Please? :)

Transmedia Radar Diagram, originally uploaded by ZenFilms.

Use this diagram to summarize your transmedia experience.

I have to say I love the camera. It's very easy to use, easy to switch from auto to manual focus (which is the thing I do most often) and so quick to pop out the memory card and transfer the rushes to the computer.The picture quality is really nice.

The one thing that's a pain in the neck is the AVCHD files because although they're nice and small, that file compression plays havoc with Premiere and After Effects. It "works" but it's slow and troublesome. It's been acceptable for friend's wedding videos and my travelogs but now I'm doing proper work I needed a better solution.

To cut a long story short, here's the workflow:

(a) download/buy the CineForm NeoScene

(b) download TexRep

(c) Use cineform to convert all .m2ts files into .avi

(d) I'd already started editing in Premiere with the native AVCHD files so I had to replace them with the .avi files. Use TexRep to do a search and replace and swap ".m2ts" for "avi" - works perfectly!

For anyone who hasn't also checked out The Light from Dead Stars, it's here too:

So… the novella is finished! (fanfare please). I had three draft copies printed using QOOP to check the look and feel and to have something physical to give away to potential partners.

The writer, Simon Wood, is now finishing up the webisode scripts and then I’ll go out to shoot them during August. 

The webisodes will all be voiced by an actor playing the role of private detective Lauren Ortega (30s, American woman of Mexican parents). Any actor interested in auditioning for the role – which is voice-over only at this time – should be resident in the San Francisco Bay Area and should upload an audition piece to the LowLifes Facebook page.  It’ll be a non-union paid gig and probably 1 to 2 days work at a mutually convenient time during late August-September.

The big step forward for the project is that we’re now working in partnership with the charity Coalition on Homelessness in San Francisco (www.cohsf.org).  As part of the collaboration there will now be a formal transmedia activism component added to the core three-platform entertainment.

For an excellent primer and “how to” on transmedia activism, please visit this site. What I’m presenting here is not quite as it’s prescribed by the site’s authors (Lina Srivastava and Vicki Callahan) but I have borrowed a good deal of inspiration from them.

The project now looks like this:

• The core three-platform entertainment of novella, webisodes and blog with calls-to-action to visit the fictional website of a story character who helps homeless people
•  A fictional character website (more below) with various fictional but supposedly ”real life” content and  calls-to-action to visit the real world CoHSF site
• A campaign landing page at CoHSF that receives visitors from the fictional website
• Paid media advertising (various)
• Social media promotion
• Some local-level guerilla marketing.

I’ll also be advising CoHSF on a much needed social media and website make-over to better capture support and donations.

There has been some talk of an ARG but it depends if my Transmedia Storyteller platform is up and running in time because without it there’ll be too much work for the resources we have.

Bridging Fiction and Fact

A fictional website will be created for a story character called Joseph “Holy Joe” Rawlings who pays homeless people to report to him UFO sightings. Working with non-actors who have been helped by CoHSF, we shall create several fake “promotional videos” and video testimonies for the Holy Joe site. The people in the videos will improvise their experiences of working for Holy Joe around a loose story outline and combine it with their real-world experiences of fighting homelessness. Links on the site will ask viewers to find out more about the people in the videos.  This will take them to a special landing page at the CoHSF site where the same non-actors will explain what’s going on and why your money is needed for the charity.

We have some quite detailed ideas for what will be in these videos on both sites but I’m being a little vague at this time until we get a little further into the project ;)

And in summary…

Here’s the presentation I gave to the charity explaining Lowlifes and how transmedia activism can work for them. I’m totally indebted to the kindness and foresight of the charity directors for allowing us this chance to work together and fight homelessness in San Francisco.

If there are other homeless charities in the USA or indeed around the world feel free to get in touch with me because I have several ideas for how we might roll out the concept to help others beyond SF.

Transmedia Activism And LowLifes

View more presentations from Zen Films.

Here's a presentation I created for a local client that wants to use transmedia for the benefit of their clients. It's goal is to explain the power of transmedia in engaging consumers in a storyworld and how it's different to product placement and branded entertainment. 

Specifically I use an ARG (alternative reality game) to illustrate how it can work with an integrated marketing communications plan.

I had to hold off making the document public but now it's out! I'd be interested to hear thoughts from anyone working in this area. Hope it doesn't horrify anyone :)

Transmedia & Marketing

View more presentations from Zen Films.

This is a quick post to join the discussion that's happening across Brooke Thompson's blog and Christy Dena's. I'll expand on it more later at Culture Hacker, most probably next week some time.

My suggestion for naming types of transmedia projects is given in the diagram below. 

The major difference with my approach is that the classification is independent of the motives or timing of the development. Does it matter?

By "Narrative Space" I mean the story occupies the same point in the 3D space of this next diagram. Basically, has the same characters, locations and time frame.

Delighted to have been interviewed by Jawbone.tv 

I have to say it was more impressive than I'd hoped and I think it's going to be very big. Not only the storyworld but also the publishing platform that underlies it (which goes by the name PULP).

Rather than me waffle on, check out this presentation from the evening and then head over to Facebook group :)

The photos are from SF App Show - I took them from the Mongoliad Facebook page.