<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">

<title>Glide Magazine - Music :: Culture :: Life</title>
<subtitle>Glide Magazine is an online magazine with features, columns and reviews that focuses on the eclectic culture embodied by live music, the outdoors and other creative outlets.</subtitle>

<link href="http://www.glidemagazine.com/?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide" />
<updated>2013-05-20T13:44:06+00:00</updated>
<author>
	<name>Glide Magazine</name>
	<email>info@glidemagazine.com</email>
	<uri>http://www.glidemagazine.com/?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</uri>
</author>
<id>http://www.glidemagazine.com//</id>

<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/atom-glide-reviews" /><feedburner:info uri="atom-glide-reviews" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry>
			  <title type="html"><![CDATA[Grateful Dead]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/8v4819hSRbg/grateful-dead.html" />
			  <id>http://www.glidemagazine.com/articles/59476/grateful-dead.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-20T13:44:06+00:00</updated>
			  <content type="html"><![CDATA[As the Grateful Dead organization entered its transition from an  independent business entity to its full-fledged collaboration with Rhino  Records in the middle of the last decade, the titles in the &amp;lsquo;Dick&amp;rsquo;s  Pick&amp;rsquo;s&amp;rsquo; archive series became available only sporadically. Beginning in  2011, however, Real Gone Music began the regular reissue of the titles. Dick&amp;rsquo;s Picks #24,  recorded March 1974 at the venerable Cow Palace, is testament to a high  level of inspiration in the band&amp;rsquo;s playing, no doubt elevated even  further as it takes place on the group&amp;#39;s home turf in San Francisco.  Even more notably, this concert represents the first use of the hallowed  &amp;lsquo;Wall of Sound&amp;rsquo; in its entirety.]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59476/grateful-dead.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Marques Toliver]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/oR09gDxrKQg/marques-toliver.html" />
			  <id>http://www.glidemagazine.com/articles/59471/marques-toliver.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-17T03:54:57+00:00</updated>
			  <content type="html"><![CDATA[To pin the R&amp;amp;B label on Land of CanAan  would miss what Marques Toliver&amp;rsquo;s first album captures: a junction of  soul and classical sensibility, where a violinist with a killer vocal  shakes up both genres. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59471/marques-toliver.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[The Waterboys ]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/pIQ6edEVftI/the-waterboys.html" />
			  <id>http://www.glidemagazine.com/articles/59468/the-waterboys.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-15T04:53:10+00:00</updated>
			  <content type="html"><![CDATA[The Waterboys&amp;#39; An Appointment with Mr. Yeats actually predates the concept of the Billy Bragg/Wilco Mermaid Avenue  project as well as New Multitudes&amp;#39; more recent homage to Woody Guthrie.  Nurtured by bandleader Mike Scott over a period of two decades, the  album&amp;#39;s exalting music, roiling (&amp;quot;The Hosting of the Shee&amp;quot;) and  reflective (&amp;quot;Song of Wandering Aengus), has its inspiration in the verse  of the genius Irish poet William Butler Yeats. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59468/the-waterboys.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Courtney Jaye]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/b93CGjuEqyc/courtney-jaye.html" />
			  <id>http://www.glidemagazine.com/articles/59467/courtney-jaye.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-15T04:38:42+00:00</updated>
			  <content type="html"><![CDATA[In interviews regarding her new album Love and Forgiveness,  Courtney Jaye has been quoted as saying &amp;ldquo;I&amp;rsquo;ve always wanted to find a  way to not be afraid of pop.&amp;nbsp; I&amp;rsquo;m done apologizing for writing big  songs.&amp;rdquo;&amp;nbsp; Jaye (with a helping hand from producer Mike Wrucke) has  certainly done that here as fans of 70&amp;rsquo;s folk-pop will instantly enjoy  their surroundings. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59467/courtney-jaye.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Lovelife]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/Soxa3bXiPyg/lovelife.html" />
			  <id>http://www.glidemagazine.com/articles/59466/lovelife.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-15T04:30:12+00:00</updated>
			  <content type="html"><![CDATA[A strobe light danced intermittently to a drum track over a bare  stage.&amp;nbsp;&amp;nbsp; Clad in all black, the four members of pop band Lovelife took  the Paradise stage.&amp;nbsp; Keyboardist Ally Young laid down the introductory  synthesizer track to &amp;ldquo;Brave Heart&amp;rdquo;.&amp;nbsp; When drummer Frank Colucci kicked  in, vocalist Lee Newell and guitarist Sam Jackson sang the double vocal  harmonies.&amp;nbsp; As the opening act the crowd was somewhat sparse but the  band grabbed the audience&amp;rsquo;s attention.&amp;nbsp; ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59466/lovelife.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Kenny Roby]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/wueie5U93BQ/kenny-roby.html" />
			  <id>http://www.glidemagazine.com/articles/59461/kenny-roby.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-13T13:44:18+00:00</updated>
			  <content type="html"><![CDATA[2013 may not be finding Kenny Roby as wealthy or as famous as his old pal,  Adams, but it has found him back on his feet as a musician. These quiet  years away from the musical grind have allowed him to painstakingly  craft an album borne out of his vision and outlook, and the results  sound pretty sweet. It&amp;rsquo;s a triumph for the spirit of the artist, and  hopefully a sign of more good things to come. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59461/kenny-roby.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[The Slackers]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/akZi-Lm82q0/the-slackers.html" />
			  <id>http://www.glidemagazine.com/articles/59459/the-slackers.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-13T13:01:03+00:00</updated>
			  <content type="html"><![CDATA[he Slackers, a six-piece ska and rock-steady band from New York, premiered a handful of songs Saturday night for a crowd of 55 packed into a Manhattan loft. Dubbed a &amp;ldquo;secret show,&amp;rdquo; the sold-out performance paired the group&amp;rsquo;s in-the-works singles with covers and requests.  ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59459/the-slackers.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Dragonette]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/LTGiCKQ49hk/dragonette.html" />
			  <id>http://www.glidemagazine.com/articles/59458/dragonette.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-11T02:22:27+00:00</updated>
			  <content type="html"><![CDATA[Currently touring in support of the recently released Bodyparts,  Martina Sorbara and her band brought their talents to New York City on  Wednesday night, taking Terminal 5 by storm and wasting no time at  turning the venue into a dancehall.]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59458/dragonette.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Cloud Cult]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/b-JvL_GjFvY/cloud-cult.html" />
			  <id>http://www.glidemagazine.com/articles/59457/cloud-cult.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-10T06:25:22+00:00</updated>
			  <content type="html"><![CDATA[e&amp;#39;re here in part for the same reason you are: to get a little out of our skin.&amp;quot;So said Craig Minowa, leader of Minneapolis based experimental  indie (in the true sense of the word) rockers, Cloud Cult. Now 11  full-length albums into their career, the sound is as expansive and, in  Minowa&amp;#39;s own words, schizophrenic, as ever. Yet a 90 minute set, as the  seven piece band offered up in Seattle in support of their latest  release, Love, remained an entirely cohesive and, dare I say it, life-affirming affair. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59457/cloud-cult.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[New Orleans Jazz &amp; Heritage Festival 2013- Weekend 2]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/0Pt62wvuKrY/new-orleans-jazz-heritage-festival-2013-weekend-2.html" />
			  <id>http://www.glidemagazine.com/articles/59456/new-orleans-jazz-heritage-festival-2013-weekend-2.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-10T06:20:19+00:00</updated>
			  <content type="html"><![CDATA[Drummers were high-energy beat  keepers all weekend: Mutemath&amp;rsquo;s Darren King with his duct-taped-on  headphones, Cowboy Mouth&amp;rsquo;s Fred LeBlanc&amp;rsquo;s always animated hard-hitting  antics, Patrick Carney whipping his sticks into a frenzy during the  Black Keys&amp;rsquo; Sunday set, the lanky legendary Mick Fleetwood, Stanton  Moore of Galactic coming off his seat as the adrenalin pumps him up and  Joey Peebles tearing the absolute skin off his drums during Trombone  Shorty&amp;rsquo;s Fest closing performance. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59456/new-orleans-jazz-heritage-festival-2013-weekend-2.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[JJ Grey &amp; Mofro]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/eEHctuxdx64/jj-grey-mofro.html" />
			  <id>http://www.glidemagazine.com/articles/59450/jj-grey-mofro.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-09T15:12:59+00:00</updated>
			  <content type="html"><![CDATA[Mofro&amp;rsquo;s appearance at Higher Ground was a reminder of what a rare  pleasure well-performed live music can be.&amp;nbsp; And it&amp;rsquo;s all the more so  pleasurable when that performance takes place in front of an audience  present for the music above all else. The larger of the two rooms at the  South Burlington venue held roughly two hundred people by the time The  Eric Krasno Band finished, but given the acclamation afforded the  openers (who proffered a well-intentioned but decidedly work-in-progress  set), they were all there for the music. ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59450/jj-grey-mofro.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Fitz and The Tantrums ]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/qQGbDn37azM/fitz-and-the-tantrums.html" />
			  <id>http://www.glidemagazine.com/articles/59452/fitz-and-the-tantrums.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-08T07:12:14+00:00</updated>
			  <content type="html"><![CDATA[After two years of exhaustive touring supporting their debut LP, Pickin&amp;#39; Up the Pieces,  Fitz &amp;amp; the Tantrums faced the daunting task of recording a  follow-up album that would live up to the newly heightened expectations  without simply releasing a carbon copy of the music that made them  famous. Perhaps as a way of delegating that problem, front-man Michael  Fitzpatrick this time opted against producing the album himself, instead  handing the reigns to Tony Hoffer (Beck, The Kooks). ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59452/fitz-and-the-tantrums.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Iggy and the Stooges]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/MRK-mIdRUAU/iggy-and-the-stooges.html" />
			  <id>http://www.glidemagazine.com/articles/59451/iggy-and-the-stooges.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-08T07:08:05+00:00</updated>
			  <content type="html"><![CDATA[For a band pushing the 40-year mark of existence, Iggy and the Stooges  blast through these songs with a strong, vital sense of purpose and  confidence. Ready to Die has  some hiccups, but it is more a statement of timely purpose and a  reminder that they&amp;rsquo;re still around and capable of hanging in there with a  new generation of rock fans. You get the feeling that Iggy will be  around a while to grind out his continued power strokes to the masses.&amp;nbsp;  ]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59451/iggy-and-the-stooges.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Paula Cole]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/YrstuJ0D_7A/paula-cole.html" />
			  <id>http://www.glidemagazine.com/articles/59444/paula-cole.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-06T18:54:11+00:00</updated>
			  <content type="html"><![CDATA[When compared alongside her complete repertoire, Raven will undoubtedly stand tall as one of Cole&amp;rsquo;s top albums.]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59444/paula-cole.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry><entry>
			  <title type="html"><![CDATA[Yeah Yeah Yeahs]]></title>
			  <link href="http://feedproxy.google.com/~r/atom-glide-reviews/~3/tuoG3BpQxHw/yeah-yeah-yeahs.html" />
			  <id>http://www.glidemagazine.com/articles/59440/yeah-yeah-yeahs.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</id>
			  <updated>2013-05-06T12:36:48+00:00</updated>
			  <content type="html"><![CDATA[Recorded in London, New York City, Echo Park, CA and Tornillo, Texas  with such high profile producers as Dave Sitek, the DFA&amp;#39;s James Murphy,  legendary UK post-punk/new wave producer Nick Launay and longtime Yeahs  associate Sam Spiegel (aka Squeak E. Clean), Mosquito is the Like A Prayer to Fever to Tell&amp;#39;s Like A Virgin, right up to the rousing gospel choir that roars at the coda of the explosive opening track &amp;quot;Sacrilege&amp;quot;.]]></content>
			  <feedburner:origLink>http://www.glidemagazine.com/articles/59440/yeah-yeah-yeahs.html?utm_source=feeds&amp;utm_medium=rss&amp;utm_campaign=glide</feedburner:origLink></entry></feed>
