My previous larger battery box has been sitting around as a reminder of what not to do. The inside was a complete disaster — wires running everywhere, components stuck wherever they fit, and the fuse panel buried so deep it was a real pain to get to. Changing a fuse meant digging around with a flashlight, and if anything ever needed serious repair or rewiring, it would've been miserable. I decided I was done with that kind of mess and started fresh with a completely new design.

This time I designed the whole thing myself from the ground up so I could 3D print and fabricate the parts. My main goals were pretty straightforward:

• Make the whole build a lot cleaner on the inside
• Keep the cost down
• Create something easy to replicate that could work as a basic template for battery boxes of any size
• Make it actually serviceable without a fight
• Build it faster and with less hassle than before

The enclosure I went with is a $3 .30cal plastic ammo can from Harbor Freight (caught it on sale). These things are surprisingly tough, keep dust and light weather out, and cost basically nothing. For a small 7Ah battery setup, they're just about the perfect size.

The Removable Panel — The Part That Makes It Actually Usable

The biggest improvement is the removable side panel that holds nearly all the wiring and distribution components. I designed and printed the panel itself plus a backing plate with heat-set inserts for the screws. It mounts neatly to the side of the ammo can. When you need to get inside, you just back out a few screws and the entire panel pulls out in one piece. No more squeezing your hand into a cramped box or trying to trace wires through a tangle.

The only connections that stay tied to the battery are the short runs from the charging port. Those pass through the panel so they get proper fused protection on the way to the battery and back out for distribution.

I also added a simple panel-mount SAE port (not visible in all the photos) for plugging in the LiFePO4 charger. It feeds straight through the first fuse and into the battery.

Layout and Features on the Panel

I wanted everything on the panel to be easy to see and work with, especially if you're in a hurry or away from the bench:

• All the important fuses are right on the front of the panel. No more hunting for buried inline fuses or those tiny multicolored ones that always seem to roll away at the bottom of the box. If something pops, you can spot it and swap it in seconds.
• Standard 12V socket — independently fused and switched.
• Combo USB/PD port — handles regular USB and Power Delivery for phones, tablets, or whatever else. Also fused and switched on its own. (Handy if it ever starts causing any noise.)
• Two Anderson Powerpole ports mounted in a custom 3D-printed housing. Each one is separately fused so you can hook up different devices or loads without one issue taking everything else down.
• A master distribution fuse on the output side.
• An extra passthrough fuse on the charging circuit for a little more protection in case something goes wrong between the charger (or solar setup) and the battery.

Inside the ammo can, things stay dead simple — just the battery sitting there. For now I’ve got it held in place with some hot glue, but I plan to cut up a couple of those thick foam kneeling pads from Harbor Freight, shape them to fit the bottom, and hot glue them in for better shock absorption and to keep the battery from sliding around.

Parts and How It Came Together

Most of the sockets, switches, fuses, Powerpoles, and other bits came from AliExpress to keep the cost reasonable. I did grab a couple of items off Amazon when I was impatient for delivery, but the majority of the non-printed stuff was cheap and easy to find.

The ammo can itself was only three bucks. All told, the project stayed pretty budget-friendly, which was one of the points from the start.

As I was putting the first box together, I kept noticing little things I could improve — better wire routing, small layout tweaks, that sort of thing. So version 2.0 is already on my mind and should turn out even cleaner. I’ve also been thinking about trying a panel-under-the-lid design for the bigger metal .50cal ammo cans sometime. Maybe even build a little VHF radio right into one and make a self-contained off-grid box. We’ll see how that goes.

Why I Built It This Way

I enjoy tinkering with this kind of project and like having solid, ready-to-go options around the house or in the truck. A box that’s hard to work on or maintain just doesn’t fit that idea. With this removable panel setup, if something needs attention it’s quick and straightforward instead of turning into a big frustrating job.

LiFePO4 batteries work well for these smaller builds. They’re lightweight compared to older types, don’t off-gas, and hold their voltage nicely under load. They won’t run a big 100W radio comfortably and might even be pushing it at 50W, but they’re plenty capable for lighter stuff like a Xiegu G90 or some of the surplus commercial radios I’ve got around.

What’s Next

The 3D print files are now up on Thingiverse if you want to check them out or build your own: https://www.thingiverse.com/thing:7336224

I included the main removable panel, backing plate with heat-set insert locations, custom Powerpole housing, and the other small mounting parts. Feel free to download, print, and remix them — that was one of the goals from the start.

If you decide to build something similar, the removable panel idea is definitely worth trying — it changes how the whole thing feels to use and maintain.

Have you put together any small battery boxes yourself? What kind of enclosure do you usually reach for — ammo cans, plastic cases, or something else? Any tips or things you learned the hard way?

I’m always up for stealing good ideas for the next version.

The post Building a Clean, Modular 3D-Printed Battery Box Using a $3 Harbor Freight Ammo Can appeared first on Allen Mowery.

The Baofeng MP31 is not an exceptional radio. It's better than some of the original BF-777s radios from a decade ago, sure. But that's a bit like kissing your cousin instead of practicing with a mango (or whatever).

It's not a stellar piece of equipment, but it does have a few things going for it:

• IP54 water protection
• USB-C charging
• Removable/swappable antenna
• 38 channels (including GMRS repeater offsets)
• Weather channel receiving and scanning
• A whopping 2 watts of output power

But the thing that is most attractive about it?

It's bloody cheap!

A pair of these will currently set you back a whole...$25. (That's $12.50 a radio, for the mathematically-impaired.) If you've got kids, nieces and nephews, or hunting companions you don't mind not hearing from if they're lost in the woods, these are stupid simple and stupid cheap. For affordable short-range communication, you'd be hard-pressed to find something more versatile at that price point.

Baofeng MP31 — The biggest downside

Sure, the power and audio quality aren't great, but if you're complaining about that for $12.50, your relatives only invite you to Thanksgiving out of pity. So...

The biggest drawbacks come on the programming side:

• As of this writing, there is no Chirp programming support.
• Programming is only possible through Baofeng's utterly atrocious CPS.
• Channelized frequencies are locked and cannot be changed, rearranged, etc.
• Transmit power is locked and unchangeable for all channels and cannot be modified with the software.
• All channels are narrowband, and this, too, cannot even be changed in the software.

For us control freaks accustomed to Chirp and RT Systems, that's a right swift kick in the 'nads. And THAT is something about which I will complain, regardless of price. (I'm not ashamed.)

The solution — Unlocking the Baofeng MP31

I searched high and low across the Internet. I scoured Reddit. I even consulted a houseplant. (Yes, this strappy jacket does fit nice, why do you ask?)

The closest solution I could find was the recommendation of importing the radio in Chirp as a Baofeng T20FRS. While this did allow for modification of frequencies, transmit power, and bandwidth, you could only write a maximum of 14 channels to the radio, which is tantamount to ordering a pizza and only being allowed to eat the box. I wasn't having it. Give me full control! I want to feel its rapid pulse against my fingers as I stared into its terrified eyes!

And then I found the solution. It was actually so simple I was embarrassed of myself.

1. Use the Baofeng CPS

You still need to use their crappy software for a couple steps, which is only available for Windows. We can't win every battle.

The Baofeng CPS saves the configuration files in .xml format, and this is the beauty of it. Unlike Chirp which saves them an disc images, XML files can be very easily edited in most any text program.

Save a sample file, whether it's the stock config on the radio or just whatever comes up when you open the software. I named my file "Geoff," because it's Tuesday.

2. Edit the XML file

Open the XML file in Notepad. You will be greeted by a list of code that looks like this:

<?xml version="1.0" encoding="utf-8"?>
<T20>
 <信道参数列表>
   <信道数据
     信道号="1"
     接收频率="462.56250"
     发射频率="462.56250"
     亚音解码="OFF"
     亚音编码="OFF"
     发射功率="1"
     宽窄带="0"
     扫描添加="0"
     繁忙锁定="1"
     跳频="0" />
   <信道数据
     信道号="2"
     接收频率="462.58750"
     发射频率="462.58750"
     亚音解码="OFF"
     亚音编码="OFF"
     发射功率="1"
     宽窄带="0"
     扫描添加="0"
     繁忙锁定="1"
     跳频="0" />
   <信道数据
     信道号="3"
     接收频率="462.61250"
     发射频率="462.61250"
     亚音解码="OFF"
     亚音编码="OFF"
     发射功率="1"
     宽窄带="0"
     扫描添加="0"
     繁忙锁定="1"
     跳频="0" />
...

As you can see, it IS actually based on the T20, so hopefully full Chirp support is not far behind and this whole post will be irrelevant and my life will once again be meaningless. [sighs in Latin]

I found that, apparently, the Chinese is specifically tied to fixed field identifiers, so translating to English just breaks the whole setup. Be a builder, not a destroyer...you're better than that.

But, from here you can edit all of the frequencies, set transmit power and bandwidth for any channel, and righteously undo this evil which has been perpetrated upon us.

3. Save and write to the radio

Then, simply:

• Save the Notepad file as an XML document (make sure to add ".xml" to the end)
• Open that file in the Baofeng CPS
• Make any other changes or edit you need to
• Upload it to your radio

Use the Baofeng MP31 radio for 70cm/440mhz ham radio

So, is the Baofeng MP31 locked to only GMRS frequencies? Nope! The radio is actually capable of transmitting on any frequency from 400-480mhz UHF. This means that you can actually program it (by editing the XML file) for both simplex and repeater work within the 70cm amateur radio band!

The radio is only 2 watts on a day it's taken all its Adderall, so good luck hitting a repeater unless you've parked your magic carpet next to its antenna. But short range simplex seems to work fine.

Can I add more than 38 channels to the Baofeng MP31?

Nope. Tried it. Even when manually editing the XML file to include channels above 38, the CPS just rolls its eyes and says, "Nah."

The real capabilities of the Baofeng MP31

So, armed with this new knowledge (maybe it's new, maybe someone already found this solution, idk), what does the Baofeng MP31 give you?

• 38 fully-customizable channels
• Full RX/TX from 400mhz to 480mhz
• GMRS and 70cm ham radio capabilities, for both simplex and repeaters
• Removable antenna
• USB-C charging
• IP54 water resistance
• Channel scan
• WX receiving AND scan
• A cheap radio you can hand out to others, lose in the woods, treat as disposable, etc.

All for $12.50

Honestly, it's not the worst deal in the world.

The post Jailbreaking the Baofeng MP31 for GMRS and Ham Radio Use appeared first on Allen Mowery.

Architectural photography is an exciting field that captures the beauty and details of the built environment. Whether you are an architect, designer, or construction company, investing in professional architectural photography can provide numerous benefits that will help you stand out from your competitors and showcase your work in the best possible light.

Importance and Value of Commercial Architectural Photography

The primary purpose of commercial photography for architects, designers, and builders is to showcase their work to potential clients, investors, and the public. A picture is worth a thousand words, and it is the first impression that a potential client has of a building. The photographs must capture the design, materials, textures, colors, and lighting of the building. It must also showcase the functionality, flow, and ambiance of the space.

Commercial photography is also an essential element of branding for architects and homebuilders. It is the perfect way to showcase the unique style, philosophy, and vision of the architect or homebuilder. The photographs can be used on their website, social media, brochures, and other marketing materials to promote their brand and attract new clients.

Challenges of Architectural Photography

Architectural photography presents a unique set of challenges that must be overcome to capture the perfect shot. These challenges can arise from a variety of factors, including the size and complexity of the structure or scene, the surrounding environment, and the desired visual aesthetic.

One of the biggest challenges that architectural photographers face is capturing the intended design of the structure. A professional architectural photographer must be able to understand the design intent of the building and capture it in a way that is both aesthetically pleasing and informative. Most spaces are often designed to meet specific goals, whether that be maximizing natural light, promoting a certain image or style, or creating a unique experience for visitors. Capturing these design features requires a deep understanding of the architect's vision and the ability to translate that vision into images. This requires not just technical skill, but also a keen artistic eye and a sensitivity to the nuances of design.

Another challenge is working with the physical constraints of the structure and surrounding environment. Commercial buildings are often large and complex, with multiple floors, rooms, and angles, while residential structures may be very limited in working space. This can make it difficult to capture the entire scene in a single shot or to highlight specific design features.

Commercial architectural photography is a collaborative process that requires close communication and coordination with architects, designers, and other stakeholders. This collaboration is essential to ensure that the images accurately represent the intended design and meet the client's expectations. However, it can also be challenging to balance different visions and priorities, and to find a way to create images that satisfy all parties.

To address these challenges, commercial architectural photographers must have a deep understanding of both the technical and artistic aspects of photography, as well as a strong ability to collaborate and communicate with other professionals in the industry. They must be able to work with the physical constraints of the building and surrounding environment to create images that are both aesthetically pleasing and accurately represent the design intent. They must also be able to balance the competing priorities and visions of multiple stakeholders to create images that meet everyone's needs.

Commercial Architectural Photography vs. Real Estate Photography

While both commercial architectural photography and real estate photography involve capturing images of structures, whether homes or commercial buildings, there are significant differences between the two. Understanding these differences is important for architects, designers, and builders when selecting a photographer for their project.

Real estate photography is typically focused on showcasing a property for sale or rent, with the goal of attracting potential buyers or renters. Real estate photographs tend to be more utilitarian in nature, with an emphasis on providing a clear and accurate representation of the property's features. Real estate photographers will typically use wide-angle lenses to capture as much of the property as possible in a single shot, and they will often use editing techniques to enhance the brightness, contrast, and color of the images. The goal of real estate photography is to provide potential buyers or renters with a clear and appealing representation of the property, with the hope of enticing them to schedule a viewing.

On the other hand, commercial architectural photography is focused on capturing the design and unique features of a building or specific space. The images produced by a commercial architectural photographer are intended to showcase the things in a way that highlights the design intent, aesthetic qualities, and functional features. The goal is to create images that help the parties involved promote their work and stand out in a competitive market.

The difference in approach and emphasis between commercial architectural photography and real estate photography is reflected in the cost of the services. Because commercial photography requires a higher level of skill and creativity, and often involves more extensive editing, it is typically more expensive than real estate photography. However, the investment can be well worth it for architects, designers, builders, and so forth, as high-quality images can help to promote their work, attract new clients, and stand out in a competitive market.

The Cost of Professional Architectural Photography

The cost of professional architectural photography can vary greatly depending on the size and complexity of the project. The cost is determined by several factors, including the level of experience of the photographer, the amount of equipment required, the location of the project, and the number of images needed.

It is important to note that the cheapest photography option or photographer is not always the best option. A professional architectural photographer has invested in their equipment, knowledge, and skills to capture exceptional images. It is worth investing in quality images to showcase your work and stand out in a competitive market.

Benefits of Hiring a Professional Architectural Photographer

1. Showcasing Your Work

Professional architectural photography can showcase your work in a way that is visually compelling and informative. It can help you differentiate yourself from your competitors and highlight the unique design features of your projects. This can be especially important when submitting your work for awards, publications, or for use on your website and social media.

For example, imagine you are an architect who has designed a modern, sustainable building that incorporates unique features like green walls, natural lighting, and open-air spaces. By hiring a professional architectural photographer, you can capture these features in stunning detail and use the images to showcase your work to potential clients or to submit your project for awards.

2. Marketing and Branding

Professional architectural photography can also be used for marketing and branding purposes. It can be used on websites, social media, brochures, and other marketing materials to showcase your work and attract potential clients. By investing in high-quality images, you can create a strong visual brand that reflects your style and expertise.

For example, if you are a construction company that specializes in high-end residential properties, you may use images of your completed projects on your website and in your marketing materials. These images can help to create a consistent visual brand and communicate your expertise to potential clients.

3. Return on Investment

Investing in professional architectural photography can result in a significant return on investment. High-quality images can help you win new clients, increase the perceived value of your work, and improve the overall image of your brand. By showcasing your work in the best possible light, you can attract more clients and increase your revenue.

4. Collaboration with Other Professionals

Professional architectural photography can also facilitate collaboration with other professionals in the industry. For example, if you are an architect who has designed a building, you may want to work with a professional architectural photographer to capture images of the building for use in presentations or for publication in industry magazines. By working with a professional photographer, you can ensure that the images accurately represent your design intent and highlight the unique features of the building.

5. Preservation of Your Work

Architectural photography can also be used to preserve your work for future generations. By capturing images of your completed projects, you can document the design intent and ensure that the building is remembered for its unique features and design. This can be especially important for historic buildings or buildings with unique design features that may not be around forever.

How to Choose a Professional Architectural Photographer

When choosing a professional architectural photographer, it is important to select someone who has the necessary expertise, experience, and equipment to produce exceptional images that meet your specific needs and expectations. Here are some factors to consider when choosing a professional architectural photographer:

1. Experience: Look for a photographer who has experience in architectural photography and has worked on similar projects in the past.
2. Portfolio: Review the photographer's portfolio to get a sense of their style and expertise. Look for images that showcase similar projects to yours and that capture the unique design features.
3. Collaboration: Look for a photographer who is willing to collaborate with you and understands your specific needs and expectations.
4. Cost: While cost is an important consideration, it should not be the only, or primary, factor. Invest in quality images that showcase your work and communicate your expertise.

Conclusion

Professional architectural photography is a valuable investment that can provide numerous benefits to architects, designers, and construction companies. By showcasing the unique features of your projects, improving your marketing and branding efforts, and facilitating collaboration with other professionals, high-quality architectural images can help you achieve your business goals and stand out in a competitive market.

When choosing a professional photographer, it is important to select someone with the necessary expertise and experience to produce exceptional images that meet your specific needs and expectations. By investing in professional architectural photography, you can showcase your work in the best possible light, attract more clients, and increase your revenue.

The post The Power of Professional Architectural Photography: Benefits and ROI appeared first on Allen Mowery.

Just as each person has their own story to tell, so do the animals at East Hollow Highland Farm. They have their own personalities, quirks, and histories that make them who they are. In order to capture their essence in a photograph, I must first take the time to get to know them and build a relationship based on trust and mutual respect.

It is the Scottish Highland cows that immediately caught my attention when my friends first brought them to the farm. I was struck by their peaceful presence and gentle nature. At first, I was unsure of how to approach them, but I quickly realized that spending time with them was therapeutic. Most all of them are very friendly and docile creatures who absolutely love attention, so standing in a field brushing their long, flowing hair became a common occurrence. It's as if they had the ability to calm my mind and soothe my soul.

Building Unlikely Relationships

One of the cows that stood out in particular was Momma Cream. She was the mother of Fergus, a beautiful young bull, and she was known for being particularly edgy and aggressive towards humans. When she first arrived at the farm, she would charge anyone who came near her, and I quickly realized that she was not to be taken lightly. However, something about her fierce spirit intrigued me, and I wanted to form a connection with her.

Thus began my journey to earn her trust. At first, it seemed like an impossible task. Momma Cream was stubborn and had a fiery temper. She would lash out at anyone who came too close, even if they were offering treats (oh, blessed treats). But I refused to give up. Consistently, sometimes on a daily basis, I would spend time with her, talking to her, and working to gain her trust. At first, she was aggressive and would come at me with those long, pointed horns a-swinging.  There were wrestling matches in the pasture, flights for my life, muddy hoofprints on my clothes, and bruises on my ribs.  But as time went on, she began to warm up to me.

I learned that Momma Cream was a cow with a past. From what I inadvertently learned one day when she saw me carrying a pitchfork, she had apparently been mistreated before arriving at East Hollow, which explained her hostile behavior. She was only reacting to the pain and fear that had been inflicted upon her in the past. But despite her rough exterior, I could see a glimmer of hope in her eyes.

As I continued to spend time with Momma Cream, I noticed a change in her behavior. She slowly began to trust me, and I could tell that she was starting to let go of her fear and anger.  There were still some giant emotional walls, but she wanted to trust.  I could approach her without her flinching or attempting to attack me. In fact, she even started to seek me out for affection. It was a beautiful thing to witness, and I felt honored that she had chosen to trust me.

The bond that I’ve formed with Momma Cream was not easy to achieve. There were many moments when I thought it would never happen. There were times when I felt frustrated and discouraged, but I refused to give up. She was an incredible mother, and I knew that if I could earn Momma Cream's trust, she would make a friendly and loyal companion.  She now trots up to me for a hearty sniff, accepts affectionate hugs, and loves to have her neck and jaw rubbed.

Finding Solace in Unlikely Places

Spending time with the cows has taught me many things. I've learned the importance of patience, persistence, and kindness when it comes to forming relationships with any living being. Animals, in particular, require a certain level of patience and trust-building. It's not just about taking photos of them but also forming a connection with them.

Moreover, spending time in the pasture has helped me rediscover the simple joys in life. In the hustle and bustle of life, it's easy to forget the beauty that surrounds us in nature. The cows, with their gentle nature and calm presence, remind me of the serenity that can be found in the countryside.

The farm has become my sanctuary. It's a place where I can escape the chaos of the world and immerse myself in the beauty of nature. It's a place where I have formed a connection with the gentle giants that roam the pastures. It's a place where I have learned to appreciate the simple joys of life and the importance of forming connections with all living beings.

Momma Cream will always hold a special place in my heart. She has taught me that even the fiercest of creatures can be tamed with patience and kindness. Her trust was hard-earned, but the reward has been immeasurable. I will always be grateful for the lessons she has taught me and the bond that we have formed.

Learning From Unlikely Teachers

This process of forming a connection with my animal subjects is similar to the process of connecting with a human subject. It requires patience, empathy, and a willingness to be vulnerable. Just as I must be attuned to the emotions and needs of my human subjects, so must I be attuned to the body language and vocalizations of the animals I am photographing.

In many ways, photographing animals can be even more challenging than photographing humans. Animals are not able to communicate with us in the same way that humans can, and they often move unpredictably or quickly. Capturing a meaningful image of an animal requires a keen sense of observation and an ability to anticipate their movements and behaviors.

Despite these challenges, I have found that photographing animals can be an incredibly rewarding experience. When I am able to create a photograph that truly captures the essence of an animal, it feels like I am doing justice to their unique story and personality. It is a way of honoring their existence and highlighting their importance in the world.

In many ways, photographing animals has helped me to become a better photographer of humans as well. By learning to observe and connect with my animal subjects, I have become more attuned to the emotions and body language of my human subjects. I have learned to look for the small details and nuances that make each person unique, and to capture those details in a way that is both beautiful and authentic.

Overall, the process of photographing animals has taught me the importance of building meaningful connections with all living beings. Whether I am photographing a bovine, a chicken, or a human, the key to capturing their essence is to first take the time to get to know them and build a relationship based on trust and mutual respect. In doing so, I am able to create photographs that are not only beautiful, but also tell a powerful story about the subject's unique personality and importance in the world.

Conclusion

In the end, the time I spend on the farm has opened up a new world of possibilities for me as a photographer. I have found new passion in photographing animals, capturing their unique personalities and beauty. It's not just about taking pretty pictures, but about telling their stories and highlighting their importance in our world.

East Hollow Highland Farm has taught me the importance of slowing down and appreciating the simple things in life. It has given me a newfound appreciation for the beauty of nature and the creatures that inhabit it. Most importantly, it has taught me that the most meaningful connections in life are formed through patience, persistence, and kindness.

The post How Photographing Animals Taught Me the Beauty of Connection and the Power of Storytelling appeared first on Allen Mowery.

I was recently reminded of this when I sat down for a morning of coffee and chess with my father. As we moved our pieces across the board, memories flooded my mind of the countless games we played together when I was younger. Each move we made felt like a step through time, connecting me with my past and my father's wisdom.

My father was a skilled chess player, and I learned many life lessons from our matches. He taught me the importance of planning ahead, of looking at the bigger picture, and of being prepared for anything that life throws our way.

The quiet morning was a peaceful respite from the chaos of the world, and it was an opportunity to share a deep connection with him. We talked and laughed, and for a period time the chaos melted away. It was during these moments that I realized how much I had learned from our countless games. I learned to be patient, to think before making a move, and to analyze the potential outcomes of each move.

But most of all, I cherish the memories of the time I spent with my father. It was not just about the game, but about the bond we shared as father and son. He showed me that the greatest victory in life is not always about winning but about cherishing the moments we share with the people we love and.

As I look back on our strategic battles of wits, I am grateful for the many life lessons my father taught me. He instilled in me the importance of determination, focus, and resilience. He taught me that life is not always easy, but that the true test of our character lies in how we handle the challenges we face and, when necessary, losing with grace.

Life is like a game of chess, full of ups and downs, victories and losses. But it's the memories we create, the bonds we share, and the lessons we learn that make the journey worthwhile. Playing chess with this great man — the man who first inspired me to pick up a camera — was not just about the game, it was about the gift of time and connection, and for that, I will always be grateful.

The post Life Lessons and the Game of Chess appeared first on Allen Mowery.

Frank A. Clark once said, "If you find a path with no obstacles, it probably doesn't lead anywhere." This statement is a powerful reminder that obstacles are a natural part of any journey, and that the difficulties we encounter can ultimately lead us to where we are meant to be.

Perhaps you've recently experienced a setback or a major change in your life that has left you feeling lost or uncertain. It's easy to become discouraged when you feel like you're not making progress, but it's important to remember that setbacks are not failures - they are opportunities to learn and grow.

The path to where you want to go may not be straightforward, and it may be filled with twists and turns that you never expected. But each step you take, even when it feels like you're going backwards, is bringing you closer to your destination.

As you navigate this journey, it's important to embrace the obstacles and challenges that come your way. Don't be afraid to take a different path or try something new, even if it means stepping outside of your comfort zone. It's only by pushing ourselves to try new things that we can truly discover what we're capable of.

As you embrace the obstacles and new beginnings that come your way, remember to be kind to yourself. Change and growth can be uncomfortable and scary, but they can also be incredibly rewarding. Trust the journey, and trust that you will find your way, no matter how many obstacles you may encounter along the way.

So if you're feeling lost or unsure of your path, take heart. The obstacles you encounter may just be the signposts you need to guide you in the direction of your dreams. Remember, the journey is just as important as the destination, and it's up to you to make the most of every step along the way.

The post The Path to Somewhere: Embracing Obstacles appeared first on Allen Mowery.

Despite glaring delinquencies in the educational system’s curriculum, my children have a passion for history, especially Little Man who loves anything having to do with the military or armed conflict.  So, the “copilots” (as they are affectionately called) added Gettysburg to the summer to-do list having no real idea what it was all about.  “Lincoln’s Gettysburg Address!” Princess shouted when they first suggested going, and Little Man was sold at the word “battle.”  It was settled.  Gettysburg was one of my favorite destinations growing up, and I was excited to share this gem with such enthusiastic minds.

Yep, this is one of those posts, where a parent with a camera (P-WAC) shares delightfully-sentimental photos of his kids.  And other stuff.  Deal with it.

Armed with a hotel reservation and a couple days to burn, we headed off on our weekend adventure, part of which overlapped the anniversary of the mayhem 155 years ago.  Our original plan was to bike around the battlefield, but with temperatures pushing triple digits, we called an audible and opted for exploring in an air-conditioned vehicle (which turned out to be one of the top three best decisions I have ever made).

With life over the last few months being absolutely crazy, one of the goals for the weekend was to not plan any agenda in advance…and we accomplished it quite splendidly.  We ate when we wanted to, we explored when we wanted to, went souvenir shopping when we wanted to, vegged when we wanted to.  It was perfect.

Discovering History Through a Lens

It runs in the family, what can I say.  Over the last while, Princess has taken a keen interest in photography, partly from an artistic perspective and partly for the sentimentality of preserving memories.  Armed with her Fuji X Series camera (brand loyalty is hereditary, after all), it was exciting to see her capturing everything she could.  Invigorating, actually.  I remembered back to my early days exploring photography and the insatiable curiosity that came along with it before it became just another way to put food on the table.  We were climbing to specific vantage points, pulling over to document monuments and placards and fences, and capturing countless moments along the way.  It was refreshing to see the wonderment in so eager a pupil.

Exploring the Den

Of all the places on the battlefield, my childhood favorite was always Devil’s Den, a geological rock formation that was the scene of intense and brutal fighting on Day 2 of the battle.  But, to me, it was a wonderland to be explored with tunnels to discover, hiding places to claim, and adventures to be had.

Likewise, the copilots found it filled with an equal amount of awesomeness, and it wasn’t long until it became dubbed “The best play place EVER.”  (Honestly…they even apologized for complaining about not stopping to play on the Burger King Wall of Plastic Amusements earlier in the day.)

Of course, such a place would be remiss if it didn’t include its own version of Pride Rock and lend itself to endless iterations of recreating the opening scene from The Lion King.  (I literally spent half the day whistling “Circle of Life.”  For the record, it gets annoying after just 22 minutes.)

Battlefield Portraits

The weather was sweltering, the sun searing, and the humidity stifling, which is one reason I was anxious to crawl into the crevasses betwixt the boulders at Devil’s Den.  As I told one gentleman visiting the site, “If I wanted to feel like I was in bloody Florida, I’d be stupid enough to visit Florida”…after which he informed me that he had just sold his house down there the week before.  (Mazel tov!)

It was during one of these respites that I began to notice the lighting inside was absolutely delightful – streaming gently through openings, reflected off large, rock surfaces – it became a perfect little studio.  With sweat dripping from our faces and hair going in all directions, we took advantage of God’s Lil’ Light Box.  And, the setting fit Little Man perfectly.  (I love that picture.  Seriously, though, he’s growing up way too fast.)

Remembering the Sacrifice

No visit to such a historic site would be complete without taking time to remember “those who here … gave the last full measure of devotion,” as the immortal words of Abraham Lincoln so profoundly state.  Regardless of one’s views on the Civil War or one’s stance on Civil War politics, it was on these very fields that thousands were killed, tens of thousands were wounded, and the course of modern history was altered forever.

Do children understand the full impact of these hallowed grounds?  It’s impossible.  I know I didn’t at their age.  But one day they will, and, when they do, I hope they realize that no conviction worth having comes without sacrifice, and I pray that they, too, may be bold enough to give their last full measure of devotion for the ones which truly matter.

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Sometimes, our relationship has been a blessing, providing the strength to pull back-to-back all-nighters when necessary, or being able to keep going on minimal sleep.  But, there have been times when our interactions have been less than cordial, resulting in unexplained sleeplessness for 24, 36 hours at a time…which can really screw with a person.  Over time, I have come to loath this dark partner, wishing to break free of her, yet all too frequently I have found myself back again in the clutches of her icy grasp.

I have turned to slowly poisoning her, sucking the life out of her existence, and I think I may be succeeding.  But, when the work is longer than the day, I begin to feel the effects of my efforts, and sleep lifts its nodding head to beckon me to premature slumber.

Checklists and Me

I’m heading out tomorrow on a magazine shoot, so I am scrambling to finish last minute tasks before catching a few hours of sleep.  Fortunately, for as seemingly disorganized as I often feel, when it comes to prepping for a shoot or photography-related travel, I like to think I’ve nearly mastered the art of getting everything in order.  I function best in life with lists, a commonality I share with my son who seems to love lists almost as much as ice cream.  My mind is constantly jetting off in a thousand directions at any given time, so having things laid out in an orderly fashion helps me to stay focused and ensure I don’t forget something (though, there’s typically always something that finds its way through the cracks).

There’s a variety of tools available, from ye ol’ fashioned pen and paper to spreadsheets to mobile apps.  While I’ve utilized quite a number of different methods over the years from simple paper to various configurations of Google Drive/Docs, the one I’ve settled on (for right now) is a combination of the Notes and Reminders apps for iOS and Mac.  I love the cross-syncing between devices which allows me to start a list on my computer and add to it on the go, marking things off as I move along.  I even have my Echo set up to add to my lists when I tell it to using applets from IFTTT.  (There’s just something so satisfying about being able to yell, “Add ‘hemorrhoid ointment’ to my shopping list,” and having it show up right between “butter” and “rifle ammo” as I’m strolling through Walmart.)  There are many options out there with similar features, and I don’t advocate one over the other…it’s simply a matter of each individual finding out what works best for them and then using it.

Photography Checklists and the Photo Shoot Pre-Production Packet

Checklists are an essential part of the photographer’s life, from equipment checklists to be sure you don’t leave anything behind (at home or at a shoot) to shot lists to lists of crew members and their info for larger productions.  Frankly, I can’t imagine life without them, especially on major projects.

For larger shoots, I use the Photo Shoot Pre-Production Packet.  This three-sheet spreadsheet is not original with me, though I have modified it over time to suit my needs.  I want to say this particular version originated with Aaron Nace of PHLEARN, but I can’t remember or seem to find the original post.  (If someone can point me in the right direction, I’ll be happy to give proper credit where credit is due.)

One sheet is the “Launch Packet” which includes all the pertinent details of the shoot, objectives, deliverables, etc.  The second sheet is the “Shot List,” which is pretty self-explanatory.  The third and final sheet is the “Call Sheet,” which includes all of the names and contact details for the people involved in the shoot, from assistants to stylists to models, and more.  This is also the sheet where you can include concept details, notes, inspiration ideas, and more.

Overall, it’s a very comprehensive document and one that I find incredibly helpful, especially when there are many working parts to the operation.  You can download this for FREE and adapt it to your own personal needs.

FREE DOWNLOAD: Photo Shoot Pre-Production Packet

Putting It All Together

When heading out on a shoot like this, I fill up a three-ring binder with all the paperwork and documentation I may need to get the job done in an efficient and organized manner.  I slide the individual sheets into clear plastic holders, which not only protects them but allows me to easily switch things around in my binder to have the most relevant content at the front for whatever stage of the process we may be in.  For the shoot I’m prepping for currently, my binder has:

• Printed directions to the shoot (in case technology and my GPS fail)
• Each page of the pre-production packet, including the call sheet
• Several copies of the shot list
• Floor plans and layouts for the shoot
• Multiple copies of blank model release forms
• Multiple copies of blank property release forms
• A signed copy of the project agreement
• Miscellaneous info about the shoot
• Directions to the hotel
• Vehicle mileage log
• Backups of various above-mentioned documents (just in case)

Is it a foolproof method?  Probably not.  Is it the only method.  Umm…no.  But, it works for me, and if it can help some other photographer along the way, I can sleep in peace.

The post Photography, Checklists, and Insomnia – Thoughts While Packing appeared first on Allen Mowery.

Yet, despite that night of terror, I was excited to connect with Gilson, an innovative snowboard (and now ski) manufacturer, rapidly gaining market share on slopes and terrain parks around the globe.  Based right here in Central Pennsylvania, perhaps one of the things I appreciate the most is their love and appreciation for the local area, including all of its quirks and idiosyncrasies, not to mention their dedication to sourcing their materials from within the greater community.

When presented with the opportunity to artistically photograph their facility and production process, I naturally agreed.  I mean, who wouldn’t, right?

The images we created turned out spectacularly, accurately showcasing the dynamic of this young-yet-strong startup in the rolling farmlands of Pennsylvania.  Having produced their first snowboards in a donkey stable not far from their current location, it’s very evident that the team isn’t afraid of creative problem-solving, which was an subtle, underlying aesthetic we were hoping to convey.

The photos have since been used in a variety of marketing outlets and appeared in multiple publications, including Johns Hopkins Magazine and here, as the background images for Snowboard Magazine’s 2017 brand guide.

Gilson founders Nicholas Gilson and Austin Royer, along with the rest of the team at “The Snowboard Farm” (located just outside New Berlin), are simply wonderful, and it’s been an incredible privilege to work with them.

The post Photographing Gilson for Snowboard Magazine’s 2017 Brand Guide appeared first on Allen Mowery.

But, I have learned throughout life that: a) sometimes you get just what you pay for, and b) sometimes it’s really not worth reinventing the proverbial wheel.  However, that’s more of a side note…

Functional Antiques

I go through phases in life.  Some might call them mood swings, but I prefer to think of them as balance.  Either way, I still sleep at night, so it matters very little what label you slap on them.  At times I can get all wrapped up in modern technology and gadgetry, and sometimes I become almost obsessed with the old.  I love antique malls, I find [quality] flea markets to be a wonderful shopping experience, and estate auctions have turned me into an adrenaline junkie (or that’s what I blame it on, at least).  But I’m not big on antique décor or the resale value of items.  I prefer what I call “functional antiques” – items of purpose that are affordable and work just as well, if not better, than some of their modern counterparts.  I shave with a razor from the 1930s because it gave me the best shave of my life, even compared to modern options.  I cook with old cast iron pans because they were cheap, easily refinished, and require little maintenance (not to mention their awesome abilities at actually cooking food).  And, the list could go on…but that’s a different rabbit hole.  (In case you haven’t noticed, focus is one of my challenges in life.)

Suffice to say, I really like buying old, cheap, useable stuff.

Old + Photography

Sometimes this periodic obsession spills over into photography as well.  (What?  I can’t help it…)  But first, let me clarify a few things:

• I don’t intentionally go “antiquing” for photo props, though I have found a couple that made it into final images.  I typically leave that to people who are more incredible at it, such as fellow photographer Kim Winey (check out her website here, and follow her on Facebook here).
• While I love old, vintage cameras for the history they embody and the obvious retro touch, I don’t shoot film (though I should get back into that), so they would simply become extra paperweights to dust around.

What I get all excited about is when I find functional gear, whether it be lenses, flash units, etc. that I can put to actual use in the field.  This was the case with a recent find…

After an appointment with the young protégées today, I figured we’d make a quick stop at a local antique store on our way home, just to see what there was to see.  As I was about to bolt from the vehicle, my daughter started laughing and pointed to the large sign right in front of us that read, “Open Daily…Close Tuesday.”  After muttering a few G-rated profanities, I decided to head to another place nearby.  I was not to be deterred.  But that shop and the one after it also sported signs saying “Closed Tuesday.”  (Seriously, what the monkey feet?!  If any of the proprietors happen to be reading this, please explain why you’re all closed on Tuesdays!)  Still determined to browse a bunch of often-overpriced crap, we headed to another location I knew was open on Tuesdays.  (Honestly…Tuesday?!  WHY??!)

Traveling through the shops at a fairly rapid pace and nearing the end of our so-far-fruitless quest, I abruptly stumbled upon a stack of old photography gear, a neat pile of lenses and flash boxes.  While an additional manual lens is always a great addition to any collection, I’m not really in the market for another lens and its necessary adapters right now.  But, what I was interested in were the old flash units in the boxes.

Vintage Flash Units + Digital Cameras

When I began my foray into photography, the first flash I used was a loaner Vivtar 283 from my father.  It was a very capable flash and worked well during its second generation of use, though it’s a miracle I didn’t fry any modern circuitry with it (I didn’t know any better at the time).  Over time, I accumulated additional lights, progressed to e-TTL speedlights and monoblocks, and virtually forgot about the value of these old strobes.  But, then my needs, circumstances, and expectations changed:

1. I have moved over to the Fuji X system and rarely shoot my Canon gear at all.  (No, this is not a “Why I Moved to Mirrorless” post…Lord knows there’s already three billion of those.)
2. While there are an increasing number of TTL options available for Fuji cameras, the pickings are still pretty slim, and what is available seems pretty expensive for what you get.
3. Most of my work is with off-camera lighting in fully manual operation anyhow, so my utilization of TTL functionality is very rare.  Therefore, my need for it at this point is not very high.
4. After rediscovering the value of old “auto thyristor” flash units from years gone by, I realized that their auto functionality was about 90% as good as modern TTL for the times when I might need/want it.  Plus, their metering operates independently of the camera, so, in theory, they will work on practically anything.
5. Using a modern flash in complete manual mode on a digital camera tends to be a bit of an erratic guessing game and one of which I have started to tire.  Plus, most are pretty bulky on the smaller camera bodies.
6. Older, fully-capable flash units can be found for pretty cheap.  Cheap.  Okay…that’s what really sold me.

Hence, my renewed interest in old flash units.

Flea Market Gold

Okay, so maybe “bronze,” “brass,” or even “quality aluminum” would be a better metaphor, but I had still stumbled upon a good find.  There were several flash units in that stack of boxes, and they were mostly in mint condition.  After doing some quick Googling while standing in the aisle, I selected the two units above, both priced at a few dollars each, and made my purchase.

The Minolta Maxxum 4000 AF was simply purchased as an additional off-camera speedlight…they come in handy, especially in tight spaces.  It’s of the old analog TTL variety (typical of the 1980s and ’90s), and while they can be great for manual operation on a light stand, I have learned from experience that they can be a pain to operate on-camera (in manual mode, obviously).  However, the much smaller Vivitar 250 is what really excited me.  I recently shared a post about rediscovering an old Pentax flash in the bottom of a closet, and while that little unit works great, it a) is still kinda bulky on the top of a small camera and b) doesn’t have a bounce head.  This particular Vivitar is actually slimmer, nicer-looking, and runs on only two AA batteries instead of four, making it the perfect weight.  The zooming bounce head is just an added bonus.

Now, before the armchair pundits start jumping down my throat for using such a puny flash on a camera and still calling myself a professional:  I do not plan to use this for professional work.  Sure, if I need a small light to stand in for another one who might be out on a smoke break…whatever.  But my main purpose for purchasing it was as a small, compact, flash unit that I can use on a smaller, mirrorless camera for those times of personal, informal shooting.  (Why am I even clarifying?!  Social guilt, I suppose…)  Besides, the end product is all that matters.

After verifying the trigger voltage of both units with a multimeter to be sure I wouldn’t fry anything, I gave them a try, and I couldn’t be happier.  (Okay, so a beach hut in Fiji might rank a little higher, but we’re talking reality here.)  For far less than the cost of even a used Yongnuo speedlight, I had expended the arsenal, meet a need that I felt, and gave a new lease on life to a couple of pieces forgotten by time.

WORD OF CAUTION:  For those looking to use old flash units with a digital camera, be aware that sometimes that trigger voltage of the older units is too high for modern microchips and can fry them.  Here’s a good discussion on it.  Using them off-camera via wireless triggers is typically fine (because they aren’t in contact with the finer electronics of the camera body), but they have been known to kill the occasional camera.  A list of trigger voltages for various vintage models can be found here, but it is always best to verify for yourself before taking the risk.  Either way, I won’t be held responsible for what you may or may not do.

The Takeaway

There’s all kinds of higher moral lessons that can be gathered from this, but I’m not in a philosophical mood at the moment.  So, I’ll keep it simple:

1. Never discount something’s usefulness just because of its age.
2. If it meets your needs, why spend more?
3. If creativity can make it worth the money saved, go for it!

Will I still be purchasing those Fuji speedlights in the future?  Most likely.  But, for the time being, just let me feel like I’ve stuck it to The Man.  Now, go forth and see what you can salvage from the clutches of a bygone era.

The post Striking Gold – Rescuing Old Photography Equipment in the Digital Age appeared first on Allen Mowery.