we are not sharing.

fever ray

noreply@blogger.com (girl 6) — Sun, 22 Feb 2009 06:52:00 +0000

The lead singer of The Knife (Karin Elisabeth Dreijer Andersson) is releasing a solo album under the name Fever Ray. The first single "If I Had A Heart" was released in mid-December and "When I Grow Up" is the second single released from the album and it's awesome! The album is set to be released at the end of March. Happy listening!

outside will always be in.

noreply@blogger.com (girl 2) — Thu, 19 Feb 2009 17:15:00 +0000

a recent late night partial viewing of High Fidelity (i have a habit of accidentally falling asleep), led me to follow up on The Beta Band...a early 00's group that is sadly no more. the video above is one of two singles off their final studio album.

a modern cult classic band, featured in a modern cult classic film...i am happy to follow.

xo.

womanizer

noreply@blogger.com (girl 6) — Sun, 15 Feb 2009 12:36:00 +0000

I'm not sure if I will be forever shunned from the blog for posting this, but the truth is I love covers, so this song is of course no exception. Have a listen to Lily Allen's cover of womanizer.

my gr8est mix for 2008

noreply@blogger.com (girl 6) — Fri, 16 Jan 2009 12:39:00 +0000

It can be difficult to narrow down your favourite songs of the year onto one CD, so this year I figured I'd make my life a bit easier and go with a theme. Since I moved to South Korea in 2008 to become an English teacher, I thought it was only appropriate for that to be the theme of my CD. I wanted to share my playlist, as well as my reasoning behind selecting this track listing. Ok so here it goes...

1. Me & My Man (Whitey vs. Chromeo Fly Whitey Remix) - Chromeo
I suffer from a little something known as the "travel bug" so naturally after graduating university I wanted to get away....

2. Far Away - Cut Copy
far far away....

3. Paper Planes (DFA remix)- M.I.A
so I hopped on a plane....

4. Thursday (The Twelves Remix) - Asobi Seksu
and moved to an Asian country known as South Korea (not to be confused with Japan, but Asobi Seksu is better than any K-pop out there)...

5. Embrace the Martian (feat. KiD CuDi) - KiD CuDi
I had to get an "alien" card from the Immigration Office once I arrived....

6. Blind - Hercules and Love Affair
and sometimes I find it very difficult to understand the things around me since I can't read anything around me, because I have yet to learn their alphabet...

7. Crying - TV on the Radio
so I cried a little bit for feeling illiterate...

8. House Jam - Gang Gang Dance
but eventually accepted Seoul as my new home...

9. Little Kids - Deerhunter
because I love teaching the little kiddies....

10. Talk Like That - The Presets
even though sometimes they make me a little crazy when they speak Korean....

11. Your English Is Good- Tokyo Police Club
they have amazing English skills for itty bitty kindergartens....

12. Say Aha - Santogold
They love playing this game where they repeat every. single. thing. I. say.

13. Plastic People - Kraak and Smaak
I think Koreans are very beautiful people...like plastic people...and because of my "yellow" hair, I occasionally get called a Barbie doll...

14. She's Expensive - The Virgins
They never let a fun night come to an early end because the bars are open forever!

15. The Vowels Pt. 2 - Why?
Now for the comforts that I miss....CHEERIOS!

16. Bryn - Vampire Weekend
and of course my loving father...bryn....

17. The Girl - City & Colour
but at the end of the day I'll live without cheerios for the year while I'm chasing my dreams by touring around the world...

the end.

this is how i like my beats.

noreply@blogger.com (girl 6) — Fri, 28 Nov 2008 10:28:00 +0000

It's no mystery that I'm a sucker for a good electro beat, so my next share inevitably falls into the "remix" category.
This track comes from Terry Lynn's EP "Kingstonlogic: The Remixes." It combines Greg Kobe's electro beat with Terry Lynn's powerful lyrics that paint a picture of the harsh reality that defines the present state of affairs in Kingston, Jamaica. In my opinion, the end result comes up nothing short of brilliant.

Terry Lynn - Kingstonlogic (Greg Kobe Remix)

i've got your number.

noreply@blogger.com (girl 2) — Mon, 10 Nov 2008 04:47:00 +0000

i'm sharing my song obession of the week.
i'll spare you the sickeningly sweet story of how this band came to be.
it's addictive. mostly happy-go-lucky with enough quirk that it's not annoying.
Passion Pit play the Horseshoe Saturday Jan 24.

Passion Pit - I've Got Your Number

Snow/Fall

noreply@blogger.com (Danielle O'Hanley) — Sat, 01 Nov 2008 17:31:00 +0000

A playlist for November, right on time. Take a break from life/studying/work to dance in the leaves and frolic in the snow.

Tracklist:
1 // Elliott Smith - Rose Parade
2 // Broken Social Scene - Stars & Sons
3 // Mother Mother - O My Heart
4 // Salt - So
5 // Snailhouse - The Medicine Makes My Heart Beat A Little Faster
6 // Joan Baez - Here's To You
7 // Beirut - Scenic World
8 // Cold War Kids - Saint John
9 // White Stripes - Jumble, Jumble
10 // Green Go - Watch Your Step
11 // Shout Out Out Out Out - Procrastinator's Fight Song
12 // Clap Your Hands Say Yeah - The Skin of My Yellow Country Teeth
13 // Chinese Food - Red Head Heart
14 // Danielson - Bloodbook on the Half Shell

Download, as usual, here

rrrrrrrrremix

noreply@blogger.com (girl 6) — Mon, 27 Oct 2008 17:33:00 +0000

hello,

i wanted to share a little ditty that i just can't seem to get out of my head. the virgins on their own are fun and dancy, but when the twelves does a remix of one of their songs...well this is the result. enjoy!

the prettiest little cover i ever did hear.

noreply@blogger.com (girl 2) — Mon, 27 Oct 2008 02:25:00 +0000

Ane Brun is one of many gems to come out of Sweden.
her cover of 'true colours' is nothing short of magical.
she plays the el mocambo in toronto, november 7.

True Colours - Ane Brun
True Colours (live) - Ane Brun

A Change of Pace (October Playlist)

noreply@blogger.com (Danielle O'Hanley) — Mon, 06 Oct 2008 17:48:00 +0000

Hi friends,

Here is a playlist for the month. I believe this will be a good accompaniment to a nice, fall day. To be listened to on a short walk (leaf-kicking is a must), followed by tea and blankets and general coziness.

1 // Fleet Foxes - Your Protector
2 // Women - Lawncare
3 // The Lovely Feathers - Photo Corners
4 // Spiral Beach - New Clouds
5 // Of Montreal - For Our Elegant Caste
6 // Portual, the man - How the Leopard Got His Spots
7 // TV On The Radio - Dancing Choose
8 // Pixies - Break My Body
9 // Gowns - Fake July
10 // Rilo Kiley - Ripchord
11 // The Real Tuesday Weld- Apart
12 // Innocence Mission - Lakes of Canada
13 // Dan le Sac vs. Scroobius Pip - Magician's Assistant

enjoy & download here.

just call it music...

noreply@blogger.com (girl 2) — Mon, 18 Aug 2008 16:30:00 +0000

Free Sol =
hip hop, soul and a little bit of rock.
kind of.
anti-typical,
i caught them at this year's Lollapalooza,
they were without doubt, a highlight.

the four piece includes:
Premo Danger on keys
(a very large and entertaining man)
Kickman Teddy on drums
(he opened up the show with a solo that lived up to his name.)
Elliot Ives on guitar and singing hooks
(a deceptively skinny-nerd type, with a whole lot of soul)
and, Chistopher ‘Free Sol’ Anderson on the mic.

an age old story of boy meets music,
boy falls in love with music.
boy gets signed to Justin Timberlake's label: Tennman Records.

i’m making it sound simple.
it wasn’t.
but they’re moving faster than the internet can document.

they’ve earned their stripes through relentless touring,
sharing the stage with a range of bands (from Talib Kweli to the Foo Fighters.)

i predict as they predict,
a rise to the top.

Rise To The Top - Free Sol

Everything you need to know about Of Montreal...

noreply@blogger.com (bn...) — Thu, 14 Aug 2008 16:23:00 +0000

a) Their new album is called Skeletal Lamping and hits the shelves on October 7th in an utterly creative fashion: click here to see how to score it (and get your very own Of Montreal paper lantern!)

b) The new single, Id Engager, is up on their MySpace for your listening pleasure.

c) They’re coming soon! Toronto on October 28 at the Queen Elizabeth Theatre, Montreal on October 29 at the Metropolis...

d) Kevin Barnes is amazing.

And if you are one of those people who have a tendency to forgo band loyalty when your favourite musicians get too “big”, have a look-see at this KB rant. It's old, but I still think it's pretty clever.
xo.

Conor's Conor.

noreply@blogger.com (bn...) — Thu, 14 Aug 2008 02:55:00 +0000

I wasn’t completly sold on Bright Eye’s last album, Cassadega. Don’t get me wrong: I’m a complete fan, but since Digital Urn, there really hasn’t been much in terms of “going out on a limb” happening. So I got Conor Oberst's self-titled album expecting no surprises. I knew I’d like it, but as the kind of music that I’d play in the background to say, dish washing or paying of bills.

While these are precisely the activities I did while giving Conor a spin (does that sound dirty?), I was pleasantly surprised to find out that I genuinely enjoy this album. It’s diverse, kinda happy (Conor, are you ok?) and reaaaally folky.

Only Oberst can write a song about palliative care (I Don’t Want to Die), pair it with a cheerful and frenetic piano melody and make it work. These new songs are not reinventing the wheel, but Conor sheds his whining along with the Bright Eyes alias. As poetic as always, this eponymous album is less self-deprecating, more big picture.

Some choice picks include Get-Well-Cards, which has a definite Dylan vibe (and vocabulary), and NYC-Gone, Gone, which is completely random and sounds strangely like a hoedown chant or a sports cheer. I must admit that my favourite song on the album is Lenders in the Temple, which just happens to be the most reminiscent of the good ol’ tortured days of early B.E.

Here is a little Conor, from me to you.

*As an aside, while trying to find a picture for this post, I kept disqualifying images because Conor Oberst looked too much like that crazy little brother in Wedding Crashers. Anyone ever notice that??

Conor Oberst - Lenders in the Temple

Conor Oberst - Get-Well-Cards

Ramblings.

noreply@blogger.com (bn...) — Wed, 13 Aug 2008 03:03:00 +0000

I just had a very organized and regimented day of work, gym and chores. Totally the brutal return to the grind after a week off from work, sauntering about, going to shows and enjoying the rain (italics don't really convey the tone too well, but I'm sure the sarcasm is interpreted?) So I got to wishing that today had been less The Office meets Martha Stewart and more John Cusack movie, please. The cute stuff, like High Fidelity, not that weird Identity one where he's actually a psycho serial killer.

Ok, end rant. I would like to take this moment to provide you with a band that I am quite enjoying right now. Thank you Sylvain, who after various attempts at making me like his electro remixes, finally found a MySpace page that I loved immediately.

Their name is Winterpill, and they're a 5 piece band from Massachusetts. They're not super new, they're not super edgy, and hey, most of this post is not super pertinent. But at least you're being entertained and you'll score a new song out of it. So no one's losing. I'll even throw in a sweet High Fidelity scene, just as a bonus.

Winterpills - Broken Arm

xo.

copyleft infringement.

noreply@blogger.com (girl 2) — Mon, 11 Aug 2008 15:33:00 +0000

Gregg ‘Girl Talk’ Gillis received a fair bit of attention in today’s edition of The National Post (reprinted from The New York Times).
regarding copyright laws, and his knack for skirting them.
a subject i find intriguing, and have discussed on a few occasions...

just how does he get away with sampling so many artists and songs?
he doesn’t.
the Fair Use laws which he operates under don’t really apply to his means or ends.
but he does have the fear of setting precedents on his side,
hense the lack of major legal action to date.

i have yet to hear of an artist that is appalled by the representation of their music.
everyone seems to just want a cut of the profits.

i love Girl Talk
listening to his music doesn’t affect my feelings or spending behaviour
towards any of the artists he uses.

bottom line if i want to see Radiohead,
i’m not going to go to a girl talk show to hear the few samples he uses,
i’ll attend a Radiohead show.

i appreciate the controversy being stirred up.
i have a rather entertaining picture of middle aged lawyers,
filing through tall stacks of paperwork late at night,
while hundreds of people dance it out at a club alongside Gregg.

an ambiguous thought on art vs. money:

“everybody has won, and all must have prizes.”
- Alice in Wonderland, Lewis Carroll.

Steal This Hook? - Robert Levine

Summer Advice.

noreply@blogger.com (bn...) — Fri, 08 Aug 2008 02:30:00 +0000

I have yet to identify what strange occurence lead me to dig up this far-gone memory, but remember Baz Luhrmann? He was the dude who waxed poetic on the merit of sunscreen, shimmying his way to the top of the charts. Yes, I am talking about Everybody's Free (To Wear Sunscreen), that video that was on constant rotation in the late late nineties.

So about Luhrmann. Did you know that this dude directed both Romeo + Juliet and Moulin Rouge!? I sure didn't, but IMDB just informed me. What a weird side project that song must have been, eh? I can just picture him, during a family dinner, abruptly dropping his fork in his plate full of Mrs. Luhrmann's homemade ratatouille to declare: "I know that Romeo and Juliet was a huge success and all, but I've been thinking that it's time for me to follow my dream of crafting a one-hit-wonder". Or so the legend goes...

But seriously, this song is associated with all kinds of mysteries. First off, Luhrmann gets no credit for the lyrics: the words are from an essay entitled "Advice, like youth, probably just wasted on the young" written by Chicago Tribune Columnist Mary Schmich, who allegedly ripped this wisdom from Kurt Vonnegut? Ok, I am dwelling and you don't care. Here's what you want to see:
Wow, that totally made me all misty-eyed.

Loveapallooza + Muxtape.

noreply@blogger.com (bn...) — Wed, 06 Aug 2008 02:14:00 +0000

This weekend, Girls 1 through 4 headed to Lollapalooza for a long weekend of live bands, love and sandal tans. It was an incredible line-up, with headliners Radiohead, Rage Against the Machine, Kanye West and Nine Inch Nails.

Chicago was beautiful, the weather was amazing, and the festival was one of the most well-organized events I have ever seen. Well done, Illinois.

My personal favourites:

Girl Talk – While I was sceptical about the kind of show a man with his laptop can put on, this dude blew me away. On a secondary stage, he gathered thousands to watch and dozens up on stage to dance to his mash-ups. People watched from trees, Spider Man crowd-surfed and toilet-paper and confetti were propelled into the audience. Not the most eco-friendly of performances though :(

Radiohead – Thom Yorke + fireworks + insane lighting + Idioteque = sheer and utter brilliance. Totally bought their overpriced t-shirt.

Hammock Haven – An area in Grant park located under lush trees, this oasis contained a plethora of hammocks inviting tired concert-goers to rest and avoid heat exhaustion. The greeting crew welcomed you with water guns, for an extra cool bonus. But be warned : swingy hammocks make for spilly beer.

Amadou & Mariam – This adorable West African couple had the entire audience dancing, clapping their hands and singing in French. Who doesn't enjoy a bit of that? One of the most original acts of the festival, by far.

Honorable mention goes to the two story Chicago McDonald’s, which left me in awe of its escalator, velvet ropes and ice-cream counter. There were even leather couches and a 'please wait to be seated area'. I totally ate Big Macs daily, just so I could keep revelling in its glory.

And now for the important stuff: here is a playlist I made for all of you who couldn’t make it to this unbelievable event. Suckers.

Sweaty Chicago Muxtape

Gosh!

noreply@blogger.com (bn...) — Tue, 29 Jul 2008 18:52:00 +0000

Interrupting my work day to bring you this:

Lackthereof - Fake Empire

Menomena's Danny Seim = Lackthereof.

So excited.

xo.

Dear Spencer Krug,

noreply@blogger.com (bn...) — Wed, 23 Jul 2008 22:53:00 +0000

Just because I think your name is Stanley 67% of the time doesn't mean I don't love you. And if you let me play the keyboard whilst sitting beside you in a taxi, I promise I won't wear a strange pink neckwarmer, or whatever that thing is.

But seriously.

Write back,

G3

xo.

for you and me, forever ago.

noreply@blogger.com (girl 2) — Tue, 15 Jul 2008 23:52:00 +0000

a friend violently demanded i listen to Bon Iver.
i obliged.
and i hate myself for not doing so sooner.
vocals reminiscent of TV on the Radio.
sung passionately enough, that at times i swear i can feel Justin Vernons heartbeat in the songs.
the words are what lyrics should be, poetry.
the entire album "For emma, forever ago" is immaculate
and in one listen has launched itself into my top 10 for 2008.
i've heard nothing that compares to date.

listen. and if you feel nothing after listening to the album,
you are probably a robot.

the play Lee's Palace this coming Tuesday, July 22.

Skinny Love - Bon Iver

Re: Stacks - Bon Iver

Brit Mix!

noreply@blogger.com (bn...) — Fri, 11 Jul 2008 21:44:00 +0000

Because "petticoat", when said with a British accent, is possibly the greatest word in life. Listen to The Kooks to better understand this - because of Ooh La, I've been muttering this specific word to myself for the past few days. Out loud, you ask? Yes, sadly.

Here are some bands and songs that I fancy:

The Kooks - Ooh La
Art Brut - Sound of Summer
Last Shadow Puppets - My Mistakes Were Made For You
Babyshambles - Unstookie Titled
The Kooks - Seaside
Foals - Olympic Airways

xo.

Weekend update!

noreply@blogger.com (bn...) — Thu, 10 Jul 2008 02:30:00 +0000

(NOTE: This is a bit late and has been sitting in our drafts for a while, waiting patiently to be spell-checked. Yeesh.)

Friday kicked off the weekend quite early – I don’t even think it was 10am when my brand new Zune was delivered to my office! So I spent the rest of the day excited to go home and play with it (which happened at 1:30 because my job is awesome). Upon getting home, I briefly charged my new toy, threw the new Girl Talk album on it and bolted outside for a run.

At this point I must mention that the Zune comes with these amazing noise-reduction earphones – so as I left my apt, I was convinced that the strange men drinking beer in the alley had just told me to “throw some D’s on that bitch”. Frightening.

Alas, this line was but a snippet of Girl Talk, aka Gregg Gillis’ new album, Feed the Animals. Possibly the best sound to run to, Gillis’ work consists of sample-based remixes ⁄ mash-ups. In his fourth LP, he continues to seamlessly mix old gems and current hits, combining genres and pairing up top-forty songs to indie tracks. For those unfamiliar with Girl Talk, it’s like being at a super-tight iPod battle, with songs popping up that have you going ‘yesss...’ (fist pump suggested). Think track after track of your favourite guilty pleasures mixed with the artists you’re not embarrassed to list on your Facebook profile. Ok, I’m sure I’ve made my point. It’s pretty good.

Now for the Zune. It was free in exchange for me talking about it on here. Which is a fair bribe, because it’s effing fantastic! Full color video screen, two pairs of earphones, wireless sync to your computer, FM radio... My co-worker and I have been sending each other songs at work, without having to get up or plug in silly wires. Craaaazy. For someone who has an unjustifiable aversion to Apple products, it’s the perfect mp3 player. So yes, check it out!

Oh, and on another note - I spent most of my weekend roasting in the sun at the Toronto Harbourfront for the Beats, Breaks and Culture festival. Amongst the artists on the lineup were Ladytron, Woodhands and headliners Crystal Castles. I must say that while Woodhands was spectacular and awkward and all kinds of wonderful, Ladytron and Crystal Castles were huge letdowns. Fine, the venue doesn't allow for the kind of loud sounds these bands need to sound cool, but Ladytron was simply boring and Crystal Castles were DICKS. Allow me to summarize my interpretation of their show:

9:30 - Huge crowd forms for CC show
10:15 - CC hit the stage to play a subpar set with next-to-no vocals
10:35 - Frustrated with their own mediocrity, CC leave the stage (perhaps to investigate the no-vocals problem)
10:36 - Ontario Place fireworks begin in the distance and entire crowd is distracted, turning around and completely forgetting to coax CC back onstage
10:43 - Defeated, CC come back (surely because of contractual obligations), play one more song and ruin their drumkit.

The End.
Jerks.

That’s it for now! More to come soon!

xo.

Fairy Tales.

noreply@blogger.com (bn...) — Fri, 04 Jul 2008 05:27:00 +0000

Having recently done the mother of all groceries, I invited a few friends over for a lovely backyard BBQ, which we ate on my living room coffee table in the jungle that has become my backyard. While bbby kmbrly provided the hamburgers, I made a pretty badass pasta salad (opinion not shared by M.A., who has a debilitating fear of cold cheese but who politely ate most of it whilst hiding the remnants underneath his cob of corn).

This meal was followed by a trek to Rancho for Shameless Thursday’s first performance in the new venue. Walking up the stairs to the venue was eerie because a) Rancho Relaxo gets to feel like a pizza oven when it’s packed and b) people were sitting in front of the stage, cross-legged on the floor. I must say that sitting at a concert is a strange concept to me, and until now, only two factors have lead me to do so: exhaustion and Conor Oberst. To add to this list: Ghost Bees.

Tiny twin sisters from Halifax, Ghost Bees took the stage with a mandolin and painted faces. Their whimsical lyrics, tiny voices and delicate sound made them seem like some kind of forest elves, and their songs were inspired by folk tales and past eras. While the cutesy twin banter led to an inevitable Tegan and Sara comparison, I would say the sound was similar to a Joanna Newsom and Marissa Nadler hybrid. Regardless of comparison, their set was completely entrancing: the audience sat there, enchanted and open-mouthed, like kids at a kindergarten storytime.

Ghost Bees were followed by Laura Barrett, who is a classically trained musician from Toronto. Adorable and quirky, she took the stage accompanied by a bassoon player dressed like a pirate and a shaggy banjo player. She's very interesting to watch in action - she plays the Kalimba, which basically looks like a giant Gameboy from the audience's point of view. I can’t say I stayed for her whole set, because it was getting late and I am lame, but I would definitely recommend seeing her live if you get the chance.

Happy Friday!

xo.

Sharing is caring, no?

noreply@blogger.com (bn...) — Tue, 01 Jul 2008 05:53:00 +0000

You know when someone tastes something really unpleasant, winces, and then tries this golden line? “Ew, you have to taste this, it’s disgusting”. Well consider this post the blogging equivalent. I’m warning you that I’m doing this to get rid of a song I’ve had in my head for days now, and I kind of want you to check it out too. Misery loves company, or something like that. Ha.

I was bargain hunting in Your Favourite Discount Store (which shall remain nameless) when I noticed that the music playing was targeted towards a very specific mom-type demographic. Granted, they’d hit the nail right on the head (as I was with my mom and surrounded by others’ moms), but being immersed in that kind of easy listening can only result in you humming Phil Collins to yourself for the rest of the day. Which is what happened this time, only worse.

Seal: Kiss From a Rose.

Oh, I know. This came on as I was trying on shoes and EVERYONE in the aisle started singing along under their breath. And I realized rather quickly - does ANYONE know the correct words to this song?? It’s catchy, it stays in your head, and we have ALL hummed it at some point (unless I’m particularly deranged) but wtf are the lyrics?? So while the ladies around me strolled along the aisle muttering nonsensical words, I told myself that maybe I should figure out what I had been singing before judging these women. (Disclaimer – I didn’t speak English that well when this song came out).

Here’s what I came up with:

Nananaaa nanananananaaaa , nanana.

...

But did you know, that when it shows, my eyes become larden,

The light that you shine can’t be sealed...

Baby, I’d like to be into a kiss from a rose on the range,

Oooh the more I get to feel strangers it feeeels yeah

Now that your rose is in bloom, my life hits the home on the grave...

Not bad eh? I had never even questioned it, not even the part about feeling up strangers. Here are the actual lyrics... Have fun humming this all afternoon!

Oh, and happy Canada Day!

xo.

The Return of Girl 1 feat. The Wooden Sky, The D'Urbervilles, and Leif Vollebekk

noreply@blogger.com (girl 1) — Fri, 20 Jun 2008 23:49:00 +0000

Although I have lived in the National Capital Region for almost four years now, last night marked my first-ever venture to the notorious Black Sheep Inn in Wakefield, Quebec, located a mere 45 minutes from Ottawa. Even though I was upset to have missed out on what I think is one of the best music venues I have ever been to, with the outdoor patio looking out onto a beautiful lake and the Gatineau Hills and the inside atmosphere so inviting and entertaining as the owner’s pet pug runs between the legs of concert-goers and locals, the spectacular performances from Ottawa’s very own Leif Vollebekk, Guelph, ON’s The D’Urbervilles, and Toronto’s The Wooden Sky were enough to make me forget my initial disappointment.

Vollebekk took the stage as the majority of the crowd grabbed seats at candlelit tables with pitchers of local beer close at hand. A sense of awe could soon be felt as Vollebekk’s soothing voice, strikingly reminiscent of Patrick Watson, and his mesmerizing stage presence left the audience staring at the modest musician before them with complete admiration. Vollebekk played the first few songs with the help of his acoustic guitar, some beautiful finger picking, and occasionally his harmonica, switching to an electric guitar, the piano, and even the violin with much ease. Vollebekk also made fine usage of his looping pedal to layer the many instruments, creating the lovely music that accompanied his thoughtful lyrics. Vollebekk takes up little room on the stage, but the sound he creates is big enough to fill any room.

The D’Urbervilles were up next, and the quartet’s usual high-energy performance, though slow to appear, was very present by the end of their set. With their catchy hooks, driving percussion, and keyboard-playing that makes you want to get off your ass and start dancing, The D’Urbervilles easily entertained the crowd with songs off both their EP and their full-length, We Are The Hunters. By the end of the set, the band had left us pumped and ready for more rock, soon to come from The Wooden Sky. Props go out to D'Urbervilles lead singer John O’Regan for wearing a shirt commemorative of my conception (Spring Break ’86 – Ft. Lauderdale, FL).

The Wooden Sky, formerly known as Friday Morning’s Regret, produce a brand of what can be described as alt-country that makes most crowds take notice, and last night’s show was no exception. Lead vocalist Gavin Gardiner has both a strong stage presence and powerful lyrics, and having seen them many times over the past six years, it is evident how the band has evolved in terms of songwriting -- and as a whole -- making a name change very understandable and necessary. The band played songs from their LP Lost at Sea along with some new tracks that were easy to enjoy upon the first listen. Gavin and bassist Andrew Wyatt even humoured me when I asked for an old Friday Morning’s Regret song from their 2004 self-titled release by playing what they remembered. And last, but certainly not least, the set was topped off with a rockin’ cover of "American Girl" by Tom Petty. What more could the Thursday night show-goers ask for?

It is safe to say that the packed Black Sheep Inn crowd left that night knowing they got their money’s worth. Along with a few new cds and band t-shirts, hopefully.

***photo by Tyler Ross

Wooden Sky - The Wooden Sky

We Are The Hunters - The D'Urbervilles