<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:series="http://unfoldingneurons.com/" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>Audiotuts+</title> <link>http://audio.tutsplus.com</link> <description>Music, Sound &amp; Audio Tutorials</description> <pubDate>Wed, 22 May 2013 01:09:46 +0000</pubDate> <generator>http://wordpress.org/?v=3.5</generator> <language /> <generator>http://wordpress.org/?v=3.5</generator> <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/audiotuts-summary" /><feedburner:info uri="audiotuts-summary" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><title>Transforming Vocal Samples into Lead Synths</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/neiDe-tH9K8/</link> <comments>http://audio.tutsplus.com/tutorials/sound-design/sound-design-using-vocal-parts-as-instruments/#comments</comments> <pubDate>Tue, 21 May 2013 07:52:07 +0000</pubDate> <dc:creator>Mo Volans</dc:creator> <category><![CDATA[Logic Pro]]></category> <category><![CDATA[Sound Design]]></category> <category><![CDATA[kontakt]]></category> <category><![CDATA[Videos]]></category> <category><![CDATA[vocals]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17956</guid> <description>Looking for an epic lead instrument sound that&amp;#8217;s a bit different? Consider converting your lead vocal. In this sound design and mixing tutorial, Mo Volans shows you how he used a vocal part as a lead instrument in one of his recent projects. Even if you work with a different DAW or style of music, [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/neiDe-tH9K8" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/tutorials/sound-design/sound-design-using-vocal-parts-as-instruments/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/tutorials/sound-design/sound-design-using-vocal-parts-as-instruments/</feedburner:origLink></item> <item><title>Create Big Cinematic Percussion with Drums of War 2</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/BDIwKcpwQYg/</link> <comments>http://audio.tutsplus.com/tutorials/production/create-big-cinematic-percussion-with-drums-of-war-2/#comments</comments> <pubDate>Mon, 20 May 2013 07:18:42 +0000</pubDate> <dc:creator>David Bode</dc:creator> <category><![CDATA[Production]]></category> <category><![CDATA[kontakt]]></category> <category><![CDATA[reaper]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17929</guid> <description>In this tutorial we will explore Drums of War 2! We will demo the sounds and patches, as well and take a look at how the plugin is set up. We will check out two short examples of this plugin in use on some short cinematic tracks.&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/BDIwKcpwQYg" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/tutorials/production/create-big-cinematic-percussion-with-drums-of-war-2/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/tutorials/production/create-big-cinematic-percussion-with-drums-of-war-2/</feedburner:origLink></item> <item><title>Workshop #277: Omacrie by Bad Maxton</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/WdW2NwejylE/</link> <comments>http://audio.tutsplus.com/articles/workshop/workshop-277-omacrie-by-bad-maxton/#comments</comments> <pubDate>Sat, 18 May 2013 08:00:28 +0000</pubDate> <dc:creator>Adrian Try</dc:creator> <category><![CDATA[Workshop]]></category> <category><![CDATA[tuts-workshop]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17816</guid> <description>This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song. Description of the track: Being swamped with work for far too long, we [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/WdW2NwejylE" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/articles/workshop/workshop-277-omacrie-by-bad-maxton/feed/</wfw:commentRss> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/Omacrie.mp3" length="4809698" type="audio/mpeg" /> <feedburner:origLink>http://audio.tutsplus.com/articles/workshop/workshop-277-omacrie-by-bad-maxton/</feedburner:origLink></item> <item><title>Symmetrical Scales Part 2 – Diminished</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/pyFzaQVqMS4/</link> <comments>http://audio.tutsplus.com/tutorials/instruments/symmetrical-scales-part-2-diminished/#comments</comments> <pubDate>Thu, 16 May 2013 09:08:21 +0000</pubDate> <dc:creator>Lenny Pietrolata</dc:creator> <category><![CDATA[Instruments]]></category> <category><![CDATA[guitar]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17877</guid> <description>Here’s the second chapter of the symmetrical scales saga, covering the diminished sound. I like to refer to it as “sound” instead of scale, since today we’re going to get really physical with two types of diminished: the diminished scale, and the dominant diminished scale. 1. Theory Diminished Scale Let’s start with the diminished scale. [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/pyFzaQVqMS4" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/tutorials/instruments/symmetrical-scales-part-2-diminished/feed/</wfw:commentRss> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/Lick-1.mp3" length="300325" type="audio/mpeg" /> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/Lick-2.mp3" length="273680" type="audio/mpeg" /> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/Lick-3.mp3" length="373990" type="audio/mpeg" /> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/Lick-4.mp3" length="502512" type="audio/mpeg" /> <series:name><![CDATA[Symmetrical Scales]]></series:name> <feedburner:origLink>http://audio.tutsplus.com/tutorials/instruments/symmetrical-scales-part-2-diminished/</feedburner:origLink></item> <item><title>Critique: Wolves</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/CmLF2b7UBY0/</link> <comments>http://audio.tutsplus.com/articles/critiques/critique-wolves/#comments</comments> <pubDate>Wed, 15 May 2013 07:38:42 +0000</pubDate> <dc:creator>Patty Way</dc:creator> <category><![CDATA[Critiques]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17854</guid> <description>For this month&amp;#8217;s critique, I have chosen a very hip song by Daniel Tyson entitled, &amp;#8220;Wolves.&amp;#8221; After listening to the song five times, I have to admit I find myself wanting to hear it again which is a very good sign indeed! It is entirely contagious and has that indefinable quality that simply grabs your [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/CmLF2b7UBY0" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/articles/critiques/critique-wolves/feed/</wfw:commentRss> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/authors/adrian-try/WolvesDanielTyson-music.mp3" length="6019753" type="audio/mpeg" /> <feedburner:origLink>http://audio.tutsplus.com/articles/critiques/critique-wolves/</feedburner:origLink></item> <item><title>How to Produce Guitars and Bass With Metal in Mind</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/IAMuhbIC5XQ/</link> <comments>http://audio.tutsplus.com/tutorials/production/how-to-produce-guitars-and-bass-with-metal-in-mind/#comments</comments> <pubDate>Mon, 13 May 2013 09:38:28 +0000</pubDate> <dc:creator>Björgvin Benediktsson</dc:creator> <category><![CDATA[Production]]></category> <category><![CDATA[rhythm]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17843</guid> <description>When it comes to producing, recording and mixing insanely fast metal music, timing is everything. It sounds like an oxymoron, but metal needs to be clean. Not in tone, but in production. It needs precision, clarity and tightness in every instrument, so that the aggressiveness and tight rhythm punches through your speakers. If not, you&amp;apos;ll [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/IAMuhbIC5XQ" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/tutorials/production/how-to-produce-guitars-and-bass-with-metal-in-mind/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/tutorials/production/how-to-produce-guitars-and-bass-with-metal-in-mind/</feedburner:origLink></item> <item><title>Workshop #276: Gray Sky by Lucas Fowler</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/3TP2uVF4HaM/</link> <comments>http://audio.tutsplus.com/articles/workshop/workshop-276-gray-sky-by-lucas-fowler/#comments</comments> <pubDate>Fri, 10 May 2013 08:00:26 +0000</pubDate> <dc:creator>Adrian Try</dc:creator> <category><![CDATA[Workshop]]></category> <category><![CDATA[tuts-workshop]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17815</guid> <description>This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song. Description of the track: Just a song I finally finished. Tell me what [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/3TP2uVF4HaM" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/articles/workshop/workshop-276-gray-sky-by-lucas-fowler/feed/</wfw:commentRss> <enclosure url="http://cdn.tutsplus.com/audio.tutsplus.com/uploads/2013/05/GraySkayMp3.mp3" length="4083490" type="audio/mpeg" /> <feedburner:origLink>http://audio.tutsplus.com/articles/workshop/workshop-276-gray-sky-by-lucas-fowler/</feedburner:origLink></item> <item><title>The Ultimate Vocal Recording Tutorial</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/r7pfTDFQYMA/</link> <comments>http://audio.tutsplus.com/tutorials/recording/the-ultimate-vocal-recording-tutorial/#comments</comments> <pubDate>Wed, 08 May 2013 06:08:24 +0000</pubDate> <dc:creator>Barry Gardner</dc:creator> <category><![CDATA[Recording]]></category> <category><![CDATA[vocals]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17783</guid> <description>Recording vocals often fills a beginner with a certain amount of trepidation. If it is your first time, it is a good idea to gather together as much information as possible in order to make the best possible job of it. The good news is that with some careful planning you should be able to [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/r7pfTDFQYMA" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/tutorials/recording/the-ultimate-vocal-recording-tutorial/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/tutorials/recording/the-ultimate-vocal-recording-tutorial/</feedburner:origLink></item> <item><title>Tuts+ Premium Cash Back Offer: 3 Days to Go</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/5hZGBxA-bR8/</link> <comments>http://audio.tutsplus.com/articles/news/try-tuts-premium-get-cash-back/#comments</comments> <pubDate>Tue, 07 May 2013 23:00:48 +0000</pubDate> <dc:creator>Joel Bankhead</dc:creator> <category><![CDATA[News]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17779</guid> <description>This offer ends soon! Act now and don’t miss out on cash back when trying a monthly Tuts+ Premium subscription. At $19 a month, Tuts+ Premium is fantastic value. But it&amp;#8217;s even better when we hand your first $19 right back to you! For a limited time we&amp;#8217;re offering $19 cash back to new Tuts+ [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/5hZGBxA-bR8" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/articles/news/try-tuts-premium-get-cash-back/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/articles/news/try-tuts-premium-get-cash-back/</feedburner:origLink></item> <item><title>Community Project: Create &amp; Upload a Rhythm Track</title><link>http://feedproxy.google.com/~r/audiotuts-summary/~3/ok2tJg0VjXo/</link> <comments>http://audio.tutsplus.com/articles/general/community-project-create-upload-a-rhythm-track/#comments</comments> <pubDate>Tue, 07 May 2013 08:00:11 +0000</pubDate> <dc:creator>Adrian Try</dc:creator> <category><![CDATA[General]]></category> <category><![CDATA[rhythm]]></category><guid isPermaLink="false">http://audio.tutsplus.com/?p=17746</guid> <description>Many people learn best not just by reading, listening or watching, but by doing. And that&amp;#8217;s what community projects are all about. For our first project you&amp;#8217;ll be creating and uploading your own rhythm track—in whatever genre you&amp;#8217;re most comfortable with. Want to get involved? Read on to learn how. How to Get Involved We&amp;#8217;ve [...]&lt;img src="http://feeds.feedburner.com/~r/audiotuts-summary/~4/ok2tJg0VjXo" height="1" width="1"/&gt;</description> <wfw:commentRss>http://audio.tutsplus.com/articles/general/community-project-create-upload-a-rhythm-track/feed/</wfw:commentRss> <feedburner:origLink>http://audio.tutsplus.com/articles/general/community-project-create-upload-a-rhythm-track/</feedburner:origLink></item> </channel> </rss><!-- Dynamic Page Served (once) in 0.471 seconds -->
