298610712283594</id><published>2006-03-22T00:27:00.000+01:00</published><updated>2006-05-07T21:26:55.366+02:00</updated><title type='text'>¿Puedo tutearlo?</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/la_confianza.jpg&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 200px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/la_confianza.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;The use of &#39;tú&#39; or &#39;usted&#39; takes some understanding, and causes some fear about getting it wrong and giving offence. Once, it was easy: &quot;Usted is the only word with which persons address and are addressed in ordinary conversation in Spanish&quot;, states an old manual. Since then, the world has become a friendlier place &lt;em&gt;(yes)&lt;/em&gt;, and the familiar form is more the norm.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Is it after the first kiss?&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Many of us have difficulties. Here are some comments from the &lt;a href=&quot;http://forum.wordreference.com/showthread.php?t=188&amp;highlight=%20Usted&quot; target=&quot;_blank&quot;&gt;wordreference forum&lt;/a&gt;. &lt;blockquote&gt;&quot;I translate romantic novels from English into Spanish and it is very tricky to find the moment when the boss and the secretary or the doctor and the nurse switch from usted to tú. Is it after the first kiss? Is it before?&quot; &lt;em&gt;(Mary Solari)&lt;/em&gt;&lt;/blockquote&gt;In much of Latin America it&#39;s different again: &#39;ustedes&#39; is used even with family members; &#39;vosotros&#39; is seldom used. And in some parts, &#39;vos&#39; replaces &#39;tú&#39;, and &#39;tú&#39; is used with people merely known.&lt;br /&gt;&lt;br /&gt;Consequently, South Americans worry about their &lt;a href=&quot;http://forum.wordreference.com/showthread.php?t=188&amp;highlight=%20Usted&quot; target=&quot;_blank&quot;&gt;reception in Spain&lt;/a&gt;: &lt;blockquote&gt;&quot;I never learned &#39;vosotros&#39; and mis amigos madrileños laugh at me when I speak to them in &#39;Uds&#39; ... I wonder, if I ever move to Spain, will I have to learn it? Will I pick it up naturally? Will people forgive me and know I learned my Spanish on this side of the Atlantic?&quot;&lt;em&gt;(Lisa)&lt;/em&gt;&lt;/blockquote&gt;&lt;em&gt;Mary Solari replies:&lt;/em&gt; &lt;blockquote&gt;&quot;Don&#39;t worry, Lisa, I had never used vosotros in my life and have adopted it very easily since living in Spain.&quot;&lt;/blockquote&gt;&lt;em&gt;Maeron:&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;&quot;I asked some Spanish friends about this, and they said it doesn&#39;t sound so strange to them that we call them Uds. because they are acquainted with it from watching Latin American telenovelas.&quot;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;No hay nada malo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;As we no longer use &#39;ye&#39; in English, we often have to explain when we mean a plural &#39;you&#39;, not a singular. Ambiguities can also arise in Spanish with the forms of &#39;you&#39;:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/cigar_man_100.gif&quot;&gt;&lt;img style=&quot;BORDER-RIGHT: medium none; BORDER-TOP: medium none; FLOAT: left; MARGIN: 0px 10px 10px 0px; BORDER-LEFT: medium none; WIDTH: 100px; CURSOR: hand; BORDER-BOTTOM: medium none&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/cigar_man_100.gif&quot; border=&quot;0&quot; /&gt;&lt;/a&gt; &lt;blockquote&gt;El director general de un banco se preocupa por un joven director estrella, quien después de un período de trabajar a la par de él, sin parar nunca a almorzar, empieza a ausentarse al mediodía.&lt;br /&gt;&lt;br /&gt;Así que llama al detective privado del banco y le dice: &quot;Siga a López un día entero, no vaya a ser que ande en algo extraño.&quot;&lt;br /&gt;&lt;br /&gt;El detective cumple con el cometido, regresa e informa:&lt;br /&gt;&quot;López sale normalmente al mediodía, toma su auto, va a su casa a almorzar, luego le hace el amor a su mujer, se fuma uno de sus excelentes cigarrillos y vuelve a trabajar.&quot;&lt;br /&gt;&lt;br /&gt;&quot;¡Ah, bueno!, ¡menos mal!, no hay nada malo en todo eso.&quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&quot;Puedo tutearlo, señor?&quot; pregunta el detective.&lt;br /&gt;&lt;br /&gt;&quot;Sí, como no&quot;, responde sorprendido el director general.&lt;br /&gt;&lt;br /&gt;&quot;Repito: López sale normalmente al mediodía, toma tu auto, va a tu casa a almorzar, luego le hace el amor a tu mujer, se fuma uno de tus excelentes cigarrillos y vuelve a trabajar.&quot;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Vuestra merced&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&#39;Usted&#39; derives from &#39;vuestra merced&#39; (literally &lt;em&gt;your mercy&lt;/em&gt;), meaning &lt;em&gt;your grace, your honour, your worship,&lt;/em&gt; or &lt;em&gt;your highness&lt;/em&gt; (though a king is addressed &#39;su alteza&#39;); and is voiced in the third person. &#39;Vuestra merced&#39; was first used in colonial times and has evolved down through many forms to &#39;vusted&#39;, then &#39;usted&#39;; abbreviated &#39;Vd.&#39; or &#39;Ud.&#39; (Some say the evolution has continued, through &#39;usté&#39;, to &#39;u&#39;té&#39;!)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Which to use&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;More from the &lt;a href=&quot;http://forum.wordreference.com/showthread.php?t=188&amp;highlight=%20Usted&quot; target=&quot;_blank&quot;&gt;wordreference forum&lt;/a&gt;: &lt;blockquote&gt;&quot;Usted nowadays is just a polite form that you use to talk to someone you do not know, to someone who is much older than you, to talk to someone showing respect. If you want to go one step farther, you can ask &#39;puedo tutearlo?&#39;, and if the person agrees, you can start using &#39;tú&#39;.&quot; &lt;/blockquote&gt;Alternatively, you can ask them to &#39;tú&#39; you: &quot;Tutéame, por favor.&quot;&lt;br /&gt;&lt;br /&gt;Or you can heed the old Yorkshire advice to follow the person you&#39;re talking with: &quot;Thee thou them as thou&#39;s thee, and not afore.&quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;For a full explanation in Spanish of the use of the forms &#39;tú&#39; and &#39;usted&#39; see this page on &lt;a href=&quot;http://www.protocolo.org/gest_web/proto_Seccion.pl?rfID=207&amp;amp;arefid=1137&quot; target=&quot;_blank&quot;&gt;Protocolo y Etiqueta&lt;/a&gt;, where there&#39;s lots of valuable advice on correct behaviour in Spain.&lt;br /&gt;&lt;br /&gt;There&#39;s a &#39;Notes from Spain&#39; podcast on the subject of &lt;a href=&quot;http://www.notesfromspain.com/386/&quot; target=&quot;_blank&quot;&gt;tu and usted&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Joke from &lt;/span&gt;&lt;a href=&quot;http://www.extrasensorial.com/humor_chistes.htm&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;extrasensorial.com&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;br /&gt;More info (in English): &lt;/span&gt;&lt;a href=&quot;http://spanish.about.com/od/pronouns/a/you.htm&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Formal and informal &#39;you&#39;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href=&quot;http://www.wordreference.com/conj/ESverbs.asp?v=tutear&quot; target=&quot;_blank&quot;&gt;tutear&lt;/a&gt;, &lt;em&gt;to address as &#39;tú&#39;&lt;/em&gt; (regular &#39;-ar&#39; verb)&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Main image: &lt;em&gt;La Confianza&lt;/em&gt; (&#39;Confidence&#39;) by Francisco de Goya.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114298610712283594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114298610712283594' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114298610712283594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114298610712283594'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/03/puedo-tutearlo.html' title='¿Puedo tutearlo?'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114209557430732602</id><published>2006-03-11T17:33:00.000+01:00</published><updated>2006-03-17T11:50:39.326+01:00</updated><title type='text'>Amor y deseo.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/Jeu_de_Colin-Maillard.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/Jeu_de_Colin-Maillard.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Is it love you feel, or is it desire?&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Spanish philosopher José Ortega y Gasset explores the difference:&lt;br /&gt; &lt;blockquote&gt;&quot;Desiring something is, without doubt, a move toward possession of that something (&#39;possession&#39; meaning that in some way or other the object should enter our orbit and become part of us). For this reason, desire automatically dies when it is fulfilled; it ends with satisfaction. Love, on the other hand, is eternally unsatisfied.&lt;br /&gt;&lt;br /&gt;Desire has a passive character; when I desire something, what I actually desire is that the object come to me. Being the center of gravity, I await things to fall down before me. Love, as we shall see, is the exact reverse of desire, for love is all activity. Instead of the object coming to me, it is I who go to the object and become part of it. In the act of love, the person goes out of himself. Love is perhaps the supreme activity which nature affords anyone for going out of himself [/herself] toward something else. It does not gravitate toward me, but I toward it.&quot;&lt;/blockquote&gt;&lt;em&gt;In Spanish:&lt;/em&gt; &lt;blockquote&gt;&quot;Desear algo es, en definitiva, tendencia a la posesión de ese algo; donde posesión significa, de una u otra manera, que el objeto entre en nuestra órbita y venga como a formar parte de nosotros. Por esta razón, el deseo muere automáticamente cuando se logra; fenece al satisfacerse. El amor, en cambio, es un eterno satisfecho.&lt;br /&gt;&lt;br /&gt;El deseo tiene un carácter pasivo, y en rigor lo que deseo al desear es que el objeto venga a mí. Soy centro de gravitación, donde espero que las cosas vengan a caer. Viceversa: en el amor todo es actividad, según veremos. Y en lugar de consistir en que el objeto venga a mí, soy yo quien va al objeto y estoy en él. En el acto amoroso, la persona sale fuera de sí: es tal vez el máximo ensayo que la Naturaleza hace para que cada cual salga de sí mismo hacia otra cosa. No ella hacia mí, sino yo gravito hacia ella.&quot;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;If it is love you feel&lt;/strong&gt;, then you&#39;d best be prepared. These are the words of the Lebanese Kahlil Gibran, from &lt;em&gt;The Prophet&lt;/em&gt;: &lt;blockquote&gt;&quot;When love beckons to you follow him,&lt;br /&gt;Though his ways are hard and steep.&lt;br /&gt;And when his wings enfold you yield to him,&lt;br /&gt;Though the sword hidden among his pinions may wound you.&lt;br /&gt;&lt;br /&gt;And when he speaks to you believe in him,&lt;br /&gt;Though his voice may shatter your dreams&lt;br /&gt;as the north wind lays waste the garden.&lt;br /&gt;For even as love crowns you so shall he crucify you.&lt;br /&gt;Even as he is for your growth so is he for your pruning.&lt;br /&gt;&lt;br /&gt;Even as he ascends to your height and caresses&lt;br /&gt;your tenderest branches that quiver in the sun,&lt;br /&gt;So shall he descend to your roots&lt;br /&gt;and shake them in their clinging to the earth.&lt;br /&gt;&lt;br /&gt;Like sheaves of corn he gathers you unto himself.&lt;br /&gt;He threshes you to make you naked.&lt;br /&gt;He sifts you to free you from your husks.&lt;br /&gt;He grinds you to whiteness.&lt;br /&gt;He kneads you until you are pliant;&lt;br /&gt;And then he assigns you to his sacred fire,&lt;br /&gt;that you may become sacred bread for God&#39;s sacred feast.&lt;br /&gt;&lt;br /&gt;All these things shall love do unto you&lt;br /&gt;that you may know the secrets of your heart,&lt;br /&gt;and in that knowledge become a fragment of Life&#39;s heart.&quot;&lt;/blockquote&gt;&lt;em&gt;In Spanish:&lt;/em&gt; &lt;blockquote&gt;&quot;Cuando el amor os llame, seguidlo.&lt;br /&gt;Aunque su camino sea duro y penoso.&lt;br /&gt;Y entregaos a sus alas que envuelven.&lt;br /&gt;Aunque la espada escondida entre ellas os hiera.&lt;br /&gt;&lt;br /&gt;Y creed en él cuando os hable.&lt;br /&gt;Aunque su voz aplaste vuestros sueños,&lt;br /&gt;como hace el viento del norte,&lt;br /&gt;el viento que arrasa los jardines.&lt;br /&gt;Porque, así como el amor os da gloria, así os crucifica.&lt;br /&gt;Así como os da abundancia, así os poda.&lt;br /&gt;&lt;br /&gt;Así como se remonta a lo más alto&lt;br /&gt;y acaricia vuestras ramas más débiles,&lt;br /&gt;que se estremecen bajo el sol.&lt;br /&gt;Así caerá hasta vuestras raíces&lt;br /&gt;y las sacudirá en un abrazo con la tierra.&lt;br /&gt;&lt;br /&gt;Como a gavillas de trigo él os une a vosotros mismos.&lt;br /&gt;Os desgarra para desnudaros.&lt;br /&gt;Os cierne, para libraros de los pliegues que cubren vuestra figura.&lt;br /&gt;Os pulveriza hasta volveros blancos.&lt;br /&gt;Os amasa, para que lo dócil y lo flexible renazca de vuestra dureza.&lt;br /&gt;Y os destina luego a su fuegro sagrado,&lt;br /&gt;para que podáis ser sagrado pan en la sagrada fiesta de Dios.&lt;br /&gt;&lt;br /&gt;Todo esto hará el amor en vosotros para acercaros al conocimiento de vuestro corazón y convertiros, por ese conocimiento, en fragmento del corazón de la Vida.&quot;&lt;/blockquote&gt;&lt;strong&gt;&lt;br /&gt;If you&#39;re avoiding love&lt;/strong&gt;, you&#39;d best beware:&lt;blockquote&gt;&quot;But if in your fear you would seek only love&#39;s peace and love&#39;s pleasure, &lt;br /&gt;Then it is better for you that you cover your nakedness and pass out of love&#39;s threshing-floor, &lt;br /&gt;Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.&quot;&lt;/blockquote&gt;&lt;em&gt;In Spanish:&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;&quot;Pero si vuestro miedo os hace buscar solamente la paz y el placer de amor,&lt;br /&gt;Entonces sería mejor que cubrierais vuestra desnudez y os alejarais de sus umbrales,&lt;br /&gt;Hacia un mundo sin primavera donde reiréis, pero no con toda vuestra risa, y lloraréis, pero no con todas vuestras lágrimas.&quot;&lt;/blockquote&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;em&gt;Estudios Sobre el Amor&lt;/em&gt; by José Ortega y Gasset, translated into English by Toby Talbot.&lt;br /&gt;&lt;em&gt;El Profeta&lt;/em&gt;, The Prophet, by Kahlil Gibran, translated into Spanish by Halet Soleiman Bahadur.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Available to read online:&lt;br /&gt;&lt;a href=&quot;http://www.columbia.edu/~gm84/gibtable.html&quot; target=&quot;_blank&quot;&gt;The Prophet&lt;/a&gt;.&lt;br /&gt;&lt;a href=&quot;http://www.bibliotecasvirtuales.com/biblioteca/LiteraturaAsiatica/KahlilGibran/ElProfeta/index.asp&quot; target=&quot;_blank&quot;&gt;El Profeta&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Image: from &lt;em&gt;Le Jeu de Colin-Maillard&lt;/em&gt; (&#39;Blind-man&#39;s buff&#39;) by Francisco de Goya.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114209557430732602/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114209557430732602' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114209557430732602'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114209557430732602'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/03/amor-y-deseo.html' title='Amor y deseo.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114080103607021155</id><published>2006-02-24T18:08:00.000+01:00</published><updated>2006-02-25T23:52:59.816+01:00</updated><title type='text'>Dalí&#39;s daisy.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/chupa_chups_150.gif&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 150px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/chupa_chups_150.gif&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;Enric Bernat put sweets on sticks so children wouldn&#39;t get sticky fingers and parents wouldn&#39;t get upset about the mess. He wanted to create a product that would be like &quot;eating a sweet with a fork”. He founded &lt;a href=&quot;http://www.chupachupsgroup.com/&quot; target=&quot;_blank&quot;&gt;Chupa Chups SA&lt;/a&gt; in Asturias in 1957; now headquartered in Barcelona.&lt;br /&gt;&lt;br /&gt;His lollipop was first named Gol &lt;em&gt;(goal)&lt;/em&gt;, because of its spherical shape; later changed to Chups. To promote the lolly, a song was created for the radio, with the chorus line: &#39;Chupa chupa chupa un Chups&#39; &lt;em&gt;(Suck suck suck a Chups)&lt;/em&gt;; but kids who&#39;d heard the song asked for &#39;chupa Chups&#39; in the shops, so the name was changed.&lt;br /&gt;&lt;br /&gt;In 1969, wanting a new logo, Enric Bernat went to Figueras to see Salvador Dalí. In less than an hour, Dalí had designed the daisy-flower Chupa-Chups logo which the lollies have worn ever since.&lt;br /&gt;&lt;br /&gt;chupar &lt;em&gt;to suck&lt;/em&gt;&lt;br /&gt;aspirar &lt;em&gt;to suck in/up&lt;/em&gt;&lt;br /&gt;lisonjear &lt;em&gt;to suck up to someone&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;also:&lt;/em&gt;&lt;br /&gt;una chupa &lt;em&gt;a short jacket&lt;/em&gt;&lt;br /&gt;lamer &lt;em&gt;to lick&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Here&#39;s a brilliant &lt;a href=&quot;http://www.salvador-dali.org/&quot; target=&quot;_blank&quot;&gt;Dalí site&lt;/a&gt;, in English, Spanish, Catalan and French.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Added February 25th:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Whilst checking my pings (if that&#39;s what it&#39;s called) I came across this E-pop &lt;a href=&quot;http://e-pop.blogspot.com/2005/11/chupa-chups-el-caramelo-con-palo.html&quot; target=&quot;_blank&quot;&gt;post about Chupa-Chups&lt;/a&gt; with similar info, in Spanish.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114080103607021155/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114080103607021155' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114080103607021155'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114080103607021155'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/02/dals-daisy.html' title='Dalí&#39;s daisy.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114062725869818275</id><published>2006-02-22T17:47:00.000+01:00</published><updated>2006-02-22T19:05:30.783+01:00</updated><title type='text'>&#39;You must look until it hurts.&#39;</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/lizard_strip.jpg&quot;&gt;&lt;img style=&quot;DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; TEXT-ALIGN: center&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/lizard_strip.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt; &lt;div style=&quot;PADDING-RIGHT: 40px; PADDING-LEFT: 40px&quot;&gt;&lt;span style=&quot;float:left; margin-left:-5px;&quot;&gt;&amp;quot;&lt;/span&gt;&lt;span style=&quot;MARGIN-TOP: 5px; FONT-WEIGHT: bold; FLOAT: left; LINE-HEIGHT: 54px; MARGIN-RIGHT: 2px; HEIGHT: 54px; font-size:75px; color:#906b31;&quot;&gt;A&lt;/span&gt; mystery of time, history, lost centuries, a past too prolonged, hope perpetually deferred, a language which is also an ethic, an ethic which speaks by signs, an art of speech derived from an oral literature, an oral literature that contains the experience of a people - a kind of experience that borders on the metaphysical - a knowledge of human nature and character which is almost like the individual knowledge of someone exceptionally gifted in expressing his feelings... &lt;br /&gt;Spain is disturbing. And you can&#39;t just visit it like a museum, paying your entrance fee. It needs more than that: love and the deep respect which creates an inevitable bond. Spain demands of its visitor certain virtues, and the first of these, to my mind, is the courage to see. You must look until it hurts.&quot;&lt;/div&gt;&lt;br /&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;from &lt;em&gt;Spain&lt;/em&gt;, by Dominique Aubier and Manuel Tuñon de Lara; &lt;br /&gt;translated by Neline C Clegg; Studio Vista, 1960.&lt;br /&gt;Photo © 2006 S Carlos&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114062725869818275/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114062725869818275' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114062725869818275'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114062725869818275'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/02/you-must-look-until-it-hurts.html' title='&#39;You must look until it hurts.&#39;'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-114029626614031240</id><published>2006-02-18T21:56:00.000+01:00</published><updated>2006-02-21T00:29:01.313+01:00</updated><title type='text'>Multi-layered Madrid techno.</title><content type='html'>&lt;div style=&quot;BORDER-RIGHT: #ddd 1px solid; PADDING-RIGHT: 4px; BORDER-TOP: #ddd 1px solid; PADDING-LEFT: 4px; PADDING-BOTTOM: 4px; MARGIN: 0px; BORDER-LEFT: #ddd 1px solid; WIDTH: 400px; LINE-HEIGHT: 0em; PADDING-TOP: 4px; BORDER-BOTTOM: #ddd 1px solid&quot;&gt;&lt;table style=&quot;BORDER-RIGHT: 0px; PADDING-RIGHT: 0px; BORDER-TOP: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; BORDER-LEFT: 0px; PADDING-TOP: 0px; BORDER-BOTTOM: 0px&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot; width=&quot;400&quot; bgcolor=&quot;#000000&quot; border=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td colspan=&quot;3&quot; height=&quot;12&quot;&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;100&quot; height=&quot;133&quot;&gt;&lt;img style=&quot;BORDER-RIGHT: 0px; PADDING-RIGHT: 0px; BORDER-TOP: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; BORDER-LEFT: 0px; PADDING-TOP: 0px; BORDER-BOTTOM: 0px&quot; height=&quot;133&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/psytlft_100x133.gif&quot; width=&quot;100&quot; /&gt;&lt;/td&gt;&lt;td width=&quot;200&quot; height=&quot;133&quot;&gt;&lt;img style=&quot;BORDER-RIGHT: 0px; PADDING-RIGHT: 0px; BORDER-TOP: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; BORDER-LEFT: 0px; PADDING-TOP: 0px; BORDER-BOTTOM: 0px&quot; height=&quot;133&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/psytancemadrid.gif&quot; width=&quot;200&quot; /&gt;&lt;/td&gt;&lt;td width=&quot;100&quot; height=&quot;133&quot;&gt;&lt;img style=&quot;BORDER-RIGHT: 0px; PADDING-RIGHT: 0px; BORDER-TOP: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; BORDER-LEFT: 0px; PADDING-TOP: 0px; BORDER-BOTTOM: 0px&quot; height=&quot;133&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/psytrt_100x133.gif&quot; width=&quot;100&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;3&quot; height=&quot;12&quot;&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;br /&gt;If you&#39;re into &lt;strong&gt;hard house, acid, techno, drum &amp;amp; bass&lt;/strong&gt; and such like, then here&#39;s a brilliant link - you&#39;ll thank me for this: masses of long dj mixes free to download at &lt;a href=&quot;http://www.bangingtunes.com/misc/dj-mixes/&quot; target=&quot;_blank&quot;&gt;bangingtunes.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;This is a half-hour mix of &lt;a href=&quot;http://www.bangingtunes.com/misc/playmix.aspx?mixurl=http%3a%2f%2fwww.subliminaudio.org.uk%2fmoogz-theWell-meatgarden.mp3&quot; target=&quot;_blank&quot;&gt;Madrid techno&lt;/a&gt;, described as &#39;dark, consistent, constant mixing of pounding, eerie white labels with live sampling and fx.&#39;&lt;br /&gt;&lt;br /&gt;Here&#39;s a great &#39;&lt;a href=&quot;http://www.bangingtunes.com/misc/playmix.aspx?mixurl=http%3a%2f%2fradio.zeropitch.com%2fjustdave_rougharoundtheedges.mp3&quot; target=&quot;_blank&quot;&gt;twisting psy trance mix&lt;/a&gt;&#39; - it&#39;s had me cleaned out now four times round.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;&lt;strong&gt;Mixes:&lt;/strong&gt; Madrid techno: &lt;em&gt;The Well: Meatgarden&lt;/em&gt; by Moogz&lt;br /&gt;twisting psy trance: &lt;em&gt;Rough Around the Edges&lt;/em&gt; by Just Dave&lt;br /&gt;Image © 2006 S Carlos&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/114029626614031240/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/114029626614031240' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114029626614031240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/114029626614031240'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/02/multi-layered-madrid-techn_114029626614031240.html' title='Multi-layered Madrid techno.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-113941480672306487</id><published>2006-02-08T15:45:00.000+01:00</published><updated>2006-02-28T16:59:48.283+01:00</updated><title type='text'>&#39;Aranj-U-ez&#39; from Atocha.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/aranjuez_400.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/aranjuez_400.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;strong&gt;&#39;j&#39; followed by &#39;u&#39;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In Atocha Station, wanting to go to Aranjuez, I enquired at the desk. Being confused about pronounciation of &#39;g&#39;s and &#39;j&#39;s followed by &#39;u&#39;s and &#39;e&#39;s (or &#39;i&#39;s) and use of the sound &#39;ch&#39; &lt;em&gt;(as in Scottish &#39;loch&#39; or German &#39;Bach&#39;)&lt;/em&gt;, I pronounced the town name: Aran-&#39;ch&#39;-eth.&lt;br /&gt;&lt;br /&gt;The lady behind the desk, correcting me, very clearly (though politely) enunciated: Arran-&#39;ch&#39;-&lt;strong&gt;WH&lt;/strong&gt;-ayth.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;If you&#39;re not sure, here&#39;s the Castilian rules on &#39;&lt;strong&gt;g&lt;/strong&gt;&#39;s and &#39;&lt;strong&gt;j&lt;/strong&gt;&#39;s:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;g&lt;/strong&gt; &lt;em&gt;before&lt;/em&gt; &lt;strong&gt;e&lt;/strong&gt; &lt;em&gt;or&lt;/em&gt; &lt;strong&gt;i&lt;/strong&gt; = &#39;ch&#39;, as in &#39;lo&lt;strong&gt;ch&lt;/strong&gt;&#39; (&lt;em&gt;gente&lt;/em&gt; - people)&lt;br /&gt;&lt;strong&gt;g&lt;/strong&gt; &lt;em&gt;before&lt;/em&gt; &lt;strong&gt;a&lt;/strong&gt; &lt;em&gt;or&lt;/em&gt; &lt;strong&gt;o&lt;/strong&gt; = &#39;g&#39;, as in &#39;&lt;strong&gt;g&lt;/strong&gt;o&#39; (&lt;em&gt;garaje&lt;/em&gt; - garage)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;gu&lt;/strong&gt; &lt;em&gt;before&lt;/em&gt; &lt;strong&gt;e&lt;/strong&gt; &lt;em&gt;or&lt;/em&gt; &lt;strong&gt;i&lt;/strong&gt; = &#39;g&#39;, as in &#39;&lt;strong&gt;g&lt;/strong&gt;o&#39; (&lt;em&gt;guerra&lt;/em&gt; - war)&lt;br /&gt;&lt;strong&gt;gu&lt;/strong&gt; &lt;em&gt;before&lt;/em&gt; &lt;strong&gt;a&lt;/strong&gt; &lt;em&gt;or&lt;/em&gt; &lt;strong&gt;o&lt;/strong&gt; = &#39;goo&#39;, as in &#39;&lt;strong&gt;gu&lt;/strong&gt;ano&#39; (&lt;em&gt;guante&lt;/em&gt; - glove)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;gü&lt;/strong&gt; &lt;em&gt;before&lt;/em&gt; &lt;strong&gt;e&lt;/strong&gt; &lt;em&gt;or&lt;/em&gt; &lt;strong&gt;i&lt;/strong&gt; = &#39;goo&#39;, as in &#39;&lt;strong&gt;gu&lt;/strong&gt;ano&#39; (&lt;em&gt;vergüenza&lt;/em&gt; - shame)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;j&lt;/strong&gt; &lt;em&gt;before any vowel&lt;/em&gt; = &#39;ch&#39;, as in &#39;lo&lt;strong&gt;ch&lt;/strong&gt;&#39; (&lt;em&gt;Jerez, Maja&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ju&lt;/strong&gt; &lt;em&gt;before any vowel&lt;/em&gt; = &#39;wh&#39;, as in &#39;&lt;strong&gt;wh&lt;/strong&gt;en&#39;, strongly aspirated (&lt;em&gt;jueves&lt;/em&gt; - Thursday. And &lt;strong&gt;&lt;em&gt;Aranjuez&lt;/em&gt;&lt;/strong&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;Picture shows the &lt;a href=&quot;http://www.patrimonionacional.es/en/aranj/aranjuez.htm&quot; target=&quot;_blank&quot;&gt;Royal Palace of Aranjuez&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;Photo © 2006 S Carlos&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/113941480672306487/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/113941480672306487' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113941480672306487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113941480672306487'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/02/aranj-u-ez-from-atocha.html' title='&#39;Aranj-U-ez&#39; from Atocha.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-113909872800171248</id><published>2006-02-05T01:10:00.000+01:00</published><updated>2006-02-09T11:59:43.600+01:00</updated><title type='text'>Avatar robado.</title><content type='html'>&lt;strong&gt;Beware of identity theft!&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg&quot;&gt;&lt;img style=&quot;FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 100px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;Not wishing to plaster my gorgeous self over the web, risk becoming a viral image, or be identified as this person writing (due to extreme shyness and fear of avengers and evangelists), I found what I thought would suit me for a persona in this engraving of a dashing mustachioed man. I especially liked the tattoo on his chest, which reads: &lt;span style=&quot;font-size:85%;&quot;&gt;&#39;FORGET ME NOT&#39;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;However, I&#39;ve now discovered that he&#39;s not anonymous. He&#39;s Mr Frank Burgh: he and his wife were famous for their tattoos.&lt;br /&gt;&lt;br /&gt;Here they are in &lt;em&gt;The Picture Magazine&lt;/em&gt; of June 1893:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/mr_mrs_frank_burgh.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/mr_mrs_frank_burgh.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-size:78%;&quot;&gt;(Click image to enlarge)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;The text reads:&lt;/em&gt; &lt;blockquote&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;MR. FRANK BURGH - MRS. FRANK BURGH&lt;/span&gt;&lt;br /&gt;Mr. and Mrs. Frank Burgh are Americans, and have been showing the public how tattooing has been brought to a fine art. The tattooing is done in the ordinary way, and the tints are also beautifully assorted - the finish being perfect. The chest of Mr. Frank Burgh shows a pattern of beautifully designed flowers, among which reclines the figure of Mrs. Burgh. The lady&#39;s shoulders are adorned with representations of well-known Biblical incidents.&lt;/blockquote&gt;(I think I liked her hair better in the tattoo.)&lt;br /&gt;&lt;br /&gt;Sadly, it seems that we did forget: a search on Google for - &quot;frank burgh&quot; tattoo - returns absolutely nothing. &lt;em&gt;Well, he&#39;s here now.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/Miguel_Unamuno.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 90px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/Miguel_Unamuno.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;According to Spanish philosopher &lt;a href=&quot;http://en.wikipedia.org/wiki/Miguel_de_Unamuno&quot; target=&quot;_blank&quot;&gt;Miguel de Unamuno&lt;/a&gt;, not only do we desire immortality, but the immortality of our friends and family, of our homes and nations, and of all aspects of life.&lt;br /&gt;&lt;em&gt;(El Sentimiento Trágico de la Vida)&lt;/em&gt;&lt;span style=&quot;clear:both;&quot;&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Added Februrary 9th:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;I was so pleased for Frank, &lt;em&gt;look&lt;/em&gt;:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/google_frank_burgh.gif&quot;&gt;&lt;img style=&quot;float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/google_frank_burgh.gif&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;But there&#39;s a somewhat dull ending to this story of the creation of immortality for a man who did not wish to be forgotten. The Picture Magazine of 1893 got his name wrong; there&#39;s a Frank and Emma &lt;strong&gt;deBurgh&lt;/strong&gt; listed at the &lt;a href=&quot;http://tattooarchive.com/history/deburgh_frank_emma.htm&quot; target=&quot;_blank&quot;&gt;Tattoo Archive&lt;/a&gt;. &lt;em&gt;(And Emma&#39;s had her hair cut yet again!)&lt;/em&gt; &lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/113909872800171248/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/113909872800171248' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113909872800171248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113909872800171248'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/02/avatar-robado.html' title='Avatar robado.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-113666430487900246</id><published>2006-01-07T20:59:00.000+01:00</published><updated>2006-01-07T21:25:09.200+01:00</updated><title type='text'>Some great Spanish listening.</title><content type='html'>&lt;a href=&quot;http://www.notesfromspain.com/208/&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 100px;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/highly_recommended.gif&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;I referred in a &lt;a href=&quot;http://sintocarlos.blogspot.com/2005/11/my-winky.html&quot; target=&quot;_blank&quot;&gt;previous post&lt;/a&gt; to a great BBC Spanish course called &#39;Tal Como Es&#39;. Well, there&#39;s a feast of similar listening available now on &lt;a href=&quot;http://www.notesfromspain.com&quot; target=&quot;_blank&quot;&gt;Notes from Spain&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Ten minutes of Spanish podcast a day, for 31 days.</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/113666430487900246/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/113666430487900246' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113666430487900246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113666430487900246'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/01/some-great-spanish-listening.html' title='Some great Spanish listening.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-16102203.post-113666176038745281</id><published>2006-01-07T20:07:00.000+01:00</published><updated>2006-09-07T22:40:17.706+02:00</updated><title type='text'>Tres Majas y más.</title><content type='html'>&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/maja-soap.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/maja-soap.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;strong&gt;Jabón Maja&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;We&#39;ve all seen a million of these: in every souvenir shop on every road in every resort, and in every airport too. The lady with the fan on the red and black wrapper has possibly become the archetypal Spanish señorita. And it really is a great souvenir. Wash your hands with it, and whenever you bring your hand near your face you smell the rose and jasmine fragrance; that fresh, clean smell that reminds you of Spain.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.myrurgia.com/&quot; target=&quot;_blank&quot;&gt;Myrurgia&lt;/a&gt;, the company that makes Maja &lt;em&gt;(check out their amazing website), &lt;/em&gt;was founded in Barcelona in 1916 by a Catalan sculptor, Esteban Monegal Prat. &lt;blockquote&gt;&quot;En 1916, el escultor catalán Esteban Monegal Prat fundó Myrurgia en el corazón de Barcelona. Desde sus inquietudes artísticas, supo dotar a su empresa de una personalidad, de una dimensión creativa y de una filosofía de innovación constante que ha perdurado, tanto en la concepción de sus nuevos productos como en el diseño de sus planes de expansión.&quot;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;From a business press release, the &lt;/span&gt;&lt;a href=&quot;http://www.guiadeprensa.com/quimica/myrurgia.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;Story of Myrurgia&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;strong&gt;Other famous Majas&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/naked_maja.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/naked_maja.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;strong&gt;La Maja Desnuda&lt;/strong&gt;&lt;br /&gt;The Naked Maja, painted by Francisco de Goya between 1797 and 1800, is said to be the first depiction of pubic hair in Western art*.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/maja_vestida.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/maja_vestida.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;strong&gt;La Maja Vestida&lt;/strong&gt; (The Clothed Maja)&lt;br /&gt;Goya also painted the same woman identically posed, but clothed. It&#39;s not known who she is.&lt;br /&gt;&lt;br /&gt;In 1815, Goya was summoned by the Spanish Inquisition about the &#39;obscene&#39; La Maja Desnuda, and consequently stripped of his position as the Spanish court painter. &lt;span style=&quot;font-size:85%;&quot;&gt;&lt;br /&gt;From the &lt;/span&gt;&lt;a href=&quot;http://www.answers.com/main/ntquery;jsessionid=uc4vo8v74z1t?method=4&amp;dsid=2222&amp;amp;dekey=La+Maja+Desnuda&amp;gwp=8&amp;amp;curtab=2222_1&amp;sbid=lc06a&amp;amp;linktext=%3CI%3EThe%20Nude%20Maja%3C%2FI%3E&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;story of La Maja Desnuda&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hairdo from Spain&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Here&#39;s a lovely piece by Ysabel de la Rosa, an American lady living in Madrid &lt;a href=&quot;http://www.theroseandthornezine.com/Essay/33Hair.html&quot; target=&quot;_blank&quot;&gt;getting herself a Spanish hairdo&lt;/a&gt; in Barcelona, and being complimented: &quot;Qué maja&quot; (how charming).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Meanings of Maja&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.rae.es/&quot; target=&quot;_blank&quot;&gt;Real Academia Española&lt;/a&gt; definition of &#39;maja&#39;:&lt;br /&gt;&quot;Dicho de una persona: Que en su porte, acciones y vestidos afecta un poco de libertad y guapeza, más propia de la gente ordinaria.&quot;&lt;br /&gt;&lt;br /&gt;Maja, or Maia, was the name of the Roman goddess of spring, the wife of Vulcan. The month of May is named for her. In Greek and Roman mythology she was the eldest of the Pleiades, the group of seven stars in the constellation Taurus, who were the daughters of Atlas and Pleione. Her son by Zeus was Hermes.&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;(Source: &lt;/span&gt;&lt;a href=&quot;http://www.behindthename.com/php/view.php?name=maja-1&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;behindthename.com&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;em&gt;)&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&quot;You shall not be called Thumbelina any more,&quot; said the tiny king. &quot;You shall be called Maia.&quot; &lt;a href=&quot;http://hca.gilead.org.il/li_tiny.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;br /&gt;from Little Tiny or Thumbelina&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;, Hans Christian Andersen.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.sanatansociety.org/yoga_and_meditation/hinduism_philosophy_maya_illusion.htm&quot; target=&quot;_blank&quot;&gt;Maya&lt;/a&gt;, &#39;illusion&#39; in Hinduism, prevents us from knowing ourselves. She preoccupies us with mind games.&lt;br /&gt;&lt;br /&gt;But, perhaps the most apposite definition of &#39;maja&#39; here is that given by &lt;a href=&quot;http://en.wikipedia.org/wiki/Maja&quot; target=&quot;_blank&quot;&gt;Wikipedia&lt;/a&gt;. &lt;blockquote&gt;A majo or maja was a member of the nineteenth-century Madrid artistic scene, who distinguished themselves by their pure, gracious use of the Castilian language and their elaborate outfits.&lt;br /&gt;&lt;br /&gt;The term later became a more general word meaning &#39;pretty&#39; or &#39;nice looking&#39; (synonymous with bonito). More recently, &#39;majo/a&#39; is used as a synonym of simpático to refer to someone who is &#39;nice&#39; or has a pleasant personality; with the diminutive &#39;majete&#39; and the superlative &#39;majísimo&#39;.&lt;/blockquote&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;* I don&#39;t believe this. It&#39;ll probably come down to &#39;what is Art?&#39;. Surely someone, somewhere in several thousand years or more must have picked up a burnt stick and &lt;/span&gt;&lt;a href=&quot;http://www.snopes.com/science/stats/thinksex.asp&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;depicted his thoughts&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Added March 24th:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Dos Majos y una Moza&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/dos_majos.jpg&quot;&gt;&lt;img style=&quot;FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 400px; CURSOR: hand&quot; alt=&quot;&quot; src=&quot;http://i23.photobucket.com/albums/b378/sintocarlos/dos_majos.jpg&quot; border=&quot;0&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;em&gt;Dos Majos y una Moza&lt;/em&gt; by Lorenzo Tiepolo (una moza: &lt;em&gt;young girl, lass&lt;/em&gt;)&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sintocarlos.blogspot.com/feeds/113666176038745281/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/16102203/113666176038745281' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113666176038745281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/16102203/posts/default/113666176038745281'/><link rel='alternate' type='text/html' href='http://sintocarlos.blogspot.com/2006/01/tres-majas-y-ms.html' title='Tres Majas y más.'/><author><name>Sinto Carlos</name><uri>http://www.blogger.com/profile/09105877065723515118</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://i23.photobucket.com/albums/b378/sintocarlos/sintattoo.jpg'/></author><thr:total>2</thr:total></entry></feed>