<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>ArtsJournal</title>
	<atom:link href="https://www.artsjournal.com/feed" rel="self" type="application/rss+xml" />
	<link>https://www.artsjournal.com</link>
	<description>Arts, Culture, Ideas</description>
	<lastBuildDate>Tue, 23 Jun 2026 14:15:12 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/AJcircleicon-smn-150x150.webp</url>
	<title>ArtsJournal</title>
	<link>https://www.artsjournal.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>With Book Reviews Disappearing From Newspapers, This Bookstore Decided To Start Doing Its Own</title>
		<link>https://www.niemanlab.org/2026/06/book-reviews-are-an-endangered-species-so-this-independent-bookstore-decided-to-start-publishing-its-own/#new_tab</link>
					<comments>https://www.niemanlab.org/2026/06/book-reviews-are-an-endangered-species-so-this-independent-bookstore-decided-to-start-publishing-its-own/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Nieman Lab]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 14:33:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443452</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />“The Porter Square Review of Books launched this month. The (Cambridge, Mass.) store’s booksellers and writers-in-residence have begun publishing weekly(ish) book reviews on its website, on Thursdays; at about 500 words, these are deeper looks at books than the couple of sentences you’ll find describing ‘staff picks’ in-store.” &#8211; Nieman Lab]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/733-1.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“The Porter Square Review of Books launched this month. The (Cambridge, Mass.) store’s booksellers and writers-in-residence have begun publishing weekly(ish) book reviews on its website, on Thursdays; at about 500 words, these are deeper looks at books than the couple of sentences you’ll find describing ‘staff picks’ in-store.” &#8211; <em><a href="https://www.niemanlab.org/2026/06/book-reviews-are-an-endangered-species-so-this-independent-bookstore-decided-to-start-publishing-its-own/">Nieman Lab</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.niemanlab.org/2026/06/book-reviews-are-an-endangered-species-so-this-independent-bookstore-decided-to-start-publishing-its-own/#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>New Chief Conductor At BBC Scottish Symphony Orchestra</title>
		<link>https://www.scotsman.com/arts-and-culture/the-dutch-conductor-taking-over-scottish-orchestra-of-deeply-human-curious-and-fearless-musicians-8755673#new_tab</link>
					<comments>https://www.scotsman.com/arts-and-culture/the-dutch-conductor-taking-over-scottish-orchestra-of-deeply-human-curious-and-fearless-musicians-8755673#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Scotsman]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 14:05:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443446</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />Antony Hermus, a 53-year-old Dutchman who is just finishing his tenure as chief conductor of the Belgian National Orchestra, will succeed Ryan Wigglesworth at the Glasgow-based BBC SSO as of the 2027-28 season. &#8211; The Scotsman]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/705-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Antony Hermus, a 53-year-old Dutchman who is just finishing his tenure as chief conductor of the Belgian National Orchestra, will succeed Ryan Wigglesworth at the Glasgow-based BBC SSO as of the 2027-28 season. &#8211; <em><a href="https://www.scotsman.com/arts-and-culture/the-dutch-conductor-taking-over-scottish-orchestra-of-deeply-human-curious-and-fearless-musicians-8755673">The Scotsman</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.scotsman.com/arts-and-culture/the-dutch-conductor-taking-over-scottish-orchestra-of-deeply-human-curious-and-fearless-musicians-8755673#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Google Invests $75 Million In A24 Studios To Develop AI Filmmaking Tools</title>
		<link>https://www.msn.com/en-us/money/general/google-investing-in-backrooms-studio-a24/ar-AA26fUVM#new_tab</link>
					<comments>https://www.msn.com/en-us/money/general/google-investing-in-backrooms-studio-a24/ar-AA26fUVM#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Wall Street Journal (MSN)]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443437</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Google’s DeepMind AI unit and A24 are aiming to create new tools for movie production and distribution. … Though Alphabet unit Google is a major player in online entertainment through YouTube, the deal marks the first time it has taken a stake in a studio.” &#8211; The Wall Street Journal (MSN)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/630-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Google’s DeepMind AI unit and A24 are aiming to create new tools for movie production and distribution. … Though Alphabet unit Google is a major player in online entertainment through YouTube, the deal marks the first time it has taken a stake in a studio.” &#8211; The Wall Street Journal (MSN)</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.msn.com/en-us/money/general/google-investing-in-backrooms-studio-a24/ar-AA26fUVM#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Lonnie Bunch Works To Keep Smithsonian Independent And Functional Amid Trumpist Turmoil</title>
		<link>https://www.theatlantic.com/culture/2026/06/trump-bunch-smithsonian/687660/#new_tab</link>
					<comments>https://www.theatlantic.com/culture/2026/06/trump-bunch-smithsonian/687660/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Atlantic]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 13:02:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443431</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Bunch has been cast by many of his admirers as something of a resistance figure — one of the only high-profile leaders standing up to Trump by single-handedly preventing the president from rewriting American history itself.” &#8211; The Atlantic]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/602-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Bunch has been cast by many of his admirers as something of a resistance figure — one of the only high-profile leaders standing up to Trump by single-handedly preventing the president from rewriting American history itself.” &#8211; <em><a href="https://www.theatlantic.com/culture/2026/06/trump-bunch-smithsonian/687660/">The Atlantic</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theatlantic.com/culture/2026/06/trump-bunch-smithsonian/687660/#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Stolen Picasso Discovered During Drug Trafficking Raid Near Paris</title>
		<link>https://www.independent.co.uk/news/world/europe/france-police-stolen-picasso-painting-b3000257.html#new_tab</link>
					<comments>https://www.independent.co.uk/news/world/europe/france-police-stolen-picasso-painting-b3000257.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Independent (UK)]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 12:34:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443428</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Officers in the Brigade des Stupéfiants discovered the artwork on 15 June while carrying out a routine search of a house owned by the aunt of a suspected drug dealer. … The artwork has not been publicly named by France’s Alliance Police Nationale, who said it is worth ‘tens of millions’ of euros.” &#8211; The Independent (UK)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/534-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Officers in the Brigade des Stupéfiants discovered the artwork on 15 June while carrying out a routine search of a house owned by the aunt of a suspected drug dealer. … The artwork has not been publicly named by France’s Alliance Police Nationale, who said it is worth ‘tens of millions’ of euros.” &#8211; <em><a href="https://www.independent.co.uk/news/world/europe/france-police-stolen-picasso-painting-b3000257.html">The Independent (UK)</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.independent.co.uk/news/world/europe/france-police-stolen-picasso-painting-b3000257.html#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Germany And The Netherlands Will Return 2,000 Artifacts To Ghana</title>
		<link>https://www.artnews.com/art-news/news/netherlands-germany-return-2000-artifacts-ghana-1234789956/#new_tab</link>
					<comments>https://www.artnews.com/art-news/news/netherlands-germany-return-2000-artifacts-ghana-1234789956/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 12:06:34 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443425</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />The repatriation was announced by Ghana’s foreign minister during a conference in Accra, but no information on the types of artifacts or the timeline for their return was released. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/506-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The repatriation was announced by Ghana’s foreign minister during a conference in Accra, but no information on the types of artifacts or the timeline for their return was released. &#8211; <em><a href="https://www.artnews.com/art-news/news/netherlands-germany-return-2000-artifacts-ghana-1234789956/">ARTnews</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artnews.com/art-news/news/netherlands-germany-return-2000-artifacts-ghana-1234789956/#new_tab/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Senior Finance Consultant &#8211; Arts FMS via TOC Arts Partners</title>
		<link>https://www.artsjournal.com/2026/06/senior-finance-consultant-arts-fms-via-toc-arts-partners.html</link>
					<comments>https://www.artsjournal.com/2026/06/senior-finance-consultant-arts-fms-via-toc-arts-partners.html#respond</comments>
		
		<dc:creator><![CDATA[Arts FMS]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 04:35:24 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443420</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Arts FMS seeks a Senior Finance Consultant to join their growing team.]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/361941453_10105100775137636_3885718663524018466_n-1c320bb397a473bf9b8d388ee70a2dca.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<h2 class="wp-block-heading">About the Opportunity </h2>



<p class="wp-block-paragraph">As a financial management firm that integrates with nonprofit arts organizations from across the country, Arts FMS empowers organizations to focus on their mission, while they focus on the long-term fiscal health and sustainability of the organization. By providing a comprehensive scope of full financial management services, Arts FMS is able to bring stability, efficiency, and reliability to an organization’s financial operations.</p>



<p class="wp-block-paragraph">Arts FMS seeks a Senior Finance Consultant to join their growing team. This practiced nonprofit professional is a highly motivated and self-directed individual with extensive experience with accounting and financial management, specifically in the arts and culture sector. In addition to having deep expertise in nonprofit accounting and substantial experience running a finance department, this leader will be an adept communicator and comfortable building strong internal and external relationships. They will have a thoughtful empathetic approach to guiding clients in financial strategy and decision-making, and will be able to clearly and concisely translate financial documents for a variety of stakeholders. </p>



<p class="wp-block-paragraph">As Arts FMS rapidly expands their services to a growing list of impressive organizations, this leader will have the chance to join a collaborative team of thought partners dedicated to financial operations. Fully remote, the team at Arts FMS learns from one another, adapts to the specific needs of clients, and is building a set of practices that will have a significant impact on the cultural field. This is an exciting opportunity for an individual to advance their skills and connect with a variety of ambitious arts organizations and their leaders.    </p>



<h2 class="wp-block-heading">About Arts FMS</h2>



<p class="wp-block-paragraph">Arts FMS delivers exemplary financial management services focused on long-term fiscal health and sustainability, empowering nonprofit arts organizations to focus on fulfilling their missions. Specializing in nonprofit financial management, Arts FMS maintains a talented team of financial consultants who  bring stability, efficiency, and reliability to their client’s  financial operations. Their clients receive accurate and timely data that both informs their current strategic financial decisions and better prepares them for the future.  </p>



<p class="wp-block-paragraph">As a financial partner, Arts FMS integrates directly with the staff and board of an organization. Once engaged, they work closely with a client to assess what services and systems would most benefit that specific nonprofit organization. The Arts FMS approach is adaptable, designed to work seamlessly with  current  systems that are effective,  while introducing new systems to enhance efficiency and streamline workflows, which will benefit the partnership overall.</p>



<p class="wp-block-paragraph">Arts FMS was founded under the belief that art is vital to our society and is core to the company’s mission. Principals Andrea Nellis and Lucy Mallett bring decades of nonprofit financial management experience as both practitioners and advisors to cultural leaders, strengthening the sector and securing both the present and future of their growing list of clients.</p>



<h2 class="wp-block-heading">Job Description</h2>



<p class="wp-block-paragraph">A Senior Finance Consultant at Arts FMS reports to one of Arts FMS’s Managing Consultants or Principals. They manage a team of two to four people and work with five to ten clients. They maintain a list of responsibilities that are directly related to the operations of Arts FMS and then also oversee or manage a variety of financial tasks for each client. While a Senior Finance Consultant builds the external relationships and oversees the day to day work that Finance Consultants complete for clients, they need to have the skills to fulfill many responsibilities for clients when called upon.</p>



<h2 class="wp-block-heading">Key Responsibilities for Arts FMS</h2>



<ul class="wp-block-list">
<li> Effectively manage two to four direct reports and drive their projects to completion; this includes reviewing their work on an ongoing basis and performing annual reviews to support their growth and advancement.</li>



<li> Deliver excellent client service through ongoing verbal and written communication, and analysis of the client’s needs.</li>



<li> Handle multiple time-sensitive priorities that require in-depth knowledge of GAAP and nonprofit accounting, reporting, and compliance.</li>



<li> Utilize Excel and QuickBooks Online.</li>
</ul>



<h2 class="wp-block-heading">Frequent Responsibilities in working for Arts FMS Clients</h2>



<p class="wp-block-paragraph"><strong>Strategy</strong></p>



<ul class="wp-block-list">
<li> Collaborate with executive leadership to develop financial strategies aligned with the organization’s objectives.</li>



<li> Identify and pursue opportunities for financial growth and sustainability.</li>
</ul>



<p class="wp-block-paragraph"><strong>Budgeting</strong></p>



<ul class="wp-block-list">
<li> Lead an institution-wide budgeting initiative annually, in consultation with executive leadership.</li>



<li> Create and maintain forecasts and long-range projections and financial models.</li>



<li> Prepare cash flow and balance sheet projections to ensure adequate capital for all needs.</li>



<li> Conduct monthly financial forecast reviews.</li>



<li> Monitor and analyze financial performance against budgets.</li>
</ul>



<p class="wp-block-paragraph"><strong>Financial Reporting</strong></p>



<ul class="wp-block-list">
<li> Manage the organization’s cash flow.</li>



<li> Lead and oversee the annual financial audit of an organization.</li>



<li> Manage the preparation of internal financial reports to provide management insight into revenue and operating expense trends.</li>



<li> Propose and maintain best accounting and reporting practices to track project spending.</li>



<li> Understand and anticipate the reporting needs for executive leadership and an organization’s Board of Directors.</li>



<li> Prepare and present timely, accurate, transparent, and comprehensive financial reports for senior leadership, board of directors, and stakeholders.</li>



<li> Attend an organization’s Board, Finance, and Audit Committee meetings.</li>
</ul>



<p class="wp-block-paragraph"><strong>Organizational Assistance</strong></p>



<ul class="wp-block-list">
<li> Build and maintain relationships with external partners such as auditors, banks, funders, or lending institutions.</li>



<li> Directly manage relationships with financial and administrative service vendors and consultants.</li>



<li> Evaluate business insurance needs and maintain appropriate policies.</li>



<li> Oversee the organizational payroll, including expense reimbursements, retirement plan contributions, benefit allocations, and tracking of employee PTO.</li>
</ul>



<h2 class="wp-block-heading">Qualifications</h2>



<ul class="wp-block-list">
<li> 10+ years of nonprofit accounting, demonstrating proficiency in managing an organization’s accounting and finances, preferably in the arts sector.</li>



<li> Extensive experience in leading a finance department and managing all aspects of financial operations including accounting software and transactions management.</li>



<li> Extensive experience in creating financial management documents for both board and staff.</li>



<li> Strong communication skills.</li>



<li> Interest in building strong external relationships with clients through mostly virtual communication channels.</li>



<li> Ability to work efficiently and flexibly in order to manage competing priorities and at times, shifting portfolios.</li>



<li> Self-assurance to work proactively and confidence to ask for guidance or support, when needed.</li>



<li> A genuine interest in the performing and/or visual arts.</li>



<li> Master’s degree in a relevant field is a plus.</li>
</ul>



<p class="wp-block-paragraph"><strong>Please note: </strong>All candidates must have experience working directly in a finance department.</p>



<h2 class="wp-block-heading">Compensation</h2>



<p class="wp-block-paragraph">The salary for this position is $90,000-130,000. Arts FMS provides comprehensive benefits, including providing health, dental, vision, long and short-term disability, and company-paid life insurance. Employees have access to a 401k plan with a company match, a flexible spending account, and paid time off.  </p>



<p class="wp-block-paragraph">Arts FMS is a fully remote company. The Senior Finance Consultant role is a full-time position that works within the company’s core working hours from 9am-6pm Eastern and is based in the United States.</p>



<p class="wp-block-paragraph">Arts FMS is committed to fostering a workplace free from bias, discrimination, and harassment. We strive to create an inclusive, supportive environment where all employees feel welcomed, respected, and valued for their unique contributions. Arts FMS is an equal opportunity employer and encourages qualified candidates from all backgrounds to apply.</p>



<h2 class="wp-block-heading">Application Instructions</h2>



<p class="wp-block-paragraph">The Senior Finance Consultant search is being conducted by Arts FMS with support from TOC Arts Partners, a national consultancy aligning strategies, structures, and leadership toward a thriving cultural sector. </p>



<p class="wp-block-paragraph">To apply, visit the online application and submit your materials. Your cover letter should include any training or experience relevant to the job profile that you would like to highlight, why you consider yourself a good fit for this opportunity, and anything else you’d like us to know about your qualifications that may not be present in your resume. </p>



<p class="wp-block-paragraph">For general questions or nominations of prospective candidates, please contact searchteam@tocartspartners.com. We kindly request no phone calls.</p>



<p class="wp-block-paragraph"><strong>Specific questions about the position may be directed to:</strong></p>



<p class="wp-block-paragraph"><strong>Brenna Thomas</strong><br> Senior Strategist<br> <a href="mailto:brenna@tocartspartners.com">brenna@tocartspartners.com</a></p>



<p class="wp-block-paragraph">Applications will be accepted until this role is filled. We encourage you to apply by July 10, 2026 for priority consideration. Interviews may begin at any time, and we encourage you to apply as early as possible for best consideration. Please note that applying before the priority deadline does not guarantee an interview, and all applicants will receive a response regarding the consideration and status of their candidacy. </p>



<p class="wp-block-paragraph">Not sure you meet 100% of our qualifications? Research shows that cis men apply for jobs when they fulfill an average of 60% of the criteria, while others tend only to apply if they meet every requirement. If you believe that you could excel in this role, we encourage you to apply. </p>



<p class="wp-block-paragraph">We are dedicated to considering a broad array of candidates, including those with diverse workplace experiences and backgrounds. So, whether you&#8217;re returning to work after a gap in employment, simply looking to transition, or taking the next step in your career path, we will be glad to have you on our radar.</p>



<p class="wp-block-paragraph"><strong><a href="https://tocartspartners.com/jobs-listing/arts-fms-various-positions">MORE</a></strong></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artsjournal.com/2026/06/senior-finance-consultant-arts-fms-via-toc-arts-partners.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>A New Old Mozart?</title>
		<link>https://www.artsjournal.com/2026/06/a-new-old-mozart.html</link>
					<comments>https://www.artsjournal.com/2026/06/a-new-old-mozart.html#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 22:26:25 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443421</guid>

					<description><![CDATA[Good Morning, A flute-and-harp fragment in Mozart&#8217;s hand surfaced this week, and the New York Times reports it&#8217;s almost certainly real. How is it that we&#8217;re still discovering or re-discovering art that was created centuries ago? The big visual art news is that Getty Images just sold access to its library of human-made images to [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph">A flute-and-harp fragment in Mozart&#8217;s hand surfaced this week, and the <a href="https://www.nytimes.com/2026/06/22/arts/music/mozart-music-flute-harp.html"><em>New York Times</em></a> reports it&#8217;s almost certainly real. How is it that we&#8217;re still discovering or re-discovering art that was created centuries ago? The big visual art news is that Getty Images just sold access to its library of human-made images to OpenAI (<a href="https://www.fastcompany.com/91562788/getty-images-stock-price-skyrocketing-today-surprise-deal-with-openai"><em>Fast Company</em></a>), monetizing the archive as raw material for the machines that will compete with it. Granta, meanwhile, has suspended running writing of the Commonwealth prize because it can no longer tell which submissions a person actually wrote — versus a machine (<a href="https://www.theguardian.com/books/2026/jun/20/granta-magazine-commonwealth-short-story-prize-ai"><em>The Guardian</em></a>).</p>



<p class="wp-block-paragraph">And in a move that was a long time in coming, Japan rewrote its copyright law this week so performers finally collect royalties when their recordings play in public (<a href="https://www.musicbusinessworldwide.com/japan-passes-copyright-reform-giving-performers-and-record-companies-royalties-when-recordings-play-in-public-including-overseas/"><em>Music Business Worldwide</em></a>). Copyright everywhere else, pays royalties to &#8220;creators&#8221; of music — the authors, while the performers got nothing. A very big deal.</p>



<p class="wp-block-paragraph">Who says the blockbuster art shows are done? Tate Modern is setting advance-ticket records for Frida Kahlo (<a href="https://www.theguardian.com/artanddesign/2026/jun/19/blockbuster-exhibition-tate-modern-frida-kahlo-advance-ticket-record"><em>The Guardian</em></a>), suggesting that &#8220;the blockbuster is dead&#8221; was always a claim about supply, not demand. Against all that, the first AI museum opens asking whether any of it is actually art (<a href="https://nypost.com/2026/06/19/tech/worlds-first-ai-museum-is-vibrant-sensory-overload-but-is-it-really-art/"><em>New York Post</em></a>). This is exactly the right question. </p>



<p class="wp-block-paragraph">All of our stories below.</p>



<p class="wp-block-paragraph">Doug</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artsjournal.com/2026/06/a-new-old-mozart.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Hit-maker Clive David, 94</title>
		<link>https://www.nytimes.com/2026/06/22/arts/music/clive-davis-dead.html</link>
					<comments>https://www.nytimes.com/2026/06/22/arts/music/clive-davis-dead.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 20:10:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443416</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_134944_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />One of the few nonperformers in music to become a household name, Mr. Davis maintained a visible role as a starmaker for half a century. In the late 1960s he propelled a reluctant Columbia headlong into the rock era with acts like Janis Joplin and Blood, Sweat &#38; Tears.  &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_134944_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">One of the few nonperformers in music to become a household name, Mr. Davis maintained a visible role as a starmaker for half a century. In the late 1960s he propelled a reluctant Columbia headlong into the rock era with acts like Janis Joplin and Blood, Sweat &amp; Tears.  &#8211;<em><a href="https://www.nytimes.com/2026/06/22/arts/music/clive-davis-dead.html"> The New York Times</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.nytimes.com/2026/06/22/arts/music/clive-davis-dead.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Who Is America&#8217;s Great Poet?</title>
		<link>https://www.plough.com/articles/who-is-americas-homer</link>
					<comments>https://www.plough.com/articles/who-is-americas-homer#respond</comments>
		
		<dc:creator><![CDATA[Plough]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 18:31:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443397</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-300x296.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-768x759.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-696x688.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-e1782144082675.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" />Do we have a great poet who captures the American spirit, the American story, the American identity? We asked a posse of authors and poets to send us their votes. &#8211; Plough]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-300x296.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-768x759.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-696x688.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_9054_www.plough.com_-e1782144082675.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Do we have a great poet who captures the American spirit, the American story, the American identity? We asked a posse of authors and poets to send us their votes. &#8211;<em><a href="https://www.plough.com/articles/who-is-americas-homer"> Plough</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.plough.com/articles/who-is-americas-homer/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Is The First AI Museum Really Art?</title>
		<link>https://nypost.com/2026/06/19/tech/worlds-first-ai-museum-is-vibrant-sensory-overload-but-is-it-really-art/</link>
					<comments>https://nypost.com/2026/06/19/tech/worlds-first-ai-museum-is-vibrant-sensory-overload-but-is-it-really-art/#respond</comments>
		
		<dc:creator><![CDATA[New York Post]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 18:01:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443388</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_84612_nypost.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The sensory splash, co-founded by artists Refik Anadol and Efsun Erkılıç, showcases four more reality-bending galleries to explore — like the classic “Alice in Wonderland” meets “Avatar” or the trippy, new horror film “Backrooms.”  &#8211; New York Post]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_84612_nypost.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The sensory splash, co-founded by artists Refik Anadol and Efsun Erkılıç, showcases four more reality-bending galleries to explore — like the classic “Alice in Wonderland” meets “Avatar” or the <a href="https://nypost.com/2026/05/29/entertainment/backrooms-review-the-spooky-horror-movie-that-young-people-are-obsessed-with/" target="_blank" rel="noreferrer noopener">trippy, new horror film “Backrooms.”</a>  &#8211; <em><a href="https://nypost.com/2026/06/19/tech/worlds-first-ai-museum-is-vibrant-sensory-overload-but-is-it-really-art/">New York Post</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://nypost.com/2026/06/19/tech/worlds-first-ai-museum-is-vibrant-sensory-overload-but-is-it-really-art/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Better than the Met</title>
		<link>https://www.artsjournal.com/uq/2026/06/better-than-the-met.html</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 17:51:42 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443405</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/11_tannhaeuser_ohp_c_herwig_prammer_r5_0738.1024x0-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Visiting Zurich earlier this week, I was eager to sample the Zurich Opera in Wagner. They are bringing the Ring to Carnegie]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/11_tannhaeuser_ohp_c_herwig_prammer_r5_0738.1024x0-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="has-text-align-center wp-block-paragraph">
<p class="wp-block-paragraph">Visiting Zurich earlier this week, I was eager to sample the Zurich Opera in Wagner. They are bringing the <em>Ring</em> to Carnegie</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Honoring Rachmaninoff and Dishonoring Wagner on Lake Lucerne</title>
		<link>https://www.artsjournal.com/uq/2026/06/honoring-rachmaninoff-and-dishonoring-wagner-on-lake-lucerne.html</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 17:50:44 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443410</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/image-9-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Senar Switzerland’s idyllic Lake Lucerne, bounded by majestic mountains, was famously the site of two composer’s homes. Sergei Rachmaninoff built]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/image-9-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" /><p> <a href="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/image-9.png"></a>Senar  </p>
<p class="wp-block-paragraph">Switzerland’s idyllic Lake Lucerne, bounded by majestic mountains, was famously the site of two composer’s homes. Sergei Rachmaninoff built</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Philosophers Attempting To Explain This Baffling Time</title>
		<link>https://www.theatlantic.com/newsletters/2026/06/books-briefing-thinkers-who-explain-baffling-era/687637/</link>
					<comments>https://www.theatlantic.com/newsletters/2026/06/books-briefing-thinkers-who-explain-baffling-era/687637/#respond</comments>
		
		<dc:creator><![CDATA[The Atlantic]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 17:41:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443382</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_8419_www.theatlantic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />That must have been revelatory at a time when most people seemed to believe that science was infallible. But expertise has been downgraded—and more people are getting their information from podcasters and influencers. Who could help us understand this shift? &#8211; The Atlantic]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_8419_www.theatlantic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">That must have been revelatory at a time when most people seemed to believe that science was infallible. But expertise has been downgraded—and more people are getting their information from podcasters and influencers. Who could help us understand this shift? &#8211; <em><a href="https://www.theatlantic.com/newsletters/2026/06/books-briefing-thinkers-who-explain-baffling-era/687637/">The Atlantic</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theatlantic.com/newsletters/2026/06/books-briefing-thinkers-who-explain-baffling-era/687637/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>How Billionaires Visit Museums</title>
		<link>https://www.thetimes.com/life-style/luxury/article/museum-patrons-billionaires-times-luxury-kfj2q8q8h</link>
					<comments>https://www.thetimes.com/life-style/luxury/article/museum-patrons-billionaires-times-luxury-kfj2q8q8h#respond</comments>
		
		<dc:creator><![CDATA[The Times]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 17:21:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443385</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_84348_www.thetimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />As exhibitions become more spectacular, donors expect engagement that goes beyond acknowledgment plaques. Exclusive access has therefore evolved into a sophisticated currency and is increasingly a luxury experience in its own right. &#8211; The Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_84348_www.thetimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">As exhibitions become more spectacular, donors expect engagement that goes beyond acknowledgment plaques. Exclusive access has therefore evolved into a sophisticated currency and is increasingly a luxury experience in its own right. &#8211;<em><a href="https://www.thetimes.com/life-style/luxury/article/museum-patrons-billionaires-times-luxury-kfj2q8q8h"> The Times</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.thetimes.com/life-style/luxury/article/museum-patrons-billionaires-times-luxury-kfj2q8q8h/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>A Monolith Built To Record The End Of Planet Earth</title>
		<link>https://gizmodo.com/a-monolith-designed-to-record-civilizations-downfall-is-finally-taking-shape-2000773685</link>
					<comments>https://gizmodo.com/a-monolith-designed-to-record-civilizations-downfall-is-finally-taking-shape-2000773685#respond</comments>
		
		<dc:creator><![CDATA[Gizmodo]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 17:01:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443379</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83829_gizmodo.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />“The purpose of the device is to provide an unbiased account of the events that lead to the demise of the planet, hold accountability for future generations, and inspire urgent action,” the Earth’s Black Box website states. “How the story ends is completely up to us.” &#8211; Gizmodo]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83829_gizmodo.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">“The purpose of the device is to provide an unbiased account of the events that lead to the demise of the planet, hold accountability for future generations, and inspire urgent action,” the Earth’s Black Box website states. “How the story ends is completely up to us.”<em><a href="https://gizmodo.com/a-monolith-designed-to-record-civilizations-downfall-is-finally-taking-shape-2000773685"> &#8211; Gizmodo</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://gizmodo.com/a-monolith-designed-to-record-civilizations-downfall-is-finally-taking-shape-2000773685/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Major Copyright Update: Japan Now Requires Performers Be Paid When Recordings Are Played In Public</title>
		<link>https://www.musicbusinessworldwide.com/japan-passes-copyright-reform-giving-performers-and-record-companies-royalties-when-recordings-play-in-public-including-overseas/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4</link>
					<comments>https://www.musicbusinessworldwide.com/japan-passes-copyright-reform-giving-performers-and-record-companies-royalties-when-recordings-play-in-public-including-overseas/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4#respond</comments>
		
		<dc:creator><![CDATA[Music Business Worldwide]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:41:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443376</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83513_www.musicbusinessworldwide.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Japan has created a music right that will, for the first time, require performers and record companies to be paid when their recordings are played in public spaces such as cafes, shops, hotels, and gyms. &#8211; Music Business Worldwide]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83513_www.musicbusinessworldwide.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Japan has created a music right that will, for the first time, require performers and record companies to be paid when their recordings are played in public spaces such as cafes, shops, hotels, and gyms. &#8211;<em><a href="https://www.musicbusinessworldwide.com/japan-passes-copyright-reform-giving-performers-and-record-companies-royalties-when-recordings-play-in-public-including-overseas/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4"> Music Business Worldwide</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.musicbusinessworldwide.com/japan-passes-copyright-reform-giving-performers-and-record-companies-royalties-when-recordings-play-in-public-including-overseas/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Nazi Greeting That Preceded the Trump Handshake</title>
		<link>https://www.artsjournal.com/herman/2026/06/nazi-greeting-that-preceded-the-trump-handshake.html</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:38:38 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443400</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" />The collagist John Heartfield defined "The Meaning of the Hitler Salute": "Little man asks for large gifts." Or in Trump terms, "demands big bribes."]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/heartfield-trump-sheisse-use-750-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /><p>&lt;a href=&quot;https://www.artsjournal.com/herman/2026/06/nazi-greeting-that-preceded-the-trump-handshake.html&quot; title=&quot;<strong>Nazi Greeting That Preceded the Trump Handshake</strong>&#8221; rel=&#8221;nofollow&#8221;&gt;<strong>The</strong></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Blockbusters Are Dead? Tell That To Frida Kahlo Fans!</title>
		<link>https://www.theguardian.com/artanddesign/2026/jun/19/blockbuster-exhibition-tate-modern-frida-kahlo-advance-ticket-record</link>
					<comments>https://www.theguardian.com/artanddesign/2026/jun/19/blockbuster-exhibition-tate-modern-frida-kahlo-advance-ticket-record#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:21:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443373</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83242_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Tate was unprepared for the scale of demand. The gallery has said more than 41,000 tickets have already been sold for Frida: The Making of an Icon, which opens on 25 June, making it the highest pre-selling exhibition in Tate’s history, surpassing the previous record of 32,000 advance sales for David Hockney in 2017. &#8211; The [&#8230;]]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_83242_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Tate was unprepared for the scale of demand. The gallery has said more than 41,000 tickets have already been sold for <a href="https://www.tate.org.uk/whats-on/tate-modern/frida-kahlo-the-making-of-an-icon">Frida: The Making of an Icon</a>, which opens on 25 June, making it the highest pre-selling exhibition in Tate’s history, surpassing the previous record of 32,000 advance sales for David Hockney in 2017. &#8211; <em><a href="https://www.theguardian.com/artanddesign/2026/jun/19/blockbuster-exhibition-tate-modern-frida-kahlo-advance-ticket-record">The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/artanddesign/2026/jun/19/blockbuster-exhibition-tate-modern-frida-kahlo-advance-ticket-record/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Granta Says It Will Stop Publishing Prize Winners Over AI Concerns</title>
		<link>https://www.theguardian.com/books/2026/jun/20/granta-magazine-commonwealth-short-story-prize-ai</link>
					<comments>https://www.theguardian.com/books/2026/jun/20/granta-magazine-commonwealth-short-story-prize-ai#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:01:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443370</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82959_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />“For the sake of our own editorial integrity, the Granta Trust board has now taken the decision that we will no longer engage in external publishing partnerships.” &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82959_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">“For the sake of our own editorial integrity, the Granta Trust board has now taken the decision that we will no longer engage in external publishing partnerships.” &#8211;<em><a href="https://www.theguardian.com/books/2026/jun/20/granta-magazine-commonwealth-short-story-prize-ai"> The Guardian</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.theguardian.com/books/2026/jun/20/granta-magazine-commonwealth-short-story-prize-ai/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Chief Executive Officer &#8211; SAY: The Stuttering Association for the Young</title>
		<link>https://www.artsjournal.com/2026/06/chief-executive-officer-say-the-stuttering-association-for-the-young.html</link>
					<comments>https://www.artsjournal.com/2026/06/chief-executive-officer-say-the-stuttering-association-for-the-young.html#respond</comments>
		
		<dc:creator><![CDATA[SAY: The Stuttering Association for the Young]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 15:51:11 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443030</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936.png 225w" sizes="auto, (max-width: 90px) 100vw, 90px" />SAY seeks a visionary CEO to lead its next era, advancing 25 years of life-changing support, advocacy, community, and impact for young people who stutter.]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936.png 225w" sizes="auto, (max-width: 90px) 100vw, 90px" /><div class="wp-block-image">
<figure class="aligncenter size-full"><img loading="lazy" decoding="async" width="225" height="225" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936.png" alt="" class="wp-image-443029" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936.png 225w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/SAY-logo-39b04049ac96205d4684e8f13d349936-90x90.png 90w" sizes="auto, (max-width: 225px) 100vw, 225px" /></figure>
</div>


<p class="wp-block-paragraph">SAY: The Stuttering Association for the Young seeks a visionary, purpose-driven, and tenacious Chief Executive Officer to lead the organization as it prepares for the planned retirement of its Founder and CEO, Taro Alexander.</p>



<p class="wp-block-paragraph">For 25 years, SAY has provided support, advocacy, and life-changing experiences for young people who stutter. This CEO position is a rare opportunity to guide a pioneering national organization into its next era of impact, influence, and sustainability. SAY’s incoming CEO will manage and propel a respected national brand, a powerful community of participants and alumni, an engaged board, and a talented staff. </p>



<p class="wp-block-paragraph">The salary for this position begins at $150,000, with an anticipated start date in late 2026.  Candidates must be based in the greater New York City region or willing to relocate to it. The role is hybrid. The CEO will work in-person in the NYC office regularly and travel nationally to attend programs, fundraising events, and donor and partner meetings.</p>



<p class="wp-block-paragraph">The search is led by Brett Egan and Syrah Gunning of the DeVos Institute of Arts and Nonprofit Management. Learn more and apply at <a href="https://tinyurl.com/SAYartsjor">https://tinyurl.com/SAYartsjor</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.artsjournal.com/2026/06/chief-executive-officer-say-the-stuttering-association-for-the-young.html/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Concern: Paramount/Warner Merger Will Give Company Control Of Decades Of Archives</title>
		<link>https://deadline.com/2026/06/paramount-wbd-merger-archival-producer-rochelle-widdowson-interview-1236963343/</link>
					<comments>https://deadline.com/2026/06/paramount-wbd-merger-archival-producer-rochelle-widdowson-interview-1236963343/#respond</comments>
		
		<dc:creator><![CDATA[Deadline]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 15:40:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443367</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82734_deadline.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Skydance Media, through its acquisition of Paramount, already controls the CBS News archive. If Paramount succeeds in taking over WBD, it will also assume control of the CNN archive, one of the most important in the news and documentary space. &#8211; Deadline]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82734_deadline.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Skydance Media, through its acquisition of Paramount, already controls the CBS News archive. If Paramount succeeds in taking over WBD, it will also assume control of the CNN archive, one of the most important in the news and documentary space. &#8211;<em><a href="https://deadline.com/2026/06/paramount-wbd-merger-archival-producer-rochelle-widdowson-interview-1236963343/"> Deadline</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://deadline.com/2026/06/paramount-wbd-merger-archival-producer-rochelle-widdowson-interview-1236963343/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Kennedy Center Says It Isn&#8217;t Required To Book Any Shows</title>
		<link>https://apnews.com/article/trump-kennedy-center-closure-08c10235830b3ab4cc31d1f2ea1944c4</link>
					<comments>https://apnews.com/article/trump-kennedy-center-closure-08c10235830b3ab4cc31d1f2ea1944c4#respond</comments>
		
		<dc:creator><![CDATA[AP News]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 15:20:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=443364</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82522_apnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />“The Court’s order did not affirmatively require the Board to reschedule programming that had previously been cancelled or to seek new programming,” the lawyers wrote in the filing. &#8211; AP News]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/06/Screenshot_22-6-2026_82522_apnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">“The Court’s order did not affirmatively require the Board to reschedule programming that had previously been cancelled or to seek new programming,” the lawyers wrote in the filing. &#8211;<em><a href="https://apnews.com/article/trump-kennedy-center-closure-08c10235830b3ab4cc31d1f2ea1944c4"> AP News</a></em></p>
]]></content:encoded>
					
					<wfw:commentRss>https://apnews.com/article/trump-kennedy-center-closure-08c10235830b3ab4cc31d1f2ea1944c4/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
