<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>Crafts</title><description></description><managingEditor>noreply@blogger.com (Indra)</managingEditor><pubDate>Fri, 4 Oct 2024 03:20:26 +0700</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">16</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>http://craftslisting.blogspot.com/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:subtitle/><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><item><title>If you want to find a souvenir / buy a souvenir in Bali:</title><link>http://craftslisting.blogspot.com/2011/02/if-you-want-to-find-souvenir-buy.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Tue, 22 Feb 2011 10:24:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-6793008712329874561</guid><description>*) Joger (where hunting clothes words etc.)&lt;br /&gt;
Joger, open at 11:00 pm.&lt;br /&gt;
Actually Close at 18:00 pm.&lt;br /&gt;
Klo But you already are in Joger since pkl 17:45 pm,&lt;br /&gt;
then you can continue hunting tetep goods in the store Joger&lt;br /&gt;
and then just pay at the cashier's queue. Cashier cap over night.&lt;br /&gt;
I just wrote up on the counter around jam19: 00.&lt;br /&gt;
18:00 pm, the front door Joger already closed, so orang2 can not enter again.&lt;br /&gt;
&lt;br /&gt;
(*) Klo buy souvenirs, do not be at the beach or in Kuta Square, Kuta or Legian in jl,&lt;br /&gt;
because very expensive, can fuck dg 10x 5x the normal price.&lt;br /&gt;
&lt;br /&gt;
Klo in tourism Bedugul, namely toko2 small (like a stand) opposite the car park: including cheap (500-2rb cuman difference from the normal price) (some fixed prices, there are shops which must bbrp Nawar).&lt;br /&gt;
http://www.gsn-soeki.com/wouw/&lt;br /&gt;
&lt;br /&gt;
Klo in markets Sukowati, initial price = skitar 2x the normal price; Can be expensive (1x normal price) klo clever Nawar (ingat! must Nawar!).&lt;br /&gt;
Before the market Sukowati, there are shops, including cheap too (fixed prices (can not be nawar2).&lt;br /&gt;
&lt;br /&gt;
Or it could be in Erland, jl Nusa Kambangan (Denpasar), cheap price (cheaper than kiosks in Bedugul), fixed prices (do not use Nawar). There are two stores bh Erland in Nusa Kambangan. Store a more complete Erland Erland dibanBiding 2.&lt;br /&gt;
&lt;br /&gt;
This info I got from Mr. Made Agus (08123613017) (PT Mogen (Rent-Car)).&lt;br /&gt;
It is not in vain I'm rental car plus Mr Made Agus; very helpful at all.&lt;br /&gt;
&lt;br /&gt;
* Do not forget to stop by the shop Titiles (jl Diponegoro, Denpasar),&lt;br /&gt;
there was ham, sausage pig, and beef jerky.&lt;br /&gt;
Price Sausages Pig = 50rb (Month October 2007)</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Hilton Head Island</title><link>http://craftslisting.blogspot.com/2008/09/hilton-head-island.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Tue, 2 Sep 2008 21:49:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-4077809067395375880</guid><description>&lt;div style="text-align: justify;"&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link style="font-family: verdana;" rel="File-List" href="file:///C:%5CUsers%5CIBM%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link style="font-family: verdana;" rel="themeData" href="file:///C:%5CUsers%5CIBM%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link style="font-family: verdana;" rel="colorSchemeMapping" href="file:///C:%5CUsers%5CIBM%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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	mso-hansi-theme-font:minor-latin;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="font-family: verdana; text-align: justify;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://www.islandgetaway.com/" target="_blank"&gt;&lt;span style="color: windowtext; text-decoration: none;"&gt;Hilton Head Island&lt;/span&gt;&lt;/a&gt; is unforgettable place; its seaside magic and lyrical beauty leave an indelible imprint of cherished memories and wonderful times with family and especially your children.
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&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="font-family: verdana; text-align: justify;"&gt;&lt;span style="font-size: 12pt;"&gt;It's understandable why so many visitors choose to come back again and again- some never to leave, making Hilton Head Island home for good. This beautiful island offers a peaceful getaway and great resort accommodations, &lt;a href="http://www.islandgetaway.com/" target="_blank"&gt;&lt;span style="color: blue;"&gt;Hilton Head condo rentals&lt;/span&gt;&lt;/a&gt;, and &lt;a href="http://www.islandgetaway.com/index.cfm/fuseaction/content/act/rpc/id/OV" target="_blank"&gt;&lt;span style="color: windowtext; text-decoration: none;"&gt;villa rentals&lt;/span&gt;&lt;/a&gt;, all in a charming and historical setting ideal for those who want to just relax and watch the sun set into the water. Beside condo rentals, there is &lt;a href="http://www.islandgetaway.com/" target="_blank"&gt;&lt;span style="color: blue;"&gt;Hilton Head home rentals&lt;/span&gt;&lt;/a&gt; where you feel as your house with your lovely family.
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Come and visit our website and find more interesting facilities for your unforgettable experience &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt;  &lt;/div&gt;&lt;p style="font-family: verdana; text-align: justify;" class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: black;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 12pt;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt;  &lt;/div&gt;&lt;p style="font-family: verdana; text-align: justify;" class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://www.linkworth.com/" target="_blank"&gt;&lt;img src="http://www.linkworth.com/images/linkpost_ref.gif" border="0" /&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  </description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Ancient History</title><link>http://craftslisting.blogspot.com/2008/05/ancient-history.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:23:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-1907610173256955172</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;With three-quarters the size of mountains, Japan was and is a land of deep forests and rich wood resources, both soft and hard wood. Excavations in 1996, the Sannai Maruyama-site revealed a structure of the massive use of tree trunks as pillars, and changed the whole image of architecture and society Neolithic (Jomon culture ) Japan. It is now clear that architecture sophisticated (and not only few cases) is under construction at least as early as 4500 bc, using the wood of the earth.&lt;br /&gt;&lt;br /&gt;Although Japan has a pot of the world's longest history, food everyday vessels and containers used by the common people were mostly plain and sometimes lacquered wood into the 17th century. Wood almost any form was almost synonymous with life itself. It is not surprising there are so many techniques of woodworking and crafts and disciplines in Japan.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The beauty of diversity</title><link>http://craftslisting.blogspot.com/2008/05/beauty-of-diversity.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:22:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-5129444114413948844</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;The aesthetics to enable all materials and techniques of pottery to speak comes in large part on the aesthetics of the tea ceremony and is much too complex to discuss here. Just know that the Japanese ceramics displays a kind of intimacy and affection that quality does not interfere with artistic expression or force. Japanese Stoneware is easy to identify. In the case of a Japanese meal, not only enjoy food, but the ships are. Each vessel is noticed and, if it deserves, is admired. A boat serves as a "picture frame" for food and is also there to be judged by its own means. Thus, Japanese products that a meal is served to provide food to all aspects of the human psyche - the body, emotions and spirit, especially if the meal has an eye for beauty and even more if it / She has knowledge about the type of ceramics, its history, or the contemporary period potter who makes the pot, glaze, and all the other techniques of the craft.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Biscuit glossy and traditions</title><link>http://craftslisting.blogspot.com/2008/05/biscuit-glossy-and-traditions.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:19:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-945525711102268872</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Decorating a vase, Tsuboya Ware&lt;br /&gt;Although Japan has one of world's oldest and the longest continuous pottery cultures (Jomon culture; lasting approximately 10000 bc to about 300 BC), there is no known direct continuity in the current context of traditional Japanese pottery. Today, most Japanese pottery - in addition to porcelain, a small quantity of clay and Raku - is sandstone. That is, it is pottery fired at about 1250 ° C. A furnace design - the sub-ANAGAMA, a "four hole" dug into the slope of a hill - which has enabled these temperatures has been brought on the Asian continent in the first centuries of the Common Era. Biscuit products, are the longest history in Japan, which is thought to derive directly from the ceramic glass Sue fired in these ANAGAMA. Ware Bizen, and products historical Shigaraki, Tokoname, Echizen, Tamba, Suzu and are the most famous. Glossy goods were produced at a time briefly at different sites, mainly pots emulation Chinese, Japanese, but its true grit start after warlord Toyotomi Hideyoshi's invasions of Korea abortive - sometimes now called "Potters Wars" -- In 1594 and 1597. One consequence of these military failures has been the introduction of Korean potters to Japan, which launched new or revitalized pottery kilns Japanese flag. All Japanese products glass - the main products of tea and People and ovens - were the result, direct or indirect, this influx of Korean art (see page china). techniques continental ceramics included an effective kick wheel fours and climbing sensitive able to control the temperature.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Kumihimo braids Kyoto</title><link>http://craftslisting.blogspot.com/2008/05/kumihimo-braids-kyoto.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:17:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-5124551651130283150</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;The two twisted cord and simple braided cord have been used in daily life during the Jomon period (about 10000 - ca. 300 BC). Cordon braided Kyoto would have appeared in the Heian period (794-1185), but techniques in the manufacture of braided cord practices developed in the Kamakura period (1185-1333) that the use of armor increased. Production cord for haori, short kimono jackets, began in the Edo period (1600-1868).&lt;br /&gt;Cordon has been used for over a thousand years and has been used in all courses at temples and shrines, on clothing, helmets and swords knots. The method of weaving depends on its use, but higher than 3500 variants. Since the Meiji era (1868-1926), it was used for Obi ties and accessories. Today, there are 53 companies employing 362 employees, among which 24 are recognized master craftsmen&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Embroidery Kyoto</title><link>http://craftslisting.blogspot.com/2008/05/embroidery-kyoto.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:15:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-2232526900527264821</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Embroidery Kyoto probably dates back to 794 when the new capital of Heian Kyo (Kyoto) was created and a department of weaving were embroiders a lot of work has been put in place at the imperial court. Until Miyazaki Yuzensai perfected the art of yuzen dyeing in the middle of the Edo period (1600-1868), embroidery was an important means of decoration fabric with "fawn spot" tie-dye and application of gold and silver leaf. Embroidery was particularly important in the new, richly embellished kanbun style kimono fabric favored by traders who grew rich. The Kakefusa a rag to Kofukuin temple in Nara prefecture is a very good example of the kind of high-quality embroidery was done in the mid-18th century.&lt;br /&gt;Given something of the splendor and refined taste of the Heian period and well established using traditional techniques, Kyoto embroidery is done using gold, silver and silk son, more often, or on a silk or linen. There are now 40, recognized master craftsmen employed by 49 companies maintaining this elegant craft.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Kaga Embroidery</title><link>http://craftslisting.blogspot.com/2008/05/kaga-embroidery.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:14:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-6028773758834314389</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Closely linked to the spread of Buddhism in the area, embroidery was introduced in the province of Kaga Kyoto in the Muromachi period (1392-1573) and was used to decorate religious attributes such as altar and surplice garment worn by monks. During the Edo period (1600-1868), embroidery came to be used to decorate many personal objects and things as a garment called a jinbaori, which was carried by military leaders when they went in battle. The kimono worn by noble ladies, too, are sometimes embroidered, dignity, elegance of these clothes very pleasing them. With sponsorship attentive successive generations of Kaga clan leaders who prized and gave encouragement to culture and learning, Kaga embroidery developed individual characteristics and a degree of perfection match Kaga gold leaf and Kaga yuzen dyeing.&lt;br /&gt;The appeal of the grounds and models that are so carefully embroidered using a full range of colored silk and gold and silver is undoubtedly one of the peculiarities of Kaga embroidery. His brilliant, heart warming beauty embodies the courtyard of this rich province and sincerity and a sense of pride of its people helped by the severe natural conditions in this area of the archipelago. As in the past, embroidery is still used to decorate clothing of high quality including kimono and obi and fukusa, a tea caddy synthesis used during the tea ceremony. Billboards embroidered screen are also made with a number of other decorative objects. There are now 19, recognized master craftsmen among the 100 people employed by the 5 companies involved in this trade of this complex beauty.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Iga Kumihimo braids</title><link>http://craftslisting.blogspot.com/2008/05/iga-kumihimo-braids.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:11:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-2190863141538433649</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Other fiber crafts&lt;br /&gt;&lt;br /&gt;The origins of Iga Kumihimo braid are extremely old and date back to May even before the Nara period (710-794). During the Heian period (794-1185) developed very different types of dishes braids and cords began to be used with Buddhist and Shinto paraphernalia. With the rise of many braids warrior class were produced for use with armor and swords, which led to the creation of a braid of culture focused on weapons. But when wearing the sword was officially outlawed and society is no longer based on the samurai, time-l'honneur working techniques braid of the Edo period (1600-1868) were still hand in the form of braids essential accessories used as formal, traditional dress.&lt;br /&gt;Closely son magnificent weaving silk dyed to produce braids with a unique texture and quality, the old techniques of Iga Kumihimo braid live as an integral part of life in modern Japan. They are always used to specifically link the obi and the traditional on-jacket called a haori. But perhaps their uses are limited only by the imagination of the user, and now 56 companies employing 4000 people including government has recognized 35 master craftsmen continue to produce braids exquisite complexity.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The creativity abroad</title><link>http://craftslisting.blogspot.com/2008/05/creativity-abroad.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:07:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-3905768570613282668</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;When these yuzen and shibori are declining in Japan due to the extreme detriment of the work in question, these techniques have been easily adopted by textile fibres and artists in other countries for their freedom of expression and, with shibori, delicious accidental effects. An organization called the Global Network Shibori has been trained practitioners from over 21 countries. The 2nd International Symposium Shibori took place at the end of 1997, in Ahmedabad, India and the 3rd Symposium will be held in Santiago, Chile in 1999. North America and Europe is currently experiencing a boom shibori, with a growing number of artists are drawn to the expressive power of this great family of techniques.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Shibori</title><link>http://craftslisting.blogspot.com/2008/05/shibori.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Thu, 8 May 2008 11:01:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-2544467548347594914</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;"Shibori" is often translated "tie-dye," but this simple label is far too limited. Shibori is a galaxy of resistance techniques, involving all shape the fabric of different ways can assure you or binding closely to ensure that the dye has no impact on the fabric where it is guaranteed. The variety of techniques is truly amazing, ranging from the familiar tie-dye to a wide range of technical and stung related to the liquidation and binding canvas for the cores of different sizes and materials folding and clamping between boards and the exotic and wonderful bath - resist the joke. Although shibori is practised in many other parts of the world, including techniques not found in Japan, and has a historic significance, not a single region has the largest number of technical and Japan. The accidental incidental effects that happen with shibori are part of the art and charm are particularly dramatic with cotton and indigo.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Tradational crafts of Japan: a galaxy of Weaves</title><link>http://craftslisting.blogspot.com/2008/03/tradational-crafts-of-japan-galaxy-of.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Sat, 8 Mar 2008 08:52:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-3716433729157520412</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Demand continues silk Japanese, both at home and abroad has been used to stimulate creative weavers. Plain weaves, including Chirimen pancake; twill, both figuratively and simple; plain and figured satins and damasks were produced, but still complex woven fashion, monochrome textiles that would lend themselves to opulent decoration have been chosen to develop tissues polychrome. The extravagant costumes of Noh theatre May be an exception. Yet tank dyeing, painting, shaped resist (shibori), embroidery and applied metal foil, paste resist, resist stencil, and so forth have been used to create textile stunning complexity and beauty (see dye).&lt;br /&gt;&lt;br /&gt;Kimono fabric, Oshima Fabrics&lt;br /&gt;Kimono, Oshima tissue&lt;br /&gt;Ikat (Japanese: kasuri) techniques are now more popular than figured satins and twills. This technique combines weaving and dyeing: the trend is calculated on the wire, the wire is connected or not resisted the calculated areas of configuration, dyed, then woven. The model calculated emerges in the process of weaving, but with a little son and charming not aligned, this soft, fuzzy lines of the design motifs.&lt;br /&gt;&lt;br /&gt;Kyoto has always been the heart of Japan silk weaving, and since the late 15th century, weaving was centered in the Nishijin area of the city. However, many provincial towns have a long history and strong as silk-weaving centers between Kiryu, Tokamachi, and Ashikaga.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Unresisted Dyeing</title><link>http://craftslisting.blogspot.com/2008/02/unresisted-dyeing.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Fri, 8 Feb 2008 10:51:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-6429982937203681222</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;The fabric dyeing a direct course is the simplest and most obvious ways to make the color and design. Two methods were used in Japan: immersion dyeing and painting. The first involves a dip in a textile dyeing, and it is brushing on color. Both May be taken up to the complexity, with several dippings data in many areas colors, and a textile company used as a surface of the painting of an artist's dream. Block printing is another form of dyeing, but it never reached the heights in Japan it has done in other parts of Asia, especially India and Indonesia. Both dipping and painting find their highest expression used in combination with one or several types of resist dyeing.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Tradational crafts of Japan: silk - The aristocratic fibres</title><link>http://craftslisting.blogspot.com/2008/02/tradational-crafts-of-japan-silk.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Fri, 8 Feb 2008 08:50:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-7796472754471691111</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Silk has always been and will almost certainly continue to be the aristocrat of textiles. For centuries, it was the pillar of Japanese export trade, even when the shogunate isolated the country of all foreigners, but less contact, and continued to be until the radical economic changes between the two wars this century.&lt;br /&gt;&lt;br /&gt;Silk has been practiced everywhere throughout the country; farms with more than one story used the top story of the cultivation of silkworms. In peace and prosperity of the Edo period (1600-1868), fine silk were in great demand by the samurai class and rich merchants, which surpassed the samurai in economic power. Sumptuary laws did little to stiffle the port of fine silk clothes often money was spent on underwear rather than immediately visible outside kimono.&lt;br /&gt;&lt;br /&gt;Commoners were forbidden to wear silk fabrics fine. The only silk they were allowed to wear cloth was made by spinning silk floss in the same manner as cotton or wool. (Son of fine silk yarn are not, but are pulled and reeled from a cocoon of silk.) Fabrics woven with the son of a silk yarn and SLUB superficially resembles cotton brought by the owners. This fabric is known as tsumugi (pongee in Engish). In an ironic reversal, tsumugi is today among the most sought treasure and silk fabrics.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Tradational crafts of Japan: a loom in every home</title><link>http://craftslisting.blogspot.com/2008/01/tradational-crafts-of-japan-loom-in.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Tue, 8 Jan 2008 08:46:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-4895685811386277737</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;Besides Japan cities and villages, it is no exaggeration to say that a century ago, every household had at least one job. Young women learned weaving or mothers and grandmothers or mothers-in-law. This means that textiles were a main part of daily life in Japan, and this condition has lasted, in part, until the middle of this century. Simply put, Japan is a country textiles.&lt;br /&gt;&lt;br /&gt;There are four main fibres used in textiles Japanese: hemp, ramie, cotton and silk. The hemp and ramie are the main fibre the town until the cotton-growing has spread to the 18th century. In eastern Japan, the two fibres are still more common later the beginning of the 19th century.&lt;br /&gt;&lt;br /&gt;The hemp and ramie are both excellent for the summer, but this is not really adapted to cold winters and not really comfortable on the skin, except in the most sultry weather. Ramie is not well known in the West is a garden of weeds (known as Choma or karamushi) of a large intrusive force that can grow almost anywhere. Ramie fabric resembles hemp at its best. In more remote areas of northern Japan, bast fibers such as paper mulberry fiber, fibre tree bark, glycine and were also woven fabric, but these fibers, but we believe picturesque today are frying, cold, and quite uncomfortable for clothing. The banana fiber used in Okinawa receives much attention today, but also, is alone in a tropical heaven, not in a country winter.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Tradational crafts of Japan: The International Impulse</title><link>http://craftslisting.blogspot.com/2007/12/tradational-crafts-of-japan.html</link><author>noreply@blogger.com (Indra)</author><pubDate>Sat, 8 Dec 2007 08:37:00 +0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-673625032940433828.post-8302693537172077624</guid><description>&lt;div style="text-align: justify; font-family: verdana;"&gt;To celebrate the opening of its new cultural center, the city of Kiryu textiles in the prefecture of Gunma looked for the world's most famous and textile fibres artists, Sheila Hicks, creating a curtain of the theatre flat, a doncho. Hicks used the various skills of kimono-weaving town in a collaborative effort, including contemporary ideas of Kiryu Junichi Arai, a textile planner "of international renown. The doncho includes a layer of background reminiscent vertical hanging obi sashes, which is placed on a random composition of pressure, abstract forms.&lt;br /&gt;&lt;br /&gt;These are woven shimmering, light-catching glass fiber and polyester filament and with a tone of high technology, pressure-vacuum-deposit dye technique. This doncho has set a standard in many respects, not only because this is the first doncho made outside the traditional workshops Kyoto, but also because the city uses the talents of an international artist to create the design and coordinate production in the context of the textile industry of Kiryu.&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item></channel></rss>