YouKnowIGotSoul had a chance to interview Omarion recently. The B2K singer has been very busy lately with the release of his new album “O2” as well as reuniting with his bandmates on the single “Mileage”. We talked to O about his new project, his most recent releases and his commitment to staying true to R&B. He also spent some time reflecting on his journey as a solo artist which includes the release of this sophomore album “21”. The critically acclaimed album just turned 20 years old this year and is regarded as one of the best albums from the 2000s era. Omarion gives an update on his highly anticipated “Passport” album that James Fauntleroy and him have been working on for years now.

YouKnowIGotSoul: Omarion, I want to talk about the new album, “O2”. Before we talk about that, I have to give you a lot of props for what you’ve been able to do with the “Full Circle” project as well as the “O2” project because I feel like this is some of your best work. It’s age appropriate, your sound has evolved, but you’ve still kept it true to your core audience. Talk about the creative mindset you’re in right now because the music you’ve been putting out has been rock solid.

Omarion: Being in this industry for more than 20 years can be auspicious and serendipitous. You can come back to moments, and you’re constantly, as an artist, rediscovering yourself or reintroducing yourself. To grow is a special thing, especially coming from my era and my time. The cool thing about being involved in music and R&B is that you literally create your own ceiling. You can always pour more into yourself. You can pick up an instrument. You can get behind the scenes. There’s always so much to do. I would accredit my experience and my growth to still being in the gym, shooting around, trying different things, expanding my sound, working with new producers, and always making sure there’s messaging within the scope of the music. I would really accredit that to having a zeal for something new, a new moment. That’s what I’m here to create. With “O2”, it’s a very special thing that I’ve been able to carry as an artist, which very few artists get, and that’s the power of nostalgia. Nostalgia is something that’s familiar but also exists in the present moment. We aren’t going to call it old. We’ll say it’s very reminiscent of a time because sometimes people think age diminishes things. What people don’t understand is that age is quality. Anything that can age gracefully is quality. As I continue to mature through the game, I’m just going to get better with time. That’s what these projects have been. It’s just me taking my time to grow and taking a new approach to my music and my audience.

YouKnowIGotSoul: With this “O2” album, you pay homage to your debut album. I found that really interesting because I’ve studied your career, and you’ve always been an artist who pushes forward. You don’t really look back too much. But on this album, even with the album cover, you look back at what you’ve done in the past, which feels new for you. What was the importance of looking back, and what did you discover when reflecting on your debut up until now?

Omarion: Honoring that connection to 2005, when I burst onto the scene as a solo artist, was important. It wasn’t even planned. It was just a special time. I’m going to reference Jay Z right now because he’s celebrating his 30th anniversary. When you’ve been part of an inspiring era, I think it’s important to revisit those moments. “O2” is a real representation of maturation, not only within the scope of me as an artist but also as a businessman and as one of the few entertainers who has been out here as long as I have. “O2” was meant to pay homage to the beginning, the genesis. Shout out to all of the producers and songwriters who helped me cultivate that because this is only Part One. Part Two will be coming in the fall. “O2” is a real representation of a full circle moment.

YouKnowIGotSoul: You worked with a lot of the heavy hitters like The Underdogs, Troy Taylor, R. Kelly, and Bryan-Michael Cox. It feels like you did a lot of studying early on because you were able to replicate that feeling that came from those classic records. Was that something you intentionally did early on, or did it just happen over time?

Omarion: I’ve always been a sponge, and I’ve been fortunate enough to work with those greats. It’s only intelligent to take notes. It’s only smart to ask, “Wait a minute. How does that function? What’s that approach?” Then you realize everybody is a little bit of gumbo. Everybody pulls from their experiences. I’ve definitely modeled myself after those experiences because I’ve worked with people like The Underdogs and Pharrell, people who are still being honored in today’s music. Of course I’m a student. Of course I’ve graduated from the school of R&B chords. I’m going to be part of bringing back those bridges and those classic elements that belong in songs because I had the opportunity to work with some of the greatest producers of all time. There are so many subgenres of R&B now, but I’ve decided exactly what I want to represent. I want to represent the historical foundation of R&B, which is centered around love, sounds, progressions, feelings, context, and conversations. That’s what R&B has always been for me. As a contributor, I’ll make sure R&B keeps its decadence and its reverence. A few years ago, hip hop was really dominating everything. Music has these cycles where it’s popular, then it has to go into the vault, grow, change, and shift. I’m going to continue being a part of that because of my experience and because I’ve had the opportunity to work with so many amazing producers.

YouKnowIGotSoul: We’re going to be celebrating 20 years of your sophomore album, “21”. What’s crazy is that when people talk about the best albums from that era, “21” doesn’t always get mentioned. But when people go back and actually look at the tracklist, they say, “Wait a minute, this is one of the best albums from that time.” With all the great records on there, what do you remember about the synergy of that album? The other thing I’ll tell you is that Adonis and Bryan Michael Cox shared with me that “Circles” by Marques Houston was originally crafted for you as well. I don’t know if you knew that, but you can feel the synergy there. Take me back to that time.

Omarion: Adonis, Eric Dawkins, Tony Dixon, Tank, these are all master craftsmen of R&B The way songs were made back then is completely different from how songs are made now. There’s always some kind of writing camp or pool of records today, but I’ll always say it’s special when a songwriter has the intention of writing a hit specifically for you. More than anything, that’s what I got to experience during that era. I’ll never forget Tank walking down the halls at The Underdogs and saying, “You need a song called ‘O.'” I remember thinking, “That’s a dope song.” What a song to represent me as a person and as an individual. No other artist really has a song that’s modeled after themselves like that. That was something special. Those R&B generals created that record along with some other amazing producers and songwriters. It’s an honor, and I’m always grateful for it. More than anything, I remember the intention behind the records. I was very young during that time, and I just remember having a ball making records.

YouKnowIGotSoul: That “21” album is a classic. “Midnight” is a great one.

Omarion: Come on, what do you know about “Midnight?”

YouKnowIGotSoul: Is the “Passport” album with you and James Fauntleroy ever coming out?

Omarion: Yes it is. I don’t know if I should be saying this, but we’re already working on another part of it. We have parts of parts. If anyone knows James Fauntleroy’s discography, they know he has an incredible amount of songs and output. I have a very special brotherhood with James Fauntleroy. That’s my brother, so we create differently. We definitely want to roll this concept out because it’s the first of its kind. We can’t wait to share it with everybody. Don’t worry, that’s going to be available for your listening pleasure very, very soon.

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Three-time GRAMMY®-winning artist, songwriter, and producer Victoria Monét has officially announced her upcoming album, Frequency of Love, scheduled for release on October 2 via Lovett Music/RCA Records. To coincide with the album announcement, Monét has released her latest single, “Reach Out.”

Produced by frequent collaborators Kaytranada and D’Mile, “Reach Out” pairs catchy harmonies with bold, feminine confidence, delivering a direct and empowering message to a love interest.

The single is accompanied by a highly choreographed, performance-driven music video directed by acclaimed filmmaker Dave Meyers. Featuring intricate routines choreographed by Sean Bankhead, the visual puts Monét’s dynamic range as both a top-tier vocalist and dancer front and center.

“Reach Out” marks the continuation of a highly successful 2026 for the R&B star. The track follows the release of her earlier single, “Let Me,” which successfully climbed to the No. 1 spot on the Billboard Adult R&B Airplay chart this past June.

The new music and album announcement arrive on the heels of a major live performance milestone for Monét, who recently wrapped up a triumphant supporting slot on Bruno Mars’ The Romantic Tour across the United Kingdom and Europe this summer.

Frequency of Love will serve as the official follow-up to Monét’s critically acclaimed, GRAMMY-winning JAGUAR II, and its subsequent 2024 deluxe edition. After kicking off the year with a string of major achievements, Monét is poised to enter this new musical chapter and deliver a powerful finish to 2026.

“Reach Out” is available now across all digital streaming platforms, and the official music video can be viewed on Monét’s YouTube channel.

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Renowned actor and singer-songwriter Keith D. Robinson has officially released his latest single, “UP,” accompanied by a brand-new music video. The track serves as the focal point for his newly released sophomore studio album, Love Episodic 2: The Algo-Rhythm, which is available now across all global streaming and download platforms.

Returning to his musical roots, Robinson delivers a smooth, mid-tempo R&B groove with “UP.” Co-produced by Jason Edmonds, Tracy Carter, and Robinson himself, the track captures the euphoric anticipation and undeniable “butterfly effect” associated with the early stages of a new romance.

The single arrives alongside a futuristic music video directed by acclaimed photographer and director Derek Blanks. The visual parallels Robinson’s real-life daily routine as a multi-hyphenate entertainer but introduces a supernatural twist, showcasing the protagonist utilizing superhuman feats to navigate his way toward a night out with his new love.

The release of “UP” coincides with the full launch of Robinson’s sophomore album. Featuring production from Jason Edmonds, Tracy Carter, Benny Franks, and Niphkey, the project serves as a deeply personal time capsule of his recent life.

“This album is inspired by the life and love experiences I have personally encountered or witnessed over the past few years,” Robinson shared regarding the project. “Including childbirth, falling out of love and back in again, to work stoppages, natural disaster, the internet effect, a world pandemic and my evolution and growth as a man. Every song is an episodic of real life… interpreted through my version of R&B/Soul music.”

The album is anchored by a string of previously released singles that successfully built momentum ahead of the full project’s debut:

“Different Languages”: A recent SiriusXM chart-topping release that explores the necessity of intention, vibration, and understanding through the difficult phases of a relationship.

“Forever Bae”: A visual love letter inspired by the fan-favorite fictional relationship between Ted and Nicole from the hit CBS soap opera Beyond The Gates.

“Heavy Heart”: A poignant, beautifully written standout track produced by Kingpin Radio, Benny Franks, Terrence Harris, and Chris Powell, emphasizing the importance of giving loved ones their flowers while they are still here to receive them.

To support the new release, Robinson is preparing to hit the road for his Love Episodic City Winery Tour. The live run is scheduled to officially kick off late this summer, with the opening performance taking place on August 21 in Atlanta, Georgia.

Love Episodic 2: The Algo-Rhythm is available to stream and download now.

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Acclaimed R&B and soul vocalist Lina Loi, widely celebrated for seamlessly bridging vintage jazz with contemporary soul, has officially returned to the music scene. Today, the singer unveiled her brand-new single, “Still Got It,” a triumphant and groove-laden track that marks her highly anticipated comeback.

Available now across all major digital streaming platforms, “Still Got It” serves as a bold reaffirmation of Loi’s vocal prowess and artistic resilience. The track masterfully revives her signature sonic blueprint—an intoxicating blend of vocal jazz, classic R&B, and modern hip-hop sensibilities.

Laced with a bouncing horn section, crisp percussion, and Loi’s unmistakable, honeyed tone, the new single explores themes of longevity, self-assurance, and thriving in the face of a constantly shifting industry. It is a confident declaration from an artist who has never compromised her unique sound to chase fleeting pop trends.

For dedicated listeners of contemporary R&B, Lina Loi’s catalog represents a vital chapter in the genre’s evolution over the past two decades. She first captured critical attention with her groundbreaking 2001 debut album, Stranger on Earth. Driven by standout tracks like “Playa No Mo” and “It’s Alright,” the project established her as a pioneering voice capable of fusing the elegance of the swing era with the edge of Y2K neo-soul.

She continued to expand her artistic footprint throughout the 2000s with celebrated independent releases, most notably 2005’s The Inner Beauty Movement. Featuring fan-favorite cuts like “Smooth,” the project solidified her reputation for crafting deeply empowering, spiritually rich soul music. Across subsequent releases, including Morning Star, Loi maintained a steadfast commitment to live instrumentation, rich vocal stacking, and authentic storytelling.

With “Still Got It,” Loi proves that her distinct fusion of eras and genres remains as potent and relevant as ever. The single not only caters to her core listeners who have followed her decades-spanning career but also serves as a perfect entry point for a new generation discovering the depth of 2000s R&B innovators.

“Still Got It” is available to stream and download now on Spotify, Apple Music, and all major digital platforms.

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Multi-platinum singer, songwriter, and producer Tinashe has officially announced her eighth studio album, Popstar, scheduled for release on September 25. The upcoming project promises a collection of unapologetic anthems accompanied by the high-energy, choreography-driven visuals that have become a hallmark of her genre-blending career.

Coinciding with the album announcement, Tinashe released a new single and accompanying music video titled “Crash Out.” Produced by Couros, the track pairs sharp, snapping beats with the artist’s relaxed vocal delivery. The dance-heavy visual was directed by 91 Rules, with Tinashe herself providing the creative direction.

“Crash Out” follows the release of the album’s preceding single, “Too Easy,” which has already garnered widespread critical acclaim. Publications such as Rolling Stone and Billboard praised the track’s confident, club-ready pop sound. Its music video introduced the upcoming album’s thematic elements by visually depicting Tinashe being recreated as a clone to become the ultimate pop star.

This new musical chapter arrives on the heels of major commercial success for the artist, specifically following her back-to-back No. 1 hits “No Broke Boys” and “Nasty.” Her collaboration with Disco Lines on “No Broke Boys” topped Billboard’s Hot Dance/Electronic Songs chart for several weeks. The track also secured a win for Dance Song of the Year at the 2026 iHeartRadio Music Awards, alongside nominations at the BRIT Awards and the American Music Awards. Both hit tracks originated from her previous album, Quantum Baby, with “Nasty” widely recognized as one of the defining summer anthems of 2024.

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Columbia Records and Legacy Recordings have officially launched the 30th-anniversary celebration of Mariah Carey’s monumental 1995 album, Daydream. The newly expanded Daydream: 30th Anniversary Edition is available digitally starting today, offering fans a wealth of unreleased material, rare demos, and archival live performances.

The digital anniversary release features a robust collection of bonus content, including fan favorites, classic remixes, and a brand-new Eric Kupper remix of “Underneath the Stars.”

Notably, the project opens the vault to Carey’s creative process, publicly releasing rare writing demos for the first time. These include excerpts from original songwriting sessions for “Melt Away” (co-produced and co-written with Babyface) and “I Am Free” (co-produced and co-written with Walter Afanasieff).

Physical editions of the anniversary collection are slated for release on October 16 and are currently available for pre-order.

The 3LP Vinyl Set: Includes Carey’s complete Live at Madison Square Garden 1995 concert performance for the first time, alongside the vinyl debut of several never-before-released tracks.

The 2CD & Deluxe Digital: Features previously unreleased live renditions of “Always Be My Baby” and “Open Arms,” recorded during her Daydream tour stop in Rotterdam on June 17, 1996.

In addition to the standard physical releases, a limited-edition baby pink 1LP vinyl variant of the album will be available exclusively through Amazon. Amazon Music has also released an exclusive Track-by-Track audio feature of the original album.

Complementing the music releases, Carey is set to debut a never-before-seen “Making of Fantasy” featurette. The intimate, behind-the-scenes video captures the creation of the music video for the iconic single, which Carey notably directed herself. The rare footage will premiere on her official YouTube channel on July 20 at 10:00 a.m. ET.

Originally released on October 3, 1995, Daydream remains one of the most commercially and critically successful albums in pop history. During its original chart run, the album debuted at No. 1 on the Billboard 200 and produced a string of record-breaking, global hits.

“Fantasy” made history as the first song by a female artist to debut at No. 1 on the Billboard Hot 100. Its follow-up, the Boyz II Men collaboration “One Sweet Day,” also debuted at No. 1 and held the top spot for a then-record-breaking 16 consecutive weeks. “Always Be My Baby” served as the album’s third chart-topper.

With over 27 million copies sold worldwide, Daydream holds an 11x Multi-Platinum certification from the Recording Industry Association of America (RIAA). To mark the 30th anniversary, the RIAA has also issued updated certifications for two of the album’s defining singles: “Fantasy” is now certified 8x Multi-Platinum, and “Always Be My Baby” has reached 7x Multi-Platinum.

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Japanese R&B and soul vocalist Nao Yoshioka has officially released her most personal project to date, a 12-track album titled self. The newly released project serves as a deeply emotional journey exploring themes of identity, acceptance, and vulnerability.

Blending a diverse array of genres—including neo-soul, indie R&B, Afrobeats, house, and spiritual jazz—self features a global cast of collaborators spanning the United States, Europe, and Asia. To bring the project to life, Yoshioka enlisted heavy-hitting industry veterans, including Grammy-winning artist Bilal and Grammy-winning producers Khari Mateen and Peter CottonTale.

Reflecting on the emotional core of the album, Yoshioka shared the profound personal growth that shaped the record:

“This album is the sound of me finally facing and accepting every part of myself—the hopeful side that chased the light and the hidden side that felt weak or never enough. It is about turning that honesty and gratitude toward the people who carried me here into music, without holding anything back.”

The 12-track album is anchored by several notable collaborations and genre-bending highlights. Coinciding with the album’s launch, Yoshioka also debuted official visualizers for the tracks “Changes” (feat. Devin Morrison) and “Pieces Of Me.”

Key tracks on the project include:

“Safe Place”: An empowering anthem featuring Chicago multi-hyphenate singer and poet Jamila Woods, produced by Peter CottonTale (Chance the Rapper).

“Shadow”: A psychedelic soul duet with neo-soul pioneer Bilal, produced by Corey Bernhard (The Late Show with Stephen Colbert).

“Heartbeat”: An upbeat, rhythmic offering produced by Khari Mateen (The Roots, Jill Scott).

“You Got to Feel It”: An emotional track featuring saxophonist Braxton Cook and Dutch producer Bnnyhunna.

“Pieces of Me”: A 90s-inspired R&B exchange featuring Vietnamese artist Mỹ Anh.

In celebration of the album’s release, Yoshioka is currently embarking on a world tour, bringing her live performance to major cultural hubs including New York, London, Paris, and Tokyo.

Beyond the self album and tour, Yoshioka is also preparing to release the third installment of her live performance series, Philly Soul Sessions Vol. 3, later this year. The upcoming project will see her continuing to immerse herself in Philadelphia’s neo-soul community, partnering with local musicians to reimagine her catalog while exploring ongoing themes of resilience and introspection.

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GRAMMY®-nominated artist, producer, and multi-instrumentalist Masego has officially released his highly anticipated third full-length album, Fix Your Face, via Capitol Records. Marking a new creative era for the groove-driven artist, the project sees Masego embracing a deeply introspective, vulnerable, and emotionally honest approach to his musicianship.

Co-produced alongside Jordan Elgie, the 16-track album was nearly three years in the making. Written following a period of personal upheaval, the final tracklist was narrowed down from a pool of over 150 songs.

Masego significantly shifted his traditional creative process for this release. Rather than relying heavily on his signature freestyle approach, he began intentionally writing his ideas down for the first time. He also engaged in what he described as a “scholastic level of research,” studying the vulnerability and authenticity of defining artists like Mary J. Blige, D’Angelo, Labi Siffre, and PartyNextDoor.

The album’s title, Fix Your Face, stems from a phrase traditionally used by mothers expecting their children to immediately “tighten up and stop the tears.” For Masego, the phrase has evolved into a personal mantra, representing his resilient approach to navigating life’s challenges.

Fix Your Face delivers Masego’s most cohesive body of work to date, seamlessly blending his trademark instrumentation with faith and deep cultural roots. To bring the vision to life, he enlisted an impressive roster of collaborators, including contemporary R&B heavyweights Keyshia Cole, Leon Thomas, and Musiq Soulchild.

The album also heavily honors Masego’s Jamaican heritage. On the track “Hello,” a feature from dancehall legend Buju Banton grounds the project in cultural tradition, fusing Caribbean sounds with Southern hip-hop influences to reframe Atlanta nostalgia.

The album’s focus track, “Heaven,” leans into a softer, angelic sonic palette. Drawing direct inspiration from his upbringing as a pastor’s kid in Virginia, the song channels the warmth of a gospel choir and the foundational influence of genre staples like Kirk Franklin, Kim Burrell, The Clark Sisters, and John P. Kee.

Through highly layered vocals, “Heaven” offers a nostalgic and deeply human meditation on love, faith, and the innocence of his early experiences within the church community.

Fix Your Face is available to stream and download now across all major digital platforms

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GRAMMY Award-winning singer, songwriter, producer, and co-founder of the acclaimed collective THE INTERNET, Syd, has officially released her highly anticipated third solo album, Beard. Arriving via Free Lunch/Warner Records, the project is accompanied by the release of a brand-new music video for the standout track “Any Time,” featuring James Fauntleroy.

Co-produced by Syd herself, Beard serves as a true coming-of-age documentary of the R&B innovator’s evolution as both an artist and an individual. The LP boasts an impressive roster of heavy-hitting collaborators and friends, including Raphael Saadiq, Big Sean, Rodney Jerkins, James Fauntleroy, Van Hunt, Blu June, and Jordan Ward.

The project stands as a testament to Syd’s massive contributions to contemporary R&B while simultaneously pushing the genre’s boundaries forward. The album’s release was preceded by the acclaimed solo singles “Callin” (feat. Blu June) and “2 Many Days.”

The album’s title is as deeply layered as its production. Syd describes the record as a snapshot of her current life and a deeply personal exercise in empowerment and self-acceptance.

“The title was inspired by the peach fuzz on my upper lip that society has always taught me to hate,” Syd explained. “I fell in love with my peach fuzz and it made me rethink everything that was supposed to make me feel insecure. It allowed me to take my confidence into my own hands, and own everything that I am and everything I love about myself, regardless of what anyone else thinks.”

Syd further noted that the title serves as a metaphor for her position within the music industry. “The title also represents the way I see myself in relation to my peers, especially in music. ‘The bearded lady.’ Not so much a spectacle in my case, but an anomaly and an outlier. Hard to compare. I’m owning that too. Taking things that were once insecurities and flipping them on their head has been extremely empowering.”

Alongside the album, Syd unveiled the music video for “Any Time,” a soul-stirring track exploring the natural ebbs and flows of a relationship. The song beautifully melds Syd’s signature soothing vocals with a guest verse from renowned singer, songwriter, and producer James Fauntleroy.

The accompanying visual delivers a heartfelt series of rom-com-inspired vignettes, intimately capturing moments between Syd and her wife, Simone.

Beard arrives during an incredibly fruitful chapter in Syd’s career. Since emerging as a singular voice with Odd Future, she has released multiple critically lauded, GRAMMY-nominated albums with THE INTERNET. Just last year, in 2025, she celebrated the 10th anniversary of the band’s landmark breakthrough album, Ego Death.

Beyond her own releases, Syd has lent her elite pen and vocal production to an expansive catalog of global superstars, recently earning a GRAMMY for co-writing Beyoncé’s hit “Plastic Off the Sofa” from the Renaissance album. Outside the studio, the multi-hyphenate continues to expand her footprint, fronting major campaigns for fashion giants such as Valentino, Louis Vuitton, and Adidas, and building her own recording studio in Los Angeles.

Beard and the official music video for “Any Time” are available to stream now across all major digital platforms.

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Following one of the most successful and highly anticipated R&B reunions in recent history, the multi-platinum group B2K is officially returning with original music. Fresh off the massive success of their sold-out Boys 4 Life Tour, the quartet has just released their brand-new single, “Mileage”.

“Mileage” marks a historic milestone for the group, serving as their first official new release in more than two decades. After dominating the early 2000s with chart-topping anthems like “Bump, Bump, Bump” and “Uh Huh,” the group’s return to the recording booth has been long-awaited by a dedicated global fanbase.

The momentum for the new single was heavily fueled by the overwhelming response to their recent reunion. The Boys 4 Life Tour saw the group packing arenas across the country, proving that their energetic stage presence, signature choreography, and vocal harmonies remain as potent as ever. The tour served not only as a nostalgic celebration of their classic hits but also as a definitive launchpad for this next chapter in their career.

While “Mileage” gives listeners their first taste of B2K’s evolved, modern sound, it is only the beginning of their full-scale comeback. The single serves as the lead offering from their highly anticipated new studio album, which is scheduled to arrive this fall.

The upcoming project is expected to bridge the gap between the signature 2000s R&B sound that made them household names and the contemporary landscape of modern music.

In case you missed it, you can also check out our recent interview with B2K.

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