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        <title>Art Institute of Chicago Lectures</title>
        <link>http://www.ancientartpodcast.org</link>
        <description>Enjoy these audio recordings of free public lectures at the Art Institute of Chicago by the world's foremost and emerging artists and scholars. This podcast is brought to you by the Ancient Art Podcast and points to the original audio media at the Art Institute of Chicago's website. Access the original Art Institute lecture audio recordings at http://www.artic.edu/aic/multimedia/resource-type-multimedia/19. The Ancient Art Podcast is not affiliated with the Art Institute of Chicago. Visit the Ancient Art Podcast at http://www.ancientartpodcast.org.</description>
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            <title>Art Institute of Chicago Lectures</title>
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        <itunes:author>Ancient Art Podcast</itunes:author>
        <itunes:summary>Enjoy these audio recordings of free public lectures at the Art Institute of Chicago by the world's foremost artists and scholars. This podcast is brought to you by the Ancient Art Podcast and points to the original audio media at the Art Institute of Chicago's website. The Ancient Art Podcast is not affiliated with the Art Institute of Chicago. Visit the Ancient Art Podcast at http://www.ancientartpodcast.org. Access the original Art Institute lecture audio recordings at http://www.artic.edu/aic/multimedia/resource-type-multimedia/19.</itunes:summary>
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        <itunes:subtitle>Enjoy these audio recordings of free public lectures at the Art Institute of Chicago by the world's foremost artists and scholars. This podcast is brought to you by the Ancient Art Podcast and points to the original audio media at the Art Institute of Chi</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><itunes:owner><itunes:email>info@ancientartpodcast.org</itunes:email></itunes:owner><item>
            <title>Bertrand Goldberg with Timothy Leary and Ralph Metzner in Chicago, 1965</title>
            <link>http://www.artic.edu/aic/resources/resource/1872?search_id=25&amp;index=0</link>
            <description><![CDATA[<p>In this 1965 rare recording, Bertrand Goldberg leads psychologists Timothy Leary and Ralph Metzner on a tour of the recently completed Marina City and the Raymond Hilliard Center construction site. Famous for their research into various forms of psychedelic experience, Leary and Metzner discuss the layers of symbolism and social program in Goldberg's buildings.</p>

<p>Clip 1: Marina City: “Adjusting your consciousness and your furniture to this kind of space”
<br />Clip 2: Tour of Marina City Apartments
<br />Clip 3: Raymond Hilliard Center: Integration through Design
<br />Clip 4: Psychedelic Art</p>

<p>The Art Institute of Chicago, Archive of Bertrand Goldberg, Ryerson and Burnham Libraries, 2002.3
<br />File Length: 13m 42s</p>]]></description>
            <pubDate>Thu, 08 Dec 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>In this 1965 rare recording, Bertrand Goldberg leads psychologists Timothy Leary and Ralph Metzner on a tour of the recently completed Marina City and the Raymond Hilliard Center construction site. Famous for their research into various forms ...</itunes:subtitle>
            <itunes:summary>In this 1965 rare recording, Bertrand Goldberg leads psychologists Timothy Leary and Ralph Metzner on a tour of the recently completed Marina City and the Raymond Hilliard Center construction site. Famous for their research into various forms of psychedelic experience, Leary and Metzner discuss the layers of symbolism and social program in Goldberg's buildings.

Clip 1: Marina City: “Adjusting your consciousness and your furniture to this kind of space”
Clip 2: Tour of Marina City Apartments
Clip 3: Raymond Hilliard Center: Integration through Design
Clip 4: Psychedelic Art

The Art Institute of Chicago, Archive of Bertrand Goldberg, Ryerson and Burnham Libraries, 2002.3
File Length: 13m 42s</itunes:summary>
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            <itunes:duration>13:42</itunes:duration>
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        <item>
            <title>Van Gogh—The Life</title>
            <link>http://www.artic.edu/aic/resources/resource/2035?search_id=4&amp;index=0</link>
            <description><![CDATA[Steven Naifeh and Gregory White Smith, Pulitzer Prize winners for their biography on Jackson Pollock, presented their new book about Vincent Van Gogh to a packed house on December 8, 2011.]]></description>
            <pubDate>Thu, 08 Dec 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Steven Naifeh and Gregory White Smith, Pulitzer Prize winners for their biography on Jackson Pollock, presented their new book about Vincent Van Gogh to a packed house on December 8, 2011.</itunes:subtitle>
            <itunes:summary>Steven Naifeh and Gregory White Smith, Pulitzer Prize winners for their biography on Jackson Pollock, presented their new book about Vincent Van Gogh to a packed house on December 8, 2011.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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        <item>
            <title>Exposure—Matt Keegan</title>
            <link>http://www.artic.edu/aic/resources/resource/2302?search_id=11&amp;index=0</link>
            <description><![CDATA[Matt Keegan discusses his previous works that relate to the site-specific installation in the exhibition Exposure which grew out of the artist’s longstanding fascination with cities and their constant flux.]]></description>
            <pubDate>Thu, 08 Dec 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Matt Keegan discusses his previous works that relate to the site-specific installation in the exhibition Exposure which grew out of the artist’s longstanding fascination with cities and their constant flux.</itunes:subtitle>
            <itunes:summary>Matt Keegan discusses his previous works that relate to the site-specific installation in the exhibition Exposure which grew out of the artist’s longstanding fascination with cities and their constant flux.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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            <title>Exposure—Heather Rasmussen</title>
            <link>http://www.artic.edu/aic/resources/resource/2303?search_id=11&amp;index=0</link>
            <description><![CDATA[Heather Rasmussen recreates international shipping containers in miniature, crafting them by hand from colored cardstock which she then damages, arranges, and photographs in order to address the underlying fragility of global supply and demand.]]></description>
            <pubDate>Thu, 20 Oct 2011 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Heather Rasmussen recreates international shipping containers in miniature, crafting them by hand from colored cardstock which she then damages, arranges, and photographs in order to address the underlying fragility of global supply and demand.</itunes:subtitle>
            <itunes:summary>Heather Rasmussen recreates international shipping containers in miniature, crafting them by hand from colored cardstock which she then damages, arranges, and photographs in order to address the underlying fragility of global supply and demand.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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        <item>
            <title>Sustaining Fellows Exhibition Opening: Windows on the War—Soviet TASS Posters at Home and Abroad, 1941–1945</title>
            <link>http://www.artic.edu/aic/resources/resource/1642</link>
            <description><![CDATA[One of the special privileges of Sustaining Fellows membership is the opportunity to see exciting exhibitions before they open to the general public. On July 26, Sustaining Fellows hosted the opening festivities for Windows on the War: Soviet TASS Posters at Home and Abroad, 1941–1945. Peter Zegers, Rothman Family Research Curator, and Jill E. Bugajski, exhibition research associate, along with catalogue contributor Adam Jolles, provided an informative overview of the exhibition. Following their talk, Sustaining Fellows enjoyed a preview of the exhibition, a musical performance by Golosa, Chicago’s premiere Russian choir, and a festive reception in Griffin Court complete with 1940s-inspired fare and Big Band music. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 26 Jul 2011 07:00:00 -0500</pubDate>
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            <itunes:subtitle>One of the special privileges of Sustaining Fellows membership is the opportunity to see exciting exhibitions before they open to the general public. On July 26, Sustaining Fellows hosted the opening festivities for Windows on the War: Soviet TASS...</itunes:subtitle>
            <itunes:summary>One of the special privileges of Sustaining Fellows membership is the opportunity to see exciting exhibitions before they open to the general public. On July 26, Sustaining Fellows hosted the opening festivities for Windows on the War: Soviet TASS Posters at Home and Abroad, 1941–1945. Peter Zegers, Rothman Family Research Curator, and Jill E. Bugajski, exhibition research associate, along with catalogue contributor Adam Jolles, provided an informative overview of the exhibition. Following their talk, Sustaining Fellows enjoyed a preview of the exhibition, a musical performance by Golosa, Chicago’s premiere Russian choir, and a festive reception in Griffin Court complete with 1940s-inspired fare and Big Band music. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>42:33</itunes:duration>
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        <item>
            <title>Artists Connect: Joyce Owens Connects with Marc Chagall</title>
            <link>http://www.artic.edu/aic/resources/resource/1650</link>
            <description><![CDATA[Painter Joyce Owens grew up in a culturally diverse neighborhood; her strong African American roots were infused with Jewish culture. Responding to the secular theme of Marc Chagall's *The Circus Rider,* Owens discusses how her work relates to what she describes as the sophistication of Chagall's deceptively simple work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 05 Mar 2011 12:00:00 -0600</pubDate>
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            <itunes:subtitle>Painter Joyce Owens grew up in a culturally diverse neighborhood; her strong African American roots were infused with Jewish culture. Responding to the secular theme of Marc Chagall's *The Circus Rider,* Owens discusses how her work relates to what she...</itunes:subtitle>
            <itunes:summary>Painter Joyce Owens grew up in a culturally diverse neighborhood; her strong African American roots were infused with Jewish culture. Responding to the secular theme of Marc Chagall's *The Circus Rider,* Owens discusses how her work relates to what she describes as the sophistication of Chagall's deceptively simple work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>45:18</itunes:duration>
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        <item>
            <title>Byzantine Reliquary Pendants</title>
            <link>http://www.artic.edu/aic/resources/resource/1514</link>
            <description><![CDATA[James Robinson, British Museum, provided a rich overview of Byzantine Reliquary Pendants and reviewed the context from which they came. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 24 Feb 2011 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>James Robinson, British Museum, provided a rich overview of Byzantine Reliquary Pendants and reviewed the context from which they came.</itunes:subtitle>
            <itunes:summary>James Robinson, British Museum, provided a rich overview of Byzantine Reliquary Pendants and reviewed the context from which they came. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:32</itunes:duration>
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        <item>
            <title>Seeing Things: John Marin's Watercolors</title>
            <link>http://www.artic.edu/aic/resources/resource/1513?search_id=27</link>
            <description><![CDATA[Curator Martha Tedeschi explores how the artist's influential experiments in watercolor and unorthodox ideas about framing helped create modern objects that surge with emotion. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 18 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Curator Martha Tedeschi explores how the artist's influential experiments in watercolor and unorthodox ideas about framing helped create modern objects that surge with emotion.</itunes:subtitle>
            <itunes:summary>Curator Martha Tedeschi explores how the artist's influential experiments in watercolor and unorthodox ideas about framing helped create modern objects that surge with emotion. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:18:24</itunes:duration>
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        <item>
            <title>Objects Speak Back</title>
            <link>http://www.artic.edu/aic/resources/resource/1512?search_id=68</link>
            <description><![CDATA[James Elkins, School of the Art Institute of Chicago, reviewed observations on how we see things with a particular look at art. He was introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>James Elkins, School of the Art Institute of Chicago, reviewed observations on how we see things with a particular look at art. He was introduced by Art Institute President and Director James Cuno.</itunes:subtitle>
            <itunes:summary>James Elkins, School of the Art Institute of Chicago, reviewed observations on how we see things with a particular look at art. He was introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:51</itunes:duration>
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            <title>Sustaining Fellows Annual Meeting</title>
            <link>http://www.artic.edu/aic/resources/resource/1498?search_id=59</link>
            <description><![CDATA[On February 14 the Sustaining Fellows gathered for a recap of the previous year and also hear some news of things to come at the museum. After champagne around the Woman’s Board Grand Staircase, guests gathered in Fullerton Hall where curators Gloria Groom, Christopher Monkhouse, and James Rondeau provided an exciting first glimpse at upcoming exhibitions before a lovely dinner in Terzo Piano closed the night. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Mon, 14 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>On February 14 the Sustaining Fellows gathered for a recap of the previous year and also hear some news of things to come at the museum. After champagne around the Woman’s Board Grand Staircase, guests gathered in Fullerton Hall where curators ...</itunes:subtitle>
            <itunes:summary>On February 14 the Sustaining Fellows gathered for a recap of the previous year and also hear some news of things to come at the museum. After champagne around the Woman’s Board Grand Staircase, guests gathered in Fullerton Hall where curators Gloria Groom, Christopher Monkhouse, and James Rondeau provided an exciting first glimpse at upcoming exhibitions before a lovely dinner in Terzo Piano closed the night. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:24:07</itunes:duration>
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            <title>Woven Traditions: Asante and Ewe Textiles</title>
            <link>http://www.artic.edu/aic/resources/resource/1511?search_id=56</link>
            <description><![CDATA[Nii Quarcoopome, Detroit Institute of Art, highlighted selections of Asante and Ewe textiles in the Art Institute of Chicago collections. He was introduced by curator Kathleen Berzock. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 11 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Nii Quarcoopome, Detroit Institute of Art, highlighted selections of Asante and Ewe textiles in the Art Institute of Chicago collections. He was introduced by curator Kathleen Berzock.</itunes:subtitle>
            <itunes:summary>Nii Quarcoopome, Detroit Institute of Art, highlighted selections of Asante and Ewe textiles in the Art Institute of Chicago collections. He was introduced by curator Kathleen Berzock. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:59</itunes:duration>
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            <title>Symposium—Material Witness: Documentary since the 1940s (Louis Kaplan)</title>
            <link>http://www.artic.edu/aic/resources/resource/1502?search_id=40</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>26:08</itunes:duration>
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        <item>
            <title>Symposium—Material Witness: Documentary since the 1940s (Sophie Hackett)</title>
            <link>http://www.artic.edu/aic/resources/resource/1505</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990. Louis Kaplan, professor of history and theory of photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>20:28</itunes:duration>
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        <item>
            <title>Changing Face, Changing Place—A History of African Art at the Art Institute of Chicago</title>
            <link>http://www.artic.edu/aic/resources/resource/1499?search_id=57</link>
            <description><![CDATA[Curator Kathleen Bickford Berzock traces the history of African Art at the museum from the 1920s to the present, introducing the new installation opening spring 2011. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Curator Kathleen Bickford Berzock traces the history of African Art at the museum from the 1920s to the present, introducing the new installation opening spring 2011.</itunes:subtitle>
            <itunes:summary>Curator Kathleen Bickford Berzock traces the history of African Art at the museum from the 1920s to the present, introducing the new installation opening spring 2011. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:07:02</itunes:duration>
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        <item>
            <title>Symposium—Material Witness: Documentary since the 1940s (Abigail Solomon-Godeau)</title>
            <link>http://www.artic.edu/aic/resources/resource/1506</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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        <item>
            <title>Symposium—Material Witness: Documentary since the 1940s (David Campany)</title>
            <link>http://www.artic.edu/aic/resources/resource/1503</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
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            <title>Symposium—Material Witness: Documentary since the 1940s (Heather Diack)</title>
            <link>http://www.artic.edu/aic/resources/resource/1504</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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        <item>
            <title>Symposium—Material Witness: Documentary since the 1940s (Jason Hill)</title>
            <link>http://www.artic.edu/aic/resources/resource/1501?search_id=39</link>
            <description><![CDATA[Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 04 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s.</itunes:subtitle>
            <itunes:summary>Speakers for this symposium provided a rich overview of documentary photography from the 1940s through the 1990s. Jason Hill, PhD candidate, Department of Art History, University of Southern California, reviewed the 1940s newspaper PM. Louis Kaplan, Professor, History and Theory of Photography, Department of Visual Studies, University of Toronto Mississauga, spoke on William Klein's 1956 photobook. David Campany, Reader in Photography, The University of Westminster, spoke on Dan Graham. Heather Diack, Postdoctoral Fellow, Department of Art History, Visual Art and Theory, University of British Columbia, talk about John Baldessari. Sophie Hackett, Assistant Curator of Photography, Art Gallery of Ontario, discussed Barbara Kruger. Abigail Solomon-Godeau, Professor, History of Art and Architecture, University of California, Santa Barbara, spoke on the 1990 Rodney King beatings. This event, held in conjunction with the special photography exhibition American Modern: Abbott, Evans, Bourke-White, was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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        <item>
            <title>Artist Talk—An-My Le</title>
            <link>http://www.artic.edu/aic/resources/resource/1500?search_id=44</link>
            <description><![CDATA[Photographer An-My Le reviewed her work highlighting the Vietnam War reenactment scenes and those of soldiers training for Iraq. This lecture was the keynote for the Material Witness symposium that took place February 4, 2011. Kate Bussard, exhibition curator and symposium host, introduced her. This event was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 03 Feb 2011 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Photographer An-My Le reviewed her work highlighting the Vietnam War reenactment scenes and those of soldiers training for Iraq. This lecture was the keynote for the Material Witness symposium that took place February 4, 2011.</itunes:subtitle>
            <itunes:summary>Photographer An-My Le reviewed her work highlighting the Vietnam War reenactment scenes and those of soldiers training for Iraq. This lecture was the keynote for the Material Witness symposium that took place February 4, 2011. Kate Bussard, exhibition curator and symposium host, introduced her. This event was supported by the Terra Foundation for American Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:39</itunes:duration>
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        <item>
            <title>Horace Pippin's Cabin in the Cotton</title>
            <link>http://www.artic.edu/aic/resources/resource/1421?search_id=16</link>
            <description><![CDATA[Curator Sarah Kelly discusses self-taught artist Horace Pippin's layered paint technique and reviews primary sources that seem to have inspired his famous Cabin in the Cotton images. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 07 Jan 2011 06:00:00 -0600</pubDate>
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            <itunes:subtitle>Curator Sarah Kelly discusses self-taught artist Horace Pippin's layered paint technique and reviews primary sources that seem to have inspired his famous Cabin in the Cotton images.</itunes:subtitle>
            <itunes:summary>Curator Sarah Kelly discusses self-taught artist Horace Pippin's layered paint technique and reviews primary sources that seem to have inspired his famous Cabin in the Cotton images. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>56:30</itunes:duration>
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            <title>Arms and Armor—Harding's Castle and Collection</title>
            <link>http://www.artic.edu/aic/resources/resource/1416?search_id=24</link>
            <description><![CDATA[Stuart Pyhrr, Metropolitan Museum of Art, discusses armor and Chicago's George F. Harding, Jr.'s passion for collecting it. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Dec 2010 12:00:00 -0600</pubDate>
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            <itunes:subtitle>Stuart Pyhrr, Metropolitan Museum of Art, discusses armor and Chicago's George F. Harding, Jr.'s passion for collecting it.</itunes:subtitle>
            <itunes:summary>Stuart Pyhrr, Metropolitan Museum of Art, discusses armor and Chicago's George F. Harding, Jr.'s passion for collecting it. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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            <title>Artists Connect: Isak Applin Connects with Giovanni di Paolo</title>
            <link>http://www.artic.edu/aic/resources/resource/1419?search_id=34</link>
            <description><![CDATA[Isak Applin, instructor in the Department of Painting and Drawing at the School of the Art Institute, discusses connections between his own work and panel paintings on the life of St. John the Baptist by 15th-century Sienese artist Giovanni di Paolo. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Dec 2010 12:00:00 -0600</pubDate>
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            <itunes:subtitle>Isak Applin, instructor in the Department of Painting and Drawing at the School of the Art Institute, discusses connections between his own work and panel paintings on the life of St. John the Baptist by 15th-century Sienese artist Giovanni di Paolo.</itunes:subtitle>
            <itunes:summary>Isak Applin, instructor in the Department of Painting and Drawing at the School of the Art Institute, discusses connections between his own work and panel paintings on the life of St. John the Baptist by 15th-century Sienese artist Giovanni di Paolo. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
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            <title>The Poison King's Things: Mithradates the Great</title>
            <link>http://www.artic.edu/aic/resources/resource/1417?search_id=28</link>
            <description><![CDATA[Adrienne Mayor, Stanford University, cites the Art Institute's Mithradates coin as she unwinds the treacherous tale of Rome's "deadliest" enemy. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 20 Nov 2010 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Adrienne Mayor, Stanford University, cites the Art Institute's Mithradates coin as she unwinds the treacherous tale of Rome's "deadliest" enemy. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Adrienne Mayor, Stanford University, cites the Art Institute's Mithradates coin as she unwinds the treacherous tale of Rome's "deadliest" enemy. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:22</itunes:duration>
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            <title>Lygia Clark: A Laboratory for the End of Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1418?search_id=66</link>
            <description><![CDATA[Luis Perez Oramas, Museum of Modern Art, New York City, examines Brazilian artist Lygia Clark's work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 19 Nov 2010 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Luis Perez Oramas, Museum of Modern Art, New York City, examines Brazilian artist Lygia Clark's work.</itunes:subtitle>
            <itunes:summary>Luis Perez Oramas, Museum of Modern Art, New York City, examines Brazilian artist Lygia Clark's work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>29:56</itunes:duration>
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            <title>The Lingam Made Flesh: Split-Level Symbolism in Hindu Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1349?search_id=24</link>
            <description><![CDATA[Wendy Doniger, University of Chicago, traced a centuries-old dispute on the symbolism of a genre of votary object representing Hindu god Shiva. James Cuno, president and director of the Art Institute of Chicago, introduced her. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 11 Nov 2010 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Wendy Doniger, University of Chicago, traced a centuries-old dispute on the symbolism of a genre of votary object representing Hindu god Shiva. James Cuno, president and director of the Art Institute of Chicago, introduced her.</itunes:subtitle>
            <itunes:summary>Wendy Doniger, University of Chicago, traced a centuries-old dispute on the symbolism of a genre of votary object representing Hindu god Shiva. James Cuno, president and director of the Art Institute of Chicago, introduced her. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:05:49</itunes:duration>
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            <title>Completing the Process: The Complete Architecture of Adler and Sullivan</title>
            <link>http://www.artic.edu/aic/resources/resource/1279?search_id=64</link>
            <description><![CDATA[John Vinci, Vinci/Hamp Architects, discussed "Completing the Process: The Complete Architecture of Adler and Sullivan" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Alison Fisher. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
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            <itunes:subtitle>John Vinci, Vinci/Hamp Architects, discussed "Completing the Process: The Complete Architecture of Adler and Sullivan" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator ...</itunes:subtitle>
            <itunes:summary>John Vinci, Vinci/Hamp Architects, discussed "Completing the Process: The Complete Architecture of Adler and Sullivan" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Alison Fisher. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>31:28</itunes:duration>
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            <title>Experiencing Sullivan</title>
            <link>http://www.artic.edu/aic/resources/resource/1212?search_id=13</link>
            <description><![CDATA[Tim Samuelson, cultural historian for the City of Chicago, spoke on the experience of seeing Louis Sullivan's buildings as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Alison Fisher. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Tim Samuelson, cultural historian for the City of Chicago, spoke on the experience of seeing Louis Sullivan's buildings as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator ...</itunes:subtitle>
            <itunes:summary>Tim Samuelson, cultural historian for the City of Chicago, spoke on the experience of seeing Louis Sullivan's buildings as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Alison Fisher. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>27:16</itunes:duration>
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            <title>From Photograph and Fragment to History</title>
            <link>http://www.artic.edu/aic/resources/resource/1211?search_id=21</link>
            <description><![CDATA[Jeffrey Plank, University of Virginia, presented his lecture "From Photograph and Fragment to History" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Elizabeth Siegel. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragment.. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Jeffrey Plank, University of Virginia, presented his lecture "From Photograph and Fragment to History" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Elizabeth Siegel...</itunes:subtitle>
            <itunes:summary>Jeffrey Plank, University of Virginia, presented his lecture "From Photograph and Fragment to History" as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Elizabeth Siegel. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragment.. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>20:38</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>John Szarkowski's Photography and the Work of Louis Sullivan</title>
            <link>http://www.artic.edu/aic/resources/resource/1215?search_id=44</link>
            <description><![CDATA[Elizabeth Siegel, Art Institute curator, outlined the goals of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture" and explored John Szarkowski's photography of architecture as key to our seeing and appreciating Louis Sullivan's work keenly. Matthew S. Witkovsky, curator and chair of the Department of Photography, opened the symposium. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. Presented as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
            <enclosure length="11886336" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/Rsrc_001215.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Elizabeth Siegel, Art Institute curator, outlined the goals of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture" and explored John Szarkowski's photography ...</itunes:subtitle>
            <itunes:summary>Elizabeth Siegel, Art Institute curator, outlined the goals of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture" and explored John Szarkowski's photography of architecture as key to our seeing and appreciating Louis Sullivan's work keenly. Matthew S. Witkovsky, curator and chair of the Department of Photography, opened the symposium. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. Presented as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>24:45</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Living with Richard Nickel</title>
            <link>http://www.artic.edu/aic/resources/resource/1208?search_id=62</link>
            <description><![CDATA[Richard Cahan, historian, spoke about living with photographer Richard Nickel as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Elizabeth Siegel. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Richard Cahan, historian, spoke about living with photographer Richard Nickel as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture."</itunes:subtitle>
            <itunes:summary>Richard Cahan, historian, spoke about living with photographer Richard Nickel as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced by curator Elizabeth Siegel. This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>19:32</itunes:duration>
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        <item>
            <title>Louis Sullivan and the Development of Architectural Ornament</title>
            <link>http://www.artic.edu/aic/resources/resource/1214?search_id=65</link>
            <description><![CDATA[Alison Fisher, Art Institute of Chicago curator, spoke about Louis Sullivan and the development of architectural ornament as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 08 Oct 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Alison Fisher, Art Institute of Chicago curator, spoke about Louis Sullivan and the development of architectural ornament as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture."...</itunes:subtitle>
            <itunes:summary>Alison Fisher, Art Institute of Chicago curator, spoke about Louis Sullivan and the development of architectural ornament as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." This symposium was offered in support of the special exhibition Looking after Louis Sullivan: Photographs, Drawings, and Fragments. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>20:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Georgina Valverde Connects with a Talismanic Textile</title>
            <link>http://www.artic.edu/aic/resources/resource/1280?search_id=33</link>
            <description><![CDATA[Georgina Valverde discusses her work and the inspiration she draws from the Art Institute's collection. Inscribed with text from the Quran and encoded with significant geometric patterns, the Talismanic Textile relates to Valverde's interest in handmade objects, the cultures from which they emerge, and the power that resides in these works. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 02 Oct 2010 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Georgina Valverde discusses her work and the inspiration she draws from the Art Institute's collection. Inscribed with text from the Quran and encoded with significant geometric patterns, the Talismanic Textile relates to Valverde's interest in handmade..</itunes:subtitle>
            <itunes:summary>Georgina Valverde discusses her work and the inspiration she draws from the Art Institute's collection. Inscribed with text from the Quran and encoded with significant geometric patterns, the Talismanic Textile relates to Valverde's interest in handmade objects, the cultures from which they emerge, and the power that resides in these works. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>49:42</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Lewis Baltz and the Postwar American Landscape</title>
            <link>http://www.artic.edu/aic/resources/resource/1276?search_id=52</link>
            <description><![CDATA[Nancy Levinson, editor of Places: Forum of Design for the Public Realm, discussed architecture and urban studies of the late 1960s and early 1970s contemporary to Lewis Baltz' and other young photographers' inquiry into the postwar American landscape as a selected subject for their work. She was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 25 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Nancy Levinson, editor of Places: Forum of Design for the Public Realm, discussed architecture and urban studies of the late 1960s and early 1970s ...</itunes:subtitle>
            <itunes:summary>Nancy Levinson, editor of Places: Forum of Design for the Public Realm, discussed architecture and urban studies of the late 1960s and early 1970s contemporary to Lewis Baltz' and other young photographers' inquiry into the postwar American landscape as a selected subject for their work. She was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>22:57</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Object Theory, Picture Theory, and the Photographs of Lewis Baltz</title>
            <link>http://www.artic.edu/aic/resources/resource/1278?search_id=93</link>
            <description><![CDATA[David Raskin, School of the Art Institute, explores the relationship of Baltz' photographs to Object Theory, Picture Theory, and other current theoretical explorations in the visual arts. He was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 25 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>David Raskin, School of the Art Institute, explores the relationship of Baltz' photographs to Object Theory, Picture Theory, and other current theoretical explorations in the visual arts. ...</itunes:subtitle>
            <itunes:summary>David Raskin, School of the Art Institute, explores the relationship of Baltz' photographs to Object Theory, Picture Theory, and other current theoretical explorations in the visual arts. He was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>23:05</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Themes in Lewis Baltz' Work</title>
            <link>http://www.artic.edu/aic/resources/resource/1275?search_id=34</link>
            <description><![CDATA[Marvin Heiferman, independent curator, discusses selected themes that run throughout Baltz' work as a part of the symposium "Four Pictures—Four Things." He was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 25 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Marvin Heiferman, independent curator, discusses selected themes that run throughout Baltz' work as a part of the symposium "Four Pictures—Four Things." He was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in ...</itunes:subtitle>
            <itunes:summary>Marvin Heiferman, independent curator, discusses selected themes that run throughout Baltz' work as a part of the symposium "Four Pictures—Four Things." He was introduced by Art Institute curator Matthew S. Witkovsky. This symposium was offered in support of a special exhibition Lewis Baltz: Prototypes/Ronde de Nuit. Presented as a part of the symposium "Four Pictures—Four Things." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>35:18</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The Dynamics of Modern Drawing</title>
            <link>http://www.artic.edu/aic/resources/resource/1197?search_id=53</link>
            <description><![CDATA[Matthew Affron, University of Virginia Art Museum, spoke on "The Dynamics of Modern Drawing." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Matthew Affron, University of Virginia Art Museum, spoke on "The Dynamics of Modern Drawing." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and ...</itunes:subtitle>
            <itunes:summary>Matthew Affron, University of Virginia Art Museum, spoke on "The Dynamics of Modern Drawing." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>40:21</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Suzanne McCullagh in Conversation with Richard Gray</title>
            <link>http://www.artic.edu/aic/resources/resource/1195?search_id=38</link>
            <description><![CDATA[Collector and connoisseur Richard Gray talks with curator Suzanne McCullagh. The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Collector and connoisseur Richard Gray talks with curator Suzanne McCullagh. The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings.</itunes:subtitle>
            <itunes:summary>Collector and connoisseur Richard Gray talks with curator Suzanne McCullagh. The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>47:04</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Poussin, Drawing, and the Antique</title>
            <link>http://www.artic.edu/aic/resources/resource/1193?search_id=28</link>
            <description><![CDATA[Richard Neer, University of Chicago, spoke on "Poussin, Drawing, and the Antique." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Richard Neer, University of Chicago, spoke on "Poussin, Drawing, and the Antique." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings.</itunes:subtitle>
            <itunes:summary>Richard Neer, University of Chicago, spoke on "Poussin, Drawing, and the Antique." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>39:11</itunes:duration>
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        <item>
            <title>French Drawings: From Vouet to Ingres</title>
            <link>http://www.artic.edu/aic/resources/resource/1194?search_id=18</link>
            <description><![CDATA[Margaret Morgan Grasselli, National Gallery of Art, spoke on "French Drawings: From Vouet to Ingres." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Margaret Morgan Grasselli, National Gallery of Art, spoke on "French Drawings: From Vouet to Ingres." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of ...</itunes:subtitle>
            <itunes:summary>Margaret Morgan Grasselli, National Gallery of Art, spoke on "French Drawings: From Vouet to Ingres." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>36:54</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>From Public to Private: Drawing in France, 1850-1900</title>
            <link>http://www.artic.edu/aic/resources/resource/1196?search_id=22</link>
            <description><![CDATA[Douglas Druick, Art Institute of Chicago, discussed "From Public to Private: Drawing in France, 1850–1900." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Douglas Druick, Art Institute of Chicago, discussed "From Public to Private: Drawing in France, 1850–1900." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator...</itunes:subtitle>
            <itunes:summary>Douglas Druick, Art Institute of Chicago, discussed "From Public to Private: Drawing in France, 1850–1900." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>29:05</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Museums vs. Private Collectors: The Role of Personal Taste in Acquisitions</title>
            <link>http://www.artic.edu/aic/resources/resource/1190?search_id=91</link>
            <description><![CDATA[The symposium "The Gray Collection—A Particular Eye" was opened and hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. The first speaker, Nicholas Turner, independent scholar, formerly of the British Museum and the Getty, considered "Museums vs. Private Collectors: The Role of Personal Taste in Acquisitions." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The symposium "The Gray Collection—A Particular Eye" was opened and hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. The first speaker, Nicholas Turner...</itunes:subtitle>
            <itunes:summary>The symposium "The Gray Collection—A Particular Eye" was opened and hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. The first speaker, Nicholas Turner, independent scholar, formerly of the British Museum and the Getty, considered "Museums vs. Private Collectors: The Role of Personal Taste in Acquisitions." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>47:51</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Bernard O'Kane on Persian Architecture</title>
            <link>http://www.artic.edu/aic/resources/resource/1179?search_id=48</link>
            <description><![CDATA[Bernard O'Kane, American University, Cairo, spoke on Arthur Pope and Persian architecture as a part of the symposium "Arthur Pope and and New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bernard O'Kane, American University, Cairo, spoke on Arthur Pope and Persian architecture as a part of the symposium "Arthur Pope and and New Survey of Persian Art."</itunes:subtitle>
            <itunes:summary>Bernard O'Kane, American University, Cairo, spoke on Arthur Pope and Persian architecture as a part of the symposium "Arthur Pope and and New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>30:17</itunes:duration>
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        <item>
            <title>Lindsay Allen on Arthur Pope and Early Persian Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1181?search_id=60</link>
            <description><![CDATA[Lindsay Allen, King's College, London, spoke on Arthur Pope and early Persian art as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Lindsay Allen, King's College, London, spoke on Arthur Pope and early Persian art as a part of the symposium "Arthur Pope and a New Survey of Persian Art."</itunes:subtitle>
            <itunes:summary>Lindsay Allen, King's College, London, spoke on Arthur Pope and early Persian art as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>31:00</itunes:duration>
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        <item>
            <title>Donald Whitcomb on Archaeological Methodology of the 1920s and 1920s</title>
            <link>http://www.artic.edu/aic/resources/resource/1183?search_id=74</link>
            <description><![CDATA[Donald Whitcomb, University of Chicago, discussed archaeological methodology of the 1920s and 1930s as it relates to Arthur Pope and his work as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Donald Whitcomb, University of Chicago, discussed archaeological methodology of the 1920s and 1930s as it relates to Arthur Pope and his work as a part of the symposium "Arthur Pope and a New Survey of Persian Art."</itunes:subtitle>
            <itunes:summary>Donald Whitcomb, University of Chicago, discussed archaeological methodology of the 1920s and 1930s as it relates to Arthur Pope and his work as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>18:44</itunes:duration>
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        <item>
            <title>Jonathan Bloom on the Life and Times of Arthur Pope</title>
            <link>http://www.artic.edu/aic/resources/resource/1184?search_id=45</link>
            <description><![CDATA[Jonathan Bloom, Boston College, discussed the life and times of Arthur Pope. He was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Jonathan Bloom, Boston College, discussed the life and times of Arthur Pope. He was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi.</itunes:subtitle>
            <itunes:summary>Jonathan Bloom, Boston College, discussed the life and times of Arthur Pope. He was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>32:58</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Keynote: Arthur Pope and a New Survey of Persian Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1178?search_id=47</link>
            <description><![CDATA[Robert Hillenbrand, University of Edinburgh, delivered the keynote address for the symposium "Arthur Pope and a New Survey of Persian Art." He was introduced by Jim Cuno, President and Eloise W. Martin Director of the Art Institute of Chicago. This event was cosponsored by the Asian Arts Council. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Robert Hillenbrand, University of Edinburgh, delivered the keynote address for the symposium "Arthur Pope and a New Survey of Persian Art." ...</itunes:subtitle>
            <itunes:summary>Robert Hillenbrand, University of Edinburgh, delivered the keynote address for the symposium "Arthur Pope and a New Survey of Persian Art." He was introduced by Jim Cuno, President and Eloise W. Martin Director of the Art Institute of Chicago. This event was cosponsored by the Asian Arts Council. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>52:43</itunes:duration>
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        <item>
            <title>Yuka Kadoi on Arthur Pope and Later Persian Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1180?search_id=58</link>
            <description><![CDATA[Yuka Kadoi, Art Institute of Chicago curator and chair of the symposium "Arthur Pope and a New Survey of Persian Art," spoke about Arthur Pope and later Persian art. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Yuka Kadoi, Art Institute of Chicago curator and chair of the symposium "Arthur Pope and a New Survey of Persian Art," spoke about Arthur Pope and later Persian art. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art."</itunes:subtitle>
            <itunes:summary>Yuka Kadoi, Art Institute of Chicago curator and chair of the symposium "Arthur Pope and a New Survey of Persian Art," spoke about Arthur Pope and later Persian art. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>22:47</itunes:duration>
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        <item>
            <title>Sheila Blair on the Future of Persian Art Studies</title>
            <link>http://www.artic.edu/aic/resources/resource/1182?search_id=29</link>
            <description><![CDATA[Sheila Blair, Boston College, discussed the future of Persian art studies. She was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 10 Sep 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Sheila Blair, Boston College, discussed the future of Persian art studies. She was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi.</itunes:subtitle>
            <itunes:summary>Sheila Blair, Boston College, discussed the future of Persian art studies. She was introduced by Art Institute curator and "Arthur Pope and a New Survey of Persian Art" symposium chair Yuka Kadoi. Presented as a part of the symposium "Arthur Pope and a New Survey of Persian Art." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>31:03</itunes:duration>
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        <item>
            <title>Saving Italian Drawings: From the Frying Pan to the History of Art</title>
            <link>http://www.artic.edu/aic/resources/resource/1192?search_id=18</link>
            <description><![CDATA[Gail Feigenbaum, J. Paul Getty Museum, spoke about "Saving Italian Drawings: From the Frying Pan to the History of Art." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Mon, 23 Aug 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Gail Feigenbaum, J. Paul Getty Museum, spoke about "Saving Italian Drawings: From the Frying Pan to the History of Art." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle ...</itunes:subtitle>
            <itunes:summary>Gail Feigenbaum, J. Paul Getty Museum, spoke about "Saving Italian Drawings: From the Frying Pan to the History of Art." The symposium "The Gray Collection—A Particular Eye" was hosted by Suzanne McCullagh, Anne Vogt Fuller and Marion Titus Searle Curator of Earlier Prints and Drawings. Presented as a part of the symposium "The Gray Collection—A Particular Eye." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>46:46</itunes:duration>
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        <item>
            <title>Gerhard Richter—A Life in Painting</title>
            <link>http://www.artic.edu/aic/resources/resource/994?search_id=24</link>
            <description><![CDATA[German archivist Dieter Elger provides insights into the aesthetics of the art as he provides a rich personal portrait of Gerhard Richter at work.  Elger introduces his new biography on Richter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 26 Mar 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>German archivist Dieter Elger provides insights into the aesthetics of the art as he provides a rich personal portrait of Gerhard Richter at work.  Elger introduces his new biography on Richter.</itunes:subtitle>
            <itunes:summary>German archivist Dieter Elger provides insights into the aesthetics of the art as he provides a rich personal portrait of Gerhard Richter at work.  Elger introduces his new biography on Richter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:52</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Exhibit the Collection</title>
            <link>http://www.artic.edu/aic/resources/resource/1005?search_id=11</link>
            <description><![CDATA[Alfred Pacquement, director of the Centre Pompidou, Paris, suggests how a balance between thematic and chronological exhibitions displays a permanent collection in its most productive light. He previews the opening of the Centre Pompidou Metz with a full view of its architectural design and gallery space. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 25 Mar 2010 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Alfred Pacquement, director of the Centre Pompidou, Paris, suggests how a balance between thematic and chronological exhibitions displays a permanent collection in its most productive light. He previews the opening of the Centre Pompidou Metz...</itunes:subtitle>
            <itunes:summary>Alfred Pacquement, director of the Centre Pompidou, Paris, suggests how a balance between thematic and chronological exhibitions displays a permanent collection in its most productive light. He previews the opening of the Centre Pompidou Metz with a full view of its architectural design and gallery space. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:02:58</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>How to Survive Civilization, or What I Have Learned from Dada</title>
            <link>http://www.artic.edu/aic/resources/resource/1006?search_id=21</link>
            <description><![CDATA[Hal Foster, Princeton University, looks at avant garde art with a focus on the mimetic excess found in Dada and its progeny.  He recalls the Cabaret Voltaire performances of poet Hugo Ball in Zurich, 1916, as pivotal to much of what followed.  Foster is introduced by Art Institute President and Director Jim Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 04 Mar 2010 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Hal Foster, Princeton University, looks at avant garde art with a focus on the mimetic excess found in Dada and its progeny.  He recalls the Cabaret Voltaire performances of poet Hugo Ball in Zurich, 1916, as pivotal to much of what followed. ...</itunes:subtitle>
            <itunes:summary>Hal Foster, Princeton University, looks at avant garde art with a focus on the mimetic excess found in Dada and its progeny.  He recalls the Cabaret Voltaire performances of poet Hugo Ball in Zurich, 1916, as pivotal to much of what followed.  Foster is introduced by Art Institute President and Director Jim Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:16:54</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>African Art and the Modernist Eye</title>
            <link>http://www.artic.edu/aic/resources/resource/1004?search_id=6</link>
            <description><![CDATA[Christa Clarke, Neward Museum, considers the influence of modernism in shaping Western perceptions of African art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 18 Feb 2010 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Christa Clarke, Neward Museum, considers the influence of modernism in shaping Western perceptions of African art.</itunes:subtitle>
            <itunes:summary>Christa Clarke, Neward Museum, considers the influence of modernism in shaping Western perceptions of African art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:05:06</itunes:duration>
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        <item>
            <title>How Chinese Art Became "Contemporary"</title>
            <link>http://www.artic.edu/aic/resources/resource/1060?search_id=20</link>
            <description><![CDATA[Wu Hung, University of Chicago, explores the crucial moment in Chinese art that reset an avant-garde movement as he analyzes key art projects, experimental exhibitions, and the language of art criticisms. He is introduced by curator James Rondeau. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 11 Feb 2010 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Wu Hung, University of Chicago, explores the crucial moment in Chinese art that reset an avant-garde movement as he analyzes key art projects, experimental exhibitions, and the language of art criticisms. He is introduced by curator James Rondeau.</itunes:subtitle>
            <itunes:summary>Wu Hung, University of Chicago, explores the crucial moment in Chinese art that reset an avant-garde movement as he analyzes key art projects, experimental exhibitions, and the language of art criticisms. He is introduced by curator James Rondeau. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:10</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Andreas Fischer Connects with Courbet</title>
            <link>http://www.artic.edu/aic/resources/resource/1062?search_id=8</link>
            <description><![CDATA[Andreas Fischer looks closely at works by Gustave Courbet, noting the consummate skill with which the painter explored the expressive properties of his medium. Andreas also describes the process by which he developed his own most recent work in the "Ghost Town" series of portraits and landscapes. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Feb 2010 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Andreas Fischer looks closely at works by Gustave Courbet, noting the consummate skill with which the painter explored the expressive properties of his medium. Andreas also describes the process by which he developed his own most recent work in the ...</itunes:subtitle>
            <itunes:summary>Andreas Fischer looks closely at works by Gustave Courbet, noting the consummate skill with which the painter explored the expressive properties of his medium. Andreas also describes the process by which he developed his own most recent work in the "Ghost Town" series of portraits and landscapes. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:31</itunes:duration>
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        <item>
            <title>Conversation with Maestro Boulez</title>
            <link>http://www.artic.edu/aic/resources/resource/1063?search_id=67</link>
            <description><![CDATA[Pierre Boulez, universally acclaimed composer and the Chicago Symphony Orchestra's Conductor Emeritus, reflects on the high notes of modernism with CSO program annotator Phillip Huscher.  Presented with the Chicago Symphony Orchestra. Jim Cuno, President and Director of the Art Institute provides the introduction. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 26 Jan 2010 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Pierre Boulez, universally acclaimed composer and the Chicago Symphony Orchestra's Conductor Emeritus, reflects on the high notes of modernism with CSO program annotator Phillip Huscher.  Presented...</itunes:subtitle>
            <itunes:summary>Pierre Boulez, universally acclaimed composer and the Chicago Symphony Orchestra's Conductor Emeritus, reflects on the high notes of modernism with CSO program annotator Phillip Huscher.  Presented with the Chicago Symphony Orchestra. Jim Cuno, President and Director of the Art Institute provides the introduction. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:02</itunes:duration>
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        <item>
            <title>The 20th-Century Fate of the Craft Ideal</title>
            <link>http://www.artic.edu/aic/resources/resource/993?search_id=49</link>
            <description><![CDATA[Jackson Lears, Board of Governors professor of history at Rutgers University, traces the changing attitudes toward craftsmanship in the 20th-century United States high and popular culture, looking specifically at work produced at Cranbrook, Black Mountain, and Penland. He will also discuss the post-World War II do-it-yourself movement, concluding with reflections (following Matthew Crawford and Richard Sennett) on the eclipse of craftsmanship in the workplaces of the Information Age. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 14 Jan 2010 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Jackson Lears, Board of Governors professor of history at Rutgers University, traces the changing attitudes toward craftsmanship in the 20th-century United States high and popular culture, looking specifically at work produced at Cranbrook, Black ...</itunes:subtitle>
            <itunes:summary>Jackson Lears, Board of Governors professor of history at Rutgers University, traces the changing attitudes toward craftsmanship in the 20th-century United States high and popular culture, looking specifically at work produced at Cranbrook, Black Mountain, and Penland. He will also discuss the post-World War II do-it-yourself movement, concluding with reflections (following Matthew Crawford and Richard Sennett) on the eclipse of craftsmanship in the workplaces of the Information Age. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:12:08</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Home/work: Images in Context</title>
            <link>http://www.artic.edu/aic/resources/resource/1064?search_id=15</link>
            <description><![CDATA[Julia Fish's paintings are quiet, abstract manifestations of observed realities drawn from personal experiences, memories, and her own immediate surroundings. Many of her early paintings focused on natural phenomena--clouds, snow, frost, vines, bark and ivy. Her more recent work draws upon the poetics of domestic architectural elements, such as a tile floor, studio window, or hall entryway.  Methodical and precise, Fish slowly constructs her compositions with many layers of thinned paint, carefully building the surface, at times eliminating visible brushstrokes and negotiating defined edges. In her presentation "Home/work: Images in Context," she discusses an overview of studio work and site-specific projects, in addition to examples of historical and contemporary art and architecture that have been influential in the development of her work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 14 Jan 2010 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Julia Fish's paintings are quiet, abstract manifestations of observed realities drawn from personal experiences, memories, and her own immediate surroundings. Many of her early paintings focused on natural phenomena--clouds, snow, frost ...</itunes:subtitle>
            <itunes:summary>Julia Fish's paintings are quiet, abstract manifestations of observed realities drawn from personal experiences, memories, and her own immediate surroundings. Many of her early paintings focused on natural phenomena--clouds, snow, frost, vines, bark and ivy. Her more recent work draws upon the poetics of domestic architectural elements, such as a tile floor, studio window, or hall entryway.  Methodical and precise, Fish slowly constructs her compositions with many layers of thinned paint, carefully building the surface, at times eliminating visible brushstrokes and negotiating defined edges. In her presentation "Home/work: Images in Context," she discusses an overview of studio work and site-specific projects, in addition to examples of historical and contemporary art and architecture that have been influential in the development of her work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:15:56</itunes:duration>
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        <item>
            <title>On Frank Lloyd Wright</title>
            <link>http://www.artic.edu/aic/resources/resource/992?search_id=25</link>
            <description><![CDATA[Donald Hallmark discusses Frank Lloyd Wright's influence on architecture and design in the midwest. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Dec 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Donald Hallmark discusses Frank Lloyd Wright's influence on architecture and design in the midwest.</itunes:subtitle>
            <itunes:summary>Donald Hallmark discusses Frank Lloyd Wright's influence on architecture and design in the midwest. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:14:02</itunes:duration>
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        <item>
            <title>Museums of Modern Art: Framing the Future</title>
            <link>http://www.artic.edu/aic/resources/resource/1061?search_id=90</link>
            <description><![CDATA[Museum of Modern Art director Glenn Lowry, examines how modern museums can adapt to the changing circumstances of a globalized world. Mr. Lowry brings insights from MOMA, New York City to this series titled Redirecting Modernism in the inaugural season of the Modern Wing at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Dec 2009 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Museum of Modern Art director Glenn Lowry, examines how modern museums can adapt to the changing circumstances of a globalized world. Mr. Lowry brings insights from MOMA, New York City to this series...</itunes:subtitle>
            <itunes:summary>Museum of Modern Art director Glenn Lowry, examines how modern museums can adapt to the changing circumstances of a globalized world. Mr. Lowry brings insights from MOMA, New York City to this series titled Redirecting Modernism in the inaugural season of the Modern Wing at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:09</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The English Arts and Crafts Movement and the Cotswolds</title>
            <link>http://www.artic.edu/aic/resources/resource/991?search_id=20</link>
            <description><![CDATA[British scholar Mary Greensted discusses why Arts and Crafts designers such as Morris, Gimson, and Ashbee deserted city life in favor of the rural Cotswolds. This event is presented in support of the special exhibition Apostles of Beauty: Arts and Crafts from Britain to Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 13 Dec 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>British scholar Mary Greensted discusses why Arts and Crafts designers such as Morris, Gimson, and Ashbee deserted city life in favor of the rural Cotswolds. This event is presented in support of the special exhibition Apostles of Beauty: Arts and ...</itunes:subtitle>
            <itunes:summary>British scholar Mary Greensted discusses why Arts and Crafts designers such as Morris, Gimson, and Ashbee deserted city life in favor of the rural Cotswolds. This event is presented in support of the special exhibition Apostles of Beauty: Arts and Crafts from Britain to Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:04:00</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>John Ronan Connects with Brice Marden</title>
            <link>http://www.artic.edu/aic/resources/resource/1065?search_id=43</link>
            <description><![CDATA[Chicago architect John Ronan discusses his own work in relation to that of Brice Marden, American Minimalist painter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 05 Dec 2009 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Chicago architect John Ronan discusses his own work in relation to that of Brice Marden, American Minimalist painter.</itunes:subtitle>
            <itunes:summary>Chicago architect John Ronan discusses his own work in relation to that of Brice Marden, American Minimalist painter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:15</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Hadrian: Modern Visionary in Ancient Times</title>
            <link>http://www.artic.edu/aic/resources/resource/990?search_id=12</link>
            <description><![CDATA[Art historian Melissa Dowling, Southern Methodist University, reviews the impact of Emperor Hadrian's architectural and aethetic innovations across the Roman Empire. She is introduced by Mary Greuel. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 14 Nov 2009 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Art historian Melissa Dowling, Southern Methodist University, reviews the impact of Emperor Hadrian's architectural and aethetic innovations across the Roman Empire. She is introduced by Mary Greuel.</itunes:subtitle>
            <itunes:summary>Art historian Melissa Dowling, Southern Methodist University, reviews the impact of Emperor Hadrian's architectural and aethetic innovations across the Roman Empire. She is introduced by Mary Greuel. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:51</itunes:duration>
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        <item>
            <title>The Vinteuil Sonata: Where Music and Literature Collide</title>
            <link>http://www.artic.edu/aic/resources/resource/1068?search_id=33</link>
            <description><![CDATA[Composer John Adams gives the Third Annual Presidential Lecture on how French 19th-century writer Marcel Proust describes the act of listening to music, referring also to novelist Thomas Mann. Adams is introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 12 Nov 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Composer John Adams gives the Third Annual Presidential Lecture on how French 19th-century writer Marcel Proust describes the act of listening to music, referring also to novelist Thomas Mann. Adams is introduced by Art Institute President and Director...</itunes:subtitle>
            <itunes:summary>Composer John Adams gives the Third Annual Presidential Lecture on how French 19th-century writer Marcel Proust describes the act of listening to music, referring also to novelist Thomas Mann. Adams is introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:16</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Silvia Malagrino Connects with Francisco Goya</title>
            <link>http://www.artic.edu/aic/resources/resource/1066?search_id=31</link>
            <description><![CDATA[Silvia Malagrino is a Chicago filmmaker whose work explores the history of violence in her native Argentina through witness narration, interviews, and re-created footage.  For Artists Connect, Malagrino discusses her photography and most recent film, Burnt Oranges, in relation to seminal works by Francisco Goya. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 07 Nov 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Silvia Malagrino is a Chicago filmmaker whose work explores the history of violence in her native Argentina through witness narration, interviews, and re-created footage.  For Artists Connect, Malagrino discusses her photography and most recent film...</itunes:subtitle>
            <itunes:summary>Silvia Malagrino is a Chicago filmmaker whose work explores the history of violence in her native Argentina through witness narration, interviews, and re-created footage.  For Artists Connect, Malagrino discusses her photography and most recent film, Burnt Oranges, in relation to seminal works by Francisco Goya. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>50:37</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Apart at the Seams: Looking at Victorian Photocollage</title>
            <link>http://www.artic.edu/aic/resources/resource/1059?search_id=10</link>
            <description><![CDATA[This lecture, in conjunction with the exhibition Playing with Pictures: The Art of Victorian Photocollage, explores the ways Victorians viewed photocollage albums and reconciled the visually disruptive medium of photocollage, by placing this work in the context of contemporary Victorian visual culture. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 29 Oct 2009 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>This lecture, in conjunction with the exhibition Playing with Pictures: The Art of Victorian Photocollage, explores the ways Victorians viewed photocollage albums and reconciled the visually disruptive medium of photocollage...</itunes:subtitle>
            <itunes:summary>This lecture, in conjunction with the exhibition Playing with Pictures: The Art of Victorian Photocollage, explores the ways Victorians viewed photocollage albums and reconciled the visually disruptive medium of photocollage, by placing this work in the context of contemporary Victorian visual culture. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:10</itunes:duration>
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        <item>
            <title>Robert Lowell and the Modern Legacy</title>
            <link>http://www.artic.edu/aic/resources/resource/945?search_id=43</link>
            <description><![CDATA[Scholar Helen Vendler, Harvard University, discusses the poet Robert Lowell at the end of his career, when he viewed great American modernists Pound, Eliot, Frost, Tate, Crane, and Williams no longer as intimidating predecessors, but as fellow human beings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 22 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Scholar Helen Vendler, Harvard University, discusses the poet Robert Lowell at the end of his career, when he viewed great American modernists Pound, Eliot, Frost, Tate, Crane, and Williams no longer as intimidating predecessors, but as fellow human...</itunes:subtitle>
            <itunes:summary>Scholar Helen Vendler, Harvard University, discusses the poet Robert Lowell at the end of his career, when he viewed great American modernists Pound, Eliot, Frost, Tate, Crane, and Williams no longer as intimidating predecessors, but as fellow human beings. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:43</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Richard Powell on Kerry James Marshall</title>
            <link>http://www.artic.edu/aic/resources/resource/952?search_id=42</link>
            <description><![CDATA[Richard Powell, Duke University, spoke on Kerry James Marshall for this symposium. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This lecture was given as part of a daylong symposium Contemporary Art at the Art Institute of Chicago: Case Studies of Selected Works on View. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 16 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Richard Powell, Duke University, spoke on Kerry James Marshall for this symposium. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art.</itunes:subtitle>
            <itunes:summary>Richard Powell, Duke University, spoke on Kerry James Marshall for this symposium. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This lecture was given as part of a daylong symposium Contemporary Art at the Art Institute of Chicago: Case Studies of Selected Works on View. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>35:02</itunes:duration>
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        <item>
            <title>Briony Fer on Eva Hesse</title>
            <link>http://www.artic.edu/aic/resources/resource/949?search_id=57</link>
            <description><![CDATA[Briony Fer of University College, London, spoke on Eva Hesse for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 16 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Briony Fer of University College, London, spoke on Eva Hesse for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art.</itunes:subtitle>
            <itunes:summary>Briony Fer of University College, London, spoke on Eva Hesse for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>30:57</itunes:duration>
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        <item>
            <title>Caroll Dunham on Jim Nutt</title>
            <link>http://www.artic.edu/aic/resources/resource/950?search_id=59</link>
            <description><![CDATA[Caroll Dunham, an artist whose paintings and drawings are included in many prestigious collections including the Art Institute of Chicago, speaks on Jim Nutt. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 16 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Caroll Dunham, an artist whose paintings and drawings are included in many prestigious collections including the Art Institute of Chicago, speaks on Jim Nutt. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art.</itunes:subtitle>
            <itunes:summary>Caroll Dunham, an artist whose paintings and drawings are included in many prestigious collections including the Art Institute of Chicago, speaks on Jim Nutt. He was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>25:53</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Theodora Vischer on Robert Gober</title>
            <link>http://www.artic.edu/aic/resources/resource/951?search_id=35</link>
            <description><![CDATA[Theodora Vischer, based at Schaulager Ruchfeldstrasse, Basel, spoke on Robert Gober  for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This lecture was given as part of a daylong symposium Contemporary Art at the Art Institute of Chicago: Case Studies of Selected Works on View. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 16 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Theodora Vischer, based at Schaulager Ruchfeldstrasse, Basel, spoke on Robert Gober  for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This lecture was given as part of a daylong ...</itunes:subtitle>
            <itunes:summary>Theodora Vischer, based at Schaulager Ruchfeldstrasse, Basel, spoke on Robert Gober  for this symposium. She was introduced by James Rondeau, Frances and Thomas Dittmer Chair of Contemporary Art. This lecture was given as part of a daylong symposium Contemporary Art at the Art Institute of Chicago: Case Studies of Selected Works on View. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>29:33</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Molecular to Monumental: Rediscovering Lost Cultures from the Inside Out</title>
            <link>http://www.artic.edu/aic/resources/resource/1058?search_id=88</link>
            <description><![CDATA[With the aid of modern CT scan technology, conservators are seeing ancient civilizations in a whole new light, from Egyptian High Priests to Peruvian artisans.  Their remnants of day-of-day life are all but lost to time, but we can now expose these cultures and link their very distant past to our present.  In this seminar, The Chicago Council on Science and Technology (C2ST) pools together a panel of five distinguished specialists to present case studies: Mary Greuel and Francesa Casadio, Art Institute of Chicago; J.P. Brown, Field Museum; Laura D'Alessandro, University of Chicago; Michael Vannier, University of Chicago Medical Center.  James Cuno, President and Director, Art Institute of Chicago, and Alan Schriesheim, President of C2ST, open the seminar. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 14 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>With the aid of modern CT scan technology, conservators are seeing ancient civilizations in a whole new light, from Egyptian High Priests to Peruvian artisans. Their remnants of day-of-day life are all but lost...</itunes:subtitle>
            <itunes:summary>With the aid of modern CT scan technology, conservators are seeing ancient civilizations in a whole new light, from Egyptian High Priests to Peruvian artisans.  Their remnants of day-of-day life are all but lost to time, but we can now expose these cultures and link their very distant past to our present.  In this seminar, The Chicago Council on Science and Technology (C2ST) pools together a panel of five distinguished specialists to present case studies: Mary Greuel and Francesa Casadio, Art Institute of Chicago; J.P. Brown, Field Museum; Laura D'Alessandro, University of Chicago; Michael Vannier, University of Chicago Medical Center.  James Cuno, President and Director, Art Institute of Chicago, and Alan Schriesheim, President of C2ST, open the seminar. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:29:49</itunes:duration>
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        <item>
            <title>Judith Brotman Connects with Eva Hesse</title>
            <link>http://www.artic.edu/aic/resources/resource/1067?search_id=46</link>
            <description><![CDATA[Judith Brotman makes altered books, installations, works on paper, and sculpture using nature, found objects, industrial materials, and hand-sewing. Her poetic and often funny works defy categorization. For Artists Connect, Brotman discussed Eva Hesse, arms and armor, and how her work collides with both. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 03 Oct 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Judith Brotman makes altered books, installations, works on paper, and sculpture using nature, found objects, industrial materials, and hand-sewing. Her poetic and often funny works defy categorization. ...</itunes:subtitle>
            <itunes:summary>Judith Brotman makes altered books, installations, works on paper, and sculpture using nature, found objects, industrial materials, and hand-sewing. Her poetic and often funny works defy categorization. For Artists Connect, Brotman discussed Eva Hesse, arms and armor, and how her work collides with both. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>52:35</itunes:duration>
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        <item>
            <title>Cézanne and Pissarro in the 1870s</title>
            <link>http://www.artic.edu/aic/resources/resource/1057?search_id=60</link>
            <description><![CDATA[Art historian T. J. Clark, University of California at Berkeley, looks at the period when Cézanne and Pissarro painted side by side, before differences emerged that constituted a decisive stylistic parting of the ways. Introduced by Douglas Druick, Searle Chair of Medieval through Modern Painting and Sculpture, this lecture launched the Rethinking Modernism lecture series of lectures, part of 500 Ways of Looking at Modern. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 01 Oct 2009 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Art historian T. J. Clark, University of California at Berkeley, looks at the period when Cézanne and Pissarro painted side by side, before differences emerged that constituted a decisive stylistic parting of the ways. Introduced by Douglas Druick...</itunes:subtitle>
            <itunes:summary>Art historian T. J. Clark, University of California at Berkeley, looks at the period when Cézanne and Pissarro painted side by side, before differences emerged that constituted a decisive stylistic parting of the ways. Introduced by Douglas Druick, Searle Chair of Medieval through Modern Painting and Sculpture, this lecture launched the Rethinking Modernism lecture series of lectures, part of 500 Ways of Looking at Modern. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:16</itunes:duration>
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        <item>
            <title>The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine</title>
            <link>http://www.artic.edu/aic/resources/resource/943?search_id=51</link>
            <description><![CDATA[Journalist Benjamin Wallace recaps highlights from his book on the rarefied and intriguing world of wine and connoisseurship. This lecture was presented in support of the exhibition A Case for Wine: From King Tut to Today. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 27 Sep 2009 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Journalist Benjamin Wallace recaps highlights from his book on the rarefied and intriguing world of wine and connoisseurship. This lecture was presented in support of the exhibition A Case for Wine: From King Tut to Today.</itunes:subtitle>
            <itunes:summary>Journalist Benjamin Wallace recaps highlights from his book on the rarefied and intriguing world of wine and connoisseurship. This lecture was presented in support of the exhibition A Case for Wine: From King Tut to Today. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:08:18</itunes:duration>
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        <item>
            <title>Objects of Attention: Cy Twombly's Sculpture</title>
            <link>http://www.artic.edu/aic/resources/resource/944?search_id=94</link>
            <description><![CDATA[Kate Nesin, Princeton University, reviewed Cy Twombly's sculptural work as it developed alongside his painting over the past several decades. The lecture was presented in support of the exhibition Cy Twombly: The Natural World, Selected Works, 2000-2007. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 10 Sep 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Kate Nesin, Princeton University, reviewed Cy Twombly's sculptural work as it developed alongside his painting over the past several decades. The lecture was presented in support of the exhibition Cy Twombly: The Natural World, Selected Works, 2000-2007.</itunes:subtitle>
            <itunes:summary>Kate Nesin, Princeton University, reviewed Cy Twombly's sculptural work as it developed alongside his painting over the past several decades. The lecture was presented in support of the exhibition Cy Twombly: The Natural World, Selected Works, 2000-2007. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:11</itunes:duration>
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        <item>
            <title>Gifts of Wishful Thinking: Genji Screens and the Bridal Trousseau in Tokugawa Japan</title>
            <link>http://www.artic.edu/aic/resources/resource/940?search_id=7</link>
            <description><![CDATA[Melissa McCormick reviews selected scenes from the 11th century Tales of Genji as she describes the literary classic's role in the genre of Japanese screens. She is introduced by Janice Katz, Janice Katz, Roger L. Weston Associate Curator of Japanese Art, Department of Asian and Ancient Art at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 27 Aug 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Melissa McCormick reviews selected scenes from the 11th century Tales of Genji as she describes the literary classic's role in the genre of Japanese screens. She is introduced by Janice Katz, Janice Katz, Roger L. Weston Associate Curator of Japanese Art.</itunes:subtitle>
            <itunes:summary>Melissa McCormick reviews selected scenes from the 11th century Tales of Genji as she describes the literary classic's role in the genre of Japanese screens. She is introduced by Janice Katz, Janice Katz, Roger L. Weston Associate Curator of Japanese Art, Department of Asian and Ancient Art at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>51:38</itunes:duration>
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        <item>
            <title>Japanese Screen Paintings and the Strategy of Emperors</title>
            <link>http://www.artic.edu/aic/resources/resource/942?search_id=29</link>
            <description><![CDATA[Elizabeth Lillehoj, DePaul University, explores Japanese screens of the 17th and 18th centuries whose visual evidence reveals the emperor's crucial role in legitimatizing military leaders. She is introduced by Janice Katz, Roger L. Weston Associate Curator of Japanese Art, Department of Asian and Ancient Art at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 30 Jul 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Elizabeth Lillehoj, DePaul University, explores Japanese screens of the 17th and 18th centuries whose visual evidence reveals the emperor's crucial role in legitimatizing military leaders. ...</itunes:subtitle>
            <itunes:summary>Elizabeth Lillehoj, DePaul University, explores Japanese screens of the 17th and 18th centuries whose visual evidence reveals the emperor's crucial role in legitimatizing military leaders. She is introduced by Janice Katz, Roger L. Weston Associate Curator of Japanese Art, Department of Asian and Ancient Art at the Art Institute of Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>42:14</itunes:duration>
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        <item>
            <title>Hubbard Street Dance Chicago in Residence</title>
            <link>http://www.artic.edu/aic/resources/resource/941?search_id=22</link>
            <description><![CDATA[Glenn Edgerton, artistic director of Hubbard Street Dance Chicago, reacts to works of art as he comments on the company's residency at the Art Institute during the 500 Ways of Looking at Modern season. He is hosted by Mary Sue Glosser, creative director of lectures and performances at the Art Institute. Following the commentary, Mr. Edgerton leads the audience on a gallery walk in the new Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Jul 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Glenn Edgerton, artistic director of Hubbard Street Dance Chicago, reacts to works of art as he comments on the company's residency at the Art Institute during the 500 Ways of Looking at Modern season. ...</itunes:subtitle>
            <itunes:summary>Glenn Edgerton, artistic director of Hubbard Street Dance Chicago, reacts to works of art as he comments on the company's residency at the Art Institute during the 500 Ways of Looking at Modern season. He is hosted by Mary Sue Glosser, creative director of lectures and performances at the Art Institute. Following the commentary, Mr. Edgerton leads the audience on a gallery walk in the new Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>19:49</itunes:duration>
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        <item>
            <title>Wine of the Pharoahs</title>
            <link>http://www.artic.edu/aic/resources/resource/939?search_id=46</link>
            <description><![CDATA[Leonard Lesko, emeritus Brown University, reviews the legacy of winemaking and tasting in Egypt from about 5000 years ago across the dynasties including special attention to wine jars found in King Tut's tomb. Christopher Monkhouse, curator of the special exhibition A Case for Wine: From King Tut to Today, introduces the speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 16 Jul 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Leonard Lesko, emeritus Brown University, reviews the legacy of winemaking and tasting in Egypt from about 5000 years ago across the dynasties including special attention to wine jars found in King Tut's tomb. Christopher Monkhouse, curator of the ...</itunes:subtitle>
            <itunes:summary>Leonard Lesko, emeritus Brown University, reviews the legacy of winemaking and tasting in Egypt from about 5000 years ago across the dynasties including special attention to wine jars found in King Tut's tomb. Christopher Monkhouse, curator of the special exhibition A Case for Wine: From King Tut to Today, introduces the speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:02:07</itunes:duration>
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        <item>
            <title>The Mountain Lake Screen Tachi</title>
            <link>http://www.artic.edu/aic/resources/resource/938?search_id=50</link>
            <description><![CDATA[Janice Katz, exhibition curator of the special exhibition Beyond Golden Clouds, introduces Kyoto-based artist Jiro Okura. Influenced by John Cage's ideas of chance, Okura's work pays homage to the natural materials that he uses and the natural environment from which they come. In this lecture Okura shares his philosophy and inspiration behind his 1990 screen installation, Mountain Lake Screen Tachi. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 09 Jul 2009 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Janice Katz, exhibition curator of the special exhibition Beyond Golden Clouds, introduces Kyoto-based artist Jiro Okura. Influenced by John Cage's ideas of chance, Okura's work pays homage to the natural materials that he uses and the natural ...</itunes:subtitle>
            <itunes:summary>Janice Katz, exhibition curator of the special exhibition Beyond Golden Clouds, introduces Kyoto-based artist Jiro Okura. Influenced by John Cage's ideas of chance, Okura's work pays homage to the natural materials that he uses and the natural environment from which they come. In this lecture Okura shares his philosophy and inspiration behind his 1990 screen installation, Mountain Lake Screen Tachi. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>34:06</itunes:duration>
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        <item>
            <title>Still Life—Some Thoughts on the Late Work of Cy Twombly and the Artist's Studio</title>
            <link>http://www.artic.edu/aic/resources/resource/937?search_id=35</link>
            <description><![CDATA[Nicholas Cullinan, Curator of International Modern Art, Tate Modern, presents a lecture to accompany the inaugural installation in the new Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 18 Jun 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Nicholas Cullinan, Curator of International Modern Art, Tate Modern, presents a lecture to accompany the inaugural installation in the new Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Nicholas Cullinan, Curator of International Modern Art, Tate Modern, presents a lecture to accompany the inaugural installation in the new Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:04:38</itunes:duration>
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        <item>
            <title>Technical Study of Saint John in the Wilderness</title>
            <link>http://www.artic.edu/aic/resources/resource/948?search_id=48</link>
            <description><![CDATA[The authorship of the magnificent Spanish-school Saint John in the Wilderness has long been a subject of debate. The painting entered the Art Institute of Chicago collection in 1957 as a work by Diego Velázquez, but some scholars are questioning its attribution to the Spanish master. A recent technical study of the painting?involving X-ray, infrared reflectography (IRR), and pigment and cross-sectional analysis?sheds new light on this question. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 05 Jun 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>The authorship of the magnificent Spanish-school Saint John in the Wilderness has long been a subject of debate. The painting entered the Art Institute of Chicago collection in 1957 as a work by Diego Velázquez, but some scholars are questioning its ...</itunes:subtitle>
            <itunes:summary>The authorship of the magnificent Spanish-school Saint John in the Wilderness has long been a subject of debate. The painting entered the Art Institute of Chicago collection in 1957 as a work by Diego Velázquez, but some scholars are questioning its attribution to the Spanish master. A recent technical study of the painting?involving X-ray, infrared reflectography (IRR), and pigment and cross-sectional analysis?sheds new light on this question. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:04:38</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Art from Ancient Bactria and Gandhara: The Legacy of Alexander the Great in the East</title>
            <link>http://www.artic.edu/aic/resources/resource/936?search_id=26</link>
            <description><![CDATA[The astonishing legacy of Alexander the Great in Asia is explored in this lecture, which discusses the unique art that developed in the Greek kingdom of Bactria in present day northern Afghanistan and southern Uzbekistan. Through a study of its impact on the region of Gandhara (Afghanistan and northern Pakistan) in South Asia, further light is thrown upon the Gandharan collections that have recently been displayed in the newly installed Alsdorf Galleries of the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 07 May 2009 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>The astonishing legacy of Alexander the Great in Asia is explored in this lecture, which discusses the unique art that developed in the Greek kingdom of Bactria in present day northern Afghanistan and southern Uzbekistan.</itunes:subtitle>
            <itunes:summary>The astonishing legacy of Alexander the Great in Asia is explored in this lecture, which discusses the unique art that developed in the Greek kingdom of Bactria in present day northern Afghanistan and southern Uzbekistan. Through a study of its impact on the region of Gandhara (Afghanistan and northern Pakistan) in South Asia, further light is thrown upon the Gandharan collections that have recently been displayed in the newly installed Alsdorf Galleries of the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:12:19</itunes:duration>
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        <item>
            <title>John Arndt Connects with Robert Adams</title>
            <link>http://www.artic.edu/aic/resources/resource/946?search_id=42</link>
            <description><![CDATA[John Arndt discusses images by photographer Robert Adams, whose severe landscapes inform Arndt's own sculpture and works on paper.  Arndt, who teaches at College of DuPage, was awarded a residency at the Center for Land Use Interpretation in Utah in 2007 and an Artadia Individual Art Grant in 2002. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 02 May 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>John Arndt discusses images by photographer Robert Adams, whose severe landscapes inform Arndt's own sculpture and works on paper.  Arndt, who teaches at College of DuPage, was awarded a residency at the Center for Land Use Interpretation ...</itunes:subtitle>
            <itunes:summary>John Arndt discusses images by photographer Robert Adams, whose severe landscapes inform Arndt's own sculpture and works on paper.  Arndt, who teaches at College of DuPage, was awarded a residency at the Center for Land Use Interpretation in Utah in 2007 and an Artadia Individual Art Grant in 2002. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>30:06</itunes:duration>
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        <item>
            <title>The Other Side of Conquest—Prisoners and Victims in the Roman Triumph</title>
            <link>http://www.artic.edu/aic/resources/resource/902?search_id=27</link>
            <description><![CDATA[Roman commentaries on triumphal processions suggest that the gaze of the audience was perilously hard to control. Dr. Mary Beard, University of Cambridge, England, offers a new perspective by concentrating on the defeated, from the not so simple facts of their number, identity, and ultimate fate to the moral complexities of their role in the culture of Roman triumph. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 18 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
            <enclosure length="35622660" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/902_beard.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Roman commentaries on triumphal processions suggest that the gaze of the audience was perilously hard to control. Dr. Mary Beard, University of Cambridge, England, offers a new perspective by concentrating on the defeated, from the not so simple facts ...</itunes:subtitle>
            <itunes:summary>Roman commentaries on triumphal processions suggest that the gaze of the audience was perilously hard to control. Dr. Mary Beard, University of Cambridge, England, offers a new perspective by concentrating on the defeated, from the not so simple facts of their number, identity, and ultimate fate to the moral complexities of their role in the culture of Roman triumph. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:14:12</itunes:duration>
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        <item>
            <title>Urbs et Orbs—The City and the World in the Roman Triumph</title>
            <link>http://www.artic.edu/aic/resources/resource/901?search_id=40</link>
            <description><![CDATA[Scholar Mary Beard from the University of Cambridge, professor and author of The Roman Triumph, reflects on the global character of the Roman Empire. Karen Manchester, chair of the Department of Ancient and Asian Art, introduces the speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 16 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Scholar Mary Beard from the University of Cambridge, professor and author of The Roman Triumph, reflects on the global character of the Roman Empire. Karen Manchester, chair of the Department of Ancient and Asian Art, introduces the speaker.</itunes:subtitle>
            <itunes:summary>Scholar Mary Beard from the University of Cambridge, professor and author of The Roman Triumph, reflects on the global character of the Roman Empire. Karen Manchester, chair of the Department of Ancient and Asian Art, introduces the speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:03:46</itunes:duration>
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        <item>
            <title>Reading: Elizabeth Alexander</title>
            <link>http://www.artic.edu/aic/resources/resource/900?search_id=32</link>
            <description><![CDATA[Born in Harlem in 1962, and educated at Yale, Boston University, and the University of Pennsylvania, Elizabeth Alexander has been on the faculties at Haverford College, the University of Chicago, Smith, and now teaches English and African-American Studies at Yale. This reading features poems from her first book, The Venus Hottentot, which address racial, gender, and cultural divisions; including the poem Alexander read at President Obama's inauguration. John Barr, director of the Poetry Foundation, introduces poet Elizabeth Alexander. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 08 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Born in Harlem in 1962, and educated at Yale, Boston University, and the University of Pennsylvania, Elizabeth Alexander has been on the faculties at Haverford College, the University of Chicago, Smith, and now teaches English and African-American ...</itunes:subtitle>
            <itunes:summary>Born in Harlem in 1962, and educated at Yale, Boston University, and the University of Pennsylvania, Elizabeth Alexander has been on the faculties at Haverford College, the University of Chicago, Smith, and now teaches English and African-American Studies at Yale. This reading features poems from her first book, The Venus Hottentot, which address racial, gender, and cultural divisions; including the poem Alexander read at President Obama's inauguration. John Barr, director of the Poetry Foundation, introduces poet Elizabeth Alexander. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>50:57</itunes:duration>
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        <item>
            <title>Yousuf Karsh: The Last of His Kind</title>
            <link>http://www.artic.edu/aic/resources/resource/911?search_id=57</link>
            <description><![CDATA[David Travis, former Chair and Curator of the Department of Photography at the Art Institute of Chicago, discusses why Yousuf Karsh may be the last of his kind. Travis examines the unique factors in Karsh's own personal background, traditional training, inventive techniques, and attitude toward heroes and hero-worship. Presented as a part of the symposium "Yousuf Karsh and the Art of Photographic Portraiture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Apr 2009 07:00:00 -0500</pubDate>
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            <itunes:subtitle>David Travis, former Chair and Curator of the Department of Photography at the Art Institute of Chicago, discusses why Yousuf Karsh may be the last of his kind. Travis examines the unique factors in Karsh's own personal background, traditional training...</itunes:subtitle>
            <itunes:summary>David Travis, former Chair and Curator of the Department of Photography at the Art Institute of Chicago, discusses why Yousuf Karsh may be the last of his kind. Travis examines the unique factors in Karsh's own personal background, traditional training, inventive techniques, and attitude toward heroes and hero-worship. Presented as a part of the symposium "Yousuf Karsh and the Art of Photographic Portraiture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>41:54</itunes:duration>
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        <item>
            <title>A Personal View of Karsh's Life and Work</title>
            <link>http://www.artic.edu/aic/resources/resource/909?search_id=4</link>
            <description><![CDATA[Jerry Fielder, Director and Curator of the Estate of Yousuf Karsh, discusses his personal, twenty-five year association with Karsh, reviewing his history, his family, the influence of his mentors, the development of his style, and Fielder's 30 years of working with him and his photographs. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Apr 2009 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Jerry Fielder, Director and Curator of the Estate of Yousuf Karsh, discusses his personal, twenty-five year association with Karsh, reviewing his history, his family, the influence of his mentors, the development of his style, and Fielder's 30 years of...</itunes:subtitle>
            <itunes:summary>Jerry Fielder, Director and Curator of the Estate of Yousuf Karsh, discusses his personal, twenty-five year association with Karsh, reviewing his history, his family, the influence of his mentors, the development of his style, and Fielder's 30 years of working with him and his photographs. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>38:25</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>From Harlem to the Character Project: Representing the Human Subject</title>
            <link>http://www.artic.edu/aic/resources/resource/912?search_id=20</link>
            <description><![CDATA[Dawoud Bey, photographer and professor of photography at Columbia College Chicago discusses his own work as a portrait photographer and documentarian. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Dawoud Bey, photographer and professor of photography at Columbia College Chicago discusses his own work as a portrait photographer and documentarian.</itunes:subtitle>
            <itunes:summary>Dawoud Bey, photographer and professor of photography at Columbia College Chicago discusses his own work as a portrait photographer and documentarian. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>46:21</itunes:duration>
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        <item>
            <title>In the Light of Other Days: The Cold War Portraiture of Richard Avedon and Irving Penn</title>
            <link>http://www.artic.edu/aic/resources/resource/910?search_id=24</link>
            <description><![CDATA[Colin Westerbeck, director of the California Museum of Photography at the University of California, Riverside presents a lecture in which he discusses how the portraiture of Penn and Avedon, dialectically different as it is, right down to the lighting, is, nevertheless, a shared reflection of the times in which they were working. Presented as a part of the symposium "Yousuf Karsh and the Art of Photographic Portraiture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Colin Westerbeck, director of the California Museum of Photography at the University of California, Riverside presents a lecture in which he discusses how the portraiture of Penn and Avedon, ...</itunes:subtitle>
            <itunes:summary>Colin Westerbeck, director of the California Museum of Photography at the University of California, Riverside presents a lecture in which he discusses how the portraiture of Penn and Avedon, dialectically different as it is, right down to the lighting, is, nevertheless, a shared reflection of the times in which they were working. Presented as a part of the symposium "Yousuf Karsh and the Art of Photographic Portraiture." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:00:50</itunes:duration>
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        <item>
            <title>Michael Dinges Connects with Joseph Cornell</title>
            <link>http://www.artic.edu/aic/resources/resource/874?search_id=87</link>
            <description><![CDATA[Michael Dinges, inspired by the scrimshaw tradition, inscribes pithy commentary and figured imagery on pure white surfaces. Dead laptops, PVC, plastic buckets, and lawn chairs take on new meaning through his social commentary and satirical critique. In this lecture, Dinges discusses the impact of Cornell's assemblages on his own work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 04 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Michael Dinges, inspired by the scrimshaw tradition, inscribes pithy commentary and figured imagery on pure white surfaces. Dead laptops, PVC, plastic buckets, and lawn chairs take on new meaning through his social commentary and satirical critique...</itunes:subtitle>
            <itunes:summary>Michael Dinges, inspired by the scrimshaw tradition, inscribes pithy commentary and figured imagery on pure white surfaces. Dead laptops, PVC, plastic buckets, and lawn chairs take on new meaning through his social commentary and satirical critique. In this lecture, Dinges discusses the impact of Cornell's assemblages on his own work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>48:17</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Bauhaus to Green Haus—From Pyramids to Spacecraft</title>
            <link>http://www.artic.edu/aic/resources/resource/899?search_id=45</link>
            <description><![CDATA[Arturo Vittori, co-founder of Architecture and Vision with Swiss architect Andreas Vogler, discusses several of their recent projects which focus on human well-being, mobility, and eco-sustainability all realized through their unique aesthetic approach. Part of a lecture series brings to Chicago European architects/designers who draw on the Bauhaus tradition and address today's sustainability challenges. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 02 Apr 2009 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Arturo Vittori, co-founder of Architecture and Vision with Swiss architect Andreas Vogler, discusses several of their recent projects which focus on human well-being, mobility, and eco-sustainability all realized through their unique aesthetic approach.</itunes:subtitle>
            <itunes:summary>Arturo Vittori, co-founder of Architecture and Vision with Swiss architect Andreas Vogler, discusses several of their recent projects which focus on human well-being, mobility, and eco-sustainability all realized through their unique aesthetic approach. Part of a lecture series brings to Chicago European architects/designers who draw on the Bauhaus tradition and address today's sustainability challenges. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:02:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Global Collections for Global Cities</title>
            <link>http://www.artic.edu/aic/resources/resource/866?search_id=8</link>
            <description><![CDATA[Neil MacGregor, director of the British Museum, London, and the chair of World Collections, discusses "Global Collections for Global Cities," tracing the leadership role that the British Museum has taken in such efforts since its origin over 100 years ago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 02 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Neil MacGregor, director of the British Museum, London, and the chair of World Collections, discusses "Global Collections for Global Cities," tracing the leadership role that the British Museum has taken in such efforts since its origin ...</itunes:subtitle>
            <itunes:summary>Neil MacGregor, director of the British Museum, London, and the chair of World Collections, discusses "Global Collections for Global Cities," tracing the leadership role that the British Museum has taken in such efforts since its origin over 100 years ago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:05</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Scanning and Planning: Modern Modes of Watching the Ancient World</title>
            <link>http://www.artic.edu/aic/resources/resource/863?search_id=19</link>
            <description><![CDATA[Internationally renowned archaeologist and MacArthur fellow, Susan E. Alcock, Professor of Classics and the Director for the Joukowsky Institute for Archaeology and the Ancient World at Brown University, discusses pre-modern peoples control and supervision of others. This lecture series presents art historical and archaeological examples drawn particularly from the Mediterranean and the Near East as part of the University of Chicago's Louise Smith Bross Lecture Series. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 01 Apr 2009 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Internationally renowned archaeologist and MacArthur fellow, Susan E. Alcock, Professor of Classics and the Director for the Joukowsky Institute for Archaeology and the Ancient World at Brown University, discusses pre-modern peoples control and ...</itunes:subtitle>
            <itunes:summary>Internationally renowned archaeologist and MacArthur fellow, Susan E. Alcock, Professor of Classics and the Director for the Joukowsky Institute for Archaeology and the Ancient World at Brown University, discusses pre-modern peoples control and supervision of others. This lecture series presents art historical and archaeological examples drawn particularly from the Mediterranean and the Near East as part of the University of Chicago's Louise Smith Bross Lecture Series. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>54:11</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Curatorial Perspectives</title>
            <link>http://www.artic.edu/aic/resources/resource/865?search_id=70</link>
            <description><![CDATA[Presented by Madhuvanti Ghose, Alsdorf Associate Curator of Indian Crossroads of the Art Institute to the Crossroads of Asia, this illustrated lecture of Southeast Asian, Himalayan and Islamic Art, features highlights from the new installation of Asian galleries at the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 07 Mar 2009 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Presented by Madhuvanti Ghose, Alsdorf Associate Curator of Indian Crossroads of the Art Institute to the Crossroads of Asia, this illustrated lecture of Southeast Asian, Himalayan and Islamic Art, features highlights from the new installation of ...</itunes:subtitle>
            <itunes:summary>Presented by Madhuvanti Ghose, Alsdorf Associate Curator of Indian Crossroads of the Art Institute to the Crossroads of Asia, this illustrated lecture of Southeast Asian, Himalayan and Islamic Art, features highlights from the new installation of Asian galleries at the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:15:19</itunes:duration>
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        <item>
            <title>Lou Mallozzi Connects with van der Spelt and van Mieris</title>
            <link>http://www.artic.edu/aic/resources/resource/873?search_id=64</link>
            <description><![CDATA[Lou Mallozzi has been at the forefront of the experimental sound scene in Chicago for decades. For this Artists Connect talk, Mallozzi took van der Spelt and van Mieris's Trompe l'Oeil Still Life with Flower Garland and Curtain as a point of departure in a discussion of his own audio installations. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 07 Mar 2009 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Lou Mallozzi has been at the forefront of the experimental sound scene in Chicago for decades. For this Artists Connect talk, Mallozzi took van der Spelt and van Mieris's Trompe l'Oeil Still Life with Flower Garland and Curtain ...</itunes:subtitle>
            <itunes:summary>Lou Mallozzi has been at the forefront of the experimental sound scene in Chicago for decades. For this Artists Connect talk, Mallozzi took van der Spelt and van Mieris's Trompe l'Oeil Still Life with Flower Garland and Curtain as a point of departure in a discussion of his own audio installations. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:07:20</itunes:duration>
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        <item>
            <title>The Mysteries of Munch's Working Methods</title>
            <link>http://www.artic.edu/aic/resources/resource/898?search_id=25</link>
            <description><![CDATA[Recent research on The Scream and Madonna are reviewed by Ingebjorg Ydstie, director of the Munch Museum in Oslo. This lecture event marks the opening of Becoming Edvard Munch: Influence, Anxiety, and Myth. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 21 Feb 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Recent research on The Scream and Madonna are reviewed by Ingebjorg Ydstie, director of the Munch Museum in Oslo. This lecture event marks the opening of Becoming Edvard Munch: Influence, Anxiety, and Myth.</itunes:subtitle>
            <itunes:summary>Recent research on The Scream and Madonna are reviewed by Ingebjorg Ydstie, director of the Munch Museum in Oslo. This lecture event marks the opening of Becoming Edvard Munch: Influence, Anxiety, and Myth. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:16</itunes:duration>
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        <item>
            <title>Sibling Rivalries and Global Monotheisms—Judaism, Christianity, Islam</title>
            <link>http://www.artic.edu/aic/resources/resource/896?search_id=30</link>
            <description><![CDATA[David Nirenberg, professor of medieval history and social thought at the University of Chicago, discusses the historical interactions and tensions among the three major monotheistic religions. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 19 Feb 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>David Nirenberg, professor of medieval history and social thought at the University of Chicago, discusses the historical interactions and tensions among the three major monotheistic religions.</itunes:subtitle>
            <itunes:summary>David Nirenberg, professor of medieval history and social thought at the University of Chicago, discusses the historical interactions and tensions among the three major monotheistic religions. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:07:55</itunes:duration>
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        <item>
            <title>Reading: Tomaz Salamun</title>
            <link>http://www.artic.edu/aic/resources/resource/897?search_id=37</link>
            <description><![CDATA[Tomaz Salamun, renowned Slovenian poet, reads from his works, which reflects the postwar struggles of Eastern Europe. Part of a series called Found in Translation in support of the Associated Writers and Writing Projects conference in Chicago. Presented courtesy of the International Writers' Program, University of Iowa, and the Poetry Foundation. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 13 Feb 2009 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Tomaz Salamun, renowned Slovenian poet, reads from his works, which reflects the postwar struggles of Eastern Europe. Part of a series called Found in Translation in support of the Associated Writers and Writing Projects conference in Chicago.</itunes:subtitle>
            <itunes:summary>Tomaz Salamun, renowned Slovenian poet, reads from his works, which reflects the postwar struggles of Eastern Europe. Part of a series called Found in Translation in support of the Associated Writers and Writing Projects conference in Chicago. Presented courtesy of the International Writers' Program, University of Iowa, and the Poetry Foundation. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>42:58</itunes:duration>
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            <title>Edra Soto Connects with William Blake</title>
            <link>http://www.artic.edu/aic/resources/resource/879?search_id=68</link>
            <description><![CDATA[Edra Soto is a Chicago-based artist who has exhibited internationally and locally. Her paintings, photographs, objects, and installations reflect an interest in pop culture, private mythologies, and draw on her childhood fixation on Puerto Rican superstar Iris Chacón. In this Artists Connect talk, Soto discusses her own work and works by William Blake inspired by Dante Alighieri. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 07 Feb 2009 06:00:00 -0600</pubDate>
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            <itunes:subtitle>Edra Soto is a Chicago-based artist who has exhibited internationally and locally. Her paintings, photographs, objects, and installations reflect an interest in pop culture, private mythologies, and...</itunes:subtitle>
            <itunes:summary>Edra Soto is a Chicago-based artist who has exhibited internationally and locally. Her paintings, photographs, objects, and installations reflect an interest in pop culture, private mythologies, and draw on her childhood fixation on Puerto Rican superstar Iris Chacón. In this Artists Connect talk, Soto discusses her own work and works by William Blake inspired by Dante Alighieri. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>54:22</itunes:duration>
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            <title>Science Chicago—A Technical Study of A Sunday on La Grande Jatte</title>
            <link>http://www.artic.edu/aic/resources/resource/862?search_id=20</link>
            <description><![CDATA[Inge Fiedler, Conservation Microscopist, discusses the technical study of Georges Seurat's A Sunday on La Grande Jatte 1884, painted between 1884 and 1886. Using an innovative technique commonly called "pointillism," Seurat, who preferred the term "chromo-luminarism," created a masterpiece that still astonishes visitors today. Learn how it was created from someone who has examined the painting very, very closely. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 06 Feb 2009 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Inge Fiedler, Conservation Microscopist, discusses the technical study of Georges Seurat's A Sunday on La Grande Jatte 1884, painted between 1884 and 1886. Using an innovative technique commonly called "pointillism," Seurat, who preferred the term ...</itunes:subtitle>
            <itunes:summary>Inge Fiedler, Conservation Microscopist, discusses the technical study of Georges Seurat's A Sunday on La Grande Jatte 1884, painted between 1884 and 1886. Using an innovative technique commonly called "pointillism," Seurat, who preferred the term "chromo-luminarism," created a masterpiece that still astonishes visitors today. Learn how it was created from someone who has examined the painting very, very closely. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>52:04</itunes:duration>
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            <title>Cutting a Figure: Fashioning Black Portraiture</title>
            <link>http://www.artic.edu/aic/resources/resource/947?search_id=71</link>
            <description><![CDATA[Combining previously unpublished images with scrupulous archival research, this lecture illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 06 Feb 2009 06:00:00 -0600</pubDate>
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            <itunes:subtitle>Combining previously unpublished images with scrupulous archival research, this lecture illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture. ...</itunes:subtitle>
            <itunes:summary>Combining previously unpublished images with scrupulous archival research, this lecture illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:54</itunes:duration>
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            <title>O'Neill in Brazil</title>
            <link>http://www.artic.edu/aic/resources/resource/895?search_id=92</link>
            <description><![CDATA[Andre Garolli, artistic director, and Carla Estafan, producer, of Brazil's Compania Triptal discuss their unique interpretation of Eugene O'Neill's sea plays at the Goodman Theatre. Steve Scott, associate producer at Chicago's Goodman Theatre, hosts. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 29 Jan 2009 06:00:00 -0600</pubDate>
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            <itunes:subtitle>Andre Garolli, artistic director, and Carla Estafan, producer, of Brazil's Compania Triptal discuss their unique interpretation of Eugene O'Neill's sea plays at the Goodman Theatre. Steve Scott, associate producer at Chicago's Goodman Theatre, hosts.</itunes:subtitle>
            <itunes:summary>Andre Garolli, artistic director, and Carla Estafan, producer, of Brazil's Compania Triptal discuss their unique interpretation of Eugene O'Neill's sea plays at the Goodman Theatre. Steve Scott, associate producer at Chicago's Goodman Theatre, hosts. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:14</itunes:duration>
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            <title>Spiral Jetta by Erin Hogan</title>
            <link>http://www.artic.edu/aic/resources/resource/894?search_id=2</link>
            <description><![CDATA[Erin Hogan, art historian and Director of Public Affairs at the Art Institute of Chicago, introduces her new book Spiral Jetta: A Road Trip through the Land Art of the American West. Driving her Volkswagen Jetta solo, Hogan visited and comments on Robert Smithson's Spiral Jetty by the Great Salt Lake, Michael Heizer's Double Negative in Nevada, and Walter De Maria's Lightning Field in New Mexico. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 08 Jan 2009 12:00:00 -0600</pubDate>
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            <itunes:subtitle>Erin Hogan, art historian and Director of Public Affairs at the Art Institute of Chicago, introduces her new book Spiral Jetta: A Road Trip through the Land Art of the American West.</itunes:subtitle>
            <itunes:summary>Erin Hogan, art historian and Director of Public Affairs at the Art Institute of Chicago, introduces her new book Spiral Jetta: A Road Trip through the Land Art of the American West. Driving her Volkswagen Jetta solo, Hogan visited and comments on Robert Smithson's Spiral Jetty by the Great Salt Lake, Michael Heizer's Double Negative in Nevada, and Walter De Maria's Lightning Field in New Mexico. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>47:16</itunes:duration>
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            <title>Engineering Solutions and Construction Challenges of the Modern Wing</title>
            <link>http://www.artic.edu/aic/resources/resource/826?search_id=10</link>
            <description><![CDATA[The Modern Wing is a complex museum expansion design that tackles age-old museum issues in new ways. Bridget Bush, project manager for the Rise Group, discusses engineering solutions that allow the Modern Wing to effectively use natural light, artificial light, temperature regulation, humidity control, and more. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 01 Jan 2009 06:00:00 -0600</pubDate>
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            <itunes:subtitle>The Modern Wing is a complex museum expansion design that tackles age-old museum issues in new ways. Bridget Bush, project manager for the Rise Group, discusses engineering solutions that allow the Modern Wing to effectively use natural light ...</itunes:subtitle>
            <itunes:summary>The Modern Wing is a complex museum expansion design that tackles age-old museum issues in new ways. Bridget Bush, project manager for the Rise Group, discusses engineering solutions that allow the Modern Wing to effectively use natural light, artificial light, temperature regulation, humidity control, and more. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:05:15</itunes:duration>
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            <title>Dan Devening Connects with Matisse</title>
            <link>http://www.artic.edu/aic/resources/resource/871?search_id=72</link>
            <description><![CDATA[Dan Devening is an artist, a gallery director, and a teacher at the School of the Art Institute. In this Artists Connect talk, he delves deeply into Matisse's work in the productive years in Nice from 1920-1930, and discusses how these paintings and sculptures have influenced his own artwork. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Dec 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Dan Devening is an artist, a gallery director, and a teacher at the School of the Art Institute. In this Artists Connect talk, he delves deeply into Matisse's work in the productive years in Nice from 1920-1930, and discusses how these paintings and ...</itunes:subtitle>
            <itunes:summary>Dan Devening is an artist, a gallery director, and a teacher at the School of the Art Institute. In this Artists Connect talk, he delves deeply into Matisse's work in the productive years in Nice from 1920-1930, and discusses how these paintings and sculptures have influenced his own artwork. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>41:31</itunes:duration>
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            <title>Going Green: Environmental Features of the Modern Wing</title>
            <link>http://www.artic.edu/aic/resources/resource/827?search_id=10</link>
            <description><![CDATA[Meredith Mack, Deputy Director and Chief Operating Officer at the Art Institute of Chicago, discusses the energy-saving aspects of the Modern Wing’s curtain wall, lighting system, and "flying carpet," as well as its use of local and recycled materials. Her lecture includes the challenges of building a museum that is aiming for LEED Silver certification. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 05 Dec 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Meredith Mack, Deputy Director and Chief Operating Officer at the Art Institute of Chicago, discusses the energy-saving aspects of the Modern Wing’s curtain wall, lighting system, and "flying carpet," as well as its use of local and recycled ...</itunes:subtitle>
            <itunes:summary>Meredith Mack, Deputy Director and Chief Operating Officer at the Art Institute of Chicago, discusses the energy-saving aspects of the Modern Wing’s curtain wall, lighting system, and "flying carpet," as well as its use of local and recycled materials. Her lecture includes the challenges of building a museum that is aiming for LEED Silver certification. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>38:24</itunes:duration>
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            <title>Challenging the Encyclopedic Museum—Berlin's Museum Island</title>
            <link>http://www.artic.edu/aic/resources/resource/892?search_id=61</link>
            <description><![CDATA[Thomas Gaeghtens, current director of the Getty Research Institute and recent director of the German Center for the History of Art, Paris, reflects on Berlin's encyclopedic National Museums and their history.yclopedic National Museums and their history. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 04 Dec 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Thomas Gaeghtens, current director of the Getty Research Institute and recent director of the German Center for the History of Art, Paris, reflects on Berlin's encyclopedic National Museums and their history.yclopedic National Museums and their history.</itunes:subtitle>
            <itunes:summary>Thomas Gaeghtens, current director of the Getty Research Institute and recent director of the German Center for the History of Art, Paris, reflects on Berlin's encyclopedic National Museums and their history.yclopedic National Museums and their history. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:16:17</itunes:duration>
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        <item>
            <title>Reading: Paul Muldoon</title>
            <link>http://www.artic.edu/aic/resources/resource/890?search_id=35</link>
            <description><![CDATA[Irish-born poet Paul Muldoon, professor at Princeton University and poetry editor of the New Yorker, reads selections from his Pulitzer prize-winning poetry. Poetry Foundation president John Barr provides an introduction to the poet. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 20 Nov 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Irish-born poet Paul Muldoon, professor at Princeton University and poetry editor of the New Yorker, reads selections from his Pulitzer prize-winning poetry. Poetry Foundation president John Barr provides an introduction to the poet.</itunes:subtitle>
            <itunes:summary>Irish-born poet Paul Muldoon, professor at Princeton University and poetry editor of the New Yorker, reads selections from his Pulitzer prize-winning poetry. Poetry Foundation president John Barr provides an introduction to the poet. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:46</itunes:duration>
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            <title>Salon Caricature and Comic Criticism in 19th-Century Paris</title>
            <link>http://www.artic.edu/aic/resources/resource/857?search_id=45</link>
            <description><![CDATA[Julia Langbein, a Ph.D. candidate at the University of Chicago, looks closely at the caricatures of paintings featured in the Salons, the official art exhibitions in Paris, asking how they functioned as both comic and pictorial criticism of the art of their time. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 15 Nov 2008 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Julia Langbein, a Ph.D. candidate at the University of Chicago, looks closely at the caricatures of paintings featured in the Salons, the official art exhibitions in Paris, asking how they functioned as both comic and pictorial criticism of the art ...</itunes:subtitle>
            <itunes:summary>Julia Langbein, a Ph.D. candidate at the University of Chicago, looks closely at the caricatures of paintings featured in the Salons, the official art exhibitions in Paris, asking how they functioned as both comic and pictorial criticism of the art of their time. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>38:48</itunes:duration>
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        <item>
            <title>Encyclopedic Museums—Cabinets of Curiosity</title>
            <link>http://www.artic.edu/aic/resources/resource/860?search_id=9</link>
            <description><![CDATA[Bruce Boucher, Curator of Sculpture, Medieval to Modern European Paintings and Sculpture, presents a lecture focusing on highlighted treasures in the Art Institute permanent collections. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 15 Nov 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bruce Boucher, Curator of Sculpture, Medieval to Modern European Paintings and Sculpture, presents a lecture focusing on highlighted treasures in the Art Institute permanent collections.</itunes:subtitle>
            <itunes:summary>Bruce Boucher, Curator of Sculpture, Medieval to Modern European Paintings and Sculpture, presents a lecture focusing on highlighted treasures in the Art Institute permanent collections. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>54:06</itunes:duration>
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        <item>
            <title>A World Connected—Why Do We Leave Home?</title>
            <link>http://www.artic.edu/aic/resources/resource/891?search_id=5</link>
            <description><![CDATA[Nayan Chanda, director of publications at the Yale Center for the Study of Globalization, presents the Art Institute of Chicago 2008 Presidential Lecture during the annual Chicago Humanities Festival. His lecture refers to research found in his recent book Bound Together; How Traders, Preachers, Adventurers and Warriors Shaped Globalization. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 07 Nov 2008 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Nayan Chanda, director of publications at the Yale Center for the Study of Globalization, presents the Art Institute of Chicago 2008 Presidential Lecture during the annual Chicago Humanities Festival. His lecture refers to research found in his recent...</itunes:subtitle>
            <itunes:summary>Nayan Chanda, director of publications at the Yale Center for the Study of Globalization, presents the Art Institute of Chicago 2008 Presidential Lecture during the annual Chicago Humanities Festival. His lecture refers to research found in his recent book Bound Together; How Traders, Preachers, Adventurers and Warriors Shaped Globalization. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:02:30</itunes:duration>
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        <item>
            <title>God's Crucible—Islam and the Making of Europe, 570-1215</title>
            <link>http://www.artic.edu/aic/resources/resource/893?search_id=9</link>
            <description><![CDATA[David Levering Lewis, New York University professor and two-time Pulitzer Prize winner, discusses his new book. The author of seven books and editor of two more, Lewis's narrative reveals how cosmopolitan Muslim al-Andalus flourished while proto-Europe made virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Nov 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>David Levering Lewis, New York University professor and two-time Pulitzer Prize winner, discusses his new book. The author of seven books and editor of two more, Lewis's narrative reveals how cosmopolitan Muslim al-Andalus flourished...</itunes:subtitle>
            <itunes:summary>David Levering Lewis, New York University professor and two-time Pulitzer Prize winner, discusses his new book. The author of seven books and editor of two more, Lewis's narrative reveals how cosmopolitan Muslim al-Andalus flourished while proto-Europe made virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:55</itunes:duration>
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        <item>
            <title>Martina Nehrling Connects with Vuillard</title>
            <link>http://www.artic.edu/aic/resources/resource/870</link>
            <description><![CDATA[Martina Nehrling makes colorful paintings that pulse with an interior rhythm. She says, "When I paint I am sounding out elements of my everyday life, and I am captivated by the richly textured cacophony of disparate events, information, things." Nehrling discusses her own work and the inspiration of Édouard Vuillard, a chronicler of the everyday. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Nov 2008 06:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Martina Nehrling makes colorful paintings that pulse with an interior rhythm. She says, "When I paint I am sounding out elements of my everyday life, and I am captivated by the richly textured cacophony of disparate events, information, things." ...</itunes:subtitle>
            <itunes:summary>Martina Nehrling makes colorful paintings that pulse with an interior rhythm. She says, "When I paint I am sounding out elements of my everyday life, and I am captivated by the richly textured cacophony of disparate events, information, things." Nehrling discusses her own work and the inspiration of Édouard Vuillard, a chronicler of the everyday. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:12</itunes:duration>
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        <item>
            <title>The Divine Art Exhibition Viewing and Overview</title>
            <link>http://www.artic.edu/aic/resources/resource/885?search_id=19</link>
            <description><![CDATA[Guy Delmarcel from the University of Louvain provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries. Part of a one-day symposium was made possible through the excluive sponsorship by The De Wit Foundation. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 31 Oct 2008 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Guy Delmarcel from the University of Louvain provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries. Part of a one-day symposium was made possible through the excluive sponsorship by The De Wit Foundation.</itunes:subtitle>
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            <description><![CDATA[Nello Forti Grazzini, an independent scholar from Milan, provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 31 Oct 2008 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Charissa Bremer-David from the J. Paul Getty Museum provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries. Part of a one-day symposium made possible through the exclusive sponsorship by The De Wit Foundation.</itunes:subtitle>
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            <description><![CDATA[Elizabeth Cleland from the Metropolitan Museum of Art in New York provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries. Part of a one-day symposium made possible through the exclusive sponsorship by The De Wit Foundation. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
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            <itunes:subtitle>Elizabeth Cleland from the Metropolitan Museum of Art in New York provides an introduction to the exhibition The Divine Art: Four Centuries of European Tapestries.</itunes:subtitle>
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            <title>The History and Fine Art of American Indian Basketry</title>
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            <description><![CDATA[The Art Institute's growing collection of Amerindian baskets includes rare and little-known treasures. Natalie Fay Linn, a leader in the study of the complex and sophisticated design of this ancient and important art form, discusses highlights of the museum's holdings. Presented as part of the Community Associates Research and Lecture Series, 2007-2008. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
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            <itunes:explicit>no</itunes:explicit>
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            <description><![CDATA[David McTavish from Queen's University in Ontario speaks on the draughtman's transformation of nature into art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 17 Oct 2008 12:00:00 -0500</pubDate>
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            <itunes:subtitle>David McTavish from Queen's University in Ontario speaks on the draughtman's transformation of nature into art.</itunes:subtitle>
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            <itunes:duration>26:17</itunes:duration>
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            <description><![CDATA[Catherine Goguel, Directeur de recherche, Departement des Arts graphiques, Musee du Louvre, speaks on the draughtman's transformation of nature into art. Part of a one-day symposium presented in conjunction with Drawn to Drawings: The Goldman Collection. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
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            <description><![CDATA[David Ekserdjian, Professor of Art History at the University of Leicester, speaks on the draughtman's transformation of nature into art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
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            <description><![CDATA[Julian Brooks, the Assistant Curator of Drawings at the J. Paul Getty Museum, speaks on the draughtman's transformation of nature into art. Part of a one-day symposium presented in conjunction with Drawn to Drawings: The Goldman Collection. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
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            <description><![CDATA[Diana Eck, Harvard University professor of comparative religions and Indian studies and director of the Pluralist Project, describes the Art Institute's role as the site for the 1893 gathering called the Parliament of Religions. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 16 Oct 2008 07:00:00 -0500</pubDate>
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            <pubDate>Tue, 14 Oct 2008 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Artist Rhonda Wheatley looks at the inspiration taken from paintings and sculpture by Cy Twombly, whose recent works will inaugurate the Modern Wing in May 2009.</itunes:subtitle>
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            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>51:30</itunes:duration>
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            <description><![CDATA[The elaborately decorated mummy case of an ancient Egyptian woman named Wenuhotep was only recently returned to the Art Institute after being on loan for many years. Internationally recognized scholar Emily Teeter, Oriental Institute, reveals new information about this fascinating work of art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 11 Oct 2008 12:00:00 -0500</pubDate>
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            <itunes:subtitle>The elaborately decorated mummy case of an ancient Egyptian woman named Wenuhotep was only recently returned to the Art Institute after being on loan for many years. Internationally recognized scholar Emily Teeter, Oriental Institute, reveals new ...</itunes:subtitle>
            <itunes:summary>The elaborately decorated mummy case of an ancient Egyptian woman named Wenuhotep was only recently returned to the Art Institute after being on loan for many years. Internationally recognized scholar Emily Teeter, Oriental Institute, reveals new information about this fascinating work of art. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>51:30</itunes:duration>
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        <item>
            <title>Reading: Adam Zagajewski</title>
            <link>http://www.artic.edu/aic/resources/resource/886?search_id=31</link>
            <description><![CDATA[Adam Zagajewski, a leading poet of the Polish New Wave of 1968 and winner of numerous international awards, read selections from his various books. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 09 Oct 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Adam Zagajewski, a leading poet of the Polish New Wave of 1968 and winner of numerous international awards, read selections from his various books.</itunes:subtitle>
            <itunes:summary>Adam Zagajewski, a leading poet of the Polish New Wave of 1968 and winner of numerous international awards, read selections from his various books. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>45:28</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>A Group of Female Heads by Pietro da Cortona Studied from Nature and Transformed into Fantasia for the Frescoes in the Palazzo Pitti</title>
            <link>http://www.artic.edu/aic/resources/resource/908?search_id=3</link>
            <description><![CDATA[Jorg Merz from the University of Munster speaks on the draughtman's transformation of nature into art. Part of a one-day symposium presented in conjunction with Drawn to Drawings: The Goldman Collection. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 07 Oct 2008 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Jorg Merz from the University of Munster speaks on the draughtman's transformation of nature into art. Part of a one-day symposium presented in conjunction with Drawn to Drawings: The Goldman Collection.</itunes:subtitle>
            <itunes:summary>Jorg Merz from the University of Munster speaks on the draughtman's transformation of nature into art. Part of a one-day symposium presented in conjunction with Drawn to Drawings: The Goldman Collection. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>21:50</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The Treatment of Toulouse-Lautrec's Ballet Dancers</title>
            <link>http://www.artic.edu/aic/resources/resource/861?search_id=32</link>
            <description><![CDATA[Art Institute Conservator of Paintings Faye Wrubel offers a brief overview of some favorite projects and discusses the complex and interesting treatment of Henri Toulouse-Lautrec's Ballet Dancers, including a description of the removal of the painting from the original plaster wall and scientific analysis of the materials used. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 03 Oct 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Art Institute Conservator of Paintings Faye Wrubel offers a brief overview of some favorite projects and discusses the complex and interesting treatment of Henri Toulouse-Lautrec's Ballet Dancers, including a description of the removal of the ...</itunes:subtitle>
            <itunes:summary>Art Institute Conservator of Paintings Faye Wrubel offers a brief overview of some favorite projects and discusses the complex and interesting treatment of Henri Toulouse-Lautrec's Ballet Dancers, including a description of the removal of the painting from the original plaster wall and scientific analysis of the materials used. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:14</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Reading and Commentary: Art and Literature</title>
            <link>http://www.artic.edu/aic/resources/resource/784?search_id=29</link>
            <description><![CDATA[Pulitzer Prize-winning poet C. K. Williams, Princeton University, comments on the Art Institute's 360 degrees: Art beyond Borders theme and reads some of his most recent poems. Williams has authored 10 books of poetry including The Singing which won the 2003 National Book Award. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 27 Sep 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Pulitzer Prize-winning poet C. K. Williams, Princeton University, comments on the Art Institute's 360 degrees: Art beyond Borders theme and reads some of his most recent poems. Williams has authored 10 books of poetry including The Singing which won...</itunes:subtitle>
            <itunes:summary>Pulitzer Prize-winning poet C. K. Williams, Princeton University, comments on the Art Institute's 360 degrees: Art beyond Borders theme and reads some of his most recent poems. Williams has authored 10 books of poetry including The Singing which won the 2003 National Book Award. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>40:58</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Chicago and Globalization—Caught in the Middle</title>
            <link>http://www.artic.edu/aic/resources/resource/783?search_id=62</link>
            <description><![CDATA[Richard Longworth, Senior Fellow, the Chicago Council on Global Affairs Fellow and award-winning Chicago Tribune foreign correspondent, cites research and analysis from his recent book. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 27 Sep 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Richard Longworth, Senior Fellow, the Chicago Council on Global Affairs Fellow and award-winning Chicago Tribune foreign correspondent, cites research and analysis from his recent book.</itunes:subtitle>
            <itunes:summary>Richard Longworth, Senior Fellow, the Chicago Council on Global Affairs Fellow and award-winning Chicago Tribune foreign correspondent, cites research and analysis from his recent book. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>56:06</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Season Preview—The Promise of Encyclopedic Museums</title>
            <link>http://www.artic.edu/aic/resources/resource/782?search_id=22</link>
            <description><![CDATA[James Cuno, president and director of the Art Institute of Chicago, launches the season 360 Degrees: Art beyond Borders with a broad and careful definition of the role of encyclopedic art museums in the world today, providing the history and current challenges of these few essential institutions. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 25 Sep 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>James Cuno, president and director of the Art Institute of Chicago, launches the season 360 Degrees: Art beyond Borders with a broad and careful definition of the role of encyclopedic art museums in the world today, providing the history and current ...</itunes:subtitle>
            <itunes:summary>James Cuno, president and director of the Art Institute of Chicago, launches the season 360 Degrees: Art beyond Borders with a broad and careful definition of the role of encyclopedic art museums in the world today, providing the history and current challenges of these few essential institutions. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:23</itunes:duration>
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        <item>
            <title>Edo Art and the Reconstruction of Memory</title>
            <link>http://www.artic.edu/aic/resources/resource/877?search_id=5</link>
            <description><![CDATA[Adepeju Layiwola, professor at University of Lagos, Lagos, Nigeria, expands on her entry in the landmark exhibition catalogue Benin Kings and Rituals: Court Arts from Nigeria. In her lecture she brings clear and accurate reportage of the history of the disturbances and survival of Benin court collections over the past century. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 18 Sep 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Adepeju Layiwola, professor at University of Lagos, Lagos, Nigeria, expands on her entry in the landmark exhibition catalogue Benin Kings and Rituals: Court Arts from Nigeria. In her lecture she brings clear and accurate reportage of the history ...</itunes:subtitle>
            <itunes:summary>Adepeju Layiwola, professor at University of Lagos, Lagos, Nigeria, expands on her entry in the landmark exhibition catalogue Benin Kings and Rituals: Court Arts from Nigeria. In her lecture she brings clear and accurate reportage of the history of the disturbances and survival of Benin court collections over the past century. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:26</itunes:duration>
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        <item>
            <title>On Benin Art of the Courts</title>
            <link>http://www.artic.edu/aic/resources/resource/876?search_id=95</link>
            <description><![CDATA[Internationally noted scholar Barbara Blackmun, Mesa College, San Diego, draws on her field research and years of study of the Benin cultural heritage to review narrative and ritual sources for the images on Benin court ivories and bronzes. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 04 Sep 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Internationally noted scholar Barbara Blackmun, Mesa College, San Diego, draws on her field research and years of study of the Benin cultural heritage to review narrative and ritual sources for the images on Benin court ivories and bronzes.</itunes:subtitle>
            <itunes:summary>Internationally noted scholar Barbara Blackmun, Mesa College, San Diego, draws on her field research and years of study of the Benin cultural heritage to review narrative and ritual sources for the images on Benin court ivories and bronzes. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:22</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Courtyard Intrigues—Jostling for Chiefly Power in the Art and Life of the Benin Kingdom</title>
            <link>http://www.artic.edu/aic/resources/resource/879?search_id=68</link>
            <description><![CDATA[Scholar Kathy Curnow, Cleveland State University, reviews Courtyard Intrigues: Jostling for Chiefly Power in the Art and Life of the Benin Kingdom in support of the special exhibition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 28 Aug 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Scholar Kathy Curnow, Cleveland State University, reviews Courtyard Intrigues: Jostling for Chiefly Power in the Art and Life of the Benin Kingdom in support of the special exhibition.</itunes:subtitle>
            <itunes:summary>Scholar Kathy Curnow, Cleveland State University, reviews Courtyard Intrigues: Jostling for Chiefly Power in the Art and Life of the Benin Kingdom in support of the special exhibition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:08:46</itunes:duration>
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        <item>
            <title>Making Her Mark—Sari Dienes and the Artist's Trace in the 1950s New York</title>
            <link>http://www.artic.edu/aic/resources/resource/875?search_id=68</link>
            <description><![CDATA[Hungarian-born Sari Dienes (1898-1992) had an extensive career, producing some of her most significant work between 1950 and 1954. Recent School of the Art Institute Chicago graduate Kate Zeller discusses these powerful images composed from large contact rubbings on paper. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 23 Aug 2008 06:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Hungarian-born Sari Dienes (1898-1992) had an extensive career, producing some of her most significant work between 1950 and 1954. Recent School of the Art Institute Chicago graduate Kate Zeller discusses these powerful images ...</itunes:subtitle>
            <itunes:summary>Hungarian-born Sari Dienes (1898-1992) had an extensive career, producing some of her most significant work between 1950 and 1954. Recent School of the Art Institute Chicago graduate Kate Zeller discusses these powerful images composed from large contact rubbings on paper. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>37:15</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Musecast: August 2008</title>
            <link>http://www.artic.edu/aic/resources/resource/966?search_id=61</link>
            <description><![CDATA[<p>This episode of the Art Institute Musecast includes:</p>

<p>Exhibition Focus: Spectacular and sophisticated, the royal sculptures and regalia featured in Benin--Kings and Rituals: Court Arts from Nigeria are among Africa's most acclaimed works of art. Hear about a few of the exhibition's highlights from curator Kathleen Bickford Berzock and organizer Barbara Plankensteiner.</p>

<p>Art Institute in the Community: In the summer series Passport to Africa, musicians from the Old Town School of Folk Music enliven the museum's garden every Thursday and Friday night. Hear why Nathaniel Braddock, member of the Occidental Brothers Dance Band International, and Taylor, half of the duo Morikeba and Taylor, are passionate about the music of Africa.</p>

<p>The Modern Wing: Join James Cuno, president and director of the Art Institute, as he describes how recent renovations have strengthened the museum's encyclopedic collection.</p>

<p>What's New: August is the last month of Target Free Summer Evenings. Stop by to see new exhibitions or enjoy music and outdoor dining.</p>]]></description>
            <pubDate>Fri, 01 Aug 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Musecast of the Art Institute of Chicago</itunes:subtitle>
            <itunes:summary>This episode of the Art Institute Musecast includes:

Exhibition Focus: Spectacular and sophisticated, the royal sculptures and regalia featured in Benin--Kings and Rituals: Court Arts from Nigeria are among Africa's most acclaimed works of art. Hear about a few of the exhibition's highlights from curator Kathleen Bickford Berzock and organizer Barbara Plankensteiner.

Art Institute in the Community: In the summer series Passport to Africa, musicians from the Old Town School of Folk Music enliven the museum's garden every Thursday and Friday night. Hear why Nathaniel Braddock, member of the Occidental Brothers Dance Band International, and Taylor, half of the duo Morikeba and Taylor, are passionate about the music of Africa.

The Modern Wing: Join James Cuno, president and director of the Art Institute, as he describes how recent renovations have strengthened the museum's encyclopedic collection.

What's New: August is the last month of Target Free Summer Evenings. Stop by to see new exhibitions or enjoy music and outdoor dining.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>13:59</itunes:duration>
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        <item>
            <title>Painting Forensics: Investigating Northern Renaissance Art</title>
            <link>http://www.artic.edu/aic/resources/resource/720?search_id=26</link>
            <description><![CDATA[Molly Faries, Indiana University, reviews recent studies on old master paintings made possible by new infrared reflectograms and other technologies. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Jul 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Molly Faries, Indiana University, reviews recent studies on old master paintings made possible by new infrared reflectograms and other technologies.</itunes:subtitle>
            <itunes:summary>Molly Faries, Indiana University, reviews recent studies on old master paintings made possible by new infrared reflectograms and other technologies. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:14:35</itunes:duration>
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        <item>
            <title>The History and Transformation of a Benin Exhibition</title>
            <link>http://www.artic.edu/aic/resources/resource/878?search_id=23</link>
            <description><![CDATA[Barbara Plankensteiner, Museum of Ethnology, Vienna, reviews the highlights of the Art Institute's installation of Benin Kings and Rituals: Court Arts from Nigeria. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 10 Jul 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Barbara Plankensteiner, Museum of Ethnology, Vienna, reviews the highlights of the Art Institute's installation of Benin Kings and Rituals: Court Arts from Nigeria.</itunes:subtitle>
            <itunes:summary>Barbara Plankensteiner, Museum of Ethnology, Vienna, reviews the highlights of the Art Institute's installation of Benin Kings and Rituals: Court Arts from Nigeria. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:16</itunes:duration>
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        <item>
            <title>Benin--Kings and Rituals: Court Arts from Nigeria</title>
            <link>http://www.artic.edu/aic/resources/resource/779?search_id=47</link>
            <description><![CDATA[Art Institute curator Kathleen Bickford Berzock introduces the special exhibition Benin--Kings and Rituals: Court Arts from Nigeria. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 09 Jul 2008 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Art Institute curator Kathleen Bickford Berzock introduces the special exhibition Benin--Kings and Rituals: Court Arts from Nigeria.</itunes:subtitle>
            <itunes:summary>Art Institute curator Kathleen Bickford Berzock introduces the special exhibition Benin--Kings and Rituals: Court Arts from Nigeria. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:21</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Making 'A Case for Wine' at the Art Institute</title>
            <link>http://www.artic.edu/aic/resources/resource/721?search_id=67</link>
            <description><![CDATA[Christopher Monkhouse, Eloise W. Martin Chair of European Decorative Arts, traces the evolution of the upcoming exhibition of wine-themed art works, opening at the Art Institute in the summer of 2009. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 24 Jun 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Christopher Monkhouse, Eloise W. Martin Chair of European Decorative Arts, traces the evolution of the upcoming exhibition of wine-themed art works, opening at the Art Institute in the summer of 2009.</itunes:subtitle>
            <itunes:summary>Christopher Monkhouse, Eloise W. Martin Chair of European Decorative Arts, traces the evolution of the upcoming exhibition of wine-themed art works, opening at the Art Institute in the summer of 2009. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:00:46</itunes:duration>
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        <item>
            <title>Murals and Sculpture of India</title>
            <link>http://www.artic.edu/aic/resources/resource/722?search_id=89</link>
            <description><![CDATA[At this lecture, art historian and filmmaker Benoy Behl reveals his recent extraordinary photographic views of significant ancient murals in India. He also screened two of his short art films that provide cultural and historical context for stunning works of art, in this case, referring to the confluence of religious beliefs in India centuries ago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 18 May 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>At this lecture, art historian and filmmaker Benoy Behl reveals his recent extraordinary photographic views of significant ancient murals in India. He also screened two of his short art films ...</itunes:subtitle>
            <itunes:summary>At this lecture, art historian and filmmaker Benoy Behl reveals his recent extraordinary photographic views of significant ancient murals in India. He also screened two of his short art films that provide cultural and historical context for stunning works of art, in this case, referring to the confluence of religious beliefs in India centuries ago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:08:53</itunes:duration>
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        <item>
            <title>Artists Connect: Paola Cabal Connects with Vija Celmins</title>
            <link>http://www.artic.edu/aic/resources/resource/777?search_id=39</link>
            <description><![CDATA[Paola Cabal is a graduate of the School of the Art Institute and a recent recipient of the prestigious Richard H. Driehaus Award for emerging artists. For Artists Connect, Paola discusses the inspiration she finds for her own work in paintings by Latvian-born artist Vija Celmins. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 03 May 2008 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Paola Cabal is a graduate of the School of the Art Institute and a recent recipient of the prestigious Richard H. Driehaus Award for emerging artists. For Artists Connect, Paola discusses the...</itunes:subtitle>
            <itunes:summary>Paola Cabal is a graduate of the School of the Art Institute and a recent recipient of the prestigious Richard H. Driehaus Award for emerging artists. For Artists Connect, Paola discusses the inspiration she finds for her own work in paintings by Latvian-born artist Vija Celmins. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:04:50</itunes:duration>
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        <item>
            <title>Le Corbusier in Chicago</title>
            <link>http://www.artic.edu/aic/resources/resource/665?search_id=51</link>
            <description><![CDATA[Mardges Bacon, Northeastern University, traces Le Corbusier's experiences within the culture of Chicago of the 1930s. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 18 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Mardges Bacon, Northeastern University, traces Le Corbusier's experiences within the culture of Chicago of the 1930s.</itunes:subtitle>
            <itunes:summary>Mardges Bacon, Northeastern University, traces Le Corbusier's experiences within the culture of Chicago of the 1930s. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:42</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Women and Architecture</title>
            <link>http://www.artic.edu/aic/resources/resource/663?search_id=51</link>
            <description><![CDATA[Alice Friedman, author of Women and the Making of the Modern House, explores the role of women in American architecture. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Alice Friedman, author of Women and the Making of the Modern House, explores the role of women in American architecture. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Alice Friedman, author of Women and the Making of the Modern House, explores the role of women in American architecture. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>58:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The Checkered History of the Farnsworth House</title>
            <link>http://www.artic.edu/aic/resources/resource/712?search_id=52</link>
            <description><![CDATA[Noted art historian and Mies van der Rohe biographer Franz Schulze offers rare insights into this architectural gem, discussing the key people and dramatic events that have shaped its history. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Noted art historian and Mies van der Rohe biographer Franz Schulze offers rare insights into this architectural gem, discussing the key people and dramatic events that have shaped its history.</itunes:subtitle>
            <itunes:summary>Noted art historian and Mies van der Rohe biographer Franz Schulze offers rare insights into this architectural gem, discussing the key people and dramatic events that have shaped its history. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>49:06</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Winslow Homer and the Composite Image</title>
            <link>http://www.artic.edu/aic/resources/resource/661?search_id=47</link>
            <description><![CDATA[Michael Leja, University of Pennsylvania, discusses Winslow Homer's creative process.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 10 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Michael Leja, University of Pennsylvania, discusses Winslow Homer's creative process.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Michael Leja, University of Pennsylvania, discusses Winslow Homer's creative process.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:50</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Great Houses of Chicago</title>
            <link>http://www.artic.edu/aic/resources/resource/713?search_id=11</link>
            <description><![CDATA[Susan Benjamin and Stuart Cohen bring to life the world of such legendary Chicagoans as the Armours, McCormicks, Pullmans, and Ryersons, who immortalized their place among the city's elite with elegant residences designed by the likes of Adler, Burnham, Shaw, and Wright. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 09 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Susan Benjamin and Stuart Cohen bring to life the world of such legendary Chicagoans as the Armours, McCormicks, Pullmans, and Ryersons, who immortalized their place among the city's elite with elegant residences designed by the likes of Adler, ...</itunes:subtitle>
            <itunes:summary>Susan Benjamin and Stuart Cohen bring to life the world of such legendary Chicagoans as the Armours, McCormicks, Pullmans, and Ryersons, who immortalized their place among the city's elite with elegant residences designed by the likes of Adler, Burnham, Shaw, and Wright. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:14:24</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Pate Conaway Connects with René Magritte</title>
            <link>http://www.artic.edu/aic/resources/resource/697?search_id=40</link>
            <description><![CDATA[Pate Conaway is a graduate of both Columbia College Chicago and the Second City Training Program. Collaborations with the Rachel Germond Dance Ensemble and The Seldoms demonstrate the importance of performance in his work. Here, Pate discusses the influence of surrealism and René Magritte. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 05 Apr 2008 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Pate Conaway is a graduate of both Columbia College Chicago and the Second City Training Program. Collaborations with the Rachel Germond Dance Ensemble and The Seldoms demonstrate the importance of...</itunes:subtitle>
            <itunes:summary>Pate Conaway is a graduate of both Columbia College Chicago and the Second City Training Program. Collaborations with the Rachel Germond Dance Ensemble and The Seldoms demonstrate the importance of performance in his work. Here, Pate discusses the influence of surrealism and René Magritte. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:15</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The Other Hollywood--Modern Architecture and the Los Angeles Film Community</title>
            <link>http://www.artic.edu/aic/resources/resource/662?search_id=26</link>
            <description><![CDATA[Architecture and urban design historian Thomas Hines discusses modernism, rationalism, and expressionism in the works of Richard Neutra and Lloyd Wright. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 03 Apr 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Architecture and urban design historian Thomas Hines discusses modernism, rationalism, and expressionism in the works of Richard Neutra and Lloyd Wright. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Architecture and urban design historian Thomas Hines discusses modernism, rationalism, and expressionism in the works of Richard Neutra and Lloyd Wright. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:07:44</itunes:duration>
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        <item>
            <title>Winslow Homer, Artist and Angler</title>
            <link>http://www.artic.edu/aic/resources/resource/664?search_id=48</link>
            <description><![CDATA[Patricia Junker looks closely at Homer's avid pursuit of fly-fishing and the inspiration it provided for his art.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 27 Mar 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Patricia Junker looks closely at Homer's avid pursuit of fly-fishing and the inspiration it provided for his art.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Patricia Junker looks closely at Homer's avid pursuit of fly-fishing and the inspiration it provided for his art.  This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:24</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Ed Ruscha and Photography</title>
            <link>http://www.artic.edu/aic/resources/resource/660?search_id=4</link>
            <description><![CDATA[Katherine Bussard discusses how photography has been both an inspiration and a source of discovery for this seminal Pop and Conceptual artist. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 20 Mar 2008 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Katherine Bussard discusses how photography has been both an inspiration and a source of discovery for this seminal Pop and Conceptual artist.</itunes:subtitle>
            <itunes:summary>Katherine Bussard discusses how photography has been both an inspiration and a source of discovery for this seminal Pop and Conceptual artist. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:15</itunes:duration>
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        <item>
            <title>Sufis, Shi'ites, and Shahs: The Great Shrines of Iran, 1500-1650</title>
            <link>http://www.artic.edu/aic/resources/resource/711?search_id=36</link>
            <description><![CDATA[Sheila Canby, curator of Islamic Art at the British Museum, discusses landmark structures built for the Shia Safavid dynasty. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 06 Mar 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Sheila Canby, curator of Islamic Art at the British Museum, discusses landmark structures built for the Shia Safavid dynasty. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:subtitle>
            <itunes:summary>Sheila Canby, curator of Islamic Art at the British Museum, discusses landmark structures built for the Shia Safavid dynasty. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:03</itunes:duration>
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        <item>
            <title>Space, Place, and Spectatorship in Ed Ruscha's Los Angeles</title>
            <link>http://www.artic.edu/aic/resources/resource/927?search_id=33</link>
            <description><![CDATA[This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Mar 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium.</itunes:subtitle>
            <itunes:summary>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>44:47</itunes:duration>
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        <item>
            <title>Screen Memories in the Art of Ed Ruscha</title>
            <link>http://www.artic.edu/aic/resources/resource/926?search_id=21</link>
            <description><![CDATA[This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Mar 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium.</itunes:subtitle>
            <itunes:summary>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. Part of the Ed Ruscha and Photography Symposium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>58:52</itunes:duration>
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        <item>
            <title>Closing Conversation with Ed Ruscha</title>
            <link>http://www.artic.edu/aic/resources/resource/928?search_id=63</link>
            <description><![CDATA[This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Mar 2008 06:00:00 -0600</pubDate>
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            <itunes:subtitle>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years.</itunes:subtitle>
            <itunes:summary>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:03:07</itunes:duration>
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        <item>
            <title>Ed Ruscha</title>
            <link>http://www.artic.edu/aic/resources/resource/925?search_id=78</link>
            <description><![CDATA[This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Mar 2008 06:00:00 -0600</pubDate>
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            <itunes:subtitle>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years.</itunes:subtitle>
            <itunes:summary>This engaging day devoted to Pop and Conceptual artist Ed Ruscha, which kicked off the exhibition Ed Ruscha and Photography, revealed his important and widespread contributions to art of the past 50 years. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>46:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Transcending Reality: Edward Hopper's Nighthawks</title>
            <link>http://www.artic.edu/aic/resources/resource/670?search_id=37</link>
            <description><![CDATA[Art Institute Chair of American Art Judith Barter provides innovative insights into Hopper's love of film and explains its inspirational role in the settings and mood of his work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 28 Feb 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Art Institute Chair of American Art Judith Barter provides innovative insights into Hopper's love of film and explains its inspirational role in the settings and mood of his work.</itunes:subtitle>
            <itunes:summary>Art Institute Chair of American Art Judith Barter provides innovative insights into Hopper's love of film and explains its inspirational role in the settings and mood of his work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>52:31</itunes:duration>
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        <item>
            <title>Connecting Art to the Park: The Nichols Bridgeway</title>
            <link>http://www.artic.edu/aic/resources/resource/666?search_id=65</link>
            <description><![CDATA[The Nichols Bridgeway will form a dynamic connection between the Art Institute and Millennium Park. Hear John Lupinos, Senior Project Manager of the Modern Wing Team, discuss this exciting addition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 24 Feb 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The Nichols Bridgeway will form a dynamic connection between the Art Institute and Millennium Park. Hear John Lupinos, Senior Project Manager of the Modern Wing Team, discuss this exciting addition.</itunes:subtitle>
            <itunes:summary>The Nichols Bridgeway will form a dynamic connection between the Art Institute and Millennium Park. Hear John Lupinos, Senior Project Manager of the Modern Wing Team, discuss this exciting addition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:30</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Winslow Homer and the Color Theories of M.E. Chevereul</title>
            <link>http://www.artic.edu/aic/resources/resource/669?search_id=44</link>
            <description><![CDATA[Conservator Judith Walsh, Buffalo State-SUNY, considers how Homer's fresh, spontaneous-looking works often are the result of careful study and deliberate planning. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 21 Feb 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Conservator Judith Walsh, Buffalo State-SUNY, considers how Homer's fresh, spontaneous-looking works often are the result of careful study and deliberate planning.</itunes:subtitle>
            <itunes:summary>Conservator Judith Walsh, Buffalo State-SUNY, considers how Homer's fresh, spontaneous-looking works often are the result of careful study and deliberate planning. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>59:52</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Transforming Reality: The Artistic Vision of Winslow Homer and Edward Hopper</title>
            <link>http://www.artic.edu/aic/resources/resource/673?search_id=38</link>
            <description><![CDATA[Franklin Kelly is the senior curator of American and British paining at the National Gallery of Art in Washington, D.C. Hear Kelly provide the keynote lecture on opening night of the exhibitions Edward Hopper and Watercolors by Winslow Homer: The Color of Light. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 14 Feb 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Franklin Kelly is the senior curator of American and British paining at the National Gallery of Art in Washington, D.C. Hear Kelly provide the keynote lecture on opening night of the exhibitions Edward Hopper and Watercolors by Winslow Homer: The Color...</itunes:subtitle>
            <itunes:summary>Franklin Kelly is the senior curator of American and British paining at the National Gallery of Art in Washington, D.C. Hear Kelly provide the keynote lecture on opening night of the exhibitions Edward Hopper and Watercolors by Winslow Homer: The Color of Light. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:33</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Little-Known Construction Facts</title>
            <link>http://www.artic.edu/aic/resources/resource/668?search_id=61</link>
            <description><![CDATA[Nick Cannellis of Turner Construction provides insights into the building of the Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 10 Feb 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
            <enclosure length="47939120" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/668_EElittleknown.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Nick Cannellis of Turner Construction provides insights into the building of the Modern Wing.</itunes:subtitle>
            <itunes:summary>Nick Cannellis of Turner Construction provides insights into the building of the Modern Wing. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>49:56</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Arnold Rampersad on Ralph Ellison</title>
            <link>http://www.artic.edu/aic/resources/resource/675?search_id=25</link>
            <description><![CDATA[As part of our American Perspectives season, distinguished literary scholar and Stanford professor Arnold Rampersad explores the relation ship between jazz and the work of Langston Hughes and Ralph Ellison. His acclaimed study Ralph Ellison: A Biography has been recently published. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 07 Feb 2008 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>As part of our American Perspectives season, distinguished literary scholar and Stanford professor Arnold Rampersad explores the relation ship between jazz and the work of Langston Hughes and Ralph Ellison.</itunes:subtitle>
            <itunes:summary>As part of our American Perspectives season, distinguished literary scholar and Stanford professor Arnold Rampersad explores the relation ship between jazz and the work of Langston Hughes and Ralph Ellison. His acclaimed study Ralph Ellison: A Biography has been recently published. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:00:09</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Laura Kina Connects with Gauguin</title>
            <link>http://www.artic.edu/aic/resources/resource/868?search_id=50</link>
            <description><![CDATA[Artists Connect is a lecture series in which area artists discuss their own work and works in the collection of the Art Institute. Here, Laura Kina discussed the productive conflict that results from her encounters with Gauguin. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 02 Feb 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Artists Connect is a lecture series in which area artists discuss their own work and works in the collection of the Art Institute. Here, Laura Kina discussed the productive conflict that results from her encounters with Gauguin.</itunes:subtitle>
            <itunes:summary>Artists Connect is a lecture series in which area artists discuss their own work and works in the collection of the Art Institute. Here, Laura Kina discussed the productive conflict that results from her encounters with Gauguin. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>45:04</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Reading: Four Notable Latino Poets</title>
            <link>http://www.artic.edu/aic/resources/resource/667?search_id=33</link>
            <description><![CDATA[Francisco Aragon, Brenda Cardenas, Blas Falconer, and Gina Franco read recent writings and comment on their work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Mon, 28 Jan 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Francisco Aragon, Brenda Cardenas, Blas Falconer, and Gina Franco read recent writings and comment on their work. </itunes:subtitle>
            <itunes:summary>Francisco Aragon, Brenda Cardenas, Blas Falconer, and Gina Franco read recent writings and comment on their work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:39</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Reading: Kwame Dawes</title>
            <link>http://www.artic.edu/aic/resources/resource/676?search_id=34</link>
            <description><![CDATA[Born in Ghana and raised in Jamaica, Kwame Dawes is a poet of precision, passion, and lyricism. At this event, Dawes reads from three of his books: Gomer's Song, Impossible Flying, and Wisteria, Twilight Songs from the Swamp Country. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 10 Jan 2008 07:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Born in Ghana and raised in Jamaica, Kwame Dawes is a poet of precision, passion, and lyricism. At this event, Dawes reads from three of his books: Gomer's Song, Impossible Flying, and Wisteria, Twilight Songs from the Swamp Country.</itunes:subtitle>
            <itunes:summary>Born in Ghana and raised in Jamaica, Kwame Dawes is a poet of precision, passion, and lyricism. At this event, Dawes reads from three of his books: Gomer's Song, Impossible Flying, and Wisteria, Twilight Songs from the Swamp Country. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>54:49</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mario Ybarra, Jr.</title>
            <link>http://www.artic.edu/aic/resources/resource/778?search_id=69</link>
            <description><![CDATA[Mario Ybarra, Jr. is a visual and performance artist, educator, and activist. Hear him discuss his Focus exhibition Take Me Out...No Man Is an Island. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 01 Jan 2008 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Mario Ybarra, Jr. is a visual and performance artist, educator, and activist. Hear him discuss his Focus exhibition Take Me Out...No Man Is an Island.</itunes:subtitle>
            <itunes:summary>Mario Ybarra, Jr. is a visual and performance artist, educator, and activist. Hear him discuss his Focus exhibition Take Me Out...No Man Is an Island. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>49:54</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Lost at Sea: Jasper Johns and Hart Crane</title>
            <link>http://www.artic.edu/aic/resources/resource/677?search_id=63</link>
            <description><![CDATA[Langdon Hammer, professor at Yale University, draws on his recent book, Hart Crane: Complete Poems and Selected Letters, to highlight the aspects of Crane's life and work that have served as inspiration for artist Jasper Johns. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 13 Dec 2007 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Langdon Hammer, professor at Yale University, draws on his recent book, Hart Crane: Complete Poems and Selected Letters, to highlight the aspects of Crane's life and work that have served as inspiration for artist Jasper Johns.</itunes:subtitle>
            <itunes:summary>Langdon Hammer, professor at Yale University, draws on his recent book, Hart Crane: Complete Poems and Selected Letters, to highlight the aspects of Crane's life and work that have served as inspiration for artist Jasper Johns. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:02:52</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Edward Hopper</title>
            <link>http://www.artic.edu/aic/resources/resource/672?search_id=7</link>
            <description><![CDATA[Ellen Roberts, assistant curator of American art, provides an in-depth "sneak preview" of the exhibition Edward Hopper and reveals how the artist captured the essential qualities of the modern American experience. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 11 Dec 2007 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Ellen Roberts, assistant curator of American art, provides an in-depth "sneak preview" of the exhibition Edward Hopper and reveals how the artist captured the essential qualities of the modern American experience.</itunes:subtitle>
            <itunes:summary>Ellen Roberts, assistant curator of American art, provides an in-depth "sneak preview" of the exhibition Edward Hopper and reveals how the artist captured the essential qualities of the modern American experience. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>51:06</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Exploring the Opera Doctor Atomic, Part 3</title>
            <link>http://www.artic.edu/aic/resources/resource/915?search_id=15</link>
            <description><![CDATA[The defining event of the 20th century, the development of the Atomic Bomb is the basis for this John Adams work. The symposium's distinguished panelists include composer John Adams; his librettist and director Peter Sellars; Gerald Finley, who portrays Robert Oppenheimer in the opera; and president of the Art Institute James Cuno. Join them and many others for a fascinating look at both the opera and the incidents and characters that inspired it. A once-in-a-lifetime convergence of music, history, and scholarship, this not-to-be-missed symposium is an historic event in its own right. Moderated by Wynne Delacoma and Peter Sagal. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 09 Dec 2007 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The defining event of the 20th century, the development of the Atomic Bomb is the basis for this John Adams work. The symposium's distinguished panelists include composer John Adams; his librettist and director Peter Sellars; Gerald Finley...</itunes:subtitle>
            <itunes:summary>The defining event of the 20th century, the development of the Atomic Bomb is the basis for this John Adams work. The symposium's distinguished panelists include composer John Adams; his librettist and director Peter Sellars; Gerald Finley, who portrays Robert Oppenheimer in the opera; and president of the Art Institute James Cuno. Join them and many others for a fascinating look at both the opera and the incidents and characters that inspired it. A once-in-a-lifetime convergence of music, history, and scholarship, this not-to-be-missed symposium is an historic event in its own right. Moderated by Wynne Delacoma and Peter Sagal. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:51</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Fresh Air and Pure Impressions: Winslow Homer's Watercolors</title>
            <link>http://www.artic.edu/aic/resources/resource/674?search_id=19</link>
            <description><![CDATA[In this special "sneak preview" of the upcoming Winslow Homer exhibition, Martha Tedeschi, curator of prints and drawings, offers an intimate look at the ways that one of America's most celebrated artists discovered the secrets of the watercolor medium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 06 Dec 2007 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>In this special "sneak preview" of the upcoming Winslow Homer exhibition, Martha Tedeschi, curator of prints and drawings, offers an intimate look at the ways that one of America's most celebrated artists discovered the secrets of the watercolor medium.</itunes:subtitle>
            <itunes:summary>In this special "sneak preview" of the upcoming Winslow Homer exhibition, Martha Tedeschi, curator of prints and drawings, offers an intimate look at the ways that one of America's most celebrated artists discovered the secrets of the watercolor medium. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:36</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: David Schutter Connects with Jean Antoine Watteau</title>
            <link>http://www.artic.edu/aic/resources/resource/699?search_id=30</link>
            <description><![CDATA[Artist David Schutter has intently studied an Art Institute work by Jean Antoine Watteau, and is making a new painting from memory, evoking, rather than copying, the 18th century image. He is, as noted by curator Anthony Elms, "painting the action of looking." Learn more from the artist here.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the permanent collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 01 Dec 2007 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Artist David Schutter has intently studied an Art Institute work by Jean Antoine Watteau, and is making a new painting from memory, evoking, rather than copying, the 18th century image. He is, as noted by curator Anthony Elms, "painting the action of...</itunes:subtitle>
            <itunes:summary>Artist David Schutter has intently studied an Art Institute work by Jean Antoine Watteau, and is making a new painting from memory, evoking, rather than copying, the 18th century image. He is, as noted by curator Anthony Elms, "painting the action of looking." Learn more from the artist here.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the permanent collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>40:37</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Avoid a Polar Situation: Johns, Cage, and O'Hara in the Sixties</title>
            <link>http://www.artic.edu/aic/resources/resource/678?search_id=44</link>
            <description><![CDATA[Marjorie Perloff, renowned literary critic and professor of humanities at Stanford University, examines the interrelation between the works of Jasper Johns, poet Frank O'Hara, and composer John Cage. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 09 Nov 2007 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Marjorie Perloff, renowned literary critic and professor of humanities at Stanford University, examines the interrelation between the works of Jasper Johns, poet Frank O'Hara, and composer John Cage.</itunes:subtitle>
            <itunes:summary>Marjorie Perloff, renowned literary critic and professor of humanities at Stanford University, examines the interrelation between the works of Jasper Johns, poet Frank O'Hara, and composer John Cage. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:10:26</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Jasper Johns--In the Gray Zone between What Can and Cannot Be Measured</title>
            <link>http://www.artic.edu/aic/resources/resource/680?search_id=30</link>
            <description><![CDATA[The exhibition Jasper Johns: Gray examines for the first time this acclaimed and influential artist's use of the color gray in paintings, sculptures, prints, and drawings from 1955 to the present. Hear noted Johns scholar Roberta Bernstein give her insights on the exhibition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 08 Nov 2007 06:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The exhibition Jasper Johns: Gray examines for the first time this acclaimed and influential artist's use of the color gray in paintings, sculptures, prints, and drawings from 1955 to the present. Hear noted Johns scholar Roberta Bernstein ...</itunes:subtitle>
            <itunes:summary>The exhibition Jasper Johns: Gray examines for the first time this acclaimed and influential artist's use of the color gray in paintings, sculptures, prints, and drawings from 1955 to the present. Hear noted Johns scholar Roberta Bernstein give her insights on the exhibition. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:08</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Theaster Gates Connects with Japanese Ceramics</title>
            <link>http://www.artic.edu/aic/resources/resource/703?search_id=43</link>
            <description><![CDATA[An esteemed artist and teacher, Theaster Gates is coordinator of arts programming at the University of Chicago. Recent exhibitions include Speaking of Passage, Life After Qualls at the South Side Community Art Center, and the performance Dave: Neo-Slave Narratives and Contemporary Black Identity-I Made This Pot, in Paris. In this lecture, hear Gates speak about how his artwork connects to Japanese ceramics. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 03 Nov 2007 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>An esteemed artist and teacher, Theaster Gates is coordinator of arts programming at the University of Chicago. Recent exhibitions include Speaking of Passage, Life After Qualls at the South Side...</itunes:subtitle>
            <itunes:summary>An esteemed artist and teacher, Theaster Gates is coordinator of arts programming at the University of Chicago. Recent exhibitions include Speaking of Passage, Life After Qualls at the South Side Community Art Center, and the performance Dave: Neo-Slave Narratives and Contemporary Black Identity-I Made This Pot, in Paris. In this lecture, hear Gates speak about how his artwork connects to Japanese ceramics. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>55:46</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Wallace Stevens: The Poet as Painter</title>
            <link>http://www.artic.edu/aic/resources/resource/685?search_id=41</link>
            <description><![CDATA[Helen Vendler, distinguished professor at Harvard University and the nation's leading poetry critic, considers the poetry of Wallace Stevens in light of its relation to the work of Jasper Johns. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 18 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Helen Vendler, distinguished professor at Harvard University and the nation's leading poetry critic, considers the poetry of Wallace Stevens in light of its relation to the work of Jasper Johns.</itunes:subtitle>
            <itunes:summary>Helen Vendler, distinguished professor at Harvard University and the nation's leading poetry critic, considers the poetry of Wallace Stevens in light of its relation to the work of Jasper Johns. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:10</itunes:duration>
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        <item>
            <title>Is There an Art to Art Collecting?</title>
            <link>http://www.artic.edu/aic/resources/resource/714?search_id=26</link>
            <description><![CDATA[Joan Arenberg moderates a panel discussion with collector Curt Conklin, artist and critic Michelle Grabner, and gallerist Rowley Kennerk that explores the relationship between artists, art dealers, critics, and collectors and addresses some frequently asked questions about art and art collecting. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Tue, 09 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Joan Arenberg moderates a panel discussion with collector Curt Conklin, artist and critic Michelle Grabner, and gallerist Rowley Kennerk that explores the relationship between artists, art dealers, critics, and collectors ...</itunes:subtitle>
            <itunes:summary>Joan Arenberg moderates a panel discussion with collector Curt Conklin, artist and critic Michelle Grabner, and gallerist Rowley Kennerk that explores the relationship between artists, art dealers, critics, and collectors and addresses some frequently asked questions about art and art collecting. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>54:12</itunes:duration>
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        <item>
            <title>Artists Connect: Deb Sokolow Connects with Guillermo Kuitca</title>
            <link>http://www.artic.edu/aic/resources/resource/700?search_id=32</link>
            <description><![CDATA[Deb Sokolow works on a large scale with a precise attention to detail, using "low-tech" materials such as number two pencils, ballpoint pens, and correction fluid. Her talk describes the personal and philosophical connections she finds between her work and that of Argentine artist Guillermo Kuitca.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the permanent collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Deb Sokolow works on a large scale with a precise attention to detail, using "low-tech" materials such as number two pencils, ballpoint pens, and correction fluid. Her talk describes the personal and philosophical connections she finds between...</itunes:subtitle>
            <itunes:summary>Deb Sokolow works on a large scale with a precise attention to detail, using "low-tech" materials such as number two pencils, ballpoint pens, and correction fluid. Her talk describes the personal and philosophical connections she finds between her work and that of Argentine artist Guillermo Kuitca.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the permanent collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>49:24</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Introduction and Keynote</title>
            <link>http://www.artic.edu/aic/resources/resource/916?search_id=72</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:07</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Panel I: Language (Chrissie Iles)</title>
            <link>http://www.artic.edu/aic/resources/resource/918?search_id=73</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>32:26</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Panel I: Language (Eric de Bruyn)</title>
            <link>http://www.artic.edu/aic/resources/resource/919?search_id=74</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>31:40</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Panel I: Language (Jeffrey Thompson)</title>
            <link>http://www.artic.edu/aic/resources/resource/917?search_id=75</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>35:24</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Panel I: Language (Moderated Discussion)</title>
            <link>http://www.artic.edu/aic/resources/resource/920?search_id=76</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>31:07</itunes:duration>
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        <item>
            <title>Mel Bochner Symposium, Panel II: Translation (Carroll Dunham)</title>
            <link>http://www.artic.edu/aic/resources/resource/923?search_id=77</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner Symposium, Panel II: Translation (Christophe Cherix)</title>
            <link>http://www.artic.edu/aic/resources/resource/922?search_id=78</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>21:35</itunes:duration>
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        <item>
            <title>Mel Bochner Symposium, Panel II: Translation (Johanna Burton)</title>
            <link>http://www.artic.edu/aic/resources/resource/921?search_id=79</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:12</itunes:duration>
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        <item>
            <title>Mel Bochner Symposium, Panel II: Translation (Moderated Discussion)</title>
            <link>http://www.artic.edu/aic/resources/resource/924?search_id=80</link>
            <description><![CDATA[Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 06 Oct 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. ...</itunes:subtitle>
            <itunes:summary>Part of the Mel Bochner: Language 1966-2006 Symposium. Bringing together leading international thinkers on Bochner's work, this one-day academic symposium addresses Bochner's ideas about the complex and occasionally contradictory interactions between verbal language and visual art. Panel participants include Eric de Bruyn, Jeffrey Thompson, Johanna Burton, Scott Rothkopf, Carroll Dunham, Chrissie Iles, and Christophe Cherix. Yve-Alain Bois was the keynote speaker. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>43:12</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Richard Misrach</title>
            <link>http://www.artic.edu/aic/resources/resource/706?search_id=41</link>
            <description><![CDATA[For more than 30 years, Richard Misrach has produced beautiful photographs of terrible subjects, focusing on man's often disastrous effect on the earth. Hear the artist discuss On the Beach, his exhibition of over 20 photographs, which made its debut at the Art Institute on September 15. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 15 Sep 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>For more than 30 years, Richard Misrach has produced beautiful photographs of terrible subjects, focusing on man's often disastrous effect on the earth. Hear the artist discuss On the Beach, his exhibition of over 20 photographs, which made its debut ...</itunes:subtitle>
            <itunes:summary>For more than 30 years, Richard Misrach has produced beautiful photographs of terrible subjects, focusing on man's often disastrous effect on the earth. Hear the artist discuss On the Beach, his exhibition of over 20 photographs, which made its debut at the Art Institute on September 15. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:18:08</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Dawoud Bey</title>
            <link>http://www.artic.edu/aic/resources/resource/698?search_id=73</link>
            <description><![CDATA[Dawoud Bey presents photographs from his recent book Class Pictures: Portraits of American Teenagers and discusses his work with David Travis, chair of the Department of Photography. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 13 Sep 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Dawoud Bey presents photographs from his recent book Class Pictures: Portraits of American Teenagers and discusses his work with David Travis, chair of the Department of Photography.</itunes:subtitle>
            <itunes:summary>Dawoud Bey presents photographs from his recent book Class Pictures: Portraits of American Teenagers and discusses his work with David Travis, chair of the Department of Photography. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:09:46</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>The Gates of Paradise: Art and Innovation</title>
            <link>http://www.artic.edu/aic/resources/resource/683?search_id=21</link>
            <description><![CDATA[Painstakingly restored, three relief panels from the left wing of the Gates of Paradise and sections of the door's frieze traveled to the Art Institute before being permanently reinstalled in Florence, Italy. Hear Andrew Butterfield of Salander-O'Reilly Galleries discuss this Renaissance masterpiece. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 06 Sep 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
            <enclosure length="34258697" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/683_butterfield.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Painstakingly restored, three relief panels from the left wing of the Gates of Paradise and sections of the door's frieze traveled to the Art Institute before being permanently reinstalled in Florence, Italy. Hear Andrew Butterfield of Salander-O'Reill...</itunes:subtitle>
            <itunes:summary>Painstakingly restored, three relief panels from the left wing of the Gates of Paradise and sections of the door's frieze traveled to the Art Institute before being permanently reinstalled in Florence, Italy. Hear Andrew Butterfield of Salander-O'Reilly Galleries discuss this Renaissance masterpiece. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:22</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Kota Ezawa</title>
            <link>http://www.artic.edu/aic/collections/citi/resources/701_ezawa.mp3</link>
            <description><![CDATA[Kota Ezawa knows which aspects of an iconic image--whether from film, television, or the history of photography--sear themselves into our collective memory. Hear the artist discuss his work, which was part of the photography exhibition On the Scene. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 30 Aug 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Kota Ezawa knows which aspects of an iconic image--whether from film, television, or the history of photography--sear themselves into our collective memory. Hear the artist discuss his work, which was part of the photography exhibition On the Scene.</itunes:subtitle>
            <itunes:summary>Kota Ezawa knows which aspects of an iconic image--whether from film, television, or the history of photography--sear themselves into our collective memory. Hear the artist discuss his work, which was part of the photography exhibition On the Scene. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>53:33</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Sarah Hobbs</title>
            <link>http://www.artic.edu/aic/resources/resource/702?search_id=46</link>
            <description><![CDATA[Sarah Hobbs's carefully staged and photographed scenarios reflect a profound--even empathetic--understanding of phobias, neuroses, and obsessions. Hear the artist discuss her work, which was part of the photography exhibition On the Scene. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 23 Aug 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Sarah Hobbs's carefully staged and photographed scenarios reflect a profound--even empathetic--understanding of phobias, neuroses, and obsessions. Hear the artist discuss her work, which was part of the photography exhibition On the Scene.</itunes:subtitle>
            <itunes:summary>Sarah Hobbs's carefully staged and photographed scenarios reflect a profound--even empathetic--understanding of phobias, neuroses, and obsessions. Hear the artist discuss her work, which was part of the photography exhibition On the Scene. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>30:41</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Sixty Years of Art in Pakistan</title>
            <link>http://www.artic.edu/aic/resources/resource/684?search_id=32</link>
            <description><![CDATA[The creation of Pakistan in 1947 offered the nascent state a new cultural and political beginning. By the 1980s Pakistani artists were exhibiting installations as creative and cutting-edge as any in Europe and America. Hear Marcella Sirhandi, professor at Oklahoma State University, speak about Pakistan's contemporary art movement. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 09 Aug 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The creation of Pakistan in 1947 offered the nascent state a new cultural and political beginning. By the 1980s Pakistani artists were exhibiting installations as creative and cutting-edge as any in Europe and America. Hear Marcella Sirhandi, professor...</itunes:subtitle>
            <itunes:summary>The creation of Pakistan in 1947 offered the nascent state a new cultural and political beginning. By the 1980s Pakistani artists were exhibiting installations as creative and cutting-edge as any in Europe and America. Hear Marcella Sirhandi, professor at Oklahoma State University, speak about Pakistan's contemporary art movement. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:34</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Harry Callahan: The Photographer at Work</title>
            <link>http://www.artic.edu/aic/resources/resource/694?search_id=14</link>
            <description><![CDATA[Center for Creative Photography Curator Britt Salvesen discusses the contents of the Harry Callahan Archive, some of the objects it holds, and what it reveals about Callahan's work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Fri, 27 Jul 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
            <enclosure length="28034630" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/694_salveson.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Center for Creative Photography Curator Britt Salvesen discusses the contents of the Harry Callahan Archive, some of the objects it holds, and what it reveals about Callahan's work.</itunes:subtitle>
            <itunes:summary>Center for Creative Photography Curator Britt Salvesen discusses the contents of the Harry Callahan Archive, some of the objects it holds, and what it reveals about Callahan's work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>58:34</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Ian Wallace Lecture on Jeff Wall</title>
            <link>http://www.artic.edu/aic/resources/resource/686?search_id=23</link>
            <description><![CDATA[Ian Wallace is one of the pioneering forces behind Vancouver's conceptual art scene. Wallace taught art history at the University of British Columbia, Jeff Wall's alma mater, and the Vancouver School of Art. Here, he discusses his friendship, travels, and work with his celebrated "student" Jeff Wall. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 19 Jul 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Ian Wallace is one of the pioneering forces behind Vancouver's conceptual art scene. Wallace taught art history at the University of British Columbia, Jeff Wall's alma mater, and the Vancouver School of Art. ...</itunes:subtitle>
            <itunes:summary>Ian Wallace is one of the pioneering forces behind Vancouver's conceptual art scene. Wallace taught art history at the University of British Columbia, Jeff Wall's alma mater, and the Vancouver School of Art. Here, he discusses his friendship, travels, and work with his celebrated "student" Jeff Wall. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:01:50</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Jan Tumlir Lectures on Jeff Wall</title>
            <link>http://www.artic.edu/aic/resources/resource/687?search_id=27</link>
            <description><![CDATA[Jan Tumlir teaches art and film theory at the Art Center and University of Southern California, and is a regular contributor to ArtForum, Frieze, and Flash Art. Here, he and Thomas Crow discuss Jeff Wall and more specifically, Tumlir's essay "Profane Illuminations: The Social History of Jeff Wall." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 19 Jul 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Jan Tumlir teaches art and film theory at the Art Center and University of Southern California, and is a regular contributor to ArtForum, Frieze, and Flash Art. Here, he and Thomas Crow discuss Jeff Wall and more specifically, Tumlir's essay ...</itunes:subtitle>
            <itunes:summary>Jan Tumlir teaches art and film theory at the Art Center and University of Southern California, and is a regular contributor to ArtForum, Frieze, and Flash Art. Here, he and Thomas Crow discuss Jeff Wall and more specifically, Tumlir's essay "Profane Illuminations: The Social History of Jeff Wall." This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:11:36</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Jana Gunstheimer</title>
            <link>http://www.artic.edu/aic/resources/resource/707?search_id=28</link>
            <description><![CDATA[Artist Jana Gunstheimer's semi-fictional organization Nova Porta proposes to offer "People without Social Function" an opportunity to find purpose through group cohesion and rigid hierarchy. Listen as she explains the inner workings of this alternative society along with the specific events that occurred in Chicago surrounding her focus exhibition Status L Phenomenon. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 07 Jun 2007 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Artist Jana Gunstheimer's semi-fictional organization Nova Porta proposes to offer "People without Social Function" an opportunity to find purpose through group cohesion and rigid hierarchy. ...</itunes:subtitle>
            <itunes:summary>Artist Jana Gunstheimer's semi-fictional organization Nova Porta proposes to offer "People without Social Function" an opportunity to find purpose through group cohesion and rigid hierarchy. Listen as she explains the inner workings of this alternative society along with the specific events that occurred in Chicago surrounding her focus exhibition Status L Phenomenon. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>29:40</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Angela Strassheim</title>
            <link>http://www.artic.edu/aic/resources/resource/708?search_id=9</link>
            <description><![CDATA[The photography of Angela Strassheim reveals how the experience of growing up in a religious family or being female in America can profoundly influence experience. This lecture was presented in conjunction with the exhibtion On the Scene: Kota Ezawa, Sarah Hobbs, Angela Strassheim, in Gallery 1 through September 3, 2007. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 24 May 2007 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The photography of Angela Strassheim reveals how the experience of growing up in a religious family or being female in America can profoundly influence experience.</itunes:subtitle>
            <itunes:summary>The photography of Angela Strassheim reveals how the experience of growing up in a religious family or being female in America can profoundly influence experience. This lecture was presented in conjunction with the exhibtion On the Scene: Kota Ezawa, Sarah Hobbs, Angela Strassheim, in Gallery 1 through September 3, 2007. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:07:48</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Byzantium and Points East</title>
            <link>http://www.artic.edu/aic/resources/resource/688?search_id=58</link>
            <description><![CDATA[The Byzantine Empire formed a link between the vital cultures of the Silk Road and the classical traditions of the West. Cultural diversity and great wealth created a rich artistic mixture. Robert S. Nelson concludes our Silk Road Scholar Series with an examination of this glorious civilization. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 10 May 2007 06:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>The Byzantine Empire formed a link between the vital cultures of the Silk Road and the classical traditions of the West. Cultural diversity and great wealth created a rich artistic mixture. Robert S. Nelson concludes our Silk Road Scholar Series with...</itunes:subtitle>
            <itunes:summary>The Byzantine Empire formed a link between the vital cultures of the Silk Road and the classical traditions of the West. Cultural diversity and great wealth created a rich artistic mixture. Robert S. Nelson concludes our Silk Road Scholar Series with an examination of this glorious civilization. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>47:22</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Adelheid Mers Connects with Carl Blechen</title>
            <link>http://www.artic.edu/aic/resources/resource/704?search_id=28</link>
            <description><![CDATA[Carl Blechen's Interior of the Palm House at Pfaueninsel near Potsdam (1834) serves as a point of departure for Adelheid Mers's presentation, in which the artist explains the evolution of her ambitious and often interactive diagrams that derive from a personal engagement with text and image.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 05 May 2007 12:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Carl Blechen's Interior of the Palm House at Pfaueninsel near Potsdam (1834) serves as a point of departure for Adelheid Mers's presentation, in which the artist explains the evolution of her ambitious and often interactive diagrams that derive from a...</itunes:subtitle>
            <itunes:summary>Carl Blechen's Interior of the Palm House at Pfaueninsel near Potsdam (1834) serves as a point of departure for Adelheid Mers's presentation, in which the artist explains the evolution of her ambitious and often interactive diagrams that derive from a personal engagement with text and image.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>39:38</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Sumakshi Singh Connects with Richard Tuttle</title>
            <link>http://www.artic.edu/aic/resources/resource/705?search_id=41</link>
            <description><![CDATA[In her talk from April 7, 2007, artist Sumakshi Singh discusses the impact of minimalist works by Richard Tuttle on her own intricately detailed installations and experimental performances.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Wed, 07 Mar 2007 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
            <enclosure length="22738691" type="audio/mpeg" url="http://www.artic.edu/aic/collections/citi/resources/705_singh.mp3"/>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>In her talk from April 7, 2007, artist Sumakshi Singh discusses the impact of minimalist works by Richard Tuttle on her own intricately detailed installations and experimental performances.</itunes:subtitle>
            <itunes:summary>In her talk from April 7, 2007, artist Sumakshi Singh discusses the impact of minimalist works by Richard Tuttle on her own intricately detailed installations and experimental performances.

Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute.

This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>47:22</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Artists Connect: Bibiana Suarez Connects with Rosalba Carriera</title>
            <link>http://www.artic.edu/aic/resources/resource/710?search_id=29</link>
            <description><![CDATA[Artist Bibiana Suarez spoke at the Art Institute on December 2, 2006, as part of the series Artists Connect. Her revealing observations illuminate the presentation of 18th-century identities in portraiture, allowing us to compare Rosalba Carriera's work with Suarez's images, which address dislocation, memory, and games. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 02 Dec 2006 12:00:00 -0600</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>Artist Bibiana Suarez spoke at the Art Institute on December 2, 2006, as part of the series Artists Connect. Her revealing observations illuminate the presentation of 18th-century identities in portraiture, allowing us to compare Rosalba Carriera's ...</itunes:subtitle>
            <itunes:summary>Artist Bibiana Suarez spoke at the Art Institute on December 2, 2006, as part of the series Artists Connect. Her revealing observations illuminate the presentation of 18th-century identities in portraiture, allowing us to compare Rosalba Carriera's work with Suarez's images, which address dislocation, memory, and games. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>37:48</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Mel Bochner, with James Meyer</title>
            <link>http://www.artic.edu/aic/resources/resource/709?search_id=86</link>
            <description><![CDATA[A conversation between artist Mel Bochner and scholar James Meyer recorded on opening night of Mel Bochner: Language 1966-2006. This Focus series exhibition brought together more than 50 works on paper, paintings, sculptures, photographs, and installations to present an overview of his language-based investigations over the past four decades. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 05 Oct 2006 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:author>Ancient Art Podcast</itunes:author>
            <itunes:subtitle>A conversation between artist Mel Bochner and scholar James Meyer recorded on opening night of Mel Bochner: Language 1966-2006. This Focus series exhibition brought together more than 50 works on paper, paintings, sculptures, photographs, ...</itunes:subtitle>
            <itunes:summary>A conversation between artist Mel Bochner and scholar James Meyer recorded on opening night of Mel Bochner: Language 1966-2006. This Focus series exhibition brought together more than 50 works on paper, paintings, sculptures, photographs, and installations to present an overview of his language-based investigations over the past four decades. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:26:48</itunes:duration>
        <author>info@ancientartpodcast.org</author><itunes:keywords>Podcasting</itunes:keywords></item>
        <item>
            <title>Sally Mann at the Art Institute of Chicago</title>
            <link>http://www.artic.edu/aic/resources/resource/691?search_id=44</link>
            <description><![CDATA[Tune in as contemporary photographer Mann answers questions from an audience of nearly 400 on opening day of the Art Institute exhibition So the Story Goes. Mann responds to questions ranging from printing techniques to subject matter, from disbelief in photographic "truth" to a Southern weakness for the romantic. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 16 Sep 2006 07:00:00 -0500</pubDate>
            <category>Podcasting</category>
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            <itunes:subtitle>Tune in as contemporary photographer Mann answers questions from an audience of nearly 400 on opening day of the Art Institute exhibition So the Story Goes. Mann responds to questions ranging from printing techniques to subject matter, from disbelief...</itunes:subtitle>
            <itunes:summary>Tune in as contemporary photographer Mann answers questions from an audience of nearly 400 on opening day of the Art Institute exhibition So the Story Goes. Mann responds to questions ranging from printing techniques to subject matter, from disbelief in photographic "truth" to a Southern weakness for the romantic. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>57:53</itunes:duration>
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        <item>
            <title>Tina Barney &amp; Larry Sultan in conversation</title>
            <link>http://www.artic.edu/aic/resources/resource/689?search_id=36</link>
            <description><![CDATA[Listen to photographers Barney and Sultan talk about their photographs on view in the Art Institute exhibition So the Story Goes. Recorded on opening day, this conversation reveals their shared practice photographing family members from the 1980s to 1990s and their very different approaches to their projects since that time. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 16 Sep 2006 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Listen to photographers Barney and Sultan talk about their photographs on view in the Art Institute exhibition So the Story Goes. Recorded on opening day, this conversation reveals their shared practice photographing family members from the 1980s to ...</itunes:subtitle>
            <itunes:summary>Listen to photographers Barney and Sultan talk about their photographs on view in the Art Institute exhibition So the Story Goes. Recorded on opening day, this conversation reveals their shared practice photographing family members from the 1980s to 1990s and their very different approaches to their projects since that time. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>52:33</itunes:duration>
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        <item>
            <title>Artist's Talk by Philip-Lorca Dicorcia</title>
            <link>http://www.artic.edu/aic/resources/resource/690?search_id=27</link>
            <description><![CDATA[On opening day of the Art Institute exhibition So the Story Goes, our audiences were treated to a lecture by photographer Philip-Lorca diCorcia. Hear diCorcia discuss his many and varied projects over the course of his career. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 16 Sep 2006 12:00:00 -0500</pubDate>
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            <itunes:subtitle>On opening day of the Art Institute exhibition So the Story Goes, our audiences were treated to a lecture by photographer Philip-Lorca diCorcia. Hear diCorcia discuss his many and varied projects over the course of his career.</itunes:subtitle>
            <itunes:summary>On opening day of the Art Institute exhibition So the Story Goes, our audiences were treated to a lecture by photographer Philip-Lorca diCorcia. Hear diCorcia discuss his many and varied projects over the course of his career. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>48:05</itunes:duration>
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        <item>
            <title>El Greco's Assumption of the Virgin</title>
            <link>http://www.artic.edu/aic/resources/resource/717?search_id=8</link>
            <description><![CDATA[To celebrate the 100th anniversary of the Art Institute's acquisition of this masterpiece by El Greco, art historian Richard Mann tells the exciting story of the painting's commission, its stylistic revelations, and its journey to Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 17 Aug 2006 07:00:00 -0500</pubDate>
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            <itunes:subtitle>To celebrate the 100th anniversary of the Art Institute's acquisition of this masterpiece by El Greco, art historian Richard Mann tells the exciting story of the painting's commission, its stylistic revelations, and its journey to Chicago.</itunes:subtitle>
            <itunes:summary>To celebrate the 100th anniversary of the Art Institute's acquisition of this masterpiece by El Greco, art historian Richard Mann tells the exciting story of the painting's commission, its stylistic revelations, and its journey to Chicago. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:03:27</itunes:duration>
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        <item>
            <title>Second Thoughts on The Da Vinci Code</title>
            <link>http://www.artic.edu/aic/resources/resource/715?search_id=23</link>
            <description><![CDATA[Dan Brown's novel The Da Vinci Code has transcended its original role as a popular thriller become a cultural talking point. Curator Bruce Boucher considers Brown's novel not only in terms of its art-historical content but also with respect to what it tells us about contemporary society. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Thu, 03 Aug 2006 07:00:00 -0500</pubDate>
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            <itunes:subtitle>Dan Brown's novel The Da Vinci Code has transcended its original role as a popular thriller become a cultural talking point. Curator Bruce Boucher considers Brown's novel not only in terms of its art-historical content but also with respect to what it ...</itunes:subtitle>
            <itunes:summary>Dan Brown's novel The Da Vinci Code has transcended its original role as a popular thriller become a cultural talking point. Curator Bruce Boucher considers Brown's novel not only in terms of its art-historical content but also with respect to what it tells us about contemporary society. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:15:00</itunes:duration>
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            <title>Harry Callahan Exhibition</title>
            <link>http://www.artic.edu/aic/resources/resource/695?search_id=13</link>
            <description><![CDATA[One of the most important photographers of the 20th century, Harry Callahan holds particular significance for Chicago, where he made some of his most influential work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sat, 24 Jun 2006 07:00:00 -0500</pubDate>
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            <itunes:subtitle>One of the most important photographers of the 20th century, Harry Callahan holds particular significance for Chicago, where he made some of his most influential work.</itunes:subtitle>
            <itunes:summary>One of the most important photographers of the 20th century, Harry Callahan holds particular significance for Chicago, where he made some of his most influential work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>39:57</itunes:duration>
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            <title>Breaking Away: How Rembrandt Became an Original Artist</title>
            <link>http://www.artic.edu/aic/resources/resource/716?search_id=56</link>
            <description><![CDATA[In celebration of the 400th birthday anniversary of Rembrandt, art historian Stephanie Dickey describes the young genius's grappling with the art of the past, his irreverent sense of humor, and his determination to rethink traditional subject matter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 01 Jan 2006 06:00:00 -0600</pubDate>
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            <itunes:subtitle>In celebration of the 400th birthday anniversary of Rembrandt, art historian Stephanie Dickey describes the young genius's grappling with the art of the past, his irreverent sense of humor, and his determination to rethink traditional subject matter.</itunes:subtitle>
            <itunes:summary>In celebration of the 400th birthday anniversary of Rembrandt, art historian Stephanie Dickey describes the young genius's grappling with the art of the past, his irreverent sense of humor, and his determination to rethink traditional subject matter. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:06:11</itunes:duration>
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            <title>Curator's Talk: Drawings in Dialogue</title>
            <link>http://www.artic.edu/aic/resources/resource/696?search_id=69</link>
            <description><![CDATA[The curator of the exhibition Drawings in Dialogue: Old Master through Modern discusses how this extraordinary collection of richly varied drawings came together, and highlights some of the works in the show. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 01 Jan 2006 06:00:00 -0600</pubDate>
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            <itunes:subtitle>The curator of the exhibition Drawings in Dialogue: Old Master through Modern discusses how this extraordinary collection of richly varied drawings came together, and highlights some of the works in the show.</itunes:subtitle>
            <itunes:summary>The curator of the exhibition Drawings in Dialogue: Old Master through Modern discusses how this extraordinary collection of richly varied drawings came together, and highlights some of the works in the show. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>34:26</itunes:duration>
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        <item>
            <title>Sheeler &amp; the Machine Age</title>
            <link>http://www.artic.edu/aic/resources/resource/692?search_id=28</link>
            <description><![CDATA[Art historian Susan Fillin-Yeh explores the complex relationship between modern photographic processes and painting in the work of Charles Sheeler. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 01 Jan 2006 07:00:00 -0600</pubDate>
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            <itunes:subtitle>Art historian Susan Fillin-Yeh explores the complex relationship between modern photographic processes and painting in the work of Charles Sheeler.</itunes:subtitle>
            <itunes:summary>Art historian Susan Fillin-Yeh explores the complex relationship between modern photographic processes and painting in the work of Charles Sheeler. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>46:40</itunes:duration>
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            <title>Feathered Serpents and Scarlet Macaws: Imagery of Casas Grandes Ceramics</title>
            <link>http://www.artic.edu/aic/resources/resource/693?search_id=17</link>
            <description><![CDATA[Elizabeth Pope, curatorial research assistant for the Casas Grandes exhibition, explores some of the complex cosmic symbolism to be found on this ancient American pottery. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.]]></description>
            <pubDate>Sun, 01 Jan 2006 06:00:00 -0600</pubDate>
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            <itunes:subtitle>Elizabeth Pope, curatorial research assistant for the Casas Grandes exhibition, explores some of the complex cosmic symbolism to be found on this ancient American pottery.</itunes:subtitle>
            <itunes:summary>Elizabeth Pope, curatorial research assistant for the Casas Grandes exhibition, explores some of the complex cosmic symbolism to be found on this ancient American pottery. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.</itunes:summary>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:04:13</itunes:duration>
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