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	<title>ArtsJournal</title>
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	<link>https://www.artsjournal.com</link>
	<description>Arts, Culture, Ideas</description>
	<lastBuildDate>Fri, 15 May 2026 13:45:14 +0000</lastBuildDate>
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	<title>ArtsJournal</title>
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	<item>
		<title>The Dallas Opera Appoints New CEO, David Lomelí</title>
		<link>https://www.msn.com/en-us/entertainment/general/dallas-opera-hires-familiar-face-as-new-general-director-and-ceo/ar-AA23cdgj#new_tab</link>
					<comments>https://www.msn.com/en-us/entertainment/general/dallas-opera-hires-familiar-face-as-new-general-director-and-ceo/ar-AA23cdgj#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Dallas Morning News (MSN)]]></dc:creator>
		<pubDate>Fri, 15 May 2026 13:34:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440955</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />Previously chief artistic officer at Santa Fe Opera, Lomelí — who had an 11-year career as a tenor — has spent more than a decade over the years working with The Dallas Opera as consultant, artistic administrator, and founding director of the Hart Institute for Women Conductors. &#8211; The Dallas Morning News (MSN)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/634.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />
<p>Previously chief artistic officer at Santa Fe Opera, Lomelí — who had an 11-year career as a tenor — has spent more than a decade over the years working with The Dallas Opera as consultant, artistic administrator, and founding director of the Hart Institute for Women Conductors. &#8211; <em><a href="https://www.msn.com/en-us/entertainment/general/dallas-opera-hires-familiar-face-as-new-general-director-and-ceo/ar-AA23cdgj">The Dallas Morning News (MSN)</a></em></p>
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		<title>Suspect Arrested In Massive Louvre Ticketing Scam</title>
		<link>https://www.artnews.com/art-news/news/suspect-taken-into-custody-louvre-ticketing-scam-1234785498/#new_tab</link>
					<comments>https://www.artnews.com/art-news/news/suspect-taken-into-custody-louvre-ticketing-scam-1234785498/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Fri, 15 May 2026 13:06:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440952</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />A Louvre employee was indicted and detained on Wednesday on charges including organized gang fraud as part of an investigation into a scheme to defraud the Paris museum of ticket fees for thousands of visitors. Six others had been placed in custody ‘because of the communications they may have had with the first defendants’.” &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/606-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>A Louvre employee was indicted and detained on Wednesday on charges including organized gang fraud as part of an investigation into a scheme to defraud the Paris museum of ticket fees for thousands of visitors. Six others had been placed in custody ‘because of the communications they may have had with the first defendants’.” &#8211; <em><a href="https://www.artnews.com/art-news/news/suspect-taken-into-custody-louvre-ticketing-scam-1234785498/">ARTnews</a></em></p>
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		<title>Settlement Reached In South Florida Public Radio Lawsuit</title>
		<link>https://www.insideradio.com/free/lengthy-dispute-over-miami-s-wlrn-settled-out-of-court/article_9132b873-d70d-4c02-a32c-50cd10d7445a.html#new_tab</link>
					<comments>https://www.insideradio.com/free/lengthy-dispute-over-miami-s-wlrn-settled-out-of-court/article_9132b873-d70d-4c02-a32c-50cd10d7445a.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Inside Radio]]></dc:creator>
		<pubDate>Fri, 15 May 2026 12:30:03 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440949</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“In an out-of-court settlement announced Thursday, the Miami-Dade County School Board, which owns the news/talk outlet (WLRN), and South Florida Public Media Group, which manages it, say they have struck a seven-year management deal for WLRN.” &#8211; Inside Radio]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/530.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“In an out-of-court settlement announced Thursday, the Miami-Dade County School Board, which owns the news/talk outlet (WLRN), and South Florida Public Media Group, which manages it, say they have struck a seven-year management deal for WLRN.” &#8211; <em><a href="https://www.insideradio.com/free/lengthy-dispute-over-miami-s-wlrn-settled-out-of-court/article_9132b873-d70d-4c02-a32c-50cd10d7445a.html">Inside Radio</a></em></p>
]]></content:encoded>
					
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		<title>Claudine Longet — Singer, Actress, Notorious Criminal Defendant — Has Died At 84</title>
		<link>https://www.hollywoodreporter.com/music/music-news/claudine-longet-dead-andy-williams-spider-sabich-1236595818/#new_tab</link>
					<comments>https://www.hollywoodreporter.com/music/music-news/claudine-longet-dead-andy-williams-spider-sabich-1236595818/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Hollywood Reporter]]></dc:creator>
		<pubDate>Fri, 15 May 2026 12:02:18 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440945</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“The French-born singer, actress and ex-wife of Andy Williams was at the center of a scandalous 1976 trial and media circus after she fatally shot her boyfriend, Olympic skier Spider Sabich.” &#8211; The Hollywood Reporter]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/502.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“The French-born singer, actress and ex-wife of Andy Williams was at the center of a scandalous 1976 trial and media circus after she fatally shot her boyfriend, Olympic skier Spider Sabich.” &#8211; <em><a href="https://www.hollywoodreporter.com/music/music-news/claudine-longet-dead-andy-williams-spider-sabich-1236595818/">The Hollywood Reporter</a></em></p>
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		<title>What is a cultural institution actually for?</title>
		<link>https://www.artsjournal.com/2026/05/what-is-a-cultural-institution-actually-for.html</link>
					<comments>https://www.artsjournal.com/2026/05/what-is-a-cultural-institution-actually-for.html#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 14 May 2026 21:20:09 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440931</guid>

					<description><![CDATA[Good Morning, Four different institutional stories today, all of them answers to the same question: what is a major cultural institution actually for? The Met is absorbing the Neue Galerie — its building and Ronald Lauder&#8217;s collection of 20th-century Austrian and German art — beginning in 2028 (The New York Times). Lincoln Center, meanwhile, is [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>Good Morning,</p>



<p>Four different institutional stories today, all of them answers to the same question: what is a major cultural institution actually for? The Met is absorbing the Neue Galerie — its building and Ronald Lauder&#8217;s collection of 20th-century Austrian and German art — beginning in 2028 (<a href="https://www.nytimes.com/2026/05/14/arts/design/met-museum-neue-galerie-merger-lauder.html"><em>The New York Times</em></a>). Lincoln Center, meanwhile, is committing $335 million to make its fortress-like western edge less of a fortress, with a new 2,000-seat amphitheater anchoring a redesigned Damrosch Park (<a href="https://www.timeout.com/newyork/news/lincoln-center-is-building-a-new-2-000-person-theater-which-will-anchor-a-novel-garden-space-051226"><em>Time Out New York</em></a>).</p>



<p>So: two strategies for staying relevant: absorb, or open up. Then there&#8217;s CBS News Radio, which after 99 years just signed off for the last time, a national institution dissolving rather than reinventing (<a href="https://www.cbsnews.com/news/cbs-news-radio-a-beacon-of-broadcast-journalism-signs-off/"><em>CBS News</em></a>). And the Louvre, where a French Parliament report concludes the crown-jewel theft happened because the museum spent years putting prestige ahead of basic security. Two audits flagged the problem, but nothing got done (<a href="https://www.artnews.com/art-news/news/french-parliament-releases-report-accusing-louvre-deprioritizing-security-jewel-heist-1234785295/"><em>ARTnews</em></a>).</p>



<p>Also: a renowned Georgian opera bass-turned-opposition-leader was sentenced to seven years for organizing a protest against an authoritarian government (<a href="https://operawire.com/bass-paata-burchuladze-sentenced-to-seven-years-in-prison-following-election-day-protest-in-georgia/"><em>OperaWire</em></a>), and Live Performance Australia reports that the most-performed &#8220;classical&#8221; music in the country last year was the score from <em>Pirates of the Caribbean</em> (<a href="https://www.abc.net.au/news/2026-05-14/how-hollywood-became-a-new-home-for-classical-music/106669938"><em>ABC</em></a>).</p>



<p>All of our stories below.</p>
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		<title>The State Museum of Pennsylvania – Director</title>
		<link>https://www.artsjournal.com/2026/05/the-state-museum-of-pennsylvania-director-2.html</link>
					<comments>https://www.artsjournal.com/2026/05/the-state-museum-of-pennsylvania-director-2.html#respond</comments>
		
		<dc:creator><![CDATA[State Museum of Pennsylvania]]></dc:creator>
		<pubDate>Thu, 14 May 2026 20:32:15 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=439912</guid>

					<description><![CDATA[The State Museum of Pennsylvania (SMOP) seeks a strategic, collaborative leader to serve as its Director. As a bureau of the Pennsylvania Historical and Museum Commission (PHMC), the Museum brings Pennsylvania’s natural and cultural history to life through collections of more than 12 million artifacts spanning cultural history, art, archaeology, geology, paleontology, and natural history. [&#8230;]]]></description>
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<p>The State Museum of Pennsylvania (SMOP) seeks a strategic, collaborative leader to serve as its Director.</p>



<p>As a bureau of the Pennsylvania Historical and Museum Commission (PHMC), the Museum brings Pennsylvania’s natural and cultural history to life through collections of more than 12 million artifacts spanning cultural history, art, archaeology, geology, paleontology, and natural history.</p>



<p>Over the next several years, the Museum will undergo a $58 million transformation — the largest investment in the complex since 1964. This is a rare opportunity for a mission-driven museum leader to guide a statewide institution through a once-in-a-generation renewal. The Director will shape a reimagined visitor experience, deepen community engagement, collaborate with staff and steward collections through the transition, championing the importance of Pennsylvania’s history now and for the future. PHMC seeks a collaborative, experienced museum leader with a passion for public history who will serve as a visible, compelling spokesperson, sustain engagement during closure, build momentum for reopening, and thrive in the Museum’s public-sector environment.</p>



<p>The Museum has an annual operating budget of approximately $4 million, as well as a planned capital budget of approximately $80 million over 10 years to support continued exhibition development. Salary begins at $115,000 and includes a competitive Commonwealth benefits package. The start date is projected for late summer 2026. The search is being led by Syrah Gunning of the DeVos Institute of Arts and Nonprofit Management. Learn more and apply at: <a data-wplink-edit="true" href="_wp_link_placeholder">https://tinyurl.com/SMOPaj</a></p>
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		<title>Remembering “The Pied Piper Of Early Music,” David Munrow, 50 Years After His Suicide</title>
		<link>https://www.theguardian.com/music/2026/may/12/the-brilliance-of-early-music-pioneer-david-munrow-by-edward-blakeman#new_tab</link>
					<comments>https://www.theguardian.com/music/2026/may/12/the-brilliance-of-early-music-pioneer-david-munrow-by-edward-blakeman#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Thu, 14 May 2026 18:59:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440913</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />&#8220;With all the bravura of the 1960s, David Munrow erupted into the world of early music and transformed what had been a minority interest into popular listening. His … impact lives on in the music he rediscovered and popularised, and the innovative ways in which he presented and performed it.” &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1159.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>&#8220;With all the bravura of the 1960s, David Munrow erupted into the world of early music and transformed what had been a minority interest into popular listening. His … impact lives on in the music he rediscovered and popularised, and the innovative ways in which he presented and performed it.” &#8211; <em><a href="https://www.theguardian.com/music/2026/may/12/the-brilliance-of-early-music-pioneer-david-munrow-by-edward-blakeman">The Guardian</a></em></p>
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		<title>Ontario Starts Crackdown On Ticket Resellers</title>
		<link>https://www.cbc.ca/news/business/ontario-ticket-resale-cap-enforcement-crackdown-9.7198412</link>
					<comments>https://www.cbc.ca/news/business/ontario-ticket-resale-cap-enforcement-crackdown-9.7198412#respond</comments>
		
		<dc:creator><![CDATA[CBC]]></dc:creator>
		<pubDate>Thu, 14 May 2026 18:31:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440925</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-300x298.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-e1778777226551.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" />The Ontario government has begun cracking down on ticket scalpers and resale websites to make sure they&#8217;re complying with new rules brought in last month that cap the resale price of tickets at face value, as some ticketing platforms still openly list tickets for well above their original price. &#8211; CBC]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-300x298.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94549_www.cbc_.ca_-e1778777226551.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>The Ontario government has begun cracking down on ticket scalpers and resale websites to make sure they&#8217;re complying with <a href="https://www.cbc.ca/news/canada/toronto/ticketmaster-delist-resale-tickets-ontario-9.7175775" target="_blank" rel="noreferrer noopener">new rules brought in last month</a> that cap the resale price of tickets at face value, as some ticketing platforms still openly list tickets for well above their original price. &#8211;<em><a href="https://www.cbc.ca/news/business/ontario-ticket-resale-cap-enforcement-crackdown-9.7198412"> CBC</a></em></p>
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		<title>The Producer Who Wants To Make Microdramas Which Are Actually Good</title>
		<link>https://www.artsjournal.com/2026/05/the-producer-who-wants-to-make-microdramas-which-are-actually-good.html</link>
					<comments>https://www.artsjournal.com/2026/05/the-producer-who-wants-to-make-microdramas-which-are-actually-good.html#respond</comments>
		
		<dc:creator><![CDATA[TheWrap (MSN)]]></dc:creator>
		<pubDate>Thu, 14 May 2026 18:01:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440910</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Snow Story Productions CEO Austin Herring said the big hits in microdramas were ‘borderline unwatchable’ when he entered the field in 2024, where salacious and soap opera-level storytelling were the norm. But he remained committed to elevating the production standard.” &#8211; TheWrap (MSN)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1101-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“Snow Story Productions CEO Austin Herring said the big hits in microdramas were ‘borderline unwatchable’ when he entered the field in 2024, where salacious and soap opera-level storytelling were the norm. But he remained committed to elevating the production standard.” &#8211; <em><a href="https://www.yahoo.com/entertainment/tv/articles/one-microdrama-maker-wants-elevate-224410050.html">TheWrap (MSN)</a></em></p>
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		<title>Neue Galerie To Merge With The Metropolitan Museum</title>
		<link>https://www.nytimes.com/2026/05/14/arts/design/met-museum-neue-galerie-merger-lauder.html</link>
					<comments>https://www.nytimes.com/2026/05/14/arts/design/met-museum-neue-galerie-merger-lauder.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Thu, 14 May 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440922</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94148_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Beginning in 2028, the Metropolitan Museum of Art will own the Neue’s Fifth Avenue home and the prestige collection of 20th-century Austrian and German art built by Ronald S. Lauder. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_94148_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>Beginning in 2028, the Metropolitan Museum of Art will own the Neue’s Fifth Avenue home and the prestige collection of 20th-century Austrian and German art built by Ronald S. Lauder. &#8211;<em><a href="https://www.nytimes.com/2026/05/14/arts/design/met-museum-neue-galerie-merger-lauder.html"> The New York Times</a></em></p>



<p></p>
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		<title>Netflix Becomes An Ad Giant: 250M Subscribers</title>
		<link>https://variety.com/2026/tv/news/netflix-claims-ad-tier-reaches-250-million-viewers-1236746219/</link>
					<comments>https://variety.com/2026/tv/news/netflix-claims-ad-tier-reaches-250-million-viewers-1236746219/#respond</comments>
		
		<dc:creator><![CDATA[Variety]]></dc:creator>
		<pubDate>Thu, 14 May 2026 17:31:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440914</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_84632_variety.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The streaming titan said Wednesday during its “upfront” presentation to advertisers that its ad-supported subscription tier reaches reaches more than 250 million global monthly active viewers, up from the 190 million it cited in November of 2025. &#8211; Variety]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_84632_variety.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>The streaming titan said Wednesday during its “upfront” presentation to advertisers that its ad-supported subscription tier reaches reaches more than 250 million global monthly active viewers, up from the 190 million it cited in November of 2025. &#8211; <em><a href="https://variety.com/2026/tv/news/netflix-claims-ad-tier-reaches-250-million-viewers-1236746219/">Variety</a></em></p>
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		<title>Study: People Are Bad At Figuring Out What They Don&#8217;t Know (Yet They Think They Can)</title>
		<link>https://theconversation.com/most-people-dont-know-what-they-dont-know-but-think-they-do-correcting-your-metaknowledge-can-make-you-a-better-teacher-and-learner-280905</link>
					<comments>https://theconversation.com/most-people-dont-know-what-they-dont-know-but-think-they-do-correcting-your-metaknowledge-can-make-you-a-better-teacher-and-learner-280905#respond</comments>
		
		<dc:creator><![CDATA[The Conversation]]></dc:creator>
		<pubDate>Thu, 14 May 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440905</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_82917_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />People aren’t just bad at remembering things they see all the time, but also in actually knowing how they work. In a 2006 study, many people made significant errors when drawing a bicycle, like putting the chain around the front wheel as well as the back wheel. &#8211; The Conversation]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_82917_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>People aren’t just bad at remembering things they see all the time, but also in actually knowing how they work. In a 2006 study, many people made <a href="https://doi.org/10.3758/bf03195929">significant errors when drawing a bicycle</a>, like putting the chain around the front wheel as well as the back wheel. &#8211;<em><a href="https://theconversation.com/most-people-dont-know-what-they-dont-know-but-think-they-do-correcting-your-metaknowledge-can-make-you-a-better-teacher-and-learner-280905"> The Conversation</a></em></p>
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		<title>Aszure Barton&#8217;s Final Choreography Commission For Hubbard Street Dance Chicago</title>
		<link>https://www.wbez.org/dance/2026/05/14/aszure-barton-choreographer-hubbard-street-dance-chicago-harris-theater#new_tab</link>
					<comments>https://www.wbez.org/dance/2026/05/14/aszure-barton-choreographer-hubbard-street-dance-chicago-harris-theater#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WBEZ (Chicago)]]></dc:creator>
		<pubDate>Thu, 14 May 2026 17:05:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440903</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />LubDub is the fourth and final piece of Barton’s three years as Hubbard Street’s resident choreographer. “Asked to discuss the movement vocabulary she employs here, Barton demurred. But when the descriptor &#8216;unruly&#8217; was suggested, she was quick to embrace it. …  (And) there are plenty of quirky, unexpected sights in the piece.” &#8211; WBEZ (Chicago)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1005.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p><em>LubDub</em> is the fourth and final piece of Barton’s three years as Hubbard Street’s resident choreographer. “Asked to discuss the movement vocabulary she employs here, Barton demurred. But when the descriptor &#8216;unruly&#8217; was suggested, she was quick to embrace it. …  (And) there are plenty of quirky, unexpected sights in the piece.” &#8211; <em><a href="https://www.wbez.org/dance/2026/05/14/aszure-barton-choreographer-hubbard-street-dance-chicago-harris-theater">WBEZ (Chicago)</a></em></p>
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		<title>How Your Brain Toggles Between The Familiar And Exploration</title>
		<link>https://theconversation.com/how-does-your-brain-decide-between-the-road-not-taken-or-the-same-old-route-resolving-conflicting-memories-is-key-to-navigation-279435</link>
					<comments>https://theconversation.com/how-does-your-brain-decide-between-the-road-not-taken-or-the-same-old-route-resolving-conflicting-memories-is-key-to-navigation-279435#respond</comments>
		
		<dc:creator><![CDATA[The Conversation]]></dc:creator>
		<pubDate>Thu, 14 May 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440901</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_82432_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Research from my team suggests that people balance between exploration and habit – that is, trying something new or sticking with the familiar – when deciding what route to take. Which navigation strategy someone chooses depends not only on their spatial abilities but on their network of brain regions that support navigation. &#8211; The Conversation]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_82432_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>Research from my team suggests that people <a href="https://doi.org/10.1016/j.neuroimage.2026.121736">balance between exploration and habit</a> – that is, trying something new or sticking with the familiar – when deciding what route to take. Which navigation strategy someone chooses depends not only on their spatial abilities but on their network of brain regions that support navigation. &#8211; <em><a href="https://theconversation.com/how-does-your-brain-decide-between-the-road-not-taken-or-the-same-old-route-resolving-conflicting-memories-is-key-to-navigation-279435">The Conversation</a></em></p>
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		<title>Artists In The Age Of AI: Let&#8217;s Explore The Labor-Intensive Art Of The Renaissance</title>
		<link>https://news.artnet.com/art-world/contemporary-artists-marquetry-revival-2771319</link>
					<comments>https://news.artnet.com/art-world/contemporary-artists-marquetry-revival-2771319#respond</comments>
		
		<dc:creator><![CDATA[Artnet]]></dc:creator>
		<pubDate>Thu, 14 May 2026 16:31:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440889</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74952_news.artnet.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Artists have been raiding the toolkits of the Old Masters with new urgency of late, borrowing and reworking Renaissance and Baroque compositional drama, symbolism, and increasingly, their labor-intensive methods. &#8211; Artnet]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74952_news.artnet.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>Artists have been <a href="https://news.artnet.com/art-world/ultra-contemporary-old-masters-2744796" target="_blank" rel="noreferrer noopener">raiding the toolkits</a> of the Old Masters with new urgency of late, borrowing and reworking Renaissance and Baroque compositional drama, symbolism, and increasingly, their labor-intensive methods.<em><a href="https://news.artnet.com/art-world/contemporary-artists-marquetry-revival-2771319"> &#8211; Artnet</a></em></p>
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		<title>NYU Students Protest Jonathan Haidt As Graduation Speaker</title>
		<link>https://www.nytimes.com/2026/05/13/us/politics/nyu-graduation-speaker-free-speech-jonathan-haidt.html</link>
					<comments>https://www.nytimes.com/2026/05/13/us/politics/nyu-graduation-speaker-free-speech-jonathan-haidt.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Thu, 14 May 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440898</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_81958_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Student government leaders at New York University are objecting to his selection as the graduation speaker at Yankee Stadium — calling it “deeply unsettling” — and in a letter, asked university officials to reconsider before the ceremony on Thursday. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_81958_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>Student government leaders at New York University are objecting to his selection as the graduation speaker at Yankee Stadium — calling it “deeply unsettling” — and in <a href="https://drive.google.com/file/d/13p3hbm84ZzsFznPDy2sdry3cCjkODL6P/view" target="_blank" rel="noreferrer noopener">a letter</a>, asked university officials to reconsider before the ceremony on Thursday. &#8211; <em><a href="https://www.nytimes.com/2026/05/13/us/politics/nyu-graduation-speaker-free-speech-jonathan-haidt.html">The New York Times</a></em></p>
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		<title>Keats’s Rediscovered Love Letters Could Sell For $2 Million</title>
		<link>https://news.artnet.com/art-world/john-keats-love-letters-sothebys-auction-2772300#new_tab</link>
					<comments>https://news.artnet.com/art-world/john-keats-love-letters-sothebys-auction-2772300#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Artnet]]></dc:creator>
		<pubDate>Thu, 14 May 2026 16:03:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440892</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“A once-stolen collection of letters written by the poet John Keats to his fiancée Fanny Brawne will be sold at Sotheby’s New York this June with an estimate of $1.5 million to $2.5 million. The group of eight letters … date from 1819 to 1820, a period when Keats was suffering from tuberculosis.” &#8211; Artnet]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/903.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“A once-stolen collection of letters written by the poet John Keats to his fiancée Fanny Brawne will be sold at Sotheby’s New York this June with an estimate of $1.5 million to $2.5 million. The group of eight letters … date from 1819 to 1820, a period when Keats was suffering from tuberculosis.” &#8211; <em><a href="https://news.artnet.com/art-world/john-keats-love-letters-sothebys-auction-2772300">Artnet</a></em></p>
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		<title>The Most-Performed Classical Music Concerts In Australia: Live Movie Music</title>
		<link>https://www.abc.net.au/news/2026-05-14/how-hollywood-became-a-new-home-for-classical-music/106669938</link>
					<comments>https://www.abc.net.au/news/2026-05-14/how-hollywood-became-a-new-home-for-classical-music/106669938#respond</comments>
		
		<dc:creator><![CDATA[ABC (Australia)]]></dc:creator>
		<pubDate>Thu, 14 May 2026 15:44:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440893</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_81741_www.abc_.net_.au_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />According to the latest Live Performance Australia data, the most popular classical music performances in 2024 included Star Wars, How to Train Your Dragon, Pirates of the Caribbean, and The Man from Snowy River in Concert. &#8211; ABC (Australia)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_81741_www.abc_.net_.au_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>According to the latest <a href="https://reports.liveperformance.com.au/ticket-survey-2024/pdf/2024/2024%20Live%20Performance%20Australia_Attendance%20and%20Revenue%20Report.pdf">Live Performance Australia data</a>, the most popular classical music performances in 2024 included Star Wars, How to Train Your Dragon, Pirates of the Caribbean, and The Man from Snowy River in Concert. &#8211; <em><a href="https://www.abc.net.au/news/2026-05-14/how-hollywood-became-a-new-home-for-classical-music/106669938">ABC (Australia)</a></em></p>
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		<title>How The Smithsonian Decided To Celebrate America&#8217;s 250th Birthday</title>
		<link>https://www.theguardian.com/artanddesign/2026/may/13/smithsonian-celebrates-america-250-objects</link>
					<comments>https://www.theguardian.com/artanddesign/2026/may/13/smithsonian-celebrates-america-250-objects#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Thu, 14 May 2026 15:31:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440884</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74629_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />“What we landed on were those moments where individuals or communities had fought for recognition and advocated for their own sense of identity and self in their role in creating and becoming a part of the United States. But we also wanted to do the playful.” &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74629_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>“What we landed on were those moments where individuals or communities had fought for recognition and advocated for their own sense of identity and self in their role in creating and becoming a part of the United States. But we also wanted to do the playful.” &#8211; <em><a href="https://www.theguardian.com/artanddesign/2026/may/13/smithsonian-celebrates-america-250-objects">The Guardian</a></em></p>
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		<title>Reconciling The Values Of Silicon Valley</title>
		<link>https://libertiesjournal.substack.com/p/our-straussian-techocracy</link>
					<comments>https://libertiesjournal.substack.com/p/our-straussian-techocracy#respond</comments>
		
		<dc:creator><![CDATA[Liberties Journal]]></dc:creator>
		<pubDate>Thu, 14 May 2026 15:15:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440880</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74428_libertiesjournal.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />For decades, these ideologies were tolerated as part of a tacit social bargain: A group of intelligent eccentrics were left to their own devices on a patch of land in the Santa Clara Valley, and, in return, American society received an extraordinary set of new technologies. &#8211; Liberties Journal]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_14-5-2026_74428_libertiesjournal.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p>For decades, these ideologies were tolerated as part of a tacit social bargain: A group of intelligent eccentrics were left to their own devices on a patch of land in the Santa Clara Valley, and, in return, American society received an extraordinary set of new technologies. &#8211;<em><a href="https://libertiesjournal.substack.com/p/our-straussian-techocracy"> Liberties Journal</a></em></p>
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		<title>Louvre Prioritized Prestige Over Security In Period Before Crown Jewel Theft, Says French Parliament Report</title>
		<link>https://www.artnews.com/art-news/news/french-parliament-releases-report-accusing-louvre-deprioritizing-security-jewel-heist-1234785295/#new_tab</link>
					<comments>https://www.artnews.com/art-news/news/french-parliament-releases-report-accusing-louvre-deprioritizing-security-jewel-heist-1234785295/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Thu, 14 May 2026 15:04:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440881</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Security, the report revealed, had been ‘relegated to the background,’ despite two audits completed in 2017 and 2019, years before the jewel heist. The 2019 audit prompted a Security Equipment Master Plan, but it was apparently not implemented in a timely fashion by (then-director) Jean-Luc Martinez.” &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“Security, the report revealed, had been ‘relegated to the background,’ despite two audits completed in 2017 and 2019, years before the jewel heist. The 2019 audit prompted a Security Equipment Master Plan, but it was apparently not implemented in a timely fashion by (then-director) Jean-Luc Martinez.” &#8211; <em><a href="https://www.artnews.com/art-news/news/french-parliament-releases-report-accusing-louvre-deprioritizing-security-jewel-heist-1234785295/">ARTnews</a></em></p>
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		<title>A New Raft Of Plays With Invented Dialogue Depicting Real People And Events</title>
		<link>https://www.nytimes.com/2026/05/12/t-magazine/theater-dialogue-news-fiction-liberation-giant.html#new_tab</link>
					<comments>https://www.nytimes.com/2026/05/12/t-magazine/theater-dialogue-news-fiction-liberation-giant.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[T — The New York Times Style Magazine]]></dc:creator>
		<pubDate>Thu, 14 May 2026 14:36:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440878</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Drama has historically been considered a form of fiction or poetry. Yet as recent plays approach the feeling of reportage, what’s surprising isn’t that so many fail to convince but that several succeed, in the process inventing a new style befitting our time.” &#8211; T — The New York Times Style Magazine]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>“Drama has historically been considered a form of fiction or poetry. Yet as recent plays approach the feeling of reportage, what’s surprising isn’t that so many fail to convince but that several succeed, in the process inventing a new style befitting our time.” &#8211; <em><a href="https://www.nytimes.com/2026/05/12/t-magazine/theater-dialogue-news-fiction-liberation-giant.html">T — The New York Times Style Magazine</a></em></p>
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		<title>Georgian Government Sentences Renowned Opera Singer-Turned Opposition Leader To Seven Years In Prison</title>
		<link>https://operawire.com/bass-paata-burchuladze-sentenced-to-seven-years-in-prison-following-election-day-protest-in-georgia/#new_tab</link>
					<comments>https://operawire.com/bass-paata-burchuladze-sentenced-to-seven-years-in-prison-following-election-day-protest-in-georgia/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[OperaWire]]></dc:creator>
		<pubDate>Thu, 14 May 2026 14:02:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=440875</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Paata Burchuladze, who had a very successful career as a bass before returning home to participate in the struggle against an increasingly authoritarian government, was convicted of “organization and leadership of group violence,” and “incitement to change the constitutional order of Georgia through violence” for organizing a large election-day protest last October. &#8211; OperaWire]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p>Paata Burchuladze, who had a very successful career as a bass before returning home to participate in the struggle against an increasingly authoritarian government, was convicted of “organization and leadership of group violence,” and “incitement to change the constitutional order of Georgia through violence” for organizing a large election-day protest last October. &#8211; <em><a href="https://operawire.com/bass-paata-burchuladze-sentenced-to-seven-years-in-prison-following-election-day-protest-in-georgia/">OperaWire</a></em></p>
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