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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-6130631852940224660</atom:id><lastBuildDate>Wed, 30 May 2012 11:13:32 +0000</lastBuildDate><category>Handel</category><category>Farinelli</category><category>marathon</category><category>Honegger</category><category>Mackey</category><category>Fain</category><category>Part</category><category>post-romantic</category><category>alt-classical</category><category>Byrd</category><category>American 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Ralph</category><category>Brahms</category><category>politics</category><category>programming</category><category>Paula</category><category>DVD-Audio</category><category>Fox</category><category>YouTube</category><category>orchestral</category><category>blog</category><category>book</category><category>Pollini</category><category>Dussek</category><category>Beethoven</category><category>Haydn</category><category>Opera Matinee</category><category>Danielpour</category><category>prepared piano</category><category>Glazunov</category><category>music and the brain</category><category>Freire</category><category>Saariaho</category><category>conductor</category><category>Zimmerli</category><title>WTJU Classical Comments</title><description>News and views from the classical music announcers at WTJU, 91.1 FM, Charlottesville, Virginia</description><link>http://wtjuclassical.blogspot.com/</link><managingEditor>noreply@blogger.com (WTJU Classical Dept.)</managingEditor><generator>Blogger</generator><openSearch:totalResults>191</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/WtjuClassicalComments" /><feedburner:info uri="wtjuclassicalcomments" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-6955249484887159849</guid><pubDate>Wed, 30 May 2012 11:11:00 +0000</pubDate><atom:updated>2012-05-30T07:13:32.474-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kraus</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><category domain="http://www.blogger.com/atom/ns#">classical music</category><title>Kraus Viola Concertos are No Joke</title><atom:summary type="text">

Kraus: Viola Concertos
David Aaron Carpenter, viola
Tapiola Sinfonietta
Ondine

David Aaron Carpenter presents three standout viola concertos on his new Ondine release. These concertos by Joseph Martin Kraus,
 dating from the 1790s, were thought to be lost until fairly recently. 
Kraus, who spent most of his professional life in the Swedish court, was
 well-regarded by many musicians of his day</atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/ctUtaPiB05Y/kraus-viola-concertos-are-no-joke.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ASITuaF7Sv8/T8YAuctYLkI/AAAAAAAAAaY/b5IvGuKrBbE/s72-c/Kraus.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/ctUtaPiB05Y" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/05/kraus-viola-concertos-are-no-joke.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-2920235076627059996</guid><pubDate>Fri, 25 May 2012 00:39:00 +0000</pubDate><atom:updated>2012-05-25T08:37:45.160-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Classical Sunrise</category><category domain="http://www.blogger.com/atom/ns#">choral music</category><category domain="http://www.blogger.com/atom/ns#">Britten</category><title>Airing Britten's War Requiem</title><atom:summary type="text">Wednesday, 30 May 2012, marks the 50th anniversary of the first performance of Benjamin Britten’s War Requiem at the newly built Coventry Cathedral. The cathedral was built adjacent to the ruins of the Gothic cathedral, which was devastated during the bombing of the City of Coventry by the Luftwaffe the night of 14 November 1940. The decision was immediately announced the next morning to rebuild </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/AiwhZ7jTDk4/benjamin-brittens-war-requiem-op-66.html</link><author>noreply@blogger.com (Deborah Murray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/8wA-Q9XUNVY/default.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/AiwhZ7jTDk4" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/05/benjamin-brittens-war-requiem-op-66.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-5058722147738031912</guid><pubDate>Wed, 23 May 2012 11:00:00 +0000</pubDate><atom:updated>2012-05-23T07:00:03.309-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">SACD</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Mogensen: Accordion Concertos - fresh sounds for an old instrment</title><atom:summary type="text">

Accordion Concertos
Bjarke Mogensen, accordion
Danish National Chamber Orchestra
Rolf Gupta, conductor
Dacapo SACD

Mention the accordion, and most people think of Weird Al Yankovic, or a polka band. What they won’t think of is an instrument capable of serious artistic expression. And certainly not one that belongs in the classical world.

Bjarke Mogensen is out to change that perception with </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/DNWCOumG0Qw/mogensen-accordion-concertos-fresh.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-pBsW_tSvYg0/T7v25-oPDRI/AAAAAAAAAaI/4-TmYANT5js/s72-c/Mogensen_.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/DNWCOumG0Qw" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/05/mogensen-accordion-concertos-fresh.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-7647380028027999682</guid><pubDate>Wed, 16 May 2012 11:26:00 +0000</pubDate><atom:updated>2012-05-16T07:26:31.846-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Romantic period</category><category domain="http://www.blogger.com/atom/ns#">Fuchs</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Fuchs Serenades: Attractive works by a major influence</title><atom:summary type="text">

Fuchs: Serenade Nos. 3 &amp; 4 &amp; 5 For String Orchestra 
Cologne Chamber Orchestra
Christian Ludwig, conductor
Naxos

Naxos completes its survey of Fuchs' Serenades with this release (the first two were released last year 
 with the same performers). It's a collection well worth owning.

Robert Fuchs is 
perhaps best remembered as a composition teacher. His impressive list of
 pupils include Gustav</atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/SI5zHcSBHy0/fuchs-serenades-attractive-works-by.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-bEzN3WiTS2A/T7OOQsMxpKI/AAAAAAAAAZ4/L3Y6uQpACcQ/s72-c/Fuchs.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/SI5zHcSBHy0" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/05/fuchs-serenades-attractive-works-by.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-2177507201020831268</guid><pubDate>Wed, 09 May 2012 10:59:00 +0000</pubDate><atom:updated>2012-05-09T07:02:43.003-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Weinberg</category><category domain="http://www.blogger.com/atom/ns#">Soviet</category><category domain="http://www.blogger.com/atom/ns#">modern music</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Weinberg: Symphony No. 6 - A Russian composer is given his due</title><atom:summary type="text">

Weinberg: Symphony No. 6 - Rhapsody on Moldavian Themes 
 
St. Petersburg State Symphony Orchestra
Vladimir Lande, conductor
Glinka Choral College Boys' Choir
Naxos

Mieczyslaw Weinberg was a 
close personal friend as well as a colleague of Shostakovitch, and that 
relationship shows in his music. His Sixth Symphony opens in a manner 
that sounds (to my ears) very much like Shostakovitch. But </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/HKm_pE6u--0/weinberg-symphony-no-6-russian-composer.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-eUYPtU5Jbl0/T6pOioEOVyI/AAAAAAAAAZo/L5XENDbVWmc/s72-c/Weinberg.jpg" height="72" width="72" /><thr:total>2</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/HKm_pE6u--0" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/05/weinberg-symphony-no-6-russian-composer.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-2807292004502261773</guid><pubDate>Thu, 26 Apr 2012 18:11:00 +0000</pubDate><atom:updated>2012-04-27T09:47:15.619-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">orchestras</category><category domain="http://www.blogger.com/atom/ns#">Philadelphia</category><title>The Demise and Resurgence(?) of a Great Orchestra</title><atom:summary type="text">When the governing board of the Philadelphia Orchestra, one of this country's great cultural institutions, voted to file for Chapter 11 bankruptcy protection on April 16, 2011, the shock waves were felt far beyond Philadelphia. The city could hardly imagine that the Orchestra, ranking with the Art Institute, City Hall, and the Phillies, as defining Philadelphia, had fallen on such hard times. </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/DULVSBI0to0/demise-and-resurgence-of-great.html</link><author>noreply@blogger.com (WTJU Opera)</author><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/DULVSBI0to0" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/demise-and-resurgence-of-great.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-7847855806540146782</guid><pubDate>Wed, 25 Apr 2012 13:08:00 +0000</pubDate><atom:updated>2012-04-26T09:19:22.346-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">prepared piano</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Helvacioglu</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><title>Helvacioglu: Eleven Short Stories - Prepared Piano Goes to the Movies</title><atom:summary type="text">

Eleven Short Stories 
Erdem Helvacioglu 
Innova 

Turkish composer Erdem Helvacioglu embarks on a fascinating project with this recording. He writes in the liner notes, “Eleven Short Stories is inspired by the works of film directors Kim Ki-Duk, David Lynch, Krzystof Kielowski, Theodoros Angelopoulos, Jan Campion, Anthony Minthella, Ang Lee, Atom Egoyan, Darren Aronofsky, Alejandro Gonzales </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/l4SqQFtcDC4/helvacioglu-eleven-short-stories.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-76BYFecRFPM/T5lLF2VgpUI/AAAAAAAAAZY/pdomKGzsiy0/s72-c/Helvacioglu.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/l4SqQFtcDC4" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/helvacioglu-eleven-short-stories.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-6612018077662749096</guid><pubDate>Wed, 18 Apr 2012 10:07:00 +0000</pubDate><atom:updated>2012-04-26T09:06:39.366-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Saariaho</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Ethereal orchestral works by Saariaho</title><atom:summary type="text">

Saariaho: Works for Orchestra
Various Artists
Ondine

The nice thing about listening to a bunch of works by the same composer 
in quick succession is that I get a glimpse of the broader picture.

This new four-disc set of Kaija Saariaho
 presents the Finnish composer's orchestral works spanning the past  25 
years. The pieces are arranged in chronological order, and Ondine's 
assigned a theme </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/IOCU7pcl070/ethereal-orchestral-works-by-saariaho.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-eoeDJWJISMc/T4XeqV3bkXI/AAAAAAAAAZM/rZ6gJhLopyU/s72-c/SaariahoWorks.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/IOCU7pcl070" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/ethereal-orchestral-works-by-saariaho.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-9114275058346406844</guid><pubDate>Wed, 11 Apr 2012 11:31:00 +0000</pubDate><atom:updated>2012-04-11T07:31:56.671-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">orchestral</category><category domain="http://www.blogger.com/atom/ns#">American music</category><category domain="http://www.blogger.com/atom/ns#">Schuman</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Foote</category><category domain="http://www.blogger.com/atom/ns#">Diamond</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><category domain="http://www.blogger.com/atom/ns#">Barber</category><title>Non-dogmatic American music from do.gma</title><atom:summary type="text">

American Stringbook
do.gma Chamber Orchestra
Berthold Records

For their sophomore album, the do.gma chamber orchestra stretches their 
repertory wings a bit, and come up with an interesting and artistically 
strong release. American Stringbook features 20th Century chamber orchestra works that, if not quite standard repertoire, certainly should be.

It's one thing for Americans to try to </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/RVvbUkR3-XQ/non-dogmatic-american-music-from-dogma.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-KLF80xiC5rI/T4VrcChj4GI/AAAAAAAAAZA/TeduE1I67zQ/s72-c/dogma.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/RVvbUkR3-XQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/non-dogmatic-american-music-from-dogma.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-7479621869636702623</guid><pubDate>Wed, 04 Apr 2012 11:00:00 +0000</pubDate><atom:updated>2012-04-04T07:00:03.419-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kalkbrenner</category><category domain="http://www.blogger.com/atom/ns#">Romantic period</category><category domain="http://www.blogger.com/atom/ns#">concerto</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Shelley makes the case for Kalkbrenner</title><atom:summary type="text">

Romantic Piano Concerto Vol. 56: Kalkbrenner 
Piano Concerto No 2, Op. 85 
Piano Concerto No.3, Op. 107 
Adagio &amp; Allegro di Bravura, Op. 102 
Howard Shelly, piano 
Tasmanian Symphony Orchestra 
Hyperion

I’m a big fan of Hyperion’s Romantic Piano Concerto series.
 This latest installment – Volume 56 – maintains the same high standards
 of recording and performance quality as the previous </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/XD_jZNQZIBU/shelley-makes-case-for-kalkbrenner.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-L8JIdeTn1i8/T3r2CvZ1gbI/AAAAAAAAAYs/kMWCsfrnReI/s72-c/Kalkbrenner2.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/XD_jZNQZIBU" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/shelley-makes-case-for-kalkbrenner.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-3234159345315257679</guid><pubDate>Mon, 02 Apr 2012 14:11:00 +0000</pubDate><atom:updated>2012-04-03T09:06:15.766-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Romantic period</category><category domain="http://www.blogger.com/atom/ns#">Verdi</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">opera</category><category domain="http://www.blogger.com/atom/ns#">book</category><title>Verdi's Shakespeare</title><atom:summary type="text">

 Verdi's Shakespeare
Men of the Theater
Garry Willis
Viking Press

Historian Garry Wills' new book, Verdi’s Shakespeare, is a fascinating study of the Italian maestro’s lifelong love of the works of the great English playwright. Even though Verdi neither spoke nor read English (although his wife, the singer Giuseppina Strepponi knew English), he read the plays and poetry in Italian translation </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/JhW42AtesjA/verdis-shakespeare-historian-garry.html</link><author>noreply@blogger.com (WTJU Opera)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-6aooC7rHHWA/T3r08iMoQMI/AAAAAAAAAYg/uATevmHMe_I/s72-c/VerdisShakespeare.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/JhW42AtesjA" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/04/verdis-shakespeare-historian-garry.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-4943185807349032524</guid><pubDate>Wed, 28 Mar 2012 10:21:00 +0000</pubDate><atom:updated>2012-03-28T06:21:00.358-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">music news</category><category domain="http://www.blogger.com/atom/ns#">piano</category><category domain="http://www.blogger.com/atom/ns#">Salzburg</category><category domain="http://www.blogger.com/atom/ns#">Mozart</category><category domain="http://www.blogger.com/atom/ns#">classical music</category><title>Newly-Disovered Mozart Sonata Premiered 246 Years After Composition</title><atom:summary type="text">It's always big news when a previously unknown work by a major composer is unearthed -- especially if that composer is Mozart. In this case, it was a short Allegro for piano, composed around 1766-1767 by a very young Mozart.

According to the Mozarteum Salzburg Foundation, the work was discovered in a 1780 notebook kept by a village music teacher. The book contained a variety of keyboard </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/-ey5ZufTsdw/newly-disovered-mozart-sonata-premiered.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/LoTfvakQZXA/default.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/-ey5ZufTsdw" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/newly-disovered-mozart-sonata-premiered.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-8945960207556111918</guid><pubDate>Fri, 23 Mar 2012 15:16:00 +0000</pubDate><atom:updated>2012-03-24T20:38:36.915-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">conductor</category><category domain="http://www.blogger.com/atom/ns#">Gergiev</category><category domain="http://www.blogger.com/atom/ns#">Opera Matinee</category><category domain="http://www.blogger.com/atom/ns#">opera</category><title>The Gergiev Phenomonon</title><atom:summary type="text">Valery Gergiev, born in Moscow in 1953, the year of Stalin's death, is one of the most sought-after conductors in the world. He is currently the Director of the Mariinsky Theater in St. Petersburg (home to the Kirov Opera and Ballet), Principal Conductor of the Rotterdam Philharmonic, and Principal Guest Conductor of the Metropolitan Opera. He is equally at home in the operatic and orchestral </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/zElgf8R_v-0/gergiev-phenomenon-valery-gergiev-born.html</link><author>noreply@blogger.com (WTJU Opera)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-MIHoCsYJMoQ/T25n_C0XpYI/AAAAAAAAAYU/-WAu4ylL_2Q/s72-c/Lammermoor.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/zElgf8R_v-0" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/gergiev-phenomenon-valery-gergiev-born.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-8039607957240386301</guid><pubDate>Wed, 21 Mar 2012 11:00:00 +0000</pubDate><atom:updated>2012-03-21T07:00:07.472-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">modern music</category><category domain="http://www.blogger.com/atom/ns#">Rautavaara</category><category domain="http://www.blogger.com/atom/ns#">concerto</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Rautavaara: New Concertos from a Finnish Master</title><atom:summary type="text">

Rautavaara: Towards the Horizon; Modificata; Incantations 
Truls Mork, cello
Colin Currie, percussion
Helsinki Philharmonic Orchestra; John Storgards, conductor
Ondine

This new release sheds some light onto Einojuhani Rautavaara's growth as a 
composer. The outer two works are  recent concertos, composed in 
2008/2009. But the middle work, Modificata, was written in 1957, when Rautavaara  was </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/o34--B3EOvw/rautavaara-new-concertos-from-finnish.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-yuT1MXJn9ys/T1pqaDqmBcI/AAAAAAAAAX8/E_krdT2DnyI/s72-c/Rautavaara+Concertos.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/o34--B3EOvw" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/rautavaara-new-concertos-from-finnish.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-978688587372237329</guid><pubDate>Wed, 14 Mar 2012 11:00:00 +0000</pubDate><atom:updated>2012-03-14T07:00:09.993-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Ball</category><category domain="http://www.blogger.com/atom/ns#">modern music</category><category domain="http://www.blogger.com/atom/ns#">electronic music</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Lawrence Ball: There's no Madness in this Method Music</title><atom:summary type="text">

Lawrence Ball: Method Music
Imaginary Sitters/Imaginary Galaxies
Navona Records 

I’m generally suspicious of mathematically-generated music. A lot of 
what I’ve heard sounds academic, mechanical, and lifeless. Not so with Lawrence Ball’s compositions Imaginary Sitters, and Imaginary Galaxies.

The liner note attempt to explain in part the algorithms (harmonic math) behind the music, but it </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/rAax_rbUJUs/lawrence-ball-theres-no-madness-in-this.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-BOsUuUzM70M/T1ZWNuqH7fI/AAAAAAAAAXw/ONJSNOEUTxI/s72-c/MethodMusic.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/rAax_rbUJUs" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/lawrence-ball-theres-no-madness-in-this.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-2264476899421292711</guid><pubDate>Sat, 10 Mar 2012 20:55:00 +0000</pubDate><atom:updated>2012-03-11T22:44:12.024-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Classical Sunrise</category><category domain="http://www.blogger.com/atom/ns#">Baroque</category><category domain="http://www.blogger.com/atom/ns#">Bach</category><title>Happy 327th Birthday, Johann Sebastian Bach (21 March 2012) (1685-1750)</title><atom:summary type="text">

Bach's final unfinished fugue.

Over the next three Sunday mornings on my show Classical Sunrise (6 to 9 AM EDT), I will be featuring J.S. Bach’s monumental works:  Die Kunst der Fuge, BWV 1080 (The Art of Fugue); the Mass in B minor, BWV 232; and the St. Matthew Passion, BWV 244; three of the greatest classical works of all time. 

Bach was the undisputed master of fugal writing, and the Art </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/8WeVqLje5AI/happy-327th-birthday-johann-sebastian.html</link><author>noreply@blogger.com (Deborah Murray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Ys0m-zIh6Uk/T11iQ0C4TkI/AAAAAAAAAYI/oXBEU1EdHFw/s72-c/Bach+Fugue+14.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/8WeVqLje5AI" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/happy-327th-birthday-johann-sebastian.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-5637752832394764388</guid><pubDate>Thu, 08 Mar 2012 17:30:00 +0000</pubDate><atom:updated>2012-03-08T12:30:00.638-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">choral music</category><category domain="http://www.blogger.com/atom/ns#">Janacek</category><category domain="http://www.blogger.com/atom/ns#">modern music</category><category domain="http://www.blogger.com/atom/ns#">Dvorak</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Janacek: Choral Works - Going back to the roots</title><atom:summary type="text">

Janacek: Choral Works; Six Moravian Choruses (after Dvorak)
Cappella Amsterdam 
Daniel Reuss, director 
Radio Blazers Ensemble 
Harmonia Mundi

It's no secret that Czech composer Leos Janacek used the folk traditions
 of Bohemia and Moravia for the basis of his own musical language. In 
his most advanced works (like his string quartets), those folk 
traditions are heard but faintly in the </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/oKTHiEUDRY4/janacek-choral-works-going-back-to.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-wx3ezpQ_dLg/T0VgGRhSsiI/AAAAAAAAAXc/_M6i8Vw5WQA/s72-c/%2524RBONAUJ.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/oKTHiEUDRY4" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/janacek-choral-works-going-back-to.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-701141927552550514</guid><pubDate>Thu, 01 Mar 2012 17:30:00 +0000</pubDate><atom:updated>2012-03-01T12:30:03.342-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Campion</category><category domain="http://www.blogger.com/atom/ns#">Stile Antico</category><category domain="http://www.blogger.com/atom/ns#">choral music</category><category domain="http://www.blogger.com/atom/ns#">Byrd</category><category domain="http://www.blogger.com/atom/ns#">Amner</category><category domain="http://www.blogger.com/atom/ns#">Tomkins</category><category domain="http://www.blogger.com/atom/ns#">renaissance</category><category domain="http://www.blogger.com/atom/ns#">Gibbons</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><category domain="http://www.blogger.com/atom/ns#">Dowland</category><category domain="http://www.blogger.com/atom/ns#">Taverner</category><title>Tune thy Musicke to thy Hart: Music for private devotion</title><atom:summary type="text">

Tune Thy Musicke to Thy Hart 
Tudor and Jacobean music for private devotion
Stile Antico
Fretwork
Harmonia Mundi

There have been many albums of English renaissance music, but none quite like this. Tune thy Musicke brings to light some truly neglected repertoire -- sacred music for the manor home. 


From the time of Henry VIII through James I, amateur musicianship 
flourished to a high degree </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/LfW-2e4EdSI/tune-thy-musicke-to-thy-hart-music-for.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-UN6zb3gasm8/T0VgRJK73dI/AAAAAAAAAXk/HRN8asT5-Nk/s72-c/Tune+Thy+Musicke.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/LfW-2e4EdSI" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/03/tune-thy-musicke-to-thy-hart-music-for.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-8477871216025115594</guid><pubDate>Mon, 27 Feb 2012 15:15:00 +0000</pubDate><atom:updated>2012-03-02T11:03:45.009-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Richter</category><category domain="http://www.blogger.com/atom/ns#">historic recordings</category><category domain="http://www.blogger.com/atom/ns#">piano</category><title>Listening to Richter</title><atom:summary type="text">Sviatoslav Richter (1915-1997) is widely recognized as one of the greatest pianists of the 20th century. He was well known for the depth of his interpretations, virtuoso technique, extensive repertoire, and aversion to the recording studio.

He is one of the few great solo artists who was not a child prodigy, beginning formal studies at the Moscow Conservatory with Heinrich Neuhaus when he was 22</atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/q0nlAQder3c/listening-to-richter-sviatoslav-richter.html</link><author>noreply@blogger.com (WTJU Opera)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/3azkJP_vkN8/default.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/q0nlAQder3c" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/listening-to-richter-sviatoslav-richter.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-2657776327474095770</guid><pubDate>Fri, 24 Feb 2012 23:34:00 +0000</pubDate><atom:updated>2012-02-27T15:14:25.303-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Classical Sunrise</category><category domain="http://www.blogger.com/atom/ns#">contemporary music</category><category domain="http://www.blogger.com/atom/ns#">Hailstork</category><title>Adolphus Hailstork</title><atom:summary type="text">Adolphus Hailstork.  I admit to being fascinated by the name before I became aware of his music.  Dr. Hailstork, born in 1941, received his doctorate in composition from Michigan State University; before that, he studied at the Manhattan School of Music and also with Nadia Boulanger, among others.  He is Professor of Music and Eminent Scholar at Old Dominion University in Norfolk, Virginia.  

Dr</atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/GSgOl71Zim0/adolphus-hailstork.html</link><author>noreply@blogger.com (Deborah Murray)</author><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/GSgOl71Zim0" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/adolphus-hailstork.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-1602578719593609270</guid><pubDate>Thu, 23 Feb 2012 20:37:00 +0000</pubDate><atom:updated>2012-02-21T22:07:20.927-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">solo</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">piano</category><category domain="http://www.blogger.com/atom/ns#">Baroque</category><category domain="http://www.blogger.com/atom/ns#">Handel</category><title>A New Recording of The Eight Great Keyboard Suites  of Georg Frederich Handel</title><atom:summary type="text">

Handel: Eight Great Keyboard Suites
Lisa Smirnova, piano
ECM

As far as I am concerned, the never-ending debate on the appropriateness of playing Baroque keyboard music on harpsichord or piano falls on deaf ears. The embellishment that the modern piano brings to Baroque music adds greatly to its enjoyment.

Throughout the years, a host of pianists such as Glenn Gould, Andras Schiff, Angela </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/_AwJmrrngdQ/new-recording-of-eight-great-keyboard.html</link><author>noreply@blogger.com (WTJU Classical Dept.)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-TC8TARBQgsM/T0P_n023vOI/AAAAAAAAAXQ/X7NrpEs_b1g/s72-c/Handel.jpg" height="72" width="72" /><thr:total>1</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/_AwJmrrngdQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/new-recording-of-eight-great-keyboard.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-3777911412555379564</guid><pubDate>Tue, 21 Feb 2012 21:10:00 +0000</pubDate><atom:updated>2012-04-27T12:30:51.538-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">programming</category><category domain="http://www.blogger.com/atom/ns#">opera</category><title>Guilty Pleasures at the Operas</title><atom:summary type="text">On Sunday, February 26, at 2 P.M. our Sunday Opera Matinee resumes after the conclusion of our Rock Marathon that achieved fundraising wonders for WTJU. We will be presenting Umberto Giordano's Andrea Chenier (1896), a perennial audience favorite.

Chenier is one of those operas that is beloved of audiences but deprecated by critics. Giordano (1867-1948) was possessed of limited compositional </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/Z4Z9_efMQOw/guilty-pleasures-at-opera-on-sunday.html</link><author>noreply@blogger.com (WTJU Opera)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/E4VuGqyylDM/default.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/Z4Z9_efMQOw" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/guilty-pleasures-at-opera-on-sunday.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-5199912162674782776</guid><pubDate>Fri, 10 Feb 2012 15:49:00 +0000</pubDate><atom:updated>2012-02-15T13:21:01.949-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Romantic period</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Bruckner</category><title>Bruckner the Romantic</title><atom:summary type="text">

Bruckner: Symphonies Nos. 4, 7 &amp; 9
Philharmonia Festiva
Gerd Schaller, conductor
Live recording
Profil/Hannsler Classics 

It has taken about a century for the symphonies of Austrian composer Anton Bruckner to enter the repertories of major orchestras. One of his champions is German conductor Gerd Schaller, most widely known in Germany as an opera conductor and founder and music director of the</atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/vOIyp1NixiU/bruckner-romantic-it-has-taken-about.html</link><author>noreply@blogger.com (WTJU Opera)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2Y_RmnNXgHA/Tzv2SpzzNmI/AAAAAAAAAXE/maimSm4KNww/s72-c/Bruckner.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/vOIyp1NixiU" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/bruckner-romantic-it-has-taken-about.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-1228366364926689250</guid><pubDate>Wed, 08 Feb 2012 12:00:00 +0000</pubDate><atom:updated>2012-02-08T07:05:23.944-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Roussel</category><category domain="http://www.blogger.com/atom/ns#">modern music</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Roussel: The Spider's Banquet an Aural Feast</title><atom:summary type="text">



Roussel: Festin De L'Araignee

Padmâvatî – Suites 1 &amp; 2
Royal Scottish National Orchestra; 
Stéphane Denève, conductor
Naxos

Stéphane
 Denève and the Royal Scottish National Orchestra conclude their survey 
of Roussel’s orchestral music with two important stage works: La festin de l’araignée, and the suites from the opera Padmâvatî. The previous four volumes from Naxos each focused on a  </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/TLHJCZAF3VE/rousell-spiders-banquet-aural-feast.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gKsjD5CwTA0/TzGXEmAteiI/AAAAAAAAAW4/OCvUiKbiNeI/s72-c/Roussel5.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/TLHJCZAF3VE" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/rousell-spiders-banquet-aural-feast.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6130631852940224660.post-3749434071087488495</guid><pubDate>Wed, 01 Feb 2012 12:00:00 +0000</pubDate><atom:updated>2012-02-01T07:00:07.723-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">choral music</category><category domain="http://www.blogger.com/atom/ns#">Eccard</category><category domain="http://www.blogger.com/atom/ns#">renaissance</category><category domain="http://www.blogger.com/atom/ns#">review</category><category domain="http://www.blogger.com/atom/ns#">Baroque</category><category domain="http://www.blogger.com/atom/ns#">Ralph</category><title>Johannes Eccard: Sacred and Secular Works</title><atom:summary type="text">

Johannes Eccard: Sacred &amp; Secular Works 
Opella Musica
Ensemble NOEMA
Gregor Meyer, director
CPO 

Although not a household name, Johannes Eccard can hardly be called an obscure composer. Active during the latter half of the 16th century, Eccard's vocal music was held in high regard by other composers -- 
especially German composers, from Johann Sebastian Bach through Brahms. 
In his own </atom:summary><link>http://feedproxy.google.com/~r/WtjuClassicalComments/~3/FR5hKIrjS70/johannes-eccard-sacred-and-secular.html</link><author>noreply@blogger.com (Ralph Graves)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-JoXO8EfSPSY/TyMOqy9jv6I/AAAAAAAAAWs/XLoHJCG02uQ/s72-c/Eccard.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;img src="http://feeds.feedburner.com/~r/WtjuClassicalComments/~4/FR5hKIrjS70" height="1" width="1"/&gt;</description><feedburner:origLink>http://wtjuclassical.blogspot.com/2012/02/johannes-eccard-sacred-and-secular.html</feedburner:origLink></item></channel></rss>

