<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" gd:etag="W/&quot;DUUDSXczfSp7ImA9WhVTEE4.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111</id><updated>2012-02-23T22:47:58.985Z</updated><category term="Produced_Steve_Hopkins" /><category term="Kino_Peripheral" /><category term="Claude_Bessy" /><category term="Designed_AHW" /><category term="news" /><category term="Thick_Pigeon" /><category term="To_Hell_With_Burgundy" /><category term="1989" /><category term="OFNY" /><category term="Designed_Joel_Van_Audenhaege" /><category term="1997" /><category term="Matthew_Robertson" /><category term="FACOZ" /><category term="Photography_Minny_Pops" /><category term="Designed_Andy_Woodcock" /><category term="Survival_Research_Laboratories" /><category term="Produced_Walter_Donohue" /><category term="Produced_Marr" /><category term="Arthur_Baker" /><category term="Doomed" /><category term="7inch" /><category term="Classical" /><category term="1998" /><category term="Designed_Peter_Saville" /><category term="Hunters_and_Collectors" /><category term="Designed_Jackie_Gribbon" /><category term="Album" /><category term="Designed_Deroeck" /><category term="Produced_Tedstone_Atherton_Stuart" /><category term="Designed_The_Wake" /><category term="Designed_Ben_Kelly" /><category term="Streetlife" /><category term="Echo_and_the_Bunnymen" /><category term="Writing_FV" /><category term="Designed_Graham" /><category term="Poster" /><category term="Designed_Johnson_Panas" /><category term="Produced_Keir_Stewart" /><category term="Photography_Douglas_Brothers" /><category term="Produced_Be_Music_Sumner" /><category term="X-O-Dus" /><category term="Marcel_King" /><category term="Christmas" /><category term="I_Fagiolini" /><category term="Undone" /><category term="Designed_Ralph_Steadman" /><category term="1979" /><category term="Produced_Abecedarians" /><category term="1995" /><category term="Jon_Savage" /><category term="Life" /><category term="FAC" /><category term="Designed_Elena_Massucco" /><category term="Designed_Ed_Jackson" /><category term="Designed_David_Knopov" /><category term="Designed_James" /><category term="Designed_Grafica_Industria" /><category term="CD" /><category term="Drawings" /><category term="OMD" /><category term="Hopper" /><category term="Produced_Serena_Lovelace" /><category term="1996" /><category term="Designed_Kennedys_Studios_Agidi" /><category term="Installation" /><category term="Designed_Larry_Cassidy" /><category term="Magazine_band" /><category term="Produced_Frantz_Weymouth" /><category term="Document" /><category term="Dub_Sex" /><category term="Artwork" /><category term="The_Adverts" /><category term="CD3" /><category term="1994" /><category term="Designed_Les_Thompson" /><category term="Produced_Michael_Wilson" /><category term="1985" /><category term="Severed_Heads" /><category term="Produced_Garrett_Lee" /><category term="12inch" /><category term="T-Shirt" /><category term="Lawsuit" /><category term="Ivan_Unwin" /><category term="Remixers" /><category term="Pleasure_Crew" /><category term="Designed_Christiane_Mathan" /><category term="Prod_J_Kerr" /><category term="Art_Dir_Saville" /><category term="Produced_Goran_Andersson" /><category term="Designed_Benoit_Hennebert" /><category term="1986" /><category term="The_Other_Two" /><category term="The_Royal_Family_and_The_Poor" /><category term="Produced_Brandon_Leon" /><category term="Meat_Mouth" /><category term="A_Boy_Alone" /><category term="1992" /><category term="Anthony_H_Wilson" /><category term="Remixed_Bernard_Sumner" /><category term="Designed_Ann_Quigley" /><category term="Website" /><category term="Produced_Graeme_Park" /><category term="Produced_Arthur_Baker" /><category term="1987" /><category term="Stanton_Miranda" /><category term="Produced_Stephen_Hague" /><category term="Patrick_Fitzgerald" /><category term="Designed_David_Sultan" /><category term="EAST_WEST_COAST" /><category term="Not_allocated" /><category term="Designed_DM" /><category term="Carrie_Kirkpatrick" /><category term="Produced_Paul_Smith" /><category term="Designed_Igort" /><category term="Morrissey" /><category term="1988" /><category term="Ilustrators" /><category term="FA" /><category term="Daniel_Landin" /><category term="Steve_and_Gillian" /><category term="Produced_Rachid" /><category term="Designed_Bracken_Harper" /><category term="Designed_Horsfall" /><category term="Produced_Vini_Reilly" /><category term="Swamp_Children" /><category term="Promotional" /><category term="Image" /><category term="Shop" /><category term="The_Wendys" /><category term="The_Space_Monkeys" /><category term="Produced_Stuart_James" /><category term="Produced_Jimmy_Miller" /><category term="Des_Het" /><category term="Minny_Pops" /><category term="Produced_Simon_Topping" /><category term="Produced_Cabaret_Voltaire" /><category term="Virgin_Prunes" /><category term="Produced_AHW" /><category term="Kreisler" /><category term="Unfinished" /><category term="List" /><category term="Man" /><category term="Produced_Johnny_Jay" /><category term="Big_In_Japan" /><category term="Robin_Williams" /><category term="abandoned" /><category term="Designed_Wakefield" /><category term="VA" /><category term="Designed_Creative_Partnership" /><category term="England_New_Order" /><category term="Joy_Division" /><category term="2001" /><category term="Produced_Ian_Capel" /><category term="Designers" /><category term="Produced_Wally_van_Middendorp" /><category term="Designed_Andrew_Penhallow" /><category term="Conceptualiser" /><category term="Designed_Patrick_Moore" /><category term="The_Undertones" /><category term="Hairdressers" /><category term="Two_Guitarists" /><category term="Prod_R_Sargent" /><category term="Red_Turns_To" /><category term="Ludus" /><category term="2002" /><category term="Graham_Fitkin" /><category term="Kalima" /><category term="Abecedarians" /><category term="Anna_Domino" /><category term="Designed_Joe_Magee" /><category term="William_S_Burroughs" /><category term="Card" /><category term="Edward_Barton" /><category term="Cat" /><category term="Artists" /><category term="Photography_V_Hoorick" /><category term="Revenge" /><category term="Produced_Martin_Hannett" /><category term="Designed_PSA" /><category term="congress" /><category term="Designed_Julian_Morey" /><category term="La_Cosa_Nostra" /><category term="BETA" /><category term="Producers" /><category term="10inch" /><category term="Distractions" /><category term="2003" /><category term="Produced_The_Other_Two" /><category term="Illustration_Ann_Quigley" /><category term="Produced_Vermorel" /><category term="Produced_Mike_Willocks" /><category term="CD-ROM" /><category term="Fanclub" /><category term="52nd_Street" /><category term="Buzzcocks" /><category term="Designed_James_Kay" /><category term="Produced_John_Leckie" /><category term="The_Little_Big_Band" /><category term="Produced_Tim_Oliver" /><category term="Ska-Boom" /><category term="unreleased" /><category term="2004" /><category term="Produced_Paul_Harrison" /><category term="Painters" /><category term="K-TRACK" /><category term="Produced_Mark_Kamins" /><category term="Produced_Osbourne" /><category term="TOO" /><category term="Photography_Daniel_Meadows" /><category term="Shaun_Ryder" /><category term="Designed_Realisation" /><category term="Royal_Family" /><category term="1999" /><category term="The_Smiths" /><category term="Comp" /><category term="New_Order" /><category term="Produced_Bernard_Butler" /><category term="Produced_Chris_Nagle" /><category term="The_Sixths" /><category term="Designed_Trevor_Johnson" /><category term="Photography_AHW" /><category term="2005" /><category term="ITALIAN_LOVE_PARTY" /><category term="THE_ORCH" /><category term="Cap" /><category term="Tunnelvision" /><category term="Treatment" /><category term="Photographer" /><category term="Designed_ASK_Design_Co" /><category term="Produced_Tennant" /><category term="DAT" /><category term="Brion_Gysin" /><category term="Jilted_John" /><category term="Sculpture" /><category term="Des_M_Cook" /><category term="Nick_Turvey" /><category term="Produced_Ambrose_Reynolds" /><category term="Produced_Wim_Mertens" /><category term="EP" /><category term="Brian_Nicholson" /><category term="Designed_Gary_Newby" /><category term="The_Tiller_Boys" /><category term="The_Teardrop_Explodes" /><category term="Offer" /><category term="Designed_Tom_Mulder" /><category term="Designed_Rob_Gretton" /><category term="Produced_The_Wake" /><category term="Produced_Summerly" /><category term="RAW-T" /><category term="Film" /><category term="Produced_Nick_Robins" /><category term="Produced_Be_Music_New_Order" /><category term="Railway_Children" /><category term="Movie" /><category term="LP" /><category term="Flexi" /><category term="Produced_John_Robie" /><category term="O_Yuki_Conjugate" /><category term="Produced_Clee" /><category term="Produced_Danny_Evans" /><category term="The_Bailey_Brothers" /><category term="Designed_Malcolm_Whitehead" /><category term="ACR" /><category term="Produced_Be_Music_Morris_Gilbert" /><category term="Produced_Colin_Callender" /><category term="Designed_Peter_Christopherson" /><category term="Video" /><category term="Durutti" /><category term="CS" /><category term="Logo" /><category term="Young_Offenders" /><category term="Designed_Macklin" /><category term="Section_25" /><category term="Produced_Dan_Lacksman" /><category term="Produced_David_Avidor" /><category term="Crispy_Ambulance" /><category term="Indambinigi" /><category term="Produced_Stewart_Pickering" /><category term="Produced_Royal_Family" /><category term="Drawings_John_Carroll" /><category term="Ike_Yard" /><category term="Produced_Mike_Pickering" /><category term="Mis-allocated" /><category term="2007" /><category term="Produced_Crispy_Ambulance" /><category term="Produced_Walter_Hus" /><category term="Production_Stephin_Merritt" /><category term="Liaisons_Dangereuses" /><category term="Artwork_Mike_Keane" /><category term="Executioner" /><category term="Produced_Dave_Pringle" /><category term="2006" /><category term="Steve_Mason" /><category term="Produced_Clare_Walker" /><category term="Stationery" /><category term="Designed_Rob_Van_Middendorp" /><category term="Palatine" /><category term="Event" /><category term="Stockholm_Monsters" /><category term="Glenn_Branca" /><category term="Prod_N_Warren" /><category term="Photography_Bernard_Pierre_Wolff" /><category term="Rolf_Hind" /><category term="FAC_51_The_Hacienda" /><category term="Produced_Michael_Johnson" /><category term="Sex_Pistols" /><category term="Produced_Paul_Kendall" /><category term="Binder" /><category term="Walter_Hus" /><category term="Volition" /><category term="Caroline_Lavelle" /><category term="Biting_Tongues" /><category term="Designed_A2" /><category term="Produced_Hadden" /><category term="The_Birthday_Party" /><category term="Jonathan_Demme" /><category term="Designed_Ian_Wright" /><category term="Designed_Terry_Egan" /><category term="Produced_Oakenfold" /><category term="Quando" /><category term="Produced_Stephen_Mallinder" /><category term="IKON" /><category term="Designed_8vo" /><category term="Produced_Kreisler" /><category term="Designed_Unknown" /><category term="Produced_Be_Music_Hook" /><category term="DVD" /><category term="Edifice" /><category term="Designed_Lawrence_Weiner" /><category term="The_Hood" /><category term="Produced_Mark_Phytian" /><category term="Martin_Hannett" /><category term="Illustration_Dufy" /><category term="Cancelled" /><category term="Linder_Sterling" /><category term="F4" /><category term="Richard_Heslop" /><category term="Designed_Rob_Stanzel" /><category term="Designed_Robert_Breer" /><category term="Advert" /><category term="Designed_B_Smith_Studio" /><category term="Single" /><category term="Written_Liz_Naylor" /><category term="Remixed_Shep_Pettibone" /><category term="James" /><category term="Designed_Roques" /><category term="Produced_Ben_Turner" /><category term="Jazz_Defektors" /><category term="Manicured_Noise" /><category term="Produced_Enterprise" /><category term="Miaow" /><category term="Broken_Happy_Mondays" /><category term="Produced_Ian_Broudie" /><category term="Cath_Carroll" /><category term="Designed_Trevor_Key" /><category term="Jumpin_Jesus" /><category term="Designed_Ed_Templeton" /><category term="Produced_DOJO" /><category term="Designed_Julie_Lomax" /><category term="Electronic" /><category term="Unknown" /><category term="DL" /><category term="Produced_Chopper_Squad" /><category term="Plaque" /><category term="Produced_Swamp_Children" /><category term="Designed_Brody" /><category term="Designed_Brett_Wickens" /><category term="Engineering_ADBFDWNCRN" /><category term="Designed_Vini_Reilly" /><category term="Designed_Slimm_Smith" /><category term="1981" /><category term="Produced_Malcolm_Whitehead" /><category term="Produced_Minny_Pops" /><category term="Playgroup" /><category term="Produced_Michael_Shamberg" /><category term="Designed_Graham_Newman" /><category term="Produced_Duke_String_Quartet" /><category term="Pete_Shelley" /><category term="Produced_Paul_Collister_OMD" /><category term="The_Wake" /><category term="Produced_Stephen_Street" /><category term="Produced_The_Railway_Children" /><category term="Designed_Ron_van_Roon" /><category term="Cerith_Wyn_Evans" /><category term="Produced_Biting_Tongues" /><category term="Crawling_Chaos" /><category term="Produced_Ike_Yard" /><category term="Produced_Crawling_Chaos" /><category term="Designed_Pepermans" /><category term="Slab" /><category term="Designed_Shamberg" /><category term="Vermorel" /><category term="Magazine" /><category term="Mixed_Arthur_Baker" /><category term="John_Cooper_Clarke" /><category term="Sticker" /><category term="Designed_Joy_Division" /><category term="Northside" /><category term="Designed_Central_Station_Design" /><category term="Produced_Alan_Rankine" /><category term="Produced_DT" /><category term="Designed_Wink_Associates" /><category term="Remixed_Chopper_Squad" /><category term="Produced_Larry_Cassidy" /><category term="1980" /><category term="Happy_Mondays" /><category term="Produced_John_West" /><category term="Blurt" /><category term="Karl_Denver" /><category term="Produced_Jeff_Hooper" /><category term="Joy_Perino" /><category term="1991" /><category term="Produced_Ian_Curtis" /><category term="Sponsorship" /><category term="Designed_Mark_Farrow" /><category term="Howard_Walmsley" /><category term="Piers_Adams" /><category term="Produced_Rob_Gretton" /><category term="Produced_Kalima" /><category term="Designed_Boot_Room" /><category term="Produced_FV" /><category term="Duke_String_Quartet" /><category term="Lori_Chameleons" /><category term="Vini_Reilly" /><category term="VHS" /><category term="Produced_Dennis_Bovell" /><category term="Produced_Oz" /><category term="Produced_Gary_Masters" /><category term="Maggie_Jailler" /><category term="Table" /><category term="1990" /><category term="Japan" /><category term="Badge" /><category term="Timothy_Burke" /><category term="The_Adventure_Babies" /><category term="Produced_Section_25" /><category term="CDV" /><category term="FACUS" /><category term="Produced_CP_Lee" /><category term="Bottle" /><category term="Designed_Martyn_Atkins" /><category term="Designed_Barbara_Kruger" /><category term="Produced_Michael_Finlayson" /><category term="John_Dowie" /><category term="FBN" /><category term="CDS" /><category term="Produced_Andy_Mac" /><category term="Alpha_Omega" /><category term="The_Human_League" /><category term="Picture-Disc" /><category term="Wayne_Fontana" /><category term="Designed_Jon_Savage" /><category term="Surprize" /><category term="Dominique" /><category term="Designed_Dave_Rowbotham" /><category term="Produced_Revenge" /><category term="Produced_Mike_Keane" /><category term="Labels" /><category term="1984" /><category term="The_Fall" /><category term="The_Names" /><category term="Alan_Erasmus" /><category term="Shark_Vegas" /><category term="Erik_Satie" /><category term="Produced_ACR" /><category term="Fadela" /><category term="Remixed_John_Robie" /><category term="Designed_Phill_Pennington" /><category term="Tools_You_Can_Trust" /><category term="Designed_Alan_David-Tu" /><category term="Designed_Crispy_Ambulance" /><category term="Designed_Olivier_Carrie_Dragon" /><category term="Designed_Section_25" /><category term="Books_Booklets" /><category term="ESG" /><category term="Produced_Lillywhite_Stuart" /><category term="1983" /><category term="guide" /><category term="Photography_Trevor_Key" /><category term="Sleeve" /><category term="Designed_Two" /><category term="1978" /><category term="Elti-Fits" /><category term="Produced_The_Durutti_Column" /><category term="Produced_New_Order" /><category term="Designed_Mark_Holt" /><category term="Illustration_Jackie_Williams" /><category term="Steve_Martland" /><category term="Prod_Tryggvason_Williams_Kelly_Freeman" /><category term="Produced_Michel_Duval" /><category term="Designed_JFO_VAG" /><category term="Produced_Ian_Blackburn" /><category term="Art" /><category term="Kevin_Hewick" /><category term="Produced_Nick_Garside" /><category term="Wim_Mertens" /><category term="ONCE" /><category term="Cabaret_Voltaire" /><category term="Spoken_Word_Drama" /><category term="Produced_John_Cale" /><category term="Concept" /><category term="1982" /><category term="Produced_Judy_Vermorel" /><category term="Exhibition" /><category term="Produced_Dave_Young" /><category term="Red_Byrd" /><category term="Ad_Infinitum" /><category term="Remixed_Mark_Kamins" /><title>Factory Records</title><subtitle type="html">The Master Discography of Factory Communications Limited, Too, Once, F4 Records, Benelux, US, OFNY, America, Australasia and Ikon/FCL FAC numbers</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>1093</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/blogger/kBSR" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="blogger/kbsr" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;CkcCRH06cCp7ImA9WhRaGUk.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-2797696423607316911</id><published>2012-02-22T19:47:00.000Z</published><updated>2012-02-22T19:47:45.318Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-22T19:47:45.318Z</app:edited><title>Credits</title><content type="html">FIRST &amp; FOREMOST&lt;br /&gt;
&lt;br /&gt;
Steven Hankinson (original concept, realisation and design), Frank Brinkhuis (Benelux, et al.), John Cooper (web architect and delivery, UK, et al.), &amp; Sebastian Luetzow (Australasia, et al.). Without whom...&lt;br /&gt;
&lt;br /&gt;
Dennis Remmer for being there first.&lt;br /&gt;
&lt;br /&gt;
MCR (AND BEYOND) SUPPORT&lt;br /&gt;
&lt;br /&gt;
Tracey Donnelly, Paul Pledger (Executive Editor), Kevin Whitlock (certain images sourced with permission (and great thanks) from Kevin's ongoing Flickr photography site - &lt;a href="http://www.flickr.com/photos/kevinwhitlock/collections/72157627984921767/" target="_blank"&gt;The Factory Records Project (TFPR) [-&gt;]&lt;/a&gt;, Colin White &amp; John Macklin.&lt;br /&gt;
&lt;br /&gt;
CONTRIBUTIONS&lt;br /&gt;
&lt;br /&gt;
T. Ivarsson, Kevin Cummins, John Kertland, Hayden Taylor, Christopher Macadams, Andrew Penhallow, Michael Stein &amp; Michael Eastwood.&lt;br /&gt;
&lt;br /&gt;
FACILITATOR&lt;br /&gt;
&lt;br /&gt;
Marc Starr&lt;br /&gt;
&lt;br /&gt;
SPECIAL THANKS&lt;br /&gt;
&lt;br /&gt;
Anthony H. Wilson&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-2797696423607316911?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/2797696423607316911/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=2797696423607316911" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2797696423607316911?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2797696423607316911?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/01/credits.html" title="Credits" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkIHR3g8eSp7ImA9WhRaGU4.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-4360089357472724652</id><published>2012-02-22T18:15:00.000Z</published><updated>2012-02-22T18:15:36.671Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-22T18:15:36.671Z</app:edited><title>Categories</title><content type="html">&lt;a href="http://blog.factoryrecords.org/2012/01/advertisements.html"&gt;ADVERTISEMENT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/albums.html"&gt;ALBUM&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/art.html"&gt;ART&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/badges.html"&gt;BADGE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/binder.html"&gt;BINDER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/books-booklets.html"&gt;BOOKS/BOOKLETS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/bottle.html"&gt;BOTTLE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/cap.html"&gt;CAP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/cat.html"&gt;CAT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/christmas.html"&gt;CHRISTMAS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/factory-classical.html"&gt;CLASSICAL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/document.html"&gt;DOCUMENT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/edifices.html"&gt;EDIFICES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/event.html"&gt;EVENT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fanzine-magazine.html"&gt;FANZINE / MAGAZINE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/film.html"&gt;FILM&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/image.html"&gt;IMAGE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/installation.html"&gt;INSTALLATION&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/list.html"&gt;LIST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/logo.html"&gt;LOGO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/man.html"&gt;MAN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/movie.html"&gt;MOVIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/plaque.html"&gt;PLAQUE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/posters.html"&gt;POSTER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/promotional.html"&gt;PROMOTIONAL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/shop.html"&gt;SHOP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/singles.html"&gt;SINGLE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/sponsorship.html"&gt;SPONSORSHIP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stationery.html"&gt;STATIONERY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/sticker.html"&gt;STICKER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/t-shirt.html"&gt;T-SHIRT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/videos.html"&gt;VIDEO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/websites.html"&gt;WEBSITE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/cancelled.html"&gt;CANCELLED&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/concepts.html"&gt;CONCEPT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/undone.html"&gt;UNDONE&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-4360089357472724652?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/4360089357472724652/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=4360089357472724652" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/4360089357472724652?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/4360089357472724652?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/categories.html" title="Categories" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkMMSXk-eSp7ImA9WhRaGU4.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-4533731448177560557</id><published>2012-02-22T18:14:00.002Z</published><updated>2012-02-22T18:14:48.751Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-22T18:14:48.751Z</app:edited><title>STICKER</title><content type="html">&lt;a href="http://blog.factoryrecords.org/2012/02/factus-46-certain-ratio-ratio-circus.html"&gt;FACTUS 46 A CERTAIN RATIO Ratio &gt; The Circus&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-4533731448177560557?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/4533731448177560557/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=4533731448177560557" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/4533731448177560557?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/4533731448177560557?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/sticker.html" title="STICKER" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0YGRng-cCp7ImA9WhRaFkU.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-2772893416807413795</id><published>2012-02-19T20:58:00.000Z</published><updated>2012-02-19T20:58:47.658Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-19T20:58:47.658Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Labels" /><title>Factory Communications Limited (UK)</title><content type="html">&lt;a href="http://blog.factoryrecords.org/1978/05/fac-1-factory-poster.html"&gt;FAC 1 The Factory poster&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1978/12/fac-2-factory-sample.html"&gt;FAC-2 A Factory Sample&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1978/10/fac-3.html"&gt;FAC 3 The Factory poster&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1978/12/fac-4-factory-poster.html"&gt;FAC 4 The Factory poster&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/05/fac-5-certain-ratio-all-night-party.html"&gt;FAC 5 A CERTAIN RATIO All Night Party&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/05/fac-6-orchestral-manoeuvres-in-dark.html"&gt;FAC 6 ORCHESTRAL MANOEUVRES IN THE DARK Electricity&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/03/fac-7-factory-notepaper.html"&gt;FAC 7 Factory Notepaper&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/07/fac-8-linder-sterling-factory-egg-timer.html"&gt;FAC 8 LINDER STERLING Factory Egg Timer&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/09/fac-9-various-artists-factory-flick.html"&gt;FAC 9 VARIOUS ARTISTS The Factory Flick&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/06/fact-10-joy-division-unknown-pleasures.html"&gt;FACT 10 JOY DIVISION Unknown Pleasures&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/06/fact-104-posters.html"&gt;FACT 10+4 posters&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/02/fac-11-x-o-dus-english-black-boys.html"&gt;FAC 11 X-O-DUS English Black Boys&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/09/fac-12-distractions-time-goes-by-so.html"&gt;FAC 12 THE DISTRACTIONS Time Goes By So Slow&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/10/fac-13-joy-division-transmission.html"&gt;FAC 13 JOY DIVISION Transmission&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/01/fact-14-durutti-column-return-of.html"&gt;FACT 14 THE THE DURUTTI COLUMN The Return Of The THE DURUTTI COLUMN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/08/fac-15-leigh-festivalzoo-meets-factory.html"&gt;FAC 15 Leigh Festival/Zoo Meets Factory Halfway&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/01/fact-16-certain-ratio-graveyard-and.html"&gt;FACT 16 A CERTAIN RATIO The Graveyard and the Ballroom&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/08/fac-17-crawling-chaos-sex-machine.html"&gt;FAC 17 CRAWLING CHAOS Sex Machine&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/07/fac-18-section-25-girls-dont-count.html"&gt;FAC 18 SECTION 25 Girls Don't Count&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fac-19-john-dowie-its-hard-to-be-egg.html"&gt;FAC 19 JOHN DOWIE It's Hard To Be An Egg&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/02/fac-20-certain-ratio-too-young-to-know.html"&gt;FAC 20 A CERTAIN RATIO Too Young to Know, Too Wild to Care&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fac-21-f-logo-badge.html"&gt;FAC 21 F logo badge&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/10/fac-22-certain-ratio-flight.html"&gt;FAC 22 A CERTAIN RATIO Flight&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/06/fac-23-joy-division-love-will-tear-us.html"&gt;FAC 23 JOY DIVISION Love Will Tear Us Apart&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/12/fact-24-various-artists-factory-quartet.html"&gt;FACT 24 VARIOUS ARTISTS A Factory Quartet&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/07/fact-25-joy-division-closer.html"&gt;FACT 25 JOY DIVISION Closer&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/04/fac-26-durutti-in-paris-eventposter.html"&gt;FAC 26 Durutti in Paris event/poster&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/08/fac-27-sex-machine-alternative-sleeve.html"&gt;FAC 27 Sex Machine Alternative Sleeve&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/06/fac-28-joy-division-komakino.html"&gt;FAC 28 JOY DIVISION Komakino&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/01/fac-29-names-night-shift.html"&gt;FAC 29 THE NAMES Night Shift&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1980/10/fact-30-sex-pistols-heyday.html"&gt;FACT 30 SEX PISTOLS The Heyday&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/02/fac-31-minny-pops-dolphin-spurt.html"&gt;FAC 31 MINNY POPS Dolphin Spurt&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fac-32-crispy-ambulance-unsightly.html"&gt;FAC 32 CRISPY AMBULANCE Unsightly &amp;amp; Serene&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/01/fac-33-new-order-ceremony.html"&gt;FAC 33 NEW ORDER Ceremony&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fac-34-esg-youre-no-good.html"&gt;FAC 34 E.S.G. You're No Good&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/05/fact-35-certain-ratio-to-each.html"&gt;FACT 35 A CERTAIN RATIO To Each...&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/07/fac-36-us-closer-campaign.html"&gt;FAC 36 The US 'Closer' Campaign&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/08/fact-37-joy-division-here-are-young-men.html"&gt;FACT 37 JOY DIVISION Here are the Young Men&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/12/fact-38-certain-ratio-below-canal.html"&gt;FACT 38 A CERTAIN RATIO Below the Canal&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fac-39-tunnelvision-watching.html"&gt;FAC 39 TUNNELVISION Watching the Hydroplanes&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/10/fact-40-joy-division-still.html"&gt;FACT 40 JOY DIVISION Still&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/01/fac-41-stockholm-monsters-fairy-tales.html"&gt;FAC 41 STOCKHOLM MONSTERS Fairy Tales&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/09/fact-42-certain-ratio-double-12.html"&gt;FACT 42 A CERTAIN RATIO The Double 12"&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/02/fac-43-royal-family-poor-art-dream.html"&gt;FAC 43 ROYAL FAMILY &amp;amp; THE POOR Art Dream Dominion&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/11/fact-44-durutti-column-lc.html"&gt;FACT 44 THE DURUTTI COLUMN LC&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/09/fact-45-section-25-always-now.html"&gt;FACT 45 SECTION 25 Always Now&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/06/fact-46-various-artists-video-circus.html"&gt;FACT 46 VARIOUS ARTISTS The Video Circus (Liverpool)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/01/fac-47-factory-anvil-logo.html"&gt;FAC 47 Factory Anvil Logo&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/02/fac-48-kevin-hewick-ophelias-drinking.html"&gt;FAC 48 KEVIN HEWICK Ophelia's Drinking Song&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/10/fac-49-swamp-children-little-voices.html"&gt;FAC 49 SWAMP CHILDREN Little Voices&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/11/fact-50-new-order-movement.html"&gt;FACT 50 NEW ORDER Movement&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-51-hacienda.html"&gt;FAC 51 The Hacienda&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-51b-new-order-merry-christmas-from.html"&gt;FAC 51B Merry Christmas From The Hacienda&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-52-certain-ratio-waterline.html"&gt;FAC 52 A CERTAIN RATIO Waterline&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/09/fac-53-new-order-procession.html"&gt;FAC 53 NEW ORDER Procession&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/01/fac-54-hacienda-construction-video.html"&gt;FAC 54 Hacienda Construction&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1981/10/fact-55-certain-ratio-sextet.html"&gt;FACT 55 A CERTAIN RATIO Sextet&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/08/fact-56-various-artists-factory-video.html"&gt;FACT 56 VARIOUS ARTISTS A Factory Video&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/09/fac-57-minny-pops-secret-story.html"&gt;FAC 57 MINNY POPS Secret Story&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/08/fac-58-stockholm-monsters-happy-ever.html"&gt;FAC 58 STOCKHOLM MONSTERS Happy Ever After&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/08/fac-59-52nd-street-look-into-my-eyes.html"&gt;FAC 59 52ND STREET Look Into My Eyes&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/01/fact-60-wake-harmony.html"&gt;FACT 60 THE WAKE Harmony&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/03/fac-61-fcl-vs-hannett.html"&gt;FAC 61 FCL vs. Hannett&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/10/fac-62-certain-ratio-knife-slits-water.html"&gt;FAC 62 A CERTAIN RATIO Knife Slits Water&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/04/fac-63-new-order-temptation.html"&gt;FAC 63 NEW ORDER Temptation&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/10/fac-64-durutti-column-i-get-along.html"&gt;FAC 64 THE DURUTTI COLUMN I Get Along Without You Very Well&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/12/fact-65-certain-ratio-id-like-to-see.html"&gt;FACT 65 A CERTAIN RATIO I'd Like to See You Again&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/06/fac-66-section-25-beast.html"&gt;FAC 66 SECTION 25 The Beast&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1982/10/fac-67-quando-quango-go-exciting-tingle.html"&gt;FAC 67 QUANDO QUANGO Go Exciting / Tingle&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-68-section-25-back-to-wonder.html"&gt;FAC 68 SECTION 25 Back To Wonder&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-69-not-allocated-unknown.html"&gt;FAC 69 Not allocated / Unknown&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/06/fact-70-swamp-children-so-hot.html"&gt;FACT 70 SWAMP CHILDREN So Hot&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/10/fact-71-various-artists-factory-outing.html"&gt;FACT 71 VARIOUS ARTISTS A Factory Outing&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/07/fac-72-certain-ratio-i-need-someone.html"&gt;FAC 72 A CERTAIN RATIO I Need Someone Tonight&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/03/fac-73-new-order-blue-monday.html"&gt;FAC 73 NEW ORDER Blue Monday&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/08/fact-74-durutti-column-another-setting.html"&gt;FACT 74 THE DURUTTI COLUMN Another Setting&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/05/fact-75-new-order-power-corruption-lies.html"&gt;FACT 75 NEW ORDER Power, Corruption &amp;amp; Lies&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-76-jazz-defektors-movie.html"&gt;FACT 76 JAZZ DEFEKTORS The Movie&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/08/fact-77-new-order-taras-shevchenko.html"&gt;FACT 77 NEW ORDER Taras Shevchenko&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/06/fac-78-james-jimone.html"&gt;FAC 78 JAMES Jimone&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/11/fac-79-quando-quango-love-tempo.html"&gt;FAC 79 QUANDO QUANGO Love Tempo&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1979/12/facx-79-christmas-present.html"&gt;FACX 79 Christmas Present&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fact-80-stockholm-monsters-alma-mater.html"&gt;FACT 80 STOCKHOLM MONSTERS Alma Mater&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/09/fac-81-factory-1st-international.html"&gt;FAC 81 Factory 1st International Congress / Notepaper&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/07/fac-82-cabaret-voltaire-yashar.html"&gt;FAC 82 CABARET VOLTAIRE Yashar&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/12/fac-86-christmas-1983-hacienda.html"&gt;FAC 83 Hacienda 1 Year&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/12/fact-84-durutti-column-without-mercy.html"&gt;FACT 84 THE DURUTTI COLUMN Without Mercy&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-85-thick-pigeon-too-crazy-cowboys.html"&gt;FACT 85 THICK PIGEON Too Crazy Cowboys&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/12/fac-86-christmas-1983-hacienda.html"&gt;FAC 86 Christmas 1983 Hacienda&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/11/fac-87-kalima-smiling-hour.html"&gt;FAC 87 KALIMA The Smiling Hour&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fac-88-wake-talk-about-past.html"&gt;FAC 88 THE WAKE Talk About the Past&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/12/fact-89-john-dowie-dowie.html"&gt;FACT 89 JOHN DOWIE Dowie&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fact-90-section-25-from-hip.html"&gt;FACT 90 SECTION 25 From The Hip&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fac-91-facsoft-computer-programme.html"&gt;FAC 91 Facsoft Computer Program&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fac-92-marcel-king-reach-for-love.html"&gt;FAC 92 MARCEL KING Reach for Love&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/08/fac-93-new-order-confusion.html"&gt;FAC 93 NEW ORDER Confusion&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/01/fac-94-f-dot-logobadge.html"&gt;FAC 94 F-Dot logo/badge&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/10/fact-95-royal-family-and-poor-project.html"&gt;FACT 95 THE ROYAL FAMILY &amp;amp; THE POOR The Project Phase 1&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/03/fac-96-ad-infinitum-telstar.html"&gt;FAC 96 AD INFINITUM Telstar&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/02/fac-97-streetlife-act-on-instinct.html"&gt;FAC 97 STREETLIFE Act on Instinct&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1983/10/fac-98-swing-hairdressers.html"&gt;FAC 98 Swing (Hairdressers)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/01/fac-99-molar-reconstruction.html"&gt;FAC 99 Molar Reconstruction&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/05/fact-100-new-order-low-life.html"&gt;FACT 100 NEW ORDER Low-life&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/01/fac-101-tony-wilsons-lofts.html"&gt;FAC 101 (Tony Wilson's) Lofts&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-102-quando-quango-atom-rock.html"&gt;FAC 102 QUANDO QUANGO Atom Rock&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/05/fac-103-new-order-thieves-like-us.html"&gt;FAC 103 NEW ORDER Thieves Like Us&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/10/fac-104-tube-from-hacienda.html"&gt;FAC 104 'The Tube' from The Hacienda&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/07/fact-105-biting-tongues-feverhouse.html"&gt;FACT 105 BITING TONGUES Feverhouse The Soundtrack&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/07/fact-105-howard-walmsley-feverhouse.html"&gt;FACT 105 HOWARD WALMSLEY Feverhouse&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/07/fac-106-life-tell-me.html"&gt;FAC 106 LIFE Tell Me&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/06/fac-107-stockholm-monsters-national.html"&gt;FAC 107 STOCKHOLM MONSTERS National Pastime&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/06/fac-108-section-25-looking-from-hilltop.html"&gt;FAC 108 SECTION 25 Looking From a Hilltop&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-109-caroline-lavelle-untitled-and.html"&gt;FAC 109 CAROLINE LAVELLE Untitled and Undone&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/08/fact-110-quando-quango-pigs-battleships.html"&gt;FACT 110 QUANDO QUANGO Pigs &amp;amp; Battleships&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/01/fac-111-shark-vegas-you-hurt-me.html"&gt;FAC 111 SHARK VEGAS You Hurt Me&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-112-certain-ratio-lifes-scream.html"&gt;FAC 112 A CERTAIN RATIO Life's a Scream&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/11/fac-113-wake-of-matter.html"&gt;FAC 113 THE WAKE Of The Matter&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/03/fac-114-durutti-column-say-what-you.html"&gt;FAC 114 THE DURUTTI COLUMN Say What You Mean, Mean What You Say&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/01/fac-115-second-generation-notepaper.html"&gt;FAC 115 Second generation notepaper&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/03/fac-116-red-turns-to-deep-sleep.html"&gt;FAC 116 RED TURNS TO... Deep Sleep&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/02/fac-117-abecedarians-smiling-monarchs.html"&gt;FAC 117 ABECEDARIANS Smiling Monarchs&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/03/fac-118-52nd-street-cant-afford-to-let.html"&gt;FAC 118 52ND STREET Can't Afford (To Let You Go)&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/03/fac-119-james-james-ii.html"&gt;FAC 119 JAMES James&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/07/fac-120-factory-smokestack-silhouette.html"&gt;FAC 120 Factory smokestack silhouette logo&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/08/fac-121-from-factory-riverside.html"&gt;FAC 121 Riverside exhibition &amp;amp; Performances&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/07/fac-122-life-optimism.html"&gt;FAC 122 LIFE Optimism&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/05/fac-123-new-order-perfect-kiss.html"&gt;FAC 123 NEW ORDER The Perfect Kiss&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/04/fac-124-streetlife-no-more-silence.html"&gt;FAC 124 STREETLIFE No More Silence&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-125-various-artists-bessy-talks.html"&gt;FACT 125 VARIOUS ARTISTS Bessy Talks Turkey&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1984/10/fac-126-alan-goes-to-moscow.html"&gt;FAC 126 Alan Goes To Moscow&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/07/fac-127-kalima-four-songs.html"&gt;FAC 127 KALIMA Four Songs&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/07/fac-128-certain-ratio-wild-party.html"&gt;FAC 128 A CERTAIN RATIO Wild Party&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/09/fac-129-happy-mondays-forty-five-ep.html"&gt;FAC 129 HAPPY MONDAYS Delightful&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/08/fact-130-wake-here-comes-everybody.html"&gt;FACT 130 THE WAKE Here Comes Everybody&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/05/fac-131-it-isnt-only-low-life-poster.html"&gt;FAC 131 'It isn't only low-life...'&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/05/fac-132-section-25-crazy-dancing.html"&gt;FAC 132 SECTION 25 Crazy Dancing&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/10/fac-133-new-order-sub-culture-single.html"&gt;FAC 133 NEW ORDER Subculture&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/01/fac-134-biting-tongues-trouble-hand.html"&gt;FAC 134 BITING TONGUES Trouble Hand&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/01/fact-135-certain-ratio-old-new.html"&gt;FACT 135 A CERTAIN RATIO The Old &amp;amp; The New&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-136-factory-adhesive-tape.html"&gt;FAC 136 Factory adhesive tape&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/07/fac-137-quando-quango-genius.html"&gt;FAC 137 QUANDO QUANGO Genius&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/06/fact-137-various-artists-shorts.html"&gt;FACT 137 VARIOUS ARTISTS Shorts&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/08/fac-138-james-village-fire-5-offerings.html"&gt;FAC 138 JAMES Village Fire, 5 Offerings From...&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/03/fac-139-royal-family-poor-we-love-moon.html"&gt;FAC 139 THE ROYAL FAMILY &amp;amp; THE POOR We Love The Moon&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/04/fact-140-royal-family-poor-project.html"&gt;FACT 140 THE ROYAL FAMILY &amp;amp; THE POOR The Project Phase 2&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1987/01/fac-141-third-generation-logo.html"&gt;FAC 141 Third generation logo&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/07/fac-142-happy-mondays-freaky-dancing.html"&gt;FAC 142 HAPPY MONDAYS Freaky Dancing&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/03/fac-143-new-order-shellshock.html"&gt;FAC 143 NEW ORDER Shellshock&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/09/fact-144-durutti-column-domo-arigato.html"&gt;FACT 144 THE DURUTTI COLUMN Domo Arigato&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1985/12/fac-145-christmas-1985-gift.html"&gt;FAC 145 Christmas 1985&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-146-stockholm-monsters-party-line.html"&gt;FAC 146 STOCKHOLM MONSTERS Party Line&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1986/07/fac-147-kalima-whispered-words.html"&gt;FAC 147 KALIMA Whispered Words&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-148-styal-mill-sponsored-bucket.html"&gt;FAC 148 Styal Mill Sponsored bucket&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-149-little-big-band-first-project.html"&gt;FAC 149 THE LITTLE BIG BAND First Project (Aborted)&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-150-new-order-brotherhood.html"&gt;FACT 150 NEW ORDER Brotherhood&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-151-festival-of-tenth-summer.html"&gt;FAC 151 The Festival of the 10th Summer&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-152-with-love-from-manchester.html"&gt;FAC 152 'With Love From Manchester'&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-153-new-order-state-of-nation.html"&gt;FAC 153 NEW ORDER State of the Nation&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-154-durutti-column-circuses-bread.html"&gt;FACD 154 THE DURUTTI COLUMN Circuses &amp;amp; Bread&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-155-kalima-night-time-shadows.html"&gt;FACT 155 KALIMA Night Time Shadows&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-156-quando-quango-bad-blood.html"&gt;FAC 156 QUANDO QUANGO Bad Blood&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-157-section-25-bad-news-week.html"&gt;FAC 157 SECTION 25 Bad News Week&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-158-anna-domino-summer.html"&gt;FAC 158 ANNA DOMINO Summer&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-159-fac-facts.html"&gt;FAC 159 Fac Facts&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-160-section-25-love-and-hate.html"&gt;FACT 160 SECTION 25 Love and Hate&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-161-out-promotion-dave-nicki.html"&gt;FAC 161 Out Promotion/Dave &amp;amp; Nicki&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-162-railway-children-gentle-sound.html"&gt;FAC 162 THE RAILWAY CHILDREN A Gentle Sound&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-163-new-order-bizarre-love-triangle.html"&gt;FAC 163 NEW ORDER Bizarre Love Triangle&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-164-durutti-column-valuable.html"&gt;FACT 164 THE DURUTTI COLUMN Valuable Passages&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-165-anna-domino-anna-domino.html"&gt;FACT 165 ANNA DOMINO Anna Domino&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-166-certain-ratio-force.html"&gt;FACT 166 A CERTAIN RATIO Force&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-167-railway-children-brighter.html"&gt;FAC 167 THE RAILWAY CHILDREN Brighter&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-168-certain-ratio-mickey-way-candy.html"&gt;FAC 168 A CERTAIN RATIO Mickey Way The Candy Bar&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-169-pleasure-crew-i-could-be-so.html"&gt;FAC 169 PLEASURE CREW I Could Be So Good For You&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-170-happy-mondays-squirrel-and-g.html"&gt;FACT 170 HAPPY MONDAYS Squirrel and G-man...&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-171-white-columns-ny.html"&gt;FAC 171 White Columns NY&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-172-railway-children-singles.html"&gt;FAC 172 THE RAILWAY CHILDREN Singles Collection 'Overseas' (aborted)&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-173-new-order-bizarre-love-triangle.html"&gt;FAC 173 NEW ORDER Bizarre Love Triangle&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-174-durutti-column-valuable-press.html"&gt;FAC 174 THE DURUTTI COLUMN 'Valuable' Press Pack&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-175-christmas-gift-1986.html"&gt;FAC 175 Christmas gift 1986&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-176-happy-mondays-tart-tart.html"&gt;FAC 176 HAPPY MONDAYS Tart Tart&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-177-new-order-pumped-full-of-drugs.html"&gt;FACT 177 NEW ORDER Pumped Full of Drugs&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-178-wake-something-that-no-one-else.html"&gt;FAC 178 THE WAKE Something That No One Else Could Bring&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-179-miaow-when-it-all-comes-down.html"&gt;FAC 179 MIAOW When It All Comes Down&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-180-various-artists-factory-in.html"&gt;FACT 180 VARIOUS ARTISTS Factory Instore Tape No.1&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-181-bailey-brothers-mad-fuckers.html"&gt;FACT 181 BAILEY BROTHERS Mad Fuckers!&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-182-various-artists-salvation.html"&gt;FAC 182 THE HOOD Salvation / JUMPIN' JESUS You Can't Blackmail Jesus&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-183-new-order-true-faith.html"&gt;FAC 183 NEW ORDER True Faith&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-184-durutti-column-city-of-our-lady.html"&gt;FAC 184 THE DURUTTI COLUMN The City of Our Lady&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-185-railway-children-reunion.html"&gt;FACT 185 THE RAILWAY CHILDREN Reunion Wilderness&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-186-various-artists-festival-of.html"&gt;FACT 186 VARIOUS ARTISTS Festival of the 10th Summer&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-187-kalima-weird-feelings.html"&gt;FAC 187 KALIMA Weird Feelings&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-188-biting-tongues-compressor.html"&gt;FAC 188 BITING TONGUES Compressor&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-189-miaow-break-code.html"&gt;FAC 189 MIAOW Break The Code&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-190-wim-mertens-educes-me.html"&gt;FACT 190 WIM MERTENS Educes Me&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-191-hacienda-cat.html"&gt;FAC 191 The Hacienda Cat&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-192-happy-mondays-24-hour-party.html"&gt;FAC 192 HAPPY MONDAYS 24 Hour Party People&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-193-new-order-touched-by-hand-of.html"&gt;FAC 193 NEW ORDER Touched by the Hand of God&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-194-durutti-column-when-world.html"&gt;FAC 194 THE DURUTTI COLUMN When The World&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-195-wim-mertens-belly-of-architect.html"&gt;FACT 195 WIM MERTENS AND GLENN BRANCA The Belly of an Architect (Original Soundtrack)&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-196-meat-mouth-meat-mouth-is-murder.html"&gt;FAC 196 MEAT MOUTH Meat Mouth is Murder&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-197-fadela-nsel-fik.html"&gt;FAC 197 FADELA N'Sel Fik&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-198-vermorel-stereoporno.html"&gt;FAC 198 VERMOREL Stereo/Porno&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-199-vermorel-bums-for-bpi.html"&gt;FAC 199 VERMOREL Bums for BPI&lt;/a&gt;     &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-200-new-order-substance.html"&gt;FACT 200 NEW ORDER Substance&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-201-dry.html"&gt;FAC 201 Dry&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-202-dream-flight-balloons.html"&gt;FAC 202 Dream Flight balloons&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-203-12-inches-of-new-order.html"&gt;FAC 203 '12 Inches of New Order'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-204-durutti-column-guitar-and.html"&gt;FACT 204 THE DURUTTI COLUMN The Guitar and Other Machines&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-205-jazz-defektors-jazz-defektors.html"&gt;FACT 205 JAZZ DEFEKTORS Jazz Defektors&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-206-kalima-kalima.html"&gt;FACT 206 KALIMA Kalima!&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-207-little-big-band-little-big.html"&gt;FACD 207 THE LITTLE BIG BAND Little Big Band&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-208-disorder-post-g-mex-hacienda.html"&gt;FAC 208 Disorder Post-G-MEX Hacienda Party&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-209-happy-mondays-film-shoot.html"&gt;FAC 209 HAPPY MONDAYS Film Shoot&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-210-cath-carroll-england-made-me.html"&gt;FACT 210 CATH CARROLL England Made Me&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-211-wired-joy-division-feature.html"&gt;FAC 211 Wired Joy Division Feature&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-212-happy-mondays-wrote-for-luck.html"&gt;FAC 212 HAPPY MONDAYS Wrote For Luck&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-213-joy-division-atmosphere.html"&gt;FAC 213 JOY DIVISION Atmosphere&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-214-durutti-column-guitar-and-other.html"&gt;FAC 214 THE DURUTTI COLUMN The Guitar and Other Marketing Devices&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-215-hacienda-house-wine-white-vin.html"&gt;FAC 215 Hacienda House wine (white) 'Vin D'Usine blanc'&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-216-hacienda-house-wine-red-vin.html"&gt;FAC 216 Hacienda House wine (Red) 'Vin D'Usine Rouge'&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-217-to-hell-with-burgundy.html"&gt;FACT 217 TO HELL WITH BURGUNDY Earthbound&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-218-to-hell-with-burgundy-who.html"&gt;FACD 218 TO HELL WITH BURGUNDY Who Wants to Change the World?&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-219-kalima-flyaway.html"&gt;FACD 219 KALIMA Flyaway&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-220-happy-mondays-bummed.html"&gt;FACT 220 HAPPY MONDAYS Bummed&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-221-factory-goes-to-hollywood.html"&gt;FAC 221 'Factory Goes to Hollywood'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-221-8vo-factory-contract.html"&gt;FAC 221 Factory Contract&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-222-happy-mondays-karl-denver.html"&gt;FAC 222 HAPPY MONDAYS / KARL DENVER Lazyitis&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-223-new-order-fine-time.html"&gt;FAC 223 NEW ORDER Fine Time&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-224-durutti-column-first-four.html"&gt;FACD 224 THE DURUTTI COLUMN The First Four Albums&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-225-new-order-substance.html"&gt;FACT 225 NEW ORDER Substance&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-226-kreisler-string-orchestra.html"&gt;FACT 226 KREISLER STRING ORCHESTRA Kreisler String Orchestra&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-227-fred-fact-nme-feature-pages.html"&gt;FAC 227 'Fred Fac' NME Feature Page&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-228-karl-denver-wimoweh-89.html"&gt;FAC 228 KARL DENVER Wimoweh 89&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-229-fac229-music-week-factorial.html"&gt;FAC 229 Factorial booklet (with Music Week)&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-230-revenge-one-true-passion.html"&gt;FACT 230 REVENGE One True Passion&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-231-yo-john-music-week.html"&gt;FAC 231 'Yo John' (Music Week)&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-232-happy-mondays-wfl.html"&gt;FAC 232 HAPPY MONDAYS W.F.L.&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-233-substantial-matters-1986-1988.html"&gt;FAC 233 New Order/Joy Division Accounts&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-234-durutti-column-womad-88-live.html"&gt;FACD 234 THE DURUTTI COLUMN WOMAD 88 (Live)&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-235-new-order-blue-monday-88.html"&gt;FAC 235 New Order Blue Monday 88 Flickbook&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-236-robin-williams-oboe-and-piano.html"&gt;FACT 236 ROBIN WILLIAMS Oboe and Piano&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-237-new-order-here-are-old-men.html"&gt;FAC 237 NEW ORDER Here Are The Old Men&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-238-hacienda-96-citius-altius.html"&gt;FAC 238 "Hacienda '96 'Citius Altius Fortius'"&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-239-halcyon-daze-happy-mondays.html"&gt;FAC 239 Halcyon Daze Happy Mondays Fanzine&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-240-factory-10th-anniversary-wall.html"&gt;FAC 240 Factory (10th Anniversary) Wall Planner&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-241-just-say-no-to-london.html"&gt;FAC 241 'Just Say No To London'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-242-happy-mondays-madchester-rave.html"&gt;FAC 242 HAPPY MONDAYS Madchester Rave On&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-243-steve-mason-technique-bronze.html"&gt;FAC 243 STEVE MASON Technique Bronze Cherub&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-244-durutti-column-vini-reilly.html"&gt;FACT 244 THE DURUTTI COLUMN Vini Reilly&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-244-vincent-gerard-stephen-patrick.html"&gt;FACT 244+ VINCENT GERARD / STEPHEN PATRICK I Know Very Well How I Got My Note Wrong&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-245-madchester-christmas-1989.html"&gt;FAC 245 Madchester Christmas 1989&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-246-duke-string-quartet-duke.html"&gt;FACT 246 DUKE STRING QUARTET Duke String Quartet&lt;/a&gt;   &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-247-revenge-revenge-single-1189-7.html"&gt;FAC 247 REVENGE Revenge&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-248-on-cd-at-last-on-dat-already.html"&gt;FAC 248 'On CD At Last, On Dat Already'&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-249-kalima-feeling-fine.html"&gt;FACT 249 KALIMA Feeling Fine&lt;/a&gt;    &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-250-joy-division-substance-1977.html"&gt;FACT 250 JOY DIVISION Substance (1977-1980)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-251-new-factory-building.html"&gt;FAC 251 New Factory building&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-251-steve-and-gillian-loved-it-new.html"&gt;FACD 251 STEVE AND GILLIAN Loved It (The New Factory)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-252-happy-mondays-hallelujah-radio.html"&gt;FAC 252 HAPPY MONDAYS Hallelujah Radio-Only CD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-253-chairman-resigns.html"&gt;FAC 253 Chairman Resigns&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-254-durutti-column-guitar-one.html"&gt;FACT 254 THE DURUTTI COLUMN Guitar One House &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-255-cath-carroll-beast.html"&gt;FAC 255 CATH CARROLL Beast&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-256-rolf-hind-rolf-hind-256.html"&gt;FACT 256 ROLF HIND Rolf Hind&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-257-electronic-getting-away-with-it.html"&gt;FAC 257 ELECTRONIC Getting Away With It&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-258-fac-off-t-shirt-t-shirt-90.html"&gt;FAC 258 'Fac Off'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-259-staff-christmas-party.html"&gt;FAC 259 Staff Christmas Party&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-260-happy-mondays-hallelujah.html"&gt;FACT 260 HAPPY MONDAYS Hallelujah&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-261-madchester-t-shirt.html"&gt;FAC 261 'Madchester' long sleeve T-Shirt&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-262-happy-mondays-madchester-rave.html"&gt;FACT 262 HAPPY MONDAYS Madchester Rave On&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-263-new-order-round-round.html"&gt;FAC 263 NEW ORDER Round &amp;amp; Round&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-264-durutti-column-guitar-two.html"&gt;FACT 264 THE DURUTTI COLUMN Guitar Two Acoustic &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-265-from-manchester-with-love.html"&gt;FAC 265 From Manchester With Love&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-266-steve-martland-steve-martland.html"&gt;FACT 266 STEVE MARTLAND Steve Martland&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-267-revenge-pineapple-face.html"&gt;FAC 267 REVENGE Pineapple Face&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-268-northside-shall-we-take-trip.html"&gt;FAC 268 NORTHSIDE Shall we Take a Trip&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-269-kalima-shine-remix.html"&gt;FAC 269 KALIMA Shine (Remix)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-270-various-artists-our-dance-days.html"&gt;FAC 270 VARIOUS ARTISTS Our Dance Days &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-271-technique-advertising.html"&gt;FAC 271 Technique Advertising&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-272-happy-mondays-step-on.html"&gt;FAC 272 HAPPY MONDAYS Step On&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-273-new-order-run-2.html"&gt;FAC 273 NEW ORDER Run 2&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-274-durutti-column-obey-time.html"&gt;FACT 274 THE DURUTTI COLUMN Obey The Time&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-275-new-order-technique.html"&gt;FACT 275 NEW ORDER Technique&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-276-various-artists-factory.html"&gt;FACD 276 VARIOUS ARTISTS Factory Classical CD Sampler&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-277-joy-division-substance.html"&gt;FAC 277 JOY DIVISION Substance &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-278-indambinigi-zimba.html"&gt;FAC 278 INDAMBINIGI Zimba&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-279-revenge-slave.html"&gt;FAC 279 REVENGE Slave &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-280-wendys-more-than-enough.html"&gt;FAC 280 THE WENDYS More Than Enough&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-281-area.html"&gt;FAC 281 The Area&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-282-flowers-for-horses-wedding.html"&gt;FAC 282 Flowers for Horse's Wedding&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-283-world-in-motion.html"&gt;FAC 283 'World In Motion' &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-284-durutti-column-together-mix.html"&gt;FAC 284 THE DURUTTI COLUMN The Together mix&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-285-wendys-gobbledygook.html"&gt;FACT 285 THE WENDYS Gobbledygook&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-286-bloomsbury-classical-showcase.html"&gt;FAC 286 Bloomsbury Classical Showcase&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-287-electronic-get-message.html"&gt;FAC 287 ELECTRONIC Get The Message&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-288-shaun-on-one-t-shirt.html"&gt;FAC 288 'Shaun on One'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-289-new-order-campaign-technique.html"&gt;FAC 289 NEW ORDER 'Campaign Technique'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-289-wendys-suns-going-to-shine-for.html"&gt;FAC 289 THE WENDYS The Sun's Going To Shine For Me Soon&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-290-electronic-electronic.html"&gt;FACT 290 ELECTRONIC Electronic&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-291-factory-classical-stationery.html"&gt;FAC 291 Factory Classical Notepaper&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-292-shaun-ryder-colours.html"&gt;FAC 292 SHAUN RYDER Colours&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-293-englandneworder-world-in-motion.html"&gt;FAC 293 ENGLANDNEWORDER world in motion&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-294-durutti-column-jazz-fm-radio.html"&gt;FAC 294 THE DURUTTI COLUMN Jazz FM Radio advert&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-295-christmas-1990-photo-print.html"&gt;FAC 295 Christmas 1990 Photo-Print&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-296-various-artists-factory.html"&gt;FACD 296 VARIOUS ARTISTS Factory Classical 5-CD Set   (x5)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-297-wendys-pulling-my-fingers-off.html"&gt;FAC 297 THE WENDYS Pulling My Fingers Off&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-298-northside-my-rising-star.html"&gt;FAC 298 NORTHSIDE My Rising Star&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-299-factory.html"&gt;FAC 299 'Factory'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-300-new-order-untitled.html"&gt;FACT 300 NEW ORDER {Untitled}&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-301-factory-conference-think-about.html"&gt;FAC 301 Factory Conference 'Think About the Future'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-301-first-50.html"&gt;FAC 301 'First 50' &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-302-happy-mondays-kinky-afro.html"&gt;FAC 302 HAPPY MONDAYS Kinky Afro&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-303-various-artists-palatine-lane.html"&gt;FAC 303 VARIOUS ARTISTS Palatine Lane&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-304-various-artists-palatine-single.html"&gt;FAC 304 VARIOUS ARTISTS Palatine (The Single)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-305c-various-artists-select-factory.html"&gt;FAC 305C VARIOUS ARTISTS 'Select' Factory Sampler&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-306-steve-martland-glad-day.html"&gt;FAC 306 STEVE MARTLAND glad Day&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-307-cath-carroll-moves-like-you.html"&gt;FAC 307 CATH CARROLL Moves Like You&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-308-northside-take-5.html"&gt;FAC 308 NORTHSIDE Take 5&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-309-hi-nek-second-generation.html"&gt;FAC 309 'Hi-Nek' (Second Generation) &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-310-northside-chicken-rhythms.html"&gt;FACT 310 NORTHSIDe Chicken Rhythms&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-311-fourth-generation-notepaper.html"&gt;FAC 311 Fourth Generation Notepaper&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-312-happy-mondays-loose-fit.html"&gt;FAC 312 HAPPY MONDAYS Loose Fit&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-313-joy-division-transmission-film.html"&gt;FAC 313 JOY DIVISION 'Transmission' Film&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-314-various-artists-palatine.html"&gt;FACT 314 VARIOUS ARTISTS Palatine The Factory Story / Vol. 1 &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-315-cath-carroll-promo-package.html"&gt;FAC 315 CATH CARROLL Promo Package&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-316-i-fagiolini-art-of-monteverdi.html"&gt;FACT 316 I FAGIOLINI The Art of Monteverdi&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-317-cath-carroll-england-made-me.html"&gt;FAC 317 CATH CARROLL 'England Made Me'&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-318-classics-in-motion.html"&gt;FAC 318 Classics in Motion&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-318-flying-start-exhibition-stand.html"&gt;FAC 318 Flying Start Exhibition Stand&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-319-adventure-babies-camper-van.html"&gt;FAC 319 ADVENTURE BABIES Camper Van&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-320-happy-mondays-pills-n-thrills.html"&gt;FACT 320 HAPPY MONDAYS Pills 'N Thrills and Bellyaches&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-321-jonathan-demme-perfect-kiss.html"&gt;FAC 321 JONATHAN DEMME The Perfect Kiss&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-322-happy-mondays-live.html"&gt;FACT 322 HAPPY MONDAYS Live&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-323-new-order-untitled.html"&gt;FAC 323 NEW ORDER {Untitled}&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-324-various-artists-palatine.html"&gt;FACT 324 VARIOUS ARTISTS Palatine The Factory Story / Vol. 2 &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-325-various-artists-martin-work-of.html"&gt;FACT 325 VARIOUS ARTISTS Martin, The Work of Martin Hannett&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-326-rolf-hind-country-music.html"&gt;FACT 326 ROLF HIND Country Music&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-327-revenge-gun-world-porn.html"&gt;FAC 327 REVENGE Gun World Porn&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-328-electronic-feel-every-beat.html"&gt;FAC 328 ELECTRONIC Feel every beat&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-329-other-two-tasty-fish.html"&gt;FAC 329 THE OTHER TWO Tasty Fish&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-330-other-two-untitled.html"&gt;FACT 330 THE OTHER TWO {Untitled}&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-331-temporary-contemporary-table.html"&gt;FAC 331 The Temporary Contemporary Table&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-332-happy-mondays-judge-fudge.html"&gt;FAC 332 HAPPY MONDAYS Judge Fudge&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-333-not-allocated-unknown.html"&gt;FAC 333 Not allocated / Unknown&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-334-various-artists-palatine.html"&gt;FACT 334 VARIOUS ARTISTS Palatine The Factory Story / Vol. 3 &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-335-adventure-babies-laugh.html"&gt;FACT 335 ADVENTURE BABIES Laugh&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-336-red-byrd-songs-of-love-and.html"&gt;FACT 336 RED BYRD Songs of Love and Death&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-337-wendys-i-instruct.html"&gt;FACT 337 THE WENDYS I Instruct &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-338-northside-want-virgin.html"&gt;FAC 338 NORTHSIDE Want a Virgin&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-339-mtv-special-history-of-factory.html"&gt;FAC 339 MTV Special History of Factory&lt;/a&gt;&lt;br /&gt;
FAC 340 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-341-pills-n-thrills-and-bellyaches.html"&gt;FAC 341 'Pills 'N' Thrills and Bellyaches' Launch&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-342-happy-mondays-charter-clinic.html"&gt;FAC 342 Happy Mondays Charter Clinic&lt;/a&gt;&lt;br /&gt;
FAC 343 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-344-various-artists-palatine.html"&gt;FACT 344 VARIOUS ARTISTS Palatine The Factory Story / Vol. 4 &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-345-palatine-sleeve.html"&gt;FAC 345 Palatine Sleeve&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fact-346-graham-fitkin-flak.html"&gt;FACT 346 GRAHAM FITKIN Flak&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-347-adventure-babies-barking-mad.html"&gt;FAC 347 ADVENTURE BABIES Barking Mad&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-348-electronic-untitled.html"&gt;FAC 348 ELECTRONIC {Untitled}&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-349-other-two-movin-on.html"&gt;FAC 349 THE OTHER TWO Movin' On&lt;/a&gt;&lt;br /&gt;
FAC 350 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-351-jon-savage-hacienda-must-be.html"&gt;FAC 351 JON SAVAGE The Hacienda Must Be Built&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-352-happy-mondays-staying-alive.html"&gt;FAC 352 HAPPY MONDAYS Staying Alive&lt;/a&gt;&lt;br /&gt;
FAC 353 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-354-palatine-celebrations.html"&gt;FAC 354 Palatine Celebrations&lt;/a&gt;&lt;br /&gt;
FAC 355 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-356-erik-satie-socrate.html"&gt;FACT 356 ERIK SATIE Socrate&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-357-adventure-babies-laugh.html"&gt;FAC 357 ADVENTURE BABIES Laugh&lt;/a&gt;&lt;br /&gt;
FAC 358 Not allocated / Unknown&lt;br /&gt;
FAC 359 Not allocated / Unknown&lt;br /&gt;
FAC 360 Not allocated / Unknown&lt;br /&gt;
FAC 361 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-362-happy-mondays-stinkin-thinkin.html"&gt;FAC 362 HAPPY MONDAYS Stinkin' Thinkin'&lt;/a&gt;&lt;br /&gt;
FAC 363 Not allocated / Unknown&lt;br /&gt;
FAC 364 Not allocated / Unknown&lt;br /&gt;
FAC 365 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-366-steve-martland-crossing-border.html"&gt;FAC 366 STEVE MARTLAND Crossing The Border&lt;/a&gt;&lt;br /&gt;
FAC 367 Not allocated / Unknown&lt;br /&gt;
FAC 368 Not allocated / Unknown&lt;br /&gt;
FAC 369 Not allocated / Unknown&lt;br /&gt;
FAC 370 Not allocated / Unknown&lt;br /&gt;
FAC 371 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-372-happy-mondays-sunshine-and-love.html"&gt;FAC 372 HAPPY MONDAYS Sunshine and Love&lt;/a&gt;&lt;br /&gt;
FAC 373 Not allocated / Unknown&lt;br /&gt;
FAC 374 Not allocated / Unknown&lt;br /&gt;
FAC 375 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/facd-376-piers-adams-handel-recorder.html"&gt;FACD 376 PIERS ADAMS Handel Recorder Sonatas&lt;/a&gt; &lt;br /&gt;
FAC 377 Not allocated / Unknown &lt;br /&gt;
FAC 378 Not allocated / Unknown &lt;br /&gt;
FAC 379 Not allocated / Unknown &lt;br /&gt;
FAC 380 Not allocated / Unknown &lt;br /&gt;
FAC 381 Not allocated / Unknown &lt;br /&gt;
FAC 382 Not allocated / Unknown &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-383-vikings.html"&gt;FAC 383 The Vikings&lt;/a&gt;&lt;br /&gt;
FAC 384 Not allocated / Unknown&lt;br /&gt;
FAC 385 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/facd-386-walter-hus-muurwerk.html"&gt;FACD 386 WALTER HUS Muurwerk&lt;/a&gt;&lt;br /&gt;
FAC 387 Not allocated / Unknown&lt;br /&gt;
FAC 388 Not allocated / Unknown&lt;br /&gt;
FAC 389 Not allocated / Unknown&lt;br /&gt;
FAC 390 Not allocated / Unknown&lt;br /&gt;
FAC 391 Not allocated / Unknown&lt;br /&gt;
FAC 392 Not allocated / Unknown&lt;br /&gt;
FAC 393 Not allocated / Unknown&lt;br /&gt;
FAC 394 Not allocated / Unknown&lt;br /&gt;
FAC 395 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-396-two-guitarists-still-life.html"&gt;FAC 396 TWO GUITARISTS Still Life&lt;/a&gt;&lt;br /&gt;
FAC 397 Not allocated / Unknown&lt;br /&gt;
FAC 398 Not allocated / Unknown&lt;br /&gt;
FAC 399 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-400-joy-division-transmission.html"&gt;FAC 400 JOY DIVISION Transmission&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/1991/11/fact-400-various-artists-palatine.html"&gt;FACT 400 Various Artists Palatine The Factory Story / 1979-1990&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-400v-various-artists-palatine-free.html"&gt;FACT 400v VARIOUS ARTISTS Palatine. The Free Vid&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-401-24-hour-party-people.html"&gt;FAC 401 '24 Hour Party People'&lt;/a&gt;&lt;br /&gt;
FAC 402 Not allocated / Unknown&lt;br /&gt;
FAC 403 Not allocated / Unknown&lt;br /&gt;
FAC 404 Not allocated / Unknown&lt;br /&gt;
FAC 405 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-406-steve-martland-wolfgang.html"&gt;FACT 406 STEVE MARTLAND Wolfgang&lt;/a&gt;&lt;br /&gt;
FAC 407 Not allocated / Unknown&lt;br /&gt;
FAC 408 Not allocated / Unknown&lt;br /&gt;
FAC 409 Not allocated / Unknown&lt;br /&gt;
FAC 410 Not allocated / Unknown&lt;br /&gt;
FAC 411 Not allocated / Unknown&lt;br /&gt;
FAC 412 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-413-jack-january-2003-edition.html"&gt;FAC 413 JACK January 2003 edition&lt;/a&gt;&lt;br /&gt;
FAC 414 Not allocated / Unknown&lt;br /&gt;
FAC 415 Not allocated / Unknown&lt;br /&gt;
FAC 416 Not allocated / Unknown&lt;br /&gt;
FAC 417 Not allocated / Unknown&lt;br /&gt;
FAC 418 Not allocated / Unknown&lt;br /&gt;
FAC 419 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fact-420-happy-mondays-yes-please.html"&gt;FACT 420 HAPPY MONDAYS Yes Please!&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-421-factoryrecordsnet.html"&gt;FAC 421 'factoryrecords.net'&lt;/a&gt;&lt;br /&gt;
FAC 422 Not allocated / Unknown&lt;br /&gt;
FAC 423 Not allocated / Unknown&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/fac-424-anthony-h-wilson-24-hour-party.html"&gt;FAC 424 ANTHONY H WILSON 24 Hour Party People&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/facdvd-424-24-hour-party-people.html"&gt;FACDVD 424 '24 Hour Party People'&lt;/a&gt; &lt;br /&gt;
FAC 425 Not allocated / Unknown &lt;br /&gt;
FAC 426 Not allocated / Unknown &lt;br /&gt;
FAC 427 Not allocated / Unknown &lt;br /&gt;
FAC 428 Not allocated / Unknown &lt;br /&gt;
FAC 429 Not allocated / Unknown &lt;br /&gt;
FAC 430 Not allocated / Unknown &lt;br /&gt;
FAC 431 Not allocated / Unknown &lt;br /&gt;
FAC 432 Not allocated / Unknown &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-433-24-hour-party-people.html"&gt;FAC 433 '24 Hour Party People' website&lt;/a&gt;&lt;br /&gt;
FAC 434 Not allocated / Unknown &lt;br /&gt;
FAC 435 Not allocated / Unknown &lt;br /&gt;
FAC 436 Not allocated / Unknown &lt;br /&gt;
FAC 437 Not allocated / Unknown &lt;br /&gt;
FAC 438 Not allocated / Unknown &lt;br /&gt;
FAC 439 Not allocated / Unknown &lt;br /&gt;
FAC 440 Not allocated / Unknown &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-441-worldinmotionnet.html"&gt;FAC 441 'worldinmotion.net'&lt;/a&gt; &lt;br /&gt;
FAC 442 Not allocated / Unknown &lt;br /&gt;
FAC 443 Not allocated / Unknown &lt;br /&gt;
FAC 444 Not allocated / Unknown &lt;br /&gt;
FAC 445 Not allocated / Unknown &lt;br /&gt;
FAC 446 Not allocated / Unknown &lt;br /&gt;
FAC 447 Not allocated / Unknown &lt;br /&gt;
FAC 448 Not allocated / Unknown &lt;br /&gt;
FAC 449 Not allocated / Unknown &lt;br /&gt;
FAC 450 Not allocated / Unknown &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-451-jane-stanton-love-will-tear-us.html"&gt;FAC 451 JANE STANTON Love Will Tear Us Apart - A History of The Hacienda&lt;/a&gt;  &lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-451-24-hour-party-people-hacienda.html"&gt;FAC 451 '24 Hour Party People' Hacienda&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-461-matthew-robertson-factory.html"&gt;FAC 461 MATTHEW ROBERTSON Factory Records The Complete Graphic Album&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-471-wilson-house-celebrations.html"&gt;FAC 471 'HOT' A Celebration of the Hacienda&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-473-les-paul-fac-473-gibson.html"&gt;FAC 473 Les Paul FAC 473&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-481-building-friday-27-january-2006.html"&gt;FAC 481 BUILDING 27 January 2006 Issue&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-491-hacienda-25-exhibition.html"&gt;FAC 491 Hacienda 25 The Exhibition&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-500-happy-mondays-uncle.html"&gt;FACT 500 HAPPY MONDAYS Uncle Dysfunktional&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-501-anthony-h-wilson.html"&gt;FAC 501 ANTHONY H. WILSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fac-511-and-you-forgotten-memorial.html"&gt;FAC 511 'And you forgotten'&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-2772893416807413795?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/2772893416807413795/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=2772893416807413795" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2772893416807413795?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2772893416807413795?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/factory-records-chronological-index.html" title="Factory Communications Limited (UK)" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkEESX4_fip7ImA9WhRaFUQ.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-1735670715783068153</id><published>2012-02-18T19:50:00.000Z</published><updated>2012-02-18T19:50:08.046Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-18T19:50:08.046Z</app:edited><title>FILM</title><content type="html">&lt;a href="http://blog.factoryrecords.org/1979/09/fac-9-various-artists-factory-flick.html"&gt;FAC 9 VARIOUS ARTISTS The Factory Flick&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-1735670715783068153?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/1735670715783068153/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=1735670715783068153" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1735670715783068153?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1735670715783068153?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/film.html" title="FILM" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkIFQ3o6fCp7ImA9WhRaFUo.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-7864037769026358893</id><published>2012-02-18T13:08:00.000Z</published><updated>2012-02-18T13:08:32.414Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-18T13:08:32.414Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="news" /><title>Gardiner and Penhallow</title><content type="html">Factory Australasia's founder &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt; explains the origins of the label as GAP:&lt;br /&gt;
&lt;br /&gt;
"One day I was talking with Paul Gardiner, the editor of Rolling Stone, and we came up with the idea of releasing this music locally. Paul knew the CEO of EMI Australia really well and he was sure he could get us a deal. So we had a think about what we could release. One of the writers for Rolling Stone, Bruce Elder, was living in the UK and we’d catch-up whenever he was in Sydney.  We ran the idea past him and he brought on-board another Australian in the UK, Arnold Frollows, who had just finished working for Virgin. He joined the dots for us and soon we were in contact with Geoff Travis at Rough Trade and Daniel Miller at Mute. We came close to a deal Korova but lost them to Warners. Rough Trade came on-board and we also did something with Mute.&lt;br /&gt;
&lt;br /&gt;
"Arnold got in touch with Tony Wilson to licence Factory. Tony said speak to Rob Gretton because he handled that side of things. Rob was very laid-back and said ‘Maybe’. I don’t know what convinced them but we did the deal. We didn’t know what we were doing – we just liked the music. In the end we did the deal and paid them an advance. But it was really weird – Paul got $10,000, I got $10,000 from my then mother-in-law. Then Paul got another $10,000 from his wife’s ex-husband who was a brain surgeon. We pulled together $30,000 and set up GAP (Gardiner and Penhallow)."&lt;br /&gt;
&lt;br /&gt;
- as told to &lt;a href="http://blog.factoryrecords.org/2012/01/matthew-robertson.html"&gt;MATTHEW ROBERTSON&lt;/a&gt; for Scream City fanzine.&lt;br /&gt;
&lt;br /&gt;
Check out the full &lt;a href="http://blog.factoryrecords.org/2008/12/factory-australasia_8398.html"&gt;Factory Australasia Catalogue&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-7864037769026358893?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/7864037769026358893/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=7864037769026358893" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7864037769026358893?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7864037769026358893?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/gardiner-and-penhallow.html" title="Gardiner and Penhallow" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CE4CRn06fip7ImA9WhRaFU0.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-5701320599756832853</id><published>2012-02-17T18:22:00.000Z</published><updated>2012-02-17T18:22:47.316Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-17T18:22:47.316Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Producers" /><title>IAN CURTIS</title><content type="html">Lead singer of &lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt; who committed suicide of the eve of their US tour on 18 May 1980.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Catalogue&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/search/label/Produced_Ian_Curtis"&gt;Producer&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=" http://blog.factoryrecords.org/1980/07/fac-18-section-25-girls-dont-count.html"&gt;FAC 18: SECTION 25 - Girls Don't Count&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-5701320599756832853?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/5701320599756832853/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=5701320599756832853" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5701320599756832853?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5701320599756832853?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/ian-curtis.html" title="IAN CURTIS" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEAHSXg5fip7ImA9WhRaFU0.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-1041668641393097693</id><published>2012-02-17T18:18:00.000Z</published><updated>2012-02-17T18:18:58.626Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-17T18:18:58.626Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Ilustrators" /><category scheme="http://www.blogger.com/atom/ns#" term="Designers" /><title>ANN QUIGLEY</title><content type="html">Founding member of &lt;a href="http://blog.factoryrecords.org/2008/12/swamp-children.html"&gt;SWAMP CHILDREN&lt;/a&gt; and &lt;a href="http://blog.factoryrecords.org/2008/12/kalima.html"&gt;KALIMA&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Catalogue&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/search/label/Designed_Ann_Quigley"&gt;As Designer&lt;/a&gt;&lt;br /&gt;
&lt;script src="http://feeds.feedburner.com/blogger/ESaE?format=sigpro" type="text/javascript" &gt;&lt;/script&gt;&lt;noscript&gt;&lt;p&gt;Subscribe to RSS headline updates from: &lt;a href="http://feeds.feedburner.com/blogger/ESaE"&gt;&lt;/a&gt;&lt;br /&gt;
Powered by FeedBurner&lt;/p&gt;&lt;/noscript&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/search/label/Illustration_Ann_Quigley"&gt;As Illustrator&lt;/a&gt;&lt;br /&gt;
&lt;script src="http://feeds.feedburner.com/blogger/wDKH?format=sigpro" type="text/javascript" &gt;&lt;/script&gt;&lt;noscript&gt;&lt;p&gt;Subscribe to RSS headline updates from: &lt;a href="http://feeds.feedburner.com/blogger/wDKH"&gt;&lt;/a&gt;&lt;br /&gt;
Powered by FeedBurner&lt;/p&gt;&lt;/noscript&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-1041668641393097693?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/1041668641393097693/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=1041668641393097693" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1041668641393097693?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1041668641393097693?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/ann-quigley.html" title="ANN QUIGLEY" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0EBRH4zeSp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-3650741953269448995</id><published>2012-02-16T19:14:00.000Z</published><updated>2012-02-16T19:14:15.081Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T19:14:15.081Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Designers" /><title>ANDREW PENHALLOW</title><content type="html">Head of Factory Australasia who also designed various sleeves and posters&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Catalogue&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/search/label/Designed_Andrew_Penhallow"&gt;As Designer&lt;/a&gt;&lt;br /&gt;
&lt;script src="http://feeds.feedburner.com/blogger/yoHH?format=sigpro" type="text/javascript" &gt;&lt;/script&gt;&lt;noscript&gt;&lt;p&gt;Subscribe to RSS headline updates from: &lt;a href="http://feeds.feedburner.com/blogger/yoHH"&gt;&lt;/a&gt;&lt;br/&gt;Powered by FeedBurner&lt;/p&gt;&lt;/noscript&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-3650741953269448995?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/3650741953269448995/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=3650741953269448995" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3650741953269448995?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3650741953269448995?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html" title="ANDREW PENHALLOW" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0ADRn47eSp7ImA9WhRaFEQ.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-3081146335731894811</id><published>2012-02-16T18:04:00.003Z</published><updated>2012-02-17T15:16:17.001Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-17T15:16:17.001Z</app:edited><title>Producers</title><content type="html">&lt;a href="http://blog.factoryrecords.org/2008/12/certain-ratio.html"&gt;A CERTAIN RATIO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/goran-andersson.html"&gt;GORAN ANDERSSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/dave-atherton.html"&gt;DAVE ATHERTON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/david-avidor.html"&gt;DAVID AVIDOR&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ed-bahlman.html"&gt;ED BAHLMAN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/arthur-baker.html"&gt;ARTHUR BAKER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/biting-tongues.html"&gt;BITING TONGUES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ian-blackburn.html"&gt;IAN BLACKBURN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/dennis-bovell_6585.html"&gt;DENNIS BOVELL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ian-broudie.html"&gt;IAN BROUDIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/bernard-butler.html"&gt;BERNARD BUTLER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/cabaret-voltaire.html"&gt;CABARET VOLTAIRE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-cale.html"&gt;JOHN CALE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/chopper-squad.html"&gt;THE CHOPPED SQUAD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/colin-callender.html"&gt;COLIN CALLENDER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ian-capel.html"&gt;IAN CAPEL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/larry-cassidy.html"&gt;LARRY CASSIDY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ginny-clee.html"&gt;GINNY CLEE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/paul-collister-and-omd-chester.html"&gt;PAUL COLLISTER AND OMD (CHESTER VALENTINO)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ginny-clee.html"&gt;GINNY CLEE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/crawling-chaos.html"&gt;CRAWLING CHAOS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/crispy-ambulance.html"&gt;CRISPY AMBULANCE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/ian-curtis.html"&gt;IAN CURTIS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/walter-donohue.html"&gt;WALTER DONOHUE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/duke-string-quartet.html"&gt;DUKE STRING QUARTET&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/durutti-column.html"&gt;THE DURUTTI COLUMN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/michel-duval.html"&gt;MICHEL DUVAL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/enterprise.html"&gt;ENTERPRISE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/danny-evans.html"&gt;DANNY EVANS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/michael-finlayson.html"&gt;MICHAEL FINLAYSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/chris-frantz-and-tina-weymouth.html"&gt;CHRIS FRANTZ AND TINA WEYMOUTH&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/marion-freeman.html"&gt;MARION FREEMAN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/nick-garside.html"&gt;NICK GARSIDE ("NICK")&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/gillian-gilbert.html"&gt;GILLIAN GILBERT [BEMUSIC]&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/rob-gretton.html"&gt;ROB GRETTON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-hadden.html"&gt;JOHN HADDEN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stephen-hague.html"&gt;STEPHEN HAGUE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/paul-harrison.html"&gt;PAUL HARRISON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/peter-hook.html"&gt;PETER HOOK [BEMUSIC]&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/jeff-hooper.html"&gt;JEFF HOOPER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/steve-hopkins.html"&gt;STEVE HOPKINS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stuart-james.html"&gt;STUART JAMES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/johnny-jay.html"&gt;JOHNNY JAY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/donald-johnson-dojo.html"&gt;DONALD JOHNSON (DOJO)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/michael-johnson.html"&gt;MICHAEL JOHNSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/kalima.html"&gt;KALIMA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/mark-kamins.html"&gt;MARK KAMINS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/paul-kendall.html"&gt;PAUL KENDALL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-leckie.html"&gt;JOHN LECKIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/brandon-leon.html"&gt;BRANDON LEON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/cp-lee.html"&gt;C.P. LEE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/steve-lillywhite.html"&gt;STEVE LILLYWHITE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/serena-lovelace.html"&gt;SERENA LOVELACE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/stephen-mallinder_18.html"&gt;STEPHEN MALLINDER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/gary-masters.html"&gt;GARY MASTERS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/stephen-morris.html"&gt;STEPHEN MORRIS [BEMUSIC]&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/chris-nagle.html"&gt;CHRIS NAGLE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/paul-oakenfold.html"&gt;PAUL OAKENFOLD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/tim-oliver.html"&gt;TIM OLIVER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/new-order.html"&gt;NEW ORDER [BEMUSIC]&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/steve-osbourne.html"&gt;STEVE OSBOURNE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/other-two.html"&gt;THE OTHER TWO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/oz.html"&gt;OZ&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/mike-pickering.html"&gt;MIKE PICKERING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/stewart-pickering.html"&gt;STEWART PICKERING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/dave-pringle.html"&gt;DAVE PRINGLE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/rachid.html"&gt;RACHID&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/alan-rankine.html"&gt;ALAN RANKINE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/vini-reilly.html"&gt;VINI REILLY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/revenge.html"&gt;REVENGE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-robie.html"&gt;JOHN ROBIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/nick-robins.html"&gt;NICK ROBINS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/royal-family-and-poor.html"&gt;THE ROYAL FAMILY AND THE POOR&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/section-25.html"&gt;SECTION 25&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stephen-street.html"&gt;STEPHEN STREET&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/mark-stuart.html"&gt;MARK STUART&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jeremy-summerly.html"&gt;JEREMY SUMMERLY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/bernard-sumner.html"&gt;BERNARD SUMNER [BEMUSIC]&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/matt-tedstone.html"&gt;MATT TEDSTONE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/simon-topping.html"&gt;SIMON TOPPING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/trygg-tryggvason.html"&gt;TRYGG TRYGGVASON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ben-turner.html"&gt;BEN TURNER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/judy-vermorel.html"&gt;JUDY VERMOREL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/wake.html"&gt;THE WAKE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-h-west.html"&gt;JOHN H WEST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/malcolm-whitehead.html"&gt;MALCOLM WHITEHEAD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/mike-willocks.html"&gt;MIKE WILLOCKS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/anthony-h-wilson.html"&gt;ANTHONY H. WILSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/michael-wilson.html"&gt;MICHAEL WILSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/dave-young.html"&gt;DAVE YOUNG&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-3081146335731894811?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/3081146335731894811/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=3081146335731894811" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3081146335731894811?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3081146335731894811?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/producers.html" title="Producers" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0MDQ3g4cSp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-8758144243062193287</id><published>2012-02-16T18:04:00.000Z</published><updated>2012-02-16T18:04:32.639Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T18:04:32.639Z</app:edited><title>Artists</title><content type="html">&lt;a href="http://blog.factoryrecords.org/2011/12/52nd-street.html"&gt;52ND STREET&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/certain-ratio.html"&gt;A CERTAIN RATIO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/abecedarians.html"&gt;ABECEDARIANS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/ad-infinitum.html"&gt;AD INFINITUM&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/piers-adams.html"&gt;PIERS ADAMS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/adventure-babies.html"&gt;THE ADVENTURE BABIES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/adverts.html"&gt;THE ADVERTS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/alpha-omega.html"&gt;ALPHA OMEGA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/bailey-brothers.html"&gt;THE BAILEY BROTHERS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/arthur-baker.html"&gt;ARTHUR BAKER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/claude-bessy.html"&gt;CLAUDE BESSY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/birthday-party.html"&gt;THE BIRTHDAY PARTY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/big-in-japan.html"&gt;BIG IN JAPAN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/biting-tongues.html"&gt;BITING TONGUES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/blurt.html"&gt;BLURT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/boy-alone.html"&gt;A BOY ALONE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/glenn-branca.html"&gt;GLENN BRANCA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/timothy-burke.html"&gt;TIMOTHY BURKE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/william-s-burroughs.html"&gt;WILLIAM S. BURROUGHS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/buzzcocks.html"&gt;BUZZCOCKS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/cabaret-voltaire.html"&gt;CABARET VOLTAIRE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/cath-carroll.html"&gt;CATH CARROLL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/john-cooper-clarke.html"&gt;JOHN COOPER CLARKE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/crawling-chaos.html"&gt;CRAWLING CHAOS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/crispy-ambulance.html"&gt;CRISPY AMBULANCE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/kevin-cummins.html"&gt;KEVIN CUMMINS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/jonathan-demme.html"&gt;JONATHAN DEMME&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/karl-denver.html"&gt;KARL DENVER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/distractions.html"&gt;THE DISTRACTIONS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/dominique.html"&gt;DOMINIQUE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/anna-domino.html"&gt;ANNA DOMINO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/doomed.html"&gt;THE DOOMED&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/john-dowie.html"&gt;JOHN DOWIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/duke-string-quartet.html"&gt;DUKE STRING QUARTET&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/durutti-column.html"&gt;THE DURUTTI COLUMN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/esg.html"&gt;E.S.G.&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/east-west-coast.html"&gt;EAST WEST COAST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/echo-and-bunnymen.html"&gt;ECHO AND THE BUNNYMEN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/electronic.html"&gt;ELECTRONIC&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/elti-fits.html"&gt;ELTI-FITS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/alan-erasmus.html"&gt;ALAN ERASMUS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/cerith-wyn-evans.html"&gt;CERITH WYN EVANS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fadela.html"&gt;FADELA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/fall.html"&gt;THE FALL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/graham-fitkin.html"&gt;GRAHAM FITKIN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/patrick-fitzgerald.html"&gt;PATRICK FITZGERALD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/wayne-fontana.html"&gt;WAYNE FONTANA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/rob-gretton.html"&gt;ROB GRETTON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/brion-gysin.html"&gt;BRION GYSIN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/paul-haig.html"&gt;PAUL HAIG&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/happy-mondays.html"&gt;HAPPY MONDAYS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/richard-heslop.html"&gt;RICHARD HESLOP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/kevin-hewick.html"&gt;KEVIN HEWICK&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/high.html"&gt;THE HIGH&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/rolf-hind.html"&gt;ROLF HIND&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/hood.html"&gt;THE HOOD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/hopper.html"&gt;HOPPER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/human-league.html"&gt;THE HUMAN LEAGUE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/hunters-and-collectors.html"&gt;HUNTERS AND COLLECTORS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/walter-hus.html"&gt;WALTER HUS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/i-fagiolini.html"&gt;I FAGIOLINI&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ike-yard.html"&gt;IKE YARD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/indambinigi.html"&gt;INDAMBINIGI&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/italian-love-party.html"&gt;ITALIAN LOVE PARTY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/maggie-jailler.html"&gt;MAGGIE JAILLER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/james.html"&gt;JAMES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jazz-defektors.html"&gt;THE JAZZ DEFEKTORS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jilted-john.html"&gt;JILTED JOHN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jumpin-jesus.html"&gt;JUMPIN' JESUS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/k-track.html"&gt;K-TRACK&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/kalima.html"&gt;KALIMA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/marcel-king.html"&gt;MARCEL KING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/carrie-kirkpatrick.html"&gt;CARRIE KIRKPATRICK&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/kreisler-string-orchestra.html"&gt;KREISLER STRING ORCHESTRA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/la-cosa-nostra.html"&gt;LA COSA NOSTRA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/daniel-landin.html"&gt;DANIEL LANDIN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/caroline-lavelle.html"&gt;CAROLINE LAVELLE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/lavolta-lakota.html"&gt;LAVOLTA LAKOTA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/liaisons-dangereuses.html"&gt;LIAISONS DANGEREUSES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/life.html"&gt;LIFE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/little-big-band.html"&gt;THE LITTLE BIG BAND&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/lori-and-chameleons.html"&gt;LORI AND THE CHAMELEONS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ludus.html"&gt;LUDUS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/madonna.html"&gt;MADONNA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/magazine.html"&gt;MAGAZINE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/manicured-noise.html"&gt;MANICURED NOISE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/steve-martland.html"&gt;STEVE MARTLAND&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/meat-mouth.html"&gt;MEAT MOUTH&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/mental.html"&gt;MENTAL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stephin-merritt.html"&gt;STEPHIN MERRITT&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/wim-mertens.html"&gt;WIM MERTENS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/messagana.html"&gt;MESSAGANA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/miaow.html"&gt;MIAOW&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/minny-pops.html"&gt;MINNY POPS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/stanton-miranda.html"&gt;STANTON MIRANDA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/paul-morley.html "&gt;PAUL MORLEY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/morrissey.html "&gt;MORRISSEY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/names.html"&gt;THE NAMES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/new-fast-automatic-daffodils.html"&gt;NEW FAST AUTOMATIC DAFFODILS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/new-order.html"&gt;NEW ORDER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/brian-nicholson.html"&gt;BRIAN NICHOLSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/northside.html"&gt;NORTHSIDE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/nostra.html"&gt;NOSTRA&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/nyam-nyam.html"&gt;NYAM NYAM&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/o-yuki-conjugate.html"&gt;O YUKI CONJUGATE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/orch.html"&gt;THE ORCH&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/orchestral-manoeuvres-in-dark-omd.html"&gt;ORCHESTRAL MANOEUVRES IN THE DARK&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/other-two.html"&gt;THE OTHER TWO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/john-peel.html"&gt;JOHN PEEL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/joy-perino.html"&gt;JOY PERINO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/playgroup.html"&gt;PLAYGROUP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/pleasure-crew.html"&gt;PLEASURE CREW&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/quando-quango.html"&gt;QUANDO QUANGO&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/railway-children.html"&gt;THE RAILWAY CHILDREN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/raw-t.html"&gt;RAW-T&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/red-byrd.html"&gt;RED BYRD&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/red-turns-to.html"&gt;RED TURNS TO...&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2011/12/revenge.html"&gt;REVENGE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/matthew-robertson.html"&gt;MATTHEW ROBERTSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/royal-family-and-poor.html"&gt;THE ROYAL FAMILY &amp; THE POOR&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/shaun-ryder.html"&gt;SHAUN RYDER&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/erik-satie.html"&gt;ERIK SATIE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jon-savage.html"&gt;JON SAVAGE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/section-25.html"&gt;SECTION 25&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/severed-heads.html"&gt;SEVERED HEADS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/sex-pistols.html"&gt;SEX PISTOLS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/shark-vegas.html"&gt;SHARK VEGAS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/pete-shelley.html"&gt;PETE SHELLEY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/sixths.html"&gt;THE SIXTHS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ska-boom.html"&gt;SKA-BOOM&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/slaughter-and-dogs.html"&gt;SLAUGHTER AND THE DOGS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/smiths.html"&gt;THE SMITHS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/space-monkeys.html"&gt;THE SPACE MONKEYS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/jane-stanton.html"&gt;JANE STANTON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/linder-sterling.html"&gt;LINDER STERLING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/steve-and-gillian.html"&gt;STEVE AND GILLIAN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/stockholm-monsters.html"&gt;STOCKHOLM MONSTERS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/streetlife.html"&gt;STREETLIFE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/surprize.html"&gt;SURPRIZE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/survival-research-laboratories.html"&gt;SURVIVAL RESEARCH LABORATORIES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/swamp-children.html"&gt;SWAMP CHILDREN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/teardrop-explodes.html"&gt;THE TEARDROP EXPLODES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/thick-pigeon.html"&gt;THICK PIGEON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/tiller-boys.html"&gt;THE TILLER BOYS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/to-hell-with-burgundy.html"&gt;TO HELL WITH BURGUNDY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/tools-you-can-trust.html"&gt;TOOLS YOU CAN TRUST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/simon-topping.html"&gt;SIMON TOPPING&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/tunnelvision.html"&gt;TUNNELVISION&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/nick-turvey.html"&gt;NICK TURVEY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/two-guitarists.html"&gt;TWO GUITARISTS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/u2.html"&gt;U2&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/undertones.html"&gt;THE UNDERTONES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/ivan-unwin.html"&gt;IVAN UNWIN&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/various-artists.html"&gt;VARIOUS ARTISTS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/vermorel.html"&gt;VERMOREL&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/virgin-prunes.html"&gt;THE VIRGIN PRUNES&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/wake.html"&gt;THE WAKE&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/howard-walmsley.html"&gt;HOWARD WALMSLEY&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/wendys.html"&gt;THE WENDYS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/robin-williams.html"&gt;ROBIN WILLIAMS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/anthony-h-wilson.html"&gt;ANTHONY H. WILSON&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/world-of-twist.html"&gt;WORLD OF TWIST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/worst.html"&gt;THE WORST&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2008/12/x-o-dus.html"&gt;X-O-DUS&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/01/young-offenders-institute.html"&gt;THE YOUNG OFFENDERS INSTITUTE&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-8758144243062193287?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/8758144243062193287/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=8758144243062193287" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8758144243062193287?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8758144243062193287?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/artists.html" title="Artists" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEEMRnY_fSp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-7685873632008303016</id><published>2012-02-15T22:47:00.001Z</published><updated>2012-02-16T20:04:47.845Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:04:47.845Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Labels" /><title>Factory Australasia</title><content type="html">&lt;a href="http://blog.factoryrecords.org/2012/02/sfa-406-joy-division-love-will-tear-us.html"&gt;SFA 406 JOY DIVISION Love Will Tear Us Apart&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/sfa-490-joy-division-transmission.html"&gt;SFA 490 JOY DIVISION Transmission&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/sfa-491-durutti-column-durutti-column.html"&gt;SFA 491 THE DURUTTI COLUMN The Durutti Column Single&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/sfa-541-new-order-ceremony.html"&gt;SFA 541 NEW ORDER Ceremony&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facoz-1001-joy-division-closer.html"&gt;FACOZ 1001 JOY DIVISION Closer&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facoz-1002-durutti-column-return-of.html"&gt;FACOZ 1002 THE DURUTTI COLUMN The Return Of The Durutti Column&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facoz-1003-joy-division-unknown.html"&gt;FACOZ 1003 JOY DIVISION Unknown Pleasures&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facdp-1004-certain-ratio-double-12.html"&gt;FACDP 1004 A CERTAIN RATIO The Double EP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facdm-10056-joy-division-still.html"&gt;FACDM 1005/6 JOY DIVISION Still (x2)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facoz-1007-new-order-movement.html"&gt;FACOZ 1007 NEW ORDER Movement&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-53-new-order-procession_15.html"&gt;FAC 53 NEW ORDER Procession&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-72-certain-ratio-i-need-someone.html"&gt;FAC 72 A CERTAIN RATIO I Need Someone Tonight&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-73-new-order-blue-monday.html"&gt;FAC 73 NEW ORDER Blue Monday&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-73r-new-order-blue-monday-1988.html"&gt;FAC 73R NEW ORDER Blue Monday 1988&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-75-new-order-power-corruption-lies.html"&gt;FACT 75 NEW ORDER Power, Corruption &amp; Lies&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-93-new-order-confusion.html"&gt;FAC 93 NEW ORDER Confusion&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-100-new-order-low-life.html"&gt;FACT 100 NEW ORDER Low-life&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-103-new-order-thieves-like-us.html"&gt;FAC 103 NEW ORDER Thieves Like Us&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-110-quando-quango-pigs-and.html"&gt;FACT 110 QUANDO QUANGO Pigs And Battleships&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-123-new-order-perfect-kiss.html"&gt;FAC 123 NEW ORDER The Perfect Kiss&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-133-new-order-sub-culture.html"&gt;FAC 133 NEW ORDER Sub-Culture&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-135-certain-ratio-old-new.html"&gt;FACT 135 A CERTAIN RATIO The Old &amp; The New&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-143-new-order-shellshock.html"&gt;FAC 143 NEW ORDER Shellshock&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facd-144-durutti-column-domo-arigato.html"&gt;FACD 144 THE DURUTTI COLUMN Domo Arigato&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-150-new-order-brotherhood.html"&gt;FACT 150 NEW ORDER Brotherhood&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-153-new-order-state-of-nation.html"&gt;FAC 153 NEW ORDER State Of The Nation&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facd-154-durutti-column-circuses-bread.html"&gt;FACD 154 THE DURUTTI COLUMN Circuses &amp; Bread&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-163-new-order-bizarre-love-triangle.html"&gt;FAC 163 NEW ORDER Bizarre Love Triangle&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-164-durutti-column-valuable_14.html"&gt;FACT 164 THE DURUTTI COLUMN Valuable Passages (x2)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-166-certain-ratio-force.html"&gt;FACT 166 A CERTAIN RATIO Force&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-166-certain-ratio-bootsy.html"&gt;FAC 166 A CERTAIN RATIO Bootsy&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-167-railway-children-brighter.html"&gt;FAC 167 THE RAILWAY CHILDREN Brighter&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-170-happy-mondays-squirrel-and-g.html"&gt;FACT 170 HAPPY MONDAYS Squirrel And G-Man...&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-182-various-artists-salvation.html"&gt;FACT 182 VARIOUS ARTISTS Salvation!&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-1827-various-artists-salvation.html"&gt;FAC 182/7 VARIOUS ARTISTS Salvation!&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-183-new-order-true-faith.html"&gt;FAC 183 NEW ORDER True Faith&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-183r-new-order-true-faith-remix.html"&gt;FAC 183R NEW ORDER True Faith Remix&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-185-railway-children-reunion.html"&gt;FACT 185 THE RAILWAY CHILDREN Reunion Wilderness&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-192-happy-mondays-twenty-four-hour.html"&gt;FAC 192 HAPPY MONDAYS Twenty Four Hour Party People&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-193-new-order-touched-by-hand-of.html"&gt;FAC 193 NEW ORDER Touched by The Hand Of God&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facd-194-durutti-column-our-lady-of.html"&gt;FACD 194 THE DURUTTI COLUMN When the World&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-197-fadela-nsel-fik.html"&gt;FAC 197 FADELA N'Sel Fik&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-200-new-order-substance-1987.html"&gt;FACT 200 NEW ORDER Substance 1987 (x2)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-204-durutti-column-guitar-and.html"&gt;FACT 204 THE DURUTTI COLUMN The Guitar And Other Machines&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-212-happy-mondays-wrote-for-luck.html"&gt;FAC 212 HAPPY MONDAYS Wrote For Luck&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-213-joy-division-atmosphere.html"&gt;FAC 213 JOY DIVISION Atmosphere&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-220-happy-mondays-bummed.html"&gt;FACT 220 HAPPY MONDAYS Bummed&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-223-new-order-fine-time.html"&gt;FAC 223 NEW ORDER Fine Time&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-223r-new-order-fine-time-remix.html"&gt;FAC 223R NEW ORDER Fine Time Remix&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facd-224-durutti-column-first-four.html"&gt;FACD 224 THE DURUTTI COLUMN The First Four Albums (x4)&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-244-durutti-column-vini-reilly.html"&gt;FACT 244 THE DURUTTI COLUMN Vini Reilly&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-250-joy-division-substance-1977.html"&gt;FACT 250 JOY DIVISION Substance 1977-1980&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-263-new-order-round-round.html"&gt;FAC 263 NEW ORDER Round &amp; Round&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fac-263r-new-order-round-remix.html"&gt;FAC 263R NEW ORDER Round &amp; Round Remix&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/fact-275-new-order-technique.html"&gt;FACT 275 NEW ORDER Technique&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/facus-2-joy-division-atmosphere.html"&gt;FACUS 2 JOY DIVISION Atmosphere&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/factus-8-new-order-1981-1982_13.html"&gt;FACTUS 8 NEW ORDER 1981-1982 EP&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://blog.factoryrecords.org/2012/02/factus-17-young-popular-sexy.html"&gt;FACTUS 17 VARIOUS ARTISTS Young Popular &amp; Sexy&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
See note on the &lt;a href="http://blog.factoryrecords.org/2012/02/gap-catalogue-numbering-system.html"&gt;Gap Catalogue Numbering System&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-7685873632008303016?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/7685873632008303016/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=7685873632008303016" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7685873632008303016?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7685873632008303016?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2008/12/factory-australasia_8398.html" title="Factory Australasia" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEECSXYycSp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-1869555497476497816</id><published>2012-02-15T22:46:00.002Z</published><updated>2012-02-16T20:04:28.899Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:04:28.899Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="7inch" /><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="VA" /><category scheme="http://www.blogger.com/atom/ns#" term="Jumpin_Jesus" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Andrew_Penhallow" /><category scheme="http://www.blogger.com/atom/ns#" term="Dominique" /><category scheme="http://www.blogger.com/atom/ns#" term="1987" /><title>FAC 182/7 VARIOUS ARTISTS Salvation!</title><content type="html">7": AU 10.87 (Factory Australasia/CBS FAC 1827)&lt;br /&gt;
&lt;br /&gt;
4:22 &lt;a href="http://blog.factoryrecords.org/2012/01/jumpin-jesus.html"&gt;JUMPIN' JESUS&lt;/a&gt;  You Can't Blackmail Jesus&lt;br /&gt;
3:20 &lt;a href="http://blog.factoryrecords.org/2011/12/dominique.html"&gt;DOMINIQUE&lt;/a&gt; - Play The Beat&lt;br /&gt;
&lt;br /&gt;
~ FAC 1827.1, MX 250181, Å&lt;br /&gt;
~ FAC 1827.2, MX 250212 MX 250181, Å&lt;br /&gt;
&lt;br /&gt;
Production: N/A&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Australian only 7" in die-cut picture sleeve, released along with LP &lt;a href="http://blog.factoryrecords.org/2012/02/fact-182-various-artists-salvation.html"&gt;FACT 182&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-1869555497476497816?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/1869555497476497816/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=1869555497476497816" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1869555497476497816?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1869555497476497816?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/fac-1827-various-artists-salvation.html" title="FAC 182/7 VARIOUS ARTISTS Salvation!" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkEBR3o7fCp7ImA9WhRaE0k.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-6933025721803647254</id><published>2012-02-15T22:24:00.002Z</published><updated>2012-02-15T22:24:16.404Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-15T22:24:16.404Z</app:edited><title>The GAP Catalogue Numbering System</title><content type="html">The GAP catalogue system is based on a compromise between GAP and EMI: GAP could define the prefix and EMI allocated their generic number.&lt;br /&gt;
 &lt;br /&gt;
SINGLES&lt;br /&gt;
&lt;br /&gt;
SFA stands for SINGLE Factory Australia.&lt;br /&gt;
&lt;br /&gt;
ALBUMS&lt;br /&gt;
&lt;br /&gt;
Initially the prefix was to be FACTOR but was then dropped in favour of FACOZ. FACDP stands for FACtory Double Pack. There wasn't a [UK or EMI] code for a double 12" so GAP invented one. FACDM stands for FACtory Double Multiple. EMI or CBS had code systems for their pricing and the M apparently relates to a gatefold release.&lt;br /&gt;
&lt;br /&gt;
TC is the EMI identifier for Tape Cassettes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-6933025721803647254?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/6933025721803647254/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=6933025721803647254" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/6933025721803647254?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/6933025721803647254?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/gap-catalogue-numbering-system.html" title="The GAP Catalogue Numbering System" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0cHRX87eSp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-3126515840612172807</id><published>2012-02-15T22:21:00.003Z</published><updated>2012-02-16T19:03:54.101Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T19:03:54.101Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="7inch" /><category scheme="http://www.blogger.com/atom/ns#" term="12inch" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="1982" /><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>SFA 406 JOY DIVISION Love Will Tear Us Apart</title><content type="html">SINGLE&lt;br /&gt;
04/80 &amp; 02/82&lt;br /&gt;
&lt;br /&gt;
7": AU 04.80 (GAP/EMI SFA 406) [promo] *&lt;br /&gt;
7": AU 04.80 (GAP/EMI SFA 406) **&lt;br /&gt;
7": AU 02.82 (GAP/CBS FAC 23) ***&lt;br /&gt;
&lt;br /&gt;
3:25 Love Will Tear Us Apart&lt;br /&gt;
3:25 These Days&lt;br /&gt;
&lt;br /&gt;
EMI EDITION&lt;br /&gt;
&lt;br /&gt;
~ SFA 406 A&lt;br /&gt;
~ SFA 406 A&lt;br /&gt;
&lt;br /&gt;
CBS EDITION&lt;br /&gt;
&lt;br /&gt;
~ SFA 406 A, MX 203781, FAC 23-1&lt;br /&gt;
~ SFA 406 B, MX 203782, FAC 23-2&lt;br /&gt;
&lt;br /&gt;
12": AU 10.83 (CBS FAC 23/12) [test pressing] ****&lt;br /&gt;
12": AU 02.82 (GAP/CBS FAC 23/12)&lt;br /&gt;
&lt;br /&gt;
3:25 Love Will Tear Us Apart&lt;br /&gt;
3:25 These Days&lt;br /&gt;
3:14 Love Will Tear Us Apart (Again)&lt;br /&gt;
&lt;br /&gt;
~ FAC 2312-1, _ MX 203339 *****&lt;br /&gt;
~ FAC 2312-2, _ MX 203340&lt;br /&gt;
&lt;br /&gt;
* “Sample not for sale” sticker on front.&lt;br /&gt;
** Thick cardboard sleeve and SFA 406 on back of sleeve.&lt;br /&gt;
*** 1982 CBS re-release without GAP references and thin glossy sleeve.&lt;br /&gt;
**** Date on test pressing: 7/10/83.&lt;br /&gt;
***** - _ (delta) is the sign of the cutting engineer.&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes:  The SFA SINGLE was the first Australian Factory release (and the first for GAP). The prefix SFA stands for Single Factory Australia; the number is from the generic EMI catalogue. Date on all labels: 18/4/80.&lt;br /&gt;
&lt;br /&gt;
The 12" reached the Australian Top Twenty. There also is a promo video. Says Andrew Penhallow: "The first promo-video we got from Factory was 'Love Will Tear Us Apart' which I had to re-edit. They sent me the footage but the sound was out of sync. They couldn't get it right. As we were in the Top 20 we wanted something for TV in OZ. I spent an afternoon at a video facility with an editor and re-striped the sound off the master and edited the vision to fit - there are some jerky edits but it improved it enough to get TV coverage here. In fact, Factory used the version on one of the JD video releases and on UK TV. We also got 'She's Lost Control' and 'Transmission' as promo-videos. They were TV studio performances [apparently from 'Something Else'] and they were very good as they really captured JD."&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-3126515840612172807?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/3126515840612172807/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=3126515840612172807" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3126515840612172807?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3126515840612172807?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/sfa-406-joy-division-love-will-tear-us.html" title="SFA 406 JOY DIVISION Love Will Tear Us Apart" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CE8BR3gzeyp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-5667029985918410000</id><published>2012-02-15T22:19:00.007Z</published><updated>2012-02-16T20:07:36.683Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:07:36.683Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="7inch" /><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Andrew_Penhallow" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="Durutti" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>SFA 491 THE DURUTTI COLUMN The Durutti Column</title><content type="html">SINGLE&lt;br /&gt;
07/80&lt;br /&gt;
&lt;br /&gt;
7": AU 07.80 (GAP/EMI SFA 491)&lt;br /&gt;
&lt;br /&gt;
2:58 Sketch For Summer&lt;br /&gt;
2:22 Sketch For Winter&lt;br /&gt;
&lt;br /&gt;
~ SFA 491 A&lt;br /&gt;
~ SFA 491 B&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Australian only release with tracks taken from the album FACOZ 1002. Some editions with reversed labels.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/durutti-column.html"&gt;THE DURUTTI COLUMN&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-5667029985918410000?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/5667029985918410000/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=5667029985918410000" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5667029985918410000?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5667029985918410000?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/sfa-491-durutti-column-durutti-column.html" title="SFA 491 THE DURUTTI COLUMN The Durutti Column" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0cCRno8fyp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-27693548159907853</id><published>2012-02-15T22:19:00.006Z</published><updated>2012-02-16T19:04:27.477Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T19:04:27.477Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="7inch" /><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="12inch" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>SFA 490 JOY DIVISION Transmission</title><content type="html">SINGLE&lt;br /&gt;
05/80 &amp; 02/82&lt;br /&gt;
&lt;br /&gt;
7": AU 05.80 (GAP/EMI SFA 490)&lt;br /&gt;
&lt;br /&gt;
3:35 Transmission&lt;br /&gt;
3:59 Novelty&lt;br /&gt;
&lt;br /&gt;
~ SFA 490 A, 301&lt;br /&gt;
~ SFA 490 B, Studios 301&lt;br /&gt;
&lt;br /&gt;
12": AU 02.82 (GAP/CBS FAC 13/12)&lt;br /&gt;
&lt;br /&gt;
3:35 Transmission&lt;br /&gt;
3:59 Novelty&lt;br /&gt;
&lt;br /&gt;
~ FAC 13-12-One, MX 215049&lt;br /&gt;
~ FAC 13-12-Two, MX 215050&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Date on 12" label: 12/9/80.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-27693548159907853?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/27693548159907853/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=27693548159907853" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/27693548159907853?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/27693548159907853?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/sfa-490-joy-division-transmission.html" title="SFA 490 JOY DIVISION Transmission" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DE4HSXY5eip7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-8835214082281845304</id><published>2012-02-15T22:18:00.003Z</published><updated>2012-02-16T18:28:58.822Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T18:28:58.822Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="7inch" /><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="12inch" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="1981" /><category scheme="http://www.blogger.com/atom/ns#" term="New_Order" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><title>SFA 541 NEW ORDER Ceremony</title><content type="html">SINGLE&lt;br /&gt;
01/81 &amp; 02/82&lt;br /&gt;
&lt;br /&gt;
7": AU 01.81 (Factory/GAP SFA 541)&lt;br /&gt;
&lt;br /&gt;
4:34 Ceremony&lt;br /&gt;
4:34 In A Lonely Place&lt;br /&gt;
&lt;br /&gt;
~ SFA 541 A, OR&lt;br /&gt;
~ SFA 451 B 541 B, OR How I Wish You Were Here With Me Now&lt;br /&gt;
&lt;br /&gt;
12": AU 07.83 (CBS FAC 33) [test pressing] *&lt;br /&gt;
12": AU 02.82 (GAP/CBS FAC 33) **&lt;br /&gt;
12": AU 02.82 (GAP/CBS FAC 33) [Gold-stamped promo] **&lt;br /&gt;
&lt;br /&gt;
4:34 Ceremony&lt;br /&gt;
6:12 In A Lonely Place&lt;br /&gt;
&lt;br /&gt;
~ FAC 33-1, _ MX 202079 Watching Love Grow - Forever&lt;br /&gt;
~ FAC 33-2, _ MX 202080 How I Wish We Were Here With You Now&lt;br /&gt;
&lt;br /&gt;
* Date on test pressing: 25/7/83.&lt;br /&gt;
** Green sleeve only.&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Date on all labels: 22/1/81. The 7" sleeve has black letters printed on bronze sleeve, because reproducing the UK design was too costly.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/new-order.html"&gt;NEW ORDER&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-8835214082281845304?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/8835214082281845304/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=8835214082281845304" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8835214082281845304?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8835214082281845304?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/sfa-541-new-order-ceremony.html" title="SFA 541 NEW ORDER Ceremony" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0cMR3kzeCp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-5052501199808115703</id><published>2012-02-15T22:16:00.003Z</published><updated>2012-02-16T19:04:46.780Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T19:04:46.780Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="LP" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="1988" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="CD" /><category scheme="http://www.blogger.com/atom/ns#" term="Album" /><category scheme="http://www.blogger.com/atom/ns#" term="CS" /><category scheme="http://www.blogger.com/atom/ns#" term="1982" /><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>FACOZ 1001 JOY DIVISION Closer</title><content type="html">ALBUM&lt;br /&gt;
05/80 &amp; 02/82&lt;br /&gt;
&lt;br /&gt;
LP: AU 05.80 (GAP/EMI FACOZ 1001) *&lt;br /&gt;
LP: AU 02.82 (GAP/CBS FACOZ 1001) **&lt;br /&gt;
CS: AU 05.80 (GAP/EMI TC-FACOZ 1001) ***&lt;br /&gt;
CD: AU 04.88 (Factory Australasia FACD 25) ****&lt;br /&gt;
&lt;br /&gt;
6:05 Atrocity Exhibition&lt;br /&gt;
2:05 Isolation&lt;br /&gt;
4:45 Passover&lt;br /&gt;
3:53 Colony&lt;br /&gt;
4:06 A Means To An End&lt;br /&gt;
5:50 Heart And Soul&lt;br /&gt;
4:26 24 Hours&lt;br /&gt;
6:04 The Eternal&lt;br /&gt;
6:08 Decades&lt;br /&gt;
&lt;br /&gt;
EMI EDITION&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1001 A, GH&lt;br /&gt;
~ FACOZ 1001 B, GH&lt;br /&gt;
&lt;br /&gt;
CBS EDITION&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1001 A, MX 207719, FACT 25-1&lt;br /&gt;
~ FACOZ 1001 b, MX 207720, FACT 25-2&lt;br /&gt;
&lt;br /&gt;
* Initial releases state "Manufactured and Distributed by EMI Australia Limited" on back sleeve. The ring size on the label, 1" from the centre hole, is characteristic of EMI pressings; “FACOZ 1001” on label.&lt;br /&gt;
** Secondary releases are from GAP/CBS with a sticker on top of the initial EMI statement: "M &amp; D by CBS Records Australia Limited". The MX numbering system has been in use by CBS since the 50's. The ring size on the label, 2.5” from the centre hole, is characteristic of CBS pressings; “FACT 25” on label.&lt;br /&gt;
*** Released in a total edition of 500.&lt;br /&gt;
**** Imported UK issue only, initial copies with sticker having silhouette logo and "Factory Records Australasia Import".&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Date on labels: 9/5/80. Reached the Australian Top Twenty album charts. there are 30"x40" promo posters for this release. (There were also super-sized billboards in Adelaide, Brisbane, Melbourne, Perth, and Sydney.)&lt;br /&gt;
&lt;br /&gt;
Additionsl: &lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-5052501199808115703?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/5052501199808115703/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=5052501199808115703" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5052501199808115703?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/5052501199808115703?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facoz-1001-joy-division-closer.html" title="FACOZ 1001 JOY DIVISION Closer" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;Ck8MRng4eSp7ImA9WhRaFUo.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-1096652979198530380</id><published>2012-02-15T22:15:00.003Z</published><updated>2012-02-18T13:14:47.631Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-18T13:14:47.631Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="LP" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="Album" /><category scheme="http://www.blogger.com/atom/ns#" term="Illustration_Dufy" /><category scheme="http://www.blogger.com/atom/ns#" term="CS" /><category scheme="http://www.blogger.com/atom/ns#" term="Durutti" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>FACOZ 1002 THE DURUTTI COLUMN The Return Of The Durutti Column</title><content type="html">ALBUM&lt;br /&gt;
07/80&lt;br /&gt;
&lt;br /&gt;
LP: AU 07.80 (GAP/EMI FACOZ 1002) (White label)&lt;br /&gt;
&lt;br /&gt;
3:01 Sketch For Summer&lt;br /&gt;
5:08 Requiem For A Father&lt;br /&gt;
5:30 Katharine&lt;br /&gt;
5:02 Conduct&lt;br /&gt;
2:28 Beginning&lt;br /&gt;
1:38 Jazz&lt;br /&gt;
2:24 Sketch For Winter&lt;br /&gt;
2:23 Collette&lt;br /&gt;
4:12 In "D"&lt;br /&gt;
2:25 Sketch For Winter (Alt. Take)&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1002 A  MAXICUT AT 301  GH&lt;br /&gt;
~ FACOZ 1002 B  MAXICUT BY 301  GH&lt;br /&gt;
&lt;br /&gt;
LP: AU 07.80 (GAP/EMI FACOZ 1002)&lt;br /&gt;
CS: AU 07.80 (GAP/EMI TC-FACOZ 1002) **&lt;br /&gt;
&lt;br /&gt;
3:01 Sketch For Summer&lt;br /&gt;
5:08 Requiem For A Father&lt;br /&gt;
5:30 Katharine&lt;br /&gt;
5:02 Conduct&lt;br /&gt;
2:28 Beginning&lt;br /&gt;
1:38 Jazz&lt;br /&gt;
2:24 Sketch For Winter&lt;br /&gt;
2:23 Collette&lt;br /&gt;
4:12 In "D"&lt;br /&gt;
2:25 Sketch For Winter (Alt. Take)&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1002 A, Maxicut At 301, Otto ***&lt;br /&gt;
~ FACOZ 1002 B, Maxicut By 301, Otto&lt;br /&gt;
&lt;br /&gt;
* Total edition of 6 pressings only. Contrary to the commercial edition, the white labels were cut by Greg Henderson (sign = GH in runoff) and not by Otto Ruiter (see ***)&lt;br /&gt;
** Edition of 500&lt;br /&gt;
*** "Otto" is the name of the cutting engineer&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: PAINTINGS (ILLUSTRATION) BY DUFY&lt;br /&gt;
&lt;br /&gt;
Notes: There is a promo poster, 30"x40", designed by &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-1096652979198530380?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/1096652979198530380/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=1096652979198530380" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1096652979198530380?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/1096652979198530380?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facoz-1002-durutti-column-return-of.html" title="FACOZ 1002 THE DURUTTI COLUMN The Return Of The Durutti Column" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUcFRH86eyp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-3368218567210899408</id><published>2012-02-15T22:12:00.006Z</published><updated>2012-02-16T20:10:15.113Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:10:15.113Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="1986" /><category scheme="http://www.blogger.com/atom/ns#" term="LP" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="CD" /><category scheme="http://www.blogger.com/atom/ns#" term="Album" /><category scheme="http://www.blogger.com/atom/ns#" term="CS" /><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><category scheme="http://www.blogger.com/atom/ns#" term="1980" /><title>FACOZ 1003 JOY DIVISION Unknown Pleasures</title><content type="html">ALBUM&lt;br /&gt;
06/80&lt;br /&gt;
&lt;br /&gt;
LP: AU 06.80 (GAP/EMI FACOZ 1003) *&lt;br /&gt;
CS: AU 06.80 (GAP/EMI TC-FACOZ 1003) **&lt;br /&gt;
CD: AU 06.86 (Factory Australasia FACD 10) ***&lt;br /&gt;
&lt;br /&gt;
3:28 Disorder&lt;br /&gt;
4:43 Day Of The Lords&lt;br /&gt;
3:00 Candidate&lt;br /&gt;
4:23 Insight&lt;br /&gt;
4:45 New Dawn Fades&lt;br /&gt;
3:53 She's Lost Control&lt;br /&gt;
3:50 Shadowplay&lt;br /&gt;
2:12 Interzone&lt;br /&gt;
5:52 I Remember Nothing&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1003 A (Outside), Otto&lt;br /&gt;
~ FACOZ 1003 B (Inside), Otto&lt;br /&gt;
&lt;br /&gt;
* Textured sleeve. Labels are identical to UK release.&lt;br /&gt;
** Edition of 500.&lt;br /&gt;
*** Imported UK issue only. Initial copies with sticker having silhouette logo and "Factory Records Australasia Import".&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Reached the Australian Top Thirty album charts. Also a promo poster, size 30"x40", designed by &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/joy-division.html"&gt;JOY DIVISION&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-3368218567210899408?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/3368218567210899408/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=3368218567210899408" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3368218567210899408?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/3368218567210899408?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facoz-1003-joy-division-unknown.html" title="FACOZ 1003 JOY DIVISION Unknown Pleasures" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUcBQXsyfyp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-2765107693440474978</id><published>2012-02-15T22:11:00.002Z</published><updated>2012-02-16T20:10:50.597Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:10:50.597Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="12inch" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Christopherson" /><category scheme="http://www.blogger.com/atom/ns#" term="ACR" /><title>FACDP 1004 A CERTAIN RATIO The Double 12"</title><content type="html">SINGLE (x2)&lt;br /&gt;
09/81&lt;br /&gt;
&lt;br /&gt;
2x12": AU 09.81 (GAP/EMI FACDP 1004)&lt;br /&gt;
&lt;br /&gt;
6:00 Flight&lt;br /&gt;
2:36 And Then Again (Version)&lt;br /&gt;
3:09 Blown Away&lt;br /&gt;
2:45 Do The Du&lt;br /&gt;
3:00 The Fox&lt;br /&gt;
3:07 Shack Up&lt;br /&gt;
2:04 Son + Heir&lt;br /&gt;
&lt;br /&gt;
~ FAC DP 1004 A, Hipside, Studios 301, Maxicut, GH&lt;br /&gt;
~ FAC DP 1004 B, Flipside, Studios 301, Maxicut, GH&lt;br /&gt;
~ FAC DP 1004 C, Flipside, Studios 301, Maxicut, GH&lt;br /&gt;
~ FAC DP 1004 D, Hipside, Maxicut at Studios 301 by GH&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/peter-christopherson.html"&gt;PETER CHRISTOPHERSON&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Reversed labelling on record 2. The prefix FACDP stands for Factory Double Pack. There wasn't a [UK or EMI] code for a double 12" so GAP invented one. Also promo poster, size 18"x24" with adapted design by &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-2765107693440474978?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/2765107693440474978/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=2765107693440474978" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2765107693440474978?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/2765107693440474978?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facdp-1004-certain-ratio-double-12.html" title="FACDP 1004 A CERTAIN RATIO The Double 12&quot;" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUcNSX0-eyp7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-8160602680899354909</id><published>2012-02-15T22:09:00.002Z</published><updated>2012-02-16T20:11:38.353Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:11:38.353Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="LP" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="1981" /><category scheme="http://www.blogger.com/atom/ns#" term="Album" /><category scheme="http://www.blogger.com/atom/ns#" term="CS" /><category scheme="http://www.blogger.com/atom/ns#" term="1982" /><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><title>FACDM 1005/6 JOY DIVISION Still</title><content type="html">ALBUM (x2)&lt;br /&gt;
08/81 &amp; 02/82&lt;br /&gt;
&lt;br /&gt;
2xLP: AU 08.81 (GAP/EMI FACDM 1005/6) *&lt;br /&gt;
2xLP: AU 02.82 (GAP/CBS FACDM 1005/6) **&lt;br /&gt;
2xCS: AU 08.81 (GAP/EMI TC-FACDM 1005/6) ***&lt;br /&gt;
&lt;br /&gt;
One&lt;br /&gt;
&lt;br /&gt;
3:05 Exercise One&lt;br /&gt;
2:22 Ice Age&lt;br /&gt;
3:53 The Sound Of Music&lt;br /&gt;
3:55 Glass&lt;br /&gt;
4:15 The Only Mistake&lt;br /&gt;
2:46 Walked In Line&lt;br /&gt;
2:14 The Kill&lt;br /&gt;
2:47 Something Must Break&lt;br /&gt;
4:52 Dead Souls&lt;br /&gt;
7:34 Sister Ray&lt;br /&gt;
&lt;br /&gt;
Two&lt;br /&gt;
&lt;br /&gt;
3:50 Ceremony&lt;br /&gt;
3:54 Shadowplay&lt;br /&gt;
4:01 A Means To An End&lt;br /&gt;
5:05 Passover&lt;br /&gt;
4:01 New Dawn Fades&lt;br /&gt;
3:33 Transmission&lt;br /&gt;
3:20 Disorder&lt;br /&gt;
3:05 Isolation&lt;br /&gt;
5:22 Decades&lt;br /&gt;
3:53 Digital&lt;br /&gt;
&lt;br /&gt;
EMI EDITION&lt;br /&gt;
&lt;br /&gt;
~ FAC DM 1005 A-2, Studios 301, GH, JM&lt;br /&gt;
~ FACDM 1005 B-2, GH&lt;br /&gt;
~ FACDM 1006 A-2, CP, JM&lt;br /&gt;
~ FACDM 1006 B-2, CP&lt;br /&gt;
&lt;br /&gt;
CBS EDITION&lt;br /&gt;
&lt;br /&gt;
~ FAC DM 1005 A-2, MX 203777, FACT 40-1, Studios 301, GH&lt;br /&gt;
~ FACT 40-2, _ MX 203778&lt;br /&gt;
~ FACDM 1006 A-2, MX 203779, FACT 40-3&lt;br /&gt;
~ FACDM 1006 B-2, MX 203780, FACT 40-4, CP&lt;br /&gt;
&lt;br /&gt;
* "FACDM 1005/6" on labels.&lt;br /&gt;
** Back sleeve states "Manufactured and Distributed by EMI Australia Ltd.", but was cut by CBS Australia as indicated by the MX number and the 2.5” ring size on the label; “FACT 40” on labels.&lt;br /&gt;
*** Cassettes come as two single cassettes (originally fixed to eachother by black adhesive tape that reads in white “Great Value Equivalent to 2LP’s”). Edition of 500 each.&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Date on label: 1/8/81. Apparently the prefix FACDM stands for Factory Double Multiple. CBS had a code system for their pricing and the M relates to it. The four sides of the CBS album edition were cut by four different people. Also promo poster, 30"x40", designed by &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;. As for all ‘Still’ LP and CS releases worldwide (excluding the black label Italian edition) the sleeve track listings mistakenly omit “Twenty Four Hours”.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-8160602680899354909?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/8160602680899354909/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=8160602680899354909" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8160602680899354909?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8160602680899354909?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facdm-10056-joy-division-still.html" title="FACDM 1005/6 JOY DIVISION Still" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUYARng5fip7ImA9WhRaFE8.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-8497491414262941292</id><published>2012-02-15T22:06:00.003Z</published><updated>2012-02-16T20:12:27.626Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T20:12:27.626Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="LP" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="Produced_Martin_Hannett" /><category scheme="http://www.blogger.com/atom/ns#" term="1981" /><category scheme="http://www.blogger.com/atom/ns#" term="New_Order" /><category scheme="http://www.blogger.com/atom/ns#" term="CD" /><category scheme="http://www.blogger.com/atom/ns#" term="Album" /><category scheme="http://www.blogger.com/atom/ns#" term="CS" /><category scheme="http://www.blogger.com/atom/ns#" term="Designed_Peter_Saville" /><title>FACOZ 1007 NEW ORDER Movement</title><content type="html">ALBUM&lt;br /&gt;
11/81 (02/82)&lt;br /&gt;
&lt;br /&gt;
LP: AU 11.81 (GAP/EMI FACOZ 1007) *&lt;br /&gt;
LP: AU 02.82 (GAP/CBS FACOZ 1007) **&lt;br /&gt;
CS: AU 11.81 (GAP/EMI TC-FACOZ 1007) ***&lt;br /&gt;
CD: AU 11.87 (Factory Australasia FACD 50) ****&lt;br /&gt;
&lt;br /&gt;
3:13 Dreams Never End&lt;br /&gt;
4:37 Truth&lt;br /&gt;
4:45 Senses&lt;br /&gt;
4:07 Chosen Time&lt;br /&gt;
4:33 I.C.B.&lt;br /&gt;
5:29 The Him&lt;br /&gt;
4:16 Doubts Even Here&lt;br /&gt;
4:20 Denial&lt;br /&gt;
&lt;br /&gt;
FIRST EDITION&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1007 A, GH&lt;br /&gt;
~ FACOZ 1007 B, CR&lt;br /&gt;
&lt;br /&gt;
SECOND EDITION&lt;br /&gt;
&lt;br /&gt;
~ FACOZ 1007 A, MX 202941, FACT 50-1, GH&lt;br /&gt;
~ FACOZ 1007 B, MX 202942, FACT 50-2, CR&lt;br /&gt;
&lt;br /&gt;
* Back sleeve states "Man. and Dist. by EMI Australia Limited". “FACOZ 100 7", and the catalogue number are printed on the spine. The label is dark blue and has a ring size of 1” (characteristic of EMI pressings); “FACOZ 100 7" on label.&lt;br /&gt;
** Back sleeve states "Manufactured and Distributed by CBS Records Australia Limited". The label is light blue and has a ring size of 2.5” (characteristic of CBS pressings); “FACT 50” on label.&lt;br /&gt;
*** Total edition of 500.&lt;br /&gt;
**** Imported UK issue only, initial copies with sticker having silhouette logo and "Factory Records Australasia Import".&lt;br /&gt;
&lt;br /&gt;
Production: &lt;a href="http://blog.factoryrecords.org/2008/12/martin-hannett.html"&gt;MARTIN HANNETT&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Design: &lt;a href="http://blog.factoryrecords.org/2008/12/designed-by-peter-saville-chronological.html"&gt;PETER SAVILLE&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Notes: Also promo poster, 30"x40", designed by &lt;a href="http://blog.factoryrecords.org/2012/02/andrew-penhallow.html"&gt;ANDREW PENHALLOW&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/new-order.html"&gt;NEW ORDER&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-8497491414262941292?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/8497491414262941292/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=8497491414262941292" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8497491414262941292?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/8497491414262941292?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/facoz-1007-new-order-movement.html" title="FACOZ 1007 NEW ORDER Movement" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0AHRXg-fSp7ImA9WhRaFEw.&quot;"><id>tag:blogger.com,1999:blog-1409940827271315111.post-7902490257740585022</id><published>2012-02-15T22:04:00.003Z</published><updated>2012-02-16T18:08:54.655Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-16T18:08:54.655Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Single" /><category scheme="http://www.blogger.com/atom/ns#" term="FACOZ" /><category scheme="http://www.blogger.com/atom/ns#" term="New_Order" /><title>FAC 53 NEW ORDER Procession</title><content type="html">SINGLE&lt;br /&gt;
&lt;br /&gt;
Notes: A much disputed release, A. PENHALLOW has officially confirmed that there definitely never were Australian GAP/EMI releases but UK imports only. Sighted sleeve colours (so far) are: Aqua, blue, green, red, and yellow. However, EMI New Zealand released editions in light blue/dark blue sleeves in 1981.&lt;br /&gt;
&lt;br /&gt;
Additional: &lt;a href="http://blog.factoryrecords.org/2008/12/new-order.html"&gt;NEW ORDER&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1409940827271315111-7902490257740585022?l=blog.factoryrecords.org' alt='' /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://blog.factoryrecords.org/feeds/7902490257740585022/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=1409940827271315111&amp;postID=7902490257740585022" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7902490257740585022?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1409940827271315111/posts/default/7902490257740585022?v=2" /><link rel="alternate" type="text/html" href="http://blog.factoryrecords.org/2012/02/fac-53-new-order-procession_15.html" title="FAC 53 NEW ORDER Procession" /><author><name>cerysmatic</name><uri>http://www.blogger.com/profile/17086087373126298497</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://3.bp.blogspot.com/__STnZHsiWlY/S5LZYbdBXJI/AAAAAAAAABE/tJIBEY55As0/S220/photojc3.jpg" /></author><thr:total>0</thr:total></entry></feed>

