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		<title>PUBLIC WORKS</title>
		<link>http://mindrec.org/mindrec/2010/09/05/public-works/</link>
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		<pubDate>Sun, 05 Sep 2010 15:03:39 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[So Like That]]></category>

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		<description><![CDATA[The Public Works consisted of sewers and waste treatment facilities.&#160; The term no longer applied to electric, gas, cable, telephone, or water infrastructure.&#160; Citizens of Devil&#8217;s Folly preferred wireless telephones.&#160; And the rest were no longer needed; at least, not in a traditional sense.&#160; 
Poles and lines disappeared from the landscape. 
The sewer system (jokingly [...]]]></description>
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<tr><th class='easySpoilerTitleA'  style='text-align:left;vertical-align:middle;font-size:120%'>INDEX</th>
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<I>INDEX</I><ol><li><I><a href='http://mindrec.org/mindrec/2010/08/10/the-story-all-but/' title='THE STORY'>THE STORY</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/' title='THE COMPLEX'>THE COMPLEX</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/08/31/reps/' title='REPS'>REPS</a></I></li><B><I><li>PUBLIC WORKS</li></I></B></ol>
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</div> <p><u>The Public Works</u> consisted of <u>sewers</u> and <u>waste</u> <u>treatment</u> <u>facilities</u>.&#160; The term no longer applied to <u>electric</u>, <u>gas</u>, <u>cable</u>, <u>telephone</u>, or <u>water</u> <u>infrastructure</u>.&#160; <u>Citizens</u> of Devil&#8217;s Folly preferred <u>wireless</u> <u>telephones</u>.&#160; And the rest were no longer needed; at least, not in a traditional sense.&#160; </p>
<p>Poles and lines disappeared from the <u>landscape</u>. </p>
<p>The <u>sewer system</u> (jokingly referred to as <u>The Network</u>) still existed; however it was not <u>physically maintained</u>.&#160; Still, there were people who worked at the <u>waste treatment facilities</u> (collectively known as <u>The Plant</u>).&#160; And this seemed a bit odd, at first thought, seeing as how <u>biological waste</u> no longer needed to be treated, either. </p>
<p><u>Water pollution</u> was practically non-existent. </p>
<p>No one knew much about how The Works operated.&#160; People generally didn&#8217;t talk about it publicly.&#160; But, simply put, The Works comprised <u>The Net</u>; The Net composed The Network; and, The Plant controlled <u>The Grid</u>.&#160; </p>
<p>The general consensus was that Plant referred to the <u>treatment facilities</u>, themselves.&#160; But sometimes, the term was used in reference to the <u>workers</u> at such facilities (and so to all <u>public workers</u>, by extension).&#160; Otherwise, the terms Plant and Net were used interchangeably.&#160; However, The Net was not technically a <u>plant</u>. </p>
<p>THE NET </p>
<p>The Net was neither chartreuse nor mauve.&#160; It was something in-between.&#160; But, it seemed more green than red (probably because it gave off a yellowish glow at night).&#160; It took on a form which moved en masse but was not, itself, <u>alive</u>.&#160; The Net was a <u>slime mold</u>.&#160; </p>
<p>The Net was not alive but it was comprised of living <u>single-celled organisms</u>.&#160; And, it resembled the shape of a net only because it had taken over the sewers.&#160; In fact, it had replaced the the need for them. </p>
<p>Beneath every toilet, a branch of The Net lay in wait for <u>human waste</u>&#8230; which it disposed of rather quickly as it fed.&#160; But this was not why it was introduced into the sewers, originally.&#160; The fact that The Net arranged itself into conduits for <u>sewage</u> (and <u>fresh water</u>) were an unintended, but welcomed, side effect of its intended purpose. </p>
<p>The Net&#8217;s intended purpose was to act as an <u>organic computer</u>.&#160; <u>Organics</u> had replaced <u>hardware</u> in this sense.&#160; The Net transmitted <u>impulses</u> over large distances almost instantaneously.&#160; It was <u>self organized</u>, <u>self configured</u>, <u>self optimized</u>, <u>self protected</u>, and <u>context</u> sensitive.&#160; Plus, it <u>healed itself</u>.&#160; </p>
<p>When it was found that The Net also conducted electricity and other <u>signals</u> (<u>TV</u>, <u>radio</u>, etc); these functions were turned over to it, as well.&#160; It even produced <u>gas</u> as a side product… which was used to <u>power</u> automobiles and as an <u>alternative</u> to electricity!&#160; </p>
<p>It <u>cleaned the air</u> and <u>released fresh oxygen</u>.&#160; It <u>fertilized</u> the <u>soil</u> and <u>nourished</u> the vegetation.&#160; It was not <u>poisonous</u>, it could have been <u>eaten</u>; but, it didn&#8217;t taste very good and it was <u>disgusting</u> to look at (Perhaps some people did eat it.&#160; Who knows?). </p>
<p>And sometimes, it is said, The Net took the shape of something recognizable&#8230; a face, a skull, a clown.&#160; And, at these times, it appeared <u>intelligent</u>.&#160; </p>
<p>However, these <u>manifestations</u> were generally assumed to be <u>coincidence</u>.&#160; And so everyone was assured that The Net would not turn into a <u>monster</u> and attack them in the night (though <u>parents</u> would sometimes <u>scare</u> <u>children</u> by telling them that The Net would get them if they didn&#8217;t <u>behave</u>). </p>
<p>Nonetheless, people didn&#8217;t like to think about it much.&#160; They didn&#8217;t like the idea of it writhing, pulsing, and oozing beneath them.&#160; They tolerated it because it had turned their world into a <u>paradise</u>.&#160; But they knew they didn&#8217;t <u>control</u> it.&#160; And they wondered sometimes if it controlled them, instead (which it did, to some extent). </p>
<p>As has been hinted, the workers at the treatment facilities weren&#8217;t quite right somehow.&#160; Well, their entire <u>function</u> was to <u>provide</u> for The Net.&#160; And this was a <u>service</u> they performed <u>routinely</u> (even if they seemed, at times, to perform it <u>automatically</u> and without <u>thought</u>). </p>
<p>So, perhaps, The Plants were exercising their <u>free choice</u> by opting to work in that capacity (at The Plant and for The Plant).&#160; And if they no longer appeared to be very <u>thoughtful</u>, perhaps they never had been.&#160; Surely, they were <u>human</u> (though, as suggested by their <u>nickname</u>, they might have been more Plant than <u>animal</u>)? </p>
<p>Other public workers also seemed to be affected&#8230; though to a lesser degree.&#160; And people didn&#8217;t talk about this much, either.&#160; Thus, when an individual thought about food and then found himself at his favorite restaurant without ever actually <u>deciding</u> to go there; this, too, was declared a coincidence.&#160; </p>
<p>Still, from time to time, it was claimed that The Net caused certain <u>reproductive</u> <u>changes</u> and a host of <u>genetic</u> <u>abnormalities</u> which resulted in <u>birth defects</u> and <u>deformity</u>.&#160; Or, it was asserted that The Net elevated the risk of <u>brain cancer</u>&#8230; as evidenced by an increase in <u>physical agitation</u> and <u>mental confusion</u>.&#160; In truth, most people&#8217;s <u>raw intelligence scores</u> improved.&#160; And, more and more, individuals would <u>fortuitously</u>&#160;<u>discover</u> themselves meeting the people they were looking for, or finding the things they were searching for, or otherwise ending up where they needed to be&#8230; without knowing beforehand where it was that they even needed to be. </p>
<p>Everyone was connected to The <u>Network</u>.&#160; </p>
<p>The term Network was still, more or less, used in its traditional sense.&#160; This, with the exception of <u>off-colored</u> <u>jokes</u> and <u>crude</u> <u>remarks</u>.&#160; In such cases, the term might also convey the <u>essence</u> of human <u>waste</u>.&#160; Or, it might be used to imply something even more <u>unpleasant</u>&#8230; something <u>covert</u> lurking beneath an otherwise&#160; <u>idyllic</u> external <u>facade</u>.</p>
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nofollow" target="_blank">physical maintenance</a>, <a href="http://technorati.com/tags/waste+treatment+facilities" rel="tag nofollow" target="_blank">waste treatment facilities</a>, <a href="http://technorati.com/tags/the+plant" rel="tag nofollow" target="_blank">the plant</a>, <a href="http://technorati.com/tags/biological+waste" rel="tag nofollow" target="_blank">biological waste</a>, <a href="http://technorati.com/tags/water+pollution" rel="tag nofollow" target="_blank">water pollution</a>, <a href="http://technorati.com/tags/the+net" rel="tag nofollow" target="_blank">the net</a>, <a href="http://technorati.com/tags/the+grid" rel="tag nofollow" target="_blank">the grid</a>, <a href="http://technorati.com/tags/the+facilities" rel="tag nofollow" target="_blank">the facilities</a>, <a href="http://technorati.com/tags/treatment+facilities" rel="tag nofollow" target="_blank">treatment facilities</a>, <a href="http://technorati.com/tags/workers" rel="tag nofollow" target="_blank">workers</a>, <a href="http://technorati.com/tags/public+workers" rel="tag nofollow" target="_blank">public workers</a>, <a href="http://technorati.com/tags/plants" rel="tag nofollow" target="_blank">plants</a>, <a href="http://technorati.com/tags/life" rel="tag nofollow" target="_blank">life</a>, <a href="http://technorati.com/tags/slime" rel="tag nofollow" target="_blank">slime</a>, <a href="http://technorati.com/tags/mold" rel="tag nofollow" target="_blank">mold</a>, <a href="http://technorati.com/tags/slime+mold" rel="tag nofollow" target="_blank">slime mold</a>, <a href="http://technorati.com/tags/molds" rel="tag nofollow" target="_blank">molds</a>, <a href="http://technorati.com/tags/single+celled+organisms" rel="tag nofollow" target="_blank">single celled organisms</a>, <a href="http://technorati.com/tags/organisms" rel="tag nofollow" target="_blank">organisms</a>, <a href="http://technorati.com/tags/human+waste" rel="tag nofollow" target="_blank">human waste</a>, 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target="_blank">birth defects</a>, <a href="http://technorati.com/tags/deformity" rel="tag nofollow" target="_blank">deformity</a>, <a href="http://technorati.com/tags/brain+cancer" rel="tag nofollow" target="_blank">brain cancer</a>, <a href="http://technorati.com/tags/cancer" rel="tag nofollow" target="_blank">cancer</a>, <a href="http://technorati.com/tags/physical+agitation" rel="tag nofollow" target="_blank">physical agitation</a>, <a href="http://technorati.com/tags/agitation" rel="tag nofollow" target="_blank">agitation</a>, <a href="http://technorati.com/tags/confusion" rel="tag nofollow" target="_blank">confusion</a>, <a href="http://technorati.com/tags/mental+confusion" rel="tag nofollow" target="_blank">mental confusion</a>, <a href="http://technorati.com/tags/mental+illness" rel="tag nofollow" target="_blank">mental illness</a>, <a href="http://technorati.com/tags/individuals" rel="tag nofollow" target="_blank">individuals</a>, <a href="http://technorati.com/tags/individuality" rel="tag nofollow" target="_blank">individuality</a>, <a href="http://technorati.com/tags/self+destructive" rel="tag nofollow" target="_blank">self destructive</a>, <a href="http://technorati.com/tags/self+destructiveness" rel="tag nofollow" target="_blank">self destructiveness</a>, <a href="http://technorati.com/tags/self+destructive+behavior" rel="tag nofollow" target="_blank">self destructive behavior</a>, <a href="http://technorati.com/tags/destructiveness" rel="tag nofollow" target="_blank">destructiveness</a>, <a href="http://technorati.com/tags/destructive+behavior" rel="tag nofollow" target="_blank">destructive behavior</a>, <a href="http://technorati.com/tags/discovery" rel="tag nofollow" target="_blank">discovery</a>, <a href="http://technorati.com/tags/fortuitousness" rel="tag nofollow" target="_blank">fortuitousness</a>, <a href="http://technorati.com/tags/fortune" rel="tag nofollow" target="_blank">fortune</a>, <a 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		<title>REPS</title>
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		<pubDate>Tue, 31 Aug 2010 13:02:39 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[So Like That]]></category>

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		<description><![CDATA[Under the system of taxation, individuals were charged what it cost to produce a product.&#160; Then, on top of this, a tax was added.&#160; So, if ever there was a quantity or quality that guaranteed the stability of money (gold, labor, etc); tax went above and beyond this, by design.&#160; This is to say, taxation [...]]]></description>
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<I>INDEX</I><ol><li><I><a href='http://mindrec.org/mindrec/2010/08/10/the-story-all-but/' title='THE STORY'>THE STORY</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/' title='THE COMPLEX'>THE COMPLEX</a></I></li><B><I><li>REPS</li></I></B><li><I><a href='http://mindrec.org/mindrec/2010/09/05/public-works/' title='PUBLIC WORKS'>PUBLIC WORKS</a></I></li></ol>
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</div> <p>Under the <u>system</u> of <u>taxation</u>, <u>individuals</u> were <u>charged</u> what it <u>cost</u> to <u>produce</u> a <u>product</u>.&#160; Then, on top of this, a <u>tax</u> was added.&#160; So, if ever there was a quantity or quality that <u>guaranteed</u> the <u>stability</u> of <u>money</u> (<u>gold</u>, <u>labor</u>, etc); tax went above and beyond this, by design.&#160; This is to say, taxation could only be <u>backed</u> by a person&#8217;s <u>death</u>.&#160; </p>
<p>The <u>founders</u> of the <u>old system</u> knew this when they specified that taxation should only be used to raise an <u>army</u>.&#160; Because, in order to <u>kill</u>, one must be <u>dead</u> already.&#160; Otherwise, to kill another is to <u>kill oneself</u>&#8230; or to know what it would be like to be killed.&#160; And this <u>knowledge</u> of death is equivalent to death itself.&#160; Or, rather, it is only through one&#8217;s own death that one might truly gain such knowledge. </p>
<p>Though, surely, people in the old system were animate.&#160; For, it might even be said that they worked like <u>zombies</u>&#8230;. </p>
<p>Like zombies, <u>Capitalists</u> were buried (by <u>work</u> and by <u>dept</u>) until they had given up <u>hope</u> of ever seeing the light of day again.&#160; Then, they were dug out.&#160; As such their <u>bodies</u> were alive.&#160; But their <u>will</u> was dead.&#160; And, without a will of their own, they would stand <u>immobile</u> all day unless told what to do by their <u>masters</u> (those who buried them, in the first place). </p>
<p>Only within a system of taxation does a need for <u>representation</u> arise.&#160; For, how can any person <u>presume</u> to represent another?&#160; How can they, that is, except that the person being represented cannot represent himself.&#160; Specifically, the person being represented must already be dead (as has been suggested). </p>
<p>&#160;</p>
<p><u></u></p>
<p><u></u></p>
<h3><u>GLORY</u> </h3>
<p>Whereupon, a <u>soldier</u> is dead who does <u>fight</u> to his death.&#160; Thereupon, an <u>army</u> of soldiers do fight.&#160; But, for this, they should be <u>mad</u> (for that is how people will be who would be dead).&#160; Poor <u>souls</u>!&#160; And thereby, most people die long before their bodies do.&#160; </p>
<p>Glory was dead like that.&#160; And he was mad.&#160; And he was ready to fight.&#160; And for these reasons he made a good <u>Rep</u>.&#160; </p>
<p>Not at first, to be sure.&#160; But after Glory came to the attention of <u>The Joint</u>, he became a good Rep.&#160; He was <u>oppressed</u>.&#160; He <u>suppressed</u>.&#160; He was <u>repressed</u>.&#160; He became <u>depressed</u>.&#160; And then, he was so easily <u>impressed</u>! </p>
<p>Glory looked up to <u>aggressive</u> people like any <u>animal</u> will who has been <u>domesticated</u>.&#160; And, like a dog, Glory had been&#8230; </p>
<p><u>Fixed</u>:&#160; Glory&#8217;s father kicked him out of the house at 19 because <u>Daddy</u> wanted to have <u>sex</u> with <u>Mommy</u> 24-7 without being bothered by Glory.&#160; So he was cut off from the only <u>woman</u> he could ever <u>love</u>.&#160; And he became <u>homeless</u>. </p>
<p><u>Broken</u>:&#160; On the streets, Glory would ask people for <u>help</u>.&#160; But soon, he realized this didn&#8217;t <u>pay</u> very well.&#160; And so, he found a <u>scam</u>.&#160; </p>
<p><u>Taken in</u>:&#160; Glory would buy water for a nickel a bottle and then sell it for a dollar.&#160; All the while, he was looking for any old <u>queer</u> who might <u>support</u> him&#8230; or a <u>job</u>.&#160; Though, either way, he had no intention of ever <u>putting out</u>. </p>
<p><u>Set up</u>:&#160; In <u>jail</u>, Glory was <u>sodomized</u>.&#160; When he was released, he went looking for <u>girls</u> to <u>bugger</u>.&#160; Using his <u>metaphorical</u> whip, he could <u>tame</u> any of them.&#160; He&#8217;d scratch their tummy with it.&#160; Then he&#8217;d hit them over the head with it.&#160; And so, unsure of what to <u>expect</u>, they would back up and roll over when he pulled it out. </p>
<p>(Glory often <u>imagined</u> what the inside of his own hole was like.&#160; He <u>contemplated</u> this as he inserted things there.&#160; He felt <u>dirty</u> like that.&#160; And, he liked <u>feeling</u> this way). </p>
<p><u>Put down</u>:&#160; Being with girls would always make Glory feel like less of a <u>man</u>.&#160; <u>Women</u> seemed to be <u>laughing</u> at him.&#160; They&#8217;d <u>call him names</u> (<u>Homo</u>).&#160; And this <u>turned him on</u>!&#160; Then, <u>ashamed</u> of his feelings, he&#8217;d reassert his <u>masculinity</u> (sometimes with a little too much <u>bravado</u>). </p>
<p><u>Domesticated</u>:&#160; And in this way, Glory became a man like those he met in <u>prison</u>.&#160; True, sometimes he would still <u>purr</u> like a <u>pussycat</u> (though he meant to <u>growl</u> like a <u>lion</u>).&#160; But more often, he would <u>snap</u>&#8230; when he might have, otherwise, been <u>provided for</u>. </p>
<p>Glory <u>regressed</u>:&#160; Wasn’t he a <u>child</u> when he first realized that all girls have their <u>manhood</u> taken from them this way?&#160; Yes!&#160; That&#8217;s why he felt sick to his stomach when he looked down there. </p>
<p>Glory <u>re-membered</u>:&#160; In Jr. High, he&#8217;d simulate this feeling of <u>disgust</u> by pulling the wings off of flies or by <u>torturing</u> some other small animal.&#160; (And sometimes, he would <u>set fire</u> to things and feel hot all over.&#160; Those times, he&#8217;d have strange <u>dreams</u> and wake up with his sheets all wet). </p>
<p>Then:&#160; He had <u>fantasized</u> about being in the <u>military</u>.&#160; He <u>wanted</u> to visit dirty places, to <u>hurt</u> people, and to start fires.&#160; He <u>needed</u> to find cheaper <u>prostitutes</u>.&#160; And he <u>wished that he could die</u>&#8230; so that he could be a <u>hero</u>! </p>
<p>Now:&#160; He was a man.&#160; So, he <u>abused</u> men.&#160; He&#8217;d take out his whip to them, he&#8217;d get himself a stiff one, and then (because he could afford to) he&#8217;d pay a woman to love to him.&#160; Like his <u>father</u>? </p>
<p>Now and then:&#160; He was a hero&#8230;. Like his father. </p>
<p>So, this is how Glory came to speak of his <u>superiors</u> without <u>finding any fault</u>:&#160; He became them.&#160; And so, he was sent forth to <u>gather other souls</u> to them.</p>
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href="http://technorati.com/tags/superiors" rel="tag nofollow" target="_blank">superiors</a>, <a href="http://technorati.com/tags/superiority" rel="tag nofollow" target="_blank">superiority</a>, <a href="http://technorati.com/tags/fathers" rel="tag nofollow" target="_blank">fathers</a>, <a href="http://technorati.com/tags/faults" rel="tag nofollow" target="_blank">faults</a>, <a href="http://technorati.com/tags/finding+fault" rel="tag nofollow" target="_blank">finding fault</a>, <a href="http://technorati.com/tags/gathering+souls" rel="tag nofollow" target="_blank">gathering souls</a></div>
 <div class='series_links'><div style="text-align:right;"><a href='http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/' title='THE COMPLEX'>(BACK IN SERIES)</a></div> <div style="text-align:right;"><a href='http://mindrec.org/mindrec/2010/09/05/public-works/' title='PUBLIC WORKS' style="text-align:right;">(NEXT IN SERIES)</a></div></div><div class="feedflare">
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		<title>THE COMPLEX</title>
		<link>http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/</link>
		<comments>http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/#comments</comments>
		<pubDate>Sat, 28 Aug 2010 17:17:39 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[So Like That]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/</guid>
		<description><![CDATA[The complex began amidst scattered charities, private foundations, and government welfare agencies.  At that time, it was popular for TV programs to allow viewers to vote on their favorite competitors for a cell fee.  And this became feasible enough that government sponsored talent contests could be instituted in lieu of national lotteries.
In line with this [...]]]></description>
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<I>INDEX</I><ol><li><I><a href='http://mindrec.org/mindrec/2010/08/10/the-story-all-but/' title='THE STORY'>THE STORY</a></I></li><B><I><li>THE COMPLEX</li></I></B><li><I><a href='http://mindrec.org/mindrec/2010/08/31/reps/' title='REPS'>REPS</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/09/05/public-works/' title='PUBLIC WORKS'>PUBLIC WORKS</a></I></li></ol>
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</div>
</div> <p>The <span style="text-decoration: underline;">complex</span> began amidst scattered <span style="text-decoration: underline;">charities</span>, private <span style="text-decoration: underline;">foundations</span>, and government <span style="text-decoration: underline;">welfare</span> agencies.  At that time, it was popular for <span style="text-decoration: underline;">TV</span> programs to allow <span style="text-decoration: underline;">viewers</span> to <span style="text-decoration: underline;">vote</span> on their favorite <span style="text-decoration: underline;">competitors </span>for a cell fee.  And this became feasible enough that government sponsored <span style="text-decoration: underline;">talent</span> contests could be instituted in lieu of national <span style="text-decoration: underline;">lotteries</span>.</p>
<p>In line with this new focus, the requirements for <span style="text-decoration: underline;">government benefits</span> became more and more skill oriented.</p>
<p>Private foundations extended their backing to a greater number of promising <span style="text-decoration: underline;">individuals</span>.  And charities expanded their support of <span style="text-decoration: underline;">the arts</span> to include more of the <span style="text-decoration: underline;">skilled crafts</span>.  Both were hoping to capitalize on the new <span style="text-decoration: underline;">competency</span> mandates.  Soon, these organizations were awarded oversight of <span style="text-decoration: underline;">public assistance</span> programs.  And this quickly resulted in one centralized network whose main function was to provided <span style="text-decoration: underline;">funds</span> for anyone of any talent.</p>
<p>Meanwhile, people had also started using their <span style="text-decoration: underline;">personal devices</span> to vote for each other (for <span style="text-decoration: underline;">fun</span>).  But since these votes could be instantly tallied to determine an individual&#8217;s <span style="text-decoration: underline;">growth</span> and <span style="text-decoration: underline;">potential</span>, brokers started evaluating people along with other <span style="text-decoration: underline;">stocks</span>.  And because this information was available on <span style="text-decoration: underline;">the net</span> and could easily be accessed by anyone with a <span style="text-decoration: underline;">smart card</span>, <span style="text-decoration: underline;">credit</span> (and eventually <span style="text-decoration: underline;">cash</span>) was being completely phased out in favor of <span style="text-decoration: underline;">privilege</span>.</p>
<p>A person&#8217;s privileges-earned came to be calculated by a fairly simple formula.  The formula took into consideration <span style="text-decoration: underline;">value</span>, <span style="text-decoration: underline;">worth</span>, votes cast, votes received, and the weight of each vote (which, in turn, was based on the value or worth of the individual casting the vote).</p>
<p>Value was determined by self-voting (it happened).  Or value was determined by the number of times a person voted for someone who voted for him in return (<span style="text-decoration: underline;">couples</span> played this game).  Plus, value increased as votes accumulated <span style="text-decoration: underline;">interest</span>, over time.</p>
<p>Worth was determined by other&#8217;s votes (as people voted&#8230; instead of paying for <span style="text-decoration: underline;">services</span> rendered, for instance).  And when a person&#8217;s worth was not commensurate to their value, private foundations and public charities kicked in to make up the difference.</p>
<p><span style="text-decoration: underline;">Wireless companies</span> grew so huge and were bailed out so many times that they were finally forced to take responsibility for all <span style="text-decoration: underline;">charitable debt</span>.  Conn-Ed became the industry giant.  Conn-Ed insured stock that was over valued in comparison to its worth.  This led to even more frivolous uses of <span style="text-decoration: underline;">technology</span> and Conn-Ed&#8217;s privileges skyrocketed.  Plus, it gave them an interest in the <span style="text-decoration: underline;">winners</span>.</p>
<p>The <span style="text-decoration: underline;">prison system</span> and the <span style="text-decoration: underline;">military</span> came to control all <span style="text-decoration: underline;">private debt</span>.  This firm became known as The Joint.  The Joint bet on the stocks which were worth the most.  And by having their hands in the pot, they became privy to important information about <span style="text-decoration: underline;">individual preference</span> from which they created the <span style="text-decoration: underline;">psychological assessments</span> they used to <span style="text-decoration: underline;">profile</span> the <span style="text-decoration: underline;">losers</span>.</p>
<p>Conn-Ed and The Joint merged but maintained their separate identities.  This mirrored the <span style="text-decoration: underline;">two party system</span> most people seemed to prefer.   It gave the illusion of <span style="text-decoration: underline;">choice</span>.  It retained <span style="text-decoration: underline;">separation-of-powers</span>, <span style="text-decoration: underline;">checks-and-balances</span> and <span style="text-decoration: underline;">adversarial law</span>.  And, most importantly, it kept the <span style="text-decoration: underline;">economics</span> of <span style="text-decoration: underline;">competition</span> alive in the absence of a <span style="text-decoration: underline;">profit motive</span>.</p>
<p>The Complex was formed.  The Complex!  The title referred to both the new <span style="text-decoration: underline;">government</span> and also to the giant stadium mall they were building to house the national contest.  The <span style="text-decoration: underline;">Contest</span> determined who was <span style="text-decoration: underline;">qualified</span> for top positions.  And talents of every imaginable kind were verified at all levels by The <span style="text-decoration: underline;">Review</span>.</p>
<p>A vote for your favorite <span style="text-decoration: underline;">candidate</span> is a vote for your government!</p>
<p>People <span style="text-decoration: underline;">bought in</span>.  Some <span style="text-decoration: underline;">sold out</span>.  These coupled or joined <span style="text-decoration: underline;">groups</span>.  They became Demos.  Demos voted for each other and saved their votes.  And they came to understand themselves in terms of how much they were valued.  The Demo mindset was most beneficial for anyone wishing to earn the benevolent support of Conn-Ed.</p>
<p>If people were <span style="text-decoration: underline;">skilled</span>, however, they displayed their talents publicly.  Every consecutive vote accrued weight and added to an individual&#8217;s <span style="text-decoration: underline;">self-worth</span>.  As such, these individuals (or Reps) were sure to attract The Joint&#8217;s attention.  And, <span style="text-decoration: underline;">glory</span> was bound to follow&#8230;.</p>
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 <div class='series_links'><div style="text-align:right;"><a href='http://mindrec.org/mindrec/2010/08/10/the-story-all-but/' title='THE STORY'>(BACK IN SERIES)</a></div> <div style="text-align:right;"><a href='http://mindrec.org/mindrec/2010/08/31/reps/' title='REPS' style="text-align:right;">(NEXT IN SERIES)</a></div></div><div class="feedflare">
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		<title>THE STORY</title>
		<link>http://mindrec.org/mindrec/2010/08/10/the-story-all-but/</link>
		<comments>http://mindrec.org/mindrec/2010/08/10/the-story-all-but/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 15:20:00 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/08/10/the-story-all-but/</guid>
		<description><![CDATA[SUCH AS THIS IS (SO LIKE THAT)
by Brett Robertson 
Introduction 
Introducing the twin, Pride, and the twin, Power.  They two, together, are as One: The Twin.  Nothing gets by Him! 
Synopsis 
A disturbance takes place in the town of Devil&#8217;s Folly mirroring a revolt in Heaven.  The transformation of The Twin suggests that the angels [...]]]></description>
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<I>INDEX</I><ol><B><I><li>THE STORY</li></I></B><li><I><a href='http://mindrec.org/mindrec/2010/08/28/the-complex-part-1/' title='THE COMPLEX'>THE COMPLEX</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/08/31/reps/' title='REPS'>REPS</a></I></li><li><I><a href='http://mindrec.org/mindrec/2010/09/05/public-works/' title='PUBLIC WORKS'>PUBLIC WORKS</a></I></li></ol>
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</div>
</div> <p><span style="font-size: medium;">SUCH AS THIS IS (SO LIKE THAT)<br />
by Brett Robertson </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Introduction</span></strong> </span></p>
<p><span style="font-size: medium;">Introducing the <span style="text-decoration: underline;">twin</span>, Pride, and the twin, Power.  They two, together, are as One: The Twin.  Nothing gets by Him! </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Synopsis</span></strong> </span></p>
<p><span style="font-size: medium;">A disturbance takes place in the town of Devil&#8217;s Folly mirroring a revolt in <span style="text-decoration: underline;">Heaven</span>.  The <span style="text-decoration: underline;">transformation</span> of The Twin suggests that the <span style="text-decoration: underline;">angels</span> <span style="text-decoration: underline;">Gabriel</span> and <span style="text-decoration: underline;">Michael</span>, who monitor the side entrances, might switch guard.  The central gates would be sealed!  This could signal the beginning of a new <span style="text-decoration: underline;">kingdom</span> in the world of Is Land. </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Thesis</span></strong> </span></p>
<p><span style="font-size: medium;">The Twin goes searching for manly <span style="text-decoration: underline;">talents</span> only to discover that a <span style="text-decoration: underline;">feminine</span> influence is making his world <span style="text-decoration: underline;">impotent</span>&#8230; that is, until he brings a <span style="text-decoration: underline;">fraternal</span> <span style="text-decoration: underline;">order</span> to bear upon the <span style="text-decoration: underline;">chaos</span>. </span></p>
<p><span style="font-size: medium;">(As such, the story offers <span style="text-decoration: underline;">hope</span> that <span style="text-decoration: underline;">women</span> might yet be <span style="text-decoration: underline;">redeemed</span>.) </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Explanation</span></strong> </span></p>
<p><span style="font-size: medium;">Traditionally, <span style="text-decoration: underline;">sons</span> are said to enter <span style="text-decoration: underline;">Hell</span> to save their <span style="text-decoration: underline;">mothers</span>.  In this <span style="text-decoration: underline;">tragicomedy</span>, the kingdom of mothers and <span style="text-decoration: underline;">fathers</span> is a <span style="text-decoration: underline;">parody</span> of heaven.  Therefore, the <span style="text-decoration: underline;">heroes</span> join their world in an <span style="text-decoration: underline;">irreverent</span> fashion and by a most <span style="text-decoration: underline;">profane</span> <span style="text-decoration: underline;">communion</span>.  Thus, the story world might be understood as a fallen <span style="text-decoration: underline;">Eden</span> where all the <span style="text-decoration: underline;">characters</span> represent different <span style="text-decoration: underline;">embodiments</span> of a twin <span style="text-decoration: underline;">divinity</span>, <span style="text-decoration: underline;">God-Devil</span> (<span style="text-decoration: underline;">conjoined</span>). </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">The Science</span></strong> </span></p>
<p><span style="font-size: medium;">The <span style="text-decoration: underline;">Null Hypothesis</span> suggests there is a zero percent <span style="text-decoration: underline;">chance</span> that we <span style="text-decoration: underline;">exist</span>&#8230; to some degree of <span style="text-decoration: underline;">error</span>.  This is to say, <span style="text-decoration: underline;">mathematics</span> establishes <span style="text-decoration: underline;">statistical</span> <span style="text-decoration: underline;">correlation</span> by denying <span style="text-decoration: underline;">causation</span>. </span></p>
<p><span style="font-size: medium;">In support of this <span style="text-decoration: underline;">hypothesis</span>, <span style="text-decoration: underline;">Chaos Theory</span> confirms that all possible combinations of error will occur on the border between <span style="text-decoration: underline;">chance-existence</span> and <span style="text-decoration: underline;">non-existence</span>. </span></p>
<p><span style="font-size: medium;">However, we may similarly assert that we exist.  There is a 100 % chance that we do!  And we may claim this with 100 % certainty.  That is, we may use the Null Hypothesis to prove <span style="text-decoration: underline;">causation</span>. </span></p>
<p><span style="font-size: medium;">Herein lie the laws of <span style="text-decoration: underline;">order</span> and the formulae for creating <span style="text-decoration: underline;">life</span>. </span></p>
<p><span style="font-size: medium;"><strong>The Backstory</strong> (The <span style="text-decoration: underline;">Fiction</span>)</span></p>
<p><span style="font-size: medium;">Somewhere between the <span style="text-decoration: underline;">polarities</span> represented by a father and a mother exists the potential for new life.  But first He-She must have existed, The God-Devil.  For certainly, If <span style="text-decoration: underline;">male</span> and <span style="text-decoration: underline;">female</span> make they him and her; then, male and female made He-She them?! </span></p>
<p><span style="font-size: medium;">Because He existed in all <span style="text-decoration: underline;">space</span> and <span style="text-decoration: underline;">time</span>, <span style="text-decoration: underline;">physical representations</span> of The One (<span style="text-decoration: underline;">The Father</span>) and <span style="text-decoration: underline;">temporal permutations</span> of The Only (<span style="text-decoration: underline;">The Son</span>) were impossible.  In effect, <span style="text-decoration: underline;">maleness</span> could not <span style="text-decoration: underline;">manifest</span> physically in a pure form.  So <span style="text-decoration: underline;">Adam</span> was created as the one and only <span style="text-decoration: underline;">hu-man</span>.  And <span style="text-decoration: underline;">man-kind</span> came to <span style="text-decoration: underline;">embody</span> a <span style="text-decoration: underline;">masculine spirit</span>. </span></p>
<p><span style="font-size: medium;">But for Her:  Whereby, the one and only took the form of<span style="text-decoration: underline;"> The One</span> and <span style="text-decoration: underline;">The Only</span> (<span style="text-decoration: underline;">coupled</span>).  As such, <span style="text-decoration: underline;">Adam</span> lost <span style="text-decoration: underline;">dominion</span>.  Thus he was <span style="text-decoration: underline;">ashamed</span> and hid his <span style="text-decoration: underline;">gender</span>.  And thereby, the <span style="text-decoration: underline;">spirit</span> which breathed life into him came to be known by the <span style="text-decoration: underline;">emotion</span> of women and <span style="text-decoration: underline;">couples</span>. </span></p>
<p><span style="font-size: medium;">So says the <span style="text-decoration: underline;">Jealous</span> <span style="text-decoration: underline;">God</span>! </span></p>
<p><span style="font-size: medium;">And though the <span style="text-decoration: underline;">truth</span> of this might be revealed in due time as it regards the <span style="text-decoration: underline;">potential</span> of any man over time (that is, regarding <span style="text-decoration: underline;">Holy Spirit</span>); yet, this book is not that book. </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Front Plate</span></strong> </span></p>
<p><span style="font-size: medium;">1) All possible combinations of a thing must occur on the border that encircles its two most extreme points and 2) this will be expressed in perfect order (<span style="text-decoration: underline;">The Law of Order</span>). </span></p>
<p><strong><span style="font-size: medium;"><span style="text-decoration: underline;">Dedication</span> </span></strong></p>
<p><span style="font-size: medium;">Because it came to pass, once upon a time, whereby God-Devil became incarnate as The One and The Only.  And, for this, it was a <span style="text-decoration: underline;">miracle</span> by which He-She became a twin.  But, for that, He was not conjoined!  And, as such, it remains a <span style="text-decoration: underline;">holy mystery</span> in that the both of them were male. </span></p>
<p><span style="font-size: medium;">This book is dedicated to <span style="text-decoration: underline;">The One and Only</span>. </span></p>
<p><strong><span style="font-size: medium;"><span style="text-decoration: underline;">Preface</span> </span></strong></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Fraternal twins</span>.  One coin.  Two sides.  <span style="text-decoration: underline;">Chance</span> expressed as <span style="text-decoration: underline;">coexistent</span> order.  And so, any possible eventuality might be decided by a toss of their heads. </span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">Entitlement</span></strong> </span></p>
<p><span style="font-size: medium;">The story of how I, a fraternal twin, arrived at my solution to the problem of <span style="text-decoration: underline;">good and evil</span>: </span></p>
<p><span style="font-size: medium;">1. Either The One or The Other.  2. Neither The One nor The Other.  3. Both The One and The Other.  4. But The One not The Other&#8230;. </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">SUCH AS THIS IS SO LIKE THAT</span></span></p>
<div id="scid:0767317B-992E-4b12-91E0-4F059A8CECA8:96b5e394-8e40-46a2-8c73-e81ce71e88c1" class="wlWriterEditableSmartContent" style="padding-bottom: 0px; margin: 0px; padding-left: 0px; padding-right: 0px; display: inline; float: none; padding-top: 0px">Technorati Tags: <a rel="tag nofollow" href="http://technorati.com/tags/introduction" target="_blank">introduction</a>, <a rel="tag nofollow" href="http://technorati.com/tags/twins" target="_blank">twins</a>, <a rel="tag nofollow" href="http://technorati.com/tags/heaven" target="_blank">heaven</a>, <a rel="tag nofollow" href="http://technorati.com/tags/transformation" target="_blank">transformation</a>, <a rel="tag nofollow" href="http://technorati.com/tags/angels" target="_blank">angels</a>, <a rel="tag nofollow" href="http://technorati.com/tags/Gabriel" target="_blank">Gabriel</a>, <a rel="tag nofollow" href="http://technorati.com/tags/Michael" target="_blank">Michael</a>, <a rel="tag nofollow" 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<p><span style="font-size: medium;"> </span></p>
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		<title>The Fellows (Character Types)</title>
		<link>http://mindrec.org/mindrec/2010/08/08/the-fellows-character-types/</link>
		<comments>http://mindrec.org/mindrec/2010/08/08/the-fellows-character-types/#comments</comments>
		<pubDate>Mon, 09 Aug 2010 01:30:22 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/08/08/the-fellows-character-types/</guid>
		<description><![CDATA[The Phalli (The Fellows)
Those of the Devil&#8217;s Folly are predominantly intersexuals:&#160; Due to interrelationships between males and females most individuals have become mixed.&#160; Men and women are coupled together.&#160; Many of the boys prefer girls over their own kind.&#160; And just as many girls seem to prefer boys.&#160; 
People hide their genders by covering their [...]]]></description>
			<content:encoded><![CDATA[<p><font size="4">The <u>Phalli</u> (The <u>Fellows</u>)</font></p>
<p><font size="4">Those of the Devil&#8217;s Folly are predominantly <u>intersexuals</u>:&#160; Due to <u>interrelationships</u> between <u>males</u> and <u>females</u> most <u>individuals</u> have become mixed.&#160; <u>Men</u> and <u>women</u> are <u>coupled</u> together.&#160; Many of the <u>boys</u> prefer <u>girls</u> over their own kind.&#160; And just as many girls seem to <u>prefer</u> boys.&#160; </font></p>
<p><font size="4"><u>People</u> hide their <u>genders</u> by covering their <u>sex organs</u> in public.&#160; Some are <u>ashamed</u> of their <u>birth sex</u>.&#160; Others are <u>afraid</u> of <u>being turned</u> in <u>public</u>.&#160; <u>Sexual pleasure</u> is now used to <u>dominate</u> others. </font></p>
<p><font size="4"><u>Exclusive</u> one-on-one <u>relationships</u> are formed, until <u>death</u>, to determine which individual will prevail.&#160; And so <u>public life</u> has become as a <u>popularity contest</u> where the winner might be chosen according to who receives the most <u>votes</u>.&#160; As well, intersexuals may hold <u>group competitions</u> (often of a <u>violent</u> nature) to decide between the <u>winners</u> and the <u>losers</u>.&#160; But anyway, the men are <u>superior</u>&#8230;. </font></p>
<p><font size="4">And this has led to the establishment, by women, of a <u>system of just-us</u>.&#160; Within this <u>penile system</u> men are <u>re-formed</u>.&#160; They are put into cages where they are trapped (as between the legs of a woman) until they <u>submit</u> and <u>demean</u> themselves.&#160; And though it is said that men in jail regularly <u>turn out</u> other men; more often, such merely become <u>woe-men</u> (either <u>con-men</u> or <u>queens</u> rather than <u>kings</u>).&#160; </font></p>
<p><font size="4">Collectively, this culminates in <u>war</u>.&#160; Wars are <u>mass entertainment</u> for The <u>In-humans</u>.&#160; Of everything they understand, they understand <u>opposition</u> best.&#160; Such <u>enslave</u> mortal <u>souls</u> and send boys, in the prime of their lives, to kill their own in mass quantities or to be killed themselves.&#160; Sometimes these also return with their <u>gender</u> intact&#8230; <u>mercifully</u>.&#160; </font></p>
<p><font size="4">So, <u>cross dressers</u> and <u>transgenders</u> are just a few of the fun and interesting <u>characters</u> one may find in Devil&#8217;s Folly.&#160; There are women who <u>degrade</u> themselves for <u>money</u>.&#160; And there are men who use <u>weapons</u> and other <u>phallic substitutes</u> (including special <u>drugs</u>) in an attempt to recover their <u>masculinity</u>.&#160; Plus those of <u>natural talents</u> sometimes put on <u>displays</u>. </font></p>
<p><font size="4"><u>Spectators</u> respond by <u>showing their teeth</u>.&#160; Though, due to widespread <u>impotence</u>, this is no longer perceived as a <u>threat</u>.&#160; As such, it doesn&#8217;t indicate <u>dominance</u> or superiority.&#160; In fact, it is considered a sign of <u>sociability</u>:&#160; One <u>emasculated</u> individual often greets another this way in <u>recognition</u> and <u>acceptance</u> of our shared <u>humiliation</u>.</font></p>
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		<title>The Scion (An Offshoot World)</title>
		<link>http://mindrec.org/mindrec/2010/07/15/the-scion-an-offshoot-world/</link>
		<comments>http://mindrec.org/mindrec/2010/07/15/the-scion-an-offshoot-world/#comments</comments>
		<pubDate>Thu, 15 Jul 2010 23:47:00 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/07/24/the-scion-an-offshoot-world/</guid>
		<description><![CDATA[The DNA twins operate by a process I might call fraternization.  In fraternization (as it is commonly understood&#8230; with a twist), two people from diverse backgrounds interact (loosely &#8216;mate&#8217;&#8230; in effect, they gossip &#8216;over the fence&#8217;).  The resulting &#8216;child&#8217; memetic idea (a combination of ideas which, perhaps, hasn&#8217;t been tried before) may signal the creation [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;">The <span style="text-decoration: underline;">DNA</span> <span style="text-decoration: underline;">twins</span> operate by a process I might call <span style="text-decoration: underline;">fraternization</span>.  In fraternization (as it is commonly understood&#8230; with a twist), two people from diverse backgrounds interact (loosely <span style="text-decoration: underline;">&#8216;mate&#8217;</span>&#8230; in effect, they <span style="text-decoration: underline;">gossip</span> &#8216;over the fence&#8217;).  The resulting <span style="text-decoration: underline;">&#8216;child&#8217;</span> <span style="text-decoration: underline;">memetic</span> <span style="text-decoration: underline;">idea</span> (a combination of ideas which, perhaps, hasn&#8217;t been tried before) may signal the <span style="text-decoration: underline;">creation</span> of something <span style="text-decoration: underline;">revolutionary</span> (a new genre of music, for example&#8230; WE WILL ROCK YOU and the birth of <span style="text-decoration: underline;">rap</span>&#8230; assuming <span style="text-decoration: underline;">Freddie Mercury</span> wrote the song after fraternizing with an <span style="text-decoration: underline;">African American</span> boy).  Though perhaps it (also) creates a new <span style="text-decoration: underline;">epidemic</span> <span style="text-decoration: underline;">disease</span> (<span style="text-decoration: underline;">AIDS</span>&#8230; ANOTHER ONE BITES THE DUST). </span></p>
<p><span style="font-size: medium;">NOTE:  The twin (fraternal) DNA also produces a (an <span style="text-decoration: underline;">evolutionary</span>… or revolutionary) <span style="text-decoration: underline;">talent</span> as a side-effect. </span></p>
<p><span style="font-size: medium;">NOTE: AIDS operates by a similar process (AIDS DNA double helices are created, or translated, from single strand <span style="text-decoration: underline;">RNA</span>&#8230; very unusual). [Am I suggesting here that the <span style="text-decoration: underline;">technology</span> is a potential <span style="text-decoration: underline;">cure for AIDS</span>?  This <span style="text-decoration: underline;">universe</span> is an <span style="text-decoration: underline;">alternate universe</span> to the AIDS universe?  Surely, within the world of AIDS, such ideas might arise.] </span></p>
<p><span style="font-size: medium;">NOTE: <span style="text-decoration: underline;">Synthetic</span> <span style="text-decoration: underline;">insulin</span> was created by this method (an interesting story, the synthetic version isn&#8217;t as good but they took the natural insulins off the market thereby forcing people to use the synthetic version [This story gives a glimpse into the <span style="text-decoration: underline;">ethics</span> of <span style="text-decoration: underline;">creating synthetic life</span>]).  Anyway, this is important because there is a name for the <span style="text-decoration: underline;">protein</span> derived from such a <span style="text-decoration: underline;">process</span> (and insulin is an example of this protein).  If I want to use the correct <span style="text-decoration: underline;">terminology</span>, I will have to pay better attention to the <span style="text-decoration: underline;">research</span> (however, the simple story I began with is now starting to sound like a <span style="text-decoration: underline;">medical novel</span>). </span></p>
<p><span style="font-size: medium;">NOTE:  Being <span style="text-decoration: underline;">utopian</span> (<span style="text-decoration: underline;">heaven on earth</span>) rather than <span style="text-decoration: underline;">dystopian</span>, there are indications that certain negative <span style="text-decoration: underline;">social</span> phenomenon are passing away (or have been done away with) namely <span style="text-decoration: underline;">war</span> and <span style="text-decoration: underline;">jail</span>&#8230; though perhaps even more telling, <span style="text-decoration: underline;">money</span> (already mentioned) and&#8230; MATING?!?! [The story on one level is about a process that is LIKE human <span style="text-decoration: underline;">reproduction</span>, <span style="text-decoration: underline;">genetic</span> <span style="text-decoration: underline;">replication</span>, but it is proposed as a technological advance to reproduction]. </span></p>
<p><span style="font-size: medium;">In fact, fraternization has modified [or is a modification of] (<span style="text-decoration: underline;">religion</span>&#8230; religious) <span style="text-decoration: underline;">communion</span> [a comparison between twins and <span style="text-decoration: underline;">marriage</span> and a contrast between communion and <span style="text-decoration: underline;">consummation</span>… only regarding that which is consumed, or <span style="text-decoration: underline;">transubstantiated</span> as the case might be].  And so it is either a <span style="text-decoration: underline;">sacrilege</span>, an improvement on creation [similar to how replication is an improvement on reproduction.  A <span style="text-decoration: underline;">re-creation</span>] (a <span style="text-decoration: underline;">god DNA</span>) , or even the process for bringing about a <span style="text-decoration: underline;">second coming</span> (<span style="text-decoration: underline;">JESUS&#8217; DNA</span>). </span></p>
<p>…</p>
<p><span style="font-size: medium;">Telling a <span style="text-decoration: underline;">story</span> places the <span style="text-decoration: underline;">narrator</span> at the center of <span style="text-decoration: underline;">conscience</span>. </span></p>
<p><span style="font-size: medium;">One may have a conscience, it is said.  And one may be <span style="text-decoration: underline;">aware</span> of ones conscience as a thing which operates independently of oneself.  That is, one may be <span style="text-decoration: underline;">self aware</span> and also <span style="text-decoration: underline;">self conscious</span>.  As such, one becomes <span style="text-decoration: underline;">conscientious</span> (or <span style="text-decoration: underline;">consciously aware</span>) and, perhaps, <span style="text-decoration: underline;">selfless</span>. </span></p>
<p><span style="font-size: medium;">So:  The conscience exists in some relation to the <span style="text-decoration: underline;">self</span> which is conscious.  And it operates in some realm of the awareness.  But it functions in a way that goes beyond oneself (and such that it seems, itself, to be conscious).  In fact, the conscience is a <span style="text-decoration: underline;">self-sustaining process</span>.  It is the  <span style="text-decoration: underline;">mechanism</span> by which (self) consciousness leads to (self) awareness. </span></p>
<p><span style="font-size: medium;">The way it does this is by <span style="text-decoration: underline;">reflecting</span> those things which are <span style="text-decoration: underline;">selfish</span> back to oneself (through <span style="text-decoration: underline;">self reflection</span>) and so by <span style="text-decoration: underline;">attributing</span> (or <span style="text-decoration: underline;">projecting</span>) those things which cause one to be self conscious to the act of being conscious (or upon <span style="text-decoration: underline;">consciousness</span>, itself).  This is to say, conscience attributes degrees of self consciousness to the fact that one is conscious of oneself, to the degree that one is conscious of oneself, such that one is (only thereby) conscious. </span></p>
<p><span style="font-size: medium;">In effect, the conscience removes self from the equation (<span style="text-decoration: underline;">self-conscious-awareness</span>) allowing one to be consciously aware&#8230;. to be indirectly aware of the conscience&#8230; and so to be <span style="text-decoration: underline;">passively self aware</span> (or aware of oneself as a person of conscience&#8230; and as one who is therefore capable of acting in a conscientious manner). </span></p>
<p><span style="font-size: medium;">This passive self awareness may also make one self conscious in the sense that one has the feeling that one is being watched.  And because of this, one may remove oneself from ones <span style="text-decoration: underline;">social reality</span> and approach reality as one so removed.  Such often become <span style="text-decoration: underline;">dissociated</span> (they <span style="text-decoration: underline;">break from reality</span>).  But, they may break only to <span style="text-decoration: underline;">fix</span> themselves.  And they may fix themselves by <span style="text-decoration: underline;">fixating</span> (<span style="text-decoration: underline;">fiction</span>).</span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Transfixion</span> is a <span style="text-decoration: underline;">fixation</span> on <span style="text-decoration: underline;">death</span> (by degree of <span style="text-decoration: underline;">unconsciousness</span>).  <span style="text-decoration: underline;">Cross fixation</span> is transfixion upon a <span style="text-decoration: underline;">savior</span>, or <span style="text-decoration: underline;">father figure</span> (self reflection as <span style="text-decoration: underline;">introjection</span>).  <span style="text-decoration: underline;">Crucifixion</span> (the <span style="text-decoration: underline;">prototype</span> of cross fixation) is where the self finds itself in relation to death or <span style="text-decoration: underline;">mortality</span> (introjection is thus understood as an <span style="text-decoration: underline;">internalization</span> of the father… as conscience).  And so <span style="text-decoration: underline;">cross transference</span> is <span style="text-decoration: underline;">blame</span> for crucifixion (self as father to oneself, or <span style="text-decoration: underline;">son</span> as <span style="text-decoration: underline;">sire</span>).  Thereby, one may be with <span style="text-decoration: underline;">scion</span> in a new consciousness, or <span style="text-decoration: underline;">con-scion</span>). </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">Scion fixation</span>, then, is the beginning of <span style="text-decoration: underline;">science fiction</span>. (whether scion is understood as king, <span style="text-decoration: underline;">son</span>, or <span style="text-decoration: underline;">graft</span>).</span></p>
<p><span style="font-size: medium;">We have found two paths to consciousness!  We have become as one walking within consciousness.  Perhaps we even create that consciousness as an <span style="text-decoration: underline;">alternate reality</span>.  We have seen how this can be accomplished through fixation.  When the <span style="text-decoration: underline;">narrative</span> involves an <span style="text-decoration: underline;">alternate time line</span>, this kind of fixation is called fiction.  And when that fiction also involves an <span style="text-decoration: underline;">alternate </span>(social) <span style="text-decoration: underline;">reality</span>, that form of fiction is science fiction. </span></p>
<p><span style="font-size: medium;">Conscience is con-<span style="text-decoration: underline;">science</span> is con-scion.  Fixation is fiction.  And scion fixation is science fiction.  In science fiction, the alternate reality formed most often centers around a new technology because the scion, or son, is the father extended through time.  This is to say, the <strong>first in line</strong> is the individual as <span style="text-decoration: underline;">archetype</span>.  And so the <span style="text-decoration: underline;">technique</span> of the scion is science (such that the archetype is also the <span style="text-decoration: underline;">prototype</span>). </span></p>
<p><span style="font-size: medium;">A <span style="text-decoration: underline;">scientist</span> shouldn&#8217;t create an <span style="text-decoration: underline;">invention</span> which would kill himself.  And, perhaps, this is prohibited by conscience.  Well, <span style="text-decoration: underline;">military intelligence</span> doesn&#8217;t invent&#8230; it steals inventions from &#8216;the enemy&#8217;.  Anyway, a <span style="text-decoration: underline;">writer</span> shouldn&#8217;t <span style="text-decoration: underline;">write</span> so as to create a <span style="text-decoration: underline;">reality</span> within which the <span style="text-decoration: underline;">story</span> &#8216;dies&#8217; (perhaps the reason some stories work and others don&#8217;t). </span></p>
<p><span style="font-size: medium;">If the story crucifies the <span style="text-decoration: underline;">characters</span>, then a dystopian society is indicated.  And so, <span style="text-decoration: underline;">dystopian literature</span> requires a <span style="text-decoration: underline;">hero</span> who is outside of society.  Yet in the world of science fiction, the realm should exist unto itself.  And, as such, science fiction is <span style="text-decoration: underline;">utopian literature</span>. </span></p>
<p><span style="font-size: medium;">Science fiction is utopian literature.  The <span style="text-decoration: underline;">science fiction writer</span> creates a viable alternate reality.  As such the reality of the science fiction writer is <span style="text-decoration: underline;">prophetic</span>.  And so the <span style="text-decoration: underline;">SciFi</span> writer, himself, plays a part in the <span style="text-decoration: underline;">salvation of the world</span> (even, perhaps, while creating a <span style="text-decoration: underline;">new earth</span>&#8230; and a <span style="text-decoration: underline;">new heaven</span>).</span></p>
<div id="scid:0767317B-992E-4b12-91E0-4F059A8CECA8:1860d32d-b3bd-485c-9810-42aacd05bad6" class="wlWriterEditableSmartContent" style="padding-bottom: 0px; margin: 0px; padding-left: 0px; padding-right: 0px; display: inline; float: none; padding-top: 0px">Technorati Tags: <a rel="tag nofollow" href="http://technorati.com/tags/DNA" target="_blank">DNA</a>, <a rel="tag nofollow" href="http://technorati.com/tags/twins" target="_blank">twins</a>, <a rel="tag nofollow" href="http://technorati.com/tags/fraternization" target="_blank">fraternization</a>, <a rel="tag nofollow" href="http://technorati.com/tags/mating" target="_blank">mating</a>, <a rel="tag nofollow" href="http://technorati.com/tags/gossiping" target="_blank">gossiping</a>, <a rel="tag nofollow" href="http://technorati.com/tags/children" target="_blank">children</a>, <a rel="tag nofollow" href="http://technorati.com/tags/memetics" target="_blank">memetics</a>, <a rel="tag nofollow" href="http://technorati.com/tags/ideas" 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<p><span style="font-size: medium;"> </span></p>
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		<title>Medium and Message (Story Development)</title>
		<link>http://mindrec.org/mindrec/2010/07/13/medium-and-message-story-development/</link>
		<comments>http://mindrec.org/mindrec/2010/07/13/medium-and-message-story-development/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 17:02:00 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/07/13/medium-and-message-story-development/</guid>
		<description><![CDATA[CLOTHING: 
People dress like their favorite historical figure.  There are popular historical figures of the day:  Some groups all dress in one particular style.  But some fads [appear to] occur spontaneously.  The development of these fads [may] parallel a historical time line.  But some can be attributed to [the development of] contemporaries [some of] who [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><span style="text-decoration: underline;">CLOTHING</span>: </span></p>
<p><span style="font-size: medium;">People dress like their favorite <span style="text-decoration: underline;">historical figure</span>.  There are <span style="text-decoration: underline;">popular</span> historical figures of the day:  Some <span style="text-decoration: underline;">groups</span> all dress in one particular <span style="text-decoration: underline;">style</span>.  But some <span style="text-decoration: underline;">fads</span> [appear to] occur spontaneously.  The development of these fads [may] parallel a historical <span style="text-decoration: underline;">time line</span>.  But some can be attributed to [the development of] <span style="text-decoration: underline;">contemporaries</span> [some of] who are relatively unknown. </span></p>
<p><span style="font-size: medium;">Neckties, are they tributes to people who were hanged? </span></p>
<p><span style="font-size: medium;">*The <span style="text-decoration: underline;">medium</span> IS the <span style="text-decoration: underline;">message</span>. </span></p>
<p><span style="font-size: medium;">(Paper or Plastic?) </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">LANGUAGE</span> </span></p>
<p><span style="font-size: medium;">I have a &#8216;twist&#8217; model [in limbo] that shows how phrases like &#8216;Paper or Plastic?&#8217; apply differently to people at different <span style="text-decoration: underline;">social classes</span>.  The particular meaning indicates the person&#8217;s station in life.  And the difference in meaning keeps the one from advancing to the next level (without going through some change). </span></p>
<p><span style="font-size: medium;">I could create a new form of <span style="text-decoration: underline;">joke</span> (the twist). </span></p>
<p><span style="font-size: medium;">*The joke IS the language. </span></p>
<p><span style="font-size: medium;">[The <span style="text-decoration: underline;">intension</span> / <span style="text-decoration: underline;">intention</span> is in the play of <span style="text-decoration: underline;">words</span>... the <span style="text-decoration: underline;">word play</span> / joke... <span style="text-decoration: underline;">teleology</span> / <span style="text-decoration: underline;">tautology</span>... teleo tautology... jokes and <span style="text-decoration: underline;">riddles</span>... the <span style="text-decoration: underline;">geek</span> (yet more list making)] </span></p>
<p><a href="http://mindrec.org/mindrec/wp-content/uploads/2010/07/Geek.jpg"><span style="font-size: medium;"> </span></a><span style="font-size: medium;"><a href="http://mindrec.org/mindrec/wp-content/uploads/2010/07/Geek1.jpg" target="_blank"><img style="border-bottom: 0px; border-left: 0px; display: block; float: none; margin-left: auto; border-top: 0px; margin-right: auto; border-right: 0px" title="Geek" src="http://mindrec.org/mindrec/wp-content/uploads/2010/07/Geek_thumb1.jpg" border="0" alt="Geek" width="536" height="360" /></a></span><span style="font-size: medium;"> </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">PLAY</span> </span></p>
<p><span style="font-size: medium;">The most obvious example of this is that when a <span style="text-decoration: underline;">war</span> is about to break out, <span style="text-decoration: underline;">army toys</span> become popular again. </span></p>
<p><span style="font-size: medium;">*The toy IS the person. </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">HISTORICAL CONTEXT</span>: </span></p>
<p><span style="font-size: medium;">People repeat <span style="text-decoration: underline;">quotes</span> from <span style="text-decoration: underline;">movies</span>.  Or remember<span style="text-decoration: underline;"> plot lines</span>.  Interesting, because I can&#8217;t.  They laugh with each other and discuss different movies&#8230; repeating lines from them. This sounds completely out of place in context [to the reader] because the context is an abstract [<span style="text-decoration: underline;">'fame'</span> or <span style="text-decoration: underline;">'importance'</span>]&#8230; </span></p>
<p><span style="font-size: medium;">*The movie [<span style="text-decoration: underline;">drama</span>] IS the context. </span></p>
<p><span style="font-size: medium;">(the book is about the development of DNA Television). </span></p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;">SOCIAL STRUCTURE</span> </span></p>
<p><span style="font-size: medium;">likewise a poor person who says raahther instead of rather might have a strange effect on people though they might not understand why.  Perhaps it portends his eventual rise to <span style="text-decoration: underline;">riches</span> / though it makes him sound odd in the context of the group he&#8217;s in.  Nonetheless, this shows a tendency toward [<span style="text-decoration: underline;">imprinting</span> / <span style="text-decoration: underline;">impressing</span>] (has he deliberately picked this up from someone&#8230; or does it just happen naturally). </span></p>
<p><span style="font-size: medium;">*The <span style="text-decoration: underline;">lampoon</span> IS the social structure (for example, the <span style="text-decoration: underline;">club scene</span> is more real than <span style="text-decoration: underline;">real life</span>) </span></p>
<p><span style="font-size: medium;">In my case, <span style="text-decoration: underline;">cartoons</span> seem to be <span style="text-decoration: underline;">mockeries</span> of my own experiences (kind of a turn around on this idea). </span></p>
<p><span style="font-size: medium;">OR:  People mock others&#8230; say things in funny <span style="text-decoration: underline;">voices</span> (the old man voice, the stupid person voice).  Others laugh.  People who do this are <span style="text-decoration: underline;">popular</span>.  &#8216;Look at me.  I wear concert t-shirts.  MAN! (ha ha ha)&#8217;. </span></p>
<p><span style="font-size: medium;">*The cartoon IS the experience. </span></p>
<p><span style="font-size: medium;">People seem to be <span style="text-decoration: underline;">caricatures</span>.  They may be known by <span style="text-decoration: underline;">nicknames</span> that accentuate their <span style="text-decoration: underline;">oddities</span> (big nose, elephant ears, Bucky [buck toothed], etc). </span></p>
<p><span style="font-size: medium;">**The joke is the <span style="text-decoration: underline;">anachronism</span>. </span></p>
<p><span style="font-size: medium;">Even within a <span style="text-decoration: underline;">&#8217;scene&#8217;</span> (an <span style="text-decoration: underline;">80 s</span> style <span style="text-decoration: underline;">disco</span>), there is an order to things.  A person might wear <span style="text-decoration: underline;">polyester</span> <span style="text-decoration: underline;">bell-bottoms</span> and a silk shirt with a big collar&#8230; but he wouldn&#8217;t wear cowboy boots or he&#8217;d look odd and out of place.  Nickname:  <span style="text-decoration: underline;">Urban Cowboy</span> or <span style="text-decoration: underline;">Night Fever</span> (<span style="text-decoration: underline;">Travolta</span>&#8230; <span style="text-decoration: underline;">Hoffman</span>) </span></p>
<p><span style="font-size: medium;">But a <span style="text-decoration: underline;">70 s</span> style <span style="text-decoration: underline;">&#8216;pimp&#8217;</span> (with a velvet hat and fur coat) might fit in with both the <span style="text-decoration: underline;">gangster rappers</span> and also the <span style="text-decoration: underline;">black panther</span> movement of the early 80 s or even a <span style="text-decoration: underline;">60 s</span> <span style="text-decoration: underline;">hippy</span> protest.  If he also wears a cape, he&#8217;s <span style="text-decoration: underline;">&#8216;Rick James</span>, bitch&#8217;. </span></p>
<p><span style="font-size: medium;">*A <span style="text-decoration: underline;">parody</span> is a scene. </span></p>
<p><span style="font-size: medium;">And when (if) I put things into the book (pretentious to say that I&#8217;m writing a book)&#8230; if I create an anachronism, then how does it play? </span></p>
<p><span style="font-size: medium;">As a <span style="text-decoration: underline;">character flaw</span>?<br />
As something <span style="text-decoration: underline;">unique</span>?<br />
As a thing that makes me <span style="text-decoration: underline;">pretentious</span>?<br />
As a thing that makes me <span style="text-decoration: underline;">historically significant</span>? </span></p>
<p><span style="font-size: medium;">I think the world of the characters in the book can be a mix of things taken out of context and so mistakes will read as a clues to the development of the story (ironically&#8230; because they are insights into the <span style="text-decoration: underline;">limitations</span> and <span style="text-decoration: underline;">inclinations</span> of the author)&#8230; clues to the<span style="text-decoration: underline;"> historical trend</span>. </span></p>
<p><span style="font-size: medium;">Because the (<span style="text-decoration: underline;">Indy</span>) <span style="text-decoration: underline;">movement</span> makes it obvious that people are being pretentious.  They can be part of a scene but not call themselves Indy.   That is, the worst thing an independent could do is to step outside of his <span style="text-decoration: underline;">role</span> (like a transgender has to be called a woman or else she&#8217;s a boy who dresses like a girl.  VERY embarrassing!). </span></p>
<p><span style="font-size: medium;">But, the scene itself is a parody of a person (<span style="text-decoration: underline;">Grunge</span> IS <span style="text-decoration: underline;">Kurt Cobain</span>).  So the <span style="text-decoration: underline;">ideal</span> would be to become that person; though this is also the ultimate <span style="text-decoration: underline;">insult</span> (Who do you think you are?  Kurt Cobain?).  Thus the caricatures and nicknames. </span></p>
<p><span style="font-size: medium;">[The person as contrasted from the scene within which he finds himself... this is the formula for determining the unique characteristics of the <span style="text-decoration: underline;">individual</span>; and, re-creating the formula is as difficult for the  <span style="text-decoration: underline;">copy</span> as it initially was for the <span style="text-decoration: underline;">original</span>]. </span></p>
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		<title>God DNA (literary device)</title>
		<link>http://mindrec.org/mindrec/2010/07/12/god-dna-literary-device/</link>
		<comments>http://mindrec.org/mindrec/2010/07/12/god-dna-literary-device/#comments</comments>
		<pubDate>Mon, 12 Jul 2010 17:11:00 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/07/12/god-dna-literary-device/</guid>
		<description><![CDATA[God DNA:&#160; 
The process is a variation of cloning.&#160; Strands of (pure) DNA double helices are created in a lab using caloric* energy to naturally &#8216;marry&#8217; amino acids into neutral pairs (these lack any specific genetic encoding).&#160; The synthetic DNA (sDNA) strands react with human RNA in the body&#8230; restoring the body to health. 
*I&#8217;m [...]]]></description>
			<content:encoded><![CDATA[<p><font size="4">God DNA:&#160; </font></p>
<p><font size="4">The process is a variation of <u>cloning</u>.&#160; Strands of (pure) <u>DNA</u> double helices are created in a lab using caloric* energy to naturally &#8216;marry&#8217; amino acids into neutral pairs (these lack any specific <u>genetic</u> encoding).&#160; The synthetic DNA (sDNA) strands react with human <u>RNA</u> in the body&#8230; restoring the body to <u>health</u>. </font></p>
<p><font size="4"><strong>*I&#8217;m trying to think of a reason to kill the husband and wife&#8230; perhaps the elixir needs to be heated to the exact temperature produced by burning a human body (or incubating in a human, dead or alive)&#8230; calories as nutritional value, etc (not sure if I&#8217;m going to use this idea)</strong> </font></p>
<p><font size="4">The RNA &#8216;unzips&#8217; the sDNA breaking it back down into its component <u>amino acids</u> thus releasing caloric <u>energy</u> (one amino pairing at a time).&#160; In this way, <u>replicant</u> RNA (rRNA) and <u>synthetic</u> RNA (sRNA) &#8216;half strands&#8217; are formed [Like sex <u>chromosomes</u>, which likewise contain only half of a human <u>gene</u>].&#160; </font></p>
<p><font size="4">These <u>&#8216;prostitute&#8217;</u> chromosomes amass great amounts of caloric energy to temporarily weaken the host.&#160; Then, by a process known as <u>transubstantiation</u> (that is by releasing bursts of energy at specific wavelengths as they come into contact with each other), they cause free aminos to combine according to certain (<u>mutative</u> / <u>evolutionary</u> <u>regressive</u>) pairings in the host body.&#160; </font></p>
<p><font size="4">[As a side reaction and defense] Precursor DNA (the &#8216;twins*&#8217; srDNA and rsDNA) are formed.&#160; These <u>&#8216;convict&#8217;</u> genes empower the host&#8217;s body as they combine and recombine &#8216;lawlessly&#8217; (in an almost infinite number of possible ways) and &#8216;aggressively&#8217; (in a deliberate and ordered succession) to evolutionarily re-create the hosts original and unique<u> genetic code</u> (restoring the body to its original healthy state).</font></p>
<p><font size="4"><strong>*this suggests that I should introduce twin characters&#8230; not sure if I will.&#160; Seems researching this process would help me write about it!&#160; Also (as an alternative to calories, should I use twins, it may be that the elixir has to be injected into twins so as to extract the <u>God DNA</u>&#8230; however, I&#8217;m leaning in the direction of Man and Wife (natural offspring gets God DNA from his <u>parents</u>&#8230; and also, apparently, the <u>church</u> has a method for performing this without being in a lab).</strong> </font></p>
<p><font size="4">As a side effect, individuals often display a previously undiscovered <u>talent</u> to an extreme degree of proficiency.&#160; Some explain this side effect as an <u>evolutionary throw back</u> (<u>resurrecting</u> <u>genius</u> from our evolutionary past).&#160; Some explain it as an evolutionary progression (the <u>creation</u> of a <u>superman</u> or <u>super race</u>).&#160; Some say that, either way, it proves the existence of a <u>supreme intelligence</u> (one which is beyond physical <u>space</u> and outside of evolutionary <u>time</u>). </font></p>
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		<title>God DNA (Story Idea)</title>
		<link>http://mindrec.org/mindrec/2010/07/11/god-dna-story-idea/</link>
		<comments>http://mindrec.org/mindrec/2010/07/11/god-dna-story-idea/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 16:45:41 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[SciFi]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/07/16/god-dna-story-idea/</guid>
		<description><![CDATA[Instead of money, people are afforded privileges based on talents.  But where do these talents come from?  [Some people, it is said, are inoculated with the DNA of a famous historical figure at their birth.  Our hero is not one of these people.] 
A child is born without privilege (To sorry parents?).  The mother secretly [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;">Instead of <span style="text-decoration: underline;">money</span>, people are afforded <span style="text-decoration: underline;">privileges</span> based on <span style="text-decoration: underline;">talents</span>.  But where do these talents come from?  [Some people, it is said, are inoculated with the <span style="text-decoration: underline;">DNA</span> of a <span style="text-decoration: underline;">famous</span> <span style="text-decoration: underline;">historical</span> figure at their birth.  Our <span style="text-decoration: underline;">hero</span> is not one of these people.] </span></p>
<p><span style="font-size: medium;">A <span style="text-decoration: underline;">child</span> is born without privilege (To sorry parents?).  The <span style="text-decoration: underline;">mother</span> secretly tells the child he is talented.  The <span style="text-decoration: underline;">father</span> kills the mother then disappears. </span></p>
<p><span style="font-size: medium;">The child is placed into the <span style="text-decoration: underline;">church</span> (poor in <span style="text-decoration: underline;">spirit</span>).  The church tells him all talents are from <span style="text-decoration: underline;">God</span> (The boy believes that his talents are his and do not belong to God). </span></p>
<p><span style="font-size: medium;">Having a talent is a terrible <span style="text-decoration: underline;">sin</span> (Why?). </span></p>
<p><span style="font-size: medium;">The child <span style="text-decoration: underline;">confesses</span> (in <span style="text-decoration: underline;">confidence</span>).  His talent is <span style="text-decoration: underline;">confirmed</span> by the <span style="text-decoration: underline;">priest</span> (as belonging to god). </span></p>
<p><span style="font-size: medium;">He suppresses his talent (but looks up to the priests who secretly practice the arts).  Thus, the boy is afforded privileges in the church that others (specifically <span style="text-decoration: underline;">women</span>) are denied.  The child finds <span style="text-decoration: underline;">sanctuary</span> in the church (false sanctuary?). </span></p>
<p><span style="font-size: medium;">The priest teaches the boy that women are <span style="text-decoration: underline;">evil</span> (<span style="text-decoration: underline;">need to know</span>). </span></p>
<p><span style="font-size: medium;">Nonetheless, the boy meets a woman.  He is tricked by her to display his talent (and becomes a <span style="text-decoration: underline;">convict</span>).  In <span style="text-decoration: underline;">humiliation</span>, he takes up a simple profession (he becomes a <span style="text-decoration: underline;">slave</span>).  He puts his talent aside. </span></p>
<p><span style="font-size: medium;">[Perhaps the reader is starting to understand that talents are repressed by <span style="text-decoration: underline;">society</span> in certain people but are awarded to others?  This is the social situation (the <span style="text-decoration: underline;">religion</span>) which supports the development of the <span style="text-decoration: underline;">technology</span>]. </span></p>
<p><span style="font-size: medium;">The technology:  <span style="text-decoration: underline;">God DNA</span> (or <span style="text-decoration: underline;">Transmutation</span>*). </span></p>
<p><span style="font-size: medium;">&#8230; </span></p>
<p><span style="font-size: medium;">A similar <span style="text-decoration: underline;">hallucinogen</span> is also used on the streets which makes people believe that they are famous people from another <span style="text-decoration: underline;">time</span>.   And some children, often those born to <span style="text-decoration: underline;">addicts</span>, are idiot <span style="text-decoration: underline;">savants</span> (they act odd but also know things that they have no obvious way of knowing). </span></p>
<p><span style="font-size: medium;">[Our hero is none of these:  Where did he get his talent?] </span></p>
<p><span style="font-size: medium;">As a slave, our hero becomes frustrated.  He takes out his frustrations by using street <span style="text-decoration: underline;">drugs</span> and, as such, by visiting <span style="text-decoration: underline;">prostitutes</span> ( prostitution and drugs are part of the same <span style="text-decoration: underline;">culture</span>). </span></p>
<p><span style="font-size: medium;">The street drugs temporarily give him talents (talents which belong to other people?).  And women who see these talents are attracted to him (Perhaps they secretly want talented children?).  But every time he displays his own talent in front of a woman, he is humiliated by her&#8230; </span></p>
<p><span style="font-size: medium;">&#8230; except that he enjoys being humiliated by women.  He looks up to them because they seem to be &#8216;naturally&#8217; gifted.  At least, they are wise to the talents of men (and the uses such talents might be put to). </span></p>
<ul>
<li><span style="font-size: medium;">He gains status as a convict.<br />
</span></li>
<li><span style="font-size: medium;">He gains conviction in the use of certain negative talents.<br />
</span></li>
<li><span style="font-size: medium;">He becomes more addicted.<br />
</span></li>
<li><span style="font-size: medium;">He seeks out more humiliation. </span></li>
</ul>
<p><span style="font-size: medium;">And he represses his own talent more and more, publicly; though, privately he displays it (generally to men) because he enjoys the feeling of <span style="text-decoration: underline;">control</span> it gives him&#8230; </span></p>
<ul>
<li><span style="font-size: medium;">he can <span style="text-decoration: underline;">compete</span> with other&#8217;s talents using his own<br />
</span></li>
<li><span style="font-size: medium;">he can <span style="text-decoration: underline;">oppress</span> others and make them slaves<br />
</span></li>
<li><span style="font-size: medium;">he gains <span style="text-decoration: underline;">mastery</span> over others<br />
</span></li>
<li><span style="font-size: medium;">he gains <span style="text-decoration: underline;">conviction</span> regarding his own talent </span></li>
</ul>
<p><span style="font-size: medium;">&#8230; and he loses all of this, ecstatically, when he humiliates himself with a prostitute or while on street drugs (at oneness in shared <span style="text-decoration: underline;">shame</span> with all &#8216;these&#8217; others from the past who similarly had talents and similarly squandered them).  He is angry at his mother for encouraging him to be talented.  He dreams of having a wife&#8230; and of having a son, and of giving his son everything he never had for himself. </span></p>
<p><span style="font-size: medium;">[Ok:  Does the man get his talents from... </span></p>
<ul>
<li><span style="font-size: medium;">His father?<br />
</span></li>
<li><span style="font-size: medium;">His mother?<br />
</span></li>
<li><span style="font-size: medium;">The priest?<br />
</span></li>
<li><span style="font-size: medium;">Women?<br />
</span></li>
<li><span style="font-size: medium;">Prostitutes?<br />
</span></li>
<li><span style="font-size: medium;">Street drugs?<br />
</span></li>
<li><span style="font-size: medium;">As a convict (through conviction)?<br />
</span></li>
<li><span style="font-size: medium;">By his mastery over others? </span></li>
</ul>
<p><span style="font-size: medium;">... or was he inoculated with DNA at birth?  If so, where did it come from?  His REAL father?  His real father must have been a very important person...] </span></p>
<p><span style="font-size: medium;">He marries.  He shares his concerns with the priest during confession, in confidence.  He is <span style="text-decoration: underline;">forgiven</span>.  He finds <span style="text-decoration: underline;">peace</span> in the church away from his wife.  He goes there often.  And he is afforded privilege by the priest to practice the art of <span style="text-decoration: underline;">ecstasy</span>, in <span style="text-decoration: underline;">altered states of consciousness</span>, and even with the help of certain unnamed <span style="text-decoration: underline;">techniques</span> (chemical or otherwise). </span></p>
<p><span style="font-size: medium;">A child is born.  The mother complains that the father has abandoned her and the child to practice his ecstatic talents with the priests.  In a fit of ecstasy, the father kills the mother.  The priests cover up the <span style="text-decoration: underline;">murder</span>, and take care of the woman&#8217;s body, then demand that the man <span style="text-decoration: underline;">sacrifice</span> himself for his own sins&#8230; </span></p>
<p><span style="font-size: medium;">The child goes before the church.  There is a <span style="text-decoration: underline;">ceremony</span> where the priest is making a sacrifice on the altar&#8230; he is preparing a holy elixir.  With the congregation present, he anoints the child (to their ecstatic chant:  SEALED!  SEALED!). </span></p>
<p><span style="font-size: medium;">[Some people, it is said, are inoculated with the DNA of a famous historical figure at their birth.  Our hero is not one of these people.]</span></p>
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		<title>The House Advantage</title>
		<link>http://mindrec.org/mindrec/2010/06/29/the-house-advantage/</link>
		<comments>http://mindrec.org/mindrec/2010/06/29/the-house-advantage/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 17:26:49 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[GTD]]></category>

		<guid isPermaLink="false">http://mindrec.org/mindrec/2010/06/29/the-house-advantage/</guid>
		<description><![CDATA[I will not SCORN death (since I&#8217;m not sure that life is better).&#160; And, as such, I have the rest of this cosmology&#8230; 

regret 
disgust 
scorn 
spite 
resentment 

I put disgust at the center making it causative (but also such that it can be cured).&#160; Of course I&#8217;m saying that men are disgusted by a [...]]]></description>
			<content:encoded><![CDATA[<p><font size="4">I will not <u>SCORN</u> death (since I&#8217;m not sure that life is better).&#160; And, as such, I have the rest of this <u>cosmology</u>&#8230; </font></p>
<ul>
<li><font size="4"><u>regret</u></font> </li>
<li><font size="4"><u>disgust</u></font> </li>
<li><font size="4">scorn</font> </li>
<li><font size="4"><u>spite</u></font> </li>
<li><font size="4"><u>resentment</u> </font></li>
</ul>
<p><font size="4">I put disgust at the center making it causative (but also such that it can be cured).&#160; Of course I&#8217;m saying that <u>men</u> are disgusted by a <u>woman&#8217;s</u> lack of <u>penis</u> (and visa versa).&#160; And I&#8217;m saying that this is the reason for &#8216;all&#8217; regret, spite, resentment, and scorn (this last used to be <u>irreverence</u>).&#160; BUT I&#8217;m also saying that &#8216;why didn&#8217;t we, why do we, why don&#8217;t we&#8217; (regret, disgust, scorn) isn&#8217;t so much a problem of <u>&#8217;sin&#8217;</u> (mistakes in the past, regret proper) as of <u>false memory</u> (<u>fixation</u> on disgust): <u>&#8216;original sin&#8217;</u>. </font></p>
<p><font size="4">Oh, the <u>The Fall</u>* (why did we, why do we, why don&#8217;t we&#8230; regret, disgust, scorn) MIGHT be (seems to be) how <u>knowledge</u> (why) is filtered from <u>experience</u> (without <u>trial and error</u> [<u>trials and tribulations</u>], for example, which applies to <u>understanding</u>&#8230; or to <u>wisdom</u>, where a <u>wise woman</u> learns what not to do by watching someone else,&#160; a man perhaps, suffer loss&#8230; to her benefit and so, sometimes, at her behest):&#160; A <u>tree of knowledge</u> (relative to <u>good</u> understanding and <u>evil</u> wisdom, as such).&#160; </font></p>
<p><font size="4">Thinking about&#8230; </font></p>
<ul>
<li><font size="4"><u>chance</u></font> </li>
<li><font size="4"><u>credit</u></font> </li>
<li><font size="4"><u>trust</u> fund (<u>grace</u>)</font> </li>
<li><font size="4"><u>will</u> (and <u>testament</u>)</font> </li>
<li><font size="4"><u>professing</u> (as <u>prostituting</u>)</font> </li>
<li><font size="4">and <u>prostitution</u> (as the oldest <u>profession</u>, original <u>slavery</u>) </font></li>
</ul>
<p><font size="4">&#8230; how this might apply to the creation of knowledge (<u>Teleology</u>:&#160; The <u>upward arrow</u>, because).</font></p>
<p><font size="4">When one uses the term <u>sophist</u> in a negative way, one may be implying that the <u>individual</u> is not personally responsible for creating knowledge (just as the tree of knowledge establishes original knowledge AND places the blame for sin on original sin rather than on the individual).** </font></p>
<p><font size="4">As for original sin, I&#8217;m reminded of <u>hunter-gatherers</u> (hunting <u>snakes</u> and gathering <u>forbidden fruits</u>) and how being expelled from a paradisal garden might suggest a move toward <u>agrarianism</u> (<u>domestication</u>) by which man <u>labors</u> morning to night so as to bring forth <u>food</u> from the ground / by which women, through <u>pain</u>, bring forth <u>children</u> (so also regarding labor). </font></p>
<p><font size="4">However, domestication might result in a <u>beehive</u> mentality where men (no longer hunters) lose their spears (their male <u>genitals</u>) and become <u>workers</u> or <u>drones</u>… and women become <u>queens</u>.&#160; In this system, the queen proper (or the <u>fag hag</u>, conversely) bestows <u>manhood</u> on <u>feminized</u> men (or on <u>soldiers</u> of the <u>king</u>, such that they’re drones) through <u>knighthood</u>… by addressing them as sir (similarly male women become <u>evil drag queens</u>).&#160; Thus this cosmology:&#160; <u>ARCHETYPES</u> (and their <u>phalli</u>), OR&#8230; </font></p>
<p><font size="4"><u>Tool Users</u> (How <u>Farmers</u> become <u>Soldiers</u>)</font></p>
<ul>
<li><font size="4">farmers (<u>digging sticks</u>, <u>spades</u>)</font> </li>
<li><font size="4"><u>doctors</u> (<u>caducei</u>, <u>magic wands</u>)***</font> </li>
<li><font size="4"><u>preachers</u> (<u>sacraments</u>, <u>hearts</u>)****</font> </li>
<li><font size="4"><u>teachers</u> (<u>rulers</u>, <u>suits</u>)*****</font> </li>
<li><font size="4">soldiers (<u>weapons</u>, <u>clubs</u>) </font></li>
</ul>
<p><font size="4">*Why did we (regret)?&#160; &lt;- Why do we (disgust)? &lt;- Why don&#8217;t we (scorn)?&#160; Why (<u>the downward arrow</u>):&#160; The Fall (knowledge as experience plus scorn, disgust, and regret).&#160; Conversely, there is knowledge (or knowledge of good and evil), <u>intelligence</u> (<u>Divine intelligence</u> or mere <u>common sense</u>), and <u>judgment</u> (or <u>Final Judgment</u>):&#160; Understanding via trial and error (or trials and tribulations), wisdom (or vicarious <u>knowledge of death</u>), and <u>life</u> (<u>eternal life</u> or <u>death</u>).</font></p>
<p><font size="4">**This suggests that the original sin was disgust.&#160; I relegate this disgust to &#8217;snakes and fruits&#8217; (<u>male</u> and <u>female</u> <u>genitalia</u>, respectively).&#160; And I support my observation by noting that <u>Adam and Eve</u> covered themselves (hid and were <u>&#8216;ashamed&#8217;</u>).&#160; <u>Freud&#8217;s</u> <u>castration anxiety</u> thus applies disgust to men who view women genitalia as <u>penis envy</u> would apply it to women who view male genitalia (such that disgust indicates the type of <u>anxiety</u> experienced and such that women could not understand this experience [directly] in terms of <u>castration</u>). </font></p>
<p><font size="4">***The idea of king (or <u>God</u>) harkens to the age of <u>tribalism</u> (which predates<u> tool use</u>).&#160; In the <u>tribal</u> system, death (or <u>emasculation</u>) of the <u>king</u> relegates his <u>authority</u> to <u>the group</u> (the <u>tribe</u>&#8230; or to women) who must then <u>resurrect</u> him (or bring an <u>erection</u> to him).&#160; In the case of agrarianism as domestication (planting men in the ground), the king is kept <u>disabled</u> and so becomes the <u>medicine man</u> (as to a preacher on crutches).&#160; Otherwise, <strong>only</strong> the penis is kept (in the form of, regressively: The <u>royal scepter</u>.&#160; The <u>tribal staff</u>.&#160; The <u>caduceus</u>. The magic wand.&#160; Or, finally, the penis becomes a <u>stinger</u>… which might only be used once and at the penalty of death). </font></p>
<p><font size="4">****Sacraments are <u>physical</u> <u>agents</u> of <u>metaphysical</u> <u>agency</u>.&#160; <u>The Church</u> chooses what <u>form</u> they take.&#160; Examples:&#160; <u>Going down</u> is represented by <u>baptism</u> (being held under).&#160; <u>Golden showers</u> are represented by <u>chrismation</u> (<u>sprinkling</u> and <u>anointing</u> by <u>chrism</u>).&#160; And <u>sex</u> is represented by <u>communion</u> (or <u>consummation</u>, regarding <u>married people</u>).&#160; Thus, the physical representative of the metaphysical penis is the <u>re-erection</u>, <u>Jesus</u> (Or, in <u>Protestantism</u>:&#160; Jesus as a man who <u>loves</u> without a penis… and <u>the devil’s phallus</u>, or <u>the devil fallacy</u>).</font></p>
<p><font size="4">*****We may understand teachers (<u>cards</u>) as women (or queens); suits as (wo)men in suits (or as <u>suitors</u>&#8230; ashamed and covering themselves); and the <u>phallic</u>-replacement as a <u>diamond</u> (where removal of the <u>phallus</u> takes the form of <u>humiliation</u>&#8230; as by getting on ones knees and offering <u>tribute</u>).&#160; That is, we may understand diamonds in the form of <u>diamond rings</u> (<u>marriage</u> and the support of women through the sacrifice[ing] of men). </font></p>
<p><font size="4">However this may also suggest a new <u>phase</u> in the <u>development of civilization</u>: </font></p>
<ul>
<li><font size="4">tribalism</font> </li>
<li><font size="4">hunter-gatherer</font> </li>
<li><font size="4">agrarianism</font> </li>
<li><font size="4">tool users</font> </li>
<li><font size="4"><u>re-creation</u> (<u>gambling</u>, for example). </font></li>
</ul>
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