Valdi Nero's Photography blog

Tips for Taking Great Lightning Photos

2010-02-10T23:31:00.000-08:00

Lightning photos Lightning photos are very dramatic. The contrast between the night darkness and the lightning brightness results in very powerful photos. In this article we will provide you with a few tips and guidelines for successfully taking lightning photos.

The first thing to do when preparing for lightning photography is to set the camera to manual mode. Since all the preparations are done in a dark environment the camera can not automatically set the right focus, exposure and aperture.

Set the focus to manual and focus the camera on infinity. This is the right setting since lightning photography is done from long distance. Set the exposure to anywhere between a few seconds to a few minutes. The right exposure depends on the type of lightning – some lightning last a friction of a second while others can last a few seconds – and the distance from the lightning storm. Usually you would guess what the right exposure is and after the first lightning shot you would have to review the photo and correct the exposure as needed.

Remember to turn the flash unit off. Flash is not needed in lightning photography but if left in automatic mode the camera might fire it anyway due to the dark scene. The aperture should be set to a small value since lightning are very bright and with a small aperture they will still be more than visible in the photo.

Now that the camera is set you will need to choose the right scene for the photo – this is also referred to as framing the photo. To make lightning photos more interesting try to find contrast or objects that will be interesting when lit or stroked by lightning. Such objects could be trees, city sky line, roads or antenna towers. After your first lightning shot you should review the photo and make any needed corrections to the photo frame.

You can also play with other settings of the camera to achieve different effects. For example you can take photos with different white balance settings to achieve different color temperatures.

Remember that it can take a very long time to take one good lightning photo. Since there is no advanced notice as to when lightning strikes you will need to take photos continuously as the lightning storm is active. Be patient and make sure you are comfortable. Keep yourself dry have plenty of food and coffee and prepare for a shooting session that can last hours. After doing all the preparations and framing your photo the only thing to do is wait. Some luck can always be of help in getting this one perfect lightning photo.

And last but not least make sure that you are safe. Lightning can be dangerous. Make sure that you are not too close or in the heart of the storm. Avoid having metal objects around you or tall sharp objects. Remember that lightning strikes the highest object that can conduct its electrical current to the ground.

In conclusion taking good lightning photos is not hard. It takes a lot of patience some know-how of camera settings and regardless of your photography level it also takes a lot of luck.

Black And White Digital Photography

2010-02-05T02:49:00.000-08:00

There are several ways to achieve black and white digital photography. With black and white digital photography, you are bringing the end user back into a period of time when life seemed a lot simpler. Many digital cameras come equipped with a function to take these types of photos. If your digital camera does not support this function, you can still change your photographs into black and white with software programs.

You’ll want your black and white digital photography to look its best when you are finished. A technique that can help you get the best image out of your digital photograph is through image manipulation. You may find it better to convert your eight-bit color images (which are usually jpegs) into 16-bit colors first. This is important because an 8-bit RGB can be the same as a 10-bit grayscale.

You can find information all over on the Internet to help you with your black and white digital photography. These resources can be found in everything from websites to magazines. Colored pictures can look truly beautiful as a black and white display. You will usually have to convert your graphics, because although there are options with digital cameras, there are no true black and white digital cameras.

Correct the Colorcasts

An important part of black and white digital photography is correcting the colorcasts. These are caused by bad lighting, but you can use software such as PhotoShop Elements to make the relevant changes by using their editing applications. The Imaging Factory is also software that can help you to easily convert and fix lighting areas in your graphics to get the best look with your black and white digital photography. If you want to turn your graphics into black and white digital photography, you can step into a completely new dimension in photography. You can do an endless array of projects right from your own computer.

ISO Light and Quality

2010-02-05T02:42:00.000-08:00

The ability to change ISO on digital cameras provides the professional (and amateur, if he knows enough about technology) photographer opportunity to create quality images virtually anywhere and anytime.

In a nutshell, ISO technology replaced the old ASA on cameras requiring film. With our older models, we had to change film with different ASA if we wanted a different speed of film. Now, our digital cameras allow us to change ISO on a settings menu with a turn of the dial. No change of film is required, and images are saved on the memory card regardless of ISO setting.

Digital cameras use image sensors instead of film, and ISO (International Standards Organization) simply denotes how sensitive the image sensor is to the amount of light present. If the ISO is set at a high level, for example, the image sensors are more sensitive and pictures can be taken in relatively little light. On the other hand, lower ISO settings are used when more light is available.

Most digital cameras today have an ‘ISO Auto’ mode, which simply put, means the camera will select a higher or lower ISO, depending on available light. For the amateur’s needs for ease of use and quality pictures, the auto mode works well most if not all the time. However the professional photographer will need to learn to manually select ISO for quality pictures.

If you are not depending on ‘ISO Auto’ mode, the light meter on the camera tells you when you need to change the ISO. If there is not enough light for good exposure, you have a choice of either using the flash mode or changing the ISO. Using flash may be the best choice for good exposure. On the other hand, if you are in a museum or facility that does not allow flash photography, you always have the option of selecting the next higher ISO setting and a faster shutter speed. Adjusting ISO usually requires an adjustment in shutter speed and aperture.

If you have more light than you need and are in danger of bleaching out the photo, lowering the ISO will lower the image sensors and exposure is more likely to result in good quality. Again, depending upon what you want to capture in the photo, you may also need to adjust shutter speed and f-stop (aperture).

Our message in this discussion is that understanding ISO and developing the ability to adjust it depending upon the scene you’re shooting is another valuable tool in your camera bag. Appropriately adjusting ISO to circumstances of light equals good quality pictures.

An Introduction to Pet Photography

2010-01-31T05:17:00.000-08:00

Introduction Photographing your pet can be an incredibly rewarding experience. Done well, it will allow you to immortalize Fluffy or Spot - that significant member of your family - the pet that shared you food, chewed your shoes, and brought you the newspaper. In fact, the act of seriously photographing your pet will bring you both closer because the process opens you to noticing the small, wonderful things that you might have missed before - the way he wags his tail, etc. This is a grand adventure.

Goal As with anything, it's best to proceed with a goal in mind so you know where to start. What are you trying to accomplish? Are you trying to capture your pet's playful side? Are you trying to setup a funny photo using a prop such as a birthday hat? Is this an interactive portrait between your pet and your child? Sit down and put on paper this goal, because it will help you in preparing properly. Nothing is worse than spending an hour going to your favorite scene with equipment in hand and realizing your forgot a favorite toy - do your self a favor, do not skip this step.

Setting Now that you have decided on your goal, it's now time to decide the proper setting. Indoors vs. outdoors. Near the fireplace with an open fire in the background, or in a studio. At the beach or in the woods. As you think about the proper setting, think about how your pet will respond to that setting. If you decide the public park is the perfect place, you must think about your pet's resistance to distractions. Is he/she able to resist running after another animal or person? The more you know your pet and look through his/her eyes, the better off you will be.

Preparation Now you are at the critical preparation stage. You've set your goal, you've decided on the appropriate setting - let's try to anticipate all that can (and will) go wrong. I use the word 'wrong' loosely - try not be too rigid and to have fun - we will talk more about that in a minute. Write out on paper every possible thing you can think of. Here are some suggestions: · Exercise your pet - just enough so they are still alert, but not hyper · Lighting - outdoor is best, but flash will work too - should be natural lighting · Grooming - only if it doesn't adversely affect your pet's mood - then do it days beforehand · Props/Toys - favorite of the pet · Food - favorite of the pet · Be prepared for sudden movement - shutter speed about 1/125th and use iso 400 or 800 film (if indoors) · Watch the scene clutter · Have pet at least 6 feet away from background to reduce shadows · Bring an assistant to help manage your pet · Zoom Lens · Camera, Film, Tripod, Equipment, etc. Etc., etc. Are you getting the idea? The first time you make out your list, the process will be a little tedious, but the beauty is that once the list is made, all you need to do is modify it slightly for the next sessions.

On Location Whew, you've made to shooting location - congratulations. Hopefully, you've brought everything you are going to need, right? Right! Now, it's time for setup. Be organized; get everything laid out in a logical fashion. The last thing you want to be doing is fiddling around with equipment when you need to be shooting pictures - an animal has a zero attention span and you have got to be ready to snap that picture when the moment is there. How is you animal's demeanor? Is he/she super wound up? If yes, then perhaps some light exercise would be in order - nothing too heavy, but just enough to help him/her calm down. How are you? Are you stressed? Relax, and go with the flow - animals are super sensitive to your mood. Give your pet some last minute grooming - just touch-ups. If you are outdoors, how is the wind? Is it too strong? Is the sun too bright? Remember, overcast is much better for exposure. Make sure that your pet is far enough away from your background so as to not cast any shadows.

The Photographer's Mindset Your mindset should be one of peace and serenity. I can't overstate that enough. Also, you need to climb into the mind of your pet as best you can. What are they thinking and feeling? Align your expectations properly. If you have never done this before, don't expect perfection the first time out - that will just raise your anxiety level and will stress out your pet.

Shooting One of the most important things to remember is to get down on your pet's level, physically, as much as possible. A shot from above doesn't portray intimacy. In addition, when you are at your pet's level, it's easier for you to empathize with it. If you've never crawled around on the ground before, you might feel a bit foolish, but trust me, it makes all the difference in the world. Make sure that you and your handler work with each other - you have got to be in charge, but also try to be flexible - you have a lot of variables that you are managing.

Be patient, and have a lot of fun!!!

www.Kitten-Pictures.com

Choosing the Right lens

2010-01-27T11:42:00.000-08:00

How does auto-focus work?

All of us use it every time we click on the shutter button. Practically all modern cameras include some sort of an auto focus system. Thanks to the auto focus system we can enjoy an easier photography experience and can concentrate on composing the right photo and capturing the moment rather than on manually setting the focus.

Automatic focus though has its limitations. For example sometimes one might want to produce photos which are a bit fuzzy as an artistic expression. Also the auto focus implementation has its limitations and in some scenarios it might fail. One example is using a high end SLR camera with a passive auto focus system to take a picture of blue skies. In most cases the camera will move its motor back and forth and will eventually give up and fail to focus.

To better use the auto focus system it would help to understand high it actually works. Although implementations can vary we can divide them all into two categories: passive and active. Most pocket cameras use the cheaper passive method while high end professional cameras use either the active or a combination of both.

Passive auto focus:

Passive auto focus can be perceived as imitating how we set the focus manually. The camera defines one or more regions in the picture (usually they are marked as rectangles on the viewfinder or the LCD). The camera then analyzes the picture seen through those regions and calculates a Focus Level number. The camera then tries to move its lenses back and forth as it recalculates the Focus Level. The camera looks for a position where the Focus Level is the highest. For that point if the Focus Level is above a predefined threshold the camera would define this region of the photo as being in focus.

The Focus Level can be calculated in many ways. The common attribute of all calculations is figuring out how much Contrast is there in the photo. Although not in the scope of this article one way to calculate such a number is by running the photo through a high frequency filter – this is based on the fact that high contrast is associated with high frequencies.

Active auto focus:

Active auto focus works by measuring the distance between the camera and the object in the picture. Technically if you knew the exact distance to the object you are taking a picture of you could set the lens to the exact focus position. The active focus system shoots a beam of invisible light, usually infrared, at the object at the center of the picture and measures the distance to that object. Based on that distance the focus is set.

Combined auto focus:

Some high end cameras combine both systems. The camera will pick the right system for the specific scenario or will cross check and use both at the same time. The photographer can also decide manually to use one of the two options. For example when shooting blue skies the camera can try to use the active system and measure the distance. Since the distance is infinite the camera can set the focus and skip the passive focus. In other cases when the distance is not infinite the camera can use the active system to put the lens in approximately the right position and then use the passive system for fine tuning. In dark scenarios the camera can opt to use the active system since the passive one will not work.

So why doesn’t the auto focus work all the time?

Even with all the electronics and computing power in the camera there will always be scenarios where the camera auto focus fails. Failure can be when the camera can not focus and the picture is fuzzy or sometimes when the picture is actually in focus but the camera “thinks” that it is not.

What causes such cases? The list is long but here are just a few examples:

- Taking low light pictures: The passive auto focus system needs to “see” the picture in order to work and in low light scenarios this is not possible. Some systems use a series of flashes to overcome this limitation but this solution fails many times. An active system can measure the distance to the object in such scenarios but will fail if the object is not in the center of the picture or if there are a few objects at different distances.

- Active systems can fail with objects that tend to absorb the infrared beam they are using. Some materials absorb infrared beams and will cause the active system to measure the wrong distance. In some scenarios other infrared sources such as candles and open flame fires can render the active system useless.

- Low contrast objects such as white walls or blue skies. The passive auto focus relies on the fact that the Focus Level changes significantly when moving the lens back and forth. This allows the camera to settle on the right focus position. The Focus Level of low contrast objects does not change much and fails the passive system.

Knowing how the auto focus system works helps a photographer understand why sometimes the camera can not focus. In such scenarios the photographer can look for other solutions. Sometimes the photographer will have to use the manual focus. In other cases focusing on another object in the picture that is in the same distance but easier to focus on and locking the focus on that object will solve the problem.

An Introduction_To_Black_And_White_Photography

2010-01-20T09:58:00.000-08:00

You know, there is something that is definitely more artistic about black and white photography. I know I am getting a little away from the overall concept of digital photography. But as a photographer, you will no doubt run into the phenomenon that is black and white photography.

I can remember vividly a photography named Michael Zagaris who is the team photographer of the San Francisco 49ers. He said that he was just captivated by the use of black and white photography. The way the light and the shading are so much more evident. This helps contribute to the overall feeling and emotion of the moment that the black and white photo captures.

Some of you may be saying to yourselves that color photography has surely taken the place of black and white photography, and I would say that for the most part you are correct. An interesting note here is that black and white photography still holds a degree of nostalgia in most photographers, amateur and professional alike.Perhaps one reason for this nostalgia is of course that photography was first taken on black and white film. Not only that, but many photography students are tasked with taking black and white photos when they are in their first photography classes. I know in my first digital photography class I was astounded at the very idea. Only later when the photos were developed did I truly start to appreciate black and white photos.

Therefore if you are an amateur or even experienced photographer, I would encourage you to give black and white photography a try. I think you will be pleasantly surprised at the level of sophistication it takes to really pull off a great black and white photo. After that you may be able to take in some advanced photos such as adding one stream of color. You may have seen these kinds of photos before when the photographer allows one color to be very evident in a black and white photo. For instance I can remember a picture of a little girl in a black and white photo, but the coat she was wearing was bright pink. It was great moment to capture.

As for taking the black and white photos themselves, more advanced digital cameras have gray-scale mechanisms that allow to this. Also you can have the color picture converted by using a digital photography software such as "Photoshop." Give yourself a chance in black and white photography. I think you will be pleasantly surprised in the results.

How does auto-focus work?

2010-01-15T02:11:00.000-08:00

How does auto-focus work?

Passive auto focus:

Active auto focus:

Combined auto focus:

So why doesn’t the auto focus work all the time?

What causes such cases? The list is long but here are just a few examples:

Lifestyle photography

2010-01-12T06:24:00.001-08:00

What an overworked phrase! Catchy, but overworked. Professional photographers have known for decades the kinds of photos they capture when the serendipity springs up before their eyes. They capture the moment because they press the shutter at just the right mille-second. Sometimes such moments can be planned, and sometimes they cannot. Sometimes they are just there, and you have to snap it without thought for composition or lighting or any of the other elements we know are important for quality photography.
For example, you can plan for a photo full of the energy of the win when a person or a vehicle crosses the finish line. Or when you know something spectacular is about to happen, like the birth of a baby, having a camera ready for that first moment of life can result in a breathtaking picture. Such life moments can be captured if you are ready with your skill and talent and equipment. Your education, training and experience are as important as the serendipity in such instances.
Equally so, there is something to be said for the magic of the moment, captured forever on film or a CF card…. that moment when just the right elements come together for stunning composition, nothing that you could have planned or set up. Recently my husband and I escaped the heat of the desert and spent a weekend in the mountains where, one evening at dinner, we were seated on the veranda of the dining room. Just as our salads were served, the sun moved from behind clouds and the brilliant metal roofs of mountain homes were illuminated across the meadow. Bright red and green and blue and gray roof colors flooded our senses as if a bucket-full of marbles had been tossed against the green and brown mountainside. The sight was so full of energy and vitality that we could hardly speak with the vibrancy of it all.

That moment wasn’t planned. It just happened. Sometimes such experiences can be envisioned… in advance of the actual occurrence. For example, you know a harvest moon will be a spectacular sight, and you can prepare for shooting it by being in the right place at the right time. Determine ahead of time what angle you want and what location will provide the best access. The unpredictable can be made easier to manage with a little forethought. You can envision what might be, before it actually happens.
Exercising patience may open doors for a variety of unusually composed pictures, especially if you need to wait on just the right natural light, or shadow, or form or energy. Anticipating the conditions and then patiently waiting for them to occur, with your camera ready, keeps you on the cutting edge of your profession.
　
　

Adobe Photoshop

2009-12-28T11:56:00.000-08:00

In the history of photography, there has never been a time that we can achieve such phenomenal results in editing as has happened in the digital age. And while there are a myriad of tools that the computer and internet have made available to us to enhance and change the images that come from a photo shoot, none can top the popularity and power of Adobe Photoshop. The program has become so synonymous with editing and creating effects that the term, “to Photoshop” has become a verb that means to enhance or alter an image.

We can “Photoshop in” new outfits, accessories or even people to a shot where it was just not possible before. So if you want a picture of you shaking hands with the president, you don’t have to go to Washington to get it, just “Photoshop” your image into the image of the president and it will look as real as if you had been there.

Similarly, we can “Photoshop” out things from a picture we don’t want to see there anymore. So if you have a physical flaw, that can be removed. You can even remove a distracting person from the background of the shot. The program is so sophisticated that these images are possible and you really cannot tell the alteration has been made.

Photoshop has become such a de facto standard for photo processing that if you are setting up a photography studio or business, a copy of the software is as necessary as Microsoft word or PowerPoint. The good thing about this software is that it is readily accessible and a lot of people know how to use it. So if you feel insecure about learning yet another computer application, you can probably find a college student, someone at the high school or maybe the junior high that knows Photoshop in and out and can help you jump start your use of the software as well.

But Photoshop has not always dominated this genre. The program was created in 1989 by two brothers, John Knoll and Thomas Knoll. While the brothers developed Photoshop for custom uses they had at the time, it wasn’t long before the market potential of this software became evident. So, being smart entrepreneurs, John and Thomas founded a little company called Adobe and began operations in 1990.

Adobe has been a shining example of how to achieve success in the age of the internet. Today few of us who use the internet are not aware of Adobe. You probably cannot find a personal computer that uses the internet that does not have a free copy of the Adobe reader on it to read PDF files. The PDF format is yet another example of how this little company has created and then taken over a particular market of online business.

To really become skilled at using Photoshop, the first thing to do is probably find a copy to play with. Like most computer applications, you can probably find a copy on a friend’s computer just to tinker with it and get a feel for the controls. Then if your friend is a wizard at Photoshop, let him or her show you some of the real “wiz-bang” things they can do with Photoshop using the same menus you were just tinkering with. This little Saturday afternoon experiment could turn you into a Photoshop addict forever.

After that, you would do well to download a copy for yourself. You can get an evaluation version that will give you most of the features. But you really only need that if you are not sure if you are going to buy a copy. Since Photoshop dominates this market, you almost certainly will buy a copy so you might save some frustration and purchase a licensed copy right away. Now, you will probably find yourself playing with the software for long hours just having fun and that’s great. But don’t overlook the value of taking some organized classes in photo editing using Adobe Photoshop. These classes can show you the shortcuts and how to get the most out of the software.

From there on out, your imagination is the only limit to how you will use this tool to make your photographs better for your customers. And you will be able to respond enthusiastically when someone says, “that’s ok, you can just Photoshop that and fix it right up.”

How Hard Can it Be to Take Our Own Wedding Pictures?

2009-12-27T13:57:00.000-08:00

Your wedding is fast approaching and as the anxiety grows in everyone associated with the big day, two big concerns weigh on everybody’s mind. Those are…

(1) How can we reduce the stress of this big day? (2) How can we cut the costs?

These two questions are in conflict with each other too because in order to reduce stress, you have to increase the work that someone has to do. Sometime during the preparation time frame, the idea will come up, why don’t we let “John Jones” do our wedding pictures? John Jones may be someone’s brother who is “really good at photography” or just a friend of the family. The appeal is that they will save you a pile of money and probably do just as good a job as the expensive photographers.

While you certainly want to watch out before you turn over this important job, maybe you or someone in the wedding party can take the photos as well as a professional. After all, how many wedding nightmares have you heard about a professional photographer who either damaged the romantic nature of the ceremony by butting in too often, aggravated the guests by blotting out their view of the wedding to get an action shot or charged an arm and a leg only to deliver poor quality photos.

In truth, it is entirely possible for an “amateur” photographer to do a terrific job taking pictures at the wedding. But there are some guidelines you should follow if that job has fallen to you. If you are reading this as the bride, groom or anxious mother and you are considering using a friend for these photos, spend an hour going over these guidelines and not only will you get better pictures, your anxiety level will go down too.

1. Know your equipment inside and out. Whether you are using a run of the mill digital camera or an expensive set up that has taken you years to work up, make sure everything is in top-notch working order and that you are thoroughly familiar with every nuance of the machine. Remember Murphy’s Law. If anything can go wrong, it will. So keep Murphy out of the wedding by checking and double checking your camera and related equipment.

2. Have spares of everything possible. If there are batteries involved with the operation of the camera, have several spare sets on hand and know where they are. If the batteries go out as the bride and party are posed at the alter, you don’t want an hour delay why you run to the 7-11 to get more. The same goes for flash bulbs and even the camera itself. Have spares of everything possible so Murphy just goes to the next wedding down the road to make his mess.

3. The photo is about more than the bride and groom. If you are used to “staging” your pictures, you may not worry that often with activity in the room. After all, if everybody is posing, the environment is controlled. This will not be the case during an action shot like during the wedding or reception. So keep a keen awareness of the room, the activity around the subjects, the lighting and background props. You don’t want to produce the perfect shot of bride and groom kissing only to have Cousin Ned gagging on the cake in the background.

4. Be aware of glare from windows, lights and eyeglasses. These can sneak up on you.

As a rule, someone who is part of the event can get great shots because they know the people and can be mixing as those wonderful “little moments” occur. So it’s worth a try if you feel good about the skills of your photographer and they follow these little guidelines.

PPPPP 646

Wildlife Photography, Catching The Animals By Surprise

2009-12-26T04:54:00.000-08:00

Photography has been around for more than a century and our topics will never cease. There is portrait, landscape, wedding, and wildlife photography just to name a few. One of the most rewarding styles of photography centers on wildlife. It may take you several hours before finding the perfect picture and capturing it, but the reward is more than worth the wait.

Wildlife photography is perhaps the most difficult in the profession. You have to have the time, inclination, and of course the camera. Most wildlife shots are captured using a telephoto lens because the animal will not walk near you. Every once in a while you will be able to capture the fox, elk, bear or other animal as it comes through the woods in your path, however most of the time they are yards away and elusive.

Wildlife photography doesn’t wait for you to happen a long and snap a photo. You need to immerse yourself in the site you choose your camera at the ready, and set for the light of the day. Most automatic cameras work great on the preset for those who are just learning to take wildlife photographs. Photography has always been about the moment and the best photographers can catch the moment with a speed and agility of the animal they are capturing.

Start with small subjects when you begin your foray into wildlife photography. Practice on your pet. Let them roam naturally and see if you can capture the wild and crazy moments on film without the photograph ending up blurry. All great photographers have studied and practiced. They also use more than one shot. Making sure your camera has a quick shutter speed will help you take more than one shot as your move with the animal. When you have the subject in your site you need to follow it while focusing and then quickly snap as many pictures as you can before they move out of site. This technique is known as panning. Rather than the subject coming to you, you follow the subject.

When you have mastered your pets you can begin to explore the outdoor world of wildlife photography. Some of your subjects will be standing still and this is another practice technique. Be aware of the lighting and placement while trying not to disturb the animal. It is most easy to get a squirrel when they are intent on eating or foraging for food. If you stay silent and walk carefully you can often get pretty close.

If you are choosing a larger subject such as a deer or bear you will want to stay far enough away to get the shot, and not draw attention to yourself. Bears are dangerous creatures, but they can be photographed if you use common sense and don’t tread upon their territory. Wildlife photography and thus the photographers have a code of ethics when attaining the perfect shots. You will want to follow these ethics for your safety and the animals.

Wildlife photography is a waiting game for the perfect picture to sprint across your viewfinder. It takes patience and a lot of practice, but the reward of having a family member or friend go, “ where did you get that photograph? I have got to have one,” will sweeten the deal.

Wedding Pictures with Style

2009-12-23T11:01:00.000-08:00

Your wedding album will be one of the most precious memories of this big day that you will have. But have you ever noticed how so many of those “professional” pictures are all the same from wedding album to wedding album? In fact, one thing that jumps out about the wedding photographer is that for a little while on the wedding day, everything halts and it’s all about him.

You know the drill. The ceremony is exciting and fun and full of joy, some tears and plenty of meaning as the bride and groom kiss and become one family. Then it’s all over and everybody files out to go to the reception to dance, have cake and celebrate this union. But wait, the whole proceeding has to grind to a halt while the photographer stages the wedding party for as long as an hour or more to “recreate” the ceremony and make those perfect wedding photos. Meanwhile the reception may be getting underway and many of the guests that the bride or the groom or others in the family want to hug and share the joy with may have to go because they just can’t wait out a fussy photographer.
Somehow this complete disruption to the day has become accepted as just part of what the wedding day is all about. And the worst part about it is that the photographs, while nice and well staged, look like a bunch of mannequins being arranged for a store window. The joy and fun of the ceremony is over. For decades to come everybody will say they are beautiful and meaningful but if you look closely the wedding party looks nervous, uncomfortable, bored and like they wish they were somewhere else.
Well maybe its time to throw that tradition out and put some creativity into how the wedding photos and the wedding photographer works in your wedding. By finding a photographer who will put together some wedding pictures that have some style, some creativity and some sense of inventiveness, you will have that wedding album that really is full of memories worth remembering.
To get that kind of photographer, you are going to have to start early. You have to find that maverick photographer that “gets it” that the wedding is about the people, not the gowns and the hall and that his photographs must shout out “this was a wonderful day and we celebrated this union.”

You may have to look outside of the conventional “wedding photographers” listing in the phone book. An artistic photographer may be more appropriate. But be patient and find one that is just as professional as any photographer in that yellow pages but can bring some creativity and investment of getting to know this wedding party to the job of taking your important wedding pictures.
That wedding photographer should become as much a part of the wedding party as the groomsmen. After all, if he is going to capture the personality of this couple, he will have to get to know you. Spend some informal time with him and share those fun memories of when you met, those special times while you dated and certainly those very special places where important moments in your relationship took place.
Armed with that kind of creative individual in charge of your wedding photographs, you will look forward with great anticipation to what he comes up with. Many of the best shots will be created before the wedding, at some of those special places and he can Photoshop them to blend them with wedding day moments.
Above all that wedding photographer will understand that he is there to serve this wedding and capture those special moments as they occur. Sure, you may “pose” for a picture from time to time but this whole business of bringing the wedding day to a grinding halt to take stilted pictures of bored wedding party members will go out with the trash. The outcome will be wedding pictures with style, with life and a lot of love in them to reflect the love that was exchanged in those vows and the love of family and friends as they enjoyed this magical day with you.

Lighting Tips For Photography Artificial Light.

2009-12-23T09:54:00.000-08:00

Photography is art. Individuals will spend hours in museums and galleries analyzing a person’s photographs for the meaning. Like painting photographs have a message, sometimes it will evoke sadness, happiness, a carefree attitude, and thought. There are many techniques a budding photographer will learn to evoke the emotions they desire. One such technique is using artificial lighting. Artificial lighting is not always as fun and easy as sunlight, but you can use it to create some wonderful photographs once you know how.
Indoor lighting is often fluorescent and tungsten bulbs. Tungsten bulbs are used by professional photographers, as “hot lights” because of the high temperature they produce. In photography it is important to understand the temperature scale in relation to the colors they will produce. A hot light will produce more red and reduce the blue. Firelight and candle light though not artificial can be used in doors to create shadows and depth.
When using indoor lights, specifically artificial light you will need to understand exposure. When you have less light it will take longer to expose the film to capture a photograph. Part of exposure is the angle. Lets talk about taking pictures in a museum. For instance I was in a museum with minerals behind glass and a woman made the statement if she took the picture nothing would come from it. This is not true. First in a darker room where you have direct light on the object you will not want to use the flash. The flash will bounce the light back at the picture. The next step is to get as close to the glass as possible. The third consideration is the angle. Taking the picture head on of the object will bounce the light and shadows about. You will need to angle the camera to the side or up from the ground to attain the photograph. If you do not have glass in the way the angle will still be important, especially when taking portraits. Shooting any subject head on is likely to create shadows and take away from the print. The best angle for shooting portraits is often up into the face.
When shooting faces or other objects you usually want a three dimensional contrast. You will need to search for the planes and contours of the subject, especially in portrait photography. The planes and contours will help you determine the angle you will shoot the subject from. The shadows will often provide the three dimensional contrast if you find the correct planes and angle to shoot from. This helps with pictures that you want to stand-alone.
Artificial lighting needs to be moveable. Just turning on your home lights will not give you the desired affect. Instead it can wash out the subject, place the light at the wrong angle, or create too much shadow in one area. You need to have lights set up on tripods to change the angle to suit your needs. Rooms are small which is one reason over head lights can either be too powerful or not direct enough. Following lighting tips will increase your photography skills. Most amateur photographers find taking a class on lighting and having a few books on the subject will help them learn proper lighting techniques. The reason for classes is to provide feedback. You may be happy with the shot, but suggestions can help you make the shot perfect in the future.
Artificial lighting has advantages over outdoor or natural lighting, but sometimes the picture turns out better with natural light. It might be a matter of preference or the desire of a client or subject for that matter. You never have artificial lighting outside for the most part; you usually rely on your camera flash to help with the picture quality. When you choose your lighting, look for the best lighting situation to enhance your subject and make your picture as natural as possible.

Sneaking Up on the Wedding

2009-12-21T03:39:00.000-08:00

Every wedding has a professional photographer who has been doing this for years. What they are going to produce is pretty much a known entity before the wedding even gets started. You know he is going to hold the wedding party over after the ceremony and do a bunch of staged shots. You know he will “stage” the feeding of the cake between bride and groom, the throwing of the bouquet, the dance of father and bride, all that standard stuff.

But you may have the assignment as a wedding photographer to also take pictures of the wedding. This is not unusual. If the bride’s brother is good with a camera or the groom’s uncle knows a thing or two about photography, why not let them take pictures too. So if that assignment has fallen to you, there may be a few tips for you to keep in mind as the big day approaches.

You are the back up guy. So let the professional do his stuff. Remember, just because your sister or best friend has utmost confidence in what you can do to make the wedding album more interesting and fun, those traditional shots are important to the family and to the bride and groom. They may be old fashioned and a bit boring but that paid photographer was hired to do a job. So don’t get in the way of the professional and if you do interact with him, do so respectfully. You don’t want that guy in a bad mood. So give his space.

Be ready. You can bet that paid photographer came here having checked out his equipment and he knows what he needs and he knows it all works. So you be just as “professional” as the next guy and do your prep work the night before. That way when you step up to get that shot you know will make the wedding album sizzle, your equipment works perfectly too. This also includes arriving ready to go with backup batteries, tape, light bulbs and anything else you will need for a full day of shooting.
Use what he does. That professional is going to stage the people to get those shots that are on his list of standard shots all wedding albums get. But during that time when the wedding party is trying to be good but giddy with nervous excitement, there will be dozens of little moments that will make great photographs. Maybe get that shot of sister fixing the flower girls dress. Or that silly tickle session between bride and groom as they play with each other to get through the tension of the day. Use what that photographer is giving to himself. As long as you don’t get in the way, you can grab some great pictures that way.
Those action shots during the ceremony. You have come with a more mobile equipment set than the professional has because your goal is to get the informal shots. So you have what you need pretty much on your back. You can move around the hall and get those little photographs during the ceremony of things going on up on that stage that everybody else will miss. The wedding party will love you for capturing moments that would have been lost to time if you had not come ready to work on your feet and get those little throw away pictures that are worth gold in the wedding album.
The kids are “down there”. Don’t overlook the children during the wedding or the reception. They add a lot of fun and joy. But remember, they are down there closer to the ground than you are. To get their shots, you have to go down there with them.

Remember, this event is not about you. You are the proverbial fly on the wall to get those shots that the pro doesn’t have on his checklist. But at the same time, don’t forget that you are important to this wedding to. So put down that camera every so often and have that glass of wine and do the funky chicken during the reception with everyone else. Let someone else get that picture.

How To Create A Professional Landscape Photograph

2009-12-20T11:08:00.000-08:00

Landscape photography is widely popular. I am sure if you look around your home you will see at least two landscape prints that spoke to you. Photography is an art that has a message. As a photographer you have to find the message you want to portray. If you specialize in landscape photography you might think your task is easy to complete. As with any photography you have to pay attention to the details, the lighting, shadows, subject, and the equipment.

Black and white landscape photography is the hardest section to attain true artistry because you are not relying on the colors as much as the lights and shadows the image will create. Composition is very important. Composition in photography means to look for sharp edges, tones and textures. The basis of black and white photography is getting the camera to see what your eye sees in color; to bring the highlights and shadows forward with the angle of the picture. Typical subjects for black and white photography are buildings and water. Water gives the surrounding trees and rocks a contrast while drawing the eye. Landscape can encompass buildings or bridges among other subjects. Buildings lend to the angles and contrast you seek when trying for definition and emotion.
When landscape photography is your subject in color you will need to have contrast between the colors. If the sky is blue and you have blue water below chances are the picture is not going to have the contrast you are hoping for. Like black and white photography you need to have definition or composition in the shot. You will need to take a few minutes to set up the shot and perhaps take several frames before being satisfied. Color photography takes less skill than black and white photography so if you have master the last you will succeed at the first.

Lighting for landscape photography is natural rather artificial. This is important when setting up your shot. You will need to have filters for the sunlight if it is a bright day, perhaps a tripod to set up the shot and a professional grade camera to create professional prints. Studying your subject from all angles is also important. You want to make sure you are picking the best angle for the shot. Remember the message is brought forth by the skill of the photographer.
You abilities should be honed and practiced. Digital photography makes landscape photography easier because you can assess the photo before you leave a site. Again the LCD screen isn’t going to show you every aspect of the print so you will want to take a few shots of the same site to ensure a perfect picture.
Even being an amateur photographer you can gain professional looking landscape photography. The best way to gain great photographs is to practice with a subject. Going back to the same site during different seasons can help you hone your skills and net you an even better print the next time around. All photographers’ start at the same level, some may have innate skills and an eye for the photo, but practice will lead to the best print. Landscape photography may not require the skills of wildlife photography with panning the subject or portraits where you have to enliven your subject; however, it does require skills and practice.

Posing by Not Posing

2009-12-19T18:10:00.000-08:00

Hard as it is to believe, portrait photography is considered to probably the hardest of the many specializations in the profession. That moment of positioning a subject in front of that plastic fake background to sit on an uncomfortable chair and make a smile they would never use in any other setting is legionary and not one that you look forward to. And you can tell the subjects, especially the men, are enjoying this about as much as they like going to the dentist.

So how to take some of the teeth out of the process. For some portraits, you cannot get away from the formal “seating”. But even then, there are ways to relax the subject so the smile you get was one they really wanted to give you.
The optimum portrait is one that is not a portrait. If you can get the subject talking about their favorite subject, interacting with someone they like or love and using their sense of humor, that sparkle in their expression and gleam in their eye is absolute portrait gold to you the portrait photographer.
Now, you cannot lie to the subject. So if you explain that you are going to be over here working on this stubborn camera, then just gently guide the conversation, they will begin to get used to hearing the shutter to off and seeing the flash but they may be able to not tense up.
Some of the finest couple portraits I have captured happened when I got the couple having a loving chat or mild argument with some teasing and that natural flirtation came out. When you can snap that moment in time, you will have a photograph they will treasure for a lifetime.
Obviously, the key to any photograph is to capture the personality and the “soul” of your subject. I was photographing a boy scout in his uniform for a very important photograph to the family because the boy had achieved the Eagle rank, which is a high honor. But I knew this kid had lots of personality so I wanted the “formal” shot but I wanted this kid’s heart in it too. So I told him I would be snapping a few shots to test my shutter and I got him talking about boy scouts and camping. As I got him to tell me about the funniest moments he experienced camping, that smile came out and boom, I had my shot. It hangs in my lobby now as one of my finest moments as a photographer.

If you can get the couple to do the portrait at home, in a restaurant or at some familiar setting, you can get that kind of rapport going much easier. This requires that you, the photographer must be not only a skilled artisan with your camera but somewhat of a politician, a psychologist and a hypnotist all tied up in one. So polish up some good “charm” that you will use to ease those personality shots out of your subjects.
And perfect that charm for different personalities. You may need to flirt the smile out of a young girl or tease it out of a child. You may need to get some “man to man” humor out of that burley construction worker or make an off the cuff crack about a politician to get Mr. Business Man to chuckle. And for the babies, well, they will almost smile for their mommy and almost certainly smile for daddy so use them to the hilt.
By combining your skills as a photographer with a generous portion of people charm and grace, you will make memorable portraits that will be better than the uncomfortable, stiff looks that so many accept as ok. Your customers will be happier and you will enjoy a pride in your work that you well deserve.

Lighting Tips For Photography

2009-12-19T18:02:00.000-08:00

Whether you are a professional photographer or a novice , you want to produce some exquisite pictures with the proper lighting. With this in mind, choose your lighting according to your needs and the needs of your subject or object. Your pictures will be delightful with brightness when you use the best lighting situation.

Photography requires a few skills to make your prints look professional. One part of making a print professional is lighting. Lighting in photography takes a little planning and understanding of a few techniques. You best subject or object might not turn out that way if the proper light does not help to laminate the area. Below are a few tips on using light for photography.

First you must decide if you will use artificial or sunlight. If you are using sunlight you will rely on the Kelvin scale to determine the temperature of light and therefore the color of light. The color of light is important to maintaining the colors you see around you. For instance the warmer the light the redder the light will be, thus you may need to pick the time you will go out and shoot photographs. Outdoor lighting offers so many different times to take pictures depending on your need.

Next a photographer needs to understand the sun’s color scale. Pictures tend to lead the viewer towards certain feelings; often softer colors evoke more emotion. So understanding the suns impact on the colors will help you find the correct time of day. The sun evokes blue hues in the morning hours, while closer to noon you will find more neutral colors. The neutral colors can take away some of the definition you want in your print. Knowing how you want to shot the picture will also help you determine when you wish to take the shot.

When using natural light you will need to work with the angle and direction of the sunlight. If the sunlight is broad and diffused you will have softer shadows while the more narrow the light is focused the more shadow you can create. Often at noon when the sun is in mid arc you lose definition of the subject. The subject could look grainy. This is why shadow is used; the shadows can give you more quality to the print if used correctly. This adds to the beauty of your pictures.

You can also modify sunlight through certain techniques. Modifying sunlight when taking portraits outdoors requires the use of a background. You may wish for a breath taking landscape that will provide more composition to the photo. You may need to block the sun if it interferes with you or your subject’s sight. You might also bring in a white surface to fill the shadows. Landscape photography requires less work than usually natural light for portraits. In fact using natural sunlight for landscape photography without modifications can yield you a better photograph.

Landscape photography uses nature to provide the light and shadows. This is why you need to understand the light scale and temperature. Time is the most important aspect of using sunlight. To understand natural lighting you need to understand the affects the sun will have at certain times of the day. For instance if you are in a thickly vegetative forest the sunlight will have difficulty streaming in unless it is over head. You will have natural shadows in the forest and remember you can move around your subject to find the best angle with the sun.

Photography is an art that requires techniques and practice. Lighting is a major part of photography, especially when you are using natural light. Sunlight can bring plenty of shadows or take them away depending on the time of day. Knowing the best time to take a photograph depends on the sun’s angle. Photography is an interesting hobby and profession when practiced properly will give you plenty of prints for your home and others.

History Of Photography

2009-12-19T03:43:00.000-08:00

Have you ever wondered where modern photography originated? While we are now moving into the digital age and away from film, the lighting techniques and other photography techniques began in the 1820’s. Niepce and Daguerre were the first inventors of modern photography. They used a chemical component from silver and chalk, which darkens when exposed to light. This type of technology used a glass negative to cement the picture.

From the early cameras seen in western films we have moved on to manual cameras with film. This film or negative captured the image on a roll to be developed in a dark room to prevent over exposure. The manual cameras used a theory of setting up shots. You had to understand aperture, shutter speed, white balance, and metering to obtain the best picture possible. This meant you spent a lot of time setting up the shot and had to be a professional to catch wildlife in their natural habits.

Aperture is measured by F-stops, or the amount of light the lens will let in. Focusing and depth of field are also important when setting the aperture on your camera. You have to know what numbers will allow more light to enter the lens and the converse to avoid over exposure and blurriness. Shutter speed is the amount of time a lens is open for the picture. You may have found in a darkened room without flash your camera takes a while to imprint the picture on the negative. This is because the light is dim and the shutter must correct for the lack of light. The lack of light induces a need to expose the film longer to obtain the picture where as more light will have the shutter moving at a faster speed.

From the manual cameras we moved into the automatic. The camera became lighter. The shutter speed and aperture was programmed into the camera by the settings. ISO became important. ISO is the film speed. Instead of taking minutes to set up a shot you just had to pick the correct setting and hold the button down to focus. Many cameras came as automatic with manual options for those who still liked to treat photography as an artistic vocation.

Digital cameras are the new era in photography. Now we can see the picture we take without the use of film and negatives. We can send the pictures to all of our friends and use our home printers to create prints. Photography has moved from the concentration of taking the perfect shot with a skill born to a few to everyone taking pictures.

This is not to say photography and photographers will not remain. There is still the need for quality in taking professional grade photographs. Light sensitivity is still important when dealing with a digital camera and unless you spend a lot, you will find quality of photographs is still missing. Photograph techniques lay within the lighting provided whether natural or artificial for the subject. You might wonder how to create a photograph in a dark room like a museum to share with your friends and family. Knowing the past photography techniques will help you in attaining that perfect photograph with your digital camera. Photography may have originated with few people, but we can see the advancements their inventions have led us to now.

Portrait Photography

2009-12-18T10:55:00.000-08:00

Do you just snap pictures of friends without a thought to how it my turn out? Portrait photography takes you a step up from people photography. It gives you elements to notice such as the angle you take the photograph, the lighting you will use, and the expression of emotion on a persons face. While you may be an amateur photographer deciding to take Christmas photos without the expense you will need to have some basic knowledge of techniques used by the professionals.

First when taking a photograph of a person you need to study their face. The face is important to the angle you will shoot from. Though it is a cliché, it is true some people have a better side. This could be in relation to scarring or acne breakouts or even simpler. For instance my left eye is larger than my right by just a bit, and looking head on into the camera will cause a horrible portrait, however if the photographer comes from the right side and angles up a little the light and shadows will help even out the features while keeping the distinctions that make me who I am.

Portrait photography is about capturing the essence of the subject, the personality. The little nuances of a face add character to the portrait. You will want to loosen up your subjects. If you are becoming a professional portrait photographer you will want to learn about your subject as you are taking pictures or perhaps meet them before the session. If they are just your family then you should know what would get their personality captured on film.

Lighting is the next important step to portrait photography. A lot of portrait photographers prefer natural light to artificial. Your subject will in part decide this for you. Remember you will use the light you have. Natural light will often require setting the aperture to compensate for the cameras lack of definition. In other words you need to create the contrast with the light and shadows for the effect you want. Often artificial light is harsh and not directed properly unless in a studio. Again you will need to use the manual settings on your camera to create the perfect portrait.

The background is also important when discussing light. In a studio a photographer will pick a background that will not wash your features out or your clothing. They want to have a distinction or contrast between you and the background. This is also important of home portrait photography. You will want a background that gives color to your subject rather than taking it away. Finding a nice spot with a tree to sit on and mountains in the background can be a great portrait, but you will want to make sure the background is not too busy to distract from the subject. Make the subject seem apart of the picture rather than outside of it.

The type of camera and film you use will also determine the quality of the photography. Once you combine techniques such as lighting, angles, and understanding your subject you will be able to create a near to professional if not professional portrait for your friends and family no matter the occasion. Just snapping a picture is possible, but it would be great to have a better portrait?

Insider Tricks to Create a Great Wedding Video.

2009-12-18T01:47:00.000-08:00

If you have been hired to create a video of someone’s wedding and reception, it can be a really fun job. Not only is there a lot of joy, laughing and fun moments during a wedding celebration but it is really gratifying to know that the video you are creating will be part of family celebrations of these people for decades to come.

Naturally, you want to do a good job. But whether you are just getting started or have been shooting video for years, you know things can sneak up on you and make your job more difficult. So there are some “insider tricks” that you should keep in mind especially on the big day so the wedding goes off like clockwork and you get that great video without disturbing the joy and fun of the family.

The first few precautions actually happen long before you drive up to the church and that is a thorough equipment check. Check and double check your equipment and then check it again. It can’t hurt to be a bit compulsive about this. Also, check that all of your supplies are new, in good shape and that you have back ups of batteries, bulbs, tapes or whatever recording media you are using. If you know your equipment is in good shape, you can walk in there like the professional you are.

Next, be everywhere early and well prepared. In fact, it can’t hurt to scope out the church and reception hall the day before to check the lighting and do some planning on where you might plan to get your best video from. If Martin Scorsese can preplan all of his shoots, so can you.

Now be sure everybody knows who you are. Meet the bride, groom, the wedding party and others close to the planning. If there are security people, be sure they know who you are as well. If there is a need for passes or badges of any kind, be sure you have one well ahead of the wedding day.

Part of networking with the key players includes getting some face time with others who may be supporting the wedding. Many weddings have a wedding planner who must know everything that is going to happen. Be sure he or she knows who you are and what you are going to do before you start disturbing their domain. It is also a great idea to meet the other photographers and do a bit of preliminary choreography so everybody can get their shots. Be aware that you really don’t want to do such a great job of videotaping the wedding that you damage the experience of the wedding guests. This all takes lots of planning.

If they rehearse, you rehearse. The rehearsal is one of the great missed opportunities that wedding photographers and videographers have to step through the wedding with the party and plan where you are going to be. Now secure permission to be there as you never want to surprise a nervous bride or her mother. But if they know you are working as hard as they are to get ready, they will be thrilled and you may find them giving you directions on shots they want included in the video and where they want (and don’t want) you to be at strategic moments during the wedding. This information is gold on producing a high quality video for your customers.

Once everything is ready, jump in there and enjoy the wedding right along with everyone else. You know you are ready and you like what you do so you can celebrate this big day and produce a top-notch video that will be a treasured memory for this bride and groom for many years to come.

Keeping it Legal

2009-12-17T15:58:00.000-08:00

Have you ever been watching a video or a show that includes public shots and some of the faces seem to be blurred out? No, that is not poor production values on the part of the video team. That is because the producers who eventually sold that video to be used commercially did not secure releases from those individuals. And if they used their images, they are laying themselves open for lots of legal problems.

So how do you know if the work you are doing in your photography business requires such releases? After all, you would rather be safe than sorry and get releases from everybody you use as a subject than face a problem down the road. But there is a downside to securing them if you are not sure. That is the impression you create in the mind of your customer.

If you primarily do portraits, weddings or other events where the intent of your work is to sell the photographs to the people being photographed, there is certainly no need for releases. So long as you have no intention of ever using any of those photographs in a sale that will profit your business other than the original way, then you should be fine.

It is when you step over into that realm of photography in which you may be working with models to provide photographs for advertising, magazines, newspapers or any other purpose in which you are selling the images you have photographed for a profit, that is when a release is needed. This area of professional photography is tremendously profitable because you are working at a higher tier of professionalism than photographing the public to provide them with portrait level pictures. And because it is such a lucrative arena of professional photography, the competition to make those sales is stiff to be sure.

When you are working with professional models, securing their releases is pretty much part of the program and never a problem. They are working for you and they know the photographs are for sale so their agents and lawyers do all the legwork so the releases are routine and understood. But from your perspective, don’t let this detail go unattended to. Your customers, those magazines or ad agencies who look to you for professional photography work, are assuming you have this covered and that they can count on you to deliver not only quality work but work that has been legally released to be used for promotion.

The complications come if you do your shoots in a public place such as a park, a mall or anywhere that there may be traffic that becomes part of the shot. If you complete the shoot and discover that the perfect shot that fits your customers needs just right happens to have miscellaneous members of the public in the background, you have to have releases from them or you cannot sell that photograph.

You could think ahead and try to secure those releases on the spot. But if the people you are trying to convince to sign such releases know you are going to use their images for profit, and you pretty much have to tell them, you get into another whole level of negotiation. But you sure don’t want to have to blur their faces out on the shot. You could Photoshop them out but that may lose the spontaneity of the shot.

It’s best to stage the shot from start to finish. If you want traffic to be occurring around your model, bring in models who can do the job for you. Any good modeling agency to provide you with “average looking” models to use for this purpose. You will have to pay them but at least you know that the shot is clean. Plus when you sell the shot, you are going to get questions about whether those models were paid and if you have releases on them too.

You can find a standard release form on the web or your lawyer can help you develop one that covers the legalities you need handled but also reflects how you want to handle this issue. But don’t let this issue slide through the cracks. By protecting yourself, you can do good business and profitable business but above all, legal business in perusing your professional photography career.

Planning A Wedding And Still Looking For The Perfect Photographer

2009-12-17T11:50:00.000-08:00

Wedding photography is perhaps the most important field because these are the special moments in life we want to capture. Portraits are important and often play a major roll in wedding photography, but there are more to the wedding and finding the perfect wedding photographer. Below are several tips to finding the right photographer for you.

Equipment is one of the most important aspects. There are new photographers who will start out not being able to afford a lot of camera equipment, lights, tripods and so on. This doesn’t make them a bad photographer, but it can mean they will miss important wedding moments when they are reloading the film on one camera. In today’s world a wedding photographer should have at least one digital camera at the professional grade and two film cameras. A successful photographer will have enough cameras to put appropriate lenses on and be able to switch memory cards in the digital camera with ease. They should also have a video camera run by another person to capture the entire wedding.

Experience will determine the cost of the photographer. Most photographers who have been on the circuit longer will charge between $3000 and $10,000 for wedding photographs. It all depends on the type of package you will want and how many assistants they will need to cover the entire affair. Other photographers typically charge between $300- $3000 depending upon the package and their experience. A well-known wedding photographer is going to cost more, just for the name. These packages often denote their experience as well as the equipment they can use. A digital camera does not cost film, but purchasing one can be expensive so most new photographers may charge a little more to replace the cost of the equipment.

Price of a wedding photographer should only be a moderate issue. The top important aspect of a professional wedding photographer lies in their photography skills. They will instantly walk into the places your wedding and reception will take place and have ideas of the placement of equipment and lighting. They will also be able to show you a portfolio of past weddings. Wedding photography is about the moments that pass between your family and yourselves. The moment where you are looking at your betrothed with love written on your face when you think no one else is looking will make the best photographs. A wedding photographer needs to see these moments and capture them as well as obtain the portraits.

Wedding photography is often seen around the home with the portraits. The portraits of the bride holding her flowers, the wedding party posing, and the groom and bride together. The traditional wedding photography will include the hands with the shinning wedding bands placed on a pillow or wrapped around the bride’s waist. The arrangement of the wedding couple is as important as the photograph. The wedding photographer should be able to pose you while capturing the light and background.

Photography is an intricate profession and when you have an important day such as a wedding you will want the best. You may have ideas of the photographs you want and the wedding photograph will be glad to help bring those ideas to fruition. Photography is about lighting, catching those unguarded moments, and creating memories that will last forever.

In Praise of Digital Photography

2009-12-17T07:17:00.000-08:00

Getting that Baby - Tips for baby photography

2009-12-15T12:32:00.001-08:00

In the many types of photography you may have to do as a photographer, baby shots may be the most difficult. Even if you are not a professional baby photographer but you are trying to get a great looking portrait of your own child, getting them to cooperate is a major undertaking.
The first rule to live by with baby photography is that, as a matter of face, they ARE the boss of this shoot. The entire process has to be built around that fragile mood of this child. But there are a couple of tricks of the trade you can use, professional or amateur to get the best shot of that sweet baby.
Baby’s respond well when they are fed and rested, with people they know and trust and when they get all the attention. So right off the bat, you as mom and dad can see to it that the shoot happens when requirement number one has been met. Now, that is not always easy. If you have an appointment to take the baby to the get his or her portrait made at the local photography studio, that mood may not be the way you want it to be.
That is why, if at all possible we would discourage taking the shots in a studio. If you can set up a shoot at the baby’s home, where there is a comfortable setting and much that is familiar around, you have many more opportunities to get that smile that will make the portrait of a lifetime there. Now that calls for a “house call” by the photographer but if he or she is a photographer that wants only the best shot of the child, they will work with what you want.
Another advantage of scheduling the shoot at home is that you know when the baby usually is at his or her best so you can schedule it when that time of day is just right. In fact if the photographer can show up during nap time, there is plenty of time to stage the shot before the angel awakens. And by eliminating the car ride to the studio, you take away a huge risk of that fragile mood going south en route.
A second tip comes from the fact that babies like people they know. So if the photographer has time to meet the child, play with him or her and get a rapport started, then they will be more receptive to playful direction to get the shot you want. You will have to be clever how you introduce the camera as it can either be an object of fear or looked upon as a toy and the baby will want to play with it.
As far as the camera goes, think about the kind of equipment you will utilize to get that perfect baby portrait. You want it to be portable, so you can do those on location shots that work so much better. It should be small, both for portability and to not alarm the child. Digital is best because you can shoot lots of shots and never have to reload. But make sure it’s a good quality piece of equipment that will shoot at a high resolution so when you get that prefect shot, it will transfer to a portrait printing nicely.
By setting up the room with the kind of backdrops that will create a good portrait, you can then have the baby begin to play with her or her toys and interact with parents, siblings or the photographer in a happy way. Before long that sound of the camera clicking and even the flash will become familiar and the baby won’t pay it any mind.
The best shots are of the baby laughing. Try to get on the same level with the child as he or she plays. Mom and dad know the notices or games that always get a giggle so exploit their inside information extensively. The baby will enjoy getting to know you and hearing those familiar games coming from you should do well at getting that sweet laugh or smile you want.
By learning the baby’s personality and how to get in sync with the child, you can coax pictures from the shoot that might other wise be impossible to get. And that is what you want if a portrait of a baby that you want to last a lifetime.

Ever tried selling your photography?

2009-12-15T07:31:00.001-08:00

After spending a significant amount of time taking pictures, and accumulating a large library of images, it can be a daunting task looking for a way to sell your work.

With the right approach and a vast amount of hard work you soon may see a return for all the hours spent outdoors.

One of the easiest ways to begin with is holding a local gallery in your town hall, inviting all your family, friends, and especially local businesses.

This first gallery can be used as a learning point. The place where you make mistakes, but you should learn from them. Good friends will understand or even make fun at your mistakes, but will know it’s the start of a new business.

When selling prints in a gallery don’t make unnecessary claims about the durability of your prints. Give advice on how to take care of the prints, such as: don’t store them in humid conditions or don’t expose them to direct sunlight. Try to print on good quality paper.

Choose your time carefully when holding your first exhibition. Don’t hold it in early January; most people spend a lot of money over Christmas and don’t like spending too much in the new year. Pick a time where there’s a lot of visitors coming to your town. Local images should sell well with tourists. Don’t try selling an image that you think is just “OK“. If an image isn’t good enough to hang on your own wall at home, it is not good enough to be exposed to the public.

There are plenty of other ways to sell your photography. Stock Agencies require a minimum submission of 500 - 1000 images, and regular submissions thereafter, with very low returns. Sometimes it’s better to go it alone promoting your own work, especially if you’ve got the drive to become a salesperson. And no better place to start than in your local town with your first exhibition.

After getting the feel for exhibits, there is no reason why you can’t go to other towns or cities. Galleries all over the world are always looking for new upcoming photographers.

There are no rules to what makes a picture sell. Sometimes having them in the right place at the right time can attract a client or customer. Images are used throughout the world to sell products and ideas, and there’s no better place to start than with your local community.

If your pictures are good enough to be entered in competitions, or hang at home on the wall, they are certainly good enough to sell.