<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-5429650859422587083</atom:id><lastBuildDate>Mon, 09 Nov 2026 01:51:07 +0000</lastBuildDate><category>Audio</category><category>Annamayya</category><category>A-Annamayya</category><category>E - Annamayya</category><category>N - Annamayya</category><category>I- Annamayya</category><category>అ</category><category>K-Annamayya</category><category>P - Annamayya</category><category>V- Annamayya</category><category>క</category><category>ఎ</category><category>ఇ</category><category>S - Annamayya</category><category>న</category><category>M - Annamayya</category><category>మ</category><category>ప</category><category>వ</category><category>C-Annamayya</category><category>చ</category><category>T - Annamayya</category><category>G Balakrishna Prasad</category><category>ఏ</category><category>త</category><category>స</category><category>D - Annamayya</category><category>ద</category><category>B-Annamayya</category><category>R - Annamayya</category><category>H-Annamayya</category><category>ఆ</category><category>హ</category><category>G-Annamayya</category><category>Sobharaju</category><category>Vani Jairam</category><category>J-Annamayya</category><category>జ</category><category>ఈ</category><category>గ</category><category>O - Annamayya</category><category>భ</category><category>ర</category><category>P Susheela</category><category>శ</category><category>S Janaki</category><category>Slokas &amp; Stotrams</category><category>బ</category><category>U - Annamayya</category><category>G Nageswara Naidu</category><category>Vrata Vidhi</category><category>Meaning</category><category>Annamayya Jukebox</category><category>L - Annamayya</category><category>ల</category><category>Nitya Santhosini</category><category>Vratham</category><category>ఉ</category><category>PS Ranganath</category><category>SP Sailaja</category><category>నిత్య సంతోషిణి</category><category>Kondaveeti Jyothirmayi</category><category>M Balamuralikrishna</category><category>అం</category><category>ఒ</category><category>Bhagawad Gita</category><category>Nedunuri Krishnamurthy</category><category>Ashtottara Satanamavali</category><category>ఊ</category><category>ఘ</category><category>Pooja</category><category>Telugu Devotional Songs</category><category>G. Balakrishna Prasad</category><category>అష్టోత్తర శతనామావళి</category><category>వ్రతము</category><category>Ghantasala</category><category>puja</category><category>ఐ</category><category>ఓ</category><category>ఔ</category><category>N C Sridevi</category><category>N-Annamayya</category><category>Oleti Venkateswarlu</category><category>Priya Sisters</category><category>TTD</category><category>Telugu</category><category>అష్టోత్తరశతనామావళి</category><category>Ganesha</category><category>Lakshmi</category><category>PB Srinivas</category><category>Pedatirumalacharya</category><category>Sri Venkateshwara</category><category>Sri Venkateswara Geetamalika</category><category>Vani jayaram</category><category>Vijayabala</category><category>Vijayalakshmi Sharma</category><category>Vinayaka Vrata Kalpam</category><category>Y- Annamayya</category><category>ganesh</category><category>య</category><category>Anantha Padmanabha</category><category>Ashtottara Sata Namavali</category><category>E-Annamayya</category><category>Hinduism</category><category>I - Annamayya</category><category>I-Annamayya</category><category>K - Annamayya</category><category>MS Subbulakshmi</category><category>Nukala Chinna Satyanarayana</category><category>Sanskrit Keerthana</category><category>Santi Venkatakrishnan</category><category>Satyanarayana</category><category>Shodasopachara puja</category><category>Tirupati Balaji</category><category>Vasantha</category><category>Vinayaka</category><category>Vishnu Prayers</category><category>devotional</category><category>ganapati</category><category>slokam</category><category>అనంత పద్మనాభ</category><category>గణపతి</category><category>మంగళగౌరీ</category><category>మహాలక్ష్మీ</category><category>లక్ష్మీ</category><category>షోడశోపచార పూజ</category><category>A - Annamayya</category><category>A - Tyagaraja</category><category>Abhishekam</category><category>Abhishekam Mantras</category><category>Anagha Deva</category><category>Anagha Devi</category><category>Anaghashtami</category><category>Annamacharya Nityasankeertana</category><category>Annamayya Hari Sharanagati</category><category>Annamayya lyrics - U</category><category>Annamayya slokam</category><category>Ashtottara</category><category>Ashtottara Shatanama Stotram</category><category>Atharva</category><category>B - Annamayya</category><category>Balaji Pancharatnamala</category><category>Bhakti Songs</category><category>Chandika Stotram</category><category>Chengalpat Ranganathan</category><category>Dev - D</category><category>Devotional Hymns</category><category>Devotional Songs</category><category>Friday Pooja</category><category>G Madhusudana Rao</category><category>G Radha</category><category>G-Pedatirumalacharya</category><category>Gaja Lakshmi</category><category>Hindu Prayers</category><category>Hindu Stotras</category><category>Kedareswara Vratha Katha</category><category>Kedareswara Vratham</category><category>Kousalya</category><category>Krishna</category><category>Lakshmi Vara</category><category>Lalitha</category><category>List</category><category>M S Subbulakshmi</category><category>M-Annamayya</category><category>Maha ganapathi</category><category>Maha lakshmi</category><category>Mahalakshmi</category><category>Mangala Gauri</category><category>Mangala Gowri</category><category>Mantra Pushpam</category><category>Mantras</category><category>Margasira</category><category>Narasimha</category><category>Nitya Santhoshini</category><category>Nitya Santoshini</category><category>Radha Vishwanathan</category><category>S V Ananda Battar</category><category>S-Annamayya</category><category>S. Janaki</category><category>Sanskrit Stotra</category><category>Santi Venkata Krishnan</category><category>Satanamavali</category><category>Shiva</category><category>Shringara Sankeertana</category><category>Spiritual Protection</category><category>Sravana</category><category>Sri Lakshmi</category><category>Sri Mahalakshmi</category><category>Sri Suktam</category><category>Stotras</category><category>Stotras - Telugu</category><category>Suprabhatam</category><category>Telugu Bhakti Songs</category><category>Telugu Devotional</category><category>Tirumala</category><category>Upanishat</category><category>VA Lakshmi</category><category>Vaibhava Lakshmi</category><category>Vajra Kavacha Stotram</category><category>Varalakshmi Pooja</category><category>Varalakshmi Vratam</category><category>lyrics</category><category>s</category><category>sankatahara charturthi</category><category>అథర్వ</category><category>అనఘ దేవ</category><category>అనఘా దేవి</category><category>అనఘాష్టమి</category><category>అభిషేక మంత్రాలు</category><category>అష్టోత్తర శతనామవళి</category><category>ఉపనిషత్</category><category>కేదారేశ్వర వ్రత కథ</category><category>కేదారేశ్వర వ్రతము</category><category>కౌసల్య</category><category>గణేశ</category><category>చండికా స్తోత్రం</category><category>డ</category><category>ధ</category><category>పూజా</category><category>ప్రియా సిస్టర్</category><category>ప్రియా సిస్టర్స్</category><category>ఫ</category><category>మంత్రపుష్పం</category><category>మహా గణపతి</category><category>మార్గశిర</category><category>ము</category><category>లక్ష్మివార  వ్రతం</category><category>లలితా</category><category>వరలక్ష్మీ వ్రతము</category><category>వైభవలక్ష్మీ</category><category>శ్రావణ</category><category>శ్రీ కృష్ణ</category><category>శ్రీ సూక్తం</category><category>ష</category><category>సంకటహర చతుర్థీ</category><category>స్తోత్రములు  - తెలుగు</category><title>Annamayya Keerthanalu | Telugu &amp;amp; English Lyrics | Slokas &amp;amp; Vratha</title><description>3,000+ Annamayya Keerthanalu with Telugu &amp;amp; English lyrics. Annamacharya devotional songs, Sanskrit slokas, Vratha Vidhi, audio &amp;amp; meanings. For devotees worldwide.</description><link>http://annamayya-u.blogspot.com/</link><managingEditor>noreply@blogger.com (Unknown)</managingEditor><generator>Blogger</generator><openSearch:totalResults>2464</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-8332864702696086983</guid><pubDate>Fri, 06 Nov 2026 09:08:43 +0000</pubDate><atom:updated>2026-11-06T14:38:43.797+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">S V Ananda Battar</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari nike sharanani - హరి నీకే శరణని</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_Rdo3wOE34PFgZ1lI06Zf1KsucGMl6BKCVOhY5iKhw06HLXef8-QuZ-isjDxSFjy_XqIlyGTAfynbV6fzUB5lXE-iwYx2cH9J4gSJ8YkVpnFHzHI9evZ0f7tCbbT5yao_zRJgZYt2zfiwR_Zljx_2w1p8UP6j_AWJdQougEeBxuQQKdZFyWHnhLIPREc/s1600/Hari%20nike%20sharanani%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A devotee clinging to the feet of Lord Venkateswara on a rocky shore while a storm of waves of desire, worry and attachment crashes around him but cannot touch him, illustrating Annamayya’s keerthana Hari neeke saranani, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_Rdo3wOE34PFgZ1lI06Zf1KsucGMl6BKCVOhY5iKhw06HLXef8-QuZ-isjDxSFjy_XqIlyGTAfynbV6fzUB5lXE-iwYx2cH9J4gSJ8YkVpnFHzHI9evZ0f7tCbbT5yao_zRJgZYt2zfiwR_Zljx_2w1p8UP6j_AWJdQougEeBxuQQKdZFyWHnhLIPREc/s1600/Hari%20nike%20sharanani%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari neeke saranani: when passions, desires and worries rise like waves, only refuge in the Lord holds. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by S V ANANDA BATTAR:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/kjV8by9RmUc?si=Vv0CZ4ADsozDwVs9&quot; title=&quot;Hari neeke saranani - Annamayya keerthana sung by S V Ananda Battar&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Video embedded from YouTube. All rights belong to the artist and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari neeke saranani&lt;/b&gt; (హరి నీకే శరణని గెలుచుట గాక) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Gundakriya. The song says that there is only one way to win in the inner struggle, and that is to take refuge in Hari alone. The poet then describes the forces that work against a person: the body&#39;s passions, the mind&#39;s tangle of attachments, the grip of desire that covers the eyes, the waves of worry, and the excess of qualities that raise hopes. Each of these defeats even the highest knowledge, firm detachment and constant yoga. Who can stand against them? In the last verse the answer is the same as the opening line: if the mind worships Sri Venkatapati, nothing else can come near. The audio here is sung by S V Ananda Battar. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari neeke saranani, Hari nike saranani, Hari nIkE SaraNani, హరి నీకే శరణని.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నీకే శరణని గెలుచుట గాక అన్నమయ్య కీర్తన (రాగం: గుండక్రియ) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Gundakriya (గుండక్రియ)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;368-3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;4-401&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;S V Ananda Battar&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నీకే శరణని – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నీకే శరణని గెలుచుట గాక&lt;br /&gt;
యిరవుగ నెరఁగఁగ నెవ్వరి తరము ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
తను వికారములు తరవులు వెట్టిన&lt;br /&gt;
కొనయెరుకైనా కొరతవడు&lt;br /&gt;
మనసు వికారము మమతలఁ దగిలిన&lt;br /&gt;
యెనసి యెదురుపడ నెవ్వరి తరము ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
కంతు వికారము కన్నులఁగప్పిన&lt;br /&gt;
పంతపు విరతియు బయలౌను&lt;br /&gt;
చింతాలహరులు చీఁదర రేఁగిన&lt;br /&gt;
యింతయు వీడ్కొన వెవ్వరితరము ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
అతిగుణవికార మాసలఁ బెట్టిన&lt;br /&gt;
సతతయోగములు జడనుపడు&lt;br /&gt;
మతి శ్రీ వేంకటపతి నిన్నుఁ గొలిచిన&lt;br /&gt;
యితరము దగ్గర నెవ్వరితరము ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari neeke saranani – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari nIkE SaraNani geluchuTa gAka&lt;br /&gt;
yiravuga neragaga nevvari taramu ||pallavi||
&lt;/p&gt;

&lt;p&gt;
tanu vikAramulu taravulu veTTina&lt;br /&gt;
konayerukainA koratavaDu&lt;br /&gt;
manasu vikAramu mamatala dagilina&lt;br /&gt;
yenasi yedurupaDa nevvari taramu ||hari||
&lt;/p&gt;

&lt;p&gt;
kaMtu vikAramu kannulagappina&lt;br /&gt;
paMtapu viratiyu bayalaunu&lt;br /&gt;
chiMtAlaharulu chIdara rEgina&lt;br /&gt;
yiMtayu vIDkona vevvaritaramu ||hari||
&lt;/p&gt;

&lt;p&gt;
atiguNavikAra mAsalabeTTina&lt;br /&gt;
satatayOgamulu jaDanupaDu&lt;br /&gt;
mati SrI vEMkaTapati ninnu golichina&lt;br /&gt;
yitaramu daggara nevvaritaramu ||hari||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nike saranani (నీకే శరణని):&lt;/b&gt; saying &quot;refuge in you alone&quot;.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Geluchuta (గెలుచుట):&lt;/b&gt; winning, being victorious.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gaka (గాక):&lt;/b&gt; other than, except.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yiravuga (యిరవుగ):&lt;/b&gt; firmly, steadily. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Neragaga (నెఱఁగఁగ):&lt;/b&gt; to know, to understand.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nevvari taramu (నెవ్వరి తరము):&lt;/b&gt; whose capacity is it? who is able?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tanu-vikaramulu (తనువికారములు):&lt;/b&gt; the disturbances and passions of the body.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Taravulu vettina (తరవులు వెట్టిన):&lt;/b&gt; when they come in rows or in waves.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Konayeruka (కొనయెరుక):&lt;/b&gt; the highest awareness, knowledge at its peak.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Koratavadu (కొరతవడు):&lt;/b&gt; falls short, is reduced.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Manasu-vikaramu (మనసువికారము):&lt;/b&gt; the disturbance of the mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mamatalu (మమతలు):&lt;/b&gt; attachments, the feeling of &quot;mine&quot;.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dagilina (దగిలిన):&lt;/b&gt; having become entangled.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yenasi (యెనసి):&lt;/b&gt; having come close, having joined. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yedurupada (యెదురుపడ):&lt;/b&gt; to stand against, to face.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kantu-vikaramu (కంతువికారము):&lt;/b&gt; the disturbance caused by Kantu (Manmatha, the god of desire).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kannulagappina (కన్నులఁగప్పిన):&lt;/b&gt; when it covers the eyes.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pantapu (పంతపు):&lt;/b&gt; stubborn, firm in resolve.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Viratiyu (విరతియు):&lt;/b&gt; detachment.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bayalaunu (బయలౌను):&lt;/b&gt; becomes empty, vanishes into the open.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chintalaharulu (చింతాలహరులు):&lt;/b&gt; waves of worry (&lt;i&gt;chinta&lt;/i&gt; plus &lt;i&gt;lahari&lt;/i&gt;).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chidara (చీఁదర):&lt;/b&gt; in turmoil, in confusion. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Regina (రేఁగిన):&lt;/b&gt; when they rise, when they swell.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vidkona (వీడ్కొన):&lt;/b&gt; to take leave of, to get free from.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Atiguna-vikaramu (అతిగుణవికారము):&lt;/b&gt; the disturbance caused by an excess of the qualities (gunas). The phrase is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Asala (ఆసల):&lt;/b&gt; desires, hopes.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Satata-yogamulu (సతతయోగములు):&lt;/b&gt; constant yoga practices.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jadanupadu (జడనుపడు):&lt;/b&gt; become dull, lose their force, come to a standstill.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mati (మతి):&lt;/b&gt; the mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatapati (శ్రీ వేంకటపతి):&lt;/b&gt; the Lord of Venkata, Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Golichina (గొలిచిన):&lt;/b&gt; if one serves or worships.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Itaramu (ఇతరము):&lt;/b&gt; anything else, any other thing.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Daggara (దగ్గర):&lt;/b&gt; near, close by.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari neeke saranani (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases (especially in the pallavi and &lt;i&gt;atiguNavikAra&lt;/i&gt; in the third verse) are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; O Hari, other than winning by taking refuge in you alone, who is able to know this steadily?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; When the passions of the body come in waves, even the highest knowledge falls short. When the mind&#39;s disturbance gets tangled in attachments, who is able to come close and stand against it?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; When the disturbance of desire covers the eyes, even stubborn detachment vanishes. When the waves of worry rise in turmoil, who is able to take leave of all of this?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; When an excess of the qualities plants hopes and desires, even constant yoga comes to a standstill. If the mind worships you, Sri Venkatapati, who or what else can come near?&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is realistic about how strong the inner forces are. The body, the mind, desire, worry and excess each defeat something people usually count on: knowledge, detachment, yoga. None of these is shown to be enough. The poet says plainly that the only winning move is the one in the first line. If the mind takes refuge in the Lord, the other forces have nowhere to stand.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరీ, నీకే శరణని గెలవడం తప్ప, స్థిరంగా తెలుసుకోవడం ఎవరి తరం అని పల్లవిలో అడుగుతున్నారు. మొదటి చరణంలో శరీర వికారాలు వరుసగా విరుచుకుపడితే గొప్ప జ్ఞానమైనా కొరతపడుతుంది, మనసు వికారం మమతలలో చిక్కితే ఎదురొడ్డి నిలవడం ఎవరి తరం అంటున్నారు. రెండవ చరణంలో కామ వికారం కళ్ళను కప్పివేస్తే పట్టుదలతో ఉన్న వైరాగ్యం కూడా బయలై పోతుంది, చింతల అలలు చెదిరిపోయేలా లేచినపుడు వీటన్నిటినీ వదలడం ఎవరి తరం అని చెబుతున్నారు. మూడవ చరణంలో గుణవికారం ఆశలు పెట్టినపుడు నిరంతర యోగాలు కూడా జడమవుతాయి, శ్రీవేంకటపతీ, మనసు నిన్ను కొలిస్తే ఇతరమేదీ దగ్గరకు రాలేదు, ఎవరి తరం అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari neeke saranani?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Gundakriya (గుండక్రియ).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 368-3, Samputam 4-401.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
It says that the only way to win the inner struggle is to take refuge in Hari alone. The body&#39;s passions, the mind&#39;s attachments, desire, worry and excess of the qualities each defeat even the highest knowledge, detachment and yoga. If the mind worships Sri Venkatapati, nothing else can come near.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;nevvari taramu&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means &quot;whose capacity is it?&quot; or &quot;who is able?&quot;. It is the refrain of the song and is asked after each force the poet names.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who sings the audio?&lt;/b&gt;&lt;br /&gt;
The audio is sung by S V Ananda Battar.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
Use the YouTube player at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 368-3, samputam 4-401) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by S V Ananda Battar. Embedded from YouTube. Rights belong to the artist and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/jayalakshmi-varalakshmi.html&quot;&gt;Jayalakshmi Varalakshmi - జయలక్ష్మి వరలక్ష్మి&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/itti-muddulaadi-baaludedavaaru.html&quot;&gt;Itti mudduladi - ఇట్టి ముద్దులాడి&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/adaro-padaro.html&quot;&gt;Adaro padaro apsaroganamu - ఆడరో పాడరో అప్సరోగణము&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-nike-sharanani.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_Rdo3wOE34PFgZ1lI06Zf1KsucGMl6BKCVOhY5iKhw06HLXef8-QuZ-isjDxSFjy_XqIlyGTAfynbV6fzUB5lXE-iwYx2cH9J4gSJ8YkVpnFHzHI9evZ0f7tCbbT5yao_zRJgZYt2zfiwR_Zljx_2w1p8UP6j_AWJdQougEeBxuQQKdZFyWHnhLIPREc/s72-c/Hari%20nike%20sharanani%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-5830347834039222670</guid><pubDate>Fri, 06 Nov 2026 01:04:28 +0000</pubDate><atom:updated>2026-11-06T06:34:28.789+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Nukala Chinna Satyanarayana</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari ni vadane kana - హరి నీ వాడనే కానా</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy54Yxe_6sZT39aZKqk1Mw-ybBR5iZPBjeVt8tEr-JhX5tyPpz-KyQlhrLBhZAR3A63j4YKKLWtvswefAReVxDINXozp9iJDBYVwpf8VST10qxPbq-cfTFFoDZ63zd34R9I18vnHTklvLJ6TC9cqpFKq-ESdFTWvlIAz8gQMtPaL04yh20nZLdtZj1d5w/s1600/Hari%20ni%20vadane%20kana%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A devotee standing like a pillar in a thick marsh between a dark bank of burdens and a bright bathing ghat of pilgrims, while the hand of Lord Venkateswara reaches down from golden light towards a shining hill ahead, illustrating Annamayya&#39;s keerthana Hari nee vaadane kaana, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy54Yxe_6sZT39aZKqk1Mw-ybBR5iZPBjeVt8tEr-JhX5tyPpz-KyQlhrLBhZAR3A63j4YKKLWtvswefAReVxDINXozp9iJDBYVwpf8VST10qxPbq-cfTFFoDZ63zd34R9I18vnHTklvLJ6TC9cqpFKq-ESdFTWvlIAz8gQMtPaL04yh20nZLdtZj1d5w/s1600/Hari%20ni%20vadane%20kana%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari nee vaadane kaana: the poet says he is the Lord&#39;s own, stuck between sin and merit, and finds the way across in surrender. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by NUKALA CHINNA SATYANARAYANA:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/140%20%20ANNAMAYYA%20HARI%20NIGAMAM/05%20%20HARI%20NI%20VADANE%20KANA.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari nee vaadane kaana&lt;/b&gt; (హరి నీ వాఁడనే కానా) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Goula. The poet begins by saying to Hari, &quot;Am I not your own?&quot; He says that since ancient times he has only dreamed inside the Lord&#39;s maya. In the verses that follow he looks honestly at himself. The body carried all the filth, and then bathes in holy waters. The mind brooded on sins, and now only thinks of merit. The tongue praises everyone and only turns over the Vedas. Between sin and merit, he says, he became like a post stuck in a thick mire. The last verse gives the way out: taking refuge in Sri Venkatesa alone, he will cross both and reach the end. The audio here is sung by Nukala Chinna Satyanarayana. TTD places it in the album Annamayya Hari Nigamam. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari nee vaadane kaana, Hari nI vADanE kAnA, Hari ni vadane kana, హరి నీ వాఁడనే కానా.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నీ వాఁడనే కానా అన్నమయ్య కీర్తన (రాగం: గౌళ) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Goula (గౌళ)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;308-2&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;4-44&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Nukala Chinna Satyanarayana&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Audio album&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamayya Hari Nigamam&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Source&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నీ వాఁడనే కానా – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నీ వాఁడనే కానా ఆదికాలమున నేను&lt;br /&gt;
గరిమ నీమాయలోనే కలగంటిఁ గాక ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
యీమేనే కాదా హేయమెల్లా మోచినది&lt;br /&gt;
ఆమీఁదఁ బుణ్యతీర్థము లాడీఁగాక&lt;br /&gt;
కామించి యీరెంటి సంగాతంబు నేఁజేసి&lt;br /&gt;
గామిడినై యెందువాఁడాఁ గానైతిఁగాక ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
చిత్తమిదే కాదా చింతించెఁ బాపాలు దొల్లి&lt;br /&gt;
పొత్తుల పుణ్యాలు దలపోసీఁగాక&lt;br /&gt;
రిత్తకు రిత్తయి యీరెంటి నడుమను జిక్కి&lt;br /&gt;
కత్తరపు రొంపి లోని కంబ మైతిఁగాక ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
యీ నాలుకే కాదా యిందరినిఁ బొగడేది&lt;br /&gt;
తానకపు వేదములు తడవీఁగాక&lt;br /&gt;
వూనిన శ్రీవేంకటేశ వొంటి నీకు శరణని&lt;br /&gt;
తోనే యా రెండుఁ గడచి తుద కెక్కేఁగాక ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari nee vaadane kaana – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari nI vADanE kAnA AdikAlamuna nEnu&lt;br /&gt;
garima nImAyalOnE kalagaMTi gAka ||pallavi||
&lt;/p&gt;

&lt;p&gt;
yImEnE kAdA hEyamellA mOchinadi&lt;br /&gt;
AmIda buNyatIrthamu lADIgAka&lt;br /&gt;
kAmiMchi yIreMTi saMgAtaMbu nEjEsi&lt;br /&gt;
gAmiDinai yeMduvADA gAnaitigAka ||hari||
&lt;/p&gt;

&lt;p&gt;
chittamidE kAdA chiMtiMche bApAlu dolli&lt;br /&gt;
pottula puNyAlu dalapOsIgAka&lt;br /&gt;
rittaku rittayi yIreMTi naDumanu jikki&lt;br /&gt;
kattarapu roMpi lOni kaMba maitigAka ||hari||
&lt;/p&gt;

&lt;p&gt;
yI nAlukE kAdA yiMdarini bogaDEdi&lt;br /&gt;
tAnakapu vEdamulu taDavIgAka&lt;br /&gt;
vUnina SrIvEMkaTESa voMTi nIku SaraNani&lt;br /&gt;
tOnE yA reMDu gaDachi tuda kekkEgAka ||hari||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nee vadane (నీ వాఁడనే):&lt;/b&gt; I am yours, I am one of yours.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kana (కానా):&lt;/b&gt; &quot;am I not?&quot;, a way of asking for agreement.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adikalamuna (ఆదికాలమున):&lt;/b&gt; from the very beginning, since ancient times.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Garima (గరిమ):&lt;/b&gt; greatness, weight.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Maya (మాయ):&lt;/b&gt; the Lord&#39;s power of illusion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kalagamti (కలగంటి):&lt;/b&gt; I dreamed, I saw as in a dream.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gaka (గాక):&lt;/b&gt; only, merely. It ends each line as a refrain of self-blame.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yimene (యీమేనే):&lt;/b&gt; this very body.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Heyamu (హేయము):&lt;/b&gt; something unclean, impure, contemptible.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mochinadi (మోచినది):&lt;/b&gt; that carried.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Amida (ఆమీఁద):&lt;/b&gt; afterwards, then.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Punya-tirthamulu (పుణ్యతీర్థములు):&lt;/b&gt; holy waters, sacred places of pilgrimage.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adigaka (ఆడీఁగాక):&lt;/b&gt; only plays, only bathes.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kaminchi (కామించి):&lt;/b&gt; having desired.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yirenti (యీరెంటి):&lt;/b&gt; these two. In the song it is read as sin and merit. This is a tentative reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sangatambu (సంగాతంబు):&lt;/b&gt; association, company.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gamidi (గామిడి):&lt;/b&gt; a fool, a dull person.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yenduvada (యెందువాఁడా):&lt;/b&gt; one who belongs somewhere, one from some place.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chittamu (చిత్తము):&lt;/b&gt; the mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chintinche (చింతించె):&lt;/b&gt; brooded on, thought about.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Papalu (పాపాలు):&lt;/b&gt; sins.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dolli (దొల్లి):&lt;/b&gt; formerly, in the past.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pottula (పొత్తుల):&lt;/b&gt; a word of old Telugu with more than one reading, such as &quot;in company with&quot; or &quot;in groups&quot;. The meaning here is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Punyalu (పుణ్యాలు):&lt;/b&gt; merits.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dalapositi (దలపోసీఁ):&lt;/b&gt; thinks over, considers.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Rittaku ritta (రిత్తకు రిత్త):&lt;/b&gt; utterly empty, completely in vain.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Naduma (నడుమ):&lt;/b&gt; in between.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jikki (జిక్కి):&lt;/b&gt; having been caught.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kattarapu rompi (కత్తరపు రొంపి):&lt;/b&gt; a thick, harsh mire, a sticky swamp.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kambamu (కంబము):&lt;/b&gt; a pillar, a post.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nalukē (నాలుకే):&lt;/b&gt; the tongue itself.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bogadedi (బొగడేది):&lt;/b&gt; that praises.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tanakapu (తానకపు):&lt;/b&gt; read here as &quot;established, authoritative&quot;. The word is old Telugu, so this is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vedamulu (వేదములు):&lt;/b&gt; the Vedas.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tadavi (తడవీఁ):&lt;/b&gt; turns over, goes through, searches.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vunina (వూనిన):&lt;/b&gt; resolved, determined.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesa (శ్రీవేంకటేశ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vonti (వొంటి):&lt;/b&gt; alone, the single one.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Saranamu (శరణము):&lt;/b&gt; refuge.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tone (తోనే):&lt;/b&gt; with that, immediately.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gadachi (గడచి):&lt;/b&gt; having crossed.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tuda kekku (తుద కెక్కు):&lt;/b&gt; to reach the end, to attain the goal.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari nee vaadane kaana (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases (especially &lt;i&gt;yireMTi&lt;/i&gt;, &quot;these two&quot;, and &lt;i&gt;pottula&lt;/i&gt;) are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; O Hari, am I not yours? Since the beginning of time I have only been dreaming inside your great maya.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Isn&#39;t this very body the one that carried every impurity? And then it only goes to bathe in holy waters. Having desired and joined these two (sin and merit), I became a fool who belongs nowhere.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; Isn&#39;t it this mind that brooded on sins before? Now it only turns over thoughts of merit. Caught between these two, utterly empty, I became a post stuck in a harsh mire.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Isn&#39;t it this tongue that praises everyone? It only turns over the Vedas. O Sri Venkatesa, resolved to take refuge in you alone, I will cross both of these and reach the end.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song starts with a claim (&quot;am I not yours?&quot;) and then examines it honestly. The body, the mind and the tongue each did something wrong and then did something good, and he finds that neither gets him anywhere. He is still stuck, like a post in the mud, between sin and merit. The way out in the last verse is not a third practice. It is one act of surrender to the Lord, and with it he will cross both and reach the end.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరీ, నేను నీవాడనే కదా, ఆదికాలం నుండి నీ మాయలోనే కలగంటినే కాని అని పల్లవిలో అంటున్నారు. మొదటి చరణంలో ఈ దేహమే కదా హేయమైనదంతా మోసింది, ఆ తరువాత పుణ్యతీర్థాలలో స్నానం చేస్తుంది, ఈ రెంటి సాంగత్యాన్ని కోరి చేసి, ఎటూ కాని మూర్ఖుడినయ్యాను అంటున్నారు. రెండవ చరణంలో ఈ చిత్తమే కదా ఇంతకుముందు పాపాలను చింతించింది, ఇప్పుడు పుణ్యాలను తలపోస్తోంది, ఈ రెంటి మధ్య చిక్కుకుని వట్టిదై, గట్టి బురదలో కూరుకుపోయిన కంబమయ్యాను అని చెబుతున్నారు. మూడవ చరణంలో ఈ నాలుకే కదా అందరినీ పొగిడేది, వేదాలను తడిమి చూస్తోంది, శ్రీవేంకటేశా, నీకే శరణని ఒంటరిగా నమ్మి, ఈ రెండింటినీ దాటి తుదకు చేరుతాను అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari nee vaadane kaana?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Goula (గౌళ).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 308-2, Samputam 4-44.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
The poet says that he is the Lord&#39;s own, but has been dreaming inside the Lord&#39;s maya since the beginning. He looks at his body, mind and tongue, each of which did something wrong and then something good, and finds himself stuck between sin and merit like a post in a mire. He ends by saying that by taking refuge in Sri Venkatesa alone he will cross both and reach the end.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;kambamu&quot; mean in the song?&lt;/b&gt;&lt;br /&gt;
It means a pillar or a post. The poet compares himself to a post that is stuck in a thick mire, unable to move between sin and merit.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;How is this different from the other &quot;Hari neeve&quot; songs on this blog?&lt;/b&gt;&lt;br /&gt;
There are several songs that begin with &quot;Hari nee...&quot; on this blog. This post is the one that begins &quot;Hari nee vaadane kaana&quot; (rekhu 308-2, samputam 4-44).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which album is the audio from?&lt;/b&gt;&lt;br /&gt;
The audio is from the TTD album Annamayya Hari Nigamam, sung by Nukala Chinna Satyanarayana.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
The audio on this page is hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 308-2, samputam 4-44) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Nukala Chinna Satyanarayana. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/09/chakkani-talliki.html&quot;&gt;Chakkani talliki - చక్కని తల్లికి&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/laalanuchu-nucheru-lalanalirugadala.html&quot;&gt;Lalanuchu nucheru - లాలనుచు నూచేరు&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-ni-vadane-kana.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy54Yxe_6sZT39aZKqk1Mw-ybBR5iZPBjeVt8tEr-JhX5tyPpz-KyQlhrLBhZAR3A63j4YKKLWtvswefAReVxDINXozp9iJDBYVwpf8VST10qxPbq-cfTFFoDZ63zd34R9I18vnHTklvLJ6TC9cqpFKq-ESdFTWvlIAz8gQMtPaL04yh20nZLdtZj1d5w/s72-c/Hari%20ni%20vadane%20kana%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-7392657755614439654</guid><pubDate>Thu, 05 Nov 2026 12:08:24 +0000</pubDate><atom:updated>2026-11-05T18:17:34.607+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari hari ni mahima - హరి హరి నీ మహిమ</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOl5e-4AuhLB_ZuTLHHCKQS62taxMvygKRzVZaxXubstiasCgBv3W5A9ugQe92QyiaqRxKUIvDZR_Mlh_yNqc3nyD9Yf8CIznlQxBUCk5PmPxKIa1oQNCHWpQ5jIP0zcMxROmQv9YBn2XD85BSZxuNI1Gky6vzcO2E7TR1FhGxhvrbjJ2l106ELKrNQck/s1600/Hari%20hari%20ni%20mahima%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;Lord Venkateswara as the treasure-house of all, with a glowing chest of treasures at his feet and beings of every kind receiving their share of light from his hands, farmers, craftsmen, children and elders, illustrating Annamayya’s keerthana Hari hari ni mahimalu anantamulu, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOl5e-4AuhLB_ZuTLHHCKQS62taxMvygKRzVZaxXubstiasCgBv3W5A9ugQe92QyiaqRxKUIvDZR_Mlh_yNqc3nyD9Yf8CIznlQxBUCk5PmPxKIa1oQNCHWpQ5jIP0zcMxROmQv9YBn2XD85BSZxuNI1Gky6vzcO2E7TR1FhGxhvrbjJ2l106ELKrNQck/s1600/Hari%20hari%20ni%20mahima%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari hari nee mahimalu: the earth, time and every life are shared out, and the Lord is the treasure of all. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Hari hari nee mahimalu anantamulu&lt;/b&gt; (హరిహరి నీమహిమ లనంతములు) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Lalita. The poet opens with a cry of wonder: Hari, your glories are endless. In each verse he looks at something the world shares out among its beings. In the first verse it is the universe and the earth, which so many have enjoyed and which feeds all with its crops. In the second it is time, which is everyone&#39;s lifespan, and the world of worldly duty. In the third it is karma, a burden that is shared out as each person&#39;s tasks. The song ends with Sri Venkatesa, who shares out each life and then fills it, becoming the treasure of treasures. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari hari nee mahimalu, Hari hari ni mahima, Hari hari nee mahima anantamulu, హరిహరి నీ మహిమ.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరిహరి నీమహిమ లనంతములు అన్నమయ్య కీర్తన (రాగం: లలిత) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావముతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Lalita (లలిత)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;173-3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;2-358&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరిహరి నీమహిమ లనంతములు – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరిహరి నీమహిమ లనంతములు&lt;br /&gt;
విరతి జీవులకెల్ల నేరుపులై వున్నవి ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
యెందరు భోగించినదో యీబ్రహ్మాండము దొల్లి&lt;br /&gt;
అందరికిఁ దమతమదై వుండును&lt;br /&gt;
కందువ నెవ్వరెవ్వరి కాణాచి యైనదో భూమి&lt;br /&gt;
సందడించీఁ బంటలను సకలసస్యములు ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
చుట్టుక యెందరికిని సొమ్మయినదో కాలము&lt;br /&gt;
అట్టె అందరి ఆయుష్యమై యున్నది&lt;br /&gt;
గట్టిగా నెవ్వరెవ్వరి కంచము కూడో యీమాయ&lt;br /&gt;
దట్టపు సంసారముల ధర్మములై యున్నవి ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
ముంచి యెందరికైనాను మోపులై వుండీ కర్మము&lt;br /&gt;
పంచు కందరికిఁ దమ పనిపాటలై&lt;br /&gt;
పంచుక శ్రీవేంకటేశ వారివారి బ్రదుకులు&lt;br /&gt;
నించి నీవే యైతివి నిధినిధానమవై ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Harihari nee mahimalu anantamulu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
harihari nImahima lanaMtamulu&lt;br /&gt;
virati jIvulakella nErupulai vunnavi ||pallavi||
&lt;/p&gt;

&lt;p&gt;
yeMdaru bhOgiMchinadO yIbrahmAMDamu dolli&lt;br /&gt;
aMdariki damatamadai vuMDunu&lt;br /&gt;
kaMduva nevvarevvari kANAchi yainadO bhUmi&lt;br /&gt;
saMdaDiMchI baMTalanu sakalasasyamulu ||hari||
&lt;/p&gt;

&lt;p&gt;
chuTTuka yeMdarikini sommayinadO kAlamu&lt;br /&gt;
aTTe aMdari Ayushyamai yunnadi&lt;br /&gt;
gaTTigA nevvarevvari kaMchamu kUDO yImAya&lt;br /&gt;
daTTapu saMsAramula dharmamulai yunnavi ||hari||
&lt;/p&gt;

&lt;p&gt;
muMchi yeMdarikainAnu mOpulai vuMDI karmamu&lt;br /&gt;
paMchu kaMdariki dama panipATalai&lt;br /&gt;
paMchuka SrIvEMkaTESa vArivAri bradukulu&lt;br /&gt;
niMchi nIvE yaitivi nidhinidhAnamavai ||hari||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari hari (హరిహరి):&lt;/b&gt; an exclamation of wonder, &quot;O Hari, Hari!&quot;&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mahimalu (మహిమలు):&lt;/b&gt; glories, greatness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Anantamulu (అనంతములు):&lt;/b&gt; endless, without limit.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Virati (విరతి):&lt;/b&gt; a word of old Telugu. It is read here as &quot;in many ways&quot;, but it can also mean detachment, so this is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jivulu (జీవులు):&lt;/b&gt; living beings.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nerupulu (నేరుపులు):&lt;/b&gt; skills, abilities, aptitudes.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yendaru (యెందరు):&lt;/b&gt; how many people.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhoginchinado (భోగించినదో):&lt;/b&gt; have enjoyed, have lived through (as a question).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Brahmandamu (బ్రహ్మాండము):&lt;/b&gt; the universe.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dolli (దొల్లి):&lt;/b&gt; formerly, in the past.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tamatamadai (తమతమదై):&lt;/b&gt; each one&#39;s own.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kanduva (కందువ):&lt;/b&gt; fitly, excellently. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kanachi (కాణాచి):&lt;/b&gt; a hereditary property or inheritance, one&#39;s own native place.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhumi (భూమి):&lt;/b&gt; the earth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sandadinchi (సందడించీ):&lt;/b&gt; bustles, is full of life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pantalu (పంటలు):&lt;/b&gt; crops, harvests.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sakala-sasyamulu (సకలసస్యములు):&lt;/b&gt; all kinds of grain and plants.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chuttuka (చుట్టుక):&lt;/b&gt; taken round, going round (about time). The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sommu (సొమ్ము):&lt;/b&gt; wealth, one&#39;s own possession.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kalamu (కాలము):&lt;/b&gt; time.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Atte (అట్టె):&lt;/b&gt; just so, in the same way.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ayushyamu (ఆయుష్యము):&lt;/b&gt; lifespan.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gattiga (గట్టిగా):&lt;/b&gt; firmly, strongly.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kancamu kudu (కంచము కూడు):&lt;/b&gt; a plate of food, sustenance.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Maya (మాయ):&lt;/b&gt; illusion, the play of the world.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dattapu (దట్టపు):&lt;/b&gt; dense, thick.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Samsaramulu (సంసారములు):&lt;/b&gt; the worlds of worldly life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dharmamulu (ధర్మములు):&lt;/b&gt; duties, ways of living.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Munchi (ముంచి):&lt;/b&gt; having flooded, having overwhelmed. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mopulu (మోపులు):&lt;/b&gt; loads, burdens.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Karmamu (కర్మము):&lt;/b&gt; karma, action and its result.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Panchu (పంచు):&lt;/b&gt; to share out, to distribute.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Panipatalu (పనిపాటలు):&lt;/b&gt; everyday tasks and work.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesa (శ్రీవేంకటేశ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Varivari bradukulu (వారివారి బ్రదుకులు):&lt;/b&gt; each person&#39;s life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ninchi (నించి):&lt;/b&gt; having filled.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nidhi-nidhanamu (నిధినిధానము):&lt;/b&gt; a treasure of treasures, the store-house of all riches.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari hari nee mahimalu anantamulu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. Several phrases (especially &lt;i&gt;virati&lt;/i&gt; in the pallavi and the second verse) are old Telugu and can be read in more than one way, so please treat this as one reading. In two lines the copper-plate text reads &lt;i&gt;yamdarikini&lt;/i&gt;, which the editors correct to &lt;i&gt;yemdarikini&lt;/i&gt;. I have used the corrected reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; O Hari, your glories are endless. They are spread among all living beings as their many skills.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; How many have enjoyed this universe before? It has been each one&#39;s own in turn. The earth has been whose inheritance? It bustles with crops and all kinds of grain.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; Time has been wealth for how many? In the same way it is everyone&#39;s lifespan. Whose plate of food has this maya been? It exists as the duties of the dense worlds of everyday life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Karma is a heavy load for however many, shared out among all as their own tasks. O Sri Venkatesa, you share out each person&#39;s life and then fill it, and you yourself become the treasure of treasures.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is about sharing. The poet looks at the universe, the earth, time and karma and sees that none of them belongs to one person. Each is shared among countless beings, each one taking a portion. The last line then answers the question of who holds it all. The Lord shares out each life and then fills it, and so he is the one treasure-house behind all these portions.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరీ, నీ మహిమలు అనంతమైనవి, అవి జీవులందరికీ రకరకాల నైపుణ్యాలుగా ఉన్నాయి అని పల్లవిలో అద్భుతపడుతున్నారు. మొదటి చరణంలో ఈ బ్రహ్మాండాన్ని ఇంతకుముందు ఎందరు అనుభవించారో, అది అందరికీ తమతమదిగానే ఉంటుంది, ఈ భూమి ఎవరెవరికి కాణాచి అయిందో, అది పంటలతో, సకల సస్యాలతో సందడిగా ఉంది అని అంటున్నారు. రెండవ చరణంలో కాలం ఎందరికి సొమ్మయిందో, అలాగే అందరి ఆయుష్షుగా ఉంది, ఈ మాయ ఎవరెవరి కంచంలో కూడు అయిందో, అది దట్టమైన సంసారాల ధర్మాలుగా ఉంది అని చెబుతున్నారు. మూడవ చరణంలో కర్మము ఎందరికైనా మోపుగా ఉంది, అది అందరికీ తమ పనిపాటలుగా పంచబడింది, శ్రీవేంకటేశా, ఎవరెవరి బ్రతుకులనూ పంచి, వాటిని నింపి నీవే నిధినిధానమయ్యావు అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More keerthanas to listen to&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari hari nee mahimalu anantamulu?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Lalita (లలిత).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 173-3, Samputam 2-358.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
It says that the Lord&#39;s glories are endless. The poet looks at the universe, the earth, time and karma, and sees that each of them is shared among countless beings. In the last line the Lord shares out each life, fills it, and becomes the treasure of treasures.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is this the same as &quot;Hari hari nee mayamahima&quot;?&lt;/b&gt;&lt;br /&gt;
No. &quot;Hari hari nee mayamahima&quot; (samputam 4-293) is a different song on this blog. This post is &quot;Hari hari nee mahimalu anantamulu&quot; (rekhu 173-3, samputam 2-358).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is there an audio for this post?&lt;/b&gt;&lt;br /&gt;
No audio is added to this post yet. You can listen to other Annamayya keerthanas on the Jukebox page.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 173-3, samputam 2-358) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/10/srimannarayana.html&quot;&gt;Srimannarayana - శ్రీమన్నారాయణ&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/09/namo-narayanaya-namo.html&quot;&gt;Namo Narayanaya - నమో నారాయణాయ&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/10/vade-vemkatesudanevade-vidu.html&quot;&gt;Vaade Venkatesudane - వాడె వేంకటేశుడనే&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-hari-ni-mahima.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOl5e-4AuhLB_ZuTLHHCKQS62taxMvygKRzVZaxXubstiasCgBv3W5A9ugQe92QyiaqRxKUIvDZR_Mlh_yNqc3nyD9Yf8CIznlQxBUCk5PmPxKIa1oQNCHWpQ5jIP0zcMxROmQv9YBn2XD85BSZxuNI1Gky6vzcO2E7TR1FhGxhvrbjJ2l106ELKrNQck/s72-c/Hari%20hari%20ni%20mahima%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-8381160024116616317</guid><pubDate>Thu, 05 Nov 2026 00:03:57 +0000</pubDate><atom:updated>2026-11-05T05:40:55.589+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Nukala Chinna Satyanarayana</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari nive sakala (Hari neeve sakala) - హరి నీవే సకల</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5PBwHAUi8kNaWq68rGKGvm5fbWVYGda-3-CS4C2fpY2WugLe0jSdEuGp6QUb2BrozC_G-uHPPFK8IZ3-mkTFwS37ZKuyADmNh_L32z0Oah2G9nDHS6gfolUWqF3BgZ_-NoMvKZQRlOcpSbvrKQSA8O1GNSf7KYZQi0DUjELrMyjbJtr3zG6bDzwB8z18/s1600/Hari%20nive%20sakala%20-%20SDommu_vaksara_SDommu.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A contented devotee sitting at the feet of Lord Venkateswara with folded hands while countless glowing worlds rest within the Lord&#39;s form, illustrating Annamayya&#39;s keerthana Hari nive sakalalokaradhyudavu, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5PBwHAUi8kNaWq68rGKGvm5fbWVYGda-3-CS4C2fpY2WugLe0jSdEuGp6QUb2BrozC_G-uHPPFK8IZ3-mkTFwS37ZKuyADmNh_L32z0Oah2G9nDHS6gfolUWqF3BgZ_-NoMvKZQRlOcpSbvrKQSA8O1GNSf7KYZQi0DUjELrMyjbJtr3zG6bDzwB8z18/s1600/Hari%20nive%20sakala%20-%20SDommu_vaksara_SDommu.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari nive sakala: &quot;It is enough that I have taken refuge in you.&quot; Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by NUKALA CHINNA SATYANARAYANA:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/140%20%20ANNAMAYYA%20HARI%20NIGAMAM/06%20HARI%20NIVE%20SAKALA.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari nive sakalalokaradhyudavu&lt;/b&gt; (హరి నీవే సకలలోకారాధ్యుఁడవు గాక) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Suddhavasantam. The key word of the song is &lt;i&gt;chalunu&lt;/i&gt;, &quot;it is enough&quot;. Hari, you are the one worshipped by all the worlds, and the poet says that the single thought &quot;I take refuge in you&quot; is enough. In each verse he gives a reason. You remove the harm I did in the past, so what more is there to ask? You are my support within, so what independence do I have? You give the riches of this world and the next, so why should I look anywhere else? The song ends with Sri Venkatesa, who is everything in abundance, and the poet&#39;s simple claim that he is his servant. The audio here is sung by Nukala Chinna Satyanarayana. TTD places it in the album Annamayya Hari Nigamam. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari nive sakala, Hari neeve sakalalokaradhyudavu, Hari nive sakalaloka, హరి నీవే సకల.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నీవే సకలలోకారాధ్యుఁడవు గాక అన్నమయ్య కీర్తన (రాగం: శుద్ధవసంతం) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Suddhavasantam (శుద్ధవసంతం)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;320-1&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;4-112&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Nukala Chinna Satyanarayana&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Audio album&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamayya Hari Nigamam&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Source&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నీవే సకలలోకారాధ్యుఁడవు – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నీవే సకలలోకారాధ్యుఁడవు గాక&lt;br /&gt;
ధర నీకు శరణంటీ తలఁపిదే చాలును ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
కింది నేఁజేసినయట్టికీడు నీవు వాపఁగాను&lt;br /&gt;
అందుమీఁదు నడిగేదా అది చాలక&lt;br /&gt;
పొంది పుట్టించేట్టి బ్రహ్మపుత్రుఁడు నీకైవుండఁగ&lt;br /&gt;
ఇందరిఁగొలిచేదా యెంత కూళతనము ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
దీకొని నాలో నీవు దిక్కై వుండగాను&lt;br /&gt;
నాకొక స్వతంత్రమా నాఁడు చాలక&lt;br /&gt;
కైకొని లోకములు నీకడుపులొ నుండఁగాను&lt;br /&gt;
నీ కంటేఁ బరులున్నారా నేరమింతే కాక ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
ఇహపరముసిరులు ఇన్నియు నీవియ్యఁగాను&lt;br /&gt;
సహజాన నుండవొద్దా చాలదా యింత&lt;br /&gt;
విహితమైన శ్రీవేంకటేశ వోక్కండవే&lt;br /&gt;
బహళమై వుండఁగాను బంటనంటగాక ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari nive sakalalokaradhyudavu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari nIvE sakalalOkArAdhyuDavu gAka&lt;br /&gt;
dhara nIku SaraNaMTI talapidE chAlunu ||pallavi||
&lt;/p&gt;

&lt;p&gt;
kiMdi nEjEsinayaTTikIDu nIvu vApagAnu&lt;br /&gt;
aMdumIdu naDigEdA adi chAlaka&lt;br /&gt;
poMdi puTTiMchETTi brahmaputruDu nIkaivuMDaga&lt;br /&gt;
iMdarigolichEdA yeMta kULatanamu ||hari||
&lt;/p&gt;

&lt;p&gt;
dIkoni nAlO nIvu dikkai vuMDagAnu&lt;br /&gt;
nAkoka svataMtramA nADu chAlaka&lt;br /&gt;
kaikoni lOkamulu nIkaDupulo nuMDagAnu&lt;br /&gt;
nI kaMTE barulunnArA nEramiMtE kAka ||hari||
&lt;/p&gt;

&lt;p&gt;
ihaparamusirulu inniyu nIviyyagAnu&lt;br /&gt;
sahajAna nuMDavoddA chAladA yiMta&lt;br /&gt;
vihitamaina SrIvEMkaTESa vOkkaMDavE&lt;br /&gt;
bahaLamai vuMDagAnu baMTanaMTagAka ||hari||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sakalaloka-aradhyudu (సకలలోకారాధ్యుఁడు):&lt;/b&gt; the one worshipped by all the worlds.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gaka (గాక):&lt;/b&gt; &quot;indeed&quot;, &quot;is it not so&quot;. It is a way of stating a fact the listener already accepts.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dhara (ధర):&lt;/b&gt; the earth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Saranamti (శరణంటీ):&lt;/b&gt; I say &quot;refuge&quot;, I have taken refuge.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Talapu (తలఁపు):&lt;/b&gt; a thought, an intention.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chalunu (చాలును):&lt;/b&gt; it is enough, it suffices. This is the key word of the song.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kindi (కింది):&lt;/b&gt; earlier, in the past (literally &quot;below&quot;).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kidu (కీడు):&lt;/b&gt; harm, evil, ill effect.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vapaganu (వాపఁగాను):&lt;/b&gt; since you remove or cure.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Andumeedu (అందుమీఁదు):&lt;/b&gt; beyond that, anything further.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nadigeda (నడిగేదా):&lt;/b&gt; shall I ask?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chalaka (చాలక):&lt;/b&gt; is it not enough? (a question).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pondi puttinchetti (పొంది పుట్టించేట్టి):&lt;/b&gt; the one who brings beings to birth by joining them (with their bodies). The phrase is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Brahmaputrudu (బ్రహ్మపుత్రుఁడు):&lt;/b&gt; read here as Brahma the creator, who is regarded as the son (born from the lotus of Vishnu&#39;s navel). The word has more than one reading, so this is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Indarigolicheda (ఇందరిఁగొలిచేదా):&lt;/b&gt; shall I serve all these others?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kulatanamu (కూళతనము):&lt;/b&gt; foolishness, meanness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dikoni (దీకొని):&lt;/b&gt; with determination, with resolve.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dikkai (దిక్కై):&lt;/b&gt; as the support, as the refuge.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Svatantramu (స్వతంత్రము):&lt;/b&gt; independence, freedom to act by oneself.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kaikoni (కైకొని):&lt;/b&gt; having taken in, having accepted.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Lokamulu (లోకములు):&lt;/b&gt; the worlds.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kadupu (కడుపు):&lt;/b&gt; belly. In the song it recalls the worlds resting within the Lord.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nera (నేరము):&lt;/b&gt; a fault, an offence.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Iha-paramu (ఇహపరము):&lt;/b&gt; this world and the next.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sirulu (సిరులు):&lt;/b&gt; riches, prosperity.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sahajana (సహజాన):&lt;/b&gt; naturally, without effort.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vihitamaina (విహితమైన):&lt;/b&gt; proper, ordained, fitting.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesa (శ్రీవేంకటేశ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Okkandave (ఒక్కండవే):&lt;/b&gt; you alone, you are the one.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bahalamu (బహళము):&lt;/b&gt; abundant, plentiful.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bantu (బంటు):&lt;/b&gt; a servant, a soldier of the Lord.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari nive sakalalokaradhyudavu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases (especially in the second verse) are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; Hari, you are the one worshipped by all the worlds. On this earth I have taken refuge in you. This one thought is enough.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; You remove the harm I did before. What more is there to ask beyond that? Is that not enough? Brahma the creator, who brings beings to birth, is your own. So should I serve all these others? What a foolishness that would be.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; With determination you are the support within me. Do I have any independence of my own? Is that not enough? All the worlds are held in your belly. Are there others beyond you? To think so is only a fault.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; When you yourself give all the riches of this world and the next, shall I not simply stay content? Is this not enough? O Sri Venkatesa, you alone are right and abundant, and I only say that I am your servant.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a short argument for contentment. Annamayya asks the same question in each verse, &quot;is this not enough?&quot;, and answers it each time. The Lord already forgives, supports and provides, so there is nothing to seek elsewhere. The last line is a quiet one. After all the reasons, the poet claims only the name &quot;servant&quot; (&lt;i&gt;banta&lt;/i&gt;).&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరీ, నీవే సకలలోకాలకూ ఆరాధ్యుడవు, ఈ భూమిపై నీకు శరణు అనే ఈ తలంపే చాలు అని పల్లవిలో చెబుతున్నారు. మొదటి చరణంలో ఇంతకుముందు నేను చేసిన పాపాన్ని నీవే తొలగిస్తున్నావు, ఇంకా మించి అడగాలా, అది చాలదా, సృష్టి చేసే బ్రహ్మ నీవాడే, అలాంటప్పుడు ఇతరులను సేవించడం ఎంత మూర్ఖత అని అంటున్నారు. రెండవ చరణంలో నాలో నీవు దిక్కై ఉండగా నాకొక స్వతంత్రం ఉందా, అది చాలదా, లోకాలన్నీ నీ కడుపులోనే ఉండగా నీకంటే వేరే వారున్నారా, అలా అనుకోవడం తప్పే అని చెబుతున్నారు. మూడవ చరణంలో ఇహపరాల సంపదలన్నీ నీవే ఇస్తుండగా సహజంగా ఉండిపోవద్దా, ఇది చాలదా, శ్రీవేంకటేశా, విహితమైన నీవొక్కడవే సమృద్ధిగా ఉండగా నేను నీ బంటునని అనడమే కదా అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari nive sakalalokaradhyudavu?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Suddhavasantam (శుద్ధవసంతం).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 320-1, Samputam 4-112.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
It says that it is enough for the poet to take refuge in Hari, who is worshipped by all the worlds. He gives three reasons: Hari removes his past harm, supports him from within, and gives all riches of this world and the next. So there is no need to serve anyone else.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;chalunu&quot; mean in the song?&lt;/b&gt;&lt;br /&gt;
It means &quot;it is enough&quot;. The poet uses it as a refrain: the thought of refuge in the Lord is already enough.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;How is this different from the other &quot;Hari neeve&quot; songs on this blog?&lt;/b&gt;&lt;br /&gt;
There are several songs that begin with &quot;Hari neeve&quot; or &quot;Hari nive&quot;. This post is the one that begins &quot;Hari nive sakalalokaradhyudavu gaka&quot; (rekhu 320-1, samputam 4-112).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which album is the audio from?&lt;/b&gt;&lt;br /&gt;
The audio is from the TTD album Annamayya Hari Nigamam, sung by Nukala Chinna Satyanarayana.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
The audio on this page is hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 320-1, samputam 4-112) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Nukala Chinna Satyanarayana. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/brahma-kadigina-paadamu.html&quot;&gt;Brahma kadigina padamu - బ్రహ్మ కడిగిన పాదము&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/10/vedamule-ni-nivasamata.html&quot;&gt;Vedamule ni nivasamata - వేదములే నీ నివాసమట&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/08/okapari-kokapari.html&quot;&gt;Okapari kokapari - ఒకపరి కొకపరి&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-nive-sakala.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5PBwHAUi8kNaWq68rGKGvm5fbWVYGda-3-CS4C2fpY2WugLe0jSdEuGp6QUb2BrozC_G-uHPPFK8IZ3-mkTFwS37ZKuyADmNh_L32z0Oah2G9nDHS6gfolUWqF3BgZ_-NoMvKZQRlOcpSbvrKQSA8O1GNSf7KYZQi0DUjELrMyjbJtr3zG6bDzwB8z18/s72-c/Hari%20nive%20sakala%20-%20SDommu_vaksara_SDommu.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-2394916071693087416</guid><pubDate>Wed, 04 Nov 2026 02:07:32 +0000</pubDate><atom:updated>2026-11-04T07:37:32.869+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">G Balakrishna Prasad</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">S Janaki</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari yemanene aligeno - హరి యేమనెనే అలిగెనో</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9wWnVHV5MfuRc8VH0y1mFADtv9ohOuOWnW3sCqiaIHRSj72Y1YFL-UzZUUujd0Sl_hzEm3ZJcA4j9GLi3-e-LnSARxLv1D3UERaVvwsClheY08qQ0LCvQQLLoukLdrTk_A4_8AMbWGOhErcJcceTdeqXVog95goyVuViyxqVymkWiV3Y2yUHtTOEn5o/s1600/Hari%20yemanene%20aligeno%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A woman waiting anxiously at a moonlit palace doorway with a friend beside her, jasmine and a lamp at her side, while Lord Venkateswara approaches along the corridor, illustrating Annamayya&#39;s sringara keerthana Hari yemanene aligeno, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9wWnVHV5MfuRc8VH0y1mFADtv9ohOuOWnW3sCqiaIHRSj72Y1YFL-UzZUUujd0Sl_hzEm3ZJcA4j9GLi3-e-LnSARxLv1D3UERaVvwsClheY08qQ0LCvQQLLoukLdrTk_A4_8AMbWGOhErcJcceTdeqXVog95goyVuViyxqVymkWiV3Y2yUHtTOEn5o/s1600/Hari%20yemanene%20aligeno%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari yemanene aligeno: a lovesick woman asks her friend what the Lord said that kept him away. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Hari yemanene aligeno&lt;/b&gt; (హరి యేమనెనే అలిగెనో) is a sringara keerthana by the 15th-century composer-saint Annamacharya (Annamayya). The copper plate lists it in raga Bowli, and the version on this page, sung by Smt. S Janaki, is in raga Chakravakam. A woman, parted from her beloved, speaks to her friend. She asks what Hari said, or whether he is angry, because he has not come to her though she is in the pain of separation. Each verse asks the same question in a different way. He came as far as the doorstep and went back. The night passed in comings and goings. The verses are full of small doubts, until the last lines resolve them: Sri Venkatapati came of his own accord and united with her. The song is sometimes confused with a song of the same first line by Peda Tirumalacharya. This post is Annamayya&#39;s own song (samputam 7-329). Below you will find the lyrics in Telugu, an easy-to-read English transliteration, the audio, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari yemanene, Hari emanene aligeno, Hari yEmanenE aligenO, హరి యేమనెనే.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి యేమనెనే అలిగెనో అన్నమయ్య కీర్తన (రాగం: బౌళి; ఎస్. జానకి గానంలో చక్రవాకం) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer (lyrics)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sringara sankeertana (శృంగార సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Chakravakam (చక్రవాకం)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga (copper plate listing)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Bowli (బౌళి)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;156-3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;7-329&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Smt. S Janaki&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Music (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;G Balakrishna Prasad&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Courtesy&lt;/b&gt;&lt;/td&gt;&lt;td&gt;TTD &amp;amp; Sri Venkateswara Recording Project&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి యేమనెనే అలిగెనో – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి యేమనెనే అలిగెనో&lt;br /&gt;
విరహినై నేనుండఁగా యేల రాఁడాయ ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
మరలి మరలి తన్ను మాటలఁ గొసరను&lt;br /&gt;
యిరవైన విభుఁడేమనెనే&lt;br /&gt;
తరుణులే వచ్చితిరి తానాడనున్నాఁడు&lt;br /&gt;
యెరవెరవై తానేమనెనే ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
వాకిటికిందాఁక వచ్చి తిరిగెనట&lt;br /&gt;
యేకారణమిది యేమనెనే&lt;br /&gt;
రాకలఁ బోకల రాతిరాయనిదె&lt;br /&gt;
యీకడఁ దుదమాఁటేమనెనే ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
తలపులో ప్రియరము తానే యెరుఁగును&lt;br /&gt;
యెలుఁ గెత్తొకమాఁటేమనెనే&lt;br /&gt;
బలిమి శ్రీవేంకటపతి దా విచ్చేసి&lt;br /&gt;
యిల ననుఁగూడెను యేమనెనే ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari yemanene aligeno – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari yEmanenE aligenO&lt;br /&gt;
virahinai nEnuMDagA yEla rADAya ||pallavi||
&lt;/p&gt;

&lt;p&gt;
marali marali tannu mATala gosaranu&lt;br /&gt;
yiravaina vibhuDEmanenE&lt;br /&gt;
taruNulE vachchitiri tAnADanunnADu&lt;br /&gt;
yeraveravai tAnEmanenE ||hari||
&lt;/p&gt;

&lt;p&gt;
vAkiTikiMdAka vachchi tirigenaTa&lt;br /&gt;
yEkAraNamidi yEmanenE&lt;br /&gt;
rAkala bOkala rAtirAyanide&lt;br /&gt;
yIkaDa dudamATEmanenE ||hari||
&lt;/p&gt;

&lt;p&gt;
talapulO priyaramu tAnE yerugunu&lt;br /&gt;
yelu gettokamATEmanenE&lt;br /&gt;
balimi SrIvEMkaTapati dA vichchEsi&lt;br /&gt;
yila nanugUDenu yEmanenE ||hari||
&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by S JANAKI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/3s0KDSX8qCM?si=BUpHG8WBdoF2zfjA&quot; title=&quot;Hari yemanene aligeno - Annamayya keerthana sung by Smt. S Janaki&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Singer: Smt. S Janaki garu. Composer: G Balakrishna Prasad garu. (Courtesy: TTD &amp;amp; Sri Venkateswara Recording Project.) Ragam: Chakravakam. All rights belong to the artists, TTD and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara as the beloved.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yemanene (యేమనెనే):&lt;/b&gt; &quot;what did he say?&quot; The ending &lt;i&gt;-ne&lt;/i&gt; is the way a woman speaks to a female friend, &quot;my dear&quot;.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Aligeno (అలిగెనో):&lt;/b&gt; &quot;has he become angry?&quot;, &quot;is he sulking?&quot;&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Virahini (విరహిని):&lt;/b&gt; a woman in the pain of separation from her beloved.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yela radaya (యేల రాఁడాయ):&lt;/b&gt; why did he not come?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Marali marali (మరలి మరలి):&lt;/b&gt; again and again.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gosaranu (గొసరను):&lt;/b&gt; I do not pester or press him. The word &lt;i&gt;gosaru&lt;/i&gt; means to coax or to insist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yiravaina (యిరవైన):&lt;/b&gt; steady, settled. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vibhudu (విభుఁడు):&lt;/b&gt; the lord, the beloved.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tarunulu (తరుణులు):&lt;/b&gt; young women.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tanadanunnadu (తానాడనున్నాఁడు):&lt;/b&gt; he is about to speak.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yeraveravai (యెరవెరవై):&lt;/b&gt; as a stranger, aloof. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vakitikindaka (వాకిటికిందాఁక):&lt;/b&gt; up to the doorstep.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tirigenata (తిరిగెనట):&lt;/b&gt; they say he turned back.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yekaranamidi (యేకారణమిది):&lt;/b&gt; for what reason is this?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Rakala pokala (రాకలఁ బోకల):&lt;/b&gt; in comings and goings.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ratirayanide (రాతిరాయనిదె):&lt;/b&gt; the night has passed.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yikada (యీకడ):&lt;/b&gt; here, on this side.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tudamata (తుదమాఁట):&lt;/b&gt; the final word.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Talapulo (తలపులో):&lt;/b&gt; in thought, in the mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Priyaramu (ప్రియరము):&lt;/b&gt; love, affection. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yerugunu (యెరుఁగును):&lt;/b&gt; he knows.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yelu gettoka mata (యెలుఁ గెత్తొకమాఁట):&lt;/b&gt; a word he called out aloud (&lt;i&gt;yelu ettu&lt;/i&gt; is to call out). The phrase is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Balimi (బలిమి):&lt;/b&gt; forcefully, of his own strong wish.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatapati (శ్రీవేంకటపతి):&lt;/b&gt; the Lord of Venkata, Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vichchesi (విచ్చేసి):&lt;/b&gt; having come, having graciously arrived.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yila (యిల):&lt;/b&gt; the earth, this world.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nanu gudenu (ననుఁగూడెను):&lt;/b&gt; he united with me.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari yemanene aligeno (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; What did Hari say? Is he angry? Why has he not come to me while I am in the pain of separation?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; I do not pester him with words again and again. What did my steady lord say? The young women have come, and he is about to speak to them. What did he say, standing apart like a stranger?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; They say he came right up to the doorstep and turned back. For what reason? What did he say? The night has gone in comings and goings. Here, what was his final word?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; He alone knows the love in my thoughts. What word did he call out? In the end, Sri Venkatapati came himself, out of his own strong wish, and united with me on this earth. What did he say?&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a woman&#39;s quiet complaint, told to her friend. She does not accuse the Lord. She keeps asking what he said, as if his silence must have a reason. Each verse adds a small detail: young women arriving, a visit that stops at the doorstep, a night that passes. The last verse gives the answer. Sri Venkatapati comes of his own accord, and the questions end. In the language of Annamayya&#39;s sringara songs, the woman is the devotee, and the Lord&#39;s delay is the soul&#39;s wait for grace.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఇది విరహంలో ఉన్న ఒక స్త్రీ తన చెలికి చెప్పుకునే శృంగార కీర్తన. పల్లవిలో హరి ఏమన్నాడే, అలిగాడా, నేను విరహంతో ఉండగా ఎందుకు రాలేదు అని అడుగుతోంది. మొదటి చరణంలో నేను మాటలతో మళ్లీ మళ్లీ ఆయనను బతిమాలను, ఆ స్థిరమైన ప్రభువు ఏమన్నాడే, చెలులు వచ్చారు, ఆయన మాట్లాడబోతున్నాడు, పరాయివాడిలా ఏమన్నాడే అని అంటోంది. రెండవ చరణంలో వాకిటి దాకా వచ్చి వెనక్కి తిరిగాడట, ఏ కారణమో, ఏమన్నాడే, వస్తూ పోతూ రాత్రి గడిచిపోయింది, ఇక్కడ చివరి మాట ఏమన్నాడే అని అడుగుతోంది. మూడవ చరణంలో నా మనసులోని ప్రేమ ఆయనకే తెలుసు, గట్టిగా పలికిన మాట ఏమిటో, చివరకు శ్రీవేంకటపతి తానే బలంగా వచ్చి ఈ భూమిపై నన్ను కలిశాడు, ఏమన్నాడే అని ముగిస్తోంది.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari yemanene aligeno?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
The copper plate lists it in raga Bowli (బౌళి). The version by Smt. S Janaki on this page is sung in raga Chakravakam (చక్రవాకం).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 156-3, Samputam 7-329.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
A woman separated from her beloved asks her friend what Hari said, or whether he is angry, since he has not come. She notes that he came to the doorstep and turned back and that the night passed in comings and goings. In the end Sri Venkatapati comes of his own accord and unites with her.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is there another song with the same first line?&lt;/b&gt;&lt;br /&gt;
Yes. Peda Tirumalacharya has a song with a similar first line (&quot;Hari yemanene hari yemanene aligeno&quot;, samputam 17-47, raga Sriragam). This post is Annamayya&#39;s own song (samputam 7-329).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who sings and composes the audio?&lt;/b&gt;&lt;br /&gt;
The singer is Smt. S Janaki and the music composer is G Balakrishna Prasad. The courtesy is given to TTD and the Sri Venkateswara Recording Project.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
Use the YouTube player placed after the English transliteration on this page.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 156-3, samputam 7-329) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Smt. S Janaki, music by G Balakrishna Prasad (raga Chakravakam). Courtesy TTD &amp;amp; Sri Venkateswara Recording Project. Embedded from YouTube. Rights belong to the artists, TTD and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kulukaka-nadavaro-kommalaalaa.html&quot;&gt;Kulukaka nadavaro - కులుకక నడవరో కొమ్మలాలా&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2010/10/pidikita-talambrala.html&quot;&gt;Pidikita talambrala - పిడికిట తలంబ్రాల&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-yemanene-aligeno.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw9wWnVHV5MfuRc8VH0y1mFADtv9ohOuOWnW3sCqiaIHRSj72Y1YFL-UzZUUujd0Sl_hzEm3ZJcA4j9GLi3-e-LnSARxLv1D3UERaVvwsClheY08qQ0LCvQQLLoukLdrTk_A4_8AMbWGOhErcJcceTdeqXVog95goyVuViyxqVymkWiV3Y2yUHtTOEn5o/s72-c/Hari%20yemanene%20aligeno%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-2756164445949982685</guid><pubDate>Mon, 02 Nov 2026 17:55:12 +0000</pubDate><atom:updated>2026-11-02T23:36:17.190+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Priya Sisters</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari sarvatmakudu adimapurushudu - హరి సర్వాత్మకుడు ఆదిమపురుషుడు</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGpYreSgfrzhoNnLQM25eJikMAcRVIO0hgwDB9xpz353C8tsOKWfoset57JHWM5ElcihL_ORzXAyl5F378tiEtezI6NUAu0xFOTgQr0v1PoPtL2oL6662gnbKZ3rQwuGH_p45fb3Ssxq-Hp3wW3RY-ttGBznmn5SmZ0ppDThXFUuQFe9-0TwXKm7F0YA/s1600/Hari%20sarvatmakudu%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;A devotee at dawn chanting Narayana with a hand on his heart, a soft golden glow at his lips and heart, while the horizon where earth meets sky shines as Vaikuntha with the gentle form of Lord Venkateswara in the clouds, illustrating Annamayya&#39;s keerthana Hari sarvatmakudu adimapurushudu, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGpYreSgfrzhoNnLQM25eJikMAcRVIO0hgwDB9xpz353C8tsOKWfoset57JHWM5ElcihL_ORzXAyl5F378tiEtezI6NUAu0xFOTgQr0v1PoPtL2oL6662gnbKZ3rQwuGH_p45fb3Ssxq-Hp3wW3RY-ttGBznmn5SmZ0ppDThXFUuQFe9-0TwXKm7F0YA/s1600/Hari%20sarvatmakudu%20-%20SDommu_vaksara.webp&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;

&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari sarvatmakudu: the Lord is on the tip of the tongue, in the mind and in the body, and earth and sky are Vaikuntha itself. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Hari sarvatmakudu adimapurushudu&lt;/b&gt; (హరి సర్వాత్మకుఁ డాదిమపురుషుఁడు) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya). The copper plate lists it in raga Bowli, and the version on this page, sung by Priya Sisters, is in raga Hamsadhwani. The song says that Hari is the Self of all and the Primal Person, and that those who know this have the merit. The poet then shows how near the Lord is. Narayana is at the tip of the tongue, where the name can be spoken at once. Madhava is in the mind. The body itself is the means to realise Vishnu. Earth and sky together are the true Vaikuntha. The last verse points to Sri Venkatapati close at hand and calls him the fortune of the devotees who serve him, and wealth tied in the end of the garment for those who ask. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, the audio by Priya Sisters, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari sarvatmakuda dimapurushudu, Hari sarvaatmakudu, Hari sarvatmakudu aadimapurushudu, హరి సర్వాత్మకుఁడు.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి సర్వాత్మకుఁ డాదిమపురుషుఁడు అన్నమయ్య కీర్తన (రాగం: బౌళి; ప్రియా సిస్టర్స్ గానంలో హంసధ్వని) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Hamsadhwani (హంసధ్వని)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga (copper plate listing)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Bowli (బౌళి)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;344-6&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;4-261&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singers (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Priya Sisters&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి సర్వాత్మకుఁ డాదిమపురుషుఁడు – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి సర్వాత్మకుఁ డాదిమపురుషుఁడు&lt;br /&gt;
పొరి నెరుఁగువారి పుణ్యము గాన ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
నాలుకకొననే నారాయణుఁడిదె&lt;br /&gt;
వైళము దలఁచనివారిదె పాపము&lt;br /&gt;
నేలయు మిన్నును నిజవైకుంఠము&lt;br /&gt;
పోలించి చూడని పురుషుల వెలితి ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
మనసులోననే మాధవుఁడున్నాఁడు&lt;br /&gt;
కనుఁగొనని వారికడ మింతే&lt;br /&gt;
తనువే విష్ణుని తత్వసాధనము&lt;br /&gt;
వొనరఁగ శ్రీపతి యున్నాఁడుగాన ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
చేరువ నిదివో శ్రీవేంకటపతి&lt;br /&gt;
ధారుణిఁ గొలిచేటి దాసులభాగ్యము&lt;br /&gt;
కారణ మితఁడే కలిగినదైవము&lt;br /&gt;
కోరినవారల కొంగులపసిఁడి ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari sarvatmakudu adimapurushudu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari sarvAtmakuDu AdimapurushuDu&lt;br /&gt;
pori neruguvAri puNyamu gAna ||pallavi||
&lt;/p&gt;

&lt;p&gt;
nAlukakonanE nArAyaNuDide&lt;br /&gt;
vaiLamu dalachanivAride pApamu&lt;br /&gt;
nElayu minnunu nijavaikuMThamu&lt;br /&gt;
pOliMchi chUDani purushula veliti ||hari||
&lt;/p&gt;

&lt;p&gt;
manasulOnanE mAdhavuDunnADu&lt;br /&gt;
kanugonani vArikaDa miMtE&lt;br /&gt;
tanuvE vishNuni tatvasAdhanamu&lt;br /&gt;
vonaraga SrIpati yunnADugAna ||hari||
&lt;/p&gt;

&lt;p&gt;
chEruva nidivO SrIvEMkaTapati&lt;br /&gt;
dhAruNi golichETi dAsulabhAgyamu&lt;br /&gt;
kAraNa mitaDE kaliginadaivamu&lt;br /&gt;
kOrinavArala koMgulapasiDi ||hari||
&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by PRIYA SISTERS:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/D1UvkE_5UHs?si=3osUy4T6N2vbF29a&quot; title=&quot;Hari sarvatmakudu adimapurushudu - Annamayya keerthana sung by Priya Sisters&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Sung by Priya Sisters, raga Hamsadhwani. Video embedded from YouTube. All rights belong to the artists and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sarvatmakudu (సర్వాత్మకుఁడు):&lt;/b&gt; the Self of all, the one who is the inner being of everything. In the Telugu text it runs on into the next word: &lt;i&gt;sarvatmakuda-dima...&lt;/i&gt;&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adima-purushudu (ఆదిమపురుషుఁడు):&lt;/b&gt; the Primal Person, the first being.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pori (పొరి):&lt;/b&gt; in due order, properly, closely. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Erugu (ఎఱుఁగు):&lt;/b&gt; to know, to understand.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Punyamu (పుణ్యము):&lt;/b&gt; merit, the fruit of good deeds.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nalukakonane (నాలుకకొననే):&lt;/b&gt; on the very tip of the tongue.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Narayanudu (నారాయణుఁడు):&lt;/b&gt; Narayana, the Lord who is the refuge of all beings.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;VaiLamu (వైళము):&lt;/b&gt; quickly, at once.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dalachanivaru (తలఁచనివారు):&lt;/b&gt; those who do not think of (him).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Papamu (పాపము):&lt;/b&gt; sin, fault.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nelayu minnunu (నేలయు మిన్నును):&lt;/b&gt; earth and sky.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nija-vaikunthamu (నిజవైకుంఠము):&lt;/b&gt; the true Vaikuntha, the Lord&#39;s real abode.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Polinchi (పోలించి):&lt;/b&gt; having compared, having seen the likeness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Veliti (వెలితి):&lt;/b&gt; a lack, a shortfall.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Madhavudu (మాధవుఁడు):&lt;/b&gt; a name of Vishnu.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kanugonani (కనుఁగొనని):&lt;/b&gt; those who do not see or notice.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kadaminte (కడమింతే):&lt;/b&gt; it is only so, that is how it remains. The phrase is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tanuvu (తనువు):&lt;/b&gt; the body.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tatva-sadhanamu (తత్వసాధనము):&lt;/b&gt; the means of realising the truth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vonaraga (వొనరఁగ):&lt;/b&gt; fully, in a fitting way.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sripati (శ్రీపతి):&lt;/b&gt; the husband of Sri (Lakshmi), Vishnu.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Cheruva (చేరువ):&lt;/b&gt; nearby, close at hand.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatapati (శ్రీవేంకటపతి):&lt;/b&gt; the Lord of Venkata, Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dharuni (ధారుణి):&lt;/b&gt; the earth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Golichetti (కొలిచేటి):&lt;/b&gt; who serve, who worship.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dasula bhagyamu (దాసులభాగ్యము):&lt;/b&gt; the good fortune of the devotees (servants).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Karanamu (కారణము):&lt;/b&gt; the cause, the reason.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kaligina daivamu (కలిగినదైవము):&lt;/b&gt; the God who truly exists, the real God.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Korinavarala (కోరినవారల):&lt;/b&gt; for those who ask.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kongula pasidi (కొంగులపసిఁడి):&lt;/b&gt; gold tied in the end (kongu) of a garment, wealth kept in hand and ready to use.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari sarvatmakudu adimapurushudu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; Hari is the Self of all and the Primal Person. It is the merit of those who understand this well.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Here is Narayana, on the very tip of the tongue. The fault lies with those who do not think of him at once. Earth and sky together are the true Vaikuntha. The lack is in the people who do not look and see it so.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; Madhava is in the mind itself. For those who do not look for him, it just remains so. The body itself is the means of realising Vishnu&#39;s truth, because Sripati is fully present in it.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Here, close at hand, is Sri Venkatapati. He is the good fortune of the devotees who serve him on earth. He is the cause of all, the God who truly exists, and for those who ask he is gold tied in the end of the garment.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is about how near God is. The poet does not send the devotee to a far-off place. He points to the tip of the tongue, to the mind, to the body, and to the horizon where earth and sky meet. In each of these the Lord is already there, and the &quot;lack&quot; or &quot;sin&quot; is only in not noticing him. The last image, gold in the knot of the garment, says that for the one who asks, the wealth is already in hand.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరి సర్వాత్మకుడు, ఆదిమపురుషుడు, ఈ సంగతిని బాగా తెలుసుకున్నవారి పుణ్యమే అది అని పల్లవిలో చెబుతున్నారు. మొదటి చరణంలో నారాయణుడు నాలుక కొనలోనే ఉన్నాడు, వెంటనే తలచని వారిదే పాపం, నేలా ఆకాశమూ కలిసిన చోటే నిజమైన వైకుంఠం, అలా పోల్చి చూడని వారిదే వెలితి అంటున్నారు. రెండవ చరణంలో మాధవుడు మనసులోనే ఉన్నాడు, చూడనివారికి అంతే, శరీరమే విష్ణుతత్త్వాన్ని సాధించే సాధనం, ఎందుకంటే శ్రీపతి అందులో నిండి ఉన్నాడు అని చెబుతున్నారు. మూడవ చరణంలో శ్రీవేంకటపతి దగ్గరలోనే ఉన్నాడు, లోకంలో ఆయనను కొలిచే దాసుల భాగ్యమే ఆయన, సమస్తానికీ కారణమైన నిజమైన దైవం, కోరినవారికి కొంగున ఉన్న బంగారం అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari sarvatmakudu adimapurushudu?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
The copper plate lists it in raga Bowli (బౌళి). The version by Priya Sisters on this page is sung in raga Hamsadhwani (హంసధ్వని).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 344-6, Samputam 4-261.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
It says that Hari is the Self of all and the Primal Person. The Lord is at the tip of the tongue, in the mind and in the body, and earth and sky together are the true Vaikuntha. The poet says that the only lack is in not noticing this.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;nalukakonane Narayanudide&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means &quot;here is Narayana, right on the tip of the tongue&quot;. The name is so close that one only has to say it.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;kongula pasidi&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means gold tied in the end (kongu) of a garment. It stands for wealth that is already in hand. For those who ask, the Lord is like this.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who sings the audio?&lt;/b&gt;&lt;br /&gt;
The audio on this page is sung by Priya Sisters.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
Use the YouTube player placed after the English transliteration on this page.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 344-6, samputam 4-261) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Priya Sisters (raga Hamsadhwani). Embedded from YouTube. Rights belong to the artists and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/tandanaana-ahi-brahmamekkate-para.html&quot;&gt;Tandanaana Ahi (Brahmamokkate) - తందనాన ఆహి (బ్రహ్మమొక్కటే)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-sarvatmakudu-adimapurushudu.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcGpYreSgfrzhoNnLQM25eJikMAcRVIO0hgwDB9xpz353C8tsOKWfoset57JHWM5ElcihL_ORzXAyl5F378tiEtezI6NUAu0xFOTgQr0v1PoPtL2oL6662gnbKZ3rQwuGH_p45fb3Ssxq-Hp3wW3RY-ttGBznmn5SmZ0ppDThXFUuQFe9-0TwXKm7F0YA/s72-c/Hari%20sarvatmakudu%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-5393032299342559148</guid><pubDate>Mon, 02 Nov 2026 06:07:46 +0000</pubDate><atom:updated>2026-11-02T11:37:46.463+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">G Balakrishna Prasad</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Heenudaina nannu dechchi - హీనుడైన నన్ను దెచ్చి</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IeTyhWQgwwVG82biBz6inFF1umrwPg_hcKQDyGnxPTO-3vHXziw4reC-q0h8NB16bhQDZ1NFRp3N3KMLghavZVu2I6nxlTmcnnk7XfLlh1UhDb500FhUOGQHeEq9WZ8DgDftV5lmzyNg6_KBFw46Qgvi1KDrcNruG8yeBZgXZbXTXe3k0DvTch6mnl8/s1600/Heenudaina%20nannu%20dechchi%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A humble devotee in simple worn clothes standing at the golden doorway of the Tirumala sanctum as Lord Venkateswara reaches out to welcome him with a gentle smile, illustrating Annamayya’s keerthana Heenudaina nannu dechchi, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IeTyhWQgwwVG82biBz6inFF1umrwPg_hcKQDyGnxPTO-3vHXziw4reC-q0h8NB16bhQDZ1NFRp3N3KMLghavZVu2I6nxlTmcnnk7XfLlh1UhDb500FhUOGQHeEq9WZ8DgDftV5lmzyNg6_KBFw46Qgvi1KDrcNruG8yeBZgXZbXTXe3k0DvTch6mnl8/s1600/Heenudaina%20nannu%20dechchi%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Heenudaina nannu dechchi: a lowly devotee wonders why the Lord has honoured him so much. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Heenudaina nannu dechchi&lt;/b&gt; (హీనుఁడైన నన్నుఁ దెచ్చి యింతగా మన్నించితివి) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Devagandhari. It is a song of wonder and humility. The poet says that the Lord took a lowly person like him and honoured him so much. He then goes through the qualities a person might claim in order to deserve such grace: a mind free of attachment, great penance, faultless conduct, control of the senses, great charity, knowledge, devotion. He says that he has none of them, and asks again and again how the Lord&#39;s compassion came to rest on him. The last line calls himself only a creature in the ocean of worldly life. The song is sung and composed by G. Balakrishna Prasad, and you can listen to it in the player placed after the English transliteration. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, the audio, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Heenudaina nannu dechchi, Hinudaina nannu dechi, Hinudaina nannu dechchi yintaga manninchitivi, హీనుఁడైన నన్నుఁ దెచ్చి.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హీనుఁడైన నన్నుఁ దెచ్చి యింతగా మన్నించితివి అన్నమయ్య కీర్తన (రాగం: దేవగాంధారి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Devagandhari (దేవగాంధారి)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;232-2&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;3-181&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer &amp;amp; music (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;G Balakrishna Prasad&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Courtesy&lt;/b&gt;&lt;/td&gt;&lt;td&gt;TTD &amp;amp; Sri Venkateswara Recording Project&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హీనుఁడైన నన్నుఁ దెచ్చి – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హీనుఁడైన నన్నుఁ దెచ్చి యింతగా మన్నించితివి&lt;br /&gt;
దానవారి నీవు సేసే తగవిట్టిదయ్యా ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
విరతి బొందినయట్టి విమలచిత్తుఁడఁ గాను&lt;br /&gt;
ధరణి నెక్కుడయిన తపసిఁ గాను&lt;br /&gt;
అరుదుగ గెంటులేని ఆచారవంతుఁడఁ గాను&lt;br /&gt;
హరి నీకరుణ నాపై నంటుటెట్లయ్యా ॥హీనుఁ॥
&lt;/p&gt;

&lt;p&gt;
చేముంచి యిందరిలోన జితేంద్రియుఁడఁ గాను&lt;br /&gt;
భూమెల్లా దానమిచ్చిన పుణ్యుఁడఁ గాను&lt;br /&gt;
దోమటికర్మాలు సేసి తుదకెక్కేవాఁడఁ గాను&lt;br /&gt;
యేమిటికిఁ గాచితివో యిది సోద్యమయ్యా ॥హీనుఁ॥
&lt;/p&gt;

&lt;p&gt;
వివరించి తెలిసిన విజ్ఞాని తొలుతఁ గాను&lt;br /&gt;
తవిలి నీ భక్తిగల ధన్యుఁడఁ గాను&lt;br /&gt;
భవసాగరములోని ప్రాణిమాత్ర మింతే నేను&lt;br /&gt;
యివల శ్రీవేంకటేశ యెట్టేలితివయ్యా ॥హీనుఁ॥
&lt;/p&gt;

&lt;h3&gt;Heenudaina nannu dechchi – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hInuDaina nannu dechchi yiMtagA manniMchitivi&lt;br /&gt;
dAnavAri nIvu sEsE tagaviTTidayyA ||pallavi||
&lt;/p&gt;

&lt;p&gt;
virati boMdinayaTTi vimalachittuDa gAnu&lt;br /&gt;
dharaNi nekkuDayina tapasi gAnu&lt;br /&gt;
aruduga geMTulEni AchAravaMtuDa gAnu&lt;br /&gt;
hari nIkaruNa nApai naMTuTeTlayyA ||hInu||
&lt;/p&gt;

&lt;p&gt;
chEmuMchi yiMdarilOna jitEMdriyuDa gAnu&lt;br /&gt;
bhUmellA dAnamichchina puNyuDa gAnu&lt;br /&gt;
dOmaTikarmAlu sEsi tudakekkEvADa gAnu&lt;br /&gt;
yEmiTiki gAchitivO yidi sOdyamayyA ||hInu||
&lt;/p&gt;

&lt;p&gt;
vivariMchi telisina vij~nAni toluta gAnu&lt;br /&gt;
tavili nI bhaktigala dhanyuDa gAnu&lt;br /&gt;
bhavasAgaramulOni prANimAtra miMtE nEnu&lt;br /&gt;
yivala SrIvEMkaTESa yeTTElitivayyA ||hInu||
&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by G BALAKRISHNA PRASAD:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/F9ADMurWG4g?si=gP1h2-1Ijoqfud2F&quot; title=&quot;Heenudaina nannu dechchi - Annamayya keerthana sung by G Balakrishna Prasad&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Singer &amp;amp; Composer: G Balakrishna Prasad garu. (Courtesy: TTD &amp;amp; Sri Venkateswara Recording Project, as written in the YouTube description.) All rights belong to the artist, TTD and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Heenudu (హీనుఁడు):&lt;/b&gt; a lowly, unworthy person; one lacking in merit.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dechchi (తెచ్చి):&lt;/b&gt; having brought (me near).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yintaga (యింతగా):&lt;/b&gt; so much, to this extent.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Manninchitivi (మన్నించితివి):&lt;/b&gt; you honoured, you favoured, you forgave.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Danavari (దానవారి):&lt;/b&gt; the enemy of the demons (danavas), a name for Vishnu.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tagavu (తగవు):&lt;/b&gt; a way of acting, the right of the matter. &lt;i&gt;Tagavittidayya&lt;/i&gt; means &quot;this is how you act&quot;.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Virati (విరతి):&lt;/b&gt; detachment, freedom from worldly desire.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vimala-chittudu (విమలచిత్తుఁడు):&lt;/b&gt; a person with a pure mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;...Da ganu (...డఁ గాను):&lt;/b&gt; &quot;I am not a ...&quot; The poet uses this phrase in each verse to deny that he has any of the qualities named.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dharani nekkudayina (ధరణి నెక్కుడయిన):&lt;/b&gt; greater than anyone on earth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tapasi (తపసి):&lt;/b&gt; a sage who practises penance.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Aruduga (అరుదుగ):&lt;/b&gt; rarely, in an uncommon way.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gentulemi (గెంటులేని):&lt;/b&gt; without a fault, without a blemish. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Acharavantudu (ఆచారవంతుఁడు):&lt;/b&gt; a person of good conduct and discipline.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Karuna (కరుణ):&lt;/b&gt; compassion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nantutetlayya (నంటుటెట్లయ్యా):&lt;/b&gt; how does it touch, how does it attach itself?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chemunchi (చేముంచి):&lt;/b&gt; a word of old Telugu; read here as &quot;among all these people, taking charge&quot;. The meaning is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jitendriyudu (జితేంద్రియుఁడు):&lt;/b&gt; one who has conquered the senses.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhumella danamichchina (భూమెల్లా దానమిచ్చిన):&lt;/b&gt; one who gave away the whole earth in charity.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Punyudu (పుణ్యుఁడు):&lt;/b&gt; a person of merit.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Domati-karmalu (దోమటికర్మాలు):&lt;/b&gt; a hard phrase in old Telugu. It is read here as rites and works of worldly effort, so the meaning is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tudakekkevadu (తుదకెక్కేవాఁడు):&lt;/b&gt; one who reaches the end, one who attains the goal.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yemitiki gachitivo (యేమిటికిఁ గాచితివో):&lt;/b&gt; for what reason did you protect me?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sodyamu (సోద్యము):&lt;/b&gt; a wonder, something astonishing.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vivarinchi telisina (వివరించి తెలిసిన):&lt;/b&gt; one who has understood after careful study.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vijnani (విజ్ఞాని):&lt;/b&gt; a person of knowledge.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tavili (తవిలి):&lt;/b&gt; having held on firmly, with eagerness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dhanyudu (ధన్యుఁడు):&lt;/b&gt; a blessed, fortunate person.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhava-sagaramu (భవసాగరము):&lt;/b&gt; the ocean of worldly life (samsara).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pranimatra (ప్రాణిమాత్ర):&lt;/b&gt; a mere living creature.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yivala (యివల):&lt;/b&gt; now, on this side.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesa (శ్రీవేంకటేశ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yettelitivayya (యెట్టేలితివయ్యా):&lt;/b&gt; how did you take me and rule over me?&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Heenudaina nannu dechchi (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases (especially in the second verse) are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; You took a lowly person like me and honoured me so much. O enemy of the demons, this is how you act.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; I am not a pure-minded person who has gained detachment. I am not a sage greater than any on earth. I am not a person of rare, faultless conduct. O Hari, how does your compassion come to rest on me?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; I am not someone who has conquered his senses among all these people. I am not a person of merit who gave away the whole earth. I am not one who performs rites and reaches the goal. For what reason did you protect me? This is a wonder.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; I am not a wise person who has understood after careful study. I am not a blessed devotee who held on to you with eagerness. I am only a creature in the ocean of worldly life. O Sri Venkatesa, how did you take me as your own?&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song uses a list of denials. Annamayya names the things a person might offer as a reason for grace: detachment, penance, conduct, self-control, charity, knowledge and devotion. He then says that he has none of them. The effect is humble and joyful at the same time. If grace cannot be earned, it can only be a gift, and that is why the poet ends with a question and not a claim.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హీనుడినైన నన్ను చేరదీసి ఇంతగా మన్నించావు, దానవారీ, నీవు చేసే తగవు ఇదే అని ఆశ్చర్యపడుతున్నారు. మొదటి చరణంలో నేను వైరాగ్యం పొందిన నిర్మలచిత్తుడను కాను, భూమిపై అందరికంటే గొప్ప తపస్విని కాను, అరుదైన నిర్దోష ఆచారవంతుడను కాను, హరీ, మరి నీ కరుణ నాపై ఎలా అంటుకుంది అని అడుగుతున్నారు. రెండవ చరణంలో ఇంద్రియాలను జయించినవాడను కాను, భూమినంతా దానం చేసిన పుణ్యాత్ముడను కాను, కర్మలు చేసి గమ్యం చేరేవాడను కాను, ఎందుకు నన్ను కాపాడావో, ఇది ఆశ్చర్యమే అంటున్నారు. మూడవ చరణంలో విచారించి తెలుసుకున్న విజ్ఞానిని కాను, నీ భక్తి కలిగిన ధన్యుడను కాను, భవసాగరంలోని ఒక ప్రాణిని మాత్రమే, శ్రీవేంకటేశా, ఇప్పుడు నన్ను ఎలా ఏలుకున్నావు అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Heenudaina nannu dechchi?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Devagandhari (దేవగాంధారి).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 232-2, Samputam 3-181.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
The poet says that the Lord took a lowly person like him and honoured him so much. He then says, verse after verse, that he is not pure-minded, not a great sage, not a person of faultless conduct, not self-controlled, not charitable, not wise and not a devotee. He asks how the Lord&#39;s grace came to rest on him.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;heenudu&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means a lowly or unworthy person, someone lacking in merit. In the song the poet uses it for himself.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;danavari&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means the enemy of the demons (danavas). It is a name of Vishnu, here used for Sri Venkateswara.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who sang and composed the audio?&lt;/b&gt;&lt;br /&gt;
The singer and music composer is G. Balakrishna Prasad. The YouTube description gives the courtesy to TTD and the Sri Venkateswara Recording Project.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
Use the YouTube player placed after the English transliteration on this page.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 232-2, samputam 3-181) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung and composed by G. Balakrishna Prasad. Courtesy TTD &amp;amp; Sri Venkateswara Recording Project, as written in the YouTube description. Embedded from YouTube. Rights belong to the artist, TTD and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/tandanaana-ahi-brahmamekkate-para.html&quot;&gt;Tandanaana Ahi (Brahmamokkate) - తందనాన ఆహి (బ్రహ్మమొక్కటే)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/heenudaina-nannu-dechchi.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7IeTyhWQgwwVG82biBz6inFF1umrwPg_hcKQDyGnxPTO-3vHXziw4reC-q0h8NB16bhQDZ1NFRp3N3KMLghavZVu2I6nxlTmcnnk7XfLlh1UhDb500FhUOGQHeEq9WZ8DgDftV5lmzyNg6_KBFw46Qgvi1KDrcNruG8yeBZgXZbXTXe3k0DvTch6mnl8/s72-c/Heenudaina%20nannu%20dechchi%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-2231223788162667927</guid><pubDate>Sun, 01 Nov 2026 03:12:01 +0000</pubDate><atom:updated>2026-11-01T08:42:01.533+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Vani Jairam</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari Narayana Krishna adivo - హరి నారాయణ కృష్ణ అదివో </title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaMg5hOez-1iWCrOjpo63w5PnRGChv_g0I9SId0bSTXy6lRp0QdZccKCT1gObZubB8E_Y5RHot-Ew5DGQAeTDCioUMqvOGhUPar7PN-gG3MysXNjQW6_QvHgUut6x-z4heloUk6Px-U35fCOhWQNPGTP40gyTrrWKspPJJgDEq1zFEjBD0HWdEMq12L2o/s1600/Hari%20Narayana%20Krishna%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A traditional Telugu wooden string puppet (kilubomma) lit by golden light, its strings rising to the hands of Lord Venkateswara in the clouds, with a winding stream and a small village temple below, illustrating Annamayya’s keerthana Hari Narayana Krishna adivo mavinnapamu, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaMg5hOez-1iWCrOjpo63w5PnRGChv_g0I9SId0bSTXy6lRp0QdZccKCT1gObZubB8E_Y5RHot-Ew5DGQAeTDCioUMqvOGhUPar7PN-gG3MysXNjQW6_QvHgUut6x-z4heloUk6Px-U35fCOhWQNPGTP40gyTrrWKspPJJgDEq1zFEjBD0HWdEMq12L2o/s1600/Hari%20Narayana%20Krishna%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;

&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari Narayana Krishna adivo mavinnapamu: a humble petition to the Lord, who moves the puppet whether or not it remembers him. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by VANI JAIRAM:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/284%20ANNAMAYYA%20BALA%20GANA%20LAHARI%20-%203/10%20HARI%20NARAYANA%20KRISHNA.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari Narayana Krishna adivo mavinnapamu&lt;/b&gt; (హరి నారాయణ కృష్ణ అదివో మావిన్నపము) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Paadi. It is a humble petition to the Lord. The poet says that his mind is unsteady and his devotion is small, but the Lord&#39;s grace is great, and he leaves the rest to him. He gives three pictures to explain why that is enough: a crooked, winding stream that still reaches the earth, a small temple whose god is great, and a puppet that dances when the puppeteer pulls the strings, whether or not the puppet is awake. The audio here is sung by Vani Jairam. TTD places it in the album Annamayya Bala Gana Lahari - 3. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari Narayana Krishna, Hari Narayana Krishna adivo maa vinnapamu, Hari Narayana Krushna, హరి నారాయణ కృష్ణ.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నారాయణ కృష్ణ అదివో మావిన్నపము అన్నమయ్య కీర్తన (రాగం: పాడి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Paadi (పాడి)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;198-6&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;2-507&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Vani Jairam&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Audio album&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamayya Bala Gana Lahari - 3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Source&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నారాయణ కృష్ణ అదివో మావిన్నపము – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నారాయణ కృష్ణ అదివో మావిన్నపము&lt;br /&gt;
తరవాతి మాట నీవే తలఁచుకోవయ్యా ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
నడిఁబడ్డ తలఁపు చక్కఁగాక వుండినాను&lt;br /&gt;
వొడయఁడవు నీకృప వొగిఁ జక్కనే&lt;br /&gt;
గుడిగొన్న యేరెంత కొంకరవంకరలైనా&lt;br /&gt;
పుడమికి లోఁగొనకపోవునటవయ్యా ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
కాయకపు నాభక్తి కడుఁ గొంచమైనాను&lt;br /&gt;
ఆయపు నీవరములు అతిఘనమే&lt;br /&gt;
యేయెడ గుడి గొంచమయిన గుడిలో దేవుని-&lt;br /&gt;
కాయెడ మహిమ ఘనమందురు గదవయ్యా ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
శ్రీవేంకటేశ నిన్ను జింతించక నే నుండినా&lt;br /&gt;
జీవాంతరాత్ముఁడవై చేకొంటి నీవే&lt;br /&gt;
ఆవటించి కీలుబొమ్మ అచేతనమై యుండినా&lt;br /&gt;
ఆవేళ సూత్రధారుఁ డాడించుఁ గదవయ్యా ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari Narayana Krishna adivo mavinnapamu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari nArAyaNa kRshNa adivO mAvinnapamu&lt;br /&gt;
taravAti mATa nIvE talachukOvayyA ||pallavi||
&lt;/p&gt;

&lt;p&gt;
naDibaDDa talapu chakkagAka vuMDinAnu&lt;br /&gt;
voDayaDavu nIkRpa vogi chakkanE&lt;br /&gt;
guDigonna yEreMta koMkaravaMkaralainA&lt;br /&gt;
puDamiki lOgonakapOvunaTavayyA ||hari||
&lt;/p&gt;

&lt;p&gt;
kAyakapu nAbhakti kaDu goMchamainAnu&lt;br /&gt;
Ayapu nIvaramulu atighanamE&lt;br /&gt;
yEyeDa guDi goMchamayina guDilO dEvuni-&lt;br /&gt;
kAyeDa mahima ghanamaMduru gadavayyA ||hari||
&lt;/p&gt;

&lt;p&gt;
SrIvEMkaTESa ninnu jiMtiMchaka nE nuMDinA&lt;br /&gt;
jIvAMtarAtmuDavai chEkoMTi nIvE&lt;br /&gt;
AvaTiMchi kIlubomma achEtanamai yuMDinA&lt;br /&gt;
AvELa sUtradhAruDu ADiMchu gadavayyA ||hari||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari, Narayana, Krishna (హరి, నారాయణ, కృష్ణ):&lt;/b&gt; names of Vishnu, here addressed to Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adivo (అదివో):&lt;/b&gt; &quot;here it is, look&quot;. It draws the Lord&#39;s attention to the plea.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mavinnapamu (మావిన్నపము):&lt;/b&gt; our petition, our humble request.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Taravati mata (తరవాతి మాట):&lt;/b&gt; the next word, what follows, the rest.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Talachukovayya (తలఁచుకోవయ్యా):&lt;/b&gt; please think it over, please take care of it.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nadibadda (నడిఁబడ్డ):&lt;/b&gt; caught in the middle, wavering. Read with &lt;i&gt;talapu&lt;/i&gt;, an unsteady mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Talapu (తలఁపు):&lt;/b&gt; thought, mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chakkagaka (చక్కఁగాక):&lt;/b&gt; not set right, not steady.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vodayadu (వొడయఁడు):&lt;/b&gt; lord, master.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Krupa (కృప):&lt;/b&gt; grace, mercy.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vogi (వొగిఁ):&lt;/b&gt; fully, in abundance. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chakkane (చక్కనే):&lt;/b&gt; is good, is right, is perfect.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gudigonna yeru (గుడిగొన్న యేరు):&lt;/b&gt; a stream that circles or coils around. The phrase is old Telugu, so this is a tentative reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Konkara-vankaralu (కొంకరవంకరలు):&lt;/b&gt; twists and bends, crookedness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pudamiki logonaka povunu (పుడమికి లోఁగొనక పోవును):&lt;/b&gt; will it not enter the earth, will it not reach the sea? Read with the stream, it means &quot;will it not finally reach its goal?&quot; The phrase is old Telugu, so this is a tentative reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kayakapu bhakti (కాయకపు భక్తి):&lt;/b&gt; devotion of one&#39;s own effort, devotion that comes from one&#39;s own labour. The word &lt;i&gt;kayakamu&lt;/i&gt; has a few meanings, so this is a tentative reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Konchamu (కొంచము):&lt;/b&gt; small, little.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ayapu (ఆయపు):&lt;/b&gt; that which comes in, income, gain. Here it refers to what the Lord gives back.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Varamulu (వరములు):&lt;/b&gt; boons, blessings.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Atighanamu (అతిఘనము):&lt;/b&gt; very great, very large.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yeyeda (యేయెడ):&lt;/b&gt; wherever, in whatever place.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gudi (గుడి):&lt;/b&gt; a temple.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mahima (మహిమ):&lt;/b&gt; greatness, glory.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gadavayya (గదవయ్యా):&lt;/b&gt; isn&#39;t it so, aren&#39;t they, you know. A way of asking for agreement.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chintinchaka (చింతించక):&lt;/b&gt; without thinking of (you).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jivantaratma (జీవాంతరాత్ముఁడు):&lt;/b&gt; the inner self who lives within every being.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chekonti (చేకొంటి):&lt;/b&gt; you took (me) as your own.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Avatinchi (ఆవటించి):&lt;/b&gt; having been joined, having taken the form of. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kilubomma (కీలుబొమ్మ):&lt;/b&gt; a puppet that moves on joints or strings, a marionette.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Achetanamu (అచేతనము):&lt;/b&gt; lifeless, without awareness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sutradharudu (సూత్రధారుఁడు):&lt;/b&gt; the holder of the strings, the puppeteer, the one who directs the play.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adinchu (ఆడించు):&lt;/b&gt; makes it move, makes it dance.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari Narayana Krishna adivo mavinnapamu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. Several phrases (especially in the first two verses) are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; O Hari, Narayana, Krishna, here is our petition. What comes next is for you to think about.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Even if my wavering mind is not steady, your grace, O Lord, is right and full. However crooked and winding a stream may be, doesn&#39;t it finally enter the earth and reach its goal?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; My devotion may be very small, but what you give back is very great. Wherever a temple is small, they say the glory of the god inside is great, don&#39;t they?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; O Sri Venkatesa, even if I do not think of you, you, the inner self of every being, have taken me as your own. Even if the puppet lies lifeless, the holder of the strings makes it dance at that time, doesn&#39;t he?&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a gentle argument for grace. Annamayya does not claim to be steady or deeply devoted. He gives the Lord three pictures to show that this does not matter: a stream that finds its way even through many bends, a small temple that holds a great god, and a puppet that moves because of the one who holds the strings. The ending is the strongest. Even when the devotee does not remember the Lord, the Lord holds him as the inner self. In this way the song turns a confession of weakness into a statement of trust.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య హరి, నారాయణ, కృష్ణా, ఇదే మా విన్నపం, ఆ తరువాత సంగతి నీవే చూసుకో అని వేడుతున్నారు. మొదటి చరణంలో నా మనసు స్థిరంగా లేకపోయినా, ప్రభూ, నీ కృప ఎప్పుడూ మంచిదే అని చెబుతూ, ఎంత వంకర టింకరగా ప్రవహించినా ఏరు చివరకు భూమిలోకి (సముద్రంలోకి) చేరకుండా ఉంటుందా అని అడుగుతున్నారు. రెండవ చరణంలో నా భక్తి చాలా కొంచెమైనా, నీవిచ్చే వరాలు చాలా గొప్పవి అని, ఎక్కడైనా గుడి చిన్నదైనా లోపలి దేవుని మహిమ గొప్పదే అంటారు కదా అని చెబుతున్నారు. మూడవ చరణంలో శ్రీవేంకటేశా, నేను నిన్ను తలచకపోయినా, జీవులందరిలో అంతరాత్మగా ఉన్న నీవే నన్ను స్వీకరించావు, కీలుబొమ్మ చైతన్యం లేకుండా ఉన్నా, ఆ సమయంలో సూత్రధారుడే దాన్ని ఆడిస్తాడు కదా అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari Narayana Krishna adivo mavinnapamu?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Paadi (పాడి).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 198-6, Samputam 2-507.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
The poet presents a humble petition to the Lord. He admits that his mind is unsteady and his devotion is small, and says that the Lord&#39;s grace is still great. He gives three pictures: a winding stream that still reaches its goal, a small temple with a great god, and a puppet moved by its puppeteer.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;kilubomma&quot; mean in the song?&lt;/b&gt;&lt;br /&gt;
A kilubomma is a puppet that moves on joints or strings. In the last verse the poet compares himself to a lifeless puppet that the sutradhari (puppeteer, the Lord) makes dance.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does &quot;sutradhari&quot; mean?&lt;/b&gt;&lt;br /&gt;
It means the holder of the strings, the puppeteer. In the song it is the Lord, who moves the devotee whether or not the devotee remembers him.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which album is the audio from?&lt;/b&gt;&lt;br /&gt;
The audio is from the TTD album Annamayya Bala Gana Lahari - 3, sung by Vani Jairam.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
The audio on this page is sung by Vani Jairam and hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 198-6, samputam 2-507) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Vani Jairam. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/tandanaana-ahi-brahmamekkate-para.html&quot;&gt;Tandanaana Ahi (Brahmamokkate) - తందనాన ఆహి (బ్రహ్మమొక్కటే)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/11/hari-narayana-krishna.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaMg5hOez-1iWCrOjpo63w5PnRGChv_g0I9SId0bSTXy6lRp0QdZccKCT1gObZubB8E_Y5RHot-Ew5DGQAeTDCioUMqvOGhUPar7PN-gG3MysXNjQW6_QvHgUut6x-z4heloUk6Px-U35fCOhWQNPGTP40gyTrrWKspPJJgDEq1zFEjBD0HWdEMq12L2o/s72-c/Hari%20Narayana%20Krishna%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-8342134689028561290</guid><pubDate>Sat, 31 Oct 2026 07:05:00 +0000</pubDate><atom:updated>2026-11-06T08:53:44.655+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">G Balakrishna Prasad</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari nee mayame antanu - హరి నీ మయమే అంతాను</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXBCTzO8uyCfoa0ywVwgOjMzRWDUPHuKdYChu05C3aY01x5O0Xtkt_92XSHeT9ZgfhSbv4O61ATvSwx1-ORKUA8NMOYLA5pP7NMZDHiKr3ExSGlnJac-CDBLUcUY_RnuD-1bhw9kDrSIVcMPeRH5xD8gqsEsQM9VHCVd97Z7bG1qDfY8ln6vsokXnRLjc/s1600/Hari%20nee%20mayame%20antanu%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A devotee with folded hands at dawn seeing the golden form of Lord Venkateswara in the sky, river, trees and people around him, illustrating Annamayya’s keerthana Hari nee mayame antanu, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXBCTzO8uyCfoa0ywVwgOjMzRWDUPHuKdYChu05C3aY01x5O0Xtkt_92XSHeT9ZgfhSbv4O61ATvSwx1-ORKUA8NMOYLA5pP7NMZDHiKr3ExSGlnJac-CDBLUcUY_RnuD-1bhw9kDrSIVcMPeRH5xD8gqsEsQM9VHCVd97Z7bG1qDfY8ln6vsokXnRLjc/s1600/Hari%20nee%20mayame%20antanu%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari nee mayame antanu: whatever is said, seen or thought is full of the Lord. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by G BALAKRISHNA PRASAD:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/77%20%20ANNAMAYYA%20SANKIRTANA%20TARAKAM/03%20HARI%20NEE.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari nee mayame antanu&lt;/b&gt; (హరి నీ మయమే అంతాను) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Lalita. The poet tells Hari that everything is full of him, and having thought it through, he takes refuge in him. Whatever words he speaks in front of anyone carry the Lord&#39;s great name, because the Vedas praise the Lord as the one named by all words. Whoever he sees, wherever he is, it is the Lord&#39;s form, because the Shrutis count the Lord&#39;s form as the universe itself. In the last verse, Annamayya says that his thought is the Lord as Brahman, and that the sacred texts declare the Lord, Sri Venkatesa, to be the one who lives within all. The audio here is sung by G. Balakrishna Prasad. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari nee mayame, Hari nI mayamE aMtAnu, Hari nee mayame antaanu, హరి నీ మయమే.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నీ మయమే అంతాను అన్నమయ్య కీర్తన (రాగం: లలిత) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (అధ్యాత్మ సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Lalita (లలిత)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;371-3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;4-418&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singer (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;G Balakrishna Prasad&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నీ మయమే అంతాను – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నీ మయమే అంతాను&lt;br /&gt;
అరసి నీకు శరణనియెద నేను ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
యెదుట నెవ్వరిఁక నేమాటాడిన&lt;br /&gt;
అది నీ ఘన నామాంకితమే&lt;br /&gt;
అదివో సకల శబ్దాఖ్యుఁడవని నిన్ను&lt;br /&gt;
పొదలి చదువులు పొగడీఁగాన ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
యెవ్వరిఁ బొడగని యెక్కడనుండిన&lt;br /&gt;
నివ్వటిల్ల నది నీ రూపే&lt;br /&gt;
నెవ్వదీర నిదె నిను విశ్వరూపుఁ&lt;br /&gt;
డెవ్వల నని శ్రుతులెంచీఁ గాన ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
భావన యిది నీ బ్రహ్మాత్మకమే&lt;br /&gt;
శ్రీ వేంకటేశ నాచింత యిదే&lt;br /&gt;
ఆవల నిను సర్వాంతర్యామెని&lt;br /&gt;
దేవ శాస్త్రములు తెలిపీఁ గాన ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari nee mayame antanu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari nI mayamE aMtAnu&lt;br /&gt;
arasi nIku SaraNaniyeda nEnu ||pallavi||
&lt;/p&gt;

&lt;p&gt;
yeduTa nevvarika nEmATADina&lt;br /&gt;
adi nI ghana nAmAMkitamE&lt;br /&gt;
adivO sakala SabdAkhyuDavani ninnu&lt;br /&gt;
podali chaduvulu pogaDIgAna ||hari||
&lt;/p&gt;

&lt;p&gt;
yevvari boDagani yekkaDanuMDina&lt;br /&gt;
nivvaTilla nadi nI rUpE&lt;br /&gt;
nevvadIra nide ninu viSvarUpuDevvala nani SrutuleMchIgAna ||hari||
&lt;/p&gt;

&lt;p&gt;
bhAvana yidi nI brahmAtmakamE&lt;br /&gt;
SrI vEMkaTESa nAchiMta yidE&lt;br /&gt;
Avala ninu sarvAMtaryAmeni&lt;br /&gt;
dEva SAstramulu telipIgAna ||hari||
&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Video: sung by G BALAKRISHNA PRASAD&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/3AEtYw17lo4?si=ubL1PENkcXiDzaI-&quot; title=&quot;Hari nee mayame antanu - Annamayya keerthana sung by G BALAKRISHNA PRASAD&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Video: G BALAKRISHNA PRASAD, on YouTube. All rights belong to the artist and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nee mayamu (నీ మయము):&lt;/b&gt; full of you, made of you. Here &lt;i&gt;mayamu&lt;/i&gt; is the suffix meaning &quot;consisting of&quot;, not &lt;i&gt;maya&lt;/i&gt; as illusion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Antanu (అంతాను):&lt;/b&gt; all of it, everything.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Arasi (అరసి):&lt;/b&gt; having considered, having thought it through.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sarananiyeda (శరణనియెద):&lt;/b&gt; I take refuge, I surrender.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yeduta (యెదుట):&lt;/b&gt; in front, before someone.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Matadina (మాటాడిన):&lt;/b&gt; whatever I speak.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ghana-namankitamu (ఘననామాంకితము):&lt;/b&gt; marked with your great name.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sakala-sabdakhyudu (సకలశబ్దాఖ్యుఁడు):&lt;/b&gt; the one named by all words; every word ultimately names him.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Podali (పొదలి):&lt;/b&gt; overflowing, abundantly (here, the scriptures praise him with enthusiasm).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chaduvulu (చదువులు):&lt;/b&gt; the Vedas and sacred learning.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pogadiga na (పొగడీఁగాన):&lt;/b&gt; because they praise (you).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Podagani (బొడగని):&lt;/b&gt; having seen.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nivvatilla (నివ్వటిల్ల):&lt;/b&gt; abundantly, in full measure. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Rupe (రూపే):&lt;/b&gt; your form only.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nevvadira (నెవ్వదీర):&lt;/b&gt; read here as &quot;to the heart&#39;s content&quot;. The word is old Telugu, so this is tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Visvarupu (విశ్వరూపుఁడు):&lt;/b&gt; the one whose form is the universe.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Srutulu (శ్రుతులు):&lt;/b&gt; the Vedas (&quot;that which is heard&quot;).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Enchi (ఎంచీ):&lt;/b&gt; they count, they reckon.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhavana (భావన):&lt;/b&gt; thought, contemplation.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Brahmatmakamu (బ్రహ్మాత్మకము):&lt;/b&gt; having the nature of Brahman, the supreme reality.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesa (శ్రీ వేంకటేశ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chinta (చింత):&lt;/b&gt; thought, what I keep in mind.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Avala (ఆవల):&lt;/b&gt; further, beyond.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sarvantaryami (సర్వాంతర్యామి):&lt;/b&gt; the one who lives within all beings.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Deva-sastramulu (దేవశాస్త్రములు):&lt;/b&gt; the sacred scriptures about the divine.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Telipi (తెలిపీఁ):&lt;/b&gt; they declare, they teach.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari nee mayame antanu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases are old Telugu and can be read in more than one way (the third verse especially), so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; O Hari, all of this is full of you. Having thought it through, I take refuge in you.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Whatever I say in front of anyone is marked with your great name, because the Vedas, in their joy, praise you as the one who is named by every word.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; Whomever I see, wherever I am, that is your form in full measure. This is why the Shrutis reckon you as the one whose form is the whole universe.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; My thought is of you as Brahman, O Sri Venkatesa. This is my one concern. The sacred scriptures also declare you to be the one who lives within all beings.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is about seeing God in everything. Annamayya looks at speech (everything said), sight (everyone seen) and thought (everything contemplated) and finds the Lord in each. The refrain &quot;because the Vedas and scriptures say so&quot; ties his personal vision to the scriptures. The result is a short, quiet statement of surrender: if everything is the Lord, there is nowhere else to go.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య సమస్తమూ హరిమయమేనని, ఆలోచించి ఆయననే శరణు వేడుతున్నానని పల్లవిలో చెబుతున్నారు. మొదటి చరణంలో ఎవరి ఎదుట ఏ మాట పలికినా అది నీ గొప్ప నామంతో ముద్రితమే, ఎందుకంటే సకల శబ్దాల ద్వారా పిలువబడేవాడివని వేదాలు పొగడుతున్నాయి అంటున్నారు. రెండవ చరణంలో ఎవరిని చూసినా, ఎక్కడ ఉన్నా అది నీ రూపమే, నిన్ను విశ్వరూపుడిగా శ్రుతులు లెక్కిస్తున్నాయి అని చెబుతున్నారు. మూడవ చరణంలో నా భావన అంతా బ్రహ్మాత్మకుడివైన నీపైనే, శ్రీవేంకటేశా, ఇదే నా చింత, పైగా నిన్ను సర్వాంతర్యామిగా శాస్త్రాలు తెలుపుతున్నాయి అని ముగిస్తున్నారు.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari nee mayame antanu?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Lalita (లలిత).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 371-3, Samputam 4-418.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
The poet says that everything is full of Hari: the words he speaks, the people he sees and the thoughts he keeps in mind. He cites the Vedas and scriptures, which call the Lord the one named by all words, the one whose form is the universe, and the one who lives within all.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Does &quot;mayamu&quot; here mean illusion?&lt;/b&gt;&lt;br /&gt;
No. In &quot;nee mayamu&quot; the word is a suffix meaning &quot;full of&quot; or &quot;made of&quot;, so the line means &quot;all of this is full of you&quot;. It is not the same as &lt;i&gt;maya&lt;/i&gt; (illusion).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who is the singer of the audio?&lt;/b&gt;&lt;br /&gt;
The audio is sung by G. Balakrishna Prasad.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
Use the YouTube button at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 371-3, samputam 4-418) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by G. Balakrishna Prasad, linked from YouTube. Rights belong to the artist and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/tandanaana-ahi-brahmamekkate-para.html&quot;&gt;Tandanaana Ahi (Brahmamokkate) - తందనాన ఆహి (బ్రహ్మమొక్కటే)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/hari-nee-mayame-antanu.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXBCTzO8uyCfoa0ywVwgOjMzRWDUPHuKdYChu05C3aY01x5O0Xtkt_92XSHeT9ZgfhSbv4O61ATvSwx1-ORKUA8NMOYLA5pP7NMZDHiKr3ExSGlnJac-CDBLUcUY_RnuD-1bhw9kDrSIVcMPeRH5xD8gqsEsQM9VHCVd97Z7bG1qDfY8ln6vsokXnRLjc/s72-c/Hari%20nee%20mayame%20antanu%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-7241453588733042286</guid><pubDate>Fri, 30 Oct 2026 14:01:14 +0000</pubDate><atom:updated>2026-10-31T02:58:57.029+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">G Balakrishna Prasad</category><category domain="http://www.blogger.com/atom/ns#">H-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">N C Sridevi</category><category domain="http://www.blogger.com/atom/ns#">Nitya Santhosini</category><category domain="http://www.blogger.com/atom/ns#">హ</category><title>Hari ninnu pilichini - హరి నిన్ను పిలిచీని</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqGOokv_Su2q0CXjGLFJGvZw-Vqm8ng_L8tlFh2BY3MGqSjK05kpDEDaHTagRV2JTFO-CkQLFeSWofMBuvEhQJz39mrejlNdgmSWkMbTk50qKiOFMibjCYNySi1CFasiqDVfydmNq3bimbAukuBEDc6FcK__7ZGyzW13H3PxxNt47KUWb5PUN8pTId9lU/s1600/Hari%20ninnu%20pilichini%20-%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A sakhi gently leading Goddess Alamelu Manga through a parted silk curtain towards Lord Venkateswara in a lamp-lit palace chamber, illustrating Annamayya’s sringara keerthana Hari ninnu pilichini adigo amma, by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqGOokv_Su2q0CXjGLFJGvZw-Vqm8ng_L8tlFh2BY3MGqSjK05kpDEDaHTagRV2JTFO-CkQLFeSWofMBuvEhQJz39mrejlNdgmSWkMbTk50qKiOFMibjCYNySi1CFasiqDVfydmNq3bimbAukuBEDc6FcK__7ZGyzW13H3PxxNt47KUWb5PUN8pTId9lU/s1600/Hari%20ninnu%20pilichini%20-%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;i&gt;Hari ninnu pilichini: a sakhi coaxes Alamelu Manga to come out from behind the curtain and meet the Lord. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by G BALAKRISHNA PRASAD, N C SRIDEVI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/56%20%20%20PALUKU%20TENE%20TALLI-%202/11%20HARI%20NINNU.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Hari ninnu pilichini adigo amma&lt;/b&gt; (హరి నిన్నుఁ బిలిచీని అదిగో వమ్మా) is a sringara keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Devagandhari. In the song a friend (sakhi) of Goddess Alamelu Manga speaks to her. The Lord has had a lovers&#39; quarrel with her, and the friend gently asks her to stop hiding behind the curtain and go to him. Each verse praises her with a new comparison and asks her to do one small thing: give him the betel roll, look at his face, speak to him, smile. In the last verse the friend asks both Alamelu Manga and Sri Venkatesa to come together and rule over &quot;us&quot;, the devotees. The audio here is sung by G. Balakrishna Prasad and N C Sridevi. TTD places it in the album Paluku Tene Talli - 2. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Also written as: Hari ninnu pilicheeni, Hari ninnu pilichini, Hari ninnu pilichina adigo amma, హరి నిన్ను పిలిచీని.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;హరి నిన్నుఁ బిలిచీని అదిగో వమ్మా అన్నమయ్య కీర్తన (రాగం: దేవగాంధారి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table style=&quot;border-collapse: collapse; width: 100%;&quot; border=&quot;1&quot; cellpadding=&quot;6&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Composer&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;వాగ్గేయకార&lt;/b&gt;&lt;/td&gt;&lt;td&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Category&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sringara sankeertana (శృంగార సంకీర్తన)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Raga&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Devagandhari (దేవగాంధారి)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Rekhu (copper plate)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;1619-4&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Volume (Samputam)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;26-112&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Deity&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Sri Venkateswara and Alamelu Manga (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Singers (audio)&lt;/b&gt;&lt;/td&gt;&lt;td&gt;G Balakrishna Prasad, N C Sridevi&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Audio album&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Paluku Tene Talli - 2&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Source&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;td&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;హరి నిన్నుఁ బిలిచీని – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
హరి నిన్నుఁ బిలిచీని అదిగో వమ్మా&lt;br /&gt;
తెరమఱఁ గిఁకనేల తియ్యవమ్మా ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
చిత్తరు పతిమవంటి చెలియా&lt;br /&gt;
యిత్తల పతికి విడె మియ్యవమ్మా&lt;br /&gt;
కొతమెఱుఁగుఁ బోలిన కోమలి&lt;br /&gt;
మొత్తమి కూరిమిపతిమోము చూడవమ్మా ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
బంగారుబొమ్మవంటి పడఁతి&lt;br /&gt;
అంగవించి పతితో మాఁటాడవమ్మా&lt;br /&gt;
అంగజు శరమువంటి అతివె నీకు&lt;br /&gt;
నంగతన మిది యాల నవ్వవవమ్మా ॥హరి॥
&lt;/p&gt;

&lt;p&gt;
చంచుల చిగురువంటి జవ్వని&lt;br /&gt;
కొంచక శ్రేంకటేశుఁ గూడితివమ్మా&lt;br /&gt;
మించుఁదమ్మిలోని యలమేలుమంగా&lt;br /&gt;
యెంచి యెద్దరును మమ్ము నేలరమ్మా ॥హరి॥
&lt;/p&gt;

&lt;h3&gt;Hari ninnu pilichini – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
hari ninnu bilichIni adigO vammA&lt;br /&gt;
teramara gikanEla tiyyavammA ||pallavi||
&lt;/p&gt;

&lt;p&gt;
chittaru patimavaMTi cheliyA&lt;br /&gt;
yittala patiki viDe miyyavammA&lt;br /&gt;
kotamerugu bOlina kOmali&lt;br /&gt;
mottami kUrimipatimOmu chUDavammA ||hari||
&lt;/p&gt;

&lt;p&gt;
baMgArubommavaMTi paDati&lt;br /&gt;
aMgaviMchi patitO mATADavammA&lt;br /&gt;
aMgaju SaramuvaMTi ative nIku&lt;br /&gt;
naMgatana midi yAla navvavavammA ||hari||
&lt;/p&gt;

&lt;p&gt;
chaMchula chiguruvaMTi javvani&lt;br /&gt;
koMchaka SrEMkaTESu gUDitivammA&lt;br /&gt;
miMchudammilOni yalamElumaMgA&lt;br /&gt;
yeMchi yeddarunu mammu nElarammA ||hari||
&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Video: sung by Smt NITYA SANTHOSHINI&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;iframe width=&quot;560&quot; height=&quot;315&quot; style=&quot;max-width: 100%;&quot; src=&quot;https://www.youtube.com/embed/T0d9m2X0hmU?si=trHb_DdWBzNUcgLw&quot; title=&quot;Hari ninnu pilichini - Annamayya keerthana sung by Smt Nitya Santhoshini&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Video: Smt Nitya Santhoshini, on YouTube. All rights belong to the artist and the channel owner.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Vishnu, here Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pilichini (పిలిచీని):&lt;/b&gt; is calling you (old Telugu form).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adigo (అదిగో):&lt;/b&gt; look, there he is.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vamma (వమ్మా):&lt;/b&gt; a loving way of calling a woman, &quot;O lady&quot;. It is added to most lines of the song.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Terama-ra (తెరమఱ):&lt;/b&gt; hidden behind the curtain.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tiyyavamma (తియ్యవమ్మా):&lt;/b&gt; pull aside, remove. Here it asks Alamelu Manga to draw the curtain aside and come out.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chittaru patima (చిత్తరు పతిమ):&lt;/b&gt; a painted picture or image, used for a lovely woman who looks like a painting.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Cheliya (చెలియా):&lt;/b&gt; O friend, O dear one.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yittala (యిత్తల):&lt;/b&gt; here, on this side.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pati (పతి):&lt;/b&gt; husband, lord.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vide (విడె):&lt;/b&gt; a roll of betel leaves offered to a guest or lover as a sign of love and respect.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kotamerugu (కొతమెఱుఁగు):&lt;/b&gt; a fresh flash of lightning; here read as a new, bright gleam. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Komali (కోమలి):&lt;/b&gt; a tender, delicate woman.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mottami (మొత్తమి):&lt;/b&gt; a word of old Telugu used to urge someone to do something at once or fully. Please treat the meaning as tentative.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kurimi-pati (కూరిమిపతి):&lt;/b&gt; the beloved husband.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Momu (మోము):&lt;/b&gt; face.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bangaru bomma (బంగారుబొమ్మ):&lt;/b&gt; a golden doll.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Padati (పడఁతి):&lt;/b&gt; a woman, a beautiful lady.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Angavinchi (అంగవించి):&lt;/b&gt; read as &quot;taking courage&quot; or &quot;coming forward&quot;. The word is old Telugu, so this is one reading.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Matadavamma (మాటాడవమ్మా):&lt;/b&gt; please speak.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Angaju (అంగజు):&lt;/b&gt; the god of love (Manmatha, Kamadeva), &quot;born of the body&quot;.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sara (శరము):&lt;/b&gt; an arrow.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Ativa (అతివ):&lt;/b&gt; a woman.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Angatanamu (అంగతనము):&lt;/b&gt; a reserved or stand-offish manner; here the sulking behaviour of Alamelu Manga. The word is old Telugu and can be read in other ways.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Navvavavamma (నవ్వవవమ్మా):&lt;/b&gt; won&#39;t you smile?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chanchula chiguru (చంచుల చిగురు):&lt;/b&gt; a tender shoot that moves in the breeze.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Javvani (జవ్వని):&lt;/b&gt; a young woman.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Konchaka (కొంచక):&lt;/b&gt; without holding back.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sri Venkatesu (శ్రీవేంకటేశుఁ):&lt;/b&gt; Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gudu (కూడు):&lt;/b&gt; to join, to unite with.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Minchu (మించు):&lt;/b&gt; shining, excelling.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dammi (తమ్మి):&lt;/b&gt; a lotus.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Alamelu Manga (అలమేలుమంగ):&lt;/b&gt; the goddess who is &quot;the lady who lives on the lotus&quot;, Padmavati, the consort of Sri Venkateswara at Tirumala.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yenchi (యెంచి):&lt;/b&gt; having considered, with consideration.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yeddarunu (యెద్దరును):&lt;/b&gt; both of you.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nelaramma (నేలరమ్మా):&lt;/b&gt; come and rule, come and take care of us.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Hari ninnu pilichini (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. A few phrases are old Telugu and can be read in more than one way, so please treat this as one reading.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; Look, Hari is calling you, lady. Why stay hidden behind the curtain any longer? Draw it aside.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; O friend, who are as lovely as a painted picture, give the roll of betel to your husband here. O tender lady, who shine like fresh lightning, look at the face of your loving husband.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; O lady like a golden doll, come forward and speak to your husband. O lady like the arrow of the god of love, why this reserve with him? Won&#39;t you smile?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; O young woman, delicate as a tender shoot, you have joined Sri Venkatesa without holding back. O Alamelu Manga, shining on the lotus, think of us kindly and come, both of you, and rule over us.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a sakhi&#39;s gentle persuasion. She flatters Alamelu Manga with a different comparison in each verse (a painted picture, lightning, a golden doll, the god of love&#39;s arrow, a tender shoot) and asks her to end the quarrel with small acts of love. In the last verse the song turns to the devotee. The poet addresses the divine couple together and asks them to look after the people who sing it, which is how Annamayya&#39;s sringara songs often end.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఇది అలమేలుమంగను శ్రీవేంకటేశ్వరుని వద్దకు పంపే చెలికత్తె మాటల రూపంలో సాగే శృంగార కీర్తన. పల్లవిలో హరి నిన్ను పిలుస్తున్నాడు అమ్మా, ఇంకా తెర వెనుక దాగి ఉండటమెందుకు, ఆ తెరను తొలగించు అని అంటోంది. మొదటి చరణంలో చిత్తరువులాంటి చెలీ, భర్తకు తాంబూలం ఇవ్వు అని, మెరుపు తీగలాంటి కోమలీ, నీ ప్రియమైన పతి ముఖం చూడు అని చెబుతోంది. రెండవ చరణంలో బంగారు బొమ్మలాంటి పడతీ, ముందుకు వచ్చి పతితో మాట్లాడు అని, మన్మథుని బాణంలాంటి అతివా, ఈ బింకమెందుకు, నవ్వవమ్మా అని అడుగుతోంది. మూడవ చరణంలో చిగురులాంటి జవ్వనీ, నీవు శ్రీవేంకటేశుని నిస్సంకోచంగా చేరావు అని, తామరలో వెలిగే అలమేలుమంగా, మీరిద్దరూ మమ్మల్ని కరుణతో పాలించండి అని ముగిస్తోంది.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Hari ninnu pilichini adigo amma?&lt;/b&gt;&lt;br /&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;
Devagandhari (దేవగాంధారి).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;
Rekhu 1619-4, Samputam 26-112.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;
A friend of Alamelu Manga tells her that Sri Venkateswara is calling her. She asks the Goddess to come out from behind the curtain, offer him betel, look at him, speak to him and smile. In the last verse she asks both of them to rule over the devotees.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Who is speaking in the song?&lt;/b&gt;&lt;br /&gt;
A sakhi (female friend) of Alamelu Manga speaks to the Goddess. This is a common voice in Annamayya&#39;s sringara songs.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which album is the audio from?&lt;/b&gt;&lt;br /&gt;
The audio is from the TTD album Paluku Tene Talli - 2, sung by G. Balakrishna Prasad and N C Sridevi.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;
The audio on this page is hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is there another version of this song?&lt;/b&gt;&lt;br /&gt;
Yes. This page also has a video of the song sung by Smt Nitya Santhoshini, placed after the English transliteration.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 1619-4, samputam 26-112) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by G. Balakrishna Prasad and N C Sridevi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artists.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Video:&lt;/b&gt; Sung by Smt Nitya Santhoshini, embedded from YouTube. Rights belong to the artist and the channel owner.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Popular Annamayya keerthanas:&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/ksheerabdhi-kanyakaku.html&quot;&gt;Ksheerabdhi kanyakaku - క్షీరాబ్ధి కన్యకకు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/04/tandanaana-ahi-brahmamekkate-para.html&quot;&gt;Tandanaana Ahi (Brahmamokkate) - తందనాన ఆహి (బ్రహ్మమొక్కటే)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna - కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/hari-ninnu-pilichini.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqGOokv_Su2q0CXjGLFJGvZw-Vqm8ng_L8tlFh2BY3MGqSjK05kpDEDaHTagRV2JTFO-CkQLFeSWofMBuvEhQJz39mrejlNdgmSWkMbTk50qKiOFMibjCYNySi1CFasiqDVfydmNq3bimbAukuBEDc6FcK__7ZGyzW13H3PxxNt47KUWb5PUN8pTId9lU/s72-c/Hari%20ninnu%20pilichini%20-%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-6293344922500449325</guid><pubDate>Thu, 22 Oct 2026 05:21:03 +0000</pubDate><atom:updated>2026-10-22T10:51:03.794+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">I - Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Kondaveeti Jyothirmayi</category><category domain="http://www.blogger.com/atom/ns#">ఇ</category><title>Innitiki neeswarechcha - ఇన్నిటికి నీశ్వరేచ్ఛ</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicNtPR6Hz3FO6PvwvjHl1cTgkyKtZ3iQnx82pWcc10d-CqXaqtSuC4tPa40x3GCkpt6nxLPnVQmAV1B30tNSkbOAdN9naByzWJzFYS6L9u1jD2IRJzNevVd4qUayaaeOdlFI2SToDxFxy6wHtxryoYN0Yb1q3iglzEs_i1wfPIR5hRb3CvTgg6GEsBEJo/s1600/1%2022%20Oct%20Seeker_standing_on_stone_path.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A seeker with folded hands at dawn at the foot of the Tirumala hills, a neem branch on one side and jaggery on a leaf on the other, illustrating Annamayya&#39;s keerthana Inniti ki neeswarechcha by S Dommu, Vaksara&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicNtPR6Hz3FO6PvwvjHl1cTgkyKtZ3iQnx82pWcc10d-CqXaqtSuC4tPa40x3GCkpt6nxLPnVQmAV1B30tNSkbOAdN9naByzWJzFYS6L9u1jD2IRJzNevVd4qUayaaeOdlFI2SToDxFxy6wHtxryoYN0Yb1q3iglzEs_i1wfPIR5hRb3CvTgg6GEsBEJo/s1600/1%2022%20Oct%20Seeker_standing_on_stone_path.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;Inniti ki neeswarechcha: nature cannot be forced to change by effort alone, as neem cannot be made into jaggery; the one who surrenders is protected by Hari. Illustration created with AI for this post.&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by KONDAVEETI JYOTHIRMAYI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/273%20ANNAMAYYA%20BHAGAVADGEETHA/09%20INNTIKI%20NISWARECCA.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Innitiki neeswarechcha&lt;/b&gt; (ఇన్నిటికి నీశ్వరేచ్ఛ) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Varali and addressed to Lord Sri Venkateswara of Tirumala. It says that everything happens by the will of the Lord, and that the one who becomes his servant is protected by Hari himself. Through homely examples (a single seed cannot sprout into something else, and bitter neem cannot quickly turn into jaggery) Annamayya shows that a being&#39;s inborn nature cannot be changed by forced effort alone, and that grace comes when one surrenders. The song&#39;s themes of prakriti and its gunas and of surrender to the Lord are close to the teaching of the Bhagavad Gita, and TTD places this audio in its Annamayya Bhagavadgeetha collection. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;ఇన్నిటికి నీశ్వరేచ్ఛ అన్నమయ్య కీర్తన (రాగం: వరాళి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;

&lt;table border=&quot;1&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot; style=&quot;border-collapse: collapse;&quot;&gt;
  &lt;tr&gt;&lt;td&gt;Composer&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;వాగ్గేయకార&lt;/td&gt;&lt;td&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Category&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (ఆధ్యాత్మ)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Raga&lt;/td&gt;&lt;td&gt;Varali (వరాళి)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Rekhu (copper plate)&lt;/td&gt;&lt;td&gt;222-4&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Volume (Samputam)&lt;/td&gt;&lt;td&gt;3-123&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Deity&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Singer (audio)&lt;/td&gt;&lt;td&gt;Kondaveeti Jyothirmayi&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Source&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Language&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;

&lt;h3&gt;ఇన్నిటికి నీశ్వరేచ్ఛ – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
ఇన్నిటికి నీశ్వరేచ్ఛ యింతేకాక&lt;br&gt;
తన్నుఁ దానే హరి గాచు దాసుఁడైతేఁ జాలు ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
ప్రకృతిఁ బుట్టిన దేహి ప్రకృత(తి?) గుణమే కాని&lt;br&gt;
వికృతి బోధించబోతే విషమింతే కాదా&lt;br&gt;
వొకవిత్తు వెట్టితే వేరొకటేల మొలచును&lt;br&gt;
ప్రకటమైన వట్టిప్రయాసమే కాక ॥ఇన్ని॥
&lt;/p&gt;

&lt;p&gt;
పాపానఁ బుట్టిన మేను పాపమే సేయించుఁ గాక&lt;br&gt;
యేపునఁ బుణ్యముతోవ యేల పట్టును&lt;br&gt;
వేపచేఁదు వండితేను వెస నేల బెల్లమవును&lt;br&gt;
పైపై బలిమి సేసే భ్రమ యింతే కాక ॥ఇన్ని॥
&lt;/p&gt;

&lt;p&gt;
ప్రపంచమైన పుట్టుగు ప్రపంచమునకే కాక&lt;br&gt;
వుపమించ మోక్షమున కొడఁబడునా&lt;br&gt;
ప్రపన్నుడైనవేళ భాగ్యాన శ్రీవేంకటేశుఁ-&lt;br&gt;
డపుడు దయఁజూడఁగ నధికుఁడౌఁ గాక ॥ఇన్ని॥
&lt;/p&gt;

&lt;h3&gt;Inniti ki neeswarechcha – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
Innitiki neeswarechcha yintekaaka&lt;br&gt;
Tannu daane hari gaachu daasudaite jaalu ||pallavi||
&lt;/p&gt;

&lt;p&gt;
Prakruti buttina dehi prakruta(ti?) gunamE kaani&lt;br&gt;
Vikruti bodhinchabote vishaminte kaadaa&lt;br&gt;
Vokavittu vettite verokatela molachunu&lt;br&gt;
Prakatamaina vattiprayaasame kaaka ||inni||
&lt;/p&gt;

&lt;p&gt;
Paapaana buttina menu paapame seyinchu gaaka&lt;br&gt;
Yepuna bunyamutova yela pattunu&lt;br&gt;
Vepachedu vandiTenu vesa nela bellamavunu&lt;br&gt;
Paipai balimi sese bhrama yinte kaaka ||inni||
&lt;/p&gt;

&lt;p&gt;
Prapanchamaina puttugu prapanchamunake kaaka&lt;br&gt;
Vupaminchu mokshamuna kodabadunaa&lt;br&gt;
Prapannudainavela bhaagyaana sreevenkatesudu-&lt;br&gt;
Dapudu dayajoodaga nadhikudauga kaaka ||inni||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Innitiki (ఇన్నిటికి):&lt;/b&gt; for all these; for everything.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Eeswarechcha (ఈశ్వరేచ్ఛ):&lt;/b&gt; the will of the Lord.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Daasudu (దాసుఁడు):&lt;/b&gt; servant; a devotee who has surrendered to the Lord.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jaalu (చాలు):&lt;/b&gt; enough, sufficient.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Prakruti (ప్రకృతి):&lt;/b&gt; nature; the natural, inborn make-up of a being.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Dehi (దేహి):&lt;/b&gt; the embodied one; a living being with a body.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gunamu (గుణము):&lt;/b&gt; quality, trait. The printed text reads &quot;prakruta(ti?)&quot;, which seems to point to prakruti, and this is how it is understood here.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vikruti (వికృతి):&lt;/b&gt; change, alteration; here, changing a being&#39;s nature.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bodhinchu (బోధించు):&lt;/b&gt; to teach, to advise.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vishamu (విషమము):&lt;/b&gt; difficult, uneven, hard to bear.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vittu (విత్తు):&lt;/b&gt; seed.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Molachu (మొలచు):&lt;/b&gt; to sprout.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vattiprayaasamu (వట్టిప్రయాసము):&lt;/b&gt; empty, fruitless effort.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Paapamu (పాపము):&lt;/b&gt; sin.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Menu (మేను):&lt;/b&gt; the body.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Punyamu (పుణ్యము):&lt;/b&gt; merit, virtue.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yepuna (యేపున):&lt;/b&gt; eagerly, with zeal.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Vepachedu (వేపచేఁదు):&lt;/b&gt; the bitterness of neem.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bellamu (బెల్లము):&lt;/b&gt; jaggery.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Balimi (బలిమి):&lt;/b&gt; force, compulsion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhrama (భ్రమ):&lt;/b&gt; delusion, illusion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Prapanchamu (ప్రపంచము):&lt;/b&gt; the world, worldly life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mokshamu (మోక్షము):&lt;/b&gt; liberation.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Prapannudu (ప్రపన్నుఁడు):&lt;/b&gt; one who has surrendered completely to the Lord.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhaagyamu (భాగ్యము):&lt;/b&gt; good fortune.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Adhikudu (అధికుఁడు):&lt;/b&gt; a superior, exalted person.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Inniti ki neeswarechcha (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. Annamayya uses ordinary examples from daily life to show that outward effort cannot change what one is, and that grace, not force, is the way.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; For all these things it is only the Lord&#39;s will, and nothing more. It is enough to be his servant; Hari himself protects such a person.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; A being born of nature carries only the traits of nature. Trying to teach it to become something else only makes things hard. If you sow one seed, how can a different plant come up? Such effort is plainly a waste.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; A body born of sin will lead one to sin; why would it eagerly take the path of merit? If you cook neem, how can its bitterness quickly turn into jaggery? Forcing a change from the outside is only a delusion.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Worldly birth belongs to the world; can it be compared with or made to agree with liberation? But when a person surrenders, by good fortune Sri Venkatesa looks upon him with compassion, and he then rises to a higher state.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song reads as a gentle lesson in humility: effort and teaching alone cannot make a person what he wishes to be, but surrender invites the Lord&#39;s grace. It should be read as spiritual guidance, not as a judgement of any person.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య అన్నీ ఈశ్వరుని ఇచ్ఛ ప్రకారమే జరుగుతాయని, ఆయన దాసుడైనవాడిని హరియే కాపాడతాడని పల్లవిలో తెలియజేస్తున్నారు. ప్రకృతిలో పుట్టిన జీవి ప్రకృతి గుణాలనే కలిగి ఉంటాడని, అతనికి బోధించి మార్చాలని ప్రయత్నిస్తే కష్టమే మిగులుతుందని, ఒక విత్తనం నాటితే మరొక మొక్క ఎలా మొలుస్తుందని, అది వట్టి ప్రయాసమేనని మొదటి చరణం చెబుతుంది. పాపంలో పుట్టిన దేహం పాపమే చేయిస్తుందని, అది పుణ్యమార్గాన్ని ఉత్సాహంగా ఎందుకు పట్టుకుంటుందని, వేపచేదును వండినంత మాత్రాన అది వెంటనే బెల్లం ఎలా అవుతుందని, పైపైన బలవంతం చేసే ప్రయత్నం భ్రమ మాత్రమేనని రెండవ చరణం అంటుంది. ప్రపంచంలో పుట్టిన జన్మ ప్రపంచానికే చెందుతుందని, అది మోక్షానికి సరిపోతుందా అని ప్రశ్నిస్తూ, శరణాగతుడైనప్పుడు భాగ్యం వల్ల శ్రీవేంకటేశ్వరుడు దయతో చూసినప్పుడే అతడు ఉన్నతుడవుతాడని మూడవ చరణం ముగిస్తుంది.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Inniti ki neeswarechcha?&lt;/b&gt;&lt;br&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br&gt;
Varali (వరాళి).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br&gt;
Rekhu 222-4, Samputam 3-123.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br&gt;
It says that everything happens by the Lord&#39;s will, that a being&#39;s inborn nature cannot be changed by forced effort (like sowing one seed and expecting another plant, or cooking neem to make jaggery), and that the surrendered devotee is protected and uplifted by Sri Venkatesa&#39;s grace.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is it connected to the Bhagavad Gita?&lt;/b&gt;&lt;br&gt;
Its themes (prakriti and its gunas, and surrender to the Lord) are close to Gita teachings, and TTD places this audio in its Annamayya Bhagavadgeetha collection.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br&gt;
The audio on this page is sung by Kondaveeti Jyothirmayi and hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 222-4, samputam 3-123) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Kondaveeti Jyothirmayi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;h3&gt;More Annamayya keerthanas&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/search/label/%E0%B0%87&quot;&gt;All keerthanas starting with ఇ (label)&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/innitiki-neeswarechcha.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicNtPR6Hz3FO6PvwvjHl1cTgkyKtZ3iQnx82pWcc10d-CqXaqtSuC4tPa40x3GCkpt6nxLPnVQmAV1B30tNSkbOAdN9naByzWJzFYS6L9u1jD2IRJzNevVd4qUayaaeOdlFI2SToDxFxy6wHtxryoYN0Yb1q3iglzEs_i1wfPIR5hRb3CvTgg6GEsBEJo/s72-c/1%2022%20Oct%20Seeker_standing_on_stone_path.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-5799630610586303045</guid><pubDate>Wed, 21 Oct 2026 03:17:22 +0000</pubDate><atom:updated>2026-10-21T08:47:22.705+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">Kondaveeti Jyothirmayi</category><category domain="http://www.blogger.com/atom/ns#">S - Annamayya</category><category domain="http://www.blogger.com/atom/ns#">స</category><title>Sama buddhe yindariki - సమబుద్ధే యిందరికి</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmkD2EYIu06eWV4uiIQUov18nE-wDw2z8Nc3c_6zY4f6cALfTWa6_dGXapQHIysNf4mCH1sXNeRC48LPYx6QrQ9oR4CV-7mKsGE0eA4luuRHwFJCUnpu9xJflh6ks27ajKSo60elNpzPfULM1Y6I5SlCxv5dBnvKZJydSyUGjSZoHKr53Q9uefI40BMXE/s1600/1%20Seeker_and_insects_under_tree%20by%20SDommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;a thoughtful seeker watching an ant, a mosquito and a fly under a banyan tree, illustrating Annamayya&#39;s keerthana Sama buddhe yindariki by S Dommu, vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmkD2EYIu06eWV4uiIQUov18nE-wDw2z8Nc3c_6zY4f6cALfTWa6_dGXapQHIysNf4mCH1sXNeRC48LPYx6QrQ9oR4CV-7mKsGE0eA4luuRHwFJCUnpu9xJflh6ks27ajKSo60elNpzPfULM1Y6I5SlCxv5dBnvKZJydSyUGjSZoHKr53Q9uefI40BMXE/s1600/1%20Seeker_and_insects_under_tree%20by%20SDommu_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;i&gt;Sama buddhe yindariki: every creature finds its own life sweet, and the same Lord dwells within all. Illustration created with AI for this post. &lt;/i&gt;&lt;/p&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by KONDAVEETI JYOTHIRMAYI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/273%20ANNAMAYYA%20BHAGAVADGEETHA/07%20SAMA%20BUDDE%20INDARIKI.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Sama buddhe yindariki&lt;/b&gt; (సమబుద్ధే యిందరికి) is an adhyatma (spiritual) keerthana by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Samantam and addressed to Lord Sri Venkateswara of Tirumala. It teaches that the highest wisdom is to look upon all beings with the same eye. An ant, a mosquito and a fly each find their own life sweet, and every creature shares the same birth, death, hunger and sleep. So who is truly above whom? The song echoes the Bhagavad Gita&#39;s teaching of equal vision (sama-darshana), and TTD places this audio in its Annamayya Bhagavadgeetha collection. Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p&gt;సమబుద్ధే యిందరికి అన్నమయ్య కీర్తన (రాగం: సామంతం) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;

&lt;table border=&quot;1&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot; style=&quot;border-collapse: collapse;&quot;&gt;
  &lt;tr&gt;&lt;td&gt;Composer&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;వాగ్గేయకార&lt;/td&gt;&lt;td&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Category&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (ఆధ్యాత్మ)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Raga&lt;/td&gt;&lt;td&gt;Samantam (సామంతం)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Rekhu (copper plate)&lt;/td&gt;&lt;td&gt;182-1&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Volume (Samputam)&lt;/td&gt;&lt;td&gt;2-409&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Deity&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Singer (audio)&lt;/td&gt;&lt;td&gt;Kondaveeti Jyothirmayi&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Source&lt;/td&gt;&lt;td&gt;wikisource&lt;/td&gt;&lt;/tr&gt;
  &lt;tr&gt;&lt;td&gt;Language&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;

&lt;h3&gt;సమబుద్ధే యిందరికి – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;
సమబుద్ధే యిందరికి సర్వవేదసారము&lt;br&gt;
సముఁడిందరికి హరి సాధన మో యయ్యా ॥పల్లవి॥
&lt;/p&gt;

&lt;p&gt;
చీమకుఁ దనజన్మము చేరి సుఖమై తోఁచు&lt;br&gt;
దోమకుఁ దనజన్మము దొడ్డసుఖము&lt;br&gt;
ఆమనియీఁగకు సుఖ మాజన్మమై తోఁచు&lt;br&gt;
యేమిటా నెక్కువసుఖ మెవ్వరి కేదయ్యా ॥సమ॥
&lt;/p&gt;

&lt;p&gt;
జంతురాసులకు నెల్లా జననము లొక్కటే&lt;br&gt;
అంతటాను మరణము లవియొక్కటే&lt;br&gt;
చెంత నాహారనిద్రలు స్త్రీసుఖా లొక్కటే&lt;br&gt;
ఇంతటా నిందుకంటే నెవ్వ రేమి గట్టిరయ్యా ॥సమ॥
&lt;/p&gt;

&lt;p&gt;
ఇందులోన నెవ్వరైనానేమి శ్రీవేంకటపతి-&lt;br&gt;
నందముగాఁ దలఁచిన దది సుఖము&lt;br&gt;
యెందుఁ జూచిన నీతఁ డిందరిలో నంతరాత్మ&lt;br&gt;
చందముగా నెవ్వరికి స్వతంత్ర మేదయ్యా ॥సమ॥
&lt;/p&gt;

&lt;h3&gt;Sama buddhe yindariki – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;
Samabuddhe yindariki sarvavedasaaramu&lt;br&gt;
Samudindariki hari saadhana mo yayyaa ||pallavi||
&lt;/p&gt;

&lt;p&gt;
Cheemaku danajanmamu cheri sukhamai tochu&lt;br&gt;
Domaku danajanmamu doddasukhamu&lt;br&gt;
Aamaniyeegaku sukha maajanmamai tochu&lt;br&gt;
Yemitaa nekkuvasukha mevvari kedayyaa ||sama||
&lt;/p&gt;

&lt;p&gt;
Janturaasulaku nellaa jananamu lokkate&lt;br&gt;
Antataanu maranamu laviyokkate&lt;br&gt;
Chenta naahaaranidralu streesukhaa lokkate&lt;br&gt;
Intataa nindukamte nevva remi gattirayyaa ||sama||
&lt;/p&gt;

&lt;p&gt;
Indulona nevvarainaanemi sreevenkatapati-&lt;br&gt;
Nandamugaa dalachina dadi sukhamu&lt;br&gt;
Yendu juchina neeta dindarilo nantaraatma&lt;br&gt;
Chandamugaa nevvariki svatantra medayyaa ||sama||
&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Samabuddhi (సమబుద్ధి):&lt;/b&gt; equal-mindedness; seeing all beings alike.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Sarvavedasaaramu (సర్వవేదసారము):&lt;/b&gt; the essence of all the Vedas.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Samudu (సముఁడు):&lt;/b&gt; the one who is equal to all, impartial.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Hari (హరి):&lt;/b&gt; Lord Vishnu, Sri Venkateswara.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Saadhana (సాధన):&lt;/b&gt; the means or path to attain the goal.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Cheema (చీమ):&lt;/b&gt; ant.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Doma (దోమ):&lt;/b&gt; mosquito.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Doddasukhamu (దొడ్డసుఖము):&lt;/b&gt; great, abundant happiness.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Aamaniyeega (ఆమనియీఁగ):&lt;/b&gt; the fly of spring (aamani means spring).&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Janturaasulu (జంతురాసులు):&lt;/b&gt; the multitude of living creatures.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jananamu (జననము):&lt;/b&gt; birth.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Maranamu (మరణము):&lt;/b&gt; death.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Aahaaranidralu (ఆహారనిద్రలు):&lt;/b&gt; food and sleep.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Streesukhaalu (స్త్రీసుఖాలు):&lt;/b&gt; the pleasures of married life.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Gattiru (గట్టిరి):&lt;/b&gt; achieved, gained.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Antaraatma (అంతరాత్మ):&lt;/b&gt; the inner Self; the Lord who dwells within every being.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Svatantramu (స్వతంత్రము):&lt;/b&gt; independence; being one&#39;s own master.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Sama buddhe yindariki (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation. Annamayya shows, through everyday examples, that all living beings stand on equal ground before the Lord.&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; Looking upon everyone with an equal mind is the essence of all the Vedas. Hari is equal to everyone, and he alone is the means for all.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; To the ant, its own birth feels like complete happiness. To the mosquito, its birth is great joy. To the spring fly, that life is sweet. So whose happiness is really greater than another&#39;s?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; For all the multitudes of creatures, birth is the same and death at the end is the same. Food, sleep and the pleasures of family life are the same too. So what has anyone gained over the others?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Whoever one may be, the true happiness is to think of Sri Venkatapati with love. Wherever you look, he is the inner Self in all beings. How, then, can anyone claim to be independent of him?&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a gentle reminder for the seeker to drop pride of birth and status. It should be read as spiritual guidance, not as a judgement of any person.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య అందరినీ సమదృష్టితో చూడటమే సర్వవేదాల సారమని చెబుతున్నారు. హరి అందరికీ సముడు, అందరికీ ఆయనే సాధన అని పల్లవి తెలియజేస్తుంది. చీమకు తన జన్మమే సుఖంగా తోస్తుంది, దోమకు తన జన్మమే గొప్ప సుఖం, వసంతకాలపు ఈగకు తన జన్మమే సుఖమని అనిపిస్తుంది; అయితే ఎవరికి ఎక్కువ సుఖం అని మొదటి చరణం ప్రశ్నిస్తుంది. జీవరాశులన్నిటికీ పుట్టుక ఒక్కటే, చివరకు మరణమూ ఒక్కటే, ఆహారం, నిద్ర, సంసార సుఖాలు కూడా అన్నిటికీ ఒక్కటే; ఇంతకంటే ఎవరు ఏమి సాధించారని రెండవ చరణం అడుగుతుంది. ఎవరైనా సరే శ్రీవేంకటపతిని ప్రేమగా తలచుకోవడమే నిజమైన సుఖమని, ఎక్కడ చూసినా ఆయనే అందరిలో అంతరాత్మగా ఉన్నాడని, అలాంటప్పుడు ఎవరికి స్వతంత్రమున్నదని మూడవ చరణం ముగిస్తుంది.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;

&lt;p&gt;&lt;b&gt;Who wrote Sama buddhe yindariki?&lt;/b&gt;&lt;br&gt;
Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br&gt;
Samantam (సామంతం).&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br&gt;
Rekhu 182-1, Samputam 2-409.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br&gt;
It says that equal vision towards all beings is the essence of the Vedas. Ants, mosquitoes and flies all find their own lives sweet, and all creatures share the same birth, death, hunger and sleep, so none is truly above another, because the Lord dwells within all.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Is it connected to the Bhagavad Gita?&lt;/b&gt;&lt;br&gt;
The theme of equal vision towards all beings runs through the Gita, and TTD places this audio in its Annamayya Bhagavadgeetha collection.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br&gt;
The audio is sung by Kondaveeti Jyothirmayi and hosted by TTD. Use the button at the top of this post.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 182-1, samputam 2-409) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Kondaveeti Jyothirmayi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;h3&gt;More Annamayya keerthanas&lt;/h3&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/induku-virahitamulinniyu.html&quot;&gt;Induku virahitamulinniyu - ఇందుకు విరహితములిన్నియు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/nivu-sarvasamudavu.html&quot;&gt;Nivu sarvasamudavu - నీవు సర్వసముడవు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/sama-buddhe-yindariki.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmkD2EYIu06eWV4uiIQUov18nE-wDw2z8Nc3c_6zY4f6cALfTWa6_dGXapQHIysNf4mCH1sXNeRC48LPYx6QrQ9oR4CV-7mKsGE0eA4luuRHwFJCUnpu9xJflh6ks27ajKSo60elNpzPfULM1Y6I5SlCxv5dBnvKZJydSyUGjSZoHKr53Q9uefI40BMXE/s72-c/1%20Seeker_and_insects_under_tree%20by%20SDommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-869044184691696595</guid><pubDate>Tue, 20 Oct 2026 08:43:06 +0000</pubDate><atom:updated>2026-10-21T01:20:01.064+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">I - Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Kondaveeti Jyothirmayi</category><category domain="http://www.blogger.com/atom/ns#">ఇ</category><title>Induku virahitamulinniyu - ఇందుకు విరహితములిన్నియు</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHFYAywedJQjMg7SKExtwEcedeUC-qxfLdy3qcZKVP2ETPEDmGCfzQtUxVG9J92J5hJ4uzWhfAw0d_FxmkeB8dx4LBC9HP3AthQxHCYAdbxUxOT-apE4aTkuYbRTWGIucdobZwmmItD8U86DeoIMFvKJmeCDl1ZlHuahpA8LaSVSF4Fo5xBoyvw_C4r1A/s1600/1%20Seeker_sitting_under_banyan_tree_s%20dommu_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;A calm seeker sitting in quiet reflection under a banyan tree at dawn, illustrating Annamayya&#39;s keerthana Induku virahitamulinniyu by S Dommu, Vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHFYAywedJQjMg7SKExtwEcedeUC-qxfLdy3qcZKVP2ETPEDmGCfzQtUxVG9J92J5hJ4uzWhfAw0d_FxmkeB8dx4LBC9HP3AthQxHCYAdbxUxOT-apE4aTkuYbRTWGIucdobZwmmItD8U86DeoIMFvKJmeCDl1ZlHuahpA8LaSVSF4Fo5xBoyvw_C4r1A/s1600/1%20Seeker_sitting_under_banyan_tree_s%20dommu_vaksara.webp&quot;/&gt;&lt;/a&gt;  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Induku virahitamulinniyu: humility, patience, purity and self-control as the marks of true knowledge. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;&lt;/div&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Audio by KONDAVEETI JYOTHIRMAYI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;a href=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/273%20ANNAMAYYA%20BHAGAVADGEETHA/06%20INDUKU%20VIRAHITAMU.mp3&quot;
     target=&quot;_blank&quot; rel=&quot;noopener&quot;
     style=&quot;display: inline-block; padding: 10px 20px; background: #2b00fe; color: #fff; border-radius: 24px; text-decoration: none;&quot;&gt;
    ▶ Listen on TTD (tirumala.org)
  &lt;/a&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio © Tirumala Tirupati Devasthanams (TTD) and the artist. Listen on the official TTD website.&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Induku virahitamulinniyu&lt;/b&gt; (ఇందుకు విరహితములిన్నియు) is an adhyatma (spiritual) keerthana
 by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Mukhari and addressed to Lord Sri Venkateswara of Tirumala.
 It lists the qualities that mark true knowledge, and closely follows the description of knowledge in Chapter 13 of the Bhagavad Gita.
 Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;ఇందుకు విరహితములిన్నియు అన్నమయ్య కీర్తన (రాగం: ముఖారి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table border=&quot;1&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;Composer&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;వాగ్గేయకార&lt;/td&gt;&lt;td&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Category&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (ఆధ్యాత్మ)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Raga&lt;/td&gt;&lt;td&gt;Mukhari (ముఖారి)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Rekhu (copper plate)&lt;/td&gt;&lt;td&gt;359-2&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Volume (Samputam)&lt;/td&gt;&lt;td&gt;4-346&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Deity&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Singer (audio)&lt;/td&gt;&lt;td&gt;Kondaveeti Jyothirmayi&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Source&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Language&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;ఇందుకు విరహితములిన్నియు – Telugu lyrics&lt;/h3&gt;

&lt;p lang=&quot;te&quot;&gt;ఇందుకు విరహితములిన్నియు సజ్ఞానమని&lt;br /&gt;
చందమున గీతలందుఁ జాటీనిదివో ॥పల్లవి॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;మానావమానములు మాని డంబు విడుచుట&lt;br /&gt;
పూని హింసకుఁ జొరక యోరుపు గలుగుటయు&lt;br /&gt;
ఆని మతిఁ గరఁగుట యాచార్యోపాసన&lt;br /&gt;
తానెప్పుడు శుచియౌట తప్పని విజ్ఞానము ॥ఇందుకు॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;అంచల సుస్థిరబుద్ధి యాత్మవినిగ్రహము&lt;br /&gt;
అంచితవిషయనిరహంకారాలు&lt;br /&gt;
ముంచినజన్మదుఃఖములు దలపోయుట&lt;br /&gt;
కంచపుసంసారము గడుచుటే జ్ఞానము ॥ఇందుకు॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;అరిమిత్రసమబుద్ధి యనన్యభక్తియు&lt;br /&gt;
సరినేకాంతమును సజ్ఞనసంగ విముక్తి&lt;br /&gt;
ధర నధ్యాత్మజ్ఞానతత్వము దెలియుట&lt;br /&gt;
గరిమలందుట శ్రీవేంకటపతి జ్ఞానము ॥ఇందుకు॥&lt;/p&gt;

&lt;h3&gt;Induku virahitamulinniyu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;Induku virahitamulinniyu sagnaanamani&lt;br /&gt;
Chandamuna geetalandu jaateenidivo ||pallavi||&lt;/p&gt;

&lt;p&gt;Maanaavamaanamulu maani dambu viduchuta&lt;br /&gt;
Pooni himsaku joraka yorupu galugutayu&lt;br /&gt;
Aani mati garaguta aachaaryopaasana&lt;br /&gt;
Taaneppudu suchiyauta tappani vignaanamu ||induku||&lt;/p&gt;

&lt;p&gt;Anchala susthirabuddhi yaatmavinigrahamu&lt;br /&gt;
Anchitavishayanirahankaaraalu&lt;br /&gt;
Munchinajanmaduhkhamulu dalapoyuta&lt;br /&gt;
Kanchapusamsaaramu gaduchute gnaanamu ||induku||&lt;/p&gt;

&lt;p&gt;Arimitrasamabuddhi yananyabhaktiyu&lt;br /&gt;
Sarinekaantamunu sagnanasanga vimukti&lt;br /&gt;
Dhara nadhyaatmagnaanatatvamu deliyuta&lt;br /&gt;
Garimalanduta sreevenkatapati gnaanamu ||induku||&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Sagnaanamu (సజ్ఞానము):&lt;/b&gt; true, right knowledge.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Maanaavamaanamulu (మానావమానములు):&lt;/b&gt; honour and dishonour.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Dambu (డంబు):&lt;/b&gt; show-off, pride, ostentation.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Himsa (హింస):&lt;/b&gt; violence; causing harm.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Orupu (ఓరుపు):&lt;/b&gt; patience, forbearance.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Aachaaryopaasana (ఆచార్యోపాసన):&lt;/b&gt; serving and honouring one&#39;s teacher.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Suchi (శుచి):&lt;/b&gt; purity, cleanliness of body and mind.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Susthirabuddhi (సుస్థిరబుద్ధి):&lt;/b&gt; a steady, settled mind.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Aatmavinigrahamu (ఆత్మవినిగ్రహము):&lt;/b&gt; self-control.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Vishayanirahankaaraalu (విషయనిరహంకారాలు):&lt;/b&gt; freedom from ego and from clinging to sense objects.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Janmaduhkhamulu (జన్మదుఃఖములు):&lt;/b&gt; the sorrows that come with birth.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Samsaaramu (సంసారము):&lt;/b&gt; worldly life, the cycle of birth and death.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Arimitrasamabuddhi (అరిమిత్రసమబుద్ధి):&lt;/b&gt; the same attitude towards enemy and friend.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Ananyabhakti (అనన్యభక్తి):&lt;/b&gt; devotion to the Lord alone.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Ekaantamu (ఏకాంతము):&lt;/b&gt; solitude.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Sangavimukti (సంగవిముక్తి):&lt;/b&gt; freedom from attachment.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Adhyaatmagnaanatatvamu (అధ్యాత్మజ్ఞానతత్వము):&lt;/b&gt; the truth of knowledge of the self.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Garima (గరిమ):&lt;/b&gt; greatness.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Induku virahitamulinniyu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation.
 Annamayya lists, one by one, the qualities that show true knowledge, in the way the Gita describes them.&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; The Gita declares that these qualities are what true knowledge is, and whatever lacks them falls short of it.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Giving up pride over honour and dishonour and leaving show behind; staying away from violence and being patient; a mind that melts in service to the teacher; and always keeping oneself pure. This is unfailing knowledge.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; A steady mind and self-control; freedom from ego and from clinging to sense objects; reflecting on the sorrows that birth brings; and crossing over worldly life. This is knowledge.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; The same attitude towards enemy and friend; devotion to the Lord alone; choosing solitude and freedom from attachment; understanding the truth of knowledge of the self; and attaining greatness. This, says Annamayya, is the knowledge of Sri Venkatapati.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The song is a gentle checklist for the seeker. It should be read as spiritual guidance, not as a judgement of any person.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p lang=&quot;te&quot;&gt;ఈ కీర్తనలో అన్నమయ్య నిజమైన జ్ఞానానికి గుర్తులైన గుణాలను వరుసగా చెబుతున్నారు.
 ఇవి లేనివన్నీ సజ్ఞానం కావని గీతలో చెప్పబడిందని పల్లవి తెలియజేస్తుంది.
 మానావమానాలను విడిచి డంబం మానడం, హింసకు పోకుండా ఓరిమి కలిగి ఉండటం, గురువును సేవించడంలో మనసు కరిగించడం, ఎల్లప్పుడూ శుచిగా ఉండటం తప్పని జ్ఞానమని మొదటి చరణం చెబుతుంది.
 స్థిరమైన బుద్ధి, ఆత్మనిగ్రహం, విషయాల పట్ల అహంకారం లేకపోవడం, జన్మ దుఃఖాలను గుర్తుచేసుకోవడం, సంసారాన్ని దాటడం జ్ఞానమని రెండవ చరణం తెలుపుతుంది.
 శత్రుమిత్రుల పట్ల సమబుద్ధి, అనన్యభక్తి, ఏకాంతం, సంగాన్ని విడిచిపెట్టడం, అధ్యాత్మజ్ఞాన తత్వాన్ని తెలుసుకోవడం, గొప్పదనాన్ని పొందడం శ్రీవేంకటపతి జ్ఞానమని మూడవ చరణం ముగిస్తుంది.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;Who wrote Induku virahitamulinniyu?&lt;/b&gt;&lt;br /&gt;Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;Mukhari (ముఖారి).&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;Rekhu 359-2, Samputam 4-346.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;It lists qualities such as humility, patience, purity, self-control, equal-mindedness and devotion as the marks of true knowledge.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Is it connected to the Bhagavad Gita?&lt;/b&gt;&lt;br /&gt;Yes. The qualities listed closely follow the description of knowledge in Chapter 13 of the Gita, and TTD places this audio in its Annamayya Bhagavadgeetha collection.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;The audio on this page is sung by Kondaveeti Jyothirmayi and hosted by TTD.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 359-2, samputam 4-346) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Kondaveeti Jyothirmayi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;h3&gt;More Annamayya keerthanas&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/okkade-mokshakarta.html&quot;&gt;Okkade mokshakarta - ఒక్కడే మోక్షకర్త&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/nivu-sarvasamudavu.html&quot;&gt;Nivu sarvasamudavu - నీవు సర్వసముడవు&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/induku-virahitamulinniyu.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHFYAywedJQjMg7SKExtwEcedeUC-qxfLdy3qcZKVP2ETPEDmGCfzQtUxVG9J92J5hJ4uzWhfAw0d_FxmkeB8dx4LBC9HP3AthQxHCYAdbxUxOT-apE4aTkuYbRTWGIucdobZwmmItD8U86DeoIMFvKJmeCDl1ZlHuahpA8LaSVSF4Fo5xBoyvw_C4r1A/s72-c/1%20Seeker_sitting_under_banyan_tree_s%20dommu_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-6719184425964456397</guid><pubDate>Tue, 20 Oct 2026 08:08:07 +0000</pubDate><atom:updated>2026-10-21T00:04:13.703+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">Kondaveeti Jyothirmayi</category><category domain="http://www.blogger.com/atom/ns#">N - Annamayya</category><category domain="http://www.blogger.com/atom/ns#">న</category><title>Nivu sarvasamudavu - నీవు సర్వసముడవు</title><description>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglEOqBhz3r7zfptLvTpGWl51624Apg3yQrt1bPRG4bcqffcG_OAVfi-sy4Yf5ObfMHel7OfCxTx4qJDgHLbG9qCcj8s5_be7kD0yLsdhe2eZD0s_lWWxtgg7UJpbKWz_PXY-0dkLdi2CCGv6e3w6gvfQOUvyWszjTERdznvwQeOlX5QA_b4Fg8ckJ0j5o/s1600/1%20Village_dog_sitting_at_dawn_sdommu%20vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;Sunlight and moonlight falling equally on flowers, thorns, a temple tower and a humble hut, illustrating Annamayya&#39;s keerthana Nivu sarvasamudavu by S Dommu Vaksara.com&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglEOqBhz3r7zfptLvTpGWl51624Apg3yQrt1bPRG4bcqffcG_OAVfi-sy4Yf5ObfMHel7OfCxTx4qJDgHLbG9qCcj8s5_be7kD0yLsdhe2eZD0s_lWWxtgg7UJpbKWz_PXY-0dkLdi2CCGv6e3w6gvfQOUvyWszjTERdznvwQeOlX5QA_b4Fg8ckJ0j5o/s1600/1%20Village_dog_sitting_at_dawn_sdommu%20vaksara.webp&quot; /&gt;&lt;/a&gt;  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Nivu sarvasamudavu: light, wind and sunshine treat everyone equally, as in the charanams. Illustration created with AI for this post.&lt;/i&gt;&lt;/p&gt;&lt;/div&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Listen Audio by KONDAVEETI JYOTHIRMAYI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;audio controls preload=&quot;none&quot; style=&quot;width: 100%;&quot; aria-label=&quot;Nivu sarvasamudavu, Annamayya keertana, audio by Kondaveeti Jyothirmayi&quot;&gt;
    &lt;source src=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/273%20ANNAMAYYA%20BHAGAVADGEETHA/05%20NIVU%20SARVASAMUDAVU.mp3&quot; type=&quot;audio/mpeg&quot;&gt;
    Your browser does not support the audio element.
  &lt;/audio&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio source: Tirumala Tirupati Devasthanams (TTD), &lt;a href=&quot;https://www.tirumala.org&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;tirumala.org&lt;/a&gt;&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Nivu sarvasamudavu&lt;/b&gt; (నీవు సర్వసముడవు) is an adhyatma (spiritual) keerthana
 by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Shankarabharanam and addressed to Lord Sri Venkateswara of Tirumala.
 Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;నీవు సర్వసముడవు / సర్వసముడఁవు అన్నమయ్య కీర్తన (రాగం: శంకరాభరణం) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table border=&quot;1&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;Composer&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;వాగ్గేయకార&lt;/td&gt;&lt;td&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Category&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (ఆధ్యాత్మ)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Raga&lt;/td&gt;&lt;td&gt;Shankarabharanam (శంకరాభరణం)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Rekhu (copper plate)&lt;/td&gt;&lt;td&gt;132-3&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Volume (Samputam)&lt;/td&gt;&lt;td&gt;2-129&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Deity&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Singer (audio)&lt;/td&gt;&lt;td&gt;Kondaveeti Jyothirmayi&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Source&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Language&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;నీవు సర్వసముడఁవు – Telugu lyrics&lt;/h3&gt;

&lt;p lang=&quot;te&quot;&gt;నీవు సర్వసముడఁవు నీవు దేవదేవుఁడవు&lt;br /&gt;
ఈవల నాగుణదోషాలెంచ నిఁక నేలా ॥పల్లవి॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;పూవులపైఁ గాసీఁ బొరి ముండ్లపైఁ గాసీని&lt;br /&gt;
ఆవల వెన్నెలకేమి హానివచ్చీనా&lt;br /&gt;
పావనుల నటు గాచి పాపపుంజమైన నన్నుఁ&lt;br /&gt;
గావఁగా నీకృపకునుఁ గడమయ్యీనా ॥నీవు॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;గోపుమీఁద విసరీఁ గుక్కమీఁద విసరీని&lt;br /&gt;
పావనపు గాలికిని పాపమంటీనా&lt;br /&gt;
దేవతల రక్షించి దీనుఁడనైన నాకుఁ&lt;br /&gt;
దోవచూపి రక్షించితే దోసమయ్యీనా ॥నీవు॥&lt;/p&gt;

&lt;p lang=&quot;te&quot;&gt;కులజుని యింటనుండీ కులహీనుని యింటనుండీ&lt;br /&gt;
యిలలో నెండకు నేమి హీనమయ్యీనా&lt;br /&gt;
వలసి శ్రీవేంకటాద్రి వరములు యిచ్చి నాలో&lt;br /&gt;
నిలిచి వరములిచ్చి నేఁడు గావవే ॥నీవు॥&lt;/p&gt;

&lt;h3&gt;Nivu sarvasamudavu – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;Neevu sarvasamudavu neevu devadevudavu&lt;br /&gt;
Eevala naagunadoshaalencha nika nelaa ||pallavi||&lt;/p&gt;

&lt;p&gt;Poovulapai gaasee pori mundlapai gaaseeni&lt;br /&gt;
Aavala vennelakemi haanivachcheenaa&lt;br /&gt;
Paavanula natu gaachi paapapunjamaina nannu&lt;br /&gt;
Gaavagaa neekrupakunu kadamayyeenaa ||neevu||&lt;/p&gt;

&lt;p&gt;Gopumeeda visaree gukkameeda visareeni&lt;br /&gt;
Paavanapu gaalikini paapamanteenaa&lt;br /&gt;
Devatala rakshinchi deenudanaina naaku&lt;br /&gt;
Dovachoopi rakshinchite dosamayyeenaa ||neevu||&lt;/p&gt;

&lt;p&gt;Kulajuni yintanundee kulaheenuni yintanundee&lt;br /&gt;
Yilalo nendaku nemi heenamayyeenaa&lt;br /&gt;
Valasi sreevenkataadri varamulu yichchi naalo&lt;br /&gt;
Nilichi varamulichchi nedu gaavavee ||neevu||&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Sarvasamudu (సర్వసముడు):&lt;/b&gt; the one who is equal to all.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Devadevudu (దేవదేవుడు):&lt;/b&gt; the God of gods.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Gunadoshaalu (గుణదోషాలు):&lt;/b&gt; merits and faults.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Vennela (వెన్నెల):&lt;/b&gt; moonlight.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Paavanulu (పావనులు):&lt;/b&gt; the pure ones.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Paapapunjam (పాపపుంజము):&lt;/b&gt; a heap of sins.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Kadama (కడమ):&lt;/b&gt; a shortfall; something lacking.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Gopu (గోపు):&lt;/b&gt; the gopuram, the tower over a temple gateway.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Kulajudu (కులజుడు) and Kulaheenudu (కులహీనుడు):&lt;/b&gt; a person of high birth and a person regarded as low-born. Here they stand for the two extremes of social standing.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Varamulu (వరములు):&lt;/b&gt; boons.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Deenudu (దీనుడు):&lt;/b&gt; a humble, helpless person.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Nivu sarvasamudavu (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation.
 Annamayya compares the Lord&#39;s equal grace to moonlight, wind and sunshine, which fall on everyone alike and are never made lesser by it.&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; You are equal to all, and You are the God of gods. So why would You now weigh my merits and faults?&lt;/li&gt;
&lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Moonlight shines on flowers and on thorns alike, and it suffers no harm from it. You protect the pure, so can Your grace fall short when it comes to saving me, a heap of sins?&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; The breeze blows over a temple tower and over a dog, and the pure wind is not stained by sin. You protect the gods, so if You show the way and protect me, a humble person, is it any fault?&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; The sun shines on the house of the high-born and the house of the low-born alike, and the sun is not lowered by it. Lord of Venkatadri, out of love grant me boons, stay within me, and protect me today.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The point of the song is the Lord&#39;s impartial grace, not a judgement of any group of people.
 It should be read as a spiritual reminder.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p lang=&quot;te&quot;&gt;ఈ కీర్తనలో అన్నమయ్య శ్రీవేంకటేశ్వరుని సర్వసముడిగా, అంటే అందరినీ సమానంగా చూసేవాడిగా స్తుతిస్తున్నారు.
 నీవు దేవదేవుడవు, అటువంటి నీవు ఇప్పుడు నా గుణదోషాలను ఎందుకు లెక్కించాలి అని పల్లవి అడుగుతుంది.
 వెన్నెల పూలపైనా ముళ్లపైనా సమానంగా కాస్తుంది, దానికి ఏ హానీ రాదు; అలాగే పావనులను కాచే నీ కృప పాపాల రాశి అయిన నన్ను కాచడానికి తక్కువవుతుందా అని మొదటి చరణం చెబుతుంది.
 గాలి గోపురంపైనా కుక్కపైనా వీస్తుంది, పావనమైన గాలికి పాపం అంటదు; దేవతలను రక్షించే నీవు దీనుడనైన నాకు దారి చూపి రక్షిస్తే దోషమేమిటని రెండవ చరణం అడుగుతుంది.
 కులజుని ఇంటిపైనా కులహీనుని ఇంటిపైనా ఎండ సమానంగా పడుతుంది, దానికి హీనత రాదు; శ్రీవేంకటాద్రి నాథా, నాలో నిలిచి వరములిచ్చి నన్ను ఈనాడు కాపాడమని మూడవ చరణం ప్రార్థిస్తుంది.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;Who wrote Nivu sarvasamudavu?&lt;/b&gt;&lt;br /&gt;Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;Shankarabharanam (శంకరాభరణం).&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;Rekhu 132-3, Samputam 2-129.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;That the Lord&#39;s grace is equal to all, like moonlight, wind and sunshine, so He should protect the singer without weighing his faults.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;The audio on this page is sung by Kondaveeti Jyothirmayi and hosted by TTD.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 132-3, samputam 2-129) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Kondaveeti Jyothirmayi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;h3&gt;More Annamayya keerthanas&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/okkade-mokshakarta.html&quot;&gt;Okkade mokshakarta - ఒక్కడే మోక్షకర్త&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/nivu-sarvasammudavu.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglEOqBhz3r7zfptLvTpGWl51624Apg3yQrt1bPRG4bcqffcG_OAVfi-sy4Yf5ObfMHel7OfCxTx4qJDgHLbG9qCcj8s5_be7kD0yLsdhe2eZD0s_lWWxtgg7UJpbKWz_PXY-0dkLdi2CCGv6e3w6gvfQOUvyWszjTERdznvwQeOlX5QA_b4Fg8ckJ0j5o/s72-c/1%20Village_dog_sitting_at_dawn_sdommu%20vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-871865633541202640</guid><pubDate>Tue, 20 Oct 2026 00:29:19 +0000</pubDate><atom:updated>2026-10-20T07:50:06.476+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Audio</category><category domain="http://www.blogger.com/atom/ns#">Kondaveeti Jyothirmayi</category><category domain="http://www.blogger.com/atom/ns#">O - Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఒ</category><title>Okkade mokshakarta - ఒక్కడే మోక్షకర్త</title><description>&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English with Meaning and Audio&lt;/h2&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid8vnv69t-RPB0zEcALW8Dzz7wnqCh6KChDUrQvGwihFuNhToUHQIKkdwaACaIw6siGT48N-xWRynKbOuK2mk3DD8BqgwhOliP3JJf6HWYUWL5UQjrXKn6EYaFS2K8LecEwS-0b__rfza5qP3eMprrhUPsgx_xN8Faa1Facdhi3h2iOPXzWc4RoAfMohw/s1600/1%2020%20Oct%20Villagers_at_pond_sunrise_2K_vaksara.webp&quot; style=&quot;display: block; padding: 1em 0; text-align: center; &quot;&gt;&lt;img alt=&quot;One calm pond used in many ways by villagers, illustrating Annamayya&#39;s keerthana Okkade mokshakarta by S Dommu, Vaksara&quot; border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid8vnv69t-RPB0zEcALW8Dzz7wnqCh6KChDUrQvGwihFuNhToUHQIKkdwaACaIw6siGT48N-xWRynKbOuK2mk3DD8BqgwhOliP3JJf6HWYUWL5UQjrXKn6EYaFS2K8LecEwS-0b__rfza5qP3eMprrhUPsgx_xN8Faa1Facdhi3h2iOPXzWc4RoAfMohw/s1600/1%2020%20Oct%20Villagers_at_pond_sunrise_2K_vaksara.webp&quot;/&gt;&lt;/a&gt;&lt;/div&gt;

&lt;h3 style=&quot;color: #2b00fe;&quot;&gt;&lt;i&gt;Listen Audio by KONDAVEETI JYOTHIRMAYI:&lt;/i&gt;&lt;/h3&gt;
&lt;div style=&quot;margin: 15px 0px; text-align: center;&quot;&gt;
  &lt;audio controls preload=&quot;none&quot; style=&quot;width: 100%;&quot; aria-label=&quot;Okkade mokshakarta, Annamayya keertana, audio by Kondaveeti Jyothirmayi&quot;&gt;
    &lt;source src=&quot;https://www.tirumala.org/ANNAMAYYA%20SANKIRTANAS/273%20ANNAMAYYA%20BHAGAVADGEETHA/04%20OKKADE%20MOKSHAKARTA.mp3&quot; type=&quot;audio/mpeg&quot;&gt;
    Your browser does not support the audio element.
  &lt;/audio&gt;
  &lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;Audio source: Tirumala Tirupati Devasthanams (TTD), &lt;a href=&quot;https://www.tirumala.org&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;tirumala.org&lt;/a&gt;&lt;/i&gt;&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;&lt;b&gt;Okkade mokshakarta&lt;/b&gt; (ఒక్కఁడే మోక్షకర్త) is an adhyatma (spiritual) keerthana
 by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Devagandhari and addressed to Lord Sri Venkateswara of Tirumala.
 Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.&lt;/p&gt;&lt;p lang=&quot;te&quot;&gt;ఒక్కడే / ఒక్కఁడే మోక్షకర్త అన్నమయ్య కీర్తన (రాగం: దేవగాంధారి) సాహిత్యం, తెలుగు మరియు ఇంగ్లీష్ లిరిక్స్, భావము, ఆడియోతో.&lt;/p&gt;	

&lt;h2&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;p&gt;&lt;i&gt;Song details&lt;/i&gt;&lt;/p&gt;
&lt;table border=&quot;1&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;Composer&lt;/td&gt;&lt;td&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;వాగ్గేయకార&lt;/td&gt;&lt;td&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Category&lt;/td&gt;&lt;td&gt;Adhyatma sankeertana (ఆధ్యాత్మ)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Raga&lt;/td&gt;&lt;td&gt;Devagandhari (దేవగాంధారి)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Rekhu (copper plate)&lt;/td&gt;&lt;td&gt;142-4&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Volume (Samputam)&lt;/td&gt;&lt;td&gt;2-186&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Deity&lt;/td&gt;&lt;td&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Singer (audio)&lt;/td&gt;&lt;td&gt;Kondaveeti Jyothirmayi&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Source&lt;/td&gt;&lt;td&gt;Tirumala Tirupati Devasthanams (TTD)&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Language&lt;/td&gt;&lt;td&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;

&lt;h3&gt;ఒక్కఁడే మోక్షకర్త – Telugu lyrics&lt;/h3&gt;

&lt;p&gt;ఒక్కఁడే మోక్షకర్త వొక్కటే శరణాగతి&lt;br /&gt;
దిక్కని హరిఁ గొల్చి బదికిరి తొంటివారు ॥పల్లవి॥&lt;/p&gt;

&lt;p&gt;నానా దేవతలున్నారు నానా లోకములున్నవి&lt;br /&gt;
నానా వ్రతాలున్నవి నడచేటివి&lt;br /&gt;
జ్ఞానికిఁ గామ్యకర్మాలు జరపి పొందేదేమి&lt;br /&gt;
ఆనుకొన్న వేదోక్తాలైనానాయఁ గాక ॥ఒక్కఁ॥&lt;/p&gt;

&lt;p&gt;వొక్కండు దప్పికి ద్రావు వొక్కడు కడవ నించు&lt;br /&gt;
నొక్కఁ డీఁదులాడు మడుగొక్కటి యందే&lt;br /&gt;
చక్క జ్ఞానియైనవాఁడు సారార్థము వేదమందు&lt;br /&gt;
తక్కక చేకొనుఁ గాక తలకెత్తుకొనునా ॥ఒక్కఁ॥&lt;/p&gt;

&lt;p&gt;యిది భగవద్గీతార్థమిది యర్జునునితోను&lt;br /&gt;
యెదుటనే వుపదేశమిచ్చెఁ గృష్ణుఁడు&lt;br /&gt;
వెదకి వినరో శ్రీవేంకటేశు దాసులాల&lt;br /&gt;
బ్రదుకుఁ ద్రోవ మనకు పాటించి చేకొనరో ॥ఒక్కఁ॥&lt;/p&gt;

&lt;h3&gt;Okkade mokshakarta – lyrics in English (transliteration)&lt;/h3&gt;

&lt;p&gt;Okkade mokshakarta vokkate sharanaagati&lt;br /&gt;
Dikkani hari golchi badikiri tontivaaru ||pallavi||&lt;/p&gt;

&lt;p&gt;Naanaa devatalunnaaru naanaa lokamulunnavi&lt;br /&gt;
Naanaa vrataalunnavi nadachetivi&lt;br /&gt;
Gnaaniki gaamyakarmaalu jarapi pondedemi&lt;br /&gt;
Aanukonna vedoktaalainaanaaya gaaka ||okkade||&lt;/p&gt;

&lt;p&gt;Vokkandu dappiki draavu vokkadu kadava ninchu&lt;br /&gt;
Nokka deedulaadu madugokkati yande&lt;br /&gt;
Chakka gnaaniyainavaadu saaraarthamu vedamandu&lt;br /&gt;
Takkaka chekonu gaaka talakettukonunaa ||okkade||&lt;/p&gt;

&lt;p&gt;Yidi bhagavadgeetaarthamidi arjununitonu&lt;br /&gt;
Yedutane vupadesamichche krishnudu&lt;br /&gt;
Vedaki vinaro sreevenkatesu daasulaala&lt;br /&gt;
Braduku drova manaku paatinchi chekonaro ||okkade||&lt;/p&gt;

&lt;h3&gt;Word notes&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Mokshakarta (మోక్షకర్త):&lt;/b&gt; the one who grants liberation (moksha).&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Sharanaagati (శరణాగతి):&lt;/b&gt; complete surrender; taking refuge in the Lord.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Dikku (దిక్కు):&lt;/b&gt; support, refuge, the one to turn to.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Tontivaaru (తొంటివారు):&lt;/b&gt; the people of old; the earlier generations of devotees.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Gaamyakarma (కామ్యకర్మ):&lt;/b&gt; rites performed with a desire for a particular reward.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Vedoktaalu (వేదోక్తాలు):&lt;/b&gt; the rites and rules prescribed in the Vedas.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Madugu (మడుగు):&lt;/b&gt; a pond or pool of water.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Saaraarthamu (సారార్థము):&lt;/b&gt; the essence or inner meaning.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Upadesamu (ఉపదేశము):&lt;/b&gt; spiritual teaching.&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt;Meaning of Okkade mokshakarta (in English)&lt;/h3&gt;

&lt;p&gt;This is a summary of the idea of the song, not a word-for-word translation.
 Annamayya points out that among many gods, many worlds and many vratas, there is only one giver of liberation and only one refuge, the Lord Hari.&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; Only one Lord grants moksha, and only one is the true refuge. The devotees of old lived well by worshipping Hari as their only support.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; There are many gods, many worlds and many vratas in practice. But what does a wise person gain by performing rites done for worldly rewards? Even the Vedic rites that one takes up are only of ordinary worth.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; One person drinks water to quench thirst, another fills a pot, and another swims for pleasure, but the pond is the same one. In the same way, a wise person takes the essence of the Vedas and holds on to it. He does not carry the whole load on his head.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; This is the meaning of the Bhagavad Gita, which Krishna taught Arjuna face to face. Annamayya calls the devotees of Sri Venkateswara to look for it, listen to it, and take up this path of life.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamayya often spoke to people directly in this way, gently showing that surrender to the Lord is the one sure path.
 The song should be read as a spiritual reminder, not as a criticism of any person or belief.&lt;/p&gt;

&lt;h3&gt;భావము (తెలుగులో)&lt;/h3&gt;

&lt;p&gt;ఈ కీర్తనలో అన్నమయ్య మోక్షాన్ని ప్రసాదించేవాడు ఒక్క శ్రీహరి మాత్రమేనని, శరణాగతి అనే మార్గం ఒక్కటేనని చెబుతున్నారు.
 పూర్వం భక్తులు హరినే దిక్కుగా నమ్మి గొల్చి బ్రతికారని పల్లవి తెలియజేస్తుంది.
 ఎన్నో దేవతలు, లోకాలు, వ్రతాలు ఉన్నా, ఫలాపేక్షతో చేసే కామ్యకర్మల వల్ల జ్ఞానికి కలిగే లాభమేమిటని మొదటి చరణం ప్రశ్నిస్తుంది.
 ఒకరు దాహానికి నీళ్లు తాగుతారు, ఒకరు కడవ నింపుకొంటారు, ఒకరు ఈతకొడతారు, కానీ మడుగు మాత్రం ఒక్కటే అని చెబుతూ,
 జ్ఞాని వేదాల సారాన్ని మాత్రమే గ్రహిస్తాడు గాని మొత్తం భారాన్ని తలపై మోయడు అని రెండవ చరణం చెబుతుంది.
 ఇదే భగవద్గీత సారమని, శ్రీకృష్ణుడు అర్జునునికి ఎదురుగా ఉపదేశించాడని, శ్రీవేంకటేశ్వరుని దాసులారా, దీనిని వెదకి విని ఈ జీవన మార్గాన్ని పాటించండని మూడవ చరణం పిలుపునిస్తుంది.&lt;/p&gt;

&lt;h3&gt;More audio versions&lt;/h3&gt;

&lt;p&gt;Listen to more Annamayya keerthanas on our &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Frequently asked questions&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;Who wrote Okkade mokshakarta?&lt;/b&gt;&lt;br /&gt;Tallapaka Annamacharya (Annamayya), the 15th-century composer-saint.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Which raga is it in?&lt;/b&gt;&lt;br /&gt;Devagandhari (దేవగాంధారి).&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What are the rekhu and samputam numbers?&lt;/b&gt;&lt;br /&gt;Rekhu 142-4, Samputam 2-186.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;What does the keerthana say?&lt;/b&gt;&lt;br /&gt;Only one Lord grants moksha and only one is the true refuge; the essence of the Vedas and the Bhagavad Gita is to hold on to Him.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Where can I listen to it?&lt;/b&gt;&lt;br /&gt;The audio on this page is sung by Kondaveeti Jyothirmayi and hosted by TTD.&lt;/p&gt;

&lt;h3&gt;Source &amp;amp; credits&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Lyrics:&lt;/b&gt; Composed by Tallapaka Annamacharya (15th century, public domain). Reference numbers (rekhu 142-4, samputam 2-186) follow the TTD Annamacharya Sankeertanas edition.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Audio:&lt;/b&gt; Sung by Kondaveeti Jyothirmayi. Audio file hosted by TTD (tirumala.org). Audio rights belong to TTD and the artist.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Transliteration, word notes and meaning:&lt;/b&gt; Original to the Annamayya Keerthanalu blog.&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;font-size: 90%;&quot;&gt;&lt;i&gt;The keerthana text is by Annamacharya (public domain). Audio recordings and published editions belong to their respective owners. Shared for devotional and educational purposes. If you are a rights holder and want any content changed or removed, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/i&gt;&lt;/p&gt;

&lt;h3&gt;More Annamayya keerthanas&lt;/h3&gt;

&lt;ul&gt;
&lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/08/blog-post_8535.html&quot;&gt;All keerthanas starting with ఒ (index)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/search/label/%E0%B0%92&quot;&gt;All keerthanas starting with ఒ (label)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Annamacharya&#39;s keerthanas are more than 500 years old. If you notice a spelling mistake, please tell us through the &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/okkade-mokshakarta.html</link><author>noreply@blogger.com (Unknown)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid8vnv69t-RPB0zEcALW8Dzz7wnqCh6KChDUrQvGwihFuNhToUHQIKkdwaACaIw6siGT48N-xWRynKbOuK2mk3DD8BqgwhOliP3JJf6HWYUWL5UQjrXKn6EYaFS2K8LecEwS-0b__rfza5qP3eMprrhUPsgx_xN8Faa1Facdhi3h2iOPXzWc4RoAfMohw/s72-c/1%2020%20Oct%20Villagers_at_pond_sunrise_2K_vaksara.webp" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-8203648357688475261</guid><pubDate>Sun, 18 Oct 2026 20:46:36 +0000</pubDate><atom:updated>2026-10-19T02:16:36.098+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">C-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">చ</category><title>Cheli Neevu - చెలి నీవు</title><description>&lt;!--BLOGGER POST: Cheli neevu modalane - చెలి నీవు మొదలనే
  URL: https://annamayya-u.blogspot.com/2026/10/cheli-neevu-modalane.html

  HOW TO USE
  1. Keep the Blogger post TITLE as it is (it becomes the H1).
  2. Switch the editor to &quot;HTML view&quot; and replace everything with this file&#39;s content.
  3. In Post settings, paste the Search description (below) and keep the Permalink as is.

  SEARCH DESCRIPTION (paste in Post settings &gt; Search description):
  Cheli neevu modalane Annamayya keerthana lyrics in Telugu and English, with meaning, raga Bowli, copper plate Rekhu 1242-3 and volume 22-249.

  LABELS: Annamayya, Ch-Annamayya, చ, Shringara Sankeertana, Sri Venkateswara--&gt;

&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  &lt;b&gt;Cheli neevu modalane&lt;/b&gt; (చెలి నీవు మొదలనే) is a shringara sankeertana
  by the 15th-century composer-saint Tallapaka Annamacharya (Annamayya), set in raga Bowli and addressed to Lord Sri Venkateswara of Tirumala and his consort Alamelumanga.
  Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.
&lt;/p&gt;

&lt;h2 style=&quot;text-align: left;&quot;&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;!--Song details--&gt;
&lt;!--Add these rows only when known, so the page never shows empty fields:
    &lt;tr&gt;&lt;th scope=&quot;row&quot; ...&gt;Tala&lt;/th&gt;&lt;td ...&gt;_____&lt;/td&gt;&lt;/tr&gt;--&gt;
&lt;table style=&quot;border-collapse: collapse; font-size: 0.95em; margin: 0px 0px 1.2em; max-width: 560px; width: 100%;&quot;&gt;
  &lt;caption style=&quot;caption-side: top; font-weight: bold; padding-bottom: 6px; text-align: left;&quot;&gt;Song details&lt;/caption&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left; width: 35%;&quot;&gt;Composer&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Tallapaka Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;వాగ్గేయకార&lt;/th&gt;&lt;td lang=&quot;te&quot; style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;తాళ్లపాక అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Category&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Shringara sankeertana (&lt;span lang=&quot;te&quot;&gt;శృంగార సంకీర్తన&lt;/span&gt;)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Raga&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Bowli (&lt;span lang=&quot;te&quot;&gt;బౌళి&lt;/span&gt;)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Rekhu (copper plate)&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;1242-3&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Volume (Samputam)&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;22-249&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Deity&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Sri Venkateswara (Tirumala) and Alamelumanga&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Language&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;!--Telugu lyrics--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;చెలి నీవు మొదలనే – Telugu lyrics&lt;/h3&gt;
&lt;div lang=&quot;te&quot; style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); color: #202122; font-size: 1.1em; line-height: 1.9; margin-bottom: 1em; padding: 0.8em 1em;&quot;&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చెలి నీవు మొదలనే సిగ్గరిపెండ్లికూఁతుర-&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;విల నింత పచ్చిదేరీ నిదివో నీభావము &amp;nbsp;&amp;nbsp;॥పల్లవి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చెక్కులవెంటాఁగారేచెమట దుడుచుకొవే&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చక్కఁబెట్టుకోనవే నీజారినకొప్పు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;అక్కుమీఁదఁ బెనగోన్నహారాలు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చిక్కుదియ్యవే యిక్కువల నీకోరిక లీడేకె నిపుడు &amp;nbsp;&amp;nbsp;॥చెలి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;పెదవిమీఁది కెంపుల బేంట్లు రాలుచుకొవే&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చెదరినముంగురులు చేత దువ్వవే&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;వదలినపయ్యద చివ్వన బిగించుకొనవే&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;పదిఁబదిగా నీనోము ఫలియించె నిపుడు &amp;nbsp;&amp;nbsp;॥చెలి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;తిలకము గరఁగెను దిద్దుకొవే నోసలను&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;కలసినగురుతులు గప్పుకోనవే&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;యెలమి శ్రీవేంకటేశుఁ డేల నలమేల్‌మంగవు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;తలఁచినతలఁపులు తలకూడె నిపుడు &amp;nbsp;&amp;nbsp;॥చెలి॥&lt;/p&gt;
&lt;/div&gt;

&lt;!--English transliteration--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Cheli neevu modalane – lyrics in English (transliteration)&lt;/h3&gt;
&lt;div lang=&quot;te-Latn&quot; style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); color: #202122; font-size: 1.05em; line-height: 1.8; margin-bottom: 1em; padding: 0.8em 1em;&quot;&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Cheli neevu modalane siggaripendlikoothura-&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;vila ninta pachchideri nidivo neebhaavamu &amp;nbsp;&amp;nbsp;||pallavi||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Chekkulaventaagaarechemata duduchukove&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Chakkabettukonave neejaarinakoppu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Akkumeedha benagonnahaaraalu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Chikkudiyyave yikkuvala neekorika leedeke nipudu &amp;nbsp;&amp;nbsp;||cheli||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Pedavimeedi kempula bentlu raaluchukove&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Chedarinamungurulu chetha duvvave&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Vadalinapayyada chivvana biginchukonave&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Padibadigaa neenomu phaliyinche nipudu &amp;nbsp;&amp;nbsp;||cheli||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Tilakamu garagenu diddukove nosalanu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Kalasinagurutulu gappukonave&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Yelami Sreevenkatesu dela nalamelmangavu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Talachinatalapulu talakoode nipudu &amp;nbsp;&amp;nbsp;||cheli||&lt;/p&gt;
&lt;/div&gt;

&lt;!--Word notes--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Word notes&lt;/h3&gt;
&lt;ul style=&quot;line-height: 1.7;&quot;&gt;
  &lt;li&gt;&lt;b&gt;Cheli (చెలి):&lt;/b&gt; a dear friend or companion; here the one being addressed.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Siggari (సిగ్గరి):&lt;/b&gt; a shy person.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pendlikoothuru (పెండ్లికూఁతురు):&lt;/b&gt; a bride.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Pachchi (పచ్చి):&lt;/b&gt; raw; here, unguarded and innocent.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Bhaavamu (భావము):&lt;/b&gt; state of mind, mood.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chekkulu (చెక్కులు):&lt;/b&gt; cheeks.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Koppu (కొప్పు):&lt;/b&gt; the knot of hair.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Mungurulu (ముంగురులు):&lt;/b&gt; the loose curls on the forehead.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Payyada (పయ్యద):&lt;/b&gt; the end of the sari draped over the shoulder.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nomu (నోము):&lt;/b&gt; a vow or observance.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Phaliyinchu (ఫలియించు):&lt;/b&gt; to bear fruit, to be fulfilled.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Tilakamu (తిలకము):&lt;/b&gt; the mark worn on the forehead.&lt;/li&gt;
&lt;/ul&gt;

&lt;!--Meaning in English--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Meaning of Cheli neevu modalane (in English)&lt;/h3&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  This is a summary of the idea of the song, not a word-for-word translation.
  A friend teases Alamelumanga lovingly and helps her compose herself. Every stanza ends with the happy refrain
  &lt;i&gt;&quot;nipudu&quot;&lt;/i&gt; (now), as the long-awaited wishes of the heart are fulfilled.
&lt;/p&gt;
&lt;ul style=&quot;line-height: 1.7;&quot;&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; &quot;Friend, you have always been a shy bride, yet see how openly your feelings show now!&quot;
  The friend gently teases her.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; She is asked to wipe the sweat from her cheeks, tidy her loosened hair knot and untangle her ornaments.
  Her heart&#39;s desires have now come true.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; She is asked to smooth her scattered curls and fasten the end of her sari firmly.
  The vow she observed has borne fruit many times over.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; She is asked to touch up the tilakam on her forehead.
  Lord Venkateswara has joyfully taken Alamelumanga as his own, and everything she wished for has now come together.&lt;/li&gt;
&lt;/ul&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  Annamayya wrote many shringara sankeertanas in which the loving bond between God and the devotee is expressed through the
  relationship of the Lord and his consort. The song should be read as devotion, not as a worldly story.
&lt;/p&gt;

&lt;!--Meaning in Telugu--&gt;
&lt;h3 lang=&quot;te&quot; style=&quot;text-align: left;&quot;&gt;భావము (తెలుగులో)&lt;/h3&gt;
&lt;p lang=&quot;te&quot; style=&quot;line-height: 1.9;&quot;&gt;
  ఈ శృంగార సంకీర్తనలో అన్నమయ్య, శ్రీ వేంకటేశ్వరుని దేవేరి అలమేలుమంగను ఆమె చెలి చమత్కారంగా పలకరిస్తున్నట్లు వర్ణించారు.
  &quot;నీవు మొదటినుండి సిగ్గరివే, ఇప్పుడు నీ భావం ఇంత బహిరంగమైందే&quot; అంటూ పల్లవి మొదలవుతుంది.
  చెక్కిళ్ళపై కారే చెమటను తుడుచుకొమ్మని, జారిన కొప్పును సరిచేసుకొమ్మని, చిక్కుకొన్న హారాలను విడదీసుకొమ్మని మొదటి చరణం చెబుతుంది.
  చెదరిన ముంగురులను చేతితో సవరించుకొమ్మని, వదులైన పయ్యదను బిగించుకొమ్మని, ఆమె చేసిన నోము ఇప్పుడు ఫలించిందని రెండవ చరణం చెబుతుంది.
  చివరి చరణంలో తిలకాన్ని దిద్దుకొమ్మని చెప్పి, శ్రీ వేంకటేశ్వరుడు ఆమెను సంతోషంగా ఏలుకొన్నాడని, ఆమె తలచిన తలపులన్నీ ఇప్పుడు ఫలించాయని కీర్తన ముగుస్తుంది.
  భక్తునికీ భగవంతునికీ ఉన్న అనుబంధాన్ని శృంగార భావంతో చెప్పడం అన్నమయ్య శైలి.
&lt;/p&gt;

&lt;!--Audio--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Listen to this keerthana&lt;/h3&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  Listen to Annamayya keerthanas on our
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.
&lt;/p&gt;
&lt;!--To add an embedded player for THIS song, paste your audio or YouTube embed code here, for example:
  &lt;iframe width=&quot;100%&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/VIDEO_ID&quot; title=&quot;Cheli neevu modalane - Annamayya keerthana&quot; loading=&quot;lazy&quot; allowfullscreen&gt;&lt;/iframe&gt;
  Only embed audio you have permission to use, or link to official uploads.--&gt;

&lt;!--Related links--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;More Annamayya keerthanas&lt;/h3&gt;
&lt;ul style=&quot;line-height: 1.8;&quot;&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/cheli-mammu.html&quot;&gt;Cheli mammu – చెలి మమ్ము&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/celi-nedu-ta.html&quot;&gt;Cheli nedu – చెలి నేడు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/celiyaro-nive.html&quot;&gt;Cheliyaro neeve – చెలియరో నీవే&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/search/label/%E0%B0%9A&quot;&gt;All keerthanas starting with చ&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;color: #555555; font-size: 0.9em; line-height: 1.6;&quot;&gt;
  Annamacharya&#39;s keerthanas are more than 500 years old. Transliteration and meaning on this page were prepared
  by the Annamayya Keerthanalu blog. If you notice a spelling mistake, please tell us through the
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.
  &lt;!--Lyrics source: add your source here, e.g. &quot;Lyrics source: ____&quot;--&gt;
&lt;/p&gt;

&lt;!--Structured data (helps search engines understand the song)--&gt;
&lt;script type=&quot;application/ld+json&quot;&gt;
{
  &quot;@context&quot;: &quot;https://schema.org&quot;,
  &quot;@type&quot;: &quot;MusicComposition&quot;,
  &quot;name&quot;: &quot;Cheli neevu modalane (చెలి నీవు మొదలనే)&quot;,
  &quot;url&quot;: &quot;https://annamayya-u.blogspot.com/2026/10/cheli-neevu-modalane.html&quot;,
  &quot;inLanguage&quot;: &quot;te&quot;,
  &quot;composer&quot;: { &quot;@type&quot;: &quot;Person&quot;, &quot;name&quot;: &quot;Tallapaka Annamacharya&quot; },
  &quot;lyricist&quot;: { &quot;@type&quot;: &quot;Person&quot;, &quot;name&quot;: &quot;Tallapaka Annamacharya&quot; },
  &quot;genre&quot;: &quot;Shringara sankeertana&quot;,
  &quot;description&quot;: &quot;Annamayya keerthana in raga Bowli, Rekhu 1242-3, Volume 22-249.&quot;
}
&lt;/script&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/cheli-neevu.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-288065803458245863</guid><pubDate>Sun, 18 Oct 2026 20:06:08 +0000</pubDate><atom:updated>2026-10-19T01:48:53.434+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">G-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">గ</category><title>Gaddari jivudu - గద్దరి జీవుడు</title><description>&lt;!--BLOGGER POST: Gaddari jivudu - గద్దరి జీవుడు
  URL: https://annamayya-u.blogspot.com/2026/10/gaddari-jivudu.html

  HOW TO USE
  1. Keep the Blogger post TITLE as it is (it becomes the H1).
  2. Switch the editor to &quot;HTML view&quot; and replace everything with this file&#39;s content.
  3. In Post settings, paste the Search description (below) and keep the Permalink as is.

  SEARCH DESCRIPTION (paste in Post settings &gt; Search description):
  Gaddari jivudu Annamayya keerthana lyrics in Telugu and English, with meaning, raga Samantam, copper plate Rekhu 9108-02 and volume 4-596.

  LABELS: Annamayya, G-Annamayya, గ, Adhyatma Sankeertana, Sri Venkateswara--&gt;

&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  &lt;b&gt;Gaddari jivudu&lt;/b&gt; (గద్దరి జీవుడు) is an adhyatma (spiritual) keerthana
  by the 15th-century composer-saint Annamacharya (Annamayya), set in raga Samantam and addressed to Lord Sri Venkateswara of Tirumala.
  Below you will find the lyrics in Telugu, an easy-to-read English transliteration, word notes, and the meaning in English and Telugu.
&lt;/p&gt;

&lt;h2 style=&quot;text-align: left;&quot;&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;!--Song details--&gt;
&lt;!--Add these rows only when known, so the page never shows empty fields:
    &lt;tr&gt;&lt;th scope=&quot;row&quot; ...&gt;Tala&lt;/th&gt;&lt;td ...&gt;_____&lt;/td&gt;&lt;/tr&gt;--&gt;
&lt;table style=&quot;border-collapse: collapse; font-size: 0.95em; margin: 0px 0px 1.2em; max-width: 560px; width: 100%;&quot;&gt;
  &lt;caption style=&quot;caption-side: top; font-weight: bold; padding-bottom: 6px; text-align: left;&quot;&gt;Song details&lt;/caption&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left; width: 35%;&quot;&gt;Composer&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;వాగ్గేయకార&lt;/th&gt;&lt;td lang=&quot;te&quot; style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;అన్నమాచార్య&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Category&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Adhyatma sankeertana (&lt;span lang=&quot;te&quot;&gt;ఆధ్యాత్మ&lt;/span&gt;)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Raga&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Samantam (&lt;span lang=&quot;te&quot;&gt;సామంతం&lt;/span&gt;)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Rekhu (copper plate)&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;9108-02&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Volume (Samputam)&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;4-596&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Deity&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;background: rgb(255, 245, 214); border: 1px solid rgb(255, 221, 136); color: #202122; font-weight: bold; padding: 6px 10px; text-align: left;&quot;&gt;Language&lt;/th&gt;&lt;td style=&quot;border: 1px solid rgb(255, 221, 136); padding: 6px 10px;&quot;&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;!--Telugu lyrics--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;గద్దరి జీవుఁడు – Telugu lyrics&lt;/h3&gt;
&lt;div lang=&quot;te&quot; style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); color: #202122; font-size: 1.1em; line-height: 1.9; margin-bottom: 1em; padding: 0.8em 1em;&quot;&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;గద్దరి జీవుఁడు కామధేనువు మాని&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;యెద్దుఁ బిదుకఁ జొచ్చె నేది దెరఁగు &amp;nbsp;&amp;nbsp;॥పల్లవి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;మటమాయములఁ దనమనసె చంచలమంది&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;ఇటునటుఁ దిరిగిన నేది దెరఁగు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;కటకట వూరేలు కర్తే దొంగలఁగూడి&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;యెటువలెఁ జేసిన నేదిదెరఁగు &amp;nbsp;&amp;nbsp;॥గద్దరి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;కల్లలాడఁగఁ జొచ్చెఁ గలుషపుమతి సత్య&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;మిల్లు వెడలగొట్టె నేదిదెరఁగు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;చెల్లఁబో నోరే చేఁదుమేయఁగఁ జొచ్చె&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;నెల్లవారికి నింక నేదిదెరఁగు &amp;nbsp;&amp;nbsp;॥గద్దరి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;తియ్యని వెంకటాధిపుఁ బాసి పరసేవ&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;కియ్యకొనెడిఁ జిత్తమేది దెరఁగు&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;అయ్యొ చక్కనిపతి నాలు విడిచిపోయి&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;యెయ్యెడఁ దిరిగిన నేదిదెరఁగు &amp;nbsp;&amp;nbsp;॥గద్దరి॥&lt;/p&gt;
&lt;/div&gt;

&lt;!--English transliteration--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Gaddari jivudu – lyrics in English (transliteration)&lt;/h3&gt;
&lt;div lang=&quot;te-Latn&quot; style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); color: #202122; font-size: 1.05em; line-height: 1.8; margin-bottom: 1em; padding: 0.8em 1em;&quot;&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Gaddari jeevudu kaamadhenuvu maani&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Yeddu biduka jocche nedi deragu &amp;nbsp;&amp;nbsp;||pallavi||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Matamaayamula dana manase chanchalamandi&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Itunatu dirigina nedi deragu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Katakata voorelu karte dongalanu goodi&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Yetuvale jesina nedi deragu &amp;nbsp;&amp;nbsp;||gaddari||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Kallalaadaga jocche galushapu mati satya&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Millu vedalagotte nedi deragu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Chellabo nore chedu meyaga jocche&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Nellavaariki ninka nedi deragu &amp;nbsp;&amp;nbsp;||gaddari||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Tiyyani venkataadhipu baasi paraseva&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Kiyyakonedi chittameedi deragu&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Ayyo chakkanipati naalu vidichipoyi&lt;/p&gt;
  &lt;p style=&quot;margin: 0px;&quot;&gt;Yeyyeda dirigina nedi deragu &amp;nbsp;&amp;nbsp;||gaddari||&lt;/p&gt;
&lt;/div&gt;

&lt;!--Word notes--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Word notes&lt;/h3&gt;
&lt;ul style=&quot;line-height: 1.7;&quot;&gt;
  &lt;li&gt;&lt;b&gt;Gaddari (గద్దరి):&lt;/b&gt; a crafty, cunning person.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Jeevudu (జీవుడు):&lt;/b&gt; the individual soul, the human being.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Kaamadhenuvu (కామధేనువు):&lt;/b&gt; the divine wish-fulfilling cow; here, a symbol of the Lord&#39;s grace.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Yeddu (ఎద్దు):&lt;/b&gt; a bull; milking a bull stands for a pointless effort that can never give milk.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Nedi deragu (ఏది తెరగు):&lt;/b&gt; &quot;what way is there? what remedy remains?&quot;, the refrain of the song.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Matamaayamu (మటమాయము):&lt;/b&gt; trickery, deceit.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Chedu (చేదు):&lt;/b&gt; bitter.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Naalu (నాలు):&lt;/b&gt; wife.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Paraseva (పరసేవ):&lt;/b&gt; serving others, here meaning serving anything other than the Lord.&lt;/li&gt;
&lt;/ul&gt;

&lt;!--Meaning in English--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Meaning of Gaddari jivudu (in English)&lt;/h3&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  This is a summary of the idea of the song, not a word-for-word translation.
  Annamayya holds up a mirror to the human mind. Every stanza ends with the same sorrowful question,
  &lt;i&gt;&quot;nedi deragu?&quot;&lt;/i&gt; (what way is left?), asking what good can come from turning away from God.
&lt;/p&gt;
&lt;ul style=&quot;line-height: 1.7;&quot;&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; The clever human being leaves the Kamadhenu, the cow that gives everything, and sits down to milk a bull.
  Giving up the Lord&#39;s grace for futile worldly effort cannot bear fruit.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; Through tricks and deceit, the mind itself grows restless and wanders in every direction.
  When even the ruler of the town keeps company with thieves, no action leads to a good end.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; The sinful mind starts telling lies and drives truth out of the house.
  The very mouth turns to bitter things. When this happens to everyone, what hope remains?&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; Leaving the sweet Lord Venkateswara and agreeing to serve others, the mind has no direction.
  It is like a wife who leaves her loving husband and wanders aimlessly. Wherever she goes, there is no way out.&lt;/li&gt;
&lt;/ul&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  Annamayya often spoke to people directly in this way, gently warning that real peace comes only from surrender to the Lord.
  The song should be read as a spiritual reminder, not as a criticism of any person.
&lt;/p&gt;

&lt;!--Meaning in Telugu--&gt;
&lt;h3 lang=&quot;te&quot; style=&quot;text-align: left;&quot;&gt;భావము (తెలుగులో)&lt;/h3&gt;
&lt;p lang=&quot;te&quot; style=&quot;line-height: 1.9;&quot;&gt;
  ఈ కీర్తనలో అన్నమయ్య మానవుని మనస్సును అద్దంలో చూపినట్లు వర్ణించారు. కోరినవన్నీ ఇచ్చే కామధేనువు వంటి
  శ్రీ వేంకటేశ్వరుని విడిచి, ఎద్దును పిదికేందుకు ప్రయత్నించే వ్యర్థ ప్రయత్నాన్ని పల్లవి సూచిస్తుంది.
  మాయలు, మోసాల వల్ల మనస్సు చంచలమై అటూ ఇటూ తిరుగుతుందని, సత్యాన్ని ఇంటి నుండి వెళ్ళగొట్టి అసత్యాలు పలికే
  మనసు పాపంలో మునుగుతుందని మొదటి రెండు చరణాలు చెబుతాయి. చివరి చరణంలో, తియ్యని వేంకటేశ్వరుని వదలి
  ఇతరుల సేవకు ఒప్పుకొనే చిత్తాన్ని, చక్కని భర్తను విడిచి ఎక్కడెక్కడో తిరిగే భార్యతో పోల్చారు.
  ప్రతి చరణంలో &quot;ఏది తెరగు?&quot; అనే ప్రశ్న, భగవంతుని వదిలి మరెక్కడా దారి లేదనే సత్యాన్ని గుర్తు చేస్తుంది.
&lt;/p&gt;

&lt;!--Audio--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;Listen to this keerthana&lt;/h3&gt;
&lt;p style=&quot;line-height: 1.7;&quot;&gt;
  Listen to Annamayya keerthanas on our
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.
&lt;/p&gt;
&lt;!--To add an embedded player for THIS song, paste your audio or YouTube embed code here, for example:
  &lt;iframe width=&quot;100%&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/VIDEO_ID&quot; title=&quot;Gaddari jivudu - Annamayya keerthana&quot; loading=&quot;lazy&quot; allowfullscreen&gt;&lt;/iframe&gt;
  Only embed audio you have permission to use, or link to official uploads.--&gt;

&lt;!--Related links--&gt;
&lt;h3 style=&quot;text-align: left;&quot;&gt;More Annamayya keerthanas&lt;/h3&gt;
&lt;ul style=&quot;line-height: 1.8;&quot;&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/gaddapara-mimgite.html&quot;&gt;Gaddapaara mingite – గడ్డపార మింగితే&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/gatulanni-khilamaina.html&quot;&gt;Gatulanni khilamaina – గతులన్ని ఖిలమైన&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;http://annamayya-u.blogspot.com/2010/09/garuda-gamana.html&quot;&gt;Garuda gamana – గరుడ గమన&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/search/label/%E0%B0%97&quot;&gt;All keerthanas starting with గ&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;color: #555555; font-size: 0.9em; line-height: 1.6;&quot;&gt;
  Annamacharya&#39;s keerthanas are more than 500 years old. Transliteration and meaning on this page were prepared
  by the Annamayya Keerthanalu blog. If you notice a spelling mistake, please tell us through the
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.
  &lt;!--Lyrics source: add your source here, e.g. &quot;Lyrics source: ____&quot;--&gt;
&lt;/p&gt;

&lt;!--Structured data (helps search engines understand the song)--&gt;
&lt;script type=&quot;application/ld+json&quot;&gt;
{
  &quot;@context&quot;: &quot;https://schema.org&quot;,
  &quot;@type&quot;: &quot;MusicComposition&quot;,
  &quot;name&quot;: &quot;Gaddari jivudu (గద్దరి జీవుడు)&quot;,
  &quot;url&quot;: &quot;https://annamayya-u.blogspot.com/2026/10/gaddari-jivudu.html&quot;,
  &quot;inLanguage&quot;: &quot;te&quot;,
  &quot;composer&quot;: { &quot;@type&quot;: &quot;Person&quot;, &quot;name&quot;: &quot;Annamacharya&quot; },
  &quot;lyricist&quot;: { &quot;@type&quot;: &quot;Person&quot;, &quot;name&quot;: &quot;Annamacharya&quot; },
  &quot;genre&quot;: &quot;Adhyatma sankeertana&quot;,
  &quot;description&quot;: &quot;Annamayya keerthana in raga Samantam, Rekhu 9108-02, Volume 4-596.&quot;
}
&lt;/script&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/gaddari-jivudu.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-1827270505416903228</guid><pubDate>Sun, 18 Oct 2026 11:34:21 +0000</pubDate><atom:updated>2026-10-18T17:32:30.927+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఔ</category><title>Aunayya manchivadavannita - ఔనయ్య మంచివాడవన్నిటా</title><description>&lt;!--
  BLOGGER POST: Aunayya manchivadavannita - ఔనయ్య మంచివాడవన్నిటా
  URL: https://annamayya-u.blogspot.com/2026/10/aunayya-manchivadavannita.html

  HOW TO USE
  1. Keep the Blogger post TITLE as it is (it becomes the H1).
  2. Switch the editor to &quot;HTML view&quot; and replace everything with this file&#39;s content.
  3. In Post settings, paste the Search description (below) and keep the Permalink as is.

  SEARCH DESCRIPTION (paste in Post settings &gt; Search description):
  Aunayya manchivadavannita Annamayya keerthana lyrics in Telugu and English, with meaning, composer and audio links.

  LABELS: Annamayya, A-Annamayya, ఔ, Sri Venkateswara
--&gt;

&lt;p style=&quot;line-height:1.7;&quot;&gt;
  &lt;b&gt;Aunayya manchivadavannita&lt;/b&gt; (ఔనయ్య మంచివాడవన్నిటా) is a devotional keerthana
  by the 15th-century composer-saint Annamacharya (Annamayya), addressed to Lord Sri Venkateswara of Tirumala.
  Below you will find the lyrics in Telugu, an easy-to-read English transliteration, and the meaning in English and Telugu.
&lt;/p&gt;

&lt;h2 style=&quot;text-align:left;&quot;&gt;Annamayya Keerthana Lyrics in Telugu &amp;amp; English&lt;/h2&gt;

&lt;!-- Song details --&gt;
&lt;table style=&quot;border-collapse:collapse; width:100%; max-width:560px; margin:0 0 1.2em 0; font-size:0.95em;&quot;&gt;
  &lt;tbody&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;color:#202122 !important; font-weight:bold !important; text-align:left; padding:6px 10px; border:1px solid #ffdd88; background:#fff5d6; width:35%;&quot;&gt;Composer&lt;/th&gt;&lt;td style=&quot;padding:6px 10px; border:1px solid #ffdd88;&quot;&gt;Annamacharya (Annamayya)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;color:#202122 !important; font-weight:bold !important; text-align:left; padding:6px 10px; border:1px solid #ffdd88; background:#fff5d6;&quot;&gt;Deity&lt;/th&gt;&lt;td style=&quot;padding:6px 10px; border:1px solid #ffdd88;&quot;&gt;Sri Venkateswara (Tirumala)&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;color:#202122 !important; font-weight:bold !important; text-align:left; padding:6px 10px; border:1px solid #ffdd88; background:#fff5d6;&quot;&gt;Language&lt;/th&gt;&lt;td style=&quot;padding:6px 10px; border:1px solid #ffdd88;&quot;&gt;Telugu&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; style=&quot;color:#202122 !important; font-weight:bold !important; text-align:left; padding:6px 10px; border:1px solid #ffdd88; background:#fff5d6;&quot;&gt;Style&lt;/th&gt;&lt;td style=&quot;padding:6px 10px; border:1px solid #ffdd88;&quot;&gt;Shringara sankeertana (devotion in the voice of a playful dialogue)&lt;/td&gt;&lt;/tr&gt;
    &lt;!-- Add these rows only when known, so the page never shows empty fields:
    &lt;tr&gt;&lt;th scope=&quot;row&quot; ...&gt;Raga&lt;/th&gt;&lt;td ...&gt;_____&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; ...&gt;Tala&lt;/th&gt;&lt;td ...&gt;_____&lt;/td&gt;&lt;/tr&gt;
    &lt;tr&gt;&lt;th scope=&quot;row&quot; ...&gt;Sankeertana no.&lt;/th&gt;&lt;td ...&gt;_____&lt;/td&gt;&lt;/tr&gt;
    --&gt;
  &lt;/tbody&gt;
&lt;/table&gt;

&lt;!-- Telugu lyrics --&gt;
&lt;h3 style=&quot;text-align:left;&quot;&gt;ఔనయ్య మంచివాఁడవన్నిటా – Telugu lyrics&lt;/h3&gt;
&lt;div lang=&quot;te&quot; style=&quot;background:#fffcec; border:1px solid #ffdd88; padding:0.8em 1em; margin-bottom:1em; line-height:1.9; font-size:1.1em; color:#202122;&quot;&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;ఔనయ్య మంచివాఁడవన్నిటా నీవు&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;వేనలి ముట్టి చెలిని వేడుక చేసేవు &amp;nbsp;&amp;nbsp;॥పల్లవి॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;అందలమెక్కిన నిన్ను ఆకె గొలిచి రాఁగాను&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;పొందుగాఁ జన్నులొత్తేవు బొట్టనవేల&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;అందుకుఁగా వేరొక్కతె అట్టె నిన్ను సాదించితే&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;విందువలె నాపె చెక్కు వేలనొత్తేవు &amp;nbsp;&amp;nbsp;॥ఔన॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;కుంచె వేసే యట్టి యాపె కుచ్చలమీఁద మోచేత&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;అంచలనూఁదుకొనేవు ఆయాలు సోఁక&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;పొంచి వేరొక్కతె నిన్ను బొమ్మల జంకించితే&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;చంచుల మోవి చూపి సన్నచేసేవు &amp;nbsp;&amp;nbsp;॥ఔన॥&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;కాళాంజివట్టే సతికైదండ వట్టుకొని&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;గోలవై శ్రీ వేంకటేశ గోరనూదేవు&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;మేలుతో నలమేలుమంగ మెచ్చికౌఁగలించుకొంటే&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;యీలీల నురముమీఁద నెక్కించుకొనేవు &amp;nbsp;&amp;nbsp;॥ఔన॥&lt;/p&gt;
&lt;/div&gt;

&lt;!-- English transliteration --&gt;
&lt;h3 style=&quot;text-align:left;&quot;&gt;Aunayya manchivadavannita – lyrics in English (transliteration)&lt;/h3&gt;
&lt;div lang=&quot;te-Latn&quot; style=&quot;background:#f0fff0; border:1px solid #9fee9f; padding:0.8em 1em; margin-bottom:1em; line-height:1.8; font-size:1.05em; color:#202122;&quot;&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Aunayya manchivaadavannitaa neevu&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Venali mutti chelini veduka chesevu &amp;nbsp;&amp;nbsp;||pallavi||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Andalamekkina ninnu aake golichi raagaanu&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Pondugaa jannulottevu bottanavela&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Andukugaa verokkate atte ninnu saadhinchite&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Vinduvale naape chekku velanottevu &amp;nbsp;&amp;nbsp;||auna||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Kunche vese yatti yaape kuchchalameeda mocheta&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Anchalanoodukonevu aayaalu soka&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Ponchi verokkate ninnu bommala jankinchite&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Chanchula movi choopi sannachesevu &amp;nbsp;&amp;nbsp;||auna||&lt;/p&gt;
  &lt;br /&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Kaalaanjivatte satikaidanda vattukoni&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Golavai Sree Venkatesa goranoodevu&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Melutho nalamelumanga mechchikaugalinchukonte&lt;/p&gt;
  &lt;p style=&quot;margin:0;&quot;&gt;Yeelela nuramumeeda nekkinchukonevu &amp;nbsp;&amp;nbsp;||auna||&lt;/p&gt;
&lt;/div&gt;

&lt;!-- Meaning in English --&gt;
&lt;h3 style=&quot;text-align:left;&quot;&gt;Meaning of Aunayya manchivadavannita (in English)&lt;/h3&gt;
&lt;p style=&quot;line-height:1.7;&quot;&gt;
  This is a summary of the idea of the song, not a word-for-word translation.
  The song is a playful, teasing address to Lord Venkateswara. Each stanza begins with the same ironic praise:
  &lt;i&gt;&quot;Yes indeed, you are good in everything!&quot;&lt;/i&gt; The speaker, a companion of the Lord&#39;s consorts,
  lovingly points out how the Lord charms and pleases each of them in turn, and how he calms the one who feels left out.
&lt;/p&gt;
&lt;ul style=&quot;line-height:1.7;&quot;&gt;
  &lt;li&gt;&lt;b&gt;Pallavi:&lt;/b&gt; &quot;Yes, sir, you are so good at everything!&quot; The Lord is shown playfully delighting his beloved.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;First charanam:&lt;/b&gt; While being served, he pleases one lady with tender gestures. When another lady
  wins his attention, he turns to her with the same affection.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Second charanam:&lt;/b&gt; One lady is busy with her adornment and he stays close to her.
  Another watches with a frown, and he soothes her with a smile and a quiet signal.&lt;/li&gt;
  &lt;li&gt;&lt;b&gt;Third charanam:&lt;/b&gt; He attends gently to yet another lady. And when Alamelumanga, pleased with him,
  embraces him, he lovingly lets her rest on his chest (the place where Lakshmi dwells).&lt;/li&gt;
&lt;/ul&gt;
&lt;p style=&quot;line-height:1.7;&quot;&gt;
  Annamayya often wrote in this style, where the loving bond between a devotee and God is expressed as a
  playful relationship between a lord and his beloved. The song should be read as devotion, not as a worldly story.
&lt;/p&gt;

&lt;!-- Meaning in Telugu --&gt;
&lt;h3 lang=&quot;te&quot; style=&quot;text-align:left;&quot;&gt;భావము (తెలుగులో)&lt;/h3&gt;
&lt;p lang=&quot;te&quot; style=&quot;line-height:1.9;&quot;&gt;
  ఈ కీర్తనలో అన్నమయ్య శ్రీ వేంకటేశ్వరుని ఒక చిలిపి నాయకునిగా వర్ణిస్తూ, పొగిడినట్లే చమత్కరించారు
  (దీనినే వ్యాజస్తుతి అంటారు). &quot;అవునయ్యా, నీవు అన్నిటా మంచివాడివే!&quot; అంటూ, ఒక్కొక్క సతిని ఆదరిస్తూ,
  మరొకరిని బుజ్జగిస్తూ స్వామి చేసే సరసాలను చెలి చమత్కారంగా ఎత్తి చూపుతుంది. చివరి చరణంలో అలమేలుమంగ
  మెచ్చి కౌగిలించగా, స్వామి ఆమెను తన వక్షస్థలంపై నిలుపుకొనే లీలతో కీర్తన ముగుస్తుంది.
  భక్తునికీ భగవంతునికీ ఉన్న అనుబంధాన్ని శృంగార భావంతో చెప్పడం అన్నమయ్య శైలి.
&lt;/p&gt;

&lt;!-- Audio --&gt;
&lt;h3 style=&quot;text-align:left;&quot;&gt;Listen to this keerthana&lt;/h3&gt;
&lt;p style=&quot;line-height:1.7;&quot;&gt;
  Listen to Annamayya keerthanas on our
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/jukebox.html&quot;&gt;Jukebox&lt;/a&gt; or find versions by different artists on
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/audios-by-singers.html&quot;&gt;Audios by Singers&lt;/a&gt;.
&lt;/p&gt;
&lt;!--
  To add an embedded player for THIS song, paste your audio or YouTube embed code here, for example:
  &lt;iframe width=&quot;100%&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/VIDEO_ID&quot; title=&quot;Aunayya manchivadavannita - Annamayya keerthana&quot; loading=&quot;lazy&quot; allowfullscreen&gt;&lt;/iframe&gt;
  Only embed audio you have permission to use, or link to official uploads.
--&gt;

&lt;!-- Related links --&gt;
&lt;h3 style=&quot;text-align:left;&quot;&gt;More Annamayya keerthanas&lt;/h3&gt;
&lt;ul style=&quot;line-height:1.8;&quot;&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/auduvayya-janavu.html&quot;&gt;Auduvayya janavu – ఔదువయ్య జాణవు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2026/10/auduve-janavu-nivu.html&quot;&gt;Auduve janavu nivu – ఔదువే జాణవు నీవు&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/2009/05/kondalalo-nelakonna.html&quot;&gt;Kondalalo nelakonna – కొండలలో నెలకొన్న&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/search/label/%E0%B0%94&quot;&gt;All keerthanas starting with ఔ&lt;/a&gt;&lt;/li&gt;
  &lt;li&gt;&lt;a href=&quot;https://annamayya-u.blogspot.com/p/keerthanalu-list.html&quot;&gt;Full Keerthanalu list&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p style=&quot;font-size:0.9em; color:#555; line-height:1.6;&quot;&gt;
  Annamacharya&#39;s keerthanas are more than 500 years old. Transliteration and meaning on this page were prepared
  by the Annamayya Keerthanalu blog. If you notice a spelling mistake, please tell us through the
  &lt;a href=&quot;https://annamayya-u.blogspot.com/p/contact.html&quot;&gt;Contact&lt;/a&gt; page.
  &lt;!-- Lyrics source: add your source here, e.g. &quot;Lyrics source: ____&quot; --&gt;
&lt;/p&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/aunayya-manchivadavannita.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-1899305422639687428</guid><pubDate>Sun, 18 Oct 2026 07:23:53 +0000</pubDate><atom:updated>2026-10-18T12:53:53.400+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఔ</category><title>Aunoumari aduvara - ఔనౌమరి ఆడువార</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Aunoumari aduvara - ఔనౌమరి ఆడువార | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఔనౌమరి ఆడువార (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఔ నౌ మరి ఆఁడువార మంత కోపము&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఆనతిమ్మా నీకు నితవైనట్టే సేసేను&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;సారె సారె నీతోను సణఁగులు చూపఁగాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;భారము గాదుగదా పంతగాఁడవు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కూరిమి గలిగి నేను గొణుఁగుచుఁ దిట్టఁగాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వైరముగాదుగదా వాసికాఁడవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔనౌ॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కప్పినట్టి నీమోవిగంట్లిట్టె రేఁచఁగాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;నొప్పులు గావుగదా నుడికారివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;చిప్పిల నింటికి నీవు చేయివట్టి తియ్యగాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;దప్పులు గొనవుగదా తమకపుదొరవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔనౌ॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కాలుమీఁద గాలువేసి కరఁగించి కూడఁగాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;నాలితో మొక్కవుగదా నాఁటకీఁడవు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యీలీల శ్రీవేంకటేశ ఇట్టె నన్నుఁ గూడితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వేళలు గావవుగదా వేడుకకాఁడవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔనౌ॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;aunau mari A~Duvaara (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;aunau mari A~Duvaara maMta kOpamu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;Anatimma nIku nitavainaTTE sEsEnu ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;sAre sAre nItOnu saNa~gulu chUpa~gAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;bhAramu gAdugadA paMtagA~Davu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kUrimi galigi nEnu goNu~guchu~ diTTa~gAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;vairamugAdugadA vAsikA~Davu ॥aunau mari॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kappinaTTi nImOvigaMTliTTe rE~cha~gAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;noppulu gAvugadA nuDikArivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;chippila niMTiki nIvu chEyivaTTi tiyyagAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;dappulu gonavugadA tamakapudoravu ॥aunau mari॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kAlumI~da gAluvEsi kara~giMchi kUDa~gAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;nAlitO mokkavugadA nA~TakI~Davu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yIlIla SrIvEMkaTESa iTTe nannu~ gUDitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;vELalu gAvavugadA vEDukakA~Davu ॥aunau mari॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/aunoumari-aduvara.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-5945468169641717772</guid><pubDate>Sun, 18 Oct 2026 03:19:24 +0000</pubDate><atom:updated>2026-10-18T08:49:29.260+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఔ</category><title>Auduve janavu nivu - ఔదువే జాణవు నీవు</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Auduve janavu nivu - ఔదువే జాణవు నీవు | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఔదువే జాణవు నీవు (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;ఔదువే జాణవు నీవు అన్నిటాను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;సాదవా నీవును తొల్లె జాణఁడవురా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;ఆకసపుఁగొలనిపై నంటుఁదామరలు వుట్టె&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యీకత చెప్పఁగదవే యింతిరో నీవు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;మేకొని మరువింకి మిట్టెకోలలై యవి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;కూకులు వత్తులుగానీగురి దాఁకురా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదు॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;అలరినశశిబింబమందు తేనెపెర వుట్టె&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;కల విరుచఁగదే నిక్కముగా నీవు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;చలమున నిదియె చంద్రకళలోనితేటై&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;నెలకొన నీనోరు నిండుకొనురా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదు॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;ఆమనెరఁటులపై రావాకుబదనికె వుట్టె&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;నేమందుకు వచ్చును నా కెరిఁగించవే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;గోమున శ్రీవేంకటేశ కూడిన యీరతివేళ&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;వేమరు నాతో నీవు విద్యలాడవచ్చురా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదు॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;auduvE jANavu (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;auduvE jANavu nIvu anniTAnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;sAdavA nIvunu tolle jANa~DavurA ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;Akasapu~golanipai naMTu~dAmaralu vuTTe&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yIkata cheppa~gadavE yiMtirO nIvu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;mEkoni maruviMki miTTekOlalai yavi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kUkulu vattulugAnIguri dA~kurA ॥auduvE॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;alarinaSasibiMbamandu tEnepera vuTTe&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kala virucha~gadE nikkamugA nIvu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;chalamuna nidiniye chaMdrakaLalOnitETai&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;nelakona nInOru niMDukonurA ॥auduvE॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;Amanera~Tulai rAvAkubadanike vuTTe&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;nEmaMduku vachchunu nA keri~giMchavE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;gOmuna SrIvEMkaTESa kUDina yIrativELa&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;vEmaru nAtO nIvu vidyalADavachchurA ॥auduvE॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/auduve-janavu-nivu.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-8295176047118842760</guid><pubDate>Sun, 18 Oct 2026 03:05:35 +0000</pubDate><atom:updated>2026-10-18T08:36:44.232+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఔ</category><title>Auduvayya janavu - ఔదువయ్య జాణవు</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Auduvayya janavu - ఔదువయ్య జాణవు | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఔదువయ్య జాణవు (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఔదువయ్య జాణవు ప్రహ్లాదవరద&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఆదిగొని మొక్కీని ప్రహ్లాదవరదా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యెదురుఁగొండలెక్కిన యిందిరఁ బెండ్లాడితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అది జాణతనము ప్రహ్లదవరద&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వుదుటుఁ గోపముమాని వూరకే నవ్వు నవ్వితి-&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వదన నాపెఁ జూచి ప్రహ్లదవరదా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదువయ్య॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;మొగము చూచితేనే మోహముపైఁ జల్లితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అగడాయ బనులు ప్రహ్లదవరద&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;తగిలి కొంగువట్టితే తమకించేవింతలో&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అగవుదగవుల ప్రహ్లదవరదా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదువయ్య॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;చేయి చాఁచగా నాపెను సిగ్గువీడఁ గూడితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఆయమెఱుఁగుదువు ప్రహ్లదవరదా&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యీయెడ నహోబలాన నిట్టే శ్రీవేంకటాద్రిని&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఆయిత్తము పెండ్లిండ్లు ప్రహ్లదవరదా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఔదువయ్య॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;auduvayya jANavu (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;auduvayya jANavu prahlAdavarada&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;Adigoni mokkIni prahlAdavaradA ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;yeduru~goMDalekkina yiMdira~ beMDlADitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;adi jANatanamu prahladavarada&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;vuduTu~ gOpamumAni vUrakE navvu navviti-&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;vadana nApe~ jUchi prahladavaradA ॥auduvayya॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;mogamu chUchitEnE mOhamupai~ jallitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;agaDAya banulu prahladavarada&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;tagili koMguvaTTitE tamakiMchEviMtalO&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;agavudagavula prahladavaradA ॥auduvayya॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;chEyi chA~chagA nApenu sigguvIDa~ gUDitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;AyameRu~guduvu prahladavaradA&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;yIyeDa nahObalAna niTTE SrIvEMkaTAdrini&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;Ayittamu peMDliMDlu prahladavaradA ॥auduvayya॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/auduvayya-janavu.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-4368482426563683811</guid><pubDate>Sat, 17 Oct 2026 18:43:40 +0000</pubDate><atom:updated>2026-10-18T00:13:40.152+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఐ</category><title>Ainapani kiMkanEla - ఐనపని కిఁకనేల</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Ainapani kiMkanEla - ఐనపని కిఁకనేల | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఐనపని కిఁకనేల (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;ఐనపని కిఁకనేల అనుమానము&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;కానిమ్మని లోనుగాక కట్టుకునేదేమీ&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;మొగముచూచినదాన మొక్కవద్దా నీకు నేను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యెగసక్కెమాడఁగాను యేమాయను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;నగినదాన నీతో నంటున మెప్పించవద్దా&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;జగడమడిచి నిన్ను సాదించేదేమి&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;చేరఁగవచ్చినదాన సేవలు సేయఁగవద్దా&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యీరసాన జంకించఁగ నేమాయను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;పేరఁబిలిచినదాన ప్రియములు చెప్పవద్దా&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;దూరి నిన్నుఁ దిట్టుఁగాను దొరతనమేమి&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;సిగ్గులువడినదాన చెప్పినట్లు సేయవద్దా&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యెగ్గులెంచి పెనఁగఁగా నేమాయను&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;వెగ్గళించి నన్నిదె శ్రీవేంకటేశ కూడితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;బగ్గన నిన్నఁగాదనేపను లిఁకనేమి&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;ainapani kiMkanEla (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;ainapani kiMkanEla anumAnamu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kAnimmani lOnugAka kaTTukunEdEmI ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;mogamuchUchinadAna mokkavaddA nIku nEnu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yegasakkemADagAnu yEmAyanu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;naginadAna nItO naMTuna meppiMchavaddA&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;jagaDamaDichi ninnu sAdhiMchEdEmi ॥ainapani॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;chEra~gavachchinadAna sEvalu sEya~gavaddA&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yIrasAna jaMkiMcha~ga nEmAyanu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;pEra~bilichinadAna priyamulu cheppavaddA&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;dUri ninnu~ diTTu~gAnu doratanamEmi ॥ainapani॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;sigguluvaDinadAna cheppinaTlu sEyavaddA&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yegguleMchi pena~ga~gA nEmAyanu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;veggaLiMchi nannide SrIvEMkaTESa kUDitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;baggana ninna~gAdanEpanu liMkanEmi ॥ainapani॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/ainapani-kimkanela.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-2442069461984088367</guid><pubDate>Sat, 17 Oct 2026 18:33:02 +0000</pubDate><atom:updated>2026-10-18T00:03:02.919+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఐ</category><title>Aina dedi kani - ఐన దేది కాని</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Aina dedi kani - ఐన దేది కాని | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఐన దేది కాని (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;ఐన దేది కాని దందులో నేది&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;నానారూపి శ్రీనాథుఁడె కాకా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యెవ్వరి దూషించే మెవ్వరి భూషించే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;మెవ్వరు స్వతంత్రు లిందులో&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;అవ్వల నివ్వల నంతరాత్ముఁడైన&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యవ్వనజాక్షుని ననుట గాకా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యెందుకుఁ గోపించే మెందుకు మెచ్చే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;మెందుఁ గద్దు మే లిందులో&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;అందు నిందుఁ దానె యల్లుకొన్న&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;నందనందనునే నమ్ముట గాకా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యేచోటు మంచిది యేచోటు చెడ్డది&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;యేచోటు సతమౌ నిందులో&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;కాచేటి శ్రీవెంకటనాథుఁడె&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif;&quot;&gt;చేచేతఁ గాణాచై చెల్లించెఁ గాకా&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐన॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;aina dEdi kAni (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;aina dEdi kAni daMdulO nEdi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;nAnArUpi SrInAthu~De kAkA ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yevvari dUshiMchE mevvari bhUshiMchE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;mevvaru svataMtru liMdulO&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;avvala nivvala naMtarAtmu~Daina&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yavvanajAkshuni nanuTa gAkA ॥aina dEdi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yeMduku~ gOpiMchE meMduku mechchE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;meMdu~ gaddu mE liMdulO&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;aMdu niMdu~ dAne yallukonna&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;naMdanaMdanunE nammuTa gAkA ॥aina dEdi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yEchOTu maMchidi yEchOTu cheDDadi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yEchOTu satamau niMdulO&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kAchETi SrIveMkaTanAthu~De&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;chEchEta~ gANAchai chelliMche~ gAkA ॥aina dEdi॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/aina-dedi-kani.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-1179660483613117098</guid><pubDate>Sat, 17 Oct 2026 18:20:51 +0000</pubDate><atom:updated>2026-10-17T23:51:01.020+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఐ</category><title>Aitenemi dosamu - ఐతేనేమి దోసము</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Aitenemi dosamu - ఐతేనేమి దోసము | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఐతేనేమి దోసము (రాగం:రామక్రియ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఐతేనేమి దోసము అపరాధమేమి నీకు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కాతరము గలిగిన ఘనుఁడవు నీవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;పుక్కిటఁ బోసిన యట్టిబుద్దులు నీకవి సుమ్మీ&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;తక్కక ఆకెవెట్టిన తమ్ములము&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అక్కడ నీకు నేను ఆకుమడిచియ్యలేదు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యెక్కడనుండి వచ్చెనో యేల లేదనేవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతే॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వుంకువిచ్చి కైకొన్నవొగి సంచకారుసుమ్మీ&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అంకెల నీకొనవేలి ఆవుంగరము&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;పొంకాన నే మెన్నఁడు పూఁచి యిచ్చినది లేదు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;లంకెఁ బెట్టుకొంటివి పల్లదా లేలాడేవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతే॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వుమ్మడి నాపె వెట్టిన వొరపు వలపు సుమ్మీ&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కమ్మి కాఁగిటనంటిన గందము నీకు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;నెమ్మది శ్రీ వేంకటేశ నీవు నన్నుఁ గూడితివి&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అమ్మకోఁ నే నెఱఁగని వానలేల పట్టేవు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతే॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;AitEnEmi DOsamu (Raagam:rAmakriya) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;aitEnEmi dOsamu aparAdhamEmi nIku&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kAtaramu galigina ghanu~Davu nIvu ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;pukkiTa~ bOsina yaTTibuddulu nIkavi summI&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;takkaka AkeveTTina tammulamu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;akkaDa nIku nEnu AkumaDiciyyalEdu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yekkaDanuMDi vaccenO yEla lEdanEvu ॥aitEnEmi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;vuMkuvicci kaikonnavogi saMchakArusummI&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;aMkela nIkonavEli AvuMgaramu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;poMkAna nE menna~Du pU~ci yiccinadi lEdu&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;laMke~ beTTukoMTivi palladA lElADEvu ॥aitEnEmi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;yummaDi nApe veTTina vorapu valapu summI&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;kammi kA~giTanaMTina gaMdamu nIku&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;nemmadi SrI vEMkaTESa nIvu nannu~ gUDitivi&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span style=&quot;color: #202122; font-family: sans-serif; font-size: large;&quot;&gt;ammakO~ nE ne~ra~gani vAnalEla paTTEvu ॥aitEnEmi॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/aitenemi-dosamu.html</link><author>noreply@blogger.com (Unknown)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5429650859422587083.post-2479144805939674394</guid><pubDate>Sat, 17 Oct 2026 18:07:35 +0000</pubDate><atom:updated>2026-10-17T23:40:12.439+05:30</atom:updated><category domain="http://www.blogger.com/atom/ns#">A-Annamayya</category><category domain="http://www.blogger.com/atom/ns#">Annamayya</category><category domain="http://www.blogger.com/atom/ns#">ఐ</category><title>Aitive yelikesani - ఐతివే యేలికెసాని</title><description>&lt;h2 style=&quot;text-align: center;&quot;&gt;Aitive yelikesani - ఐతివే యేలికెసాని | Annamayya Lyrics | Sankeertanalu | Songs | Telugu &amp;amp; English&lt;/h2&gt;&lt;div style=&quot;background-color: #ffdd88; box-sizing: border-box; color: #202122; display: block; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em; width: 100%;&quot;&gt; ఐతివే యేలికెసాని (రాగం: ) (తాళం : )&lt;/div&gt;&lt;div style=&quot;background: rgb(255, 252, 236); border: 1px solid rgb(255, 221, 136); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఐతివే యేలికెసాని వందరికిని&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;నీతితో సవతులెల్ల నీకు లోనే యిఁకను&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥పల్లవి॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;ఆరసి నీ కాతఁడు అరవడమచ్చునే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;పేరురాన నేపొద్దూఁ బెట్టుకున్నాఁడు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;సారెకు నీవు మంచి సకినాన వచ్చితివే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యీరాని చనవులెల్లా నిచ్చినాఁడు నీకు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతివే॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;పొందుల నీకాతనికి పొంతనాలు గూడునే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;మందలించి నీవాడినమాట దోయఁడు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;యెందును నీమొకమాయ మందు యెటువంటిదే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కందువ నీ మోవికే కాచుకున్నాఁ డిపుడు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతివే॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;చెలఁగి మంచివేళనే సేస నీవు వెట్టితివే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;కలసి పాయఁడు శ్రీవేంకటేశ్వరుఁడు&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;అలరి మమ్మేలెనాతఁ డప్పణ నీవిచ్చితివే&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122;&quot;&gt;వలపించ నేరుతువే వసమాయ నతఁడు&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;॥ఐతివే॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;background: rgb(240, 255, 240); border: 1px solid rgb(159, 238, 159); margin-bottom: 0.8em; padding: 0.5em;&quot;&gt;&lt;div style=&quot;background-color: #9fee9f; color: #202122; font-family: sans-serif; font-size: 22.4px; font-weight: bold; margin-bottom: 0.2em; padding: 0.3em;&quot;&gt;aitivE yElikesAni (Raagam: ) (Taalam: )&lt;/div&gt;&lt;div style=&quot;padding-left: 0.5em;&quot;&gt;&lt;div class=&quot;poem&quot; style=&quot;line-height: inherit; margin-bottom: 0px; margin-top: 0px; text-indent: inherit;&quot;&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;aitivE yElikesAni vaMdarikini&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;nItitO savatulella nIku lOnE yi~kanu ॥pallavi॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;Arasi nI kAta~Du aravDamaccunE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;pErurAna nEpoddU~ beTTukunnA~Du&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;sAreku nIvu maMchi sakinAna vaccitivE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;yIrAni chanavulellA niccinA~Du nIku ॥aitivE॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;poMdula nIkAtaniki poMtanAlu gUDunE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;maMdaliMchi nIvADinamATa dOya~Du&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;yeMdunu nImokamAya maMdu yeTuvaMTidE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;kaMduva nI mOvikE kAchukunnA~ DipuDu ॥aitivE॥&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;chela~gi maMchivELanE sEsa nIvu veTTitivE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;kalasi pAya~Du SrIvEMkaTESvaru~Du&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;alari mammElenAta~ DappaNa nIviccitivE&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px !important; margin: 0px; text-indent: inherit;&quot;&gt;&lt;span face=&quot;sans-serif&quot; style=&quot;color: #202122; font-size: large;&quot;&gt;valapiMcha nErutuvE vasamAya nata~Du ॥aitivE॥&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://annamayya-u.blogspot.com/2026/10/aitive-yelikesani.html</link><author>noreply@blogger.com (Unknown)</author></item></channel></rss>