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    <title>Picture This | Big Think</title>
    <link>http://bigthink.com/blogs/Picture-This</link>
    <description>&lt;p&gt;In this image-drenched world, the line between the visual arts and society is less distinct than ever before.  The artists of today speak not only to present times but also engage in dialogue with the artists of the past, who both haunt us and challenge us to rise above the mundane.  Picture This stands at the crossroads of the present, past, and future in art, taking a good look around at the landscape and what it means to us. In doing so, it aims to provide a roadmap for those interested in how looking at art leads to thinking about life.&lt;/p&gt;</description>
    <lastBuildDate>Mon, 13 Feb 2012 10:30:38 -0000</lastBuildDate>
    <copyright>Copyright Big Think. This work is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License.</copyright>
    
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      <title>Why David Hockney Went Back to Nature</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/V2eJbXGSAMg/42426</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42426</guid>
      <pubDate>Sun, 12 Feb 2012 23:01:03 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42426/313/Hockney%20edit.jpg?1329105659" type="image/jpeg" />
      <description>
        <![CDATA[ “If you want to replenish your visual thinking, you have to go back to nature,” <a href="http://en.wikipedia.org/wiki/David_Hockney">David Hockney</a> says in Bruno Wollheim’s film <em>
  <a href="http://firstrunfeatures.com/davidhockneydvd.html">David Hockney: A Bigger Picture</a>
</em>, “because there’s the infinite there, meaning you can’t think it up.” That film captures Hockney painting many of the amazing landscapes that ...<br><br><a href='http://bigthink.com/ideas/42426'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42426</feedburner:origLink></item>
    <item>
      <title>Is Art History Better Unsaid Than Red?</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/OrxpH9ifWts/42410</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42410</guid>
      <pubDate>Fri, 10 Feb 2012 22:57:13 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42410/313/indianwarrior-crop.jpg?1328932630" type="image/jpeg" />
      <description>
        <![CDATA[ A new tour at the <a href="http://www.moma.org/">Museum of Modern Art in New York</a> has many seeing red over “seeing” Reds in the collection. As <a href="http://www.artnews.com/2012/02/09/seeing-red-at-moma-2/">reported in <em>Art News</em></a>, Artist <a href="http://yevgeniyfiks.com/home.html">Yevgeniy Fiks</a>’ “performative tour” titled simply enough “Communist Tour of MoMA” begins with the current exhibition <em>
  <a href="http://www.moma.org/interactives/exhibitions/2011/rivera/index.php">Diego Rivera: Murals for The Museum of</a>
</em> ...<br><br><a href='http://bigthink.com/ideas/42410'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42410</feedburner:origLink></item>
    <item>
      <title>Do Artists Have the Right to Destroy Their Own Work?</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/E63-UVPW5yY/42336</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42336</guid>
      <pubDate>Mon, 06 Feb 2012 23:13:24 -0500</pubDate>
      <m:thumbnail url="http://assets1.bigthink.com/system/idea_thumbnails/42336/313/Richter%20Warship%20Destroyed%201964.jpg?1328588000" type="image/jpeg" />
      <description>
        <![CDATA[ What drives an artist to destroy something they spent their time and energy on to create? Hatred? Self-disgust? Embarassment? Fear of how it might be interpreted or misinterpreted? German artist <a href="http://en.wikipedia.org/wiki/Gerhard_Richter">Gerhard Richter</a>, set to celebrate his 80th birthday on February 9th and receive all the accolades and ...<br><br><a href='http://bigthink.com/ideas/42336'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42336</feedburner:origLink></item>
    <item>
      <title>Is Christo Bad for the Environment?</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/ItvkJC81Mpw/42319</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42319</guid>
      <pubDate>Sun, 05 Feb 2012 23:24:17 -0500</pubDate>
      <m:thumbnail url="http://assets4.bigthink.com/system/idea_thumbnails/42319/313/No%20to%20Christo.jpg?1328502253" type="image/jpeg" />
      <description>
        <![CDATA[ Like doctors, artists should obey one rule above all, “To do no harm.” When you’re <a href="http://en.wikipedia.org/wiki/Christo">Christo</a> and you specialize in “environmental art,” that rule takes on an even greater importance. Christo’s latest project, titled “Over the River,” hopes to hang 5.9 miles of "silvery, translucent" panels along the  ...<br><br><a href='http://bigthink.com/ideas/42319'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42319</feedburner:origLink></item>
    <item>
      <title>Was William T. Trego America’s Greatest Disabled Artist?</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/Xm2oFbU18oU/42287</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42287</guid>
      <pubDate>Fri, 03 Feb 2012 15:26:00 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42287/313/Trego%20The%20Color%20Guard%20(French%20Dragoons%20Charging).jpg?1328300756" type="image/jpeg" />
      <description>
        <![CDATA[ <em>One of the biggest problems with lists is that with lists come labels. A list of <a href="http://en.wikipedia.org/wiki/List_of_African-American_visual_artists">African-American artists</a> or <a href="http://en.wikipedia.org/wiki/Women_artists">women artists</a> already sets them up as different (and perhaps less, somehow) than artists on another list. But sometimes lists also celebrate difference and how individuals overcome</em> ...<br><br><a href='http://bigthink.com/ideas/42287'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42287</feedburner:origLink></item>
    <item>
      <title>Why Van Gogh Is Ready for His Close Up</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/njlTSuHG4iU/42263</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42263</guid>
      <pubDate>Wed, 01 Feb 2012 22:31:31 -0500</pubDate>
      <m:thumbnail url="http://assets1.bigthink.com/system/idea_thumbnails/42263/313/Van%20Gogh%20Almond%20Blossoms.jpg?1328153486" type="image/jpeg" />
      <description>
        <![CDATA[ “All right, <a href="http://en.wikipedia.org/wiki/Cecil_B._DeMille">Mr. DeMille</a>, I'm ready for my close-up,” says washed-up silent film star Norma Desmond in the <a href="http://www.youtube.com/watch?v=jMTT0LW0M_Y">final scene</a> of <a title="Billy Wilder" href="http://en.wikipedia.org/wiki/Billy_Wilder">Billy Wilder</a>’s unforgettable 1950 film <em>
  <a href="http://en.wikipedia.org/wiki/Sunset_Boulevard_%28film%29">Sunset Boulevard</a>
</em>. <a title="Gloria Swanson" href="http://en.wikipedia.org/wiki/Gloria_Swanson">Gloria Swanson</a> caps off her Oscar-nominated performance as Norma by walking into the camera’s lens and revealing in that ...<br><br><a href='http://bigthink.com/ideas/42263'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42263</feedburner:origLink></item>
    <item>
      <title>Should the Mona Lisa’s Smile Be Saved?</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/M7RurPwNslA/42228</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42228</guid>
      <pubDate>Mon, 30 Jan 2012 15:10:45 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42228/313/Mona%20Lisa%20Smile.jpg?1327954242" type="image/jpeg" />
      <description>
        <![CDATA[ If you saw someone dying before your eyes, wouldn’t you do everything possible to save them? Is there ever a case when saving someone (or something) is the wrong choice? In a <a href="http://artwatchuk.wordpress.com/2012/01/19/26th-january-2012/">recent article</a> on <a href="http://artwatchuk.wordpress.com/">Art Watch UK</a> titled “<a href="http://artwatchuk.wordpress.com/2012/01/19/26th-january-2012/">What Price a Smile? The Louvre Leonardo Mouths that are Now at Risk</a>,” Michael Daley ...<br><br><a href='http://bigthink.com/ideas/42228'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42228</feedburner:origLink></item>
    <item>
      <title>Why the Renaissance Model of Portraiture Endures</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/wCuMgt3ra3o/42128</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42128</guid>
      <pubDate>Tue, 24 Jan 2012 23:11:29 -0500</pubDate>
      <m:thumbnail url="http://assets1.bigthink.com/system/idea_thumbnails/42128/313/9.%20Ghirlandaio_Portrait%20of%20an%20Old%20Man%20and%20a%20Boy_Louvre--edit.jpg?1327464685" type="image/jpeg" />
      <description>
        <![CDATA[ What is that “Presidential” look? Consciously or subconsciously, American voters ask themselves that question every four years on the way to the ballot box. Is it the <a href="http://en.wikipedia.org/wiki/Mount_Rushmore">Mount Rushmore</a>-ready chin, the never-retreating hairline, or the ideally symmetrical smile to which we surrender our hearts ...<br><br><a href='http://bigthink.com/ideas/42128'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42128</feedburner:origLink></item>
    <item>
      <title>Laurie Anderson’s Vision of Art in the Future</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/KIqJj5SucIw/42093</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42093</guid>
      <pubDate>Mon, 23 Jan 2012 14:51:07 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42093/313/Laurie_Anderson.jpg?1327348264" type="image/jpeg" />
      <description>
        <![CDATA[&#x201C;The main thing that attracts me to <a href="http://en.wikipedia.org/wiki/Buddhism">Buddhism</a> is probably what attracts every artist to being an artist&#x2014;that it&#x2019;s a godlike thing,&#x201D; performance artist and musician <a href="http://en.wikipedia.org/wiki/Laurie_anderson">Laurie Anderson</a> says in an <a href="http://www.believermag.com/issues/201201/?read=interview_anderson">interview</a> in the January 2012 issue of <em>
  <a href="http://www.believermag.com/">Believer</a>
</em> magazine. In addition to that interesting take on the godhood ...<br><br><a href='http://bigthink.com/ideas/42093'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42093</feedburner:origLink></item>
    <item>
      <title>How Zoe Strauss Flips Urban Stereotypes on Their Head</title>
      <link>http://feedproxy.google.com/~r/bigthink/blogs/picture-this/~3/bf3nKcxG1A4/42046</link>
      <guid isPermaLink="false">http://bigthink.com/ideas/42046</guid>
      <pubDate>Thu, 19 Jan 2012 14:59:46 -0500</pubDate>
      <m:thumbnail url="http://assets2.bigthink.com/system/idea_thumbnails/42046/313/Image_11-edit.jpg?1327003183" type="image/jpeg" />
      <description>
        <![CDATA[Using money she had received for her 30th birthday, <a href="http://www.zoestrauss.com/">Zoe Strauss</a> bought a camera in 2000 and began shooting a 10-year project that had previously existed only in her imagination. The urban landscape of Philadelphia and its inhabitants soon found a new herald and champion in Strauss, who dreamed of ...<br><br><a href='http://bigthink.com/ideas/42046'>Read More</a>]]>
      </description>
      <dc:creator>Bob Duggan</dc:creator>
    <feedburner:origLink>http://bigthink.com/ideas/42046</feedburner:origLink></item>
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