The Library

Measure and Half Measures

2010-12-28T05:15:00.003-08:00


Pythagoras, the man in the center with the book, teaching music, in The School of Athens by Raphael

Most of you will recognize the partial image of the much larger I have used as the heading of this blog.

The Greek Pythagoras, for instance, was able to use abstract but simple mathematics to describe a natural phenomenon very precisely. He discovered the fractions that govern the harmonious musical notes. For example, a stretched string on a violin that produces a C note when you strike it, will give a C an octave higher when you divide its length by two. (Similarly, when we cut of a quarter of the length of the original string, the new string will sound like an E note) This is a famous early example of the use of mathematics to describe a physical phenomenon accurately. Pythagoras used the mathematics of fractions to describe the frequency of musical notes. In the ages that followed, of Galilei, Kepler, Newton and Einstein, mathematics became the prime language to depict nature. The mathematics of numbers, sets, functions, surfaces et cetera turned out to be the most useful tool for those people that felt the urge to understand the laws governing nature. See: Beyond String Theory-Introduction-Natural Language

However esoteric the following may seem to you, I was always enchanted with the idea of sound as a manifestation of the world we live in, or, as color, as a meaningful expression of the nature of the world we live in. Not really the artist of sound and color, but much more the artist in conceptual makings of the relation of the world with such ideas, hence, the idea of "Color of gravity."

Hence my interest in gravity, and what we as human beings can gather around our selves, in the ever quest for understanding the consequences of our causal relations to the events that follow us in the making of the reality we live.

The future consequences of probabilistic outcomes according to those positions adopted....can we say indeed that we are predictors of our futures and that at some level this predictability is a far reaching effect of understanding our choices and positions in life? We know this deep down within ourselves, "so as we think" we may become some "ball bouncing on the ocean of life?" Emotive consequences, without recourse to our choosing to excel from the primitive natures of our being in the moment?

Major scale
In music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, (Do)", the "Do" in the parenthesis at the end being the octave of the root. The simplest major scale to write or play on the piano is C major, the only major scale not to require sharps or flats, using only the white keys on the piano keyboard:

Could we every conceive of the human being as being one full Octave? I thought so as I read, and such comparisons however esoterically contrived by association I found examples to such "predictable outcomes" as ever wanting to be "divined by principle by such choices we can make." However unassociated these connections may seem.

I mean, if one was a student of esoteric traditions and philosophies, it might have been "as traveling through a span and phase of one's life time" leads us to the issues where we sit, where we are at, in the presences of the sciences today. We demanded accountability of ourselves in that presence within the world as to being responsible and true to ourselves on this quest for understanding.

So if I had ever given the comment as to some iconic symbol as the Seal of Solomon, not just on the context of any secular religion as ownership, it is with the idea that representation could have enshrine the relationship between what exists as a "trinity of the above" with that of "the below," when we are centered as to choice being the position with that of the heart.

See also:New Synesthete Character on Heroes

It was with this understanding that the full Octave could be entranced as too, resonances in the human being, that we could be raised and raise ourselves from such a position, so as to be freed from our emotive and ancient predicaments arising from evolutionary states of beings of the past.

***

Monochord is a one-stringed instrument with movable bridges, used for measuring intervals. The first monochord is attributed to Pythagoras.

The story is told that Pythagoras wished to invent an instrument to help the ear measure sounds the same way as a ruler or compass helps the eye to measure space or a scale to measure weights. As he was thinking these thoughts, he passed by a blacksmith's shop. By a happy chance, he heard the iron hammers striking the anvil. The sounds he heard were all consonant to each other, in all combinations but one. He heard three concords, the diaspason (octave), the diapente (fifth), and the diatessaron (fourth). But between the diatessaron (fourth) and the diapente (fifth), he found a discord (second). This interval he found useful to make up the diapason (octave). Believing this happy discovery came to him from God, he hastened into the shop and, by experimenting a bit, found that the difference in sounds were determined by the weight of the hammers and not the force of the blows. He then took the weight of the hammers and went straight home. When he arrived home, he tied strings from the beams of his room. After that, he proceeded to hang weights from the strings equal to the weights he found in the smithy's shop. Setting the strings into vibration, he discovered the intervals of the octave, fifth and fourth. He then transferred that idea into an instrument with pegs, a string and bridges. The monochord was the very instrument he had dreamed of inventing. See: String Instruments including Oud, Folk Fiddle, and Monochord, dan bau, from Carousel Publications Ltd

***

Pythagoras could be called the first known string theorist. Pythagoras, an excellent lyre player, figured out the first known string physics -- the harmonic relationship. Pythagoras realized that vibrating Lyre strings of equal tensions but different lengths would produce harmonious notesratio of the lengths of the two strings were a whole number. (i.e. middle C and high C) if the

Pythagoras discovered this by looking and listening. Today that information is more precisely encoded into mathematics, namely the wave equation for a string with a tension T and a mass per unit length m. If the string is described in coordinates as in the drawing below, where x is the distance along the string and y is the height of the string, as the string oscillates in time t,

See: Official String Theory Web Site

New Synesthete Character on Heroes

2009-12-16T11:15:00.003-08:00

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shine. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

I had been searching for the latest TV Show on Heroes.

I finally came across somebody who pretty well sees it the way Synesthesis Sean Day does. He provided a YouTube Video for reference below which was what I was looking for.

Now the followers of this blog must know by now, that I see the "Colour of Gravity" as a link between what can conceptually transpire when the photon is travelling through, or "showing itself" in a gravitational field.

Now, what is right scientifically on this, that what we can say of theoretics which has combined electromagnetism with gravity, is to reveal "a colourful gravitational history" in this way? It brought to mind a dream I had of Einstein stirring a glass container of juice with ice in it. In my cognisance of how sound would reveal and be indicative of gravity speaking, I look to see what Einstein meant by display.

This was triggered I believe by Joseph Weber's research into the aluminum bars detectors for gravitational wave detection.

Gravitational Wave Detectors are Best Described as "Sounds."

Weber developed an experiment using a large suspended bar of aluminum, with a high resonant Q at a frequency of about 1 kH; the oscillation of the bar after it had been excited could be measured by a series of piezoelectric crystals mounted on it. The output of the system was put on a chart recorder like those used to record earthquakes. Weber studied the excursions of the pen to look for the occasional tone of a gravitational wave passing through the bar...

Some might not understand the history to which I had devoted to building and understanding the emotive qualities combined with the intellectual. Which lead to seeing dynamical movement between the inner and outer world with respect to the state of mind at any given time. There have always been attempts on my part to describe this motion, not just on the psychological level, but on what also transpires emotively while the emotive state is being expressed.

I cannot say I am a Synesthesis by the 61 definitions given by Sean Day. So in the truest sense, I am not by that definition one. But conceptually linking and intertwining sound and colour with the physiological and the psychological, it was important by that definition be given, what colourful state the mind can be in.

Albert Einstein's perception of time and beauty seemed relevant to me about the quality given in measure, but by this perspective I am sure that is not what Einstein wanted to give meaning too, while thinking of the curvature of space and time.

This then is based on a perspective I have formed around gravity. What attach itself to all of us, whether we see the colours or not by consequence. This is an evolutionary form in my mind of what the soul can gain and loose by recognizing the colourful state of mind at any given time, and how it harbours colour in the truest sense as an expression of that being.

To be left with "no physical form" a mode of being becomes a retention of the abstract thinking mind, sets a tone in my mind for what is to come home to roost.

That we exist then mentally in that very realm, means to learn to recognize the pain and the "duration of time" we associated with those given memories. Upon reflection, we learn something then about the way we relate to the world and people around us which allows us to project "forward future consequences" intellectually bound by creative advances in language construction advancements of "creating in the mental world."

IN the most purest sense then, all combined is the birthing to segregation of sensory abilities according to "cabinets of perspective" that are arranged according to the principals of how we will interact in this community. This by arrangement, on entering materiality.

See:Emotion and Reason Balanced: The Mind's Consequence?

See Also: Art and Science: Kandinsky

Philemon and the Liber Novus

2009-10-16T11:33:00.000-07:00

Giving a dream to a Jungian analyst is a little bit like feeding a complex quadratic equation to someone who really enjoys math. It takes time. The process itself is to be savored. The solution is not always immediately evident.The Holy Grail of the Unconscious

The conclusion of the whole matter is just this,—that until a man knows the truth, and the manner of adapting the truth to the natures of other men, he cannot be a good orator; also, that the living is better than the written word, and that the principles of justice and truth when delivered by word of mouth are the legitimate offspring of a man’s own bosom, and their lawful descendants take up their abode in others. Such an orator as he is who is possessed of them, you and I would fain become. And to all composers in the world, poets, orators, legislators, we hereby announce that if their compositions are based upon these principles, then they are not only poets, orators, legislators, but philosophers.

Plato, The Dialogues of Plato, vol. 1 [387 AD] PHAEDRUS.

As Socrates travel through the citizenry of the time the question of what was to issue forth from, was always held in the bated breath of Socrates, that he would hear the wisdom of the Over-soul?

How many "degrees of freedom" to see that the chance always exists that what will come forth, is the illumination of something that resides within one's own self and completely accessible.

The upcoming publication of Carl Jung's Red Book — a record of his fantasies and hallucinations during a sort of breakdown — has excited Jungians the world over. But is Jung still relevant today?

According to a New York Times Magazine article by Sara Corbett, the psychoanalyst Jung "got lost in the soup of his own psyche" when he was 38. He said he was "menaced by a psychosis" and that visions were coming at him in an "incessant stream." "In order to grasp the fantasies which were stirring in me ‘underground,'" he wrote, "I knew that I had to let myself plummet down into them." His method of "plummeting" was to write these fantasies down in what is now called his Red Book, a volume full of cramped text and intricate paintings that his family has guarded closely until recently. Now it has been translated into English, and will be published in October. See: Does Carl Jung Matter

Some might find some faint relevance to Robert Pirsig's journey, to find that such compulsion to materialize in figurative speech, something that arose within Pirsig himself, also arose in Carl Jung?

This is a photograph of author and philosopher Robert M. Pirsigtaken by Ian Glendinning on the eve of the Liverpool conference of 7th July 2005.

What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated.

Zen and the Art of Motorcycle Maintenance Part 1 Chapter 1.(Bold added by me for emphasis)

While being presented Pirsig's book for reading, and the subsequent work that arose from that time, also pointed toward something real and potential within any of us in my mind, that we might considered in one context as delusional, could be an aspect of our own self as we learn to see this aspect as the higher self "manifest within our own dreams," to know what can exist "both delusively and real, subjectively as an imagery of creative recognition is an access to that collective unconscious. The key here is a fishing line, hook and sinker to know that the fisherman has really got "an idea on his mind" as he castes his line.

If one is to understand the "wisdom of illumination," under this context, then it will ring more true to those who have familiarity in seeking to understand the makeup of the person we are. Some might even recognize an aspect cognitively arising in familiarity with what they observe in the real world. For them to know that subjectively the imagination is strong and very capable in merging with the areas of continued research in discoveries in science at the microscopic level.

It seems that anomaly by it's discovery takes keen observation and not just luck. It's a kind of observation that connects many things and not having taken the time to look, will have past the time of as an aspect of probability, and life circumstance, that really holds no meaning? It was just a "moment in time," gone unnoticed until someone close to the path of realization came along and discovered it for them self.

That's the realization, that in this opportunity as always existing, it was just waiting for you.

The Red Book, also known as Liber Novus (The New Book), is a 205-page manuscript written and illustrated by Swiss psychologist Carl Gustav Jung between approximately 1914 and 1930, which was not published or shown to the public until 2009. Until 2001, his heirs denied scholars access to the book, which he began after a falling-out with Sigmund Freud in 1913. The book is written in calligraphic text and contains many illuminations.

I was excited when I heard news of this book.

As some will know I am a fan of Carl Jung because of what he represented to me in terms of self discovery and understanding of what one finds when one takes a look at what they are capable of finding inside. You will pass this off very quickly as a subjective adventure, and relevant only to what can pass off as some supernatural event within the context of science's requirements.

But what I want people to know, regardless of their background in science, that such a pursuant to understand the greater complexity of what they can find inside does not relegate them to quackery and crack pottery. It's basically learning something about them self now having taken time.

The Red Book was a product of a technique developed by Jung which he termed active imagination. As Jung described it, he was visited by two figures, an old man and a young woman, who identified themselves as Elijah and Salome. They were accompanied by a large black snake. In time, the Elijah figure developed into a guiding spirit that Jung called Philemon (ΦΙΛΗΜΩΝ, as originally written with Greek letters). Salome was identified by Jung as an anima figure. The figures, according to Jung, "brought home to me the crucial insight that there are things in the psyche which I do not produce, but which produce themselves and have their own life."^[3]

The Philemon figure represented superior insight, and communicated through mythic imagery. The images did not appear to come from Jung's own experience, and Jung interpreted them as products of the collective unconscious.

Free Access to the Universal Library?

2009-06-14T06:01:00.000-07:00

“The World Digital Library will make available on the Internet, free of charge and in multilingual format, significant primary materials from cultures around the world, including manuscripts, maps, rare books, musical scores, recordings, films, prints, photographs, architectural drawings, and other significant cultural materials. The objectives of the World Digital Library are to promote international and inter-cultural understanding and awareness, provide resources to educators, expand non-English and non-Western content on the Internet, and to contribute to scholarly research.”

See: World Digital Library. Project information here.

I think it's more wishful thinking on my part that people are able to gain access to the internet freely, and be allowed access to this Library.

UNESCO, Library of Congress and partners launch World Digital Library

The WDL was developed by a team at the Library of Congress. Technical assistance was provided by the Bibliotheca Alexandrina of Alexandria, Egypt. Institutions contributing content and expertise to the WDL include national libraries and cultural and educational institutions in Brazil, Egypt, China, France, Iraq, Israel, Japan, Mali, Mexico, Morocco, the Netherlands, Qatar, the Russian Federation, Saudi Arabia, Serbia, Slovakia, Sweden, Uganda, the United Kingdom, and the United States.

Examples of treasures that will be featured on the WDL include oracle bones and steles contributed by the National Library of China; Arabic scientific manuscripts from the National Library and Archives of Egypt; early photographs of Latin America from the National Library of Brazil; the Hyakumanto darani, a publication from the year 764 from the National Diet Library of Japan; the famous 13th century “Devil’s Bible” from the National Library of Sweden; and works of Arabic, Persian, and Turkish calligraphy from the collections of the Library of Congress.

One of UNESCO’s main mandates is to promote the free flow of all forms of knowledge in education, science, culture and communication. The Organization therefore supports initiatives to improve and increase content on the Internet. To this end, it collaborates with a range of partners on the creation of digital and other repositories.

The Golden Rule: Heart as Feather, is a Heart in Measure

2009-06-05T11:30:00.000-07:00

Der Barmherzige Samariter(The Merciful Samaritan) 1632-1633Rembrandt Harmensz. van Rijn 15 July 1606, Leiden – 4 October 1669, Amsterdam) was a Dutch painter, engraver and draftsman.

The Good Samaritan

"A man was going down from Jerusalem to Jericho, when he fell into the hands of robbers. They stripped him of his clothes, beat him and went away, leaving him half dead with no clothes. A priest happened to be going down the same road, and when he saw the man, and he passed by on the other side. So too, a Levite, when he came to the place and saw him, he too passed by on the other side. But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him. He went to him and bandaged his wounds, pouring on oil and wine. Then he put the man on his own donkey, took him to an inn and looked after him. The next day he took out two silver coins and gave them to the innkeeper. 'Look after him,' he said, 'and when I return, I will reimburse you for any extra expense you may have.' "Which of these three do you think was a neighbour to the man who fell into the hands of robbers?" The expert in the law replied, "The one who had mercy on him." Jesus told him, "Go and do likewise."

Ethic of reciprocity

Der gute Samariter (nach Delacroix)1890 Vincent van Gogh (1853–1890)

The ethic of reciprocity, also known as the Golden Rule, is an ethical code that states one has a right to just treatment, and a responsibility to ensure justice for others. Reciprocity is arguably the most essential basis for the modern concept of human rights, though it has its critics.[1] A key element of the golden rule is that a person attempting to live by this rule treats all people, not just members of his or her in-group, with consideration.

The golden rule has its roots in a wide range of world cultures, and is a standard which different cultures use to resolve conflicts[2]; it was present in the philosophies of ancient India, Greece, and China. Principal philosophers and religious figures have stated it in different ways, but its most common English phrasing is attributed to Jesus of Nazareth in the Biblical book of Luke: "Do unto others as you would have them do unto you." The "Do unto others" wording first appeared in English in a Catholic Catechism around 1567, but certainly in the reprint of 1583.[3]

Emerging from the Chrysalis

2009-03-31T11:25:00.000-07:00

The dream is a little hidden door in the innermost and most secret recesses of the soul, opening into that cosmic night which was psyche long before there was any ego consciousness, and which will remain psyche no matter how far our ego consciousness extends.... All consciousness separates; but in dreams we put on the likeness of that more universal, truer, more eternal man dwelling in the darkness of primordial night. There he is still the whole, and the whole is in him, indistinguishable from nature and bare of all egohood. It is from these all-uniting depths that the dream arises, be it never so childish, grotesque, and immoral. Carl Jung

The Basic Writings of C.G. Jung, by Violet S.de Laszlo

You form your perceptions of things, and from the data accumulated, you make a decision about what you believe in. How much more dynamic is this "quality of thinking" once you recognize the place from which all information can be drawn, and then, is specific to what you had enquired and lived during the day?

Photograph of a Monarch Butterfly. Taken by Kenneth Dwain Harrelson on May 29th, 2007.

In Culture:The Ancient Greek word for "butterfly" is ψυχή (psȳchē), which primarily means "soul", "mind"

So this is the basic assumption about what Pure land represents while central to any design of an liminocentric structure, is the idea that you are coming ever closer to the very essence and quality of all of one's thinking. It's truth. You are then connected to the universe in this way, and such probable outcomes become the exact exchange in effect of those same decision making processes.

The Basic Writings of C.G. Jung, by Violet S.de Laszlo

In rising above dualisms while I had demonstrated a physical action and sought to reveal it's cause and effect, it is the understanding too, that such thinking can be manifested in the mental structure to hide the extensions leading to these polarizations. Knowing full well now, that what ever your stance embroiled in the dance, it is evidenced that you yourself can contain the seed of the other, while discussing the fate.

***

The Lagrangian

I also showed how easy for the mind to manoeuvrer through the trappings of gravity as it can propel itself through space. The idea of a photon description of the very colourful world of gravity in this way is aware of the locations of these "tunnels" as one can move with utmost speed. See that any deviation, could send the mind into the very locations that one has sunk further then, to then use that momentum to skip onto a further destination, once learning to be free.

Such thinking then is to become embroiled within the context of "any orbit" to realize this has become the gravity with which all thought shall become detained as it See's the evolution of it's future, according to which planet it rests.

So too it is of any mind that returns to that dualism that the journey will be cut short. By it's very nature the mind and it's thought contain the elements of gravity as if seeking to move as fast as one can, with out the restriction of resistance that this thought process holds. It endeavours that each thinking mind is capable to free themself of those thought forming locations. Those locations, that having skipped previous is the enlightenment of the dualism that contains the revolution of thinking.

The World of Information

2009-03-26T08:18:00.000-07:00

I suppose the body to be nothing but a statue or machine made of earth, which God forms with the explicit intention of making it as much as possible like us”Descartes' Views on the Pineal Gland

(click on image for larger version)

Computationally, how is it that the world can see information in this way and not think the basis of the economy cannot be thought "subjective" from a developmental robotic point of view?(the design of this information transfer does not currently exist)

You see, how instantaneously a virus could over take all areas of research to have it do the bidding of those that know well the resource needed to manipulate, is the resource monetarily that is readily available to them. How appealing such imagery to have it planted in the mind and explode with all it's meaning?

I do not have to tell you what that is.

Figure 5. The Worm According to Mondino (view from above). In this view of the brain from above, the label “worm” (“vermis”) is applied to the choroid plexus in the lateral and third ventricles, just as in Mondino's Anothomia (Berengario da Carpi 1530, fol. O3r).

So this is more the idea that the energy of the sun can be transformed in that "energy of leaves" and how is it fluidity passed through out the whole system(the tree) if one did not understand the "cloud of thinking and body of thought" can enforce endocrinology to do the masters bidding?

Most certainly I do not want anyone to think this is a "Pseudo-Science" that one can apply to an Illuminate, and think this is what such a body of thought here is assigned to in that body of thought that a secret society works with below the radar.

It is a legitimate question about how wo/men think that the body is a machine, and how it's functions can exist as "apart from the the mind" as it breathes according to it's own plan? A robotic structure, that given the right programing and theory will apply the logic accordingly without the passions and emotions of human beings. A some how highly recognized version of the masses being worked b such simplistic switches which have been supplanted by the neuronal switch the robot had been designed with.

***

See:When It Comes to Photosynthesis, Plants Perform Quantum Computation

Plants soak up some of the 10¹⁷ joules of solar energy that bathe Earth each second, harvesting as much as 95 percent of it from the light they absorb. The transformation of sunlight into carbohydrates takes place in one million billionths of a second, preventing much of that energy from dissipating as heat. But exactly how plants manage this nearly instantaneous trick has remained elusive. Now biophysicists at the University of California, Berkeley, have shown that plants use the basic principle of quantum computing—the exploration of a multiplicity of different answers at the same time—to achieve near-perfect efficiency.

Biophysicist Gregory Engel and his colleagues cooled a green sulfur bacterium—Chlorobium tepidum, one of the oldest photosynthesizers on the planet—to 77 kelvins [–321 degrees Fahrenheit] and then pulsed it with extremely short bursts of laser light. By manipulating these pulses, the researchers could track the flow of energy through the bacterium's photosynthetic system. "We always thought of it as hopping through the system, the same way that you or I might run through a maze of bushes," Engel explains. "But, instead of coming to an intersection and going left or right, it can actually go in both directions at once and explore many different paths most efficiently."

In other words, plants are employing the basic principles of quantum mechanics to transfer energy from chromophore (photosynthetic molecule) to chromophore until it reaches the so-called reaction center where photosynthesis, as it is classically defined, takes place. The particles of energy are behaving like waves. "We see very strong evidence for a wavelike motion of energy through these photosynthetic complexes," Engel says. The results appear in the current issue of Nature.

QUANTUM CHLOROPHYLL: Sunlight triggers wave-like motion in green chlorophyll, embedded in a protein structure, depicted in gray here, that guides its function. GREGORY ENGEL

Employing this process allows the near-perfect efficiency of plants in harvesting energy from sunlight and is likely to be used by all of them, Engel says. It might also be copied usefully by researchers attempting to create artificial photosynthesis, such as that in photovoltaic cells for generating electricity. "This can be a much more efficient energy transfer than a classical hopping one," Engel says. "Exactly how to implement that is a very difficult question."

It also remains unclear exactly how a plant's structure permits this quantum effect to take place. "[The protein structure] of the plant has to be tuned to allow transfer among chromophores but not to allow transfers into [heat]," Engel says. "How that tuning works and how it is controlled, we don't know." Inside every spring leaf is a system capable of performing a speedy and efficient quantum computation, and therein lies the key to much of the energy on Earth.

***

So the question is then raised. Who is the Master that sends the messages to the body of thoughts which governs and disseminates information accordingly to a world view. Is it that one foot soldier who takes his order unquestionably and supplants his plans for the future according to the description of the government which holds office, and seeks to implement it's own plan to deal with the economy in a way that is most suitable to a "consumerism" which shall over see any such plan to implement corporate world view???

It is by such understanding that any existing culture orientated world view of world design is nothing more then an attempt to usurp the freedom of empowered thinkers to choose to buy which product? "My logic" saids, you will "not survive" if you think otherwise.

Pureland

2009-03-26T08:17:00.000-07:00

Pure land: Painted 19th century Tibetan mandala of the Naropa tradition, Vajrayogini stands in the center of two crossed red triangles, Rubin Museum of Art

Pure land

Mandala in Buddhist iconography, especially sand mandala are 'pure lands' and may be understood as nirmanakaya, as are all murti, thanka and sacred tools that have consecrated, dedicated and the 'deity' (Sanskrit: ishtadevata) invoked and requested to reside. Some namkha are pure lands. According to Nirmanakaya (as tulku) theory, nirmanakaya spontaneously arise due to the intention, aspiration, faith and devotion of the sangha.

How many would actually understand what I am saying if they themself had not recognize how such model building can be seen in relation to what the Pureland Represents "inside" and not as some symbolic state of the political ideology that a psychopath would adorn and assigned as symbol of perspective in society according to their meaning to be transposed to society. Even then my own words are suspect, while I ask that what the pure land represents is to focus on what the story on stage is talking about, or what the symbol represents internally.

Ring of Power by Jean Shinoda Bolen, M.D.

Empowerment means then to wake up and see how deep these interpretations can go and is about the self in terms of the society in which they live. It is not about individuality and how it sets according too, but of the larger perspective of humanity that it recognizes there is a deeper voice that resides in their own being that is good. Not to have it supplanted with and forgoing of the power to determination as to a course of action in life to be able to choose.

***

Would we assign "Plato's Dialogues" or "Sir Francis Bacon's Shakespearean plays" to such examples of what might be transmitted to society by the author?

Ring of Power by Jean Shinoda Bolen, M.D.

Many people set the stage for what is to be transposed to others, that this language is inescapable as to it's meaning, and further, given the insight that was first found of value, as it rests within ones mind can be found to lead to a understanding that is so clear for another person, their is no room left for doubt.

Temenos (τέμενος,[1] from the Greek verb τέμνω "to cut"; plural: temene) is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, a sanctuary, holy grove or holy precinct: The Pythian race-course is called a temenos, the sacred valley of the Nile is the Νείλοιο πῖον τέμενος Κρονίδα, the Acropolis is the ἱερὸν τέ The concept of temenos arose in classical Mediterranean cultures as an area reserved for worship of the gods. Some authors have used the term to apply to a sacred grove of trees,[2] isolated from everyday living spaces, while other usage points to areas within ancient urban development that are parts of temples.[3]

A large example of a Bronze Age Minoan temenos is at the Juktas Sanctuary of the palace of Knossos on ancient Crete in present day Greece, the temple having a massive northern temenos.[4] Another example is at Olympia, the temenos of Zeus. There were many temene of Apollo, as he was the patron god of settlers.

In religious discourse in English, Temenos has also come to refer to a territory, plane, receptacle or field of deity or divinity.

Such model building while so far from the reaches of the average mind, such plays and stories of mythic proportion have been chosen more to illustrate "without that doubt" as to the course the psychological failings of the individual, are see it played is out in front of them. What witness is the mind as it journeys to such states that it counts for itself all that is done, so that it may assess it own self as to what course of action shall lead to what future?

A child of a broken home who grows up to become, and what has this imprinted on a mind that is flawed as to it's reasoning when the adult cannot escape their own history? What is the healthy mind that cannot discriminate and hold in perspective an elevated view of their own life, that they had decided to remove themself from the repetitive rote system of, and sleepy ways of uncaring?

They must learn to "know themself" and care about themself.

***

I ask you then. Shall I play the role of the magician, and for all appearance sake assign any of you to the solidify state of existence that is conceptually created so that you are it? States of confusion exist, so that one can ask themself where it is they belong, and if aligned with this or that view, how is it you are that.

You are so much more then what concepts are applied as a rule. Do you want to solidify your position? Do you want to be "judge and jury" and assign others?

If I say I am "set c" in a diagram that is representative of entanglement to the relationship associated in Transactional analysis then what is "set c?"

***

See:

Venn Logic and TA

Fulleranes and Allotropes

2009-03-03T21:58:00.000-08:00

"Composition VI", 1913, Wassily Kandinsky

The term "Composition" can imply a metaphor with music. Kandinsky was fascinated by music's emotional power. Because music expresses itself through sound and time, it allows the listener a freedom of imagination, interpretation, and emotional response that is not based on the literal or the descriptive, but rather on the abstract quality that painting, still dependent on representing the visible world, could not provide.On Wassily Kandinsky and Music

How is it one is to picture the emotive content that surrounds us , and in a comparative view assign it to the emotive quality of Earth's Environ. It's storms and raining waters that cleanse, bring tears to the eyes, and in a moments release, all that is pent up rains from the cloud of distress.

So chaotic then one is to perceive the reality they live in. Such uncertainty at levels that create a haze of any time valued determination becomes the clouded colour of reason, that is baseless and motivated by the fires in the heart of anger and revealed in the pain of a lesson.

Held to the Earth's Environ according to our placement of the materials in the expressive nature of some inspirational phase change that holds seeds of the entropic balanced of order.To make Earth more human. It's peaceful places of waterfalls and it's deserts, devoid of the greenery. How dry and taxing this distress hidden in the winds.

***

Novel Fulleranes

The basic expanded network structure of the icosahedral water cluster is mechanically strong, having close to tetrahedrally-positioned bonds, and could be found in the, as yet undiscovered, alkane C280H120; made up of twenty C14 tetrahedral sub-structures. Using the AMBER force-field, the average C-C and C-H bond lengths and bond angles were 1.533 Å (SD 0.014 Å), 1.091 Å (SD 0.0001 Å) and 109.46° (SD 1.47°) respectively.

See: Water Structure and Science

Icosahedral super cluster

.

A super cluster of thirteen water icosahedra, showing the tessellation ability. Thirteen complete but overlapping icosahedral clusters form this super-icosahedral structure (an icosahedron of interpenetrating icosahedra; that is, a tricontahedron) containing 1820 water molecules (an outer shell of an additional 360 water molecules is also shown). This structure is for illustrative purposes only of the type of superclustering possible. It is not likely to be a preferred minimum-energy structure due to the increased strain on full tessellation [295]; However the icosahedral structures can form part of fully tessellated clathrate I-type structures.

***

***

See Also:

Allotropes and the Ray of Creation

Mendeleev's Table in a New Light

Trademarks of the Geometer II

Voxels

2009-03-03T21:54:00.000-08:00

A generalization of a voxel is the doxel, or dynamic voxel. This is used in the case of a 4D dataset, for example, an image sequence that represents 3D space together with another dimension such as time. In this way, an image could contain 100×100×100×100 doxels, which could be seen as a series of 100 frames of a 100×100×100 volume image. Although storage and manipulation of such data uses a lot of computer memory, this allows the study of spacetime systems.

There is a discussion over at Backreaction called, Conservative solutions to the black hole information problem It deals with a paper her and Lee Smolin wrote together.

Conservative solutions to the black hole information problem
By Sabine Hossenfelder and Lee Smolin
arXiv: 0901.3156,

Submitted on 20 Jan 2009) Abstract: We review the different options for resolution of the black hole loss of information problem. We classify them first into radical options, which require a quantum theory of gravity which has large deviations from semi-classical physics on macroscopic scales, such as non-locality or endowing horizons with special properties not seen in the semi-classical approximation, and conservative options, which do not need such help. Among the conservative options, we argue that restoring unitary evolution relies on elimination of singularities. We argue that this should hold also in the AdS/CFT correspondence.

It is important that one is set up in terms of progressing to the determination and explanation of the voxel in the context that Holography. Susskind uses it in the way one can interpret "the bit" of information.

A picture, a photograph, or a painting is not the real world that it depicts. It's flat, not full with three dimensional depth like the real thing. Look at it from the side-almost edge on. It doesn't look anything like the real scene view from a angle. In short it's two dimensional while the world is three dimensional. The artist, using perceptual sleight of hand, has conned you into producing a three dimensional image in your brain, but in fact the information just isn't there to form a three dimensional model of the scene. There is no way to tell if that figure is a distant giant or a close midget There is no way to tell if the figure is made of plaster or if it's filled with blood or guts. The brain is providing information that is not really present in the painted strokes on the canvas or the darken grains of silver on the photographic surface. The Cosmic Landscape by Leonard Susskind, page 337 and 338

Ancient Notion of "Matter Four Squared" Called Earth

2008-12-27T10:37:00.000-08:00

Foursquare-adj
1. Having four equal sides and four right angles; square.
2. Marked by firm, unwavering conviction or expression; forthright: a foursquare refusal to yield.

I thought to define the nature of foursquare by definition. It was not very easy to find such a definition as to what was thought in my mind a relation to the ancient notion I have of earth. Definitively expressed, and coordinated into a frame.

To see such a relation to the operation of the "endocrinology of the human body" in such a form would be to steer the modern day notion of such a framework, to deal with what Antonio Dammasio might have call a "powerful metaphor for consciousness, for the birth of the knowing mind."¹." A stepping onto the stage under the light, or "being born" into the world.

Such use of nature would not be unseen in this relation to think "the leaf" has this quality about it in relation to the sun, or the bee, can have such an affect on those around them by such releases of the hormone.

15th Century Manuscript by Bartholomeus Anglicus, on the Property of Things

On the Property of Things

The work was written for the use of students and the general public, in Latin in 19 books at the school of Magdeburg in Saxonia[4]. A number of copies exist both in manuscript and in printed form. Bartholomew carefully notes the sources for the material included, although, at present, it is sometimes impossible to identify or locate some of them. His annotations give a good idea of the wide variety of works available to a medieval scholar.

The subjects of the books, in order, are God, angels (including demons), the human mind or soul, physiology, of ages (family and domestic life), medicine, the universe and celestial bodies, time, form and matter (elements), air and its forms, water and its forms, earth and its forms including geography, gems, minerals and metals, animals, and color, odor, taste and liquids.

While I cannot say I have ever read these manuscripts, it was insightful that one could see the preceding idea here about "all knowledge" that one might contain in book form to explain the nature of reality as it was known at that time, became the forerunner of Encyclopedia as we know it today.

Some of the ideas I have about this come from my many journeys into books I have read over the years. Some of us are indeed nostalgic about what we can hold in our hands versus the newer technologies that have supplanted the book. How it connects us to it's subject and it's author.

Change, is hard thing to overcome when it comes to adapting to new technology and how we have always done things. But as the "ole dinosaurs of comfort" and the less likely to adapt to new circumstance, the challenge is then to see how the world in Wikipedia and the Librarian sought to reference information that we assume now quite easily, as we reference by linking, and using the source as information.

It is strange as well that while setting the framework for presenting these ideas I have develop and encountered, helped to set my mind on how I see the world. How it is "shaped" by "very simple identifications" to such objects that I have assigned a reality, according to that schematic embedded as a geometry mind mapped and expressed.

It is so diverse the subject of the human being that to identify all the abilities of the human being in such an expression is beyond the scope and intention of this entry, that regardless, I thought to reveal what it is in the most "innate of us" as we express ourselves in our daily encounters.

Mind Matters

This is a definitive expression then of all the likely avenues one might take and this leads one to think a certain way and this in itself forms the basis of exchange with the world around us and the people we are involved in. Our empathetic relation based on formative ideas about our experiences and the emotive content that has been injected into the matter defined world as a set process for the mind and it's ultimate realization of what consciousness plays, as we set firm this relation.

You can be from another country and philosophy as being instrumental in this explanation, by be explicative of the way you lived, and the way the world was experienced around you. Thus to such an experience may be set to mind that such formation of these matters might be define in by the weight with which we assign density in the form of elemental relation in thought and how firm this definition is in relation to such mind matters.

So with such inclination to the possibility of what consciousness can become what value then to see that such mater defined in mind might play an importance in the way we see the world and the way the world responds, to such a "spirit of kind" that it be "more gross in it's manifestation" and held to the evolutionary aspects of the body formed, that it could ever be more then what we might think it really is?

Shall we have no hope then that the spirit is of kind in consciousness nothing more then the animal , that one sought to express the spirit more in conscious, then that we thought so gross? That such an ability in consciousness can ever see such changes that the earth formed can not have it's finer elements to say, that the world is defined by the nature of these elementals, and nothing more?

¹The Feeling of what Happens, by Antonio Damasio, Chapter one.

Empathy

2008-12-24T14:52:00.000-08:00

Empetheia is Greek for empathy. The Greek termnology describes it as...."feeling into," a term used initially by theoreticians of aesthetics for the ability to perceive the subjective experience f another person.¹

"But where is the genetic basis for empathy with other species?"

Sure, a statement is made. Science asks that it be backed up.

IN no way should one think "one is a machine" doing the bidding of science by asking for such proof. It just seems robot like tome that the emotive inflections are never to be considered in that exchange. Should one then think that the emotive inflections have divested itself of it's reason? That we should also prove "emotive states exist" and are inherent in experience, as well?

Neurological basis

Research in recent years has focused on possible brain processes underlying the experience of empathy. For instance, functional magnetic resonance imaging (fMRI) has been employed to investigate the functional anatomy of empathy.^[32]These studies have shown that observing another person’s emotional state activates parts of the neuronal network involved in processing that same state in oneself, whether it is disgust,^[33]touch,^[34]or pain.^[35]^[36]^[37]^[38]The study of the neural underpinnings of empathy has received increased interest following the target paper published by Preston and DeWaal,^[39]following the discovery of mirror neuronsin monkeys that fire both when the creature watches another perform an action as well as when they themselves perform it. In their paper, they
argued that 'attended perception of the object's state automatically activates neural representations, and that this activation automatically primes or generate the associated autonomic and somatic responses, unless inhibited. This mechanism is similar to the common coding theorybetween perception and action

.

Definitely more under that link in regards to the "discussion on empathy."

Beyond the Mirror of Alice

Sometimes those that we have attached ourselves too, can reverberate in "strong emotional upheavals." It is not so unlike that such a cord is cut between them and yourself, at that time to illicit these waves that can roll over? Such an effect can have a far reaching power to it, whose distance cannot be measure in inches or miles. So such celebratory moments are indeed better to propel the spirit "in all aspects?"

The mind-body problem(link)

The mind-body problem concerns the explanation of the relationship that exists between minds, or mental processes, and bodily states or processes.^[2] The main aim of philosophers working in this area is to determine the nature of the mind and mental states/processes, and how--or even if--minds are affected by and can affect the body.

Our perceptual experiences depend on stimuli which arrive at our various sensory organs from the external world and these stimuli cause changes in our mental states, ultimately causing us to feel a sensation, which may be
pleasant or unpleasant. Someone's desire for a slice of pizza, for example, will tend to cause that person to move his or her body in a specific manner and in a specific direction to obtain what he or she wants. The question, then, is how it can be possible for conscious experiences to arise out of a lump of gray matter endowed with nothing but electrochemical properties.^[11] A related problem is to explain how someone's propositional attitudes (e.g. beliefs and desires) can cause that individual's neurons to fire and his muscles to contract in exactly the correct manner. These comprise some of the puzzles that have confronted epistemologists and philosophers of mind from at least the time of René Descartes.^[8]

While this is a philosophical point of view it is still one that speaks to the nature of the "Quantum Mind" although not called particularly hard science, yet, would give a further extension to the matter states that the brain occupies?

A Mind/Body Theory then?

Emotively this would reside just outside, and experience is easily able to pick up this in recognition(empathy) "being more subtle" then what we take for granted in physical appearance?

See:About Cesar Millan

I watch Cesar Millan a lot, and while always having animals of one form or another, it served me well to watch their behaviours while holding an assertiveness that must be demonstrated "as confidence" while dealing with them.

How you carry yourself around them. How you recognize the animal behaviour as a function of the most evolutionary aspect of the people we are, just as we had evolved in the brain structure. So "flight and fight" responses are very close to the surface for animals by nature. I mean sure, certain responses can be illicit based on reward system in one form or another, yet, it is better to see "how that fear manifests in the animals " and not just in the physical appearance, but in what we as animals and human radiate.

Just a thought.

1. Emotional Intelligence by Daniel Goleman,Para3, page 98

Rural Community Library Model

2008-12-13T22:54:00.000-08:00

Trinity College Library, Dublin. (Photo: Candida Höfer.)

The idea behind this conception is explained quite nicely by the article that was written for our local Newspaper, under Opinions by this gentlemen. To understand the full scope of this proposal one will have top do some work with regards to reading on how this conception is put forward, under the the statement of "Rural Library Community Model."

Click on Image for larger version to read

Access to information should not know any discrimination in regards to location and to this end, rural communities in Canada should not be less privy to that access that the larger centres have in this regard. Not in this day and age, when the technologies are there that will allowed "a free and direct link to the streaming" of information.

See labels attached for further updating so that one can realize the potential of using the whitespace that is currently going to be freed up, and had been put up on the auction block by our Canadian Government.

This resource is a "free one" and should not be manipulated by corporate interest to further indenture people to what is an inherent right to this access to information. Any attempts to justify this in relation to business is sought only "to profit" from peoples misfortunes. This right of passage should be granted in these economic times to develop and provide learning, while these times require this kind of innovation in thinking and new strategies in a cooperative society.

What is the background to Information

2008-12-03T19:25:00.000-08:00

The background supplies the energy for information and contains all history. It is the resource for which information is accessed, and is done through the Universal Library. Before it is objectively defined, it has architecturally ascribe schematics for the blue print of formation and is channelled through the impetus of a motivational current of projection into reality. The compartmentalizations are what we ascribe to the layers of meaning(phases transitions) while we look at it from a "blurring state" as if below water, looking to a world above that is objectively defined. A reflection of the reality, but "before" it's manifestation?

If conceived as a series of ever-wider experiential contexts, nested one within the other like a set of Chinese boxes, consciousness can be thought of as wrapping back around on itself in such a way that the outermost 'context' is indistinguishable from the innermost 'content' - a structure for which we coined the term 'liminocentric'.

As most know "Liminocentric structure" will have been defined here then? I like to think this goes back much further in our natures, and to recognize this pattern, much as Brian Greene might have spoken too, in article above one would have to venture into it to understand.

Archaeology: Frequently-Asked Questions
What is a Medicine Wheel?

Then why would I inject past historical views here to current research? It is a issue of wholeness and bringing resolution to the camps of LQG and Strings. If you look at the circle here in an expansionary view. The circle as a point, deals with particle reductionistic principals as well as dealing with General Relativity on a cosmological scale. They both deal with gravity from their respective positions. What are their strengths and weaknesses?

I will be away for about two weeks and a much needed break, so I hope people will explore this avenue, for it is the basis of my research in understanding this interchange between, depending on which circle you belong, two ends that need to come together and in this regard, LQG and String theory might have found this unification, but from which different ends?

See:Spheres Instead of Circles

There is no end, and it is continuous by nature?

One harmonious possibility is that string enthusiasts and loop quantum gravity aficionados are actually constructing the same theory, but from vastly different starting points. That each theory involves loops-in string theory, these are string loops; in loop quantum gravity, they're harder to describe non mathematically, but roughly speaking, they're elementary loops of space-suggests there might be a connection. This possibility is further supported by the fact that on a few problems accessible to both, such as blackhole entropy, the two theories agree fully. And on the question of space time's constituents, both theories suggest that there is some kind of atomized structure. Page 490, Fabric of the Cosmos by Brian Greene

To me this connection lies in how we interpret the circle and this variation in between them, is a powerful topological structure form that is understood as we see the question of which circle is which? From which space quantum mechanically to cosmologically. In terms of that atomized look, to the nature of relativity through that Cosmo.

The last departing statement in Brian Greene's book sets the stage for how the string community has to orientate its view from one perspective, while LQG needs to orientate theirs. This is used, to point to ISCAP and the introduction Brian Green gives us.

Look at Page 493 of his book, and then look here.

The goal of ISCAP is to bring together theoretical physicists, astrophysicists, and observational astronomers to address key problems in particle physics and cosmology that require a broad confluence of expertise and perspective.

Even the good intention would have failed to see this connection between both camps, but I see that having it explained as such here, I hope to point to something much deeper in our psyche that warrants the orientation to mathematical structures that underlies our consciousness. As subjective a view as it might seem to some, there are reasons that I support such views, and without hurting the purity of the direct mathematical relations, I needed to bring the article and title of this entry forward for consideration. It is a necessary part of wholeness that the discrete natures and the wonderful views of continuity would share some relationship even in the bulk of our considerations?

Which Circle do you belong too? You are one and the same are you not?:)

Physicist Explains String Theory to SB

"Nothing to me would be more poetic; no outcome would be more graceful ... than for us to confirm our theories of the ultramicroscopic makeup of spacetime and matter by turning our giant telescopes skyward and gazing at the stars," Greene said.

The Elegant Universe, by Brian Greene, pg 231 and Pg 232

"But now, almost a century after Einstein's tour-de-force, string theory gives us a quantum-mechanical description of gravity that, by necessity, modifies general relativity when distances involved become as short as the Planck length. Since Reinmanian geometry is the mathematical core of general relativity, this means that it too must be modified in order to reflect faithfully the new short distance physics of string theory. Whereas general relativity asserts that the curved properties of the universe are described by Reinmanian geometry, string theory asserts this is true only if we examine the fabric of the universe on large enough scales. On scales as small as planck length a new kind of geometry must emerge, one that aligns with the new physics of string theory. This new geometry is called, quantum geometry."

Information and the Universal Library

2008-11-30T12:17:00.000-08:00

3.1 As Cytowic notes, Plato and Socrates viewed emotion and reason as in a kind of struggle, one in which it was vitally important for reason to win out. Aristotle took a more moderate view, that both emotion and reason are integral parts of a complex human soul--a theory proposed by Aristotle in explicit opposition to Platonism (De Anima 414a 19ff). Cytowic appears to endorse the Platonic line, with the notable difference that he would apparently rather have emotion win out.

I am trying to "create a image" that will use the one above. It is important that the select quoted comment below is understood. This can't be done without some reference.

So while the exercise may be going on "inside" things are happening on the outside. Scientists have never been completely honest with themselves, while some may concern themselves with whose name said what?

I use Plato as a namesake obviously, because of what I saw of some of our influential minds speaking, all the while making inferences to Plato. When ever you read something that resonates with you, it is of value because it correlates to something that you already know. This is what I tried to get across in the previous post, about what is "self evident." Little do some people recognize that while I may have inferred the point of some philosophical foundations, it is not without recognizing that the "qualitative phrases" have to be reduced as well to a logic. To reason.

How do you do that? Well I'll tell you what I found and then you can think whether I understood reason in it's proper format. Whether I understood the "shadows of Plato" to mean something other then what could have been interpreted as being wrong. What is that analogy of the Cave really mean?

Our attempt to justify our beliefs logically by giving reasons results in the "regress of reasons." Since any reason can be further challenged, the regress of reasons threatens to be an infinite regress. However, since this is impossible, there must be reasons for which there do not need to be further reasons: reasons which do not need to be proven. By definition, these are "first principles." The "Problem of First Principles" arises when we ask Why such reasons would not need to be proven. Aristotle's answer was that first principles do not need to be proven because they are self-evident, i.e. they are known to be true simply by understanding them.

Yes I did not enter the halls of higher learning in the traditional ways. You can converse for many years, does not mean you become devoid of the lessons that spoken amongst the commentors. How is it you can think that while listening to scientists you cannot uncover the the processes they use? If I had given thirty years to study, what exactly had I studied? I am a doctor of nothing.:)

This is a torus (like a doughnut) on which several circles are located. Unlike on a Euclidean plane, on this surface it is impossible to determine which circle is inside of which, since if you go from the black circle to the blue, to the red, and to the grey, you can continuously come back to the initial black, and likewise if you go from the black to the grey, to the red, and to the blue, you can also come back to the black.

My quote at Backreaction on this and that, reveals not only part of the understanding gained through this "infinite regress," but also the understanding we have with the world around us. Some would be better served to see the image of the Klein bottle, but I wanted to show what is going on in a "abstract way" to what is happening inside of us, and at the same time, what is happening outside.

I had used the brain and head as a place of our conscious awareness within context of our environment, our bodies. The topological explanations of the numbers above, and used them in the next paragraph. There will be confusion with the colour lines, please disregard that.

While I talked of the emotive and mental realities. I included the spiritual development in the end. The way this interaction takes place, is sometimes just as the mental function(yellow). Other times, it is the emotive realization of the experience. It is coloured by our emotion(red).

While we interact with our environment, there is this turning inside out, continuously. Sometimes we may say that "1" is the emotive realization, while the number 2 is seen as a mental extension of the situation. While the areas overlap each other, an outward progression may mean that the spiritual progress is numbered 4, while the interaction of the emotive, mental and spiritual progression may be number 3. Ultimately the spiritual progression is 4 (Violet). All these colours can mix and are significant in themself. They reveal something about our very constitution.

While some may wonder how could any conceptualization ever integrate the "Synesthesia views" of the world when it sees itself presented with such a comparison? The journey of course leads to the "Colour of Gravity." Discard your body, and one will wonder about the "clear light." What it means, in the "perceptive state of existence." If one is prepared, then one shall not have "to much time on their hands" getting lost in the fog.

Plato and Aristotle, Up and Down by Kelley L. Ross, Ph.D.

Rafael has Plato pointing up and Aristotle gesturing down to indicate the difference in their metaphysics. For Plato, true existence is in the World of Forms, in relation to which this world (of Becoming) is a kind of shadow or image of the higher reality. Aristotle, on the other hand, regards individual objects in this world as "primary substance" and dismisses Plato's Forms -- except for God as a pure actuality, without matter.

However, when it comes to ethics and politics, the gestures should be reversed. Plato, like Socrates, believed that to do the good without error, one must know what the good is. Thus, we get the dramatic moment in the Republic where Plato says that philosophers, who have escaped from the Cave and come to understand the higher reality, must be forced to return to this world and rule, so that their wisdom can benefit the state. Aristotle, on the other hand, says that the "good" is simply the goal of various particular activities, without one meaning in Plato's sense. The particular activities of most human affairs involve phronésis, "practical wisdom." This is not sophía, true wisdom, for Aristotle, which involves the theoretical knowledge of the highest things, i.e. the gods, the heavens, and God.

Thus, for philosophy, Aristotle should point up and would represent a contemplative attitude that was certainly more congenial to religious practices in the Middle Ages. By the same token, Aristotle's contribution to what we now think of as science was hampered by his lack of interest in mathematics. Although Aristotle in general had a more empirical and experimental attitude than Plato, modern science did not come into its own until Plato's Pythagorean confidence in the mathematical nature of the world returned with Kepler, Galileo, and Newton. For instance, Aristotle, relying on a theory of opposites that is now only of historical interest, rejected Plato's attempt to match the Platonic Solids with the elements -- while Plato's expectations are realized in mineralogy and crystallography, where the Platonic Solids occur naturally.

Therefore, caution is in order when comparing the meaning of the metaphysics of Plato and Aristotle with its significance for their attitudes towards ethics, politics, and science. Indeed, if the opposite of wisdom is, not ignorance, but folly, then Socrates and Plato certainly started off with the better insight.

It is good that you go to the top of the page of the linked quotes of Kelley L. Ross. You must know that I developed this site without really understanding the extent Mr. Ross had taken this issue. There is much that is familiar, and with him, an opposing view too.

See:

Induction and Deduction
Intuitively Balanced: Induction and Deduction

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Commerce is of trivial import; love, faith, truth of character, the aspiration of man, these are sacred.Ralph Waldo Emerson

"Carl Sagan's Library of Alexandria-R. P. C. Rodgers

"It is perhaps the oldest university in the world."

Can you imagine if one might have been restricted from the museums of history, based on what another might have thought of the person? To encourage such ideas to blossom, that it is understood the garden has to provide a source from which things can grow. Why not circumvent all views other then one's own, and you shall own those person's too.

If we are to keep one in "ignorance of life" then why not circumvent them to what the world is for them in "their sections and houses on earth? Keep them, to the culture, and not allow for the greater dialogue between these cultures?

While the historical blend here is being extolled, I of course have current thoughts about this in todays world of the internet.

Reconstruction of one of the storage rooms of the Library of Alexandria. From Carl Sagan's Cosmos (1980),

The Royal Library of Alexandria in Alexandria, Egypt, was once the largest library in the world. It is generally thought to have been founded at the beginning of the 3rd century BC, during the reign of Ptolemy II of Egypt. It was likely created after his father had built what would become the first part of the library complex, the temple of the Muses — the Musaion (from which is derived the modern English word museum).

It has been reasonably established that the library, or parts of the collection, were destroyed by fire on a number of occasions (library fires were common enough and replacement of handwritten manuscripts was very difficult, expensive and time-consuming). To this day the details of the destruction (or destructions) remain a lively source of controversy. The Bibliotheca Alexandrina was inaugurated in 2003 near the site of the old library.

Now you know that I believe that the resource for such potentials is very capable in anyone's hands. That if they would like to draw from such a resource, that maybe it has to be physical for them. So, they may go to the library.Yet there is the "sublty of the intangile" that is not accepted by those who are "deeply physical" about what they can accept, so they can accept such libraries.

Then again one might think twice about what is in the library of the internet? Yet, it is not without the "subtleness of the intangible" that we see where the "good thoughts/ideas can issue from the expert and the lay person alike. That such things become part of the library of the internet.

How do we know in our heart when such information is true? That we can rest assure that such dangers of misleading do not take us into their world? Do they some how control you by what they like to hear?

Innatism is a philosophical doctrine introduced by Plato in the socratic dialogue Meno which holds that the mind is born with ideas/knowledge, and that therefore the mind is not a tabula rasa at birth. It asserts therefore that not all knowledge is obtained from experience and the senses. Innatism is the opposite of empiricism.

Plato claimed that humans are born with ideas/forms in the mind that are in a dormant state. He claimed that we have acquired these ideas prior to our birth when we existed as souls in the world of Forms. To access these, humans need to be reminded of them through proper education and experience.

Or are we gifted with this innatism about what is good in all people, while there are those who would become rich by such restrictions of a "software selection."

The French librarian Gabriel Naudé wrote:

And therefore I shall ever think it extreamly necessary, to collect for this purpose all sorts of books, (under such precautions, yet, as I shall establish) seeing a Library which is erected for the public benefit, ought to be universal; but which it can never be, unlesse it comprehend all the principal authors, that have written upon the great diversity of particular subjects, and chiefly upon all the arts and sciences; [...] For certainly there is nothing which renders a Library more recommendable, then when every man findes in it that which he is in search of

I mean, if we were restricted to the ability to retrieve from the massive amounts of data being presented, do you think it a good thing to restrict people from being able to develop their intellect? Learn more?

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“Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else. And what a person thinks on his own without being stimulated by the thoughts and experiences of other people is even in the best case rather paltry and monotonous. There are only a few enlightened people with a lucid mind and style and with good taste within a century. What has been preserved of their work belongs among the most precious possessions of mankind. We owe it to a few writers of antiquity (Plato, Aristotle, etc.) that the people in the Middle Ages could slowly extricate themselves from the superstitions and ignorance that had darkened life for more than half a millennium. Nothing is more needed to overcome the modernist's snobbishness.”

"On Classic Literature" from Ideas and Opinions – Crown Publishing (1954)-Albert Einstein (page 64) originally published in the Jungkaufmann, a monthly publication of the “Schweizerischer Kaufmaennischer Verein, Jugendbund" (Feb, 29, 1952)(Thanks Phil)

Some ideas are being past around that have got me thinking. Media had always been a concern to me, because of what one could assume without taking a clear stand on what is proposed or presented.

Statistical valuations on the trends of reading habits amongst countries and their population. Internet accessibility and information overload.

The question to my mind has to do with how we are numbing ourselves by adopting a unresponsiveness to information and acceptance as a value toward truth. If one did not have this introspection how is it that one could endeavour to realize the state in which they themself have been placed. It requires "no thinking and acquiescences" to powers beyond us. We are then in essence, sleeping?

To Remember: Eskesthai

Trinity College Library, Dublin. (Photo: Candida Höfer.)

It is sometimes with reverence that we can walk through the old buildings whose architecture breathes. We are transported somehow. All that knowledge, and here it resides. As written word read, can resonate deeply, so too an affinity with places can bring some deeper connection not really understood.

So you go into the library with a purpose in mind. You are looking for something in particular. All these books. It's as if, that what ever you hold in mind becomes the link between what awaits to be remembered, waits, until it was asked.

So you are setting the stage then and you may not have realized it.

Quote from Scienceblogs,"Shifting Literature by Jennifer L. Jacquet?

Ursula Le Guin

In its silence, a book is a challenge: it can't lull you with surging music or deafen you with screeching laugh tracks or fire gunshots in your living room; you have to listen to it in your head. A book won't move your eyes for you the way images on a screen do. It won't move your mind unless you give it your mind, or your heart unless you put your heart in it. It won't do the work for you. To read a story well is to follow it, to act it, to feel it, to become it--everything short of writing it, in fact. Reading is not "interactive" with a set of rules or options, as games are; reading is actual collaboration with the writer's mind. No wonder not everybody is up to it.

So you are most likely setting the stage yourself whether you like to think so or not. Sometimes books will come into view that might never had, had you not gone for one in particular.

Backreaction in Spherical Harmonical Collapse

2008-11-25T08:57:00.000-08:00

See:The Geometrics Behind the Supernova and it's History for a understanding of what is expressed prior to the manifestation once having define the symmetrical state of existence. How did you arrive at it?

What Did I mean By Olympics?

It is not always easy for people to see what lies behind the wonderful beauty of images that we take from the satellite measures of space, and it's dynamical events illustrated in Cassiopeia A. There before you is this majestic image of beauty, as we wonder about it's dynamics.

These Spitzer Space Telescope images, taken one year apart, show the supernova remnant Cassiopeia A (yellow ball) and surrounding clouds of dust (reddish orange). The pictures illustrate that a blast of light from Cassiopeia A is waltzing outward through the dusty skies. This dance, called an "infrared echo," began when the remnant erupted about 50 years ago. Image credit: NASA/JPL-Caltech/Univ. of Ariz.

An enormous light echo etched in the sky by a fitful dead star was spotted by the infrared eyes of NASA's Spitzer Space Telescope.

The surprising finding indicates Cassiopeia A, the remnant of a star that died in a supernova explosion 325 years ago, is not resting peacefully. Instead, this dead star likely shot out at least one burst of energy as recently as 50 years ago.

How is it such information arrives to us, and we would have to consider the impulse's behind such geometrical explanations. Which we are lucky to see in other ways. So, of course we needed to see the impulse as dynamically driven by the geometrical inclinations of that collapse, and all it's information spread outward by the description in images painted.

Credit: Weiqun Zhang and Stan Woosley

This image is from a computer simulation of the beginning of a gamma-ray burst. Here we see the jet 9 seconds after its creation at the center of a Wolf Rayet star by the newly formed, accreting black hole within. The jet is now just erupting through the surface of the Wolf Rayet star, which has a radius comparable to that of the sun. Blue represents regions of low mass concentration, red is denser, and yellow denser still. Note the blue and red striations behind the head of the jet. These are bounded by internal shocks.

If I had approached you early on and suggested that you look at "bubble geometrodynamics" would it have seemed so real that I would have presented a experiment to you, that would help "by analogies" to see what is happening? Might I then be called the one spreading such information that it was not of value to scientists to consider, that I was seeing in ways that I can only now give to you as example? What science has done so far with using the physics with cosmological views?

Image Credit: NASA/JPL-Caltech/STScI/CXC/SAO

This stunning false-color picture shows off the many sides of the supernova remnant Cassiopeia A, which is made up of images taken by three of NASA's Great Observatories, using three different wavebands of light. Infrared data from the Spitzer Space Telescope are colored red; visible data from the Hubble Space Telescope are yellow; and X-ray data from the Chandra X-ray Observatory are green and blue.

Located 10,000 light-years away in the northern constellation Cassiopeia, Cassiopeia A is the remnant of a once massive star that died in a violent supernova explosion 325 years ago. It consists of a dead star, called a neutron star, and a surrounding shell of material that was blasted off as the star died. The neutron star can be seen in the Chandra data as a sharp turquoise dot in the center of the shimmering shell.

In this image above we learn of what manifests in "jet production lines," and such examples are beautiful examples to me of what the geometrics are doing. You needed some way to be able to explain this within context of the universe's incidences "as events." We say this action is one with which we may speak to this "corner of the universe." Yet it is very dynamical in it's expression as we see it multiplied from various perspectives.

The structure of Model J32 as the jet nears the surface 7820 seconds after core collapse.

So by experiment(?) I saw such relations, but what use such analogies if they are laid waste to speculation that what was initiated such ideas had been the inclination of geometrics detailed as underlying the basis of all expression as an example of some non euclidean views of Riemann perspectives leading shapes and dynamics of our universe by comparison within the local actions of stars and galaxies?

Gamma Rays?

So we get this information in one way or another and it was from such geometrical impulse that such examples are spread throughout the universe in ways that were not understood to well.

X-ray image of the gamma-ray burst GRB 060614 taken by the XRT instrument on Swift. The burst glowed in X-ray light for more than a week following the gamma-ray burst. This so-called "afterglow" gave an accurate position of the burst on the sky and enabled the deep optical observations made by ground-based observatories and the Hubble Space Telescope. Credit: NASA/Swift Team

A year ago scientists thought they had figured out the nature of gamma-ray bursts. They signal the birth of black holes and traditionally, fall into one of two categories: long or short. A newly discovered hybrid burst has properties of both known classes of gamma-ray bursts yet possesses features that remain unexplained.

The long bursts are those that last more than two seconds. It is believed that they are ejected by massive stars at the furthest edge of the universe as they collapse to form black holes.

So looking back to this timeline it is important to locate the ideas spread out before us. Have "some place" inclusive in the reality of that distance from the origins of the stars of our earliest times. 13.7 billions years imagine!

Fig. 1: Sketchy supernova classification scheme

A supernova is the most luminous event known. Its luminosity matches those of whole galaxies. The name derives from the works of Walter Baade and Fritz Zwicky who studied supernovae intensively in the early 1930s and used the term supernova therein.
Nowadays supernova is a collective term for different classes of objects, that exhibit a sudden rise in luminosity that drops again on a timescale of weeks.
Those objects are subdivided into two classes, supernovae of type I or II (SNe I and SNe II). The distinguishing feature is the absence or the presence of spectral lines of hydrogen. SNe I show no such lines as SNe II do. The class of SNe I is further subdivided in the classes a, b and c. This time the distinguishing feature are spectral features of helium and silicon. SN Ia show silicon features, SN Ib show helium but no silicon features and SN Ic show both no silicon and no helium spectral features.
The class of SN II is further subdivided in two classes. Those are distinguished by the decline of the lightcurve. Those SN II that show a linear decline are named SN II-L and those that pass through a plateau-phase are referred to as SN II-P.

So given the standard information one would have to postulate something different then what is currently classified?

A new Type III (what ever one shall attribute this to definition, versus Type I, Type IIa?

ssc2006-22b: Brief History of the Universe
Credit: NASA/JPL-Caltech/A. Kashlinsky (GSFC)

This artist's timeline chronicles the history of the universe, from its explosive beginning to its mature, present-day state.

Our universe began in a tremendous explosion known as the Big Bang about 13.7 billion years ago (left side of strip). Observations by NASA's Cosmic Background Explorer and Wilkinson Anisotropy Microwave Probe revealed microwave light from this very early epoch, about 400,000 years after the Big Bang, providing strong evidence that our universe did blast into existence. Results from the Cosmic Background Explorer were honored with the 2006 Nobel Prize for Physics.

A period of darkness ensued, until about a few hundred million years later, when the first objects flooded the universe with light. This first light is believed to have been captured in data from NASA's Spitzer Space Telescope. The light detected by Spitzer would have originated as visible and ultraviolet light, then stretched, or redshifted, to lower-energy infrared wavelengths during its long voyage to reach us across expanding space. The light detected by the Cosmic Background Explorer and the Wilkinson Anisotropy Microwave Probe from our very young universe traveled farther to reach us, and stretched to even lower-energy microwave wavelengths.

Astronomers do not know if the very first objects were either stars or quasars. The first stars, called Population III stars (our star is a Population I star), were much bigger and brighter than any in our nearby universe, with masses about 1,000 times that of our sun. These stars first grouped together into mini-galaxies. By about a few billion years after the Big Bang, the mini-galaxies had merged to form mature galaxies, including spiral galaxies like our own Milky Way. The first quasars ultimately became the centers of powerful galaxies that are more common in the distant universe.

NASA's Hubble Space Telescope has captured stunning pictures of earlier galaxies, as far back as ten billion light-years away.

Would sort of set up the challenge?

The Expressions of Compartmentalization

2008-11-24T16:18:00.000-08:00

Jung Typology Test

Take the Test here.

* Your type formula according to Carl Jung and Isabel Myers-Briggs typology along with the strengths of the preferences
* The description of your personality type
* The list of occupations and educational institutions where you can get relevant degree or training, most suitable for your personality type - Jung Career Indicator™

Now there is reference to Blogger type.

Test your site here.

The analysis indicates that the author of http://library-plato.blogspot.com/ is of the type:

ISTP - The Mechanics

The independent and problem-solving type. They are especially attuned to the demands of the moment are masters of responding to challenges that arise spontaneously. They generally prefer to think things out for themselves and often avoid inter-personal conflicts.

The Mechanics enjoy working together with other independent and highly skilled people and often like seek fun and action both in their work and personal life. They enjoy adventure and risk such as in driving race cars or working as policemen and firefighters.

Brain Activity

So it must be remembered that each blogging site can have particular characteristics to it. It did say, "writing style on a blog may have little or nothing to do with a person´s self-perceived personality."

So it can be said then, that from doing one blog type to another, it can reflect different "blog characteristics" used in the Typealyzer. What criteria is used then to display the categorization of the Typealyzer. Dialogos of Eide was a "Scientist perspective" that was demonstrated, as it was for Bee and Stefan's site.

Remembrance

2008-11-22T13:54:00.000-08:00

You must understand that the areas with which I had been dealing are highly rigorous. Imagine the purity with which these subjects deal. Now pale in comparison are the controls and experimental validation processes, I see in psychological information and experimentation. Relying on subject associative mapping relevances in the brain, would this lead to a conclusive model assumption in the neural correlate to consciousness?

Memory echoes in brain's sensory terrain by Bruce Bower

Images of brain show areas that become most active during perception of pictures (a and c, in green) and sounds (e, in yellow). Small arrows point to sites of greatest activity during recall of pictures (b and d) and sounds (f).
Wheeler, Petersen, Buckner/Washington Univ

So vast indeed the thinking mind and it's capabilities, that one might not see the interlinking/backtracking of the brain in it's neuronal flavours, as to the time and day of each event?

Yet analysis is there as you look through the information, as to the basis of what might have instigated a "modulation" of the senses. Holographic in nature possibly? If these faculties are impaired and death ensued, would it seem so unlikely that physical functions, would have had to been elevated in some way? Especially if relegated to that memory. What value "images" in mind?

A synesthetic 'Master of Memory' (Mark Ellis) makes a fateful choice after dancing with a stranger (Stephanie Morgenstern), in the unusual wartime romance Remembrance.

Image by Joy von Tiedemann and Mark Morgenstern

Toronto, 1942. ALFRED GRAVES has the curse of perfect memory. It’s born of a rare condition, synesthesia, that fuses his five senses. He can’t see something without also tasting it, hearing its colour, feeling its scent — it’s overwhelming. He protects himself by living cautiously, touring his one-man memory show. One night, AURORA LUFT is in the audience. They share a drink, a dance … then she confesses she was sent to recruit him to a top-secret spy training camp near Whitby, Ontario. Privately, and against orders, she warns him not to come: “It’s not your kind of work.” But it’s too late. Alfred feels changed. Ready for anything. He signs up.

To me this exercise is a exploration of the abilities of what "might have happened." The ideas of ingenuity and production of mind, to establish new perceptions beyond the current uses of math/physics we are currently encountering.

I have no ready answers, just the continue interest and understanding of what new can be brought to the areas heading the forefront of science. What accomplishments, model assumption might do for forming new areas, which to us is with this creativity impulse.

Speak, Memory

Vladimir Nabokov (1899-1977); novelist, poet, scholar, translator, and lepidopterist (he enjoyed chasing and collecting butterflies). A cosmopolitan Russian-born émigré whose linguistic facility, erudite style, and eloquent prose helped to establish him as one of the most brilliant and respected literary figures of the 20th century. Nabokov's best-known novel, Lolita (1955), shocked many people but its humor and literary style were praised by critics. Nabokov produced literature and scholarship of beauty, complexity, and inventiveness in both Russian and English. Nabokov himself used to say "My head speaks English, my heart speaks Russian and my ear speaks French". *Synaesthesia: Vladimir Nabobov was a synesthete, as was also his mother, his wife, and his son Dimitri.

BBC Interviewhis view of other writers and the difference between genius and talent 3 min 13

While one of the aspect of this disease(shall I call it that?) is a memory for things, as the movie up top shows. There is some opinion about artistic validation and synesthesia in regards the actually relation.

Further I thought it appropriate to divest oneself of some saintly and spiritual inclination, if one thought this might have been of appeal in my mind. It is. Then I must dissuade such thinking from something more rigorous.

So Sensory Infusion and contrive inherent as to the disease, was one thing to look at, in relation to creativity, and abilities in science and writing, to move perception forward.

Synesthesia and Artistic Experimentation by Crétien van Campen

ABSTRACT:

Richard Cytowic has argued that synesthetic experimentation by modern artists was based on deliberate contrivances of sensory fusion and not on involuntary experiences of cross-modal association. He has placed artistic experiments with sensory fusion outside the domain of synesthesia research. Artistic experiments, though historically interesting, are considered irrelevant for the study of synesthesia. Contrary to this view I argue that at least Scriabin's and Kandinsky's artistic experiments were based on involuntary experiences of synesthesia. They were investigating perceptual and emotional mechanisms of involuntary synesthetic experiences that meet Cytowic's criteria of synesthesia. Artistic experiments are not only historically interesting, but may also contribute to present synesthesia research.

See:

American Synesthesia Association

Modulating Phases States: Neural Correlate to Consciousness

How the Natural World has Been Painted

2008-11-20T07:13:00.000-08:00

While some are intrigued by EM waves, I have a fascination for GW and the way we can portrait the natural world, we do not see.

See:Lisa Images

The sounds of gravitational waves are probably too low for us to actually hear. However, the signals that scientists hope to measure with LISA and other gravitational wave detectors are best described as "sounds." If we could hear them, here are some of the possible sounds of a gravitational wave generated by the movement of a small body in spiralling into a black hole.

There is a lesson in this, when you learn to hear what billiard balls sound like, and what the resulting ""click" could represent.

Savas Dimopoulos

Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

It helps you to see the world as a very much different place then the one we are accustomed too.

Can these be applied to such romantic reasoning, that we are encouraged to poetry and other things, where such idealizations, are battling for whose interpretation is right? What portraits are these that there is no romm for them to hang for observation? A glimpse of Mona Lisa's smile, that if taken from various perspective it would seem to be always looking at you? How could you distance yourself, if you are what you think?

Quantum Gravity

The jump from conventional field theories of point-like objects to a theory of one-dimensional objects has striking implications. The vibration spectrum of the string contains a massless spin-2 particle: the graviton. Its long wavelength interactions are described by Einstein's theory of General Relativity. Thus General Relativity may be viewed as a prediction of string theory!

Imagine the very canvas is string theories very fabric of the cosmos:)

J. Metzinger Le Gouter/Teatime (1911)© 2002 Artists Rights Society (ARS), New York / ADAGP, Paris

P. Picasso, Portrait of Ambrose Vollard (1910)
© 2002 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

M. Duchamp, Nude Descending a Staircase, No. 2 (1912)© 2002 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp

This is a visualization of a simulation of a two-dimensional simplicial quantum gravity model. The surface is a dynamical triangulation, that is, as the simulation progresses, the way that the vertices of the triangular lattice are connected is constantly changing.

When the simulation began, we started with a lattice made of just four triangles, or simplices. Immediately, the computer began building the lattice up by, at random, choosing a triangle, putting a new point in the center and connecting the new point to the corners of the old triangle. Then there were three triangles where there was previously only one. This process was repeated until the lattice contained 30 points and 56 triangles.

"Dynamical triangulations" and such, that such a painting will explore the greater potential of perception, from varying perspectives?

Art Mirrors Physics Mirrors Art

The French mathematician Henri Poincaré provided inspiration for both Einstein and Picasso. Einstein read Poincaré's Science and Hypothesis (French edition 1902, German translation 1904) and discussed it with his friends in Bern. He might also have read Poincaré's 1898 article on the measurement of time, in which the synchronization of clocks was discussed--a topic of professional interest to Einstein as a patent examiner. Picasso learned about Science and Hypothesis indirectly through Maurice Princet, an insurance actuary who explained the new geometry to Picasso and his friends in Paris. At that time there was considerable popular fascination with the idea of a fourth spatial dimension, thought by some to be the home of spirits, conceived by others as an "astral plane" where one can see all sides of an object at once. The British novelist H. G. Wells caused a sensation with his book The Time Machine (1895, French translation in a popular magazine 1898-99), where the fourth dimension was time, not space.

See:How the Natural World has Been Painted

Ps: Please note that some things have been added from the original post to illustrate the idea in terms of "the background" and how this is interpreted in the senses, as a much wider understanding of Gravity in respect used here in the Library.

What Pattern Emerges

2008-11-19T20:11:00.000-08:00

It is necessary at this time to show that such a procedure evolved here in Dialogos of Eide had to be taken to be interpreted as a an acceptance and assumption of the way the world "is" according to scientific elaborations given in the interpretation of the "back ground."

For example, the weight of an object may be operationally defined in terms of the specific steps of putting an object on a weighing scale. The weight is whatever results from following the measurement procedure, which can in principle be repeated by anyone. It is intentionally not defined in terms of some intrinsic or private essence. The operational definition of weight is just the result of what happens when the defined procedure is followed. In other words, what's being defined is how to measure weight for any arbitrary object, and only incidentally the weight of a given object.

When observe and held in face of the scientific valuation and spoken to in the science world, the veritable conceptual acceptance of any model is its amalgamation into the way one would move into the world. This is a bold step, because you have accepted the way in which such a proposal has been put forward to demonstrate how one may now see the world.

Operational definitions are inherently difficult — arguably, even impossible — to apply to mental entities, because these latter are generally understood to be accessible only to the individual who experiences them and are therefore not independently verifiable. According to this line of thinking, a person's mental image of a brick cannot be operationally defined because it cannot be measured from outside that person's mood. Philosopher Daniel Dennett has argued that first-person operationalism is possible and desirable, using the anthropological version of the scientific method to bring the mind fully into the third-person realm required by science. As part of the Multiple Drafts Model of consciousness, Dennett defines a process he calls heterophenomenology, by which the mental is defined operationally in terms of the observed behavior of the subject.

Held in relevance to use of the word background it is necessary to consider the depth and potential of the human being in light of the bulk perspective assigned to that background to demonstrate that the depth and generation of the human interaction is more defined by more then just the compartmentalization assigned to human action.

Ir was necessary in my own mind to recognize the greater foliation of the response to stimuli as a governing factor in the emotive expressions of the human endeavour then just to let it r,main as a consequence without a possible course of direction, as an effect.

Heterophenomenology ("phenomenology of another not oneself"), is a term coined by Daniel Dennett to describe an explicitly third-person, scientific approach to the study of consciousness and other mental phenomena. It consists of applying the scientific method with an anthropological bend, combining the subject's self-reports with all other available evidence to determine his or her mental state. The goal is to discover how the subject sees the world him- or herself, without taking the accuracy of the subject's view for granted.

Heterophenomenology is put forth as the alternative to traditional Cartesian phenomenology, which Dennett calls "lone-wolf autophenomenology" to emphasize the fact that it accepts the subject's self-reports as being authoritative. In contrast, heterophenomenology considers the subject authoritative only about how things seem to him or her.

In other words, heterophenomenology requires us to listen to the subject and take what he or she says seriously, but to also look at everything else available to us, including the subject's bodily responses and environment, and be ready to conclude that the subject is wrong even about his or her own mind. For example, we could determine that the subject is hungry even though he or she doesn't recognize it.

The key role of heterophenomenology in Dennett's philosophy of consciousness is that it defines all that can be — or needs to be — known about the mind. To quote Dennett, "The total set of details of heterophenomenology, plus all the data we can gather about concurrent events in the brains of subjects and in the surrounding environment, comprise the total data set for a theory of human consciousness. It leaves out no objective phenomena and no subjective phenomena of consciousness."

Dennett stresses that heterophenomenology does not dismiss the first-person perspective, but rather brackets it so that it can be intersubjectively verified by empirical means, allowing it to be submitted as scientific evidence. This can be seen by how heavily heterophenomenology relies on adopting the intentional stance toward subjects.

See:Operational Definition Regressed to the Arts
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See alsoAssociated posting back in 2005 for consideration.

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Problem solvers have a way of getting to the heart of the issues, and unfortunately when ones engages competent minds like Peter Woit in the world? Whose sign post is,"anti-string with no explanation"? This is simple in the minds of the general public? It then becomes a rant, without a substantial basis? Why? Because he had no platform with which to refute?

So this attempt was fruitless, in wondering why strings should not be.

What I did find viable in looking for myself, is finding out where strings applicable features pervaded and what they were describing. Both bottom up and top down have to find approaches that emerge from a place that asks us to map this progress, and there is only one place that allows me to understand this operation.

The spectrum.

When you look at Glast operations this idealization of using the spectrum in cosmological discernibility, helped to clarify why the move of strings to a cosmological operation platform was necessary from a experimental and scientific understanding. Why was this move important?

It had to do with the amounts of energy needed to explore the principles of reductionism? How could we extend reductionism to a cosmological question about the origins of our beginning? There were no limitations as to the question of the energy that could be displayed for us all to wonder on that cosmological pallete, and here Relativity Ruled.

While complexity, asks us about the means of what is established in the forms, stands for us in our observations, as existing? Many people feel safe in what they can see?

I looked for comparative features. Like how ideas could emerge and as a good example of what math could issue from the minds of those whose good observation could speak about natures manifestations.

How good are the observatory minds of mathematicians? That would systematically describe for us this idealization of quantum reality and Relativity to join in a way that makes sense?

Macroscopic and microcosm perceptions joined?

You say Time? Julian Barbour wants to do away with Time? Yet his goal is the same? He calls Time a human construct? What isn't aside from everything else that we don't see? Science reveals a deeper truth?

Killing Time

Barbour posits that time is, in fact, an illusion - a measure imposed on the world by humanity. He explains this with the concept of a 'now', which he describes as a snapshot in time - a completely frozen, self-contained instant (much like a Polaroid photograph). Time is simply the measure of the space between two separate and unrelated 'nows.'

BarryTo offer that I am an engineer and a sculpture with a career of problem solving. To offer that making me understand the final solution is to achieve making it clear to anyone.

I am somewhat like a philosopher as you are, minus, the engineering, yet I am quite capable of peering past the veil that good minds construct.

In the end, what is taken with you might be the realization that of all the thought forms we have established and created. The illusion that we move through, hides a deeper truth, and we were immersed within it the whole time. Science, verified the anomalies that we saw?

How much power then could we grant the mind who escapes this realization, to find that all the thoughts that have ever existed, were weighted with the gravity that held us to earth? That the forms, revealed a deeper realization of their beginnings?

As the temperature cooled, the solidification was final and so was the idealization that manifested from the idea.

When is a pipe a pipe? Is a question about what supergravity reveals in the forms manifestation. Crystallization. What pattern emerges?

Betrayal of Images" by Rene Magritte. 1929 painting on which is written "This is not a Pipe"

Yet probabilistic in nature, how could such things arrange themselves as they have?

There is a deeper question here about the reality. If the idea is born in mind how would it not burn up, comparative to the beginning of our universe? Yet nature has supplied a good analogy of bubbles that form, rise to the surface, and this could have been information that arose from the fifth dimension? It all arose form the mind of the subconscious? It was always closer to the source. Why Ramanujan and Einsteins note taking in the subtle realms help to spur the incubation of reality to a deeper level of questions.

People might say indeed, that this departure point from the sane world of forms, is the moving further into the illusions? But if we cannot find a way to free ourselves, then surely, one will accept the consequences of there reality, as they take it with them?:)

Also have a look at the comments at "Dialogos of Eide" for consideration.

See:When is a Pipe a Pipe?

An Artistic Valuation of Science

2008-11-17T19:25:00.000-08:00

"With the discovery of sound waves in the CMB, we have entered a new era of precision cosmology in which we can begin to talk with certainty about the origin of structure and the content of matter and energy in the universe-Wayne Hu

It is really hard for me to know where to begin here. I call this work less then a scientific point of view because it would have been deemed less then desirable measure of the reality around us. Yet, I would have it, that to think in this new way is a better reflection of the inside world that we live, and as a result, reveal the outer reality with which we face daily.

While I refer to the "background of information" what exactly am I saying? There was a move on my part to allow us to see the world of colour and sound in a new way. Bring the thoughts about science to bear on how this artistic valuation would imbue the thinking mind toward the way colour and sound reveal something unique about the space around us. The space inside of us.

Now in this exercise it is not necessary for you to have to check the validation of the proposal by science using this method, other then to see the conceptual framework I am pointing to thoughts and emotive valuations in life demonstrated as a bulk space. This implies that electromagnetic waves and gravity had been joined, and that such a things was in my mind to consider this under this artistic valuation I have assigned it.

So what has to happen here is that I bring some of the things that were instrumental in helping me to form this conceptual framework.

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shne. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

It is important to realize that the way this post is to unfold has to maintain the consistency with which I was introduced, so that you understand that what I avail in the Colour of Gravity is elucidated upon.

Louis-Bertrand Castel.
L’Optique des Colours, fondée sur les simples observations, & tournée sur-tout à la practique de la peinture, de la teinture & autres arts coloristes. Paris: Braisson, 1740.

Like Goethe, Louis-Bertrand Castel (1688-1751) opposed Newtonian color theory. However, unlike Goethe, who had thought that Newton’s experiments were flawed, Castel rejected experimental science altogether. Castel supported the views of René Descartes, a French philosopher who distrusted sense perception and advocated science based on logical thought rather than on empirical observation. “Newton,” Castel complained, “reduced man to using only his eyes.”

Castel himself theorized that vibrations produced color, just as they produced sounds. He concluded, therefore, that colors and sounds were analogous, which led him to attempt to develop the “ocular harpsichord” described in this book. The harpsichord was supposed to display colors in correspondence with particular notes. He had originally meant for the harpsichord to remain theoretical, but the skepticism of his critics caused him to spend thirty years trying to construct such an instrument.

Before I made way to the views/world of scientists who had been travelling scientific routes, I was developing from a psychological standpoint, a "multiversal unconscious world" that did not make much sense? It may have seemed "not rational" to people and philosophically might be held in low stature with what we had wanted of any good scientist. And then, to have it linked with all the deficiencies of the uneducated lay person, without a proper foundation, and within context of those developing sciences. That was me.

Rimimgton's Colour Organ

Prof Rimington

HARMONIC

A Wagnerian trumpet blast, he suggested, might be accompanied by intense orange effects, "which palpitates with the harmonic colours corresponding to a subordinate passage on some of the other orchestral instruments. The blast ceases; there is a faint echo of it upon the violins, while the screen pulsates with pale lemon and saffron hardly discernable. Again comes the blast of trumpets, and once more the screen flames with orange modulations".

Professor Rimington's home demonstrations must have been unforgettable. The Colour Organ was some ten feet high, with a five octave keyboard which was similar to that of a church organ, being controlled by stops. A line of "colour keys" was situated above the conventional (sound) keyboard, and connected to a lens-and-filters system, so that "colour" was "played". Best effects were secured when the sound and colour were played from separate keyboards.

So it was hard for me to know how I was developing my "intuitive recognition of first principles" with seeing developing insights to the concepts. I moved ahead in science to "thread history" with the developed views we have of science today. I recognized the experimental association with "other things," that we might have compared to that particular experiment.

Toposense(Sklar) as some feature of the interaction of the inner and outer world constantly "exchanging information" but never really defining the line that can be called "the departure from each." This was aided in a psychological sense by understanding "liminocentric structures" that could identify consciousness within this aspect of the larger universal context. "Geometrically defined," as this point within the circle. Yet focused in "the centre" we lost track of the "wider universal."

How much do we all know already? This is a question that raises the idea of what already exists within the framework of the sensorium? As a multifaceted approach to recognition of any "condensible view" about which we see "in front of us" and not just as the objectively defined the human being reasoned. But as one whose memory had been induced at a "emotive level of recognition."

How were they to remember? All experience had to make an impression and how deep it was, to show us well, you were able to draw this to the surface as an immediate, without any time at all in recognition.

The Colour of Gravity

So as strange as it may seem, I was already looking for what Newton was trying to do even before becoming aware of what was unleashed by Richard E. Cytowic, M.D. in the paragraph above.

I was impressed by the "thought experiment" of Einstein's valuation of time in regards to the Pretty Girl and the Hot Stove. It was the the idea that duration of time could have ever been assigned to the experience of the observer, and it's effect on time. Now I have heard Sean Carroll not liking this comparison from what I understood from reading his opinion and may of thought it feeble in it's attempt? Looking at it from my perspective I couldn't help but see reality having a colourful disposition to it.

While the views above were "mechanistic attempts at joining colour and sound," the emotive views developed from experiencing were indeed "impressionable?" Now what source these physiological repositories and I would have gone one step further to marry the idea of the emotive state to "colour enhance experiencing" as a validation of the duration of time in living our realities?

So one saids that all the ideas of colour in it's sequencing would be of value and consistent if we were all the same? Then it would mean there was some consistency in how we could interpret this colour to mean....all emotive states of being will have there association? In the value of greed, hate, or love, happiness, and we would say how "pink love" is or how "blue the mood," or how black and dreary something could be?

Since the Lab model is a three dimensional model, it can only be represented properly in a three dimensional space.

All these emotive colours of gravity would then mean a vast difference in opinion from one person to the next, so what use? Just the fact maybe that every impressionable experience will make it's impact within the fabric of the brain? Will become your repository from which you will draw? Will become your value on life?

As we increase our knowledge of the genetic, neural and cognitive aspects of synaesthesia, we will find that we are beginning to understand the brain more completely. Researchers may wish that they possessed synaesthesia, but being able to explore a new and strange trait that may hold the answers to many fundamental questions is reward enough.

Yellow, Red, Blue
1925; Oil on canvas, 127x200cm; Centre Georges Pompidou, Paris

Kandinsky, himself an accomplished musician, once said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. The concept that color and musical harmony are linked has a long history, intriguing scientists such as Sir Isaac Newton. Kandinsky used color in a highly theoretical way associating tone with timbre (the sound's character), hue with pitch, and saturation with the volume of sound. He even claimed that when he saw color he heard music.

Over the past 35 years I have spent a considerable time doing my own research. Learning to express myself, has been very difficult to say the least.

It is while doing this research that things seem to "overlap" as I ventured forward and finding examples, as if "analogies in nature" has been the "metaphorical struggle" that I use in "word use and comparison."

Creating the Language

It has accumulated from that research and integration within myself. So it is like creating and learning a "new language," while most of the time I come across as not being understood. That has been "my struggle" to get people "to see" what I am seeing? I don't get "images" in my head, but the accumulation of everything has been transposed into the way I express myself here in this blog.

It is true without lying, certain and most true. That which is Below is like that which is Above and that which is Above is like that which is Below to do the miracles of the Only Thing. And as all things have been and arose from One by the mediation of One, so all things have their birth from this One Thing by adaptation. Sir Isaac Newton

If I may by example give here "the idea of perfecting the self" in regards to Sir Isaac Newton. If he were to have been a alchemist, and persevered in his "psychological struggles," then what form would all his "struggles in self" have exemplified, if he "accomplished those parts of himself."

The "colour" of his being, and the alchemical relation to psychological changes? These alway existed and "as yet" had no name?

So from whence comes all "this energy of expression", to have been displayed as it has? In all the avenues of our "selves," that our experience has allowed that energy to manifest "this way" and "that way," and we have this "unique individual" before us, as you, or I, and "the many?" You "control the color or not" or, is it a "consequence" of this physiological process?

Smilack says her synesthesia helps her create art, such as this piece, "Squid Row." Photo by Marcia Smilack

Smilack belongs to the group of one to four percent of people worldwide with synesthesia, the neurological mixing of the senses. No two synesthetes have exactly the same perceptual experiences. Many perceive each number, letter of the alphabet, or day of the week as a different color. For others, sounds from the environment are always accompanied by moving geometric patterns in their "mind's eye."

Smilack has a rare form of synesthesia that involves all of her senses—the sound of one female voice looks like a thin, bending sheet of metal, and the sight of a certain fishing shack gives her a brief taste of Neapolitan ice cream—but her artistic leanings are shared by many other synesthetes. Scientists estimate that synesthesia is about seven times more common in poets, novelists, and artists than in the rest of the population. (Some of the most famous examples include artists David Hockney and Wassily Kandinsky and writer Vladimir Nabokov.)

Marcia Smilack:

When you take a photograph of a reflection, you must compose your image upside down -- an odd and difficult task. Eventually, it is simply easier to give in and rely on other parts of your mind to compose the image. So, in an oxymoronic way, seeing in reflection "forces" you to let go, to trust what you feel.

Second, these images opened a unique window into the mind of the researcher. Remember the Heisenberg Uncertainty Principle that states every object observed is changed by the experience? Well, I am the voice from the other side, the voice of the object that was watching them the whole time they were watching me. I have learned that we change each other through our interchanges. And while it is hard for me to quantify what I have learned from them, it is a great deal. Their questions and responses provide a framework onto which I can project what I intuitively know but do not usually speak.

She has many wonderful links that I had accumulated, and more. Also check out the extensive amount of links associated with the Synesthesia Resource Center on Patricia Lynne Duffy's book web page.

Calculus, or Feynman's Toy Models?

Some, who possess what researchers call "conceptual synesthesia," see abstract concepts, such as units of time or mathematical operations, as shapes projected either internally or in the space around them

So, is it out of necessity that we can "create the language" necessary to view the reality around us as it is, and how shall we do that? Sir Isaac Newton created "Calculus."

So with this "unique perspective of synesthesia," how shall you give to the world from what began in self, and we have this "multitude of choices" as to the "fabrications" we may use from our "artistic creative design?" No choice, synesthesia just is?

Sometimes I relate the experience of reading a book, to what is "consumed one day" was by design, our place in the scheme of understanding things. Where we have "this experience" that we can correlate. So "it" makes sense. If a person with synesthesia was to read my blog, how much more would they take from my writing, then one without?

It is no different then our understanding of the science of things. Life can seem "mythic in proportion,", until, we understood the deeper part of the "design of reality?"

Update:

Nature, so endlessly creative, has managed things so that each of us, hosts of synesthesia or not, perceives a slightly different world... a world colored by our one-of-a-kind pattern of neurons and experiences" -- Patricia Lynne Duffy

The Library

2008-11-16T09:48:00.000-08:00

See:The Library:Exploring the Background of Information

AS some of you know, earlier, I made reference to a new blogging place that I was working on that I may be moving too. The idea here is that the current blogging place called, "Dialogos of Eide" only reflects the work to materializing ideas that I have had about "information and the back ground" that it supplies for a philosophy that was developing from very "ancient ideas" in regard to not only to Plato, but of the thoughts about the Pythagoreans that has stayed with me throughout as well.

How unscientific it may seem that I have taken a long journey through many science blogging sites to learn of what makes a scientist, to see the behaviour throughout that industry, to have it reflect more the general population, then to say that it sits alone, as a 5% representative of what most do not look at or even concern themself from a general societal point of view.

It is well known the procedural methods adopted to say that herein then, I move forward with the developmental artistic valuation I have assign this new endeavour to illustrate what some may say is subjective in regard to only what scientists can offer in an essay, to say that Einstein's thoughts actually carried some weight with me.

What the Library Means Here

2008-11-15T21:44:00.000-08:00

Commerce is of trivial import; love, faith, truth of character, the aspiration of man, these are sacred.Ralph Waldo Emerson

Carl Sagan's Library of Alexandria-R. P. C. Rodgers, NLM/NIH/DHHS

"It is perhaps the oldest university in the world."

The Royal Library of Alexandria in Alexandria, Egypt, was once the largest library in the world. It is generally thought to have been founded at the beginning of the 3rd century BC, during the reign of Ptolemy II of Egypt. It was likely created after his father had built what would become the first part of the library complex, the temple of the Muses — the Musaion (from which is derived the modern English word museum).

It has been reasonably established that the library, or parts of the collection, were destroyed by fire on a number of occasions (library fires were common enough and replacement of handwritten manuscripts was very difficult, expensive and time-consuming). To this day the details of the destruction (or destructions) remain a lively source of controversy. The Bibliotheca Alexandrina was inaugurated in 2003 near the site of the old library.

Now you know that I believe that the resource for such potentials is very capable in anyone's hands. That if they would like to draw from such a resource, that maybe it has to be physical for them. So, they may go to the library.Yet there is the "subtly of the intangible" that is not accepted by those who are "deeply physical" about what they can accept, so they can accept such libraries.

Then again one might think twice about what is in the library of the internet? Yet, it is not without the "subtleness of the intangible" that we see where the "good thoughts/ideas can issue from the expert and the lay person alike. That such things become part of the library of the internet.

How do we know in our heart when such information is true? That we can rest assure that such dangers of misleading do not take us into their world? Do they some how control you by what they like to hear?

Innatism is a philosophical doctrine introduced by Plato in the socratic dialogue Meno which holds that the mind is born with ideas/knowledge, and that therefore the mind is not a tabula rasa at birth. It asserts therefore that not all knowledge is obtained from experience and the senses. Innatism is the opposite of empiricism.

Plato claimed that humans are born with ideas/forms in the mind that are in a dormant state. He claimed that we have acquired these ideas prior to our birth when we existed as souls in the world of Forms. To access these, humans need to be reminded of them through proper education and experience.

And therefore I shall ever think it extreamly necessary, to collect for this purpose all sorts of books, (under such precautions, yet, as I shall establish) seeing a Library which is erected for the public benefit, ought to be universal; but which it can never be, unlesse it comprehend all the principal authors, that have written upon the great diversity of particular subjects, and chiefly upon all the arts and sciences; [...] For certainly there is nothing which renders a Library more recommendable, then when every man findes in it that which he is in search of

HTML Color Chart

2008-11-15T09:52:00.000-08:00

Click on Image for larger view.