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<title>Glide Magazine - Music :: Culture :: Life</title>
<subtitle>Glide Magazine is an online magazine with features, columns and reviews that focuses on the eclectic culture embodied by live music, the outdoors and other creative outlets.</subtitle>
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<updated>2013-06-02T23:37:25+00:00</updated>
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	<name>Glide Magazine</name>
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<entry>
			  <title type="html"><![CDATA[Boxer Rebellion]]></title>
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			  <updated>2013-06-02T23:37:25+00:00</updated>
			  <content type="html"><![CDATA[Listening to Promises from The  Boxer Rebellion is like gorging yourself on chocolate for a bit before  you start to get tired of it and suddenly remember that you can add some  things to the chocolate to make it even better. ]]></content>
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			  <title type="html"><![CDATA[Shooter Jennings]]></title>
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			  <updated>2013-05-31T13:56:02+00:00</updated>
			  <content type="html"><![CDATA[Shooter fearlessly confronts the duality of man&amp;rsquo;s nature. Can Saturday  night and Sunday morning learn to live side by side? Directly quoting  one of his father&amp;rsquo;s songs, he asks, &amp;ldquo;Don&amp;rsquo;t y&amp;rsquo;all think this &amp;lsquo;outlaw&amp;rsquo; bit  done got outta hand?&amp;rdquo; As a lens through which to view and contemplate  the finer points of man&amp;rsquo;s perplexing nature, The Other Life is not just Shooter&amp;rsquo;s birthright but a surprisingly fertile platform for hard-won philosophical insights.]]></content>
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			  <title type="html"><![CDATA[Dumpstaphunk]]></title>
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			  <updated>2013-05-31T13:50:42+00:00</updated>
			  <content type="html"><![CDATA[Coming from their hometown of New Orleans, Dumpstaphunk have steadily expanded their sound to achieve global funk success.&amp;nbsp; Dirty Word is the latest from the band and shows off the professional funkateers in winning fashion.&amp;nbsp; ]]></content>
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			  <title type="html"><![CDATA[Stones Fest]]></title>
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			  <updated>2013-05-29T06:08:03+00:00</updated>
			  <content type="html"><![CDATA[Stones Fest proved to be a veritable jukebox of Stones tunes, as each track  elicited howls of approval from the locked in and packed crowd. (Truth  be told, the setlist was more of the greatest hits variety, but you  don&amp;rsquo;t really hear people clamoring for much post-1989 Stones material,  anyways.)]]></content>
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			  <title type="html"><![CDATA[Vampire Weekend]]></title>
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			  <updated>2013-05-28T06:57:14+00:00</updated>
			  <content type="html"><![CDATA[At its core Modern Vampires of the City still  has the clever hooks and effortless melodies that made the band  blogosphere darlings in 2008, but underneath the gloss there&amp;#39;s a less  easy, more fatalistic worldview]]></content>
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			  <title type="html"><![CDATA[Sasquatch! Music Festival - Day 3]]></title>
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			  <updated>2013-05-27T21:32:28+00:00</updated>
			  <content type="html"><![CDATA[Days 2 and 3 of Sasquatch! Music Festival - they&amp;#39;re two different  beasts, but as the Festival begins to taper off, they definitely show  their individual colors. By Sunday (Day 3), most are feeling the fatigue  of doing three days nonstop- from Thursday&amp;#39;s camping adventures to the  music of Friday and Saturday. So, thankfully Sunday&amp;#39;s early scheduling  was a bit soft, making it able to ease into the day.   ]]></content>
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			  <title type="html"><![CDATA[Sasquatch! Music Festival - Day 2]]></title>
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			  <updated>2013-05-27T06:14:35+00:00</updated>
			  <content type="html"><![CDATA[If Day 1 of the 2013 Sasquatch! Music Festival was more subdued  and inconsistent, Day 2 was its total opposite, bringing bands that kept  the energy high, crowds dancing and laughing and with a never yielding  dose of sun. Surely there will be plenty more sunburns tomorrow morning,  but the general consensus seems it&amp;#39;s been well worth it, as Saturday  really delivered in every way.]]></content>
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			  <title type="html"><![CDATA[Sasquatch! Music Festival - Day 1]]></title>
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			  <updated>2013-05-25T19:49:28+00:00</updated>
			  <content type="html"><![CDATA[Rain started in the early hours of Friday, and continued until midday,  which put a considerable pall over the campgrounds (music wasn&amp;#39;t  starting until 4PM). Even so, festivalgoers got out as much as they  could, and the excitement for the day was palpable. That said, it took a  while for the show to get its groove going.]]></content>
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			  <title type="html"><![CDATA[Kurt Vile]]></title>
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			  <updated>2013-05-24T04:54:52+00:00</updated>
			  <content type="html"><![CDATA[There&amp;#39;s a certain kind of heft to Wakin on a Pretty Daze that  wasn&amp;#39;t present on a Kurt Vile LP before. And not just with regards to  the length of several of the songs that appear on this eleven-track  collection bookended by the nine-and-a-half minute &amp;quot;Wakin on a Pretty  Day&amp;quot; and the mesmerizing ten-plus minute comedown &amp;quot;Goldtone&amp;quot;. What is  more prevalent perhaps is the sense of ease by which the songs seem to  just roll out of your headphones as Vile and his current primary  Violators--multi-instrumentalists Jesse Trbovich and Rob  Laakso--submerge the street cool of late-80s Lou Reed into that hazy  psych-rock thing he&amp;#39;s been doing since since his bedroom dubbing days,  albeit less volatile from the sounds of such key tracks as &amp;quot;Was All  Talk&amp;quot; and &amp;quot;Shame Chamber&amp;quot;.]]></content>
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			  <title type="html"><![CDATA[Prince]]></title>
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			  <updated>2013-05-24T04:49:16+00:00</updated>
			  <content type="html"><![CDATA[Somewhere deep into his sold out 90 minute set at Denver&amp;#39;s Ogden  Theatre, Prince declared to his fans &amp;quot;Aint no party like a purple party  &amp;#39;cause the purple party don&amp;#39;t stop!&amp;quot;&amp;nbsp; This is a mantra Prince and his  fans have always seemed to live by, and at this rare intimate theater show, they all definitely lived up to that mantra in full. ]]></content>
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			  <title type="html"><![CDATA[The Darkness]]></title>
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			  <updated>2013-05-24T04:16:08+00:00</updated>
			  <content type="html"><![CDATA[If Queen and AC/DC could have a baby&amp;hellip;it&amp;rsquo;s name would be the Darkness.  And with that combination of rock and roll DNA, you really can&amp;rsquo;t go  wrong. The members of the band, Ed Graham (drums), sporting a Darkness  T-shirt, Dan Hawkins (guitar), with his signature Thin Lizzy T, Justin  Hawkins (vocals and guitar), channeling Freddie Mercury&amp;rsquo;s style with a  black and white vertical striped cat-suit and Frankie Poullain (bass) in  his Sci-Fi Samurai cowboy get-up - walked out on stage, held hands and  raised them into the air to the cheers of their ecstatic fans.]]></content>
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			  <title type="html"><![CDATA[The Features]]></title>
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			  <updated>2013-05-23T14:29:57+00:00</updated>
			  <content type="html"><![CDATA[Signed since 2011 to the Kings of Leon helmed imprint, Serpents &amp;amp;  Snakes, The Features have returned with their latest LP, an eleven track  self-titled walk through their kaleidoscopic soundscape, offering both  steady favorites and some new, interesting wrinkles. ]]></content>
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			  <title type="html"><![CDATA[Chelsea Light Moving]]></title>
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			  <updated>2013-05-22T06:24:35+00:00</updated>
			  <content type="html"><![CDATA[The recent revelation from Sonic Youth bassist and ex-wife Kim Gordon in  the May issue of Elle that Moore had a little side action going on  during the recent years of their marriage might come as a surprise to  some. But in listening to songs like the Roky Erickson homage &amp;quot;Empires  of Time&amp;quot;, &amp;quot;Frank O&amp;#39;Hara Hit&amp;quot;--which refers to the Dune Buggy death of  the acclaimed mid-60s poet--and the relentlessly scrub-core closing cut  &amp;quot;Communist Eyes&amp;quot;, there&amp;#39;s something fueling Thurston&amp;#39;s thirst for  throwback chaos.]]></content>
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			  <title type="html"><![CDATA[Machine Gun Kelly ]]></title>
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			  <updated>2013-05-22T06:14:53+00:00</updated>
			  <content type="html"><![CDATA[Machine Gun Kelly began his incredibly personal set with &amp;ldquo;Save Me&amp;rdquo; a hit off his Lace Up  album. The performance seemed to rile the crowd to the point where a  member of the audience climbed up on the rafters and was then promptly  ejected by an overzealous security guard.&amp;nbsp; Kelly continued with &amp;ldquo;What  I Do,&amp;rdquo; featuring Dub-O and Bun B, and held the somber energy throughout  the entire song. With lyrics like, &amp;ldquo;This shit&amp;rsquo;s too real for ya&amp;rsquo;ll  cause almost everybody rapping isn&amp;rsquo;t real at all. Sometimes I forget I  got a deal cause&amp;rsquo; I&amp;rsquo;m busy thinking about when I couldn&amp;rsquo;t get a meal at  all,&amp;rdquo; he depicted the struggle he faced before his &amp;ldquo;come up.&amp;rdquo; ]]></content>
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			  <title type="html"><![CDATA[Patty Griffin]]></title>
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			  <updated>2013-05-21T18:13:28+00:00</updated>
			  <content type="html"><![CDATA[After six years, Griffin returns with a masterclass in folk she&amp;rsquo;s dubbed American Kid, a record which explores life and death in a way that shows considerable candor and heartfelt honesty.]]></content>
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