The Music In It: Adele Kenny's Poetry Blog

Prompt #146 – Portrait Poem

noreply@blogger.com (ADELE KENNY) — Sat, 18 May 2013 12:59:00 +0000

I paint myself because I am often alone and I am the subject I know best.

– Frida Kahlo

When I first saw DaVinci’s Mona Lisa in the Louvre many years ago, I understood why it’s probably the most famous portrait in the world. Another famous portrait with which many are familiar is Vermeer’s Girl with a Pearl Earring, which inspired the 2003 film of the same title. There are, of course, countless portraits in museums and galleries—faces that look back at us and make us wonder about their painted subjects. This week, the goal is to write a poem in which you create a “word portrait” of yourself (the person you know best, as Frida Kahlo notes in the quote above). Importantly, you will need to be descriptive, but the extra challenge is to be judicious in your use of adjectives and details.

1. One way to begin is to generate a list of words that describe or tell something about you. In generating this list, think about your personality, interests, relationships, memories, loves, dislikes, and desires.

2. Now, imagine looking into a mirror that reveals more than your physical image. What do you see? Add what you see to your list.

3. Next, choose three items from your list and begin writing about them. You’ll need to find connectors and complements for these items, and you’ll need to think hard about yourself in terms of how the items from your list impact or reflect you as a whole.

4. Begin writing (a free write first may be helpful). Review what you’ve written and work the best of it into your poem.

5. Think in terms of metaphors. What extended metaphor might you use to “word paint” your portrait?

6. Alternatively, create a word portrait of someone you know. Follow the same general process, and be sure you select someone you know well. A third possibility (if the first two don’t work for you) would be to write a poem about a famous portrait (in writing a poem based on a painting, you’ll be doing an ekphrastic poem—see prompt #79, September 19, 2011).

Examples:

"Self Portrait in a Convex Mirror" by JohnAshbery

"Self-Portrait" by Adam Zagajewski

"The Portrait" by Stanley Kunitz

"The Portrait" by Dante Gabriel Rossetti

"Portrait" by Louise Gluck

"Self-Portrait" by Linda Pastan

Prompt #145 – Letting Go

noreply@blogger.com (ADELE KENNY) — Sat, 11 May 2013 15:15:00 +0000

Some people believe holding on and hanging in there

are signs of great strength.

However, there are times when it takes much more strength

to know when to let go and then do it.

— Ann Landers

In Prompt #144, we wrote about forgiveness and I mentioned the process of “letting go.” In any context, letting go is can be a painful (but sometimes necessary) part of life. On the flip side, letting go can free us in much the same way that forgiving does. Have there been times in your life when you let something go and felt better for it?

In many ways, the past informs the present, but letting go is about much more than the past. Importantly, letting go is about freeing ourselves from fears, from impractical expectations, from uncertainties about ourselves, and it’s about affirming our value in the world.

This week, write a poem about a time that you let go.

Things to Think About before Writing:

Is there a dream you’ve let go?
Is there a person or group of people you’ve let go? Have you ever ended a relationship that wasn’t working? Have you ever deliberately said “good-bye” to someone or something and felt better (or worse) for having done so?
Has there been a job you had to let go?
Have you ever let go of any personality traits, ways of thinking, old habits?
Has there ever been a hurt or an anger that you let go?
Has there ever been something that you couldn’t let go?
Is there something (or someone) in your life right now that you’ve thought about letting go?

Example:

"Letting Go of Our Anger, Giving Forgiveness" by Raymond A. Foss

Note: An alternative prompt for this week might be to look at the photo at the top and to write a "letting go poem" based on what the photo suggests to you.

Prompt #144 – Forgiveness

noreply@blogger.com (ADELE KENNY) — Sat, 04 May 2013 14:18:00 +0000

To err is human; to forgive, divine.

—Alexander Pope

I recently came across Whittier’s “Forgiveness,” which made me think of personal “forgiveness experiences.” We all have them: things we’ve forgiven, things we can’t forgive, hurts that haunt us, people who refuse to forgive us

Forgiveness by John Greenleaf Whittier

My heart was heavy, for its trust had been

Abused, its kindness answered with foul wrong;

So, turning gloomily from my fellow-men,

One summer Sabbath day I strolled among

The green mounds of the village burial-place;

Where, pondering how all human love and hate

Find one sad level; and how, soon or late,

Wronged and wrongdoer, each with meekened face,

And cold hands folded over a still heart,

Pass the green threshold of our common grave,

Whither all footsteps tend, whence none depart,

Awed for myself, and pitying my race,

Our common sorrow, like a mighty wave,

Swept all my pride away, and trembling I forgave!

(http://famouspoetsandpoems.com/poets/john_greenleaf_whittier/poems/5319)

How often in our lives have we been hurt and carried that hurt with us, unable or unwilling to let it go? Holding onto anger and resentment can cause us extreme emotional stress, and often, we suffer more than the people who have hurt us. Such feelings can damage us emotionally and spiritually, but getting past them, releasing anger, resentment, and bitterness—forgiving—can lead us to inner peace. We all need to “forgive and forget” (though forgetting is sometimes harder than forgiving); and we all need to move forward, to let the past go. This can happen when we forgive. That said, I know how challenging true forgiveness can be, but forgiving (when we’re able to manage it) can be very freeing. Writing, too, can be freeing. This week, let’s use poetry to work toward resolving some forgiveness issues.

Suggestions:

Write a poem about someone you’ve forgiven or someone you haven’t been able to forgive.

Write a poem about something for which you need to be forgiven.

Write a poem about something for which you’ve forgiven or not forgiven yourself.

Write a poem about something you’ve forgiven but can’t forget.

Write a poem about a time in which you “let go” of something (or someone) through forgiveness.

Write a poem about someone who refuses to forgive you.

Tips:

1. This prompt lends itself to a narrative poem (a poem in which you tell a story).

2. Be careful not to over-tell; don’t include too many details; watch out for overuse of adjectives; and be especially wary of overstating sentiment and emotion. Focus on the elements of your story that readers will relate to (the details may be different, but the response you want to evoke is, “Yes, I know that feeling”).

3. Remember that your poem should contain no unnecessary words, no superfluous phrases, and no explanations. Center on strong images.

4. Use sounds (alliteration, assonance, internal rhymes) to help tell your story.

5. Try writing your narrative poem in the third person and, when you’ve completed it, change to the first person. Which version is better?

Examples:

"Black Petal" by Li-Young Lee

"Under A Certain Little Star" by Wislawa Szymborska

"Nearly a Valediction" by Marilyn Hacker

"My Sin" by M. L.. Liebler

The End of National Poetry Month

noreply@blogger.com (ADELE KENNY) — Tue, 30 Apr 2013 12:02:00 +0000

I’m always a little sad to see National Poetry Month come to an end, but here we are on April 30th. Like the time lilacs are in bloom, NPM never seems quite long enough. My sincerest thanks go to all of you who joined the celebration (as readers and as writers) on The Music In It, and a big THANK YOU to readers who posted poems and/or shared comments.

Special thanks and appreciation go to Basil Rouskas who, for the second year in a row, posted a poem every day and is the recipient of The Music In It National Poetry Month Award. Bravo, Basil!

Regular prompt posting will resume on Saturday, May 4^th. In the meantime, here’s a wonderful piece by poet Michael T. Young that takes a lighthearted look at the (sometimes agonizing) process of writing a poem. (I certainly identified with it and suspect that you will too!)

How a Poem is Written

by Michael T. Young

A lot of words are scattered on a page.
Unnecessary abstractions are reworked into images.
Unnecessary images are struck out.
Some commas are inserted, an M-dash and a semi-colon.
Some long sentences are shortened.
Some short sentences stretched out.
Two words from the first line are brought to the second line.
One word from the fifth line is brought to the sixth line.
Some commas are removed and the semi-colon changed to a period.
The short sentences that were stretched out are shortened again.
The long sentences that were shortened are lengthened again.
The last line is made the penultimate line and a new line written for conclusion.
The two words brought to the second line are deleted, requiring a new verb and relineation of lines 2 through 8.
A new image inserted in line 13 pushes three words to line 14 requiring relineation of lines 15 to 20.
2 of the long sentences that were shortened and then lengthened are shortened again.
Instead of lines with roughly ten syllables per line, everything is reorganized to have roughly six or seven syllables per line.
Realizing that was a bad idea, it’s all reorganized so every line is roughly fifteen syllables per line.
Realizing that was a bad idea, it’s all reorganized back to roughly ten syllables per line.
A day is spent wondering if it should be structured in blank verse as opposed to free verse.
Remove all the punctuation.
Change the title five times over a day.
Put all the punctuation back in except for the M-dash.
Insert some place names for local feel.
Remove all but one place name because they seem clunky.
Strike out everything from the first line to the penultimate line.
Take the last line, make it the first line, and begin writing the poem.

A Note from Michael Young: I find that sometimes frustration can work itself to such a pitch that it ruptures into a moment of clarity. Such was the source of this rant-like piece. I had been working every day on a single poem for about 2 months and felt no closer to getting it right. I don’t mind working on a poem for a long time, even years, as long as I have a sense that I’m getting a syllable closer to the mark. But when it seems there’s no progress, not even inching toward the invisible mark after endless revisions, well, that simply maddens me. Perhaps that’s why I have a somewhat obsessive way of writing; I can rarely stop thinking about a poem until it’s finished or I tear myself from it to retain my sanity. These are the poems that often, for me, become completely morphed in later years as the poem documented in this piece: a poem transformed into something completely unintended and, since writing is an act of discovery, better than one could ever intend.

Please be sure to visit Michael online at www.michaeltyoung.com and at his blog (The Inner Music) http://inermusic.blogspot.com/.

Click here to read poems by Michael.

Click here to order Michael's LIVING IN THE COUNTERPOINT.

Click here to order Michael's TRANSCRIPTIONS OF DAYLIGHT.

Prompt #143 – National Poetry Month 2013

noreply@blogger.com (ADELE KENNY) — Sat, 30 Mar 2013 12:35:00 +0000

National Poetry Month, established by the Academy of American Poets in 1996 begins on April 1st! This month-long celebration of poetry is held every April “to widen the attention of individuals and the media to the art of poetry, to living poets, to our complex poetic heritage, and to poetry books and journals of wide aesthetic range and concern.” During April, poets, poetry lovers, publishers, booksellers, literary organizations, libraries, and schools throughout the US celebrate poetry.

One of the challenges of NPM is to read and/or write a poem every day. So ... in the spirit of the observance, as I’ve done for the past few years, I offer you an inspiration word or phrase and a related poem for each of April’s thirty days. You may wish to read, write, or do both. Keep in mind that writing a poem a day doesn’t mean you have to “finish” each poem immediately. You can write a draft each day and set your drafts aside to work on later.

And … if you write a poem that relates to an inspiration word, don’t feel obligated to write anything that resembles the example poem in content or style. Give the topic your own spin!

As always, your sharing is welcome,

so please be sure to post your thoughts and poems as comments!

Regular weekly prompts will resume on May 4^th.

In the meantime, I wish you a wonderful and poetry-filled April!

Happy National Poetry Month!

April 1

Fools/April Fools

http://www.poets.org/viewmedia.php/prmMID/15244

“I’m a Fool to Love You” by Cornelius Eady

April 2

April

http://famouspoetsandpoems.com/poets/carl_sandburg/poems/1299.html

“Just Before April Came” by Carl Sandburg

April 3

Yesterday

http://www.poets.org/viewmedia.php/prmMID/15741

“Yesterday” by W. S. Merwin

April 4

Confessions

http://www.washingtonpost.com/wp-dyn/content/article/2007/08/09/AR2007080901860.html

“My Turn to Confess” by Charles Simic

April 5

Memories

http://www.poets.org/viewmedia.php/prmMID/16899

“Momentum” by Catherine Doty

April 6

Dust

http://www.poetryfoundation.org/poem/241982

“Dust” by Dorianne Laux

April 7

Birds

http://www.poetry-archive.com/y/the_white_birds.html

“The White Birds” by William Butler Yeats

April 8

Wind

http://www.poets.org/viewmedia.php/prmMID/21891

“Rhapsody on a Windy Night” by T. S. Eliot

April 9

Security

http://famouspoetsandpoems.com/poets/william_stafford/poems/18095

“Security” by William Stafford

April 10

Rain

http://famouspoetsandpoems.com/poets/elizabeth_bishop/poems/938

“Song for the Rainy Season” by Elizabeth Bishop

April 11

Remembrance

http://famouspoetsandpoems.com/poets/rainer_maria_rilke/poems/16358

“Remembrance” by Rainer Maria Rilke

April 12

Dawn

http://www.poetrysoup.com/famous/poem/3771/Walkers_With_The_Dawn

“Walkers with the Dawn” by Langston Hughes

April 13

Solitude

http://www.poetrysoup.com/famous/poem/2431/Solitude

“Solitude” by Anna Akhmatova

April 14

Decisions

http://www.poets.org/viewmedia.php/prmMID/15717 (Audio)

“The Road Not Taken” by Robert Frost

April 15

Music

http://www.poets.org/viewmedia.php/prmMID/15704

“Water Music” by Robert Creeley

April 16

Love

http://www.poets.org/viewmedia.php/prmMID/22226

“Here and Now” by Stephen Dunn

April 17

Love Letters

http://www.poets.org/viewmedia.php/prmMID/15928 (audio)

My Father’s Love Letters” by Yusef Komunyakaa

April 18

Time and Space

http://www.poets.org/viewmedia.php/prmMID/19072 (audio)

“Theories of Time and Space” by Natasha Trethewey

April 19

Regrets

http://www.poets.org/viewmedia.php/prmMID/19553

“Why Regret” by Galway Kinnell

April 20

Portraits

http://www.poets.org/viewmedia.php/prmMID/15203

“The Portrait” by Stanley Kunitz

April 21

Afternoon

http://www.yourdailypoem.com/listpoem.jsp?poem_id=1144

“Afternoon on a Hill” by Edna St. Vincent Millay

April 22

Truth

http://famouspoetsandpoems.com/poets/e__e__cummings/poems/14135

“seeker of truth” by e.e. cummings

April 23

Secrets

http://famouspoetsandpoems.com/poets/denise_levertov/poems/18573

“The Secret” by Denise Levertov

April 24

Journey

http://famouspoetsandpoems.com/poets/mary_oliver/poems/15794

“The Journey” by Mary Oliver

April 25

Prayer

http://famouspoetsandpoems.com/poets/jorie_graham/poems/16573

“Prayer” by Jorie Graham

April 26

Blessings

http://famouspoetsandpoems.com/poets/james_wright/poems/10924

“A Blessing” by James Wright

April 27

Callings

http://www.poetryfoundation.org/poetrymagazine/browse/148/4 - !/20600778

“A Calling” by Maxine Kumin

April 28

Gospels

http://www.poets.org/viewmedia.php/prmMID/16503

“Gospel” by Phillip Levine

April 29

Spring

http://famouspoetsandpoems.com/poets/emily_dickinson/poems/9503.html

“Spring Comes on the World” by Emily Dickinson

April 30

Happiness

http://100.best-poems.net/happiness.html

“Happiness” by Raymond Carver

Prompt #142 – Celebrate Spring

noreply@blogger.com (ADELE KENNY) — Sat, 23 Mar 2013 13:06:00 +0000

Spring presents itself in body, mind, and spirit, and, for most people, it’s a time of hope—a bridge between winter’s darkness and summer’s fullness. In my part of the world, spring began last Wednesday (March 20th) and, although the weather remains cold, the sense of spring “being here” provides a lift to the spirits. In my front garden, the daffodils and hyacinths are up and should bloom in time for Easter.

This week, let’s celebrate spring.

Things to Think About:

How does spring make you feel?
What are some characteristics of springtime?
What specific seasonal changes occur in spring?
What are some springtime impressions derived through your five senses? How does spring look, feel, smell, taste, and sound? (How do the trees look in spring? How does a spring breeze feel on your face? How does the earth smell after a spring rain? What does a spring raindrop taste like? How do the birds sound in spring?)
What do the words lilacs, jasmine, orange blossoms, and peonies bring to mind?
Why is a sense of newness important to you?
What important thing happened to you during spring?
Is there a special person whom you associate with spring?
How would you describe spring in a way that’s unique, not the typical description?
What does spring represent to you?
How is spring a time of anticipation and possibilities?

Examples:

"Late March" by Edward Hirsch

"Lines Written in Early Spring" by William Wordsworth

"Spring" by Gerard Manley Hopkins

"Spring" by Edna St. Vincent Millay

"In Perpetual Spring" by Amy Gerstler

Happy spring, dear readers, may this new season bring you blessings and joy!

Next Saturday, March 30th, I’ll post the inspiration words and example poems

for National Poetry Month and our annual poem-a-day throughout April, so stay tuned!

Prompt #141 – Color Your Poem

noreply@blogger.com (ADELE KENNY) — Sat, 16 Mar 2013 12:10:00 +0000

With St. Patrick’s Day tomorrow, and everyone thinking green, I thought it might be interesting to think about various colors as the inspiration for this week’s prompt.

I didn’t realize, until I did some research for this post, that there’s a “psychology of colors.” Without getting into color psychology too deeply, it’s generally understood that colors can trigger psychological and emotional responses. Colors have prescribed “meanings.” Here are some that I found online:

Red—symbolizes excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence, all things intense and passionate.

Pink—symbolizes love and romance, caring, tenderness, acceptance and calm.

Beige and ivory—symbolize unification. Ivory symbolizes quiet and pleasantness. Beige symbolizes calm and simplicity.

Yellow—signifies joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness, hazard and friendship.

Blue— symbolizes peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.

Turquoise—symbolizes calm. Teal symbolizes sophistication. Aquamarine symbolizes water. Lighter turquoise has a feminine appeal.

Purple—symbolizes royalty, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, arrogance, mourning.

Lavender—symbolizes femininity, grace and elegance.

Orange–symbolizes energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of attention.

Green—symbolizes nature, environment, healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, inexperience, envy, misfortune, vigor.

Brown—symbolizes earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity, and comfort.

Gray—symbolizes security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring. Silver symbolizes calm.

White—symbolizes reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, innocence, youth, winter, snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical.

Black— symbolizes power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, evil, sadness, remorse, anger, anonymity, underground, good technical color, mourning, death (Western cultures).

Source: http://www.incredibleart.org/lessons/middle/color2.htm

This week, choose a color and write a poem in which that color plays a role. In other words, don’t write about the color itself but, rather, use the color to help you develop a theme, mood, or narrative.

Things to Think About:

1. What mood does the color you chose suggest?

2. What emotions or feelings do you want your color to trigger?

3. What things in the natural world (or natural occurrences) do you associate with particular colors (i.e., a peaceful spring day, an autumn afternoon, winter, summer heat, a hurricane, a windy day or night)?

4. What colors do you associate with foods?

5. What colors do you connect to particular times in your life?

6. How do certain colors affect your moods?

7. Color harmony is a dynamic equilibrium—what color or colors do you associate with harmony in your life?

8. Does a particular hair color trigger a memory for you (your own hair color, coloring your hair, another person’s hair color—this one has potential for a humorous slant)?

9. Has the color of a room remained in your memory for any particular reason?

10. What’s your favorite color to wear, paint your walls, choose for your car or the exterior of your home?

Tips:

1. Be creative with this! Remember, don’t just write about a color! Include your chosen color in your poem in a unique way.

2. IMPORTANT: this week focus on adjectives and limited use of them. Adjectives can be your poem’s biggest enemy! Here’s what some great authors have written about adjectives:

“When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them—then the rest will be valuable. They weaken when close together. They give strength when they are wide apart.” (Mark Twain)

“Use no superfluous word, no adjective, which does not reveal something.” (Ezra Pound)

“The adjective has not been built that can pull a weak or inaccurate noun out of a tight place.” (E. B. White)

“Most adjectives are also unnecessary. Like adverbs, they are sprinkled into sentences by writers who don’t stop to think that the concept is already in the noun.” (William Zissner)

Examples:

"Color" by Christina Rossetti

"Blue or Green" by James Galvin

"Green" by D. H. Lawrence

"Green Sees things in Waves" by August Kleinzahler

"Green Shade" by Henri Cole

"Blue" by May Swenson

"Star Wheels in Purple" by H. D.

"Theme in Yellow" by Carl Sandburg

"Red Poppy" by Tess Gallagher

"The Red Wheelbarrow" by Carlos Williams

Prompt #140 – Morning, Noon, Evening, Night

noreply@blogger.com (ADELE KENNY) — Sat, 09 Mar 2013 19:27:00 +0000

Have you ever described yourself as a morning or nighttime person? A lark or a night owl? Some of us are raring to go first thing in the morning, while others “come alive” at night. There are also afternoon and evening people who prefer those times of the day for getting things done. With this prompt, I’d like you to think about various times of day and night and work one into a poem.

Things to Think About:

How are morning, afternoon, evening and night symbols of life’s stages? Can you use find a way to use this metaphor in a new way that isn’t trite or “already done?”

Think about whether you’re a morning, afternoon, evening, or night person? Can you compare yourself to a particular animal or bird that you might use as a metaphor for yourself in a poem?

Think of ways in which you can incorporate morning, afternoon, evening, or night into a poem.

Is there a particular time of day that you especially enjoy?

Has something (good or not-so-good) happened to you at a particular time of the day?

Remember the old adage, “timing is everything?” How can you relate that to a poem in which you incorporate a time of day, afternoon, evening, or night?

If someone does something “morning, noon, and night” that means the person does it most of the time. Is there a poem there for you? Maybe something with a humorous slant?

Examples:

"Another Rehearsal for Morning" by Joseph Massey

"Cold Morning" by Eamon Grennan

"Morning at the Window" by T. S. Eliot

"This Morning" by Charles Simic

"The Afternoon Sun" by C. P. Cavafy

"Early Saturday Afternoon, Early Evening" by Charles Wright (audio)

"An Evening Train" by Timothy Liu

"Autumn Evening" by David Lehman

"Let Evening Come" by Jane Kenyon

"Acquainted with the Night" by Robert Frost

Prompt #139 – Edges

noreply@blogger.com (ADELE KENNY) — Sat, 02 Mar 2013 15:40:00 +0000

Our world is a world of borders and edges. In most spheres of our lives, we’re required to observe prescribed boundaries. We live among separations, always trying to find places where edges meet and connections happen. This week, let’s think about edges and what they suggest to us. Free write for a while, then go back and read what you’ve written. Does anything speak to you?

Ideas for Writing:

Write a poem about edges in your life? Ragged edges? Smooth edges?
Write a poem about a time when you found yourself at the edge of something (marriage, divorce, moving, a new job—any important decision).
Write a poem about a time when you were caught between edges?
Write about an “edge” in which you met or left someone special.
Write about a time when you (metaphorically) went over an edge?
Write a poem about the edge or edges of something (an object, a place, a state of mind—the edge where land and sea meet, the moon’s edges, the edge of a star, the edge of romance, the edge of a forest, the edges of someone’s face, the edge of a dream).
Write about something (or someone) that’s “lost its edge.”
Write a poem based on this quote from E. L. Doctorow: “We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.”

Tips:

Don’t be afraid to let yourself go with this. It’s okay to be “edgy” (to astonish your readers, not with shock value but, rather, with an element of mystery, a unique voice, and/or understatement).
Use imaginative language and distinctive figures of speech (similes, metaphors). Let your poem stand on “the edge of understanding” (leave room for the reader to interpret and imagine).
After you’ve written your poem, refine its rough edges with careful editing (and remember that good editing usually means deleting rather than adding).

Examples:

"The Edges of Time" by Kay Ryan (Audio)

"Edges" by David Cooke

"Edges" by Allen Tate

"On Edges" by Adrienne Rich

"Edge" by Sylvia Plath

Prompt #138 – Heaven

noreply@blogger.com (ADELE KENNY) — Sat, 23 Feb 2013 14:14:00 +0000

Heaven is the generally understood term for a transcendent place inhabited by God, metaphysical beings, and the souls of the departed. Heaven is often considered a higher place, a holy place, a paradise set in juxtaposition to its opposite, which is hell. Religions hold various views on what heaven is and how souls enter it; some consider heaven a spiritual “place,” and some claim that there are several heavens. Many faith systems suggest that heaven is a condition of spiritual aliveness and closeness to God.

Heaven may be the physical heavens that we see in the sky (sun, moon, stars) or a place where those who have led good lives go after death. Heaven may be a metaphorical term used to symbolize any kind of perfection. The concept of heaven is one that defies scientific proof, and whether one believes in any “standard” or “other” definition of heaven or not is a very personal thing.

For this prompt, I’d like you to write about your concept of heaven (either as an afterlife, as a spiritual “place,” as another plane of existence, or as a metaphor). You may take a serious approach or you may choose to be funny.

Things to Think about before Writing:

What does heaven mean to you?

What images does the word conjure up?

Is there a “heaven on earth” for you?

How would you describe heaven?

Who would you like to meet in heaven?

Who’s the most “heavenly” person you know?

Is there a “heaven on earth” that you’ve visited or would like to visit?

What’s the opposite of heaven for you?

Be sure to read the example poems to get an idea of where other poets have gone with the concept of “heaven.”

Examples:

"Heaven for Helen" by Mark Doty

"Descriptions of Heaven and Hell" by Mark Jarman

"To Heaven" by Ben Jonson

"The Heaven of Animals" by James L. Dickey

"Blasting from Heaven" by Philip Levine

"if there are any heavens my mother will" by e.e. cummings

"Ignorant Before the Heavens of Life" by Maria Rainer Rilke

Prompt #137 – Happiness is...

noreply@blogger.com (ADELE KENNY) — Sat, 16 Feb 2013 13:29:00 +0000

Have you ever thought about what happiness is? Hard to define, happiness means different things to each of us, most often based on our experiences. This week’s prompt is a simple one: write a poem about what makes you happy.

Things to Think about Before Writing:

Have you experienced moments of exceptional happiness?
What are some moments of ordinary happiness (joy in every day people and things) that you’ve experienced?
Does happiness have to be a time that “hits the heights,” or does your happiness come in less elaborate trappings (a kind of subjective “well-being”).
Is happiness something actual or can it be a state of mind?
The Dalai Lama has said, “Happiness is not something ready made. It comes from your own actions.” What does that mean to you?
Thomas Merton said, “Happiness is not a matter of intensity but of balance, order, rhythm, and harmony.” How do balance, order, rhythm, and harmony fit your definition of happiness?
Have there been times in your life when happiness evolved from unhappiness?
How are happiness and gratitude related? Happiness and peace?
What does positive thinking have to do with your happiness?
How is happiness a composite of enjoyment, engagement, and meaning?

Tips:

You might try beginning with a list of things that have or do bring you happiness. Develop a list poem or select one “happiness” from your list and write about that.

Even if you’re not in a particularly “up” mood, go to a good place for this week’s poem (a happy memory, a happy time in your life, a special moment of happiness, a person who has made you happy, a pet that brought or brings you joy, a gift that brought you happiness).

As you write, remember that good poems have two subjects: the topic itself and the meaning of the topic. As you develop these in your poem, watch out for “ing” endings, overuse of adjectives and details, and too many prepositional phrases. Let your poem take you where it wants to go (let it surprise you).

NOTE: There’s one important rule this week: you can’t use the word “happiness” in your title or anywhere within your poem!

Examples:

"Happiness" by Jane Kenyon

"The Study of Happiness" by Kenneth Koch (audio)
"Crying" by Galway Kinnell

Prompt #136 – Collage Cabaret

noreply@blogger.com (ADELE KENNY) — Sat, 09 Feb 2013 12:42:00 +0000

PABLO PICASSO

"Still Life with Chair-Caning"

Paris, 1912

Oil and oilcloth on canvas, with rope frame

10 5/8 x 13 3/4 in. (27 x 35 cm.)

Daix 466. Musee Picasso, Paris

Note: Early in 1912, Picasso created “Still Life with Chair Caning” (above), which is considered by many to be the first modern collage. To create the artwork, Picasso attached a piece of oilcloth with a caning pattern to an oval-shaped painting, which he “framed” with rope.

The world collage comes from the French coller, which means “to glue” and is an art production technique in which artwork is made from a variety of materials to create a new whole. Typically, collages contain photographs, newspaper clippings, different kinds of papers, ribbons or string, maps, matchbooks, magazine advertisements, and a range of other materials that are glued to a piece of paper or a canvas. Collage, as an art form, may be traced back several centuries and was first seen in China around the year 200 BC at the time paper was invented. It wasn’t until the early twentieth century that collage reached its height of popularity (concurrent with the Modernist Movement’s beginnings). Today, collage enjoys a renaissance of interest among graphic artists and poets alike.

Here’s the Challenge:

1. Before beginning, Google “collages” and spend some time looking at examples offered on the Internet. You’ll find some great collage examples by poet/artist Nancy Scott at http://nancyscott.net/blog/collages/

2. To begin, think of a general topic/theme (childhood, a particular place, a person, a pet, a time in your life, a historical era, etc).

3. Now either write a poem about the theme you’ve chosen, or select one of your already-written poems that fits your theme or determines another.

4. At this point, I suggest getting a piece of posterboard (any size), cardboard, sturdy paper, a small artist’s canvas, or the backing material of your choice on which you will make your collage. You'll also need scissors and glue. Then, gather several pictures or images that express your theme and specific points in your poem. You can include personal photos, photos that you print from the Internet, or pictures from magazines or newspapers. You’ll also need other interesting materials—think in terms of colors, textures, etc. Your materials may be anything that can be glued to your background.

5. Now begin to “collage” your poem. There are no specific instructions for making a collage—experiment with shapes and forms, surface variety, unique materials, and have fun. Make your collage a composite of related images, give a little nod to the surreal, take some risks. Your collage and your poem will be two parts of a whole and will contain layered images in both visuals and language.

Alternative Suggestions:

1. An alternative is to create a collage background (a paste-up of pictures) over which you paste the words of your poem. To do this, type the poem and print it out, then cut the lines into strips and paste them over your background collage.

2. A second alternative is to write a collage poem (sometimes called “found poetry”) in which you clip words and phrases from a newspaper or magazine and turn them into a poem.

Examples:

http://collagepoetry.com/collagepoetry/Tex-Norman.html http://theoddinkwell.wordpress.com/tag/found-text-poetry/

Have fun with this — enjoy the processes of poem and collage!

Prompt #135 – Breaking Up Is Hard To Do

noreply@blogger.com (ADELE KENNY) — Sat, 02 Feb 2013 13:28:00 +0000

Neil Sedaka had it right when he sang the old song “Breaking Up Is Hard to Do.” (Scroll down to hear it.) Sooner or later, most of us experience a broken relationship: a romantic break-up, a divorce, a lost love, rifts among family members, friendships that fail. In some cases, these have been painful experiences; in others, the results were more positive. This week, let’s write about breaking up with someone. Please note that this won’t be about a loss through death; rather, your poem’s subject matter will be a deliberate break-up (either by your choice or someone else’s).

Things to Think About:

The “exit” you’ll never forget.
The “exit” you’ll never regret.
A break-up that was a good thing for you.
A break-up that devastated you.
A teenage break-up, an adult breakup.
The break-up of a friendship, not a romance.
A break-up with family members.
Why it's sometimes necessary to let someone out of your life.
The coping strategies you've found helpful when you experienced a break-up.

Tips:

There should be a sense of intimacy in the poem as you “tell the story” of a break-up (as you reveal something personal). However, be careful not to “overtell,” and avoid writing a confessional poem.
A good poem needs some details, but too many can ruin the poem. Remove anything extra or unnecessary, and don’t explain everything. You should always leave room for the reader to enter and experience the poem from his or her experiential perspective.
Be very careful not to sentimentalize, become maudlin, overly-emotional, or confessional. Be sure to read the example poems!

Examples:

"When We Two Parted" by Lord Byron

"The Afternoon Sun" by C. P. Cavafy

"After Love" by Sara Teasdale

"Falling and Flying" by Jack Gilbert

"A Book of Music" by Jack Spicer

"The Break Away" by Anne Sexton

"The Nails" by W. S. Merwin

"A Broken Appointment" by Thomas Hardy

Prompt #134 – Apocalypse, When?

noreply@blogger.com (ADELE KENNY) — Sat, 26 Jan 2013 14:05:00 +0000

Apocalyptic beliefs have been around for a long time. Consider England’s Doomsday Book. Commissioned by William the Conqueror for tax purposes, many people of the time thought the end of the world would occur when the book was completed. Isaac Newton (widely considered the world’s greatest physicist) spent a lot of time searching the Bible for clues to the “end date” (which he calculated as 2060). The funniest end of the world story comes from Leeds, England in 1806 when a hen began laying eggs on which the words “Christ is coming” appeared. This convinced many people that the end of the world was near until a sensible local person actually watched the hen lay an egg and it became clear that a silly hoax had been “hatched.”

End of the world prophecies are arguably as old as the world, and for quite a long time before December 21, 2012, there was a lot of buzz about the Mayan calendar and the supposed end of the world. Even the most skeptical among us undoubtedly gave a thought to the possibility, however lightly taken the whole idea was. 12-21-12 may have been the end of the Mayan calendar, the beginning of a new cycle of history, or simply another first day of winter in the northern hemisphere, but that’s all it was.

Yes, you guessed it, this week’s prompt is to write poems about the end of the world. There’s just one rule: poems must be fourteen lines long (or less) and must contain at least one image that will amaze your readers. Work hard to make your poem unique—make your readers a little uneasy or fidgety—find ways to surprise even yourself.

Suggestions:

1. Write a poem about the failure of the world to end on 12-21-12.

2. Write a biblically referenced poem about the end of the world.

3. Write a reflection or meditation about the world’s end.

4. Write a poem about a time when it seemed your world was ending. Remember that simply telling a story doesn’t make a poem. A good example for this is the old 1963 Skeeter Davis song “The End of the World?” Click here to listen.

5. Write a response to the final stanza of T. S. Eliot’s “The Hollow Men” (perhaps his most often-quoted lines).

“This is the way the world ends

This is the way the world ends

Not with a bang but a whimper.”

6. Write a weather report for the last day of the world (volcanic explosions, tsunamis, tornados, hurricanes, earthquakes, or rogue meteors in the forecast).

7. Write a humorous poem about the end of the world.

8. Write a post-apocalyptic poem.

9. If you don’t fancy writing about the end of the world, try writing a poem about another kind of ending. Click the link below for some poems about endings by Laura Kasischke, Maxine Kumin, Gregory Orr, Dana Levin, Tom Hennen, and Bob Hicok (from the NY Times).

http://www.nytimes.com/interactive/2012/12/16/opinion/sunday/20121216-poems.html

Tip: As you’re writing, it’s helpful to read your lines aloud. Hearing how the words and phrases sound can help with editing and can also “generate” what you want to write next. Let the sound of your poem “speak” to you as you write.

Examples:

"A Song on the End of the World" by Czeslaw Milosz

"The End of the World" by Archibald MacLeish

"Fire and Ice" by Robert Frost

"The End of the World" by Dana Gioia

"Perhaps the World Ends Here" by Joy Harjo

Prompt #133 – Ideals, Windmills, Impossible Dreams

noreply@blogger.com (ADELE KENNY) — Sat, 19 Jan 2013 13:22:00 +0000

I recently found an old edition of Don Quixote on one of my book shelves and spent some time thinking about the title character as an icon for idealism and the ways in which we pursue our personal notions of the ideal. Quixotism is typically defined as a visionary action in which the quixotic person seeks truth, justice, or beauty with an internal vision so clear that it “sees” through the illusions of exterior experiences. It is also defined as “impractical pursuit of ideals.” Impulsive people, spontaneous people, idealists, dreamers, and romantics are considered quixotic. If you’re not familiar with the book by Cervantes, you can read a brief summary at the following website:

http://www.bookdrum.com/books/don-quixote/9780140449099/summary.html.

There are, of course, complexities in Cervantes’s novel, as well as multiple interpretations, that we needn’t address here, but I thought that this week we might look at times in our lives when we’ve been led by visionary ideals, impulses, spontaneity, or romantic notions. I’m reminded here of a time many years ago when I was driving to work and saw and elderly lady trip and fall on the sidewalk. I pulled over to the side of the road and ran back to help her. With a lot more strength that I could have imagined, she threw a punch that connected with my arm and then shouted that if I didn’t leave she’d scream for help. I didn’t want to leave her sitting there on the sidewalk (and those were the days before cell phones), so I hesitated, and she started to scream. In fact, she got up and began to chase me down the street. I suspected that she must be embarrassed by the fall, but she was definitely not as red-faced as I was. So much for being “heroic.” I like to think I did the right thing, even though it made me late for work and cost me a bruise on the arm.

Things To Think About:

1. Has there ever been a time when you tried to act as a “knight in shinning armor” but were rejected? What “ideal” inspired you? How did the rejection make you feel?

2. Has there been a time when you were “foolishly impractical?” Where did it lead you?

3. Don Quixote “tilted at windmills,” seeing them as giants who threatened people. The expression “tilting at windmills” has become an English language idiom that means attacking imaginary or unbeatable enemies (“tilting” refers to jousting or, more generally, to engaging in combat). Is there a metaphorical windmill at which you’ve tilted? Has there ever been a concern or issue in your life that you later learned was inconsequential despite your fear of it?

4. In 1644, John Cleveland published in his London diurnall, “The Quixotes of this age fight the windmills of their owne [sic] heads.” Can you relate that to something personal or perhaps something in current society or politics? Have you ever fought a symbolic windmill “in your own head?”

5. “Tilting at windmills” has also come to mean trying to fight battles that can’t be won. Has there been such a “battle” in your life? Keep in mind that the larger question is not failure but, more importantly, how your actions affirmed a higher quality of character.

6. When it first appeared in print, Don Quixote was considered a comic novel; by the nineteenth century, it was considered a social commentary; and it later came to be called a tragedy. In keeping with the lighter (comic) interpretations, can you write a narrative poem in which you tell the story of a funny time you were idealistic, romantic, or heroic?

7. Is there something appealing about an idealistic Don Quixote-kind of figure to you? What specifically? Why? How are you like Don Quixote?

8. Do you remember a song titled “The Impossible Dream” from the play and movie The Man of La Mancha (based on the Cervantes novel)? To hear it, click on the arrow below. Now ... do you have (or have you ever had) an “impossible dream?”

Tips:

1. Be sure to write in an authentic voice—the way you “say” things is critical to a poem’s success. Your attitude toward the content is definitely part of the content, and your language should be imaginative, unique, and distinctive. Don’t simply tell a story—that would be prose.

2. Be wary of including so many details that your poem becomes cluttered. You want to hold your readers’ attention, not lose them in superfluous particulars.

Examples:

"Impossible Dream" by Tony Hoagland (audio)

"Duality" by Tina Chang

"The Visionary" by Emily Bronte

"Prologue of the Earthly Paradise" by William Morris

"A Windmill Makes a Statement" by Cate Marvin

Prompt #132 – Mysterious Moments

noreply@blogger.com (ADELE KENNY) — Sat, 12 Jan 2013 13:47:00 +0000

I’ve always loved mystery novels—the thrill of suspense and the challenge of trying to figure out “whodunit” have never failed to capture my imagination. I’ve also had a long-time interest in the unexplained (Bigfoot, the Loch Ness Monster, the Shroud of Turin, Crop Circles) and unsolved historical mysteries/crimes such as the truth behind the deaths of England’s Little Princes and the identity of Victorian England’s notorious Jack the Ripper. There’s a sense of intellectual challenge, as well as a sense of fun that goes with the intrigue of mystery-solving. There’s also a bit of fear and spine tingling in some mysteries—something compelling about a dark road, a cemetery at midnight, and an abandoned house. In addition, catching a glimpse of a world beyond that in which we live is an intriguing possibility.

The “Gothic” genre in British literature, which began during the mid-eighteenth century with Horace Walpole’s novel The Castle of Otranto, combined elements of mystery, horror, and romance (Gothic author Ann Radcliffe added detail to the genre and became the most popular and best-paid novelist of her time). The Romantic Movement of the late eighteenth and early nineteenth centuries prompted exploration of mysterious themes in literature as writers of the time explored the hidden worlds within and beyond human emotions. Supernatural elements were prevalent in Keats’s poems (e.g., “La Belle Dame Sans Merci” and “The Eve of St. Agnes”), in Lord Byron’s works (e.g., “The Giaour,” a vampire poem), and an interest in the supernatural appears repeatedly in Shelley’s poems (e.g., “Hymn to Intellectual Beauty” and “Mont Blanc”). In William Blake’s Songs of Innocence, angels visit a poor chimney sweep. The mystery genre in American literature is generally agreed to have come into its own through Edgar Allan Poe during the 1840s. His poem “The Raven” is one of the best-known poems in the “mysterious literature” canon.

You can see where I'm going with this, right? This week, let's write about something mysterious.

Things to Think About Before Writing:

Has something mysterious happened to you? Something that has never been explained?

Have you ever had a paranormal experience? Have you seen or heard something ghostly or of another world such as a UFO?

Is there an unsolved mystery that interests you?

Is there something mysterious in the natural world that fascinates you?

Is there a mysterious place to which you’ve traveled or would like to travel?

Have you ever visited a “haunted” place (the Tower of London, Scotland’s Edinburgh Castle, Ireland’s Leap Castle, London’s Highgate Cemetery, India’s Bhangarh Fort).

Is there anything “mysterious” about your emotions, an emotional reaction you’ve had, an emotional attachment that makes little sense?

Remember the old story starter “It was a dark, rainy night, and I was alone?” How about writing a poem that’s entirely creative and not based on an actual experience: you’re driving alone on a dark road; perhaps it’s raining; there may be thunder and lightning. Where are you going? What happens?(Create a “mysterious” scenario.)

Tips:

Don’t confuse “mystery” and “obscurity.” A mysterious poem is far more likely to succeed than an obscure one.

Be sure to invite the reader into your poem with a great first line.

Create a sense and tone of mystery through language.

Your poem should make the reader “see” the “world” in a new and exciting way. At the same time, you should find some insight that you weren't aware of before.

Try to create at least one image that will leave the reader astonished, startled, and maybe even a bit breathless.

Examples:

"Mysteries Remain" by Hilda Doolittle (HD)

"Seven Mysteries" by Michael Jackson

"The Ghost" by Charles Baudelaire

"He Posits Certain Mysteries" by Thomas P. Lynch

"How Can It Be I Am No Longer I" by Lucie Brock-Broido

"Haunted" by Naomi Shihab Nye

"Letter from a Haunted Room" by Lisa Sewell

"The Haunted Palace" by Edgar Allan Poe

"Haunted Houses" by Henry Wadsworth Longfellow

"The Haunting" by Alan Shapiro

Prompt #131 – Old and New

noreply@blogger.com (ADELE KENNY) — Sat, 05 Jan 2013 14:56:00 +0000

Happy New Year, everyone!
May 2013 bring you good health, abundant blessings,
and all the things that you love most.

With the start of this new year, I’ve been reflecting on how often in life we look to the past to power the present and how often things that once seemed old become new again (either in reality or metaphorically). For many years, I wrote articles for antiques magazines and I never failed to marvel at the way trendy antiques became “tired” while “new” [different] antiques became fashionable among collectors. I believe that’s true of life in general.

This week, let’s think about the old and the new and the ways in which they become interchangeable.

Things to Think About Before Writing;

1. Is there anything is your life that became “old” and then “new again.”

2. Has there been a relationship in your life that faded or ended and then revived?

3. Have you had an interest that you lost and then found again?

4. In “Little Gidding,” T. S. Eliot wrote,

We shall not cease from exploration

And the end of all our exploring

Will be to arrive where we started

And know the place for the first time.

Can you relate this quote to anything (time, place, interest, person) in your own life? How have things changed in your life and brought you back to places you knew before (how has something old become new again)?

5. Aldous Huxley wrote, “The charm of history and its enigmatic lesson consist in the fact that, from age to age, nothing changes and yet everything is completely different.” What is there in your personal history that affirms this quotation?

6. Is there an old dream that you gave up on and later revived (something you wished for, a person you hoped would be part of your life, a goal, etc.)?

7. It has been the job of Britain’s Poet Laureate to write a New Year's poem for many centuries. Laureate Nahum Tate wrote eight New Year odes between 1693 and 1708, and the phrase “ring out the old, ring in the new” comes from British Laureate’s Alfred Tennyson's well-known poem “In Memoriam.”

Ring out the old, ring in the new,

Ring, happy bells, across the snow:

The year is going, let him go;

Ring out the false, ring in the true.

Do these words resonate for you? When you think of “old” and “new,” what is “false” and what is "true,” what experiences or incidents come to mind?

8. There’s a great old song written by Peter Allen called “Everything Old is New Again.” The last stanza of the lyrics is:

And don't throw the past away

You might need it some other rainy day

Dreams can come true again

When everything old is new again

When everything old is new again.

Can you relate these lines to something in your life? What past dream haven't you thrown away? What past dream has come true for you?

(Here's a recording of "Everything Old is New Again" for your enjoyment and inspiration!)

Suggestions:

For this poem, you’ll need to dig deeply into your experiences and to think about changes from old to new and from new to old.

Avoid everything superfluous: words, syllables, conjunctions, articles.

Avoid the passive voice. Eliminate "ing" endings to create a greater sense of immediacy in your poem.

Be wary of the “purely competent” poem. Take a few risks.

Develop layers of meaning.

Your poem should astonish the reader in some way.

Let there be an element of mystery in your writing. Work with caesuras to allow silences a place in your poem.

Don’t explain—trust your images to “tell” your story, and leave some gaps for the reader to fill in.

Examples:

"At the Entering of the New Year" by Thomas Hardy

"New Year's Morning" by Carl Adamshick

"What's New" by Emilio Villa

"A New Day" by Philip Levine (Audio)

Chaucey's Second Christmas 2012

noreply@blogger.com (ADELE KENNY) — Fri, 28 Dec 2012 16:05:00 +0000

A little video of Chaucey this Christmas! (He's pure poetry to me!)

Prompt #130 – Winter Holiday Poems

noreply@blogger.com (ADELE KENNY) — Sat, 15 Dec 2012 15:25:00 +0000

Did you know that Nobel Laureate, Russian poet Joseph Brodsky was so taken with Christmas that he wrote a Christmas poem every year (now collected in his book Nativity Poems)? Holiday poems and stories have an enduring appeal, and most of you are familiar with Charles Dickens’s story about Scrooge, Tiny Tim, and the ghosts of Christmas Past, Christmas Present, and Christmas Yet to Come. For this week’s poem, we’re going to do some variations on the past, present, and future theme, and you’ll need to think about your past, present, and future Christmases, Chanukahs, Kwanzaas, or other annual winter-season celebrations.

Suggestions:

1. Write about a holiday about your past (dig deeply into family memories).

2. Write a poem in which you compare winter holidays of the past, present, and/or future.

3. Write about seasonal ghosts that haunt you.

4. Write about people from your past who are no longer with you and how that impacts your present holiday season; or, write about one special person with whom you always associate the winter holidays.

5. Write about aspects of winter holiday traditions that remain part of your annual celebrations.

6. Write about the faith and/or cultural aspects of your winter holidays.

7. Write about one unforgettable winter holiday.

8. Write about holiday food treats and how they sweeten your memories.

9. Write about a holiday song that replays in your mind because of its associations (or, write your own words to a Christmas carol or other winter holiday song).

10. Write a poem based on an old Christmas, Chanukah, or other winter holiday photograph

11. Write about a historical holiday-time event.

12. Write about a winter holiday yet to come. You might consider a fantasy poem with a futuristic sensibility.

Keep in mind that holiday literature can be tricky—be sure to sidestep the pitfalls of sentimentality, schmaltziness, nostalgia, and clichés.

Examples:

"Meditations on the Fall and Winter Holidays" by Charles Reznikoff

"Christmas Trees" by Robert Frost

"Noel: Christmas Eve 1913" by Robert Bridges

"The Czar's Last Christmas Letter: A Barn in the Urals" by Norman Dubie

"The Feast of Lights" by Emma Lazarus

"Are We Done Yet?" by Gail Fishman Gerwin

Note: "Are We Done Yet?" is from Gail Gerwin’s new book, Dear Kinfolk, (155 pages, ChayaCairn Press, 2012, $18.00). Click book image to order; shipping is free.

The next prompt will be posted on Saturday, January 5, 2013.

In the meantime,

I wish each of you the special gifts of this season

—happiness, hope, and peace—

and a New Year filled with good health

and all the things that bring you joy.

In poetry and sharing,
Adele

Prompt #129 – Something A Little Different

noreply@blogger.com (ADELE KENNY) — Sat, 08 Dec 2012 12:39:00 +0000

I was recently honored by poet Diane Lockward when she included “Snake Lady” from What Matters as the prompt model for her December newsletter. I found it immensely interesting to read another poet’s analysis of my poem and then to see how she used the poem to develop a prompt for her readers. I’m happy to share it with you and thought that, in lieu of our usual format, you might enjoy working with Diane’s prompt this week.

__________________________________________________

From Diane Lockward’s Poetry Newsletter,

Reprinted by permission of Diane Lockward.

This month's poem comes from Adele Kenny who previously contributed a Craft Tip on imagery. The poem is from Adele's new book, What Matters.

Snake Lady

She was the main event when

the carnival came to town.

Fourteen and oh, so young,

we stood inside her tent with

boys who spoke among themselves

of things that made them men.

Had we been older, we might

have understood – their helpless

fascination as the snake slid

between her breasts and made its

thick descent along her thighs.

Those boys never blinked until

her fingers stroked the coils

straight, tightened on the head,

and coaxed it to a sudden milky

venom. With an innocence we

didn’t think we had, we blushed

and turned from the sure and

easy way she made them burn.

Adele's poem initially appears simple enough. The speaker describes a memory of something she observed when she was 14. However, the poet has built in several layers of complication. The speaker does not merely observe the scene; she observes someone else observing it. Then instead of using first person singular, the poet uses first person plural; a group of girls observes a group of boys observing an action. The poet also recounts the incident from the distance of Time. The speaker is no longer on the threshold of adolescence but is an adult looking back on the scene. As such, she can have perceptions that the 14-year-old girl could not have had. Finally, the entire poem rests on a metaphor, a very sexy one, indeed!

Let's see if we can do something similar. Let's begin with a simple draft and then add layers of complication.

First, choose a potentially sensuous and sensual scene to describe, perhaps someone eating a peach or a tomato, someone shampooing or bathing, someone turning on a water faucet or drinking from a fountain, someone planting bulbs or dancing or making a salad.

For your first draft, describe the scene, first person singular, present tense. The speaker can be you or someone you pretend to be. The action can be real or imagined.

Now let's add some layers to that basic draft. Complete each step before moving on to the next one.

1. Bring in a third character, someone to stand between the speaker and the person doing the action. Rewrite the draft so that your speaker not only describes the action but also observes and describes the new character observing the scene. Stick with first person singular and present tense.

2. Revise using past tense. The scene now becomes a memory.

3. Revise again, this time using first person plural. Who else could be with your speaker? Who else could be with the other observer?

Think about how each revision changes the poem. (For example, the shift in time, from present to past tense, might alter the tone of the poem.) Choose the version you like best and continue to work on that one. But keep all the steps in your arsenal.

One final consideration: Notice how Adele indents every other line. That nicely parallels the back and forth between past and present and between the speaker and the other characters. Aim for a form that enhances meaning.

___________________________________________________________

“Snake Lady” and the prompt will appear in Diane’s forthcoming book, The Crafty Poet, scheduled for summer 2013 release.

If you don’t subscribe to Diane’s newsletter, I recommend it!

Click here to subscribe.

Prompt #128 – Waiting

noreply@blogger.com (ADELE KENNY) — Sat, 01 Dec 2012 13:43:00 +0000

The pre-Christmas season of Advent begins on Sunday (December 2^nd)—a season defined as a season of waiting.

Waiting … we’ve all been in the position of waiting for something: love, a child, a job, good news or bad, an elevator, a plane, a piece of mail. Have you ever stood in a waiting line or sat for what seemed an inordinately long time in a waiting room? Have you ever been stuck in traffic? Have you sat in a restaurant or other public place and waited from someone? Have you waited to make a discovery of some kind? Have you ever thought about how much of each day is spent waiting for something or someone? Do you remember any childhood “waits?” Like many children, did you wait impatiently to be grown up? Are you waiting for something now? What kind of metaphorical “advent seasons” have you experienced?

This week, let’s write about waiting. You might begin with a list of times you’ve waited, or you might focus on a time you remember waiting for something or someone. The tone of your poem may be serious or funny. You may write from the perspective of your child self or your adult self. There are many possibilities—just be wary of slipping into the predictable (stay away from clichés and over-stated emotions). You might want to write about waiting, anticipation, and hope (are there connections you can make?).

Remember that the content of your poem should have more than one layer: Think in terms of the experience itself and its deeper meanings. Be economical with extra words, extra syllables, prepositions, and articles; but be generous with caesuras to allow for the unspoken silences that can power a poem.

Examples:

"In the Waiting Room" by Elizabeth Bishop

"To My Mother Waiting" by Teresa Carson

"To Waiting" by W. S. Merwin

"Waiting" by Raymond Carver

"How to Make A Game of Waiting" by Jennifer K. Sweeney

"I Am Waiting" by Lawrence Ferlinghetti

To all my blog readers who observe it,
I wish you an Advent filled with blessings and peace,
and here's Sugarland's version of a traditional Advent hymn that I hope you'll enjoy!

"Oh Come, Oh Come Emmanuel"

Prompt #127 – Romancing the Poem

noreply@blogger.com (ADELE KENNY) — Sat, 24 Nov 2012 13:44:00 +0000

Yesterday, on Black Friday (the biggest shopping day of the year), as I sat in my car in Lord & Taylor’s parking lot (waiting for the line of cars ahead of me to move), I turned on the radio and heard Eydie Gorme sing “I’ll Take Romance.” I remember my mom singing that song and, as I sat in the line of cars, I thought about "romance" as a topic for poems. There are, of course, many ways to interpret “romance,” and there are all kinds of love to write about. Let's give it a go this week.

Before you begin writing, consider some possibilities:

First Romance/First Love

Illusory Love

Unrequited Love

Passion

Obsessive Love

True Love

Long Distance Love

Love of Your Life

False Love

Betrayed Love

Lost Love

Impossible Love

There are also “romances” that involve a mysterious or fascinating appeal (i.e., an adventure or something uniquely beautiful). Have you ever had a romance with: a particular time in history, the sea, the stars, or nature? These are a different kind of romance and needn’t involve romantic love at all.

Another kind of romance poem is the metrical romance that was popular during the High Renaissance. A literary preference among the aristocracy and upper classes, metrical romances typically related tales of knights and their various adventures and trials. Courtly love was a typical metrical romance theme, but romantic love was not prerequisite for a metrical romance. Not exactly what I have in mind for this week's poem, but if the form interests you, why not?

Getting Started:

You might begin by making a list of “romances” that you’ve had.
Reflect on your list and select one of the romances to write about.
You might want to do a free write to get started.
Don’t let your poem become a typical “love poem.”
Work to create levels of meaning, and be sure to avoid sentimentality and “mush.”
Even if your poem is a narrative poem, it should do more than simply tell a story.
The story is the material of the poem, and you need to do something special with that material (often, as you work with a poem, you discover what its “story” is about (not simply what the story is, but what the story means).

Examples:

"Romance" by Charles Reznikoff

"A Girl" by Ezra Pound

"The Ragged Wood" by William Butler Yeats

"Brown Penny" by William Butler Yeats

"Romance Sonambulo" by Federico Garcia Lorca

"The Past" by Michael Ryan

"I Can Neither Afford the Rain" by Holly Iglesias

And this gem filled with mystery and nuance

by Italian translator and poet Alessandro Pancirolli

You Get Closer, We Should Not ...

I thought to be out of this maze. I thought to

Be out of this

That I am now writing.

You look at me. You smile. "You get closer ,

we should not..."

We know what to expect , a fine rain , we in hurrying, The Rule.*

It's raining hardly, the wind has ceased,

The storm is far away...

You cry, you smile at me, you cry.

We walk embraced under the tall plane trees.

On the riverside.

______________________

Ho pensato di essere fuori da questo labirinto. ho pensato

di essere fuori da questo

che sto ora scrivo

Mi guardi. Sorridi." Ti avvicini,

non dovremmo..."

Sappiamo cosa aspettarci , una pioggia sottile, abbiamo fretta, La Regola*

Piove appena, il vento è cessato,

la tempesta è lontana ...

Tu piangi, mi sorridi, piangi.

camminiamo abbracciati sotto i platani alti.

Sul lungofiume.

Prompt #126 – What Are You Thankful For?

noreply@blogger.com (ADELE KENNY) — Sat, 17 Nov 2012 12:59:00 +0000

Here in the U.S., Thanksgiving will be celebrated this week on Thursday, November 22nd. Our Thanksgiving has a long history beginning in 1621 when the Plymouth colonists and Wampanoag Indians shared an autumn harvest feast that is considered the first Thanksgiving celebration. For over 200 years, days of thanksgiving were celebrated by individual colonies and states. In 1827, magazine editor Sarah Josepha Hale began a campaign to establish Thanksgiving as a national holiday. Finally, in 1863, President Abraham Lincoln set the last Thursday in November as the official day for a national Thanksgiving observance. In 1939, President Franklin D. Roosevelt moved the holiday up a week, and in 1941 Roosevelt signed a bill that designated the fourth Thursday in November as Thanksgiving Day.

Gratitude is a developmental emotion, and books have been written on its psychology. Cicero said, “Gratitude is not only the greatest of virtues, but the parent of all the others.” There are times in our lives when we feel more Grinch than grateful, especially when the stresses of every day living gather momentum and all but overwhelm us. However, acknowledging and expressing our gratitude can have a beneficial effect on our lives, relationships, and work.

What are you grateful for? This week let’s write about a specific thing for which we’re grateful.

A French proverb tells us, “Gratitude is the heart’s memory.” Our first step in writing this week will be to remember—to look into our memories and to identify a single thing for which we’re especially grateful.

When you're ready to write:

Make a list of things for which you’re thankful.
Choose one item from the list.
Free write about the item you chose.
Look at your free write and select images and details for your poem.
Draft your poem.
Your poem may be stichic (one stanza with no line breaks), it may be a formal poem (ode, sonnet, villanelle, or a kyrielle as we worked with in Prompt #32, November 20, 2010); you may choose to write a prose poem or your poem may take the form of prayer or a letter.
As you write, think about the reasons for your gratitude and show (without telling) what those feelings mean.
Dig deeply to reach beyond the specifics of your personal experience to the underlying universal subject with which your readers will identify.

Note: You might address or dedicate your poem to a person for whom you're thankful, or you might go to the flip side and write about a challenging time (or a time of adversity) that somehow led you to feelings of gratefulness (my mom used to say that good always comes from bad).

Examples:

"Thanks" by W. S. Merwin

"Te Deum" by Charles Reznikoff

"Thanksgiving Letter from Harry" by Carl Dennis

"The Thanksgivings" by Harriet Maxwell Converse

Click here for a related article and a list of additional poems at Poets.org.

Happy Thanksgiving!

My sincerest thanks to all of you for following this blog

and for being part of its shared poetry experience!

Prompt #125 – Connections

noreply@blogger.com (ADELE KENNY) — Sat, 10 Nov 2012 12:51:00 +0000

Beginning the night of Hurricane Sandy on October 29^th, and through the days until yesterday, I was without electricity, and even when that was restored (with the exception of a few hours last Tuesday), I didn’t have phone, TV, or Internet service until yesterday afternoon. I spent a lot of time thinking about people who were worse off—during this particular storm and through history—and I confess to a bit of personal whinging.

In all, I was among the grateful lucky who only suffered the inconveniences of a power outage, a single lost tree, and downed branches. What I found most challenging was not being in touch with the outside world (other than a few close friends and neighbors): no telephone chats (not knowing if family and friends were safe), no Internet connection (no email, no blogging, no Facebook, editing jobs waiting in queue to be completed and sent), no snail mail deliveries (not even election campaign materials), and no television (news, favorite programs, etc). It was a strange feeling that put me “in touch” with not being in touch, disconnecting, losing contact, and what being “isolated” means. Although people worldwide experience much worse every day, the past twelve days reminded me how important our “connections” are.

This week, let’s write about lost, broken, missing, reestablished, and lasting connections. Our poems most often come to us through personal experiences, usually the most strongly emotional. In this week's poem, work toward creating a "charged" emotional center with the caveat to avoid being sentimental, overemotional, or "clichéd." Remember that sentimentality and poetic sentiment are not the same thing. Sentimentality is a literary pitfall dominated by a head-on appeal to the emotions (whiney, self-pitying, excessively emotional, or saccharinely sweet), and it detracts from a poem’s quality, often making readers resist the emotional response you hope to invoke. The idea is to offer access to feelings rather than to pour them out in a rush of words—don’t simply tell, show through imagery and detail.

Click here to read an interesting article from Psychology Today on human connections.

Suggestions:

Write a poem about a friend with whom you’ve lost contact.
Write a poem about ending a friendship or a romantic relationship.
Write a poem about reconnecting with an old friend or a former lover.
Write a poem about being isolated from others (emotionally, physically).
Write a poem about missing someone—a major "disconnect" in your life.
Write a poem about a lasting connection in your life.
Write a poem about the “connectedness” of humankind.
Write a poem about what it means to never speak to someone again.
Write a poem about feeling isolated (for whatever reason).
Write a poem about something missing or isolated within yourself.

Examples:

"Part" by Phillis Levin
"Talking about New Orleans" by Jayne Cortez

"After the Grand Perhaps" by Lucie Brock-Broido

"Poem of Disconnected Parts" by Robert Pinsky

P.S. It’s great to be back blogging and to being connected to you!

Hurricane Sandy

noreply@blogger.com (ADELE KENNY) — Tue, 06 Nov 2012 19:48:00 +0000

I hope that all of you in Hurricane Sandy’s path, your families, and your homes came through safely! Sandy hit my corner of the country with winds that gusted to over 85 miles per hours throughout the night of October 29th. The town in which I live took a direct hit, and I was without electricity, landline, etc. from Monday night (Oct. 29th) until Saturday night (Nov. 3rd). Then, even though the electricity was restored, I didn't have TV, Internet, or phone until about an hour ago.

There are still many trees and some power lines down all over town. One of my beautiful huge pines out back went down and took out the neighbor's fence and my arbor, but there was no major damage to property. As I look at news photos and at my neighbors’ properties, I feel very blessed.

I have a generator, and that was a big help with the refrigerator and sump pump (though we didn't need the latter). We used a propane heater in the living room during the nights and on Wednesday an electrician neighbor came over and hooked up the generator to the furnace so there was central heat. Gas, however, was hard to find, and we had to wait in lines for up to four hours to fill the red plastic gas containers for the generator. We alternated between the generator and the propane heater as much as possible.

Chaucey, bless his little furry-ness, got through it all without even noticing that anything was amiss!

This has been like living in another century, but the sun is shining today, and now with all the utilities back, things are much more normal. Again, I hope you're all safe!

I've missed sharing poetry with you here on the blog, and I'll catch up with your comments soon. Please "stay tuned" — I'll post a new prompt this coming Saturday. Thank you again for your caring and for your concern!

(Photo: My pine tree and the empty space where the arbor was.)