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	<title>Art Law Blog</title>
	
	<link>http://artlawteam.com</link>
	<description>Art + Law + Blog : Art Law Lawyer &amp; Attorney : Bryan Cave Law Firm : Chicago IL Consignment &amp; Art Dealer Agreements</description>
	<lastBuildDate>Fri, 18 May 2012 19:59:30 +0000</lastBuildDate>
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		<title>NOT EVEN CLOSE: JUDGE TOSSES LAWSUIT AGAINST AUCTION HOUSES PLUS THE LAW THAT WENT WITH IT</title>
		<link>http://artlawteam.com/not-even-close-judge-tosses-lawsuit-against-auction-houses-plus-the-law-that-went-with-it/</link>
		<comments>http://artlawteam.com/not-even-close-judge-tosses-lawsuit-against-auction-houses-plus-the-law-that-went-with-it/#comments</comments>
		<pubDate>Fri, 18 May 2012 19:55:24 +0000</pubDate>
		<dc:creator>larry tinnon</dc:creator>
				<category><![CDATA[Law]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[artists right]]></category>
		<category><![CDATA[California Resale Royalty Act]]></category>
		<category><![CDATA[California royalty law]]></category>
		<category><![CDATA[Christies lawsuit]]></category>
		<category><![CDATA[gallery law]]></category>
		<category><![CDATA[sothebys lawsuit]]></category>

		<guid isPermaLink="false">http://artlawteam.com/?p=186</guid>
		<description><![CDATA[The War: A bunch of artists, including Chuck Close and the Sam Francis estate, sued Christies and Sotheby&#8217;s for millions of dollars in back royalties under the California Resale Royalty Act. This law obligates the buyer and dealer in a fine art sale to pay the artist 5% of the sale price.This law is the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NO FAIR USE: PRINCE LOSES BADLY</title>
		<link>http://artlawteam.com/no-fair-use-prince-loses-badly/</link>
		<comments>http://artlawteam.com/no-fair-use-prince-loses-badly/#comments</comments>
		<pubDate>Wed, 25 May 2011 14:25:41 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Copyright]]></category>

		<guid isPermaLink="false">http://www.artlawteam.com/?p=169</guid>
		<description><![CDATA[In 2000, a photographer named Patrick Cariou came out with a book of photographs he took during the 6 years when he lived with the Rastafarians in Jamaica. In 2007, Richard Prince, along with his dealer, Gagosian Gallery, began exhibiting a series of collages that featured 41 photographs from Cariou’s book. Cariou sued Prince and [...]]]></description>
		<wfw:commentRss>http://artlawteam.com/no-fair-use-prince-loses-badly/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Accepting Gifts from www.bryancavecharitylaw.com</title>
		<link>http://artlawteam.com/accepting-gifts-from-www-bryancavecharitylaw-com/</link>
		<comments>http://artlawteam.com/accepting-gifts-from-www-bryancavecharitylaw-com/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 19:33:46 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Tax Issues]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/accepting-gifts-from-www-bryancavecharitylaw-com/</guid>
		<description><![CDATA[Accepting Gifts... Should You?
Charitable organizations receive all types of donations, including cash,  personal property, and even business interests.  Often times, the charity is so excited about a potential gift that no diligence is completed prior to acceptance, and failure to complete diligence on gifts can turn out to be costly.    Take gifts of real property - these are very common and can be financially beneficial to a charity.  However, without completing diligence, the charity may find that it now owns a superfund site.   Another not-so-obvious example is a donation of stock.  Although most donated stock is marketable, certain types of stock, including stock in an S corporation (usually small, family owned corporations), are not.  This post explores the implications of a charity accepting gifts of S corporation stock.
Subchapter S corporations can only have certain types of shareholders.  Generally, these "permissible shareholders" include individuals (who are not nonresident aliens), estates, certain trusts, and certain exempt organizations.  We will focus on the permissible exempt organization shareholder.
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kathie Claret of Bryan Cave – Paris Quoted in The Art Newspaper</title>
		<link>http://artlawteam.com/kathie-claret-of-bryan-cave-paris-quoted-in-the-art-newspaper/</link>
		<comments>http://artlawteam.com/kathie-claret-of-bryan-cave-paris-quoted-in-the-art-newspaper/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 19:17:30 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Ownership]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/kathie-claret-of-bryan-cave-paris-quoted-in-the-art-newspaper/</guid>
		<description><![CDATA[www.theartnewspaper.com/articles/Endowment+funds+flourish+in+France/21315]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Copyright: A Primer</title>
		<link>http://artlawteam.com/copyright-a-primer/</link>
		<comments>http://artlawteam.com/copyright-a-primer/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 23:42:52 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[COPYRIGHT]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/copyright-a-primer/</guid>
		<description><![CDATA[This exciting guide to IP entitled, Copyright: A Primer, was prepared by the Bryan Cave Intellectual Property Team. We hope it&#8217;s helpful.]]></description>
		<wfw:commentRss>http://artlawteam.com/copyright-a-primer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Troy Klyber</title>
		<link>http://artlawteam.com/troy-klyber/</link>
		<comments>http://artlawteam.com/troy-klyber/#comments</comments>
		<pubDate>Fri, 18 Dec 2009 20:11:18 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA["Troy Klyber" COPYRIGHT]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/troy-klyber/</guid>
		<description><![CDATA[Troy Klyber, lawyer at the Art Institute of Chicago, has written a terrific blog post about an odd (and sad) impact on artists who put a copyright notice on their work in the olden days as the law required. I sat on a speakers&#8217; panel with Troy. He is one of the leading practical thinkers [...]]]></description>
		<wfw:commentRss>http://artlawteam.com/troy-klyber/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art Crime: The Fine Art of Deceit</title>
		<link>http://artlawteam.com/art-crime-the-fine-art-of-deceit/</link>
		<comments>http://artlawteam.com/art-crime-the-fine-art-of-deceit/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 23:18:28 +0000</pubDate>
		<dc:creator>Patricia L. Werner</dc:creator>
				<category><![CDATA[Art Theft]]></category>
		<category><![CDATA["Art Crimes" "art theft" "fraud" "looting" "trafficking"]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/art-crime-the-fine-art-of-deceit/</guid>
		<description><![CDATA[Pablo Picasso once proclaimed, &#34;we all know that art is not truth.&#34; When it comes to the world of fine art these days, truer words may have never be spoken. Thanks to advances in global communication and technology, fine art forgeries have become big business. Currently, the FBI estimates that art theft, fraud, looting, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jeanne-Claude</title>
		<link>http://artlawteam.com/jeanne-claude/</link>
		<comments>http://artlawteam.com/jeanne-claude/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 21:31:40 +0000</pubDate>
		<dc:creator>Coco Soodek</dc:creator>
				<category><![CDATA[Favorite Artists]]></category>
		<category><![CDATA[Christo]]></category>
		<category><![CDATA[gates]]></category>
		<category><![CDATA[Jeanne-Claude]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/jeanne-claude/</guid>
		<description><![CDATA[We mourn the passing of our client and friend Jeanne-Claude, co-artist of The Gates, Central Park, New York City, 1979-2005; Wrapped Reichstag Berlin, 1971-95; Surrounded Islands, Miami, Florida, 1980-83; and many other works of art and genius. http://www.christojeanneclaude.net]]></description>
		<wfw:commentRss>http://artlawteam.com/jeanne-claude/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Photography, Copyright, and “Derivative Works”</title>
		<link>http://artlawteam.com/photography-copyright-and-derivative-works/</link>
		<comments>http://artlawteam.com/photography-copyright-and-derivative-works/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 18:07:33 +0000</pubDate>
		<dc:creator>Michael Kahn</dc:creator>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA["derivative work"]]></category>
		<category><![CDATA["Jurassic Park"]]></category>
		<category><![CDATA["Mark Twain"]]></category>
		<category><![CDATA["Schrock v. Learning Curve Int'l"]]></category>
		<category><![CDATA["Thomas & Friends"]]></category>
		<category><![CDATA[COPYRIGHT]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/photography-copyright-and-derivative-works/</guid>
		<description><![CDATA[Mark Twain channeled the frustration of many artists when he wrote, &#8220;Only one thing is impossible for God: To find any sense in any copyright law on the planet.&#8221; One such frustration is the realm of derivative works. Artists understand that all art is ultimately derivative. For example, Ernest Hemingway wrote, &#8220;All modern American literature [...]]]></description>
		<wfw:commentRss>http://artlawteam.com/photography-copyright-and-derivative-works/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>WHY SHOULD I INSURE MY ART?</title>
		<link>http://artlawteam.com/why-should-i-insure-my-art/</link>
		<comments>http://artlawteam.com/why-should-i-insure-my-art/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 00:42:36 +0000</pubDate>
		<dc:creator>BC Guest Blogger</dc:creator>
				<category><![CDATA[Insurance]]></category>
		<category><![CDATA[Valuation]]></category>
		<category><![CDATA[Insurance Valuation "Columbus Museum of Art" "Andy Warhol" "Art Loss Register"]]></category>

		<guid isPermaLink="false">http://bryancavemarketing.com/artlaw/why-should-i-insure-my-art/</guid>
		<description><![CDATA[By Hope Wolman of Insurance Office of Central Ohio There are many reasons, and these apply not just to art, but to silver, jewelry, musical instruments, wine and many fine things. We like to think about caring for your art and fine things, just like caring for your home. These things have significant value, and [...]]]></description>
		<wfw:commentRss>http://artlawteam.com/why-should-i-insure-my-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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