<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><description>I am Korou Khundrakpam. Hailing from, and presently based in Manipur, India. It seems safe to start my introduction with saying that I am a visual artist; as I have spent many years studying and practicing art. But then I don’t believe in professions.

Sometimes I write; and I am interested in mechanics, organic agriculture, and sociology among other things. The dream of a better way to exist propels me. And the thought that the argument for such a situation may be invalid sinks me.

This is a journal of my convictions and confusions.</description><title>KOROU</title><generator>Tumblr (3.0; @koroublogs)</generator><link>http://koroublogs.amasoong.com/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/beingkorout" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="beingkorout" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://tumblr.superfeedr.com/" /><item><title>Deliberately uncaptioned.</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m4bx9bAKzV1qzom2ro1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Deliberately uncaptioned.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/23419417743</link><guid>http://koroublogs.amasoong.com/post/23419417743</guid><pubDate>Sun, 20 May 2012 21:47:35 +0530</pubDate><category>Have you seen him</category></item><item><title>Voodoo dolls found beside a temple at Kangla.</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m47bu5XEhv1qzom2ro1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Voodoo dolls found beside a temple at Kangla.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/23276169728</link><guid>http://koroublogs.amasoong.com/post/23276169728</guid><pubDate>Fri, 18 May 2012 10:14:29 +0530</pubDate><category>voodoo</category><category>manipur</category><category>kangla</category></item><item><title>Proposal for the 2nd MFA course I deserted :|</title><description>&lt;p&gt;About my 2nd MFA proposal at the &lt;a class="tumblr_blog" href="http://blog.amasoong.com/post/23172279678/proposal-for-the-2nd-mfa-course-i-deserted" target="_blank"&gt;amasoong&lt;/a&gt; blog:&lt;/p&gt;
&lt;p&gt;This here is the proposal I submitted to Lasalle College of the Arts, Singapore for MFA Fine Arts. That was half a year back. I applied, got selected, bought the tickets, got the student visa. Then I backed out. As they say, story of my life! It has been one of the most important decisions of my life; one which led to a change of my whole outlook and priorities. Anyways, it’s funny how every proposal looks kinda stupid when read a few months later:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Proposal for MFA&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;From deriving solace in the creation of an emotive entity from encounters with life’s absurdities to researching the very nature of life through the act itself, my art practice has evolved with my understanding of the zeitgeist. Through my practice, comprising mainly of art, design and writing, I try to investigate and analyse the versions of reality we live by and initiate discourse around it.&lt;/p&gt;
&lt;p&gt;My understanding of the socio-political environment I exist in, and my consequent reaction to it informs my art practices. Lately, I have been interested in the general course of action that the community I am a part of, and humanity at large, seems to follow. And from my observations I cannot help but notice the possibility of certain patterns in which crucial phenomena in this sphere unfold. A hypothetical impetus preceding both the cause and the effect presents itself. As in the case of a person bribing another, an ubiquitous absence of hope in an equitable arrangement may be the principal factor. This observation intrigues me as, being part of a largely dysfunctional society, I am always concerned with identifying problems and conceiving possible solutions. I aspire to investigate further in this subject using an alternative methodology based largely on the communicative faculty of art; looking for a better understanding on the nature of this phenomena. Such as, what is the possible origin of such a pattern? Is it inherent in our identity as humans to act in a particular way, through a function of our similar genetic makeup? Or is it perhaps induced by the adoption and sharing of memetic practices through culture, media and the increasingly networked internet? Such enquiries bring forward, on one hand, the idea of a collective essential disposition of a human, and on the other hand, the concern of susceptibility of humans to mindlessly follow induced patterns.  My intention is to search for answers to these questions. And above all, to inquire if these questions are answerable at all.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://blog.amasoong.com/post/23172279678/proposal-for-the-2nd-mfa-course-i-deserted" target="_blank"&gt;Read More&lt;/a&gt;&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/23172743496</link><guid>http://koroublogs.amasoong.com/post/23172743496</guid><pubDate>Wed, 16 May 2012 23:19:14 +0530</pubDate></item><item><title>warakkiways:

Labour effective bamboo lamination technique
We...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto1_500.jpg"/&gt;&lt;br/&gt; A cross section of the bamboo timber&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto2_500.jpg"/&gt;&lt;br/&gt; Split inter-nodal bamboo culm&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto3_500.jpg"/&gt;&lt;br/&gt; Bamboo strips laminated under pressure&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto4_500.jpg"/&gt;&lt;br/&gt; Trimming to get regular shape&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto5_500.jpg"/&gt;&lt;br/&gt; Laminating in running bond pattern&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3siyv9eU61ro78wto6_500.jpg"/&gt;&lt;br/&gt; A bamboo timber prototype&lt;br/&gt;&lt;br/&gt; &lt;p&gt;&lt;a class="tumblr_blog" href="http://warakkiways.tumblr.com/post/22765761363/we-are-conceptualising-a-major-project-which" target="_blank"&gt;warakkiways&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Labour effective bamboo lamination technique&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;We  are conceptualising a major project which deals with researching the potential of locally available, sustainably acquired materials to replace petro-plastics, other toxic and limited resources. This project is considered in the context of Northeast India. We are yet to finalise the details of the project; but we have started working on it already!&lt;/p&gt;
&lt;p&gt;Using bamboo as a replacement of wood (esp. hardwood) has many benefits to the ecology, as it will directly reduce the rate of deforestation. Most hardwood takes around 20 years to mature as compared to 3-5 years for bamboo. Northeast India is home to various types of bamboo and its usage as a building material is a traditional practice. However in the last few decades, we see a trend of plastic products replacing the time tested sustainable products people of the region has been accessorising their lives with. This causes serious harm to the environment, health of the life forms (including humans), and the economic sustainability of the region.&lt;/p&gt;
&lt;p&gt;The challenge is to explore new (and old) alternatives to these unsustainable and/or toxic materials; and upgrade them if need be using modern appropriate technology.&lt;/p&gt;
&lt;p&gt;There is already a popularly used technique of laminating split bamboo culms to make solid regular timber, which can be used as a replacement for wood or in various other products. We were very interested in this technique as we were toying with the idea of introducing a line of lifestyle products including furniture (pssst!). Luckily, we found one person who has been using this technique to make furniture in Imphal. Khwairakpam Ibomcha was fascinated with this way of using bamboo, esp. in Taiwan. He started work on replicating this technique here using basic machineries, some of which he designed by himself.&lt;/p&gt;
&lt;p&gt;He is using the popular method where the bamboo culm is split and each strip is planed on four sides and then laminated to form sheets. We learnt through him that this process is very labourious as each strip is fed through hand in a crude 2 sided planing machine he made, and the remaining two flat surfaces planed by hand. Each strip is planed this way before laminating to get flat boards used in building furnitures. In an industrial setup this process is mechanised using a four-sided planing machine which consumes lots of energy/fuel and is not affordable for most small scale industries operating here.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://f.cl.ly/items/3I0U0A1V1e0D3B0k452j/bamboot.jpg" title="Bigger image" target="_blank"&gt;&lt;img height="201" src="http://f.cl.ly/items/3I0U0A1V1e0D3B0k452j/bamboot.jpg" width="400"/&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;↑ &lt;em&gt;Conventional bamboo lamination technique&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Due to the amount of labour his process needs, Mr. Ibomcha is not able to sell his products at a reasonable price in spite of bamboo being much cheaper than the wood used in conventional furniture.&lt;/p&gt;
&lt;p&gt;We were in a bind. We were not interested in producing sustainable ‘luxury’ products for a niche consumer base. What we wanted was a real alternative to hardwood, which can compete with it and surpass it. Identifying the problem as one concerning the method of processing the bamboo, we proceeded to research on other methods relevant to our situation.&lt;/p&gt;
&lt;p&gt;We came up with this method illustrated in the accompanying pictures. Here we use a bamboo species with a thin walled culm. We cut the nodes out and split it into strips of roughly the same size. After scrubbing the strips clean, we glued the strips together under pressure as such without planing. This is possible because the strip is thin and the difference in the curvature of the concave and convex surfaces is negligible. The resulting board is leveled using a band saw and then sanded. This method dramatically reduces the amount of labour needed as leveling is required only once on the resulting board, hence solving out problem. We have already made some prototypes using this technique and it sure looks great! We are now working on extending the size of the timber by employing a running bond pattern while laminating the strips. Then we will put it through some tests to measure its strength and compare it with wood.&lt;/p&gt;
&lt;p&gt;Once finalised, we will be releasing all the details of this method under a copyleft license for all to use! In fact it will be part of a database of open-source sustainable and responsible design and techniques we are working on.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://koroublogs.amasoong.com/post/22766278231</link><guid>http://koroublogs.amasoong.com/post/22766278231</guid><pubDate>Thu, 10 May 2012 10:38:00 +0530</pubDate></item><item><title>FewerEmergencies: How a quote by Angela Carter takes me back to the problems living at the dramatic heart of Laihui's Phou-oibi</title><description>&lt;a href="http://feweremergencies.in/post/22709023242/how-a-quote-by-angela-carter-takes-me-back-to-the"&gt;FewerEmergencies: How a quote by Angela Carter takes me back to the problems living at the dramatic heart of Laihui's Phou-oibi&lt;/a&gt;: &lt;p&gt;…&lt;/p&gt;
&lt;p&gt;I admired the musical achievement of Phou-oibi but as a dramatic production, it riled me. Will the Meitei theatrical practice make an effort to examine the politics of myth-making when it decides to invoke mythic versions of women for the umpteenth time? When will it allow itself to be aware of the problems inherent in employing the idiom of representing women as a symbol of nature, beauty, valour, protection and forgiveness? When will it stop performing itself out as a beautiful, insular aesthetic experience and suffocating inside the campaign for its own uniqueness?&lt;/p&gt;
&lt;p&gt;…&lt;/p&gt;
&lt;p&gt;“If women allow themselves to be consoled for their culturally determined lack of access to the modes of intellectual debate by the invocation of hypothetical great goddesses, they are simply flattering themselves into submission (a technique often used on them by men). All the mythic versions of women, from the myth of the redeeming purity of the virgin to that of the healing, reconciliatory mother, are consolatory nonsenses; and consolatory nonsense seems to me a fair definition of myth, anyway. Mother goddesses are just as silly a notion as father gods. If a revival of the myths gives women emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”&lt;/p&gt;
&lt;p&gt;- Angela Carter, The Sadeian Woman: And the Ideology of Pornography&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22709311411</link><guid>http://koroublogs.amasoong.com/post/22709311411</guid><pubDate>Wed, 09 May 2012 15:31:00 +0530</pubDate></item><item><title>Something to ponder on in context of the aftermath of Richard...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m3mequo7NA1qde6ioo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Something to ponder on in context of the aftermath of Richard murder case.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22573167699</link><guid>http://koroublogs.amasoong.com/post/22573167699</guid><pubDate>Mon, 07 May 2012 10:42:08 +0530</pubDate></item><item><title>2012’a biggest moon.</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m3lzgwrg2d1qzom2ro1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;2012’a biggest moon.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22521277260</link><guid>http://koroublogs.amasoong.com/post/22521277260</guid><pubDate>Sun, 06 May 2012 21:37:00 +0530</pubDate><category>full moon</category><category>moon</category><category>photography</category><category>supermoon 2012</category><category>super moon</category><category>perigee moon</category></item><item><title>"In the 19th and early 20th centuries, writers offered the real thing; that was their task. In War..."</title><description>“In the 19th and early 20th centuries, writers offered the real thing; that was their task. In War and Peace Tolstoy describes the battleground so closely that the readers believe it’s the real thing. But I don’t. I’m not pretending it’s the real thing. We are living in a fake world; we are watching fake evening news. We are fighting a fake war. Our government is fake. But we find reality in this fake world. So our stories are the same; we are walking through fake scenes, but ourselves, as we walk through these scenes, are real. The situation is real, in the sense that it’s a commitment, it’s a true relationship. That’s what I want to write about.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Haruki Murakami, in a 2004 Paris Review interview with John Wray&lt;/em&gt;</description><link>http://koroublogs.amasoong.com/post/22456628098</link><guid>http://koroublogs.amasoong.com/post/22456628098</guid><pubDate>Sat, 05 May 2012 23:02:53 +0530</pubDate><category>Haruki Murakami</category><category>Murakami</category><category>quote</category><category>lit</category><category>fake</category></item><item><title>
Art’s great nudes have gone skinny
Italian artist Anna Utopia...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m20nfeROz91qa146ho1_r1_500.gif"/&gt;&lt;br/&gt; Botticelli's The Birth of Venus&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m20nfeROz91qa146ho2_r1_500.gif"/&gt;&lt;br/&gt; Cabanel's The Birth of Venus&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m20nfeROz91qa146ho3_r1_500.gif"/&gt;&lt;br/&gt; Velazquez's Rokeby Venus&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m20nfeROz91qa146ho4_r2_400.gif"/&gt;&lt;br/&gt; Ingres's Venus Anadyomene&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m20nfeROz91qa146ho5_r1_400.gif"/&gt;&lt;br/&gt; Bronzino's Venus, Cupid, Folly and Time&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m20nfeROz91qa146ho6_r1_500.gif"/&gt;&lt;br/&gt; Titian's The Venus of Urbino&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m20nfeROz91qa146ho7_r1_500.gif"/&gt;&lt;br/&gt; Gentileschi's The Sleeping Venus&lt;br/&gt;&lt;br/&gt; &lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;big&gt;&lt;big&gt;Art’s great nudes have gone skinny&lt;/big&gt;&lt;/big&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodies to what the 21st century considers an ideal of beauty. The results are revealing—and quite shocking in what they say about the modern attitude toward women’s bodies.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://koroublogs.amasoong.com/post/22381262321</link><guid>http://koroublogs.amasoong.com/post/22381262321</guid><pubDate>Fri, 04 May 2012 19:10:52 +0530</pubDate></item><item><title>This must be the first time I am posting about my new kitten on...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3i1559Rgb1qzom2ro1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;This must be the first time I am posting about my new kitten on Tumblr. This is Sanaabi and this is just one of the several tricks up her sleeve.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22379933359</link><guid>http://koroublogs.amasoong.com/post/22379933359</guid><pubDate>Fri, 04 May 2012 18:23:29 +0530</pubDate><category>sanaabi</category><category>kitten</category><category>cat</category><category>pet</category><category>animal</category><category>kawaii</category></item><item><title>thegreenmanifesto:

Site for our future natural farm
So we went...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3er5sQoVn1qbve5so1_500.jpg"/&gt;&lt;br/&gt; The way to the field&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3er5sQoVn1qbve5so2_500.jpg"/&gt;&lt;br/&gt; The plot&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3er5sQoVn1qbve5so3_500.jpg"/&gt;&lt;br/&gt; The hill across the road&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3er5sQoVn1qbve5so4_500.jpg"/&gt;&lt;br/&gt; The inspection team, sans me&lt;br/&gt;&lt;br/&gt; &lt;p&gt;&lt;a class="tumblr_blog" href="http://thegreenmanifesto.tumblr.com/post/22264817737/site-for-our-future-natural-farm-so-we-went-to" target="_blank"&gt;thegreenmanifesto&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Site for our future natural farm&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;So we went to check out this field my family bought long time back. It is around 10km from Imphal City where we live. Not a long distance at all. And we found out that the road leading to the field from the highway has been metaled, though poorly. This is a very welcome development. This 1.5 acre field is actually a little too high for the conventional way of growing rice which floods the fields for most part of the growing season. So we had to settle for less harvest so far. However, fortunately it will be very apt for the method of natural farming developed by Masanobu Fukuoka. Which brings me to the crux of this post, this is the site we plan to start our natural farm in once we are done with some research and preparation! And this is such a gorgeous location right at the foothill and is part of a stretch of valley surrounded by hills on three sides. With the gentle breeze and the rain washed greens, we were having a Totoro moment standing right there! We were so thrilled we forgot to take some detailed photographs. Anyways we will be visiting this place again soon. Exciting times ahead.&lt;/p&gt;
&lt;p&gt;On the way back, we had a Totoro smile on our faces.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://koroublogs.amasoong.com/post/22264975411</link><guid>http://koroublogs.amasoong.com/post/22264975411</guid><pubDate>Wed, 02 May 2012 23:58:00 +0530</pubDate></item><item><title>Thew Gods have their way.
Today evening, in an interesting turn...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro2_500.jpg"/&gt;&lt;br/&gt; Occupy Capitol&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro1_500.jpg"/&gt;&lt;br/&gt; Gods running amok.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro3_500.jpg"/&gt;&lt;br/&gt; Outside the gate, waiting for the Gods&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro4_500.jpg"/&gt;&lt;br/&gt; The gun guys arrive&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro5_500.jpg"/&gt;&lt;br/&gt; Singing and dancing outside the gate.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro6_500.jpg"/&gt;&lt;br/&gt; Gods smirking on the way out.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro7_500.jpg"/&gt;&lt;br/&gt; "See you next time around folks."&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro8_500.jpg"/&gt;&lt;br/&gt; A round of applause.&lt;br/&gt;&lt;br/&gt; &lt;img src="http://25.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro9_500.jpg"/&gt;&lt;br/&gt; "Guess I'll fool around for a moment."&lt;br/&gt;&lt;br/&gt; &lt;img src="http://24.media.tumblr.com/tumblr_m3emr4v6n11qzom2ro10_500.jpg"/&gt;&lt;br/&gt; One last trick!&lt;br/&gt;&lt;br/&gt; &lt;p&gt;&lt;strong&gt;Thew Gods have their way.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Today evening, in an interesting turn of events, the rather chaotic Laai Lam Thokpa of Khunthokhanbi and Naotingkhong led to an iconic moment of (divine) disobedience in Manipur. After staggering around for a long time at Lilasingh Khongnaang for a long time, both the palanquins of the two temples dashed towards the gate of the recently inaugurated and strictly guarded Manipur Legislative Assembly campus. Fearing the wrath of the Gods, the guards had no choice but to open the gates. The two palanquins took their time ‘occupying’ the place. Meanwhile part of the procession started dancing and singing in front of the gate (which they closed to stop other people from entering). Finally the Naotingkhong palanquin dashed out after some time. And the Khunthokhanbi followed after several minutes. But not before a truck load of central armed force arrived; only to stand aside and watch the Gods fuck with them!&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22260785784</link><guid>http://koroublogs.amasoong.com/post/22260785784</guid><pubDate>Wed, 02 May 2012 22:19:00 +0530</pubDate><category>photography</category><category>Lai Haraoba</category><category>Gods</category><category>Manipur</category><category>occupy</category><category>ows</category></item><item><title>Always an inspiration.</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3cty1g2n51qzom2ro1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Always an inspiration.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22200613603</link><guid>http://koroublogs.amasoong.com/post/22200613603</guid><pubDate>Tue, 01 May 2012 23:00:00 +0530</pubDate><category>humour</category><category>someecards</category><category>quitting</category><category>inspiration</category></item><item><title>It was yesterday or day before, I was reading a book and...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3aw65rvEH1qzom2ro1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;It was yesterday or day before, I was reading a book and suddenly heard the rain pouring down. I rushed outside to see how the kitten is doing. I saw it playing outside just a while ago. I stepped outside and there was this huge rainbow looming above. I rushed in, got the cam, climbed up the terrace and got this shot. I wish I had a wide angle lens though. Anyways when I got down I found the kitten sitting comfortably in a shed.&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22127367764</link><guid>http://koroublogs.amasoong.com/post/22127367764</guid><pubDate>Mon, 30 Apr 2012 21:52:53 +0530</pubDate><category>photography</category><category>rainbow</category><category>rain</category><category>nature</category><category>manipur</category></item><item><title>Yesterday Asit, Roshan, Mamo Sunil and I drove down to Moreh, a...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro5_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_m3971kgltN1qzom2ro6_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro7_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_m3971kgltN1qzom2ro8_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_m3971kgltN1qzom2ro10_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_m3971kgltN1qzom2ro9_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;span&gt;Yesterday Asit, Roshan, Mamo Sunil and I drove down to Moreh, a town bordering Burma. It was more like a teaser trip. We could not stay back longer this time and had to come back in the evening itself. It was the first time I went to this place. Next time we decided to go by bus and stay a week across border. And BTW the junta guy at the border check post made us know that cameras are not allowed without using any words I knew or gesture I could understand. It was like he totally disregard my ignorance of the language he is speaking in. Anyways that’s why there Is no picture from inside Burma. Hope there is a way to sneak it in the next time we go. My impression of this land I am visiting for the first time is dat I should definitely come back with a camera and more time at hand.&lt;/span&gt;&lt;/p&gt;</description><link>http://koroublogs.amasoong.com/post/22063148722</link><guid>http://koroublogs.amasoong.com/post/22063148722</guid><pubDate>Sun, 29 Apr 2012 23:52:28 +0530</pubDate><category>manipur</category><category>road trip</category><category>nature</category><category>moreh</category><category>photography</category></item><item><title>A good news</title><description>&lt;p&gt;&lt;a class="tumblr_blog" href="http://thegreenmanifesto.tumblr.com/post/22061171867/a-good-news" target="_blank"&gt;thegreenmanifesto&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The &lt;a href="http://www.goodnewsindia.com" target="_blank"&gt;GoodNewsIndia&lt;/a&gt; website is up again after a long time. And this is the story they are starting with this time. The story of a determined ecologist Dr. Deb struggling to save us from (yes from) the aftermath of the green revolution. He currently runs an in-situ farming facility which grows 700 varieties of indigenous hardy species of rice every year to save them from extinction till the farmers can shed the doctrines of the green revolution and adopt them. These seeds were collected from the fringes of east India which was fortunately untouched by the green revolution. He also talks about a ‘zero growth economy’ being the only way to achieve a sustainable fulfilling livelihood. Thanks to GoodNewsIndia for making me acquainted with Dr. Deb and his works. I have just ordered his book, &lt;em&gt;Beyond Developmentality&lt;/em&gt; &lt;em&gt;(&lt;/em&gt;it&amp;#8217;s available on flipkart.com btw) to find out more. I’ll keep sharing whatever interesting I come across.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;… Debal was chasing a fast disappearing integrated life in India, in which traditions, cuisine, dialect, music, festivals, the calendar of seasons and behavioural prescriptions played a part in creating self reliant communities. What threatened it now? In a word, ‘developmentality’- a word he has coined, a word that at once conveys the serious malaise of modern man.&lt;/p&gt;
&lt;p&gt;First make ‘development’ an unquestionable given. Then make all that is justified in its name, a priority. If you cannot convince people, coerce them. Promise a life with less work, easier money and freedom to ‘enjoy’. In marxist run Bengal every village was politicised with apparatchiks strutting about everywhere. To be a cadre was itself a career. All that that was asked of them was to deliver consent and compliance to the central leadership. “What unites capitalism and communism,’ Debal wryly observes “is industrialisation.”…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.goodnewsindia.com/index.php/post12/story/debal/" target="_blank"&gt;Read more&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
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