<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-6857134396950944110</atom:id><lastBuildDate>Wed, 14 Oct 2026 20:50:16 +0000</lastBuildDate><category>STOP THE NEONAZI IN GREECE AND THEIR JOURNALISTS HACKS</category><category>STOP POLITICAL CORRUPTION IN GREECE</category><category>GREECE</category><category>JUNE 17 ELECTIONS IN GREECE</category><category>STOP THE NEONAZI IN GREECE AND THEIR JOURNALIST HACKS</category><category>CORRUPTION IN GREECE</category><category>DECEMBER RIOTS</category><category>POLITICAL CORRUPTION IN GREECE</category><category>ΔΟΛΟΦΟΝΙΑ 16ΧΡΟΝΟΥ</category><category>MAY 6 ELECTIONS IN GREECE</category><category>ΕΛΛΑΔΑ</category><category>NEONAZI RISING IN GREECE. 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ΒΟΟΝΕ PICKENS</category><category>ΤHAILAND</category><category>ΤHREE DEAD</category><category>ΤSOUTSOUNEROS</category><category>ΤURKISH TV SERIES IN GREECE</category><category>ΤUSCANY</category><category>ΤΑ ΚΟΡΑΚΙΑ</category><category>ΤΑ ΠΑΙΔΙΑ ΤΩΝ ΑΛΛΩΝ</category><category>ΤΑ ΠΙΝΩ ΟΛΑ</category><category>ΤΑΞΙΑΡΧΗΣ</category><category>ΤΑΤΟΥΛΗΣ 1</category><category>ΤΕΜΠΜΕ</category><category>ΤΖΙΜΑΣ</category><category>ΤΖΙΜΗΣ ΠΑΝΟΥΣΗΣ</category><category>ΤΗΕ SPIRIT</category><category>ΤΗΕ SUMMER OF FIRE</category><category>ΤΗΕ ΚΕΥ ΤΟ SURVIVAL</category><category>ΤΗΕ ΤRUTH HURTS</category><category>ΤΗΕSSALONIKI MAYOR DOESN&#39;T KNOW HIS HISTORY</category><category>ΤΗΣ ΧΡΟΝΙΑΣ</category><category>ΤΙΜΟΚΑΤΑΛΟΓΟΣ</category><category>ΤΙΜΩΡΙΑ</category><category>ΤΟ VIMA</category><category>ΤΟ ΜΕΤΡΟ</category><category>ΤΟ ΣΠΙΤΟΣΚΥΛΟ ΜΟΥ</category><category>ΤΟΝΩΣΗ ΑΓΟΡΑΣ</category><category>ΤΟΥΡΙΣΜΟΣ</category><category>ΤΡΑΠΕΖΑ ΚΥΠΡΟΥ</category><category>ΤΡΕΙΣ ΝΕΚΡΟΙ</category><category>ΤΡΟΠΟΛΟΓΙΑ</category><category>ΤΡΟΧΑΙΟ</category><category>ΤΡΩΚΤΙΚΟ</category><category>ΥΠΕΡΟΓΚΑ ΚΕΡΔΗ ΧΩΡΙΣ ΠΑΡΑΓΩΓΙΚΟΤΗΤΑ</category><category>ΥΠΟΚΛΟΠΕΣ</category><category>ΥΠΟΤΙΤΛΟΙ</category><category>ΥΠΟΥΡΓΕΙΟ ΑΝΑΠΤΥΞΗΣ</category><category>ΥΠΟΥΡΓΕΙΟ ΤΟΥΡΙΣΜΟΥ</category><category>ΥΠΟΥΡΓΟΣ ΟΙΚΟΝΟΜΙΚΩΝ</category><category>ΦΑΣΙΣΤΑΣ</category><category>ΦΕΣΤΙΒΑΛ ΘΕΣΣΑΛΟΝΙΚΗΣ</category><category>ΦΕΣΤΙΒΑΛ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ ΘΕΣΣΑΛΟΝΙΚΗΣ</category><category>ΦΙΛΟΠΟΙΜΗΝ ΦΙΝΟΣ</category><category>ΦΟΡΟΑΠΑΛΛΑΓΕΣ</category><category>ΦΥΛΑΚΕΣ</category><category>ΦΩΤΗΣ</category><category>ΧΑΜΑΙΤΥΠΕΙΟ</category><category>ΧΑΝΘ</category><category>ΧΑΡΑΤΣΙΑ</category><category>ΧΑΡΡΥ ΚΛΥΝΝ</category><category>ΧΡΟΝΙΑ ΠΟΛΛΑ</category><category>ΧΤΥΠΩΝΤΑΣ ΤΟ ΧΕΡΙ ΣΤΟ ΤΡΑΠΕΖΙ</category><category>ΨΗΦΙΑΚΗ ΕΛΛΑΔΑ</category><category>ΨΗΦΟΦΟΡΟΙ</category><title>Dimitri Vorris</title><description>The personal blog of filmmaker Dimitri Vorris.&#xa;</description><link>http://vorris.blogspot.com/</link><managingEditor>noreply@blogger.com (CAP 76)</managingEditor><generator>Blogger</generator><openSearch:totalResults>1578</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-5441739686091013266</guid><pubDate>Mon, 16 Feb 2026 18:06:00 +0000</pubDate><atom:updated>2026-02-16T10:08:37.590-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#AtmosphericHorror</category><category domain="http://www.blogger.com/atom/ns#">#BookBlog</category><category domain="http://www.blogger.com/atom/ns#">#BookReview</category><category domain="http://www.blogger.com/atom/ns#">#DarkFiction</category><category domain="http://www.blogger.com/atom/ns#">#DarkLove</category><category domain="http://www.blogger.com/atom/ns#">#ElevatedHorror</category><category domain="http://www.blogger.com/atom/ns#">#FemaleLedHorror</category><category domain="http://www.blogger.com/atom/ns#">#HorrorBooks</category><category domain="http://www.blogger.com/atom/ns#">#HorrorThriller</category><category domain="http://www.blogger.com/atom/ns#">#IndieAuthor</category><category domain="http://www.blogger.com/atom/ns#">#IndieHorror</category><category domain="http://www.blogger.com/atom/ns#">#PsychologicalHorror</category><category domain="http://www.blogger.com/atom/ns#">#SlowBurnHorror</category><category domain="http://www.blogger.com/atom/ns#">#ThrillerBooks</category><title>DARK LOVE </title><description>&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;&lt;i&gt;If love feels wrong…
it probably is.
&lt;/i&gt;DARK LOVE&lt;i&gt; &lt;/i&gt;🖤&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;&quot;DARK LOVE” is a psychological thriller with dark romance and horror elements, available on Amazon and major bookstores.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;Hannah Harper enters Saint Mary’s Asylum looking for answers—only to find her sister alive, defiant, and marked by secrets no record dares acknowledge.
What begins as a rescue becomes a descent into forbidden research, fractured memories, and a dead father’s shadow that still haunts the halls. Something in the ruins remembers them. Something hungry.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;As reality fractures, Hannah must choose what is more dangerous: the truth she uncovers… or the love she refuses to abandon.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;&quot;DΑRK LOVE&quot; is a neo-noir psychological thriller exploring obsession, shattered sisterhood, and the terrifying price of inheritance.&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/yZqWukqngv0?si=ds9iS89wXAPU77O9&quot; title=&quot;YouTube video player&quot; width=&quot;560&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2026/02/dark-love.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/yZqWukqngv0/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-9091464749944762077</guid><pubDate>Sat, 22 Feb 2025 15:30:00 +0000</pubDate><atom:updated>2025-02-22T07:35:14.360-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">HERCULES+HERMES</category><category domain="http://www.blogger.com/atom/ns#">THE UNTOLD STORY</category><category domain="http://www.blogger.com/atom/ns#">VORRIS DIMITRIOS</category><title>ANIMATED TRAILER &quot;HERCULES + HERMES: THE UNTOLD STORY&quot;, GRAPHIC NOVEL 1</title><description>
  &quot;&gt;Available worldwide  on Amazon, Books-A-Million, Ingram, Kobo Writing Life.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The graphic novel  &quot;Hercules + Hermes: The Untold Story&quot; is written, illustrated and based on characters created by Dimitrios Vorris. Don&#39;t miss our next trailer with the epic adventures of  &quot;Hercules in Manhattan&quot;. Read and enjoy the books!&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;...In ancient Greece, a land where myths waltzed and gods took weekend getaways to savor ambrosia on sun-kissed shores, Hercules, a superhero whose heart matched the breadth of his muscles, strode through life&#39;s trials. With a physique rivaling the sculpture of Michelangelo&#39;s David, but even brawnier, Hercules faced perils both divine and monstrous. By his side trotted Hermes, a valiant superdog, renowned for his unwavering bravery and insatiable hunger for treats-any treats. Together, this dynamic duo encountered challenges beyond mortal imagination, from serpentine beasts to cunning sorcerers, weaving their own saga into the rich tapestry of Greek mythology.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;

&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/-b9E-FqoQq4?si=an48ajFAc35HNGQG&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt; &lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2025/02/animated-trailer-hercules-hermes-untold.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/-b9E-FqoQq4/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-8089646913180904196</guid><pubDate>Sat, 22 Feb 2025 15:20:00 +0000</pubDate><atom:updated>2025-02-22T07:25:14.302-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">HERCULES+HERMES. PERCILES</category><title>MEET PERICLES  OF HERCULES iN MANHATTAN (HERCULES + HERMES BOOKS TRILOGY)</title><description>&lt;p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/HSqCgJNZhpc?si=dR4TMU7aOOQtjtz9&quot; title=&quot;YouTube video player&quot; width=&quot;560&quot;&gt;&lt;/iframe&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Meet Pericles, the Guardian of ancient secrets, the Keeper of Legends, the storyteller of the adventures of Hercules + Hermes.&lt;/p&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2025/02/meet-pericles-of-hercules-in-manhattan.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/HSqCgJNZhpc/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-967506579248023829</guid><pubDate>Sat, 22 Feb 2025 15:12:00 +0000</pubDate><atom:updated>2025-02-22T07:26:08.480-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">HERCULES IN MANHATTAN</category><category domain="http://www.blogger.com/atom/ns#">HERCULES+HERMES</category><title>ANIMATED TRAILER HERCULES IN MANHATTAN GRAPHIC NOVEL 2. ( HERCULES + HERMES BOOKS TRILOGY).</title><description>
  
  &lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;...In a world where legends rise and fall… Where heroes clash with 
villains… And ancient forces bend the very fabric of reality… 

Meet Betty Loop. A skilled pet healer. A part-time yoga instructor. And 
the kindest soul you’ll ever know. Betty left the sunlit shores of 
Greece for the concrete jungle of New York City, finding her true 
calling—caring for abandoned animals, healing their wounds, and weaving 
her quiet magic into the megacity’s chaotic rhythm. They call her “Mom.”
 “Màma,” “Mamá,”“Big Betty Mama.” And to one feisty Bronx mutt called 
Hassle? “...Grrrr…Betty!” But to Hercules, she’ll always say, 
“...Heracles”&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;In a city of chaos, Betty is the heart that keeps the 
beat. 

...Leah Smolensky. Her name alone chills the air. Her magic is darker 
than a Bronx alley at midnight. Her hatred for Hercules? A cursed flame,
 burning with the power to rewrite history… and Greek mythology itself. 
She isn’t just powerful. She’s unstoppable. The kind of trouble you 
sense before you see. When Hercules storms into Manhattan to rescue 
Hermes, his loyal sidekick, the city becomes the battleground for an 
epic clash. Magic against might. Light against darkness. The fate of the
 legends… hangs in the balance.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;This is not a fantasy. This is for real!&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;Step into the Vorrisverse. 
Read the books. Join the legend!&lt;/span&gt;&lt;/p&gt;

&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/jcYp1SEMHJY?si=wPcp7jbKPZa3KmvD&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2025/02/animated-trailer-hercules-in-manhattan.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/jcYp1SEMHJY/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-7797905285255169888</guid><pubDate>Fri, 26 Jul 2024 12:37:00 +0000</pubDate><atom:updated>2024-07-26T06:10:41.324-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#romance #love #cute #together #happy #couples #forever #kiss #kisses #couple #illustration #bookstagram #smile #fun #couplegoals #lovelycouple #lovers #boyfriend #girlfriend #drama #wedding</category><title>A Simple Love Story. Avalable now!</title><description>&lt;p&gt;&amp;nbsp; &lt;/p&gt;&lt;h2 style=&quot;margin-bottom: 0.21cm; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;&lt;b&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZhTRiJ2rBjt3_HTn0EgIPOAyskKayRPKsiPBHH6L3OIiM1ijOmLx2STaRg2nQy27Du6XVaSspoQfz6Rm52cq3s3LXcLJJCh2NOwg-hwQ0ZUHkAtC9RvSKRtZscWkkQteG_oU1MuSNNzSVozsF0PT4gDrlXuvjWwH-DSs9fwBw4WHVl2c8tpthtNEHcaQ/s1890/NEW%20A_Simple_Love_Story_cover%20Eng%20May%2031.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1890&quot; data-original-width=&quot;1223&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZhTRiJ2rBjt3_HTn0EgIPOAyskKayRPKsiPBHH6L3OIiM1ijOmLx2STaRg2nQy27Du6XVaSspoQfz6Rm52cq3s3LXcLJJCh2NOwg-hwQ0ZUHkAtC9RvSKRtZscWkkQteG_oU1MuSNNzSVozsF0PT4gDrlXuvjWwH-DSs9fwBw4WHVl2c8tpthtNEHcaQ/w414-h640/NEW%20A_Simple_Love_Story_cover%20Eng%20May%2031.jpeg&quot; width=&quot;414&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style=&quot;margin-bottom: 0.21cm; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;&lt;b&gt;Art, love, and chaos collide with the underworld and&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style=&quot;margin-bottom: 0.21cm; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;&lt;b&gt;political turmoil. &lt;br /&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style=&quot;margin-bottom: 0.21cm; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;&lt;b&gt;&lt;span lang=&quot;en-US&quot;&gt;Can love conquer all when the stakes are this high?&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;&lt;span lang=&quot;en-US&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;

&lt;p&gt;


	
	&lt;span&gt;&lt;/span&gt;
	
	


&lt;/p&gt;&lt;p style=&quot;margin-bottom: 0.21cm; text-align: left;&quot;&gt;&lt;i&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;...As the streets of Ecuador, Greece, and New York City bustled with chaos 
and turmoil, Sophia, a fiercely dedicated artist married to an illegal 
arms dealer, found herself inexplicably drawn to Paul,

&lt;span lang=&quot;en-US&quot;&gt;a smooth-talking hustler. Amidst the growing political
unrest threatening to engulf them, their intense connection became
both a refuge and a risk in a violent and corrupt world filled with
bloodshed and betrayal. Sophia and Paul soon realized that each
moment they shared was like walking on a tightrope, &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;perpetually
balancing&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; between ecstasy and &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;peril.&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;
But can love truly conquer all when the stakes are this high?&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style=&quot;margin-bottom: 0.21cm; text-align: left;&quot;&gt;&lt;i&gt;&lt;/i&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;420&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/vSHUmFohTJE?si=7HB9JxUd7Zza9hkU&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;i&gt;&lt;br /&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/i&gt;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;text-align: left;&quot;&gt;

&amp;nbsp; &lt;/p&gt;&lt;div style=&quot;font-family: arial, sans-serif; font-size: small;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;font-family: arial, sans-serif; font-size: small;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;



&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2024/07/a-simple-love-story.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZhTRiJ2rBjt3_HTn0EgIPOAyskKayRPKsiPBHH6L3OIiM1ijOmLx2STaRg2nQy27Du6XVaSspoQfz6Rm52cq3s3LXcLJJCh2NOwg-hwQ0ZUHkAtC9RvSKRtZscWkkQteG_oU1MuSNNzSVozsF0PT4gDrlXuvjWwH-DSs9fwBw4WHVl2c8tpthtNEHcaQ/s72-w414-h640-c/NEW%20A_Simple_Love_Story_cover%20Eng%20May%2031.jpeg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-8758641544789546537</guid><pubDate>Mon, 17 Jun 2024 21:11:00 +0000</pubDate><atom:updated>2024-07-26T05:55:18.839-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Dimitri Vorris; Ancient Greece;</category><category domain="http://www.blogger.com/atom/ns#">Greek mythology; Hercules and Hermes; Monsters and Pets; Comic Books;</category><title>HERCULES + HERMES: THE UNTOLD STORY</title><description>&lt;p&gt;



&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQbaTz7NWtfuoN3j1fA_cXDTJsVY_PrJTO7HI1NVS8AS9ylA6VEgiXQdg4jYcMrS35A1po1r2oUpEFugy5r5Amwgz4j4iaTVLl7R8aWspND_sTvMwGSBTCw6v_OBms3vDEGSVNtzl715BklK7EgIH3NH-F9wwKNRQJp-6akWB_OzTo9zPXRh7Qo33VE8/s3508/Hercules_Front_cover_page-0001.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3508&quot; data-original-width=&quot;2455&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQbaTz7NWtfuoN3j1fA_cXDTJsVY_PrJTO7HI1NVS8AS9ylA6VEgiXQdg4jYcMrS35A1po1r2oUpEFugy5r5Amwgz4j4iaTVLl7R8aWspND_sTvMwGSBTCw6v_OBms3vDEGSVNtzl715BklK7EgIH3NH-F9wwKNRQJp-6akWB_OzTo9zPXRh7Qo33VE8/w448-h640/Hercules_Front_cover_page-0001.jpg&quot; width=&quot;448&quot; /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;Epic New Comic Book &quot;Hercules and Hermes: The Untold Story&quot; Now Available on Amazon and at Independent Booksellers Nationwide&lt;/b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;In a spectacular blend of mythology and modern storytelling, the new comic book &quot;Hercules and Hermes: The Untold Story&quot; is set to capture the imaginations of readers young and old. With over 100 vibrant illustrations, this enchanting tale is now available as an eBook and paperback on Amazon, as well as at independent booksellers nationwide.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;A Heroic Journey Like No Other&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Step into the sun-drenched lands of ancient Greece, where gods mingled with mortals, and myths danced to life. At the heart of this world strides Hercules, a superhero whose strength is matched only by his immense heart. By his side, Hermes, a superdog of unparalleled bravery and an insatiable appetite for treats, proves that loyalty and courage come in all shapes and sizes. Together, they embark on adventures that stretch the bounds of imagination, facing challenges both divine and monstrous.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;
An Unforgettable Cast&lt;/b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&quot;Hercules and Hermes&quot; introduces readers to a rich tapestry of characters:
Adonis, the gentle bear who combines muscle with affection.
Pericles the Professor, a wise Basset Hound and keeper of legends, dispensing wisdom from behind his thick glasses.
Phaedra, a snooty New York cat with an air of superiority.
Betty Loop, a bubbly witch and part-time yoga instructor who heals with one hand and bakes with the other, adding a whimsical touch to every scene.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;A World of Mythical Wonders and Menacing Foes&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;The heroic duo faces an array of formidable adversaries:
The fearsome Lernean Hydra, dragons, and towering giants.
The dark witch Leah Smallensky of Manhattan, who plots against them with curses, hexes, and an army of mythical creatures including griffins, harpies, and chimeras.
In this epic saga of adventure, friendship, and loyalty, readers are reminded that even in the darkest times, a positive attitude and a faithful companion can turn any journey into an extraordinary adventure.

&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;b&gt;Sequel Coming Soon!&lt;/b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Fans of &quot;Hercules and Hermes: The Untold Story&quot; will be thrilled to know that the epic sequel, &quot;Hercules in Manhattan,&quot; arrives in July 2024, promising even more mythical adventures and heroic feats.
Available Now!
&quot;Hercules and Hermes: The Untold Story&quot; is now available for purchase in eBook and paperback formats on Amazon, and at independent booksellers across the country.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Dive into a world where myths come alive, and join Hercules and Hermes on their thrilling quests.
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Experience the magic and heroism of ancient Greece with Hercules and Hermes today!&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;
  
  
&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/AvfTQf7pixA?si=WiI7GCYfbuOh7O8g&quot; title=&quot;YouTube video player&quot; width=&quot;560&quot;&gt;&lt;/iframe&gt;

&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2024/06/hercules-hermes-untold-story.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQbaTz7NWtfuoN3j1fA_cXDTJsVY_PrJTO7HI1NVS8AS9ylA6VEgiXQdg4jYcMrS35A1po1r2oUpEFugy5r5Amwgz4j4iaTVLl7R8aWspND_sTvMwGSBTCw6v_OBms3vDEGSVNtzl715BklK7EgIH3NH-F9wwKNRQJp-6akWB_OzTo9zPXRh7Qo33VE8/s72-w448-h640-c/Hercules_Front_cover_page-0001.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-2013590502354457769</guid><pubDate>Tue, 02 Aug 2022 20:52:00 +0000</pubDate><atom:updated>2022-08-02T14:49:53.928-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">DO NOT FORGET ME</category><category domain="http://www.blogger.com/atom/ns#">JEWISH POGROM</category><category domain="http://www.blogger.com/atom/ns#">LEON SALTIEL</category><title>DO NOT FORGET ME: THREE JEWISH MOTHERS WRITE LETTERS TO THEIR CHILDREN FROM THE GHETTOS OF SALONICA</title><description>&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&quot;DO NOT FORGET ME&quot; is a docudrama feature based on Dr. Leon Saltiel&#39;s book that chronicles the Jewish pogrom from 1941-1945 in Salonica, Greece.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The project traces the roots and evolution of anti-Jewish pogroms in Thessaloniki, Greece circa WWII through a selection of 25 letters (out of 72 original letters recovered in a 3 year research in personal archives) written by 3 Jewish mothers (portrayed by 3 different actresses) to their children while they anxiously waiting to embark on the train to the mass extermination camp of Auschwitz-Birkenau.&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTyrC73ZnZXeF1VNUeEfmWlu1Vb1AbnT7rdG-7BtnqmtXm3MbGAc0keuVuuEskEmLwmGE2DO7j-w_2YD2QrKYDk7DDicmUPT1tO85S1-Qj40D_SXAcTkNVgp3-za26wHCA0QnY02E6dvL6B2a3dMrNBIbo4Mm7by4aZM9ne9DQl3ISmzpnt-z04Vo_/s600/SaltielDo.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;400&quot; height=&quot;600&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTyrC73ZnZXeF1VNUeEfmWlu1Vb1AbnT7rdG-7BtnqmtXm3MbGAc0keuVuuEskEmLwmGE2DO7j-w_2YD2QrKYDk7DDicmUPT1tO85S1-Qj40D_SXAcTkNVgp3-za26wHCA0QnY02E6dvL6B2a3dMrNBIbo4Mm7by4aZM9ne9DQl3ISmzpnt-z04Vo_/s600/SaltielDo.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2022/08/do-not-forget-me-is-docudrama-feature.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTyrC73ZnZXeF1VNUeEfmWlu1Vb1AbnT7rdG-7BtnqmtXm3MbGAc0keuVuuEskEmLwmGE2DO7j-w_2YD2QrKYDk7DDicmUPT1tO85S1-Qj40D_SXAcTkNVgp3-za26wHCA0QnY02E6dvL6B2a3dMrNBIbo4Mm7by4aZM9ne9DQl3ISmzpnt-z04Vo_/s72-c/SaltielDo.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-2007873700726638995</guid><pubDate>Tue, 02 Aug 2022 20:10:00 +0000</pubDate><atom:updated>2022-08-02T15:14:31.597-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">DOCUMENTARY</category><category domain="http://www.blogger.com/atom/ns#">SALONICA HOLOCAUST</category><category domain="http://www.blogger.com/atom/ns#">SALONICA MOTHER OF ISRAEL</category><category domain="http://www.blogger.com/atom/ns#">SHOAH</category><category domain="http://www.blogger.com/atom/ns#">STEVEN BOWMAN</category><title>THE AGONY OF GREEK JEWS feature length documentary</title><description>&lt;p&gt;&lt;span style=&quot;color: red;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;color: red;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;color: red;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJDdLLnTLedP1U7qhAUed3mzo1ewCDe_4rSpTnnM_aZZY66D3-WBMwuFd08nnhxeLL01KyU7F1Zs3lQocaFlqe1f2nNnIrKiBiyAwl629u0thYMWQcpwmiBfz3UNz3E_qUB0Nja_Mbp8CoTkvcfHfOiRq6oFanGhRgyE6YZl8YXFtBlzS3KdCmEyd-/s2953/Poster_GreekJews_%231(1).jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2953&quot; data-original-width=&quot;2067&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJDdLLnTLedP1U7qhAUed3mzo1ewCDe_4rSpTnnM_aZZY66D3-WBMwuFd08nnhxeLL01KyU7F1Zs3lQocaFlqe1f2nNnIrKiBiyAwl629u0thYMWQcpwmiBfz3UNz3E_qUB0Nja_Mbp8CoTkvcfHfOiRq6oFanGhRgyE6YZl8YXFtBlzS3KdCmEyd-/w448-h640/Poster_GreekJews_%231(1).jpg&quot; width=&quot;448&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;color: red;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;The Agony of the Greek Jews&quot; produced and directed by Dimitri Vorris is 
about the unknown Holocaust in Greece based on the works and the 
research of  historian and author Steven B. Bowman. It is about the 
57.000 martyrs of the Greek Holocaust and the Jews who joined the 
resistance and fought against the Nazis.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;The Agony of Greek Jews tells the story of modern Greek Jewry as it came
 under the control of the Kingdom of Greece during the nineteenth and 
twentieth centuries. In particular, it deals with the vicissitudes of 
those Jews who held Greek citizenship during the interwar and wartime 
periods.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&amp;nbsp;Individual chapters address the participation of Greek and Palestinian 
Jews in the 1941 fighting with Italy and Germany, the roles of Jews in 
the Greek Resistance, aid, and rescue attempts, and the problems faced 
by Jews who returned from the camps and the mountains in the aftermath 
of the German retreat. 

Bowman focuses on the fate of one minority group of Greek citizens 
during the war and explores various aspects of its relations with the 
conquerors, the conquered, and concerned bystanders.
  
  &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;

&lt;iframe allow=&quot;autoplay; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;506&quot; src=&quot;https://player.vimeo.com/video/668247867?h=ce891141bb&amp;amp;badge=0&amp;amp;autopause=0&amp;amp;player_id=0&amp;amp;app_id=58479&quot; title=&quot;AGONY OF GREEK JEWS feature length documentary mood video&quot; width=&quot;900&quot;&gt;&lt;/iframe&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2022/08/stylepadding56.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJDdLLnTLedP1U7qhAUed3mzo1ewCDe_4rSpTnnM_aZZY66D3-WBMwuFd08nnhxeLL01KyU7F1Zs3lQocaFlqe1f2nNnIrKiBiyAwl629u0thYMWQcpwmiBfz3UNz3E_qUB0Nja_Mbp8CoTkvcfHfOiRq6oFanGhRgyE6YZl8YXFtBlzS3KdCmEyd-/s72-w448-h640-c/Poster_GreekJews_%231(1).jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-3827576285072246273</guid><pubDate>Sun, 06 Jun 2021 08:41:00 +0000</pubDate><atom:updated>2021-06-06T01:44:38.235-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COLOMBIA OF THE BALKANS</category><category domain="http://www.blogger.com/atom/ns#">CORRUPTION</category><category domain="http://www.blogger.com/atom/ns#">COSTAS FERRIS</category><category domain="http://www.blogger.com/atom/ns#">GFC</category><category domain="http://www.blogger.com/atom/ns#">GREECE</category><category domain="http://www.blogger.com/atom/ns#">GREEK FILM CENTER</category><category domain="http://www.blogger.com/atom/ns#">JUSTICE FOR NOBODY</category><title>FINANCIAL CORRUPTION IN THE TUNE OF MILLIONS OF EUROS IN GREEK FILM CENTER  ACCORDING TO SILVER-BEAR WINNER COSTAS FERRIS</title><description>&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd1Ieo6eBSV5KRZhcmph_7RpE5a51HrIlL85JgJJsxxOjHGCQTxOzafkmtR6F99-FEU2OiUOVMLtrzWarGjurmIqHv8NHg_4KOirx2oSe0fmbI88qj-plAsXQAXON5KWYBilcdXLvy_qw/s2048/%25CE%259A%25CE%25A9%25CE%25A3%25CE%25A4%25CE%2591%25CE%25A3+%25CE%25A6%25CE%2595%25CE%25A1%25CE%25A1%25CE%2597%25CE%25A3+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%259D%25CE%25A4%25CE%2595%25CE%25A5%25CE%259E%25CE%2597_%25CE%2597+%25CE%2595%25CE%25A6%25CE%2597%25CE%259C%25CE%2595%25CE%25A1%25CE%2599%25CE%2594%25CE%2591+%25CE%25A4%25CE%25A9%25CE%259D+%25CE%25A3%25CE%25A5%25CE%259D%25CE%25A4%25CE%2591%25CE%259A%25CE%25A4%25CE%25A9%25CE%259D_06_%25CE%2599%25CE%259F%25CE%25A5%25CE%259D%25CE%2599%25CE%259F%25CE%25A5_2021_1_Pag...%25281%2529.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1689&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd1Ieo6eBSV5KRZhcmph_7RpE5a51HrIlL85JgJJsxxOjHGCQTxOzafkmtR6F99-FEU2OiUOVMLtrzWarGjurmIqHv8NHg_4KOirx2oSe0fmbI88qj-plAsXQAXON5KWYBilcdXLvy_qw/w618-h640/%25CE%259A%25CE%25A9%25CE%25A3%25CE%25A4%25CE%2591%25CE%25A3+%25CE%25A6%25CE%2595%25CE%25A1%25CE%25A1%25CE%2597%25CE%25A3+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%259D%25CE%25A4%25CE%2595%25CE%25A5%25CE%259E%25CE%2597_%25CE%2597+%25CE%2595%25CE%25A6%25CE%2597%25CE%259C%25CE%2595%25CE%25A1%25CE%2599%25CE%2594%25CE%2591+%25CE%25A4%25CE%25A9%25CE%259D+%25CE%25A3%25CE%25A5%25CE%259D%25CE%25A4%25CE%2591%25CE%259A%25CE%25A4%25CE%25A9%25CE%259D_06_%25CE%2599%25CE%259F%25CE%25A5%25CE%259D%25CE%2599%25CE%259F%25CE%25A5_2021_1_Pag...%25281%2529.jpg&quot; width=&quot;618&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&amp;nbsp;&lt;span class=&quot;d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id&quot; dir=&quot;auto&quot;&gt;FINANCIAL CORRUPTION IN THE TUNE OF MILLIONS OF EUROS  IN THE &lt;span&gt;&lt;a class=&quot;oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p&quot; href=&quot;https://www.facebook.com/hashtag/gfc?__eep__=6&amp;amp;__tn__=*NK*F&quot; role=&quot;link&quot; tabindex=&quot;0&quot;&gt;#GFC&lt;/a&gt;&lt;/span&gt; &lt;span&gt;&lt;a class=&quot;oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p&quot; href=&quot;https://www.facebook.com/hashtag/greekfilmcenter?__eep__=6&amp;amp;__tn__=*NK*F&quot; role=&quot;link&quot; tabindex=&quot;0&quot;&gt;#GREEKFILMCENTER&lt;/a&gt;&lt;/span&gt; THE STATE BODY THAT HANDLES TAXPAYERS&#39; MONEY? Silver Bear winner for &quot;Rebetiko&quot; director &lt;span&gt;&lt;a class=&quot;oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p&quot; href=&quot;https://www.facebook.com/hashtag/costasferris?__eep__=6&amp;amp;__tn__=*NK*F&quot; role=&quot;link&quot; tabindex=&quot;0&quot;&gt;#CostasFerris&lt;/a&gt;&lt;/span&gt;, a former member of the board of directors of state body Greek Film Center, thinks so.&lt;br /&gt;Here&#39;s an exceprt of his interview to journalists Yiorgos Petropoulos and Dimitri Kanellopoulos of the indie newspaper &lt;br /&gt;&lt;span&gt;&lt;a class=&quot;oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8&quot; href=&quot;http://www.efsyn.gr/?fbclid=IwAR3_jKpHPNVDQc0XFVi9VjI8XTHeWvNog2IBzf1iX1LjeHGKNn4BbGv1PN8&quot; rel=&quot;nofollow noopener&quot; role=&quot;link&quot; tabindex=&quot;0&quot; target=&quot;_blank&quot;&gt;www.efsyn.gr&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span class=&quot;d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id&quot; dir=&quot;auto&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&quot;QUESTION:
 It was written in electronic media that the relevant findings are kept 
is in the drawer of the Minister of Culture (Mrs. Lina Mendoni) and must
 be given to the public prosecutor because criminal responsibilities for
 previous administrations of the Greek Film Center arise. What exactly 
is the truth? &lt;br /&gt;&lt;br /&gt;Costas Ferris: In these findings, persons from the
 current Greek Film Center administration are involved, and is 
absolutely certain that the (current) Holevas administration had an 
obligation by law  to deliver them directly to the Public Prosecutor.&lt;br /&gt;This
 omission is a conscious criminal offense with a possibility of the 
intentiom of fraud and implies an ex officio intervention by the Public 
Prosecutor. The forner President of Greek Film Center Panos Loukakos and
 Vice-President Christina Manolopoulou (after our resignation) sent to 
the Minister of Culture a memorandum mentioning these (financial) crimes
 and the (3 different auditors reports), together with many other 
violations of the law, to the new administration under Mr. Markos 
Holevas. This memorandum is included in my recent public letter that 
some journalists omitted (from publication). I do not know whether Mr. 
Holevas informed the Minister. I know, however, that the Director 
General of Greek Film Center Pantelis Mitropoulos failed to sign the 
findings (according to the law that is his legal obligation) and  the 
legal adviser to the GFC Mr.  Pericles Polychronidis  was fired by Mr 
Cholevas and the current administration. &lt;br /&gt;What is more than certain 
is that Mr. Holevas did not forward the findings to the competent 
prosecutor, as the report of the State&#39;s General Accounting Authority 
and, as the Minister has ordered. Instead, he handed the two legal 
reports to another lawyer of his own choice, Mr. Alexandros Christidis, 
to cover up. And, of course, he did not inform the Minister that in 
lawyer&#39;s Asprogeraka-Grivas&#39;  report, as in the findings of State 
Auditors, Certified Accountants and Financial Inspectors Batsouli, 
Androutsos  and Triantafyllou, there&#39;s possibly (!) mentioning of his 
personal involvement and the right thing to do would be  to resign 
immediately immediately in order to assist the pending investigation 
within the Greek Film Center!&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span class=&quot;d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id&quot; dir=&quot;auto&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;But he had preceded the concealment from 
the current administration of the Ministry of Culture of the fact that 
he had an open court dispute with the GFC and therefore should not have 
accepted his appointment (as President)  from the very beginning, as 
laid down in Article 20 of law 3905/2010. Two acts of  unlawfulness (and
 violations of the Penal code)  within one week! These are outrageous 
things. &quot; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2021/06/financial-corruption-in-tune-of.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd1Ieo6eBSV5KRZhcmph_7RpE5a51HrIlL85JgJJsxxOjHGCQTxOzafkmtR6F99-FEU2OiUOVMLtrzWarGjurmIqHv8NHg_4KOirx2oSe0fmbI88qj-plAsXQAXON5KWYBilcdXLvy_qw/s72-w618-h640-c/%25CE%259A%25CE%25A9%25CE%25A3%25CE%25A4%25CE%2591%25CE%25A3+%25CE%25A6%25CE%2595%25CE%25A1%25CE%25A1%25CE%2597%25CE%25A3+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%259D%25CE%25A4%25CE%2595%25CE%25A5%25CE%259E%25CE%2597_%25CE%2597+%25CE%2595%25CE%25A6%25CE%2597%25CE%259C%25CE%2595%25CE%25A1%25CE%2599%25CE%2594%25CE%2591+%25CE%25A4%25CE%25A9%25CE%259D+%25CE%25A3%25CE%25A5%25CE%259D%25CE%25A4%25CE%2591%25CE%259A%25CE%25A4%25CE%25A9%25CE%259D_06_%25CE%2599%25CE%259F%25CE%25A5%25CE%259D%25CE%2599%25CE%259F%25CE%25A5_2021_1_Pag...%25281%2529.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-5966390592968310691</guid><pubDate>Sat, 05 Jun 2021 10:05:00 +0000</pubDate><atom:updated>2021-06-06T01:43:24.970-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">BERLINALE</category><category domain="http://www.blogger.com/atom/ns#">COSTAS FERRIS</category><category domain="http://www.blogger.com/atom/ns#">EFM</category><category domain="http://www.blogger.com/atom/ns#">EFSYN</category><category domain="http://www.blogger.com/atom/ns#">GFC</category><category domain="http://www.blogger.com/atom/ns#">GREECE</category><category domain="http://www.blogger.com/atom/ns#">GREEK FILM CENTER</category><category domain="http://www.blogger.com/atom/ns#">INTERVIEW</category><category domain="http://www.blogger.com/atom/ns#">SILVER BEAR WINNER</category><title>CORRUPTION AND DECADENCE IN GREEK FILM CENTER ACCORDING TO SILVER BEAR WINNER DIRECTOR COSTAS FERRIS (ANTΡΟ ΠΑΡΑΝΟΜΙΑΣ ΤΟ ΕΛΛΗΝΙΚΟ ΚΕΝΤΡΟ ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ)</title><description>&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&lt;b&gt;1&lt;/b&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;&lt;b&gt;- ΕΡΩΤΗΣΗ: Γράφτηκε σε ηλεκτρονικά MME ότι το σχετικό πόρισμα βρίσκεται στο συρτάρι της υπουργού Πολιτισμού και πρέπει να δοθεί στον εισαγγελέα γιατί προκύπτουν ποινικές ευθύνες για προηγούμενες διοικήσεις. Τι ακριβώς ισχύει;&lt;/b&gt;&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;- Κ. Φ.: Σ&#39; αυτά τα πορίσματα εμπλέκονται πρόσωπα από τη σημερινή διοίκηση του ΕΚΚ Αυτό που είναι απολύτως βέβαιο είναι πως η διοίκηση Χολέβα είχε εκ του νόμου υποχρέωση να τα παραδώσει άμεσα στον εισαγγελέα. Η παράλειψη αυτή είναι συνειδητό ποινικό αδίκημα με ενδεχόμενο δόλο και συνεπάγεται αυτεπάγγελτη παρέμβαση του εισαγγελέα.
Ο πρόεδρος Πάνος Λουκάκος και η αντιπρόεδρος Χριστίνα Μανωλοπούλου (μετά την παραίτησή μας) απέστειλαν την επιστολή υπόμνημα κάνοντας μνεία αυτών των εγκλήσεων και της έκθεσης νομικού ελέγχου, μαζί με πολλές άλλες εκκρεμότητες, στη νέα διοίκηση υπό τον κ. Μάρκο Χολέβα.
Η επιστολή αυτή περιλαμβάνεται στην πρόσφατη δημόσια επιστολή μου και κάποιοι δημοσιογράφοι παρέλειψαν (εκ του πονηρού ) την αναδημοσίευσή της. Δεν γνωρίζω αν ο κ. Χολέβας ενημέρωσε την κ. υπουργό.
Γνωρίζω πάντως πως ο γενικός διευθυντής Παντελής Μητρόπουλος παρέλειψε να υπογράψει τα πορίσματα ως ώφειλε, ο δε νομικός σύμβουλος του Κέντρου Περικλής Πολυχρονίδης, που επίσης ορίζεται από τις Εκθέσεις ως εκπρόσωπος του Κέντρου στη δικαστική συνέχεια... απελύθη από τον κ. Χολέβα και το διοικητικό συμβούλιο του.
Εκείνο που είναι βέβαιο είναι πως ο κ. Χολέβας δεν διαβίβασε τα πορίσματα στον αρμόδιο εισαγγελέα, όπως επιτάσσει η έκθεση του Γενικού Λογιστηρίου του Κράτους και όπως διέταξε η κ. υπουργός.
Αντ&#39; αυτού παρέδωσε τις δύο αξιολογικές εκθέσεις σε άλλον δικηγόρο της δικής του επιλογής, τον κ. Αλέξανδρο Χρηστίδη, προς... επαναξιολόγηση.
Και φυσικά δεν ενημέρωσε την κ. υπουργό πως στην έγκληση Ασπρογέρακα, όπως άλλωστε στα πορίσματα Μπατσούλη Ανδρούτσου Τριανταφύλλου, ενδεχομένως (!) να περιλαμβάνεται το όνόμά του για πράξεις κακουργηματικού χαρακτήρα και για αυτό όφειλε να παραιτηθεί αμέσως για να διευκολύνει την κάθαρση εντός του ΕΚΚ!
Όμως είχε προηγηθεί η απόκρυψη από τον νυν πρόεδρο του γεγονότος πως είχε μια ανοιχτή δικαστική διαμάχη με το ΕΚΚ και ως εκ τούτου δεν έπρεπε να αποδεχτεί τον διορισμό του από την πρώτη στιγμή, όπως ορίζει το άρθρο 20 του 3905 2010. Δύο σκαστές παρανομίες μέσα σε μία βδομάδα! Αυτά είναι εξωφρενικά πράγματα.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;i&gt;2&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;- ΕΡΩΤΗΣΗ: Τι συνέβη με τις δύο πρόσφατες εγκρίσεις χρηματοδοτήσεων εντός του ΕΚΚ, όπου κατηγορείται η νυν διοίκηση Χολέβα για τοποθέτηση κρινόμενων με σενάρια ή αιτήσεις χρηματοδότησης ταινιών να είναι επίσης κριτές αυτών των προτάσεων; Κατήργησε η νυν διοίκηση Χολέβα τις διατάξεις της διοίκησης Βαφέα περί ασυμβίβαστου στις επιτροπές αξιολόγησης; Στο σημείο που βρίσκεται η κατάσταση τώρα θεωρείτε ότι πρέπει να ακυρωθούν οι δύο πρόσφατες εγκρίσεις του ΕΚΚ (τέλη Μαρτίου και τέλη Απριλίου) για τις χρηματοδοτήσεις του ΕΚΚ;&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;- Κ. Φ.: Δεν υπάρχει περίπτωση να μην ακυρωθούν αυτές οι εγκρίσεις. Εγώ αν είχα εγκεκριμένη πρότασή μου, θα ντρεπόμουν να κάνω μια ταινία κάτω από την υποψία πως μου χαρίστηκαν και ως εκ τούτου είμαι ηθικός αυτουργός του παραπτώματος.
Η παρανομία των Χολέβα και Μητρόπουλου δεν εντοπίζεται μόνο στην ακύρωση των διατάξεων της διοίκησης Βαφέα περί ασυμβίβαστου, την οποία η δική μας διοίκηση με πρόεδρο τον Πάνο Λουκάκο είχε σεβαστεί.
Είναι ακόμα παράβαση των διατάξεων του νόμου του κράτους περί ασυμβίβαστου στους επί συμβάσει δημοσίους υπαλλήλους (αξιολογητές) που μας κοινοποίησε η κυβέρνηση Μητσοτάκη τον Δεκέμβριο του 2019.
Όπως επίσης στο γεγονός πως ακόμα και αυτές οι αξιολογήσεις των... readers, όπως θέλουν να τους ονομάζουν, πέρασαν από το κόσκινο τριών ανθρώπων (στο χωριό μου το λένε μαγείρεμα), δηλαδή του προέδρου, του νεαρού διευθυντή Ανάπτυξης και Παραγωγής Γιώργου Αγγελόπουλου και (πιθανότατα) του γενικού διευθυντή (υπεύθυνου σύμφωνα με τον νόμο).
Οι αξιολογήσεις των readers δεν έχουν κανένα νόημα, αν δεν μας πουν ποια ήσαν τα κριτήρια των επιλογών αυτών των τριών ανθρώπων και κατά πόσο σεβάστηκαν το σκεπτικό ακόμα και αυτών των αξιολογητών που οι ίδιοι επέλεξαν. 
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style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;2880&quot; data-original-width=&quot;1092&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP2sgDqE9NwuECzhfxKs2h0pVpnRaWeroeJrBiCYOMIYRLKLqVULSouTnnv0ZEWRoCZ0jcWbqso-VzT2QE0BQImVPKZOR7ItXjMBpnH5pLGl0ZweGbGI-TvG7eT1eQFbIExM2yxcxukZY/s400/%25CE%259A%25CE%25A9%25CE%25A3%25CE%25A4%25CE%2591%25CE%25A3+%25CE%25A6%25CE%2595%25CE%25A1%25CE%25A1%25CE%2597%25CE%25A3+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%259D%25CE%25A4%25CE%2595%25CE%25A5%25CE%259E%25CE%2597_%25CE%2597+%25CE%2595%25CE%25A6%25CE%2597%25CE%259C%25CE%2595%25CE%25A1%25CE%2599%25CE%2594%25CE%2591+%25CE%25A4%25CE%25A9%25CE%259D+%25CE%25A3%25CE%25A5%25CE%259D%25CE%25A4%25CE%2591%25CE%259A%25CE%25A4%25CE%25A9%25CE%259D_06_%25CE%2599%25CE%259F%25CE%25A5%25CE%259D%25CE%2599%25CE%259F%25CE%25A5_2021_1_Pag....jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2021/06/corruption-and-decadence-in-greek-film.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLicVeUZu7gKd0ti0UCxyy6tH6fKIoY9x2BQaGjL40NCIXXIbgdW9Sa1MRjJEK0PoN502JNtkiGaJXq1I7tVC40LIheGNv13-L9WIwDAcsbrrYcODmE3_6FHJwTQwRsCz5EFTNLx2Xho8/s72-c/%25CE%259A%25CE%25A9%25CE%25A3%25CE%25A4%25CE%2591%25CE%25A3+%25CE%25A6%25CE%2595%25CE%25A1%25CE%25A1%25CE%2597%25CE%25A3+%25CE%25A3%25CE%25A5%25CE%259D%25CE%2595%25CE%259D%25CE%25A4%25CE%2595%25CE%25A5%25CE%259E%25CE%2597_%25CE%2597+%25CE%2595%25CE%25A6%25CE%2597%25CE%259C%25CE%2595%25CE%25A1%25CE%2599%25CE%2594%25CE%2591+%25CE%25A4%25CE%25A9%25CE%259D+%25CE%25A3%25CE%25A5%25CE%259D%25CE%25A4%25CE%2591%25CE%259A%25CE%25A4%25CE%25A9%25CE%259D_06_%25CE%2599%25CE%259F%25CE%25A5%25CE%259D%25CE%2599%25CE%259F%25CE%25A5_2021_1_Pag...%25281%2529.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-6821469137384804581</guid><pubDate>Fri, 11 Dec 2020 16:50:00 +0000</pubDate><atom:updated>2020-12-11T08:52:27.609-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">AUDIOVISUAL</category><category domain="http://www.blogger.com/atom/ns#">CONTENT</category><category domain="http://www.blogger.com/atom/ns#">DISNEY PLUS</category><category domain="http://www.blogger.com/atom/ns#">EUROPE</category><category domain="http://www.blogger.com/atom/ns#">INDIE PRODUCERS</category><category domain="http://www.blogger.com/atom/ns#">NETFLIX</category><category domain="http://www.blogger.com/atom/ns#">QUOTAS</category><title>PRODUCERS IN EUROPE VS. NETFLIX, DISNEY+ FOR QUOTAS OF CONTENT</title><description>&lt;p&gt;&amp;nbsp;&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNO2GRCJGdf2z_qyqISAoGW-gwNGdVD8ccLovn69A5mSC-xHtjvsrLTS4R0rIUgwBfu27MRagzwCpKO8VFBmnsa8JR0PF7VdWCNOSmNa9rQpbDS11oXqu8IMYM0TLrZNZms3oCpgqVNcs/s664/Screenshot_2020-12-11+Europe%25E2%2580%2599s+Streaming+Showdown+is+Coming+to+a+Head.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;403&quot; data-original-width=&quot;664&quot; height=&quot;363&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNO2GRCJGdf2z_qyqISAoGW-gwNGdVD8ccLovn69A5mSC-xHtjvsrLTS4R0rIUgwBfu27MRagzwCpKO8VFBmnsa8JR0PF7VdWCNOSmNa9rQpbDS11oXqu8IMYM0TLrZNZms3oCpgqVNcs/w622-h363/Screenshot_2020-12-11+Europe%25E2%2580%2599s+Streaming+Showdown+is+Coming+to+a+Head.png&quot; width=&quot;622&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://variety.com/2020/streaming/global/netflix-amazon-disney-plus-europe-1234848797/?utm_medium=email&amp;amp;utm_source=exacttarget&amp;amp;utm_campaign=newsalert&amp;amp;utm_content=243710_12-11-2020_headline&amp;amp;utm_term=171882&quot;&gt;https://variety.com/2020/streaming/global/netflix-amazon-disney-plus-europe-1234848797/?utm_medium=email&amp;amp;utm_source=exacttarget&amp;amp;utm_campaign=newsalert&amp;amp;utm_content=243710_12-11-2020_headline&amp;amp;utm_term=171882&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;(...) France is asking that between 20%-25% of a streamer’s 
local revenues from subscriptions be invested in European product and 
85% spent on French-language content, the bulk of which must be 
commissioned to independent French producers, who’d be able to get some 
upside.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;
&lt;/span&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;s2&quot;&gt;“The dialogue is open and constructive. 
Of course, we don’t agree on everything, but there is a 
positive&amp;nbsp;dialogue,” says a Netflix spokesperson, who commented only on 
French negotiations. “We want to continue to invest significantly in 
France, and we want to be a long-term partner for the entire French 
creative community&amp;nbsp;and to make a positive impact.”&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;
&lt;/span&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;s2&quot;&gt;An Amazon spokesperson said the company 
has “engaged with producer bodies … to discuss Prime Video’s future 
investments in France.”&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;
&lt;/span&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Across Europe, there is also the matter of whether Netflix
 and other U.S. streamers should be allowed to benefit from the vast 
reservoir of European soft money that spans from regional funds to 
national tax rebates.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;
&lt;/span&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;s2&quot;&gt;In Italy, the key negotiator is Giancarlo
 Leone, who heads Italian TV producers’ association APA and is proposing
 to set the investment quota for streamers at 20% of revenue, with a 
lower rate permitted “if the rules of engagement are regulated.” &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;p2&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span class=&quot;s2&quot;&gt;&lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZD3e06TAF8wxg_-x8yh-UUQfFsOoSUd_1ufabeTsG1wJcKS4919LROocl-IJG7tyOzOZOLRqKinAEVCd1lLkV5AaE8AqeKHYJeX_mo1rciwefgRVjWOoNlQYAl82eSlJ9T2eUMwbMcc/s668/Screenshot_2020-12-11+Europe%25E2%2580%2599s+Streaming+Showdown+is+Coming+to+a+Head%25281%2529.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;413&quot; data-original-width=&quot;668&quot; height=&quot;344&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZD3e06TAF8wxg_-x8yh-UUQfFsOoSUd_1ufabeTsG1wJcKS4919LROocl-IJG7tyOzOZOLRqKinAEVCd1lLkV5AaE8AqeKHYJeX_mo1rciwefgRVjWOoNlQYAl82eSlJ9T2eUMwbMcc/w455-h344/Screenshot_2020-12-11+Europe%25E2%2580%2599s+Streaming+Showdown+is+Coming+to+a+Head%25281%2529.png&quot; width=&quot;455&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;hr /&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2020/12/producers-in-europe-vs-netflix-disney.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNO2GRCJGdf2z_qyqISAoGW-gwNGdVD8ccLovn69A5mSC-xHtjvsrLTS4R0rIUgwBfu27MRagzwCpKO8VFBmnsa8JR0PF7VdWCNOSmNa9rQpbDS11oXqu8IMYM0TLrZNZms3oCpgqVNcs/s72-w622-h363-c/Screenshot_2020-12-11+Europe%25E2%2580%2599s+Streaming+Showdown+is+Coming+to+a+Head.png" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-4416539152822529683</guid><pubDate>Fri, 11 Dec 2020 16:44:00 +0000</pubDate><atom:updated>2020-12-11T08:51:47.618-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">AMERICAN ELECTIONS FOR PRESIDENT</category><category domain="http://www.blogger.com/atom/ns#">JOE BIDEN</category><title>JOE BIDEN:&#39; “We are not enemies. We are Americans.”</title><description>&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;&amp;nbsp;Democrat Joe Biden 
defeated President Donald Trump to become the 46th president of the 
United States on Saturday and offered himself to the nation as a leader 
who “seeks not to divide, but to unify” a country gripped by a historic 
pandemic and a confluence of economic and social turmoil.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;Component-root-0-2-62 Component-p-0-2-53&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;“I
 sought this office to restore the soul of America,” Biden said in a 
prime-time victory speech not far from his Delaware home, “and to make 
America respected around the world again and to unite us here at home.”&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;Component-root-0-2-62 Component-p-0-2-53&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;Biden
 crossed the winning threshold of 270 Electoral College votes with a win
 in Pennsylvania. His victory came after more than three days of 
uncertainty as election officials sorted through a surge of mail-in 
votes that delayed processing. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW3EtQKLIebqDtwm_Q7VbQjIxjqbd7UIPIpzPLBNU8eBlTEUn-prKdiv7YG9cv7jo3qP9iNwn-M_HpPU3N5eSxbt9DdYghjY8Fa9l7Js1ukM3Tg59RRqlKNBcF20G5_AKYUBZl36vskzI/s800/800.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; height=&quot;258&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW3EtQKLIebqDtwm_Q7VbQjIxjqbd7UIPIpzPLBNU8eBlTEUn-prKdiv7YG9cv7jo3qP9iNwn-M_HpPU3N5eSxbt9DdYghjY8Fa9l7Js1ukM3Tg59RRqlKNBcF20G5_AKYUBZl36vskzI/w509-h258/800.jpeg&quot; width=&quot;509&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p class=&quot;Component-root-0-2-62 Component-p-0-2-53&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;Trump
 refused to concede, threatening further legal action on ballot 
counting. But Biden used his acceptance speech as an olive branch to 
those who did not vote for him, telling Trump voters that he understood 
their disappointment but adding, “Let’s give each other a chance.”&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;Component-root-0-2-62 Component-p-0-2-53&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span&gt;“It’s
 time to put away the harsh rhetoric, to lower the temperature, to see 
each other again, to listen to each other again, to make progress, we 
must stop treating our opponents as our enemy,” he said. “We are not 
enemies. We are Americans.”&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2020/12/joe-biden-we-are-not-enemies-we-are.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW3EtQKLIebqDtwm_Q7VbQjIxjqbd7UIPIpzPLBNU8eBlTEUn-prKdiv7YG9cv7jo3qP9iNwn-M_HpPU3N5eSxbt9DdYghjY8Fa9l7Js1ukM3Tg59RRqlKNBcF20G5_AKYUBZl36vskzI/s72-w509-h258-c/800.jpeg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-7961876282478374637</guid><pubDate>Mon, 01 Jun 2020 15:34:00 +0000</pubDate><atom:updated>2022-08-02T15:08:17.010-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">DECEMBER RIOTS</category><category domain="http://www.blogger.com/atom/ns#">DIMITRI VORRIS</category><category domain="http://www.blogger.com/atom/ns#">INDIE FEATURE</category><category domain="http://www.blogger.com/atom/ns#">MOBY</category><category domain="http://www.blogger.com/atom/ns#">MUSIC TRACKS</category><title>DECEMBER RIOTS: featuring four music tracks by Moby...</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;style-scope ytd-expander&quot; id=&quot;content&quot;&gt;&lt;br /&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;a href=&quot;https://vimeo.com/669752759&quot;&gt;&lt;span style=&quot;color: red;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;https://vimeo.com/669752759&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;Please visit www.decemberriots.com for more info. For Greek subs press CC.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;Highlights:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=52s&quot; spellcheck=&quot;false&quot;&gt;00:52&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; Murder footage of Alexis G. (Two cops murder in cold blood an unarmed 15 year-old student)&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=1923s&quot; spellcheck=&quot;false&quot;&gt;32:03&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; Autopsy. &lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=2743s&quot; spellcheck=&quot;false&quot;&gt;45:43&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &quot;A gap separates each and every one of us...&quot; Marina and Michael.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=2886s&quot; spellcheck=&quot;false&quot;&gt;48:06&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &quot;It&#39;s rock&#39;n&#39;roll down there man and the surf guitar is fuckin&#39; broken&quot;. &quot;Jimmyboy&quot; and &quot;Driver&quot;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=4304s&quot; spellcheck=&quot;false&quot;&gt;1:11:44&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &quot;It&#39;s gonna a bloody Christmas....&quot; . Sean and Marina.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=4446s&quot; spellcheck=&quot;false&quot;&gt;1:14:06&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; Murder 101 in the movie theater&#39;s bathroom. &quot;I just wanted to be friends...&quot;  Anna and Geraldine. &lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=4687s&quot; spellcheck=&quot;false&quot;&gt;1:18:07&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;  In the mountains of bloody madness (&quot;There&#39;s no future for us, Michael!&quot; Anna)... &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/watch?v=m7Tbbc5nY14&amp;amp;list=FLP_O6mItcxJWP5PdRN1qm-g&amp;amp;index=4&amp;amp;t=5100s&quot; spellcheck=&quot;false&quot;&gt;1:25:00&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;  Birth of a baby. (Lorena-Sean-Marina).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;For English Closed Captions please press CC. To watch the movie in the highest resolution possible for YouTube please choose HD 1080p.  The production of this film was financed independently without any EU, or state subsidies.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;..The plot of &quot;December Riots&quot; written, produced and directed by Dimitri Vorris, focuses on a group of seven characters, Europeans and Americans, trapped in a subterranean art-house movie theater during the 2008 riots, watching the all time classic masterpiece of Italian master&#39;s Luchino Visconti&#39;s &quot;Senso&quot;- that deals with love, decadence passion and betrayal, during tumultuous times and real historical events . While the outside cosmos has rioted because  of the  police killing of 15 year-old student Alexandros Gregoropoulos that sparked riots in over 70 cities worldwide... the filmgoers remain into relative safety, or so they think, to save their skins.  The arthouse &quot;theater&quot;, its &quot;owner&quot; and &quot;projectionist&quot; become a metaphor for a lost generation (-s)that feared to riot against the current. The film alternates between reality (the harsh, outside world) and fiction (the characters inside). Emotionally moved by the murder of an innocent child in cold-blood, and after seeing a rough cut of the film, multi award-winning internationally renowned composer Moby contributed four, never before published, tracks to the original sountrack of the film: 18, HOMEWARD ANGEL (LONG), BLACKROOM, THE LONELY NIGHT (PHOTEK REMIX).  ...Police violence. Interpersonal relationships’ violence. A looted country in despair. Seven characters trapped in an arthouse movie theater. A countdown to extinction... ....Three years before the movement of the “indignados” and OCCUPY WALL STREET there were “December Riots”. «DECEMBER RIOTS», is a feature length film written, produced and directed by Dimitri Vorris, was in post-production, while a new wave of riots swept Greece on June 29th, 2011. The film&#39;s epicenter is the cold-blooded execution of 15 year-old student Alexander Gregoropoulos by two policemen in a downtown Athens café on December 6, 2008.  ...Based on a real incident -the director himself was trapped on December 8, 2008 in a downtown arthouse movie theater during the 2008 riots-the independently financed, claustrophobic thriller, that was filmed entirely on location in Athens, Greece, focuses on a group of seven characters, Europeans and Americans, trapped in an art-house movie theater during the 2008 riots.   23 year-old newcomer British actress Lucy Lemos (Marina-DJ Lightdust), Duncan Skinner (&quot;Jimmyboy&quot;) , Fanis Katechos (&quot;Projectionist&quot;), prolific actor Avraam Papadopoulos (&quot;Theater Owner&#39;), popular comedian/director Nikos Giannikas (Sean) anchor a youthful and talented supporting cast that includes Vivian Ioannou (Anna), Aris Athan (&quot;Driver&quot;), Nasos Pappas (Jeff), Michael Angels (Michael), Louise Rheas (Lorena), Aris Pappas (Informant), Maria Floratou (Geraldine), Kostas Antalopoulos (&quot;Cleaner&quot;), Christina Mani (Riots Chronicle Narrator).&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;“...
 Independent production, handmade, and made possible with countless 
fights on the side of its creator, December Riots, comes to remind us 
the life we never lived, the fight we never fought and the reasons we 
got here, with bowed heads and humiliated lives ... &quot; Chrisostomakis 
Laktaridis, DOCTV.GR&amp;nbsp;&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot; style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&quot;December Riots is important, timely, and hits it&#39;s mark. Acclaimed Greek-born filmmaker Dimitri Vorris has beautifully interwoven fact and fiction, to create a dramatic tale, that is both horrifying and thought-provoking&quot;. Christopher Martini, Director-Producer &quot;The Stone Child&quot;, &quot;Trooper&quot; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23DecemberRiots&quot; spellcheck=&quot;false&quot;&gt;#DecemberRiots&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23indie&quot; spellcheck=&quot;false&quot;&gt;#indie&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23feature&quot; spellcheck=&quot;false&quot;&gt;#feature&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23comingsoon&quot; spellcheck=&quot;false&quot;&gt;#comingsoon&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23December6&quot; spellcheck=&quot;false&quot;&gt;#December6&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23Greeceburns4allofus&quot; spellcheck=&quot;false&quot;&gt;#Greeceburns4allofus&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;style-scope ytd-video-secondary-info-renderer&quot; id=&quot;description&quot;&gt;
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&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23DecemberRiots&quot; spellcheck=&quot;false&quot;&gt;#DecemberRiots&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23indie&quot; spellcheck=&quot;false&quot;&gt;#indie&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23feature&quot; spellcheck=&quot;false&quot;&gt;#feature&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23comingsoon&quot; spellcheck=&quot;false&quot;&gt;#comingsoon&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23December6&quot; spellcheck=&quot;false&quot;&gt;#December6&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &lt;/span&gt;&lt;a class=&quot;yt-simple-endpoint style-scope yt-formatted-string&quot; dir=&quot;auto&quot; href=&quot;https://www.youtube.com/results?search_query=%23Greeceburns4allofus&quot; spellcheck=&quot;false&quot;&gt;#Greeceburns4allofus&lt;/a&gt;&lt;span class=&quot;style-scope yt-formatted-string&quot; dir=&quot;auto&quot;&gt; &quot;Dimitri Vorris&#39;s DECEMBER RIOTS arrives like a storm that signals the times are a-changing again and that as a world we&#39;re on the cusp between despair and hope.&quot; Amos Poe, Filmmaker, Leading figure of the No Wave Cinema Movement, &quot;UNMADE BEDS&quot;, &quot;THE FOREIGNER&quot;, &quot;SUBWAY RIDERS&quot;, &quot;EMPIRE II&quot;, &quot;THE GUITARS&quot;, &quot;ROCKET GIBRALTAR&quot;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;iframe allow=&quot;autoplay; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;900&quot; src=&quot;https://player.vimeo.com/video/669752759?h=daf5b83c23&amp;amp;title=0&amp;amp;byline=0&amp;amp;portrait=0&amp;amp;speed=0&amp;amp;badge=0&amp;amp;autopause=0&amp;amp;player_id=0&amp;amp;app_id=58479&quot; title=&quot;16 1 2015 DECEMBER RIOTS&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;



&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2020/06/december-riots-film-h-e-featuring-4.html</link><author>noreply@blogger.com (CAP 76)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-4438777470970623230</guid><pubDate>Fri, 13 Mar 2020 10:10:00 +0000</pubDate><atom:updated>2020-03-13T03:10:01.827-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Coronavirus</category><category domain="http://www.blogger.com/atom/ns#">Panic</category><category domain="http://www.blogger.com/atom/ns#">Pill</category><title>THE SAME PEOPLE WHO SSPEAD THE PANIC, SELL THE PILL!</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2020/03/the-same-people-who-sspead-panic-sell.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2no2Ofr_erlKFAUdcuJHnxPn_3hpjb0le6JUgLzXAi9e6MFaV2St9b24kLYwLb7NVR_DUwfT2LryjGZGlLg6rH-zgD2QEbkc1Kk-bsBn0wFFwBN1vWVzWE9sgPt2aPJ40hG7msif2d1Q/s72-c/89826925_158208902312454_6850809755829534720_n.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-100337817689678513</guid><pubDate>Sat, 07 Dec 2019 14:07:00 +0000</pubDate><atom:updated>2020-03-13T03:10:29.900-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Alex Pissios</category><category domain="http://www.blogger.com/atom/ns#">Chicago</category><category domain="http://www.blogger.com/atom/ns#">Cinespace film studios</category><category domain="http://www.blogger.com/atom/ns#">Nick Mirkopoulos</category><title>Remembering Nick Mirkopoulos, founder of cinespace Studios in Toronto, Chicago</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
SIX YEARS HAVE PASSED SINCE THE DEATH FROM CANCER OF MY DEAR FRIEND NICK MIRKOPOULOS, FOUNDER OF CINESPACE STUDIOS IN CHICAGO AND TORONTO... &lt;br /&gt;
In 2007, Alex Pissios, a real estate developer and his uncle Nick 
Mirkopoulos started Cinespace Film Studios in Chicago, which today is 
the biggest independent movie studio outside of Hollywood.
&lt;br /&gt;
Nick launched Cinespace Film Studios in Toronto 20 years earlier. The
 family’s film business was never planned and unexpected for Nick who 
was an electrician and decided, along with his brothers, after they 
arrived in Toronto from Greece in the late 1960s to buy and repurpose 
old commercial and industrial buildings. It was in the mid 1980s when 
Nick took the opportunity to convert some of those buildings into film 
studios.&lt;br /&gt;
&lt;br /&gt;
&lt;figure aria-describedby=&quot;caption-attachment-17233&quot; class=&quot;wp-caption alignnone thb-pin-it-container&quot; id=&quot;attachment_17233&quot; style=&quot;width: 1024px;&quot;&gt;&lt;img alt=&quot;Nick Mirkopoulos&quot; class=&quot;size-large wp-image-17233 thb-pinned&quot; height=&quot;467&quot; src=&quot;https://greekcitytimes.com/wp-content/uploads/2018/01/79058654-1024x748.jpg&quot; title=&quot;How a Greek family built a multi-billion Film Studio in Chicago 3&quot; width=&quot;640&quot; /&gt;&lt;figcaption class=&quot;wp-caption-text&quot; id=&quot;caption-attachment-17233&quot;&gt;*Founder Nick Mirkopoulos&lt;/figcaption&gt;&lt;/figure&gt;
The Cinespace Film Studios in Toronto are known for hosting many hit 
TV series and films, including “Chicago,” which won an Oscar for best 
picture, and “Handmaid’s Tale,” a Hulu series that won a 2018 Golden 
Globe nomination for best actress. With such a huge success, Nick wanted
 to expand.&lt;br /&gt;
At the same time, his nephew Alex Pissios and his wife Patricia, 
along with their four children, were in a tough situation with the real 
estate collapse and were facing bankruptcy and eviction from their 
family home.&lt;br /&gt;
It was at a cousin’s wedding that Alex and Nick, an uncle he barely 
knew, struck up a conversation that led to a huge change in both their 
lives. Nick paid off Alex’s 11 million dollar debt and the two struck up
 a family partnership, launching Cinespace Film Studios in Chicago.&lt;br /&gt;
Today, Cinespace Chicago brings Hollywood to Chicago, specialising in
 the development, management and operation of studio space and support 
facilities for the film, television, and digital media production 
industry.&lt;br /&gt;
Pissios claims Cinespace has helped create 7,500 film-related jobs 
since it opened and has contributed billions of dollars in revenue to 
the local economy.&lt;br /&gt;
&lt;br /&gt;
&lt;figure class=&quot;thb-pin-it-container aligncenter&quot; style=&quot;width: 630px;&quot;&gt;&lt;img alt=&quot;Cinespace&quot; class=&quot;size-full wp-image-17235 thb-pinned&quot; height=&quot;472&quot; src=&quot;https://greekcitytimes.com/wp-content/uploads/2018/01/image.jpg&quot; title=&quot;How a Greek family built a multi-billion Film Studio in Chicago 5&quot; width=&quot;630&quot; /&gt;&lt;/figure&gt;
Cinespace is now home to producer Dick Wolf’s successful “Chicago” 
franchise — Chicago Med, Chicago Fire and Chicago PD, as well as TV 
shows Empire and Shameless, and productions from Netflix, Amazon and 
Hulu. Several feature films have also been produced here, including 
“Divergent” and “Batman v Superman: Dawn of Justice.”&lt;br /&gt;
In 2015, Cinespace Chicago launched an incubator for filmmakers 
called Stage 18 to provide workspace, programming and event space to 
help develop the local filmmaking community. Its goal is to keep local 
talent from leaving for opportunities in Los Angeles and New York City, 
and also organises events such as script feedback for budding 
filmmakers, plus the opportunity to pitch projects to investors.&lt;br /&gt;
&lt;br /&gt;
&lt;figure aria-describedby=&quot;caption-attachment-17236&quot; class=&quot;wp-caption alignnone thb-pin-it-container&quot; id=&quot;attachment_17236&quot; style=&quot;width: 1024px;&quot;&gt;&lt;img alt=&quot;Cinespace&quot; class=&quot;size-large wp-image-17236 thb-pinned&quot; height=&quot;680&quot; src=&quot;https://greekcitytimes.com/wp-content/uploads/2018/01/slide_2-1024x680.jpg&quot; title=&quot;How a Greek family built a multi-billion Film Studio in Chicago 6&quot; width=&quot;1024&quot; /&gt;&lt;figcaption class=&quot;wp-caption-text&quot; id=&quot;caption-attachment-17236&quot;&gt;Cinespace studio Chicago&lt;/figcaption&gt;&lt;/figure&gt;
To give back to the community, Cinespace Chicago also expanded and 
offers nearby DePaul University space for classes that teach filmmaking 
to the next generation of artists, as well as establishing the CineCares
 Foundation, providing Chicago residents with education and job training
 in TV and film. The family is very charitable and are always willing to
 support the community.&lt;br /&gt;
Pissios looking ahead into the future, says his dream is to create a 
back lot on Cinespace’s property where building façades can be made to 
look like New York City brownstones or cities like London and Paris. It 
would be the only back lot outside of Los Angeles, and he says it would 
save filmmakers time and money by eliminating the need to shoot on 
location.&lt;br /&gt;
For the moment though, Pissios never loses sight of one of the 
biggest lessons he learned from his late uncle, who passed away in 2013.
 “He always told me to do things from my heart,” he says. “Nick was a 
very stern and smart businessman. He didn’t give handouts; he gave 
people opportunities. If he believed in you, he gave you a chance, 
always.” In his office, Pissios keeps a framed copy of his eviction 
notice, a gift from Uncle Nick. “He wanted me to remember where I came 
from, and I do,” he points out. “Every day, I come to work with a smile 
on my face, and I try to find ways to pay this forward.&lt;br /&gt;
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&amp;nbsp;
https://greekcitytimes.com/2018/01/04/greek-family-built-multi-billion-booming-film-studio-chicago/ &lt;/div&gt;
&lt;/footer&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/12/remembering-nick-mirkopoulos-founder-of.html</link><author>noreply@blogger.com (CAP 76)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-5590917572854587279</guid><pubDate>Fri, 06 Dec 2019 20:38:00 +0000</pubDate><atom:updated>2022-08-02T14:58:28.962-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">DECEMBER RIOTS</category><category domain="http://www.blogger.com/atom/ns#">FILM</category><category domain="http://www.blogger.com/atom/ns#">MURDER</category><category domain="http://www.blogger.com/atom/ns#">POLICE BRUTALITY</category><title></title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;reviews&quot;&gt;&lt;i&gt;“... Independent, handmade, and made possible with countless  fights on the side of its creator, December Riots,  comes to remind us the life we never lived, the fight we never fought  and the reasons we got here, with bowed heads and humiliated lives ...&quot;&lt;/i&gt;&lt;br /&gt;
&lt;div align=&quot;right&quot;&gt;
&lt;b&gt;Chrisostomakis Laktaridis - &lt;a href=&quot;https://www.doctv.gr/&quot;&gt;doctv.gr&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;
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The film, featuring tracks by electronic music superstar Moby, focuses  on the murder in cold blood of 15 year-old student Alexandros  Gregoropoulos by two policemen on December 6, 2008. The incident sparked  riots in over 70 cities worldwide. In the clip MURDER 101 actresses Vivian Ioannou and Maria Floratou and  are resolving some differences from the not the so distant past. In the clip Marina/DJ Lightdust (Lucy Lemos) and Michael  (Michael  Angels) are pondering their next move together. The film follows, in parallel action while the gruesome reality of  December riots unfolding, seven different characters trapped in a  subterranean arthouse cinema during the riots, a bunch of characters  that despise and hate each other to death. And are afraid to go out and  stay put. More on decemberriots.com Description Filming of “December Riots&quot; wrapped in Athens, while a second wave of  riots swept Greece on December 6th 2010, marking the two-year  anniversary of the cold-blooded execution of 15 year-old student  Alexander Gregoropoulos by two policemen in a downtown Athens café.  &quot;December Riots,&quot; a film about the Gregoropoulos killing and the 2008  riots that followed, is produced, and directed by Dimitri Vorris.&amp;nbsp;&lt;/div&gt;&lt;div align=&quot;right&quot;&gt;The  filmmaker acquired exclusive access to many never-before-seen court  documents and evidence from the trial that followed Gregoropoulos’s  killing. Plot Outline The claustrophobic thriller focuses on a group of Europeans and  Americans trapped in an art-house movie theater in downtown Athens  during the 2008 riots. 23 year-old British actress Lucy Lemos, prolific  actor Abraham Papadopoulos, popular comedian-director Nikos Yannikas  anchor a youthful and talented supporting cast that includes Vivian  Ioannou, Aris Athan, Nasos Pappas, Michael Angels, Louise Rheas, Aris  Papargyropoulos, Maria Floratou, Kostas Antalopoulos.&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/12/blog-post.html</link><author>noreply@blogger.com (CAP 76)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-7113869083791516683</guid><pubDate>Mon, 07 Oct 2019 15:23:00 +0000</pubDate><atom:updated>2019-10-07T08:26:50.145-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Anniversary</category><category domain="http://www.blogger.com/atom/ns#">Salonica Jews</category><category domain="http://www.blogger.com/atom/ns#">SONDERKOMMANDO</category><category domain="http://www.blogger.com/atom/ns#">Uprising</category><title>Anniversary of the &quot;Sonderkommando&quot; revolt</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;THE SONDERKOMMANDO REVOLT AT DEATH CAMP AUSCHWITZ-BIRKENAU WAS ORGANIZED
 BY SALONICA JEWS: ...One action will stand out alongside the Warsaw 
Ghetto Uprising and that is the Revolt of the Sonderkommando in 
Auschwitz-Birkenau on October 7, 1944. This was an uprising in which 
Sephardi and Greeks Jews both helped plan and execute and left a 
memorable list of heroes and martyrs to posterity. Their victory was 
dual: it was a psychological victory over the Nazis who now feared the J&lt;span class=&quot;text_exposed_show&quot;&gt;ews
 in the camps and hastened their declining confidence in winning or even
 surviving the war and secondly, they died as free men in the tradition 
of Greek noble death, an outcome that has become part of western 
tradition, namely to fight against all odds until the very end and deny 
the enemy the opportunity to loot and gloat. The world forgets not only 
that Sephardic Jewry suffered during the Holocaust too, but that Jews 
were brave enough to revolt and fight under the most hopeless 
circumstance They are hungry, tortured, abused, sick, ailing, armed only
 with an ingenious plot and self-made guns and explosives. Against the 
Empire of the Third Reich. They are performing the ultimate sacrifice 
for their fellow man and woman.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/10/the-sonderkommando-revolt-at-death-camp.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZL5HQhmHR-PBD6Gu3UgVlM9hxaq2CcK5cyPkzEyOEvmORYoPrM0DE69ctLYfX54_o7G-MzT4lslwsVhBTYHaMYcUTEL9OQ1FnNYIfoEZpmmbGJCnZH5oA3PJf7-poWx6_5TkDh8aewQE/s72-c/BirkenauMap.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-4662650069036088300</guid><pubDate>Wed, 02 Oct 2019 13:15:00 +0000</pubDate><atom:updated>2019-10-02T06:15:19.357-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">HOW TO WRITE AND DIRECT MOVIES</category><category domain="http://www.blogger.com/atom/ns#">QUIENTIN TARANTINO</category><category domain="http://www.blogger.com/atom/ns#">STUDIO BINDER</category><title>Quentin Tarantino: How to Write and Direct Movies</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;iframe allow=&quot;accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/6V1Sm0WCtHU&quot; width=&quot;560&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;When Quentin Tarantino debuted in 1992 with&amp;nbsp;&lt;em&gt;Reservoir Dogs&lt;/em&gt;, and even more so when he followed it up with the cinematic phenomenon that was &lt;em&gt;Pulp&lt;/em&gt; &lt;em&gt;Fiction&lt;/em&gt;,
 the viewers most dubious about the young auteur&#39;s cultural staying 
power dismissed his movies as elevations of style over substance. 
Whether or not Tarantino has converted all his early critics over the 
past 27 years, he&#39;s certainly demonstrated that style can constitute a 
substance of its own.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;
&lt;/span&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Even many who didn&#39;t care for his latest picture, this year&#39;s &lt;em&gt;Once Upon a Time in Hollywood&lt;/em&gt;,
 nevertheless expressed gratitude at the release of a lavish, 
large-scale film packed full of ideas, references, set pieces, and jokes
 — an increasingly rare achievement, or even aspiration, among 
non-Tarantino filmmakers. How does he do it? &lt;a href=&quot;https://www.youtube.com/watch?v=6V1Sm0WCtHU&quot;&gt;The Director&#39;s Chair profile video&lt;/a&gt; above, and the accompanying &lt;a href=&quot;https://www.studiobinder.com/blog/shot-lists-quentin-tarantino/&quot;&gt;Studio Binder essay by Matt Vasiliauskas&lt;/a&gt;, identifies the essential elements that constitute the Tarantinian style and Tarantinian substance.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;http://www.openculture.com/2019/10/quentin-tarantino-explains-how-to-write-direct-movies.html&quot;&gt;http://www.openculture.com/2019/10/quentin-tarantino-explains-how-to-write-direct-movies.html&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/10/quentin-tarantino-how-to-write-and.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/6V1Sm0WCtHU/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-1627763165517823875</guid><pubDate>Wed, 02 Oct 2019 12:58:00 +0000</pubDate><atom:updated>2019-10-02T06:06:28.847-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">FILMING</category><category domain="http://www.blogger.com/atom/ns#">IRISHMAN</category><category domain="http://www.blogger.com/atom/ns#">MARTIN SCORCESE</category><category domain="http://www.blogger.com/atom/ns#">ROBERT DENIRO</category><title>Scorcese filming &quot;The Irishman&quot; in New York with Robert De Niro (VIDEO)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/tflmeFRdV64&quot; width=&quot;560&quot;&gt;&lt;/iframe&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Martin Scorsese filming The Irishman with Robert De Niro in Ridgewood,  New York  The Irishman is an American biographical crime film directed by Martin  Scorsese and written by Steven Zaillian, based on the book I Heard You  Paint Houses by Charles Brandt. The film stars Robert De Niro, Al  Pacino, Joe Pesci, Anna Paquin, Bobby Cannavale, Harvey Keitel, and Ray  Romano. The film is tentatively set to be released by Netflix in 2019.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Robert Anthony De Niro Jr. is an American actor, producer, and director  who holds both American and Italian citizenship. De Niro was cast as the  young Vito Corleone in the 1974 film The Godfather Part II, for which  he won the Academy Award for Best Supporting Actor. His longtime  collaboration with director Martin Scorsese earned him the Academy Award  for Best Actor for his portrayal of Jake LaMotta in the 1980 film  Raging Bull. He received the AFI Life Achievement Award in 2003, the  Golden Globe Cecil B. DeMille Award in 2010, and the Presidential Medal  of Freedom from President Barack Obama in 2016.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;Martin Charles Scorsese is an American director, producer, screenwriter,  and film historian, whose career spans more than 50 years. Part of the  New Hollywood wave of filmmaking, he is widely regarded as one of the  most significant and influential filmmakers in cinematic history. He is a  recipient of the AFI Life Achievement Award for his contributions to  the cinema, and has won an Academy Award, a Palme d&#39;Or, Cannes Film  Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden  Globes, BAFTAs, and DGA Awards.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/10/scorcese-filming-irishman-in-ridgewood.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/tflmeFRdV64/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-515495421842502230</guid><pubDate>Wed, 02 Oct 2019 12:54:00 +0000</pubDate><atom:updated>2019-10-02T06:06:09.927-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">DGA</category><category domain="http://www.blogger.com/atom/ns#">DIRECTORS GUILD OF AMERICA</category><category domain="http://www.blogger.com/atom/ns#">MARTIN SCORCESE</category><category domain="http://www.blogger.com/atom/ns#">QUENTIN TARANTINO</category><title>Martin Scorcese and Quentin Tarantino: Two storytellers in the same interview.</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Martin Scorsese and Quentin Tarantino 
are born storytellers, not just in their movies—which bear each 
director&#39;s unmistakable stamp—but in their deep-seated appreciation for 
the medium. While they hail from different generations—Scorsese was 
among the first wave of film school grads in the mid &#39;60s, and 
Tarantino&#39;s rise coincided with the indie film revolution of the early 
&#39;90s—their passion and knowledge of cinema place them on equal footing. 
No genre escapes their grasp, whether it&#39;s prestige studio releases or 
B-movie potboilers, splashy musicals or noirish thrillers, art-house 
fare or spaghetti Westerns. They&#39;ve been dining on this grand buffet all
 their lives, and it shows in their own work, in the characters they&#39;ve 
created, and the lens through which they view the world. This is a 
particularly conspicuous year for both filmmakers: Tarantino&#39;s &lt;i&gt;Once Upon a Time… in Hollywood&lt;/i&gt; has galvanized critics and audiences alike since its debut at Cannes, while anticipation runs high for Scorsese&#39;s &lt;i&gt;The Irishman&lt;/i&gt;,
 for which the director has spent considerable time in post dealing with
 digitally de-aging his leads. The two sat down for the &lt;i&gt;DGA Quarterly&lt;/i&gt;
 to talk directors, influences and violence as catharsis, among other 
topics. This is an edited version of their conversation. –Steve 
Chagollan&lt;/span&gt;&lt;/div&gt;
&lt;img alt=&quot;&quot; src=&quot;https://www.dga.org/-/media/Images/DGAQ-Article-Images/1904-Fall-2019/DGAQFall2019ConversationScorseseTarantino.ashx?h=551&amp;amp;w=450&amp;amp;la=en&amp;amp;hash=8F5E99F0935EC9E33DC8E75FDEE8B855295FAEA7&quot; style=&quot;height: 551px; width: 450px;&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: red;&quot;&gt;READ MORE: &lt;/span&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.dga.org/Craft/DGAQ/All-Articles/1904-Fall-2019/Conversation-Scorsese-Tarantino.aspx&quot;&gt;&lt;span style=&quot;color: red;&quot;&gt;https://www.dga.org/Craft/DGAQ/All-Articles/1904-Fall-2019/Conversation-Scorsese-Tarantino.aspx&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/10/martin-scorsese-and-quentin-tarantino.html</link><author>noreply@blogger.com (CAP 76)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-2014171030788994092</guid><pubDate>Sat, 15 Jun 2019 09:29:00 +0000</pubDate><atom:updated>2019-06-15T02:29:29.936-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">START BUTTON APP</category><category domain="http://www.blogger.com/atom/ns#">WGA</category><category domain="http://www.blogger.com/atom/ns#">WGAW</category><title>WGA: The Start Button Application And How To Use It To Make Money</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;270&quot; src=&quot;https://www.youtube.com/embed/TSGiLe81290&quot; width=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;...Writers Guild of America has rolled out several new tools to help
 members better represent themselves without agents, including the &lt;a href=&quot;https://secure.wga.org/employers/employment/pilots-list-staffing-submission-system&quot;&gt;Staffing Submission System&lt;/a&gt;, the &lt;a href=&quot;https://my.wga.org/home/featureMemo.aspx&quot;&gt;WGA Weekly Feature Memo&lt;/a&gt;, and the &lt;a href=&quot;https://directories.wga.org/&quot;&gt;Find A Writer&lt;/a&gt; directory.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;

&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;For screenwriters working on assignment – and TV writers working on 
pilots – an existing WGAW tool can be especially helpful in confronting 
the twin problems of free work and late pay.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;

&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The &lt;a href=&quot;https://www.wga.org/contracts/enforcement/start-button&quot;&gt;Start Button&lt;/a&gt;
 is a simple way to record when you begin working on a draft and when 
you hand it in. It helps the Guild protect writers from abusive requests
 for unpaid rewrites and delayed checks.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;

&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;I made a little video to walk writers through how the Start Button 
works, and why members should make it standard practice when beginning 
an assignment.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;https://johnaugust.com/2019/getting-started-with-the-start-button&quot; target=&quot;_blank&quot;&gt;&amp;nbsp;READ MORE HERE&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;https://johnaugust.com/2019/getting-started-with-the-start-button &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/06/wga-start-button-application-and-how-to.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/TSGiLe81290/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-4342985403599876974</guid><pubDate>Wed, 12 Jun 2019 14:04:00 +0000</pubDate><atom:updated>2019-06-15T02:24:53.473-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">CLASSIC HOLLYWOOD PORTRAITS</category><category domain="http://www.blogger.com/atom/ns#">GRETA GARBO</category><title>Great Greta: Classic Hollywood Portraits</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;b&gt;&lt;i&gt;.. The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of the theater these faces are vast, glowing, isolated, but fugitive; still photographs extend these moments, make them permanent. Hollywood grasped this value early on, in the days when after their runs in theaters films would often vanish forever...&lt;/i&gt;&lt;br /&gt;
READ MORE:&lt;/b&gt;&lt;br /&gt;
https://www.criterion.com/current/posts/6365-shooting-stars&lt;br /&gt;
&lt;br /&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/06/great-classic-hollywood-portraits-greta.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMfKjggsDZ2sgRLQ5xTndL_5xROAonF-jFs_8tsuIMMAvlVZXNP3MQX68NuidXBR6YWgiBvfiLM9MclwCdIpud7ynPq5Ir08u4CR0mpuJMMbTJxmKm8AWCtLBl3zsHkz3TnBsQvx52FHI/s72-c/GARBO+2.jpeg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-5491042931610753910</guid><pubDate>Sat, 01 Jun 2019 10:23:00 +0000</pubDate><atom:updated>2019-06-01T03:23:44.910-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">AGENCIES CONFLICTS OF INTEREST</category><category domain="http://www.blogger.com/atom/ns#">WGA</category><title>WGA: Agencies confilcts of interest explained in video</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;270&quot; src=&quot;https://www.youtube.com/embed/v5p6urW6c7I&quot; width=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;It can be hard to understand exactly how agency packaging fees and 
producing impacts writers’ salaries. This short explainer video does a 
great job visualizing the issues, and looking at why the WGA is in 
negotiations to address agency conflicts of interest.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Hollywood talent agencies have a business model rife with conflicts of 
interest. This means they do what’s best for them, even if it’s not best
 for their clients. These conflicts hurt writers. The situation is bad, 
and it’s getting worse.

To find out what the WGA is doing about it, go to WGA.org.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/06/wga-agencies-confilcts-of-interest.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/v5p6urW6c7I/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-391518429912266340</guid><pubDate>Wed, 29 May 2019 13:38:00 +0000</pubDate><atom:updated>2019-05-29T06:38:03.218-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">BRIAN DE PALMA</category><category domain="http://www.blogger.com/atom/ns#">IN 6  MINUTES</category><title>Brian De Palma in 6 minutes (mashup trailer)</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;270&quot; src=&quot;https://www.youtube.com/embed/yaKv5Kbpxcg&quot; width=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Edited by Romain Lehnhoff. &lt;br /&gt;Le Movie Geek&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/05/brian-de-palma-in-6-minutes-mashup.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/yaKv5Kbpxcg/default.jpg" height="72" width="72"/></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6857134396950944110.post-2695445050873300692</guid><pubDate>Wed, 29 May 2019 13:15:00 +0000</pubDate><atom:updated>2019-05-29T06:15:56.493-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">IF I WAS WHITE</category><category domain="http://www.blogger.com/atom/ns#">TUPAC SHAKUR</category><title>Tupac Shakur on Life and Death | Blank on Blank</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;270&quot; src=&quot;https://www.youtube.com/embed/6x2FqX2YZws&quot; width=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&quot;If I was white I would have been like John Wayne... I feel like a tragic hero in a Shakespeare play&quot; - Tupac Shakur

Interview by Benjamin Svetkey
March 1994.
Microcassette recorder.
Related profile appeared in Entertainment Weekly.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;JIMMY V&lt;/div&gt;</description><link>http://vorris.blogspot.com/2019/05/tupac-shakur-on-life-and-death-blank-on.html</link><author>noreply@blogger.com (CAP 76)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/6x2FqX2YZws/default.jpg" height="72" width="72"/></item></channel></rss>