<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8005705780390517656</id><updated>2026-08-15T08:52:34.994+05:30</updated><category term="PHONETICS AND PHONOLOGY"/><category term="LINGUISTICS:BASIC THEORETICAL CONSTRUCT"/><category term="COMPUTATIONAL LINGUISTICS"/><category term="LANGUAGE TEACHING AND TESTING"/><category term="INDIAN HISTORY"/><category term="SCHOLARSHIP"/><category term="GENERAL KNOWLEDGE"/><category term="INDIAN LITERATURE"/><category term="LINGUISTICS MORPHOLOGY"/><title type='text'>EDUAID</title><subtitle type='html'> STUDY ZONE</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>58</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-6236443506246355717</id><published>2012-01-27T16:53:00.002+05:30</published><updated>2012-02-27T20:34:31.795+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="GENERAL KNOWLEDGE"/><title type='text'>Compact Oxford English Dictionary</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;embed height=&quot;850&quot; src=&quot;http://www.oup.com/uk/booksites/content/.../0-19-929625-1.pdf#scrollbar=0&amp;amp;navpanes=0&amp;amp;toolbar=0&amp;amp;search=word&quot; width=&quot;800&quot;&gt;&lt;/embed&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.blogger.com/www.oup.com/uk/booksites/content/.../0-19-929625-1.pdf&quot;&gt;click to DOWNLOAD Compact Oxford English Dictionary from oup site&lt;/a&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/6236443506246355717/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2012/01/kkkkkkkkkkkkkkkkk.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6236443506246355717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6236443506246355717'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2012/01/kkkkkkkkkkkkkkkkk.html' title='Compact Oxford English Dictionary'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-6029203225928078862</id><published>2012-01-26T16:06:00.006+05:30</published><updated>2012-02-27T20:32:17.555+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>SOME MINIMAL NOTES ON MINIMALISM</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;embed height=&quot;600&quot; src=&quot;http://www.usc.edu/schools/college/ealc//chinling/articles/minimalism.pdf#scrollbar=0&amp;amp;navpanes=0&amp;amp;toolbar=0&amp;amp;search=word&quot; type=&quot;application/pdf&quot; width=&quot;530&quot;&gt;&lt;/embed&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/6029203225928078862/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2012/01/gggggggggggggggggggggggggg.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6029203225928078862'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6029203225928078862'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2012/01/gggggggggggggggggggggggggg.html' title='SOME MINIMAL NOTES ON MINIMALISM'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-931507737058063467</id><published>2011-09-17T23:36:00.000+05:30</published><updated>2011-09-17T23:36:26.765+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="GENERAL KNOWLEDGE"/><title type='text'>Important Facts to Know: General studies 1</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div dir=&quot;ltr&quot;&gt;Important Facts to Know: General studies A &lt;/div&gt;&lt;div dir=&quot;ltr&quot;&gt;Â1.The study of bones is called ostelogy &lt;/div&gt;-Total no of bones 206&lt;br /&gt;
-Smallest bone-Stapes(ear boe)&lt;br /&gt;
-Longest bone-Femus(Thigh bone)&lt;br /&gt;
-Strongest bone-Tibia(leg bone)&lt;br /&gt;
-Total no of muscles-639&lt;br /&gt;
-Largest grand-liver&lt;br /&gt;
-Longest gland-thyroid&lt;br /&gt;
-Longest nerve-Sciatic&lt;br /&gt;
-Hardest bone-Tooth enamal&lt;br /&gt;
-Total amount of blood in the body is (1/15 of body weight)&lt;br /&gt;
-Normal body Temperature-98.6F(37C)&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/931507737058063467/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/important-facts-to-know-general-studies.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/931507737058063467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/931507737058063467'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/important-facts-to-know-general-studies.html' title='Important Facts to Know: General studies 1'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-1281788483209996678</id><published>2011-09-17T23:17:00.001+05:30</published><updated>2011-09-17T23:17:42.180+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'>IMPORTANT DATES IN INDIAN HISTORY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;B. C.&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;3000-2500&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Indus Valley Civilization&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;563&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Birth of Gautam Buddha; Nirvana (483 B.C.)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;599&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Birth of Mahavir; Nirvana (527 B.C.)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;327-326&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Alexander�s invasion of India. It opened the land route&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;between India and Europe&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;273-239&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Ashoka�s Reign&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;261&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Battle of Kalinga, Ashoka renounced war and violence&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;58&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Beginning of Vikram Era (Calender)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;A.D.&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;78&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Beginning of Saka Era; Accession of Kanishka&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;320&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Beginning of Gupta dynasty&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;405-411&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Visit of Fahien (Chinese Traveller) to India&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;606-647&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Harsh Vardhan�s Reign&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;629-645&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Hieun Tsang�s travel in India.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;712&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Arab Invasion of Sind (by Mohd-bin-Qasim)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1001-1026&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Sultan Mahmud Ghazni�s attacks on India&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1025-26&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Som Nath Temple sacked by Mahmud Ghazni&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1191 .&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;First Battle of Tarain, Mohammed Gori was defeated by&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Prithvi Raj, the Chauhan king of Delhi&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1192&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Second Battle of Tarain, Mohammed Gori defeated&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Prithvi Raj Chauhan&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1336&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Vijayanagar Empire founded in South India&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1347&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Bahmani Kingdom founded in South India&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1398&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Invasion of India by Taimur Lang; Delhi sacked&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1469&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Birth of Guru Nanak, founder of Sikhism&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1498&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Vasco-de-Gama discovered the sea-route to India via the&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Cape of Good Hope, arrived at Calicut&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1526&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Babur�s invasion; First Battle of Panipat; foundation of&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Mughal Rule in North India&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1556&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Second Battle of Panipat; Death of Humayun, Accession&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;of Akbar to the throne&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;77&quot;&gt;1564-65&lt;/td&gt;&lt;td valign=&quot;top&quot; width=&quot;392&quot;&gt;Battle of Talikota; abolition of Jazia&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;1576&lt;/strong&gt; Battle of Haldighati &lt;br /&gt;
&lt;strong&gt;1600&lt;/strong&gt; East India Company established in India &lt;br /&gt;
&lt;strong&gt;1605&lt;/strong&gt; Death of Akbar and accession of Jahangir&lt;br /&gt;
&lt;strong&gt;1627&lt;/strong&gt; Birth of Shivaji &lt;br /&gt;
&lt;strong&gt;1680&lt;/strong&gt; Death of Shivaji&lt;br /&gt;
&lt;strong&gt;1707&lt;/strong&gt; Death of Aurangzeb; Death of Guru Govind Singh; fall of the&lt;br /&gt;
Mughal Empire begins &lt;br /&gt;
&lt;strong&gt;1739&lt;/strong&gt; Nadir Shah invaded India; The Peacock Throne taken away&lt;br /&gt;
by him to Iran&lt;br /&gt;
&amp;nbsp;&lt;strong&gt;1757&lt;/strong&gt; Battle of Plassey&lt;br /&gt;
&lt;strong&gt;1760&lt;/strong&gt; Battle of Wandiawash; End of French power in India&lt;br /&gt;
&lt;strong&gt;1761&lt;/strong&gt; Third Battle of Panipat &lt;br /&gt;
&lt;strong&gt;1764&lt;/strong&gt; Battle of Buxar&lt;br /&gt;
&lt;strong&gt;1793&lt;/strong&gt; Permanent Settlement in Bengal&lt;br /&gt;
&lt;strong&gt;1799&lt;/strong&gt; Fourth Mysore War; Death of Tipu Sultan; Partition of Mysore;&lt;br /&gt;
Ranjit Singh occupied Lahore and made it capital.&lt;br /&gt;
&amp;nbsp;&lt;strong&gt;1818 &lt;/strong&gt;The fourth and the last Anglo Marthatta War.&lt;br /&gt;
&amp;nbsp;&lt;strong&gt;1833&lt;/strong&gt; Death of Raja Ram Mohan Roy &lt;strong&gt;1835 &lt;/strong&gt;Introduction of English as medium of instruction.&lt;br /&gt;
&amp;nbsp;&lt;strong&gt;1853&lt;/strong&gt; The First Indian Railway line opened from Bombay to Thane; The first telegraph communication&lt;br /&gt;
&lt;strong&gt;1856 &lt;/strong&gt;(23rd July), Birth of Bal Gangadhar Tilak&lt;br /&gt;
&lt;strong&gt;1857 &lt;/strong&gt;(10th May), First War of Indian Independence&lt;br /&gt;
&lt;strong&gt;1858 &lt;/strong&gt;End of East India Company�s Rule; Queen Victoria�s Proclamation&lt;br /&gt;
&lt;strong&gt;1861&lt;/strong&gt; Birth of Rabindranath Tagore &lt;strong&gt;1869&lt;/strong&gt; (2nd Oct.) Birth of Mahatma Gandhi &lt;br /&gt;
&lt;strong&gt;1885&lt;/strong&gt; (28th Dec.) Indian National Congress founded by A. O. Hume : First session of Congress in Bombay in &lt;strong&gt;1885 &lt;/strong&gt;presided by W.C. Bannerji &lt;br /&gt;
&lt;strong&gt;1889&lt;/strong&gt; (14th Nov.) Birth of Jawahar Lai Nehru&lt;br /&gt;
&lt;strong&gt;1905&lt;/strong&gt; First Partition of Bengal&lt;br /&gt;
&lt;strong&gt;1906&lt;/strong&gt; Formation of the All India Muslim League.&lt;br /&gt;
&lt;strong&gt;1909&lt;/strong&gt; Indian Councils Act or Morley Minto Reforms Bill passed &lt;br /&gt;
&lt;strong&gt;1911&lt;/strong&gt; Partition of Bengal revoked; Delhi made capital of British India&lt;br /&gt;
&lt;strong&gt;1914&lt;/strong&gt; (28th July) World War I started&lt;br /&gt;
&lt;strong&gt;1918 &lt;/strong&gt;(11th Nov.) End of World War I&lt;br /&gt;
&lt;strong&gt;1919&lt;/strong&gt; Montague Chelmsford Reforms; Tragedy of Jaliyan Wala Bagh at Amritsar (13th April)&lt;br /&gt;
&lt;strong&gt;1928&lt;/strong&gt; Visit of Simon Commission; its boycott by the Congress; Death of Lala Lajpat Rai&lt;br /&gt;
&lt;strong&gt;1929 &lt;/strong&gt;Congress resolution passed for complete independence at Lahore Session under the presidentship of Jawahar Lai Nehru&lt;br /&gt;
&lt;strong&gt;1935 &lt;/strong&gt;Government of India Act &lt;strong&gt;1935 &lt;/strong&gt;passed &lt;br /&gt;
&lt;strong&gt;1937 &lt;/strong&gt;Inauguration of Provincial Autonomy&lt;br /&gt;
&lt;strong&gt;1941&lt;/strong&gt; Subash Chandra Bose escapes from India, Death of Rabindra Nath Tagore&lt;br /&gt;
&lt;strong&gt;1942&lt;/strong&gt; Quit India Resolution by Indian National Congress (8th Aug.) &lt;br /&gt;
&lt;strong&gt;1945&lt;/strong&gt; Simla Conference and the failure of the Wavell Plan : I.N.A.&lt;br /&gt;
Trials at Red Fort, Delhi&lt;br /&gt;
&lt;strong&gt;1947 &lt;/strong&gt;(15th Aug.) India achieves independence; Partition of India; Asian &lt;strong&gt;Relations Conference (23rd March)&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;1948&lt;/strong&gt; Assassination of Mahatma Gandhi (30th Jan.)&lt;br /&gt;
&lt;strong&gt;1950 &lt;/strong&gt;India becomes a Sovereign Democratic Republic (26th Jan.),&lt;br /&gt;
Death of Sardar Patel (15th Dec.) &lt;br /&gt;
&lt;strong&gt;1953&lt;/strong&gt; Mt. Everest conquered by Sherpa Tenzing and E.P. Hillary on May 29.&lt;br /&gt;
&lt;strong&gt;1961&lt;/strong&gt; Liberation of Goa&lt;br /&gt;
&lt;strong&gt;1962&lt;/strong&gt; Chinese attack on India (Oct. 20)&lt;br /&gt;
&lt;strong&gt;1965&lt;/strong&gt; Indo-Pak War&lt;br /&gt;
&lt;strong&gt;1966 &lt;/strong&gt;Tashkent Pact between India and Pakistan &lt;br /&gt;
&lt;strong&gt;1969 &lt;/strong&gt;Death of President Zakir Hussain on May 3;&lt;br /&gt;
V. V. Giri elected President of India; Split in the Indian National Congress. &lt;br /&gt;
&lt;strong&gt;1971 &lt;/strong&gt;Indo-Soviet Treaty signed on 9th Aug;&lt;br /&gt;
2nd Indo-Pak War (Dec. 3-17); defeat of Pakistan, liberation of Bangla Desh.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;1972&lt;/strong&gt; Reorganisation of the North-Eastern region�Meghalaya, Manipur and Tripura became full-fledged States and new Union Territories Arunachal Pradesh and Mizoram came into being (Jan. 20, 21);&lt;br /&gt;
Indo Bangla Desh Treaty; Indo-Pak Simla Agreement on 3rd July.&lt;br /&gt;
&lt;strong&gt;1974&lt;/strong&gt; India�s nuclear blast; the historic Constitution (Amendment) Bill passed making Sikkim as an associate State of India (Sept. 4); India and Portugal restore diplomatic relations.&lt;br /&gt;
&lt;strong&gt;1975&lt;/strong&gt; Sikkim votes for full-fledged statehood with Indian Union (April 15); Dr. S. Radhakrishnan passes away (April 17); India�s entry into Space age by launching �Aryabhatta� (April 19th); President gives assent to the Constitution (36th Amendment) Bill making Sikkim the 22nd State of the Union; Mrs. Indira Gandhi�s election set aside (June 12); Proclamaton of Emergency to �forestall internal disturbances (June 25).&lt;br /&gt;
&lt;strong&gt;1976&lt;/strong&gt; The four Indian News Agencies merged into a single News Agency known as �Samachar�; INS Udaygiri, India�s Third leander-class frigate commissioned (Feb. 18); India-Sri Lanka boundary pact (signed on March 23) comes into force (May 10); India and Pakistan agree to restore diplomatic ties and reach accord on overflights, road and air-links (May 14); Krishna Waters Dispute Settled; Agreement reached in Delhi on establishment of a Non-Aligned News Pool (July); President�s assent to the 42nd Constitution (Amendment) Bill (Dec. 18).&lt;br /&gt;
&lt;strong&gt;1977&lt;/strong&gt; Defeat of Mrs. Indira Gandhi in the election. Morarji Desai takes oath of office as Prime Minister of India (March 24); Internal and External emergencies withdrawn; freedom of the Press restored; Neelam Sanjiva Reddy sworn in as the sixth President of India (July 25).&lt;br /&gt;
&lt;strong&gt;1978 &lt;/strong&gt;Congress (I) recognised as the main opposition party in the Lok Sabha (April 12); Shah Commission holds Mrs. Indira Gandhi responsible for abuse of authority and misuse of power during the internal emergency (May 15); India launches world�s biggest adult literacy Plan (October 2nd).&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;1979&lt;/strong&gt; Constitution Amendment 44th Bill gets President�s assent (April 30th); Hidayatullah sworn in as Vice-President (Aug. 31); Charan Singh quits Janata Party (July 16); President dissolves Sixth Lok Sabha and orders fresh elections (Aug. 22); Lok Dal formed (Sept. 26); Jai Prakash Narain dies in Patna (Oct. &lt;img alt=&quot;icon cool Important Dates of Indian History General knowledge About Indian History&quot; class=&quot;wp-smiley&quot; src=&quot;http://ihelpstudy.com/wp-includes/images/smilies/icon_cool.gif&quot; title=&quot;Important Dates of Indian History General knowledge About Indian History&quot; /&gt; &lt;br /&gt;
&lt;strong&gt;1980&lt;/strong&gt; Mrs. Gandhi re-emerges as a dominant force, 22 member cabinet at Centre sworn in (Jan. 14); Bharat Ratna etc. Awards restored, 10 year extension of seat reservation for SCs and STs (Jan. 25); Grand view of solar eclipse (Feb. 16); 42nd Amendment struck down (May 9); Death of Sanjay Gandhi, Death of Ex-President V.V. Giri, India launches first Satellite using its own Satellite Launching Vehicle (July 18).&lt;br /&gt;
&lt;strong&gt;1981&lt;/strong&gt; The 8th International Film Festival concluded in New Delhi (Jan. 17th); National Development Council approved the revised 6th Plan draft (Feb. 14); Launching of Rohini Satellite in Space (May 31st); Rohini burns up (June 9th); Congress (I) declared Indian National Congress (July 23rd).&lt;br /&gt;
&lt;strong&gt;1982 &lt;/strong&gt;Rajasahi Air Port Amritsar becomes International Airport (Jan. 3rd); The 21 member Indian scientific expedition headed by Dr. S.Z. Quasim lands on Antarctica (Jan. 9th); Prime Minister Indira Gandhi announces a redefined 20 point programme (Jan. 20); Accord on the purchase of 150 Mirage- 2000 Jets by India from France signed in New Delhi (Feb. 6th); Insat-IA launched (April 10th); Election of President and Gyani Zail Singh elected as seventh President of India (July 12 and 15th); INSAT-IA shut off due to mechanical disorder (Sept. 6th); Former Chief Minister of Jammu- Kashmir Shaikh Abdullah died (Sept. 8th); India and France N-Fuel pact signed (Nov. 26); Ninth Asian Games held in New Delhi.&lt;br /&gt;
&lt;strong&gt;1983&lt;/strong&gt; Rohini 560 rocket with a technological payload successfully launched from the Shri Harikota Range (Jan. 13); The 7th Non-Aligned Summit opens in New Delhi (March 7); India and France sign N. Fuel pact (March 23); Madras Atomic Power Project at Kalpakkam becomes critical (ready for use) (July 2); INS AT-IB launched into space (Aug. 30); India and West Germany conclude an agreement for the Supply of Spare parts for the Tarapur Atomic Power Plant (Nov. 2).&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;1984&lt;/strong&gt; Prime Minister Mrs. Indira Gandhi dedicates INSAT-1 System to the nation (Feb. 11); Rakesh Sharma in space (April 2-11); Military action in Punjab (June 2); Assassination of Mrs. Indira Gandhi (Oct. 31); Rajiv Gandhi, new Prime Minister of India (Oct. 31); Bhopal Gas tragedy (Dec. 2); Fourth Expedition Party reaches Antarctica (Dec. 24-27); Rajiv Gandhi elected leader of the Congress Party and becomes Prime Minister (Dec. 31).&lt;br /&gt;
1985 Anti Defection Bill passed by the Parliament unanim�ously, (Jan. 3); Punjab Accord (July 24); Assam Accord (Aug. 15); Akali Chief Sant H.S. Longowal, assassinated (Sep. 8).&lt;br /&gt;
&lt;strong&gt;1986 &lt;/strong&gt;Assassins of Smt. Indira Gandhi sentenced to death (Jan. 22); Lok Sabha passed Muslim Women Bill (May 6); Laldenga and Congress (I) sign pact on Mizoram (June 25); Bill making Mizoram State passed by the Parliament (Aug. 6); 2nd SAARC summit at Bangalore (Nov. 16); Arunachal Pradesh Statehood Bill approved by Parliament (Dec. 3); Death of Smita Patil (Dec. 13).&lt;br /&gt;
&lt;strong&gt;1987 &lt;/strong&gt;Former P. M. Charan Singh dead (May 29); Venkataraman assumes Presidency (July 25); Dr. S. D. Sharma assumes as Vice President (Sept. 3); Diwrala Sati episode (Sept. 4); Soviet Festival starts in New Delhi (Nov. 21); 3rd South Asian Federation Games in Calcutta (Nov. 21-26).&lt;br /&gt;
&lt;strong&gt;1988&lt;/strong&gt; With the induction of the first Nuclear Sub-marine (INS- Chakra) India joins the N-mariline Club (Feb. 3); India�s first remote sensing satellite (IRS-l-A) launched from Russia (March 17); �Varun� successfully completes its mission (April 15); INSAT-1 C launched into space from French Guiana (July 22); Supreme Court confirms death penalty of Satwant Singh and Kehar Singh in Indira Gandhi murder case (Aug. 3); Lok Pal Ayukt Bill taken back (Dec. 6).&lt;br /&gt;
&lt;strong&gt;1989&lt;/strong&gt; Kumbh started at Allahabad after an interval of 12 yrs. France Festival in India inaugurated (Feb. 3); Supreme Court decides the compensation amount for Bhopal gas victims (Feb. 14); Narora nuclear power station starts production (March 12); Thakkar Commission�s Report published (March 14); Death of Hemvati Nandan Bahuguna (March 17); Indo-Nepal Trade&lt;br /&gt;
Treaty expired (March 23); Successful test of �Agni� (May 22); Nhava Sheva port dedicated to the nation (May 26); Kudal Commission report published (Aug. 7); Prasar Bharti and Lok Pal Bills introduced in Parliament (Dec. 28).&lt;br /&gt;
A members of 9th expedition party to Antarctica died during mission (Jan. 9); Successful launch of INSAT-1D (June 12); V.P. Singh announced 27% reservation to Backward classes on the basis of Mandal Commission Report (Aug. 6); Successful test of �Akash� (Aug. 14); Indian warship �Andman� sank in Bay of Bengal (Aug. 21); Chandra Shekhar takes over as P.M. (Nov. 10).&lt;br /&gt;
&lt;strong&gt;1991 &lt;/strong&gt;P.V. Narsimha Rao became Prime Minister (June 21); Shiv Raj Patil of Cong. (I) elected Speaker of 10th Lok Sabha (July&lt;br /&gt;
10) ; IRS-IB launched from Baikanoor (Aug. 29); Earthquake in Garhwal of U.P. takes a heavy toll of life (Oct. 20); Karnataka ordinance on Cauvery Water held invalid by the Supreme Court (Nov. 22); Li Feng of China visits India (10- 15 Dec.); Satyajit Ray got special Oscar Award (Dec. 16).&lt;br /&gt;
&lt;strong&gt;1992&lt;/strong&gt; Rajoli Naval Air Station was commissioned in Madras (Mar.&lt;br /&gt;
11) ; Eighth Five Year Plan became operative (Apr. 1); R.K. Dorendra Singh was sworn in as Chief Minister of Manipur (Apr. 8), Indo-Turkmenistan trade pact signed (Apr. 20); Satyajit Ray died (Apr. 23); Kannad writer V.K. Gokak died (Apr. 28); �Prithvi� launched (May 5), U.S.A. imposed sanctions on ISRO for 2 years (May 11); ASLV-D-3 launched (May 20); Successful test �Agni� (May 29); INSAT-2A launched (July 9); Dr. S. D. Sharma took oath (July 25); K. R. Narayanan elected Vice President (Aug. 19); Test flights of �Lakshya�, the pilotless aircraft of India (Sept. 16, 17 and 21).&lt;br /&gt;
&lt;strong&gt;1993 &lt;/strong&gt;24th International Film Festival concluded (Jan. 10-20); Panchayati Raj Act effective (April 24); INSAT-2B was launched by Arian Rocket from French Guiana (July 23); Digvijay Singh became Chief Minister of M.P. (Dec. 6).&lt;br /&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td valign=&quot;top&quot;&gt;1990&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;strong&gt;1994&lt;/strong&gt; 25th International Film Festival in Calcutta (Jan. 10-20); G- 15 Summit meet concluded in New Delhi (March 28-30); Kasturirangan became new ISRO chief (March 30); First heart plantation in the country (Aug. 3).&lt;br /&gt;
successfully launched (Oct. 15); Jharkhand Council Act passed (Dec. 20).&lt;br /&gt;
&lt;strong&gt;1995&lt;/strong&gt; NAM and other developing countries Vth Labour conference (Jan. 19-23); J.B. Patnaik became Chief Minister in Orissa (March 15); Punjab C.M. Beant Singh assasinated (Aug. 31); Supreme Court included medical profession within consumer�s forum (Nov. 14); INSAT-2C successfully launched from Koru (French Guiana) (Dec. 7); IPS-IC launched (Dec. 28).&lt;br /&gt;
&lt;strong&gt;1996 &lt;/strong&gt;27th International Film Festival (Jan. 10-21); Indo-Bhutan Agreements signed (March 4); P.S.L.V.-D3 successfully launched from Shri Harikota (March 21); A. B. Vajpayee was sworn in 10th Prime Minister of India (May 16); Mr. H.D. Deve Gowda was sworn in New Prime Minister of India, Former President of India Mr. Neelam Sanjeeva Reddy passed away (June 1); Nag missile test successful (Aug. 9); in Gujarat Mehta Ministry dismissed, President�s rule imposed (Sept. 19); Rajindar Kaur Bhattal took over as first woman C.M. of Punjab (Nov. 21); India, Bangladesh sign Ganga Water Pact (Dec. 12), P.V. Narsimha Rao resigned from CPP leadership (Dec. 19).&lt;br /&gt;
&lt;strong&gt;1997&lt;/strong&gt; Tejinder Khanna appointed the new Lieutenant Governor for Delhi (Jan. 1); 28th International film festival of India concluded in Thiruvananthapuram on Sunday (Jan. 19); Ms. Mayawati was sworn in as the Chief Minister of U.P. (March 21); Veteran leader and Ex Chief Minister of Orissa Biju Patnaik passed away (April 17); I.K. Gujral was sworn in as Prime Minister (April 21). INSAT-2D placed in orbit (June 4); Sukhoi 30K fighter inducted in Indian Air Force; 4th National Games concluded in Bangalore (June 11); K. R. Narayanan elected the new President of India (July 17); Laloo Prasad Yadav resigns and his wife Rabri Devi became New Chief Minister of Bihar (July 25); Krishan Kant elected Vice President (Aug. 26); Mother Teresa passed away in Calcutta (Sept. 5); Kalyan Singh took oath as U.P. Chief Minister (Sept. 21); Mr. Dilip Parikh was sworn in Chief Minister of Gujarat (Oct. 28); Mr. Bimal Jalan has been appointed the Governor of Reserve Bank of India (Nov. 23).&lt;br /&gt;
Rangarajan took oath the Governor of Andhra Pradesh (Nov. 24); Lok Sabha dissolved (Dec. 4); The 17th Indian Antarctic expedition left Marmugao Harbour (Dec. 9); Nipamacha Singh sworn in as the new Chief Minister of Manipur (Dec. 16); Gujarat assembly dissolved (Dec. 25);&lt;br /&gt;
&lt;strong&gt;1998&lt;/strong&gt; 29th International Film Festival concluded in New Delhi (10- 20 Jan.); Konkan Railway commissioned (Jan. 26); Death sentence for all 26 person for Rajiv Gandhi assassination (Jan.&lt;br /&gt;
28) ; Assam Governor rejects C.B.I, plea to prosecute Chief Minister of P.K. Mahanta (Feb. 5); U.P. Chief Minister Kalyan Singh wins the composite flour test (Feb. 26); Manik Sarkar sworn in Tripura Chief Minister (March 11); Mr. Atal Behari Vajpayee sworn in as the Prime Minister (March 19); BJP wins trust vote in Himachal Pradesh (March 31); Kushabhau Thakre elected BJP Chief (April 14); India conducted three underground Nuclear tests (May 11); India conducted two more Nuclear tests (May 13), Rajasthan Governor Darbara Singh died (May 24); About 1000 people killed by cyclone in Gujarat (June 9); Mulayam and Laloo build New Front (June 24); Dr. Najma Haptullah is unanimously re-elected as deputy chairperson of the Rajya Sabha (July 9); P.M. introduced Lok Pal Bill in Lok Sabha (August 3); Prasar Bharati ordinance promulgated (August&lt;br /&gt;
29) ; President returned the recommendation of Union Cabinet to imposed the President rule in Bihar (Sept. 25); Adarsh Sen Anand took oath as the Chief Justice of India (Oct. 10); About 200 people killed in Punjab train accident; Luizhino Faleiro sworn in as the new Chief Minister of Goa (Nov. 26).&lt;br /&gt;
&lt;strong&gt;1999 &lt;/strong&gt;30th International Film Festival of India concluded in Hyderabad (Jan. 10-20), India successfully launched its first commercial telecom satellite INSAT-2E from Kouru (April 3), Agni-II test fired successfully (April 11), Operation Vijai makes headway in Kargil (June 28), Sachin Tendulkar appointed captain of Indian Cricket Team (July 28), National Democratic Alliance secures clear majority (Oct. 8), Mr. Atal Behari Vajpayee appointed PM (Oct. 11), India &amp;amp; UAE sign extradition treaty (Oct. 25), 11th Children�s Film Festival starts in Hyderabad (Nov. 14), Mumbai girl Yukta Mookhey is Miss World (Dec. 5).&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;2000 &lt;/strong&gt;The Kargil Committee submits its report (Jan. 7), 31st Indian International Film Festival (Jan. 10-20), New Population Policy announced (Feb. 15), U.S. President Bill Clinton�s visit to India (Mar. 19-20), India�s INSAT-3B launched from Kouru (Mar. 22), New EXIM-Policy 2000 announced (Mar. 31), India�s beauty Miss Lara Dutta declared �Miss Universe� (May 13), President K.R. Narayan gives his assent to Bills relating to the creation of Uttaranchal, Chhattisgarh and Jharkhand States (Aug. 28), Chhattisgarh becomes the 26th State of the Indian Union (Nov. 1), Uttaranchal becomes the 27th State (Nov. 9), Jharkhand becomes the 28th State of the Indian Union (Nov. 15).&lt;br /&gt;
&lt;strong&gt;2001&lt;/strong&gt; Indigenously developed Light Combat Aircraft (LCA) successfully test flown (Jan. 4), India�s Agni-II missile successfully test fired (Jan. 17), General budget presented in the Lok Sabha by Finance Minister (Feb. 28), Manipur is placed under President�s rule (June 2), India and Russia jointly successfully test fire cruise missile-PJ-10 (June 12), Indo-Pak Summit at Agra (July 15-16), E-Postal Service of the Postal Department inaugurated (Aug. 2), Supreme Court declares the appointment of Jayalalitaa as Chief Minister as unconstitutional, Jayalalitaa resigns (Sept. 21), The three day warships joint exercise of India and France (Varun-01) concludes near Bombay Coast (Nov. 8-10), Terrorist attack on Indian Parliament (Dec. 13), POTO reissued in amended form (Dec. 30).&lt;br /&gt;
&lt;strong&gt;2002&lt;/strong&gt; 89th Session of Indian Science Congress in Lucknow (Jan. 3- 7), Indo-US. MOU on environment (Jan. 16), INSAT-3C satellite launched on an Ariane rocket from Korou in French Guyana (Jan. 24), India�s ISRO successfully tests the newly indigenously developed cryogenic engine (Feb. 5), POTO passed in the joint sitting of Parliament (March 26), Manohar Joshi elected new Speaker of the Lok Sabha (May 10), Telugu Desham party�s annual session �Mahanadu� (May 27- 29), LCA test flown successfully (June 6), Dr. A.P.J. Abdul Kalam declared elected as President of India (July 18),&lt;br /&gt;
&lt;br /&gt;
Bhairon Singh Shekhawat sworn in as Vice-President of India (Aug. 19), President Dr. A.P.J. Abdul Kalam gives his assent to the Electoral Reforms Ordinance (Aug. 24), India launches into space her meteorological satellite (METSAT) by using PSLV-C4 (Sept. 12), Supreme Court upholds national curriculum prepared by NCERT (Sept. 12), Draft Tenth Five Year Plan approved by the Planning Commission (Oct. 5), Militant attack on Raghunath temple in Jammu &amp;amp; Kashmir (Nov. 24), Vajpayee and Putin sign Delhi declaration (Dec. 4), Assembly elections in Gujarat (Dec. 12), Narendra Modi sworn in as Chief Minister of Gujarat (Dec. 22), 32nd National Games held at Hyderabad (Dec. 13-22), Delhi Metro Rail opened (Dec. 24), Prime Minister, Mr. Vajpayee inaugurates the Rashtriya Rail Vikas Yojana for Golden Quadilateral Network (Dec. 26).&lt;br /&gt;
&lt;strong&gt;2003&lt;/strong&gt; Indian Science Congress meet inaugurated at Bangalore by the Prime Minister (Jan. 2), Central Government announces new Exim Policy for 2003-04 (Mar. 31), The Indian Parliament deplores USA�s unilateral attack on Iraq (April 8), Prime Minister Mr. Vajpayee�s China visit (Jui^e 22-27), National Conference breaks off with NDA (July 12); L.C.A. (Light Combat Aircraft) goes supersonic (Aug. 1), Government of India decides to purchase Advanced Jet Trainer Aircrafts Hawks from Britain (Sept. 3), India successfully launches into space its communication satellite INSAT-3E (Sept. 28), India�s 34th International Film Festival (IFFI-2003) held in New Delhi (Oct. 9-19), India organises first Afro-Asian Games in Hyderabad (Oct. 24-Nov. 1), India�s 23rd International Trade Fair in New Delhi (Nov. 14- 27), Ceasefire on India-Pak border (Nov. 25), India and Brazil sign pact on defence ties (Dec. 1), Citizenship (Amendment) Bill 2003 paving the way for double citizenship to the NRIs passed by Parliament (Dec. 22).&lt;br /&gt;
&lt;strong&gt;2004&lt;/strong&gt; �Bhisma� the first indigenously assembled T-90 main battle tank handed over to the army (Jan. 7), India and Brazil sign space cooperation agreement (Jan. 25), India and Brazil agree.&lt;br /&gt;
Minister, Mr. Natwar Singh gives privilege notice against P.M. for leaking Pathak Committee report before it being presented in Parliament (Aug. 6), The Doordarshan starts Urdu channel (Aug. 15), India celebrates 100 years of adoption of �Vandemataram� as National Song (Sept. 7), Nirupama Rao is named for next envoy of China (Sept. 27), India�s 37th International Film Festival comes to a close (Dec. 3), Uttaranchal to be renamed Uttarakhand, the Bill passed by Parliament (Dec. 7), Railway Minister Lalu Yadav and his wife and former Chief Minister, Mrs. Rabri Devi acquitted by Patna Court in disproportionate wealth case (Dec. 18).&lt;br /&gt;
&lt;strong&gt;2007&lt;/strong&gt; India launches Polar Satellite Launch Vehicle (PSLV-C7) majestically took off at 9-23 a.m. on 10th January, 2007 from its beachside launch pad at Shriharikota and injects four satellites (Jan. 10), Foundation laid in Raebareilly for the manufacture of passenger rail coaches (Feb. 13), Rail Budget presented in the Lok Sabha by Railway Minister Mr. Lalu Prasad Yadav (Feb. 26), General Budget presented in the Lok Sabha by Finance Minister, P. Chidambaram (Feb. 28), Environment Minister A. Raja is made the new communica�tion and Information Technology Minister in place of Dayanidhi Maran (May 15), S. Gopalakrishnan takes over as CEO of Infosys Technologies Ltd. (June 22), President Dr. A.P.J. Abdul Kalam launches E-courts project for computeri�sation of courts for improvement of justice delivery system (July 9), Pratibha Patil is sworn-in as the President of India (July 25), Mohammad Hamid Ansari is sworn-in as Vice- President of India (Aug. 11), Union Tourism and Culture Minister Ambika Soni inaugurates the Travel and Tourism Fair at Kolkata (Aug. 18), India launches its biggest rocket Geosynchronous Satellite Launch Vehicle, GSLV-F04 carrying communication satellite INSAT-4CR (Sept. 2), Indian Cricket Team wins ICC Twenty-20 World Cup (Sept. 24), Former U.P. Chief Secretary Akhand Pratap Singh arrested in a disproportionate assets case four years .&lt;br /&gt;
retirement in&lt;strong&gt; 2003&lt;/strong&gt; (Sept. 25), The Information Act will not apply to judicial proceedings, says the Central Information Commission (Sept. 26), B. S. Yeddyurappa is sworn as new Chief Minister of Karnataka (Nov. 12), Karnataka put under President�s Rule again (Nov. 20), The Second Administrative Reforms Commission Chairman, M. Veerappa Moily presents its 6th report to the Prime Minister (Nov. 27), Narendra Modi is sworn in as Chief Minister of Gujarat for the third time (Dec. 25).&lt;br /&gt;
&lt;strong&gt;2008&lt;/strong&gt; India, Pakistan exchange lists of nuclear facilities (Jan. 1), ISRO launched Israeli satellite Polaris by a core-alone configuration of Polar Satellite Launch Vehicle (PSLV) (Jan. 21), Union Finance Minister Mr. P. Chidambaram presents Central Budget 2008-2009 in Lok Sabha (Feb. 29), India beats Australia in a thriller to claim cricket tri-series (March 4), NPF-led Democratic Alliance of Nagaland wins majority in Nagaland Assembly polls, Congress emerges as the single largest party in Meghalaya (March 8), Muslim Women Board unveils new Nikahnama (March 16), The National Rural Employment Guarantee Scheme (NREGS) has been extended to all 604 districts of the country (April 1), The Taiwan cabinet resigned ahead of President elect Maying-Jeais (May 14), A thirty member BJP ministry in Karnataka headed by Chief Minister B. S. Yeddyurappa was sworn by Karnataka Governor Rameshwar Thakur (May 30), The Govt, of India drafts a guidelines asking manufacturers and services provi�des to avoid ads showing children and pregnant women using cell phones (June 16), To ensure that girls belonging to Scheduled Casts (SC) and Scheduled Tribes (ST) continue their education after class VHIth, the centre has launched on incentive scheme from his academic year (&lt;strong&gt;2008-09)&lt;/strong&gt; (July 16), M. S. Dhoni to get Rajiv Gandhi Khel Ratna Award for the year &lt;strong&gt;2007 &lt;/strong&gt;(Aug. 4), Actress Asha Parekh received the &quot;Solitaire for Life Award&quot; (Aug. 9), South Africa Land Reform Bill shelved (Aug. 27).&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/1281788483209996678/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/important-dates-in-indian-history.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1281788483209996678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1281788483209996678'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/important-dates-in-indian-history.html' title='IMPORTANT DATES IN INDIAN HISTORY'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-2296210852773606314</id><published>2011-09-17T23:00:00.000+05:30</published><updated>2011-09-17T23:00:18.446+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'>INDIAN HISTORY TIMELINE</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;table bgcolor=&quot;#e0d3c9&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;width: 750px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td background=&quot;../images/xx.gif&quot; bgcolor=&quot;#dddbd0&quot; width=&quot;30&quot;&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#dddbd0&quot; height=&quot;54&quot; valign=&quot;top&quot; width=&quot;720&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;height: 38px; width: 695px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;2500 BC&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Dravidian civilization&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1500 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Aryans invade India and conquered the Dravidians&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1400 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Vedas, the Hindu scripture, was written&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;800 BC&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;800-600 BC The sacred scripture, the Upanishads written&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;518 BC&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Persians conquered Pakistan&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;500 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Buddhism was founded in India by Siddhartha Gautama&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;500 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Jainism was founded in India by Mahavira Jains&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;326 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Alexander the Great moved into India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;324 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Mauryan Empire was established by Chandragupta Maurya including Afghanistan and parts of central Asia&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;272 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Ashoka, the grandson of Chandragupta Maurya, becomes the emperor of India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;185 BC &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Maurya Empire ended&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;50 AD &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Kushans established an empire in northern India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;320&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Gupta Indian dynasty reunited northern India initiating the &quot;golden Age&quot; of India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;700s &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Muslim armies from Arabia invade India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1206 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Qutb ub-din Aybak establishes the Delhi Sultanate&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1398 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Timur conquered India resulting in the decline of the Delhi Sultanate&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1498 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Vasco da Gama becomes the first European explorer to reach India&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1500&#39;s&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Christianity was introduced to India by the Europeans and in the early 1500s Sikhism was founded by Nana&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1526 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Babur established the Mughal Empire&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1600 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Queen Elizabeth I granted a charter to the East India Company established trading posts in Bombay, Calcutta, and Madras&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1628 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Shah Jahan, the ruler of the Mughal Empire, builds the Taj Mahal&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1658 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Strict Muslim, Aurangzeb, ruled India and tried to force Hindus to convert to Islam&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1757 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Battle of Plassey: Robert Clive, an agent of the East India Company, leads forces which defeated the Mughal governor of Bengal&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1774 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Warren Hastings appointed the first governor general of India by the East India Company&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1857 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Sepoy Rebellion &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1858 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The British government ruled India via an Indian Viceroy- called the British Raj&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1876 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Queen Victoria was given the title Empress of India by the British Parliament&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1885 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Burma became an Indian province&lt;br /&gt;
The Indian National Congress was formed&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1905&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The British government divided Bengal into separate Hindu and Muslim sections&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1914&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;1914 - 1918 First World War&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1919&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;13 April:&amp;nbsp; The Amritsar Massacre&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1920&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Mohandas Gandhi became the leader of the Indian independence movement and the Indian National Congress&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1935 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The Government of India Act and the creation of a new constitution&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1939&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;3 September:&amp;nbsp; The United Kingdom declared war on Germany and World War II began&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1940 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;Muhammad Ali Jinnah demanded that a new country be formed from India for the Muslims, which would be called Pakistan&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1945&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;August: World War II ended when United States dropped atomic bombs on Hiroshima and Nagasaki&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1946 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;The British government agreed to grant India independence&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1946 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;16 August: Indian Muslims held nation-wide demonstrations calling for the establishment of Pakistan&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1947 &lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;British and Indian leaders agreed to divide the country into India and Pakistan&lt;/span&gt; &lt;span style=&quot;color: #705a54;&quot;&gt;15 August 1947 India became independent&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1948&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;30 January: Gandhi was assassinated&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;27&quot;&gt;&lt;hr align=&quot;left&quot; color=&quot;#6c5e4f&quot; size=&quot;4&quot; width=&quot;20&quot; /&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;78&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #705a54; font-size: medium;&quot;&gt;1950&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;&lt;td height=&quot;38&quot; valign=&quot;top&quot; width=&quot;590&quot;&gt;&lt;span style=&quot;color: #705a54;&quot;&gt;26 January:&amp;nbsp; A new Indian Constitution was ratified and Jawaharlal Nehru became the Indian first prime minister&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div align=&quot;center&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot; style=&quot;height: 100px; width: 750px;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td bgcolor=&quot;#dddbd0&quot; valign=&quot;top&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;span style=&quot;color: #705a54; font-size: large;&quot;&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/2296210852773606314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/indian-history-timeline.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/2296210852773606314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/2296210852773606314'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/indian-history-timeline.html' title='INDIAN HISTORY TIMELINE'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-1278021882922824207</id><published>2011-09-17T22:54:00.000+05:30</published><updated>2011-09-17T22:54:48.509+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'></title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;　&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;　&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;dir&gt;&lt;dir&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;THE BEGINNING OF INDIAN HISTORY &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;1. According to modern historical research, the first phase of the dawn of our national life dates back almost from five to ten thousand years ago&lt;/em&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;1. Like that of China, Babylon, Greece and other ancient nations our ancient history, too, is clothed in the poetical garb of mythology. It is replete with anecdotes, folk-lore, and deification of national heroes and heroines, and resorts to supernatural and symbolic description. Yet these ancient mythologies (Puranas) of ours are the pillars supporting the edifice of our ancient history2. Just as these extensive Puranic texts of ours are a magnificent treasure of our ancient literature, our knowledge, our glorious deeds and our grandeur and wealth, in a similar way they are a vast store-house of the accounts of our past, desultory, chaotic, even at times, ambiguous though it may be. &lt;/em&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;2. Our Puranas, however, are not &#39;history&#39; pure and unadulterated3. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;3. Hence, I propose to set aside the consideration of the &#39;Pauranic times&#39; in the present context. For the &#39;Glorious Epochs&#39;, that I am going to refer to, and dilate upon, belong not so much to the Pauranic times, as to the historic periods of our national life. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;　&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;4. The main criterion of history is that the dates and places and descriptions of events referred to therein must necessarily bear the stamp of authenticity, and they should be corroborated, as far as possible, by foreign as well as indigenous evidence. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;5. The account of our past which fairly stands this test begins approximately from the time of Lord Buddha. Hence many Indian and Western Orientalists have accepted the Buddhist period as the beginning of Indian history&lt;/em&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;4. The incessant and indefatigable labours of these Orientalists may in future include some of the so-called &#39;Pauranic period&#39; into the historical one if some new evidence were to come to light. Till then at least we have to regard the Buddhistic period as the starting point of our history. &lt;/em&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;What should be the criterion for determining the Glorious Epochs, I am going to discuss here. For that matter there are hundreds of glorious epochs in the history of our nation which stand the tests of poetic exuberance, music, prowess, affluence, the height of philosophy and depth of theology and many other criteria. But by the &#39;Glorious Epoch&#39; I mean the one from the history of that warlike generation and the brave leaders and successful warriors who inspire and lead it on to a war of liberation in order to free their nation from the shackles of foreign domination, whenever it has the misfortune to fall a prey to such powerful fatal aggression and to grovel abjectly under it, and who ultimately drive away the enemy making it an absolutely free and sovereign nation. Every nation extols such epochs of the wars of independence which inflict crushing defeats on the enemy. Take for instance, the American War of Independence. The day on which America wrenched her independence from England, vanquishing her completely on the battlefield, is a red-letter day in the history of America and is celebrated like a festival all over the country. The moment recording this successful struggle for freedom is acknowledged as a glorious epoch in the history of America. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;6. Again, in respect of establishing the authentic history of nation beyond doubt, the convincing references in the contemporary literature of other nations are really invaluable. The ancient period of our history which can be supported by the now available, unimpeachable evidence in the historical records of countries other than India is the one which begins round about the times of Emperor Chandragupta Mourya5. For, since the date of Alexander&#39;s so-called invasion of India n ccounts of the Greek writers and the description of their travels by the Chinese travellers.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/dir&gt;&lt;/dir&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/1278021882922824207/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/beginning-of-indian-history-1.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1278021882922824207'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1278021882922824207'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/beginning-of-indian-history-1.html' title=''/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-7036858342001834477</id><published>2011-09-17T20:01:00.000+05:30</published><updated>2011-09-17T20:01:26.207+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'>Historical Events In Indian History WITH DATE</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;HISTORICAL EVENTS&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;
&lt;strong&gt;1311-04-24 – &lt;/strong&gt;Gen Malik Kafur returns to Delhi after campaign in South India&lt;br /&gt;
&lt;strong&gt;1329-08-09 – &lt;/strong&gt;Quilon the first Indian Diocese was erected by Pope John XXII and Jordanus was appointed the first Bishop&lt;br /&gt;
&lt;strong&gt;1459-05-12 – &lt;/strong&gt;Sun City India&lt;span id=&quot;more-2733&quot;&gt;&lt;/span&gt; founded by Rao Jodhpur&lt;br /&gt;
&lt;strong&gt;1497-07-08 – &lt;/strong&gt;Vasco da Gama departs for trip to India&lt;br /&gt;
&lt;strong&gt;1498-05-20 – &lt;/strong&gt;Portuguese explorer Vasco da Gama arrives at Calcutta India&lt;br /&gt;
&lt;strong&gt;1500-03-09 – &lt;/strong&gt;Pedro Cabral departs with 13 ships to India&lt;br /&gt;
&lt;strong&gt;1502-02-12 – &lt;/strong&gt;Vasco da Gama sets sail from Lisbon, Portugal on his second voyage to India.&lt;br /&gt;
&lt;strong&gt;1509-02-02 – &lt;/strong&gt;The Battle of Diu takes place near Diu, India, between Portugal and Turkey.&lt;br /&gt;
&lt;strong&gt;1509-02-03 – &lt;/strong&gt;The Battle of Diu, between Portugal and the Ottoman Empire takes place in Diu, India.&lt;br /&gt;
&lt;strong&gt;1542-05-06 – &lt;/strong&gt;Francis Xavier reaches Old Goa, the capital of Portuguese India at the time.&lt;br /&gt;
&lt;strong&gt;1556-03-28 – &lt;/strong&gt;Origin of Fasli Era (India)&lt;br /&gt;
&lt;strong&gt;1565-01-25 – &lt;/strong&gt;Battle at Talikota India: Moslems destroy Vijayanagar’s army&lt;br /&gt;
&lt;strong&gt;1575-03-03 – &lt;/strong&gt;Indian Mughal Emperor Akbar defeats Bengali army at the Battle of Tukaroi.&lt;br /&gt;
&lt;strong&gt;1597-08-20 – &lt;/strong&gt;1st Dutch East India Company ships returned from Far East&lt;br /&gt;
&lt;strong&gt;1600-12-31 – &lt;/strong&gt;British East India Company chartered&lt;br /&gt;
&lt;strong&gt;1601-02-13 – &lt;/strong&gt;John Lancaster leads 1st East India Company voyage from London&lt;br /&gt;
&lt;strong&gt;1602-03-20 – &lt;/strong&gt;United Dutch East Indian Company (VOC) forms&lt;br /&gt;
&lt;strong&gt;1608-08-24 – &lt;/strong&gt;1st English convoy lands at Surat India&lt;br /&gt;
&lt;strong&gt;1609-03-25 – &lt;/strong&gt;Henry Hudson embarks on an exploration for Dutch East India Co&lt;br /&gt;
&lt;strong&gt;1612-08-29 – &lt;/strong&gt;Battle at Surat India: English fleet beats Portuguese&lt;br /&gt;
&lt;strong&gt;1614-04-05 – &lt;/strong&gt;American Indian princess Pocahontas, daughter of chief Powhatan marries English colonist John Rolfe&lt;br /&gt;
&lt;strong&gt;1621-06-03 – &lt;/strong&gt;Dutch West India Company receives charter for “New Netherlands” (NY)&lt;br /&gt;
&lt;strong&gt;1622-03-22 – &lt;/strong&gt;1st American Indian (Powhattan) massacre of whites Jamestown Virginia, 347 slain&lt;br /&gt;
&lt;strong&gt;1633-10-22 – &lt;/strong&gt;Ming dynasty fight with Dutch East India Company that Battle of southern Fujian sea (1633), Ming dynasty won great victory.&lt;br /&gt;
&lt;strong&gt;1639-08-22 – &lt;/strong&gt;Madras (now Chennai), India, is founded by the British East India Company on a sliver of land bought from local Nayak rulers.&lt;br /&gt;
&lt;strong&gt;1641-01-14 – &lt;/strong&gt;United East Indian Company conquerors city of Malakka, 7,000 killed&lt;br /&gt;
&lt;strong&gt;1641-08-26 – &lt;/strong&gt;West India Company conquerors Sao Paulo de Loanda, Angola&lt;br /&gt;
&lt;strong&gt;1643-12-25 – &lt;/strong&gt;Christmas Island founded and named by Captain William Mynors of the East India Ship Company vessel, the Royal Mary.&lt;br /&gt;
&lt;strong&gt;1658-12-09 – &lt;/strong&gt;Dutch troops occupy harbor city Quilon (Coilan) India&lt;br /&gt;
&lt;strong&gt;1668-03-26 – &lt;/strong&gt;England takes control of Bombay India&lt;br /&gt;
&lt;strong&gt;1668-03-27 – &lt;/strong&gt;English king Charles II gives Bombay to East India Company&lt;br /&gt;
&lt;strong&gt;1690-02-08 – &lt;/strong&gt;French &amp;amp; Indian troops set Schenectady settlement NY on fire&lt;br /&gt;
&lt;strong&gt;1690-08-24 – &lt;/strong&gt;Job Charnock founds Calcutta India&lt;br /&gt;
&lt;strong&gt;1692-02-29 – &lt;/strong&gt;Sarah Good &amp;amp; Tituba, an Indian servant, accused of witchcraft, Salem&lt;br /&gt;
&lt;strong&gt;1699-04-14 – &lt;/strong&gt;Khalsa: Birth of Khalsa, the brotherhood of the Sikh religion, in Northern India in accordance with the Nanakshahi calendar.&lt;br /&gt;
&lt;strong&gt;1733-05-29 – &lt;/strong&gt;The right of Canadians to keep Indian slaves is upheld at Quebec City.&lt;br /&gt;
&lt;strong&gt;1737-10-07 – &lt;/strong&gt;40 foot waves sink 20,000 small craft &amp;amp; kill 300,000 (Bengal, India)&lt;br /&gt;
&lt;strong&gt;1737-10-11 – &lt;/strong&gt;Earthquake kills 300,000 and destroys half of Calcutta India&lt;br /&gt;
&lt;strong&gt;1739-02-24 – &lt;/strong&gt;Battle of Karnal: The army of Iranian ruler Nadir Shah defeats the forces of the Mughal emperor of India, Muhammad Shah.&lt;br /&gt;
&lt;strong&gt;1739-03-20 – &lt;/strong&gt;Nadir Shah occupies Delhi in India and sacks the city, stealing the jewels of the Peacock Throne.&lt;br /&gt;
&lt;strong&gt;1751-08-31 – &lt;/strong&gt;English troops under sir Robert Clive occupy Arcot India&lt;br /&gt;
&lt;strong&gt;1752-06-09 – &lt;/strong&gt;French army surrenders to the English in Trichinopoly India&lt;br /&gt;
&lt;strong&gt;1755-04-02 – &lt;/strong&gt;Commodore William James captures the pirate fortress of Suvarnadurg on west coast of India.&lt;br /&gt;
&lt;strong&gt;1755-07-09 – &lt;/strong&gt;Brit Gen E Braddock mortally wounded during French &amp;amp; Indian War&lt;br /&gt;
&lt;strong&gt;1756-05-17 – &lt;/strong&gt;Britain declares war on France (7 Years’ or French &amp;amp; Indian War)&lt;br /&gt;
&lt;strong&gt;1756-06-20 – &lt;/strong&gt;146 Brit soldiers imprisoned in India-Black Hole of Calcutta-most die&lt;br /&gt;
&lt;strong&gt;1756-06-20 – &lt;/strong&gt;India rebels defeat Calcutta on British army&lt;br /&gt;
&lt;strong&gt;1756-09-08 – &lt;/strong&gt;French and Indian War: Kittanning Expedition.&lt;br /&gt;
&lt;strong&gt;1756-12-06 – &lt;/strong&gt;British troops under Robert Clive occupy Fulta India&lt;br /&gt;
&lt;strong&gt;1757-01-02 – &lt;/strong&gt;British troops occupy Calcutta India&lt;br /&gt;
&lt;strong&gt;1757-11-05 – &lt;/strong&gt;Battle at Rossbach (7 year war/French &amp;amp; Indian War)&lt;br /&gt;
&lt;strong&gt;1758-05-21 – &lt;/strong&gt;Mary Campbell is abducted from her home in Pennsylvania by Lenape during the French and Indian War.&lt;br /&gt;
&lt;strong&gt;1759-04-08 – &lt;/strong&gt;British troops chase French out of Masulipatam India&lt;br /&gt;
&lt;strong&gt;1760-01-22 – &lt;/strong&gt;Battle at Wandewash India: British troops beat French&lt;br /&gt;
&lt;strong&gt;1761-01-07 – &lt;/strong&gt;Battle at Panipat India: Afghan army beats Mahratten&lt;br /&gt;
&lt;strong&gt;1761-01-16 – &lt;/strong&gt;The British capture Pondicherry, India from the French.&lt;br /&gt;
&lt;strong&gt;1764-11-09 – &lt;/strong&gt;Mary Campbell, a captive of the Lenape during the French and Indian War, is turned over to forces commanded by Colonel Henry Bouquet.&lt;br /&gt;
&lt;strong&gt;1767-09-28 – &lt;/strong&gt;Gentlemen 17 forbid private slave transport India to Cape of Good Hope&lt;br /&gt;
&lt;strong&gt;1772-02-12 – &lt;/strong&gt;Yves de Kerguelen of France discovers Kerguelen Archipelago, India&lt;br /&gt;
&lt;strong&gt;1773-10-14 – &lt;/strong&gt;American Revolutionary War: The United Kingdom’s East India Company tea ships’ cargo are burned at Annapolis, Maryland.&lt;br /&gt;
&lt;strong&gt;1783-04-09 – &lt;/strong&gt;Tippu Sahib drives out English from Bednore India&lt;br /&gt;
&lt;strong&gt;1786-02-24 – &lt;/strong&gt;Charles Cornwallis appointed governor-general of India&lt;br /&gt;
&lt;strong&gt;1795-03-11 – &lt;/strong&gt;Battle at Kurdla India: Mahratten beat Mogols&lt;br /&gt;
&lt;strong&gt;1796-04-13 – &lt;/strong&gt;1st elephant arrives in US from India&lt;br /&gt;
&lt;strong&gt;1798-09-01 – &lt;/strong&gt;England signs treaty with nizam of Hyderabad, India&lt;br /&gt;
&lt;strong&gt;1800-07-10 – &lt;/strong&gt;The British Indian Government establishes the Fort William College to promote Urdu, Hindi and other vernaculars of sub continent.&lt;br /&gt;
&lt;strong&gt;1803-02-27 – &lt;/strong&gt;Great fire in Bombay, India&lt;br /&gt;
&lt;strong&gt;1803-09-23 – &lt;/strong&gt;Battle of Assaye-British-Indian forces beat Maratha Army&lt;br /&gt;
&lt;strong&gt;1806-07-10 – &lt;/strong&gt;The Vellore Mutiny is the first instance of a mutiny by Indian sepoys against the British East India Company.&lt;br /&gt;
&lt;strong&gt;1818-06-03 – &lt;/strong&gt;Maratha Wars between British &amp;amp; Maratha Confederacy in India ends&lt;br /&gt;
&lt;strong&gt;1829-12-04 – &lt;/strong&gt;Britain abolished “suttee” in India (widow burning herself to death on her husband’s funeral pyre&lt;br /&gt;
&lt;strong&gt;1835-02-24 – &lt;/strong&gt;Siwinowe Kesibwi (Shawnee Sun) is 1st Indian lang monthly mag&lt;br /&gt;
&lt;strong&gt;1838-11-03 – &lt;/strong&gt;The Times of India, the world’s largest circulated English language daily broadsheet newspaper is founded as The Bombay Times and Journal of Commerce.&lt;br /&gt;
&lt;strong&gt;1839-01-10 – &lt;/strong&gt;Tea from India 1st arrives in UK&lt;br /&gt;
&lt;strong&gt;1839-01-19 – &lt;/strong&gt;Aden conquered by British East India Company&lt;br /&gt;
&lt;strong&gt;1839-11-25 – &lt;/strong&gt;A cyclone slams India with high winds and a 40 foot storm surge, destroying the port city of Coringa (never to be entirely rebuilt again). The storm wave sweeps inland, taking with it 20,000 ships and thousands of people. An estimated 300,000 deaths result from the disaster.&lt;br /&gt;
&lt;strong&gt;1842-01-06 – &lt;/strong&gt;4,500 British &amp;amp; Indian troops leave Kabul, massacred before India&lt;br /&gt;
&lt;strong&gt;1846-01-28 – &lt;/strong&gt;Battle of Allwal, Brits beat Sikhs in Punjab (India)&lt;br /&gt;
&lt;strong&gt;1846-02-10 – &lt;/strong&gt;British defeat Sikhs in battle of Sobraon, India&lt;br /&gt;
&lt;strong&gt;1846-02-16 – &lt;/strong&gt;Battle of Sobraon ends 1st Sikh War in India&lt;br /&gt;
&lt;strong&gt;1849-03-29 – &lt;/strong&gt;Britain formally annexs Punjab after defeat of Sikhs in India&lt;br /&gt;
&lt;strong&gt;1851-12-22 – &lt;/strong&gt;The first freight train is operated in Roorkee, India.&lt;br /&gt;
&lt;strong&gt;1853-04-16 – &lt;/strong&gt;The first passenger rail opens in India, from Bori Bunder, Bombay to Thane.&lt;br /&gt;
&lt;strong&gt;1857-05-10 – &lt;/strong&gt;Indian Mutiny begins with revolt of Sepoys of Meerut&lt;br /&gt;
&lt;strong&gt;1858-07-28 – &lt;/strong&gt;William Herschel of the Indian Civil Service in India&lt;br /&gt;
&lt;strong&gt;1858-08-02 – &lt;/strong&gt;Govt of India transferred from East India Company to Crown&lt;br /&gt;
&lt;strong&gt;1859-02-10 – &lt;/strong&gt;Gen Horsford defeats Begum of Oude &amp;amp; Nana Sahib in Indian mutiny&lt;br /&gt;
&lt;strong&gt;1865-11-11 – &lt;/strong&gt;Treaty of Sinchula is signed in which Bhutan ceded the areas east of the Teesta River to the British East India Company.&lt;br /&gt;
&lt;strong&gt;1866-06-11 – &lt;/strong&gt;The Allahabad High Court (then Agra High Court) is established in India.&lt;br /&gt;
&lt;strong&gt;1868-04-13 – &lt;/strong&gt;Abyssinian War ends as British and Indian troops capture Magdala.&lt;br /&gt;
&lt;strong&gt;1870-09-08 – &lt;/strong&gt;Neth &amp;amp; Engl sign “Koelietraktaat” Br-Indian contract work in Suriname&lt;br /&gt;
&lt;strong&gt;1876-10-31 – &lt;/strong&gt;A monster cyclone ravages India, resulting in over 200,000 human deaths.&lt;br /&gt;
&lt;strong&gt;1877-01-01 – &lt;/strong&gt;England’s Queen Victoria proclaimed empress of India&lt;br /&gt;
&lt;strong&gt;1879-05-14 – &lt;/strong&gt;The first group of 463 Indian indentured labourers arrive in Fiji aboard the Leonidas.&lt;br /&gt;
&lt;strong&gt;1882-06-06 – &lt;/strong&gt;Cyclone in Arabian Sea (Bombay India) drowns 100,000&lt;br /&gt;
&lt;strong&gt;1884-09-26 – &lt;/strong&gt;Suriname army shoots on British-Indian contract workers, 7 killed&lt;br /&gt;
&lt;strong&gt;1888-04-20 – &lt;/strong&gt;246 reported killed by hail in Moradabad, India&lt;br /&gt;
&lt;strong&gt;1888-12-18 – &lt;/strong&gt;Richard Wetherill and his brother in-law discover the ancient Indian ruins of Mesa Verde.&lt;br /&gt;
&lt;strong&gt;1889-03-23 – &lt;/strong&gt;The Ahmadiyya Muslim Community was established by Hazrat Mirza Ghulam Ahmad in Qadian India.&lt;br /&gt;
&lt;strong&gt;1891-09-18 – &lt;/strong&gt;Harriet Maxwell Converse is 1st white woman to become an Indian chief&lt;br /&gt;
&lt;strong&gt;1892-07-06 – &lt;/strong&gt;Dadabhai Naoroji elected as first Indian Member of Parliament in Britain.&lt;br /&gt;
&lt;strong&gt;1897-06-12 – &lt;/strong&gt;Possibly most severe quake in history strikes Assam India, shock waves felt over an area size of Europe (negligible death toll)&lt;br /&gt;
&lt;strong&gt;1905-04-04 – &lt;/strong&gt;Earthquake in Kangra India, kills 20,000&lt;br /&gt;
&lt;strong&gt;1905-10-16 – &lt;/strong&gt;The Partition of Bengal (India) occurred.&lt;br /&gt;
&lt;strong&gt;1906-12-30 – &lt;/strong&gt;The All India Muslim League is founded in Dacca, East Bengal, British India Empire, which later laid down the foundations of Pakistan.&lt;br /&gt;
&lt;strong&gt;1907-05-01 – &lt;/strong&gt;Indian Mine Laws passes (concessions from Neth-Indies)&lt;br /&gt;
&lt;strong&gt;1911-02-18 – &lt;/strong&gt;The first official flight with air mail takes place in Allahabad, British India, when Henri Pequet, a 23-year-old pilot, delivers 6,500 letters to Naini, about 10 km away.&lt;br /&gt;
&lt;strong&gt;1911-03-25 – &lt;/strong&gt;L D Swamikannu publishes “Manual of Indian Chronology” in Bombay&lt;br /&gt;
&lt;strong&gt;1911-12-12 – &lt;/strong&gt;Delhi replaces Calcutta as the capital of India.&lt;br /&gt;
&lt;strong&gt;1913-11-06 – &lt;/strong&gt;Mohandas K Gandhi arrested for leading Indian miners march in S Afr&lt;br /&gt;
&lt;strong&gt;1914-06-30 – &lt;/strong&gt;Mahatma Gandhi’s 1st arrest, campaigning for Indian rights in S Africa&lt;br /&gt;
&lt;strong&gt;1916-05-13 – &lt;/strong&gt;1st observance of Indian (Native American) Day&lt;br /&gt;
&lt;strong&gt;1916-05-24 – &lt;/strong&gt;Last British-Indian contract workers arrive in Suriname&lt;br /&gt;
&lt;strong&gt;1917-03-11 – &lt;/strong&gt;World War I: Baghdad falls to the Anglo-Indian forces commanded by General Stanley Maude.&lt;br /&gt;
&lt;strong&gt;1918-05-18 – &lt;/strong&gt;Neth Indian Volksraad installed in Batavia&lt;br /&gt;
&lt;strong&gt;1919-04-13 – &lt;/strong&gt;Amritsar Massacre-British Army fires on nationalist rioters in India&lt;br /&gt;
&lt;strong&gt;1919-04-13 – &lt;/strong&gt;British forces kill 100s of Indian Nationalists (Amritsar Massacre)&lt;br /&gt;
&lt;strong&gt;1919-08-13 – &lt;/strong&gt;British troops fire on Amritsar India demonstrators; killing 350&lt;br /&gt;
&lt;strong&gt;1919-09-10 – &lt;/strong&gt;Indian’s Ray Caldwell no-hits Yankees 3-0&lt;br /&gt;
&lt;strong&gt;1920-03-23 – &lt;/strong&gt;Perserikatan Communist of India (PKI) political party forms&lt;br /&gt;
&lt;strong&gt;1920-10-10 – &lt;/strong&gt;Indian Bill Wambsganns makes 1st unassisted World Series triple play&lt;br /&gt;
&lt;strong&gt;1920-10-10 – &lt;/strong&gt;Indian’s Elmer Smith hits 1st World Series grand slam&lt;br /&gt;
&lt;strong&gt;1922-03-18 – &lt;/strong&gt;Brit magistrates in India sentence Gandhi to 6 years for disobedience&lt;br /&gt;
&lt;strong&gt;1925-12-26 – &lt;/strong&gt;The Communist Party of India is founded.&lt;br /&gt;
&lt;strong&gt;1926-08-28 – &lt;/strong&gt;Indian Emil Levsen pitches complete doubleheader victory (Red Sox)&lt;br /&gt;
&lt;strong&gt;1926-12-28 – &lt;/strong&gt;Imperial Airways begins England-India mail &amp;amp; passenger service&lt;br /&gt;
&lt;strong&gt;1928-08-30 – &lt;/strong&gt;Jawaharlal Nehru requests independence of India&lt;br /&gt;
&lt;strong&gt;1929-01-06 – &lt;/strong&gt;Mother Teresa arrives in Calcutta to begin a her work amongst India’s poorest and diseased people.&lt;br /&gt;
&lt;strong&gt;1929-01-26 – &lt;/strong&gt;Indian National Congress proclaims goal for India’s independence&lt;br /&gt;
&lt;strong&gt;1929-04-08 – &lt;/strong&gt;Indian Independence Movement: At the Delhi Central Assembly, Bhagat Singh and Batukeshwar Dutt throw handouts and bombs to court arrest.&lt;br /&gt;
&lt;strong&gt;1929-04-24 – &lt;/strong&gt;1st non-stop England to India flight takes-off&lt;br /&gt;
&lt;strong&gt;1929-04-26 – &lt;/strong&gt;1st non-stop England to India flight lands&lt;br /&gt;
&lt;strong&gt;1930-03-08 – &lt;/strong&gt;Mahatma Gandhi starts civil disobedience in India&lt;br /&gt;
&lt;strong&gt;1931-02-10 – &lt;/strong&gt;New Delhi becomes capital of India&lt;br /&gt;
&lt;strong&gt;1931-03-23 – &lt;/strong&gt;Bhagat Singh, Rajguru and Sukhdev embrace the gallows during the Indian struggle for independence. Their request to be shot by a firing squad is refused.&lt;br /&gt;
&lt;strong&gt;1932-10-08 – &lt;/strong&gt;The Indian Air Force is established.&lt;br /&gt;
&lt;strong&gt;1932-10-15 – &lt;/strong&gt;Tata Airlines (later to become Air India) makes its first flight.&lt;br /&gt;
&lt;strong&gt;1933-01-28 – &lt;/strong&gt;The name Pakistan is coined by Choudhary Rehmat Ali Khan and is accepted by the Indian Muslims who then thereby adopted it further for the Pakistan Movement seeking independence.&lt;br /&gt;
&lt;strong&gt;1933-05-08 – &lt;/strong&gt;Mohandas Gandhi begins a 21-day fast in protest against British oppression in India.&lt;br /&gt;
&lt;strong&gt;1934-01-15 – &lt;/strong&gt;8.4 earthquake in India/Nepal, 10,700 die&lt;br /&gt;
&lt;strong&gt;1934-04-07 – &lt;/strong&gt;In India, Mahatma Gandhi suspended his campaign of civil disobedience&lt;br /&gt;
&lt;strong&gt;1934-08-02 – &lt;/strong&gt;William Franks twirls an indian club overhead 17,280 times in 1 hour&lt;br /&gt;
&lt;strong&gt;1936-02-08 – &lt;/strong&gt;Pandit Jawaharlal follows Gandhi as chairman of India Congress Party&lt;br /&gt;
&lt;strong&gt;1936-04-01 – &lt;/strong&gt;Orissa constituted a province of British India&lt;br /&gt;
&lt;strong&gt;1938-10-02 – &lt;/strong&gt;Indian Bob Feller strikes out record 18 Tigers (Chester Laabs 5 times)&lt;br /&gt;
&lt;strong&gt;1938-11-16 – &lt;/strong&gt;K B Regiment refuses round-table conference in East-India&lt;br /&gt;
&lt;strong&gt;1939-03-03 – &lt;/strong&gt;In Mumbai, Mohandas Gandhi begins to fast in protest of the autocratic rule in India.&lt;br /&gt;
&lt;strong&gt;1939-03-10 – &lt;/strong&gt;17 villages damaged by hailstones in Hyderabad India&lt;br /&gt;
&lt;strong&gt;1939-04-13 – &lt;/strong&gt;In India, the Hindustani Lal Sena (Indian Red Army) is formed and vows to engage in armed struggle against the British.&lt;br /&gt;
&lt;strong&gt;1939-05-03 – &lt;/strong&gt;The All India Forward Bloc is formed by Netaji Subhash Chandra Bose.&lt;br /&gt;
&lt;strong&gt;1940-03-23 – &lt;/strong&gt;All-India-Moslem League calls for a Moslem homeland&lt;br /&gt;
&lt;strong&gt;1940-03-23 – &lt;/strong&gt;The Lahore Resolution (Qarardad-e-Pakistan or the then Qarardad-e-Lahore) is put forward at the Annual General Convention of the All India Muslim League.&lt;br /&gt;
&lt;strong&gt;1940-07-02 – &lt;/strong&gt;Indian independence leader Subhas Chandra Bose is arrested and detained in Calcutta.&lt;br /&gt;
&lt;strong&gt;1941-05-25 – &lt;/strong&gt;5,000 drown in a storm at Ganges Delta region in India&lt;br /&gt;
&lt;strong&gt;1941-11-24 – &lt;/strong&gt;Indian infantry attacks German tanks at Sidi Omar&lt;br /&gt;
&lt;strong&gt;1942-08-09 – &lt;/strong&gt;Mahatma Gandhi &amp;amp; 50 others arrested in Bombay after passing of a “quit India” campaign by the All-India Congress&lt;br /&gt;
&lt;strong&gt;1942-10-16 – &lt;/strong&gt;Cyclone in Bay of Bengal kills some 40,000 south of Calcutta India&lt;br /&gt;
&lt;strong&gt;1943-12-30 – &lt;/strong&gt;Subhash Chandra Bose raises the flag of Indian independence at Port Blair.&lt;br /&gt;
&lt;strong&gt;1944-04-01 – &lt;/strong&gt;Japanese troops conquer Jessami, East-India&lt;br /&gt;
&lt;strong&gt;1944-04-14 – &lt;/strong&gt;Freighter “Fort Stikene” explodes in Bombay India, killing 1,376&lt;br /&gt;
&lt;strong&gt;1944-08-19 – &lt;/strong&gt;Last Japanese troops driven out of India&lt;br /&gt;
&lt;strong&gt;1945-11-13 – &lt;/strong&gt;Australian Services draw 1st Victory Test against India&lt;br /&gt;
&lt;strong&gt;1946-03-15 – &lt;/strong&gt;British premier Attlee agrees with India’s right to independence&lt;br /&gt;
&lt;strong&gt;1946-08-08 – &lt;/strong&gt;India agrees to give Bhutan 32 sq miles&lt;br /&gt;
&lt;strong&gt;1946-09-02 – &lt;/strong&gt;Nehru forms govt in India&lt;br /&gt;
&lt;strong&gt;1946-12-01 – &lt;/strong&gt;Australia compile 645 v India at the Gabba (Bradman 187)&lt;br /&gt;
&lt;strong&gt;1947-02-20 – &lt;/strong&gt;Lord Mountbatten appointed as last viceroy of India&lt;br /&gt;
&lt;strong&gt;1947-06-03 – &lt;/strong&gt;British viceroy of India lord Mountbatten visits Pakistan&lt;br /&gt;
&lt;strong&gt;1947-07-18 – &lt;/strong&gt;King George VI signs Indian Independence Bill&lt;br /&gt;
&lt;strong&gt;1947-08-14 – &lt;/strong&gt;India granted independence within British Commonwealth&lt;br /&gt;
&lt;strong&gt;1947-08-15 – &lt;/strong&gt;India declares independence from UK, Islamic part becomes Pakistan&lt;br /&gt;
&lt;strong&gt;1947-08-17 – &lt;/strong&gt;The Radcliffe Line, the border between Union of India and Dominion of Pakistan is revealed.&lt;br /&gt;
&lt;strong&gt;1947-10-26 – &lt;/strong&gt;Maharajah of Jammu &amp;amp; Kashmir accedes to India&lt;br /&gt;
&lt;strong&gt;1948-01-01 – &lt;/strong&gt;Bradman scores 132 in the 1st innings of the 3rd Test v India&lt;br /&gt;
&lt;strong&gt;1948-01-01 – &lt;/strong&gt;Orissa province accedes to India&lt;br /&gt;
&lt;strong&gt;1948-01-01 – &lt;/strong&gt;After partition, India declines to pay the agreed share of Rs.550 million in cash balances to Pakistan.&lt;br /&gt;
&lt;strong&gt;1948-01-03 – &lt;/strong&gt;Bradman completes dual Test tons (132 &amp;amp; 127*) v India MCG&lt;br /&gt;
&lt;strong&gt;1948-01-23 – &lt;/strong&gt;Bradman scores 201 in 272 mins v India, 21 fours 1 six&lt;br /&gt;
&lt;strong&gt;1948-01-23 – &lt;/strong&gt;Test debut of Neil Harvey, v India at Adelaide&lt;br /&gt;
&lt;strong&gt;1948-01-24 – &lt;/strong&gt;Australia all out 674 v India (Bradman 201, Hassett 198*)&lt;br /&gt;
&lt;strong&gt;1948-04-15 – &lt;/strong&gt;Indian territory of Himachal Pradesh created&lt;br /&gt;
&lt;strong&gt;1948-06-21 – &lt;/strong&gt;Lord Mountbatten resigns as gov-gen of India&lt;br /&gt;
&lt;strong&gt;1948-09-12 – &lt;/strong&gt;Invasion of the State of Hyderabad by the Indian Army on the day after the Pakistani leader Jinnah’s death.&lt;br /&gt;
&lt;strong&gt;1949-01-14 – &lt;/strong&gt;Black/Indian race rebellion in Durban, South Africa; 142 die&lt;br /&gt;
&lt;strong&gt;1949-02-19 – &lt;/strong&gt;Mass arrests of communists in India&lt;br /&gt;
&lt;strong&gt;1949-03-05 – &lt;/strong&gt;The Jharkhand Party is founded in India.&lt;br /&gt;
&lt;strong&gt;1949-05-12 – &lt;/strong&gt;1st foreign woman ambassador received in US (S V L Pandit India)&lt;br /&gt;
&lt;strong&gt;1949-09-23 – &lt;/strong&gt;Indian owner Bill Veeck holds funeral services to bury 1948 pennant&lt;br /&gt;
&lt;strong&gt;1949-10-15 – &lt;/strong&gt;Administration of territory of Manipur taken over by Indian govt&lt;br /&gt;
&lt;strong&gt;1949-10-15 – &lt;/strong&gt;Tripura accedes to Indian union&lt;br /&gt;
&lt;strong&gt;1949-11-26 – &lt;/strong&gt;India adopts a constitution as a British Commonwealth Republic&lt;br /&gt;
&lt;strong&gt;1949-12-30 – &lt;/strong&gt;India recognizes People’s Republic of China&lt;br /&gt;
&lt;strong&gt;1950-01-01 – &lt;/strong&gt;The state of Ajaigarh is ceded to the Government of India.&lt;br /&gt;
&lt;strong&gt;1950-01-26 – &lt;/strong&gt;India becomes a republic ceaseing to be a British dominion&lt;br /&gt;
&lt;strong&gt;1950-07-02 – &lt;/strong&gt;Indian Bob Feller, wins his 200th game, 5-3 over Detroit&lt;br /&gt;
&lt;strong&gt;1950-08-15 – &lt;/strong&gt;8.6 earthquake in India kills 20,000 to 30,000&lt;br /&gt;
&lt;strong&gt;1950-08-15 – &lt;/strong&gt;Srikakulam district is formed in Andhra Pradesh, India.&lt;br /&gt;
&lt;strong&gt;1950-10-26 – &lt;/strong&gt;Mother Teresa found her Mission of Charity in Calcutta, India&lt;br /&gt;
&lt;strong&gt;1950-11-06 – &lt;/strong&gt;King Tribhuvana of Nepal flees to India&lt;br /&gt;
&lt;strong&gt;1950-12-05 – &lt;/strong&gt;Sikkim becomes a protectorate of India&lt;br /&gt;
&lt;strong&gt;1952-01-21 – &lt;/strong&gt;Nehru’s Congress party wins general election in India&lt;br /&gt;
&lt;strong&gt;1952-05-13 – &lt;/strong&gt;Pandit Nehru becomes premier of India&lt;br /&gt;
&lt;strong&gt;1952-05-13 – &lt;/strong&gt;The Rajya Sabha, the upper house of the Parliament of India, holds its first sitting.&lt;br /&gt;
&lt;strong&gt;1952-07-19 – &lt;/strong&gt;Freddie Trueman takes 8-31, India all out 58 at Old Trafford&lt;br /&gt;
&lt;strong&gt;1952-07-19 – &lt;/strong&gt;India all out 82 in 2nd innings after making 52 earlier in the day&lt;br /&gt;
&lt;strong&gt;1952-10-16 – &lt;/strong&gt;Pakistan’s 1st Test starts, v India at Delhi&lt;br /&gt;
&lt;strong&gt;1952-10-18 – &lt;/strong&gt;Vinoo Mankad takes 13 Pakistan wkts to win 1st India-Pak clash&lt;br /&gt;
&lt;strong&gt;1952-10-25 – &lt;/strong&gt;Nazar Mohammad scores Pakistan’s 1st Test century 124* v India&lt;br /&gt;
&lt;strong&gt;1953-04-01 – &lt;/strong&gt;Walcott Worrell &amp;amp; Weekes all make centuries in innings v India&lt;br /&gt;
&lt;strong&gt;1953-10-01 – &lt;/strong&gt;Indian state of Andhra Pradesh partitioned from Madras&lt;br /&gt;
&lt;strong&gt;1954-11-01 – &lt;/strong&gt;India takes over administration of 4 French Indian settlements&lt;br /&gt;
&lt;strong&gt;1955-04-11 – &lt;/strong&gt;The Air India Kashmir Princess is bombed and crashes in a failed assassination attempt on Zhou Enlai by the Kuomintang.&lt;br /&gt;
&lt;strong&gt;1955-04-30 – &lt;/strong&gt;Imperial Bank of India nationalized&lt;br /&gt;
&lt;strong&gt;1955-05-02 – &lt;/strong&gt;India poses discrimination “onaanraakbaren” punishable&lt;br /&gt;
&lt;strong&gt;1955-06-07 – &lt;/strong&gt;India premier Nehru visit USSR&lt;br /&gt;
&lt;strong&gt;1956-09-01 – &lt;/strong&gt;Indian state of Tripura becomes a territory&lt;br /&gt;
&lt;strong&gt;1956-09-02 – &lt;/strong&gt;Collapse of a RR bridge under a train kills 120 (India)&lt;br /&gt;
&lt;strong&gt;1956-11-01 – &lt;/strong&gt;Delhi becomes a territory of Indian union&lt;br /&gt;
&lt;strong&gt;1956-11-01 – &lt;/strong&gt;Indian state of Madhya Pradesh forms&lt;br /&gt;
&lt;strong&gt;1956-11-01 – &lt;/strong&gt;Indian states of Punjab, Patiala &amp;amp; PEPSU merge as Punjab protection&lt;br /&gt;
&lt;strong&gt;1956-11-01 – &lt;/strong&gt;Formation of Kerala state in India.&lt;br /&gt;
&lt;strong&gt;1957-01-26 – &lt;/strong&gt;India annexes Kashmir&lt;br /&gt;
&lt;strong&gt;1957-03-22 – &lt;/strong&gt;Republic of India adopts Saka calendar along with Gregorian&lt;br /&gt;
&lt;strong&gt;1959-01-01 – &lt;/strong&gt;Rohan Kanhai completes 256 v India at Calcutta&lt;br /&gt;
&lt;strong&gt;1959-03-17 – &lt;/strong&gt;Dalai Lama flees Tibet for India&lt;br /&gt;
&lt;strong&gt;1959-03-31 – &lt;/strong&gt;Dalai Lama fled China &amp;amp; was granted political asylum in India&lt;br /&gt;
&lt;strong&gt;1959-07-27 – &lt;/strong&gt;Abbas Ali Baig scores 112 for India v England on debut&lt;br /&gt;
&lt;strong&gt;1959-08-24 – &lt;/strong&gt;England complete 5-0 series drubbing of India&lt;br /&gt;
&lt;strong&gt;1959-09-21 – &lt;/strong&gt;600 Indian Dutch emigrate to US&lt;br /&gt;
&lt;strong&gt;1959-10-23 – &lt;/strong&gt;Chinese troops move into India, 17 die&lt;br /&gt;
&lt;strong&gt;1959-12-20 – &lt;/strong&gt;Jasu Patel takes 9-69, India v Australia at Kanpur&lt;br /&gt;
&lt;strong&gt;1960-02-12 – &lt;/strong&gt;Chinese army kills 12 Indian soldiers&lt;br /&gt;
&lt;strong&gt;1960-05-01 – &lt;/strong&gt;India’s Bombay state split into Gujarat &amp;amp; Maharashtra states&lt;br /&gt;
&lt;strong&gt;1961-11-05 – &lt;/strong&gt;India’s premier Nehru arrives in NY&lt;br /&gt;
&lt;strong&gt;1961-12-17 – &lt;/strong&gt;India seizes Goa &amp;amp; 2 other Portuguese colonies&lt;br /&gt;
&lt;strong&gt;1961-12-18 – &lt;/strong&gt;India annexes Portuguese colonies of Goa, Damao &amp;amp; Diu&lt;br /&gt;
&lt;strong&gt;1962-02-25 – &lt;/strong&gt;India Congress Party wins elections&lt;br /&gt;
&lt;strong&gt;1962-05-30 – &lt;/strong&gt;69 killed in bus crash (Ahmedabad India)&lt;br /&gt;
&lt;strong&gt;1962-09-08 – &lt;/strong&gt;Chinese troops exceed Mac-Mahon-line (Tibet-India boundary)&lt;br /&gt;
&lt;strong&gt;1962-10-10 – &lt;/strong&gt;Indies assault up Chinese positions in North-India attack&lt;br /&gt;
&lt;strong&gt;1962-10-20 – &lt;/strong&gt;Chinese army lands in India&lt;br /&gt;
&lt;strong&gt;1962-11-21 – &lt;/strong&gt;The Chinese People’s Liberation Army declares a unilateral cease-fire in the Sino-Indian War.&lt;br /&gt;
&lt;strong&gt;1963-05-28 – &lt;/strong&gt;Estimated 22,000 die in another cyclone in Bay of Bengal (India)&lt;br /&gt;
&lt;strong&gt;1963-12-01 – &lt;/strong&gt;Nagaland becomes a state of Indian union&lt;br /&gt;
&lt;strong&gt;1964-01-13 – &lt;/strong&gt;Hindu-Muslim rioting breaks out in the Indian city of Calcutta – now Kolkata – resulting in the deaths of more than 100 people.&lt;br /&gt;
&lt;strong&gt;1964-02-09 – &lt;/strong&gt;Hanumant Singh scores 105 India v England on debut at Delhi&lt;br /&gt;
&lt;strong&gt;1964-06-02 – &lt;/strong&gt;Lal Bahadur Sjastri elected premier of India&lt;br /&gt;
&lt;strong&gt;1964-10-29 – &lt;/strong&gt;Star of India &amp;amp; other jewels are stolen in NY&lt;br /&gt;
&lt;strong&gt;1964-12-23 – &lt;/strong&gt;India &amp;amp; Ceylon hit by cyclone, about 4,850 killed&lt;br /&gt;
&lt;strong&gt;1965-01-08 – &lt;/strong&gt;Star of India returned to American Museum of Natural History&lt;br /&gt;
&lt;strong&gt;1965-04-09 – &lt;/strong&gt;India &amp;amp; Pakistan engage in border fight&lt;br /&gt;
&lt;strong&gt;1965-05-11 – &lt;/strong&gt;1st of 2 cyclones in less than a month kills 35,000 (India)&lt;br /&gt;
&lt;strong&gt;1965-05-25 – &lt;/strong&gt;India &amp;amp; Pakistan border fights&lt;br /&gt;
&lt;strong&gt;1965-05-28 – &lt;/strong&gt;Fire &amp;amp; explosion at Dhori mine in Dhanbad India kills 400&lt;br /&gt;
&lt;strong&gt;1965-06-02 – &lt;/strong&gt;2nd of 2 cyclones in less than a month kills 35,000 (Ganges R India)&lt;br /&gt;
&lt;strong&gt;1965-08-06 – &lt;/strong&gt;Indian troops invade Pakistan&lt;br /&gt;
&lt;strong&gt;1965-09-01 – &lt;/strong&gt;India &amp;amp; Pakistan border fights&lt;br /&gt;
&lt;strong&gt;1965-09-06 – &lt;/strong&gt;India invades West Pakistan&lt;br /&gt;
&lt;strong&gt;1965-09-07 – &lt;/strong&gt;China announces that it will reinforce its troops in the Indian border.&lt;br /&gt;
&lt;strong&gt;1965-09-22 – &lt;/strong&gt;India &amp;amp; Pakistan ceases-fire goes into effect&lt;br /&gt;
&lt;strong&gt;1966-01-10 – &lt;/strong&gt;India &amp;amp; Pakistan sign peace accord&lt;br /&gt;
&lt;strong&gt;1966-01-19 – &lt;/strong&gt;Indira Gandhi elected India’s 3rd prime minister&lt;br /&gt;
&lt;strong&gt;1966-04-06 – &lt;/strong&gt;Mihir Sen swims Palk Strait between Sri Lanka &amp;amp; India&lt;br /&gt;
&lt;strong&gt;1966-06-24 – &lt;/strong&gt;Bombay-NY Air India flight crashes into Mont Blanc (Switz), 117 die&lt;br /&gt;
&lt;strong&gt;1966-11-01 – &lt;/strong&gt;Indian Haryana state created from Punjab; Chandigarh terr created&lt;br /&gt;
&lt;strong&gt;1966-12-13 – &lt;/strong&gt;Test debut of Clive Lloyd, v India Bombay, 82 &amp;amp; 78&lt;br /&gt;
&lt;strong&gt;1967-05-06 – &lt;/strong&gt;Zakir Hussain elected 1st Moslem president of India&lt;br /&gt;
&lt;strong&gt;1967-06-09 – &lt;/strong&gt;Boycott scores 246* v India, Leeds, 573 minutes, 29 fours 1 six&lt;br /&gt;
&lt;strong&gt;1967-09-04 – &lt;/strong&gt;6.5 earthquake of Kolya Dam India, kills 200&lt;br /&gt;
&lt;strong&gt;1967-09-11 – &lt;/strong&gt;Indian/Chinese border fights&lt;br /&gt;
&lt;strong&gt;1967-12-11 – &lt;/strong&gt;6.5 earthquake in West India, 170 killed&lt;br /&gt;
&lt;strong&gt;1968-01-31 – &lt;/strong&gt;Bobby Simpson takes 5-59 v India in his last Test for ten years&lt;br /&gt;
&lt;strong&gt;1968-02-16 – &lt;/strong&gt;Beatles George Harrison &amp;amp; John Lennon &amp;amp; wives fly to India for transcendental meditation study with the Maharishi Mahesh Yogi&lt;br /&gt;
&lt;strong&gt;1968-12-25 – &lt;/strong&gt;42 Dalits are burned alive in Kilavenmani village, Tamil Nadu, India, a retaliation for a campaign for higher wages by Dalit labourers.&lt;br /&gt;
&lt;strong&gt;1969-12-25 – &lt;/strong&gt;India all out for 163 at Madras v Aust, Ashley Mallett 5-91&lt;br /&gt;
&lt;strong&gt;1970-04-02 – &lt;/strong&gt;Meghalaya becomes autonomous state within India’s Assam state&lt;br /&gt;
&lt;strong&gt;1971-01-25 – &lt;/strong&gt;Himachal Pradesh becomes 18th Indian state&lt;br /&gt;
&lt;strong&gt;1971-03-09 – &lt;/strong&gt;J M Noreiga takes 9-95 WI v India at Port-of-Spain&lt;br /&gt;
&lt;strong&gt;1971-08-24 – &lt;/strong&gt;India beat England by 4 wickets, their win against the Poms&lt;br /&gt;
&lt;strong&gt;1971-11-21 – &lt;/strong&gt;Indian troops partly aided by Mukti Bahini (Bengali guerrillas) defeat the Pakistan army in the Battle of Garibpur.&lt;br /&gt;
&lt;strong&gt;1971-12-03 – &lt;/strong&gt;Indo-Pakistani War of 1971: India invades West Pakistan and a full scale war begins claiming hundreds of lives.&lt;br /&gt;
&lt;strong&gt;1971-12-04 – &lt;/strong&gt;The UN Security Council calls an emergency session to consider the deteriorating situation between India and Pakistan.&lt;br /&gt;
&lt;strong&gt;1971-12-04 – &lt;/strong&gt;The Indian Navy attacks the Pakistan Navy and Karachi.&lt;br /&gt;
&lt;strong&gt;1971-12-16 – &lt;/strong&gt;India’s army occupies Dacca, West Pakistani troops surrenders&lt;br /&gt;
&lt;strong&gt;1971-12-17 – &lt;/strong&gt;Cease fire between India &amp;amp; Pakistan in Kashmir&lt;br /&gt;
&lt;strong&gt;1972-01-21 – &lt;/strong&gt;Manipur, Meghalaya &amp;amp; Tripura become separate states of Indian union&lt;br /&gt;
&lt;strong&gt;1972-01-21 – &lt;/strong&gt;Mizoram, formerly part of Assam, creates an Indian union territory&lt;br /&gt;
&lt;strong&gt;1972-01-21 – &lt;/strong&gt;Tripura becomes a full-fledged state in India.&lt;br /&gt;
&lt;strong&gt;1972-03-19 – &lt;/strong&gt;India &amp;amp; Bangladesh sign friendship treaty&lt;br /&gt;
&lt;strong&gt;1972-07-02 – &lt;/strong&gt;India &amp;amp; Pakistan sign peace accord&lt;br /&gt;
&lt;strong&gt;1972-07-10 – &lt;/strong&gt;Herd of stampeding elephants kills 24, Chandka Forest India&lt;br /&gt;
&lt;strong&gt;1972-12-17 – &lt;/strong&gt;New line of control agreed to in Kashmir between India &amp;amp; Pakistan&lt;br /&gt;
&lt;strong&gt;1972-12-23 – &lt;/strong&gt;Chandrasekhar takes 8-79 India v England at Delhi&lt;br /&gt;
&lt;strong&gt;1973-02-09 – &lt;/strong&gt;Biju Patnaik of the Pragati Legislature Party elected leader of opposition in the state assembly in Orissa, India.&lt;br /&gt;
&lt;strong&gt;1973-02-27 – &lt;/strong&gt;American Indian Movement occupy Wounded Knee in South Dakota&lt;br /&gt;
&lt;strong&gt;1973-02-27 – &lt;/strong&gt;Members of American Indian Movement begin occupation of Wounded Knee&lt;br /&gt;
&lt;strong&gt;1973-07-07 – &lt;/strong&gt;78 drown as flash flood sweeps a bus into a river (India)&lt;br /&gt;
&lt;strong&gt;1973-08-28 – &lt;/strong&gt;India &amp;amp; Pakistan sign POW accord&lt;br /&gt;
&lt;strong&gt;1973-11-01 – &lt;/strong&gt;The Indian state of Mysore was renamed as Karnataka to represent all the regions within Karunadu .&lt;br /&gt;
&lt;strong&gt;1974-05-18 – &lt;/strong&gt;India becomes 6th nation to explode an atomic bomb&lt;br /&gt;
&lt;strong&gt;1974-07-13 – &lt;/strong&gt;India’s 1st one-day international (v England, Headingley)&lt;br /&gt;
&lt;strong&gt;1974-11-07 – &lt;/strong&gt;63rd Davis Cup: South Africa beats India in (w/o)&lt;br /&gt;
&lt;strong&gt;1975-01-29 – &lt;/strong&gt;W I win Fifth Test against India to take exciting series 3-2&lt;br /&gt;
&lt;strong&gt;1975-04-19 – &lt;/strong&gt;India launches 1st satellite with help of USSR&lt;br /&gt;
&lt;strong&gt;1975-05-16 – &lt;/strong&gt;India annexes Principality of Sikkim&lt;br /&gt;
&lt;strong&gt;1975-05-19 – &lt;/strong&gt;Farm truck packed with wedding party struck by a train, killing 66 in truck, 40 miles south of Poona, India&lt;br /&gt;
&lt;strong&gt;1975-06-26 – &lt;/strong&gt;Indian PM Indira Gandhi declares a state of emergency&lt;br /&gt;
&lt;strong&gt;1975-06-26 – &lt;/strong&gt;Two FBI agents and a member of the American Indian Movement are killed in a shootout on the Pine Ridge Indian Reservation in South Dakota; Leonard Peltier is later convicted of the murders in a controversial trial.&lt;br /&gt;
&lt;strong&gt;1975-07-20 – &lt;/strong&gt;India expels three reporters from The Times, The Daily Telegraph, and Newsweek because they refused to sign a pledge to abide by government censorship.&lt;br /&gt;
&lt;strong&gt;1975-12-27 – &lt;/strong&gt;Explosion at Chasnala Colliery collapses drowning 350 (Dhanbad India)&lt;br /&gt;
&lt;strong&gt;1976-02-17 – &lt;/strong&gt;Richard Hadlee takes 7-23 v India, his 1st match-winning spell&lt;br /&gt;
&lt;strong&gt;1976-04-12 – &lt;/strong&gt;India set 403 to win by WI They get them, 6 wkts 7 overs spare&lt;br /&gt;
&lt;strong&gt;1976-04-25 – &lt;/strong&gt;India all out for 97 v West Indies&lt;br /&gt;
&lt;strong&gt;1977-01-19 – &lt;/strong&gt;World’s largest crowd-12.7 million-for Indian religious festival&lt;br /&gt;
&lt;strong&gt;1977-03-20 – &lt;/strong&gt;Premier Indira Gandhi loses election in India&lt;br /&gt;
&lt;strong&gt;1977-03-22 – &lt;/strong&gt;Indira Gandhi resigns as PM of India&lt;br /&gt;
&lt;strong&gt;1977-03-28 – &lt;/strong&gt;Morarji Desai forms govt in India&lt;br /&gt;
&lt;strong&gt;1977-12-17 – &lt;/strong&gt;Bobby Simpson scores 176 Australia v India at the WACA, aged 41&lt;br /&gt;
&lt;strong&gt;1978-01-01 – &lt;/strong&gt;Air India B747 explodes near Bombay killing 213&lt;br /&gt;
&lt;strong&gt;1978-01-03 – &lt;/strong&gt;Chandrasekar takes 6-52 &amp;amp; 6-52 at MCG in Indian innings win&lt;br /&gt;
&lt;strong&gt;1978-02-03 – &lt;/strong&gt;Australia beat India 3-2 on 6th day of final test&lt;br /&gt;
&lt;strong&gt;1978-02-03 – &lt;/strong&gt;India needing 493 to beat Australia at Adelaide, all out 445&lt;br /&gt;
&lt;strong&gt;1978-10-16 – &lt;/strong&gt;Test debut of Kapil Dev, India v Pakistan at Faisalabad&lt;br /&gt;
&lt;strong&gt;1978-12-19 – &lt;/strong&gt;Indira Gandhi ambushed in India&lt;br /&gt;
&lt;strong&gt;1978-12-26 – &lt;/strong&gt;India’s former PM, Indira Gandhi, released from jail&lt;br /&gt;
&lt;strong&gt;1979-01-02 – &lt;/strong&gt;Gavaskar gets twin tons for India for the third time (v WI)&lt;br /&gt;
&lt;strong&gt;1979-02-07 – &lt;/strong&gt;Faoud Bacchus scores 250 for WI v India at Kanpur&lt;br /&gt;
&lt;strong&gt;1979-06-01 – &lt;/strong&gt;Vizianagaram district is formed in Andhra Pradesh, India.&lt;br /&gt;
&lt;strong&gt;1979-06-07 – &lt;/strong&gt;Bhaskara 1, Indian Earth resources/meteorology satellite, launched&lt;br /&gt;
&lt;strong&gt;1979-07-15 – &lt;/strong&gt;Morarji Desai resigns as premier of India&lt;br /&gt;
&lt;strong&gt;1979-07-17 – &lt;/strong&gt;David Gower 200* in England score of 5-633 v India at Edgbaston&lt;br /&gt;
&lt;strong&gt;1979-08-20 – &lt;/strong&gt;India premier Charan Singh resigns&lt;br /&gt;
&lt;strong&gt;1979-09-04 – &lt;/strong&gt;India need 438 to win v England, game ends at 8-429&lt;br /&gt;
&lt;strong&gt;1979-09-20 – &lt;/strong&gt;The Punjab wing of the Unity Centre of Communist Revolutionaries of India (Marxist-Leninist) formally splits and constitutes a parallel UCCRI(ML).&lt;br /&gt;
&lt;strong&gt;1979-10-17 – &lt;/strong&gt;Mother Teresa of India, awarded Nobel Peace Prize&lt;br /&gt;
&lt;strong&gt;1980-01-06 – &lt;/strong&gt;Indira Gandhi’s Congress Party wins elections in India&lt;br /&gt;
&lt;strong&gt;1980-07-18 – &lt;/strong&gt;Rohini 1, 1st Indian satellite, launches into orbit&lt;br /&gt;
&lt;strong&gt;1981-01-03 – &lt;/strong&gt;Greg Chappell scores 204 v India at the SCG&lt;br /&gt;
&lt;strong&gt;1981-01-08 – &lt;/strong&gt;India all out 63 in one-day international v Australia&lt;br /&gt;
&lt;strong&gt;1981-01-24 – &lt;/strong&gt;Kim Hughes scores 213 v India at Adelaide&lt;br /&gt;
&lt;strong&gt;1981-02-11 – &lt;/strong&gt;Australia all out 83 v India at MCG chasing 143 to win&lt;br /&gt;
&lt;strong&gt;1981-06-06 – &lt;/strong&gt;A passenger train travelling between Mansi and Saharsa, India, jumps the tracks at a bridge crossing the Bagmati river. The government places the official death toll at 268 plus another 300 missing; however, it is generally believed that the actual figure is closer to 1,000 killed.&lt;br /&gt;
&lt;strong&gt;1981-06-19 – &lt;/strong&gt;India’s APPLE satellite, 1st to be stabilized on 3 axes, launched&lt;br /&gt;
&lt;strong&gt;1981-07-16 – &lt;/strong&gt;India performs nuclear Test&lt;br /&gt;
&lt;strong&gt;1981-10-14 – &lt;/strong&gt;Citing official misconduct in the investigation and trial, Amnesty International charges the U.S. government with holding Richard Marshall of the American Indian Movement as a political prisoner.&lt;br /&gt;
&lt;strong&gt;1982-07-09 – &lt;/strong&gt;Botham scores 208 in 225 balls, England v India at The Oval&lt;br /&gt;
&lt;strong&gt;1982-07-27 – &lt;/strong&gt;Indian PM Indira Gandhi 1st visit to US in almost 11 years&lt;br /&gt;
&lt;strong&gt;1982-12-27 – &lt;/strong&gt;Imran Khan 8-60 to bring innings victory v India at Karachi&lt;br /&gt;
&lt;strong&gt;1983-01-15 – &lt;/strong&gt;Javed Miandad &amp;amp; Mudassar Nazar make 451 stand v India&lt;br /&gt;
&lt;strong&gt;1983-02-22 – &lt;/strong&gt;Hindus kill 3000 Moslems in Assam, India&lt;br /&gt;
&lt;strong&gt;1983-04-17 – &lt;/strong&gt;India entered space age launching SLV-3 rocket&lt;br /&gt;
&lt;strong&gt;1983-11-16 – &lt;/strong&gt;Kapil Dev takes 9-83 v WI at Ahmedabad, but India still lose&lt;br /&gt;
&lt;strong&gt;1983-11-27 – &lt;/strong&gt;Desmond Haynes out handled the ball v India&lt;br /&gt;
&lt;strong&gt;1984-02-01 – &lt;/strong&gt;Ravindara Mhatrem, Indian diplomat, kidnapped in England (killed 0203)&lt;br /&gt;
&lt;strong&gt;1984-04-03 – &lt;/strong&gt;Soyuz T-11 carries 3 cosmonauts (1 Indian-Rakesh Sharma) to Salyut 7&lt;br /&gt;
&lt;strong&gt;1984-04-15 – &lt;/strong&gt;Extremist Sikhs plunder 40 stations in Punjab India&lt;br /&gt;
&lt;strong&gt;1984-06-06 – &lt;/strong&gt;1,200 die in Sikh “Golden Temple” uprising India&lt;br /&gt;
&lt;strong&gt;1984-08-03 – &lt;/strong&gt;Bomb attack on Madras India airport, 32 killed&lt;br /&gt;
&lt;strong&gt;1984-09-28 – &lt;/strong&gt;1st floodlit ODI outside of Australia (India v Aust, New Delhi)&lt;br /&gt;
&lt;strong&gt;1984-11-03 – &lt;/strong&gt;3,000 die in 3 day anti-Sikh riot in India&lt;br /&gt;
&lt;strong&gt;1984-11-03 – &lt;/strong&gt;Body of assassinated Indian PM Indira Gandhi cremated&lt;br /&gt;
&lt;strong&gt;1984-12-03 – &lt;/strong&gt;2,000 die from Union Carbide poison gas emission in Bhopal, India&lt;br /&gt;
&lt;strong&gt;1984-12-28 – &lt;/strong&gt;Rajiv Gandhi’s Congress party wins election in India&lt;br /&gt;
&lt;strong&gt;1984-12-29 – &lt;/strong&gt;Indian PM Rajiv Gandhi claims victory in parlimetary elections&lt;br /&gt;
&lt;strong&gt;1984-12-31 – &lt;/strong&gt;Rajiv Gandhi takes office as India’s 6th PM succeeds his mom, Indira&lt;br /&gt;
&lt;strong&gt;1985-01-15 – &lt;/strong&gt;Mike Gatting &amp;amp; Graeme Fowler both scores 200′s v India&lt;br /&gt;
&lt;strong&gt;1985-04-08 – &lt;/strong&gt;India files suit against Union Carbide over Bhopal disaster&lt;br /&gt;
&lt;strong&gt;1985-05-11 – &lt;/strong&gt;Booby trap bomb kills 86 people in India&lt;br /&gt;
&lt;strong&gt;1985-06-23 – &lt;/strong&gt;Bomb destroys Air India Boeing 747 in air near Ireland, 329 die&lt;br /&gt;
&lt;strong&gt;1985-08-17 – &lt;/strong&gt;Rajiv Gandhi announces Punjab state elections in India&lt;br /&gt;
&lt;strong&gt;1985-09-25 – &lt;/strong&gt;Akali Dal wins Punjab State election in India&lt;br /&gt;
&lt;strong&gt;1985-12-13 – &lt;/strong&gt;David Boon’s 1st Test century, 123 v India at Adelaide&lt;br /&gt;
&lt;strong&gt;1985-12-13 – &lt;/strong&gt;Test debut of Merv Hughes, Geoff Marsh &amp;amp; Bruce Reid (v India)&lt;br /&gt;
&lt;strong&gt;1986-01-04 – &lt;/strong&gt;David Boon’s second Test century, 131 v India at Adelaide&lt;br /&gt;
&lt;strong&gt;1986-02-02 – &lt;/strong&gt;Dalai Lama meets Pope John Paul II in India&lt;br /&gt;
&lt;strong&gt;1986-02-11 – &lt;/strong&gt;Australia beat India 2-0 to win the World Series Cup&lt;br /&gt;
&lt;strong&gt;1986-03-28 – &lt;/strong&gt;Extremist Sikhs kill 13 hindus in Ludhiana India&lt;br /&gt;
&lt;strong&gt;1986-07-25 – &lt;/strong&gt;Sikhs extremist kill 16 hindus in Muhktsar India&lt;br /&gt;
&lt;strong&gt;1986-09-19 – &lt;/strong&gt;Dean Jones scores 210 v India at Madras&lt;br /&gt;
&lt;strong&gt;1986-10-02 – &lt;/strong&gt;Failed assassination attempt on India premier Rajiv Gandhi&lt;br /&gt;
&lt;strong&gt;1986-10-02 – &lt;/strong&gt;Sikhs attempt to assassinate Indian Prime Minister Rajiv Gandhi&lt;br /&gt;
&lt;strong&gt;1986-10-19 – &lt;/strong&gt;Allan Border scores the 1,000,000th run in Tests (v India, Bombay)&lt;br /&gt;
&lt;strong&gt;1987-07-06 – &lt;/strong&gt;1st of 3 massacres by Sikh extremists takes place in India&lt;br /&gt;
&lt;strong&gt;1987-11-25 – &lt;/strong&gt;India all out for 75 v West Indies at Delhi, Patterson 5-24&lt;br /&gt;
&lt;strong&gt;1987-12-11 – &lt;/strong&gt;Test debut of Carl Hooper, WI v India at Bombay&lt;br /&gt;
&lt;strong&gt;1987-12-20 – &lt;/strong&gt;76th Davis Cup: Sweden beats India in Gothenburg (5-0)&lt;br /&gt;
&lt;strong&gt;1988-01-11 – &lt;/strong&gt;Test debut of Phil Simmons, WI v India, Madras&lt;br /&gt;
&lt;strong&gt;1988-07-21 – &lt;/strong&gt;ESA’s Ariane-3 launches 2 communications satellites (1 Indian)&lt;br /&gt;
&lt;strong&gt;1988-08-20 – &lt;/strong&gt;6.5 earthquake strikes India/Nepal, 1,000s killed&lt;br /&gt;
&lt;strong&gt;1988-11-30 – &lt;/strong&gt;Cyclone lashes Bangladesh, Eastern India; 317 killed&lt;br /&gt;
&lt;strong&gt;1989-10-20 – &lt;/strong&gt;Pakistan win Sharjah Trophy over India &amp;amp; WI on round-robin&lt;br /&gt;
&lt;strong&gt;1989-11-29 – &lt;/strong&gt;India president Rajiv Gandhi, resigns&lt;br /&gt;
&lt;strong&gt;1989-12-02 – &lt;/strong&gt;Vishwanath Pratap Singh sworn in as president of India&lt;br /&gt;
&lt;strong&gt;1990-02-23 – &lt;/strong&gt;Ian Smith 173* NZ v India, 136 balls, world record for no 9 bat&lt;br /&gt;
&lt;strong&gt;1990-03-24 – &lt;/strong&gt;Indian troops leave Sri Lanka&lt;br /&gt;
&lt;strong&gt;1990-03-27 – &lt;/strong&gt;Bus accidentally touches high voltage wire in Karagpur India; 21 die&lt;br /&gt;
&lt;strong&gt;1990-04-17 – &lt;/strong&gt;Gas explodes on passenger train in Kumrahar India, 80 die&lt;br /&gt;
&lt;strong&gt;1990-07-27 – &lt;/strong&gt;Graham Gooch scores 333 v India at Lord’s&lt;br /&gt;
&lt;strong&gt;1990-07-30 – &lt;/strong&gt;Graham Gooch scores 123 v India to follow up 1st innings 333&lt;br /&gt;
&lt;strong&gt;1990-12-10 – &lt;/strong&gt;Hindu-Muslim rebellion in Hyderabad-Aligargh India, 140 die&lt;br /&gt;
&lt;strong&gt;1991-10-16 – &lt;/strong&gt;Jharkhand Chhatra Yuva Morcha is founded at a conference in Ranchi, India.&lt;br /&gt;
&lt;strong&gt;1991-10-20 – &lt;/strong&gt;6.1-7.1 earthquake in Uttar Kashi, India, about 670 die&lt;br /&gt;
&lt;strong&gt;1991-10-25 – &lt;/strong&gt;Aaqib Javed takes 7-37 in 10 overs v India in cric 1-dayer at Sharjah&lt;br /&gt;
&lt;strong&gt;1991-12-26 – &lt;/strong&gt;Militant Sikhs kill 55 &amp;amp; wound 70 in India&lt;br /&gt;
&lt;strong&gt;1992-01-02 – &lt;/strong&gt;Test debut of Shane Warne, v India at Sydney&lt;br /&gt;
&lt;strong&gt;1992-01-20 – &lt;/strong&gt;Australia beat India 2-0 to win the World Series Cup&lt;br /&gt;
&lt;strong&gt;1992-01-28 – &lt;/strong&gt;Boon completes twelfth Test century, 135 v India at Adelaide&lt;br /&gt;
&lt;strong&gt;1992-05-20 – &lt;/strong&gt;India launches its 1st satellite independently&lt;br /&gt;
&lt;strong&gt;1992-05-22 – &lt;/strong&gt;India launches its Agni rocket&lt;br /&gt;
&lt;strong&gt;1992-06-23 – &lt;/strong&gt;“Tin Bigha Day” protest in India of corridor opening to Bangladesh&lt;br /&gt;
&lt;strong&gt;1992-06-26 – &lt;/strong&gt;India leases Tin Bigha corridor to Bangladesh&lt;br /&gt;
&lt;strong&gt;1992-10-18 – &lt;/strong&gt;Start of Zimbabwe’s 1st Test match, v India at Harare&lt;br /&gt;
&lt;strong&gt;1992-10-20 – &lt;/strong&gt;David Houghton gets Zimbabwe’s 1st Test ton (121 v India, debut)&lt;br /&gt;
&lt;strong&gt;1992-12-06 – &lt;/strong&gt;300,000 hindus destroy mosque of Babri India, 4 die&lt;br /&gt;
&lt;strong&gt;1993-01-23 – &lt;/strong&gt;Indian Airlines B737 crashes art Aurangabad, 61 die&lt;br /&gt;
&lt;strong&gt;1993-01-29 – &lt;/strong&gt;Test debut of Vinod Kambli, prolific Indian batsman&lt;br /&gt;
&lt;strong&gt;1993-02-23 – &lt;/strong&gt;India complete a 3-0 series drubbing of England&lt;br /&gt;
&lt;strong&gt;1993-09-30 – &lt;/strong&gt;6.4 earthquake at Latur, India, 28,000 killed&lt;br /&gt;
&lt;strong&gt;1994-01-25 – &lt;/strong&gt;Mine fire at Asansol India, kills 55&lt;br /&gt;
&lt;strong&gt;1994-03-15 – &lt;/strong&gt;Experts from AL certify Indian’s Jacobs Field is properly lit&lt;br /&gt;
&lt;strong&gt;1994-04-13 – &lt;/strong&gt;United Arab Emirates’ 1st official ODI, losing to India&lt;br /&gt;
&lt;strong&gt;1994-05-20 – &lt;/strong&gt;Miss India (Sushmita Sen) selected Miss Universe&lt;br /&gt;
&lt;strong&gt;1994-05-21 – &lt;/strong&gt;Sushmita Sen, 18, of India, crowned 43rd Miss Universe&lt;br /&gt;
&lt;strong&gt;1994-07-24 – &lt;/strong&gt;Bodo kills 37 Moslems in Bashbari NE India&lt;br /&gt;
&lt;strong&gt;1994-07-29 – &lt;/strong&gt;India army kills 27 Moslem militants&lt;br /&gt;
&lt;strong&gt;1994-10-29 – &lt;/strong&gt;National Museum of American Indian opens (NYC)&lt;br /&gt;
&lt;strong&gt;1994-11-19 – &lt;/strong&gt;Aishwarya Rai, 21, of India, crowned 44th Miss World&lt;br /&gt;
&lt;strong&gt;1995-02-25 – &lt;/strong&gt;Bomb attack on train in Assam India (27 soldiers killed)&lt;br /&gt;
&lt;strong&gt;1995-03-12 – &lt;/strong&gt;Congress party loses India national election&lt;br /&gt;
&lt;strong&gt;1996-03-09 – &lt;/strong&gt;Javed Miandad’s last international in Pak’s WC QF loss to India&lt;br /&gt;
&lt;strong&gt;1996-03-13 – &lt;/strong&gt;Sri Lanka beat India in World Cup semi as riots stop play&lt;br /&gt;
&lt;strong&gt;1996-08-20 – &lt;/strong&gt;India defeat Pakistan in Under-15 World Challenge Final at Lord’s&lt;br /&gt;
&lt;strong&gt;1996-09-16 – &lt;/strong&gt;1st one-day international in Canada, India v Pakistan at Toronto&lt;br /&gt;
&lt;strong&gt;1997-03-13 – &lt;/strong&gt;India’s Missionaries of Charity chooses Sister Nirmala to succeed Mother Teresa as its leader.&lt;br /&gt;
&lt;strong&gt;1997-07-25 – &lt;/strong&gt;K.R. Narayanan is sworn-in as India’s 10th president and the first Dalit— formerly called “untouchable”— to hold this office.&lt;br /&gt;
&lt;strong&gt;1998-03-24 – &lt;/strong&gt;A tornado sweeps through Dantan in India killing 250 people and injuring 3000 others.&lt;br /&gt;
&lt;strong&gt;1998-04-06 – &lt;/strong&gt;Pakistan tests medium-range missiles capable of hitting India.&lt;br /&gt;
&lt;strong&gt;1998-05-11 – &lt;/strong&gt;India conducts three underground nuclear tests in Pokhran, including a thermonuclear device.&lt;br /&gt;
&lt;strong&gt;1998-05-13 – &lt;/strong&gt;India carries out two nuclear tests at Pokhran, in addition to the three conducted on May 11. The United States and Japan impose economic sanctions on India.&lt;br /&gt;
&lt;strong&gt;1998-05-28 – &lt;/strong&gt;Nuclear testing: Pakistan responds to a series of Indian nuclear tests with five of its own, prompting the United States, Japan, and other nations to impose economic sanctions.&lt;br /&gt;
&lt;strong&gt;1999-01-22 – &lt;/strong&gt;Australian missionary Graham Staines and his two sons are burned alive by radical Hindus while sleeping in their car in Eastern India.&lt;br /&gt;
&lt;strong&gt;1999-03-11 – &lt;/strong&gt;Infosys becomes the first Indian company listed on the NASDAQ stock exchange.&lt;br /&gt;
&lt;strong&gt;1999-04-08 – &lt;/strong&gt;Haryana Gana Parishad, a political party in the Indian state of Haryana, merges with the Indian National Congress.&lt;br /&gt;
&lt;strong&gt;1999-08-11 – &lt;/strong&gt;Total solar eclipse in India-North -France (2m23s)&lt;br /&gt;
&lt;strong&gt;2000-02-15 – &lt;/strong&gt;Indian Point II nuclear power plant in New York State vents a small amount of radioactive steam when a steam generator fails.&lt;br /&gt;
&lt;strong&gt;2000-11-15 – &lt;/strong&gt;A chartered Antonov AN-24 crashes after takeoff from Luanda, Angola killing more than 40 people. New Jharkhand state came into existence in India.&lt;br /&gt;
&lt;strong&gt;2001-01-26 – &lt;/strong&gt;An earthquake hits Gujarat, India, causing more than 20,000 deaths.&lt;br /&gt;
&lt;strong&gt;2001-06-18 – &lt;/strong&gt;Protests occur in Manipur over the extension of the ceasefire between Naga insurgents and the government of India.&lt;br /&gt;
&lt;strong&gt;2001-09-21 – &lt;/strong&gt;University of Roorkee, becomes India’s 7th Indian Institute of Technology, rechristened as IIT Roorkee&lt;br /&gt;
&lt;strong&gt;2001-12-13 – &lt;/strong&gt;the Indian Parliament Sansad is attacked by terrorists. 15 people are killed, including all the terrorists.&lt;br /&gt;
&lt;strong&gt;2002-05-03 – &lt;/strong&gt;A military MiG-21 aircraft crashes into the Bank of Rajasthan in India, killing eight.&lt;br /&gt;
&lt;strong&gt;2003-06-05 – &lt;/strong&gt;A severe heat wave across Pakistan and India reaches its peak, as temperatures exceed 50°C (122°F) in the region.&lt;br /&gt;
&lt;strong&gt;2003-10-17 – &lt;/strong&gt;Eunuchs in the Indian state of Madhya Pradesh float the political party Jiti Jitayi Politics.&lt;br /&gt;
&lt;strong&gt;2003-11-18 – &lt;/strong&gt;The congress of the Communist Party of Indian Union (Marxist-Leninist) decides to merge the party into Kanu Sanyal’s CPI(ML).&lt;br /&gt;
&lt;strong&gt;2004-03-23 – &lt;/strong&gt;Andhra Pradesh Federation of Trade Unions holds its first conference in Hyderabad, India.&lt;br /&gt;
&lt;strong&gt;2004-06-06 – &lt;/strong&gt;Tamil is established as a Classical language by the President of India, Dr. A.P.J. Abdul Kalam in a joint sitting of the two houses of the Indian Parliament.&lt;br /&gt;
&lt;strong&gt;2004-09-17 – &lt;/strong&gt;Tamil is declared the first classical language in India.&lt;br /&gt;
&lt;strong&gt;2004-09-21 – &lt;/strong&gt;The Communist Party of India (Marxist-Leninist) People’s War and the Maoist Communist Centre of India merge to form the Communist Party of India (Maoist).&lt;br /&gt;
&lt;strong&gt;2005-01-25 – &lt;/strong&gt;A stampede at the Mandher Devi temple in Mandhradevi in India kills at least 258.&lt;br /&gt;
&lt;strong&gt;2005-07-26 – &lt;/strong&gt;Mumbai, India receives 99.5cm of rain (39.17 inches) within 24 hours, bringing the city to a halt for over 2 days.&lt;br /&gt;
&lt;strong&gt;2006-07-06 – &lt;/strong&gt;The Nathula Pass between India and China, sealed during the Sino-Indian War, re-opens for trade after 44 years.&lt;br /&gt;
&lt;strong&gt;2006-07-11 – &lt;/strong&gt;209 people are killed in a series of bomb attacks in Mumbai, India.&lt;br /&gt;
&lt;strong&gt;2007-07-25 – &lt;/strong&gt;Pratibha Patil is sworn in as India’s first woman president&lt;br /&gt;
&lt;strong&gt;2008-10-22 – &lt;/strong&gt;India launches its first unmanned lunar mission Chandrayaan-1.&lt;br /&gt;
&lt;strong&gt;2008-11-26 – &lt;/strong&gt;Terrorist attacks in Mumbai, India: Ten coordinated attacks by Pakistan-based terrorists kill 164 and injure more than 250 people in Mumbai, India.&lt;br /&gt;
&lt;strong&gt;2010-02-13 – &lt;/strong&gt;A bombing at the German Bakery in Pune, India, kills 10 and injures 60 more.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/7036858342001834477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/historical-events-in-indian-history.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7036858342001834477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7036858342001834477'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/historical-events-in-indian-history.html' title='Historical Events In Indian History WITH DATE'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-1592373434371401399</id><published>2011-09-17T19:54:00.000+05:30</published><updated>2011-09-17T19:54:47.692+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'>Famous Deaths In Indian History</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;strong&gt;1351-03-20 – &lt;/strong&gt;Mohammed ibn-Tughluq, sultan of Delhi India, dies&lt;br /&gt;
&lt;strong&gt;1510-03-01 – &lt;/strong&gt;Francisco d’Almeida, viceroy of India, dies in battle at about 59&lt;span id=&quot;more-2742&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;strong&gt;1539-03-05 – &lt;/strong&gt;Nuno da Cunha, Portuguese governor in India (b. 1487)&lt;br /&gt;
&lt;strong&gt;1605-10-15 – &lt;/strong&gt;Abul-Fath Djalal-ud-Din, Mogol keizer of India (1556-1605), dies at 63&lt;br /&gt;
&lt;strong&gt;1627-10-28 – &lt;/strong&gt;Djehangir/Jahangir, great mogol of India, dies&lt;br /&gt;
&lt;strong&gt;1629-04-19 – &lt;/strong&gt;Sigismondo d’India, Italian composer&lt;br /&gt;
&lt;strong&gt;1631-06-07 – &lt;/strong&gt;Mumtax Mahal, wife of Shah Jahan of India, her tomb (Taj Mahal)&lt;br /&gt;
&lt;strong&gt;1666-02-01 – &lt;/strong&gt;Sjihab al-Din Sultan C Shah Djahan, mogol of India (Taj-Mahal), dies&lt;br /&gt;
&lt;strong&gt;1680-04-03 – &lt;/strong&gt;Shivaji, founder of the Maratha Empire, India (b. 1630)&lt;br /&gt;
&lt;strong&gt;1680-04-17 – &lt;/strong&gt;Kateri Tekakwitha, first American Indian to receive beatification (b. 1656)&lt;br /&gt;
&lt;strong&gt;1699-06-22 – &lt;/strong&gt;Josiah Child, English Governor of the East India Company (b. 1630)&lt;br /&gt;
&lt;strong&gt;1707-02-20 – &lt;/strong&gt;Aurangzeb, Mogul emperor of India (1658-1707), dies&lt;br /&gt;
&lt;strong&gt;1707-03-03 – &lt;/strong&gt;Aurangzeb, Emperor of India (1658-1707), dies at 88&lt;br /&gt;
&lt;strong&gt;1713-02-11 – &lt;/strong&gt;Jahandar Shah, Mughal emperor of India (b. 1664)&lt;br /&gt;
&lt;strong&gt;1754-10-04 – &lt;/strong&gt;Tanacharison, Catawba Indian chief&lt;br /&gt;
&lt;strong&gt;1755-07-09 – &lt;/strong&gt;E Braddock, British Gen, mortally wounded during French &amp;amp; Indian War&lt;br /&gt;
&lt;strong&gt;1760-04-10 – &lt;/strong&gt;Gerard George Clifford, head of East-Indian Company, dies at 75&lt;br /&gt;
&lt;strong&gt;1773-11-22 – &lt;/strong&gt;Robert Clive, English occupier (India), dies at about 48&lt;br /&gt;
&lt;strong&gt;1781-05-18 – &lt;/strong&gt;Túpac Amaru II, Peruvian Indian revolutionary, a descendant of the last Inca ruler, Túpac Amaru (b. 1742)&lt;br /&gt;
&lt;strong&gt;1799-05-04 – &lt;/strong&gt;Tipu Sultan, Indian military leader (b. 1750)&lt;br /&gt;
&lt;strong&gt;1815-09-24 – &lt;/strong&gt;John Sevier, indian fighter (Gov/Rep-Tn), dies at 70&lt;br /&gt;
&lt;strong&gt;1818-08-22 – &lt;/strong&gt;Warren Hastings, 1st governor-general of India (1773-84), dies at 85&lt;br /&gt;
&lt;strong&gt;1843-12-18 – &lt;/strong&gt;Thomas Graham, Lord Lynedoch, British Viceroy of India (b. 1748)&lt;br /&gt;
&lt;strong&gt;1856-09-24 – &lt;/strong&gt;Henry, 1st viscount Hardinge of Lahore, gov-gen of India, dies&lt;br /&gt;
&lt;strong&gt;1857-04-08 – &lt;/strong&gt;Mangal Pandey, Indian soldier (b. 1827)&lt;br /&gt;
&lt;strong&gt;1858-06-17 – &lt;/strong&gt;Rani Lakshmibai, queen of Jhansi in North India, one of the leading figures of the Indian rebellion of 1857 (b. 1828)&lt;br /&gt;
&lt;strong&gt;1860-10-12 – &lt;/strong&gt;Henry G W Smith, leader of British-Indian forces, dies at 73&lt;br /&gt;
&lt;strong&gt;1868-05-23 – &lt;/strong&gt;Kit Carson, American trapper, scout, and Indian agent (b. 1809)&lt;br /&gt;
&lt;strong&gt;1869-02-15 – &lt;/strong&gt;Mirza Ghalib, Indian poet (b. 1796)&lt;br /&gt;
&lt;strong&gt;1871-03-18 – &lt;/strong&gt;Augustus De Morgan, Indian-born British mathematician and logician (b. 1806)&lt;br /&gt;
&lt;strong&gt;1871-06-08 – &lt;/strong&gt;Satank, Kiowa indian chief, shot to death&lt;br /&gt;
&lt;strong&gt;1881-07-17 – &lt;/strong&gt;Jim Bridger, American mountain man, Indian fighter, and explorer (b. 1804)&lt;br /&gt;
&lt;strong&gt;1883-02-17 – &lt;/strong&gt;Vasudeo Balwant Phadke, Indian revolutionary (b. 1845)&lt;br /&gt;
&lt;strong&gt;1890-12-10 – &lt;/strong&gt;Ludolf AJW Sloet van de Beele, gov-gen (Net India 1861-66), dies at 84&lt;br /&gt;
&lt;strong&gt;1893-11-07 – &lt;/strong&gt;Constantly Lievens, Flemish missionaries in India, dies at 37&lt;br /&gt;
&lt;strong&gt;1898-03-01 – &lt;/strong&gt;George Bruce Malleson, English officer in India, author (b. 1825)&lt;br /&gt;
&lt;strong&gt;1898-03-27 – &lt;/strong&gt;Sir Syed Ahmad Khan, Indian Muslim intellectual (b. 1817)&lt;br /&gt;
&lt;strong&gt;1902-07-04 – &lt;/strong&gt;Swami Vivekananda, Indian spiritual leader (b. 1863)&lt;br /&gt;
&lt;strong&gt;1905-01-19 – &lt;/strong&gt;Debendranath Tagore, Indian philosopher (b. 1817)&lt;br /&gt;
&lt;strong&gt;1908-08-11 – &lt;/strong&gt;Khudiram Bose, Indian freedom fighter (b. 1889)&lt;br /&gt;
&lt;strong&gt;1915-02-19 – &lt;/strong&gt;Gopal Krishna Gokhale, India’s social reformer/politician, dies&lt;br /&gt;
&lt;strong&gt;1918-07-22 – &lt;/strong&gt;Indra Lal Roy, Indian pilot (b. 1898)&lt;br /&gt;
&lt;strong&gt;1918-10-15 – &lt;/strong&gt;Sai Baba of Shirdi, Indian saint (b. circa 1838)&lt;br /&gt;
&lt;strong&gt;1919-05-27 – &lt;/strong&gt;Kandukuri Veeresalingam, Indian social activist (b. 1848)&lt;br /&gt;
&lt;strong&gt;1920-04-26 – &lt;/strong&gt;Srinivasa Ramanujan, Indian mathematician (b. 1887)&lt;br /&gt;
&lt;strong&gt;1920-08-01 – &lt;/strong&gt;Bal Gangadhar Tilak, British-Indian hindu leader, dies&lt;br /&gt;
&lt;strong&gt;1925-06-16 – &lt;/strong&gt;Chittaranjan Das, Indian patriot and freedom fighter (b. 1870)&lt;br /&gt;
&lt;strong&gt;1927-02-05 – &lt;/strong&gt;Inayat Khan, Indian sufi&lt;br /&gt;
&lt;strong&gt;1927-06-13 – &lt;/strong&gt;Henry CK “Clan” Petty-Fitzmaurice, gov of India (1888-94), dies at 82&lt;br /&gt;
&lt;strong&gt;1928-11-17 – &lt;/strong&gt;Lala Lajpat Rai, Indian author, politician, &amp;amp; freedom fighter (b. 1865)&lt;br /&gt;
&lt;strong&gt;1931-03-23 – &lt;/strong&gt;Bhagat Singh, Rajguru, Sukhdev Indian freedom fighters&lt;br /&gt;
&lt;strong&gt;1936-09-19 – &lt;/strong&gt;Vishnu Narayan Bhatkhande, Indian musician (b. 1860)&lt;br /&gt;
&lt;strong&gt;1937-11-23 – &lt;/strong&gt;Jagdish Chandra Bose, Indian physicist (b. 1858)&lt;br /&gt;
&lt;strong&gt;1938-04-21 – &lt;/strong&gt;Allama Iqbal, Indian philosopher and poet (b. 1877)&lt;br /&gt;
&lt;strong&gt;1940-01-01 – &lt;/strong&gt;Panuganti Lakshminarasimha Rao, Indian writer and essayist (b. 1865)&lt;br /&gt;
&lt;strong&gt;1941-03-28 – &lt;/strong&gt;Kavasji Jamshedji Petigara, Indian Police Commissioner (b. 1877)&lt;br /&gt;
&lt;strong&gt;1941-08-07 – &lt;/strong&gt;Radindranath Tagore, Indian philosopher/poet/writer, dies at 80&lt;br /&gt;
&lt;strong&gt;1948-01-30 – &lt;/strong&gt;Mahatma Gandhi, India’s political and spiritual leader, assassinated in New Delhi&lt;br /&gt;
&lt;strong&gt;1948-01-30 – &lt;/strong&gt;Mahatma Ghandi, murdered by Hindu extremists in India&lt;br /&gt;
&lt;strong&gt;1950-04-14 – &lt;/strong&gt;Sri Ramana Maharshi, Indian philosopher (b. 1879)&lt;br /&gt;
&lt;strong&gt;1950-08-08 – &lt;/strong&gt;Ernest F E Douwes Dekker, founder National-India Party, dies&lt;br /&gt;
&lt;strong&gt;1950-12-05 – &lt;/strong&gt;Shri Aurobindo, Indian guru (b. 1872)&lt;br /&gt;
&lt;strong&gt;1950-12-15 – &lt;/strong&gt;Sardar Vallabhbhai Patel, Indian political leader, Iron Man of India (b. 1875)&lt;br /&gt;
&lt;strong&gt;1951-12-05 – &lt;/strong&gt;Abanindranath Tagore, Indian writer (b. 1871)&lt;br /&gt;
&lt;strong&gt;1952-01-05 – &lt;/strong&gt;Victor Alexander John Hope, viceroy of India (1936-43), dies at 64&lt;br /&gt;
&lt;strong&gt;1952-03-07 – &lt;/strong&gt;Paramahansa Yogananda, Indian guru (b. 1893)&lt;br /&gt;
&lt;strong&gt;1953-12-10 – &lt;/strong&gt;Abdullah Yusuf Ali, Indian-born scholar and translator (b. 1872)&lt;br /&gt;
&lt;strong&gt;1955-09-16 – &lt;/strong&gt;Leopold C M S Amery, Brit minister of Colonies (India), dies at 81&lt;br /&gt;
&lt;strong&gt;1956-12-06 – &lt;/strong&gt;Dr. Bhimji Ramji Ambedkar, Indian Minister of Law and architect of The Constitution of India (b. 1891)&lt;br /&gt;
&lt;strong&gt;1958-06-27 – &lt;/strong&gt;Robert Greig, actor (Devil Doll, Indian Love Call), dies at 78&lt;br /&gt;
&lt;strong&gt;1959-12-23 – &lt;/strong&gt;Edward FLW Halifax, English viscount/viceroy of India, dies at 78&lt;br /&gt;
&lt;strong&gt;1962-04-12 – &lt;/strong&gt;Sir Mokshagundam Visvesvaraya, Indian politician and engineer (b. 1861)&lt;br /&gt;
&lt;strong&gt;1963-02-28 – &lt;/strong&gt;Rajendra Prasad, First President of India (b. 1884)&lt;br /&gt;
&lt;strong&gt;1964-05-27 – &lt;/strong&gt;Jawaharial Nehru, Independent India’s 1st PM, dies at 74&lt;br /&gt;
&lt;strong&gt;1966-01-11 – &lt;/strong&gt;Lal Bahadur Shastri, Indian premier (1964-66), dies at 61&lt;br /&gt;
&lt;strong&gt;1966-01-24 – &lt;/strong&gt;Homi J. Bhabha, Indian physicist (b. 1909)&lt;br /&gt;
&lt;strong&gt;1966-02-26 – &lt;/strong&gt;Vinayak Damodar Savarkar, Indian freedom fighter and writer (b. 1883)&lt;br /&gt;
&lt;strong&gt;1967-10-12 – &lt;/strong&gt;Ram Manohar Lohia, Indian Socialist politician leader&lt;br /&gt;
&lt;strong&gt;1969-01-31 – &lt;/strong&gt;Meher Baba, Indian guru (b. 1894)&lt;br /&gt;
&lt;strong&gt;1969-05-03 – &lt;/strong&gt;Zakir Hussain, 3rd President of India, (b. 1897)&lt;br /&gt;
&lt;strong&gt;1969-06-24 – &lt;/strong&gt;Ted Hecht, actor (Time to Kill, Song of India, Gangster), dies&lt;br /&gt;
&lt;strong&gt;1970-06-07 – &lt;/strong&gt;Edward M Forster, Brit writer (Maurice, passage to India), dies at 91&lt;br /&gt;
&lt;strong&gt;1970-07-24 – &lt;/strong&gt;Peter de Noronha, Indian businessman (b. 1897)&lt;br /&gt;
&lt;strong&gt;1970-11-21 – &lt;/strong&gt;Chandrasekhara Venkata Raman, Indian physicist, Nobel laureate (b. 1888)&lt;br /&gt;
&lt;strong&gt;1971-12-31 – &lt;/strong&gt;Vikram Sarabhai, Indian physicist (b. 1919)&lt;br /&gt;
&lt;strong&gt;1972-03-31 – &lt;/strong&gt;Meena Kumari, Indian actress (b. 1932)&lt;br /&gt;
&lt;strong&gt;1972-05-28 – &lt;/strong&gt;Edward VIII, King of Gr Brit/N Ireld/emperor (India 1936), dies at 77&lt;br /&gt;
&lt;strong&gt;1972-07-28 – &lt;/strong&gt;Charu Majumdar, Indian revolutionary leader (b. 1918)&lt;br /&gt;
&lt;strong&gt;1972-09-27 – &lt;/strong&gt;S. R. Ranganathan, Indian mathematician (b. 1892)&lt;br /&gt;
&lt;strong&gt;1973-09-11 – &lt;/strong&gt;Neem Karoli Baba, Indian guru&lt;br /&gt;
&lt;strong&gt;1974-02-04 – &lt;/strong&gt;Satyendra Nath Bose, Indian physicist (b. 1894)&lt;br /&gt;
&lt;strong&gt;1975-04-17 – &lt;/strong&gt;Sarvepalli Radhakrishnan, Indian philosopher (b. 1888)&lt;br /&gt;
&lt;strong&gt;1975-10-02 – &lt;/strong&gt;Kumaraswami Kamaraj, Indian political leader, Chief Minister of Tamil Nadu (b. 1903)&lt;br /&gt;
&lt;strong&gt;1975-10-31 – &lt;/strong&gt;SD Burman, Indian musician (b. 1906)&lt;br /&gt;
&lt;strong&gt;1976-08-27 – &lt;/strong&gt;Mukesh, Indian playback singer (b. 1923)&lt;br /&gt;
&lt;strong&gt;1977-03-22 – &lt;/strong&gt;A.K. Gopalan, Indian communist leader (b. 1904)&lt;br /&gt;
&lt;strong&gt;1979-12-03 – &lt;/strong&gt;Dhyan Chand, Indian field hockey player (b. 1905)&lt;br /&gt;
&lt;strong&gt;1980-06-23 – &lt;/strong&gt;Sanjay Gandhi, Indian politician, dies&lt;br /&gt;
&lt;strong&gt;1980-06-23 – &lt;/strong&gt;Varahagiri Venkata Giri, Fourth President of India (b. 1894)&lt;br /&gt;
&lt;strong&gt;1980-07-24 – &lt;/strong&gt;Uttam Kumar, Indian actor (b. 1926)&lt;br /&gt;
&lt;strong&gt;1980-07-31 – &lt;/strong&gt;Mohd. Rafi, Indian playback singer (b. 1924)&lt;br /&gt;
&lt;strong&gt;1981-02-05 – &lt;/strong&gt;Kuda Bux, Indian mystic (I’d Like to See), dies at 75&lt;br /&gt;
&lt;strong&gt;1981-12-26 – &lt;/strong&gt;Savithri, Indian actress (b. 1937)&lt;br /&gt;
&lt;strong&gt;1982-02-22 – &lt;/strong&gt;Josh Malihabadi, Urdu poet of India and Pakistan (b. 1898)&lt;br /&gt;
&lt;strong&gt;1983-01-11 – &lt;/strong&gt;Shri Ghanshyam Das Birla, Indian industrialist and educator (b. 1894)&lt;br /&gt;
&lt;strong&gt;1984-02-03 – &lt;/strong&gt;Ravindara Mhatrem, Indian diplomat, killed in England&lt;br /&gt;
&lt;strong&gt;1984-02-09 – &lt;/strong&gt;Balasaraswathi, Indian classical dancer, dies in Madras&lt;br /&gt;
&lt;strong&gt;1984-10-31 – &lt;/strong&gt;Indira Gandhi, Prime Minister of India, assassinated by two of her bodyguards at 66&lt;br /&gt;
&lt;strong&gt;1984-11-27 – &lt;/strong&gt;Percy Norris, deputy high commissioner of India, shot dead&lt;br /&gt;
&lt;strong&gt;1985-03-15 – &lt;/strong&gt;Radha Krishna Choudhary, Indian historian and writer (b. 1921)&lt;br /&gt;
&lt;strong&gt;1986-02-17 – &lt;/strong&gt;Jiddu Krishnamurti, Indian philosopher (Kingdom Happiness), dies at 90&lt;br /&gt;
&lt;strong&gt;1986-06-06 – &lt;/strong&gt;Bhavana Balachandran, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-07-06 – &lt;/strong&gt;Jagjivan Ram, Indian politician (b. 1908)&lt;br /&gt;
&lt;strong&gt;1987-10-09 – &lt;/strong&gt;Guru Gopinath, Indian classical dancer (b. 1908)&lt;br /&gt;
&lt;strong&gt;1987-10-13 – &lt;/strong&gt;Kishore Kumar, Indian Singer (b.1929)&lt;br /&gt;
&lt;strong&gt;1987-12-11 – &lt;/strong&gt;G. A. Kulkarni, Indian (Marathi) writer (b. 1923)&lt;br /&gt;
&lt;strong&gt;1990-01-19 – &lt;/strong&gt;Bhagwan Shree Rajneesh, indian guru, dies at 58&lt;br /&gt;
&lt;strong&gt;1990-05-21 – &lt;/strong&gt;Moelvi Mohammed Farouk, Indian spiritual leader, murdered&lt;br /&gt;
&lt;strong&gt;1990-11-07 – &lt;/strong&gt;Lawrence Durrell, Indian/English author (Alexandria Quartet, Mount Olive), dies at 78&lt;br /&gt;
&lt;strong&gt;1991-03-23 – &lt;/strong&gt;Parkash Singh, Indian soldier, recipient of the Victoria Cross (b. 1913)&lt;br /&gt;
&lt;strong&gt;1991-05-21 – &lt;/strong&gt;Rajiv Gandhi, Indian Prime Minster (1984-91), assassinated at 46&lt;br /&gt;
&lt;strong&gt;1991-06-14 – &lt;/strong&gt;Peggy Ashcroft, British actress (A passage to India), dies at 83&lt;br /&gt;
&lt;strong&gt;1992-04-23 – &lt;/strong&gt;Satyajit Ray, Indian director (Distant Thunder/Agantuk), dies at 70&lt;br /&gt;
&lt;strong&gt;1993-04-06 – &lt;/strong&gt;Divya Bharati, “Baby Doll” Indian Bollywood actress (Diwana), dies at 19 by mysteriously falling from her husband’s apartment&lt;br /&gt;
&lt;strong&gt;1993-11-29 – &lt;/strong&gt;JRD Tata, Indies industrialist (Air-India), dies at 89&lt;br /&gt;
&lt;strong&gt;1993-11-30 – &lt;/strong&gt;Sebastian Kappen, Indian theologian (b. 1924)&lt;br /&gt;
&lt;strong&gt;1994-01-04 – &lt;/strong&gt;RD Burman, Indian musician (b. 1939)&lt;br /&gt;
&lt;strong&gt;1994-12-25 – &lt;/strong&gt;Zail Singh, president of India (1982-87), dies at 78&lt;br /&gt;
&lt;strong&gt;1995-04-10 – &lt;/strong&gt;Morarji Desai, PM of India (1977-79), dies&lt;br /&gt;
&lt;strong&gt;1995-08-31 – &lt;/strong&gt;Beant Singh, PM of Punjab province of India, assassinated at 73&lt;br /&gt;
&lt;strong&gt;1996-01-18 – &lt;/strong&gt;N T Rama Rao, PM of Andhra Pradesh India (1983-84, 84-89, 94-95), dies&lt;br /&gt;
&lt;strong&gt;1996-01-18 – &lt;/strong&gt;Nandamuri Taraka Rama Rao, Indian actor (b. 1923)&lt;br /&gt;
&lt;strong&gt;1996-04-22 – &lt;/strong&gt;Hiteshwar Saikia, PM of Indian state of Assam (1991-96), dies&lt;br /&gt;
&lt;strong&gt;1996-05-20 – &lt;/strong&gt;Janaki Ramachandran, PM of Indian state of Tamil Nadu (1988), dies&lt;br /&gt;
&lt;strong&gt;1996-05-31 – &lt;/strong&gt;Neela Sanjiva Reddy, president of India (1977-82), dies&lt;br /&gt;
&lt;strong&gt;1996-06-01 – &lt;/strong&gt;Neelam Sanjiva Reddy, president of India, dies at 83&lt;br /&gt;
&lt;strong&gt;1998-01-15 – &lt;/strong&gt;Gulzarilal Nanda, temporary PM of India (1964, 66), dies&lt;br /&gt;
&lt;strong&gt;1998-08-18 – &lt;/strong&gt;Persis Khambatta, Indian actress (b. 1950)&lt;br /&gt;
&lt;strong&gt;1999-07-07 – &lt;/strong&gt;Captain Vikram Batra, Indian Army officer, awarded Param Vir Chakra (September 9,1974)&lt;br /&gt;
&lt;strong&gt;1999-08-01 – &lt;/strong&gt;Nirad C. Chaudhuri, Indian-born writer (b. 1897)&lt;br /&gt;
&lt;strong&gt;1999-08-10 – &lt;/strong&gt;Padma Bhushan Acharya Baldev Upadhyaya, Eminent Sanskrit Scholar in India (b. 1899)&lt;br /&gt;
&lt;strong&gt;1999-12-26 – &lt;/strong&gt;Shankar Dayal Sharma, President of India (b. 1918)&lt;br /&gt;
&lt;strong&gt;2000-07-10 – &lt;/strong&gt;Vakkom Majeed, Indian Freedom fighter, Travancore-Cochin Legislative member (b. 1909)&lt;br /&gt;
&lt;strong&gt;2000-11-07 – &lt;/strong&gt;Chidambaram Subramaniam, Indian politician (b. 1910)&lt;br /&gt;
&lt;strong&gt;2000-12-23 – &lt;/strong&gt;Noor Jehan, Indian singer and actress (b. 1926)&lt;br /&gt;
&lt;strong&gt;2001-05-13 – &lt;/strong&gt;R.K. Narayan, Indian novelist (b. 1906)&lt;br /&gt;
&lt;strong&gt;2001-07-21 – &lt;/strong&gt;Sivaji Ganesan, South Indian Tamil actor (b. 1927)&lt;br /&gt;
&lt;strong&gt;2001-12-01 – &lt;/strong&gt;Ellis R Dungan, American born Indian film director (b. 1909)&lt;br /&gt;
&lt;strong&gt;2001-12-10 – &lt;/strong&gt;Ashok Kumar, Indian actor (b. 1911)&lt;br /&gt;
&lt;strong&gt;2002-07-06 – &lt;/strong&gt;Dhirubhai Ambani, Indian businessman (b. 1932)&lt;br /&gt;
&lt;strong&gt;2002-07-07 – &lt;/strong&gt;Dhirubhai Ambani, Indian business tycoon (b. 1933)&lt;br /&gt;
&lt;strong&gt;2002-10-11 – &lt;/strong&gt;Dina Pathak, Indian Actress (b. 1922)&lt;br /&gt;
&lt;strong&gt;2003-10-31 – &lt;/strong&gt;Semmangudi Srinivasa Iyer, Indian singer (b. 1908)&lt;br /&gt;
&lt;strong&gt;2003-11-09 – &lt;/strong&gt;Binod Bihari Verma, Indian Maithili literateur (b.1937)&lt;br /&gt;
&lt;strong&gt;2004-02-23 – &lt;/strong&gt;Vijay Anand, Indian film director (b. 1934)&lt;br /&gt;
&lt;strong&gt;2004-02-26 – &lt;/strong&gt;Shankarrao Chavan, Indian politician (b. 1920)&lt;br /&gt;
&lt;strong&gt;2004-04-17 – &lt;/strong&gt;Soundarya, Indian actress (b. 1971)&lt;br /&gt;
&lt;strong&gt;2004-06-26 – &lt;/strong&gt;Yash Johar, Indian film producer (b. 1929)&lt;br /&gt;
&lt;strong&gt;2004-07-23 – &lt;/strong&gt;Mehmood, Indian actor (b. 1932)&lt;br /&gt;
&lt;strong&gt;2004-08-15 – &lt;/strong&gt;Amarsinh Chaudhary, Indian politician (b. 1941)&lt;br /&gt;
&lt;strong&gt;2004-08-30 – &lt;/strong&gt;Indian Larry, American motorcycle builder and stuntman (b. 1949)&lt;br /&gt;
&lt;strong&gt;2004-10-18 – &lt;/strong&gt;Veerappan, Indian bandit and smuggler (b. 1945)&lt;br /&gt;
&lt;strong&gt;2004-12-11 – &lt;/strong&gt;M.S. Subbulakshmi, Indian singer (b. 1916)&lt;br /&gt;
&lt;strong&gt;2004-12-21 – &lt;/strong&gt;Autar Singh Paintal, Indian medical scientist (b. 1925)&lt;br /&gt;
&lt;strong&gt;2004-12-23 – &lt;/strong&gt;P. V. Narasimha Rao, Prime Minister of India (b. 1921)&lt;br /&gt;
&lt;strong&gt;2005-01-03 – &lt;/strong&gt;JN Dixit, Indian government official (b. 1936)&lt;br /&gt;
&lt;strong&gt;2005-01-12 – &lt;/strong&gt;Amrish Puri, Indian actor (b. 1932)&lt;br /&gt;
&lt;strong&gt;2005-01-21 – &lt;/strong&gt;Parveen Babi, Indian actress (b. 1955)&lt;br /&gt;
&lt;strong&gt;2005-03-30 – &lt;/strong&gt;O. V. Vijayan, Indian author and cartoonist (b. 1930)&lt;br /&gt;
&lt;strong&gt;2005-04-25 – &lt;/strong&gt;Swami Ranganathananda, Indian monk (b. 1908)&lt;br /&gt;
&lt;strong&gt;2005-05-25 – &lt;/strong&gt;Sunil Dutt, Indian actor and politician (b. 1929)&lt;br /&gt;
&lt;strong&gt;2005-07-27 – &lt;/strong&gt;Swami Shantanand, Mahasamadhi Day, Indian Saint, Philosopher (b. 1934)&lt;br /&gt;
&lt;strong&gt;2005-10-30 – &lt;/strong&gt;Shamsher Singh Sheri, Indian communist leader (b. 1942)&lt;br /&gt;
&lt;strong&gt;2005-11-09 – &lt;/strong&gt;K. R. Narayanan, President of India (b. 1921)&lt;br /&gt;
&lt;strong&gt;2006-02-09 – &lt;/strong&gt;Nadira, Indian actress (b. 1932)&lt;br /&gt;
&lt;strong&gt;2006-02-23 – &lt;/strong&gt;Telmo Zarraonaindía, Spanish footballer (b. 1921)&lt;br /&gt;
&lt;strong&gt;2006-03-26 – &lt;/strong&gt;Anil Biswas, Indian politician (b. 1944)&lt;br /&gt;
&lt;strong&gt;2006-04-12 – &lt;/strong&gt;Dr. Rajkumar, Kannada language film actor/singer (India)(b. 1929)&lt;br /&gt;
&lt;strong&gt;2006-04-21 – &lt;/strong&gt;T.K. Ramakrishnan, Indian politician (b. 1922)&lt;br /&gt;
&lt;strong&gt;2006-05-03 – &lt;/strong&gt;Pramod Mahajan, Indian politician (b. 1949)&lt;br /&gt;
&lt;strong&gt;2006-05-05 – &lt;/strong&gt;Naushad Ali, Indian composer (b. 1919)&lt;br /&gt;
&lt;strong&gt;2006-05-27 – &lt;/strong&gt;Oduvil Unnikrishnan, Indian actor (b. 1944)&lt;br /&gt;
&lt;strong&gt;2006-08-21 – &lt;/strong&gt;Ustad Bismillah Khan, Indian musician (b. 1916)&lt;br /&gt;
&lt;strong&gt;2006-08-27 – &lt;/strong&gt;Hrishikesh Mukherjee, Indian film director (b. 1922)&lt;br /&gt;
&lt;strong&gt;2007-02-02 – &lt;/strong&gt;Vijay Arora, Indian film and television actor (b. 1944)&lt;br /&gt;
&lt;strong&gt;2007-03-04 – &lt;/strong&gt;Sunil Kumar Mahato, Indian parliamentarian (b. 1966)&lt;br /&gt;
&lt;strong&gt;2007-03-22 – &lt;/strong&gt;Uppaluri Gopala Krishnamurti, Indian philosopher (b. 1918)&lt;br /&gt;
&lt;strong&gt;2007-04-16 – &lt;/strong&gt;G. V. Loganathan, Indian American professor of Civil and Environmental Engineering (b. 1954)&lt;br /&gt;
&lt;strong&gt;2007-06-30 – &lt;/strong&gt;Sahib Singh Verma, Indian politician and former Chief Minister of Delhi (b. 1943)&lt;br /&gt;
&lt;strong&gt;2007-10-03 – &lt;/strong&gt;M.N. Vijayan, Indian writer, orator, and academic&lt;br /&gt;
&lt;strong&gt;2008-01-01 – &lt;/strong&gt;Pratap Chandra Chunder, union minister of India (b. 1919)&lt;br /&gt;
&lt;strong&gt;2008-02-05 – &lt;/strong&gt;Maharishi Mahesh Yogi, Indian guru, founder of Transcendental Meditation (b. ca. 1917)&lt;br /&gt;
&lt;strong&gt;2008-02-25 – &lt;/strong&gt;Hans Raj Khanna, Judge of the Supreme Court of India (b. 1912)&lt;br /&gt;
&lt;strong&gt;2008-03-20 – &lt;/strong&gt;Shoban Babu, Indian actor (b. 1937)&lt;br /&gt;
&lt;strong&gt;2008-05-19 – &lt;/strong&gt;Vijay Tendulkar, Indian playwright, (b. 1928)&lt;br /&gt;
&lt;strong&gt;2008-06-27 – &lt;/strong&gt;Sam Manekshaw, Indian Field Marshal (b. 1914)&lt;br /&gt;
&lt;strong&gt;2008-07-29 – &lt;/strong&gt;Ishmeet Singh Sodhi, Indian Playback Singer (b. 1989)&lt;br /&gt;
&lt;strong&gt;2008-08-01 – &lt;/strong&gt;Harkishan Singh Surjeet, Indian politician (b. 1916)&lt;br /&gt;
&lt;strong&gt;2008-09-27 – &lt;/strong&gt;Mahendra Kapoor, Indian singer (b. 1934)&lt;br /&gt;
&lt;strong&gt;2009-01-27 – &lt;/strong&gt;R. Venkataraman, 8th President of India (b. 1910)&lt;br /&gt;
&lt;strong&gt;2009-01-31 – &lt;/strong&gt;Nagesh, Indian comedian actor in Kollywood (b. 1933)&lt;br /&gt;
&lt;strong&gt;2009-04-27 – &lt;/strong&gt;Feroz Khan, Indian actor (b. 1939)&lt;br /&gt;
&lt;strong&gt;2009-05-03 – &lt;/strong&gt;Ram Shewalkar, Indian Marathi writer, cardiac arrest.(b.1931)&lt;br /&gt;
&lt;strong&gt;2009-06-28 – &lt;/strong&gt;A. K. Lohithadas, Indian screenwriter, director, and producer (b. 1955)&lt;br /&gt;
&lt;strong&gt;2009-07-29 – &lt;/strong&gt;Gayatri Devi, Ex-Maharani of Indian state Jaipur. (b. 1919)&lt;br /&gt;
&lt;strong&gt;2009-09-02 – &lt;/strong&gt;Y. S. Rajasekhara Reddy, Chief Minister of Andhra Pradesh, India (b. 1949)&lt;br /&gt;
&lt;strong&gt;2009-11-11 – &lt;/strong&gt;Dhanpat Rai Nahar, Indian labour leader (b. 1919)&lt;br /&gt;
&lt;strong&gt;2010-01-17 – &lt;/strong&gt;Jyoti Basu, Indian politician (b. 1914) &lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/1592373434371401399/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/famous-deaths-in-indian-history.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1592373434371401399'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1592373434371401399'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/famous-deaths-in-indian-history.html' title='Famous Deaths In Indian History'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-7675233097488945003</id><published>2011-09-17T19:49:00.000+05:30</published><updated>2011-09-17T19:49:55.275+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN HISTORY"/><title type='text'>Famous Birthdays in Indian History</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;strong&gt;1483-02-15 – &lt;/strong&gt;Babur, founder of Mughal dynasty in India (1526-30)&lt;br /&gt;
&lt;strong&gt;1506-04-07 – &lt;/strong&gt;Francis Xavier, saint/Jesuit missionary to India, Malaya, &amp;amp; Japan&lt;span id=&quot;more-2739&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;strong&gt;1542-10-14 – &lt;/strong&gt;Abul-Fath Djalal-ud-Din, 3rd Mogol emperor of India (1556-1605)&lt;br /&gt;
&lt;strong&gt;1542-10-15 – &lt;/strong&gt;Djalalud-Din Mohammed Akbar, emperor of India (1556-1605)&lt;br /&gt;
&lt;strong&gt;1569-08-31 – &lt;/strong&gt;Djehangir/Jahangir, great mogol of India&lt;br /&gt;
&lt;strong&gt;1592-01-05 – &lt;/strong&gt;Shah Jahan, Mughal emperor of India (1628-58), built Taj Mahal&lt;br /&gt;
&lt;strong&gt;1592-01-14 – &lt;/strong&gt;Sjihab al-Din Sultan Choerram Sjah Djahan, leader of India&lt;br /&gt;
&lt;strong&gt;1618-11-03 – &lt;/strong&gt;Aurangzeb, [Alamgir], Emperor of India (1658-1707)&lt;br /&gt;
&lt;strong&gt;1643-10-14 – &lt;/strong&gt;Bahadur Shah I, Mughal Emperor of India (d. 1712)&lt;br /&gt;
&lt;strong&gt;1682-07-10 – &lt;/strong&gt;Bartholomaeus Ziegenbalg, German Lutheran missionary to India (d. 1719)&lt;br /&gt;
&lt;strong&gt;1685-01-07 – &lt;/strong&gt;Gerard George Clifford, Dutch director of East India Company&lt;br /&gt;
&lt;strong&gt;1725-09-29 – &lt;/strong&gt;Robert Clive, English explorer/founder (British empire in India)&lt;br /&gt;
&lt;strong&gt;1725-09-29 – &lt;/strong&gt;Robert Clive, founder (British empire in India)&lt;br /&gt;
&lt;strong&gt;1732-12-06 – &lt;/strong&gt;Warren Hastings, England, 1st governor-General of India (1773-84)&lt;br /&gt;
&lt;strong&gt;1750-11-20 – &lt;/strong&gt;Tipu Sultan, Indian ruler (d. 1799)&lt;br /&gt;
&lt;strong&gt;1767-05-04 – &lt;/strong&gt;Tyagaraja, Composer of Indian classical Carnatic music (d. 1847)&lt;br /&gt;
&lt;strong&gt;1787-06-28 – &lt;/strong&gt;Henry G W Smith, leader of British-Indian forces&lt;br /&gt;
&lt;strong&gt;1796-12-27 – &lt;/strong&gt;Mirza Ghalib, Indian poet (d. 1869)&lt;br /&gt;
&lt;strong&gt;1809-01-23 – &lt;/strong&gt;Veer Surendra Sai, Indian Freedom Fighter&lt;br /&gt;
&lt;strong&gt;1809-12-24 – &lt;/strong&gt;Christopher “Kit” Carson, KY, Union brig-general/indian fighter&lt;br /&gt;
&lt;strong&gt;1817-05-15 – &lt;/strong&gt;Debendranath Tagore, Indian religious reformer (d. 1905)&lt;br /&gt;
&lt;strong&gt;1817-10-17 – &lt;/strong&gt;Sajjid Ahmad Chan, Indian moslem leader/co-founder (Pakistan)&lt;br /&gt;
&lt;strong&gt;1823-06-30 – &lt;/strong&gt;Dinshaw Maneckji Petit, Indian industrialist (d. 1901)&lt;br /&gt;
&lt;strong&gt;1824-02-12 – &lt;/strong&gt;Arya Samaj Maha Rishi Dayanand Sarsvati, Indian hindu leader&lt;br /&gt;
&lt;strong&gt;1825-05-08 – &lt;/strong&gt;George Bruce Malleson, Indian officer (d. 1898)&lt;br /&gt;
&lt;strong&gt;1825-09-04 – &lt;/strong&gt;Dadabhai Naoroji, 1st Indian in British parliament&lt;br /&gt;
&lt;strong&gt;1827-07-19 – &lt;/strong&gt;Mangal Pandey, Indian freedom fighter (d. 1857)&lt;br /&gt;
&lt;strong&gt;1831-11-08 – &lt;/strong&gt;Edward R L Bulwer-Lytton, English under king of India&lt;br /&gt;
&lt;strong&gt;1832-06-10 – &lt;/strong&gt;Edwin Arnold, English writer (Light of India)&lt;br /&gt;
&lt;strong&gt;1833-11-02 – &lt;/strong&gt;Mahendralal Sarkar, Indian doctor (d. 1904)&lt;br /&gt;
&lt;strong&gt;1835-11-19 – &lt;/strong&gt;Rani Lakshmi Bai, Indian Queen (d. 1858)&lt;br /&gt;
&lt;strong&gt;1836-02-18 – &lt;/strong&gt;Swami Ramakrishna [Gadadhar Chatterji], Indian mystic/hindu leader&lt;br /&gt;
&lt;strong&gt;1839-03-03 – &lt;/strong&gt;Jamsetji Tata, Indian industrialist (d. 1904)&lt;br /&gt;
&lt;strong&gt;1845-11-04 – &lt;/strong&gt;Vasudeo Balwant Phadke, The First Indian Revolutionary (d. 1883)&lt;br /&gt;
&lt;strong&gt;1848-04-16 – &lt;/strong&gt;Kandukuri Veeresalingam, Social Reformer of Andhra Pradesh, India (d. 1919)&lt;br /&gt;
&lt;strong&gt;1849-09-21 – &lt;/strong&gt;Maurice Barrymore, Indian-born patriarch of the Barrymore family (d. 1905)&lt;br /&gt;
&lt;strong&gt;1850-09-09 – &lt;/strong&gt;Harishchandra, India, poet/dramatist/father of modern Hindi&lt;br /&gt;
&lt;strong&gt;1853-12-06 – &lt;/strong&gt;Haraprasad Shastri, Indian academic, Sanskrit scholar, archivist and historian of Bengali literature (d. 1931)&lt;br /&gt;
&lt;strong&gt;1856-04-01 – &lt;/strong&gt;Acacio Gabriel Viegas, Indian physician (d. 1933)&lt;br /&gt;
&lt;strong&gt;1856-04-11 – &lt;/strong&gt;Constantly Lievens, Flemish missionary in India&lt;br /&gt;
&lt;strong&gt;1856-07-23 – &lt;/strong&gt;Bal Gangadhar Tilak, British-Indian Hindi leader&lt;br /&gt;
&lt;strong&gt;1858-10-21 – &lt;/strong&gt;Ramabai Dongre’ Medhavi, India, social reformer&lt;br /&gt;
&lt;strong&gt;1858-11-07 – &lt;/strong&gt;Bipin Chandra Pal, Indian freedom fighter, (d. 1932)&lt;br /&gt;
&lt;strong&gt;1858-11-30 – &lt;/strong&gt;Jagdish Chandra Bose, Indian physicist (d. 1937)&lt;br /&gt;
&lt;strong&gt;1860-08-10 – &lt;/strong&gt;Vishnu Narayan Bhatkhande, Indian musician (d. 1936)&lt;br /&gt;
&lt;strong&gt;1860-09-15 – &lt;/strong&gt;Sir Mokshagundam Visvesvarayya, Indian engineer (d. 1962)&lt;br /&gt;
&lt;strong&gt;1861-05-06 – &lt;/strong&gt;Motilal Nehru, Indian freedom fighter (d. 1931)&lt;br /&gt;
&lt;strong&gt;1861-05-07&lt;/strong&gt; – Rabindranath Tagore, First Indian to win Nobel Prize for Liturature. (d. 1941)&lt;br /&gt;
&lt;strong&gt;1861-12-25 – &lt;/strong&gt;Pandit Madan Mohan Malaviya, Indian founder of Banaras Hindu University (d. 1946)&lt;br /&gt;
&lt;strong&gt;1865-01-28 – &lt;/strong&gt;Lala Lajpat Rai, Indian freedom fighter (d. 1928)&lt;br /&gt;
&lt;strong&gt;1865-01-31 – &lt;/strong&gt;Shastriji Maharaj, Indian spiritual leader (d. 1951)&lt;br /&gt;
&lt;strong&gt;1866-05-09 – &lt;/strong&gt;Gopal Krishna Gokhale, Leader of Indian Independence Movement (d. 1915)&lt;br /&gt;
&lt;strong&gt;1867-12-16 – &lt;/strong&gt;Amy Carmichael, missionary in Dohnavur, India (d. 1951)&lt;br /&gt;
&lt;strong&gt;1868-08-12 – &lt;/strong&gt;Frederick JNT lord Chelmsford, viceroy of British-India (1916-21)&lt;br /&gt;
&lt;strong&gt;1869-10-02 – &lt;/strong&gt;Mohandas Karamchand Gandhi, Porbandar Kathiawad India, pacifist and spiritual leader&lt;br /&gt;
&lt;strong&gt;1872-04-14 – &lt;/strong&gt;Abdullah Yusuf Ali, Indian-born Islamic scholar and translator (d. 1953)&lt;br /&gt;
&lt;strong&gt;1873-11-22 – &lt;/strong&gt;Leopold CMS Amery, British minister of Colonies (India)&lt;br /&gt;
&lt;strong&gt;1875-10-31 – &lt;/strong&gt;Vallabhbhai Patel, Indian freedom fighter and statesman (d. 1950)&lt;br /&gt;
&lt;strong&gt;1876-09-15 – &lt;/strong&gt;Sharat Chandra Chattopadhyay, Indian novelist (d. 1938)&lt;br /&gt;
&lt;strong&gt;1877-11-24 – &lt;/strong&gt;Kavasji Jamshedji Petigara, Indian CID Commissioner of Police (d. 1941)&lt;br /&gt;
&lt;strong&gt;1878-02-21 – &lt;/strong&gt;The Mother, Indian spiritual leader (d. 1973)&lt;br /&gt;
&lt;strong&gt;1878-11-27 – &lt;/strong&gt;Jatindramohan Bagchi, Indian (Bengali) poet (d.1948).&lt;br /&gt;
&lt;strong&gt;1878-12-10 – &lt;/strong&gt;Rajaji, India’s freedom fighter and the first Governor General of independent India (d.1972)&lt;br /&gt;
&lt;strong&gt;1879-02-13 – &lt;/strong&gt;Sarojini Naidu, Indian freedom fighter (d. 1949)&lt;br /&gt;
&lt;strong&gt;1879-09-17 – &lt;/strong&gt;Periyar E. V. Ramasamy, Indian Social Reformer (d. 1973)&lt;br /&gt;
&lt;strong&gt;1880-07-31 – &lt;/strong&gt;Munshi Premchand, Indian Author (d. 1936)&lt;br /&gt;
&lt;strong&gt;1880-10-08 – &lt;/strong&gt;Ernest F E Douwes Dekker, Dutch founder (National-India Party)&lt;br /&gt;
&lt;strong&gt;1882-07-05 – &lt;/strong&gt;Inayat Khan, Indian sufi (d. 1927).&lt;br /&gt;
&lt;strong&gt;1882-12-11 – &lt;/strong&gt;Subramanya Bharathy, Indian poet (d. 1921)&lt;br /&gt;
&lt;strong&gt;1883-05-28 – &lt;/strong&gt;Vinayak Damodar Savarkar, Indian activist (d. 1966)&lt;br /&gt;
&lt;strong&gt;1884-12-03 – &lt;/strong&gt;Rajendra Prasad, first President of India (d. 1963)&lt;br /&gt;
&lt;strong&gt;1885-02-14 – &lt;/strong&gt;Syed Zafarul Hasan, Prominent Muslim Indian/Pakistani philosopher (d. 1949)&lt;br /&gt;
&lt;strong&gt;1886-05-25 – &lt;/strong&gt;Rash Behari Bose, leader against the British Raj in India (d. 1945)&lt;br /&gt;
&lt;strong&gt;1886-11-02 – &lt;/strong&gt;Philip Merivale, Rehutia India, actor (Nothing But Trouble)&lt;br /&gt;
&lt;strong&gt;1887-02-26 – &lt;/strong&gt;Benegal Narsing Rau, India, pres of UN Security Council (1950)&lt;br /&gt;
&lt;strong&gt;1887-06-07 – &lt;/strong&gt;William Walraven, Dutch journalist/writer (Indian Daily)&lt;br /&gt;
&lt;strong&gt;1887-12-22 – &lt;/strong&gt;Srinivasa Ramanujan, Indian mathematician (d. 1920)&lt;br /&gt;
&lt;strong&gt;1888-09-05 – &lt;/strong&gt;Sarvepalli Radhakrishan, president (India)/philosopher&lt;br /&gt;
&lt;strong&gt;1888-11-07 – &lt;/strong&gt;Chandrasekhara Raman, India, physicist (Nobel 1930)&lt;br /&gt;
&lt;strong&gt;1888-11-11 – &lt;/strong&gt;Maulana Azad, 1st minister of education in independent India&lt;br /&gt;
&lt;strong&gt;1889-11-14 – &lt;/strong&gt;Jawaharlal Nehru, 1st Indian PM (1947-64)&lt;br /&gt;
&lt;strong&gt;1891-04-14 – &lt;/strong&gt;B. R. Ambedkar, Indian jurist (d.1956)&lt;br /&gt;
&lt;strong&gt;1893-01-05 – &lt;/strong&gt;Paramahansa Yogananda, Indian guru (d. 1952)&lt;br /&gt;
&lt;strong&gt;1894-01-01 – &lt;/strong&gt;Satyendra Nath Bose, Indian mathematician (d. 1974)&lt;br /&gt;
&lt;strong&gt;1894-02-25 – &lt;/strong&gt;Meher Baba, Indian spiritual leader (d. 1969)&lt;br /&gt;
&lt;strong&gt;1894-04-10 – &lt;/strong&gt;Shri Ghanshyam Das Birla, Indian industrialist (d. 1983)&lt;br /&gt;
&lt;strong&gt;1894-05-20 – &lt;/strong&gt;Chandrashekarendra Saraswati, Indian Hindu sage, Jivanmukta (d. 1994)&lt;br /&gt;
&lt;strong&gt;1894-06-23 – &lt;/strong&gt;Edward VIII, King of Great Brit/N-Ireland/emperor of India (1936)&lt;br /&gt;
&lt;strong&gt;1894-08-10 – &lt;/strong&gt;Varahagiri Venkata Giri, Fourth President of India (d. 1980)&lt;br /&gt;
&lt;strong&gt;1895-05-12 – &lt;/strong&gt;Jiddu Krishnamurti, India, philosopher (Songs of Life) [NS=May 22]&lt;br /&gt;
&lt;strong&gt;1895-05-22 – &lt;/strong&gt;Jiddu Krishnamurti, India, philosopher (Songs of Life) [OS=May 12]&lt;br /&gt;
&lt;strong&gt;1895-06-03 – &lt;/strong&gt;Kavalam Madhava Panikkar, India, diplomat (Asia &amp;amp; Western Dominance)&lt;br /&gt;
&lt;strong&gt;1895-09-01 – &lt;/strong&gt;Chembai Vaidyanatha Bhagavatar, Indian musician (d. 1974)&lt;br /&gt;
&lt;strong&gt;1896-02-29 – &lt;/strong&gt;Ranchhodji Morarji Desai, premier of India (1977-79)&lt;br /&gt;
&lt;strong&gt;1896-09-01 – &lt;/strong&gt;A.C. Bhaktivedanta Swami Prabhupada, Indian theologian (d. 1977)&lt;br /&gt;
&lt;strong&gt;1896-11-12 – &lt;/strong&gt;Salim Ali, Indian ornithologist (d. 1987)&lt;br /&gt;
&lt;strong&gt;1897-01-23 – &lt;/strong&gt;Subhas Chandra Bose, Indian politician&lt;br /&gt;
&lt;strong&gt;1897-04-19 – &lt;/strong&gt;Peter de Noronha, Indian businessman and philanthropist (d. 1970)&lt;br /&gt;
&lt;strong&gt;1897-05-03 – &lt;/strong&gt;V K Krishna Menon, India, minister of defense&lt;br /&gt;
&lt;strong&gt;1897-11-23 – &lt;/strong&gt;Nirad C. Chaudhuri, Indian writer (d. 1999)&lt;br /&gt;
&lt;strong&gt;1898-12-02 – &lt;/strong&gt;Indra Lal Roy, Indian pilot (d. 1918)&lt;br /&gt;
&lt;strong&gt;1898-12-05 – &lt;/strong&gt;Josh Malihabadi, Urdu poet of India and Pakistan (d. 1982)&lt;br /&gt;
&lt;strong&gt;1902-06-04 – &lt;/strong&gt;Richard Allen, India, field hockey goal tender (Olympic-gold-1928)&lt;br /&gt;
&lt;strong&gt;1902-10-11 – &lt;/strong&gt;Jayaprakash Narayan, Indian freedom fighter and political leader (d. 1979)&lt;br /&gt;
&lt;strong&gt;1903-07-15 – &lt;/strong&gt;Kumaraswami Kamaraj, Indian politician (d. 1975)&lt;br /&gt;
&lt;strong&gt;1904-02-29 – &lt;/strong&gt;Rukmini Devi Arundale, Indian dancer and founder of Kalakshetra (d. 1986)&lt;br /&gt;
&lt;strong&gt;1904-03-04 – &lt;/strong&gt;Chief Tahachee, American-born Old Settler Cherokee Indian stage and film actor (d. 1978)&lt;br /&gt;
&lt;strong&gt;1904-07-29 – &lt;/strong&gt;J. R. D. Tata, Indian industrialist (d. 1993)&lt;br /&gt;
&lt;strong&gt;1904-10-01 – &lt;/strong&gt;A.K. Gopalan, Indian communist leader (d. 1977)&lt;br /&gt;
&lt;strong&gt;1904-10-02 – &lt;/strong&gt;Shi Lal Bahadur Shastri, India premier (1964-66)&lt;br /&gt;
&lt;strong&gt;1905-09-09 – &lt;/strong&gt;Hussain Sha – Indian Saint, Philosopher ,Pithapuram&lt;br /&gt;
&lt;strong&gt;1906-05-05 – &lt;/strong&gt;Ursula Jeans, Simla India. actress (I Lived With You, Over the Moon)&lt;br /&gt;
&lt;strong&gt;1906-05-29 – &lt;/strong&gt;Terence Hanbury White, Bombay India, novelist (England Have My Bones)&lt;br /&gt;
&lt;strong&gt;1906-07-23 – &lt;/strong&gt;Chandrasekhar Azad, Indian revolutionary (d. 1931)&lt;br /&gt;
&lt;strong&gt;1906-10-10 – &lt;/strong&gt;R.K. Narayan, Indian novelist (d. 2001)&lt;br /&gt;
&lt;strong&gt;1907-05-15 – &lt;/strong&gt;Sukhdev Thapar, Indian freedom fighter (d. 1931)&lt;br /&gt;
&lt;strong&gt;1907-09-27 – &lt;/strong&gt;Bhagat Singh, Indian freedom fighter (d. 1931)&lt;br /&gt;
&lt;strong&gt;1907-09-28 – &lt;/strong&gt;Bhagat Singh, Indian activist (d. 1931)&lt;br /&gt;
&lt;strong&gt;1908-04-05 – &lt;/strong&gt;Jagjivan Ram, Indian politician (d. 1986)&lt;br /&gt;
&lt;strong&gt;1908-06-24 – &lt;/strong&gt;Guru Gopinath, Indian classical dancer (d 1987)&lt;br /&gt;
&lt;strong&gt;1908-07-25 – &lt;/strong&gt;Semmangudi Srinivasa Iyer, Indian musician (d. 2003)&lt;br /&gt;
&lt;strong&gt;1908-10-22 – &lt;/strong&gt;John Sutton, Rawalpindi India, actor (Tower of London, Return of Fly)&lt;br /&gt;
&lt;strong&gt;1909-10-30 – &lt;/strong&gt;Homi J. Bhabha, Indian physicist (d. 1966)&lt;br /&gt;
&lt;strong&gt;1909-12-20 – &lt;/strong&gt;Vakkom Majeed, Indian politician (d. 2000)&lt;br /&gt;
&lt;strong&gt;1910-01-30 – &lt;/strong&gt;C Subramaniam, Indian politician (d. 2000)&lt;br /&gt;
&lt;strong&gt;1910-07-03 – &lt;/strong&gt;Eric Franklin, Indian civil servant&lt;br /&gt;
&lt;strong&gt;1910-10-19 – &lt;/strong&gt;Subrahmanyan Chandrasekhar, India, astrophysicist (Nobel 1983)&lt;br /&gt;
&lt;strong&gt;1910-12-04 – &lt;/strong&gt;Ramaswamy Venkataraman, president of India (1987-92)&lt;br /&gt;
&lt;strong&gt;1911-02-19 – &lt;/strong&gt;Merle Oberon, Calcutta India, actress (Assignment Foreign Legion)&lt;br /&gt;
&lt;strong&gt;1911-09-20 – &lt;/strong&gt;Shriram Sharma Acharya, Indian spiritual leader (d. 1991)&lt;br /&gt;
&lt;strong&gt;1911-10-13 – &lt;/strong&gt;Ashok Kumar, Indian actor (d. 2001)&lt;br /&gt;
&lt;strong&gt;1912-01-27 – &lt;/strong&gt;Lawrence Durrell, Darjeeling, Indian/British writer (Private Country, Alexandria Quartet)&lt;br /&gt;
&lt;strong&gt;1912-02-27 – &lt;/strong&gt;Kusumagraj, Indian writer (d. 1999)&lt;br /&gt;
&lt;strong&gt;1913-05-13 – &lt;/strong&gt;Sanjiva Reddy, president (India)&lt;br /&gt;
&lt;strong&gt;1913-05-19 – &lt;/strong&gt;Neelam Sanjiva Reddy, president of India&lt;br /&gt;
&lt;strong&gt;1914-01-01 – &lt;/strong&gt;Noor Inayat Khan, Indian princess and SOE agent (d. 1944)&lt;br /&gt;
&lt;strong&gt;1914-07-08 – &lt;/strong&gt;Jyoti Basu, Indian politician&lt;br /&gt;
&lt;strong&gt;1916-01-22 – &lt;/strong&gt;Harilal Upadhyay, Gujarati Author, Poet, Astrologist (Gujarat is a State of India) (d. 1994)&lt;br /&gt;
&lt;strong&gt;1916-05-05 – &lt;/strong&gt;Zail Singh, President of India (d. 1994)&lt;br /&gt;
&lt;strong&gt;1916-05-08 – &lt;/strong&gt;Swami Chinmayananda, Indian spiritualist (d. 1993)&lt;br /&gt;
&lt;strong&gt;1916-08-03 – &lt;/strong&gt;Shakeel Badayuni, Indian poet and lyricist (d. 1970)&lt;br /&gt;
&lt;strong&gt;1916-09-15 – &lt;/strong&gt;Margaret Lockwood, Karachi India, actress (Lady Vanishes)&lt;br /&gt;
&lt;strong&gt;1916-09-16 – &lt;/strong&gt;M.S. Subbulakshmi, Indian singer (d. 2004)&lt;br /&gt;
&lt;strong&gt;1917-01-12 – &lt;/strong&gt;Maharishi Mahesh Yogi, Indian spiritualist (d. 2008)&lt;br /&gt;
&lt;strong&gt;1917-01-17 – &lt;/strong&gt;Maruthur Gopalan Ramachandran, (MGR), Indian film star, politician&lt;br /&gt;
&lt;strong&gt;1917-02-11 – &lt;/strong&gt;T. Nagi Reddy, Indian revolutionary (d. 1976)&lt;br /&gt;
&lt;strong&gt;1917-03-12 – &lt;/strong&gt;Googie Withers, Karachi India, actress (1 of Our Aircraft is Missing)&lt;br /&gt;
&lt;strong&gt;1917-11-05 – &lt;/strong&gt;Banarsi Das Gupta, Indian former Chief Minister of Haryana (d. 2007)&lt;br /&gt;
&lt;strong&gt;1917-11-19 – &lt;/strong&gt;Indira Gandhi, Allahabad India, Indian PM (1966-77, 1980-84)&lt;br /&gt;
&lt;strong&gt;1918-04-16 – &lt;/strong&gt;Spike Milligan, India, actor/comedian (Digby, 3 Musketeers)&lt;br /&gt;
&lt;strong&gt;1918-12-14 – &lt;/strong&gt;B.K.S. Iyengar, Indian yoga advocate&lt;br /&gt;
&lt;strong&gt;1918-12-23 – &lt;/strong&gt;Kumar Pallana, Indian-born American actor&lt;br /&gt;
&lt;strong&gt;1919-01-19 – &lt;/strong&gt;Dharam Singh, India, field hockey player (Olympic-gold-1964)&lt;br /&gt;
&lt;strong&gt;1919-08-12 – &lt;/strong&gt;Vikram Sarabhai, Indian physicist (d. 1971)&lt;br /&gt;
&lt;strong&gt;1919-08-31 – &lt;/strong&gt;Amrita Preetam, Indian poet and author (d. 2005)&lt;br /&gt;
&lt;strong&gt;1919-11-08 – &lt;/strong&gt;P. L. Deshpande, Indian author (d. 2000)&lt;br /&gt;
&lt;strong&gt;1919-12-25 – &lt;/strong&gt;Naushad Ali, Indian music director (d. 2006)&lt;br /&gt;
&lt;strong&gt;1920-02-12 – &lt;/strong&gt;Pran, Indian actor&lt;br /&gt;
&lt;strong&gt;1920-03-15 – &lt;/strong&gt;Ranganandhan Francis, India, field hockey (Olympic-gold-1948, 52, 56)&lt;br /&gt;
&lt;strong&gt;1920-04-05 – &lt;/strong&gt;Rafique Zakaria, Indian author (d. 2005)&lt;br /&gt;
&lt;strong&gt;1920-04-07 – &lt;/strong&gt;Ravi Shankar, Benares India, sitar player (Sounds of India)&lt;br /&gt;
&lt;strong&gt;1920-10-19 – &lt;/strong&gt;Pandurang Shastri Athavale, Indian philosopher (d. 2003)&lt;br /&gt;
&lt;strong&gt;1920-10-27 – &lt;/strong&gt;K. R. Narayanan, 10th President of India&lt;br /&gt;
&lt;strong&gt;1920-10-29 – &lt;/strong&gt;Catholicos Baselios Mar Thoma Didymos I, Indian Catholic&lt;br /&gt;
&lt;strong&gt;1920-12-04 – &lt;/strong&gt;Michael Bates, Jhansi India, actor (Clockwork Orange, Patton)&lt;br /&gt;
&lt;strong&gt;1921-01-20 – &lt;/strong&gt;Telmo Zarraonaindía, Spanish footballer (d. 2006)&lt;br /&gt;
&lt;strong&gt;1921-02-15 – &lt;/strong&gt;Radha Krishna Choudhary, Indian historian and writer (d. 1985)&lt;br /&gt;
&lt;strong&gt;1921-05-02 – &lt;/strong&gt;Satyajit Ray, Calcutta India, director (Goddess, Adversary)&lt;br /&gt;
&lt;strong&gt;1921-06-28 – &lt;/strong&gt;P V Narasimha Rao, premier of India (1991- )&lt;br /&gt;
&lt;strong&gt;1921-08-08 – &lt;/strong&gt;Vulimiri Ramalingaswami, Indian medical scientist (d. 2001)&lt;br /&gt;
&lt;strong&gt;1921-12-07 – &lt;/strong&gt;Pramukh Swami Maharaj, Indian spiritual leader&lt;br /&gt;
&lt;strong&gt;1922-01-09 – &lt;/strong&gt;Har G Khorana, India/Canada bio-chemist (Nobel 1968)&lt;br /&gt;
&lt;strong&gt;1922-02-04 – &lt;/strong&gt;Pandit Bhimsen Joshi, Indian Classical Singer&lt;br /&gt;
&lt;strong&gt;1922-12-11 – &lt;/strong&gt;Dilip Kumar, Indian actor&lt;br /&gt;
&lt;strong&gt;1923-04-17 – &lt;/strong&gt;Lindsay Anderson, Bangalore India, director (Thursday’s Children)&lt;br /&gt;
&lt;strong&gt;1923-05-15 – &lt;/strong&gt;Johnny Walker, Indian actor (d. 2003)&lt;br /&gt;
&lt;strong&gt;1923-05-28 – &lt;/strong&gt;Nandamuri Taraka Rama Rao, India, film star (Patala Bhairavi)&lt;br /&gt;
&lt;strong&gt;1923-07-10 – &lt;/strong&gt;G. A. Kulkarni, Indian (Marathi) writer (d. 1987)&lt;br /&gt;
&lt;strong&gt;1923-07-22 – &lt;/strong&gt;Mukesh, Indian singer (d. 1976)&lt;br /&gt;
&lt;strong&gt;1923-09-26 – &lt;/strong&gt;Dev Anand, Indian actor and film producer&lt;br /&gt;
&lt;strong&gt;1924-01-04 – &lt;/strong&gt;Sebastian Kappen, Indian theologian (d. 1993)&lt;br /&gt;
&lt;strong&gt;1924-01-27 – &lt;/strong&gt;Sabu, [Dastagir], India, actor (Elephant Boy, Drum)&lt;br /&gt;
&lt;strong&gt;1924-12-14 – &lt;/strong&gt;Raj Kapoor, Indian actor (d. 1988)&lt;br /&gt;
&lt;strong&gt;1925-08-07 – &lt;/strong&gt;M. S. Swaminathan, Indian scientist&lt;br /&gt;
&lt;strong&gt;1925-09-24 – &lt;/strong&gt;Autar Singh Paintal, Indian medical scientist (d. 2004)&lt;br /&gt;
&lt;strong&gt;1925-12-24 – &lt;/strong&gt;Mohd. Rafi, Indian actor and playback singer (d. 1980)&lt;br /&gt;
&lt;strong&gt;1926-01-08 – &lt;/strong&gt;Kelucharan Mohapatra, Indian Odissi dancer (d. 2004)&lt;br /&gt;
&lt;strong&gt;1926-05-19 – &lt;/strong&gt;Swami Kriyananda, Indian teacher and author&lt;br /&gt;
&lt;strong&gt;1926-11-23 – &lt;/strong&gt;Sathya Sai Baba, Indian guru and philosopher&lt;br /&gt;
&lt;strong&gt;1927-01-18 – &lt;/strong&gt;Sundaram Balachander, Indian veena player (d. 1990)&lt;br /&gt;
&lt;strong&gt;1927-01-27 – &lt;/strong&gt;Michael Craig, Poona India, actor (Escape 2000, Vault of Horror)&lt;br /&gt;
&lt;strong&gt;1927-03-25 – &lt;/strong&gt;Leslie Claudius, India, field hockey (Olympic-gold-1948, 52, 56)&lt;br /&gt;
&lt;strong&gt;1927-05-10 – &lt;/strong&gt;Nayantara Sahgal, Indian author&lt;br /&gt;
&lt;strong&gt;1927-07-27 – &lt;/strong&gt;Sat Mahajan, Indian politician&lt;br /&gt;
&lt;strong&gt;1927-08-26 – &lt;/strong&gt;B. V. Doshi, Indian architect&lt;br /&gt;
&lt;strong&gt;1928-08-04 – &lt;/strong&gt;Udham Singh, India, field hockey player (Olympic-gold-1952, 56, 64)&lt;br /&gt;
&lt;strong&gt;1929-01-08 – &lt;/strong&gt;Saeed Jaffrey, Indian actor&lt;br /&gt;
&lt;strong&gt;1929-03-29 – &lt;/strong&gt;Utpal Dutt, Indian actor (d. 1993)&lt;br /&gt;
&lt;strong&gt;1929-05-20 – &lt;/strong&gt;Andre Carolus Cirino, Suriname/Indian poet&lt;br /&gt;
&lt;strong&gt;1929-06-06 – &lt;/strong&gt;Sunil Dutt, Indian actor and politician (d. 2005)&lt;br /&gt;
&lt;strong&gt;1929-07-20 – &lt;/strong&gt;Rajendra Kumar, Indian actor (d. 1999)&lt;br /&gt;
&lt;strong&gt;1929-07-25 – &lt;/strong&gt;Somnath Chatterjee, Indian communist leader&lt;br /&gt;
&lt;strong&gt;1929-08-04 – &lt;/strong&gt;Kishore Kumar, Indian singer and actor (d. 1987)&lt;br /&gt;
&lt;strong&gt;1929-09-28 – &lt;/strong&gt;Lata Mangeshkar, Indian playback singer&lt;br /&gt;
&lt;strong&gt;1929-10-19 – &lt;/strong&gt;Balbir Singh, India, field hockey player (Olympic-gold-1948-56)&lt;br /&gt;
&lt;strong&gt;1930-07-21 – &lt;/strong&gt;Anand Bakshi, Indian lyricist (d. 2002)&lt;br /&gt;
&lt;strong&gt;1930-09-17 – &lt;/strong&gt;Lalgudi Jayaraman, Indian violinist&lt;br /&gt;
&lt;strong&gt;1931-02-18 – &lt;/strong&gt;Swraj Paul, Indian/British industrial/multi-millionaire (Caparo)&lt;br /&gt;
&lt;strong&gt;1931-05-16 – &lt;/strong&gt;Natwar Singh, Indian politician&lt;br /&gt;
&lt;strong&gt;1931-06-30 – &lt;/strong&gt;June Thorburn, Kashmir India, actress (Touch &amp;amp; Go, Children Galore)&lt;br /&gt;
&lt;strong&gt;1931-08-27 – &lt;/strong&gt;Sri Chinmoy, Indian guru (d. 2007)&lt;br /&gt;
&lt;strong&gt;1931-10-14 – &lt;/strong&gt;Nikhil Banerjee, Indian classical musician (d. 1986)&lt;br /&gt;
&lt;strong&gt;1931-10-15 – &lt;/strong&gt;Avul Pakir Jainulabdeen Abdul Kalam, Eleventh President of India&lt;br /&gt;
&lt;strong&gt;1932-06-22 – &lt;/strong&gt;Amrish Puri, Indian actor (d. 2005)&lt;br /&gt;
&lt;strong&gt;1932-08-01 – &lt;/strong&gt;Meena Kumari, Indian film actress (d. 1972)&lt;br /&gt;
&lt;strong&gt;1932-09-27 – &lt;/strong&gt;Yash Chopra, Indian director&lt;br /&gt;
&lt;strong&gt;1932-09-29 – &lt;/strong&gt;Mehmood, Indian actor (d. 2004)&lt;br /&gt;
&lt;strong&gt;1932-10-26 – &lt;/strong&gt;Chinadorai Deshmutu, India, field hockey player (1952)&lt;br /&gt;
&lt;strong&gt;1932-10-30 – &lt;/strong&gt;Barun De, Indian historian&lt;br /&gt;
&lt;strong&gt;1932-12-28 – &lt;/strong&gt;Dhirubhai Ambani, Indian businessman (d. 2002)&lt;br /&gt;
&lt;strong&gt;1933-02-14 – &lt;/strong&gt;Madhubala, Indian actress (d. 1969)&lt;br /&gt;
&lt;strong&gt;1933-09-08 – &lt;/strong&gt;Asha Bhonsle, Indian singer&lt;br /&gt;
&lt;strong&gt;1933-11-03 – &lt;/strong&gt;Amartya Sen, Indian economist, Nobel Prize laureate&lt;br /&gt;
&lt;strong&gt;1933-12-02 – &lt;/strong&gt;K. Veeramani, Indian anti-caste activist&lt;br /&gt;
&lt;strong&gt;1934-03-15 – &lt;/strong&gt;Kanshi Ram, Indian dalit leader&lt;br /&gt;
&lt;strong&gt;1934-05-19 – &lt;/strong&gt;Ruskin Bond, Indian author&lt;br /&gt;
&lt;strong&gt;1934-10-15 – &lt;/strong&gt;N. Ramani, Indian flutist&lt;br /&gt;
&lt;strong&gt;1935-12-08 – &lt;/strong&gt;Dharmendra, Indian actor&lt;br /&gt;
&lt;strong&gt;1935-12-11 – &lt;/strong&gt;Pranab Mukherjee, Indian politician&lt;br /&gt;
&lt;strong&gt;1936-02-09 – &lt;/strong&gt;Clive Swift, Liverpool, actor (Frenzy, Passage to India)&lt;br /&gt;
&lt;strong&gt;1936-04-29 – &lt;/strong&gt;Zubin Mehta, Bombay India, conductor (NY Philharmonic)&lt;br /&gt;
&lt;strong&gt;1936-05-03 – &lt;/strong&gt;Engelbert Humperdinck, [Arnolde Dorsey], India, singer (EH Show)&lt;br /&gt;
&lt;strong&gt;1936-09-25 – &lt;/strong&gt;Juliet Prowse, Bombay India, actress/dancer (Who Killed Teddy Bear)&lt;br /&gt;
&lt;strong&gt;1936-12-25 – &lt;/strong&gt;Ismail Merchant, Bombay India, producer (Householder)&lt;br /&gt;
&lt;strong&gt;1937-01-14 – &lt;/strong&gt;Shoban Babu, Indian actor&lt;br /&gt;
&lt;strong&gt;1937-12-03 – &lt;/strong&gt;Binod Bihari Verma, Indian linguist&lt;br /&gt;
&lt;strong&gt;1937-12-28 – &lt;/strong&gt;Ratan Tata, Indian industrialist&lt;br /&gt;
&lt;strong&gt;1938-02-07 – &lt;/strong&gt;S. Ramachandran Pillai, Indian communist leader&lt;br /&gt;
&lt;strong&gt;1938-03-18 – &lt;/strong&gt;Shashi Kapoor, Calcutta India, actor (Shalimar, Heat &amp;amp; Dust)&lt;br /&gt;
&lt;strong&gt;1938-07-19 – &lt;/strong&gt;Jayant Narlikar, Indian astrophysicist&lt;br /&gt;
&lt;strong&gt;1939-01-20 – &lt;/strong&gt;Nalin Chandra Wickramasinghe, Indian astronomer&lt;br /&gt;
&lt;strong&gt;1939-06-27 – &lt;/strong&gt;Rahul Dev Burman, Indian composer and actor (d. 1994)&lt;br /&gt;
&lt;strong&gt;1939-09-25 – &lt;/strong&gt;Feroz Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1939-11-21 – &lt;/strong&gt;Mulayam Singh Yadav, Indian politician&lt;br /&gt;
&lt;strong&gt;1939-11-22 – &lt;/strong&gt;Mulayam Singh Yadav, Indian politician&lt;br /&gt;
&lt;strong&gt;1940-01-02 – &lt;/strong&gt;S. R. S. Varadhan, Indian-American mathematician&lt;br /&gt;
&lt;strong&gt;1940-01-20 – &lt;/strong&gt;Krishnam Raju, Indian actor and politician&lt;br /&gt;
&lt;strong&gt;1940-10-14 – &lt;/strong&gt;Cliff Richards, [Harry Webb], Lucknow India, rock voclist (Suddenly)&lt;br /&gt;
&lt;strong&gt;1940-11-01 – &lt;/strong&gt;Ramesh Chandra Lahoti, Chief Justice of India&lt;br /&gt;
&lt;strong&gt;1940-12-12 – &lt;/strong&gt;Sharad Pawar, Indian politician&lt;br /&gt;
&lt;strong&gt;1941-02-27 – &lt;/strong&gt;Paddy Ashton, New Delhi India, British MP (Soc/Lib Democrat)&lt;br /&gt;
&lt;strong&gt;1941-04-14 – &lt;/strong&gt;Julie Christie, Assam India, actress (Dr Zhivago)&lt;br /&gt;
&lt;strong&gt;1941-07-31 – &lt;/strong&gt;Amarsinh Chaudhary, Indian politician&lt;br /&gt;
&lt;strong&gt;1941-09-04 – &lt;/strong&gt;Sushilkumar Shinde, Indian politician&lt;br /&gt;
&lt;strong&gt;1941-11-25 – &lt;/strong&gt;Riaz Ahmed Gohar Shahi, Indian Muslim Sufi, author, spiritual leader (d. 2001)&lt;br /&gt;
&lt;strong&gt;1942-04-02 – &lt;/strong&gt;Roshan Seth, Indian actor&lt;br /&gt;
&lt;strong&gt;1942-04-07 – &lt;/strong&gt;Jeetendra, Indian actor&lt;br /&gt;
&lt;strong&gt;1942-05-23 – &lt;/strong&gt;K. Raghavendra Rao, Indian film director&lt;br /&gt;
&lt;strong&gt;1942-12-29 – &lt;/strong&gt;Rajesh Khanna, Indian actor&lt;br /&gt;
&lt;strong&gt;1943-01-01 – &lt;/strong&gt;Raghunath Anant Mashelkar, Indian scientist&lt;br /&gt;
&lt;strong&gt;1943-01-24 – &lt;/strong&gt;Subhash Ghai, Indian film director&lt;br /&gt;
&lt;strong&gt;1943-06-02 – &lt;/strong&gt;Ilaiyaraaja, Indian composer&lt;br /&gt;
&lt;strong&gt;1943-12-25 – &lt;/strong&gt;Ravish Malhotra, India cosmonaut (Soyuz T-11 backup)&lt;br /&gt;
&lt;strong&gt;1944-01-11 – &lt;/strong&gt;Shibu Soren, Indian politician&lt;br /&gt;
&lt;strong&gt;1944-02-13 – &lt;/strong&gt;Oduvil Unnikrishnan, Indian actor (d. 2006)&lt;br /&gt;
&lt;strong&gt;1944-05-01 – &lt;/strong&gt;Suresh Kalmadi, Indian politician&lt;br /&gt;
&lt;strong&gt;1944-08-20 – &lt;/strong&gt;Rajiv Gandhi, PM of India (1984-89)&lt;br /&gt;
&lt;strong&gt;1945-01-17 – &lt;/strong&gt;Javed Akhtar, Indian lyricist, poet and scriptwriter&lt;br /&gt;
&lt;strong&gt;1945-02-20 – &lt;/strong&gt;Annu Kapoor, Indian actor&lt;br /&gt;
&lt;strong&gt;1945-05-04 – &lt;/strong&gt;Narasimhan Ram, Indian journalist&lt;br /&gt;
&lt;strong&gt;1945-05-23 – &lt;/strong&gt;Padmarajan, Indian film director (d. 1991)&lt;br /&gt;
&lt;strong&gt;1945-07-24 – &lt;/strong&gt;Azim Premji, Indian businessman&lt;br /&gt;
&lt;strong&gt;1945-12-06 – &lt;/strong&gt;Shekhar Kapur, Indian filmmaker&lt;br /&gt;
&lt;strong&gt;1946-05-01 – &lt;/strong&gt;Joanna Lumley, Kashmir India, actress (Abs Fab, OHM’s Secret Service)&lt;br /&gt;
&lt;strong&gt;1946-05-28 – &lt;/strong&gt;Satchidanandan, Indian poet&lt;br /&gt;
&lt;strong&gt;1946-08-20 – &lt;/strong&gt;N.R. Narayana Murthy, Indian businessman&lt;br /&gt;
&lt;strong&gt;1946-10-06 – &lt;/strong&gt;Vinod Khanna, Indian actor&lt;br /&gt;
&lt;strong&gt;1946-10-15 – &lt;/strong&gt;Victor Banerjee, Calcutta India, actor (A Passage to India)&lt;br /&gt;
&lt;strong&gt;1946-12-08 – &lt;/strong&gt;Sharmila Tagore, Indian Actress&lt;br /&gt;
&lt;strong&gt;1946-12-09 – &lt;/strong&gt;Sonia Gandhi, Italian-born Indian politician&lt;br /&gt;
&lt;strong&gt;1946-12-09 – &lt;/strong&gt;Shatrughan Sinha, Indian actor&lt;br /&gt;
&lt;strong&gt;1947-01-07 – &lt;/strong&gt;Shobha De, Indian writer&lt;br /&gt;
&lt;strong&gt;1947-02-12 – &lt;/strong&gt;Jarnail Singh Bhindranwale, Indian leader of Damdami Taksal (d. 1984)&lt;br /&gt;
&lt;strong&gt;1947-06-11 – &lt;/strong&gt;Laloo Prasad Yadav, Indian politician&lt;br /&gt;
&lt;strong&gt;1947-08-15 – &lt;/strong&gt;Raakhee Gulzar, Indian actress&lt;br /&gt;
&lt;strong&gt;1948-02-24 – &lt;/strong&gt;J. Jayalalithaa, Indian politician&lt;br /&gt;
&lt;strong&gt;1948-02-25 – &lt;/strong&gt;Danny Denzongpa, Indian actor&lt;br /&gt;
&lt;strong&gt;1948-04-09 – &lt;/strong&gt;Jaya Bachchan, Indian actress&lt;br /&gt;
&lt;strong&gt;1948-10-16 – &lt;/strong&gt;Hema Malini, Indian Actress&lt;br /&gt;
&lt;strong&gt;1949-01-13 – &lt;/strong&gt;Rakesh Sharma, India, cosmonaut (Soyuz T-11)&lt;br /&gt;
&lt;strong&gt;1949-03-07 – &lt;/strong&gt;Ghulam Nabi Azad, Indian politician&lt;br /&gt;
&lt;strong&gt;1949-04-28 – &lt;/strong&gt;Indian Larry, American stuntsman (d. 2004)&lt;br /&gt;
&lt;strong&gt;1949-09-01 – &lt;/strong&gt;P.A. Sangma, Indian politician&lt;br /&gt;
&lt;strong&gt;1949-12-18 – &lt;/strong&gt;Joni Flynn, Assam India, actress (Octopussy)&lt;br /&gt;
&lt;strong&gt;1950-01-07 – &lt;/strong&gt;Johnny Lever, Indian actor&lt;br /&gt;
&lt;strong&gt;1950-04-20 – &lt;/strong&gt;Chandra Babu Naidu, Indian politician&lt;br /&gt;
&lt;strong&gt;1950-05-30 – &lt;/strong&gt;Paresh Rawal, Indian actor&lt;br /&gt;
&lt;strong&gt;1950-06-15 – &lt;/strong&gt;Lakshmi Mittal, Indian industrialist&lt;br /&gt;
&lt;strong&gt;1950-07-20 – &lt;/strong&gt;Naseeruddin Shah, Indian actor&lt;br /&gt;
&lt;strong&gt;1950-09-17 – &lt;/strong&gt;Narendra Modi, Indian politician&lt;br /&gt;
&lt;strong&gt;1950-09-18 – &lt;/strong&gt;Shabana Azmi, Indian actress&lt;br /&gt;
&lt;strong&gt;1950-10-02 – &lt;/strong&gt;Persis Khambatta, Bombay India, actress (Star Trek, Megaforce)&lt;br /&gt;
&lt;strong&gt;1950-10-18 – &lt;/strong&gt;Om Puri, Indian actor&lt;br /&gt;
&lt;strong&gt;1950-12-12 – &lt;/strong&gt;Rajnikanth, Indian actor&lt;br /&gt;
&lt;strong&gt;1951-01-01 – &lt;/strong&gt;Nana Patekar, Indian film and stage actor&lt;br /&gt;
&lt;strong&gt;1951-11-19 – &lt;/strong&gt;Zeenat Aman, Indian actress&lt;br /&gt;
&lt;strong&gt;1952-03-20 – &lt;/strong&gt;Anand Armitraj, India, tennis player (Brother of ViJay)&lt;br /&gt;
&lt;strong&gt;1952-04-13 – &lt;/strong&gt;Erick Avari, British-Indian actor&lt;br /&gt;
&lt;strong&gt;1952-06-20 – &lt;/strong&gt;Vikram Seth, Indian poet&lt;br /&gt;
&lt;strong&gt;1952-09-04 – &lt;/strong&gt;Rishi Kapoor, Indian actor&lt;br /&gt;
&lt;strong&gt;1952-11-05 – &lt;/strong&gt;Vandana Shiva, Indian physicist&lt;br /&gt;
&lt;strong&gt;1952-12-28 – &lt;/strong&gt;Arun Jaitley, Indian Politician&lt;br /&gt;
&lt;strong&gt;1953-09-27 – &lt;/strong&gt;Mata Amritanandamayi, Indian religious leader&lt;br /&gt;
&lt;strong&gt;1953-12-14 – &lt;/strong&gt;Vijay Amritraj, India, tennis player/actor (Octopussy)&lt;br /&gt;
&lt;strong&gt;1954-03-19 – &lt;/strong&gt;Indu Shahani, Indian educationist and Sheriff of Mumbai&lt;br /&gt;
&lt;strong&gt;1954-07-27 – &lt;/strong&gt;G. S. Bali, Indian politician&lt;br /&gt;
&lt;strong&gt;1954-11-07 – &lt;/strong&gt;Kamal Haasan, Indian actor&lt;br /&gt;
&lt;strong&gt;1955-05-17 – &lt;/strong&gt;Bill Paxton, actor (Brain Dead, Next of Kin, Indian Summer, True Lies)&lt;br /&gt;
&lt;strong&gt;1955-11-05 – &lt;/strong&gt;Karan Thapar, Foremost Indian Journalist, Political Analyst &amp;amp; Commentator&lt;br /&gt;
&lt;strong&gt;1955-12-31 – &lt;/strong&gt;Dawood Ibrahim, Indian crime boss&lt;br /&gt;
&lt;strong&gt;1956-01-15 – &lt;/strong&gt;Mayawati, Indian politician&lt;br /&gt;
&lt;strong&gt;1956-02-01 – &lt;/strong&gt;Brahmanandam, Indian film actor&lt;br /&gt;
&lt;strong&gt;1956-03-09 – &lt;/strong&gt;Shashi Tharoor, Indian author &amp;amp; United Nations Under-Secretary General&lt;br /&gt;
&lt;strong&gt;1956-04-18 – &lt;/strong&gt;Poonam Dhillon, Indian actress&lt;br /&gt;
&lt;strong&gt;1956-06-02 – &lt;/strong&gt;Mani Ratnam, Indian dire&lt;br /&gt;
&lt;strong&gt;1956-08-14 – &lt;/strong&gt;Johnny Lever, Indian actor&lt;br /&gt;
&lt;strong&gt;1956-10-19 – &lt;/strong&gt;Sunny Deol, Indian actor&lt;br /&gt;
&lt;strong&gt;1957-01-07 – &lt;/strong&gt;Reena Roy, Indian actress&lt;br /&gt;
&lt;strong&gt;1957-04-19 – &lt;/strong&gt;Mukesh Ambani, Indian businessman&lt;br /&gt;
&lt;strong&gt;1957-08-03 – &lt;/strong&gt;Mani Shankar, Indian film maker&lt;br /&gt;
&lt;strong&gt;1957-09-23 – &lt;/strong&gt;Kumar Sanu, Indian playback singer&lt;br /&gt;
&lt;strong&gt;1957-10-15 – &lt;/strong&gt;Mira Nair, Indian director&lt;br /&gt;
&lt;strong&gt;1957-12-10 – &lt;/strong&gt;Prem Rawat, known also as Guru Maharaj Ji and Maharaji, American Indian spiritual leader and speaker&lt;br /&gt;
&lt;strong&gt;1958-02-01 – &lt;/strong&gt;Jackie Shroff, Indian actor&lt;br /&gt;
&lt;strong&gt;1958-04-03 – &lt;/strong&gt;Jaya Prada, Indian Actress&lt;br /&gt;
&lt;strong&gt;1959-05-03 – &lt;/strong&gt;Uma Bharati, Indian politician&lt;br /&gt;
&lt;strong&gt;1959-07-29 – &lt;/strong&gt;Sanjay Dutt, Indian actor&lt;br /&gt;
&lt;strong&gt;1959-08-26 – &lt;/strong&gt;Jim Rutledge, Victoria, Canadian Tour golfer (1995 Indian Open)&lt;br /&gt;
&lt;strong&gt;1959-08-29 – &lt;/strong&gt;Akkineni Nagarjuna, Indian Telugu actor&lt;br /&gt;
&lt;strong&gt;1959-12-24 – &lt;/strong&gt;Anil Kapoor, Indian actor&lt;br /&gt;
&lt;strong&gt;1960-01-03 – &lt;/strong&gt;Sandeep Marwah Founder of Film City, Noida, India&lt;br /&gt;
&lt;strong&gt;1960-05-21 – &lt;/strong&gt;Mohanlal, Indian actor&lt;br /&gt;
&lt;strong&gt;1960-06-10 – &lt;/strong&gt;Balakrishna Nandamuri, Indian actor&lt;br /&gt;
&lt;strong&gt;1960-12-13 – &lt;/strong&gt;Daggubati Venkatesh, Indian actor&lt;br /&gt;
&lt;strong&gt;1961-01-07 – &lt;/strong&gt;Supriya Pathak, Indian actress&lt;br /&gt;
&lt;strong&gt;1961-04-18 – &lt;/strong&gt;Pamella Bordes, New Dehli India, Brit parliament prostitute&lt;br /&gt;
&lt;strong&gt;1961-05-04 – &lt;/strong&gt;Ishita Bhaduri, Indian (Bengali) Poet&lt;br /&gt;
&lt;strong&gt;1961-05-26 – &lt;/strong&gt;Tarsem Singh, Indian film director&lt;br /&gt;
&lt;strong&gt;1961-06-05 – &lt;/strong&gt;Ramesh Krishnan, Indian tennis star&lt;br /&gt;
&lt;strong&gt;1961-06-27 – &lt;/strong&gt;Meera Syal, British-Indian comedienne and actress&lt;br /&gt;
&lt;strong&gt;1961-07-01 – &lt;/strong&gt;Kalpana Chawla, Karnal India, astronaut (STS 87)&lt;br /&gt;
&lt;strong&gt;1961-08-13 – &lt;/strong&gt;Sunil Shetty, Indian Actor, Producer&lt;br /&gt;
&lt;strong&gt;1961-11-24 – &lt;/strong&gt;Arundhati Roy, Indian writer&lt;br /&gt;
&lt;strong&gt;1962-02-14 – &lt;/strong&gt;Sakina Jaffrey, Indian actress&lt;br /&gt;
&lt;strong&gt;1962-09-30 – &lt;/strong&gt;Shaan, Indian singer&lt;br /&gt;
&lt;strong&gt;1963-08-10 – &lt;/strong&gt;Phoolan Devi, Indian bandit and revolutionary (d. 2001)&lt;br /&gt;
&lt;strong&gt;1963-08-13 – &lt;/strong&gt;Sridevi, Indian actress&lt;br /&gt;
&lt;strong&gt;1963-08-17 – &lt;/strong&gt;S. Shankar, Indian film director.&lt;br /&gt;
&lt;strong&gt;1964-01-31 – &lt;/strong&gt;Remi Bouchard, Lasalle Que, Canadian Tour golfer (1989 India Open)&lt;br /&gt;
&lt;strong&gt;1964-02-19 – &lt;/strong&gt;Sonu Walia, Indian actress&lt;br /&gt;
&lt;strong&gt;1964-12-25 – &lt;/strong&gt;Anil Kaul, Amritsar India, Canadian badminton player (Olympics-96)&lt;br /&gt;
&lt;strong&gt;1965-03-14 – &lt;/strong&gt;Aamir Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1965-06-01 – &lt;/strong&gt;India Allen, Portsmouth Va, playmate of the year (Dec, 1987)&lt;br /&gt;
&lt;strong&gt;1965-09-02 – &lt;/strong&gt;Partho Sen-Gupta, Indian filmmaker&lt;br /&gt;
&lt;strong&gt;1965-11-02 – &lt;/strong&gt;Shahrukh Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1965-12-27 – &lt;/strong&gt;Salman Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1966-01-06 – &lt;/strong&gt;A. R. Rahman, Indian composer&lt;br /&gt;
&lt;strong&gt;1966-03-05 – &lt;/strong&gt;Aasif Mandvi, Indian-born American actor and comedian&lt;br /&gt;
&lt;strong&gt;1966-03-20 – &lt;/strong&gt;Alka Yagnik, Indian singer&lt;br /&gt;
&lt;strong&gt;1966-04-17 – &lt;/strong&gt;Vikram, Indian actor&lt;br /&gt;
&lt;strong&gt;1966-05-03 – &lt;/strong&gt;Firdous Bamji, Indian-American actor&lt;br /&gt;
&lt;strong&gt;1966-08-28 – &lt;/strong&gt;Priya Dutt, Indian social worker and politician&lt;br /&gt;
&lt;strong&gt;1966-09-28 – &lt;/strong&gt;Puri Jagannadh, Indian film director&lt;br /&gt;
&lt;strong&gt;1967-01-26 – &lt;/strong&gt;Pradip Somasundaran, Indian playback singer&lt;br /&gt;
&lt;strong&gt;1967-01-27 – &lt;/strong&gt;Bobby Deol, Indian actor&lt;br /&gt;
&lt;strong&gt;1967-02-01 – &lt;/strong&gt;Patle Shishupal Natthu, Indian politician&lt;br /&gt;
&lt;strong&gt;1967-02-12 – &lt;/strong&gt;Chitravina N. Ravikiran, Indian composer and musician&lt;br /&gt;
&lt;strong&gt;1967-05-15 – &lt;/strong&gt;Madhuri Dixit, Indian actress&lt;br /&gt;
&lt;strong&gt;1967-08-18 – &lt;/strong&gt;Daler Mehndi, Indian bhangra/pop singer&lt;br /&gt;
&lt;strong&gt;1967-09-09 – &lt;/strong&gt;Akshay Kumar, Indian Actor&lt;br /&gt;
&lt;strong&gt;1967-11-13 – &lt;/strong&gt;Juhi Chawla, Indian actress&lt;br /&gt;
&lt;strong&gt;1968-02-09 – &lt;/strong&gt;Rahul Roy, Indian actor&lt;br /&gt;
&lt;strong&gt;1968-03-16 – &lt;/strong&gt;Ananya Khare, Indian actress and teacher&lt;br /&gt;
&lt;strong&gt;1968-04-19 – &lt;/strong&gt;Arshad Warsi, Indian actor&lt;br /&gt;
&lt;strong&gt;1968-09-29 – &lt;/strong&gt;Samir Soni, Indian film actor&lt;br /&gt;
&lt;strong&gt;1968-12-15 – &lt;/strong&gt;Javid Hussain, Indian film producer&lt;br /&gt;
&lt;strong&gt;1969-12-11 – &lt;/strong&gt;Vishwanathan Anand, Indian chess grandmaster&lt;br /&gt;
&lt;strong&gt;1970-05-30 – &lt;/strong&gt;Ness Wadia, Indian industrialist&lt;br /&gt;
&lt;strong&gt;1970-06-01 – &lt;/strong&gt;R. Madhavan, Indian actor&lt;br /&gt;
&lt;strong&gt;1970-06-19 – &lt;/strong&gt;Rahul Gandhi, Indian politician&lt;br /&gt;
&lt;strong&gt;1970-08-06 – &lt;/strong&gt;M. Night Shyamalan, Indian/American film director&lt;br /&gt;
&lt;strong&gt;1970-08-16 – &lt;/strong&gt;Manisha Koirala, Indian actress&lt;br /&gt;
&lt;strong&gt;1970-08-16 – &lt;/strong&gt;Saif Ali Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1970-09-01 – &lt;/strong&gt;Padma Lakshmi, Indian actress&lt;br /&gt;
&lt;strong&gt;1970-10-26 – &lt;/strong&gt;Raveena Tandon, Indian actress&lt;br /&gt;
&lt;strong&gt;1971-04-16 – &lt;/strong&gt;Natasha Zvereva, Minsk Belarus, tennis ace (finals 1995 Indian Wells)&lt;br /&gt;
&lt;strong&gt;1971-05-01 – &lt;/strong&gt;Ajith Kumar, Indian film actor&lt;br /&gt;
&lt;strong&gt;1971-09-02 – &lt;/strong&gt;Pawan Kalyan, Indian actor&lt;br /&gt;
&lt;strong&gt;1971-11-01 – &lt;/strong&gt;Vikram Chatwal, Indian hotelier&lt;br /&gt;
&lt;strong&gt;1971-12-18 – &lt;/strong&gt;Barkha Dutt, Indian journalist&lt;br /&gt;
&lt;strong&gt;1972-04-16 – &lt;/strong&gt;Conchita Martinez, Monzon Spain, tennis star (1996 final Indian Wells)&lt;br /&gt;
&lt;strong&gt;1972-08-27 – &lt;/strong&gt;Dalip Singh, Indian professional wrestler&lt;br /&gt;
&lt;strong&gt;1972-11-04 – &lt;/strong&gt;Tabassum Hashmi, Indian actress&lt;br /&gt;
&lt;strong&gt;1972-11-09 – &lt;/strong&gt;Laxmi Poruri, Guntur India, tennis star (1994 Futures-College Park)&lt;br /&gt;
&lt;strong&gt;1972-11-26 – &lt;/strong&gt;Arjun Rampal, Indian actor&lt;br /&gt;
&lt;strong&gt;1972-12-17 – &lt;/strong&gt;John Abraham, Indian actor&lt;br /&gt;
&lt;strong&gt;1973-06-17 – &lt;/strong&gt;Leander Paes, Indian tennis player&lt;br /&gt;
&lt;strong&gt;1973-07-23 – &lt;/strong&gt;Himesh Reshammiya, Indian Bollywood composer, singer and actor.&lt;br /&gt;
&lt;strong&gt;1973-07-30 – &lt;/strong&gt;Sonu Nigam, Indian singer/actor&lt;br /&gt;
&lt;strong&gt;1973-08-10 – &lt;/strong&gt;Lisa Raymond, Norristown Penn, tennis star (1995 Indian Wells doubles)&lt;br /&gt;
&lt;strong&gt;1973-08-23 – &lt;/strong&gt;Malaika Arora Khan, Indian actress and model&lt;br /&gt;
&lt;strong&gt;1973-09-01 – &lt;/strong&gt;Ram Kapoor, Indian actor&lt;br /&gt;
&lt;strong&gt;1973-11-01 – &lt;/strong&gt;Aishwarya Rai, Indian actress&lt;br /&gt;
&lt;strong&gt;1974-01-09 – &lt;/strong&gt;Farhan Akhtar, Indian Bollywood Director, Actor, Producer, Singer.&lt;br /&gt;
&lt;strong&gt;1974-01-10 – &lt;/strong&gt;Hrithik Roshan, Indian actor&lt;br /&gt;
&lt;strong&gt;1974-05-15 – &lt;/strong&gt;Shiney Ahuja, Indian actor&lt;br /&gt;
&lt;strong&gt;1974-06-07 – &lt;/strong&gt;Mahesh Bhupathi, India, tennis pro&lt;br /&gt;
&lt;strong&gt;1974-06-22 – &lt;/strong&gt;Joseph Vijay, Indian actor&lt;br /&gt;
&lt;strong&gt;1974-06-25 – &lt;/strong&gt;Karisma Kapoor, Indian actress&lt;br /&gt;
&lt;strong&gt;1974-09-09 – &lt;/strong&gt;Vikram Batra, Officer of the Indian Army&lt;br /&gt;
&lt;strong&gt;1974-12-25 – &lt;/strong&gt;Nagma, Indian actress&lt;br /&gt;
&lt;strong&gt;1975-01-01 – &lt;/strong&gt;Sonali Bendre, Indian model and actress&lt;br /&gt;
&lt;strong&gt;1975-01-08 – &lt;/strong&gt;Harris Jayaraj, Indian music composer&lt;br /&gt;
&lt;strong&gt;1975-01-31 – &lt;/strong&gt;Preity Zinta, Indian actress&lt;br /&gt;
&lt;strong&gt;1975-03-08 – &lt;/strong&gt;Fardeen Khan, Indian actor&lt;br /&gt;
&lt;strong&gt;1975-06-08 – &lt;/strong&gt;Shilpa Shetty, Indian actress&lt;br /&gt;
&lt;strong&gt;1975-06-22 – &lt;/strong&gt;Laila Rouass, Moroccan-Indian actress&lt;br /&gt;
&lt;strong&gt;1975-08-05 – &lt;/strong&gt;Kajol Mukherjee, Indian actress&lt;br /&gt;
&lt;strong&gt;1975-10-03 – &lt;/strong&gt;India.Arie, American singer&lt;br /&gt;
&lt;strong&gt;1976-02-05 – &lt;/strong&gt;Abhishek Bachchan, Indian actor&lt;br /&gt;
&lt;strong&gt;1976-02-20 – &lt;/strong&gt;Rohan Gavaskar, Left-handed batsman, India ODI 2004 (son of Sunil Gavaskar)&lt;br /&gt;
&lt;strong&gt;1976-06-29 – &lt;/strong&gt;Sandhya Chib, Miss Universe-India (1996)&lt;br /&gt;
&lt;strong&gt;1976-09-03 – &lt;/strong&gt;Vivek Oberoi, Indian actor&lt;br /&gt;
&lt;strong&gt;1976-12-15 – &lt;/strong&gt;Baichung Bhutia, Indian footballer&lt;br /&gt;
&lt;strong&gt;1977-06-09 – &lt;/strong&gt;Roopa Mishra, Indian civil servant&lt;br /&gt;
&lt;strong&gt;1977-06-09 – &lt;/strong&gt;Amisha Patel, Indian actress&lt;br /&gt;
&lt;strong&gt;1977-07-17 – &lt;/strong&gt;Lehmber Hussainpuri, Famous Indian Singer&lt;br /&gt;
&lt;strong&gt;1977-09-01 – &lt;/strong&gt;Aamir Ali, Indian television actor&lt;br /&gt;
&lt;strong&gt;1978-01-01 – &lt;/strong&gt;Paramahamsa Sri Nithyananda, Indian spiritualist&lt;br /&gt;
&lt;strong&gt;1978-03-21 – &lt;/strong&gt;Rani Mukherjee, Indian actress&lt;br /&gt;
&lt;strong&gt;1978-03-28 – &lt;/strong&gt;Nafisa Joseph, Miss India Universe (1997)&lt;br /&gt;
&lt;strong&gt;1978-04-16 – &lt;/strong&gt;Lara Dutta, Indian actress&lt;br /&gt;
&lt;strong&gt;1978-06-11 – &lt;/strong&gt;Ujjwala Raut, Indian supermodel&lt;br /&gt;
&lt;strong&gt;1978-11-01 – &lt;/strong&gt;Manju Warrier, Indian actress&lt;br /&gt;
&lt;strong&gt;1978-12-17 – &lt;/strong&gt;Riteish Deshmukh, Indian actor&lt;br /&gt;
&lt;strong&gt;1979-01-07 – &lt;/strong&gt;Bipasha Basu, Indian model&lt;br /&gt;
&lt;strong&gt;1979-02-02 – &lt;/strong&gt;Shamita Shetty, Indian actress&lt;br /&gt;
&lt;strong&gt;1979-03-23 – &lt;/strong&gt;Emraan Hashmi, Indian actor&lt;br /&gt;
&lt;strong&gt;1979-03-24 – &lt;/strong&gt;Emraan Hashmi, Indian actor&lt;br /&gt;
&lt;strong&gt;1979-03-31 – &lt;/strong&gt;Amey Date, Indian playback singer&lt;br /&gt;
&lt;strong&gt;1979-04-17 – &lt;/strong&gt;Siddharth Narayan, Indian actor&lt;br /&gt;
&lt;strong&gt;1979-04-23 – &lt;/strong&gt;Yana Gupta, Indian actress &amp;amp; model&lt;br /&gt;
&lt;strong&gt;1980-02-21 – &lt;/strong&gt;Parthiva Sureshwaren, Indian racing driver&lt;br /&gt;
&lt;strong&gt;1980-08-18 – &lt;/strong&gt;Preeti Jhangiani, Indian actress&lt;br /&gt;
&lt;strong&gt;1980-09-21 – &lt;/strong&gt;Kareena Kapoor, Indian actress&lt;br /&gt;
&lt;strong&gt;1980-12-11 – &lt;/strong&gt;Arya, Indian actor&lt;br /&gt;
&lt;strong&gt;1981-02-25 – &lt;/strong&gt;Shahid Kapoor, Indian actor&lt;br /&gt;
&lt;strong&gt;1981-03-29 – &lt;/strong&gt;Jlloyd Samuel, WestIndian-born footballer&lt;br /&gt;
&lt;strong&gt;1981-06-07 – &lt;/strong&gt;Amrita Rao, Indian model and actress&lt;br /&gt;
&lt;strong&gt;1981-06-25 – &lt;/strong&gt;Pooja Umashankar, Indian actress&lt;br /&gt;
&lt;strong&gt;1981-09-21 – &lt;/strong&gt;Rimi Sen, Indian actress&lt;br /&gt;
&lt;strong&gt;1981-10-12 – &lt;/strong&gt;Sneha, Indian actress&lt;br /&gt;
&lt;strong&gt;1981-10-24 – &lt;/strong&gt;Mallika Sherawat, Indian actress&lt;br /&gt;
&lt;strong&gt;1981-10-29 – &lt;/strong&gt;Reema Sen, Indian actress&lt;br /&gt;
&lt;strong&gt;1981-12-09 – &lt;/strong&gt;Diya Mirza, Indian actress&lt;br /&gt;
&lt;strong&gt;1982-02-23 – &lt;/strong&gt;Karan Singh Grover, Indian Television Actor&lt;br /&gt;
&lt;strong&gt;1982-03-28 – &lt;/strong&gt;Sonia Agarwal, Indian actress&lt;br /&gt;
&lt;strong&gt;1982-04-07 – &lt;/strong&gt;Sonjay Dutt, Indian American professional wrestler&lt;br /&gt;
&lt;strong&gt;1982-07-03 – &lt;/strong&gt;Kanika, Indian actress&lt;br /&gt;
&lt;strong&gt;1982-07-18 – &lt;/strong&gt;Priyanka Chopra, Indian actress and beauty queen&lt;br /&gt;
&lt;strong&gt;1982-09-11 – &lt;/strong&gt;Shriya Saran, South Indian actress&lt;br /&gt;
&lt;strong&gt;1982-09-28 – &lt;/strong&gt;Abhinav Bindra, Indian shooter&lt;br /&gt;
&lt;strong&gt;1982-09-28 – &lt;/strong&gt;Ranbir Kapoor, Indian Actor&lt;br /&gt;
&lt;strong&gt;1982-12-10 – &lt;/strong&gt;Shilpa Anand, Indian film and television actress&lt;br /&gt;
&lt;strong&gt;1983-02-03 – &lt;/strong&gt;Silambarasan Rajendar,famous south Indian actor&lt;br /&gt;
&lt;strong&gt;1983-02-23 – &lt;/strong&gt;Aziz Ansari, Indian American Comedian&lt;br /&gt;
&lt;strong&gt;1983-04-08 – &lt;/strong&gt;Allu Arjun, Indian film actor&lt;br /&gt;
&lt;strong&gt;1983-05-04 – &lt;/strong&gt;Trisha Krishnan, Indian actress&lt;br /&gt;
&lt;strong&gt;1983-05-20 – &lt;/strong&gt;Jr. NTR, Indian film actor&lt;br /&gt;
&lt;strong&gt;1983-05-25 – &lt;/strong&gt;Kunal Khemu, Indian actor&lt;br /&gt;
&lt;strong&gt;1984-01-19 – &lt;/strong&gt;Karun Chandhok, Indian racing driver&lt;br /&gt;
&lt;strong&gt;1984-02-15 – &lt;/strong&gt;Meera Jasmine, Indian actress&lt;br /&gt;
&lt;strong&gt;1984-02-29 – &lt;/strong&gt;Adam Sinclair, Indian field hockey player&lt;br /&gt;
&lt;strong&gt;1984-03-12 – &lt;/strong&gt;Shreya Ghoshal, Indian singer&lt;br /&gt;
&lt;strong&gt;1984-03-19 – &lt;/strong&gt;Tanushree Dutta, Indian actress&lt;br /&gt;
&lt;strong&gt;1984-07-16 – &lt;/strong&gt;Katrina Kaif, Indian Actress&lt;br /&gt;
&lt;strong&gt;1984-08-03 – &lt;/strong&gt;Sunil Chetri, Indian Footballer&lt;br /&gt;
&lt;strong&gt;1985-01-18 – &lt;/strong&gt;Minnisha Lamba, Indian Actress and Model&lt;br /&gt;
&lt;strong&gt;1985-01-30 – &lt;/strong&gt;Aaadietya Pandey, Indian astrologer&lt;br /&gt;
&lt;strong&gt;1985-06-09 – &lt;/strong&gt;Sonam Kapoor, Indian actress&lt;br /&gt;
&lt;strong&gt;1985-10-26 – &lt;/strong&gt;Asin Thottumkal, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-01-01 – &lt;/strong&gt;Vidya Balan, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-01-05 – &lt;/strong&gt;Deepika Padukone, Indian model and actress&lt;br /&gt;
&lt;strong&gt;1986-01-28 – &lt;/strong&gt;Shruti Haasan, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-03-27 – &lt;/strong&gt;Ramani, Indian Girl&lt;br /&gt;
&lt;strong&gt;1986-04-10 – &lt;/strong&gt;Ayesha Takia, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-10-20 – &lt;/strong&gt;Priyanka Sharma, Indian actress&lt;br /&gt;
&lt;strong&gt;1986-11-15 – &lt;/strong&gt;Sania Mirza, Indian tennis player&lt;br /&gt;
&lt;strong&gt;1987-03-31 – &lt;/strong&gt;Humpy Koneru, Indian chess grandmaster&lt;br /&gt;
&lt;strong&gt;1987-08-05 – &lt;/strong&gt;Genelia D’Souza, Indian actress&lt;br /&gt;
&lt;strong&gt;1987-08-19 – &lt;/strong&gt;Ileana D’Cruz, Indian actress&lt;br /&gt;
&lt;strong&gt;1988-01-04 – &lt;/strong&gt;Nabila Jamshed, Indian writer&lt;br /&gt;
&lt;strong&gt;1988-11-22 – &lt;/strong&gt;Suresh Guptara and Jyoti Guptara, British-Indian novelists&lt;br /&gt;
&lt;strong&gt;1988-12-02 – &lt;/strong&gt;Soniya Mehra, Indian Actress&lt;br /&gt;
&lt;strong&gt;1989-09-02 – &lt;/strong&gt;Ishmeet Singh Sodhi, Indian Playback Singer (d. 2008)&lt;br /&gt;
&lt;strong&gt;1991-08-09 – &lt;/strong&gt;Hansika Motwani, Indian actress&lt;br /&gt;
&lt;strong&gt;1996-03-09 – &lt;/strong&gt;Darsheel Safary, Youngest Indian actor to win filmfare award for best performance&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/7675233097488945003/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/famous-birthdays-in-indian-history.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7675233097488945003'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7675233097488945003'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/famous-birthdays-in-indian-history.html' title='Famous Birthdays in Indian History'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-1374280651346001693</id><published>2011-09-17T14:33:00.001+05:30</published><updated>2011-09-17T14:38:27.107+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="INDIAN LITERATURE"/><title type='text'>The Dutts - Toru, Aru, Abju were very important people in Indo-Anglian poetry</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;THE BEGINNING&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The renaissance in modern Indian Literature begins&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with Raja Ram Mohan Roy. The infiltration of western&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;culture, the study of English literature, the adoption&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of western scientific techniques, gave a jolt to India&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;traditional life. It shocked us into a new awareness, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sense of urgency, and the long dormant intellectual and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;critical impulse was quickened into sudden life and the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;reawakening Indian spirit went forth to meet the violent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;challenge of the values of modern science and the civilization&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the west.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Ram Mohan Roy&#39;s interests and inquiries ranged&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;from the rights of women and the freedom of the press&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to English education, the revenue and judicial systems&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in India, religious toleration and the plight of the Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;peasantry. He could be named as the first of the Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;masters of English prose. He wrote a brief autobiographical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sketch on request. Derozio Kashiprasad Ghose,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;M.M.Dutt are the other eminent writers of the time. They&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are called the first Indo-Anglian writers of verse and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;prose. Derozio&#39;s most ambitious work was &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Jungheera&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kashiprasad Ghose was one of the first Indians to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;publish a regular volume of English verse. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and other poems &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;level of &#39;Gorboduc&#39; in English literature. Michael&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Madhusudan Dutt was equally a talented writer. His&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Fakir of&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The shair&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1830) is a great contribution to the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Meghanad Badha &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in English &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There followed a lot of writers. &#39;Derozio&#39;s men&#39; who&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;aspired to become eminent in the field. Besides writers,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;political leaders, religious men also wrote in their own&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;way for the enlightenment of the public. Dadabhai&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Naoroji was a teacher turned political leader and a good&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;orator. Ramakrishna Paramahamsa, his disciple Swami&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Vivekananda were great orators and their speeches carried&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the essence of truth. Vivekananda essayed English&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;verse too &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sanyasin, My play is Done etc.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;is a great Bengali epic and he wrote&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The captive Ladie&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;eg : Kali, the mother, The song of the&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Dutts - Toru, Aru, Abju were very important&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;people in Indo-Anglian poetry. Toru lost her brother&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and sister very early. Her father and cousin used to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;write poems and poetry ran in her veins. She translated&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;French renderings into English ; &#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;French Fields&#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;consumption. Her Sanskrit translations came posthumously&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A sheaf gleaned in&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;. She died very young, at the age 21, of&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&quot;Ancient Ballads and Legends of Hindustan&#39;.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her translations are marvellous and beyond comparison&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for a young sick girl. Her mastery in Sanskrit, French,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;English, Bengali were commendable. Romesh Chunder&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Dutt her cousin was another talented writer. He wrote&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;three novels - &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Bengali, A history of civilization in Ancient India, India&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the Victorian Age, The Economic history of British&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;India &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Other notable figure was Man Mohan Ghoss,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;brother of Sri. Aurobindo&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Perseus and Adam, Nollo &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Todar Mull, Sivaji, and Pratap Singh in&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;etc.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, Love Songs and Elegies,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are his major works.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Modern Indian literature begins with&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Raja Ram Mohan Roy&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The first of the Indian masters of English Prose&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Ram Mohan Roy&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;First Indo - Anglian writers of verse and prose&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Henry Derozio&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Kashiprasad Ghose&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;- &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Michael Madhusudan Dutt&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Derozio&#39;s most ambitious work&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Fakir of Jungheera&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The first Indo-Anglian poet&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Henry Derozio&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is considered to be the Keats in Indian literature&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- H. Derozio&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Sheaf gleaned in French Fields &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;was a famous work&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Toru Dutt&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the world&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Yeats greeted –––– as one of the most lovely works&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Man Mohan Ghose&#39;s &#39;Songs of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Life and Death&#39;.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: white; font-size: x-large;&quot;&gt;&lt;span style=&quot;color: white; font-size: x-large;&quot;&gt;&lt;span style=&quot;color: white; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-large;&quot;&gt;&lt;div align=&quot;left&quot;&gt;INDIAN WRITING IN ENGLISH&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Tagore (1861-1941)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tagore was a poet, composer,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novelist, short story writer,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;playwright philosopher, lecturer,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;educator and painter. He&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;wrote poetry as a child and he&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was only fifteen when he published&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;some of his poems. It&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was as a poet and the author of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Githanjali&#39; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in 1912, and met Rothenstein,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Yeats and others. In 1913, he was awarded the nobel&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;prize. He is well known as the Founder of Viswa Bharathi&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;University at Shantiniketan.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In his own language, Tagore was a master - musician&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;expressing whole world experience in sheer rhythm&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of word and phrase. He had written a whole range of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;literature works &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Senai &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;largest number of lyrics ever attempted by any poet.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Next only to Gandhiji and Sir Aurobindo, Tagore has&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;been the supreme inspiration to millions in modern India.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;he visited England&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Manasi, Chitra, Gitanjali, Smaran,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are some of his poems, He wrote probably the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The crescent moon, The Gardener, Fruit gathering,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Lover&#39;s Glift, The post office, The cycle of spring,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Red Oleander-his plays, The Home and the world,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gora, Hungry stones &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sadhana Personality, Creative unity, The Religion of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;man and autobiography, (Reminiscences).&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;etc. are his novels, &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Philosophy,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His most prestigious work &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of 103 lyrics translated from selected lyrics in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his own Bengali works. The term &#39;Gitanjali&#39; rendered as&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;song offerings&#39; by Tagore. The main theme is the relationship&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;between the human soul and God. It is centred&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in life and the Lord is not only within oneself though to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;seek whom one has to travel far and knock at everydoor,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;but in the very midst of men and women among&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;The poor, lowliest and lost&#39;. Nature and man to the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poet are only means of approaching. God and are not&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;important for their own sake.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He was equally good at his prose writings, poems&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and shortstories. His most ambitious work of fiction&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was undoubtedly &#39;Gora&#39;. It is to the Indian fiction&#39;, What&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tolstoy&#39;s &#39;War and Peace&#39; is to the Russian. Tagore&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;holds the prime position among the Indo-Anglian writers&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with his end less talent for creativity.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Gitanjali&#39; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is a sequence&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore was awarded the Nobel Prize in&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- 1913&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Gitanjali Songs are mainly poems of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Bhakti&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore is the founder of ––––– University&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Viswa Bharati at Shantiniketan&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;collection&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore was awarded Nobel Prize for his poetic&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- &#39;Gitanjali&#39;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Gitanjali contains a sequence of ––––– lyrics&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- 103&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;audiences&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– introduced Tagore&#39;s work to English&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- W.B.Yeats&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to ––––––&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore dedicated the English version of Gitanjali&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Rothenstein&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;from Gitanjali&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Where the mind is without fear&#39; is the –––– poem&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- 35th&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Where the mind is without fear&#39; is a&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Prayer of the poet for his country&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The freedom mentioned in the poem is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Freedom from fear&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Sri Aurobindo (1872-1950)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sri Aurobindo is the one&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;uncontestably outstanding&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;figure in Indo-Anglian literature.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Though he came out successful&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the Indian Civil service&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;examinations, he did not&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;join the service, but decided&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to devote himself to the task&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of freeing India from foreign&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;yoke, making revolutionary&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;speeches and hinting at armed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rebellion as a means of attaining&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;it. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Savitri, Bhavani Mandir, The Life Devine, The synthesis&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of yoga, Essays on the Gita, The secret of Veda, The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;future poetry, The foundations of Indian culture, Renaissance&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in India, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;works.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Songs to Myrtilla, Urvasie, Love and Death,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Heraclitus &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are some of his major&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tagore&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sri Aurobindo&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;To many of his contemporaries, Sir Aurobindo was&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a power out of the ordinary, a star that dwelt apart. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;politician, the poet, the philosopher, and the yogi were&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;all of a piece, and made the sum - the power that was&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Rishi Aurobindo. He turned the political movement in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the country towards the right goal. In his philosophy&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and yoga, he turned the current of human progress itself&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;towards the goal of super manhood. His poetry&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was meant to bridge the present and the future, self&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;divided present life and the life Divine that is to be.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Considered merely as a poet and critic of poetry,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;he would rank among the supreme masters of our time.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There are five blank verse plays, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Vasavadatta, Rodogune, The viziers of Bassora, &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Perseus the Deliverer,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Eric&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;work of prose art. In his prophetic treatise. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Poetry, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the poetry of the supramental age. His &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;opus,&#39; &#39;Savitri&#39; ; A Legend and a symbol &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;parts, divided into 12 Books. Savitri is symbolic of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;true wife&#39;s devotion and power - unflinching devotion&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and power even to overcome the greatest of evils, Death.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;And Satyavan is Truth.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;To Aurobindo, poetry is the Mantra of the Real. It&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is the breath of Greater Life. He was a great poet, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;mystic, a even greater revolutionary who was the first&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to declare openly that complete autonomy, free from&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;British control should be the aim of the freedom struggle,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;got arrested but came out as an even powerful yogi.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He settled in his Ashram at Pondicherry, from there his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;voice reached the entire world through his writings till&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his death in 5th December 1950.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;. The Life Devine is a treatise on metaphysics, and&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Future&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;he tried to indicate the possible extended frontiers&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;magnum&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is in three&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;philosophy is&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Sri Aurobindo&#39;s colossal work of mystical&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- &#39;The Life Divine&#39;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Prestigious work of Aurobindo is ––––&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &#39;Savitri&#39; an epic poem,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;containing about 24,000 lines&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;The future poetry&#39; is a great work of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sri Aurobindo&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Aurobindo&#39;s &#39;Savitri&#39; is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Symbolic of the true wife&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;devotion and power.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Sarojini Naidu (1879-1949)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sarojini Naidu whose birth centenary, was celebrated&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in 1979, is one of the first exponents of the tradition&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of romanticism in Indian poetry. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Bird of Time, The Broken wing, The Feather&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the Dawn &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She began writing from an early age. In all poems,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the emphasis is on song - the music of poetry, seen in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the title and the lilting quality of her verse. Love is a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;dominant strain and the love poems in the different&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;volumes can be studied together with, the themes of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;nature death. The range and variety of life find place in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;almost every volume. There is an attempt to Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;themes and English tradition. Politics has no place in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her poems but nationalism is present in it.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her merits as a poetess is many. Her&#39;s is a pan -&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indian vision, breath taking in its range, variety and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;colour. Almost all aspects of the Indian ethos are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;touched upon which refute the charge of escapism. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;focus is on the keatsian principle of beauty in all things,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;be it wandering Beggars, Coin Grinders, or the Budha&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;seated on a lotus, or the various objects and manifestations&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of nature. She is one of the first to see the common&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;people of India with sympathy and invest their&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;lowly profession with grace and beauty. eg : Palanquin&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Beares, coromandel fishers, Bangle sellers etc.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The single minded devotion to beauty makes her&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ignore the pain and boredom of daily labours. We are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;taken to a world of exotic music and splendour. True to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her romantic muse, she recreates the past of India in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;terms of traditional practices and places of historic interest.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The &#39;past&#39; with its wondrous charm comes alive&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in her evocation of cities like Delhi, and Hyderabad in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her depiction of Indian religious customs. eg : Raksha&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Bandhan, Vasant Panchami etc. The colour of the Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;landscape with its gulmohers, champakes, bulbuls,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Koils, the dances with red roses, gem-tangled hair, glittering&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;garments etc. splashes through her lyrics, eg : In&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a latticed Balcony, In the Bazaars of Hyderabad.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her vision of Nature with an eye for its loveliness,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;colour and charm is aesthetic than spiritual. It is in her&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;love poems that her lyric impulse reaches its height.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Love is a many stringed instrument in her stands. To&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her love is both agony and ecstasy, the emotions being&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;felt in separation and union.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In her poetry, she has succeeded in recreating the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;glory of India with joy and intensity. The cadence and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;colour of her poetry predominates over intellectual&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;musings, because hers is a lyrical genius.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;The Golden threshold&#39;,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are her poetic works.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The last of the Indian romantic writers&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sarojini Naidu&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;1979 was the birth centenary year of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sarojini Naidu&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Prominent themes of Sarojini Naidu&#39;s poetry&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Love, nature, nationalism&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Coromandel Fishers&#39; is a ––––– song&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Folk&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The poem &#39;Coromandel, Fishers&#39; is taken from&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Golden Threshold&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Mahatma Gandhi (1869-1948)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gandhiji was no writer, nor was he at anytime particularly&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;interested in the act of writing. The period&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;between the two world wars is called the &#39;Gandhian Age&#39;.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The arrival of Gandhiji in the Indian struggle for freedom&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was a period of awakening. Life could not be the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;same as before, and every segment of our national life,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;polities, economics, education, religion, social life, language&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and literature acquired a more or less pronounced&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gandhian hue. Several regional languages acquired a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;new versality and power and many of the political leaders&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the Gandhian Age - Abul kalam Azad, Rajaji, Rajendra&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prasad, Nehru and Vinoba Bhave - were themselves&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;thinkers, writers, agitators and social reformers&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rolled into one.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The greatness of Gandhi was the greatness of an&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ordinary man who through a long process of trial and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;error, aspiration and endeavour, achieved a greatness&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;indubitably his own. The story of his &#39;Experiments with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Truth&#39; is one of the imperishable classics of our time. In&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;this autobiographical record, described in candid detail&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the events and circumstances of his life from birth to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the launching of the non-coperation movement in India&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in 1920. The latter part of his life till his death is the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;history of India as well. So he was called as the &#39;father&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the nation&#39;.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Gandhian impact on contemporary Indian literature&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;has brought about results at various levels one&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;result was ; a general preference for the mother tongue&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;or regional language or bilingualism. And whatever the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;medium chosen, the stress has been more on simplicity&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and clarity and immediate effectiveness.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Regarding themes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and characters, there has been&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a conscious shift from the city&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to the village or a sharp contrast&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;between the two. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;works of Venkataraman, R.K.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Narayan, Mulk Raj Anand,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kamala Markandeya are suitable&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;example.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In some novels, Gandhian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;thoughts and feelings&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are there and R.K. Narayan made Gandhi a character in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Waiting for Mahatma&#39;. The important events in the preindependent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;period and the freedom beautifully blended&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in most of the works of literature. There were a lot of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writers, writing on Mahatma, his biographies, memoirs,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;criticial studies and discussions, apart from the immense&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;mass of Gandhi&#39;s, own writings and speeches. &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Mahatma&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;by D.G. Tendulkar, P.A. Wadia&#39;s &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Mahatma Gandhi,&#39;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;E.M.S. Namboodiripad&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;the Ism&#39; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;60 years Gandhi has been the subject of biographical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and expository studies.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;The Mahatma and the&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are important studies on Gandhi. For the last&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Gandhi as a man of letters&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gandhi had no literary ambitions though he wrote&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;some verse and a great deal of prose. In fact he was a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;journalist. He himself edited south African and Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Journals, like the &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Harijan&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;allusiveness or the power to conjure up associations.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;But whatever he wrote one could see a transparency&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and absolute sincerity and often a profound&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;aspiration. His twin values of Truth and Non violence&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;gave him a stand point from which he could speak or&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;write about even trivialities and it is that which make his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;work alive for all time.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His major work the Autobiography is written in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gujarati. His personality as revealed in his Autobiography&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is ethico-religious whether it is operating in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;political, social or domestic sphere.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Indian opinion, Young, India and&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;. His writings had no literary graces, suggestiveness,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Regional novels or bilingualism is the result of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Gandhian impact on Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;literature&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Mahatma Gandhi&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gandhiji as a character, is written by&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Waiting for Mahatma&#39; is an important novel with&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- R.K. Narayan&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;reflected in&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Gandhiji&#39;s principles of Truth and non violence is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- His autobiography and writings&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;called&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The period between the two world wars in India is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Gandhian Age&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;My Experiments with Truth&#39; is the autobiography&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- M.K. Gandhi&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Jawaharlal Nehru (1889 - 1964)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The history of Nehru&#39;s writings&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and speeches merges with his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;life, and his life likewise merges&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with the life of the nation. He was&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a fascinating writer too. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of world history&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of India, Autobiography, his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;speeches, Letters from a Father&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to a Daughter &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;talent of the great statesman.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He was tutored and given the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;best education that money could buy but he used those&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;powers in his speeches, and literary works. He plunged&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;into the cauldron of freedom struggle and politics and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his literary pursuits came along with him....... written&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;when he was in jail. Later his political involvement prevented&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;him from writing more but was famous for his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;great speeches. He rose to the high office as the P.M. of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;India. He was an avid reader and appreciated quality in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;them. Many eminent writers were his friends and he&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;used to write to them even in his busy political career.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Glimpses&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Discovery&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;bears the varied&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;The Discovery of India&#39; is one of the great works of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Jawaharlal Nehru&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;father and the daughter mentioned&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Letters from a father to a Daughter&#39; - who is the&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Nehru and his daughter Indira&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gandhi&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Outstanding works of Nehru are&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Glimpses of Word History&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The Discovery of India&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Autobiography&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Letters from a father to a daughter&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: large;&quot;&gt;&lt;div align=&quot;left&quot;&gt;DRAMA&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Drama written in the earlier period of Indian literature&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is not, meant for actual stage production.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Madhusudan Dutt&#39;s, &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Is this called civilization&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, Tagore&#39;s&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Chitra, The post office, Sacrifice, Red Oleanders, Chandalika&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Muktadhara, Natir Puja &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Aurobindo&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Rodogune, The Viziers of Bassora &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in English as original dramatic creations. He was a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;prophet and a recluse and he stood apart in unique&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;solitariness and anyhow his plays, were but a small&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fraction of his phenomenal literary output.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Harindranath Chattopadhyay&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sidhartha ; Man of peace, plays and playlets on the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;lives of the saints, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are other playwrights too, Lakham Deb, Pratap Sharma,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Nizzim Ezekiel, Gurucharan Das who tried their talents&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in plays of realism, comedy, tragi comedy, farce and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;historical play.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;etc.&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Perseus the Deliverer, Vasavadatta,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Eric &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;were written&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Five plays&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are notable plays of the period. There&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: large;&quot;&gt; &lt;div align=&quot;left&quot;&gt;NOVEL&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Development of novel in India&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The novel as a literacy phenomenon is new to India.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;At first there were the translation of western classics&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;including novels, as a result of the western impact&#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;on India&#39;s cultural front. It was in Bengal that the &#39;literary&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;renaissance&#39; first manifested itself. The first novel&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;written in Bengali was &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;son of a rich family). The first novel published in English&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was Bankim Chandra Chatterjee&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;wife &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Vishavriksha, Anandamath, Devi Chaudhurani&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Alaler Gharer Dula &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1858) (spoilt&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Raj Mohan&#39;s&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1864), followed by &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Durgesa Nandini, Kapal Kundala,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;etc. by the same author.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tagore was a very considerable novelist too. &#39;Choker&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Bali&#39; (Binodini) is his first success followed by &#39;Yogayog&#39;.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Another great novelist was Saratchandra Chatterjee.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Srikanta, Grihadaha, Pather Datri, Bi pradas and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sesprasna&#39; are his works. Tarashankar Banerjee, Bibhu-&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Jawaharlal Nehru&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ti Bhushan Banerjee, Manik Banerjee, Naini Bhaumik&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;were a few of the outstanding performers. Bibhuti Bhushan&#39;s&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pather panchali &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the children Apu and Durga. The vicissitudes of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Bengali Novel foreshadow more or less the vicissitudes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the Novel in India.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Before 1947, the English models were the major&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;outside influence on the Indian novel. After the independence,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the more serious novelist has shown how&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the joy of freedom has been more than neutralized by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the tragedy of partition. Novels whose action is set by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the side of a river are a category by themselves. Nirad&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;C. Chaudhuri has advanced the theory that, for the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Aryans in India, the &#39;river cult is a symbol of their pre -&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indian existence eg : R.K. Narayan&#39;s novels centred in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Malgudi -on-Sarayu, Raja Rao&#39;s Kanthapura , the river&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Hemavathy is a person and a presence.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;History as the theme of creative fiction seems indeed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to exercise a special fascination for many Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novelists. R.C.Dutt&#39;s, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Ayyar&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to recapture life in Ancient India. Tagore&#39;s Home and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the world, &#39;four chapters&#39;, present the issue between&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ends and means in politics in context of the revolutionary&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;movements of the 20th century. Mulk Raj Anand&#39;s&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;portrays two inforgettable characters,&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The slave girl of Agra&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, A.S.P.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Baladitya&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Chanakya &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Chandragupta &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;try&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The sword and the sickle, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;roughly cover the politics of the twenties. Raja Rao&#39;s&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;K.A. Abbas&#39;s &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Inquilab &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;both&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kanthapura &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;disobedience movement, in the early thirties.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Novels on the &#39;partition&#39; horrors are numerous eg :&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kushwant Singh&#39;s &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;is the best novel about the Gandhian civil&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Train to Pakistan&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, Manohar Malgonkar&#39;s&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Distant Drum&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are regional novelists like Tara Shankar (Bengal) K.S.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Karant (South Canara), Thakazhi Sivasankara Pillai (Kuttanad)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;who have tried to immortalise in creative fiction&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the genius of particular regions or localities. Munshi&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Premchand&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the life of the peasants in the difficult period of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;transition from the old feudalism to the new wage economy.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Thakazhi&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;life of the sea faring folk on the coast of Alleppey.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Sanyasi&#39; has often figured Indian fiction. R. K.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Narayan&#39;s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kamala Markandeya&#39; s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Swamy is a faith healer.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A bend in the Ganges. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;There&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Godan&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, Thakazhi&#39;s &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Rantitangozhi&#39;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, describes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Chemmeen&#39; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is a poignant record of the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;The Guide,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39; Raju is a &#39;Swami&#39; by mistake.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A silence of Desire and &#39;possession&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––– is the seat of literary renaissance in India&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Bengal&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The first novel written in Bengali&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Alaler Gharer Dulal&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;First novel published in English&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Bankim Chandra Chatterjee&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Raj Mohan&#39;s Wife&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Anandamath&#39; is a popular work of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Bankim Chandra Chatterjee&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Pather Panchali&#39; is an outstanding work of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Bibhuti Bhushan Banerjee&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;which records the life of the sea faring folk on the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;coast of Alleppey&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Thakazhi&#39;s –––– is an example of regional novel,&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Chemmeen&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;A Train to Pakistan&#39; is a pitiless precise picture&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Indo-Pak Partition&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;K.A. Abbas&#39;s &#39;Inquilab&#39; covers the politics of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Twenties&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Mulk Raj Anand (1905 - 2004)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Of the Indo-Anglian novelists&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Mulk Raj Anand has&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;shown real talent, stamina and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;stern consistency of purpose.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;As with Bankim Chandra before&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;him, political action took the form&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of writing novels. He wrote of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the people, for the people, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as a man of the people. &#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;coolie, Two leaves&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and a Bud, The village, Across&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Black waters&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There are short stories too.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His untouchable is the most compact and artistically&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;satisfying , it is the shortest of the novels. As a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writer of fiction, Anand&#39;s notable marks are vitality and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a keen sense of actuality. He is a veritable Dickens for&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;describing the inequities and idiosyncrasies in the current&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;human situation with candour as well as accuracy.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The titles of his early novels seem to emphasize the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;universal as against the particular. He is a committed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writer.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Untouchable,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, are his novels.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Mulk Raj Anand&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indian literature&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––––– is considered as a veritable Dickens in&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Mulk Raj Anand&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––– is the shortest of Anand&#39;s novels&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Untouchable&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;caste boy Bakha is the theme of Mulk Raj Anand&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The events of a single day in the life of the low&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Untouchable&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;––––– in the contemporary society with accuracy&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Mulk Raj Anand&#39;s novels describes the ––––– and&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Inequities and idiosyncrasies&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The famous &#39;Trio&#39; of Indo - Anglian literature&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Mulk Raj Anand&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- R.K. Narayan&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Raja Rao&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;R.K. Narayan (1906 - 2001)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;R.K. Narayan is a man of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;letters pure and simple. He is one&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the few writers in India who&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;take their craft seriously, constantly&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;striving to improve the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;instrument, pursuing with a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sense of dedication for perfection.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Swami and his friends &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his first novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Dark Room, The English&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Teacher, Mr. Sampath, The financial&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Expert, Waiting for the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Mahatma. The Guide&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;has also collected two volumes of his short stories, &#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Astrologer&#39;s Day, Lawley Road&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;into several European and Indian languages.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Bachelor of Arts,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, etc. He&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;An&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;. He has been translated&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Swami and friends &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novels. He is a master of comedy who is not unaware of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the tragedy of the human situation. He can present smiles&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and tears together. In Narayan&#39;s novels, there is generally&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a flight, an uprooting, a disturbance of order - followed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;by a return, a renewal ,a restoration of normalcy.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The soul of his fiction is the miracle of transcendence&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and the renewal of life, love, beauty, peace.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;is the most enjoyable of the&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is R.K. Narayan&#39;s &#39;Caster bridge&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Malgudi&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;English Teacher are&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Swami and friends, Bachelor of Arts, and The&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A trilogy of Malgudi - on - Sarayu&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;R.K. Narayan&#39;s &#39;The Guide&#39; won him&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The Sahitya Academy Award in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1960&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The mode of narration, Narayan uses in &#39;The Guide&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- (1) Authorial&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- (2) Autobiographical&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Malgudi Days&#39; is a –––––of R.K. Narayan&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Short Story Collection&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Raja Rao&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;A novelist and a short&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;story writer, Rao too is a child&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the Gandhian Age and reveals&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in his work his sensitive&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;awareness of the forces let&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;loose by the Gandhian Revolution&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as also of the thwarting&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;or steadying pulls of past tradition.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His major works are&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Kanthapura&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and the Rope&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Barricades, and a collection of short stories.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His short stories are marvellous. In &#39;Javni&#39;, he portrays&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a noble soul, a loyal domestic servant Javni. His&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;half poetical, half whimsical approach to Gandhian politics&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sets the tone of Raja Rao&#39;s first novel Kanthapura.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The tremors of Gandhi&#39;s impact on a south Indian Village&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are recorded here in the chatty language of an elderly&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;widow, and we see everything through the film of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her memory.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His prose have a poised brevity an in candescent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sufficiency. He turns sensibility itself into glowing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;prose. His &#39;The serpent and the Rope&#39; is an ambitious&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and meritorious effort at achieving a total projection of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;India in vivid fictional terms and it is the most impressive&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel yet written by an Indian in English.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The serpent&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, The cat and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Shakespeare&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, The cow of&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is a veritable Grammar of the Gandhian Myth&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kanthapura&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The locale of action of novel &#39;Kanthapura&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kanthapura&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kanthapura is regarded as&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A social and regional novel&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;R.K. Narayan&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Raja Rao&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rich in&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;According to Raja Rao, every village in India is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sthala - Purana&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;The cat and Shakespeare&#39; is written by&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Raja Rao&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Bhabani Bhattacharya (1906-1988)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His five novels - &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Mohini, He who Rides a Tiger, A goddess Named Gold,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shadow from Ladakh &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Sahitya Academic award to him in 1967 was a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fitting recognition of his out standing achievement in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the field of Indian fiction in English. He gives satirical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and humorous sketches in his novels.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;So many Hungers, Music for&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;form rather an impressive achievement.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Manohar Malgonkar (1913-)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Distant Drum&#39; A Bend in the Ganges, Combat of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shadows, The princes &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is a certain maturity about them, and in plotting as well&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as in telling his stories he displays an ability that compels&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;recognition. In these novels he reveals a sound&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;historical sense. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;after the manner of Ian Fleming.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;are his prestigious works. There&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Spy in Amber &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is his latest novel, a thriller&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;The women novelists&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Toru Dutt&#39;s Bianca is considered to be the first&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel written by a woman. It was unfinished. There&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;followed a lot of women writers but only after the second&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;world war that women novelists of quality have&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;begun enriching Indian fiction in English.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kamala Markandeya is an outstanding novelist.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;Nectar in a sieve, Some Inner Fury, A silence of Desire,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Possession, A Handful of Rice, The coffer Dams&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are her popular works. Her marks as a novelist is the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sufficiency and suggestiveness of her prose. Kamala&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;neither repeats herself, nor turns her fiction into a formula.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In her two novels - &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the city&#39; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the achievement of Indian women writers in English&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fiction. The intolerable grapple with thoughts, feelings&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and emotions is necessarily reflected in the language,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;syntax and imagery of her novels.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Other novelists of repute are G.V. Desani (All about&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;H. Hatterer) M. Ananthanarayanan, Arun Joshi, Khushwant&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Singh, O.V. Vijayan and Salman Rushdie.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Among the critics and historians of literature are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;K.R. Sreenivasa Iyengar, C.D. Narasimhaiah and M.K.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Naik. Other big names in Indo-Anglian writing include&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Ruskin Bond (The Room on the Roof) Amitav Ghosh&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(circle of Reason, Shadow Lines) Upamanyu Chatterjee&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(English August), Vikram Chandra (Red Earth and Pouring&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Rain), Shobha De, and Ginu Kamani.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There are many other talented writers like Manjula&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Padmanabhan (The Harvest) Arundhati Roy (The God&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of Small Things), Rajkamal Jha (The Blue Bed Spread).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pulitzer Prize winning Jhumpa Lahiri (The Interpreter of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Maladies, The Name Sake), Rohinton Mistry (Family&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Matters). Anurag Mathur (The Inscrutable Americans)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Manil Suri (The Death of Vishnu), Ruchira Mukherjee&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(Toad in My Garden), Kavita Deswani (Everything Happens&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for a Reason). Recent works include Rushdie&#39;s Shalimar&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Clown and Kiran Desai&#39;s Inheritance of Loss.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;Cry, the Peacock, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;voices&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Anita Desai has added a new dimension to&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Arundhati Roy&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She is a novelist, activist. She won the Booker&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prize in 1997 for her first novel &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Roy was born in Assam to a Keralite Syrian mother, the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;women’s rights activist Mary Roy, and a Bengali Hindu&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;father, a tea planter by profession. She spent her childhood&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in Aymanam in Kerala, and went to school in Corpus&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Christi. She then studied architecture at the Delhi&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;School of Architecture.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Roy began writing &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1992 and finished it in 1996. She received half a million&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;pounds as an advance, and rights to the book were&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sold in 21 countries. The book is semi-autobiographical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and a major part captures her childhood experiences in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Aymanam.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Contrary to some assumptions, Roy is not one of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;twins. This misinformation arose from the assumption&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;that the character of Rahel is based on herself. We see&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;this in the physical description of the character in her&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;adulthood and also by some of this character’s interactions&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with her mother, Ammu.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The God of Small Things&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The God of Small Things &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;in&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Books&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The God of Small Things (1997), The Greater Common&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Good (1999), The Algebra of Infinite Justice (2001),&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;An Ordinary Person’s Guide to Empire (2004), The End&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of Imagination (1998), The Cost of Living (1999), Power&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Politics (2002), War Talk (2003).&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Vikram Seth&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He is an Indian poet, novelist,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;travel writer, librettist, children’s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writer, biographer and memoirist.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;An unusually forthcoming&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writer whose published material is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;replete with un- or thinly-disguised&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;details as to the personal&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;lives of himself and his intimates&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;related in a highly engaging narrative&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;voice. In each of Seth’s novels and in much of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his poetry, there have been central or peripheral gay&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;themes and characters. Seth is now best known for his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novels, though he has characterised himself as a poet&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;first and novelist second. He has published five volumes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of poetry. His first, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;privately published.His travel book &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Lake: Travels Through Sinkiang and Tibet &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was his first popular success and won the Thomas&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Cook award for travel writing.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The first of his novels, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;indeed a novel in verse about the lives of a number of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;young professionals in San Francisco. The novel is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;written entirely in rhyming tetrameter sonnets after the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;style of Charles Johnston’s 1977 translation of Aleksandr&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pushkin’s &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;wide acclaim (Gore Vidal dubbed it “The Great California&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Novel”) and achieved healthy sales.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;After the success of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;up residence in his parents’ house back in Delhi to work&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;on his second novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;page novel is a four-family saga set in post-independence,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;post-Partition India, and alternatively satirically&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and earnestly examines issues of national politics in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;period leading up to the first post-Independence national&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;election of 1952, inter-sectarian animosity, land&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;reform and the eclipse of the feudal princes and landlords,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;academic affairs, inter- and intra-family relations&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and a range of further issues of importance to the characters.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His most recent book, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;family memoir written at the suggestion of his mother,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and published in October, 2005.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Seth’s considerable range is demonstrated by the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;meticulous historical accuracy of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the finely nuanced cultivated-Indian English of the narrative&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;voice and the entirely in-character voices of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;principals of the story. In most of Seth’s writing (apart&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;from &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;central character), there is a strong, and always engaging&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and attractive, narrative persona.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Mappings &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1980), was originally&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;From Heaven&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1983)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Golden Gate &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1986), is&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Eugene Onegin. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The verse novel received&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Golden Gate&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, Seth took&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A Suitable Boy &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1993). The 1349-&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Two Lives&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, is a non-fiction&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A Suitable Boy&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, with&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;An Equal Music&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, narrated in the first person by its&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Kiran Desai&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She is a South Asian American&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;author. Her novel &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of Loss &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Man Booker Prize. She is the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;daughter of the noted author&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Anita Desai, who short-listed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for the Booker prize three times.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her first novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the Guava Orchard&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;published in 1998 and received&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;accolades from such notable&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;figures as Salman Rushdie. It went on to win the Betty&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Trask Award, a prize given by the Society of Authors&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for the best new novels by citizens of the Commonwealth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of Nations under the age of 35.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her second book, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;has been widely praised by critics throughout Asia,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Europe and the United States and won the 2006 Man&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Booker Prize.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Inheritance&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;won the 2006&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Hullabaloo&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, was&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Inheritance of Loss, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Inheritance of Loss &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are migration and living in between two worlds and in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;between past and present. Set in the 1980s, the book&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tells the story of Jemubhai Popatlal Patel, a judge living&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;out a disenchanted retirement in Kalimpong, a hill station&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the Himalayan foothills, and his relationship with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his granddaughter Sai. Another element in the novel is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the encroachment on their lives by a band of Nepalese&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;insurgents. Another concern of the novel is the life of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Biju, the son of Mr. Patel’s cook, an illegal immigrant in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;New York.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;: Among its main themes&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Shashi Tharoor&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Born in London in 1956, Shashi Tharoor was educated&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in Bombay, Calcutta, Delhi and the United States.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Since 1978, he has worked for the United Nations. On 1&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;June 2002, he was confirmed as the Under-Secretary-&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;General for Communications and Public Information of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the United Nations.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The youngest ever Under Secretary General to be&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Vikram Seth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kiran Desai&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;appointed in the UN, at the age&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of 22 he joined the United Nations-&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;one of the most prestigious&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;organizations of the world- and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the world witnessed his meteoric&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rise through the years. At the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;age of 48, he was a candidate to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;succeed Kofi Annan as the next&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;UN Secretary General.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tharoor is the author of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;numerous articles, short stories&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and commentaries in Indian and Western publications,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and the winner of several journalism and literary awards,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;including a Commonwealth Writers’ Prize.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His books include &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;study of Indian foreign policy; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Novel &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;amp; Other Stories &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Reasons of State &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1982), a scholarly&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Great Indian&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1989), a political satire; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Five-Dollar Smile&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1990); a second novel, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Show Business&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(1992), which received a front-page accolade from &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;New York Times Book Review &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;motion picture titled &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to the Millennium &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;anniversary of India’s independence. On August 13,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2001 Penguin Books (India) published Tharoor’s latest&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and was made into a&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Bollywood&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;; and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;India: From Midnight&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1997), published on the 50th&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Riot&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Salman Rushdie&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He was born in Bombay (now Mumbai) on 19 June&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1947. His first novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His second novel, the acclaimed&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Grimus&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, was published in 1975.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Midnight’s Children&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in 1981. It won the Booker&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prize for Fiction, the James&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tait Black Memorial Prize (for fiction),&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;an Arts Council Writers’&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Award and the English-Speaking&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Union Award, and in 1993&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was judged to have been the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Booker of Bookers’, the best&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel to have won the Booker&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prize for Fiction in the award’s 25-year history. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel narrates key events in the history of India&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;through the story of pickle-factory worker Saleem Sinai,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;one of 1001 children born as India won independence&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;from Britain in 1947. The critic Malcolm Bradbury&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;acclaimed the novel’s achievement in &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;British Novel &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;late-twentieth-century novel.’&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The publication in 1988 of his fourth novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Verses&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and demonstrations by Islamist groups in India and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pakistan. The book itself centres on the adventures of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;two Indian actors, Gibreel and Saladin, who fall to earth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in Britain when their Air India jet explodes. It won the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Whitbread Novel Award in 1988.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Salman Rushdie continued to write and publish&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;books, including a children’s book, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sea of Stories &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;story-telling that won the Writers’ Guild Award (Best&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Children’s Book), and which he adapted for the stage.His&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;most recent novel, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the third millennium, was published in 2001. He&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is also the author of a travel narrative, &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;, was published&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Modern&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(Penguin, 1994): ‘a new start for the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Satanic&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, lead to accusations of blasphemy against Islam&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Haroun and the&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(1990), a warning about the dangers of&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Fury&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, set in New York at the beginning&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Jaguar Smile&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(1987), an account of a visit to Nicaragua in 1986.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Salman Rushdie is also co-author (with Tim Supple&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and Simon Reade) of the stage adaptation of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Children&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Company in 2002.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His latest novel is &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;story of Max Ophuls, his killer and daughter, and a fourth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;character who links them all. It was shortlisted for the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2005 Whitbread Novel Award.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Midnight’s&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, premiered by the Royal Shakespeare&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Shalimar The Clown &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(2005), the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Prizes and Awards&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;1981 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Arts Council Writers’ Award&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1981 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Booker Prize for Fiction &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Midnight’s Children&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1981 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Children&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;English-Speaking Union Award &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Midnight’s&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1981 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;James Tait Black Memorial Prize (for fiction)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;(joint winner) &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Midnight’s Children&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1983 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Booker Prize for Fiction &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(shortlist) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Shame&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1984 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Prix du Meilleur Livre Etranger (France)&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Shame&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1988 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Verses&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Booker Prize for Fiction &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(shortlist) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Satanic&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1988 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Whitbread Novel Award &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Satanic Verses&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shashi Tharoor&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Salman Rushdie&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;1989 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;German Author of the Year &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Satanic Verses&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1992 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kurt Tucholsky Prize (Sweden)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1992 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Writers’ Guild Award (Best Children’s Book)&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Haroun and the Sea of Stories&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;1993 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Austrian State Prize for European Literature&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1993 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;celebrate 25 years of the Booker Prize for Fiction)&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Booker of Bookers &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(special award made to&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Midnight’s Children&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;1993 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Prix Colette (Switzerland)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1995 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Last Sigh&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Booker Prize for Fiction &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(shortlist) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Moor’s&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1995 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Moor’s Last Sigh&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;British Book Awards Author of the Year &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1995 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Whitbread Novel Award &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Moor’s Last Sigh&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1996 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Aristeion Literary Prize&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1997 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Mantova Literary Prize (Italy)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1998 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Budapest Grand Prize for Literature (Hungary)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1999 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(France)&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Commandeur de l’Ordre des Arts et des Lettres&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;1999 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Freedom of the City, Mexico City (Mexico)&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2005 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Clown&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Whitbread Novel Award &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(shortlist) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Shalimar The&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2006 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Best Book) &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Commonwealth Writers Prize (Eurasia Region,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(shortlist) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Shalimar The Clown&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shakuntala Shrinagesh, Santha Rao, Mrs. Ruth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prawer Jhabwala, Nayantara Sehgal, are other prominent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;women novelists of the period.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Dutt&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is the first novel written by a woman, Toru&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- &#39;Bianca&#39;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Author of &#39;A Handful of Rice&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kamala Markandeya&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;possession are the major work of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Nectar in a sieve, A silence of Desire and&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kamala Markandeya&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––––– is the first woman novelist in India&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Toru Dutt&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Cry, the Peakcock&#39; is a novel written by&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Anita Desai&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: large;&quot;&gt;&lt;div align=&quot;left&quot;&gt;PROSE&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Emergence of prose in English in India&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The western impact, the infusion of English literature&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and European thought and the resulting cross -&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fertilisation have been the means of quickening the interplay&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and circulation of ideas and the emergence of a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;new literature, a new climate of hope and endeavour in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the country, and a bold marching towards new horizons.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;From the great Ram Mohan Roy flowed divers&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;streams of renascent activity - religious awakening,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;social reform, the new education, women&#39;s emancipation,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;literary river,&#39; political consciousness&#39; - each carried&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;forward by its own dedicated spirits.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;India is blessed with many great political personalities,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;religious men, ascetics, men of letters and scholars.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;R. Mohan Roy, Ramakrishna Paramahamsa, Vivekananda,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;M.N.Roy Gandhiji etc. and the list goes end&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;less. Vivekananda&#39;s appearance and speech in 1893 at&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Chicago Parliament of Religions is part of history.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Several volumes of his complete works, published by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Advaita Ashram comprise courses of lectures on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;different Yogas, on &#39;Gita&#39; and numerous other essays.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The great freedom movement brought various Orators&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to the front. Rajaji , Ranade, Gokhale, Tilak, Nehru&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are only a few of them. Besides orators and journalists,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;there are historians, philosophers, the jurists, the biographers,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the auto-biographers, essayists, critics, scientists,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;economists and sociologists.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Dr. Radhakrishnan (1888 - 1975)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Dr. Radhakrishnan is a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;philosopher - Statesman with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;an international reputation, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;scholar with a phenomenal&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;memory, a resourceful and eloquent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and effective speaker,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and a voluminous writer with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;an uncanny flair for lucidity&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and epigrammatic strength.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The range of his interests, the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sweep of his mind, the commendable&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Catholicity of his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tastes and the temper and quality of his eloquence have&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Dr. Radhakrishnan&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;marked this man of &#39;words and wisdom&#39; a Guru for his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;contemporaries.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;The Philosophy of Rabindranath Tagore, The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Reign of Religion in Contemporary Philosophy, Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Philosophy, Eastern Religion and Western thought,&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the English renderings of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pada, the Principal Upanishads, Brahma Sutra &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;some of his works. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his most valuable contribution to constructive&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;philosophy. He was indeed the greatest, gift given to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indians and to the world.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Bhagavad Gita, Dhamma&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;were&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;An Idealist View of Life &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is unquestionably&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Dr. Radhakrishnan&#39;s birthday is celebrated&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as Teachers&#39; Day (September 5)&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;means,&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore&#39;s popular play is &#39;Chandalika&#39;, the title&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- An untouchable girl&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Parliament of Religion was in&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Vivekananda&#39;s historical speech at the Chicago&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- 1893&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;about the children born in the midnight hour of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;India&#39;s tryst with Destiny&#39; on 15 August &#39;47.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Indian born Salman Rushdie&#39;s novel ––––– is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Midnight&#39;s Children&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Revolutionary - Rishi - Poet; that sums up the life&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sri Aurobindo&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Indian Philosophy&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––––– is considered as the standard treatises on&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Dr. Radha Krishnan&#39;s Indian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Philosophy&#39; (1923, 27)&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Dr. Radhakrishnan is a rare combination of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Philosopher - States man - Writer&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Scholar&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Nirad C. Chaudhuri (1897 - 1999)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Nirad C. Chaudhuri is the &#39;Grand Solitary&#39; among&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indian writers. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;A passage to England, The continent of circe, To&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;live or not to live&#39; &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Autobiography of an unknown Indian,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;are some of his works. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Autobiography&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;made him suddenly famous. It is confessedly,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;more of a national than personal&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;history&#39;, the environment being&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;given precedence over the product.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The continent of circe &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as &#39;an essay on the peoples&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of India. Apart from his shortcoming&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as a writer - a sort of love&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;hate relationship with India and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;people of India - his great merit as&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;an intellectual is that he is not&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ever too lazy to avoid doing his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;own thinking or too timid to hesitate to give outspoken&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;expression to his own views. He has the supreme faith&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the moral man in an amoral society.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;is described&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;eminent work of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The Autobiography of an unknown Indian&#39; is an&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Nirad C. Chaudhuri&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The &#39;Grand Solitary&#39; among Indian Writers&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Nirad C. Chaudhuri&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;A passage to England&#39; is written by&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Nirad C. Chaudhuri&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;on the peoples of India.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Nirad Chauduri&#39;s –––––– is described as &#39;an essay&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The continent of Circe&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Indo-Anglian Poetry&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Though Indo-Anglian poetry can claim to have a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;history of 150 years, the early poetry has often been&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;criticised for its derivative quality. Only &#39;echoes&#39; could&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;be heard and not an authentic &#39;voice&#39;. The poetry of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;post Independent period has won critical recognition.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The poetry of Ezekiel, Ramanujan, Kamala Das and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Parthasarathy proved that Indo-Anglian poetry is no&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;longer &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Indo Anglian poetry was born under a romantic star&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the early Eighteen hundreds. It was Derozio that lisped&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the manner of Byron followed by Madhusudan Dutt&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and others. The last quarter of the 19th century saw the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;birth of genuine lyrical poetry in Toru Dutt. The early&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;decades of 20th century witnessed a rich harvest of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;mystical poetry written after the romantic and Victorian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;manner.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indo -Anglian poetry has been strengthened by&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&#39;a tongue in English chains&#39;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;. The tradition of&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Nirad C. Chaudhuri&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;modernist as well as neo symbolist trends. Ezekiel, Kamala&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Das, Ramanujan, Lal are some of the neo-symbolists.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Today new poets outnumber the novelists and other&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;men of letters. It was a trickle in the fifties, a stream&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;during the sixties and now almost a flood.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;The &#39;new&#39; poets&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Since the end of world war II, these has been a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;visible stir everywhere. A new generation comes up&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with a striking individuality of its own, a sharpness in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;its features, an angularity in its gestures, a tone of defiance&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in its speech, a gleam of hope in its eyes.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The Indo-Anglian poet also strived for self - expression&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in English. Several of the poets in the various&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;regional languages - Balamani Amma, K.M. Panikkar,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Umashankar Joshi, Sri Sri V.K. Gokak, Ramdhari Singh&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Dinkar, Amrita Pritam - are efficiently bilingual. In the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;post 1947 period, Indo - Anglian poetry acquired a new&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;currency and even respectability. One grew familiar with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the names of Nizzim Ezekiel, Dom Moraes, Leo Fredricks,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;A.K. Ramanujan, Shiv K. Kumar, Arun Kolatkar, Keki&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Daruwalla and a few others.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The most successful of the New poets, Dom Moraes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;has published five volumes - A Beginning, poems,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;John Nobody, The Brass Serpent and poems and excellent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;biographical works &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Home&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Son of My Father and Never at&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Nizzim Ezekiel (1924 - 2004)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Another significant new poet has, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;change, Sixty poems, The Third, The unfinished man,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The exact name, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;take pains, to cultivate reticence, to pursue the profession&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of poetry with a sense of commitment, Ezekiel&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poems are lucid, and are splendidly evocative and satisfyingly&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sensuous. The recurring note in Ezekiel&#39;s recent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poems is the hurt that urban civilization inflicts on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;modern man dehumanizing him, and subjecting his virtues&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to population and devaluation.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He is a painstaking craftsman in whose poems we&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;find form. His poetry is simple, introspective and analytical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;. He is highly disciplined and unpretentions, His&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;skilful use of prosody, his restraint, conversational style,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;his mastery of irony, his purity of diction and perfect&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;control over his &#39;emotions place him on the top of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;modern, Indo - Anglian poets. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is one of his best poems - A simple narrative poem in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;which superstitious practices still out grown one juxtaposed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with the scientific developments.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A Time to&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;to his credit. An artist who is willing to&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The night of the Scorpion&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as crucial point of departure in the history of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Indo-Anglian poetry&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––––– and ––––– and ––––– may be regarded&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Ezekiel&#39;s An Exact Name&#39; (1965)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Ramanujan&#39;s &#39;The striders&#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(1966)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Kamala Das&#39;s &#39;Summer in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Calcutta&#39; (1995)&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;by&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Night of the Scorpion&#39; is a simple narrative poem&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Nizzim Ezekiel&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The recurring note in Ezekiel&#39;s poem&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The pain that urbanism inflicts&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;on modern man&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is an incident from the rustic life&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The theme of the poem &#39;Night of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the Scorpion&#39;.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for the comic&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Ezekiel uses ––– genre of poems reveal his flair&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Indian English&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;A.K. Ramanujan (1929 - 1993)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The dominant theme of Ramanujan&#39;s poetry is his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;preoccupation with the past, his personal as well as&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;racial. He is one of the most talented of the new poets.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&quot;The striders&#39; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(poems) are some of his great works. He settled in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Chicago, and his &#39;exile&#39; there has made him consider &#39;a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;search for one&#39;s roots&#39; an integral part of his poetry.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There is an awareness of the presence of the past in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;present, and of the strength of a rich culture and tradition,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;informs the poetry of Ramanujan. His poetry is an&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;attempt to repossess the usable past at personal and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;racial levels. &#39;Snakes, River, conventions of Despair,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Small scale reflection are some of his beautiful poems.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Authentic poetic language is the hallmark of Ramanujan&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poetry. He has an enduring concern with Tamil&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;classical poetry and medieval Kannada literature, his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poetic technique has absorbed the motifs and stylistic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;devices of both. All this results in a forceful, meaningful,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;personal voice and Ramanujan has established himself&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as one of the most talented of the new Indo-Anglian&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poets.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;a collection of poems in Tamil and &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Relations&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;R. Parthasarathy (1934-)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Of the poets who cultivate an extreme austerity in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;style, Parthasarathy is probably the most successful.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&#39;The first step-poems, 1956-66, is his poetic collection.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;His best poems reveal an uncommon talent and a sensibility&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;that deliberately puts shackles on itself. His most&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ambitious effort is &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Towards an Understanding of India.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He is a conscientious artist with a scrupulous aesthetic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;taste. His poetry is the articulation of his predicament,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of an exile who has alienated himself from his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;culture. His poetry is an intense search for identity, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;search for roots in his nature, culture environment and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;language. The search is realised by an objective probing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of the personal as well as the historic past. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;inner conflicts that are inherent in such a search provide&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the basic tension of his poetry.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The dominant theme of Ramanujan&#39;s poetry is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Preoccupation with the past.&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The striders is a poetic collection of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A.K.Ramanujan&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poetry&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Authentic poetic language is the hallmark of –––&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A.K.Ramanujan&#39;s&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of ––––– poetry&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;A search for one&#39;s roots&#39; is an important factor&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Ramanujan&#39;s&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;prestigious work of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Towards an understanding of India&#39; is the&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- R. Parthasarathy&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Kamala Das (1934 -)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kamala Das is perhaps the most interesting and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;appealing among Indo-English poets. Both her life and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her works are so controversial and unconventional as&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to invite comments and criticism from readers and critics.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Kamala occupies a position of considerable importance&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in post independent Indian writing in English.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Ever since the publication of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1965, her first volume of poetry&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in English, She has wielded&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;great influence as a leading poet&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;constituting the modern trend&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of Indian poetry in English. She&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is a confessional poet speaking&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;out her intimate private experiences&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;with astonishing honesty&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and brutal frankness.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She began writing under&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the pen name Madhavikutty, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bilingual writer. She has written 30 novels in Malayalam.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her poetic collections, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Descendants, The old play house and other poems&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;short story collection &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and other stories&#39; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Her skill as an artist perfectly matched with her deep&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;insight into human predicaments - social and psychological.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She is basically a poet of love, an emancipated&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poet, feminist, and an iconoclast.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Summer in Calcutta &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;in&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Summer in Calcutta&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;A Doll for the child Prostitute&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;My Story &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;her autobiography.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kamala Das&#39;s poems are mainly&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Autobiographical&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her works&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The place which Kamala Das always refers to in&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Malabar&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poetry are -&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The two dominating themes of Kamala Das&#39;s&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The Search for identity as a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;woman&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Nostalgia for her ancestral home&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in Malabar&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kamala Das is a –––– poet&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Confessional&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;My story&#39; is the autobiography of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kamala Das&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Madhavikutty is the pen name of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kamala Das&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kamala Das is an ––––– poet&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Emancipated&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Jayanta Mahapatra&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Mahapatra is a very subjective poet, draws his&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;images from his experiences in life which makes him&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;difficult to interpret. His four volumes of verse are titled&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;Kamala Das&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Close The sky, Ten by Ten, Swayamvara and other poems,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Counter measures, A rain of Rites&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;most important concept in Mahapatra&#39;s poems. Some&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of his poems are the genuine products of his imaginative&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;apprehension of evil in the Indian society.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Gieve Patel, A.K. Mehrotra , Lal, K Satchidanandan,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Priya Sarukkai Chabria and Marylin Noronha, GJV&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Prasad are some of the other notable writers.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;. Silence is the&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;Shashi Deshpande (1938-)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shashi Despande&#39;s first novel The &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Terrors &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her mother to become a Doctor, defies her caste to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;marry outside, and defies social conventions by using&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Boozie to advance her career. Sarita and Manu had&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;made a love marriage, but something soon went wrong.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;He is a failure and she has to earn both bread and butter&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;for the family, her liaison with Boozie means nothing.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Since he is after all impotent, but it gives a vicous sadistic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;twist to Manu&#39;s relations with her. She escapes for a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;while to her parental home, and her mother&#39;s curse echoes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;still and the ghosts of the past will not leave her in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;peace. She strips herself of her self deceptions, guilt&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;complexes, and emotive illusions, and Shashi Deshpande&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;language itself flickers like a candle, and blobs&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of remembrance melt and form icicles of furrowing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;thoughts. Sarita cannot forget her children or the sick&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;needing her expert attention, and so she decides to face&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her home again. In this unpredictable world, even total&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;despair can open up a new spring of elemental self confidence&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Sarita says . &quot;If we can&#39;t believe in ourselves,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;we&#39;re sunk&quot;.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shashi Deshpande began her literary career in 1970.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;At first, she wrote short stories. She wrote four children&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;books. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel. Her other novels are &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Today, Come up and Be Dead &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Dark holds no&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;presents an unusual character, Sarita who defies&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;The Dark holds No Terrors &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;is her first&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;That Long Silence, If I Die&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;and &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Roots and Shadows&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Mahapatra&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––––– is the most successful poem of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Man of his nights&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poems&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;––––– is an important concept in Mahapatra&#39;s&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Silence&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;The Dark holds No Terrors is a –––– novel&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Memory&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––– is the first novel of Shashi Deshpande&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Dark holds No Terrors&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Sarita and Manu are the principal Characters of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Dark holds no Terrors&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a –––– by profession&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;In the novel &#39;The Dark holds no Terrors Sarita is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Doctor&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Terrors&#39;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Manu is a character with ––––– in Dark holds no&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Dual Personality&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The neo-symbolists in Indo-Anglian poetry are&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- Ezekiel, Kamala Das, Ramanujan&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and Lal.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The first Indo-Anglian poet&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Henry Derozio&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;begins with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The history of Indian writing - literature in English&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Raja Ram Mohan Roy.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;literature&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;–––––– is considered to be the Keats in Indian&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Derozio&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Sheaf gleaned in French Fields&#39; was a famous work&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Toru Dutt&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in the world&#39;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and Death&#39;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Yeats greeted ____ as one of the most lovely works&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Man Mohan Ghose&#39;s Songs of Life&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Tagore was awarded the Nobel prize in&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;1913&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Gitanjali Songs are mainly poems of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Bhakti&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Sri Aurobindo&#39;s colossal work of mystical philosophy&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;The Life Divine&#39;.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;about 24,000 lines.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The prestigious work of Aurobindo is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;Savitri &#39; an epic poem, containing&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The last of the Indian romantic writers&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sarojini Naidu&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is called&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The period between the two World Wars in India&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- The Gandhian Age&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;of&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;My experiments with Truth&#39; is the autobigraphy&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- M.K. Gandhi&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;caste boy Bakha is the theme of M.R.Anand&#39;s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;novel&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The events of a single day in the life of the low&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Untouchable&#39;.&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;____ is R.K. Narayan&#39;s &#39;Casterbridge&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Malgudi&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;English Teacher are&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Swami And Friends, Bachelor of Arts, and The&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A trilogy of Malgudi-on-Saryu&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;____ is a veritable Grammar of the Gandhian Myth&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kanthapura&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&#39;A Train to Pakistan&#39; is a pitiless precise picture of&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- &#39;Partition&#39; (Indo-Pak)&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The locale of action of novel &#39;Kanthapura&#39;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Kanthapura&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kanthapura is regarded as&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- A social and regional novel&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rich in&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;According to Raja Rao, every village in India is&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Sthala - Purana&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;R.K.Narayan&#39;s &#39;The Guide&#39; won him&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;- The Sahitya Academy Award in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1960.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;r &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Kamala Das poems are mainly&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Autobiographical&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;her works&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The place which Kamala Das always refers to in&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;- Malabar&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;r &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;poetry are -&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;The two dominating themes of Kamala Das&#39;s&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(1) The search for identity as a woman.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;(2) Nostalgia for her ancestral home in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Malabar&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;ISBN&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The ISBN (International Standard Book Number)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is a unique machine-readable identification&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;number, which marks any book unmistakably. This&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;number is defined in ISO Standard 2108. The number&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;has been in use now for 30 years and has revolutionised&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the international book-trade. 166 countries&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and territories are officially ISBN members. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ISBN accompanies a publication from its production&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;onwards.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The number consists of ten digits:&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;4 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Group identifier&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;4 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Publisher identifier&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;4 &lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Title identifier&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;4 &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The ISBN is divided into four parts of variable&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;length, which must be separated clearly by hyphens&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;or spaces:&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;Check digit&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ISBN &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;or&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;0 571 08989 5&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ISBN &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The number of digits in the first three parts of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;the ISBN (group identifier, publisher prefix, title identifier)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;varies. The number of digits in the group number&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;and in the publisher prefix is determined by the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;quantity of titles planned to be produced by the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;publisher or publisher group. Publishers or publisher&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;groups with large title outputs are represented&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;by fewer digits.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Eg :&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif; font-size: x-small;&quot;&gt;90-70002-34-5&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt;&lt;/i&gt; &lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;POEM&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/1374280651346001693/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/dutts-toru-aru-abju-were-very-important.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1374280651346001693'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/1374280651346001693'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/dutts-toru-aru-abju-were-very-important.html' title='The Dutts - Toru, Aru, Abju were very important people in Indo-Anglian poetry'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-8953739754358907694</id><published>2011-09-17T07:33:00.002+05:30</published><updated>2011-09-17T07:39:08.824+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>Pronunciation exercises</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman; font-size: large;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;language&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;grammar Vocabulary or lexis pronunciation&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;a) Structures (the patterns that can be seen in these are usually called &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the language.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;b) Words that convey meaning (vocabulary or lexis).&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;grammar &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;c) &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Sound, stress, and intonation patterns, which combine to make &quot;Pronunciation&quot;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;If you communicate only through the written word, you will need only the first two of these&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;components. If, on the other hand, you want to be able to understand spoken language, and to&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;be understood, you’ll need all three components.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Communication is a two-way process:&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;a) Understanding other people when they speak.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;b) Conveying what you want to say so that other people can understand you.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;If you have no idea, for instance, that there is an important &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&quot;s&quot; and &quot;sh&quot; (phonetically written [s] and [ ] and furthermore you can&#39;t distinguish&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;between the two, you won&#39;t know how to react if someone asks you to &quot;bring the seat&quot;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- or was it the sheet? This situation doesn&#39;t seem very serious, but it could be. There&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;are hundreds of stories told of misunderstandings caused by mispronunciation.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Sometimes there is laughter, sometimes people walk out in anger, and on at least one&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;occasion there was nearly an International Incident. Suppose there were two or three&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&quot;mistakes&quot; in your pronunciation. The consequences could be&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;difference in English between&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;· &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;offence to the listener,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;· &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;misunderstanding by the listener,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;· &lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;trying to say that he gives up and goes and talks to someone else.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Not a very happy prospect! Let’s minimize the dangers!&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;span style=&quot;color: #000002;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;a listener too exhausted by the effort of trying to interpret what it is you’re &lt;span style=&quot;color: #000002; font-family: Times New Roman; font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman; font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000002; font-family: Times New Roman; font-size: medium;&quot;&gt;&lt;div align=&quot;left&quot;&gt;trying to say that he gives up and goes and talks to someone else.&lt;/div&gt;Not a very happy prospect! Let’s minimize the dangers!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Language is a means of communication. It has three components:&lt;/em&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/8953739754358907694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/pronunciation-exercises.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8953739754358907694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8953739754358907694'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/pronunciation-exercises.html' title='Pronunciation exercises'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-8287483124026803548</id><published>2011-09-15T03:19:00.001+05:30</published><updated>2011-09-17T14:14:49.106+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>pitch  and frequency ..........</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;dir&gt;&lt;dir&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif; font-size: large;&quot;&gt;pitch &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Pitch is an auditory sensation: when we hear a regularly vibrating sound such as a note played on a musical instrument, or a vowel produced by the human voice, we hear a high pitch if the rate of vibration is high and a low pitch if the rate of vibration is low. Many speech sounds are voiceless (e.g. [ s ]), and cannot give rise to a sensation of pitch in this way. The pitch sensation that we receive from a voiced sound corresponds quite closely to the frequency of vibration of the vocal folds; however, we usually refer to the vibration frequency as fundamental frequency in order to keep the two things distinct. Pitch is used in many languages as an essential component of the pronunciation of a word, so that a change of pitch may cause a change in meaning: these are called tone languages. In most languages (whether or not they are tone languages) pitch plays a central role in intonation. &lt;/span&gt;&lt;/div&gt;&lt;/dir&gt;&lt;/dir&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0205377793&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;dir&gt;&lt;dir&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;fundamental frequency&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;justify&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;When voicing is produced, the vocal folds vibrate; since vibration is an activity in which a movement happens repeatedly, it is possible in principle to count how many times per second (or other unit of time) one cycle of vibration occurs; if we do this, we can state the frequency of the vibration. In adult female voices the frequency of vibration tends to be around 200 or 250 cycles per second, and in adult males the frequency is about half of this. It is usual to express the number of cycles per second as Hertz (abbreviated Hz), so a frequency of 100 cycles per second is a frequency of 100 Hz. &lt;/span&gt;&lt;/div&gt;&lt;/dir&gt;&lt;/dir&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Why &quot;fundamental&quot;? The answer is that all speech sounds are complex sounds made up of energy at many different component frequencies (unlike a &quot;pure tone&quot; such as an electronic whistling sound); when a sound is voiced, the lowest frequency component is always that of the vocal fold vibration - all other components are higher. So the vocal fold vibration produces the fundamental frequency. See also &lt;u&gt;pitch&lt;/u&gt;. &lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/8287483124026803548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/pitch-and-frequency.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8287483124026803548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8287483124026803548'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/pitch-and-frequency.html' title='pitch  and frequency ..........'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-606035646554609605</id><published>2011-09-15T03:11:00.000+05:30</published><updated>2011-09-15T03:11:02.013+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>ACCENT IN PHONETICS</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=1428231269&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Accent &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;This word is used (rather confusingly) in two different senses: (1) &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;accent &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;may refer to &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;prominence &lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;given to a syllable, usually by the use of pitch. For example, in the word &#39;potato&#39; the middle syllable is the most prominent; if you say the word on its own you will probably produce a fall in pitch on the middle syllable, making that syllable accented. In this sense, accent is distinguished from the more general term &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;stress&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;, which is more often used to refer to all sorts of prominence (including prominence resulting from increased loudness, length or sound quality), or to refer to the effort made by the speaker in producing a stressed syllable. (2) &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;accent &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;also refers to a particular way of pronouncing: for example, you might find a number of English speakers who all share the same grammar and vocabulary, but pronounce what they say with different accents such as Scots, Cockney or &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Received Pronunciation (BBC accent)&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;. The word &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;accent &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;in this sense is distinguished from &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKFBB+TimesNewRoman,Italic,Times New Roman; font-size: small;&quot;&gt;dialect&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;, which usually refers to a variety of a language that differs from other varieties in grammar and/or vocabulary. &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/606035646554609605/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/accent-in-phonetics.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/606035646554609605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/606035646554609605'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/accent-in-phonetics.html' title='ACCENT IN PHONETICS'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-6425108865101260281</id><published>2011-09-15T02:50:00.002+05:30</published><updated>2011-09-15T11:18:17.299+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>What is Acoustic  Phonetics?</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;br /&gt;
&lt;dir&gt;&lt;dir&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;div align=&quot;justify&quot;&gt;Acoustic phonetics &lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0631232265&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;An important part of phonetics is the study of the physics of the speech signal: when sound travels through the air from the speaker&#39;s mouth to the hearer&#39;s ear it does so in the form of vibrations in the air. It is possible to measure and analyse these vibrations by mathematical techniques, usually by using specially-developed computer software to produce &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;spectrograms&lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;. Acoustic phonetics also studies the relationship between activity in the speaker&#39;s vocal tract and the resulting sounds. Analysis of speech by acoustic phonetics is claimed to be more objective and scientific than the traditional &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;auditory &lt;/span&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: HBKEJH+TimesNewRoman,Times New Roman; font-size: small;&quot;&gt;method which depends on the reliability of the trained human ear. &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/dir&gt;&lt;/dir&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/6425108865101260281/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/acoustic-phonetics-overview.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6425108865101260281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6425108865101260281'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/acoustic-phonetics-overview.html' title='What is Acoustic  Phonetics?'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-6528149847025350840</id><published>2011-09-09T21:19:00.001+05:30</published><updated>2011-09-15T03:23:32.152+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>Natural Language Processing-INTRODUCTION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;background-color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Natural Language Processing&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif; font-size: xx-small;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;background-color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;INTRODUCTION&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0596516495&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural Language Processing (NLP) is the computerized approach to analyzing text that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;is based on both a set of theories and a set of technologies. And, being a very active area&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of research and development, there is not a single agreed-upon definition that would&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;satisfy everyone, but there are some aspects, which would be part of any knowledgeable&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;person’s definition. The definition I offer is:&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Definition: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;computational techniques for analyzing and representing naturally occurring texts&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;at one or more levels of linguistic analysis for the purpose of achieving human-like&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;language processing for a range of tasks or applications.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Several elements of this definition can be further detailed. Firstly the imprecise notion of&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural Language Processing is a theoretically motivated range of&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;‘range of computational techniques’ &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;techniques from which to choose to accomplish a particular type of language analysis.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;is necessary because there are multiple methods or&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;‘Naturally occurring texts’ &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;oral or written. The only requirement is that they be in a language used by humans to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;communicate to one another. Also, the text being analyzed should not be specifically&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;constructed for the purpose of the analysis, but rather that the text be gathered from actual&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;usage.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The notion of &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the fact that there are multiple types of language processing known to be at work when&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;humans produce or comprehend language. It is thought that humans normally utilize all&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of these levels since each level conveys different types of meaning. But various NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;systems utilize different levels, or combinations of levels of linguistic analysis, and this is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;seen in the differences amongst various NLP applications. This also leads to much&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;confusion on the part of non-specialists as to what NLP really is, because a system that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;uses any subset of these levels of analysis can be said to be an NLP-based system. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;difference between them, therefore, may actually be whether the system uses ‘weak’ &lt;span style=&quot;color: #b45f06;&quot;&gt;NLP&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;or ‘strong’ NLP.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;can be of any language, mode, genre, etc. The texts can be‘levels of linguistic analysis’ (to be further explained in Section 2) refers to&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;‘Human-like language processing’ &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Artificial Intelligence (AI). And while the full lineage of NLP does depend on a number&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of other disciplines, since NLP strives for human-like performance, it is appropriate to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;consider it an AI discipline.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;reveals that NLP is considered a discipline within&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;‘For a range of tasks or applications’ &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;goal in and of itself, except perhaps for AI researchers. For others, NLP is the means for&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;points out that NLP is not usually considered a&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif; font-size: xx-small;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Liddy, E. D. In &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Encyclopedia of Library and Information Science, 2&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;nd &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Ed. Marcel Decker, Inc.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;accomplishing a particular task. Therefore, you have Information Retrieval (IR) systems&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that utilize NLP, as well as Machine Translation (MT), Question-Answering, etc.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Goal&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0262133601&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The goal of NLP as stated above is “&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The choice of the word ‘processing’ is very deliberate, and should not be replaced with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;‘understanding’. For although the field of NLP was originally referred to as Natural&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Language Understanding (NLU) in the early days of AI, it is well agreed today that while&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the goal of NLP is true NLU, that goal has not yet been accomplished. A full NLU&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;System would be able to:&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;1. Paraphrase an input text&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;2. Translate the text into another language&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;3. Answer questions about the contents of the text&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;4. Draw inferences from the text&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;While NLP has made serious inroads into accomplishing goals 1 to 3, the fact that NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;systems cannot, of themselves, draw inferences from text, NLU still remains the goal of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NLP.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;There are more practical goals for NLP, many related to the particular application for&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;which it is being utilized. For example, an NLP-based IR system has the goal of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;providing more precise, complete information in response to a user’s real information&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;need. The goal of the NLP system here is to represent the true meaning and intent of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;user’s query, which can be expressed as naturally in everyday language as if they were&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;speaking to a reference librarian. Also, the contents of the documents that are being&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;searched will be represented at all their levels of meaning so that a true match between&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;need and response can be found, no matter how either are expressed in their surface form.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Origins&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;As most modern disciplines, the lineage of NLP is indeed mixed, and still today has&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;strong emphases by different groups whose backgrounds are more influenced by one or&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;another of the disciplines. Key among the contributors to the discipline and practice of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NLP are: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;discovery of language universals - in fact the field of NLP was originally referred to as&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Computational Linguistics; Computer &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;representations of data and efficient processing of these structures, and; Cognitive&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to accomplish human-like language processing”.Linguistics - focuses on formal, structural models of language and theScience - is concerned with developing internal&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Psychology &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;has the goal of modeling the use of language in a psychologically plausible way.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Divisions&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;While the entire field is referred to as Natural Language Processing, there are in fact two&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;distinct focuses – language processing and language generation. The first of these refers&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to the analysis of language for the purpose of producing a meaningful representation,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;while the latter refers to the production of language from a representation. The task of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural Language Processing is equivalent to the role of reader/listener, while the task of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural Language Generation is that of the writer/speaker. While much of the theory and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;technology are shared by these two divisions, Natural Language Generation also requires&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;a planning capability. That is, the generation system requires a plan or model of the goal&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of the interaction in order to decide what the system should generate at each point in an&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;interaction. We will focus on the task of natural language analysis, as this is most&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;relevant to Library and Information Science.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Another distinction is traditionally made between language understanding and speech&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;understanding. Speech understanding starts with, and speech generation ends with, oral&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;language and therefore rely on the additional fields of acoustics and phonology. Speech&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;understanding focuses on how the ‘sounds’ of language as picked up by the system in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;form of acoustical waves are transcribed into recognizable morphemes and words. Once&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;in this form, the same levels of processing which are utilized on written text are utilized.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;All of these levels, including the phonology level, will be covered in Section 2; however,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the emphasis throughout will be on language in the written form.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- looks at language usage as a window into human cognitive processes, and&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;BRIEF HISTORY OF NATURAL LANGUAGE PROCESSING&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0131873210&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Research in natural language processing has been going on for several decades dating&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;back to the late 1940s. Machine translation (MT) was the first computer-based&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;application related to natural language. While Weaver and Booth (1); (2) started one of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the earliest MT projects in 1946 on computer translation based on expertise in breaking&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;enemy codes during World War II, it was generally agreed that it was Weaver’s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;memorandum of 1949 that brought the idea of MT to general notice and inspired many&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;projects (3). He suggested using ideas from cryptography and information theory for&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;language translation. Research began at various research institutions in the United States&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;within a few years.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Early work in MT took the simplistic view that the only differences between languages&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;resided in their vocabularies and the permitted word orders. Systems developed from this&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;perspective simply used dictionary-lookup for appropriate words for translation and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;reordered the words after translation to fit the word-order rules of the target language,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;without taking into account the lexical ambiguity inherent in natural language. This&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;produced poor results. The apparent failure made researchers realize that the task was a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;lot harder than anticipated, and they needed a more adequate theory of language.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;However, it was not until 1957 when Chomsky (4) published &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Syntactic Structures&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;introducing the idea of generative grammar, did the field gain better insight into whether&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;or how mainstream linguistics could help MT.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;During this period, other NLP application areas began to emerge, such as speech&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;recognition. The language processing community and the speech community then was&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;split into two camps with the language processing community dominated by the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;theoretical perspective of generative grammar and hostile to statistical methods, and the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;speech community dominated by statistical information theory (5) and hostile to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;theoretical linguistics (6).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Due to the developments of the syntactic theory of language and parsing algorithms, there&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;was over-enthusiasm in the 1950s that people believed that fully automatic high quality&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;translation systems (2) would be able to produce results indistinguishable from those of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;human translators, and such systems should be in operation within a few years. It was not&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;only unrealistic given the then-available linguistic knowledge and computer systems, but&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;also impossible in principle (3).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The inadequacies of then-existing systems, and perhaps accompanied by the overenthusiasm,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;led to the ALPAC (Automatic Language Processing Advisory Committee of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the National Academy of Science - National Research Council) report of 1966. (7) The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;report concluded that MT was not immediately achievable and recommended it not be&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;funded. This had the effect of halting MT and most work in other applications of NLP at&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;least within the United States.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Although there was a substantial decrease in NLP work during the years after the ALPAC&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;report, there were some significant developments, both in theoretical issues and in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;construction of prototype systems. Theoretical work in the late 1960’s and early 1970’s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;focused on the issue of how to represent meaning and developing computationally&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;tractable solutions that the then-existing theories of grammar were not able to produce. In&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;1965, Chomsky (8) introduced the transformational model of linguistic competence.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;However, the transformational generative grammars were too syntactically oriented to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;allow for semantic concerns. They also did not lend themselves easily to computational&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;implementation. As a reaction to Chomsky’s theories and the work of other&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;transformational generativists, case grammar of Fillmore, (9), semantic networks of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Quillian, (10), and conceptual dependency theory of Schank, (11) were developed to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;explain syntactic anomalies, and provide semantic representations. Augmented transition&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;networks of Woods, (12) extended the power of phrase-structure grammar by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;incorporating mechanisms from programming languages such as LISP. Other&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;representation formalisms included Wilks’ preference semantics (13), and Kay’s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;functional grammar (14).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Alongside theoretical development, many prototype systems were developed to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;demonstrate the effectiveness of particular principles. Weizenbaum’s ELIZA (15) was&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;built to replicate the conversation between a psychologist and a patient, simply by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;permuting or echoing the user input. Winograd’s SHRDLU (16) simulated a robot that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;manipulated blocks on a tabletop. Despite its limitations, it showed that natural language&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;understanding was indeed possible for the computer (17). PARRY (18) attempted to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;embody a theory of paranoia in a system. Instead of single keywords, it used groups of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;keywords, and used synonyms if keywords were not found. LUNAR was developed by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Woods (19) as an interface system to a database that consisted of information about lunar&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;rock samples using augmented transition network and procedural semantics (20).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In the late 1970’s, attention shifted to semantic issues, discourse phenomena, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;communicative goals and plans (21). Grosz (22) analyzed task-oriented dialogues and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;proposed a theory to partition the discourse into units based on her findings about the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;relation between the structure of a task and the structure of the task-oriented dialogue.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Mann and Thompson (23) developed Rhetorical Structure Theory, attributing hierarchical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;structure to discourse. Other researchers have also made significant contributions,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;including Hobbs and Rosenschein (24), Polanyi and Scha (25), and Reichman (26).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This period also saw considerable work on natural language generation. McKeown’s&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;discourse planner TEXT (27) and McDonald’s response generator MUMMBLE (28) used&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;rhetorical predicates to produce declarative descriptions in the form of short texts, usually&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;paragraphs. TEXT’s ability to generate coherent responses online was considered a major&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;achievement.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In the early 1980s, motivated by the availability of critical computational resources, the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;growing awareness within each community of the limitations of isolated solutions to NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;problems (21), and a general push toward applications that worked with language in a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;broad, real-world context (6), researchers started re-examining non-symbolic approaches&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that had lost popularity in early days. By the end of 1980s, symbolic approaches had been&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;used to address many significant problems in NLP and statistical approaches were shown&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to be complementary in many respects to symbolic approaches (21).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In the last ten years of the millennium, the field was growing rapidly. This can be&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;attributed to: a) increased availability of large amounts of electronic text; b) availability&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of computers with increased speed and memory; and c) the advent of the Internet.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Statistical approaches succeeded in dealing with many generic problems in computational&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;linguistics such as part-of-speech identification, word sense disambiguation, etc., and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;have become standard throughout NLP (29). NLP researchers are now developing next&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;generation NLP systems that deal reasonably well with general text and account for a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;good portion of the variability and ambiguity of language.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;LEVELS OF NATURAL LANGUAGE PROCESSING&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=1420085921&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The most explanatory method for presenting what actually happens within a Natural&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Language Processing system is by means of the ‘levels of language’ approach. This is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;also referred to as the synchronic model of language and is distinguished from the earlier&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;sequential model, which hypothesizes that the levels of human language processing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;follow one another in a strictly sequential manner. Psycholinguistic research suggests that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;language processing is much more dynamic, as the levels can interact in a variety of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;orders. Introspection reveals that we frequently use information we gain from what is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;typically thought of as a higher level of processing to assist in a lower level of analysis.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;For example, the pragmatic knowledge that the document you are reading is about&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;biology will be used when a particular word that has several possible senses (or&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;meanings) is encountered, and the word will be interpreted as having the biology sense.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Of necessity, the following description of levels will be presented sequentially. The key&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;point here is that meaning is conveyed by each and every level of language and that since&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;humans have been shown to use all levels of language to gain understanding, the more&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;capable an NLP system is, the more levels of language it will utilize.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;(Figure 1: Synchronized Model of Language Processing)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Phonology&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This level deals with the interpretation of speech sounds within and across words. There&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;are, in fact, three types of rules used in phonological analysis: 1) phonetic rules – for&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;sounds within words; 2) phonemic rules – for variations of pronunciation when words&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;are spoken together, and; 3) prosodic rules – for fluctuation in stress and intonation&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;across a sentence. In an NLP system that accepts spoken input, the sound waves are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;analyzed and encoded into a digitized signal for interpretation by various rules or by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;comparison to the particular language model being utilized.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Morphology&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This level deals with the componential nature of words, which are composed of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;morphemes – the smallest units of meaning. For example, the word &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;be morphologically analyzed into three separate morphemes: the prefix &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;preregistration canpre, the root&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;registra, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;across words, humans can break down an unknown word into its constituent morphemes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;in order to understand its meaning. Similarly, an NLP system can recognize the meaning&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;conveyed by each morpheme in order to gain and represent meaning. For example,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;adding the suffix &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This is a key piece of meaning, and in fact, is frequently only evidenced in a text by the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;use of the &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Lexical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;At this level, humans, as well as NLP systems, interpret the meaning of individual words.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Several types of processing contribute to word-level understanding – the first of these&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;being assignment of a single part-of-speech tag to each word. In this processing, words&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that can function as more than one part-of-speech are assigned the most probable part-ofspeech&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;tag based on the context in which they occur.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Additionally at the lexical level, those words that have only one possible sense or&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;meaning can be replaced by a semantic representation of that meaning. The nature of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;representation varies according to the semantic theory utilized in the NLP system. The&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;following representation of the meaning of the word &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;predicates. As can be observed, a single lexical unit is decomposed into its more basic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;properties. Given that there is a set of semantic primitives used across all words, these&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;simplified lexical representations make it possible to unify meaning across words and to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;produce complex interpretations, much the same as humans do.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;launch (a large boat used for carrying people on rivers, lakes harbors, etc.)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;((CLASS BOAT) (PROPERTIES (LARGE)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;(PURPOSE (PREDICATION (CLASS CARRY) (OBJECT PEOPLE))))&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The lexical level may require a lexicon, and the particular approach taken by an NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;system will determine whether a lexicon will be utilized, as well as the nature and extent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of information that is encoded in the lexicon. Lexicons may be quite simple, with only&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the words and their part(s)-of-speech, or may be increasingly complex and contain&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;information on the semantic class of the word, what arguments it takes, and the semantic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;limitations on these arguments, definitions of the sense(s) in the semantic representation&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;utilized in the particular system, and even the semantic field in which each sense of a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;polysemous word is used.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Syntactic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This level focuses on analyzing the words in a sentence so as to uncover the grammatical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;structure of the sentence. This requires both a grammar and a parser. The output of this&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;level of processing is a (possibly delinearized) representation of the sentence that reveals&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the structural dependency relationships between the words. There are various grammars&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that can be utilized, and which will, in turn, impact the choice of a parser. Not all NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;applications require a full parse of sentences, therefore the remaining challenges in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;parsing of prepositional phrase attachment and conjunction scoping no longer stymie&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;those applications for which phrasal and clausal dependencies are sufficient. Syntax&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;conveys meaning in most languages because order and dependency contribute to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;meaning. For example the two sentences: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the dog.’ &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Semantic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This is the level at which most people think meaning is determined, however, as we can&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;see in the above defining of the levels, it is all the levels that contribute to meaning.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Semantic processing determines the possible meanings of a sentence by focusing on the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;interactions among word-level meanings in the sentence. This level of processing can&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;include the semantic disambiguation of words with multiple senses; in an analogous way&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to how syntactic disambiguation of words that can function as multiple parts-of-speech is&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;accomplished at the syntactic level. Semantic disambiguation permits one and only one&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;sense of polysemous words to be selected and included in the semantic representation of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the sentence. For example, amongst other meanings, &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;folder for storing papers, or a tool to shape one’s fingernails, or a line of individuals in a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;queue. If information from the rest of the sentence were required for the disambiguation,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the semantic, not the lexical level, would do the disambiguation. A wide range of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;methods can be implemented to accomplish the disambiguation, some which require&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;information as to the frequency with which each sense occurs in a particular corpus of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;interest, or in general usage, some which require consideration of the local context, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;others which utilize pragmatic knowledge of the domain of the document.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Discourse&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;While syntax and semantics work with sentence-length units, the discourse level of NLP&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;works with units of text longer than a sentence. That is, it does not interpret multisentence&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;texts as just concatenated sentences, each of which can be interpreted singly.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Rather, discourse focuses on the properties of the text as a whole that convey meaning by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;making connections between component sentences. Several types of discourse processing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;can occur at this level, two of the most common being anaphora resolution and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;discourse/text structure recognition. Anaphora resolution is the replacing of words such&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;as pronouns, which are semantically vacant, with the appropriate entity to which they&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;refer (30). Discourse/text structure recognition determines the functions of sentences in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the text, which, in turn, adds to the meaningful representation of the text. For example,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;newspaper articles can be deconstructed into discourse components such as: Lead, Main&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Story, Previous Events, Evaluation, Attributed Quotes, and Expectation (31).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Pragmatic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;This level is concerned with the purposeful use of language in situations and utilizes&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;context over and above the contents of the text for understanding The goal is to explain&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;how extra meaning is &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;requires much world knowledge, including the understanding of intentions, plans, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;goals. Some NLP applications may utilize knowledge bases and inferencing modules. For&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;example, the following two sentences require resolution of the anaphoric term ‘they’, but&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;this resolution requires pragmatic or world knowledge.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;and the suffix tion. Since the meaning of each morpheme remains the same–ed to a verb, conveys that the action of the verb took place in the past.-ed morpheme.launch is in the form of logical‘The dog chased the cat.’ and ‘The cat chaseddiffer only in terms of syntax, yet convey quite different meanings.‘file’ as a noun can mean either aread into texts without actually being encoded in them. This&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The city councilors refused the demonstrators a permit because &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;violence.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The city councilors refused the demonstrators a permit because &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;revolution.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;they fearedthey advocated&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Summary of Levels&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Current NLP systems tend to implement modules to accomplish mainly the lower levels&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of processing. This is for several reasons. First, the application may not require&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;interpretation at the higher levels. Secondly, the lower levels have been more thoroughly&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;researched and implemented. Thirdly, the lower levels deal with smaller units of analysis,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;e.g. morphemes, words, and sentences, which are rule-governed, versus the higher levels&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of language processing which deal with texts and world knowledge, and which are only&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;regularity-governed. As will be seen in the following section on Approaches, the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;statistical approaches have, to date, been validated on the lower levels of analysis, while&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the symbolic approaches have dealt with all levels, although there are still few working&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;systems which incorporate the higher levels.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;APPROACHES TO NATURAL LANGUAGE PROCESSING&lt;span&gt;&lt;iframe align=&quot;left&quot; frameborder=&quot;0&quot; marginheight=&quot;0&quot; marginwidth=&quot;0&quot; scrolling=&quot;no&quot; src=&quot;http://rcm.amazon.com/e/cm?t=widgetsamazon-20&amp;amp;o=1&amp;amp;p=8&amp;amp;l=bpl&amp;amp;asins=0521896134&amp;amp;fc1=000000&amp;amp;IS2=1&amp;amp;lt1=_blank&amp;amp;m=amazon&amp;amp;lc1=0000FF&amp;amp;bc1=000000&amp;amp;bg1=FFFFFF&amp;amp;f=ifr&quot; style=&quot;align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural language processing approaches fall roughly into four categories: symbolic,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;statistical, connectionist, and hybrid. Symbolic and statistical approaches have coexisted&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;since the early days of this field. Connectionist NLP work first appeared in the 1960’s.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;For a long time, symbolic approaches dominated the field. In the 1980’s, statistical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches regained popularity as a result of the availability of critical computational&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;resources and the need to deal with broad, real-world contexts. Connectionist approaches&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;also recovered from earlier criticism by demonstrating the utility of neural networks in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NLP. This section examines each of these approaches in terms of their foundations,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;typical techniques, differences in processing and system aspects, and their robustness,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;flexibility, and suitability for various tasks.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Symbolic Approach&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Symbolic approaches perform deep analysis of linguistic phenomena and are based on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;explicit representation of facts about language through well-understood knowledge&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;representation schemes and associated algorithms (21). In fact, the description of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;levels of language analysis in the preceding section is given from a symbolic perspective.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The primary source of evidence in symbolic systems comes from human-developed rules&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;and lexicons.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;A good example of symbolic approaches is seen in logic or rule-based systems. In logicbased&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;systems, the symbolic structure is usually in the form of logic propositions.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Manipulations of such structures are defined by inference procedures that are generally&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;truth preserving. Rule-based systems usually consist of a set of rules, an inference engine,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;and a workspace or working memory. Knowledge is represented as facts or rules in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;rule-base. The inference engine repeatedly selects a rule whose condition is satisfied and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;executes the rule.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Another example of symbolic approaches is semantic networks. First proposed by&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Quillian (10) to model associative memory in psychology, semantic networks represent&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;knowledge through a set of nodes that represent objects or concepts and the labeled links&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that represent relations between nodes. The pattern of connectivity reflects semantic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;organization, that is; highly associated concepts are directly linked whereas moderately or&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;weakly related concepts are linked through intervening concepts. Semantic networks are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;widely used to represent structured knowledge and have the most connectionist flavor of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the symbolic models (32).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Symbolic approaches have been used for a few decades in a variety of research areas and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;applications such as information extraction, text categorization, ambiguity resolution, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;lexical acquisition. Typical techniques include: explanation-based learning, rule-based&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;learning, inductive logic programming, decision trees, conceptual clustering, and K&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;nearest neighbor algorithms (6; 33).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Statistical Approach&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Statistical approaches employ various mathematical techniques and often use large text&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;corpora to develop approximate generalized models of linguistic phenomena based on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;actual examples of these phenomena provided by the text corpora without adding&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;significant linguistic or world knowledge. In contrast to symbolic approaches, statistical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches use observable data as the primary source of evidence.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;A frequently used statistical model is the Hidden Markov Model (HMM) inherited from&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the speech community. HMM is a finite state automaton that has a set of states with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;probabilities attached to transitions between states (34). Although outputs are visible,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;states themselves are not directly observable, thus “hidden” from external observations.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Each state produces one of the observable outputs with a certain probability.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Statistical approaches have typically been used in tasks such as speech recognition,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;lexical acquisition, parsing, part-of-speech tagging, collocations, statistical machine&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;translation, statistical grammar learning, and so on.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Connectionist Approach&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Similar to the statistical approaches, connectionist approaches also develop generalized&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;models from examples of linguistic phenomena. What separates connectionism from&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;other statistical methods is that connectionist models combine statistical learning with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;various theories of representation - thus the connectionist representations allow&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;transformation, inference, and manipulation of logic formulae (33). In addition, in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;connectionist systems, linguistic models are harder to observe due to the fact that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;connectionist architectures are less constrained than statistical ones (35); (21).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Generally speaking, a connectionist model is a network of interconnected simple&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;processing units with knowledge stored in the weights of the connections between units&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;(32). Local interactions among units can result in dynamic global behavior, which, in&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;turn, leads to computation.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Some connectionist models are called localist models, assuming that each unit represents&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;a particular concept. For example, one unit might represent the concept “mammal” while&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;another unit might represent the concept “whale”. Relations between concepts are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;encoded by the weights of connections between those concepts. Knowledge in such&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;models is spread across the network, and the connectivity between units reflects their&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;structural relationship. Localist models are quite similar to semantic networks, but the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;links between units are not usually labeled as they are in semantic nets. They perform&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;well at tasks such as word-sense disambiguation, language generation, and limited&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;inference (36).&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Other connectionist models are called distributed models. Unlike that in localist models, a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;concept in distributed models is represented as a function of simultaneous activation of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;multiple units. An individual unit only participates in a concept representation. These&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;models are well suited for natural language processing tasks such as syntactic parsing,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;limited domain translation tasks, and associative retrieval.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Comparison Among Approaches&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;From the above section, we have seen that similarities and differences exist between&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches in terms of their assumptions, philosophical foundations, and source of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;evidence. In addition to that, the similarities and differences can also be reflected in the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;processes each approach follows, as well as in system aspects, robustness, flexibility, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;suitable tasks.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;Process:&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;namely, data collection, data analysis/model building, rule/data construction, and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;application of rules/data in system. The data collection stage is critical to all three&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches although statistical and connectionist approaches typically require much more&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;data than symbolic approaches. In the data analysis/model building stage, symbolic&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches rely on human analysis of the data in order to form a theory while statistical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches manually define a statistical model that is an approximate generalization of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the collected data. Connectionist approaches build a connectionist model from the data.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In the rule / data construction stage, manual efforts are typical for symbolic approaches&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;and the theory formed in the previous step may evolve when new cases are encountered.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In contrast, statistical and connectionist approaches use the statistical or connectionist&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;model as guidance and build rules or data items automatically, usually in relatively large&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;quantity. After building rules or data items, all approaches then automatically apply them&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to specific tasks in the system. For instance, connectionist approaches may apply the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;rules to train the weights of links between units.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Research using these different approaches follows a general set of steps,&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;System aspects:&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;from data analysis, rules, and basis for evaluation.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;By system aspects, we mean source of data, theory or model formed&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- Data: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;are usually not directly observable. Statistical and connectionist approaches are built on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;the basis of machine observable facets of data, usually from text corpora.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;As mentioned earlier, symbolic approaches use human introspective data, which&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- Theory or model based on data analysis: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;formed for symbolic approaches whereas a parametric model is formed for statistical&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches and a connectionist model is formed for connectionist approaches.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;As the outcome of data analysis, a theory is&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- &lt;span style=&quot;color: #b45f06;&quot;&gt;Rules:&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;detailed criteria of rule application. For statistical approaches, the criteria of rule&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;application are usually at the surface level or under-specified. For connectionist&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;approaches, individual rules typically cannot be recognized.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;For symbolic approaches, the rule construction stage usually results in rules with&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;- Basis for Evaluation: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;judgments of unaffiliated subjects and may use system-internal measures of growth such&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;as the number of new rules. In contrast, the basis for evaluation of statistical and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;connectionist systems are usually in the form of scores computed from some evaluation&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;function. However, if all approaches are utilized for the same task, then the results of the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;task can be evaluated both quantitatively and qualitatively and compared.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Evaluation of symbolic systems is typically based on intuitive&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Robustness: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;input. To deal with anomalies, they can anticipate them by making the grammar more&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;general to accommodate them. Compared to symbolic systems, statistical systems may be&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;more robust in the face of unexpected input provided that training data is sufficient,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;which may be difficult to be assured of. Connectionist systems may also be robust and&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;fault tolerant because knowledge in such systems is stored across the network. When&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;presented with noisy input, they degrade gradually.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Symbolic systems may be fragile when presented with unusual, or noisy&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Flexibility: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;examples, symbolic systems may lack the flexibility to adapt dynamically to experience.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;In contrast, statistical systems allow broad coverage, and may be better able to deal with&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;unrestricted text (21) for more effective handling of the task at hand. Connectionist&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;systems exhibit flexibility by dynamically acquiring appropriate behavior based on the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;given input. For example, the weights of a connectionist network can be adapted in realtime&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;to improve performance. However, such systems may have difficulty with the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;representation of structures needed to handle complex conceptual relationships, thus&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;limiting their abilities to handle high-level NLP (36).&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Since symbolic models are built by human analysis of well-formulated&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Suitable tasks: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;identifiable linguistic behavior. They can be used to model phenomena at all the various&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;linguistic levels described in earlier sections. Statistical approaches have proven to be&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;effective in modeling language phenomena based on frequent use of language as reflected&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;in text corpora. Linguistic phenomena that are not well understood or do not exhibit clear&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;regularity are candidates for statistical approaches. Similar to statistical approaches,&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;connectionist approaches can also deal with linguistic phenomena that are not well&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;understood. They are useful for low-level NLP tasks that are usually subtasks in a larger&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;problem.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;To summarize, symbolic, statistical, and connectionist approaches have exhibited&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;different characteristics, thus some problems may be better tackled with one approach&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;while other problems by another. In some cases, for some specific tasks, one approach&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;may prove adequate, while in other cases, the tasks can get so complex that it might not&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;be possible to choose a single best approach. In addition, as Klavans and Resnik (6)&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;pointed out, there is no such thing as a “purely statistical” method. Every use of statistics&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;is based upon a symbolic model and statistics alone is not adequate for NLP. Toward this&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;end, statistical approaches are not at odds with symbolic approaches. In fact, they are&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;rather complementary. As a result, researchers have begun developing hybrid techniques&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that utilize the strengths of each approach in an attempt to address NLP problems more&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;effectively and in a more flexible manner.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Symbolic approaches seem to be suited for phenomena that exhibit&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: #b45f06; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NATURAL LANGUAGE PROCESSING APPLICATIONS&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Natural language processing provides both theory and implementations for a range of&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;applications. In fact, any application that utilizes text is a candidate for NLP. The most&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;frequent applications utilizing NLP include the following:&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;surprising that so few implementations utilize NLP. Recently, statistical approaches&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;for accomplishing NLP have seen more utilization, but few systems other than those&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;by Liddy (37) and Strzalkowski (38) have developed significant systems based on&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NLP&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Information Retrieval – given the significant presence of text in this application, it is&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;recognition, tagging, and extraction into a structured representation, certain key&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;elements of information, e.g. persons, companies, locations, organizations, from large&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;collections of text. These extractions can then be utilized for a range of applications&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;including question-answering, visualization, and data mining.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Information Extraction (IE) – a more recent application area, IE focuses on the&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;• &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;potentially relevant documents in response to a user’s query, question-answering&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;provides the user with either just the text of the answer itself or answer-providing&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;passages.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Question-Answering – in contrast to Information Retrieval, which provides a list of&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;• &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;empower an implementation that reduces a larger text into a shorter, yet richlyconstituted&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;abbreviated narrative representation of the original document.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Summarization – the higher levels of NLP, particularly the discourse level, can&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;• &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;NLP have been utilized in MT systems, ranging from the ‘word-based’ approach to&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;applications that include higher levels of analysis.&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Machine Translation – perhaps the oldest of all NLP applications, various levels of&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;• &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;envisioned by large providers of end-user applications. Dialogue systems, which&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;usually focus on a narrowly defined application (e.g. your refrigerator or home sound&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;system), currently utilize the phonetic and lexical levels of language. It is believed&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;that utilization of all the levels of language processing explained above offer the&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;potential for truly habitable dialogue systems.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;CONCLUSIONS&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;While NLP is a relatively recent area of research and application, as compared to other&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;information technology approaches, there have been sufficient successes to date that&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;suggest that NLP-based information access technologies will continue to be a major area&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;of research and development in information systems now and far into the future.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Acknowledgement&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Grateful appreciation to Xiaoyong Liu who contributed to this entry while she was a&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Ph.D. student and a Research Assistant in the Center for Natural Language Processing&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;in the School of Information Studies at Syracuse University.Dialogue Systems – perhaps the omnipresent application of the future, in the systems&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;1 &lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/6528149847025350840/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/natural-language-processing.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6528149847025350840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/6528149847025350840'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/natural-language-processing.html' title='Natural Language Processing-INTRODUCTION'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-141869627491843586</id><published>2011-09-09T16:45:00.001+05:30</published><updated>2011-09-09T16:56:34.475+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>Linguistic tasks on translation corpora for developing resources for manual and machine translation</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Niladri Sekhar Dash and Pronomita Basu&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In this paper we have made an attempt to discuss some of the theoretical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;issues related to linguistic tasks to be carried out on translation corpora for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;developing varieties of linguistic resources and tools required in machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation. Although attempts have been made for developing translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;corpora as well as systems, tools and approaches for machine translation or&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;machine-aided human translation, attention is hardly paid to some of the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;basic linguistic works, which are indispensable for achieving success in these&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;areas. Even though it is known that generation of translation corpora is an&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;essential part of machine translation, which can contribute to enhance&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;robustness of a translation system, we have not yet focussed on how these&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora are going to be used in the work. Keeping this issue open&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;we have addressed some of the basic linguistic activities related to analysis of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora, which include extraction of translational equivalents&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;from corpora; development of bilingual dictionaries; generation of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;terminology databank; selection of lexical resources; dissolving lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ambiguities; and generation of a network of grammatical mapping with close&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;reference to lexical mapping, pragmatic and sentential information. In our&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;argument, a machine translation system will become more efficient and robust&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;if it is empowered with linguistic resources developed from linguistic activities&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;carried out on translation corpora.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Keywords: &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;bilingual dictionary, terminology databank, lexical selection, lexical ambiguity,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;grammatical mapping, lexical mapping, corpora, Bengali.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1. Introduction&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Translation corpora, after these are systematically compiled and properly aligned (Dash 2008:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;77-81) become accessible for several linguistic activities, which are indispensable for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;developing linguistic resources required for machine translation. In fact, accurate and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;effective execution of the linguistic activities on translation corpora becomes useful for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;generating necessary linguistic resources required not only for machine translation but also&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for manual translation, since direct utilization of these resources enhances speed, robustness,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;and accuracy of both types of translation. In our view, the linguistic activities that need to be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;carried out on translation corpora include:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(a) Linguistic analysis of translation corpora developed both in the source language and the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(b) Extraction of translational equivalents from the translation corpora&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(c) Development of bilingual dictionaries for source language and target language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(d) Generation of terminology databank for source language and target language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;3&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(e) Selection of appropriate lexical items for translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(f) Dissolving the problems of lexical ambiguity, and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(g) Developing grammatical mapping for the sentences of source and target language with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;reference to lexical mapping, pragmatic, and sentential information.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In the following sections of this paper we have addressed all the issues with reference to the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Indian language corpora along with a focus on English as the source language and Bengali as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the target language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2. Linguistic Analysis of Translation Corpora&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Within the area of machine translation research, the central point of debate has been the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;question about the level of complexity involved in the task of translation corpora analysis.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The general argument is that unless a large number of linguistic phenomena widely occurring&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;in natural language texts are analysed and overtly represented, a high quality machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;translation output is unattainable (Isabelle &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;et al. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;1993). It is also argued that problems like&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;lexical ambiguity and constituent mapping can be dissolved with the help of abundant&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;knowledgebase obtained from corpora and this may be stored in lexicon and grammar of each&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language involved in translation (Dash 2007: 137-178). This, however, asks for proper&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;execution of rigorous processes of translation corpora analysis that make explicit some or all&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;of the translation correspondences that link up segments of source texts with those of their&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translations in the target texts.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;For the sake of effective linguistic analysis of translation corpora, we argue for using&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;techniques of part-of-speech (POS) tagging of words and shallow parsing of sentences for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;acquiring better translational outputs. In these works a corpus analyser are supported with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;standard grammars available in a language or acquired from previously processed corpora.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The main objective is to develop bilingual lexical databases by extracting appropriate words,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;terms, phrases, and idiomatic expressions considered appropriate as translation equivalents.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;These outputs can be used to increase electronic lexical database of a language as well as for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;developing materials for language teaching.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The POS tagging can be executed automatically by comparing texts included in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;source language and the target language corpora following the probabilistic matching&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;procedure (Chanod and Tapanainen 1995). Although some of the adjectives may be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translated in this manner as nouns in the target language or vice-versa, traditional lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;categories mentioned in standard grammars and dictionaries available in the source and the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target language can help us to resolve grammatical ambiguities, if they arise. The basic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;proposition is, at this particular phase, the traditional grammatical categories of words can&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;have strong referential impacts on the quality of POS tagging, as a translation system with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;fewer grammatical categories of words can have better rate of success than a system with a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;list of lexical database having exhaustive grammatical categories.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;3. Extraction of Translational Equivalents from Translation Corpora&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The search for translational equivalents in translation corpora begins with those lexical items&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;that express similar meanings or senses in the both languages. This is usually done manually&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;4&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;at the early stage of translation corpora analysis. Once these items are found in the corpora,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;these need to be stored in alphabetical order in separate lexical list for future utilization.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Usually, translation corpora produce large number of translational equivalent lexical items,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;which are potential to be used as alternative forms in translation. The basic factor that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;determines the selection of appropriate equivalent forms is measured on the basis of recurrent&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;patterns of their usage in the corpora. Moreover, equivalent forms are verified with texts of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;monolingual corpora from which translation corpora are developed. A general scheme for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;extracting a list of translational equivalents from the bilingual translation corpora is presented&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;below (Figure 1).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;PHASE - I PHASE - II&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Source language corpora Target language corpora&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Search in the source language corpora Search in the target language corpora&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Identification of lexical items Identification of similar lexical items&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Recording meanings of lexical items Recording meanings of lexical items&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Storage of lexical items and their&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;meanings&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Storage of lexical items and their&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;meanings&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Matching of lexical items and their meanings in both corpora&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;Generation of a List of Translational Equivalents&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Storage of translational equivalents in a separate lexical database&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Figure 1 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Extraction of translational equivalents from source and target language corpora&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;It should be clearly understood that, even between the two closely related languages,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translational equivalents seldom mean the same senses in all contexts, since these are seldom&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;distributed in same types of syntactic and grammatical construction. Moreover, semantic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;connotation and degree of formality of equivalent forms may vary depending on languagespecific&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;contexts. Sometimes, a lemma of the target language may fail to be an equivalent to a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;lemma of the source language, even though they appear equivalent in sense. Although twoway&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation may be possible with proper names and scientific terms, it hardly succeeds&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;with ordinary lexical items used in different senses in the corpora (Landau 2001: 319). This&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;implies that in case of autonomous machine translation system, translation of ordinary texts&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;will face severe problems due to difference in senses of lexical items. To overcome the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;problem, we require manual intervention in selection of translational equivalents to yield&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;better outputs in translation.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;With regard to extraction of translational equivalents from translation corpora will not&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;only help machine translation workers but also others engaged in compiling bilingual lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;5&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;databases. In essence, the extraction of translational equivalents from translation corpora will&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;include the following activities:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Retrieving appropriate translational equivalents for content words such as nouns,&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;adjectives, verbs, adverbs, etc.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;prepositions, postpositions, conjunctions, articles, etc.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;collocations, and proverbs.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;‘naturalness’ of the target language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;which we have limited access.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;stored in translational databases.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The process of extracting translational equivalents from the source language and the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language and their subsequent verification for authentication with monolingual corpora is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;described below (Figure 2). Since finding out equivalent units from translation corpora is not&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;an easy task, we need to use various searching methods to trace the comparable units similar&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;in meaning but are often larger and more complex in form than words. Once these are&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;retrieved and implemented into translation platforms, these can facilitate translations more&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;effectively than the customary translation memories. We may also integrate findings from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;corpora with bilingual dictionaries and term banks to enrich machine translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;knowledgebase for the battles ahead.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Figure 2 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Verification and authentication of translational equivalents&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Within machine translation research there are great diversities in approaches that use little or&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;no information of traditional linguistics. Also, there are theoretical works that characterize the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;expressiveness and complexities of different formalisms of languages as well as empirical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;works that assess modelling and descriptive adequacy across various language pairs.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Following these formalism we can use aligned translation corpora to create better equivalents&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for more accurate translational outputs.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Source language corpora Target language corpora&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Cross-verification of translational equivalents&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Translation in target language Translation is source language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Final authentication of translational equivalents&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;6&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The third impart work of translation corpora analysis is the development of bilingual&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;dictionary the lack of which has been one of the great bottlenecks in present machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation activities (Geyken 1997). The dictionaries available in market are not good&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;enough to compensate this, since these dictionaries normally do not contain enough&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;information about lexical sub-categorisation, lexical selection restriction, and domains of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;application of lexical items in the lexical information they provide. Since it is possible now to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;extract information about sub-categorisation information of lexical items from the POS&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;tagged, there is hardly any problem to include this information in a bilingual dictionary&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(Brown 1999). Even when POS-tagged corpora are not readily available, bilingual&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;dictionaries can be developed from the untagged corpora available in the source language and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the target language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Words Bengali words Oriya words&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Relational&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;terms&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;b&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;b&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;‘father’, m&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘mother’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;m&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;si ‘aunt’, m&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;m&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘uncle’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;bap&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;‘father’, m&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;‘mother’, m&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;usi&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;‘aunt’, m&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;mu ‘uncle’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Pronouns &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;mi ‘I’, tumi ‘you (gen.)’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;pni ‘you (h)’, tui ‘you (non-h)’&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ā&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;mu ‘I’, tume ‘you (gen.)’,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;JA&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ā&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Nouns lok ‘person’, ghar ‘home’,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;h&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;t ‘hand’, mandir ‘temple’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;loka ‘person’, ghara ‘home’,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;h&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ta ‘hand’, mandira ‘temple’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Adjectives bh&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;la ‘good’, manda ‘bad’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;satya ‘true’, mithy&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘false’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;bhala ‘good’, manda ‘bad’,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;satya ‘true’, mich&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘false’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Verbs ý&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;chhi ‘I/we am/are going’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;kh&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ba ‘I/we shall eat’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;ý&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;uchi ‘I/we am/are going’, kh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;ib&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;‘I/we shall eat’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Postpositions m&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;jhe ‘in the middle’,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;p&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;āś&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;e ‘beside’, upare ‘above’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;majhire ‘in the middle’,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;p&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;āś&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;e ‘beside’, upare ‘above’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Indeclinable kintu ‘but’, b&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;‘or’ kintu ‘but’, b&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘or’&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Table 1 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Translational equivalents from Bengali and Oriya corpora&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Development of a bilingual dictionary is best possible within those languages, which are&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;genealogically linked (e.g., Hindi-Urdu, Bengali-Oriya, and Tamil-Malayalam, etc.), since&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;genealogically related languages share many common properties (both linguistic and nonlinguistic)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;hardly found in non-related languages. Also, there is a large chunk of regular&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;vocabulary similar to each other not only in their orthographic representation but also in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;sense, content, meaning, and connotation. For example, we have presented above a sample&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;list of similar words, which can be used as suitable translational equivalents for the two&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;genealogically related languages - Bengali and Oriya (Table 1).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;For compiling bilingual dictionary, we can use POS tagged corpora in various ways.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Albeit there are variations in use of POS tagged corpora, in most cases, the goals are the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;following:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Retrieval of large comparable syntactic blocks like clauses, phrases and sentences from&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;bilingual translation corpora.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;from the POS tagged corpora.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;7&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;ZH-TW&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;idiomatic expressions, etc. from the corpora.&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;1&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;ZH-TW&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Selection of appropriate lexical items as translational equivalents based on their&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;similarity in form, meaning, and usage in source and target language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In spite of close linguistic proximities between two genealogically related languages, one&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;cannot expect hundred percent similarity of lexical stock at morphological, lexical, syntactic,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;semantic, and conceptual level. Therefore, with all information extracted from corpora, a&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Core Grammar &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is the best solution, which will categorically highlight all kinds of linguistic&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;similarities across the two languages. Although this kind of grammar is yet to be developed&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;among the genealogically related Indian languages, present availability of Indian language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;corpora recently developed (Dash 2009) can help us to achieve great success in generation of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;bilingual dictionary for the task at hand.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;5. Generation of Terminology Databank&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Selection and use of appropriate technical and scientific terms is an important attribute of a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;good translation system, which asks for proper identification of the terms in source and target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language corpora. The primary task of a linguist is to search through the corpora of source&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language and the target language and to select the appropriate terms that may be considered&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translational equivalents or near-equivalents for scientific ideas, items and concepts. While&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;doing this, a linguist has to keep in mind various issues regarding the appropriateness,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;usability, grammaticality and acceptance of the terms in the source language and the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language. However, the most crucial issue is lexical generativity of the terms by which many&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;new words are possible to generate through activation of various word-formation strategies&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(Aronoff 1981: 25) used in the languages.&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;2&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;A linguist has another important role in choice of an appropriate term from a large list&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;of multiple terms coined by different persons to represent a particular idea, event, item, or&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;concept. It is observed that recurrent practice of forming new technical terms often goes to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;such an extreme that a machine translation system designer is at loss to decide which term to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;select over the other suitable terms. Debate also arises whether one should generate new&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;terms or accept terms of the source language already absorbed in the target language by&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;regular usage and reference. It has been also observed that some technical terms are absorbed&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;to such an extent that it becomes almost impossible to trace their actual origin. In that case, a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;machine translation system designer has no problem, as these terms are already accepted in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the target language. For instance, the Bengali people can have no problem in understanding&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;several English terms like &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;computer, mobile, calculator, telephone, tram, bus, cycle, taxi,&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rickshaw, train, machine, pen, pencil, pant, road, station, platform, &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;etc., since these are&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;accepted in Bengali along with the respective items. The high frequency of their use in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;various texts makes them a part of the Bengali vocabulary. Therefore, there is no need to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;replace these terms at the time of developing terminology databank.&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;3&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The translation corpora of the target language are good resources for selection of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;appropriate technical and scientific terms expressing new concepts and ideas borrowed from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the source language. Since these corpora are made up with varieties of texts full of new&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;terms, idioms, expressions and phrases, they can provide valuable resources of context-based&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;8&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;use of terms to draw sensible conclusions. In sum, reference to translation corpora contributes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;in two important ways.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(a) They help to collect all technical terms, expressions and phrases entered into the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language along with information of dates and fields of their entry and usage.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(b) They provide all possible native coinages of terms, expressions and phrases along with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;respective domains and frequency of their usage in the language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;These two factors can help us to determine on relative acceptance or rejection of the scientific&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;and technical terms. The examination of instances derived from the Bengali text corpus (Dash&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2005, Ch. 9) shows how a target language corpus can become highly useful in selection of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;appropriate terms &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;― &lt;/span&gt;an essential part for translation.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The selection of the most appropriate lexical items from the target language corpora as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;suitable translation equivalents for lexical items of the source language text is another&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;complex task in translation that requires careful interference of linguists well-versed in both&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the source and target language. It implies that a linguist has to select appropriate terms from a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;large collection of conceptually similar forms available in target language text, which are&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;nearest in sense to the terms selected from the source language text. A typical example of this&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;is the use of verbs depending on the status of the agent (actor). In Bengali, for example, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;use of verb referring ‘act of eating’ is highly restricted in use depending on the honour of the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;agent used as the subject of a sentence. Let us consider, for elucidation, the following&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;examples:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1(a) English: God takes food (Subject: God)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: bhagab&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;n prasād graha&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;ṇ &lt;/span&gt;&lt;/span&gt;karen&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1(b) English: A great man eats (Subject: great man)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: mah&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;puru&lt;span lang=&quot;JA&quot;&gt;ṣ &lt;/span&gt;bhojan karen&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1(c) English: A gentleman eats (Subject: gentleman)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: bhadralok &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;āhār karen&lt;/span&gt;&lt;/em&gt; &lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1(d) English: A common man eats (Subject: common man)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: s&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;dh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;ra&lt;span lang=&quot;JA&quot;&gt;ṇ &lt;/span&gt;lok khāy&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1(e) English: A layman eats (Subject: laymen)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: cho&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;alok gele&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;If we scrutinise the examples presented above, we can find out that the selection of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;appropriate equivalent term in Bengali for English &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;eat &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;is controlled by the status of agent&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(i.e., subject) referred to in sentences. If the person in source language text is a &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;divine man&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;then the equivalent term is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;prasād graha&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;ṇ &lt;/span&gt;&lt;/span&gt;karen (1a), for a great man &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;it is bhojan karen &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(1b),&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;for a &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;gentleman &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;it is āhār karen &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(1c), for a common man &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;it is khāy &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(1d), and for a layman&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;9&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;belonging to the lowest social status marked by the scales of social prestige, it is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;gele &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(1e),&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;although, in all cases, the core meanings of the terms are same: ‘to take or eat food’.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In case of technical and scientific terms, selection of appropriate terms becomes far&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;more complicated if the contexts of use of the terms in the source language across the fields&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;of discourse are not considered. For instance, consider the following examples where the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;English term &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;deliver &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;can be translated into Bengali with a wide variation of choice depending&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;on the context of use of the term in the source language (i.e., English).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;2(a) English: Mrs. Sen &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;delivered &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;a child in the hospital&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: Mrs. Sen h&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;sp&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;t&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;le ek&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;i sant&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;ner janma diyechen&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;2(b) English: Prof. Basu &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;delivered &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;a lecture on child education&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: adhy&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;pak Basu &lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;i&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;u&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;ik&lt;span lang=&quot;JA&quot;&gt;ṣ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r upar ek&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;i bakt&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;ṛ &lt;/span&gt;&lt;/span&gt;tā dilen&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2(c) English: The courier boy has delivered the packet&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: kuriy&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;yer chele&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;i py&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;ke&lt;span lang=&quot;JA&quot;&gt;ṭṭ&lt;/span&gt;i põuche diyeche&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2(d) English: The bowler delivered a googly in the last over&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;e&lt;span lang=&quot;JA&quot;&gt;ṣ &lt;/span&gt;obh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;re bol&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;i ek&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;i gugli bal karlo&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;The examples cited above shows that the English term &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;deliver &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;carries four different senses in&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the source language, which have to be translated in an appropriate manner into the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language taking into consideration the context of use of the term. In the field of childbirth, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;most appropriate term in Bengali is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;janma deoyā, in lecture in the class or at a mass rally it is&lt;/span&gt;&lt;/em&gt; &lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bakt&lt;/span&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;ṛ &lt;/span&gt;&lt;/span&gt;tā deoyā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, in postal distribution or supply of goods it is põuche deoyā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, and in the game of&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;cricket it is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;bal karā&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;. The most interesting thing is that what it means in the field of childbirth&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;is not same in supply of goods, lecture in class, and in the game of cricket. This signifies that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;by considering the domain of use of terms in the source language, we have to select the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;appropriate terms in the target language. In most cases, evidences collected from corpora can&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;legitimatize the beautility and acceptance of translation outputs.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The primary task of a linguist is to find out the appropriate lexical items considering&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;various factors latently involved within the two languages considered for translation. The&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;examples show that lexical selection has to be taken care of for generating sensible&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation outputs. Although the problem is handled elegantly in manual translation, it is a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;great hurdle in machine translation. The best way to overcome the problem in machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation is to enlist beforehand all semantically similar forms in a separate lexical list&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;within a machine readable dictionary (MRD) to be accessed in later in translation. Such a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;lexical database is easy to extract from translation corpora in both manual and machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation activities.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Usually, there are several domains within a MRD &lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;― &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;a resource capable to provide all&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;relevant information about the selection of lexical items. Therefore, whenever we analyse&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora, we need to identify the subject area to which the text belongs for storing&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the list of terms related to this domain. For instance, when we analyse an English text related&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;to mass media, it makes sense that we select the relevant terms from the English text and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;store them in a separate lexical database. Similarly, we can execute the same kind of task on&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the target language text to collect and store lexical terms in a lexical database in the subject&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;area ‘mass media’. However, complexities will arise when a single term of the source&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;10&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;language will denoted different senses in the target language. For example, English term&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;inform &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;can have several senses in Bengali depending on the domain of use of term, as the list&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(Table 2) shows. The examples imply that a translator has to select the most appropriate&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;lexical item considering the domain, to which he is going to translate the source language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;text. Until this issue is systematically dealt with, appropriate output cannot be achieved in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;word&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Bengali equivalents&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(Selection is based on domain)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;↓ ↓&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform j&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;n&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;no (Giving general news or information to people)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform ra&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;no (Spreading rumour or false information around)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform prac&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r (Canvassing information for one and all)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform bijñ&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;pan (Advertising an item or product, etc.)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform samprac&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r (Broadcast and telecast of news and information)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;inform bijñapti (Government circulars or notices for all people)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform gho&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṣ&lt;/span&gt;a&lt;span lang=&quot;JA&quot;&gt;ṇ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(Declaring an event of public reference and interest)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform Dh&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;bh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ṣ&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ya (Running commentary of games and sports)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform isteh&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r (Campaign and propaganda of political isms)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;inform Pratibedan (Reporting a piece of news in papers)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;inform k&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ī&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;rtan (Highlighting someone’s achievement)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Table 2 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Selection of lexical items based on the domain of use of items&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The selection of appropriate phrases, set expressions, idiomatic expressions, and proverbial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;statements is another complex task which demands careful search through bilingual&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora for collection appropriate translational equivalent forms (Geyken 1997).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The best solution is to generate a bilingual database for these resources and store it in MRD&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for future usage. For instance, given below is a sample list of idioms and proverbial forms&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(Table 3) collected from English corpora with their translational equivalents obtained from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the Bengali text corpus (Dash 2009).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English idioms and phrases Bengali equivalent forms&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Apple of one’s eye chokher ma&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ṇ&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;i&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Crocodile’s tear kum&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ī&lt;/span&gt;rer kann&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;A bedlam narak gulj&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r kar&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Blue blood n&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ī&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;l rakta&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bolt from the blue bin&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;meghe bajrap&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;t&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Paddle your own canoe nijer cark&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;y tel deoy&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;On cloud nine saptam svarge&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;A cock and bull story &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;s&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ṛ&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;e galpa&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;A white elephant &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;vet hast&lt;span lang=&quot;JA&quot;&gt;ī&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;By hook or by crook ýena tena prak&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;re&lt;span lang=&quot;JA&quot;&gt;ṇ&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;a&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Horns of a dilemma ubhay sa&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṅ&lt;/span&gt;ka&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;To add insult to injury k&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;gh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;ye nu&lt;span lang=&quot;JA&quot;&gt;ṇ&lt;/span&gt;er chi&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;e&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;To carry coal to New Castle tel&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;m&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;th&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;y tel deoy&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Once in a blue moon k&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;le bhadre&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;11&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;In the nick of time &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;e&lt;span lang=&quot;JA&quot;&gt;ṣ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;samaye&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Pour oil on troubled water agnite gh&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṛ&lt;/span&gt;t&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;huti deoy&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Raining in cats and dogs mu&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṣ&lt;/span&gt;aldh&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;re b&lt;span lang=&quot;JA&quot;&gt;ṛ&lt;/span&gt;i&lt;span lang=&quot;JA&quot;&gt;ṣṭ&lt;/span&gt;ip&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;t&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Black sheep Kul&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ṅ&lt;/span&gt;g&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Writing on the wall deoy&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ler likhan&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;To cry in wilderness Ara&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ṇ&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ye rodan&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Table 3 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Phrases and idioms taken from English and Bengali corpora&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Generation of such a list of idioms, phrases and proverbs from the source language and the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target language corpora enhances quality and robustness of machine translation, since this&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;database can be used to capture the figurative senses of expressions found in the source&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language and the target language for stylistic representation as well as for better&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;comprehension of translational outputs.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In normal situation, a linguistic communication transfers information from the producer to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the receiver by using language as a vehicle. Sometimes, however, this transfer of information&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;is not free from ambiguity &lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;― &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;one of the most common yet highly complex phenomena of a&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;natural language (Dash 2005). It is observed that ambiguity may arise due to several factors,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;one of which is inadequacy in the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;internal meaning &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;associated with a lexical item or due to&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;structure of an utterance used in a particular event of communication. Thus, ambiguity is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;classified into three broad types.&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;4&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(a) Lexical ambiguity (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;They went to the bank&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;),&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(b) Referential ambiguity (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;He loves his wife&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;), and&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(c) Syntactic ambiguity (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Time flies like an arrow&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;).&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In case of lexical ambiguity, a speaker uses a single word to refer to more than one sense,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;event, idea, or concept. This creates problem for a listener in capturing the actual intended&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;meaning of a word. The problem intensifies further when the language of the speaker differs&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;from that of a listener. Since a machine translation system is intended to be developed with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;some perceptions of mental representation of a speaker, it is limited by words and sentences&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;used by the speaker.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;To overcome the problem, we need to map the source language lexicon with the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;equivalent in the target language lexicon, which will be used as an appropriate frame in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;particular contexts of text representation. In some situations, the target language may not&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;have an equivalent lexical item, which is fit to represent the actual sense of a term used in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;source language. In such cases, we have to either depend on multi-word units (such as,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;multiword units, compounds, idioms, phrases, and clauses, etc.) or use the explanatory&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;addendum to deal with such situations.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;For dissolving lexical ambiguities, the easier solution is to find out methods for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;locating contexts of use of words as well as analyse the contextual profiles of the lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;items. Recent experiments with translation corpora (Ravin and Leacock 2000, Cuyckens and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Zawada 2001) reveal that lexical ambiguity is mostly resulted from multiple readings of a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;12&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;word, and these readings most often differ in selection of lexical, syntactic and semantic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;features of words, such as, tense, aspect, modality, case, number, gender, idiomatic readings,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;figurative usage and so on. As avid supporters of the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Corpus-Based Machine Translation&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;system (Dash 2007: Ch. 5), we argue to overcome the problem of lexical ambiguity with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;reference to the context of their occurrence in a piece of text collected in corpora. In that case&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;we need to identify the large number of ambiguous words that usually occur in natural texts&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;and analyse them properly as well as mark them accordingly to achieve higher accuracy in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation. If possible, we should analyse the ambiguous words with information gathered&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;from translated texts and with semantic information stored in the MRD.&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;5&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Taking cues from domain-specific translation outputs, we can go for deep semantic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;analysis of words which, however, is not always required for translation. For instance,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;English &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;head &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;may be translated in Bengali as māthā, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;no matter in which of the many senses&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the word is used in the source language text. Therefore, it is better that we go for a simple&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;word analysis scheme and use a more direct source language to target language substitution&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;in place of deep semantic analysis of ambiguous words. At certain contexts, it is possible and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;necessary to ignore lexical ambiguities with a hope that the same ambiguity will be carried to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the target language. This is useful in those cases where we aim at dealing with only a pair of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;related languages within a highly restricted domain. However, since analysis of lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ambiguities is meant to produce non-ambiguous representation in the target language, we&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;cannot ignore it in case of translation of texts belonging to general domains (Isabelle and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Bourbeau 1985: 21).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;The type of transformation we referred to in the following example (3a) is known as&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;grammatical mapping &lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in translation. Here, words of source language text are ‘mapped’ with&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;words of target language text to obtain meaningful translation outputs. In machine translation,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;there are various ways for mapping of linguistic forms used in a language (e.g.,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;morphological, lexical, grammatical, phrasal, clausal, etc.), the most common one of which is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;grammatical mapping related to verb forms within the two languages considered for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The issue of grammatical mapping becomes relevant in machine translation between&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the two languages, which are different in lexical ordering in sentence formation. In the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;present context, while we talk about machine translation from English to Bengali, this&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;becomes optimised in proportion, since while English has SVO structure (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;He eats rice&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;in sentence formation, Bengali has SOV structure (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;se bhāt khāy&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;) within the same&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;framework. Therefore, grammatical mapping and reordering of lexical items is required for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;producing the acceptable outputs in Bengali. For example, consider the sentence given below&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(3a) as well as the mapping (Figure 3).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;3(a) English: All his efforts ended in smoke&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: t&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r samasta ce&lt;span lang=&quot;JA&quot;&gt;ṣṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;by&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;rtha hala&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;13&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English All his efforts ended in smoke&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(a) (b) (c) (d) (e) (f)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Literal output samasta&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(1)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;t&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(2)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;ce&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṣṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ś&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(4)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;-te&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(5)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;dhõy&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(6)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Actual output t&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;r&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(2)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;samasta&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(1)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;ce&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṣṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(3)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;by&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black;&quot;&gt;ā&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;rtha&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(4-5-&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;hala&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;-6)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Bengali (2) (1) (3) (7)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Figure 3 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Grammatical mapping between English and Bengali sentences&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Figure 3 shows that for achieving accurate output with acceptable word order in the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language, words used in the sentence of the source language text need to be mapped with&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;words used in the target language in the following manner:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [a] = Bengali [1] (word to word mapping)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [b] = Bengali [2] (word to word mapping)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [c] = Bengali [3] (word to word mapping)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [d] = Bengali [4] (group of words for single word)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [e] = Bengali [5] (use of case marker for preposition)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English [f] = Bengali [6] (word to word mapping)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;However, we must understand that lexical mapping is not the only solution by which we can&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;obtain accurate translation output in the target language. The input sentence of the source&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;language text (English) also contains an idiomatic expression (i.e., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ended in smoke&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;), which&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;requires some pragmatic knowledge to find a similar idiomatic expression in the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language (Bengali) to achieve greater accuracy in translation. Therefore, we need to employ&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;pragmatic knowledgebase to select appropriate equivalent idiomatic expression from the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target language texts in the following manner:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English: [d-e-f] (an idiomatic expression)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Bengali: [7 (&amp;lt;4-5-6)] (similar translation equivalent)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;The machine translation system needs the information that &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ended in smoke &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in the source&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;language text has to be translated as &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;byārtha hala &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in target language text when the expression&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;is used in idiomatic sense. After the selection of appropriate and equivalent idiomatic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;expression from the target language text, we are in a position to claim that the output&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;sentence is grammatically mapped to such an extent that intended sense of the input sentence&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;is maximally represented in the output. After this comes the stage of sequential ordering of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;words in the sentence of the target language text so that the output sentence becomes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;grammatically valid in the target language text. For this, the following information becomes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;handy.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;14&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Sequence in English sentence: [a + b + c + (d + e + f)]&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Sequence in Bengali sentence: [2 + 1 + 3 + 7 (&amp;lt;4+5+6)]&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;What it shows that after proper application of several linguistic strategies like lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;mapping, selection of appropriate idiomatic expression (if any), and sequential ordering, we&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;finally get &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;tār samasta ce&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: medium;&quot;&gt;ṣṭ &lt;/span&gt;&lt;/span&gt;ā byārtha hala &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;as a valid translation output in the target language&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(Bengali). Such grammatical mapping from one structure to another is highly useful for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;producing appropriate translations which are accepted as ‘normal’ sentences in the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In the task of analysing sentence structures of the source and target language texts,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translated corpora are particularly useful, which we can use to map the sequence of word&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;order (at linear level) between the source and target language texts to yield information about&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;the structure of NPs, APs, VPs, PPs, and other properties used in the languages considered&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for translation.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;No English Bengali&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(a) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;hands h&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;te (&amp;lt; h&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;t&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ -e&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[loc case]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(b) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;with &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;person loker (&amp;lt; lok&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ -er&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[gen case] &lt;/span&gt;&lt;/span&gt;) + sa&lt;span lang=&quot;JA&quot;&gt;ṅ&lt;/span&gt;ge&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[post-p]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(c) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;by &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;mistake bhulba&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;ata (&amp;lt; bhul&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ ba&lt;span lang=&quot;JA&quot;&gt;ś&lt;/span&gt;ata&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[Adv]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(d) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;house ghare (&amp;lt; ghar&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ -e&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[loc case]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(e) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;house gharer madhye (&amp;lt; ghar&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ -er&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[gen case] &lt;/span&gt;&lt;/span&gt;+ madhye&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[pp]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(f) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;at &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;night r&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;te (&amp;lt; r&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;t&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[n] &lt;/span&gt;&lt;/span&gt;+ -e&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;[loc case]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Table 4 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Mapping of preposition and postposition between English and Bengali&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The grammatical mapping also highlights the lexical interface underlying the surface&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;structures of sentences and the nature of lexical dependency underlying the surface&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;constructions in the source and target language texts. For example, in case of translating&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;prepositions (e.g., &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;at, for, up, by, in, of, with&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, etc.) used in English, we need to decide whether&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;we should use postpositions or case markers to have correct outputs in Bengali. For&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;elucidation, consider the examples given above (Table 4).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The above examples (Table 4) show that in English, prepositions are used before&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;nouns to evoke case relation (a, d, f), adverbial sense (c) and postpositional sense (b, e).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;However, in Bengali, these senses are achieved by using case markers (a, d, and f),&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;postpositions (b and c), or both case markers and postpositions (e). Also the table provides&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;information about their position in respect to the content words with which these functional&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;words are attached to generate the appropriate outputs (Figure 4).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;English: It is in his hand&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Bengali: e&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;JA&quot;&gt;ṭ&lt;/span&gt;&lt;span lang=&quot;JA&quot;&gt;ā &lt;/span&gt;t&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;r h&lt;span lang=&quot;JA&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;t- -e (ache)&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;Figure 4 &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Position of postposition with respect to content words&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;15&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;From the examples and analyses presented above it is almost clear that the task of proper&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;grammatical mapping is an essential linguistic part of machine translation, which cannot be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ignored if we intend to achieve even marginal success in this area.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Linguistic analysis of translation corpora is an indispensable task that helps to develop&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;necessary resources to get better translation outputs. It involvers several works such as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;analysis of translation corpora, development of bilingual lexical database, extraction of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translational equivalents, generation of terminology database, making appropriate lexical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;selection, dissolving lexical ambiguity, and developing suitable grammatical mapping&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;between the languages. Also we need to determine which linguistic units of the target&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language are more likely to correlate with of linguistic units of the source language.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The most sensible method for making these activities feasible is to analyse translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;corpora as &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;training corpora, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;since analysis will help us to find out all kinds of linguistic&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;information required in translation. It is, however, not necessary to analyse all sentences used&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;in translation corpora, as analysis of a set of token sentences will serve and suffice initial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;purposes. After analysis of translation corpora, we shall obtain linguistic resources of three&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;types&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(a) Examples of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;strong matching &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;where linguistic items such as words, terms, phrases,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;idioms, and sentences, etc. are similar in form, meaning, and usage both in source and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;target languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(b) Examples of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;approximate matching &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;where linguistic items are similar in meaning but&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;different in form and usage in the two languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;(c) Examples of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;weak matching &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;where linguistic items are different in form, meaning and&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;usage in the two languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;em&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In case of translating texts from Bengali to Oriya, most of the linguistic items will belong to&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;strong matching&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;, since the language are genealogical linked and ire originated from the&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;source mother. But, in case of translating texts from English to Bengali, most of the linguistic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;items will belong to &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;weak matching&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, as languages belong to two different typologies. In such&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;a situation, if fifty percent similarity is obtained from the translation corpora of the two&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;languages, one can go for using them in translation. In essence, systematic analysis of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora, methodical extraction linguistic resources from corpora as well as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;judicious application of outputs will make machine translation as realized dream.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Machine translation is an applied field, the impetus for progress of which mostly comes from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;elegant handing of linguistic and extralinguistic resources. Since this is highly specialized&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;domain, it is a test bed for theories and applications related to linguistics, language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;technology, and artificial intelligence. While working in this domain we want to verify if&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;theories of syntax, semantics, and discourse are compatible to it, if standard lexicon and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;grammar are fruitfully utilised in it, and if algorithms of text processing, parsing, word sense&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;16&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;disambiguation, machine learning, and pragmatic interpretations are applicable to it. Thus,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;machine translation turns into an ideal field for comprehensive evaluation of various theories&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;of language as well as for development and testing a wider range of linguistic phenomena&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;abundant within natural languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Since translation corpora are indispensable resources both in manual and machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation, we can focus only on processing, analysis, and access of corpora with an&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;assumption that analysable translation corpora (properly aligned and readily comparable) are&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;already compiled and provided to the people involved in the task. The activities we have&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;proposed here are not only suitable for machine translation from English to Bengali, but also&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for any other languages included in the task of machine translation. These are also applicable&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;for most of the Indian languages, which are interested to develop useful translation corpora&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;between English and the Indian languages for similar purposes. The utilities of the linguistic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;resources generated from analysis of translation corpora can be further attested in language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;teaching, electronic dictionary compilation, machine learning, grammar development, and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;language cognition.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;For Indian languages, translation corpora are basic requirements, which are however,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;yet to be developed for any two genealogically related languages. We, therefore, urgently&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;need to develop translation corpora, which will be accessible for developing machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation system for the Indian languages. In fact, availability of translation corpora in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Indian languages will make significant contribution to supplement traditional methods of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation, because information obtained from analysis of translation corpora will minimises&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;distance between the Indian languages. The secret motive behind this work is to argue for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;development of translation corpora in the Indian languages so that we can take a step forward&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;towards development of a machine translation system for the Indian languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1 &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;etc. in both the corpora such as &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;There are several identical adverbial and adjectival phrases, idiomatic expressions and set phrases,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;gat&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;nugatik j&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ī&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;bandh&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;r&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;‘stereotype life’, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;bi&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ś&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;ṣ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;bh&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;be paricita&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;‘specially known’, &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;These can be put to a list of ‘lexical collocation’ of a bilingual dictionary for better access and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;application in machine translation and other linguistic works.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;satata paribartan&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;śī&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;l &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;‘ever changing’, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;s&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;ṅ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;sk&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;ṛ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;itik anu&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;ṣṭ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;h&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ā&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;n &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;‘cultural function’, etc.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2 &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;compounding, loan translation, blending, etc.) for generating new lexical items in a language. For&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;instance, consider the process of word formation in Bengali following English by analogy: &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;There are several word formation strategies (e.g., derivation, inflection, affixation, analogy,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;electric &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;=&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;bidyut&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;electrical &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;= &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;baidyutik&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;electronic &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;= &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;baidyutin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;, etc.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;3 &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;corpus shows that there are more than thousand English terms, which are regularly used by Bengali&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;people. Surprisingly, none of these terms are allowed to enter in standard Bengali dictionaries. This&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;shows the lack of proper information about the language use on the part of dictionary makers. We,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;therefore, ask for immediate revision of standard Bengali dictionaries with English words and terms&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;collected from the modern Bengali corpus databases.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;From a simple calculation of English terms in Bengali vocabulary obtained from the Bengali text&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;4 &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;divergence are available in the work of Dorr (1994). Divergence in Hindi texts is addressed in Gupta&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;and Chatterjee (2003).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In machine translation ambiguities are referred to as examples of divergence. Some discussions on&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;17&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;5 &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;realistic nor feasible (Grishman and Kosaka 1992). They also argue that, “it must be kept in mind that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;a translation process does not necessarily require full understanding of the texts. Ambiguities may be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;preserved during a translation &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Rimon and Berry 1988).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;The rationalists argue that such a work of information acquisition from translated texts is neither&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;JA&quot; style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;JA&quot; style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;em&gt;― &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;and they should be presented to the users for resolution” (Ari,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;References&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif; font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;ARI, Ben, RIMON, Martin, BERRY, Daniel Michael 1988. Translational Ambiguity Rephrased. In&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Proceedings of 2&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Translation. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ARONOFF, Mark. 1981. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;1981.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;BROWN, Robert D. 1999. Adding linguistic knowledge to a lexical example-based translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;System. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;CHANOD, Jean-Pierre, TAPANAINEN, Pasi. 1995. Creating a tagset, lexicon and guesser for a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;French tagger. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Multilingual Languages Analysis&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;CUYCKENS, Hubert and ZAWADA, Britta (eds.). 2001. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif; font-size: xx-small;&quot;&gt;&lt;em&gt;nd &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;International Conference on Theoretical and Methodological Issues in Machine&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Pittsburgh, pp. 1-11.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Word Formation in Generative Grammar&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. 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Corpus-based machine translation across Indian languages: from theory&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;to practice. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;DASH, Niladri Sekhar. 2005. Role of context in word sense disambiguation. 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Matching corpus translations with dictionary senses: two case studies.In&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Language In India&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. 5(7): 12-35.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Indian Linguistics&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Corpus Linguistics and Language Technology: &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;With Reference to&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Language Corpora and Applied Linguistics&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. Kolkata: Sahitya Samsad,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Corpus Linguistics: An Introduction&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. New Delhi: Pearson-Longman,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Corpus-based Analysis of the Bengali Language&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. Saarbrucken,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Computational Linguistics. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;20(4): 597-633.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;International Journal of Corpus Linguistics. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;2(1): 1-21.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;em&gt;18&lt;/em&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;GRISHMAN, Ralph, KOSAKA, Margaret. 1992. Combining rationalist and empiricist approaches to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;machine translation. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;GUPTA, Deepa, CHATTERJEE, Niladri. 2003. Divergence in English to Hindi machine translation:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;some studies. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ISABELLE, Pierre, BOURBEAU, Laurent. 1985. TAUM-AVIATION: its technical features and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;some expert mental results. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;ISABELLE, Pierre, DYMETMAN, Marc, FOSTER, George, JUTRAS, Jean-Marc,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;MACKLOVITCH, Elliott, PERRAULT, Francois, REN, Xiaobo, SIMARD, Michel. 1993.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Translation analysis and translation automation. In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;27.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;LANDAU, Sidney, I. 2001. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Edition. Cambridge: Cambridge University Press, 2001.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;RAVIN, Yael, LEACOCK, Claudia (eds.). 2000. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Approaches. &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Proceedings of the MTI-92, &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Montreal, pp. 263-274.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;International Journal of Translation. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;15(2): 5-24.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Computational Linguistics&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;. 11(1): 18-27.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Proceedings of the TMI-93, &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Kyoto, Japan, pp. 22-&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Dictionaries: The Art and Craft of Lexicography. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Revised Second&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Ploysemy: Theoretical and Computational&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;New York: Oxford University Press Inc., 2000.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; &lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Dr Niladri Sekhar Dash&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Linguistic Research Unit&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Indian Statistical Institute&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;203, Barrackpore Trunk Road&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Kolkata - 700108, West Bengal, India&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;niladri@isical.ac.in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Homepage: http://www.isical.ac.in/~niladri&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Ms Pronomita Basu&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Dept. of Linguistics&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;University of Calcutta&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;College Street Campus&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Kolkata – 700 073&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;West Bengal, India&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;basuprono@gmail.com&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;In &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;on web page &amp;lt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;SKASE Journal of Theoretical Linguistics &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;[online]. 2010, vol. 7, no. 2 [cit. 2010-06-30]. Available&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;http://www.skase.sk/Volumes/JTL16/pdf_doc/01.pdf&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;gt;. ISSN 1339-782X.&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/b&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;10. Conclusion&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;9. The System Module&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(c) Sentential Information:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(b) Pragmatic Information:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;(a) Lexical Mapping:&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: black;&quot;&gt;e&lt;span lang=&quot;JA&quot;&gt;ṣ &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;hala&lt;/span&gt;&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;(3)&lt;/em&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;8. Defining the Pattern of Grammatical Mapping&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;7. Dissolving Lexical Ambiguity&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;6. Selection of Appropriate Lexical Item&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Extraction of frequently used nominal, adverbial and adjectival phrases, set phrases, and&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Extraction of various subcategorised constituents like subjects, objects, predicates, etc.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;pana ‘you (h)’, tu ‘you’ (non-h)’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;4. Compilation of Bilingual Dictionary&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Generating terminology databases from new texts, which are neither standardised nor&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Creating new translation databases for translating correctly into those languages on&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Learning how the language corpora help to produce translated texts that display&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Retrieving multiword translational equivalents such as idioms, phrases, compounds,&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Retrieving appropriate translational equivalents for function words like pronouns,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;translation corpora, machine translation, translational equivalents,&lt;/em&gt;&lt;/span&gt;&lt;/b&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;Linguistic tasks on translation corpora for developing resources for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Times, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;em&gt;manual and machine translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/141869627491843586/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/linguistic-tasks-on-translation-corpora.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/141869627491843586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/141869627491843586'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/linguistic-tasks-on-translation-corpora.html' title='Linguistic tasks on translation corpora for developing resources for manual and machine translation'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-3841875686421977629</id><published>2011-09-09T11:03:00.001+05:30</published><updated>2011-09-09T11:04:19.360+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>SUPRA-SEGMTAL PHONETICS,PHONEMES</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Phonemic particles that we have so far been considering such as vowels, consonants, diphthongs, etc. are&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;called&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; segmental phonemes. &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;They&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;contribute to the meaning of a speech segment.&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Apart from this class of segmental phonemes, there is another class of particles that’ play equally important role. These are &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;supra-segmental phonemes. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/&quot; name=&quot;more&quot;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Features of stress, pitch, intonation and juncture comprise this class, and are said to be ‘overlaid’ on the segmental units. It is difficult to imagine human communication without these features. They invariably accompany our speech and lend the additional dimension which is mote immediately and directly understood. These features convey the speaker’s identity, attitudes, emotional states and his/her evaluation of how he/she is being received. Often, in the totality of communicational situation, a listener doesnot pay so much attention to the wards as he does to the rise and fall of pitch, volume of voice, stress and pauses, and so on. He understands the meaning by simply responding to these extra-linguistic indices.&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;We will now look at these features or phonemes a little more closely.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Stress&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Physiologically, stress means greater articulatory effort. By putting stress on particular segments we give it greater prominence. Various types of meaning are conveyed by distributing stress pattern over speech segments in a controlled manner.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Two types of stress can he established&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1.&amp;nbsp;&amp;nbsp; Word stress (or accent)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2.&amp;nbsp;&amp;nbsp; Phrasal (or sentence stress)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Word Stress&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In words made up of more than one syllable, some syllable stands out from others. In a word like &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fable&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; it is the first syllable that receives ‘stress’ or more articulatory energy which results in its’ sounding louder and longer than the other syllable’ the second syllable here. The distribution of stress over the word &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fable&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; can be shown in this manner – &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fa-ble.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In monosyllabic words – these words may contain more than one phoneme, but that doesnot matter-stress falls on the only syllable they contain:&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;l&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /ai/&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (single phoneme word)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;see&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /si:/&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (two-phoneme word)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;cat&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /kaet/&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (three-phoneme word)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;flame&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /fleim/&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (four-phoneme word)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tract&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /traekt/&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (five-phoneme word)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In words made of more than one syllable, the stress is distributed over the syllables; one of the syllables is pronounced with greater syllabic energy or prominence. In words like &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sector&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;enable,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; the first syllable is prominent in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sector&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and the second syllable in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;enable&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The syllable that is strongly stressed is called a &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;strong&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; syllable and weakly stressed syllable is called &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;weak syllable.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; In &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sector, sec&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; is strong syllable and&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;-tor&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; weak syllable. In &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;enable, en&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; is weak syallable and no srong syllable followed a weak –bl. In polysyllabic words the stressed syllable may be more than one, for example these words – &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;understand, appetizing examination.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Syllabic division is shown as follows:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Un-der-stand; ap-pe-ti-zing; e-xa-mi-na-tion.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;A polysyllabic word is graded in terms of the release of syllabic energy. It can be seen that from the strongest to the less strong to the weak, we can easily perceive different parts carrying these stresses. For example, in a word like &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;consolidation,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; the strongest stress falls on the fourth syllable /-dei-/, the next prominent syllable is the second one, the other syllables carry weak stresses.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;One reason why the fourth syllable is the strongest is that the pitch of the voice changes on this syllable. Therefore, this is also called &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;primary stress&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; or &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tonic stress.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; A strong stress accompanied by a pitch-change or pitch movement is known as &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;primary stress.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Roger Kingdon says that ‘the prominence of a syllable is also affected by its pitch; high-pitched syllables sound more prominent than low-pitched ones’.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Stress features are thus divided into the following levels:&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Primary stress&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Secondary stress&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;3.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Tertiary stress&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;4.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Weak stress&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The strongest release of syllabic energy accompanied by a potential change of pitch direction marks the primary stress. The next strong stress is called secondary stress. Primary stress is represented by the half straight bar [‘], and the secondary stress by the bar placed at the bottom before the syllable that is stressed. Thus in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;apple&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; the primary stress is on the first syllable ‘&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;apple&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;; so with &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘father&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;; but in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ga’rage&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; it is on the second syllable. The word &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;understand &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;carries a primary and a secondary stress indicated as &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;/unders’tand.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Tertiary stress is weaker than the secondary stress and close to weak or unmarked stress. It is somewhat difficult to define and describe it. The two identically pronounced words &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;nightrate&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;nitrate&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;, show that the second example has a tertiary stress while in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;night rate &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;rate carries the secondary stress. A weak stress is always left unmarked. Here the pitch is low and the vowel lax as in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;to’bacco.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Stress pattern in English has to be learned; there is nothing in a syllable itself which indicates that it may receive stress or not. In some disyllabic words the first syllable is stressed, for example ‘&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;writer, ‘bellow, ‘coral, ‘glimmer, ‘ginger,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; while other disyllabic words have the second syllable sressed: &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;re’cord, be’low, con’sort&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; (vb), &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;di’sable.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Compared to the unstressed syllable, the vowel in a stressed syllable is longer. Similarly, a long vowel becomes reduced in length when it occurs in an unaccented syllable.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Stress Shift&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;It has been observed that stress shifts in derivative words. The following table shows how different derivative words take stress on different syllables.&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;center&quot; class=&quot;Style2&quot; style=&quot;text-align: center;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Table&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;border-bottom: windowtext 1pt solid; border-left: medium none; border-right: medium none; border-top: windowtext 1pt solid; padding-bottom: 1pt; padding-left: 0in; padding-right: 0in; padding-top: 1pt;&quot;&gt;&lt;div class=&quot;Style1&quot; style=&quot;border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; mso-border-bottom-alt: solid windowtext 1.0pt; mso-border-top-alt: solid windowtext 1.0pt; mso-padding-alt: 1.0pt 0in 1.0pt 0in; padding-bottom: 0in; padding-left: 0in; padding-right: 0in; padding-top: 0in; tab-stops: 99.0pt 2.75in;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1&lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;st&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; syllable&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 2&lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;nd&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; syllable&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 3&lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;rd&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; syllable&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘fraternise&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fra’ternity&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘fragility&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fra’gile&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘fragment&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; frag’ment&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fragmen’tation&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Or’thographer&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ortho’graphic&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘syllable&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; sy’llabify&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; syllabifi’cation&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘product&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; pro’duce&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; produc’tivity&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘excavate&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; exca’vation&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘excellence&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ex’cel&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; padding-bottom: 1pt; padding-left: 0in; padding-right: 0in; padding-top: 0in;&quot;&gt;&lt;div class=&quot;Style1&quot; style=&quot;border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; mso-border-bottom-alt: solid windowtext 1.0pt; mso-padding-alt: 0in 0in 1.0pt 0in; padding-bottom: 0in; padding-left: 0in; padding-right: 0in; padding-top: 0in; tab-stops: 99.0pt 2.75in;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘photograph&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; pho’tographer&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; photo’graphic&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Shift of Primary Stress in Syllables&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In derived words also there is no predictability about the placement of stress. However, an interesting aspect of the stress distribution is that for noun/adjective, stress is on the first syllable and for verb it is on the second syllable.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Noun/Adjective&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Verb&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘produce&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; pro’duce&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘import&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; imp’ort&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘subject&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; sub’ject&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘perfect&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; per’fect&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘record&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; re’cord&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘contract&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; con’tract&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Compound Word Stress&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Compound word consists of two words, which are written as one word. Mostly the nuclear, tonic or primary stress falls on the first syllable of the first word as in ‘&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;postman, ‘batsman, ‘chairman,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; etc. Distribution of stress varies greatly according to the syllabic composition of the compound words.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Primary stress on the first syllable&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Honeymoon, ‘honey suckle, ‘market day, ‘main spring, ‘long shore, ‘live stock, ‘liveryman.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Primary stress on the first, secondary on the third syllable&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘borderline, firebrigade, copyright&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Primary stress on the first, secondary on the fourth syllable&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;National issue, labour exchange, cabinet maker&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Primary stress on the third, secondary on the first syllable&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Secondhand, country farm, easygoing, seargent major&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Phrasal Stress&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Although words have more or less fixed stress in connected speech, the intonational and contextual imperatives guide a speaker’s choice of stress. Longer utterances, clauses and segments can show changes in stress pattern. This is accompanied by the rise and fall in the pitch level. For example in a sentence like&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;center&quot; class=&quot;Style1&quot; style=&quot;text-align: center; text-indent: 0in;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Bring those chairs closer&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;different words can be stressed in the manner shown below:&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bring&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; those&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; chairs&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; closer&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bring&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;those&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; chairs&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; closer&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bring&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; those&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;chairs&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; closer&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bring&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; those&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; chairs&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;closer&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Each of the above examples conveys a different meaning. Normally, content words receive the primary stress, grammatical words donot As T. Balasubramanian says, ‘The choice of the syllable receiving primary accent depends on the meaning the speaker wants to convey’.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Speech Rhythm&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In connected speech certain words receive the primary stress and other words are unstressed. A pattern of alternations between the stressed and unstressed words is formed. If we consider the sentence, &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;see the cat on the roof&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; we will find that the second, the fourth and the fifth syllable are unstressed; the third and the sixth words are stressed. It is the tendency among the English speakers to crowd together the unstressed syllables between the two stressed syllables. The effect is a rhythm which makes English a stress-timed language.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There is another process that produces the characteristic English rhythm, that of weakening of the accent on certain words. In connected speech stress tends to be re-arranged due to elision and assimilation. Syllables that in isolated expressions appear stressed may be unstressed in such instances. Form-words, like articles, prepositions, auxiliary verbs, conjunctions and other elements may show this, where consonant and vowel quality of the weak form is affected. Let us look at these sentences.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;I shall let you have it &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;transcribed as&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /ai òl let ju: hæv it/; the verb &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;shall&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; has become weak and is represented as /òi/ instead of /òæl/.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;b.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Lend me the book, I’d read it &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;transcribed as&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /lend me buk, aid ri:d it/; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;would&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; becomes simply /d/ here.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;There was a book on the table &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;transcribed as&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot; style=&quot;margin-left: 0.5in; text-indent: -0.25in;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; /ðәwәzә buk&lt;/span&gt;&lt;sub&gt;&lt;span style=&quot;position: relative; top: -1pt;&quot;&gt;&lt;shapetype coordsize=&quot;21600,21600&quot; filled=&quot;f&quot; id=&quot;_x0000_t75&quot; o:preferrelative=&quot;t&quot; o:spt=&quot;75&quot; path=&quot;m@4@5l@4@11@9@11@9@5xe&quot; stroked=&quot;f&quot;&gt; &lt;stroke joinstyle=&quot;miter&quot;&gt;&lt;/stroke&gt;&lt;formulas&gt;&lt;f eqn=&quot;if lineDrawn pixelLineWidth 0&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;sum @0 1 0&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;sum 0 0 @1&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @2 1 2&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @3 21600 pixelWidth&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @3 21600 pixelHeight&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;sum @0 0 1&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @6 1 2&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @7 21600 pixelWidth&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;sum @8 21600 0&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;prod @7 21600 pixelHeight&quot;&gt;&lt;/f&gt;&lt;f eqn=&quot;sum @10 21600 0&quot;&gt;&lt;/f&gt;&lt;/formulas&gt;&lt;path gradientshapeok=&quot;t&quot; o:connecttype=&quot;rect&quot; o:extrusionok=&quot;f&quot;&gt;&lt;/path&gt;&lt;lock aspectratio=&quot;t&quot; v:ext=&quot;edit&quot;&gt;&lt;/lock&gt;&lt;/shapetype&gt;&lt;shape id=&quot;_x0000_i1025&quot; o:bullet=&quot;t&quot; style=&quot;height: 7.5pt; width: 7.5pt;&quot; type=&quot;#_x0000_t75&quot;&gt;&lt;imagedata o:title=&quot;&quot; src=&quot;file:///C:\DOCUME~1\ADMINI~1\LOCALS~1\Temp\msohtml1\01\clip_image001.wmz&quot;&gt;&lt;/imagedata&gt;&lt;/shape&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;img alt=&quot;*&quot; height=&quot;10&quot; src=&quot;file:///C:/DOCUME~1/ADMINI~1/LOCALS~1/Temp/msohtml1/01/clip_image002.gif&quot; v:shapes=&quot;_x0000_i1025&quot; width=&quot;10&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sub&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;nðә teibl/; note the weakening of vowels in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;there&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; /ðeә/ ® /ðә/ and &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;was&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; /w&lt;/span&gt;&lt;sub&gt;&lt;span style=&quot;position: relative; top: -1pt;&quot;&gt;&lt;shape id=&quot;_x0000_i1026&quot; o:bullet=&quot;t&quot; style=&quot;height: 7.5pt; width: 7.5pt;&quot; type=&quot;#_x0000_t75&quot;&gt; &lt;imagedata o:title=&quot;&quot; src=&quot;file:///C:\DOCUME~1\ADMINI~1\LOCALS~1\Temp\msohtml1\01\clip_image001.wmz&quot;&gt;&lt;/imagedata&gt;&lt;/shape&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;img alt=&quot;*&quot; height=&quot;10&quot; src=&quot;file:///C:/DOCUME~1/ADMINI~1/LOCALS~1/Temp/msohtml1/01/clip_image002.gif&quot; v:shapes=&quot;_x0000_i1026&quot; width=&quot;10&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sub&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;z/ ® /wәz/.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;We can, therefore, say that such words have two forms; a strong form (in isolation) and a weak form (in raid speech). Below are listed a few words with the two forms.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Strong form&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Weak form&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;æt&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; әt /t&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;bai&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; b∂&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;in tu:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; intә&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tu:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; tә, tu&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;iz&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; z,s&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;kæn&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; k∂n, kn&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;will l,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; әl, l&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;kud&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; kud, kd&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;jә: ‘selvz&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; jә’selvz&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;maiself&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; m∂self&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tu him&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; tuim&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;hæd&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; hәd, әd, d&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;m^st&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; mәst, ms&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;aend&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; әnd, әn, d&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;aez&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; әz&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;eni&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ni&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;s^m&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; sm&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;sәu&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; sә&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;frәm&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fr∂m&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;fә:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; fә&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Intonation&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Another significant suprasegmental feature of English language is intonation or variation of pitch from one segment of an utterance to another. A lot of emotional meaning is conveyed by consciously varying intonation level.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Pitch is closely associated with vibration of the vocal cords. In males the vocal cords vibrate at a rate of 70-125 times per second, and in adult females it is between 150-200 times. Increase in the vibration of the vocal cords results in the rise of pitch. In normal conversation, pitch variations are quite an integral part and cannot be completely ignored.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;A combination of stress on a syllable and change in pitch-range produces &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tone&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;, a significant element of intonation. Two types of tone have been identified i) &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;static tone&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and ii) &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;kinetic tone.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; A syllable pronounced on a level tone of unvarying pitch is said to have &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;static tone.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; The &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;kinetic tones&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; show different kinds of change in pitch contour. Physiologically, this is explained by variation in the tension of the vocal cords.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Different levels of kinetic tone have been postulated by different phoneticians, some grade it into fie, some into four. This shows that precise location of a tone contour is not possible – gradations are made only as identification of a range, where correspondence with modulations in the emotional level can also be identified.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In rapid speech pitch contours rapidly alternate but it must be remembered that all pitch movements are not discriminating, and therefore, significant. Only those variations that serve as significant units, discriminating between meanings are phonemic.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Below are presented the signs that are used for indicating itch contours&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Rising Tone is symbolized as [‘]&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Falling Tone is symbolized as [`]&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Falling - Rising Tone is symbolized as [v]&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Rising - Falling Tone is symbolized as [^]&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Intonation pattern in English can be understood by dividing an utterance into &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;breath-groups. Each &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;breath-group&lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; forms a tone &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;group.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In a sentence like &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She will ‘not` go &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;we can identify the whole utterance as a breath group, a sense group and an information unit. Under normal conditions it is the final syllable /gәu/ that shows the pitch variation. This syllable, therefore, contains &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tonic prominence.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; It is known as &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tonic syllable.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Tonic prominence is a stress on the syllable, plus change in pitch level. A speaker can vary the &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;tonic syllable&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; to correspond to the meaning, sense and emphasis he wishes to convey. That means that tonic prominence can shift from final syllable to any other in a sentence.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Thus in the example cited above, &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;she will not go,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; shifts in tonic prominence can be demonstrated alongwitht he corresponding meaning changes:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;i)&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; will not go = it is she who will not go.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;ii)&amp;nbsp;&amp;nbsp; She will &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;not&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; go = come what may, she won’t go.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;iii)&amp;nbsp; She will not &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;go&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; = she will do anything but go.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;We shall now consider below some examples of all the four tones.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;1. Rising Tone:&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Are you coming?&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (stress on &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;are&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Is, he at home?&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Wait, , keep it in place&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (gentle command)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Come, ,here&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (encouraging, inviting)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Really?&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (surprise)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;2. Falling Tone:&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;When this tone is used, special implication is conveyed which is not verbally expressed, like sympathetic attitude, surprise, disbelief, sarcasm, boredom, routine greeting, detached attitude, and so on.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Put it on the stool&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (neutrality)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘Good ,morning&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (routine greeting)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;‘How ,nice&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (routine, bored)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;,Sit down ,please&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (polite command)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;,Such a ,waste&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (mildly sarcastic)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;3. Falling-Risging Tone:&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The pitch registers a fall from about mid to low and then from high to mid.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;We are &lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;waiting&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (= better make haste)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Carefully !&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (soothing, encouraging)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The &lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;food was nice&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (=but the hotel awful)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Well done&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (appreciating)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;You may &lt;/span&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;re lax&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (you really need it)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;v&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Can she do it?&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (=are you sure?)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;4. Rising-Falling Tone:&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;The pitch changes from low to close to mid and low again. Normally, sarcasm, surprise, interest, enthusiasm are expressed.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Is he^alright?&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (surprise)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;She looked^beautiful&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (enthusiastic)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Yes, it is^nasty&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (full agreement)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;But,^will that do?&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (doubt)&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style2&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Juncture:&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;In connected speech it is necessary to distinguish within one macrosegment such phonems whose function is to keep utterances apart. We must, for example, convey to the listener whether we mean &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a part&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; (a+part) or &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;apart&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; when we use these segments, however rapid our speech may be. The accent feature of course plays a significant part in it; but we must also give a brief pause that would separate &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&amp;nbsp;from &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;part&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; when we wish to say &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a part,&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and remove that pause when we wish to say &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;apart.&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; As Hockett says, ‘Any difference of sound which functions to keep utterances apart is by definition part of the phonological system of the language’. Such transition from one segmental phoneme to another is called &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;juncture&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; and represented by [+] mark. Juncture is thus a type ‘of &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;boundary&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; between two phonemes. Often, juncture helps the listener to distinguish between pairs such as &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;see&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; Mill and &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;seem ill&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; in &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Did he see Mill?&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt; And &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Did he seem ill&lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;?’ (Richards, Platt, Weber). &lt;/span&gt;&lt;i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Terminal juncture &lt;/span&gt;&lt;/i&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;is represented by the [+] sign as in the following examples.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;a&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + name&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;an&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + aim&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;that&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + stuff&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;that’s&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + tough&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Ice&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + cream&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;I&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; + scream&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;Style1&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: Georgia, &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;Two vowels in close proximity both bearing the primary stress must receive a terminal juncture.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/3841875686421977629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/supra-segmtal-phoneticsphonemes.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/3841875686421977629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/3841875686421977629'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/supra-segmtal-phoneticsphonemes.html' title='SUPRA-SEGMTAL PHONETICS,PHONEMES'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-9102631582552085646</id><published>2011-09-09T00:51:00.002+05:30</published><updated>2011-09-09T00:52:44.410+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>Brief history of Machine translation</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Brief history of MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The use of mechanical dictionaries to overcome barriers of language was first&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;suggested in the 17th century. Both Descartes and Leibniz speculated on the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;creation of dictionaries based on universal numerical codes. Actual examples&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;were published in the middle of the century by Cave Beck, Athanasius Kircher&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and Johann Becher. The inspiration was the ‘universal language’ movement,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the idea of creating an unambiguous language based on logical principles and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;iconic symbols (as the Chinese characters were believed to be), with which all&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;humanity could communicate without fear of misunderstanding. Most familiar is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the interlingua elaborated by John Wilkins in his ‘Essay towards a Real Character&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and a Philosophical Language’ (1668).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;In subsequent centuries there were many more proposals for international&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;languages (with Esperanto as the best known), but few attempts to mechanize&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation until the middle of this century. In 1933 two patents appeared&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;independently in France and Russia. A French-Armenian, George Artsrouni, had&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;designed a storage device on paper tape which could be used to find the equivalent&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of any word in another language; a prototype was apparently demonstrated in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;1937. The proposal by the Russian, Petr Smirnov-Troyanskii, was in retrospect&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;more significant. He envisaged three stages of mechanical translation: first, an&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;editor knowing only the source language was to undertake the ‘logical’ analysis&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of words into their base forms and syntactic functions; secondly, a machine was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to transform sequences of base forms and functions into equivalent sequences in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the target language; finally, another editor knowing only the target language was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to convert this output into the normal forms of that language. Although his patent&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;referred only to the machine which would undertake the second stage, Troyanskii&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;believed that “the process of logical analysis could itself be mechanised”.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Troyanskii was ahead of his time and was unknown outside Russia when,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;within a few years of their invention, the possibility of using computers for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation was first discussed by Warren Weaver of the Rockefeller Foundation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and Andrew D. Booth, a British crystallographer. On his return to Birkbeck College&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;(London) Booth explored the mechanization of a bilingual dictionary and began&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;collaboration with Richard H. Richens (Cambridge), who had independently been&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;using punched cards to produce crude word-for-word translations of scientific&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;abstracts. However, it was a memorandum from Weaver in July 1949 which&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;brought the idea of MT to general notice and suggested methods: the use of wartime&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;cryptography techniques, statistical analysis, Shannon’s information theory,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and exploration of the underlying logic and universal features of language. Within&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a few years research had begun at a number of US centres, and in 1951 the first&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;full-time researcher in MT was appointed: Yehoshua Bar-Hillel at MIT. A year later&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;he convened the first MT conference, where the outlines of future research were&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;already becoming clear. There were proposals for dealing with syntax, suggestions&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;that texts should be written in controlled languages, arguments for the construction&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of sublanguage systems, and recognition of the need for human assistance (preand&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;post-editing) until fully automatic translation could be achieved. For some, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;first requirement was to demonstrate the technical feasibility of MT. Accordingly,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;at Georgetown University Leon Dostert collaborated with IBM on a project which&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;resulted in the first public demonstration of a MT system in January 1954. A&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;carefully selected sample of Russian sentences was translated into English,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;using a very restricted vocabulary of 250 words and just six grammar rules.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Although it had little scientific value, it was sufficiently impressive to stimulate&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the large-scale funding of MT research in the United States and to inspire the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;initiation of MT projects elsewhere in the world, notably in the Soviet Union.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;For the next decade many groups were active: some adopting empirical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;trial-and-error approaches, often statistics-based, with immediate working systems&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;as the goal; others took theoretical approaches, involving fundamental linguistic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;research, aiming for long-term solutions. The contrasting methods were usually&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;described at the time as ‘brute-force’ and ‘perfectionist’ respectively. Examples&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of the former were the lexicographic approach at the University of Washington&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;(Seattle), later continued by IBM in a Russian-English system completed for the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;US Air Force, the statistical ‘engineering’ approach at the &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and the methods adopted at the Institute of Precision Mechanics in the Soviet&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Union, and the National Physical Laboratory in Great Britain. Largest of all was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the group at Georgetown University, whose successful Russian-English system&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;is now regarded as typical of this ‘first generation’ of MT research. Centres of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;theoretical research were at MIT, Harvard University, the University of Texas, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;University of California at Berkeley, at the Institute of Linguistics in Moscow and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the University of Leningrad, at the Cambridge Language Research Unit (CLRU),&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and at the universities of Milan and Grenoble. In contrast to the more pragmatically&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;oriented groups where the ‘direct translation’ approach was the norm, some of the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;theoretical projects experimented with early versions of interlingua and transfer&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems (e.g. CLRU and MIT, respectively).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Much of the research of this period was of lasting importance, not only&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;for MT but also for computational linguistics and artificial intelligence — in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;particular, the development of automated dictionaries and of techniques for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;syntactic analysis — and many theoretical groups made significant contributions&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to linguistic theory. However, the basic objective of building systems capable of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;producing good translations was not achieved. Optimism had been high, there&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;were many predictions of imminent breakthroughs, but disillusionment grew as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the complexity of the linguistic problems became more and more apparent. In&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a 1960 review of MT progress, Bar-Hillel criticized the prevailing assumption&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;that the goal of MT research should be the creation of fully automatic high&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;history of MT 7&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;RAND Corporation,&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Brief&lt;/span&gt;&lt;/em&gt; &lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;quality translation (FAHQT) systems producing results indistinguishable from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;those of human translators. He argued that the ‘semantic barriers’ to MT could&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;in principle only be overcome by the inclusion of vast amounts of encyclopaedic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;knowledge about the ‘real world’. His recommendation was that MT should adopt&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;less ambitious goals, it should build systems which made cost-effective use of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;human-machine interaction.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;In 1964 the government sponsors of MT in the United States formed the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Automatic Language Processing Advisory Committee (ALPAC) to examine the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;prospects. In its influential 1966 report it concluded that MT was slower, less&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;accurate and twice as expensive as human translation and stated that “there is no&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;immediate or predictable prospect of useful Machine Translation”. It saw no need&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;for further investment in MT research; instead it recommended the development of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;machine aids for translators, such as automatic dictionaries, and continued support&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of basic research in computational linguistics. The ALPAC report was widely&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;condemned as narrow, biased and shortsighted — it was certainly wrong to criticize&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;MT because output had to be post-edited, and it misjudged the economic factors&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;— but large-scale financial support of current approaches could not continue. Its&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;influence was profound, bringing a virtual end to MT research in the United States&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;for over a decade and damaging the public perception of MT for many years&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;afterwards.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;In the following decade MT research took place largely outside the United&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;States, in Canada and in Western Europe, and virtually ignored by the scientific&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;community. American activity had concentrated on English translations of Russian&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;scientific and technical materials. In Canada and Europe the needs were quite&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;different: the Canadian bicultural policy created a demand for English-French (and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to a less extent French-English) translation beyond the capacity of the market,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and the European Economic Community (as it was then known) was demanding&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translations of scientific, technical, administrative and legal documentation from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and into all the Community languages.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;A research group was established at Montreal which, though ultimately&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;unsuccessful in building a large English-French system for translating aircraft&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;manuals, is now renowned for the creation in 1976 of the archetypal ‘sublanguage’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;system Météo (Chapter 12) for translating weather reports for daily public&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;broadcasting. In 1976 the Commission of the European Communities decided&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to install an English-French system called Systran, which had previously been&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;developed by Peter Toma (once a member of the Georgetown team) for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Russian-English translation for the US Air Force, and had been in operation since&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;1970 (see Chapter 10). In subsequent years, further systems for French-English,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;English-Italian, English-German and other pairs have been developed for the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Commission. In the late 1970s, it was also decided to fund an ambitious research&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;project to develop a multilingual system for all the Community languages, based&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;on the latest advances in MT and in computational linguistics. This is the Eurotra&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;project, which involves research groups in all member states (see Chapter 14).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;For its basic design, Eurotra owes much to research at Grenoble and at&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Saarbrücken. During the 1960s the French group had built an ‘interlingua’ system&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;for Russian-French translation (not purely interlingual as lexical transfer was still&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;bilingual); however, the results were disappointing and in the 1970s it began to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;develop the influential transfer-based Ariane system (Chapter 13). The Saarbrücken&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;group had also been building its multilingual ‘transfer’ system S&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;late 1960s (Chapter 11). It was now the general consensus in the MT research&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;community that the best prospects for significant advances lay in the development&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;of transfer-based systems. The researchers at the Linguistics Research Center&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;(LRC) at Austin, Texas (one of the few to continue after ALPAC) had come&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;to similar conclusions after experimenting with an interlingua system and was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;now developing its transfer-based M&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;had begun at Kyoto University on the Mu transfer system for Japanese-English&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation. The Eurotra group adopted the same basic approach, although it&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;found subsequently that the demands of large-scale multilinguality led to the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;incorporation of many interlingual features.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;However, during the 1980s the transfer-based design has been joined by new&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;approaches to the interlingua idea. Most prominent is the research on knowledgebased&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems, notably at Carnegie Mellon University, Pittsburgh (see section 18.1),&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which are founded on developments of natural language understanding systems&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;within the Artificial Intelligence (AI) community. The argument is that MT must go&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;beyond purely linguistic information (syntax and semantics); translation involves&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;‘understanding’ the content of texts and must refer to knowledge of the ‘real&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;world’. Such an approach implies translation via intermediate representations based&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;on (extra-linguistic) ‘universal’ elements. Essentially non-AI-oriented interlingua&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;approaches have also appeared in two Dutch projects: the DLT system at Utrecht&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;based on a modification of Esperanto (Chapter 17) and the Rosetta system at&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Phillips (Eindhoven) which is experimenting with Montague semantics as the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;basis for an interlingua (Chapter 16)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;More recently, yet other alternatives have emerged. For many years, automatic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation of speech was considered Utopian, but advances in speech recognition&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and speech production have encouraged the foundation of projects in Great Britain&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;(British Telecom) and in Japan (Advanced Telecommunications Research, ATR):&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;see section 18.6. The sophistication of the statistical techniques developed by&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;speech research has revived interest in the application of such methods in MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems; the principal group at present is at the IBM laboratories at Yorktown&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Heights, NY (see section 18.3)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The most significant development of the last decade, however, is the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;appearance of commercial MT systems. The American products from A&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Weidner and Logos were joined by many Japanese systems from computer&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;companies (Fujitsu, Hitachi, Mitsubishi, NEC, Oki, Sanyo, Sharp, Toshiba), and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;in the later 1980s by Globalink, PC-Translator, Tovna and the M&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;developed by Siemens from earlier research at Austin, Texas. Many of these&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems, particularly those for microcomputers, are fairly crude in the linguistic&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;quality of their output but are capable of cost-effective operation in appropriate&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;circumstances (see Chapter 9). As well as these commercial systems, there&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;have been a number of in-house systems, e.g. the Spanish and English systems&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;developed at the Pan-American Health Organization (Washington, DC), and the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems designed by the Smart Corporation for Citicorp, Ford, and the Canadian&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Department of Employment and Immigration. Many of the Systran installations&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;USY since theETAL system (Chapter 15); and in Japan workLPSystems,ETAL system&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;are tailor-made for particular organisations (Aérospatiale, Dornier, NATO, General&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Motors).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Nearly all these operational systems depend heavily on post-editing to produce&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;acceptable translations. But pre-editing is also widespread: in some systems, for&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;instance, operators are required, when inputting text, to mark word boundaries or&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;even indicate the scope of phrases and clauses. At Xerox, texts for translation by&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Systran are composed in a controlled English vocabulary and syntax; and a major&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;feature of the Smart systems is the pre-translation editor of English input.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The revival of MT research in the 1980s and the emergence of MT systems&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;in the marketplace have led to growing public awareness of the importance of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation tools. There may still be many misconceptions about what has been&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;achieved and what may be possible in the future, but the healthy state of MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;is reflected in the multiplicity of system types and of research designs which&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;are now being explored, many undreamt of when MT was first proposed in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;1940s. Further advances in computer technology, in Artificial Intelligence and in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;theoretical linguistics suggest possible future lines of investigation (see Chapter&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;18), while different MT user profiles (e.g. the writer who wants to compose a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;text in an unknown language) lead to new designs. But the most fundamental&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;problems of computer-based translation are concerned not with technology but&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;with language, meaning, understanding, and the social and cultural differences of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;human communication.&lt;/em&gt;&lt;/span&gt; &lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/9102631582552085646/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/brief-history-of-machine-translation.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/9102631582552085646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/9102631582552085646'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/brief-history-of-machine-translation.html' title='Brief history of Machine translation'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-8533129833856985906</id><published>2011-09-09T00:44:00.002+05:30</published><updated>2011-09-09T00:47:27.701+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>The aims of Machine translation</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;&amp;nbsp;The aims of MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Most translation in the world is not of texts which have high literary and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;cultural status. The great majority of professional translators are employed to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;satisfy the huge and growing demand for translations of scientific and technical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;documents, commercial and business transactions, administrative memoranda, legal&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;documentation, instruction manuals, agricultural and medical text books, industrial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;patents, publicity leaflets, newspaper reports, etc. Some of this work is challenging&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and difficult. But much of it is tedious and repetitive, while at the same time&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;requiring accuracy and consistency. The demand for such translations is increasing&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;at a rate far beyond the capacity of the translation profession. The assistance of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a computer has clear and immediate attractions. The practical usefulness of an&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;MT system is determined ultimately by the quality of its output. But what counts&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;as a ‘good’ translation, whether produced by human or machine, is an extremely&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;difficult concept to define precisely. Much depends on the particular circumstances&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;in which it is made and the particular recipient for whom it is intended. Fidelity,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;accuracy, intelligibility, appropriate style and register are all criteria which can be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;applied, but they remain subjective judgements. What matters in practice, as far as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;MT is concerned, is how much has to be changed in order to bring output up to a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;standard acceptable to a human translator or reader. With such a slippery concept&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;as translation, researchers and developers of MT systems can ultimately aspire&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;only to producing translations which are ‘useful’ in particular situations — which&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;obliges them to define clear research objectives — or, alternatively, they seek&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;suitable applications of the ‘translations’ which in fact they are able to produce.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Nevertheless, there remains the higher ideal of equalling the best human&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation. MT is part of a wider sphere of ‘pure research’ in computerbased&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;natural language processing in Computational Linguistics and Artificial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Intelligence, which explore the basic mechanisms of language and mind by&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;modelling and simulation in computer programs. Research on MT is closely&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;related to these efforts, adopting and applying both theoretical perspectives and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;operational techniques to translation processes, and in turn offering insights and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;solutions from its particular problems. In addition, MT can provide a ‘test-bed’ on&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a larger scale for theories and techniques developed by small-scale experiments in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;computational linguistics and artificial intelligence.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The major obstacles to translating by computer are, as they have always been,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;not computational but linguistic. They are the problems of lexical ambiguity, of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;syntactic complexity, of vocabulary differences between languages, of elliptical and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;‘ungrammatical’ constructions, of, in brief, extracting the ‘meaning’ of sentences&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and texts from analysis of written signs and producing sentences and texts in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;another set of linguistic symbols with an equivalent meaning. Consequently, MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;should expect to rely heavily on advances in linguistic research, particularly those&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;branches exhibiting high degrees of formalization, and indeed it has and will&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;continue to do so. But MT cannot apply linguistic theories directly: linguists&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;are concerned with explanations of the underlying ‘mechanisms’ of language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;production and comprehension, they concentrate on crucial features and do not&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;attempt to describe or explain everything. MT systems, by contrast, must deal&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;with actual texts. They must confront the full range of linguistic phenomena, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;complexities of terminology, misspellings, neologisms, aspects of ‘performance’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which are not always the concern of abstract theoretical linguistics.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;In brief, MT is not in itself an independent field of &#39;pure&#39; research. It takes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;from linguistics, computer science, artificial intelligence, translation theory, any&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;ideas, methods and techniques which may serve the development of improved&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems. It is essentially ‘applied’ research, but a field which nevertheless has&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;built up a substantial body of techniques and concepts which can, in turn, be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;applied in other areas of computer-based language processing.&lt;/em&gt;&lt;/span&gt; &lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/8533129833856985906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/aims-of-machan-translation.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8533129833856985906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/8533129833856985906'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/aims-of-machan-translation.html' title='The aims of Machine translation'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-3324307862771473618</id><published>2011-09-09T00:40:00.002+05:30</published><updated>2011-09-09T00:48:30.340+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="COMPUTATIONAL LINGUISTICS"/><title type='text'>General introduction to mechine  translation</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The mechanization of translation has been one of humanity’s oldest dreams. In&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the twentieth century it has become a reality, in the form of computer programs&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;capable of translating a wide variety of texts from one natural language into&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;another. But, as ever, reality is not perfect. There are no ‘translating machines’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which, at the touch of a few buttons, can take any text in any language and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;produce a perfect translation in any other language without human intervention&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;or assistance. That is an ideal for the distant future, if it is even achievable in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;principle, which many doubt.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;What has been achieved is the development of programs which can produce&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;‘raw’ translations of texts in relatively well-defined subject domains, which can&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;be revised to give good-quality translated texts at an economically viable rate or&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which in their unedited state can be read and understood by specialists in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;subject for information purposes. In some cases, with appropriate controls on the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;language of the input texts, translations can be produced automatically that are of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;higher quality needing little or no revision.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;These are solid achievements by what is now traditionally called Machine&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Translation (henceforth in this book, MT), but they have often been obscured&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and misunderstood. The public perception of MT is distorted by two extreme&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;positions. On the one hand, there are those who are unconvinced that there is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;anything difficult about analysing language, since even young children are able to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;learn languages so easily; and who are convinced that anyone who knows a foreign&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: TimesNewRoman;&quot;&gt;&lt;span style=&quot;font-family: TimesNewRoman;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;language must be able to translate with ease. Hence, they are unable to appreciate&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;the difficulties of the task or how much has been achieved. On the other hand,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;there are those who believe that because automatic translation of Shakespeare,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Goethe, Tolstoy and lesser literary authors is not feasible there is no role for any&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;kind of computer-based translation. They are unable to evaluate the contribution&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which less than perfect translation could make either in their own work or in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;general improvement of international communication.&lt;/em&gt;&lt;/span&gt;&lt;b&gt;&lt;/b&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Most translation in the world is not of texts which have high literary and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;cultural status. The great majority of professional translators are employed to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;satisfy the huge and growing demand for translations of scientific and technical&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;documents, commercial and business transactions, administrative memoranda, legal&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;documentation, instruction manuals, agricultural and medical text books, industrial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;patents, publicity leaflets, newspaper reports, etc. Some of this work is challenging&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and difficult. But much of it is tedious and repetitive, while at the same time&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;requiring accuracy and consistency. The demand for such translations is increasing&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;at a rate far beyond the capacity of the translation profession. The assistance of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a computer has clear and immediate attractions. The practical usefulness of an&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;MT system is determined ultimately by the quality of its output. But what counts&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;as a ‘good’ translation, whether produced by human or machine, is an extremely&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;difficult concept to define precisely. Much depends on the particular circumstances&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;in which it is made and the particular recipient for whom it is intended. Fidelity,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;accuracy, intelligibility, appropriate style and register are all criteria which can be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;applied, but they remain subjective judgements. What matters in practice, as far as&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;MT is concerned, is how much has to be changed in order to bring output up to a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;standard acceptable to a human translator or reader. With such a slippery concept&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;as translation, researchers and developers of MT systems can ultimately aspire&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;only to producing translations which are ‘useful’ in particular situations — which&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;obliges them to define clear research objectives — or, alternatively, they seek&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;suitable applications of the ‘translations’ which in fact they are able to produce.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Nevertheless, there remains the higher ideal of equalling the best human&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;translation. MT is part of a wider sphere of ‘pure research’ in computerbased&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;natural language processing in Computational Linguistics and Artificial&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;Intelligence, which explore the basic mechanisms of language and mind by&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;modelling and simulation in computer programs. Research on MT is closely&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;related to these efforts, adopting and applying both theoretical perspectives and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;operational techniques to translation processes, and in turn offering insights and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;solutions from its particular problems. In addition, MT can provide a ‘test-bed’ on&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;a larger scale for theories and techniques developed by small-scale experiments in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;computational linguistics and artificial intelligence.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;The major obstacles to translating by computer are, as they have always been,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;not computational but linguistic. They are the problems of lexical ambiguity, of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;syntactic complexity, of vocabulary differences between languages, of elliptical and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;‘ungrammatical’ constructions, of, in brief, extracting the ‘meaning’ of sentences&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: TimesNewRoman;&quot;&gt;&lt;span style=&quot;font-family: TimesNewRoman;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;General introduction&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;____________and brief history&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;and texts from analysis of written signs and producing sentences and texts in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;another set of linguistic symbols with an equivalent meaning. Consequently, MT&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;should expect to rely heavily on advances in linguistic research, particularly those&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;branches exhibiting high degrees of formalization, and indeed it has and will&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;continue to do so. But MT cannot apply linguistic theories directly: linguists&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;are concerned with explanations of the underlying ‘mechanisms’ of language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;production and comprehension, they concentrate on crucial features and do not&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;attempt to describe or explain everything. MT systems, by contrast, must deal&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;with actual texts. They must confront the full range of linguistic phenomena, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;complexities of terminology, misspellings, neologisms, aspects of ‘performance’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;which are not always the concern of abstract theoretical linguistics.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;In brief, MT is not in itself an independent field of &#39;pure&#39; research. It takes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;from linguistics, computer science, artificial intelligence, translation theory, any&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;ideas, methods and techniques which may serve the development of improved&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;systems. It is essentially ‘applied’ research, but a field which nevertheless has&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;built up a substantial body of techniques and concepts which can, in turn, be&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;&lt;em&gt;applied in other areas of computer-based language processing.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/3324307862771473618/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/general-introduction-mechan-of.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/3324307862771473618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/3324307862771473618'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/general-introduction-mechan-of.html' title='General introduction to mechine  translation'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-98302688496037302</id><published>2011-09-05T22:43:00.000+05:30</published><updated>2011-09-05T22:43:12.490+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>PLACE AND MANNER OF ARTICULATION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYkYwL3V7dw-_irLgRcqnIDitU3Z2jvv6jnWHo_MzHk6_BVJCrFoNsREBrzj7nGJCU8LSI3Eql7fBO9EbBplIY1XSuEZCjpNHxCBTWvTGD27oGQiSE1suNlxm9j2fUHk0SyqC5bIIpIfp/s1600/4347-004-A834AD06.gif&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; nba=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYkYwL3V7dw-_irLgRcqnIDitU3Z2jvv6jnWHo_MzHk6_BVJCrFoNsREBrzj7nGJCU8LSI3Eql7fBO9EbBplIY1XSuEZCjpNHxCBTWvTGD27oGQiSE1suNlxm9j2fUHk0SyqC5bIIpIfp/s1600/4347-004-A834AD06.gif&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHD4NtYBPdXgMPrzV58suqdzW0w9O0IJEiSRO4OWNh_NE8d42AM-aMrb5L7DqqR9vJ2NXb6clqUsm5EjWhFzGEe8YUKAnXQpW1QrzZ5HHbXvY3pLzZ3yztOz7EE_ZALs6LwmzOR5ESvSV_/s1600/Place_of_Articulation.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;447&quot; nba=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHD4NtYBPdXgMPrzV58suqdzW0w9O0IJEiSRO4OWNh_NE8d42AM-aMrb5L7DqqR9vJ2NXb6clqUsm5EjWhFzGEe8YUKAnXQpW1QrzZ5HHbXvY3pLzZ3yztOz7EE_ZALs6LwmzOR5ESvSV_/s640/Place_of_Articulation.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/98302688496037302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/place-and-manner-of-articulation.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/98302688496037302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/98302688496037302'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/place-and-manner-of-articulation.html' title='PLACE AND MANNER OF ARTICULATION'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYkYwL3V7dw-_irLgRcqnIDitU3Z2jvv6jnWHo_MzHk6_BVJCrFoNsREBrzj7nGJCU8LSI3Eql7fBO9EbBplIY1XSuEZCjpNHxCBTWvTGD27oGQiSE1suNlxm9j2fUHk0SyqC5bIIpIfp/s72-c/4347-004-A834AD06.gif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-5095640753291400866</id><published>2011-09-05T22:23:00.000+05:30</published><updated>2011-09-05T22:23:46.111+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>VOWELS AND CONSONANT</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZUD_LFg_d0g_pp52E_My1747xlOTl0f-gIozkGYP_nUejSjSagpfC67TM5S1wYYSyVZiIGn4B1jiikUfDiBknUuREtfVN33TLf-8qk7xLQO35ZqFNDDGU_4jo193JcSlq0aK9tbhvl-U/s1600/ipa2.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; nba=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZUD_LFg_d0g_pp52E_My1747xlOTl0f-gIozkGYP_nUejSjSagpfC67TM5S1wYYSyVZiIGn4B1jiikUfDiBknUuREtfVN33TLf-8qk7xLQO35ZqFNDDGU_4jo193JcSlq0aK9tbhvl-U/s1600/ipa2.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/5095640753291400866/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/vowels-and-consonant.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/5095640753291400866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/5095640753291400866'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/vowels-and-consonant.html' title='VOWELS AND CONSONANT'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZUD_LFg_d0g_pp52E_My1747xlOTl0f-gIozkGYP_nUejSjSagpfC67TM5S1wYYSyVZiIGn4B1jiikUfDiBknUuREtfVN33TLf-8qk7xLQO35ZqFNDDGU_4jo193JcSlq0aK9tbhvl-U/s72-c/ipa2.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-2414036833918977342</id><published>2011-09-05T22:20:00.000+05:30</published><updated>2011-09-05T22:20:38.185+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="PHONETICS AND PHONOLOGY"/><title type='text'>INTERNATIONAL PHONETICS ALPHABET(REVISED TO 2005)</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-JPT3qolcKcZc2wlhcE2yWRvrL6zoDeDAQk1PunrnxDnxUcIYK9m8aCTSIvE0g1nJMZayExkloJctVDFswHSTNbg3bKdi9SYZnpYsvoXszk_IbIH9kTSyy6A6t6DWLjPmWRy7RqozEv5V/s1600/ipa1.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; nba=&quot;true&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-JPT3qolcKcZc2wlhcE2yWRvrL6zoDeDAQk1PunrnxDnxUcIYK9m8aCTSIvE0g1nJMZayExkloJctVDFswHSTNbg3bKdi9SYZnpYsvoXszk_IbIH9kTSyy6A6t6DWLjPmWRy7RqozEv5V/s640/ipa1.png&quot; width=&quot;436&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/2414036833918977342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/international-phonetics-alphabetrevised.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/2414036833918977342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/2414036833918977342'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/international-phonetics-alphabetrevised.html' title='INTERNATIONAL PHONETICS ALPHABET(REVISED TO 2005)'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-JPT3qolcKcZc2wlhcE2yWRvrL6zoDeDAQk1PunrnxDnxUcIYK9m8aCTSIvE0g1nJMZayExkloJctVDFswHSTNbg3bKdi9SYZnpYsvoXszk_IbIH9kTSyy6A6t6DWLjPmWRy7RqozEv5V/s72-c/ipa1.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-7349507139851022498</id><published>2011-09-04T14:12:00.006+05:30</published><updated>2011-09-04T14:23:47.395+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="LANGUAGE TEACHING AND TESTING"/><title type='text'>What are different methods of foreign language teaching?</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;170&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;116&quot;&gt;&lt;div closure_uid_drfng1=&quot;101&quot; closure_uid_x0h2or=&quot;110&quot;&gt;&lt;div closure_uid_drfng1=&quot;112&quot;&gt;&lt;div closure_uid_7j4hkt=&quot;113&quot;&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_7v5a9f=&quot;154&quot; closure_uid_q6gjln=&quot;115&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;A method in linguistics and language teaching determines what and how much is taught, and the order in which it is taught, how the meaning and form are conveyed and what is done to make the use of language unconscious. Thus the method deals with selection, grading, presentation, and repetition. There are different methods of foreign language teaching: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_7v5a9f=&quot;164&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong closure_uid_7j4hkt=&quot;114&quot;&gt;1. TRANSLATION METHOD:&lt;/strong&gt; It is the oldest method of teaching English in the Indian context. It is based on the following principles: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;(a) Translation interprets the words and phrases of the foreign language in the best possible way. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_ifkd04=&quot;100&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;(b) The foreign phraseology is best assimilated in the process of teaching. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_7j4hkt=&quot;111&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;(c) Structures of foreign language are best learnt when compared and contrasted with the mother tongue. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_drfng1=&quot;100&quot; closure_uid_q6gjln=&quot;100&quot; closure_uid_x0h2or=&quot;109&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;In this method the teacher translates every word, phrase and sentence that he comes across in the book. This method is also known as the Grammar Translation Method because the grammar of L2 is taught with the help of L1. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;/div&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Merits: &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;It includes traditional grammar, tradition from native language L1 and wide literary vocabulary. It also makes use of child&#39;s knowledge of L1. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Demerits: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;163&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Since the translation is a difficult task, exact translation of the L2 into L1 is not possible. It encourages only literal translation. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong&gt;2. DIRECT METHOD:&lt;/strong&gt; It appeared as a reaction against translation method. It is based on the principle that pupil should think directly in the foreign language. Webster&#39;s N.E.D. says, &quot;Direct method is a method of teaching a foreign language through conversation, discussion and the reading in the language itself, without use of pupil&#39;s language, without translation and without the study of grammar. The first words are taught by pointing to the object or pictures or by performing actions. In it speech precedes reading&quot;. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;The idea of direct method is that the learner should experience in the same manner as did in his or her mother tongue. &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;In translation method teaching of language begins with the teaching of reading. It gives little stress on pronunciation and stress. Communication skills are neglected and a great stress is laid on rules and exception. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Principles: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Since sentence is the unit of speech, the teaching through direct method starts with teaching of sentences, and not individual words. &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Direct method emphasizes the value of oral training in learning L2. The pupil is provided sufficient listening and then speaking. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Merits: &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;It is a natural method that makes the use of audio-visual aids and helps the study of critical writing of English literature. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Demerits: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;166&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong&gt;3. STRUCTURAL METHOD:&lt;/strong&gt; Different arrangements and patterns are called structures. They may be complete utterances or they may form a part of a large pattern. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;The structures include sentence patterns, such as &quot;He gave me a book&quot; formula, the group of the words that are used on certain occasion, such as &#39;good morning&#39;, &#39;well done&#39;, phrase pattern, such as &#39;on the table&#39;, &#39;with the stick&#39;, and idioms such as &#39;at the eleventh hour&#39;, &#39;tooth and nail&#39;, etc. It is based on the following principles: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;142&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;(a) The importance of speech as the necessary means of fixing all ground work. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;(b) Importance of forming language habits in the standard English sentence pattern to replace the pupils&#39; L1 sentence pattern. &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;This method is difficult for students who have problems in reading their L1. Since suitable teachers are not available, it cannot be applicable in a country like India because teachers themselves have got defects in pronunciation. It is not suitable for all students. Other aspects of language training except emphasis on speech training are not given due attention. It is not sufficiently controlled. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Merits: &lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;The language material is carefully selected facilitating on the part of the pupil. Much emphasis is laid on speech and not on writing. Through intensive drills, pupils cultivate the habit of speaking target language. It makes pupils more active. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Demerits: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong&gt;4. BILINGUAL METHOD:&lt;/strong&gt; While learning the native language, the child grasps the situation and learns mother tongue words. The advocates of bilingual method believe that it is the wastage of time for recreating a situation while teaching a foreign language. They think that teaching-learning method is useful when mother tongue equivalents are given to the pupil without duplicating the situation. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;It differs from translation method in two respects. In the first case it is the teacher only who uses the mother tongue to explain meanings. Furthermore, pupils are given a lot of practice in the drill of sentence patterns. Such practice is not provided in the translation method. &lt;/span&gt;&lt;/div&gt;&lt;span closure_uid_7v5a9f=&quot;167&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;In this method, reading, writing, and vocabulary extension are neglected. Rigid sequencing of structure results in the production of uninterested reading material. It is not applicable when suitable teachers are not available. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Merits: &lt;/span&gt;&lt;/div&gt;&lt;span closure_uid_7v5a9f=&quot;143&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;It is an easy method since an average teacher of English can teach successfully. It promotes both fluency and accuracy. Since it requires little equipment and is thus suited to all types of schools, rural as well as urban, much time is saved which can be utilized to provide pattern practice to the pupils. &lt;/span&gt;&lt;b&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;Demerits: &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;168&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;From the merits and demerits of the different methods of teaching foreign language, we can conclude that none of the methods can suit all pupil, all places and all conditions. Our approach in this regard should be eclectic and pragmatic. Best method should be adopted by the teachers according to their needs. They should select features of any methods, which may be effective in particular circumstances. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong&gt;OBJECTIVES OF L2 TEACHING&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;1. To develop the learner&#39;s intellectual power through foreign language. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;2. To increase the learner&#39;s personal culture through the study of literature and philosophy. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;3. Foreign language practicing makes the learner aware of the mechanism of his own mother tongue. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;4. By foreign language teaching students keep afresh modern writing and research. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;5. A greater understanding across national burden. &lt;/span&gt;&lt;/div&gt;&lt;span closure_uid_y0unkk=&quot;103&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;In the hands of an unimaginative teacher it may degenerate into the translation method. It is not useful at the higher secondary stage. &lt;/span&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;2 &lt;/span&gt;&lt;div align=&quot;left&quot; closure_uid_7v5a9f=&quot;145&quot;&gt;&lt;span closure_uid_y0unkk=&quot;102&quot; style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;6. Provides students with skills which enable them to communicate orally in writing the foreign language. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;strong&gt;VALUES OF L2 TEACHING &lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;1. Acquisition of a set of skills: (a) understanding (b) speaking (c) grading (d) vocational/professional benefits. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;2. A new understanding of language progress giving a new perfection on English. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;3. Gradual expansion and deepening knowledge of a foreign country. &lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif;&quot;&gt;4. Language skills and cultural experiences endure through life. &lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/7349507139851022498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/what-are-different-methods-of-foreign.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7349507139851022498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7349507139851022498'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/what-are-different-methods-of-foreign.html' title='What are different methods of foreign language teaching?'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8005705780390517656.post-7516693850737783806</id><published>2011-09-04T03:38:00.005+05:30</published><updated>2011-09-04T03:51:11.150+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="LANGUAGE TEACHING AND TESTING"/><title type='text'>a brief history of language teaching, 1853 – 2003</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;&lt;div closure_uid_ny5jsn=&quot;188&quot;&gt;&lt;span style=&quot;background-color: #cc0000; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoKoafhTan-SDSsW_w6amlmPUADhuB8zzzX9dhv4U6J5roITCzdOiPW39yVHoyUJrSVzO19sDFaZknzFjXzsKWRXTnNZUUMOz2phnOQTObnyPOo1o3tj7rpBoIdgDZnMwr9JlUmljkd9wU/s1600/4349678922_a2e72df1d8.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;background-color: #cc0000; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;172&quot;&gt;&lt;div closure_uid_8v163c=&quot;134&quot; closure_uid_ny5jsn=&quot;165&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: blue; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;a brief history of language teaching, 1853 – 2003&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div closure_uid_moz15a=&quot;143&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;175&quot;&gt;&lt;div closure_uid_ny5jsn=&quot;189&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span closure_uid_lfu95e=&quot;178&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Below is a potted history of the most well-known approaches and attitudes to language in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_lfu95e=&quot;177&quot; closure_uid_moz15a=&quot;108&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;second language classroom over the last hundred years or so. As you will notice, many of the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;themes get recycled in different forms, but each time a ‘new’ approach develops it adds a slightly&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_moz15a=&quot;127&quot; closure_uid_ny5jsn=&quot;190&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em closure_uid_z4nm0p=&quot;113&quot;&gt;different perspective and expands our understanding. All of these approaches were seen to work at&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;some point, and so none can be discounted. It is my absolute conviction that every one still has its&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;place in the grand pantheon of language-teaching approaches, and that aware experienced teachers&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;will be able to utilise all of them in an intuitive, and yet consciously integrated way, in their&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;div closure_uid_z4nm0p=&quot;149&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;classrooms.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;169&quot;&gt;&lt;div closure_uid_moz15a=&quot;141&quot;&gt;&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1850s – 1950s: Grammar Translation&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;How language was taught in most schools; grammar was taught as a set of rules (e.g. verb&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_8v163c=&quot;120&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;conjugations) after the classical languages, Latin and Greek; practice was done through written&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;exercises; the medium of instruction was the mother tongue; vocabulary was learnt via translated&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;lists, often related to the comprehension of written texts; written text was seen as the ‘real’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;language, superior to the spoken version; written texts were translated and composition in L2 was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_lfu95e=&quot;257&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;regarded as the apex of language ability; speaking and listening were seen as less important, and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_lfu95e=&quot;258&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;mediated via ‘conversation classes’ which were tagged on as extras to the main course.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;168&quot;&gt;&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1890s – now: Direct Method&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Specific to the Berlitz chain of schools, started in the USA; the brainchild of the entrepreneur&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;himself; speaking and listening were the most important skills; the medium of instruction was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;English; students learnt sequences of strictly-chosen (i.e. centrally-scripted) grammatical phrases&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;by listening and repetition; grammar ‘rules’ were avoided, and replaced by phrases (which of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;course had grammar disguised in them); vocabulary was learnt either incidentally, as part of the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;phrases being taught, or via lists grouped under types of situation; its modern incarnation survives&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;in the omnipresent language phrasebooks, and the method is still the basis of lower-level teaching&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;in Berlitz’s ubiquitous and successful language schools.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;166&quot;&gt;&lt;span closure_uid_lfu95e=&quot;165&quot; style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1960s – 1970s (USA): Audio-lingual method + Structuralist view of language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;A ‘scientificised’ version of the direct method; the new science of linguistics suggested that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;language was a set of ‘structures’ (e.g. ‘this shirt needs + washing, mending, ironing, etc’; ‘he has&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;+ washed, ironed, folded, etc the clothes’); grammar &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;rules &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;were an illusion, so it was more&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;important to focus on these ‘structures’; vocabulary was seen as an adjunct to the structures;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;speaking and listening were the most important skills; the learning method was based on&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;behaviourist psychology – stimulus-response learning; language exercises for speaking were&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div closure_uid_ny5jsn=&quot;167&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;mostly listen and repeat (i.e. drilling), and repeat and extend; language exercises for writing were&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;multiple choice and gapfill; thinking was discouraged, automaticity of response was favoured; the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;language laboratory epitomised the audio-lingual approach and was meant to revolutionise&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;language teaching – the reason that it did not do so was simply, as with computers nowadays, that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;most learners need people as teachers, not machines; a lasting legacy of this approach is the muchloved&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;164&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;substitution table.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;This was a pragmatic (i.e. UK) version of audio-lingualism; the key difference from the audiolingual&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;approach was that the language presentation and practice was situationalised and so was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;always given social meaning; speaking and listening were the most important skills; this approach&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;gave rise to the idea of PPP (presentation, practice, production) – here, a given language point, say&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;the Present Simple Tense for routines (called the target item), was presented (P) and given&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span closure_uid_8v163c=&quot;135&quot; style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;controlled practice (P) and then given further semi-controlled practice (P) (often called ‘free&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;practice’) in say a role-play; it all took place in one lesson; all the techniques of audio-lingual&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;method were used, but the famous ‘situation’ was added (mimes, pictures, sounds); it was&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;assumed that what we taught during these three stages was what the students should &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;learn&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, and&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;pundits remained focused for decades on how to optimise this process; this equation of teaching&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;and learning is now seen as a false goal; PPP has been rubbished recently by proponents of taskbased&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;methodology, a criticism in my view based on a deliberately false characterisation of PPP&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1970s – 1980s: Humanistic approaches&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Emanating from the USA, and particularly championed by Earl Stevick, this movement was based&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;on the assumption that language classes were places of fear for language learners; specifically&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;associated with: the Silent Way, Community Language Learning, Suggestopaedia, and Total&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Physical Response; many in the UK questioned Stevick’s basic assumption, as the UK’s&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;pragmatic teaching tradition had long taken account of so-called ‘affective’ factors in language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;teaching, and UK language teaching was famous for its engaging and ‘fun’ qualities; however, the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;philosophy of the humanistic approaches was valuable, and since then, it has become an essential&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;precept of language teaching that students assimilate things best when they are talking about&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;themselves, something now called ‘personalisation’; strangely, it was my experience that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;proponents of humanistic approaches were often rather dictatorial in their conference&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;demonstrations!&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;162&quot;&gt;&lt;span closure_uid_lfu95e=&quot;160&quot; style=&quot;color: black;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background-color: orange;&quot;&gt;1970s –1990s: Functional syllabuses – Communicative Language Teaching&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;communicative &#39;revolution&#39; was based on the idea of grouping bits of language according to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;communicative functions (in the USA called ‘speech acts’) like apologising, requesting, and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;advising; it was rare for a direct relationship between function and language to be established&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;because functions can be expressed by a vast range of expression and non-verbal cues; however,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;where a clear direct relationship could be found (e.g. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘my apologies’ &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;for apologising, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘do you mind&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, for asking permission), it was regarded as a matter of convention only, to be&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;if I’ + pres simple&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;used for teaching purposes, not for authentic linguistic description; these ‘bits’ were called&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;‘exponents’, so a number of ‘conventional exponents’, covering the range from formal to informal,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;could be related to each key function; students were taught these exponents, often, misguidedly, at&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;the expense of grammar!; no obvious &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;method &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;was suggested by defining language in this way, so&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;the listen-and-repeat and repeat-and-extend methods persisted, and rightly so, because, as such&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;phrases depended for their usefulness on accurate rhythm and intonation, various forms of drill lent&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;themselves well.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background-color: orange;&quot;&gt;1975 – now: Communicative methodology – Communicative Language Teaching&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;The second tranche of the communicative ‘revolution’ really took off by the early 80s, mostly&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;radiating out from the UK; the key principle was the separation of classroom work into ‘accuracy’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;work and ‘fluency’ work; accuracy work was for concentrating on learning new bits of language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;(grammar patterns, functional exponents, vocabulary, etc); fluency work was for getting the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;students to speak freely (say in discussions); much confusion was caused when teachers were&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;trained to see these as closely linked together, with accuracy work &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;leading &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;to fluency work (see&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;PPP above), which is actually not possible (see below); the basic principle of all communicative&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;activities in the classroom, whether accuracy-based or fluency-based, was the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘information gap’&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;which has remained with us ever since; the ‘communicative revolution’, via the information gap,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;has been very profound and real, and has coursed through every aspect of method, whether&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;accuracy or fluency oriented; as an example of the accuracy-oriented information gap, we can&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;have ‘communicative drills’ (e.g. students interview each other about their daily routines to get&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;controlled practice of Present Simple for routines); and as an example of a fluency-oriented&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;information gap, we can have free discussion, where the students discuss a real thing without&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;interruption and the teacher takes notes of the mistakes and feeds these back afterwards.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;In the US in the late 70s, an influential version of second language learning theory was developed&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;by Stephen Krashen, which postulated that learners ‘&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;acquired’ &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;language if fed a diet of genuine&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;communication (as does the child acquiring the first language), but they only ‘&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;learnt’ &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;language if&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;fed a diet of classroom exercises; the result was that many teachers started to believe that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;(unconscious) ‘acquisition’ was profounder, more real, and therefore better, than (conscious)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;‘learning’; these teachers decided that the classroom had to become an immersive ‘bath’ of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;authentic communication; this attitude persists today in many classrooms, at the expense of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;conscious learning; in fact, many variations of the learning-acquisition model have since emerged&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;(including those of Bialystok, Long, and Rutherford), and a combined processing model seems to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;be the current favourite, which is to say that the classroom learner probably operates both&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;mechanisms – learning and acquisition – all the time, with some interchange between the two; it is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;now thought, increasingly, that teachers cannot strongly influence how these mechanisms are used&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;by their students.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1980 – now: Test-Teach-Test&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;‘Test-teach-test’ was an inventive variation of traditional PPP, particularly appropriate to teaching&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;functional exponents but also adaptable to grammar points and lexis; the students are given a task,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;such as a role-play, without any prior teaching of the relevant language points, and this is the first&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;TEST phase; if the students have problems and make mistakes, the teacher knows that they have&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;to teach the biggest errors, and this teaching (also known as ‘Presentation’) is the TEACH phase;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;this is followed by the students doing further practice exercises of these target items, which is the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;second TEST phase; all in all, this is a popular and resilient piece of methodology which brings&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;together a number of principles, and has stood the test of time.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1985 – now: Negotiated syllabus&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Mostly relevant to executive and Business English students where needs are specific and focused;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;it has become the norm for many professional language training organisations; based on the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;principle that we first find out what students &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;want &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;and test them to find out what they need, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;and&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;then negotiate the syllabus with them; it has recently had a big impact on general English classes&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;too; it is especially good when the syllabus is emerging and flexible and is being negotiated on a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;regular basis during the whole course; because it is diametrically different from school-set&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;syllabuses and exam-oriented syllabuses, it has to be applied carefully, depending on whether it is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;appropriate to the specific context.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1985 – now: Task-based approaches&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;This is very relevant to business English teaching, and has been solidly part of Business English&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;teaching since the late 80s; since the mid-90s it has become much more established in General&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;English teaching; it is a methodological idea which attempts to get away from PPP altogether;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;students are not taught language points in advance, but rather are given communicative ‘tasks’ to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;prepare for; these tasks require them to ask the teacher to ‘give’ them whatever language bits they&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;might need in order to fulfil the task; an example would be ‘have the students in groups plan a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;recreational weekend in London for a visiting friend coming to London’; here, the language they&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;need will be: discussion exponents, telephoning language, arrangement language, lexis of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;sightseeing, etc; each group would be given what language they need by the teacher &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;as they ask&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in the final phase, the students actually do the complete task and they ‘use’ the language&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;for it; &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;they have asked for and been given.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;The best place to find a clear outline of this approach is Willis (1996); the best General English&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;textbook series using this approach is the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&#39;Cutting Edge Series&#39; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;by Peter Moor and Sarah&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Cunningham; in the Business English context, teachers tend to use the task-based approach as a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;matter of course, with telephone role-plays, meetings, negotiations, and presentations; a big&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;question still being widely discussed is whether the students, on being ‘given’ the language they&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;need for their task, then need some controlled practice so that it becomes more assimilated – in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;other words, do students need some form of rapid PPP?; since it appears to have gained&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;ideological popularity especially in the UK, there may be a danger that the task-based approach&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;dominates teaching to the detriment of the other methodologies which have equal validity.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1990 – now: Lexical views of language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;As early as the 1970s, academic linguists noticed that the language was &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;full &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;of set phrases (e.g. you&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;don’t say!, onwards and upwards, a man’s gotta do what a man’s gotta do, the knock-on effect of,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;it’s a good job (that) . . ., etc, etc); in 1986, a famous duo, Pawley and Syder (1983) showed that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;these set phrases are actually part of a memorised store of pre-fabricated ‘chunks’ which, once&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;learnt, each native speaker has &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;automatically &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;at their disposal; when speaking, they said, we&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;appear to use these chunks like single vocabulary units; since then, notably through the writings of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Michael Lewis in the early 1990s, the Lexical View of Language has become a central plank of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;both Business and General English teaching; it particularly affects what we teach – lexical chunks&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;rather than single items of vocabulary, (e.g. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;to make an appointment, to do business with, to&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;etc) – and&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, some&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;penetrate the market, market forces, healthy competition, an absolute disaster, &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;have argued, lexical chunks in place of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;grammar &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(e.g. should + infinitive &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;is seen by some as a&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;lexical chunk not as a piece of grammar); nowadays, it is normal to see lexical expressions as the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;main lexical content of a textbook unit; a big challenge which still remains is how to prevent the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;lexical approach dominating teaching to the detriment of the other components of the language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1995 – now: Output - Feedback&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Again originating mainly in the Business English field, this is less an approach, more an attitude of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;mind, based on the idea of an immersive bath of communication from which useful language focus&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;then arises – if we simply set our students off in authentic communicative activities in the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;classroom, we can use the ensuing language ‘output’ as data for feedback (or ‘reformulation’);&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;this feedback is one form of language focus, and can take many forms (see Article 4 on language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;focus) such as individualised feedback sheets, overhead slides full of errors for class discussion,&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;full-scale remedial presentations, etc.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;A really interesting extension of this idea is ‘Reformulate Output Lightly but Often’ - ROLO&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;(Emmerson 1999); the teacher listens to the students discussing something, notes the problems&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;down, and then goes through a sequence involving eliciting, concept questions, and guiding&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;questions, so that the students come to a reformulated version of the selected language errors from&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;their discussion; these corrected errors get recycled in a similar way, lightly but often, over the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;next few lessons.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;1995 – now: Noticing (also known as &#39;consciousness-raising&#39;)&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Some studies into the psychology of classroom language learning showed that there is little&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;relationship between what the teacher teaches in one lesson and what students learn in that lesson&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;as conscious learning; at the same time, William Rutherford in the mid 80s put forward the idea of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;using the classroom to gradually &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;raise students’ awareness &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;about the target language rather than&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;imagine that teachers can teach it for active reproduction by endless practice; what this means is&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;that when we do presentation and practice work with students on any language item, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;all &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;we are&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;actually doing is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;raising the noticeability &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;of that language in the minds of the students; in other&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;words, we are &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;helping the student to notice &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;it the next time and the next time, and little by little to&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;take it on board in a process of ‘successive approximation’, or ‘layered noticing’; we are &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;not&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;teaching it for immediate active accurate production; this awareness-raising is therefore only the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;first stage of a series of stages by which the language item, and the language awareness&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;surrounding it, passes into the unconscious of the student; the concept of ‘reformulation’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;(reflective correction) is very much connected with the idea of raising noticeability; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;the process of&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;so we don’t need to concern&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;assimilation by the student is an unknowable and invisible process, &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;ourselves with it; my thought on this is that PPP (i.e. one out of many types of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;accuracy &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;work) has&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;an important place in language teaching, not to &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;teach &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;language points but to raise their&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;noticeability in the minds of the students.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;As a matter of note, the place of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;fluency &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;work (e.g. free role-play) in the noticing model has two&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;functions (i) to provide free-speaking scenarios in which we can assess the students’ current state&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;of progress and assimilation (ii) to show what language points still need more focus and practice&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;i.e. language focus via reformulation (see Output-Feedback above); these activities are a form of&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;informal &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;testing; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;they do not function as the ‘production’ phase of a PPP approach, because that is&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;by definition a semi-controlled, and therefore accuracy-oriented, phase.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Recently, very much in the &#39;noticing&#39; mould, there has been a growth of interest in classroom tasks&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;which help the student to see grammar in its global, and truly communicative context; some&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;modern academic linguists’ take the view that language is &#39;grammaticalised lexis&#39; (rather than the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;view from the last 100 years that it is &#39;lexicalised grammar&#39;); using this principle for language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;syllabuses, some schools have dispensed with grammar, and give the title ‘lexis’ to many language&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;‘bits’ which once might have been called grammar; as for language exercises, we can use global&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;text exercises (using semi-authentic and authentic texts) in which the &#39;grammar&#39; has been taken out&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;(i.e. the inflections, the articles, the infinitive markers, etc), and which the students have then to&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;put back, e.g. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&quot;Federal Reserve Bank expect lower interest rate today eleven time this year, drive&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;; this is very motivating for the learners, it is very individualised, and&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;them low level four decade’&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;it is very efficient for the teacher, who only has to spend time clarifying the language items which&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;are causing problems; the ‘grammaticisation’ approach is becoming increasingly popular (see&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Thornbury 2001, for an extensive discussion of the idea), but it is important to keep it in&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;125&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;perspective with the other approaches to teaching grammar, which all have their relevance (see&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;124&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;Article 4 on Noticing).&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot; closure_uid_lfu95e=&quot;131&quot;&gt;&lt;span style=&quot;background-color: orange; color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;2002: The Modern Integrated Language Teacher&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;We use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;translation &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;when it is quick and efficient to get across meaning; we still teach grammar&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;even though we no longer assume it to be a starting point, but more a reference point; we use&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;drilling &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;sounds and rhythm of a useful expression; we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;practice exercises &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(e.g. gap-fills) to raise&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;students’ awareness of common lexical expressions; we use focus on &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;functional expressions&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;when students listen to a tape model of a telephone call; we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;information gaps &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;almost all the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;time, in accuracy as well as fluency work; we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;personalisaton &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;all the time, whether the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;students are practising language, preparing for a role-play, or reading the newspaper; we use a&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;task-based approach &lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot; closure_uid_ny5jsn=&quot;166&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;positions in groups, asking for language help from the teacher as they go along; we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;outputfeedback&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;
&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;when the teacher uses a conversation activity to produce student ‘output’, and then feeds&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;back on language errors; we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;test-teach-test &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;when students are set a short telephone-call roleplay&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;without time to prepare, and this is taped and followed up with focus on (i.e. introduction and&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;practice, or PP, of) telephone phrases, which is then followed by another telephone role-play (the&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;third P); we use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;noticing &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;activities practically all the time, because any &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;activity in which the&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;students are being invited to &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;put their attention &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;on an aspect of language is a noticing activity; we&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;use &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;grammaticisation &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;activities when we want to see how each student’s individual internal&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;grammar is progressing.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;It has been a curious tendency in ELT for both the perpetrators of new ideas, and for many&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;teachers, to want to dispense with the old to make way for the new. This cannot be right. The&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;modern teacher is able to use any approach from the past as long as it is appropriate and useful.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;You may have heard the term ‘principled eclecticism’. I prefer the term &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;‘principled integration’&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;because ‘eclecticism’ suggests picking separate things from the selection available, whereas&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em closure_uid_b4k4yg=&quot;100&quot;&gt;‘integration’ forces us to remember that everything has come from what has been before, and that&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;div closure_uid_b4k4yg=&quot;101&quot;&gt;&lt;span style=&quot;color: black; font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;everything that has gone before remains relevant today.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: large;&quot;&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://linguistics-notes.blogspot.com/feeds/7516693850737783806/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/brief-history-of-language-teaching-1853.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7516693850737783806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8005705780390517656/posts/default/7516693850737783806'/><link rel='alternate' type='text/html' href='http://linguistics-notes.blogspot.com/2011/09/brief-history-of-language-teaching-1853.html' title='a brief history of language teaching, 1853 – 2003'/><author><name>ADMIN</name><uri>http://www.blogger.com/profile/05721271955211664241</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='20' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O2TaVUDd8caJ3r4QiIAf4a3pckaqPr2GxKf4jXM1xNLmroNpQ45IhUFFXKKs62Q1udYrp3n8cP69KlKfzO4zcQNws3aTm1ylC45Lz96w6qlXDE5-PgcHwfEm9qG1q4Y/s220/please-do-not-waste-food+%281%29.jpg'/></author><thr:total>0</thr:total></entry></feed>