Traditional Arts of Indonesia

Golok

2010-02-24T07:27:00.000-08:00

Machete is a large, heavy knife used as a gardening tool as well as the plural of weapons found in Southeast Asia. Until now, we can also see the machetes used as a weapon in the martial arts.

Size, weight, and shape varies depending on the blacksmith, who made him. Machete has a similar shape with a machete machete but tend to be shorter and heavier, and often used for cutting shrubs and trees. Machete is usually made of carbon steel is softer than other large knives in the world. This makes it easy to be sharpened but it requires more frequent sharpening.

Celurit

2010-01-30T09:15:00.000-08:00

Carok and celurit like two sides of a coin. Each other can not be separated. This appears in the Madurese people since the Dutch colonial era 18th century AD Carok a knight in the fight for the symbol of self-esteem (honorary).

AT times Cakraningrat, Joko Tole and Panembahan Semolo in Madura, did not know the culture. Existing culture at that time was to kill people in a knight with a sword, or keris. Celurit weapons began to emerge in the days of Mr. Sakera legend. Foreman of sugarcane from this Pasuruan almost never leave celurit each went into the garden to watch the workers. Sakera Celurit for a symbol of resistance commoners. So what to do with carok? Carok in the ancient Kawi language it means a fight. Usually involves two people or two large families. Even antarpenduduk a village in Jakarta, Sampang, and Pamekasan.
Triggers of this form of struggle carok position on the court, infidelity, seizure of land, can also be hereditary grudge for years tahun.Pada the 12th century AD, Madura kingdom era when King led Cakraningrat and 14 centuries under the rule of Joko Tole, the term carok not yet known. Even during the reign of Penembahan Semolo, son of Saud's son Bindara Sunan Kudus in the 17th century AD no carok.Munculnya term culture on the island of Madura carok begins in Dutch colonial times, namely in the 18th century AD After Mr. Sakerah captured and hanged in Pasuruan, East Java, the people began to dare to fight the oppressors. The weapon is celurit. That's when courage comes to perlawanan.Namun, at that time they did not realize, when instigated by the Dutch. They competed with the family group Blater (hero) who became the Dutch accomplice, who was also a fellow of the nation. Because of that Dutch provocation, blater groups often do carok at that time. By the time they carok not use swords or keris is a weapon, as was done anciently Madurese community, but to use as a weapon celurit this andalannya.Senjata celurit deliberately given to the Netherlands with the aim blater damaged the image of Mr. Sakera as the legitimate owner of these weapons. Because he was a rebel from the students and a devout Muslim who runs the Islamic religion.

Sakera Celurit used as a symbol of resistance against colonial rabble Netherlands. As for the Netherlands, celurit symbolized as a weapon of the hero and the Netherlands are apparently penjahat.Upaya successfully penetrated some of the Madurese and the philosophy of life. That if there are problems, infidelity, seizure of land, and so always use the road carok policy. The reason is for self respect. Term, than the whites of the eyes better bone white. This means that rather die than endure berkalang land malu.Tidak wonder if there's infidelity issues and the conquest of the land on Madura as well as the descendants of Javanese and Madurese in Kalimantan are always solved by individuals or carok road en masse. Weapons used always celurit. Similarly, during a criminal action, also uses such celurit.Kondisi finally, the community of Java, Kalimantan, Sumatra, Irian Jaya, Sulawesi, Madura tasted like carok people, rude, self-whiz, loud, like a divorce, did not know his manners, and if you kill someone using celurit. And actually not all demikian.Masyarakat Madurese Madurese community who have subtle attitudes, manners, said gently, not like a divorce, does not like to argue, without using weapons celurit, and so is the community of students.

They are descendants of those ancient Belanda.Setelah aimed against invaders many years the Dutch left the island of Madura, carok culture and use to finish off his opponent celurit still there, whether it is in Jakarta, Sampang, and Pamekasan. They think the culture of his ancestors created, not realizing when the Dutch colonizers engineered.

source : http://posmo.wordpress.com/

Kujang

2010-01-30T08:59:00.000-08:00

Description

In Discourse and Cultural Khasanah Nusantara, Kujang recognized as the traditional weapon of West Java Community (Sunda) and Kujang known as a weapon has a sacred value and have magical powers. Some researchers claim that the term comes from the word Kujang Kudihyang the root word and Hyang Kudi.

Kudi taken from ancient Sundanese language means that the weapon has supernatural power of magic, a talisman, as repellent reinforcements, for example, to block the enemy or avoid danger / disease. These weapons are also saved as an heirloom, which used to protect houses from danger by putting them in a crate or a certain place in the house or by putting them on the bed (Hazeu, 1904: 405-406)

Meanwhile, in line with other Hyang understanding of some mythological god, but for the Sunda Hyang meaning and position in the Deity, it is reflected in the teaching of "Ten Prebakti" which is reflected in the script Trance Karesian punishment mentioned Ng Kanda "in the devotion God Hyang" .

In general, Kujang has a heritage of understanding have a certain strength that comes from the gods (= Hyang), and as a weapon, since ancient till now Kujang occupies a very special position among the people of West Java (Sunda). As a symbol or symbols with niali philosophical values contained in it, Kujang used as a symbol of aesthetics in several organizations and government. In addition, Kujang was also used as the names of various organizations, unity, and of course also be used by the local government of West Java Province.

In the past Kujang not be separated from public life because of its function as a Sundanese agricultural equipment. This statement is contained in the codex Kanda Punishment Trance Karesian Ng (1518 AD) and the oral tradition that developed in several regions including in areas Rancah, Ciamis. Evidence that reinforces the statement that the cleaver as farm equipment we can still see to this point in the Baduy, Banten and in Sukabumi Pancer Pangawinan.

With the development of progress, technological, cultural, social and community economic Sundanese, development Kujang and underwent a shift in form, function and meaning. From an agricultural equipment, cleaver developed into a body that has its own character and tends to be a valuable weapon symbolic and sacred. New form of the cleaver as we know it today was born of centuries estimated 9 to 12 century.

Characteristics of a cleaver has tajaman side and a part, among others: papatuk / Congo (resembling a cleaver edge arrows), eluk / reparation (grooves on the back), cistern (pronounced curve in the abdomen) and eyes (small holes covered with metal gold and silver). In addition to the characteristics of very unique materials tend cleaver thin, the material is dry, porous and contain many metal elements of nature.

In Bogor Pantun as told by Anis Djatisunda (996-2000), cleaver has a variety of functions and forms. Based on the function, cleaver divided between the other four: Kujang Heritage (symbol of dignity and safety protection), Kujang Guns (to fight), Kujang Pangarak (as a ceremony) and Kujang Pamangkas (as a farming tool). While based on the blade shape is called Kujang Jago (rooster-like shape), Kujang Ciung (like birds Ciung), Kujang Egret (bird-like heron / bango), Kujang rhinoceros (rhinoceros-like), Kujang dragon (mythological beasts like dragons) and Kujang Kuhl (like frogs). Besides, there are also typology cleaver-shaped blade with a leather puppet heroine as a symbol of fertility.

According to the parents there that provide a very noble philosophy of Kujang as; "I Jang-ji brand karuhun elderly neruskeun padamelan urang" promise to continue the struggle elderly karuhun urang / progenitor that enforce how properties characteristic of humans and how the nation. What's that? Cara-Man features a 5: Compassion (Love Love), manners (Ethics behave), the railroad Usuk (Ethics Language), Budi Budi Daya bases, Na Yuda Wiwaha Raga ( "Ngaji Agency". How the Nation features a 5: Rupa , Basa, Traditional, script, culture

Actually there are many implicit philosophy of Kujang which is not only a weapon to conquer the enemy in time of war or merely used as another tool. Cleaver can also be used as a weapon in every human person to fight the attitude-behavior outside the "rails" kemanusaiaan. It is truly "magical magic" (philosophy) Kujang. Why every cleaver has a number of holes / eyes different? Generally there are 3, 5 (combination of 2 dn 3), 9. It also contains the value of philosophy that is very high with the term "Madep / Queen King Ngiblat ka 3-2-4-5-Lilima-6". It's all rich in meaning that can open our eyes about who I am? where it came from me? for what I live? and to where I am?

thank you for this opportunity, may be useful.

source : http://budaya-indonesia.org/

Terapang

2010-01-30T08:38:00.000-08:00

long keris keris which is also called a cork or terapang imperial regalia, as the Minangkabau and used as the greatness of kings, including nine countries ... the nine countries throughout history have his form eight long keris --- Sigar male as an example ... Sultan Sultan Iskandar Muda Acheh had presented kris this terapang cork or kepadas King James 1 (England) in the year 1613 .. made in Minangkabau.

source : http://budayaindonesia.pekeng.com/

Badik Tumbuk Lada

2010-01-30T08:01:00.000-08:00

A type of traditional weapons of the Riau Islands. At the base of the glove there bonjolan Pepper Mash round selalunya decorated with a carved inscription. This holster selalunya overlaid with silver pieces carved with intricate patterns.

Pepper mashed blade length of about 27 cm to 29 cm. The width of the blade approximately 3.5 cm to 4 cm. From the middle of the blade to the base is a deep groove.

Besides kris, Pepper Mash in ancient times was also one of the completeness of custom clothes in the Riau Islands, Deli, Peninsula Land Siak and Malays.

Pepper used mashed stabbing, slicing and stabbing in close combat. He should be held with the two types of grip that is with the eyes upwards or downwards eyes.

source : http://pureindonesia.blogspot.com/

Tunggal Panaluan

2010-01-30T07:16:00.000-08:00

Single sticks by all the sub Panaluan Batak tribe believed to have supernatural powers to: ask for rain, keep out the rain (manarang udan), refused reinforcements, Plague, cure diseases, find and catch the thief, etc. to help in the war. There are several versions of the story of the cane stick with Panaluan Single similarities and differences, so that the motif found in a cane rod also varies Panaluan singles. One of the following story:

a couple of singles Baragas Datu Sumurung Pambarbar Na (craftsmen) and his wife Nan Sindak Panaluan, long-married but no children. They ask this to the experts predicted, predicted experts recommend replacing statues in his house with a more beautiful. Datu Baragas then go to look for kehutan a suitable timber made sculptures, but the old days was not found. One time he (Baragas Single) saw in the air floating tree without branches, leaves about human height. Mulajadi Baragas ask that the tree was lowered into the earth and it was granted. The tree fell right place for vacation (perberhentian) called Dragon Tolping Adian. Baragas took and began carving so that the shape of a girl called Jonjong Anian. When finished, he intended to bring home, but can not be lifted.

A few days later the merchant of fabric and jewelry over the last resting place. The merchant saw how beautiful the statue when worn clothing and jewelry complete. He then put on clothes, scarves, kerabu, necklaces, bracelets and gold buttons. When about to return the goods can not be opened even if in any way. Then he came home with a heart that was annoyed. News mightily to the whole country and come to the shaman Nasumurung-brother Datu Pangabang-Ubung Pangubung the shaman who can revive the dead or the refreshing smell. The shaman go where the statue with a drug benefit, then meneteskannya into the eyes of a statue, her eyes blinking, sneezing ditetskan continue kehidung, dropped to his lips so muttered, dripped into his mouth continue to speak, to the ear and hearing, kepersendian, wrist and legs that can move and walk so that the statue was to be a beautiful girl, is named siboru Jonjong Anian Siboru Tibal Tudosan.

Datu Nasumurung build houses for weaving a guarded place tigers, pigs and dogs, house ladder made of knives sharp. Many young men sympathetic to him but could not bertemupun, but managed to attract a young man by the name of her teachers Tatea Moon and agreed to perform marriages. The news spread throughout the country and up to Baragas (sipembuat statue), then went to Datu Pangabang-brother who asked her about it. There was a dispute between sipembuat sculpture (sculptor), Datu of revival and merchants, each of which says that siboru Jonjong Anian is his daughter.

The dispute was mediated by the King of Bahir-Bahir (a penyumpit) which states: Baragas (engraver) deserves to be his father, uncle and merchants became Pangabang Datu-brother to his grandfather. Opinions perkawinanpun was approved and implemented. Some time later, began Siboru contains Jonjong Anian (pregnant). During the month pregnant teacher Tatea to continually meet the future demand does not become staknasi (barrier), even though it felt strange requests, eg: ask liver eagle, jackfruit, banana, dolphin fish, roosters, etc.. It turned out that pregnancy outside of customs for 12 months, after the twins were born (marporhas), men and women, teachers Tatea Month naming party implement (martutu AEK). The man named Aji Donda Hatahutan Situan Parbaring and her sister's Nauasan Siboru But Panaluan.

After his second major study

source: http://www.silaban.net/

Piso Gaja Dompak

2010-01-30T06:57:00.000-08:00

In the year 1875 BOSAR Patuan later dubbed the King Ompu Pulo Batu, Sisingamangaraja ditabalkan to Si XII in Bakara. The Singamangaraja XI (Ompu Sohahuaon), Singamangaraja XII Si's father, in fact has served as King-Priest Batak in a long period of time (50 years), namely from 1825 until 1875, ie after the lord Rau, advocates of Wahhabism was killed The Singamangaraja X (Ompu Master Nabolon) in the year 1825 near Siborong-borong.

According to the Batak customs, the eldest son of a family that preferred to continue the work and functions of his parents, especially in the field of customs and government. That's why the people in Bakara and surrounding areas to be Ompu Parlopuk The Singamangaraja XII.
But because to be a Si Singamangaraja, a person must have a charismatic characters as well. Requirements that must be met by people who will be the successor to the leadership of the kingdom and faith Singamangaraja. Kharimatis leadership must exist at each Si Singamangaraja, which in the past, always believed in absolute terms than the leadership in the kingdom, by the people who are still influenced by the magical atmosphere and mystis, the candidate must be able to revoke Singamaraja Piso densely packed style of holster, to rain and making signs extraordinary (miracle). This requirement was in fact not be met by Ompu Parlopuk but can be met by his brother, namely Patuan BOSAR. Piso Gaja was densely packed around since the Singamangaraja I are about the middle of the sixteenth century AD.

Piso Gaja is the symbol of the kingdom of densely packed Si Singamangaraja. Keris keris was not any. This long keris is one of the most important in the kingdom which began Singamangaraja and headquartered in Bakara, the edge of Lake Toba, only about 8 km from the beautiful island of Samosir is.

source : www.blogcatalog.com

Rencong

2010-01-30T05:25:00.000-08:00

In addition to guns and firearms, when the people of aceh against the Dutch also use traditional weapons. Based on the use of traditional weapons found in the province of Aceh could dikatagorikan into 3 (three). The first weapon that serves to attack, the two weapons to defend themselves and the three self-propelled guns.

Reuncong (Rencong)

Rencong is a traditional weapon (Traditional Weapons) of Aceh, the shape resembles the letter L, and if you look closer its shape is Bismillah calligraphy writing. Rencong included in the category of dagger or knife (not a knife or sword).

Rencong has levels; for the King or Sultan usually made of ivory (sarong) and pure gold (the dagger). Rencong-Rencong while others are usually made of buffalo horn or wood as a holster, and brass or white metal as a dagger. There are four kinds of Rencong which weapon the people of Aceh, namely

First Reuncong Meucugek. Meucugek Rencong called because the handle is recong have a form of archery and the glue that in terms of Aceh called cugek or meucugek. Is required to Cugek easy to handle and not easy to escape when stabbed into the body of your opponent or enemy.

Second, having Reuncong Meupucok shoots above the handle made of metal engraving in general of gold. The receiver of this meupucok Rencong look rather small on the handle or grip on the bottom, but increasingly to the end of the receiver is getting this kind Rencong membesar.Jenis used for decoration or as a means of embellishment. usually, this Rencong used in official ceremonies relating to indigenous issues and the arts. Carvings found on Rencong gangang many forms, some resembling roses, other flowers and leaves, depending on the user's tastes.

Third, Reuncong Pudoi. Pudoi term in Aceh is something that bet is still short, or there is not yet perfect. Rencong receiver is only a short straight and all. so is pudoi or immature form of the handle is on the Rencong.

Fourth, Reucong Meukuree. Meukuree Rencong differences with other types of Rencong is in the eye Rencong. Eyes Rencong certain ornate like pictures of snakes, centipedes, and other flowers, these images are interpreted by a blacksmith with a variety of advantages and privileges. Rencong long stored in the beginning it will form a type or form aritan called kuree. The longer or more old age a more Rencong kuree also contained in the relevant Rencong eyes. This Kuree considered to have magical powers.

source : http://rencongacehku.blogspot.com/

Gallery Healthy

2009-11-20T11:39:00.002-08:00

Culture of Indonesia

Altitude ordinances asset value beauty and health care traditionally has been proven by annita Roddick through The Body Shop. By exploring the wealth of flora, and examine traditional herbs in different parts of the world, non-invasive annita products with the concept of a harmonious and meet the standards of business ethics and humanity.

Traditional herb Indonesia

    Rosella Tea
    The parasite
    Mustache Cat
    Kerokan / Kerikan

See Product :
Panasonic ER421KC Nose and Ear Hair Trimmer, Wet/Dry, Lighted
Gloria Jean's, Hot Chocolate, K-Cups for Keurig Brewers, 24-Count Boxes (Pack of 2)
Coffee People, Donut Shop K-Cups for Keurig Brewers (Pack of 50) [Amazon Frustration-Free Packaging]
Keurig My K-Cup Reusable Coffee Filter

Data Codex and Inscription

2009-11-20T11:39:00.000-08:00

Culture of Indonesia

    * 1 Manuscript Classic from the Province of North Sumatra
    * 2 Manuscript / Classical Inscription of the Province of South Sumatra
    * 3 Scripts / Classical Inscription of the Province of DKI Jakarta
    * 4 Script / Classical Inscription from Central Java Province

Gallery War Weapons and Equipment

2009-11-20T11:38:00.000-08:00

Culture of Indonesia

Weapons and armaments of each region are able to explain to us about the extent to which people absorb the technology, how often people are faced with the threat of sovereignty, and values prevailing in it.

    * 1 Weapons of the Province Nanggroe Aceh Darussalam
    * 2 weapons from the Province of North Sumatra
    * 3 weapons from the Province of West Sumatra
    * 4 Guns of the Riau Province
    * 5 weapon from the Riau Islands Province
    * 6 Weapons of the Jambi Province
    * 7 weapons from the Province of Bengkulu
    * 8 Arms of the Province of South Sumatra
    * 9 Weapons of the Province of Bangka Belitung
    * 10 weapons from Lampung Province

    * 11 weapons from the Province of Banten
    * 12 weapons from the West Java Province
    * 13 Weapons of the East Java Province
    * 14 weapons from the Province DKI Jakarta
    * 15 weapons from the Central Java Province
    * 16 Weapons of the Provincial D. I. Yogyakarta
    * 17 weapons from the Province of Bali
    * 18 weapons from the West Kalimantan Province
    * 19 weapons from the Province of Central Kalimantan
    * 20 weapons from the South Kalimantan Province
    * 21 weapons from the Province of East Kalimantan
    * 22 weapons from the North Sulawesi Province
    * 23 weapons from the Province of Gorontalo
    * 24 weapons from the Province of Central Sulawesi
    * 25 weapons from the West Sulawesi Province
    * 26 weapons from the South Sulawesi Province
    * 27 weapons from the Province of Southeast Sulawesi
    * 28 weapons from the West Nusa Tenggara Province
    * 29 weapons from the East Nusa Tenggara Province
    * 30 weapons from the Province of North Maluku
    * 31 weapons from the Province of Maluku
    * 32 weapons from the West Irian Jaya Province
    * 33 weapons from the Province of Papua

Weapons of the Province of Nanggroe Aceh Darussalam

    Rencong

Weapons from the Province of North Sumatra

    Piso Gaja Dompak
    Tunggal Panaluan

Weapons from the Province of West Sumatra
Weapons of the Riau Province

    Pedang JenaWi

Weapons of the Riau Islands Province
Weapons of the Jambi Province

    Badik Tumbuk Lada

Weapons of the Province of Bengkulu
Weapons from the South Sumatra Province
Weapons from the Province of Bangka Belitung
Weapons from Lampung Province

    Terapang

Weapons from the Province of Banten
Weapons from the West Java Province

    Kujang

Weapons of the East Java Province

    Celurit

Weapons of the Province DKI Jakarta

Golok
Weapons from the Central Java Province
Weapons of the Provincial D. I. Yogyakarta
Weapons from the Province of Bali

Keris
Weapons of the West Kalimantan Province
Weapons from the Province of Central Kalimantan
Weapons from the South Kalimantan Province

    Mandau, parang bungkul, keris, lading

Weapons from the Province of East Kalimantan
Weapons of the North Sulawesi Province
Weapons of the Province of Gorontalo
Weapons from the Province of Central Sulawesi
Weapons from the Province of West Sulawesi
Weapons from the South Sulawesi Province

    Badik

Weapons from the Province of Southeast Sulawesi
Weapons from the West Nusa Tenggara Province
Weapons from the Province of East Nusa Tenggara
Weapons from the Province of North Maluku
Weapons from the Province of Maluku

    Parang Salawaku

Weapons from the Province of West Irian Jaya

    Panah & Busur Irian

Weapons from the Province of Papua
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Data Traditional Games

2009-11-20T11:35:00.000-08:00

Culture of Indonesia

Just as folklore, traditional toys was born as a form of inheritance from the parent value to the young generation. He was also born out of natural conditions and environment.

Traditional Dress Gallery

2009-11-20T11:33:00.000-08:00

Culture of Indonesia

Tree Filo - Traditional Dress Gallery

This category is made to collect and examine the use of cultural artefacts are articulated in certain clothing products that humans evolved in Indonesia. The presence of clothing that can not be separated from the development of society, such as attributes of social status, by itself makes this artifact-rich inspiration and of course, information will Kebudayaan Indonesia.

Contents

    * Clothing from region 1 Nanggroe Aceh Darussalam
    * 2 Clothes from North Sumatra region
    * 3 Clothes from West Sumatra region
    * 4 Clothes from Bengkulu area
    * 5 dress from Lampung region
    * Clothing from the region 6 D. I. Yogyakarta
    * 7 clothing from the region of Central Java
    * 8 Clothes from the region of East Java
    * 9 clothing from the region of Central Kalimantan

    * Clothing from 10 areas of South Kalimantan
    * Clothing from 11 areas of East Kalimantan
    * Clothing from 12 areas of West Kalimantan
    * Clothing from 13 areas of Central Sulawesi
    * Clothing from 14 areas of South Sulawesi
    * Clothing from 15 other regions (undefined)

Product Architecture

2009-11-20T11:30:00.001-08:00

Culture of Indonesia

Tree Filomemetika of architectural variety pavilion at TMII

Going to page Architectural Product Gallery
The human need for shelter can be determined by natural environmental factors and social. The architectural design is one of the cultural products that reflect the community classes, life styles, world views, and the owner of technology adaptation. Building design inspiration based on the traditional houses in various places in Indonesia showed a very high diversity. Variations occur from the house structure is classified as a stage house, building materials, building forms, building decoration and how it colored buildings, spatial exploitation around the building, including the extent to which outside influences affect the overall design.
Filomemetika tree can be built based on data about the different features of this traditional building, as shown in the picture.

Archipelago Architecture Building Data
Here are the data Archipelago Architecture Building in contributions of Friends Culture IACI like you. This data is expected to be added to your participation to participate in a digital photograph that inspired the building of the local tradition in the area of the Indonesian archipelago that you find and know is part of the cultural traditions of the Indonesian archipelago.

To upload the data, do some preparation of the data to be stored and displayed in our server. Make a few steps defined in the Terms of Loading Data, after that, you can upload to this site mengkuti stages as described in the Instructions Add Data and Architecture Building quickly upload Nusantara you feel need to enrich our data base as a nation of Indonesia.

Performing Arts

2009-11-20T11:28:00.001-08:00

Culture of Indonesia
Performing arts, we mean a compact form of human artistic articulation of Indonesia which is presented in the format "gig". This category is necessary because often the specific cultural artifacts that we know in the form of dance, singing, ornaments, etc. are an integral part of a stage. Performance art (performance art) is a work of art that involves the action of individuals or groups in a particular place and time. Performance art usually involves four elements: time, space, body and relationship of the artist artists with the audience.

Although performance art could be said to include activities such as art mainstream theater, dance, music and circus, but usually art activities are generally more familiar with the term 'performance art' (performing arts). Performance art is a term that usually refers to the conceptual art or the avant garde that grew from the art and is beginning to move in the direction of contemporary art.

Ritual

2009-11-20T11:27:00.000-08:00

Culture of Indonesia

As the center of many community meetings traditions, the Indonesian archipelago has a diverse system of local values, articulated in rituals and ceremonies dedicated to serving the social needs and, especially, spiritual, community and / or local custom entity.

List of Food Beverage

2009-11-20T11:26:00.000-08:00

Culture of Indonesia

    * 1 Food / Beverage typical of the Province of Nanggroe Aceh Darussalam
    * 2 Food / Beverage typical of the Province of North Sumatra
    * 3 Food / Beverage typical of the Province of West Sumatra
    * 4 Food / Beverage typical of the Riau Province
    * 5 Food / Beverage typical of the Riau Islands Province
    * 6 Food / Beverage typical of the Jambi Province
    * 7 Food / Beverage typical of the Province of Bengkulu
    * 8 Food / Beverage distinctive from South Sumatera Province
    * 9 Food / Beverage typical of the Province of Bangka Belitung
    * 10 Food / Beverage typical of the province of Lampung
    * 11 Food / Beverage typical of the Province of Banten
    * 12 Food / Beverage typical of the West Java Province
    * 13 Food / Beverage typical of the Province of DKI Jakarta
    * 14 Food / Beverage typical of the Central Java Province

    * 15 Food / Beverage typical of the Provincial D. I. Yogyakarta
    * 16 Food / Beverage typical of the East Java Province
    * 17 Food / Beverage typical of the Province of Bali
    * 18 Food / Beverage typical of the West Kalimantan Province
    * 19 Food / Beverage typical of the Province of Central Kalimantan
    * 20 Food / Beverage typical of the South Kalimantan Province
    * 21 Food / Beverage typical of the Province of East Kalimantan
    * 22 Food / Beverage typical of the North Sulawesi Province
    * 23 Food / Beverage typical of the Province of Gorontalo
    * 24 Food / Beverage typical of the Central Sulawesi Province
    * 25 Food / Beverage typical of the Province of West Sulawesi
    * 26 Food / Beverage typical of the South Sulawesi Province
    * 27 Food / Beverage typical of the Province of Southeast Sulawesi
    * 28 Food / Beverage typical of the West Nusa Tenggara Province
    * 29 Food / Beverage typical of the Province of East Nusa Tenggara
    * 30 Food / Beverage typical of the North Maluku Province
    * 31 Food / Beverage typical of the Province of Maluku
    * 32 Food / Beverage typical of the Province of West Irian Jaya
    * 33 Food / Beverage typical of the Province of Papua
    * 34 Food / Beverage typically found almost everywhere in Indonesia

Food / Beverage typical of the Province of Nanggroe Aceh Darussalam

    Tenggirow Peu-Aweuh

Food / Beverage typical of the North Sumatra Province

    Lomok-Lomok
    Ombus-ombus
    Arsik Ikan Mas
    Sa-sang
    Babi Bakar
    Daun Ubi Tumbuk

Food / Beverage typical of the Province of West Sumatra

    Rendang
    Karupuak Ganefo
    Karupuak Dakak-dakak
    Kue Sala-lauak
    Kue Bika Bakar
    Karupuak Sanjay
    Karupuak Balado
    Dendeng Batokok
    Sate Padang
    Soto Padang
    Karupuak Jangek
    Dodol Gelamai

Food / Beverage typical of the Riau Province

    Lempuk Durian
    Bolu Kemojo
    Bakwan Kuah Sumatra
    Lotek
    Kue Bangkit Sagu
    Ikan Patin Asam Pedas
    Kerupuk Ikan Patin
    Sambal Asam Durian

Food / Beverage typical of the Riau Islands Province

    Kue Batang Buruk
    Bilis Gulung
    Mie Lendir Tanjung Pinang

Food / Beverage typical of the Jambi Province
Food / Beverage typical of the Province of Bengkulu

    Lempok Durian

Food / Beverage distinctive from South Sumatera Province

    Pempek Kapal Selam

    Pempek Adaan

    Pempek Lenjer

    Tekwan

    Burgo

    Lenggang

    Model

    Tempoyak

    Bekasam

    Kemplang

    Lempok/Dodol Duren

    Kue Delapan Jam

    Kue Masuba
    Es Kacang Merah

Food / Beverage typical of the Province of Bangka Belitung

       Gangan/Lempah Kuning

Recipes taken from http://www.rachel-setyaningrum.com/

Materials: 3 white snapper medium 1 / 3 half-ripe pineapple fruit seeds 2 pecan 4 chili paste 1 teaspoon red onion 2 cloves 2 cm 2 cm galangal turmeric 4 cups water salt to taste

Spices blended: 2 seeds pecan cayenne 4 teaspoons shrimp paste 1 garlic 2 red 2 cm turmeric

How to make it: Clean the fish and then divide into 2, take the peeled pineapple 1 / 3 part and small slices. Boil 4 cups of water, then put the fish and herbs that have been mashed, salt, and galangal that have been crushed. After all entries last ripe slices of pineapple. Let stand briefly until the ingredients penetrate and lift.

Note: If colleagues have more fat recipes nyus, please share. Thanks:)

References:

    Lapis Legit - Batu Bakar
    Babi Bakar khas Bangka

    Siput Gung-gung

    Kemplang

    Rusip

Food / Beverage typical of the province of Lampung

    Keripik Pisang

Food / Beverage typical of the Province of Banten

    Sate Bandeng

Food / Beverage typical of the West Java Province

    Bagelen
    Bajigur
    Bandeng Duri Lunak
    Dodol
    Kue Ali Agrem
    Lalapan
    Peuyeum
    Sate Maranggi
    Surabi Bandung
    Bandrek
    Pisang Molen
    Karedok
    Karedok leunca
    Pepesan
    Lotek
    Bandrek

Food / Beverage typical of the Province of DKI Jakarta

    Kerak Telor
    Rujak Juhi
    Bir Pletok
    Kue Rangi
    Lupis
    Kue Satu
    Kembang Ros
    Kembang Goyang
    Geplak
    Kue Lapis/Kue Pepek
    Uli
    Bajigur

    Soto Betawi
    Gado-Gado
    Ketoprak
    Nasi Uduk
    Kue Pala Putih
    Kue Akar Kelapa
    Roti Buaya

Food / Beverage typical of the Central Java Province

    Bandeng Presto
    Wingko Babat
    Gado-gado
    Lotek
    Tahu campur
    Sego Megono
    Tempe Mendoan
    Wedang Ronde
    Nasi Liwet
    Tahu Bakso
    Timlo Solo
    Srabi Solo
    Sate Buntel
    Tengkleng
    Rujak Cingur
    Gudeg Ceker
    Selat Solo
    Rujak Cingur
    Tahu Kupat
    Wedang Dongo
    Wajik
    Tape Ketan
    Intip Goreng
    Lumpia Semarang
    Tahu Gimbal semarang
    Purwaceng
    Buah Carica Dieng

Food / Beverage typical of the province D. I. Yogyakarta

    Bakpia
    Gudeg
    Kipo Kotagede
    Geplak Bantul
    Yangko
    Sego Abang
    Sego Nggeneng
    Kicak
    Wedang Uwuh
    Wedang Ronde
    Wedang Secang
    Lodeh Mbayung
    Tahu Bacem
    Tempe Bacem
    Jangan Besengek
    Gudangan
    Sego Kucing
    Gule Balung
    Sate Klathak
    Sate Karang
    Sate Kere
    Semar Mendem
    Jangan Lombok Ijo
    Jadah Tempe
    Geblek Kulon progo
    Tiwul
    Gathot Gunung Kidul
    Growol Kulon Progo
    Tempe Benguk

Food / Beverage typical of the East Java Province

    Jenang
    Rawon
    Rujak Cingur
    Tahu Tek
    Tahu Telor
    Tahu Campur
    Soto Madura / Soto Sulung
    Soto Ayam Lamongan
    Semanggi Suroboyo
    Lontong Mie
    Lontong Balap
    Sate Ayam Madura
    Sate Ayam Ponorogo
    Sate Kopok / Sate Mbalong Ponorogo
    Nasi Pecel Madiun
    Nasi Krawu Gresik
    Sate Kerang
    Lontong Kupang
    Lontong Kikil
    Brem Madiun
    Getuk Pisang Kediri
    Kerupuk Udang Sidoarjo
    Ledre
    Tahu Tepo Ngawi
    Wedang cemue Ngawi
    Rujak Soto Banyuwangi
    Suwar Suwir jember
    Wajik Kletik Blitar
    Pecel Tulungagung
    Jongkong Tulungagung
    Ote-ote Porong
    Nasi Aron
    Bandeng Asep Sidoarjo
    Kerupuk Opel
    Becek Tuban
    Nasi Menthok Tuban
    Nasi Thithi Tuban
    Legen
    Tuak
    Sinom
    Tahwa Surabaya
    Bubur Sarikoyo Bangkalan
    Lorjuk
    Kaldu Soto madura
    Nasi jejen Pamekasan
    Soto Ayam Pamekasan
    Nasi Serpang Bangkalan
    Nasi Daging Karangbinaci
    Soto Pohong Sumenep
    Rujak Madura
    Bubur Madura
    Keripik Apel Malang
    Cuka Apel Malang
    Bakso Bakar Malang

Food / Beverage typical of the Province of Bali

    Sate Lilit
    Babi Guling (Bumbu Bali)
    Basa Genep
    Pia Legong
    Kacang Rahayu
    Salak Bali
    Arak Bali
    Jajan Uli
    Jajan Begina
    Satuh
    Jaja Gipang
    Jajan Sabun
    Jajan Lukis
    Jajan Giling-giling
    Jajan Bendu
    Jajan Sirat
    Jajan Kukus

Food / Beverage typical of the West Kalimantan Province

    Lempok
    Sotong Pangkung
    Pisang Goreng selai Srikaya
    Bubur Pedas

Food / Beverage typical of the Province of Central Kalimantan
Food / Beverage typical of the South Kalimantan Province

    Ayam Cincane
    Gulai Lemak Telur Itik

Food / Beverage typical of the province of East Kalimantan

    Garang Asam
    Amparan Tatak

Food / Beverage typical of the North Sulawesi Province
Food / Beverage typical of the Province of Gorontalo
Food / Beverage typical of the Central Sulawesi Province

    Gore-Gore
    kaledo

Food / Beverage typical of the Province of West Sulawesi
Food / Beverage typical of the South Sulawesi Province

    Ikan Bakar Bumbu Makasar
    Es Pisang Hijau
    Putu Cangkiri
    Barongko
    Cucuru Bayao/Tello
    Coto Makassar
    Konro
    Sop Saudara
    Pallu Mara
    Pallu Basa
    Pallu Ce'la
    Salonde
    Buroncong
    Kopi Toraja

Food / Beverage typical of the Province of Southeast Sulawesi
Food / Beverage typical of the West Nusa Tenggara Province

    Ayambakartaliwang

Food / Beverage typical of the Province of East Nusa Tenggara
Food / Beverage typical of the North Maluku Province

    Ikan Kuah Air Garam
    Kue Apem Ternate

Food / Beverage typical of the Province of Maluku

    Ikan asar bumbu colo-colo
    ikan bumbu kuning
    papeda

Food / Beverage typical of the Province of West Irian Jaya
Food / Beverage typical of the Province of Papua

    Buah Matoa

Hard-skinned fruit with sweet content as kelengkeng and fragrant like a rose. The tree leaves are thick with sturdy and lateral dahan2 formed canopy
Food / Beverage typically found almost everywhere in Indonesia

    Soto
    Bakso
    Sate
    Gado-gado
    Pecel
    Rujak
    Kue Putu
    Opor
    Sambal goreng
    Ketupat
    Bakpia Telo

Music and Songs

2009-11-20T11:23:00.000-08:00

Culture of Indonesia

Music and songs are an expression of human feelings, both from the makers of songs and music lovers. Verse and melody / rhythm of the music's Gmail service can expose an event, the collective character of the community, through the process of acculturation that melatar back to her.

Filomemetika trees from Indonesia's traditional songs from various regions.

Diversity Lagu Indonesia
Each tribe and the collective identity of those who live in the Indonesian archipelago certainly have a song that was born from the social interaction related to residence and ethnic background that accompanies it. Music is an expression of the soul in order, combination, and the temporal relationship with the tone of unity and continuity. Strains such as whether the tone is preferred by the Toraja? Is the song which, according to people in West Java, close to beautiful songs from Central Java? How different songs Apuse with Ati King?
Sepertihalnya architecture and design motifs, these relationships can also be assessed by using the concept Filomemetika Tree. An application accompanied by music filomemetika preview of each song can be accessed here.

Data Traditional Songs
Here are the songs of data in the contribution of Friends Culture IACI like you. This data is expected to be added to your participation to participate in a digital photograph of traditional songs that you find and know is part of the cultural traditions of the Indonesian archipelago. Please follow the Terms and Instructions Loading the Data Add Data and immediately upload songs or music that you feel need to enrich our data base as a nation of Indonesia. Data in a format you can. Ogg,. Mp3, or. Mid.

Folklore

2009-11-20T11:21:00.000-08:00

Culture of Indonesia

For most people in Asia, the dominance of folklore terdiseminasi orally. Even so, not least intellectual works of Asia, which even measured by today's standards of civilization, considered to have ideas and a high level of complexity. This grandeur is also found in manuscripts of the proto-Indonesian intellectuals. This is why the collection of oral sources and non-verbal culture of Indonesia. Oral tradition or folklore could be shaped oral stories, riddles, folk poetry, prose stories of the people, and folk songs. The most widely used form is the form of stories and fables, such as story Nyai Roro Kidul or Si Kancil.

Why use the oral traditions are important? Oral tradition / folklore reflects an aspect of culture, either directly or indirectly, and the themes underlying the life, such as birth, family life, illness, death, burial and calamity, or natural disasters that are universal, like those found in the story Nyai Roro Kidul, Malin Kundang and Gretel and other stories. The story of oral traditions from various islands in Indonesia, which contain different norms that should be used as examples in habits and daily life, not only in a particular social environment, but also in the public environment in general.

Tool Music

2009-11-20T11:19:00.000-08:00

Culture of Indonesia

Indonesia is an island group that lies beyond, from Sabang to Merauke. A vast region plus the sea and the mountains of factors, which tend to reduce the interaction between these regions, resulting in the birth of the foreign cultural variation can, referred to traditional music. Art tradition, which is identity, identity, expression of community media supporters. Almost all regions have a traditional musical art unique. The uniqueness can be seen from his playing techniques, presentation and form / organological musical instruments. To more easily recognize it, it can be classified into several groups:

Percussion Musical Instruments
    Percussion is the name for all the techniques of musical instruments at the game on, (either by hand or stick). These instruments include: Gamelan, Arumba, Kendang, kolintang, drums, Talempong, tambourine, drum, etc. jimbe.

Cite Gymnastics
    These instruments include: Santol, Sasando, Sampek and others.

Instrument strings
    These instruments include Rebab.

Gymnastics Blow
    Gymnastics Blow include: Flute, Tarompet, Serompet, trumpet, and so forth.

Motif Fabrics

2009-11-20T11:17:00.000-08:00

Culture of Indonesia

Tree motif fabric Filomemetika some of the various regions in Indonesia.

Diversity Motif Fabrics Indonesia

Motif fabric of Indonesia is very diverse, as is illustrated by the heterogeneity of ethnic communities, religions, and different social classes ranging from economy class to the division of social labor (division of labor). In this case, we know that such batik motif is a tradition of the famous clothing motif to various parts of the world. Batik is generally known to come from the textile craft residents in the area of Java island, both located in rural areas or who are in coastal areas. Batik motif itself is very diverse.
The diversity of batik ornamentation alone, for example, is very high. As an archipelago consisting of hundreds of ethnic population, Indonesia has a variety of clothing ornamentation motifs extraordinary quantity. Call it songket, ulos, and other clothing berabagai motive.

The collection of data on the motives of this dress really is a very interesting thing and, if possible, is an extraordinary thing it is important to describe how the concept of aesthetic dress Indonesian people who are very diverse it. Tree Filomemetika of Batik can be seen in the picture above some of the data are worth analyzing with a device that is in us today.
Clothing Motif Data

Here is the data contribution underwear motive of Friends like you IACI Culture. This data is expected to be added to your participation to participate in a digital photograph of your clothing motifs found and know is part of the cultural traditions of the Indonesian archipelago.
To upload the data, do some preparation of the data to be stored and displayed in our server. Make a few steps defined as an effort to prepare the data pattern, after that, you can upload to this site mengkuti stages as described in the Instructions Add data and immediately uploaded motif clothes you feel need to enrich our data base as a nation of Indonesia.

List of Ornamental

2009-11-20T11:01:00.000-08:00

Culture of Indonesia

One of the cultural objects attached to the everyday man is ornament. Ornaments here consists of cultural artefacts that aim to decorate or enhance a particular object. Ornament consisting of:

   1. Decorations, such as carvings, furniture, wall hangings, tablecloths, and so forth.
   2. Jewelry, such as necklaces, bracelets, tattoos, earrings, bags, and so forth.

List By Province Indonesia ornaments are as follows:

        Ornaments from Aceh Province
        Ornaments of North Sumatera Province
        Ornament from West Sumatra
        Ornaments from Riau Province
        Ornaments of Riau Islands Province
        Ornaments of Jambi Province
        Ornaments of South Sumatera Province
        Ornaments of Bengkulu Province
        Ornaments from Bangka Belitung Province
        Ornaments of Lampung Province
        Ornaments from Banten Province
        Ornaments of Province DKI Jakarta
        Ornaments of South Sulawesi Province

Dance

2009-11-20T11:00:00.000-08:00

Culture of Indonesia

The dance is an expression of the soul in the form of movement which is usually combined with the music.
Dances connected to the moment, can be described about an event: war, sorrow, reverence to the king, or the embodiment of a norm, such as the devotion of a woman in Javanese culture.
The development of dance in Indonesia are closely related to the development of society. James R. Brandon (1967) divides the development of performances in Southeast Asia can be divided into 4 periods, namely:
1. Pre-historic period, about 2500SM-100M.
2. The entry of Indian culture period, 100-1000.
3. The influence of the Islamic period, 1300-1750.
4. Western countries the introduction period, the end of 1750-World War 2.
Community and artistic development is development that is not interrupted one another, but mutually sustaining and not broken.