<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-3542787394105003366</id><updated>2024-11-01T20:24:00.466+05:30</updated><category term="basicmusictheory"/><category term="guitar"/><category term="music"/><category term="fretboard"/><category term="guitar scores"/><category term="chord"/><category term="tabulature"/><category term="playing guitar"/><category term="playing pattern"/><category term="scales"/><category term="theory"/><category term="guitar help"/><category term="how to read guitar tabs"/><category term="scores"/><category term="notation"/><category term="staff 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system"/><category term="kolkata"/><category term="ledger lines"/><category term="m11"/><category term="m13"/><category term="m6"/><category term="m7b5/-7b5"/><category term="m9"/><category term="mM6"/><category term="mM7"/><category term="models"/><category term="multi-effects pedals"/><category term="nut"/><category term="phase shifter"/><category term="physics of tuning a guitar"/><category term="piano"/><category term="power chords/5"/><category term="raag"/><category term="raaga"/><category term="rests"/><category term="reverb"/><category term="sargam"/><category term="scientific pitch notation"/><category term="shop"/><category term="shruti"/><category term="solfege"/><category term="sruti"/><category term="sur"/><category term="sus2"/><category term="sus4t M4"/><category term="swar"/><category term="swara"/><category term="taal"/><category term="tal"/><category term="tala"/><category term="tenor"/><category term="terminology"/><category term="time signature"/><category term="transposition"/><category term="truss rod"/><category term="types"/><category term="vibrato"/><category term="violin"/><title type="text">BasicMusicTheory : Basics of Music Theory (Guitar)</title><subtitle type="html">Basics of music theory attuned to the Spanish guitar</subtitle><link href="http://basicmusictheory.blogspot.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default?redirect=false" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default?start-index=26&amp;max-results=25&amp;redirect=false" rel="next" type="application/atom+xml"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>149</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-6464469436819185173</id><published>2013-08-21T19:00:00.001+05:30</published><updated>2013-09-23T16:27:41.020+05:30</updated><title type="text">Top 7 Free Guitar Apps for Android that are Actually Useful </title><summary type="text">

There are dozens of list of android apps floating around on the internet. Many are indeed useful, but most of them have "fillers" included just to bloat the list. Many of the apps on the market are bloated unnecessarily as well.

So, here is a bare-bone list of apps that I personally used and found to be actually useful to guitarists:

1. Basichords :





Description: A good dictionary app for</summary><link href="http://basicmusictheory.blogspot.com/feeds/6464469436819185173/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/6464469436819185173" rel="replies" title="2 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6464469436819185173" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6464469436819185173" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2013/08/top-6-free-guitar-apps-for-android-that.html" rel="alternate" title="Top 7 Free Guitar Apps for Android that are Actually Useful " type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5fLcxPZ4ihJYNhkIu-7eghta0uDWvKSsffkUEOpKbK3Zkh_9gJDew0LdNMe135FiMbNIg8TvSZtg3ljMC6zWRMRgCoGwPejcBMe60aOhrw2EwfBxVwj9Z2Mb9xOzkIFnz2O2AePDe5XYS/s72-c/Android_Robot_100.png" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-3355535673009900327</id><published>2013-08-07T17:33:00.002+05:30</published><updated>2013-09-04T07:58:47.848+05:30</updated><title type="text">Can a major scale song contain an outside chord or outside notes?</title><summary type="text">What is the difference between a major scale and a major chord? Most people would know that -

A scale consists of all the notes of an octave that belong to that scale arranged in ascending or descending order. It is the way we include or exclude notes and the way we order the selected notes, is what gives the scale its individuality. Looking at the C major scale below, we see that the "ascending</summary><link href="http://basicmusictheory.blogspot.com/feeds/3355535673009900327/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/3355535673009900327" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3355535673009900327" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3355535673009900327" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2013/08/can-major-scale-song-contain-minor.html" rel="alternate" title="Can a major scale song contain an outside chord or outside notes?" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK0T0rKNijoWGcHkmFRzlDc0YmprCMCqdDgzWwm1E1REf1VK5ykqux0ByuTaY2_SQEi3grTvi924sA6VGOeDDw0Jf6teOj-xl6HHRdB8Z7r53xA2JkhoSvtmtXktbHInuwrZ9-nWsQvtxp/s72-c/C+MAJOR+Scale+Formation.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-6150353406336732581</id><published>2012-10-10T05:52:00.001+05:30</published><updated>2012-10-10T05:54:15.072+05:30</updated><title type="text">Anchoring, Guide and Pivot Fingers - for Smooth Guitar Playing</title><summary type="text">Changing chords can be quite a challenge for beginner guitarists. You have to look at the fretboard trying to size-up a chord you want to change you want to change to. The same sort of thing can happen with your right hand trying to pick the correct string.

Simple techniques - tips, really - could smoothen your playing. Ultimately you could play your guitar with your eyes closed. You can </summary><link href="http://basicmusictheory.blogspot.com/feeds/6150353406336732581/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/6150353406336732581" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6150353406336732581" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6150353406336732581" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2012/10/anchoring-guide-and-pivot-fingers-for.html" rel="alternate" title="Anchoring, Guide and Pivot Fingers - for Smooth Guitar Playing" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWQFsWQDkxVbJDvZVXcPplhG0EKLG7vk1IiXXA1P8zv4SsJR_yg9dvHs_GuG9cXbZv6_KKLP4yIIJ_xcrogZdh0EM-K7ZE8tUl7bBJ7gbENatq3JTFhpwa1BoRcdcrzHYME0Ki1Mhcbg5u/s72-c/E-Guitare-horiz-2.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-1247527874522561765</id><published>2011-08-06T04:59:00.013+05:30</published><updated>2011-08-07T03:47:05.052+05:30</updated><title type="text">Vertical Relationship Between Chord Shapes</title><summary type="text">Chords are formed of three or more notes played together. A "typically tuned, typical guitar" (12-TET / 6 string) has 6 strings tuned to the perfect 4ths of each other, barring the 2nd string (B string, tuned to a major 3rd of the G string - G to B is 5 semitones, or a minor 3rd interval).

On the guitar neck, many chords share similar shapes and are played at the same position from the nut, </summary><link href="http://basicmusictheory.blogspot.com/feeds/1247527874522561765/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/1247527874522561765" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/1247527874522561765" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/1247527874522561765" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/08/vertical-relationship-between-chord.html" rel="alternate" title="Vertical Relationship Between Chord Shapes" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9NuRbSyhIXU_QeNvSG0aRKU7VCajhNablBrNEjQmj0gu2v-gRTbz-2uLdCwADNUUqaNa-P_0Dv0B4Dfq9mNuKLs9_1IaDeek83KwuZlIGDycaPSufUuQr20c9sw-t8O0JDmj9rHWKS22e/s72-c/CGFBbFsa.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-8561085715944430532</id><published>2011-06-23T02:25:00.004+05:30</published><updated>2011-06-25T05:05:18.895+05:30</updated><title type="text">How to Find Chords for a Song by Ear (Hearing)</title><summary type="text">Chording a song by ear
First, you must understand that it's not at all difficult. It's a bit like riding a bicycle. You have to do it to know how to do it. And just like riding a bicycle -
It's is easier than it seemsIt just needs a bit of practiceIt takes some time to learn Tabbing is hard at first and gets easier as you progressOnce you learn how to tab a song by ear, you can't forget itIt's </summary><link href="http://basicmusictheory.blogspot.com/feeds/8561085715944430532/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/8561085715944430532" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8561085715944430532" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8561085715944430532" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/06/how-to-find-chords-for-song-by-ear.html" rel="alternate" title="How to Find Chords for a Song by Ear (Hearing)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-7984888010959948860</id><published>2011-06-20T03:13:00.003+05:30</published><updated>2011-06-20T03:31:33.029+05:30</updated><title type="text">Beats in music : Off-beat and On-beat</title><summary type="text">To understand beats, one must have a clear idea of time signatures(discussed earlier). 

In music, a "beat" is refers to a single impulse in a "meter / measure". A meter or "measure" - rhythm unit of the piece of music, is succession of an equal number beats, often even number. A typical song consists of repeating sequences of meters of equal length. This ensures that the song will have a regular</summary><link href="http://basicmusictheory.blogspot.com/feeds/7984888010959948860/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/7984888010959948860" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7984888010959948860" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7984888010959948860" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/06/beats-in-music-off-beat-and-on-beat.html" rel="alternate" title="Beats in music : Off-beat and On-beat" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-3657047968157888764</id><published>2011-03-18T03:30:00.005+05:30</published><updated>2012-10-10T05:56:25.617+05:30</updated><title type="text">27 Mistakes Any Guitarist Should Avoid</title><summary type="text">The guitar is a fascinating instrument that will enrich your life in more ways than one. It will be your companion either when you're feeling alone or when you the life of the party; beside you in your highs and lows - a confidant you can turn to day and night. It'll help tide over your boredom and sooth you when you are fatigued and go with you where ever you wish to take it.

It all sounds </summary><link href="http://basicmusictheory.blogspot.com/feeds/3657047968157888764/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/3657047968157888764" rel="replies" title="6 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3657047968157888764" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3657047968157888764" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/03/mistakes-any-guitarists-should-avoid.html" rel="alternate" title="27 Mistakes Any Guitarist Should Avoid" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-3906404216398602854</id><published>2011-03-13T20:21:00.003+05:30</published><updated>2012-01-03T20:03:47.426+05:30</updated><title type="text">Tertian, Secundal, Quartal, Power, Added and Extended Chords</title><summary type="text">Chords in music are varied and numerous. This has lead to them being classified for easier study based on certain peculiarities of their constituent intervals.


(Intervals in music. U = tonic note, equivalent to the root note of chords)
Certain terms among them warrant attention:

Tertian Chords: A chord that can be broken down into a sequence of thirds (major third (M3) or minor third (m3) </summary><link href="http://basicmusictheory.blogspot.com/feeds/3906404216398602854/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/3906404216398602854" rel="replies" title="4 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3906404216398602854" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3906404216398602854" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/03/tertian-secundal-quartal-added-and.html" rel="alternate" title="Tertian, Secundal, Quartal, Power, Added and Extended Chords" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzuAt7VKV1e6ukRfI58a6NIQThj7OnfjWxYq6CysHBmHNmshNAXZBDhuZANJ3-wwfTvT9W-QXASix1KovE4cbKvcvKc3STwaBw5PgnDMH9iSBHrMgGwt48gbGNewWgwn9fzZM9c5Ps1ISN/s72-c/Intervals.png" width="72"/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-1723913134524367347</id><published>2011-01-24T15:37:00.006+05:30</published><updated>2011-06-11T20:28:55.032+05:30</updated><title type="text">Added and Extended Guitar Chords (CAGED system)</title><summary type="text">Continuing our discussion about the "5-fret box," that contains all the notes in the octave (chromatic scale) 2 and a 1/2 times over, we arrive at an interesting and significant set of generalizations. 

If we play three notes at a time (triads), out of the possible six (since there are six strings), using elementary combination mathematics (k-combinations), there will be 6C3 = 20 possible triads</summary><link href="http://basicmusictheory.blogspot.com/feeds/1723913134524367347/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/1723913134524367347" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/1723913134524367347" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/1723913134524367347" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2011/01/extended-guitar-chords-caged-system.html" rel="alternate" title="Added and Extended Guitar Chords (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIGLwWq19mDWhSBdFN81q-K_Xj1sMVRswR7hXW3KOlPUDyAaUe8KI14FnhmIuUIebVJL5-IjU-WijZDs8LOxi_B1pqAe0Biz7Lsv3T_zB_pihJ2zr7TlpSfYkqsyl44-Ed8boipYJs3p8T/s72-c/Common+Extended+Chord+Shapes.jpg" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-6182590369605402750</id><published>2011-01-03T01:55:00.003+05:30</published><updated>2011-05-25T20:53:21.076+05:30</updated><title type="text">Guitar note map and Guitar chords shapes</title><summary type="text">Below is a diagrammatic map of notes playable on a guitar in standard tuning (EADGBe). As is evident, as you move from one fret to the next, you move from one note to the next in a chromatic scale. The scale you play while going down the fretboard, from the nut toward the bridge, is an ascending chromatic scale, while the reverse order gives you the descending chromatic scale.


The purpose of </summary><link href="http://basicmusictheory.blogspot.com/feeds/6182590369605402750/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/6182590369605402750" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6182590369605402750" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6182590369605402750" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/guitar-note-map-and-guitar-chords.html" rel="alternate" title="Guitar note map and Guitar chords shapes" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYJ8zfddGPlmfPrU3L2YabcON6U2-aJXlilJW0s4jzUXtCSHf-En7kgNUewWDjHEZai70OlUdBe_8dlreLf1RwD4V3XundpKe6kfyIYTtAKRTrNS-QUq9TFOKkaCDqt3sy9meP11X9Ak6y/s72-c/Notes+on+the+fret+board+1.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-2606667073220243131</id><published>2011-01-03T01:54:00.006+05:30</published><updated>2012-09-30T17:39:50.229+05:30</updated><title type="text">How to Play a Guitar / Learing to Play a Guitar</title><summary type="text">A guitar is not the easiest of instruments to learn, but with the right mix of guidance and perseverance, even the most unsure of beginners can make magic. Many leading guitarists are taught having no formal training in music.

So, How does one play a guitar?

Well, first, you need a guitar to begin to try. Get one - acoustic is the best for beginners, in my opinion.

A formal tuition in music is</summary><link href="http://basicmusictheory.blogspot.com/feeds/2606667073220243131/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/2606667073220243131" rel="replies" title="2 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2606667073220243131" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2606667073220243131" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2009/04/how-to-play-guitar.html" rel="alternate" title="How to Play a Guitar / Learing to Play a Guitar" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-5052229722103348120</id><published>2010-08-16T21:27:00.006+05:30</published><updated>2011-05-25T20:39:30.618+05:30</updated><title type="text">Minor chord shapes on guitar (CAGED minor chords)</title><summary type="text">As has been discussed in the previous sections on the CAGED system, the basic major shapes (the C,A,G,E and D major shapes) lend themselves to production of all other major chords. From that we have seen that there is a more general principle to chord structure formation.

Now referring to the section "Composition and Naming of Chords" at the beginning of chapter 6, we can get a comprehensive </summary><link href="http://basicmusictheory.blogspot.com/feeds/5052229722103348120/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/5052229722103348120" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5052229722103348120" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5052229722103348120" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/minor-chord-shapes-on-guitar-caged.html" rel="alternate" title="Minor chord shapes on guitar (CAGED minor chords)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xa6o8QnFks5v0i5fp-hkROMxIBQCNQ4L3ETVXO59RS0s0NmZ4mu96oxuUrg4yNpcIKvHpmst4AXQ-YQ3jSKgP7Rj6WA5dJ3-U3vNc1sHXDOACfo1p-jaiU-UOJeJH4G0HmPyPY7GxgF0/s72-c/Shape+of+C+minor+from+C+major+chords.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-5207995904074779532</id><published>2010-08-16T19:46:00.008+05:30</published><updated>2011-05-25T20:21:28.489+05:30</updated><title type="text">Principle of the CAGED system and movable chord shapes</title><summary type="text">CAGED major chords provide the basic framework, which can be shifted up and down, or modified to produce all other chords playable on a guitar.

Each major shape is, in essence, a way of maintaining the relative positions of the root, third and fifth notes, through transpositions.
The familiar shapes of the major chords, now need to be scrutinized a bit more to assess the relative positions of </summary><link href="http://basicmusictheory.blogspot.com/feeds/5207995904074779532/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/5207995904074779532" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5207995904074779532" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5207995904074779532" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/principle-of-caged-system-and-movable.html" rel="alternate" title="Principle of the CAGED system and movable chord shapes" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTUjW4vN-PLKyTXwfXjjMzsH4G4yn2sNDoWrkDnUBQU-34eG2pPr-ZrKLiXW1Vi9Ejzs7vkq-lzAJarDK3MTepQ3Oa_bU0GrYfrNGb7-pmmooYKtCYjO08pirIR-7or9SRaxkbKZcjRw8l/s72-c/r3n5%20of%20major%20chord%20shapes.jpg" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-7151752072193635971</id><published>2010-08-08T21:58:00.007+05:30</published><updated>2011-05-25T20:13:15.619+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="B major"/><category scheme="http://www.blogger.com/atom/ns#" term="Bb"/><category scheme="http://www.blogger.com/atom/ns#" term="D#"/><category scheme="http://www.blogger.com/atom/ns#" term="Eb"/><category scheme="http://www.blogger.com/atom/ns#" term="F"/><category scheme="http://www.blogger.com/atom/ns#" term="F major"/><category scheme="http://www.blogger.com/atom/ns#" term="G#"/><category scheme="http://www.blogger.com/atom/ns#" term="Non-CAGED chords : C#"/><title type="text">Non-CAGED major chords: F, B, C#, Bb, G#, Eb, D#, etc</title><summary type="text">While reading about CAGED chords, you must have notice that all these chords are derived from these basic five shapes. Hence knowing these shapes will enable us to figure out the positions of non-CAGED major (i.e. the chords that are not C, A, G, E, and D major) chords such as C#, Bb, G#, Eb, F, D#, etc from these.

The process is simple: Transposition. All you do is as follows:

Choose a chord </summary><link href="http://basicmusictheory.blogspot.com/feeds/7151752072193635971/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/7151752072193635971" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7151752072193635971" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7151752072193635971" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/non-caged-chords-f-major-b-major-c-bb-g.html" rel="alternate" title="Non-CAGED major chords: F, B, C#, Bb, G#, Eb, D#, etc" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz4yxhv7WBs9XZ0td_bS1wFvVw3qfOxPiPwqwDAo6054K95vgmgjoLt7T8bmKtGwnpwzFSVRTuq-E-P9xiD835ViSITKVIZlwIry_O3OtDhtjLNiTb5u73Qz08qJSKGoGOktiKfYoxMVxp/s72-c/F+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-8299628829840091468</id><published>2010-08-08T20:50:00.001+05:30</published><updated>2010-08-08T20:52:22.498+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Intervals"/><category scheme="http://www.blogger.com/atom/ns#" term="notes"/><category scheme="http://www.blogger.com/atom/ns#" term="scales"/><category scheme="http://www.blogger.com/atom/ns#" term="Semi-tones"/><category scheme="http://www.blogger.com/atom/ns#" term="Tones"/><title type="text">Tones, Semi-tones, Intervals, Notes and Scales</title><summary type="text">To understand tones, semi-tones, notes and scales and the difference between them, one must understand how an octave is divided. Assuming that you already know that, we proceed to explain.

What are Tones and Semitones?
Before the advent of 12-TET, the octave was divided into seven steps starting from C going upto the C of the next octave (C-D-E-F-G-A-B-c). Each of these steps represent one tone.</summary><link href="http://basicmusictheory.blogspot.com/feeds/8299628829840091468/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/8299628829840091468" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8299628829840091468" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8299628829840091468" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/tones-semi-tones-intervals-notes-and.html" rel="alternate" title="Tones, Semi-tones, Intervals, Notes and Scales" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-8454544986095504797</id><published>2010-08-02T15:12:00.004+05:30</published><updated>2011-05-25T20:01:11.499+05:30</updated><title type="text">Shapes of D major chord (CAGED system)</title><summary type="text">When we transpose each of the above basic CAGED chord shapes up and down the fret board, we get the following shapes of D major. Note that each chord shape plays only the three notes of the D major triad, viz D-F#-A and with D as the bass note.

1. D major in C major shape, i.e. D major in 2nd position,
Played as - x54232:

2. D major in A major shape, i.e. D major in 5th position,
Played as - </summary><link href="http://basicmusictheory.blogspot.com/feeds/8454544986095504797/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/8454544986095504797" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8454544986095504797" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/8454544986095504797" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/shapes-of-d-major-chord-caged-system.html" rel="alternate" title="Shapes of D major chord (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-H8J27Ov2EjfBPyXONn2BmtRnEM0rhoQyllvUXg2dIOUYjFjnGi1sSgmefJleinKqcW6XVecBNtWhnmwd2SekB0EW8mAMqXugI1GcHsS37y81XoCkQ7uTz_zzt8zWaqMgmWhG7jC2WrwM/s72-c/D+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-4664023701822819502</id><published>2010-08-02T13:39:00.005+05:30</published><updated>2011-05-25T19:52:52.641+05:30</updated><title type="text">Shapes of E major chord (CAGED system)</title><summary type="text">When we transpose each of the above basic CAGED chord shapes up and down the fret board, we get the following shapes of E major. Note that each chord shape plays only the three notes of the E major triad, viz E-G#-B and with E as the bass note.

1. E major in C major shape, i.e. E major in 4th position,
Played as - x76454:

2. E major in A major shape, i.e. E major in 7th position,
Played as - </summary><link href="http://basicmusictheory.blogspot.com/feeds/4664023701822819502/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/4664023701822819502" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/4664023701822819502" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/4664023701822819502" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/shapes-of-e-major-chord-caged-system.html" rel="alternate" title="Shapes of E major chord (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbcpG-m_C5oKWlswyUQm2b-jr2bjnG7CFtPAxMDhEdaGR6yfw28iD1TwOOjnHYeL1IKDV0fmoyiRRwoS2m5gtFqZ34kcQa_y9zoL3wdzQjrf4gayIdZm-zCekeHrd3RLz-HgxiAMooU8oY/s72-c/E+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-6733871846371925725</id><published>2010-08-01T00:31:00.005+05:30</published><updated>2011-05-25T19:44:49.701+05:30</updated><title type="text">Shapes of G major chord (CAGED system)</title><summary type="text">When we transpose each of the above basic CAGED chord shapes up and down the fret board, we get the following shapes of G major. Note that each chord shape plays only the three notes of the G major triad, viz G-B-D and with G as the bass note.

1. G major in C major shape, i.e. G major in 7th position,
Played as - x-10-9-7-8-7:

2. G major in A major shape,  i.e. G major in 10th position,
Played </summary><link href="http://basicmusictheory.blogspot.com/feeds/6733871846371925725/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/6733871846371925725" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6733871846371925725" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6733871846371925725" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/08/shapes-of-g-major-chord-caged-system.html" rel="alternate" title="Shapes of G major chord (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhogm1gMnMTLxnJWfh3-33fgfGpW2QBGt5E96b-IlVWqv1J0-txgQMkRMEYL-fulsg9PmlPZ_-FaMfhJAXJVNoMMae31S7qPsrlpQJM_teNbJe_yRSI3g0Kg2BszNbhfunQamcOjrhyphenhyphen4TGj/s72-c/G+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-5973169949676539366</id><published>2010-07-31T20:37:00.009+05:30</published><updated>2011-05-25T19:37:07.110+05:30</updated><title type="text">Shapes of A major chord (CAGED system)</title><summary type="text">When we transpose each of the above basic CAGED chord shapes up and down the fret board, we get the following shapes of A major. Note that each chord shape plays only the three notes of the A major triad, viz A-C#-E and with A as the bass note.

1. A major in C major shape, i.e. A major in 9th position,
Played as - 9-12-11-9-10-9:

2. A major as the A major shape itself, which is A major in nut (</summary><link href="http://basicmusictheory.blogspot.com/feeds/5973169949676539366/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/5973169949676539366" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5973169949676539366" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/5973169949676539366" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/07/shapes-of-major-chord-caged-system.html" rel="alternate" title="Shapes of A major chord (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjEm39H6I-ADedbFhquj8LdCE93ue8Wl7fvuCORTGD0mtfZHg1ovLzYGYZb3JUw-O9ORW_pT5sX51ndD0MXJ-4SF4v2JEo98F2Rt_rb0trrc5q3vp3KX1Sc7UoJpL11k2v1JJGBZFCY_ue/s72-c/A+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-7466025964976389370</id><published>2010-07-31T18:41:00.012+05:30</published><updated>2011-05-25T20:02:56.376+05:30</updated><title type="text">Shapes of C major chord (CAGED system)</title><summary type="text">When we transpose each of the above basic CAGED chord shapes up and down the fret board, we get the following shapes of C major. Note that each chord shape plays only the three notes of the C major triad, viz C-E-G and with C as the bass note.

1. C major in the C major shape itself, which is C major in nut (open) position
Played as - x32010:

2. C major in A major shape, i.e. C major in 3rd </summary><link href="http://basicmusictheory.blogspot.com/feeds/7466025964976389370/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/7466025964976389370" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7466025964976389370" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7466025964976389370" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/07/shapes-of-c-major-chord-caged-system.html" rel="alternate" title="Shapes of C major chord (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4gcU4cQTQTzAGQ010ztrKVlAhfz0YoAdY_GwHWA6EoerGMmetPoaiKFhQ9xsjnXFeAFsg5fESTjIP5ACs2BvXHABVklTLER3qFVtSO4M_2cYZ0oPz9YWwFhXt336DoOWKs0VW8tanZ5U7/s72-c/C+major+in+C+major+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-2226095612070659251</id><published>2010-07-31T18:18:00.013+05:30</published><updated>2011-05-25T19:16:01.417+05:30</updated><title type="text">Shapes of individual CAGED major chords (CAGED system)</title><summary type="text">Continuing the discussion from Basic movable Major chord shapes - CAGED System, now we discuss each of the CAGED major chords:

Shapes of C major chordShapes of A major chordShapes of G major chordShapes of E major chordShapes of D major chord

Among these shapes, the C and D shapes tend to merge into one beyond the nut position for all practical purposes, if we slightly modify the note on the </summary><link href="http://basicmusictheory.blogspot.com/feeds/2226095612070659251/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/2226095612070659251" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2226095612070659251" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2226095612070659251" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/07/shapes-of-individual-caged-major-chords.html" rel="alternate" title="Shapes of individual CAGED major chords (CAGED system)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQm8Z-EnUNyg7mnZiOpLiktC70fFS10-5-aw9KWJ4rnAvZ36yEORst-moVjKhoqKzYbNvH9OFEbQllSoJ8-MiINwKlNiBdi84d-jGe_cuGmqbUzzl0VCCWUoCh7tinM9HEsWHntx6XQXE1/s72-c/Basic+Chord+Shapes.jpg" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-3450926190724713266</id><published>2010-03-27T20:27:00.006+05:30</published><updated>2011-06-23T02:40:45.091+05:30</updated><title type="text">How to Tab a Song by Ear (Hearing)</title><summary type="text">Tabbing a song by ear
First, you must understand that it's not at all difficult. It's a bit like riding a bicycle. You have to do it to know how to do it. And just like riding a bicycle -
Tabbing is easier than it seemsIt just needs a bit of practiceIt takes some time to learn Tabbing is hard at first and gets easier as you progressOnce you learn how to tab a song by ear, you can't forget itIt's </summary><link href="http://basicmusictheory.blogspot.com/feeds/3450926190724713266/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/3450926190724713266" rel="replies" title="4 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3450926190724713266" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/3450926190724713266" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2010/03/how-to-tab-song-by-ear-hearing.html" rel="alternate" title="How to Tab a Song by Ear (Hearing)" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-6673505278997599797</id><published>2009-12-02T01:12:00.005+05:30</published><updated>2011-05-25T19:11:32.229+05:30</updated><title type="text">Basic movable Major chord shapes - CAGED System</title><summary type="text">Let us have a look at the basic five shapes of major chords - those of the five CAGED Chords:

The chords in question are the five major chords played at the root position (open string chords). These are:

C major, A major, G major, E major and D major. It must be noted here that some strings utilize all six strings, while some are played using only the lower few strings so as to keep the root </summary><link href="http://basicmusictheory.blogspot.com/feeds/6673505278997599797/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/6673505278997599797" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6673505278997599797" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/6673505278997599797" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2009/12/basic-movable-major-chord-shapes-caged.html" rel="alternate" title="Basic movable Major chord shapes - CAGED System" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQm8Z-EnUNyg7mnZiOpLiktC70fFS10-5-aw9KWJ4rnAvZ36yEORst-moVjKhoqKzYbNvH9OFEbQllSoJ8-MiINwKlNiBdi84d-jGe_cuGmqbUzzl0VCCWUoCh7tinM9HEsWHntx6XQXE1/s72-c/Basic+Chord+Shapes.jpg" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-2635396712802435799</id><published>2009-12-01T03:49:00.004+05:30</published><updated>2011-05-25T19:10:04.794+05:30</updated><title type="text">Bar Chords - CAGED System of Chords</title><summary type="text">The term "bar" in "bar chords" refers to the placement of the index finger (other fingers are not commonly used) on the frets at one position at the head end of a guitar chord requiring one. The chords that require this bar are termed "bar chords" while the ones that do not require a bar at the beginning are termed "open chords" or "root position chords." Thus, the use of a bar effectively </summary><link href="http://basicmusictheory.blogspot.com/feeds/2635396712802435799/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/2635396712802435799" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2635396712802435799" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/2635396712802435799" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2009/11/bar-chords-caged-system-of-chords.html" rel="alternate" title="Bar Chords - CAGED System of Chords" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcPqE6bVExpbd-DkWd1kbceq7yZNfH_PNUswuNnzeFEL5ewN0CEuixQVASSnH1uuQxumVHm5oAbJgYp0-ELYEI37LMPePn99f7QvwfAZzv_JRWGReeN4QvHWHLOKcVRNptOeyXPvbtNMlQ/s72-c/E+shape.JPG" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3542787394105003366.post-7206096260328413964</id><published>2009-12-01T02:59:00.004+05:30</published><updated>2011-05-25T19:08:34.916+05:30</updated><title type="text">Fretboard layout of C notes - CAGED System</title><summary type="text">Let us have a look at this post on Middle C on Guitar - F above and G above middle C on a Guitar. Note the positions of the C4 note. Similarly, if we include all the C notes on the guitar (here open string i.e. 0 to 15th fret), we get a picture like this:
The red dots show the position of the C note on the neck of the guitar. As is obvious, the locations of C on the fret board are as follows -


</summary><link href="http://basicmusictheory.blogspot.com/feeds/7206096260328413964/comments/default" rel="replies" title="Post Comments" type="application/atom+xml"/><link href="http://www.blogger.com/comment/fullpage/post/3542787394105003366/7206096260328413964" rel="replies" title="0 Comments" type="text/html"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7206096260328413964" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3542787394105003366/posts/default/7206096260328413964" rel="self" type="application/atom+xml"/><link href="http://basicmusictheory.blogspot.com/2009/11/fretboard-layout-of-c-notes-caged.html" rel="alternate" title="Fretboard layout of C notes - CAGED System" type="text/html"/><author><name>ArindamSarkar</name><uri>http://www.blogger.com/profile/15586102056010358584</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieZqIkIW0LUJKoSg0FwLg8PwWc6UMa0U77VQbWZayqtevYhna9w_0F-0rRXsvyL2hx9ApQIa6yC-Bg9Xo3He8kbtHp7hGhn2iJ3mVTQUS3byQYqnYAjkQzdnb2yGRRmVlkszePB0Q2nMLf/s72-c/C+notes+on+guitar+fret+0+to+15.jpg" width="72"/><thr:total>0</thr:total></entry></feed>