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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:georss="http://www.georss.org/georss" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0"><id>tag:blogger.com,1999:blog-8107992</id><updated>2009-07-04T07:52:29.469-07:00</updated><title type="text">Art News Blog</title><subtitle type="html">Art News Blog is a selection of visual art news, art reviews and art related stories online. We search the web for some of the more interesting art news stories published each day.</subtitle><link rel="alternate" type="text/html" href="http://www.artnewsblog.com/index.htm" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default?start-index=26&amp;max-results=25" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.artnewsblog.com/atom.xml" /><author><name>Woopidoo</name><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>800</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><link rel="self" href="http://feeds.feedburner.com/artsnewsblog" type="application/atom+xml" /><entry><id>tag:blogger.com,1999:blog-8107992.post-3557830198037171011</id><published>2009-07-03T00:52:00.000-07:00</published><updated>2009-07-03T08:01:53.931-07:00</updated><title type="text">Win a Chair for your Studio or Office</title><content type="html">I'm sitting at my computer on an office chair that almost has historical significance and is falling apart as I write, but I'm not eligible to enter the Art News Blog office chair giveaway!&lt;br /&gt;&lt;br /&gt;The kind people at &lt;a href="http://www.csnofficefurniture.com/"&gt;CSN Office Furniture&lt;/a&gt; will send one of the chairs below to the winner, but you have to be based in the &lt;span style="color:#000099;"&gt;&lt;strong&gt;U&lt;span style="color:#ff0000;"&gt;S&lt;/span&gt;A&lt;/strong&gt;&lt;/span&gt; or &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Canada&lt;/strong&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;All you have to do to enter is leave a comment on this post saying which chair you would like and why. The winner will be chosen by my good friend that knows nothing about my blog, art, or office chairs. Make sure your comment has a link to your website or an email address so that I can contact you if you win. My friend is coming around to choose a &lt;em&gt;winner on Tuesday, the 7th of July&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Topstar Sitness 5 Ergonomic Fitness Stool" vspace="5" src="http://www.artnewsblog.com/images/office-chairs-red.jpg" /&gt;&lt;br /&gt;&lt;a href="http://www.csnofficefurniture.com/Topstar-U71450XXX-TOP1024.html"&gt;Topstar - Sitness 5 Ergonomic Fitness Stool&lt;/a&gt; - I chose this chair because it was very &lt;span style="color:#ff0000;"&gt;RED&lt;/span&gt; and thought it would look good in &lt;a href="http://www.artnewsblog.com/2009/06/artist-studios.htm"&gt;my messy studio&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Office Star - Backless Stool with Saddle Seat and Adjustable Seat" vspace="5" src="http://www.artnewsblog.com/images/office-chairs-saddle.jpg" /&gt;&lt;br /&gt;&lt;a href="http://www.csnofficefurniture.com/Office-Star-ST205-OT1111.html"&gt;Office Star - Backless Stool with Saddle Seat and Adjustable Seat&lt;/a&gt; - I thought the saddle seat would be good for whizzing around the studio mixing paints and painting, but also wondered if it would make me walk like a cowboy too.&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Safco Products - Black Vinyl Precision Drafting Chair" vspace="5" src="http://www.artnewsblog.com/images/office-chairs-drafting.jpg" /&gt;&lt;br /&gt;&lt;a href="http://www.csnofficefurniture.com/Safco-Products-3406-SF1545.html"&gt;Safco Products - Black Vinyl Precision Drafting Chair&lt;/a&gt; - I figured designers, illustrators and architects might like the drafting chair.&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Safco Products - Task Master Work Trolly with Lift Ring Height Adjustment" vspace="5" src="http://www.artnewsblog.com/images/office-chairs-trolly.jpg" /&gt;&lt;br /&gt;&lt;a href="http://www.csnofficefurniture.com/Safco-Products-7580-SF1052.html"&gt;Safco Products - Task Master Work Trolly with Lift Ring Height Adjustment&lt;/a&gt; - The work trolly chair isn't the prettiest chair I chose, but I think it would be the most useful in an artist's studio.&lt;br /&gt;&lt;br /&gt;Only one of your comments will be eligible though, so don't post a hundred comments thinking that it will improve your chances. And remember that you &lt;strong&gt;MUST&lt;/strong&gt; be located in the United States or Canada. Find more &lt;a href="http://www.csnofficefurniture.com/"&gt;Office Furniture&lt;/a&gt;, computer desks and chairs at CSN Office Furniture.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-3557830198037171011?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/2mxBC2Qy1gg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/3557830198037171011/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=3557830198037171011" title="27 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3557830198037171011" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3557830198037171011" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/2mxBC2Qy1gg/win-chair-for-your-studio-or-office.htm" title="Win a Chair for your Studio or Office" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">27</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/07/win-chair-for-your-studio-or-office.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-3884334977582424345</id><published>2009-06-29T23:57:00.000-07:00</published><updated>2009-06-30T02:46:49.824-07:00</updated><title type="text">Art Studio of Garric Simonsen</title><content type="html">Here's another &lt;a href="http://www.artnewsblog.com/2009/06/art-studios-and-workspaces.htm"&gt;artist's studio&lt;/a&gt;. This is the workspace of American artist &lt;a href="http://simonsenartstudio.com/"&gt;Garric Simonsen&lt;/a&gt;. If you like Cy Twombly or Willem de Kooning you'll enjoy browsing through Garric's work on his website.&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Art Studio of Garric Simonsen" vspace="5" src="http://www.artnewsblog.com/images/simonsen-art-studio-1.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Artist's Studio of Garric Simonsen" vspace="5" src="http://www.artnewsblog.com/images/simonsen-art-studio-2.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img hspace="5" alt="Art Studio with Art Supplies" vspace="5" src="http://www.artnewsblog.com/images/simonsen-art-studio-3.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;See Garric's paintings and works on paper at &lt;a href="http://simonsenartstudio.com/"&gt;his Website Here&lt;/a&gt;.&lt;br /&gt;See more &lt;a href="http://www.artnewsblog.com/2009/06/art-studios-and-workspaces.htm"&gt;Art Studio photos&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-3884334977582424345?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/gsjXCaPV4fk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/3884334977582424345/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=3884334977582424345" title="4 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3884334977582424345" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3884334977582424345" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/gsjXCaPV4fk/art-studio-of-garric-simonsen.htm" title="Art Studio of Garric Simonsen" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/art-studio-of-garric-simonsen.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-2402253588577156010</id><published>2009-06-26T05:42:00.000-07:00</published><updated>2009-06-26T06:02:05.836-07:00</updated><title type="text">Being in the Flow or the Zone</title><content type="html">Here's an interesting quote from Robert Genn's &lt;a href="http://clicks.robertgenn.com/transartistic-meditation.php"&gt;latest newsletter&lt;/a&gt; called "Transartistic meditation," which is something like Transcendental Meditation.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"Studies of "flow" and "the zone" have been done using all stripes of artists. This is where the artist gets into a relaxed, intuitive state somewhere deep down in the lizard brain and the good stuff rains down like ripe pomegranates. Tired of rotten apples, I was curious about these concepts as well."&lt;/em&gt; &lt;a href="http://clicks.robertgenn.com/transartistic-meditation.php"&gt;Robert Genn&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I have never been able to figure why artists would want to waste their time meditating as they drink from the same pond while they have their tools in their hand. It may be an active form of meditation, especially if you're an expressionist of any kind, but you're forced to hang out in places that zen monks would be comfortable in. Personally, I think it's why so many artists suffer from depression or are just downright wacky; as they can't handle being in that space. You have to look at yourself naked in silence, which is why television, radio, and any other distractions are so popular with society.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-2402253588577156010?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/5IBzBXuptYg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/2402253588577156010/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=2402253588577156010" title="10 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2402253588577156010" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2402253588577156010" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/5IBzBXuptYg/being-in-flow-or-zone.htm" title="Being in the Flow or the Zone" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">10</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/being-in-flow-or-zone.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-5454222018390058984</id><published>2009-06-24T21:22:00.000-07:00</published><updated>2009-06-24T22:01:05.682-07:00</updated><title type="text">FBI Top 10 Art Thefts</title><content type="html">Art crime is big business with an estimated $6 billion in losses annually! Here's a list of the FBI's Top 10 art crimes at the moment..&lt;br /&gt;&lt;p&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/iraqi.htm"&gt;Iraqi Looted and Stolen Artifacts&lt;/a&gt; - The significant Statue of Entemena was recovered in 2006 but there are still many pieces missing.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/isabella.htm"&gt;Isabella Stewart Gardner Museum Theft&lt;/a&gt; - Thieves stole as much as $300 million worth of art from the Isabella Stewart Gardner Museum, Boston in 1990 with paintings by Vermeer, Rembrandt, and Manet being among them.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/caravaggio.htm"&gt;Theft of Caravaggio's Nativity with San Lorenzo and San Francesco&lt;/a&gt; - Back in 1969 thieves stole Caravaggio's Nativity with San Lorenzo and San Francesco from the Oratory of San Lorenzo, Palermo, Italy.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/davidoff.htm"&gt;Theft of the Davidoff-Morini Stradivarius&lt;/a&gt; - In 1995 the Davidoff-Morini Stradivarius violin worth $3 million was stolen from the violinist Erica Morini's New York City apartment.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/vangogh.htm"&gt;The Van Gogh Museum Robbery&lt;/a&gt; - Two paintings by Vincent van Gogh called "View of the Sea at Scheveningen" and "Congregation Leaving the Reformed Church in Nuenen" were stolen from the Vincent Van Gogh Museum, Amsterdam in 2002 and have never been recovered, even though the two thieves were caught.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/cezanne.htm"&gt;Theft of Cezanne's View of Auvers-sur-Oise&lt;/a&gt; - Paul Cezanne's View of Auvers-sur-Oise was taken from the the Ashmolean Museum, Oxford, England in 1999.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/maxfield_parrish.htm"&gt;Theft of the Gertrude Vanderbilt Whitney Murals, Panels 3-A and 3-B&lt;/a&gt; - Two Maxfield Parrish panels were cut from their frames in West Hollywood, California in 2002.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/museu_chacara_do_ceu.htm"&gt;Theft from the Museu Chacara do Céu&lt;/a&gt; - In 2006 four paintings were stolen from the Museu Chacara do Céu, Rio de Janeiro. They included work by Salvador Dali, Henri Matisse, Claude Monet and Pablo Picasso.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/van_mieris.htm"&gt;Theft of Van Mieris's A Cavalier&lt;/a&gt; - A self portrait by the Dutch Master Frans Van Mieris was stolen from the Art Gallery of New South Wales, Sydney in 2007. It was taken in broad daylight, while the museum was open.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.fbi.gov/hq/cid/arttheft/topten/buhrle_collection.htm"&gt;Theft from E.G. Bührle Collection, Zurich&lt;/a&gt; - The E.G. Bührle Collection in Zurich, Switzerland had 4 works stolen in 2008, with two important painting by Paul Cezanne and Edgar Degas still missing.&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://www.artnewsblog.com/2005/11/top-10-fbi-art-thefts.htm"&gt;FBI top ten list has changed&lt;/a&gt; a little from back in 2005.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-5454222018390058984?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/eV1PH1j_pks" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/5454222018390058984/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=5454222018390058984" title="12 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5454222018390058984" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5454222018390058984" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/eV1PH1j_pks/fbi-top-10-art-thefts.htm" title="FBI Top 10 Art Thefts" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">12</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/fbi-top-10-art-thefts.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-7673820654063243937</id><published>2009-06-24T20:41:00.000-07:00</published><updated>2009-06-30T02:55:49.728-07:00</updated><title type="text">Art Studios and Workspaces</title><content type="html">I enjoy looking through artist studios so much that I decided to make it a semi-regular thing. So if you have a few photos of your art studio or workspace and would like to share them, please &lt;a href="http://www.artnewsblog.com/about.htm"&gt;&lt;strong&gt;send them to me&lt;/strong&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Make sure the images are under 1mb in size as they don't have to be MASSIVE and my inbox clogs up. Include a short paragraph about your space if you wish and your website address if you have one. Artist studios from all creative people are welcome and it doesn't have to be a beautiful working space.. it just has to work for you.&lt;br /&gt;&lt;br /&gt;Here's the studios so far (listed alphabetically so that my studio is conveniently placed at the top..lol)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/2009/06/artist-studios.htm"&gt;Dion Archibald's Painting Studio&lt;/a&gt; - Working space of an Australian artist.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/2009/06/jessica-burkos-art-studio.htm"&gt;Jessica Burko's Artist Studio&lt;/a&gt; - Mixed media artist based in Boston, MA, USA.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/2009/06/gail-sauters-painting-studio.htm"&gt;Gail Sauter's Painting Studio&lt;/a&gt; - American painter working in Maine, USA.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/2009/06/art-studio-of-garric-simonsen.htm"&gt;Garric Simonsen's Art Studio&lt;/a&gt; - Studio of an American artist in Washington.&lt;br /&gt;&lt;br /&gt;I'll add to the list as artists &lt;a href="http://www.artnewsblog.com/about.htm"&gt;send them in&lt;/a&gt; (I have a few other studios to add at the moment)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-7673820654063243937?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/EC0B18llyIo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/7673820654063243937/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=7673820654063243937" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7673820654063243937" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7673820654063243937" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/EC0B18llyIo/art-studios-and-workspaces.htm" title="Art Studios and Workspaces" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/art-studios-and-workspaces.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-4285962459572053906</id><published>2009-06-18T23:57:00.000-07:00</published><updated>2009-06-24T20:29:44.669-07:00</updated><title type="text">Gail Sauter's Painting Studio</title><content type="html">Here's another artist's studio. This one belongs to Maine artist &lt;a href="http://www.gailsauter.com/"&gt;Gail Sauter&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;So many artists that I know have dogs hanging around their studios. Painters seem to be dog people more than cat people.&lt;br /&gt;&lt;br /&gt;&lt;img height="240" alt="Artists studio of Gail Sauter" hspace="5" src="http://www.artnewsblog.com/images/gail-artist-studio.jpg" width="400" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;And little gems like this come out of her studio..&lt;br /&gt;&lt;img alt="Painting by Gail Sauter" hspace="5" src="http://www.artnewsblog.com/images/gail-sauter-painting.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Update:&lt;/strong&gt; Here's a few more photos of Gail's art studio (which was originally a Victorian Dry Goods Store) and her studio pooch. Gail says &lt;em&gt;"I don’t get a lot of foot traffic here in Kittery, but that allows me to work and hanging out my welcome flag does draw in a sale now and then. I do think that we, as artists, are largely invisible to the public and that it is good to have open studios etc."&lt;br /&gt;&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;img alt="Artists studio of Gail Sauter" hspace="5" src="http://www.artnewsblog.com/images/gail-art-studio-1.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="Artists studio of Gail Sauter" hspace="5" src="http://www.artnewsblog.com/images/gail-art-studio-2.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="Artists studio of Gail Sauter" hspace="5" src="http://www.artnewsblog.com/images/gail-art-studio-3.jpg" vspace="5" /&gt;&lt;br /&gt;Outside view of the studio with the welcome flag out.&lt;br /&gt;&lt;br /&gt;See more paintings by Gail Sauter at &lt;a href="http://www.gailsauter.com/"&gt;her website here&lt;/a&gt; and/or read &lt;a href="http://www.gailsauter.com/a-painter-on-painting/"&gt;her blog here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-4285962459572053906?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/pEDh25wnXnw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/4285962459572053906/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=4285962459572053906" title="14 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4285962459572053906" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4285962459572053906" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/pEDh25wnXnw/gail-sauters-painting-studio.htm" title="Gail Sauter's Painting Studio" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">14</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/gail-sauters-painting-studio.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-4612737064078294166</id><published>2009-06-17T23:53:00.000-07:00</published><updated>2009-06-18T09:00:14.339-07:00</updated><title type="text">Jessica Burko's Art Studio</title><content type="html">&lt;a href="http://www.jessicaburko.com/"&gt;Jessica Burko&lt;/a&gt; is an artist based in Boston, MA, USA and creates photographic mixed-media works on wood, and is currently working on a series of paper quilts called "In Stitches".&lt;br /&gt;&lt;br /&gt;She has kindly sent in a few photos of her studio. It looks much cleaner and more ordered &lt;a href="http://www.artnewsblog.com/2009/06/artist-studios.htm"&gt;than my studio&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img alt="jessica burko's artist studio" hspace="5" src="http://www.artnewsblog.com/images/jessica-1.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="jessica burko's artist studio" hspace="5" src="http://www.artnewsblog.com/images/jessica-2.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="jessica burko's artist studio" hspace="5" src="http://www.artnewsblog.com/images/jessica-3.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="jessica burko's artist studio" hspace="5" src="http://www.artnewsblog.com/images/jessica-4.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;To see what comes out of Jessica Burko's artist studio &lt;a href="http://www.jessicaburko.com/"&gt;see her website here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-4612737064078294166?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/8S-NQV_hDWY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/4612737064078294166/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=4612737064078294166" title="3 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4612737064078294166" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4612737064078294166" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/8S-NQV_hDWY/jessica-burkos-art-studio.htm" title="Jessica Burko's Art Studio" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/jessica-burkos-art-studio.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-3951064817081947097</id><published>2009-06-16T23:34:00.000-07:00</published><updated>2009-06-17T04:34:10.937-07:00</updated><title type="text">Artist Studios</title><content type="html">I have been spending quite a bit of time in the studio lately, which is one reason why I haven't been updating the blog as much (the other reason is laziness). I'm painting a bit of everything with no real focus, but I'm having fun which is the most important thing. I counted the paintings I'm working on at the moment and found that I have 21 pictures in various stages of completion, so I'm definitely not starting any new ones until I start finishing a few!&lt;br /&gt;&lt;br /&gt;What does your studio look like? &lt;a href="http://www.artnewsblog.com/about.htm"&gt;If you send me&lt;/a&gt; a few (smallish) photos of your art studio I might post them. I love seeing other artist studios, it's like reading the artist's diary.&lt;br /&gt;&lt;br /&gt;Here's a few pics from this afternoon..&lt;br /&gt;&lt;br /&gt;&lt;img alt="painting studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-1.jpg" vspace="5" /&gt;&lt;br /&gt;T-bone steaks, mince meat and potatoes.&lt;br /&gt;&lt;br /&gt;&lt;img alt="artists studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-2.jpg" vspace="5" /&gt;&lt;br /&gt;Paintings and easel.&lt;br /&gt;&lt;br /&gt;&lt;img alt="paint brushes" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-3.jpg" vspace="5" /&gt;&lt;br /&gt;Paints, brushes, and phone.&lt;br /&gt;&lt;br /&gt;&lt;img alt="dog in studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-4.jpg" vspace="5" /&gt;&lt;br /&gt;Tiger comes down to check on me and remind me that I have to feed her while her owner is away.&lt;br /&gt;&lt;br /&gt;&lt;img alt="landscape in studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-5.jpg" vspace="5" /&gt;&lt;br /&gt;Landscape, Melbourne scene and meat.&lt;br /&gt;&lt;br /&gt;&lt;img alt="self portrait in studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-6.jpg" vspace="5" /&gt;&lt;br /&gt;Self portrait (in need of a shave).&lt;br /&gt;&lt;br /&gt;&lt;img alt="portrait in studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-7.jpg" vspace="5" /&gt;&lt;br /&gt;Portrait and box of canvases.&lt;br /&gt;&lt;br /&gt;&lt;img alt="painting studio" hspace="5" src="http://www.artnewsblog.com/images/artist-studio-8.jpg" vspace="5" /&gt;&lt;br /&gt;Sydney cityscape.&lt;br /&gt;&lt;br /&gt;Here's some of my &lt;a href="http://www.dionarchibald.com/"&gt;older paintings online&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-3951064817081947097?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/-FnC-qWrdUI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/3951064817081947097/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=3951064817081947097" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3951064817081947097" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3951064817081947097" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/-FnC-qWrdUI/artist-studios.htm" title="Artist Studios" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/artist-studios.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-7963625729762386294</id><published>2009-06-12T23:17:00.000-07:00</published><updated>2009-06-13T03:23:17.657-07:00</updated><title type="text">Madonna Nude</title><content type="html">&lt;img alt="Nude Madonna Painting" hspace="5" src="http://www.artnewsblog.com/images/madonna-nude.jpg" align="left" vspace="5" /&gt;The nude Madonna and Guy Ritchie painting by Peter Howson ended up selling this week. It failed to sell at a recent contemporary Scottish art auction &lt;a href="http://www.mctears.co.uk/"&gt;by McTear's&lt;/a&gt; Auctioneers in Glasgow but has since been sold for more than the £15,000 reserve price.&lt;br /&gt;&lt;br /&gt;McTear's employee Brian Clements &lt;a href="http://news.bbc.co.uk/2/hi/uk_news/scotland/glasgow_and_west/8090991.stm"&gt;told the BBC&lt;/a&gt; &lt;em&gt;"We were very confident we would find the right buyer for 'Madonna and Guy' and we are delighted to have secured such an excellent price for the painting. Although we cannot divulge the name of the buyer, we can confirm that the painting will be leaving Scotland."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The 2005 nude portrait of Madonna and her ex husband Guy Ritchie is one from a series of the famous singer by Peter Howson. It's not what I would call a flattering naked portrait of Madonna. She looks like a transvestite with funny fingers if you ask me.&lt;br /&gt;&lt;br /&gt;Also in the UK, in Brighton, England &lt;a href="http://www.impureart.com/"&gt;the Impure Gallery&lt;/a&gt; (which calls itself &lt;em&gt;"a naughty little gallery&lt;/em&gt;") is showing some nude photographs of the young Madonna from 1979. New York Photographer, Martin Schreiber got Madonna to pose naked for just $30. I'm guessing that he would have to add at least a few zeros to that price to get the now super-famous Madonna to get naked.&lt;br /&gt;&lt;br /&gt;&lt;img alt="Madonna Nude Photos" hspace="5" src="http://www.artnewsblog.com/images/madonna-naked.jpg" vspace="5" /&gt;&lt;br /&gt;Madonna Nude by Martin Schreiber&lt;br /&gt;&lt;br /&gt;&lt;img alt="Madonna Naked Photos" hspace="5" src="http://www.artnewsblog.com/images/nude-madonna.jpg" vspace="5" /&gt;&lt;br /&gt;Madonna Naked by Martin Schreiber&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-7963625729762386294?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/vzfPVgGxV_4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/7963625729762386294/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=7963625729762386294" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7963625729762386294" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7963625729762386294" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/vzfPVgGxV_4/madonna-nude.htm" title="Madonna Nude" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/madonna-nude.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-8422684619836690817</id><published>2009-06-09T21:54:00.000-07:00</published><updated>2009-06-09T22:40:06.008-07:00</updated><title type="text">Top 200 20th Century Artists?</title><content type="html">The Times and Saatchi gallery have compiled 1,461,523 votes from the public to come up with a list of the 200 top artists of the 20th Century. It's a method that has flaws as some artists will be missing and other artists will get more attention than they really deserve, but any list compiled by anyone is flawed as lists are an art rather than a science. They're not meant to be taken too seriously.&lt;br /&gt;&lt;br /&gt;1 Pablo Picasso 21587&lt;br /&gt;&lt;br /&gt;2 Paul Cezanne 21098&lt;br /&gt;&lt;br /&gt;3 Gustav Klimt 20823&lt;br /&gt;&lt;br /&gt;4 Claude Monet 20684&lt;br /&gt;&lt;br /&gt;5 Marcel Duchamp 20647&lt;br /&gt;&lt;br /&gt;6 Henri Matisse 17096&lt;br /&gt;&lt;br /&gt;7 Jackson Pollock 17051&lt;br /&gt;&lt;br /&gt;8 Andy Warhol 17047&lt;br /&gt;&lt;br /&gt;9 Willem De Kooning 17042&lt;br /&gt;&lt;br /&gt;10 Piet Mondrian 17028&lt;br /&gt;&lt;br /&gt;11 Paul Gauguin 17027&lt;br /&gt;&lt;br /&gt;12 Francis Bacon 17018&lt;br /&gt;&lt;br /&gt;13 Robert Rauschenberg 16956&lt;br /&gt;&lt;br /&gt;14 Georges Braque 16788&lt;br /&gt;&lt;br /&gt;15 Wassily Kandinsky 16055&lt;br /&gt;&lt;br /&gt;16 Constantin Brancusi 14224&lt;br /&gt;&lt;br /&gt;17 Kasimir Malevich 13609&lt;br /&gt;&lt;br /&gt;18 Jasper Johns 12988&lt;br /&gt;&lt;br /&gt;19 Frida Kahlo 12940&lt;br /&gt;&lt;br /&gt;20 Martin Kippenberger 12784&lt;br /&gt;&lt;br /&gt;21 Paul Klee 12750&lt;br /&gt;&lt;br /&gt;22 Egon Schiele 12696&lt;br /&gt;&lt;br /&gt;23 Donald Judd 12613&lt;br /&gt;&lt;br /&gt;24 Bruce Nauman 12517&lt;br /&gt;&lt;br /&gt;25 Alberto Giacometti 12098&lt;br /&gt;&lt;br /&gt;26 Salvador Dalí 11496&lt;br /&gt;&lt;br /&gt;27 Auguste Rodin 8989&lt;br /&gt;&lt;br /&gt;28 Mark Rothko 8951&lt;br /&gt;&lt;br /&gt;29 Edward Hopper 8918&lt;br /&gt;&lt;br /&gt;30 Lucian Freud 8897&lt;br /&gt;&lt;br /&gt;31 Richard Serra 8858&lt;br /&gt;&lt;br /&gt;32 Rene Magritte 8837&lt;br /&gt;&lt;br /&gt;33 David Hockney 8787&lt;br /&gt;&lt;br /&gt;34 Philip Guston 8786&lt;br /&gt;&lt;br /&gt;35 Henri Cartier-Bresson 8779&lt;br /&gt;&lt;br /&gt;36 Pierre Bonnard 8778&lt;br /&gt;&lt;br /&gt;37 Jean-Michel Basquiat 8746&lt;br /&gt;&lt;br /&gt;38 Max Ernst 8737&lt;br /&gt;&lt;br /&gt;39 Diane Arbus 8733&lt;br /&gt;&lt;br /&gt;40 Georgia O'Keeffe 8714&lt;br /&gt;&lt;br /&gt;41 Cy Twombly 8708&lt;br /&gt;&lt;br /&gt;42 Max Beckmann 8690&lt;br /&gt;&lt;br /&gt;43 Barnett Newman 8643&lt;br /&gt;&lt;br /&gt;44 Giorgio De Chirico 8462&lt;br /&gt;&lt;br /&gt;45 Roy Lichtenstein 7441&lt;br /&gt;&lt;br /&gt;46 Edvard Munch 5080&lt;br /&gt;&lt;br /&gt;47 Pierre Auguste Renoir 5063&lt;br /&gt;&lt;br /&gt;48 Man Ray 5050&lt;br /&gt;&lt;br /&gt;49 Henry Moore 5045&lt;br /&gt;&lt;br /&gt;50 Cindy Sherman 5041&lt;br /&gt;&lt;br /&gt;51 Jeff Koons 5028&lt;br /&gt;&lt;br /&gt;52 Tracey Emin 4961&lt;br /&gt;&lt;br /&gt;53 Damien Hirst 4960&lt;br /&gt;&lt;br /&gt;54 Yves Klein 4948&lt;br /&gt;&lt;br /&gt;55 Henri Rousseau 4944&lt;br /&gt;&lt;br /&gt;56 Chaim Soutine 4927&lt;br /&gt;&lt;br /&gt;57 Arshile Gorky 4926&lt;br /&gt;&lt;br /&gt;58 Amedeo Modigliani 4924&lt;br /&gt;&lt;br /&gt;59 Umberto Boccioni 4918&lt;br /&gt;&lt;br /&gt;60 Jean Dubuffet 4910&lt;br /&gt;&lt;br /&gt;61 Eva Hesse 4908&lt;br /&gt;&lt;br /&gt;62 Edouard Vuillard 4899&lt;br /&gt;&lt;br /&gt;63 Carl Andre 4898&lt;br /&gt;&lt;br /&gt;64 Juan Gris 4898&lt;br /&gt;&lt;br /&gt;65 Lucio Fontana 4896&lt;br /&gt;&lt;br /&gt;66 Franz Kline 4894&lt;br /&gt;&lt;br /&gt;67 David Smith 4842&lt;br /&gt;&lt;br /&gt;68 Joseph Beuys 4480&lt;br /&gt;&lt;br /&gt;69 Alexander Calder 3241&lt;br /&gt;&lt;br /&gt;70 Louise Bourgeois 3240&lt;br /&gt;&lt;br /&gt;71 Marc Chagall 3224&lt;br /&gt;&lt;br /&gt;72 Gerhard Richter 3123&lt;br /&gt;&lt;br /&gt;73 Balthus 3090&lt;br /&gt;&lt;br /&gt;74 Joan Miro 3087&lt;br /&gt;&lt;br /&gt;75 Ernst Ludwig Kirchner 3084&lt;br /&gt;&lt;br /&gt;76 Frank Stella 3078&lt;br /&gt;&lt;br /&gt;77 Georg Baselitz 3048&lt;br /&gt;&lt;br /&gt;78 Francis Picabia 3046&lt;br /&gt;&lt;br /&gt;79 Jenny Saville 3034&lt;br /&gt;&lt;br /&gt;80 Dan Flavin 3024&lt;br /&gt;&lt;br /&gt;81 Alfred Stieglitz 3017&lt;br /&gt;&lt;br /&gt;82 Anselm Kiefer 3010&lt;br /&gt;&lt;br /&gt;83 Matthew Barney 3005&lt;br /&gt;&lt;br /&gt;84 George Grosz 2990&lt;br /&gt;&lt;br /&gt;85 Bernd And Hilla Becher 2980&lt;br /&gt;&lt;br /&gt;86 Sigmar Polke 2966&lt;br /&gt;&lt;br /&gt;87 Brice Marden 2947&lt;br /&gt;&lt;br /&gt;88 Maurizio Cattelan 2940&lt;br /&gt;&lt;br /&gt;89 Sol LeWitt 2926&lt;br /&gt;&lt;br /&gt;90 Chuck Close 2915&lt;br /&gt;&lt;br /&gt;91 Edward Weston 2899&lt;br /&gt;&lt;br /&gt;92 Joseph Cornell 2893&lt;br /&gt;&lt;br /&gt;93 Karel Appel 2890&lt;br /&gt;&lt;br /&gt;94 Bridget Riley 2885&lt;br /&gt;&lt;br /&gt;95 Alexander Archipenko 2884&lt;br /&gt;&lt;br /&gt;96 Anthony Caro 2879&lt;br /&gt;&lt;br /&gt;97 Richard Hamilton 2878&lt;br /&gt;&lt;br /&gt;98 Clyfford Still 2864&lt;br /&gt;&lt;br /&gt;99 Luc Tuymans 2862&lt;br /&gt;&lt;br /&gt;100 Claes Oldenburg 2843&lt;br /&gt;&lt;br /&gt;101 Eduardo Paolozzi 2839&lt;br /&gt;&lt;br /&gt;102 Frank Auerbach 2836&lt;br /&gt;&lt;br /&gt;103 Dinos and Jake Chapman 2827&lt;br /&gt;&lt;br /&gt;104 Marlene Dumas 2827&lt;br /&gt;&lt;br /&gt;105 Antoni Tapies 2825&lt;br /&gt;&lt;br /&gt;106 Giorgio Morandi 2824&lt;br /&gt;&lt;br /&gt;107 Walker Evans 2823&lt;br /&gt;&lt;br /&gt;108 Nan Goldin 2819&lt;br /&gt;&lt;br /&gt;109 Robert Frank 2818&lt;br /&gt;&lt;br /&gt;110 Georges Rouault 2818&lt;br /&gt;&lt;br /&gt;111 Jean Arp 2817&lt;br /&gt;&lt;br /&gt;112 August Sander 2809&lt;br /&gt;&lt;br /&gt;113 James Rosenquist 2808&lt;br /&gt;&lt;br /&gt;114 Andreas Gursky 2804&lt;br /&gt;&lt;br /&gt;115 Eugene Atget 2802&lt;br /&gt;&lt;br /&gt;116 Jeff Wall 2790&lt;br /&gt;&lt;br /&gt;117 Ellsworth Kelly 2789&lt;br /&gt;&lt;br /&gt;118 Bill Brandt 2787&lt;br /&gt;&lt;br /&gt;119 Christo And Jeanne Claude 2782&lt;br /&gt;&lt;br /&gt;120 Howard Hodgkin 2781&lt;br /&gt;&lt;br /&gt;121 Josef Albers 2781&lt;br /&gt;&lt;br /&gt;122 Piero Manzoni 2777&lt;br /&gt;&lt;br /&gt;123 Agnes Martin 2771&lt;br /&gt;&lt;br /&gt;124 Anish Kapoor 2768&lt;br /&gt;&lt;br /&gt;125 L.S. Lowry 2761&lt;br /&gt;&lt;br /&gt;126 Robert Motherwell 2754&lt;br /&gt;&lt;br /&gt;127 Robert Delaunay 2747&lt;br /&gt;&lt;br /&gt;128 Stuart Davis 2742&lt;br /&gt;&lt;br /&gt;129 Ed Ruscha 2731&lt;br /&gt;&lt;br /&gt;130 Gilbert &amp;amp; George 2729&lt;br /&gt;&lt;br /&gt;131 Stanley Spencer 2720&lt;br /&gt;&lt;br /&gt;132 James Ensor 2719&lt;br /&gt;&lt;br /&gt;133 Fernand Leger 2718&lt;br /&gt;&lt;br /&gt;134 Brassai (Gyula Halasz) 2717&lt;br /&gt;&lt;br /&gt;135 Alexander Rodchenko 2715&lt;br /&gt;&lt;br /&gt;136 Robert Ryman 2711&lt;br /&gt;&lt;br /&gt;137 Ad Reinhardt 2709&lt;br /&gt;&lt;br /&gt;138 Hans Bellmer 2700&lt;br /&gt;&lt;br /&gt;139 Isa Genzken 2699&lt;br /&gt;&lt;br /&gt;140 Kees Van Dongen 2698&lt;br /&gt;&lt;br /&gt;141 Weegee 2698&lt;br /&gt;&lt;br /&gt;142 Paula Rego 2695&lt;br /&gt;&lt;br /&gt;143 Thomas Hart Benton 2689&lt;br /&gt;&lt;br /&gt;144 Hans Hofmann 2684&lt;br /&gt;&lt;br /&gt;145 Vladimir Tatlin 2679&lt;br /&gt;&lt;br /&gt;146 Odilon Redon 2653&lt;br /&gt;&lt;br /&gt;147 George Segal 2619&lt;br /&gt;&lt;br /&gt;148 Jorg Immendorff 2611&lt;br /&gt;&lt;br /&gt;149 Robert Smithson 2435&lt;br /&gt;&lt;br /&gt;150 Peter Doig 2324&lt;br /&gt;&lt;br /&gt;151 Ed and Nancy Kienholz 2293&lt;br /&gt;&lt;br /&gt;152 Richard Prince 2266&lt;br /&gt;&lt;br /&gt;153 Ansel Adams 2262&lt;br /&gt;&lt;br /&gt;154 Naum Gabo 2256&lt;br /&gt;&lt;br /&gt;155 Diego Rivera 2239&lt;br /&gt;&lt;br /&gt;156 Barbara Hepworth 2237&lt;br /&gt;&lt;br /&gt;157 Nicolas De Stael 2237&lt;br /&gt;&lt;br /&gt;158 Walter De Maria 2229&lt;br /&gt;&lt;br /&gt;159 Felix Gonzalez-Torres 2228&lt;br /&gt;&lt;br /&gt;160 Giacomo Balla 2225&lt;br /&gt;&lt;br /&gt;161 Ben Nicholson 2221&lt;br /&gt;&lt;br /&gt;162 Anthony Gormley 2218&lt;br /&gt;&lt;br /&gt;163 Lyonel Feininger 2216&lt;br /&gt;&lt;br /&gt;164 Emil Nolde 2213&lt;br /&gt;&lt;br /&gt;165 Mark Wallinger 2211&lt;br /&gt;&lt;br /&gt;166 Hermann Nitsch 2209&lt;br /&gt;&lt;br /&gt;167 Paul Signac 2209&lt;br /&gt;&lt;br /&gt;168 Jean Tinguely 2209&lt;br /&gt;&lt;br /&gt;169 Kurt Schwitters 2209&lt;br /&gt;&lt;br /&gt;170 Grayson Perry 2208&lt;br /&gt;&lt;br /&gt;171 Julian Schnabel 2208&lt;br /&gt;&lt;br /&gt;172 Raymond Duchamp-Villon 2208&lt;br /&gt;&lt;br /&gt;173 Robert Gober 2208&lt;br /&gt;&lt;br /&gt;174 Duane Hanson 2208&lt;br /&gt;&lt;br /&gt;175 Richard Diebenkorn 2207&lt;br /&gt;&lt;br /&gt;176 Alex Katz 2207&lt;br /&gt;&lt;br /&gt;177 Alighiero E Boetti 2206&lt;br /&gt;&lt;br /&gt;178 Henri Gaudier-Brzeska 2206&lt;br /&gt;&lt;br /&gt;179 Laszlo Moholy-Nagy 2205&lt;br /&gt;&lt;br /&gt;180 Jacques-Henri Lartigue 2205&lt;br /&gt;&lt;br /&gt;181 Robert Morris 2205&lt;br /&gt;&lt;br /&gt;182 Sarah Lucas 2204&lt;br /&gt;&lt;br /&gt;183 Jannis Kounellis 2204&lt;br /&gt;&lt;br /&gt;184 Chris Burden 2204&lt;br /&gt;&lt;br /&gt;185 Otto Dix 2203&lt;br /&gt;&lt;br /&gt;186 David Bomberg 2203&lt;br /&gt;&lt;br /&gt;187 Fischli &amp;amp; Weiss 2203&lt;br /&gt;&lt;br /&gt;188 Augustus John 2203&lt;br /&gt;&lt;br /&gt;189 Marsden Hartley 2203&lt;br /&gt;&lt;br /&gt;190 Takashi Murakami 2203&lt;br /&gt;&lt;br /&gt;191 James Turrell 2202&lt;br /&gt;&lt;br /&gt;192 Isamu Noguchi 2201&lt;br /&gt;&lt;br /&gt;193 Robert Mangold 2201&lt;br /&gt;&lt;br /&gt;194 John Chamberlain 2201&lt;br /&gt;&lt;br /&gt;195 Charles Demuth 2200&lt;br /&gt;&lt;br /&gt;196 John Currin 2200&lt;br /&gt;&lt;br /&gt;197 Alberto Burri 2200&lt;br /&gt;&lt;br /&gt;198 Arnulf Rainer 2200&lt;br /&gt;&lt;br /&gt;199 David Salle 2200&lt;br /&gt;&lt;br /&gt;200 Hiroshi Sugimoto 2199&lt;br /&gt;&lt;br /&gt;Find out more about the top 200 20th century artists over at the &lt;a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article6439243.ece"&gt;TimesOnline&lt;/a&gt; and at &lt;a href="http://www.saatchi-gallery.co.uk/times_200/main.php"&gt;Saatchi&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-8422684619836690817?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/3HWy9UnpdjU" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/8422684619836690817/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=8422684619836690817" title="24 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8422684619836690817" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8422684619836690817" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/3HWy9UnpdjU/top-200-20th-century-artists.htm" title="Top 200 20th Century Artists?" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">24</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/top-200-20th-century-artists.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-3989045814159680533</id><published>2009-06-07T23:14:00.000-07:00</published><updated>2009-06-08T00:03:32.761-07:00</updated><title type="text">A Guide to North American Birds by Matt Sesow</title><content type="html">Before I went on my &lt;a href="http://www.artnewsblog.com/2009/05/travel-photos.htm"&gt;recent road trip&lt;/a&gt; I received a painting by Washington, DC. artist Matt Sesow called "A Guide to North American Birds." I have a thing for birds and a thing for quirkiness so I really like the painting. I also buy art that I couldn't or wouldn't paint myself, so I end up buying bright, bold and colorful paintings which are in contrast to &lt;a href="http://www.dionarchibald.com/"&gt;my own paintings&lt;/a&gt; that are almost colorless.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/north-american-birds.jpg"&gt;&lt;img alt="American Birds Painting" hspace="5" src="http://www.artnewsblog.com/images/north-american-birds-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Guide to North American Birds - Matt Sesow&lt;br /&gt;&lt;br /&gt;I bought these smaller works from Matt too..&lt;br /&gt;&lt;br /&gt;&lt;img alt="Expressionist Painting" hspace="5" src="http://www.artnewsblog.com/images/traumatized.jpg" vspace="5" border="0" /&gt;&lt;br /&gt;Traumatized - Matt Sesow&lt;br /&gt;&lt;br /&gt;&lt;img alt="Cardinal Painting" hspace="5" src="http://www.artnewsblog.com/images/cardinal.jpg" vspace="5" border="0" /&gt;&lt;br /&gt;Cardinal - Matt Sesow&lt;br /&gt;&lt;br /&gt;Matt Sesow's website can be &lt;a href="http://www.sesow.com/"&gt;found Here&lt;/a&gt;. I also mentioned a &lt;a href="http://www.artnewsblog.com/2009/03/expressionist-matt-sesow.htm"&gt;video by Matt Sesow&lt;/a&gt; earlier.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-3989045814159680533?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/bbi5AUKSgtw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/3989045814159680533/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=3989045814159680533" title="6 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3989045814159680533" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3989045814159680533" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/bbi5AUKSgtw/guide-to-north-american-birds-by-matt.htm" title="A Guide to North American Birds by Matt Sesow" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">6</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/guide-to-north-american-birds-by-matt.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-8212407171256345440</id><published>2009-06-05T20:02:00.000-07:00</published><updated>2009-06-05T20:10:02.437-07:00</updated><title type="text">Art Jobs Board</title><content type="html">ArtInfo's jobs board is now online. They're listing art jobs, internships, artist residencies, artist opportunities, artist calls for entry and more.&lt;br /&gt;&lt;br /&gt;Here's some more info from Art Info..&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"One of the strengths of ARTINFO is our network and our commitment to institutions and individuals within the art world. Because we realize the months ahead will continue to be challenging, we extend this offer to you to post your opportunity &lt;strong&gt;free of charge&lt;/strong&gt;.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;ARTINFO has a targeted audience of engaged art world individuals who interact on many different levels and within many different regions of the world. We have a global focus, but advocate a localized point of view. During this time, we would like to help you - our network - connect with potential opportunities"&lt;/em&gt; View their art jobs board &lt;a href="http://www.artinfo.com/job/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-8212407171256345440?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/a82TP9v4zCo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/8212407171256345440/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=8212407171256345440" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8212407171256345440" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8212407171256345440" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/a82TP9v4zCo/art-jobs-board.htm" title="Art Jobs Board" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/06/art-jobs-board.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-8046961435849372450</id><published>2009-05-27T20:06:00.000-07:00</published><updated>2009-05-27T20:58:44.804-07:00</updated><title type="text">Art and Spirituality</title><content type="html">Brian from MyArtSpace has asked some interesting questions on his &lt;a href="http://www.myartspace.com/blog/2009/05/spiritual-side-of-art.html"&gt;Spiritual Side of Art post&lt;/a&gt;..&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"Has a specific work of art touched your soul? Can you recall a specific work of art that helped your through a difficult time or defined a time of joy for you? I know that some people suggest that there is no longer room for the spiritual in the art of today-- do you agree? Or would you say that the spiritual aspects of art surround us just as they did in other periods of time? In your opinion, why does visual art have this power-- why do viewers establish these personal connections?"&lt;/em&gt; &lt;a href="http://www.myartspace.com/blog/2009/05/spiritual-side-of-art.html"&gt;My ArtSpace&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I think most of the spirituality in art is in the making of art, with the artwork simply being the byproduct. So a painting can be of something unspiritual, if there is such a word, but the artist may have felt that he/she was touching god while painting it.&lt;br /&gt;&lt;br /&gt;I have never seen an artwork that has "touched my soul" or moved me to tears, even though I have looked at lots of art and think of myself as a reasonably sensitive person. Installations and moving images have come close as they have more tools to play with. A painting or sculpture has to work harder to affect the viewer as it simply sits there with no movement or sound, so we have to do all the work ourselves if we are to end up in tears. Film on the other hand has more tools available to press our emotional buttons at will.&lt;br /&gt;&lt;br /&gt;Art affects us on a more subtle level, it seeps into our soul rather than blows our mind on the spot. Good art will linger, it will hang around for weeks and months after viewing it, but it probably won't make you cry or save your life. I think the viewer has to be content with knowing that the artwork is just the waste byproduct of something spiritual, which doesn't necessarily make the finished piece spiritual. Sometimes that waste product works as a mirror or points to something greater and it affects a person deeply, but usually it just ends up as something pretty hanging a wall.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-8046961435849372450?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/YDCvUqDR8fU" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/8046961435849372450/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=8046961435849372450" title="10 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8046961435849372450" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8046961435849372450" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/YDCvUqDR8fU/art-and-spirituality.htm" title="Art and Spirituality" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">10</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/art-and-spirituality.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-7511627730508369971</id><published>2009-05-21T22:24:00.000-07:00</published><updated>2009-05-21T22:54:57.844-07:00</updated><title type="text">Mary Cassatt</title><content type="html">&lt;img alt="google logo" hspace="5" src="http://www.artnewsblog.com/images/mary-cassatt.gif" align="left" vspace="5" /&gt;Google is celebrating the birth of the American impressionist painter &lt;a href="http://www.google.com/search?q=mary+cassatt"&gt;Mary Cassatt&lt;/a&gt; with a Cassatt-ized Google logo.&lt;br /&gt;&lt;br /&gt;It's one of my favorite artist tributes from Google. Google does loud and colorful logos well, but this Mary Cassatt logo shows that they can do subtle and neutral colors too. See more Google logos &lt;a href="http://www.google.com/holidaylogos.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Mary Cassat was born on the 22nd of May, 1844 in Allegheny City, Pennsylvania and died near Paris, France on the 14th of June, 1926 at the age of 82.&lt;br /&gt;&lt;br /&gt;The Mary Cassatt painting in the Google logo is "The Child's Bath" from 1893. It is owned by the &lt;a href="http://www.artic.edu/aic/collections/artwork/111442"&gt;Art Institute of Chicago&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img alt="Mary Cassatt - The Child's Bath" hspace="5" src="http://www.artnewsblog.com/images/mary-cassatt-painting.jpg" vspace="5" border="0" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-7511627730508369971?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/x68QLFbvICw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/7511627730508369971/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=7511627730508369971" title="8 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7511627730508369971" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7511627730508369971" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/x68QLFbvICw/mary-cassatt.htm" title="Mary Cassatt" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">8</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/mary-cassatt.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-6839513329383659274</id><published>2009-05-10T22:41:00.000-07:00</published><updated>2009-05-10T23:34:06.093-07:00</updated><title type="text">Travel Photos</title><content type="html">Yes, it's an art blog and doesn't have much to do with travel, but such is life. I have been ping ponging all over the place lately but I keep forgetting to take my camera with me. I managed to take a few snaps though.&lt;br /&gt;&lt;br /&gt;(Click to see larger images)&lt;br /&gt;&lt;br /&gt;In a hotel in &lt;a href="http://www.artnewsblog.com/2009/04/round-about-canberra-blue-poles.htm"&gt;Canberra&lt;/a&gt; I had this trippy ceiling that didn't let my eye rest. I think as an artist you just let an image take you where it wants to go, but this wallpaper on my ceiling just made me dizzy.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/ceiling-a.jpg"&gt;&lt;img alt="hotel ceiling in canberra" hspace="5" src="http://www.artnewsblog.com/images/ceiling-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Most trees at home are green all year, so I found these trees interesting. There was something romantic about walking down this path, even if I was alone.. and freezing.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/canberra-trees-a.jpg"&gt;&lt;img alt="Autumn trees in Canberra" hspace="5" src="http://www.artnewsblog.com/images/canberra-trees-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;See the parrots in the grass? That's why they're called Grass Parrots I guess. I have always loved birds and get pretty excited when I see them in the wild. Click on the image to see a larger version.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/grass-parrots-a.jpg"&gt;&lt;img alt="Australian Grass Parrots in Canberra" hspace="5" src="http://www.artnewsblog.com/images/grass-parrots-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here's the view from my hotel in &lt;a href="http://www.artnewsblog.com/2009/05/john-brack-in-melbourne.htm"&gt;Melbourne&lt;/a&gt;.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/melbourne-city-a.jpg"&gt;&lt;img alt="Melbourne City view from Hotel" hspace="5" src="http://www.artnewsblog.com/images/melbourne-city-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here's another view of Melbourne.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/melbourne-bridge-a.jpg"&gt;&lt;img alt="Melbourne City Photo" hspace="5" src="http://www.artnewsblog.com/images/melbourne-bridge-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;One more photo of Melbourne city.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/melbourne-a.jpg"&gt;&lt;img alt="Melbourne City Picture" hspace="5" src="http://www.artnewsblog.com/images/melbourne-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Then I felt like I needed sun and warmth so I jumped in the car and headed North again. I have landed in the commercialized hippy town of Byron Bay. It's a strange combination of weekend hippies, far out hippies, wealthy retired people, surfers, and BMW driving yuppy types. Along with lots of Germans, Brits, Japanese, Americans, and a number of other nationalities.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/byron-bay-lighthouse-b.jpg"&gt;&lt;img alt="byron bay lighthouse australia" hspace="5" src="http://www.artnewsblog.com/images/byron-bay-lighthouse-a.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Everytime I go to the Byron Bay lighthouse I seem to get wet.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/byron-bay-photo-a.jpg"&gt;&lt;img alt="byron bay photo australia" hspace="5" src="http://www.artnewsblog.com/images/byron-bay-photo-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;One more Byron Bay photo.&lt;br /&gt;&lt;a href="http://www.artnewsblog.com/images/byron-picture-a.jpg"&gt;&lt;img alt="byron bay picture australia" hspace="5" src="http://www.artnewsblog.com/images/byron-picture-b.jpg" vspace="5" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I haven't decided what I'm doing or where I'm going next, but I check out on Wednesday so I better hurry up and figure it out ;-)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-6839513329383659274?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/whtg4cjmQhw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/6839513329383659274/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=6839513329383659274" title="12 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/6839513329383659274" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/6839513329383659274" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/whtg4cjmQhw/travel-photos.htm" title="Travel Photos" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">12</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/travel-photos.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-7411603848361428978</id><published>2009-05-09T03:43:00.000-07:00</published><updated>2009-05-09T03:51:38.515-07:00</updated><title type="text">Vincent van Gogh Poem</title><content type="html">I don't know who wrote this poem as it was left by "Anonymous" on an old &lt;a href="http://www.artnewsblog.com/2006/06/vincent-van-gogh-quotes.htm"&gt;Vincent van Gogh Quotes post&lt;/a&gt;. The only details he/she left was.. &lt;em&gt;"A friend of mine wrote these words today after we spoke of the life of Van Gogh and the recently published book on his history."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Anyway, here's a Vincent inspired poem by "HK"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hands of colors Dutch&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Swirl like a painter’s hand gone mad&lt;br /&gt;Canvas of face and time reflect&lt;br /&gt;Bristles of lead give hues of past&lt;br /&gt;Brushes like swords are in array.&lt;br /&gt;&lt;br /&gt;I stand in front of the easel like a jury&lt;br /&gt;Words like paint on white torture my hands and eyes&lt;br /&gt;They taunt me like an old pavement princess&lt;br /&gt;Wanting to believe that the brush is still gold&lt;br /&gt;Music I hear or is that the ringing from glimpses of you&lt;br /&gt;&lt;br /&gt;Paint away the now. Paint with colors only seen by angels&lt;br /&gt;Colors that hide and feel like a blanket on a cold day&lt;br /&gt;My stand in a broken seal, trembles with dread&lt;br /&gt;Hoping to cure the demon that makes me paint away the now in me&lt;br /&gt;&lt;br /&gt;I taste the colors of your soul. I wish that I could write the words that are&lt;br /&gt;In my soul. Words of color and hope. Words that make the pain stop.&lt;br /&gt;Paint. Paint away the pain.&lt;br /&gt;My canvas is my life, and I give you the colors and brushes of me.&lt;br /&gt;&lt;br /&gt;HK&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-7411603848361428978?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/Jyr-kY7Fq2k" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/7411603848361428978/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=7411603848361428978" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7411603848361428978" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/7411603848361428978" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/Jyr-kY7Fq2k/vincent-van-gogh-poem.htm" title="Vincent van Gogh Poem" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/vincent-van-gogh-poem.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-5912797712840559174</id><published>2009-05-08T15:34:00.000-07:00</published><updated>2009-05-08T15:43:53.417-07:00</updated><title type="text">Nicole Danes is a Scammer</title><content type="html">I received a few emails and comments left on the &lt;a href="http://www.artnewsblog.com/2008/05/list-of-artist-scammers-and-fraudsters.htm"&gt;art scammers list&lt;/a&gt; about Nicole Danes &lt;a href="mailto:nicodanes@live.com"&gt;nicodanes@live.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;She/he must be hitting a lot of artists at the moment. So I'm just publishing this post so that her name and/or email address shows up on Google, letting artists know that she &lt;strong&gt;&lt;em&gt;is&lt;/em&gt;&lt;/strong&gt; a scammer.&lt;br /&gt;&lt;br /&gt;Here's an example of an email sent by it..&lt;br /&gt;&lt;br /&gt;From: Nicole Danes &lt;&lt;a href="mhtml:%7B84850347-ADB6-4C54-A336-51D3603F7C00%7Dmid://00000115/!x-usc:mailto:nicodanes@live.com"&gt;nicodanes@live.com&lt;/a&gt;&gt;&lt;nicodanes@live.com&gt;&lt;br /&gt;Date: May 7, 2009 10:45:58 AM EDT&lt;br /&gt;To: &lt;-----&gt;&lt;br /&gt;Subject: artworks purchase&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Good day to you.&lt;br /&gt;&lt;br /&gt;I am so excited that I came across of your work on internet search,I am interested in purchasing these creative artworks from you.....................&lt;br /&gt;&lt;br /&gt;Construct Series 7,Construct Series 1,Slab,juncture and evanesce&lt;br /&gt;&lt;br /&gt;Let me know their various prices.and how much discounts are you going to give?I will be happy to have these selected artworks hanged in our new home in South Africa. As well, I want you to take out the shipping cost.I have been in touch with a shipping firm that will be shipping other house decoratives.&lt;br /&gt;&lt;br /&gt;We are traveling from our Dallas home to our new apartment as soon as possible.On Paying for the artworks,I will be glad to pay you with a Money Order or Cashier`s check in US funds that can be easily cashed at your local bank,please let me know on how to proceed for the payment of the creative artworks.&lt;br /&gt;&lt;br /&gt;I will await your advise on how to proceed.Have a wonderful day.&lt;br /&gt;&lt;br /&gt;Take care,&lt;br /&gt;Nicole Danes&lt;br /&gt;&lt;br /&gt;&gt;&gt; &lt;a href="http://www.artnewsblog.com/2008/05/list-of-artist-scammers-and-fraudsters.htm"&gt;List of Cockroaches&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-5912797712840559174?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/cB31SzQAPCk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/5912797712840559174/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=5912797712840559174" title="13 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5912797712840559174" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5912797712840559174" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/cB31SzQAPCk/nicole-danes-is-scammer.htm" title="Nicole Danes is a Scammer" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">13</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/nicole-danes-is-scammer.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-3839503972112106460</id><published>2009-05-06T16:19:00.000-07:00</published><updated>2009-05-06T16:28:58.039-07:00</updated><title type="text">Painter Riding on the Back of Photographer?</title><content type="html">A photographer recently asked an interesting question on an old post called &lt;a href="http://www.artnewsblog.com/2006/04/painting-from-photographs.htm"&gt;Painting from Photographs&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;He asks..&lt;br /&gt;&lt;br /&gt;&lt;em&gt;What should a photographer do after receiving a request from a painter who wants to paint loads of his images?&lt;br /&gt;&lt;br /&gt;- a fee per image?&lt;br /&gt;- % when painter sells this painting?&lt;br /&gt;- just agreement about a credit line for the photographer?&lt;br /&gt;&lt;br /&gt;I consider my photography as art on its own and somebody would like to do his/her art with my art.&lt;br /&gt;Any suggestions?&lt;br /&gt;I have no problem with 1-3 images painted and a credit line but more than 20???&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-3839503972112106460?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/uWklITtLh0c" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/3839503972112106460/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=3839503972112106460" title="7 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3839503972112106460" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/3839503972112106460" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/uWklITtLh0c/painter-riding-on-back-of-photographer.htm" title="Painter Riding on the Back of Photographer?" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">7</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/painter-riding-on-back-of-photographer.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-4279723057912060107</id><published>2009-05-04T05:27:00.000-07:00</published><updated>2009-05-04T06:24:50.640-07:00</updated><title type="text">ArtPrize.org - The $250,000 Art Prize</title><content type="html">&lt;a href="http://www.artprize.org/"&gt;ArtPrize&lt;/a&gt; has created some debate among artists recently. The Grand Rapids, Michigan based art prize is offering the winning artist $250,000, 2nd place $100,000, 3rd place $50,000 and $7000 for the next 7 artists.&lt;br /&gt;&lt;br /&gt;That much money on offer gets a lot of attention from artists and the media, but the thing that artists are discussing most is the judging process; there is none. OK, not none, but the public vote for the winner. This has made many artist afraid, especially conceptual artists, and I think they have good reason to be afraid as most people have no reason to be in a gallery. I know that I wouldn't be a very good judge of hairy footed pheasants at a cock show as I don't know anything about them, which is the same reason that people who wouldn't know a poster from an oil painting wouldn't be very good at judging art.&lt;br /&gt;&lt;br /&gt;It seems to be an experimental art prize though, which hopes to involve the public and get them looking at art, so it's all good. It will be interesting to see the winning work. The choices of art experts often have me scratching my head, so the public can't do much worse in choosing a winner.&lt;br /&gt;&lt;br /&gt;ArtPrize is open to artists worldwide and judging is open to anyone that attends an exhibition space throughout Grand Rapids, Michigan. &lt;a href="http://www.artprize.org/"&gt;See the ArtPrize website&lt;/a&gt; for more information on entering the art competition. They also &lt;a href="http://blog.artprize.org/"&gt;have a blog&lt;/a&gt; discussing the prize.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://susanmulder.wordpress.com/"&gt;Thanks to Susan&lt;/a&gt; and those that let me know of the art prize.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-4279723057912060107?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/fbcigdcML4I" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/4279723057912060107/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=4279723057912060107" title="17 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4279723057912060107" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4279723057912060107" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/fbcigdcML4I/artprizeorg-250000-art-prize.htm" title="ArtPrize.org - The $250,000 Art Prize" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">17</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/artprizeorg-250000-art-prize.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-4361123968272601859</id><published>2009-05-02T17:45:00.000-07:00</published><updated>2009-05-03T06:07:04.536-07:00</updated><title type="text">John Brack in Melbourne</title><content type="html">Two things that I have quickly noticed about the city of Melbourne is their love for &lt;a href="http://www.afl.com.au/"&gt;AFL&lt;/a&gt; (Australian Football League) and their love for Melbourne artists. I passed thousands of supporters dressed in brown and yellow everything yesterday, so I'm glad I wasn't wearing the colors of the opposing team. It's not just guys that are fanatical about the sport, everyone seems to be. If I hang around Melbourne for much longer I might even go to a game to see what they're all so excited about.&lt;br /&gt;&lt;br /&gt;&lt;img alt="John Brack Collins St 5pm" hspace="5" src="http://www.artnewsblog.com/images/collins-street-5pm.jpg" align="left" vspace="5" /&gt;After reading a few reviews in local newspapers of the current John Brack &lt;a href="http://www.ngv.vic.gov.au/johnbrack/"&gt;exhibition at the National Gallery of Victoria&lt;/a&gt;, it makes me think that they love their artists as much as their athletes. I can't remember the exact words of one glowing review in a major newspaper but it called it a perfect exhibition and urged anyone with an Australian bone in their body to rush down and experience this art utopia.&lt;br /&gt;&lt;br /&gt;I wouldn't dare tell this to a Melbournite, but I wasn't that impressed with the John Brack exhibition. Although he does have a few iconic pictures that depict a particular time and place in Australia like Collins St, 5p.m. from 1955 (pictured), &lt;a href="http://nga.gov.au/Federation/Detail.cfm?WorkID=26247"&gt;The Car from 1955&lt;/a&gt;, and &lt;a href="http://www.ngv.vic.gov.au/ngvfoundation/thebar.html"&gt;The Bar from 1954&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;After the 1950s I started to lose concentration. It was like he was trying to be something that he wasn't, trying to be new like a lot of art being produced in &lt;a href="http://www.artnewsblog.com/2009/04/round-about-canberra-blue-poles.htm"&gt;America around the same time&lt;/a&gt;. I became a little more interested in the 1980s when he was painting pencils, but I eventually returned to the 1950s rooms to leave the exhibition on a high note.&lt;br /&gt;&lt;br /&gt;&lt;img alt="John Brack the Battle Pencils" hspace="5" src="http://www.artnewsblog.com/images/john-brack-pencils.jpg" vspace="5" /&gt;&lt;br /&gt;The Battle - 1983 - John Brack uses pencils to depict French and British soldiers in the &lt;a href="http://en.wikipedia.org/wiki/Battle_of_Waterloo"&gt;Battle of Waterloo&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I was much more impressed by a room of Fred Williams paintings in the free section of the gallery. &lt;a href="http://fredwilliams.lookat.me.com.au/search/results.me?goto=5"&gt;Here's some work&lt;/a&gt; by Fred Williams online. Fred Williams is also from this area, so I probably wouldn't be hung for admitting that I like him more.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-4361123968272601859?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/SyHJ6OeBj6c" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/4361123968272601859/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=4361123968272601859" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4361123968272601859" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/4361123968272601859" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/SyHJ6OeBj6c/john-brack-in-melbourne.htm" title="John Brack in Melbourne" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/john-brack-in-melbourne.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-5081288197373972391</id><published>2009-05-01T16:53:00.000-07:00</published><updated>2009-05-01T17:44:36.976-07:00</updated><title type="text">Joan Mitchell Sunflower Paintings</title><content type="html">One of my favorite female painters is showing at the &lt;a href="http://www.hauserwirth.com/"&gt;Hauser &amp;amp; Wirth Zürich&lt;/a&gt; gallery in Switzerland. "&lt;a href="http://www.hauserwirth.com/exhibitions/322/joan-mitchell-sunflowers/view/"&gt;Joan Mitchell - Sunflowers&lt;/a&gt;" runs from June 6 through to July 25.&lt;br /&gt;&lt;br /&gt;&lt;img alt="Joan Mitchell Sunflower Paintings" hspace="5" src="http://www.artnewsblog.com/images/joan-mitchell-sunflowers.jpg" vspace="5" /&gt;&lt;br /&gt;&lt;br /&gt;I like paintings that look like they were fun to paint. Art doesn't have to be any more complicated than that for me. Concepts and theories come a distant second. If I can't relate to the painting of a picture, I move on to the next one.&lt;br /&gt;&lt;br /&gt;From the &lt;a href="http://www.hauserwirth.com/exhibitions/322/joan-mitchell-sunflowers/view/"&gt;exhibition press release&lt;/a&gt;..&lt;br /&gt;"Joan Mitchell’s Sunflower paintings count amongst the most experimental and vibrant of all&lt;br /&gt;her works. In the upstairs gallery at Hauser &amp;amp; Wirth Zürich, six canvases dating from the&lt;br /&gt;1960s and the year before her death, etchings and drawings host an extraordinary diversity of&lt;br /&gt;marks with compositions whose ungovernable vitality refuse to comply to the rules of image&lt;br /&gt;making. Mitchell considered sunflowers to be 'like people' — subjects to empathise with&lt;br /&gt;whose life cycles were played out with exuberance but brutal swiftness. 'If I see a sunflower&lt;br /&gt;drooping, I can droop with it,' she explained, 'and I draw it, and feel it until its death.' Like&lt;br /&gt;van Gogh whose precedent she was brave enough to summon, she embraced sunflowers for&lt;br /&gt;their hopefulness as much as for their assertive and undeniable splendour. Her images do not&lt;br /&gt;much resemble the plants themselves: they are blue and red as well as golden, erratically&lt;br /&gt;dancing sweeps of colour that communicate internal as much as external landscape."&lt;br /&gt;&lt;br /&gt;Here's a link to the &lt;a href="http://www.joanmitchellfoundation.org/"&gt;Joan Mitchell Foundation&lt;/a&gt; too.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-5081288197373972391?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/WLVW50DQFqg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/5081288197373972391/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=5081288197373972391" title="15 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5081288197373972391" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/5081288197373972391" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/WLVW50DQFqg/joan-mitchell-sunflower-paintings.htm" title="Joan Mitchell Sunflower Paintings" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">15</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/05/joan-mitchell-sunflower-paintings.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-2377283500966244049</id><published>2009-04-25T00:07:00.000-07:00</published><updated>2009-04-25T00:49:16.433-07:00</updated><title type="text">Round About Canberra + Blue Poles</title><content type="html">Posting has been a little light lately as I have jumped in the car and just kept driving. I'm about 5 hours south from home and am freezing. I'm in the Australian Capital Territory, in the city of Canberra to see Jackson Pollock's &lt;a href="http://nga.gov.au/International/Catalogue/Detail.cfm?IRN=36334"&gt;Blue Poles: Number 11&lt;/a&gt; from 1952 at the National Gallery of Australia.&lt;br /&gt;&lt;br /&gt;&lt;img alt="Jackson Pollock Blue Poles Painting" hspace="5" src="http://www.artnewsblog.com/images/blue-poles.jpg" align="left" vspace="5" /&gt;It was bought by the Australian government in 1973 for $2 million USD and created a lot of controversy at the time. If the much smaller and much less impressive No. 5, 1948 painting was sold by David Geffen in 2006 for $140 million, Blue Poles would easily be worth $150 million today.. even in a financial crisis. I rarely ever put a money value on art when I'm in a gallery, but for Blue Poles I'll make an exception.&lt;br /&gt;&lt;br /&gt;Also, I find it funny that a city filled with politicians is based around circles. You can drive around and around and not really get anywhere.. just as politicians go around and around and never really get anywhere. See what I mean on &lt;a href="http://maps.google.com/maps?f=q&amp;amp;source=s_q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;q=canberra+city&amp;amp;sll=-35.28204,149.12858&amp;amp;sspn=0.010265,0.022659&amp;amp;ie=UTF8&amp;amp;t=h&amp;amp;z=16&amp;amp;iwloc=A"&gt;Google maps&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;My next stop may be Melbourne.. then maybe Tasmania.. but I'm taking each day as it comes and seeing where the wind blows me. A big gust of wind could even pick me up and take me to London or New York. You just never know what's around the corner when you're a &lt;a href="http://www.artnewsblog.com/2009/03/paper-in-wind.htm"&gt;paper bag blowing in the wind&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-2377283500966244049?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/GL9lbCJtoMw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/2377283500966244049/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=2377283500966244049" title="15 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2377283500966244049" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2377283500966244049" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/GL9lbCJtoMw/round-about-canberra-blue-poles.htm" title="Round About Canberra + Blue Poles" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">15</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/04/round-about-canberra-blue-poles.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-562022424561348684</id><published>2009-04-24T19:03:00.000-07:00</published><updated>2009-04-25T00:01:21.221-07:00</updated><title type="text">Takashi Murakami and Louis Vuitton Controversy</title><content type="html">There's an &lt;a href="http://www.latimes.com/entertainment/news/arts/la-et-vuitton23-2009apr23,0,6238759.story"&gt;interesting article&lt;/a&gt; over at the LA Times on art, manufacturing, brands, and people that seem to enjoy being in court.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"They may not have realized it, but the folks who snapped up as much as $4-million worth of limited-edition prints by artist Takashi Murakami two years ago at the special Louis Vuitton boutique inside his exhibition at L.A.'s Museum of Contemporary Art apparently were getting nicely mounted handbags -- minus the snaps and straps."&lt;/em&gt; &lt;a href="http://www.latimes.com/entertainment/news/arts/la-et-vuitton23-2009apr23,0,6238759.story"&gt;LA Times&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Basically, a collector didn't like the fact that his Takashi Murakami Louis Vuitton prints were just left over Louis Vuitton material strapped to canvas stretchers.&lt;br /&gt;&lt;br /&gt;I can't see a problem with it. Takashi Murakami is like Japan's Damien Hirst and he doesn't hide the fact that he's a branding machine in the business of selling products. The exhibition at the &lt;a href="http://www.moca.org/murakami/"&gt;The Museum of Contemporary Art, Los Angeles&lt;/a&gt; was called "Copyright Marakami" which should have given the collector some idea of what the artist is all about.&lt;br /&gt;&lt;br /&gt;You don't expect a Damien Hirst spot painting to be painted by Damien Hirst.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-562022424561348684?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/qCeYsMMOa1w" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/562022424561348684/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=562022424561348684" title="6 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/562022424561348684" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/562022424561348684" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/qCeYsMMOa1w/takashi-murakami-and-louis-vuitton.htm" title="Takashi Murakami and Louis Vuitton Controversy" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">6</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/04/takashi-murakami-and-louis-vuitton.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-2559690798350839400</id><published>2009-04-18T09:51:00.000-07:00</published><updated>2009-04-18T10:31:36.856-07:00</updated><title type="text">Art Galleries and Artists</title><content type="html">Artists and galleries seem to be further apart than I thought. The recent &lt;a href="http://www.artnewsblog.com/2009/04/internet-and-running-art-gallery.htm"&gt;art galleries and Internet post&lt;/a&gt; created comments that were anti artist or art gallery. A comment by "anonymous" on &lt;a href="http://www.artnewsblog.com/2006/07/starting-art-gallery.htm"&gt;Starting an Art Gallery&lt;/a&gt; (who usually has something controversial to say) said this..&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"..here is the KEY.. own your building... this proves your loyalty to art and separates yourself from the others.. so wonderful! then don't listen to what artists have to say about them having to bear the burden of the costs.. 2 reasons... first. artists (especially abstract painters) are a dime a dozen. second.. it is an artists job to spend money on their lifestyle... so if you were a full time snowboarder, it would cost you equipment, lift tickets,gas to get there, lifestyle clothing, etc..so, being an artist costs, frames, paint, entry fees and The Burden of dealing with art gallery divas like myself."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Ouch.. No wonder artists and art galleries don't get along. I would hate to be an abstract artist exhibiting with this guy! I would quickly start painting cow turds and tell him it was important to you and that you're confident the public will buy, buy, buy.. lol.&lt;br /&gt;&lt;br /&gt;Also, the Australian artist &lt;a href="http://www.hazeldooney.com/"&gt;Hazel Dooney&lt;/a&gt; replied to the recent Art Gallery and Internet post with the following to say..&lt;br /&gt;&lt;br /&gt;"But the power of new media, combined with the accelerating decline of traditional galleries, especially in a drastically deteriorating global economy, is such that even the most persistent and grasping middlemen will lose their grip in the near future. While artists will flourish on the net, only a very few galleries are likely to adapt to it, let alone be able transfer offline success online.&lt;br /&gt;As any geek – or record company – can tell you, the web works against any effort to exert control within it. " &lt;a href="http://hazeldooney.blogspot.com/2009/04/i-wont-be-your-give-man-anymore.html"&gt;Read her full post here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;It seems that artists and art galleries live on different planets. Personally, my dealings with art galleries have left a very bad taste in my mouth, so I decided to take a route that allowed me to forgo selling art, but still allow me to comfortably pay the bills. I now hate parting with paintings and I paint what I want, but I guess my storage will run out eventually ;-)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-2559690798350839400?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/hHrLSwSLIYA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/2559690798350839400/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=2559690798350839400" title="13 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2559690798350839400" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/2559690798350839400" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/hHrLSwSLIYA/art-galleries-and-artists.htm" title="Art Galleries and Artists" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">13</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/04/art-galleries-and-artists.htm</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-8107992.post-8186637229759482424</id><published>2009-04-16T23:46:00.000-07:00</published><updated>2009-04-17T00:19:55.816-07:00</updated><title type="text">Being an Artist is a Privilege</title><content type="html">Robert Genn's latest &lt;a href="http://clicks.robertgenn.com/dissatisfied-artist.php"&gt;Painter's Keys newsletter&lt;/a&gt; is an interesting one. He replies to a letter from artist &lt;a href="http://www.lockhartfineart.com/"&gt;Tom Lockhart&lt;/a&gt; talking about how being an artist can be tough. Tom wrote the following to Robert..&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"I work 50 to 65 hours per week, teach workshops and serve on the Board of a Local Arts Center. I judge art shows and travel to locations to paint. I earn $75,000.00 to $100,000.00 annually--too much to get a grant. I pay more than my share of taxes, expense out what the law allows and still find it difficult to make ends meet. I'm constantly paying entry fees, dues, advertising, framers, suppliers and travel expenses. I can't understand why the public insists on buying cheap, crappy art from poorly educated artists who suffer for their craft. Yuk! There are constantly retired lawyers, doctors, architects, dentists and other professionals who decide to become painters. They put their work in galleries and sell to the unsophisticated, taking sales away from deserving, serious artists. And now with the economic bad times, it's even harder to sell your art. What do you think about this?"&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;See &lt;a href="http://clicks.robertgenn.com/dissatisfied-artist.php"&gt;Robert's reply here&lt;/a&gt;. He basically says things aren't so bad as you are an artist!&lt;br /&gt;&lt;br /&gt;I couldn't agree more. Being an artist is a privilege that should be appreciated. Listening to an artist complain about being an artist is like listening to someone with 5 Ferraris complain about not having 6 Ferraris. The quickest way to shut me up if I'm ever whinging about being an artist is to tell me to go get a 9 to 5 job.&lt;br /&gt;&lt;br /&gt;I'm not saying that being an artist doesn't have it's ups and downs, but look at the alternatives. Take an office job or get into sales for a while if being an artist ever becomes a chore. If you really are an artist you'll quickly come running back to the studio and the many privileges of being an artist.&lt;br /&gt;&lt;br /&gt;I never feel sorry for struggling artists as it's hard to have any sympathy for a person with the equivalent of 5 Ferraris in the garage. I don't care if you can't pay the rent or you're tired of eating 2 minute noodles.. you're an artist!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8107992-8186637229759482424?l=www.artnewsblog.com%2Findex.htm'/&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/artsnewsblog/~4/uRU2WYrfhHA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/8186637229759482424/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=8107992&amp;postID=8186637229759482424" title="33 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8186637229759482424" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8107992/posts/default/8186637229759482424" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/artsnewsblog/~3/uRU2WYrfhHA/being-artist-is-privilege.htm" title="Being an Artist is a Privilege" /><author><name>Woopidoo</name><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd="http://schemas.google.com/g/2005" name="OpenSocialUserId" value="11347771053939933530" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">33</thr:total><feedburner:origLink>http://www.artnewsblog.com/2009/04/being-artist-is-privilege.htm</feedburner:origLink></entry></feed>
