<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>ArtsJournal</title>
	<atom:link href="https://www.artsjournal.com/feed" rel="self" type="application/rss+xml" />
	<link>https://www.artsjournal.com</link>
	<description>Arts, Culture, Ideas</description>
	<lastBuildDate>Thu, 05 Nov 2026 14:06:49 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.4</generator>

<image>
	<url>https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/cropped-Ajcircleicon1-PixTeller-1-32x32.png</url>
	<title>ArtsJournal</title>
	<link>https://www.artsjournal.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Art Dealer Brent Sikkema’s Ex-Husband Sentenced To Life In Prison For His Murder</title>
		<link>https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/#new_tab</link>
					<comments>https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452036</guid>

					<description><![CDATA[<a href="https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/#new_tab" title="Art Dealer Brent Sikkema’s Ex-Husband Sentenced To Life In Prison For His Murder" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" /></a>“Daniel Sikkema was found guilty in May of charges tied to a murder-for-hire plot &#8230; that took place in Rio de Janeiro in January 2024. After a two-week trial in New York, Daniel was convicted of three charges: murder-for-hire, conspiracy to commit murder-for-hire, and conspiracy to commit murder in a foreign country.” &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<a href="https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/#new_tab" title="Art Dealer Brent Sikkema’s Ex-Husband Sentenced To Life In Prison For His Murder" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/630.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Daniel Sikkema was found guilty in May of charges tied to a murder-for-hire plot &#8230; that took place in Rio de Janeiro in January 2024. After a two-week trial in New York, Daniel was convicted of three charges: murder-for-hire, conspiracy to commit murder-for-hire, and conspiracy to commit murder in a foreign country.” &#8211; <em><a href="https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/">ARTnews</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artnews.com/art-news/news/daniel-sikkema-sentenced-life-prison-murder-brent-sikkema-1234804679/#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>How The Various US TV Networks Covered The “Blue Tsunami”: Analysis</title>
		<link>https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html#new_tab</link>
					<comments>https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[TheWrap (Yahoo!)]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 14:05:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452033</guid>

					<description><![CDATA[<a href="https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html#new_tab" title="How The Various US TV Networks Covered The “Blue Tsunami”: Analysis" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" /></a>“The networks were following the same returns, and by the end of the evening, the same political story was taking shape. What differed was how they told it — and how quickly they moved from counting votes to explaining what went wrong for Republicans and what comes next for Democrats.” &#8211; TheWrap (Yahoo!)]]></description>
										<content:encoded><![CDATA[<a href="https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html#new_tab" title="How The Various US TV Networks Covered The “Blue Tsunami”: Analysis" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/605.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“The networks were following the same returns, and by the end of the evening, the same political story was taking shape. What differed was how they told it — and how quickly they moved from counting votes to explaining what went wrong for Republicans and what comes next for Democrats.” &#8211; <em><a href="https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html">TheWrap (Yahoo!)</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.yahoo.com/news/politics/articles/different-news-networks-covered-election-140317271.html#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>China Miéville’s “The Rouse” Wins UK’s Goldsmiths Prize For Innovative Fiction</title>
		<link>https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse#new_tab</link>
					<comments>https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 13:33:55 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452027</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse#new_tab" title="China Miéville’s “The Rouse” Wins UK’s Goldsmiths Prize For Innovative Fiction" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>The win of the £10,000 award makes The Rouse the longest novel to take the prize since it was launched in 2013 for fiction that “breaks the mould or extends the possibilities of the novel form.” &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse#new_tab" title="China Miéville’s “The Rouse” Wins UK’s Goldsmiths Prize For Innovative Fiction" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/533.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">The win of the £10,000 award makes <em>The Rouse</em> the longest novel to take the prize since it was launched in 2013 for fiction that “breaks the mould or extends the possibilities of the novel form.” &#8211; <em><a href="https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse">The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/books/2026/nov/04/china-mieville-wins-10000-goldsmiths-prize-for-the-rouse#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Conductor Herbert Blomstedt, 99</title>
		<link>https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead#new_tab</link>
					<comments>https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead#new_tab#respond</comments>
		
		<dc:creator><![CDATA[NPR]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 13:01:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452024</guid>

					<description><![CDATA[<a href="https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead#new_tab" title="Conductor Herbert Blomstedt, 99" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Over his seven-decade career, he was music director or principal conductor of the flagship orchestras in Oslo, Danish and Swedish Radio, Dresden, San Francisco, and Leipzig — then spent his 80s and 90s as a surprisingly energetic and much-beloved guest conductor all over Europe, the US, and East Asia. &#8211; NPR]]></description>
										<content:encoded><![CDATA[<a href="https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead#new_tab" title="Conductor Herbert Blomstedt, 99" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/501.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Over his seven-decade career, he was music director or principal conductor of the flagship orchestras in Oslo, Danish and Swedish Radio, Dresden, San Francisco, and Leipzig — then spent his 80s and 90s as a surprisingly energetic and much-beloved guest conductor all over Europe, the US, and East Asia. &#8211; <em><a href="https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead">NPR</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.npr.org/2026/11/04/nx-s1-5740271/herbert-blomstedt-conductor-dead#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Virginia and DC Sue to Block Trump’s Arch</title>
		<link>https://www.artsjournal.com/2026/11/virginia-and-dc-sue-to-block-trumps-arch.html</link>
					<comments>https://www.artsjournal.com/2026/11/virginia-and-dc-sue-to-block-trumps-arch.html#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 01:22:43 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452022</guid>

					<description><![CDATA[Good Morning, Virginia and the District of Columbia sued to stop construction of Trump’s 250-foot arch, which would stand between Arlington National Cemetery and the Lincoln Memorial at twice the memorial’s height. Work could start this week, and the suit calls the approval process “hurried and preordained” (NPR). A Bogotá judge ordered Colombia’s National Museum [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph">Virginia and the District of Columbia sued to stop construction of Trump’s 250-foot arch, which would stand between Arlington National Cemetery and the Lincoln Memorial at twice the memorial’s height. Work could start this week, and the suit calls the approval process “hurried and preordained” (<a href="https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch"><em>NPR</em></a>).</p>



<p class="wp-block-paragraph">A Bogotá judge ordered Colombia’s National Museum to restore 63 objects the new right-wing government removed on Oct. 15 as “political indoctrination,” including a pride flag and the pen, made from a bullet, that signed the 2016 peace agreement (<a href="https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order"><em>The Art Newspaper</em></a>).</p>



<p class="wp-block-paragraph">The Phoenix Symphony ended its season on Nov. 1 and laid off all 66 musicians after years of deficits. Players, board and staff now say they may resume performing this month, though a $6.5 million gift is on hold (<a href="https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback"><em>KJZZ</em></a>).</p>



<p class="wp-block-paragraph"><em>La Bola Negra</em>, a drama inspired by Federico García Lorca, is now the third-highest-grossing Spanish film ever at €36.7 million (<a href="https://variety.com/2026/film/global/la-bola-negra-spain-2026-box-office-surge-1236936640/"><em>Variety</em></a>). For decades Lorca’s family and scholars kept his homosexuality out of print; his brother’s 1980 biography never uses the word (<a href="https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra"><em>The Guardian</em></a>).</p>



<p class="wp-block-paragraph">After years of searching, the archaeological dig at Troy yielded its first musical instrument in more than 150 years of digging: a bone flute from about when Homer composed the <em>Iliad</em> (<a href="https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/"><em>Smithsonian</em></a>).</p>



<p class="wp-block-paragraph">All of our stories below.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artsjournal.com/2026/11/virginia-and-dc-sue-to-block-trumps-arch.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Production Coordinator</title>
		<link>https://www.artsjournal.com/2026/11/production-coordinator-2.html</link>
					<comments>https://www.artsjournal.com/2026/11/production-coordinator-2.html#respond</comments>
		
		<dc:creator><![CDATA[San Francisco Conservatory of Music]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 00:48:46 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451950</guid>

					<description><![CDATA[Production Coordinator at San Francisco Conservatory of Music]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The San Francisco Conservatory of Music seeks a Production Coordinator to join the Production team. Along with the Director of Production and the Production Manager, the Production Coordinator will assist in the management of all recitals, concerts, masterclasses and events across both SFCM buildings &#8211; the Ann Getty Center for Education and the Ute and William K. Bowes, Jr. Center for Performing Arts.</p>



<p class="wp-block-paragraph">Reporting to the Director of Production, the Production Coordinator will act as lead Production representative for the Pre-College program, as well as any other event(s) to which they are assigned, and will be the main liaison between SFCM’s event team and the artists and organizers of the event.</p>



<h4 class="wp-block-heading"><strong>Job Duties</strong></h4>



<ul class="wp-block-list">
<li>Assist the Director of Production in advancing event logistics and set-up needs</li>



<li>Under the supervision of the Director of Production, implement and lead all logistics for an event such as executing stage changes and operating lighting, acoustic panels</li>



<li>Ensure compliance with workplace and event policies</li>



<li>Maintain efficient and effective communication with event staff, performers, and other stakeholders to ensure an event runs smoothly</li>



<li>Serve as event production lead in rotation with Director of Production &amp; Production Manager</li>



<li>Works closely with the Pre-College &amp; Continuing Education team to coordinate all production needs during Saturday Pre-College activities</li>



<li>Assist the House Manager with crowd control as needed</li>



<li>Work 1-2 evening events per week, as assigned</li>



<li>Other duties as assigned</li>
</ul>



<p class="wp-block-paragraph">PI288156626</p>



<p class="wp-block-paragraph"><strong><a href="https://www.click2apply.net/VenNpGiklbw44f1ZqTOQYg">MORE</a></strong></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artsjournal.com/2026/11/production-coordinator-2.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>2,800-Year-Old Bone Flute Discovered In Ruins Of Troy</title>
		<link>https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/#new_tab</link>
					<comments>https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Smithsonian Magazine]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 20:03:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451994</guid>

					<description><![CDATA[<a href="https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/#new_tab" title="2,800-Year-Old Bone Flute Discovered In Ruins Of Troy" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>The relic is the first musical instrument found at the site in 156 years of excavations. &#8211; Smithsonian Magazine]]></description>
										<content:encoded><![CDATA[<a href="https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/#new_tab" title="2,800-Year-Old Bone Flute Discovered In Ruins Of Troy" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1203.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">The relic is the first musical instrument found at the site in 156 years of excavations. &#8211; <em><a href="https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/">Smithsonian Magazine</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.smithsonianmag.com/smart-news/crafted-from-bone-this-2800-year-old-flute-unearthed-in-troy-may-have-been-played-around-the-time-that-homer-composed-the-iliad-and-the-odyssey-180989792/#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>After 20 Years, “Spring Awakening” Creators’ Second Musical Is Finally Making Its Mark</title>
		<link>https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk#new_tab</link>
					<comments>https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 19:01:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451987</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk#new_tab" title="After 20 Years, “Spring Awakening” Creators’ Second Musical Is Finally Making Its Mark" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>With their Broadway debut a smash hit, Steven Sater and Duncan Sheik expected their next musical, Nero (about the Roman emperor), would go far But, after a 2006 production in San Francisco, the piece got nothing more than workshops and showcases for producers. At long last, Nero is having its London premiere. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk#new_tab" title="After 20 Years, “Spring Awakening” Creators’ Second Musical Is Finally Making Its Mark" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1101.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">With their Broadway debut a smash hit, Steven Sater and Duncan Sheik expected their next musical, <em>Nero</em> (about the Roman emperor), would go far But, after a 2006 production in San Francisco, the piece got nothing more than workshops and showcases for producers. At long last, <em>Nero</em> is having its London premiere. &#8211; <em><a href="https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk">The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/stage/2026/nov/04/emperor-nero-steven-sater-duncan-sheik-spring-awakening-jfk#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Defining The Artificial State</title>
		<link>https://thewalrus.ca/jill-lepore-tech-moguls/</link>
					<comments>https://thewalrus.ca/jill-lepore-tech-moguls/#respond</comments>
		
		<dc:creator><![CDATA[The Walrus]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 18:44:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452017</guid>

					<description><![CDATA[<a href="https://thewalrus.ca/jill-lepore-tech-moguls/" title="Defining The Artificial State" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_94355_thewalrus.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>We have not a single piece of meaningful legislation in the United States Congress about artificial intelligence. We have essentially nothing about social media. This is something that we’re now battling out in the courts.  &#8211; The Walrus]]></description>
										<content:encoded><![CDATA[<a href="https://thewalrus.ca/jill-lepore-tech-moguls/" title="Defining The Artificial State" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_94355_thewalrus.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">We have not a single piece of meaningful legislation in the United States Congress about artificial intelligence. We have essentially nothing about social media. This is something that we’re now battling out in the courts.  &#8211;<em><a href="https://thewalrus.ca/jill-lepore-tech-moguls/"> The Walrus</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://thewalrus.ca/jill-lepore-tech-moguls/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Telephone&#8217;s Role In Changing Intimacy</title>
		<link>https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review</link>
					<comments>https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review#respond</comments>
		
		<dc:creator><![CDATA[The New Yorker]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 18:30:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452014</guid>

					<description><![CDATA[<a href="https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review" title="The Telephone&#8217;s Role In Changing Intimacy" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_93951_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>This may strike you as a little paranoid. The rise of the telephone, in the past century and a half—from the rotary diallers at home and the boxes in the street to the smartphones in every pocket—is associated with a change that, broadly speaking, we consider positive. &#8211; The New Yorker]]></description>
										<content:encoded><![CDATA[<a href="https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review" title="The Telephone&#8217;s Role In Changing Intimacy" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_93951_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">This may strike you as a little paranoid. The rise of the telephone, in the past century and a half—from the rotary diallers at home and the boxes in the street to the smartphones in every pocket—is associated with a change that, broadly speaking, we consider positive. &#8211; <em><a href="https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review">The New Yorker</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.newyorker.com/magazine/2026/11/09/the-telephone-james-gleick-book-review/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Physical Witness Becomes More Important In The Age Of AI</title>
		<link>https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677</link>
					<comments>https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677#respond</comments>
		
		<dc:creator><![CDATA[The Conversation]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 18:15:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452011</guid>

					<description><![CDATA[<a href="https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677" title="Physical Witness Becomes More Important In The Age Of AI" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_93535_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>For a time, the photograph or moving image acquired its own evidential authority: seeing something recorded was, with reasonable caveats, grounds for accepting that an event had occurred. &#8211; The Conversation]]></description>
										<content:encoded><![CDATA[<a href="https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677" title="Physical Witness Becomes More Important In The Age Of AI" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_93535_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">For a time, the photograph or moving image acquired its own evidential authority: seeing something recorded was, with reasonable caveats, grounds for accepting that an event had occurred.  &#8211;<em><a href="https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677"> The Conversation</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://theconversation.com/seeing-is-no-longer-believing-why-physical-witnesses-matter-more-in-the-age-of-ai-generated-content-295677/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Previously Unseen Writing By Harry Houdini Is Published</title>
		<link>https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article#new_tab</link>
					<comments>https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 18:04:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451984</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article#new_tab" title="Previously Unseen Writing By Harry Houdini Is Published" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Houdini, whose real name was Eric Weisz, was a prolific author, with more than two dozen books, short stories and plays to his name. One of them, an article titled ‘An Interesting Scrapbook,’ &#8230; appears for the first time in print on Saturday” — the centennial of his death — “in Strand magazine.” &#8211; The [&#8230;]]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article#new_tab" title="Previously Unseen Writing By Harry Houdini Is Published" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Houdini, whose real name was Eric Weisz, was a prolific author, with more than two dozen books, short stories and plays to his name. One of them, an article titled ‘An Interesting Scrapbook,’ &#8230; appears for the first time in print on Saturday” — the centennial of his death — “in <em>Strand</em> magazine.” &#8211; <em><a href="https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article">The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/books/2026/oct/31/harry-houdini-strand-magazine-article#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Virginia, DC, Sue To Stop Construction Of Trump&#8217;s Arch</title>
		<link>https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch</link>
					<comments>https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch#respond</comments>
		
		<dc:creator><![CDATA[NPR]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452008</guid>

					<description><![CDATA[<a href="https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch" title="Virginia, DC, Sue To Stop Construction Of Trump&#8217;s Arch" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_9307_www.npr_.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>The 45-page lawsuit in the United States District Court for the District of Columbia called the project &#8220;flagrantly unlawful,&#8221; attorneys general Jay Jones of Virginia and Brian Schwalb of the District of Columbia wrote. &#8211; NPR]]></description>
										<content:encoded><![CDATA[<a href="https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch" title="Virginia, DC, Sue To Stop Construction Of Trump&#8217;s Arch" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_9307_www.npr_.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">The 45-page lawsuit in the United States District Court for the District of Columbia called the project &#8220;flagrantly unlawful,&#8221; attorneys general Jay Jones of Virginia and Brian Schwalb of the District of Columbia wrote. &#8211;<em><a href="https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch"> NPR</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.npr.org/2026/10/31/nx-s1-6024694/virginia-dc-sue-trump-arch/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Naming That Sense Of Civic Disconnect Of Values</title>
		<link>https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief</link>
					<comments>https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief#respond</comments>
		
		<dc:creator><![CDATA[Psyche]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 17:30:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452005</guid>

					<description><![CDATA[<a href="https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief" title="Naming That Sense Of Civic Disconnect Of Values" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-296x300.jpeg 296w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-696x704.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-e1793813290230.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>How do we give shape to this disquiet? We might call it fatigue, burnout, or ‘just needing a break from the world’, but often it’s grief – mourning for a faith we once had in fellow citizens to recognise a certain decency or sense of fairness. It isn’t partisan; it’s human, and it has a [&#8230;]]]></description>
										<content:encoded><![CDATA[<a href="https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief" title="Naming That Sense Of Civic Disconnect Of Values" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-296x300.jpeg 296w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-696x704.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_92420_psyche.co_-e1793813290230.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">How do we give shape to this disquiet? We might call it fatigue, burnout, or ‘just needing a break from the world’, but often it’s grief – mourning for a faith we once had in fellow citizens to recognise a certain decency or sense of fairness. It isn’t partisan; it’s human, and it has a name. &#8211; <em><a href="https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief">Psyche</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://psyche.co/ideas/that-feeling-of-values-crumbling-has-a-name-civic-grief/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>How One Dancer Brought Ballet To A Post-Industrial English Town</title>
		<link>https://www.bbc.com/news/articles/c6x2vp7xg29ko</link>
					<comments>https://www.bbc.com/news/articles/c6x2vp7xg29ko#respond</comments>
		
		<dc:creator><![CDATA[BBC]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452002</guid>

					<description><![CDATA[<a href="https://www.bbc.com/news/articles/c6x2vp7xg29ko" title="How One Dancer Brought Ballet To A Post-Industrial English Town" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-298x300.jpeg 298w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-696x700.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-e1793812926413.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>In the early years, Darius James said he would cover the word &#8220;ballet&#8221; on the van they took to do community workshops because he feared it would put people off before trying. &#8211; BBC]]></description>
										<content:encoded><![CDATA[<a href="https://www.bbc.com/news/articles/c6x2vp7xg29ko" title="How One Dancer Brought Ballet To A Post-Industrial English Town" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-298x300.jpeg 298w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-696x700.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_91715_www.bbc_.com_-e1793812926413.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">In the early years, Darius James said he would cover the word &#8220;ballet&#8221; on the van they took to do community workshops because he feared it would put people off before trying. &#8211; <em><a href="https://www.bbc.com/news/articles/c6x2vp7xg29ko">BBC</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.bbc.com/news/articles/c6x2vp7xg29ko/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Federico García Lorca Has Finally Become A Queer Icon In Spain Itself</title>
		<link>https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra#new_tab</link>
					<comments>https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 17:02:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451976</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra#new_tab" title="Federico García Lorca Has Finally Become A Queer Icon In Spain Itself" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>While the Anglosphere has long seen the poet-playwright as a gay icon, that side of his life and work was for decades suppressed within his homeland. Any scholar who dared discuss the subject would be denied access to the family archives (and likely harassed by the Franco regime). That has finally changed. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra#new_tab" title="Federico García Lorca Has Finally Become A Queer Icon In Spain Itself" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">While the Anglosphere has long seen the poet-playwright as a gay icon, that side of his life and work was for decades suppressed within his homeland. Any scholar who dared discuss the subject would be denied access to the family archives (and likely harassed by the Franco regime). That has finally changed. &#8211; <em><a href="https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra">The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/culture/2026/nov/03/spain-poet-lorca-gay-icon-la-bola-negra#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>New NEA Data On Americans&#8217; Arts Participation</title>
		<link>https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy</link>
					<comments>https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy#respond</comments>
		
		<dc:creator><![CDATA[NEA]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452000</guid>

					<description><![CDATA[<a href="https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy" title="New NEA Data On Americans&#8217; Arts Participation" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_30-10-2026_61822_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>The dataset now spans 2003–2025 and includes newly added data from 2024 and 2025. It is available through the NADAC website for free download and online analysis. &#8211; NEA]]></description>
										<content:encoded><![CDATA[<a href="https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy" title="New NEA Data On Americans&#8217; Arts Participation" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_30-10-2026_61822_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">The dataset now spans 2003–2025 and includes newly added data from 2024 and 2025. It is available through the NADAC website for free download and online analysis. &#8211;<em><a href="https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy"> NEA</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.icpsr.umich.edu/sites/nadac/news/2022-data-added-to-consumer-expenditure-survey-summary-tables-copy-copy-copy-copy/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>How American History Became Divisive</title>
		<link>https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/</link>
					<comments>https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/#respond</comments>
		
		<dc:creator><![CDATA[Mother Jones]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 16:31:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451997</guid>

					<description><![CDATA[<a href="https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/" title="How American History Became Divisive" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-300x297.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-e1793812293610.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Under this rigid order, there’s no room to interrogate our rocky history, let alone change it for the better. There’s just one nation, under God, indivisible—now, always, and forever. &#8211; Mother Jones]]></description>
										<content:encoded><![CDATA[<a href="https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/" title="How American History Became Divisive" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-300x297.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_85341_www.motherjones.com_-e1793812293610.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Under this rigid order, there’s no room to interrogate our rocky history, let alone change it for the better. There’s just one nation, under God, indivisible—now, always, and forever. &#8211; <em><a href="https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/">Mother Jones</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.motherjones.com/politics/2025/08/divisive-american-unity-trump-kearse-keyword-mother-tongue/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Google Says It Will Shut Off Search For Schools That Reject AI</title>
		<link>https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html</link>
					<comments>https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451990</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html" title="Google Says It Will Shut Off Search For Schools That Reject AI" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_84842_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>A.I. features are now a standard part of Google’s commercially available search engine. “Search and A.I. are deeply integrated.” If a school has banned A.I., he added, students “will not have access to search, and they’ll see a message from their school that indicates it’s not available.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html" title="Google Says It Will Shut Off Search For Schools That Reject AI" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_4-11-2026_84842_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">A.I. features are now a standard part of Google’s commercially available search engine. “Search and A.I. are deeply integrated.” If a school has banned A.I., he added, students “will not have access to search, and they’ll see a message from their school that indicates it’s not available.” &#8211; <em><a href="https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html">The New York Times</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.nytimes.com/2026/11/03/us/google-search-schools-restrict-ai.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>How An Indian Classical Dancer Embodies An Ancient Nonbinary Character</title>
		<link>https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html#new_tab</link>
					<comments>https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 16:01:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451973</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html#new_tab" title="How An Indian Classical Dancer Embodies An Ancient Nonbinary Character" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Hindu mythology includes several figures described as third-gender, mixed-gender or genderless. Bijayini Satpathy, one of the great living practitioners of Odissi dance, had never played any of those characters before creating her new solo piece, and she wasn’t sure she would even know how. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html#new_tab" title="How An Indian Classical Dancer Embodies An Ancient Nonbinary Character" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Hindu mythology includes several figures described as third-gender, mixed-gender or genderless. Bijayini Satpathy, one of the great living practitioners of Odissi dance, had never played any of those characters before creating her new solo piece, and she wasn’t sure she would even know how. &#8211; <em><a href="https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html">The New York Times</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.nytimes.com/2026/11/03/arts/dance/bijayini-satpathy-third-gender-mahabharata.html#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Rebuked! Say Good-bye to the Circus King!</title>
		<link>https://www.artsjournal.com/herman/2026/11/say-good-bye-to-the-circus-king.html</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 15:33:54 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451979</guid>

					<description><![CDATA[<a href="https://www.artsjournal.com/herman/2026/11/say-good-bye-to-the-circus-king.html" title="Rebuked! Say Good-bye to the Circus King!" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Voters tell Trump to go to hell in historic political tsunami.]]></description>
										<content:encoded><![CDATA[<a href="https://www.artsjournal.com/herman/2026/11/say-good-bye-to-the-circus-king.html" title="Rebuked! Say Good-bye to the Circus King!" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Trumps-Goodbye-532-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a><p>&lt;a href=&quot;https://www.artsjournal.com/herman/2026/11/say-good-bye-to-the-circus-king.html&quot; title=&quot;<strong><em>Rebuked! Say Good-bye to the Circus King! </em></strong>&#8220;</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Phoenix Symphony Management And Musicians Say They’re Making Progress On A Comeback</title>
		<link>https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback#new_tab</link>
					<comments>https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback#new_tab#respond</comments>
		
		<dc:creator><![CDATA[KJZZ (Phoenix)]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 15:33:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451970</guid>

					<description><![CDATA[<a href="https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback#new_tab" title="Phoenix Symphony Management And Musicians Say They’re Making Progress On A Comeback" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“In a joint statement, the unionized musicians, board and staff say the meeting discussed fundraising progress over the past week, and a possible plan to resume performances as early as this month.” &#8211; KJZZ (Phoenix)]]></description>
										<content:encoded><![CDATA[<a href="https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback#new_tab" title="Phoenix Symphony Management And Musicians Say They’re Making Progress On A Comeback" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/733.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“In a joint statement, the unionized musicians, board and staff say the meeting discussed fundraising progress over the past week, and a possible plan to resume performances as early as this month.” &#8211; <em><a href="https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback">KJZZ (Phoenix)</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.kjzz.org/business/2026-11-03/the-phoenix-symphony-may-have-a-plan-for-a-comeback#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Objects Removed By New Right-Wing Government From Colombia’s National Museum Are Reinstalled</title>
		<link>https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order#new_tab</link>
					<comments>https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Art Newspaper]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 15:05:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=451967</guid>

					<description><![CDATA[<a href="https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order#new_tab" title="Objects Removed By New Right-Wing Government From Colombia’s National Museum Are Reinstalled" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“On the evening of 28 October, César Enrique Osorio Ortiz — a judge at Bogotá’s 24th Family Court — ordered Colombia’s cultural ministry and the museum to return the works to their original locations within 48 hours. The ministry complied with the order on Friday (30 October).” &#8211; The Art Newspaper]]></description>
										<content:encoded><![CDATA[<a href="https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order#new_tab" title="Objects Removed By New Right-Wing Government From Colombia’s National Museum Are Reinstalled" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/705.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“On the evening of 28 October, César Enrique Osorio Ortiz — a judge at Bogotá’s 24th Family Court — ordered Colombia’s cultural ministry and the museum to return the works to their original locations within 48 hours. The ministry complied with the order on Friday (30 October).” &#8211; <em><a href="https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order">The Art Newspaper</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theartnewspaper.com/2026/11/02/museo-nacional-colombia-reinstalls-censored-works-court-order#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
