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The Lord of the Rings: The Return of the King is a 2003 epic fantasy-drama film directed by Peter Jackson that is based on the second and third volumes of J. R. R. Tolkien's The Lord of the Rings. It is the concluding film in The Lord of the Rings film trilogy, following The Fellowship of the Ring (2001) and The Two Towers (2002).&lt;br /&gt;
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As Sauron launches the final stages of his conquest of Middle-earth, Gandalf the Wizard, and Théoden King of Rohan rally their forces to help defend Gondor's capital Minas Tirith from the looming threat. Aragorn finally claims the throne of Gondor and summons an army of ghosts to help him defeat Sauron. Ultimately, even with full strength of arms, they realise they cannot win; so it comes down to the Hobbits, Frodo and Sam, to bear the burden of the Ring and deal with the treachery of Gollum. After a long journey they finally arrive in the dangerous lands of Mordor, seeking to destroy the One Ring in the place it was created, the volcanic fires of Mount Doom.&lt;br /&gt;
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Released on 17 December 2003, The Lord of the Rings: The Return of the King received rave reviews and became one of the greatest critical and box-office successes of all time, becoming the highest grossing film from New Line Cinema, as well as the biggest financial success for Time Warner in general, until Harry Potter and the Deathly Hallows – Part 2 surpassed The Return of the King's final gross in 2011. Notably, it won all eleven Academy Awards for which it was nominated, an Oscar record, and tied for largest number of awards won with Ben-Hur and Titanic. It also won the Academy Award for Best Picture, the first and only time a fantasy film has done so. It also surpassed Finding Nemo to become the highest-grossing film of 2003.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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Gandalf, Aragorn, Legolas, Gimli, Théoden, Gamling and Éomer meet up with Merry, Pippin and Treebeard at Isengard. The group returns to Edoras, where Pippin looks into a recovered palantír, in which Sauron appears and invades his mind; Pippin tells him nothing regarding Frodo and the Ring. From this event, Gandalf deduces that Sauron is planning to attack Minas Tirith. Gandalf rides with Pippin to find Denethor, the Steward of Gondor, to whom Pippin swears his service. Gandalf urges Denethor to call Rohan for aid, but Denethor declines, fearing Aragorn and Gandalf plan to depose him. The Morgul army, led by the Nazgûl, drives the Gondorians out of Osgiliath. Denethor sends his son Faramir on a suicide mission to reclaim the city. Pippin lights a beacon, signaling Théoden and Aragorn to assemble the Rohirrim for battle.&lt;/div&gt;
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&lt;a href="http://rizaladam.files.wordpress.com/2010/07/lord-of-the-rings-return-of-the-king-rizaladam.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="222" src="http://rizaladam.files.wordpress.com/2010/07/lord-of-the-rings-return-of-the-king-rizaladam.jpg" width="320" /&gt;&lt;/a&gt;Elrond informs Aragorn that Arwen did not go to the Undying Lands, and is now dying. Believing their forces to be outnumbered by Sauron's, Elrond gives Aragorn the sword Andúril to acquire the service of the Army of the Dead, who owe allegiance to the heir of Isildur. Éowyn confesses her love for Aragorn and asks him not to go, but Aragorn reaffirms his love for Arwen and heads into battle. Accompanied by Legolas and Gimli, Aragorn ventures into the Paths of the Dead and gains the loyalty of the King of the Dead and his men by brandishing Andúril, proving himself the Heir of Isildur. At Dunharrow, Théoden rides off to war, unaware that Éowyn and Merry have secretly joined his forces.&lt;br /&gt;
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Sauron's armies lay siege to Minas Tirith, led by the Witch-king. Believing a grievously wounded Faramir to be dead, Denethor tries to burn his son and himself alive, but Gandalf intervenes; he saves Faramir, but Denethor commits suicide. Just as the Gondorians are about to be overrun, the Rohirrim army arrives and counter-attacks in a massive cavalry charge led by Théoden. This shifts the tide of the battle, and the Orcs begin to retreat. However, the Haradrim arrive and join the Orc army, turning the tide. The Witch-king kills Théoden, only to be killed himself by Éowyn with help from Merry. On the verge of defeat, the Rohirrim are saved when Aragorn, Legolas, and Gimli arrive with the Army of the Dead and decimate Sauron's forces, ending the battle. Aragorn frees the Army of the Dead and their souls go to the afterlife.&lt;/div&gt;
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&lt;a href="http://www.reelingreviews.com/lotrreturnofthekingpic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://www.reelingreviews.com/lotrreturnofthekingpic.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Meanwhile, Frodo, Sam and Gollum travel to Minas Morgul. Sam overhears Gollum's plans to murder them and take the Ring for himself. Gollum persuades Frodo that Sam wants the Ring for himself, and Frodo angrily tells Sam to go home. A heartbroken Sam leaves, but discovers Gollum's treachery and follows after them. Gollum betrays Frodo, leaving him in the lair of the giant spider Shelob, who paralyzes Frodo; moments later, however, Sam saves him. An Orc battalion captures Frodo and take him to Sauron's fortress. Sam rescues Frodo from the tower, and they continue the journey to Mount Doom.&lt;br /&gt;
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Aragorn leads his remaining men to the Black Gate of Mordor, distracting Sauron and his forces and allowing Sam and Frodo to enter Mount Doom. Sam carries the weakened Frodo up the volcano, but Gollum attacks them. At the Crack of Doom, Frodo succumbs to the Ring's power, refusing to destroy it. Gollum attacks Frodo and bites his finger off, seizing the Ring for himself. An enraged Frodo attacks Gollum, and they both fall over the edge. At the last second, Frodo grabs onto the ledge, leaving Gollum to fall into the lava, taking the Ring with him. As the Ring melts in the volcano, Sauron is destroyed along with Mordor.&lt;br /&gt;
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Frodo and Sam are saved from the rising lava by Eagles, led by Gandalf. In the aftermath, Aragorn is crowned King, heralding a new age of peace, and is reunited with Arwen and the four hobbits are bowed by all of Gondor for their courageous efforts. The four Hobbits return home to the Shire, where Sam marries his childhood sweetheart, Rosie Cotton. A few years later, Frodo leaves Middle-earth for the Undying Lands with Gandalf, Bilbo, Elrond, Celeborn and Galadriel, leaving his account of their quest to Sam.&lt;/div&gt;
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&lt;b&gt;Reviews and Awards&lt;/b&gt;&lt;/div&gt;
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The film garnered widespread acclaim from critics; the film has a 94% rating of positive reviews on Rotten Tomatoes. Richard Corliss of Time named it the best film of the year. The main criticism of The Lord of the Rings: The Return of the King, was its running time, particularly the epilogue; even rave reviews for the film commented on its length. Joel Siegel of Good Morning America said in his review for the film (which he gave an 'A'): "If it didn't take forty-five minutes to end, it'd be my best picture of the year. As it is, it's just one of the great achievements in film history." There was also criticism regarding the Army of the Dead's appearance, rapidly ending the Battle of the Pelennor Fields.&lt;br /&gt;
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In February 2004, a few months after release, the film was voted as #8 on Empire's 100 Greatest Movies of All Time, compiled from readers' top 10 lists. This forced the magazine to abandon its policy of only allowing films being older than 12 months to be eligible. In 2007, Total Film named The Return of the King the third best film of the past decade (Total Film's publication time), behind The Matrix and Fight Club.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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On 27 January 2004, the film was nominated for eleven Academy Awards: Best Picture, Best Director, Best Adapted Screenplay, Best Original Score, Best Original Song, Best Visual Effects, Best Art Direction, Best Costume Design, Best Make-up, Best Sound Mixing and Best Film Editing. On 29 February, the film won all the categories for which it was nominated, making it one of the most successful films in Academy Award history.&lt;br /&gt;
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The film also won four Golden Globes (including Best Picture for Drama and Best Director), five BAFTAs, two MTV Movie Awards, two Grammy Awards, nine Saturn Awards, the New York Film Critics Circle award for Best Picture, the Nebula Award for Best Script, and the Hugo Award for Best Dramatic Presentation, Long Form.&lt;br /&gt;
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The film was nominated for the 10th Anniversary Edition of AFI's 100 Years...100 Movies.&lt;/div&gt;
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&lt;a href="http://www.chicagonow.com/hammervision/files/2011/07/the-lord-of-the-rings-the-return-of-the-king-1-viggo-mortensen-aragorn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="214" src="http://www.chicagonow.com/hammervision/files/2011/07/the-lord-of-the-rings-the-return-of-the-king-1-viggo-mortensen-aragorn.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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Noel Appleby  as Everard Proudfoot&lt;br /&gt;
&amp;nbsp;Alexandra Astin  as Elanor Gamgee&lt;br /&gt;
&amp;nbsp;Sean Astin  as Sam&lt;br /&gt;
&amp;nbsp;&amp;nbsp;John Bach  as Madril&lt;br /&gt;
&amp;nbsp;Sean Bean  as Boromir&lt;br /&gt;
&amp;nbsp;Cate Blanchett  as Galadriel&lt;br /&gt;
&amp;nbsp;Orlando Bloom  as Legolas&lt;br /&gt;
&amp;nbsp;Billy Boyd  as Pippin&lt;br /&gt;
&amp;nbsp;Sadwyn Brophy  as Eldarion&lt;br /&gt;
&amp;nbsp;Alistair Browning  as Damrod&lt;br /&gt;
&amp;nbsp;Marton Csokas  as Celeborn&lt;br /&gt;
&amp;nbsp;&amp;nbsp;Bernard Hill  as Theoden&lt;br /&gt;
&amp;nbsp;Ian Holm  as Bilbo&lt;br /&gt;
&amp;nbsp;Bruce Hopkins  as Gamling&lt;br /&gt;
&amp;nbsp;Ian Hughes  as Irolas&lt;br /&gt;
&amp;nbsp;Lawrence Makoare  as Witchking / Gothmog&lt;br /&gt;
&amp;nbsp;Ian McKellen  as Gandalf&lt;br /&gt;
&amp;nbsp;&amp;nbsp;Sarah McLeod  as Rosie Cotton&lt;br /&gt;
&amp;nbsp;Maisy McLeod-Riera  as Baby Gamgee&lt;br /&gt;
&amp;nbsp;Dominic Monaghan  as Merry&lt;br /&gt;
&amp;nbsp;Viggo Mortensen  as Aragorn&lt;br /&gt;
&amp;nbsp;John Noble  as Denethor&lt;br /&gt;
&amp;nbsp;Paul Norell  as King of the Dead&lt;br /&gt;
&amp;nbsp;Miranda Otto  as Eowyn&lt;br /&gt;
&amp;nbsp;Bruce Phillips  as Grimbold&lt;br /&gt;
&amp;nbsp; John Rhys-Davies  as Gimli&lt;br /&gt;
&amp;nbsp;&amp;nbsp;Thomas Robins  as Deagol&lt;br /&gt;
&amp;nbsp;Andy Serkis  as Gollum / Smeagol&lt;br /&gt;
&amp;nbsp;Harry Sinclair  as Isildur&lt;br /&gt;
&amp;nbsp;Peter Tait  as Shagrat&lt;br /&gt;
&amp;nbsp;&amp;nbsp;Liv Tyler  as Arwen&lt;br /&gt;
&amp;nbsp;Karl Urban  as Eomer&lt;br /&gt;
&amp;nbsp;Stephen Ure  as Gorbag&lt;br /&gt;
&amp;nbsp;Hugo Weaving  as Elrond&lt;br /&gt;
&amp;nbsp;David Wenham  as Faramir&lt;br /&gt;
&amp;nbsp;Elijah Wood  as Frodo&lt;br /&gt;
&amp;nbsp; Sala Baker  as Sauron&lt;/div&gt;
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Funny Games is a 2008 psychological thriller film written and directed by Michael Haneke, a remake of Haneke's 1997 Austrian film of the same name. Naomi Watts, Tim Roth, and Michael Pitt star in the main roles. The film is a shot-for-shot remake of its predecessor, albeit in English and set in the United States with different actors. Exterior scenes were filmed on Long Island.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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The film begins with a loving family - George Farber (Tim Roth), his wife Ann (Naomi Watts), his son Georgie (Devon Gearhart) and their dog, arriving at their lake house. Their next-door neighbor, Fred (Boyd Gaines) is seen with two young men, Peter (Brady Corbet) and Paul (Michael Pitt), who seem to be their friends or relatives. The two young men come over to borrow eggs. Ann is in the kitchen cooking while George and Georgie are outside by the lake, tending to their boat. They seem friendly, and they use George’s golf club. When the men depart with the eggs they soon return with them broken. After asking for more eggs which also end up broken, Ann becomes frustrated, but when George tries to force the men to leave, Peter breaks George's leg with the golf club and they take the family hostage. Ann goes to call for help on the family's cell phone, but finds it unusable, having been earlier dropped in the sink by Peter. Paul then guides Ann on a hunt to find the family's dog, which he had killed with George's golf club. When the family's other neighbors arrive for a visit, Ann passes the two men off as friends until the visitors leave.&lt;/div&gt;
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&lt;a href="http://www.funnydesktopbackgrounds.info/wp-content/uploads/2012/01/funnygameshfo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="256" src="http://www.funnydesktopbackgrounds.info/wp-content/uploads/2012/01/funnygameshfo.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
The family is forced to participate in a number of sadistic games in order to stay alive. Paul asks if the family wants to bet that they will be alive by 9:00 in the morning, though he doubts that they will be. Between playing their games, the two men keep up a constant patter. Paul frequently ridicules Peter's weight and lack of intelligence. He describes a number of contradicting stories of Peter's past, though no definitive explanation is ever presented as to the men's origins or motives. At one point, Georgie tries to escape and runs to the gate. He attempts to climb the locked gate but changes his mind and goes to the neighbors' house passing through the water. Inside the house Georgie attempts to shoot Paul with a shotgun, but the gun fails to go off. Paul returns him to the living room, along with the shotgun. After a few more games, the men play a counting-out game between the family members on the basis that whoever gets counted out will be shot, but Georgie suddenly panics and makes a run for his life, which results in Peter shooting him dead. He and Paul then leave, Paul a little annoyed that Peter didn't follow the rules of their game to the letter.&lt;br /&gt;
&lt;br /&gt;
George and Ann weep for their loss, but eventually resolve to survive. Ann flees the house while George, with a broken leg, desperately tries to call for help on the malfunctioning phone. Ann struggles to find help, only to be re-captured by Peter and Paul, who return her to the house. Stabbing George, the men attempt to force Ann to choose for her husband, between a painful, prolonged death with the knife or a quick death with the shotgun. Instead, Ann seizes the shotgun on the table in front of her and kills Peter. Enraged, Paul confiscates the shotgun and starts looking for the television remote. Upon finding it, he literally rewinds all the occurrences back to before Ann grabs the shotgun, thereby breaking the fourth wall. On the 'do over', Paul snatches the shotgun away and admonishes her, saying she isn't allowed to break the rules. They then kill George and take Ann, bound and gagged, out on the family's boat early the next morning. Around eight o'clock, they nonchalantly throw her into the water to drown, thus winning their bet. They dock at the house of the neighbors that had previously visited the family, and request some eggs, thereby restarting their cycle of murder.&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
The film received mixed reviews from critics. As of September 6, 2008, the review aggregator Rotten Tomatoes reported that 51 percent of critics gave the film positive reviews, based on 132 reviews. Metacritic reported the film had an average score of 41 out of 100, based on 33 reviews.&lt;br /&gt;
&lt;br /&gt;
Todd Gilchrist from IGN called the film "Unrelenting and brilliant, Funny Games is a truly great film – an incisive, artistic triumph that doubles as a remarkably thrilling and unique cinematic experience." Conversely, Joshua Rothkopf from Time Out New York called the film "a sour project that defines anti-imaginative." A.O. Scott of the New York Times wrote: "At least with the remake Funny Games, Mr. Haneke shows a certain kinship with someone like Eli Roth, whose Hostel movies have brought nothing but scorn from responsible critics." The Chicago Sun-Times review of March 14, 2008 gave the film a mere half-star out of a possible four.&lt;br /&gt;
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The Times ranked it No. 25 on its 100 Worst Films of 2008 list.&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Naomi Watts  as Ann&lt;br /&gt;
&amp;nbsp;Tim Roth  as George&lt;br /&gt;
&amp;nbsp;Michael Pitt  as Paul&lt;br /&gt;
&amp;nbsp;Brady Corbet  as Peter&lt;br /&gt;
&amp;nbsp;Devon Gearhart  as Georgie&lt;br /&gt;
&amp;nbsp;Boyd Gaines  as Fred&lt;br /&gt;
&amp;nbsp;Siobhan Fallon  as Betsy&lt;br /&gt;
&amp;nbsp;Robert LuPone  as Robert&lt;br /&gt;
&amp;nbsp;Susi Haneke  as Betsy's Sister-in-Law&lt;br /&gt;
&amp;nbsp;Linda Moran  as Eve&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-2054506745915722298?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/2054506745915722298/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/funny-games-2008.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2054506745915722298?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2054506745915722298?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/funny-games-2008.html' title='Funny Games (2008)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXo6eyp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-7679142698797566890</id><published>2012-03-05T18:59:00.000+02:00</published><updated>2012-03-07T14:35:40.413+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.413+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Horror'/><title>Paranormal Activity (2011)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div style="text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/b7/ParanormalActivity3Poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/b/b7/ParanormalActivity3Poster.jpg" width="216" /&gt;&lt;/a&gt;Paranormal Activity 3 is a 2011 American supernatural horror film, directed by Henry Joost and Ariel Schulman. It is the third film of the Paranormal Activity series and serves as a prequel, set 18 years prior to the events of the first two films. It was released in theaters on October 21, 2011.&lt;br /&gt;
&lt;br /&gt;
The film broke financial records upon release, setting a new record for a midnight opening for a horror film ($8 million), the best opening day for a horror film in the United States ($26.2 million), the highest opening for any film in October, highest opening for a film in the fall (September–October), and setting a record opening for the franchise ($52.6 million).&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
In 2005, Katie delivers a box of old videotapes to her pregnant sister, Kristi, and Kristi's husband, Daniel. A year later, Kristi and Daniel's house is seemingly ransacked and the tapes are missing.&lt;br /&gt;
&lt;br /&gt;
In 1988, a young Katie and Kristi live with their mother, Julie, and her boyfriend, Dennis; Kristi begins interacting with an invisible friend named Toby. Dennis notices that since Kristi's friend appeared, strange things have been happening in the house. Dennis and Julie try to make a sex tape, but are interrupted by an earthquake. While they look for the girls, the camera shows dust fall from the ceiling and land onto an invisible figure in the room. The figure then moves and the dust falls to the floor.&lt;/div&gt;
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&lt;a href="http://www.aceshowbiz.com/images/still/paranormal-activity-3-01.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://www.aceshowbiz.com/images/still/paranormal-activity-3-01.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
While reviewing the footage, Dennis notices the strange incident. He invites his friend Randy over to view the footage, who suggests that Dennis place cameras throughout the house to capture any other incidents. That night in the girls' bedroom, Kristi wakes up and begins talking to someone off-camera before going back to bed. When Dennis questions her the following day, Kristi tells him it was Toby. After more disturbing nights and strange occurrences, Dennis discovers a strange symbol in the girls' closet. He finds the same symbol on a picture of women in a book about demonology. Dennis explains to Julie that the symbol belonged to a witches' coven that brainwashed girls of child-bearing age into having sons, and then force them to forget. Julie dismisses his claim.&lt;br /&gt;
&lt;br /&gt;
When Kristi falls ill, Julie and Dennis take her to the hospital. Katie is left with Randy, and she asks him to play Bloody Mary with her. They go into the girls' bathroom and say "Bloody Mary" 3 times and turn off the light. When nothing happens, Katie insists they try again. Randy is stricken with pain and the lights reveal a large scratch up the side of his body. They try to leave the bathroom but a black figure moves past the door. When Randy tries to leave a second time, furniture is violently thrown around. After Julie and Dennis return, Randy leaves in a rush.&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;
The invisible demon terrorizes Katie and Kristi, harming Katie and later dragging her into a closet in the girls' bedroom until Kristi agrees to do what it asks. The next day, Kristi asks her mother to take them to her grandmother Lois's home, but she refuses. After Julie encounters frightening activity herself, she agrees to go to Lois's home. Dennis sets up another camera in the new bedroom. At 1am, they are awoken by the sound of a car outside. After hearing more disturbances, Julie goes to investigate. When she fails to return, Dennis goes to look for her. In the background, the camera captures a shadowy female figure. When Dennis returns and picks up the camera, the figure is gone.&lt;/div&gt;
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&lt;a href="http://screencrave.frsucrave.netdna-cdn.com/wp-content/uploads/2010/10/Paranormal-Activity-2-22-10-10-kc.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="184" src="http://screencrave.frsucrave.netdna-cdn.com/wp-content/uploads/2010/10/Paranormal-Activity-2-22-10-10-kc.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
He heads out of the room and calls for Julie and the girls but there is no answer. Downstairs, Dennis notices a human silhouette behind a curtain. When he pulls back the curtain, nothing is present, but the room he enters has strange imagery on the walls, including the symbol from the girls' room, which had been concealed beneath framed paintings. Noticing that the backdoor is open, Dennis goes outside to investigate. In the garage, he discovers Lois and several other women, all dressed in black. He flees back to the house, with the women in slow pursuit. In the house, he finds Julie at the top of the stairs. As he approaches, he sees that she is levitating unconscious above the floor. Her body is thrown at Dennis, knocking him down the stairs. He gets up and sees Kristi, and then retreats with her into a closet. The demon growls and bangs on the door but eventually leaves.&lt;br /&gt;
&lt;br /&gt;
Dennis and Kristi leave the closet. As they walk through the kitchen, Dennis sees women outside in the garden, circling around a bonfire. As they move into the next room, they find Katie crying by Julie's body. He approaches Katie from behind, and places his hand on her shoulder. Katie turns and unleashes a demonic scream that throws him to the other side of the room, injuring his leg. Katie runs away. Dennis tries to crawl toward Julie's body but Lois walks in front of him. As Lois looks down to him, Dennis's body is suddenly and violently contorted, snapping backwards and killing him. Katie goes to Lois, who beckons to Kristi. As they head upstairs, Kristi calls to Toby. There is the sound of movement and a monstrous growl as the footage stops recording.&lt;/div&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
The film had received generally positive reception from critics. Review aggregator Rotten Tomatoes reports that 67% of 102 critics have given the film a positive review, with a rating average of 5.9 out of 10. The website's consensus is, "While the jolts and thrills are undeniably subject to the diminishing returns that plague most horror sequels, Paranormal Activity 3 is a surprisingly spine-tingling treat." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 59 based on 25 reviews. CinemaScore polls reported that the average grade moviegoers gave the film was a "C+" on an A+ to F scale. Conversely, Roger Ebert gave the film a single star out of four, stating that "the appeal has worn threadbare", but predicting that the film will fare well in the box office nevertheless.&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Christopher Nicholas Smith  as Dennis&lt;br /&gt;
&amp;nbsp;Lauren Bittner  as Julie&lt;br /&gt;
&amp;nbsp;Chloe Csengery  as Young Katie&lt;br /&gt;
&amp;nbsp;Jessica Tyler Brown  as Young Kristi&lt;br /&gt;
&amp;nbsp;Dustin Ingram  as Randy Rosen&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-7679142698797566890?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/7679142698797566890/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/paranormal-activity-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/7679142698797566890?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/7679142698797566890?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/paranormal-activity-2011.html' title='Paranormal Activity (2011)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXo4fCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-8578183674203511440</id><published>2012-03-04T21:40:00.000+02:00</published><updated>2012-03-07T14:35:40.434+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.434+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Rock'/><title>The Clash</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;THE CLASH&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://st-listas.20minutos.es/images/2010-09/253932/2683522_640px.jpg?1285344552" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="298" src="http://st-listas.20minutos.es/images/2010-09/253932/2683522_640px.jpg?1285344552" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The Clash were an English punk rock band that formed in 1976 as part of the original wave of British punk. Along with punk, their music incorporated elements of reggae, ska, dub, funk, rap, dance, and rockabilly. For most of their recording career, the Clash consisted of Joe Strummer (lead vocals, rhythm guitar), Mick Jones (lead guitar, vocals), Paul Simonon (bass guitar, vocals) and Nicky "Topper" Headon (drums, percussion). Headon left the group in 1982, and internal friction led to Jones's departure the following year. The group continued with new members, but finally disbanded in early 1986.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The Clash achieved commercial success in the United Kingdom with the release of their debut album, The Clash, in 1977. Their third album, London Calling, released in the UK in December 1979, brought them popularity in the United States when it came out there the following month. Critically acclaimed, it was declared the best album of the 1980s a decade later by Rolling Stone magazine.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The Clash's politicized lyrics, musical experimentation and rebellious attitude had a far-reaching influence on rock, alternative rock in particular. They became widely referred to as "The Only Band That Matters", originally a promotional slogan introduced by the group's record label, CBS. In January 2003, the band—including original drummer Terry Chimes—were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked the Clash number 28 on their list of the 100 greatest artists of all time.&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;i&gt;Band members:&lt;/i&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;i&gt;Classic lineup (May 1977–May 1982):&lt;/i&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li class="separator" style="clear: both; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Joe Strummer – lead vocals, guitar&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span style="font-size: small;"&gt;Active: May 1976–1986&lt;br /&gt;Instruments: lead vocals, guitar, harmonica, keyboards&lt;br /&gt;Release contributions: all The Clash releases&lt;br /&gt;Joe Strummer was a member of the original band formed in 1976, and remained with the band until they broke up in 1986.&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Paul Simonon – bass guitar, backing vocals&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: May 1976–1986&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: vocals, bass&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: all The Clash releases&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Paul Simonon was a member of the original band formed in 1976, and remained with the band until they broke up in 1986.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Mick Jones – lead guitar, vocals&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: May 1976– September 1983&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: vocals, guitar, keyboards&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: all The Clash releases except Cut the Crap (1985)&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Mick Jones was a member of the original band formed in 1976. Mick Jones was fired from the band in September after his working relationship with Strummer stopped functioning.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Topper Headon – drums, percussion&lt;/span&gt;&lt;/li&gt;
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&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: May 1977–May 1982&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: drums and percussion&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: all The Clash releases except The Clash (1977) and Cut the Crap (1985)&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Topper Headon joined the band after what he described himself as a "joyrneyman" drummer. He realised the potential of the band and remained with them for four albums and a b-side compilation. He was dismissed from the band when his heroine addiction became too prevalent.&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;u&gt;Other members:&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Terry Chimes – drums, percussion&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: left;"&gt;
Active: May 1976–November 1976; February 1977–May 1977; May 1982–May 1983&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: drums and percussion&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: The Clash (1977), some on b-side collection Black Market Clash (1980)&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Terry Chimes was an on-off member of the initial line-up of the band. He left and then was hired to record the debut album. He was omitted from the photo of it, because at that time he left. He was hired again in 1982 when Topper Headon left because of drug addiction. He left the band the following year when he couldn't deal with infighting.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Keith Levene – lead guitar&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: May 1976–September 1976&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: guitar&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: None&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Keith Levene was a member of the original band. In early September 1976, he was fired from the Clash. Strummer would claim that Levene's dwindling interest in the band owed to his supposedly abundant use of speed, a charge Levene has denied. (Levene and John Lydon would form Public Image Ltd. in 1978.)&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Rob Harper – drums, percussion&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: December 1976–January 1977&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: drums and percussion&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: None&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Rob Harper drummed for a while during the December tour.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Pete Howard – drums, percussion&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: May 1983–1986&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: drums and percussion&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: Cut the Crap (1985)&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Pete Howard was drumming for the band during the final twilight years.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Nick Sheppard – lead guitar, backing vocals&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: September 1983–1986&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: guitar&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: Cut the Crap (1985)&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Nick Sheppard joined the band after Mick Jones was fired.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: small;"&gt;Vince White – lead guitar&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Active: September 1983–1986&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Instruments: guitar&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Release contributions: Cut the Crap (1985)&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-size: small;"&gt;Vince White joined the band after Mick Jones was fired.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;u&gt;Discography:&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;THE CLASH&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1977)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/9a/The_Clash_UK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/9/9a/The_Clash_UK.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The Clash is the eponymously-titled debut studio album by the English punk rock band The Clash. It was originally released only in the United Kingdom on 8 April 1977 through CBS Records. The album was re-released in the United States in 1979, dropping four tracks and adding five other tracks. Both versions of the album are still in print.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The album's front cover photo, shot by Kate Simon, was taken in the alleyway directly opposite the front door of the band's 'Rehearsal Rehearsals' building in Camden Market. Drummer Terry Chimes, though a full member of The Clash at the time, did not appear in the picture as he had already decided to leave the group. Another picture from the same Kate Simon photoshoot appears on the UK Special Edition DVD of Rude Boy, released in 2003. The picture of the charging police officers on the rear, shot by Rocco Macauly, was taken during the 1976 riot at the Notting Hill Carnival—the inspiration for the track "White Riot".&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;GIVE 'EM ENOUGH ROPE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1978)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/4/4c/Give_'Em_Enough_Rope.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/4/4c/Give_'Em_Enough_Rope.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Give 'Em Enough Rope is the second studio album by the English punk rock band The Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of The Clash. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The album was voted album of the year for 1978 by Rolling Stone and Time magazines, as well as the popular UK music weekly Sounds which gave it a glowing review upon release, with writer Dave McCullough calling it "swash-buckled heavy-metal" and claiming it to be "The best LP since the last Clash LP, both, I personally feel, transcending anything ever recorded".&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The cover was designed by Gene Greif, using a postcard, "End of the Trail", photographed by Adrian Atwater, featuring Wallace Irving Robertson.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The cover of the first US pressings showed the band's name written in block capital letters. Subsequent US pressings used a faux-oriental style font, which was then replaced with the more ornate faux-oriental style font used on the UK release.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The original American issue of the album also retitled "All the Young Punks" as "That's No Way to Spend Your Youth". This was revised on later editions.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;"Tommy Gun" and "English Civil War" were released as the album's singles, either side of Christmas 1978. They entered the UK charts at numbers 19 and 25, respectively.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;During recording of the album, Joe Strummer's trademark Telecaster guitar needed to be taken in for repairs, so for the bulk of the sessions he played a hired semi-acoustic Gibson ES-345.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Sandy Pearlman, who produced the original album, was not a big fan of Joe Strummer's voice, to the point that he ensured the drums were mixed louder than the lead singer's vocals on the entire album.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album was originally titled "Rent-A-Riot".&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Other songs recorded during the sessions was single "White Man (in Hammersmith Palais)", as well as b-sides "The Prisoner" and "Pressure Drop". Four more songs were demoed: "One Emotion", "Groovy Times", "Ooh Baby Ooh (It's Not Over) (AKA "Rusted Chrome) (later reworked and released as "Gates of the West") and "RAF 1810".&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;LONDON CALLING&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1979)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/0/00/TheClashLondonCallingalbumcover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/0/00/TheClashLondonCallingalbumcover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;London Calling is the third studio album by the English punk rock band The Clash. It was released in the United Kingdom on 14 December 1979 through CBS Records, and in the United States in January 1980 through Epic Records. The album represented a significant change in The Clash's musical style, which now featured major elements of ska, funk, pop, soul, jazz, rockabilly and reggae far more prominently than in their previous two albums.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album's subject matter included social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood. The album received unanimously positive reviews and was ranked at number eight on Rolling Stone's list of The 500 Greatest Albums of All Time in 2003. London Calling was a top ten album in the UK, and its lead single "London Calling" was a top 20 single. It has sold over five million copies worldwide, and was certified platinum in the United States.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The album received very positive reviews from critics. It was named best album of the year in the 1980 Rolling Stone critics' poll[citation needed] and also topped the 1980 Village Voice Pazz &amp;amp; Jop critics' poll. Robert Christgau described London Calling as "warm, angry, and thoughtful, confident, melodic, and hard-rocking" and called it "the best double-LP since Exile on Main Street". Tom Carson wrote in Rolling Stone that "the record ranges across the whole of rock &amp;amp; roll's past for its sound, and digs deeply into rock legend, history, politics and myth for its images and themes. Everything has been brought together into a single, vast, stirring story — one that, as the Clash tell it, seems not only theirs but ours. For all its first-take scrappiness and guerrilla production, this two-LP set — which, at the group's insistence, sells for not much more than the price of one — is music that means to endure. It's so rich and far-reaching that it leaves you not just exhilarated but exalted and triumphantly alive."&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In December 2010, the BBC reported that a film about the recording of London Calling was in the early stages of production. Mick Jones and Paul Simonon are working as executive producers for the film. The script was written by Jez Butterworth and shooting would begin in 2011. Alison Owen and Paul Trijbits had been chosen as the producers.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;SANDINISTA!&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1980)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/9f/Sandinista_album_cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/9/9f/Sandinista_album_cover.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Sandinista! is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. Anticipating the "world music" trend of the 1980s, it features reggae, jazz, mock gospel, rockabilly, folk, dub, rhythm and blues, calypso, and rap.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash, and the band cut the album royalties, in order to release the 3-LP at a low price. The title comes from the Nicaraguan socialist political party, the Sandinistas, and its catalogue number, 'FSLN1', refers to the acronym for Frente Sandinista de Liberación Nacional.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Sandinista! was voted the best album of the year in The Village Voice's Pazz &amp;amp; Jop critics poll, and it was ranked number 404 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time in 2003.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;COMBAT ROCK&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1982)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/b6/Combat_rock_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/b/b6/Combat_rock_cover.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Combat Rock is the fifth studio album by the English punk rock band The Clash. It was released on 14 May 1982 through Epic Records. Although the album includes different styles of music, it is considerably less experimental than their previous album Sandinista!. In the United Kingdom the album charted at #2, spending 23 weeks in the UK charts. The album reached #7 in the United States, spending 61 weeks on the chart. The album has been certified 2x platinum.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Combat Rock was originally planned as a double album with the working title Rat Patrol from Fort Bragg, but the idea was scrapped after internal wrangling within the group. Mick Jones had mixed the first version, but the other members were dissatisfied and mixing/producing duties were handed to Glyn Johns, at which point the album became a single LP. The original mixes were later bootlegged.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Pennie Smith shot the cover photo for Combat Rock on a deserted railway line outside Bangkok while the band was on their "Far East" tour in 1982.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; Following along the same note as Sandinista!, Combat Rock's catalogue number 'FMLN2' is the abbreviation for the El Salvador political party 'Frente Farabundo Martí para la Liberación Nacional' or FMLN.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;CUT THE CRAP&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1985)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/79/Cut_the_Crap.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/7/79/Cut_the_Crap.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Cut the Crap is the sixth and final album by the English punk rock band The Clash, released on 4 November 1985 by Epic Records.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Following the ejection of founding member Mick Jones from the group, The Clash hired guitarists Nick Sheppard and Vince White to replace him. The album was not mentioned in the Clash documentary Westway to the World and was not featured on the compilation album The Story of the Clash, Volume 1 or in the box set Clash on Broadway.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Biographer Chris Salewicz noted that the "fundamental flaw" in firing Mick Jones from The Clash was that he wrote virtually all of the music. Clash associate Kosmo Vinyl commented, "We didn't think [. . .] 'Anyone can write a punk song!' That was our mistake." Unknown to the band at the time, Bernie Rhodes's solution to the problem was to take control of the music writing himself.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;According to guitarist Vince White the working title of the record was Out of Control. Bernie Rhodes changed it to Cut the Crap shortly before release without consulting the band. Rhodes also produced the record, using the alias of "Jose Unidos".&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;In mid-2000, the album was remastered and re-released in Europe with a bonus track "Do It Now". The reissue was unannounced and not promoted. It came after the rest of the band's catalogue had been reissued in December 1999 -January 2000 in the U.S.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Critical and commercial reception to the record was poor aside from the single "This Is England". The absence of Jones and former drummer Topper Headon (who had been kicked out earlier due to his ongoing heroin addiction) led many to regard Cut the Crap as a Joe Strummer solo album, despite the fact that Paul Simonon appeared on it as well. Reasons for the album's shortcomings included Joe Strummer's disillusionment with the group by this point, as well as his grieving over the deaths of his parents. When the album was re-released in 2000, Q Magazine noted "you wouldn't get into too many fights if you went around saying this was the Clash's worst album."&lt;/div&gt;
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And now listen to some good old punk rock:&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-8578183674203511440?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/8578183674203511440/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/clash.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8578183674203511440?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8578183674203511440?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/clash.html' title='The Clash'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXw4eip7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-7522448020891530649</id><published>2012-03-04T20:54:00.000+02:00</published><updated>2012-03-07T14:35:40.232+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.232+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Comedy'/><title>Tropic Thunder (2008)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;a href="http://upload.wikimedia.org/wikipedia/en/d/d6/Tropic_thunder_ver3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/d/d6/Tropic_thunder_ver3.jpg" width="228" /&gt;&lt;/a&gt;&lt;/div&gt;
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Tropic Thunder is a 2008 American action satire comedy film written, produced, and directed by Ben Stiller, and starring Stiller, Robert Downey, Jr., and Jack Black. The main plot revolves around a group of prima donna actors who are making their fictional Vietnam War film. When their frustrated writer and director decide to drop them in the middle of a jungle, they are forced to rely on their acting skills in order to survive the real action and danger. Also written by Justin Theroux and Etan Cohen, the film was produced by Red Hour Films and distributed by DreamWorks Pictures through Paramount Pictures.&lt;br /&gt;
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Stiller's idea for the film originated while playing a minor role in Empire of the Sun, and he later enlisted Theroux and Cohen to help complete the script. After the film was green-lighted in 2006, filming took place in 2007 on the Hawaiian island of Kauai over thirteen weeks and was later deemed the largest film production in the island's history. The film had an extensive marketing promotion, including faux websites for the three main characters and their fictional films, airing a fictional television special, and selling the energy drink advertised in the film, "Booty Sweat". Prior to the film's release, it was met with criticism from disability advocacy groups for its portrayal of mental retardation.&lt;br /&gt;
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The film received generally favorable reviews with critics approving of the film's characters, story, and faux trailers while criticizing its offensive content. The film's soundtrack and score debuted on August 5, 2008, before the film's theatrical release. In its North American opening weekend, the film earned US$26 million and retained the number one position for the first three weekends of release. The film and its cast were nominated for several awards by various groups including the Screen Actors Guild, Broadcast Film Critics Association, and the Academy of Motion Picture Arts and Sciences. The film grossed $180 million in theaters before its release on home video on November 18, 2008.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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Hook-handed Vietnam veteran John "Four Leaf" Tayback's (Nick Nolte) memoir, Tropic Thunder, is being made into a film. With the exception of newcomer supporting actor Kevin Sandusky (Jay Baruchel), the cast—fading action hero Tugg Speedman (Stiller), five-time Academy Award-winning Australian method actor Kirk Lazarus (Downey, Jr.), rapper Alpa Chino (Brandon T. Jackson), and drug-addicted comedian Jeff Portnoy (Black)—behave unreasonably. Rookie director Damien Cockburn (Steve Coogan) is unable to control the actors during the filming of a large war scene and just five days into shooting the production is reported to be one month behind schedule. Cockburn is ordered by studio executive Les Grossman (Tom Cruise) to get filming back on track, or risk the cancellation of production.&lt;br /&gt;
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Acting on Tayback's advice, Cockburn drops the actors into the middle of the jungle, where he has installed hidden cameras and rigged special effects explosions to film "guerrilla-style". The actors have guns that fire blanks, along with a map and scene listing that will guide them to a helicopter waiting at the end of the jungle route. Unbeknownst to the actors and the production, the group have been dropped in the middle of the Golden Triangle, the home of the heroin-producing Flaming Dragon gang. Shortly after the group set off, the five actors are stunned to see Cockburn blown up by an old land mine. Speedman, believing Cockburn faked his death, persuades Chino, Portnoy, and Sandusky that Cockburn is alive and that they are still shooting the film. Lazarus is unconvinced, but joins the other actors in their trek through the jungle.&lt;/div&gt;
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&lt;a href="http://www.nerdalerts.net/movie/wp-content/uploads/2008/03/tropicthunder3.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://www.nerdalerts.net/movie/wp-content/uploads/2008/03/tropicthunder3.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
When Tayback and pyrotechnics operator Cody Underwood (Danny McBride) attempt to locate the dead director, they are captured by Flaming Dragon, at which point Tayback reveals that he fabricated his memoir and that he has hands. As the actors continue to forge through the jungle, Lazarus and Sandusky discover that Speedman is leading them in the wrong direction. The four actors, tired of walking through the jungle and hoping to be rescued, leave Speedman, who goes off by himself and is captured by Flaming Dragon and taken to their heroin factory. Believing it is a POW camp from the script, he continues to think he is being filmed. The gang discovers that he is the star of their favorite film, the box office bomb Simple Jack, and force him to reenact it several times a day. Meanwhile, in Los Angeles, Speedman's agent Rick Peck (Matthew McConaughey) is trying to negotiate with an uninterested Grossman an unfulfilled term in Speedman's contract that entitles him to a TiVo. Flaming Dragon calls the two and demands a ransom for Speedman, but Grossman instead berates the gang. Despite the threats he made to the Flaming Dragon, Grossman expresses no interest in rescuing Speedman and attempts to convince Rick about the benefits of allowing Speedman to die and collecting the insurance. Grossman also offers Rick a Gulfstream V and money in return for Rick's cooperation.&lt;br /&gt;
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Lazarus, Chino, Portnoy, and Sandusky discover Flaming Dragon's heroin factory. After seeing Speedman being tortured, they plan a rescue attempt based on the film's script. Lazarus impersonates a farmer towing a captured Portnoy on the back of a water buffalo, distracting the armed guards so Chino and Sandusky can locate where the captives are held. After the gang notices inconsistencies in Lazarus' story, the actors open fire on the gang, temporarily subduing them. When the gang realizes that they are being guarded by actors, they gather their guns and begin firing.&lt;br /&gt;
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The four actors locate Speedman, Tayback, and Underwood, and cross a bridge rigged to explode to get to their helicopter. Speedman asks to remain behind with the gang which he considers his family, but quickly returns with Flaming Dragon in pursuit. Tayback detonates the bridge, allowing Speedman to reach safety, but as the helicopter takes off, the gang fires an RPG at the machine. Rick unexpectedly stumbles out of the jungle carrying a TiVo box and throws it in the path of the RPG, saving them all. The actors and crew return to Hollywood, where footage from the hidden cameras is compiled into a feature film, Tropic Blunder, which becomes a major critical and box office hit. The film wins Speedman his first Academy Award, which Lazarus presents to him at the ceremony.&lt;/div&gt;
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&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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The film received mostly positive reviews by critics. The review aggregator website Rotten Tomatoes reported that 83% of critics gave the film a positive review based on a sample of 221 reviews, with an average score of 7.1/10. Metacritic, which assigns a weighted average score out of 100 from reviews by mainstream critics, gave a film rating of 71/100 based on 39 reviews.&lt;br /&gt;
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After attending an industry screening in April 2008 Michael Cieply from The New York Times stated that the film was "... shaping up as one of DreamWorks's best prospects for the summer." Claudia Puig of USA Today gave the film a positive review, writing "There are some wildly funny scenes, a few leaden ones and others that are scattershot, with humorous satire undercut by over-the-top grisliness. Still, when it's funny, it's really funny." A review in Variety by Todd McCarthy was critical: "Apart from startling, out-there comic turns by Robert Downey Jr. and Tom Cruise, however, the antics here are pretty thin, redundant and one-note." Rick Groen of The Globe and Mail gave the film a negative review, calling it "... an assault in the guise of a comedy—watching it is like getting mugged by a clown." J.R. Jones of Chicago Reader stated "The rest of the movie never lives up to the hilarity of the opening, partly because the large-scale production smothers the gags but mostly because those gags are so easy to smother."&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s1600/tropic-thunder1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="233" src="http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s320/tropic-thunder1.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
The faux trailers before the film also received mixed reviews. David Ansen of Newsweek approved of the trailers, writing "Tropic Thunder is the funniest movie of the summer—so funny, in fact, that you start laughing before the film itself has begun." Christy Lemire, writing for the Associated Press, called the trailers "... the best part of the trip." Robert Wilonsky of The Village Voice was critical, saying that the trailers' comedy "... resides in the land of the obvious, easy chuckle."&lt;br /&gt;
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The cast received mixed critical reception. Downey was praised by many critics, claiming that he "stole the show", was "... off-the-charts hilarious ...", and would bring viewers "... the fondest memories of his work." Scott Feinberg, of the Los Angeles Times, criticized the concept of Downey's portrayal of an African-American, writing "... I just can't imagine any circumstance under which a blackface performance would be acceptable, any more than than I can imagine any circumstance under which the use of the N-word would be acceptable." Sara Vilkomerson said Cruise did "... an astonishingly funny and surprising supporting performance." Logan Hill of New York argued against Cruise's cameo saying that it "... just makes him look a little lost and almost pathetic—shucking and jiving, trying to appeal to the younger moviegoers who are abandoning him."&lt;br /&gt;
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Several critics commented on the controversy over lines in the film talking about the mentally disabled. Duane Dudek of the Milwaukee Journal Sentinel wrote that the film "... is just sophomoric enough to offend. And while it is also funny, it is without the empathy or compassion to cause us to wonder why we are laughing." Christian Toto of The Washington Times argued against the opposition, "Tropic Thunder is drawing fire from special interest groups for its frequent use of the word 'retard', but discerning audiences will know where the humor is targeted. And they'll be laughing too hard to take offense." Kurt Loder of MTV contrasted the opposition to the lines with Downey character portrayal of an African American, "The scene in which the derisive Alpa Chino nails Lazarus' recitation of black-uplift homilies as nothing more than the lyrics to the Jeffersons theme is funny; but the one in which Lazarus quietly explains to Speedman that his Simple Jack character failed because he made the mistake of going 'full retard'—rather than softening his character with cuteness in the manner of Forrest Gump—is so on-the-nose accurate, it takes your breath away."&lt;/div&gt;
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&lt;a href="http://www.mannythemovieguy.com/images/tropic_thunder_new_picture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://www.mannythemovieguy.com/images/tropic_thunder_new_picture.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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Ben Stiller as Tugg Speedman&lt;/div&gt;
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Robert Downey, Jr. as Kirk Lazarus&lt;/div&gt;
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Jack Black as Jeff Portnoy&lt;/div&gt;
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Brandon T. Jackson as Alpa Chino&lt;/div&gt;
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Jay Baruchel as Kevin Sandusky&lt;/div&gt;
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Nick Nolte as John "Four Leaf" Tayback&lt;/div&gt;
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Steve Coogan as Damien Cockburn&lt;/div&gt;
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Danny McBride as Cody Underwood&lt;/div&gt;
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Matthew McConaughey as Rick "Pecker" Peck&lt;/div&gt;
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Bill Hader as Rob Slolom&lt;/div&gt;
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Brandon Soo Hoo as Tran&lt;/div&gt;
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Reggie Lee as Byong&lt;/div&gt;
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Tom Cruise as Les Grossman&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-7522448020891530649?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/7522448020891530649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/tropic-thunder-2008_04.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/7522448020891530649?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/7522448020891530649?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/tropic-thunder-2008_04.html' title='Tropic Thunder (2008)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s72-c/tropic-thunder1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSH09eSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-2875959431739520540</id><published>2012-03-04T20:04:00.000+02:00</published><updated>2012-03-07T14:35:39.361+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.361+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Metal'/><title>Iron Maiden</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;IRON MAIDEN&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-i3KVQiv0ums/TYCsMmrwhfI/AAAAAAAAAQU/HJaZ8kIZEmE/s1600/iron-maiden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="274" src="http://1.bp.blogspot.com/-i3KVQiv0ums/TYCsMmrwhfI/AAAAAAAAAQU/HJaZ8kIZEmE/s320/iron-maiden.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Iron Maiden are an English heavy metal band from Leyton in east London, formed in 1975 by bassist and primary songwriter Steve Harris. Since their inception, the band's discography has grown to include a total of thirty-eight albums: fifteen studio albums; ten live albums; four EPs; and seven compilations.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Pioneers of the New Wave of British Heavy Metal, Iron Maiden achieved success during the early 1980s. After several line-up changes, the band went on to release a series of U.S. and UK platinum and gold albums, including 1982's The Number of the Beast, 1983's Piece of Mind, 1984's Powerslave, 1985's live release Live After Death, 1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son. Since the return of lead vocalist Bruce Dickinson and guitarist Adrian Smith in 1999, the band have undergone a resurgence in popularity, with their latest studio offering, The Final Frontier, peaking at No. 1 in 28 different countries and receiving widespread critical acclaim.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Considered one of the most successful heavy metal bands in history, Iron Maiden have reportedly sold over 85 million records worldwide with little radio or television support. The band won the Ivor Novello Award for international achievement in 2002, and were also inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles, California during their United States tour in 2005. As of August 2011, the band have played almost 2000 live shows throughout their career.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;For the past 30 years, the band have been supported by their famous mascot, "Eddie", who has appeared on almost all of their album and single covers, as well as in their live shows.&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Returning from their time off, the band adopted a different style for their 1986 studio album, entitled Somewhere in Time, featuring, for the first time in the band's history, synthesised bass and guitars to add textures and layers to the sound. The release charted well across the world, particularly with the single "Wasted Years," but notably included no writing credits from lead singer Bruce Dickinson, whose material was rejected by the rest of the band.&lt;/div&gt;
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&lt;a href="http://www.rockoverdose.gr/ckfinder/userfiles/images/Iron-Maiden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="280" src="http://www.rockoverdose.gr/ckfinder/userfiles/images/Iron-Maiden.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The experimentation evident on Somewhere in Time continued on their next album, entitled Seventh Son of a Seventh Son, which was released in 1988. A concept album, based on The Tales of Alvin Maker series of novels by Orson Scott Card, this would be the band's first record to include keyboards, as opposed to guitar synthesisers on the previous release. After his contributions were not used for Somewhere in Time, Dickinson's enthusiasm was renewed as his ideas were accepted for this album. Another popular release, it became Iron Maiden's second album to hit No. 1 in the UK charts, although it only achieved a Gold certification in the U.S, in contrast to its four predecessors.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;During the following tour, the band headlined the Monsters of Rock festival at Donington Park for the first time on 20 August 1988, playing to the largest crowd in the festival's history (107,000). Also included on the bill were Kiss, David Lee Roth, Megadeth, Guns N' Roses and Helloween. The festival was marred, however, by the deaths of two fans in a crowd-surge during the aforementioned Guns N' Roses performance; the following year's festival was cancelled as a result. The tour concluded with several headline shows in the UK in November and December 1988, with the concerts at the NEC Arena, Birmingham recorded for a live video, entitled Maiden England.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;According to Guitar World Iron Maiden's sound has "influenced generations of newer metal acts, from legends like Metallica to current stars like Avenged Sevenfold," with Metallica drummer Lars Ulrich commenting that he has "always had an incredible amount of respect and admiration for them." Kerry King of Slayer has stated that "they meant so much to me in their early days" and Scott Ian of Anthrax says that "they had a major impact on my life." M. Shadows of Avenged Sevenfold states that Iron Maiden "are by far the best live band in the world and their music is timeless," while Trivium singer Matt Heafy comments that "without Iron Maiden, Trivium surely wouldn't exist." Slipknot frontman Corey Taylor says that "Steve Harris does more with four fingers than I've ever seen anybody do. And Bruce Dickinson? Dude! To me, he was the quintessential old-school heavy metal singer. He could hit notes that were just sick, and he was a great showman. Everything made me a fan. And there wasn't a dude that I hung out with that wasn't trying to draw Eddie on their schoolbooks," while their music also helped Jesper Strömblad of In Flames to pioneer the melodic death metal genre, stating that he had wanted to combine death metal with Iron Maiden's melodic guitar sounds.&lt;/div&gt;
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&lt;a href="http://www.aera.gr/images/stories/angel/feb-11/iron-maiden11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://www.aera.gr/images/stories/angel/feb-11/iron-maiden11.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&amp;nbsp; &amp;nbsp;Other heavy metal artists who cite the band as an influence include Chris Jericho, WWE wrestler and lead singer of Fozzy, and Cam Pipes of 3 Inches of Blood. On top of this, however, pop artist Lady Gaga has cited Iron Maiden as her favourite band, saying that "their fans live, breathe and die for Maiden, and that is my dream. Maiden changed my life."&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;In 1982, the band released one of their most popular, controversial and acclaimed albums, The Number of the Beast. The artwork and title track led to Christian groups in the United States branding the band as Satanists, encouraging people to destroy copies of the release. The band's manager, Rod Smallwood, later commented that Christians initially burnt the records, but later decided to destroy them with hammers through fear of breathing in the melting vinyl's fumes. The claims were not restricted to the United States, however, with the Catholic Church managing to prevent Iron Maiden from performing in Chile in 1992.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Contrary to the accusations, the band have always denied the notion that they are Satanists, with lead vocalist, Bruce Dickinson, doing so on-stage in the Live After Death concert video. Steve Harris has since commented that, "It was mad. They completely got the wrong end of the stick. They obviously hadn't read the lyrics. They just wanted to believe all that rubbish about us being Satanists." Harris has also stated that "The Number of the Beast" was inspired by a nightmare he had after watching Damien: Omen II, and also influenced by Robert Burns' Tam o' Shanter. Furthermore the band's drummer, Nicko McBrain, has been a born again Christian since 1999.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;Band members:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;Current members:&lt;/i&gt;&lt;/u&gt;&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Steve Harris – bass, backing vocals (1975–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Dave Murray – lead &amp;amp; rhythm guitars (1976–1977, 1978–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Adrian Smith – lead &amp;amp; rhythm guitars, backing vocals (1980–1990, 1999–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Bruce Dickinson – lead vocals (1981–1993, 1999–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Nicko McBrain – drums, percussion (1982–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Janick Gers – lead &amp;amp; rhythm guitars (1990–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;Live members:&lt;/u&gt;&lt;/i&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Michael Kenney – keyboards, synthesiser (1988–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;Former members:&lt;/u&gt;&lt;/i&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Paul Day – lead vocals (1975–1976)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Ron "Rebel" Matthews – drums (1975–1977)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Terry Rance – guitars (1975–1976)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Dave Sullivan – guitars (1975–1976)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Dennis Wilcock – lead vocals (1976–1978)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Bob Sawyer – guitars (1977)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Terry Wapram – guitars (1977–1978)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Tony Moore – keyboards (1977)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Thunderstick – drums, percussion (1977)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Doug Sampson – drums, percussion (1977–1979)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Paul Di'Anno – lead vocals (1978–1981)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Paul Cairns – guitars (1979)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Paul Todd – guitars (1979)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Tony Parsons -guitars (1979)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Dennis Stratton – guitars, backing vocals (1979–1980)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Clive Burr – drums, percussion (1979–1982)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Blaze Bayley – lead vocals (1994–1999)&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;Discography:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;IRON MAIDEN&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1980)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/7c/Iron_Maiden_(album)_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/7c/Iron_Maiden_(album)_cover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Iron Maiden, released on 14 April 1980, is the debut album by the British heavy metal band Iron Maiden. It was released by EMI in the UK, reaching number 4 in the UK charts, and a few months later in the U.S., originally on Harvest/Capitol Records and subsequently Sanctuary Records/Columbia Records. The U.S. release also included the song "Sanctuary", only released in the UK as a single. In 1998, along with the rest of the band's pre-X Factor releases, Iron Maiden was remastered with "Sanctuary" added in all territories.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Although Iron Maiden have since criticised the quality of the album's production, the release was met with critical and commercial acclaim, debuting at No. 4 in the UK Albums Chart as well as achieving prominence for the band in mainland Europe.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;When first issued in 1980, the album received immediate critical acclaim, with Geoff Barton, reviewing the album in Sounds, writing, "Heavy metal for the '80s, its blinding speed and rampant ferocity making most plastic heavy rock tracks from the '60s and '70s sound sloth-like and funeral-dirgey by comparison."&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Since its release, Iron Maiden has continued to receive praise from reviewers, with Allmusic describing it as "a landmark" as well as "no better place to hear how both punk and prog rock informed the New Wave of British Heavy Metal." In addition, Sputnikmusic describes it as "one of the top debut albums in the world of heavy metal," containing "the raw, aggressive power [which] defines the early years of the band."&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Iron Maiden is one of two Iron Maiden albums listed in 1001 Albums You Must Hear Before You Die (The Number of the Beast is the other).&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;KILLERS&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1981)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/b4/Iron_Maiden_Killers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/b/b4/Iron_Maiden_Killers.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Killers is the second album by British heavy metal band Iron Maiden, released on 2 February 1981 in the UK, and 6 June 1981 in the U.S. The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance arose due to his alcohol and cocaine use. This was also the first Iron Maiden album made with veteran producer Martin Birch, who went on to produce their next eight albums before retiring after Fear of the Dark in 1992.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The song "Wrathchild" is the only regularly played track from the album, appearing in almost all their concert tours. The song was covered in 2005 by female tribute band "The Iron Maidens" on their 2007 album Route 666 and again in 2008 by Gallows on the tribute CD Maiden Heaven: A Tribute to Iron Maiden released by Kerrang! magazine. "Wrathchild" was also featured in the PlayStation 2 game Guitar Hero Encore: Rocks the 80s.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Killers is the only Iron Maiden album to feature two instrumentals and was written almost exclusively by Steve Harris, with only minor assistance from the rest of the band (the title track and "Twilight Zone" being the only other songs to receive additional writing credits). Each song, with the exception of "Murders in the Rue Morgue," based on the story of the same name by Edgar Allan Poe, and "Prodigal Son," had been written in the years prior to the recording of their debut album, although none were recorded professionally until the Killers sessions, apart from "Wrathchild" (an early version of which featured on the Metal for Muthas compilation).&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The U.S. edition, which came out a few months after it did in the UK, was initially released on Harvest Records/Capitol Records and subsequently on Sanctuary Records/Columbia Records. "Twilight Zone" was also added to the album.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The Killer World Tour was the tour in support of the album and would feature the band's earliest shows in the US, the first being at The Aladdin Casino, Las Vegas in support of Judas Priest.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE NUMBER OF THE BEAST&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1982)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/1/1f/Iron_Maiden_-_The_Number_Of_The_Beast.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/1/1f/Iron_Maiden_-_The_Number_Of_The_Beast.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The Number of the Beast is the third studio album by the British heavy metal band Iron Maiden, released in March 1982. The album saw the debut of vocalist Bruce Dickinson, and the final appearance of drummer Clive Burr in the band.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The Number of the Beast met with considerable critical and commercial success and was a landmark release for the band, becoming their first album to reach No. 1 in the UK singles chart, and be certified platinum in the US. The album also produced the singles "Run to the Hills" and "The Number of the Beast", the former of which was the band's first top-10 UK single. The album was also controversial – particularly in the US – due to the religious nature of its lyrics and its artwork.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Since the release of The Number of the Beast and its subsequent tour, The Beast on the Road, "The Beast" has become an alternate name for Iron Maiden, and was later used in the titles of some of their compilations and live releases, including Best of the Beast and Visions of the Beast.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Like all of Iron Maiden's album artwork during the 1980s and early 90s, it was painted by Derek Riggs. The cover was originally created for the song "Purgatory", but Rod Smallwood deemed it of too high a calibre for a single release and decided to save it for The Number of the Beast album instead. The original 1982 artwork includes a light blue sky in the background; this was a mistake by the printers of the album cover, and was later rectified and became black when the album was remastered for compact disc in 1998.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album was also the centre of controversy, particularly in America, due to the lyrics of the title track and the cover art depicting Eddie controlling Satan like a puppet, while Satan is also controlling a smaller Eddie. Smallwood explains that the concept was to ask "who's the really evil one here? Who's manipulating who?"&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album's cover art has been parodied several times — by crossover thrash band Stormtroopers of Death for the cover art of their 1999 album Bigger than the Devil, and on a T-shirt by Streetwear brand Diamond Supply Co.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The Number of the Beast was a commercial success, selling 14 million copies worldwide. It was the band's first record to top the UK charts, entering the Top 40 directly at No. 1 on 10 April, maintaining the top position for a further week, and then remaining in the Top 75 for a total of 31 weeks. It entered the Billboard 200 at No. 150 and went on to peak at No. 33. In addition, the album reached the Top 10 in Austria and Sweden, and No. 11 and 13 in Canada and Norway, respectively.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;It was awarded platinum by the British Phonographic Industry (BPI), and received a gold certification by the Recording Industry Association of America (RIAA) on 4 October 1983 (eventually going platinum in 1986). Although the album failed to chart in Germany, it was certified gold ten years later, and it received a 3× platinum award in Canada for sales exceeding 300,000 units.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The two singles, "Run to the Hills" and the title track, debuted in the UK single charts at No. 7 and No. 18, respectively. Both songs entered the Irish Singles Chart in the same order, and reached No. 16 and 19.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;PIECE OF MIND&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1983)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/8/85/Iron_Maiden_-_Piece_Of_Mind.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/8/85/Iron_Maiden_-_Piece_Of_Mind.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Piece of Mind is the fourth studio album by British heavy metal band Iron Maiden. It was originally released in 1983 (see 1983 in music) on EMI, and on Capitol in the US; it was reissued later on Sanctuary/Columbia Records. It was the first album to feature drummer Nicko McBrain, who had recently left the Paris-based band Trust and has been Iron Maiden's drummer ever since.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album ranked 21 on IGN's list of the top 25 metal albums.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;In 1983, Kerrang! magazine published a poll of the greatest metal albums of all time, with Piece of Mind ranking number 1, and with The Number of the Beast at number 2.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;At the beginning of the sixth track, "Still Life", the band included a hidden message which could only be understood by playing the album backwards. This was a joke and an intended swing back at the critics who had accused Iron Maiden of being Satanic. The backwards-message features Nicko McBrain mimicking Idi Amin (or rather mimicking John Bird mimicking Idi Amin) uttering the following phrase "What ho said the t'ing with the three 'bonce', do not meddle with things you don't understand...", followed by a belch. The phrase itself is taken from the satirical album The Collected Broadcasts of Idi Amin by Bird and Alan Coren. "What ho" and "What ho said the t'ing" are phrases that also crop up regularly on McBrain's "Listen With Nicko!" tracks from The First Ten Years collection.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;According to McBrain, "We were sick and tired of being labelled as Devil worshippers and all this bollocks by these fucking morons in the States, so we thought, 'Right, you want to take the piss? We'll show you how to take the bleeding piss, my son!' And one of the boys taped me in the middle of this Idi Amin routine I used to do when I'd had a few drinks. I remember it distinctly ended with the words, 'Don't meddle wid t'ings yo don't understand.' We thought, if people were going to be stupid about this sort of thing, we might as well give them something to be really stupid about, you know?"&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;POWERSLAVE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1984)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/1/1c/Iron_Maiden_-_Powerslave.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/1/1c/Iron_Maiden_-_Powerslave.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Powerslave is the fifth studio album by the English heavy metal band Iron Maiden, released on 3 September 1984 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002).&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;It is notable for its Ancient Egyptian theme displayed in the cover artwork, lifted from the title track, which was carried over to the album's supporting tour. The World Slavery Tour began in Warsaw, Poland on 9 August 1984, and is widely regarded as being the band's longest and most arduous to date, as well as leading to the live album Live After Death.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The release also contains a musical re-telling of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner", which uses pieces of the original poem as lyrics and is, furthermore, Iron Maiden's longest song to date (at 13 minutes and 42 seconds in length).&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Powerslave is also notable as being the band's first album to feature the same lineup as the previous one, which would remain intact for two further studio releases.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;"2 Minutes to Midnight" and "Aces High" were released as singles.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;SOMEWHERE IN TIME&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1986)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/9b/Iron_Maiden_-_Somewhere_in_Time.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/9/9b/Iron_Maiden_-_Somewhere_in_Time.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Somewhere in Time is the sixth studio album by British heavy metal band Iron Maiden, released on 29 September 1986 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 1998). The studio follow-up to the hugely successful Powerslave/Live After Death pair, it was the first Iron Maiden album to feature guitar synthesizers.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Since its release, it has been certified platinum by the RIAA, having sold over 1,000,000 copies in the US alone.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Somewhere On Tour was the release's supporting tour.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b&gt;SEVENTH SON OF A SEVENTH SON&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1988)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c0/Iron_Maiden_-_Seventh_Son_Of_A_Seventh_Son.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c0/Iron_Maiden_-_Seventh_Son_Of_A_Seventh_Son.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Seventh Son of a Seventh Son is the seventh studio album by British heavy metal band Iron Maiden, released in 1988 by EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002).&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;It is the first Iron Maiden release to feature keyboards (played by Michael Kenney) and, along with The Number of the Beast and, later, Fear of the Dark and The Final Frontier, debuted at No. 1 in the UK charts. It also marks the first appearance of many progressive rock elements, particularly seen in the length and odd-time signatures of the title track "Seventh Son of a Seventh Son," and by the fact that it is a concept album.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;NO PRAYER FOR THE DYING&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1990)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/5c/IronMaidenNoPrayerForTheDying.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="314" src="http://upload.wikimedia.org/wikipedia/en/5/5c/IronMaidenNoPrayerForTheDying.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;No Prayer for the Dying is the eighth studio album by the British heavy metal band Iron Maiden. The record marks the band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, Tattooed Millionaire, and had also worked with Ian Gillan and New Wave of British Heavy Metal band, White Spirit.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;No Prayer for the Dying was the first album not to feature a wrap-around cover since 1983's Piece of Mind. It also does not follow the continuity of previous album covers, as Eddie no longer exhibits either his lobotomy or cyborg enhancements.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Two versions of the cover exist. The original 1990 version has Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again." The picture disc LP shows Eddie firing a weapon made of four machine guns (a reference to the album's opening track, "Tailgunner"). It has the original cover on side 2.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Reviews for the album were generally poor, with Allmusic commenting that "the songwriting wasn't up to snuff when compared to such classics as Killers or Number of the Beast" and "as a whole doesn't measure up to the hits." Sputnikmusic were equally negative, stating that "No Prayer for the Dying is a plain, listless record that never really gets itself going."&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;FEAR OF THE DARK&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1992)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/e/eb/Iron_Maiden_-_Fear_Of_The_Dark.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/e/eb/Iron_Maiden_-_Fear_Of_The_Dark.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Fear of the Dark is the ninth studio album released by British heavy metal band Iron Maiden. Released on 11 May 1992, it was their third studio release to top the UK albums chart and the last to feature Bruce Dickinson as lead vocalist until his return in 1999.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;It was the final Iron Maiden album to be produced by Martin Birch, who retired shortly after its release.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Reviews for the album were mixed, with Allmusic commenting that, while "easily an improvement over 1990's lackluster No Prayer for the Dying (both musically and sonically)," the release "still wasn't quite on par with their exceptional work from the '80s." Sputnikmusic were more positive about the release, stating that "though many of the songs are still sub-par by their standards... the band returns to the lofty heights that they enjoyed for the entirety of the 80's." Billboard had a positive reception upon release, saying Dickinson's voice "shows no sign of wear and tear" and the guitar work "sounds fresh and crisp".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In October 2011, Fear of the Dark was ranked number 8 on Guitar World magazine's top ten list of guitar albums of 1992.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Fear of the Dark became the third Iron Maiden album to top the UK Albums Chart. It is the band's most successful record in North America after the inception of Nielsen SoundScan in 1991, with 438,000 copies sold as of 2008.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE X FACTOR&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1995)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/2/21/Iron_Maiden_-_The_X_Factor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/2/21/Iron_Maiden_-_The_X_Factor.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The X Factor is the tenth studio album by Iron Maiden, released in 1995. It is the band's first album to include Blaze Bayley, formerly of Wolfsbane, as vocalist, replacing Bruce Dickinson who left the band following their previous tour to pursue a solo career. It is considered Iron Maiden's darkest album due to the lyrics being based on personal issues surrounding Steve Harris at the time, who was in the midst of a divorce and the death of his father, and the album cover, which depicts the band's mascot, Eddie, being graphically mutilated through surgery.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;"Man on the Edge" and "Lord of the Flies" were released as singles. Both of these songs, and "Sign of the Cross," remained in Maiden set lists following Bruce Dickinson's return. Live versions of these songs can be found on the single for "The Wicker Man" and the live albums Death on the Road and Rock in Rio respectively.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;"The Edge of Darkness" is based on the 1979 film Apocalypse Now, adapted from Joseph Conrad's Heart of Darkness, "Man on the Edge" is based on the 1993 movie, Falling Down, and "Lord of the Flies" is based on the novel of the same name. "Sign of the Cross" is based on the Umberto Eco's novel The Name of the Rose and is Iron Maiden's second longest song at more than 11 minutes long, the longest being "Rime of the Ancient Mariner" at 13 minutes (from Powerslave). Live versions of "Blood on the World's Hands" and "The Aftermath" can be found in Best of the 'B' Sides compilation album.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Blaze Bayley recorded a re-arranged version of "Sign of the Cross" on the live album As Live As It Gets.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Initially, The X Factor was met with lukewarm responses from critics. Allmusic rated the album two stars out of five, stating that "suffering from a lack of powerful riffs and tightly written songs, The X Factor is a lackluster latter-day album from Iron Maiden. Although the band doesn't sound particularly bad on the record, they don't sound inspired and there's a noticeable lack of energy to the performances which makes the lack of imagination all the more apparent."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Sputnikmusic were somewhat more positive about the release, deeming the album "a change for Iron Maiden, and a very important one at that" as it "paved the way for future albums of similar length." They also praised the "often criticized" Blaze Bayley, whose voice they claimed "was perfect for the new release."&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;VIRTUAL XI&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1988)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/9d/Iron_Maiden_-_Vitrual_XI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/9/9d/Iron_Maiden_-_Vitrual_XI.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Virtual XI (pronounced: Virtual Eleven) is the eleventh studio album by British heavy metal band Iron Maiden, released on 23 March 1998. It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Virtual XI was met with mixed reviews from critics. Allmusic commented that "on the surface, there's nothing terribly wrong with the record, as it delivers all the crunching riffs and demonic horror of their best records. The problem is that there's nothing memorable about the hooks, riffs, or songs, and there's little visceral energy to the music or production. As a result, it sounds lifeless to all but the most devoted fan." They also stated that Blaze Bayley is "a competent but faceless vocalist."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Sputnikmusic were more positive towards the album, claiming that it "has a few gems, such as Futureal, The Clansman, and Como Estais Amigos", but is "very repetitive, and listening to it takes a lot of patience."&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;BRAVE NEW WORLD&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2000)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/0/03/Iron_Maiden_-_Brave_New_World.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/0/03/Iron_Maiden_-_Brave_New_World.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Brave New World is the twelfth studio album by British heavy metal band Iron Maiden, released on 29 May 2000. It was their first studio release since the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990) in 1999, as well as the band's first studio recording with their current three guitar line-up, as Janick Gers remained with the band.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album art and title song are references to the novel of the same name, written by Aldous Huxley. The upper half of the artwork was created by Derek Riggs, with the bottom half by digital artist Steve Stone.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The Brave New World Tour was the tour in support of the album, during which the show at Rock in Rio was recorded and later released as a live album and video.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Brave New World peaked at No. 7 in the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39 in Billboard 200, and registered over 307,000 sales on the Nielsen SoundScan system in 2008.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;DANCE OF DEATH&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2003)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/d/de/Iron_Maiden-Dance_of_Death.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/d/de/Iron_Maiden-Dance_of_Death.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Dance of Death is the thirteenth studio album by British heavy metal band Iron Maiden, released first in Japan on 2 September and then on 8 September 2003 in the rest of the world excluding North America (where it was released a day later). The album was recorded on magnetic (analogue) tape.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Reviews for the album were generally positive with Kerrang! describing it as "stupendous stuff and concrete proof that Maiden are as electrifying and important as they have been in a long time." Sputnikmusic were also positive about the album, giving special mention to "Paschendale", described as "quite easily the ultimate Maiden masterpiece." Although describing the first three songs as "refreshing yet unremarkable", Allmusic describes Dance of Death as "a triumphant return to form for these heavy metal legends."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Although criticising the album for its length and for not "matching the quality" of its predecessor, 2000s Brave New World, PopMatters praises the band for being able to "still easily outclass most of the younger nu-metal bands today."&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;A MATTER OF LIFE AND DEATH&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2006)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/77/Iron_Maiden_-_A_Matter_Of_Life_And_Death.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/77/Iron_Maiden_-_A_Matter_Of_Life_And_Death.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;A Matter of Life and Death is the fourteenth studio album by British heavy metal band Iron Maiden. It was released on 25 August 2006 in Italy and Finland, and 28 August worldwide, excluding the United States, Canada and Japan on 5 September 2006. It is the first album in Iron Maiden's career to enter the U.S. Billboard charts in the top 10, achieving significant chart success in many other countries as well.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Whilst not being a concept album, war and religion are recurring themes throughout, as well as in the cover artwork.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The A Matter of Life and Death Tour was the tour in support of the album.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The first single to be released from the album was "The Reincarnation of Benjamin Breeg", released on 14 August 2006. On 10 August, "Different World" was made available for public streaming on the band's website, as was "Brighter than a Thousand Suns" the following day.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;"Different World" was the second single, receiving airplay on many rock radio stations. The song also features an animated video, similar to that of "Wildest Dreams".&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;An update on Iron Maiden's official website stated that "in just the first week the new album has shipped over a million copies worldwide and impacted on the charts pretty well everywhere in the world". The album marked Iron Maiden's first album to place in the top ten in the Billboard 200, reportedly selling 56,000 units in its first week. Debuting at number four, it was the highest-charting rock album ever in India, until their 15th studio album, The Final Frontier, which debuted at number one. The album went gold in Finland in its first week. This gold record became the band's 8th from Finland.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE FINAL FRONTIER&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2010)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/8/86/The_Final_Frontier_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/8/86/The_Final_Frontier_cover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Final Frontier is the fifteenth studio album by British heavy metal band Iron Maiden, released on 13 August 2010 in Germany, Austria and Finland, 17 August in North America, and 16 August worldwide. At 76 minutes and 35 seconds, it is the band's longest to date and their first since A Matter of Life and Death in 2006 (the longest gap to date between two consecutive Iron Maiden studio releases). Melvyn Grant, a long-time contributor to the band's artwork, created the cover art.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;A critical and commercial success, the album received largely favourable reviews from critics and peaked at No. 1 in 28 countries worldwide. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's The Number of the Beast, 1988's Seventh Son of a Seventh Son and 1992's Fear of the Dark. On top of this, The Final Frontier also charted at No. 4 in the Unites States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy award in the Best Metal Performance category for the song "El Dorado", released as a free download on 8 June 2010.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;EMI released the album in most of the world, while in the United States and Canada it was released jointly by Universal Music Enterprises and Sony Music Entertainment - the successor to the Sanctuary Records/Columbia Records joint venture that had previously controlled the Iron Maiden catalogue in North America.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Throughout The Final Frontier World Tour, Bruce Dickinson often requested that fans put the album to No. 1 in the respective country's music charts, which it did in 28 countries worldwide. It is the first Iron Maiden release to debut at No. 1 in the United Kingdom charts since 1992's Fear of the Dark, having sold 44,385 copies in its first week. In addition, The Final Frontier debuted at No. 4 in the Billboard 200 with 63,000 units sold, the highest position the band has ever reached in the United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;By the end of its first week, over 800,000 copies had been shipped to retailers worldwide. The album's overall chart success arguably makes it the band's most triumphant release to date.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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And now all you crazy fans "UP THE IRONS":&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-2875959431739520540?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/2875959431739520540/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/iron-maiden.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2875959431739520540?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2875959431739520540?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/iron-maiden.html' title='Iron Maiden'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-i3KVQiv0ums/TYCsMmrwhfI/AAAAAAAAAQU/HJaZ8kIZEmE/s72-c/iron-maiden.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXg7cCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-9140787340538515814</id><published>2012-03-04T18:42:00.000+02:00</published><updated>2012-03-07T14:35:40.608+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.608+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Funny Videos'/><title>Office Pranks (Funny Video)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-9140787340538515814?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/9140787340538515814/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/office-pranks-funny-video.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/9140787340538515814?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/9140787340538515814?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/office-pranks-funny-video.html' title='Office Pranks (Funny Video)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSH0zcSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-3303555262125530811</id><published>2012-03-04T15:30:00.000+02:00</published><updated>2012-03-07T14:35:39.389+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.389+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Action'/><title>Tropic Thunder (2008)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/d/d6/Tropic_thunder_ver3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/d/d6/Tropic_thunder_ver3.jpg" width="228" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Tropic Thunder is a 2008 American action satire comedy film written, produced, and directed by Ben Stiller, and starring Stiller, Robert Downey, Jr., and Jack Black. The main plot revolves around a group of prima donna actors who are making their fictional Vietnam War film. When their frustrated writer and director decide to drop them in the middle of a jungle, they are forced to rely on their acting skills in order to survive the real action and danger. Also written by Justin Theroux and Etan Cohen, the film was produced by Red Hour Films and distributed by DreamWorks Pictures through Paramount Pictures.&lt;br /&gt;
&lt;br /&gt;
Stiller's idea for the film originated while playing a minor role in Empire of the Sun, and he later enlisted Theroux and Cohen to help complete the script. After the film was green-lighted in 2006, filming took place in 2007 on the Hawaiian island of Kauai over thirteen weeks and was later deemed the largest film production in the island's history. The film had an extensive marketing promotion, including faux websites for the three main characters and their fictional films, airing a fictional television special, and selling the energy drink advertised in the film, "Booty Sweat". Prior to the film's release, it was met with criticism from disability advocacy groups for its portrayal of mental retardation.&lt;br /&gt;
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The film received generally favorable reviews with critics approving of the film's characters, story, and faux trailers while criticizing its offensive content. The film's soundtrack and score debuted on August 5, 2008, before the film's theatrical release. In its North American opening weekend, the film earned US$26 million and retained the number one position for the first three weekends of release. The film and its cast were nominated for several awards by various groups including the Screen Actors Guild, Broadcast Film Critics Association, and the Academy of Motion Picture Arts and Sciences. The film grossed $180 million in theaters before its release on home video on November 18, 2008.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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Hook-handed Vietnam veteran John "Four Leaf" Tayback's (Nick Nolte) memoir, Tropic Thunder, is being made into a film. With the exception of newcomer supporting actor Kevin Sandusky (Jay Baruchel), the cast—fading action hero Tugg Speedman (Stiller), five-time Academy Award-winning Australian method actor Kirk Lazarus (Downey, Jr.), rapper Alpa Chino (Brandon T. Jackson), and drug-addicted comedian Jeff Portnoy (Black)—behave unreasonably. Rookie director Damien Cockburn (Steve Coogan) is unable to control the actors during the filming of a large war scene and just five days into shooting the production is reported to be one month behind schedule. Cockburn is ordered by studio executive Les Grossman (Tom Cruise) to get filming back on track, or risk the cancellation of production.&lt;br /&gt;
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Acting on Tayback's advice, Cockburn drops the actors into the middle of the jungle, where he has installed hidden cameras and rigged special effects explosions to film "guerrilla-style". The actors have guns that fire blanks, along with a map and scene listing that will guide them to a helicopter waiting at the end of the jungle route. Unbeknownst to the actors and the production, the group have been dropped in the middle of the Golden Triangle, the home of the heroin-producing Flaming Dragon gang. Shortly after the group set off, the five actors are stunned to see Cockburn blown up by an old land mine. Speedman, believing Cockburn faked his death, persuades Chino, Portnoy, and Sandusky that Cockburn is alive and that they are still shooting the film. Lazarus is unconvinced, but joins the other actors in their trek through the jungle.&lt;/div&gt;
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&lt;a href="http://www.nerdalerts.net/movie/wp-content/uploads/2008/03/tropicthunder3.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://www.nerdalerts.net/movie/wp-content/uploads/2008/03/tropicthunder3.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
When Tayback and pyrotechnics operator Cody Underwood (Danny McBride) attempt to locate the dead director, they are captured by Flaming Dragon, at which point Tayback reveals that he fabricated his memoir and that he has hands. As the actors continue to forge through the jungle, Lazarus and Sandusky discover that Speedman is leading them in the wrong direction. The four actors, tired of walking through the jungle and hoping to be rescued, leave Speedman, who goes off by himself and is captured by Flaming Dragon and taken to their heroin factory. Believing it is a POW camp from the script, he continues to think he is being filmed. The gang discovers that he is the star of their favorite film, the box office bomb Simple Jack, and force him to reenact it several times a day. Meanwhile, in Los Angeles, Speedman's agent Rick Peck (Matthew McConaughey) is trying to negotiate with an uninterested Grossman an unfulfilled term in Speedman's contract that entitles him to a TiVo. Flaming Dragon calls the two and demands a ransom for Speedman, but Grossman instead berates the gang. Despite the threats he made to the Flaming Dragon, Grossman expresses no interest in rescuing Speedman and attempts to convince Rick about the benefits of allowing Speedman to die and collecting the insurance. Grossman also offers Rick a Gulfstream V and money in return for Rick's cooperation.&lt;br /&gt;
&lt;br /&gt;
Lazarus, Chino, Portnoy, and Sandusky discover Flaming Dragon's heroin factory. After seeing Speedman being tortured, they plan a rescue attempt based on the film's script. Lazarus impersonates a farmer towing a captured Portnoy on the back of a water buffalo, distracting the armed guards so Chino and Sandusky can locate where the captives are held. After the gang notices inconsistencies in Lazarus' story, the actors open fire on the gang, temporarily subduing them. When the gang realizes that they are being guarded by actors, they gather their guns and begin firing.&lt;br /&gt;
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The four actors locate Speedman, Tayback, and Underwood, and cross a bridge rigged to explode to get to their helicopter. Speedman asks to remain behind with the gang which he considers his family, but quickly returns with Flaming Dragon in pursuit. Tayback detonates the bridge, allowing Speedman to reach safety, but as the helicopter takes off, the gang fires an RPG at the machine. Rick unexpectedly stumbles out of the jungle carrying a TiVo box and throws it in the path of the RPG, saving them all. The actors and crew return to Hollywood, where footage from the hidden cameras is compiled into a feature film, Tropic Blunder, which becomes a major critical and box office hit. The film wins Speedman his first Academy Award, which Lazarus presents to him at the ceremony.&lt;/div&gt;
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&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
The film received mostly positive reviews by critics. The review aggregator website Rotten Tomatoes reported that 83% of critics gave the film a positive review based on a sample of 221 reviews, with an average score of 7.1/10. Metacritic, which assigns a weighted average score out of 100 from reviews by mainstream critics, gave a film rating of 71/100 based on 39 reviews.&lt;br /&gt;
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After attending an industry screening in April 2008 Michael Cieply from The New York Times stated that the film was "... shaping up as one of DreamWorks's best prospects for the summer." Claudia Puig of USA Today gave the film a positive review, writing "There are some wildly funny scenes, a few leaden ones and others that are scattershot, with humorous satire undercut by over-the-top grisliness. Still, when it's funny, it's really funny." A review in Variety by Todd McCarthy was critical: "Apart from startling, out-there comic turns by Robert Downey Jr. and Tom Cruise, however, the antics here are pretty thin, redundant and one-note." Rick Groen of The Globe and Mail gave the film a negative review, calling it "... an assault in the guise of a comedy—watching it is like getting mugged by a clown." J.R. Jones of Chicago Reader stated "The rest of the movie never lives up to the hilarity of the opening, partly because the large-scale production smothers the gags but mostly because those gags are so easy to smother."&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s1600/tropic-thunder1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="233" src="http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s320/tropic-thunder1.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
The faux trailers before the film also received mixed reviews. David Ansen of Newsweek approved of the trailers, writing "Tropic Thunder is the funniest movie of the summer—so funny, in fact, that you start laughing before the film itself has begun." Christy Lemire, writing for the Associated Press, called the trailers "... the best part of the trip." Robert Wilonsky of The Village Voice was critical, saying that the trailers' comedy "... resides in the land of the obvious, easy chuckle."&lt;br /&gt;
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The cast received mixed critical reception. Downey was praised by many critics, claiming that he "stole the show", was "... off-the-charts hilarious ...", and would bring viewers "... the fondest memories of his work." Scott Feinberg, of the Los Angeles Times, criticized the concept of Downey's portrayal of an African-American, writing "... I just can't imagine any circumstance under which a blackface performance would be acceptable, any more than than I can imagine any circumstance under which the use of the N-word would be acceptable." Sara Vilkomerson said Cruise did "... an astonishingly funny and surprising supporting performance." Logan Hill of New York argued against Cruise's cameo saying that it "... just makes him look a little lost and almost pathetic—shucking and jiving, trying to appeal to the younger moviegoers who are abandoning him."&lt;br /&gt;
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Several critics commented on the controversy over lines in the film talking about the mentally disabled. Duane Dudek of the Milwaukee Journal Sentinel wrote that the film "... is just sophomoric enough to offend. And while it is also funny, it is without the empathy or compassion to cause us to wonder why we are laughing." Christian Toto of The Washington Times argued against the opposition, "Tropic Thunder is drawing fire from special interest groups for its frequent use of the word 'retard', but discerning audiences will know where the humor is targeted. And they'll be laughing too hard to take offense." Kurt Loder of MTV contrasted the opposition to the lines with Downey character portrayal of an African American, "The scene in which the derisive Alpa Chino nails Lazarus' recitation of black-uplift homilies as nothing more than the lyrics to the Jeffersons theme is funny; but the one in which Lazarus quietly explains to Speedman that his Simple Jack character failed because he made the mistake of going 'full retard'—rather than softening his character with cuteness in the manner of Forrest Gump—is so on-the-nose accurate, it takes your breath away."&lt;/div&gt;
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&lt;a href="http://www.mannythemovieguy.com/images/tropic_thunder_new_picture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://www.mannythemovieguy.com/images/tropic_thunder_new_picture.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
Ben Stiller as Tugg Speedman&lt;/div&gt;
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Robert Downey, Jr. as Kirk Lazarus&lt;/div&gt;
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Jack Black as Jeff Portnoy&lt;/div&gt;
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Brandon T. Jackson as Alpa Chino&lt;/div&gt;
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Jay Baruchel as Kevin Sandusky&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Nick Nolte as John "Four Leaf" Tayback&lt;/div&gt;
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Steve Coogan as Damien Cockburn&lt;/div&gt;
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Danny McBride as Cody Underwood&lt;/div&gt;
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Matthew McConaughey as Rick "Pecker" Peck&lt;/div&gt;
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Bill Hader as Rob Slolom&lt;/div&gt;
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Brandon Soo Hoo as Tran&lt;/div&gt;
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Reggie Lee as Byong&lt;/div&gt;
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Tom Cruise as Les Grossman&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-3303555262125530811?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/3303555262125530811/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/tropic-thunder-2008.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/3303555262125530811?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/3303555262125530811?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/tropic-thunder-2008.html' title='Tropic Thunder (2008)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bP9VOAp1NSI/TcA8VsbMk3I/AAAAAAAAAeo/rRAF1xZ_XCU/s72-c/tropic-thunder1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQX49fyp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-6202444508719743966</id><published>2012-03-03T19:27:00.000+02:00</published><updated>2012-03-07T14:35:40.067+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.067+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Sci-Fi'/><title>Iron Man 2 (2010)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;a href="http://upload.wikimedia.org/wikipedia/en/e/ed/Iron_Man_2_poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/e/ed/Iron_Man_2_poster.jpg" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;
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Iron Man 2 is a 2010 American superhero film featuring the Marvel Comics character Iron Man, produced by Marvel Studios and distributed by Paramount Pictures. It is the sequel to 2008's Iron Man, the second film in a planned trilogy and is a part of the Marvel Cinematic Universe. Directed by Jon Favreau, the film stars Robert Downey, Jr., who reprises his role as Tony Stark. In cinematic canon, it takes place six months after Iron Man, and directly before Thor. The film's events take place after The Incredible Hulk but before the final scene with Tony Stark and General Ross.&lt;br /&gt;
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Stark has revealed his identity as Iron Man and is resisting calls by the United States government to hand over the technology. Ivan Vanko, meanwhile, has developed the same technology and built weapons of his own, creating new challenges for Stark.&lt;br /&gt;
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Iron Man 2 premiered in Los Angeles, California, on April 26, 2010, and was then released in 54 countries between April 28 and April 30, 2010, before going on general release in the United States on May 7, 2010.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
Russian television shows Stark Industries CEO Tony Stark (Robert Downey, Jr.) revealing his identity as Iron Man to the world. Ivan Vanko (Mickey Rourke), whose father, Anton Vanko (Yevgeni Lazarev), has just died, sees this and begins building a similar weapon.&lt;br /&gt;
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Six months later, Stark has used his Iron Man armor to help maintain world peace. He re-institutes the Stark Expo in Flushing Meadows to continue his father Howard's legacy. Senator Stern (Garry Shandling) demands that Stark turn over the Iron Man technology to the government. Stark refuses, claiming that foreign nations and business competitors are decades away from successfully recreating his achievements, and that the armor is in fact his own property.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://4.bp.blogspot.com/_NPIBmxVSSs4/TBcNpKeCPAI/AAAAAAAAOEo/sseUfeWZ9e4/s1600/kinopoisk.ru-Iron-Man-2-1245799.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="212" src="http://4.bp.blogspot.com/_NPIBmxVSSs4/TBcNpKeCPAI/AAAAAAAAOEo/sseUfeWZ9e4/s320/kinopoisk.ru-Iron-Man-2-1245799.jpg" width="320" /&gt;&lt;/a&gt;The palladium core in the arc reactor that keeps Stark alive and powers the armor is slowly poisoning him, and he has failed to find a substitute. Growing increasingly despondent and reckless due to his impending death, and choosing not to tell anyone about his condition, Stark appoints his personal assistant Pepper Potts (Gwyneth Paltrow) CEO of Stark Industries, and replaces her with Stark employee Natalie Rushman (Scarlett Johansson).&lt;br /&gt;
&lt;br /&gt;
Vanko attacks Stark while racing at the Circuit de Monaco, using an arc reactor of his own powering whip-like energy weapons. Stark defeats Vanko with the aid of his portable briefcase armor. He learns that Vanko is the son of his father's old partner, Anton Vanko. Anton collaborated with Howard on the first arc reactor, but was deported to his native Soviet Union following his attempts to profit from the technology and died in poverty, explaining Vanko's desire for revenge on the Stark family. Rival defense contractor Justin Hammer (Sam Rockwell) fakes Vanko's death and recruits him to perfect a line of armored combat suits to upstage Stark.&lt;br /&gt;
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At what he believes is his last birthday party Stark gets drunk while using the Iron Man armor, forcing his friend, Air Force Lieutenant Colonel James Rhodes (Don Cheadle), to intervene. Rhodes dons Stark's Mark II armor and after battling him, delivers the armor to the military. Nick Fury (Samuel L. Jackson), director of S.H.I.E.L.D., approaches Stark, revealing Rushman as undercover agent Natasha Romanoff and that Howard Stark was a S.H.I.E.L.D. founder that Fury knew personally. Fury gives him some of his father's old material; a hidden message in the diorama of the 1974 Stark Expo proves to be a diagram of the structure of a new element. With the aid of his computer J.A.R.V.I.S. (voiced by Paul Bettany), Stark synthesizes it. Vanko reveals to Stark that he is still alive and seeking revenge so Stark uses the untested element, removing his dependency on the palladium.&lt;br /&gt;
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&lt;a href="http://collider.com/wp-content/uploads/iron-man-2-movie-image-6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://collider.com/wp-content/uploads/iron-man-2-movie-image-6.jpg" width="320" /&gt;&lt;/a&gt;At the Expo, Hammer unveils Vanko's armored drones, led by Rhodes in a heavily weaponized version of the Mark II armor. Stark arrives in his new armor to warn Rhodes, but Vanko seizes control of both the drones and Rhodes' armor and attacks Iron Man. Hammer is arrested while Stark's bodyguard Happy Hogan (Jon Favreau) and Romanoff attempt to capture Vanko. He escapes, but Romanoff returns control of the Mark II armor to Rhodes.&lt;br /&gt;
&lt;br /&gt;
After defeating his drones Stark and Rhodes confront Vanko himself, now in a new, very powerful suit of armor. Neither can match Vanko, but Vanko is ultimately defeated when they fire repulsor rays at each other, causing a large explosion. With his suit too damaged to continue the fight Vanko ignites his suit and his drones' self-destruct mechanisms, apparently killing himself in the process. Stark saves Potts from the exploding drones' remains. Potts quits as CEO, but she and Stark kiss.&lt;br /&gt;
&lt;br /&gt;
At a debriefing, while news footage of the Hulk's rampage plays, Fury informs Stark that while Iron Man is a suitable candidate for the "Avengers Initiative", he himself is not. Stark agrees to be a consultant if Senator Stern presents himself and Rhodes with medals for bravery.&lt;br /&gt;
&lt;br /&gt;
In a post-credits scene, S.H.I.E.L.D. Agent Coulson (Clark Gregg) reports the discovery of a large hammer at the bottom of a crater in a New Mexico desert.&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Reception for the film has been positive. It holds a 74% overall approval rating on Rotten Tomatoes based on 264 reviews with an average rating of 6.5/10, with the selected Top Critics giving the film a score of 65% based on 37 reviews and the film is "Certified Fresh", with the critical consensus that "It isn't quite the breath of fresh air that Iron Man was, but this sequel comes close with solid performances and an action-packed plot". Metacritic gave the film 57% based on a normalized rating of 40 reviews.&lt;br /&gt;
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Positive reviewers include Brian Lowry of Variety who stated, "Iron Man 2 isn't as much fun as its predecessor, but by the time the smoke clears, it'll do". Anthony Lane of The New Yorker said, "To find a comic-book hero who doesn't agonize over his supergifts, and would defend his constitutional right to get a kick out of them, is frankly a relief". David Edelstein of New York Magazine wrote, "It doesn't come close to the emotional heft of those two rare 2s that outclassed their ones: Superman II and Spider-Man 2. But Iron Man 2 hums along quite nicely". Roger Ebert gave it 3 stars out of 4, stating that "Iron Man 2 is a polished, high-octane sequel, not as good as the original but building once again on a quirky performance by Robert Downey Jr". Frank Lovece of Film Journal International, a one-time Marvel Comics writer, said that, "In a refreshing and unexpected turn, the sequel to Iron Man doesn't find a changed man. Inside the metal, imperfect humanity grows even more so, as thought-provoking questions of identity meet techno-fantasy made flesh."&lt;br /&gt;
&lt;br /&gt;
Critics of the film include Kirk Honeycutt of The Hollywood Reporter, who stated, "Everything fun and terrific about Iron Man, a mere two years ago, has vanished with its sequel. In its place, Iron Man 2 has substituted noise, confusion, multiple villains, irrelevant stunts and misguided story lines."&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.moviephotogallery.com/data/media/625/iron_man_2_premiere_072.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="236" src="http://www.moviephotogallery.com/data/media/625/iron_man_2_premiere_072.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;The Cast&lt;/b&gt;&lt;br /&gt;
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Robert Downey, Jr. as Tony Stark / Iron Man&lt;br /&gt;
Gwyneth Paltrow as Virginia "Pepper" Potts&lt;br /&gt;
Don Cheadle as Lt. Colonel James "Rhodey" Rhodes&lt;br /&gt;
Scarlett Johansson as Natalie Rushman / Natasha Romanoff&lt;br /&gt;
Sam Rockwell as Justin Hammer&lt;br /&gt;
Mickey Rourke as Ivan Vanko&lt;br /&gt;
Samuel L. Jackson as Nick Fury&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-6202444508719743966?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/6202444508719743966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/iron-man-2-2010.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6202444508719743966?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6202444508719743966?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/iron-man-2-2010.html' title='Iron Man 2 (2010)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_NPIBmxVSSs4/TBcNpKeCPAI/AAAAAAAAOEo/sseUfeWZ9e4/s72-c/kinopoisk.ru-Iron-Man-2-1245799.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQX45cCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-5793446430300952429</id><published>2012-03-02T20:21:00.000+02:00</published><updated>2012-03-07T14:35:40.028+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.028+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Comedy'/><title>Jack and Jill (2011)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/99/Jack_and_jill_film_poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/9/99/Jack_and_jill_film_poster.jpg" width="215" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Jack and Jill is a 2011 comedy film starring Adam Sandler and directed by Dennis Dugan, who has collaborated with Sandler on most of his films. It was distributed by Columbia Pictures and released on November 11, 2011.&lt;br /&gt;
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Jack and Jill was widely panned by critics and holds a score of 3% on Rotten Tomatoes. Despite the negative reception, the film debuted in second place at the box office, with over $25 million.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Jack Sadelstein (Adam Sandler) is a successful advertising executive in Los Angeles with a beautiful wife (Katie Holmes) and kids, who dreads one event each year: the Thanksgiving visit of his identical twin sister Jill (also Adam Sandler). Jill's neediness and passive-aggressiveness is maddening to Jack, turning his normally tranquil life upside down.
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Jack &amp;amp; Jill was widely panned by critics; review aggregator Rotten Tomatoes reports that 3% of 96 critics have given the film a positive review, with a rating average of 2.7 out of 10. The consensus is, "Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 23 based on 26 reviews. CinemaScore polls reported that the average grade moviegoers gave the film was a "B" on an A+ to F scale and an "A−" from audiences under age 18.&lt;/div&gt;
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&lt;a href="http://www.blogcdn.com/blog.moviefone.com/media/2011/11/jack.and.jill.columbia.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://www.blogcdn.com/blog.moviefone.com/media/2011/11/jack.and.jill.columbia.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Mary Pols of Time Magazine ranked the film #1 on the Top 10 Worst Movies of 2011. TV Guide included the film on its "The Worst of 2011" list. Andrew Barker of Variety said that the film's "general stupidity, careless direction and reliance on a single-joke premise that was never really funny to begin with are only the most obvious of its problems." Mick LaSalle of the San Francisco Chronicle was slightly more generous, saying that while "the Jill problem is too insurmountable to ignore, almost everything else in this comedy succeeds. The central situation...has comic energy...(the film has) successful bits and big moments of satisfying comedy, interspersed with long sections that are just annoying."&lt;br /&gt;
&lt;br /&gt;
Mike Stoklasa and Jay Bauman of RedLetterMedia gave a detailed critique of the film in a two-part hour-long review on their review show Half in the Bag. Stoklasa and Bauman criticized Jack and Jill for recycling gags from Sandler's previous films as well as incessant product placement. They also came to the conclusion that the film was an "embezzlement scheme" using a high budget of $79 million with much of it going to Adam Sandler and his friends but with little effort to make a quality film. Bauman went on to say that Jack and Jill is so egregious that it "ceases to be called a movie."&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Adam Sandler as Jack Sadelstein / Jill Sadelstein&lt;br /&gt;
Katie Holmes as Erin Sadelstein&lt;br /&gt;
Al Pacino as himself&lt;br /&gt;
Eugenio Derbez as Felipe&lt;br /&gt;
Tim Meadows as Ted&lt;br /&gt;
Nick Swardson as Todd&lt;br /&gt;
Allen Covert as Joel Farley / Otto&lt;br /&gt;
Valerie Mahaffey as Bitsy Simmons&lt;br /&gt;
Gad Elmaleh as Xavier&lt;br /&gt;
Gary Valentine as Dallas&lt;br /&gt;
Dana Carvey as Crazy Puppeteer&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-5793446430300952429?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/5793446430300952429/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/jack-and-jill-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5793446430300952429?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5793446430300952429?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/jack-and-jill-2011.html' title='Jack and Jill (2011)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXo5eyp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-8471516043089348242</id><published>2012-03-01T21:30:00.000+02:00</published><updated>2012-03-07T14:35:40.423+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.423+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Metal'/><title>Saxon</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #bf9000;"&gt;SAXON&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #bf9000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://www.braingell.com/wp-content/uploads/2011/09/saxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://www.braingell.com/wp-content/uploads/2011/09/saxon.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Saxon are an English heavy metal band, formed in 1976 in Barnsley, Yorkshire. As front-runners of the New Wave of British Heavy Metal, they had 8 UK Top 40 albums in the 1980s including 4 UK Top 10 albums. Saxon also had numerous singles in the Top 20 singles chart. Between 1980 and 1987 Saxon established themselves as one of Europe's biggest metal acts, they also had success in Japan and in the USA. In Japan, the single "Motorcycle Man" stayed in the charts for over 5 months. They still tour regularly and have sold more than 13 million albums worldwide.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In 2007, Saxon were the subject of an episode of Harvey Goldsmith's Get Your Act Together.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;As part of his programme, Goldsmith wanted to try and restore their popularity and cement their reputation as a great band once again. He drafted in two new producers to oversee the production of the new single If I Was You (a song about gun culture), which went straight to number one of the Rock Charts in over 10 countries (becoming their most successful single for over 12 years).&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;At the end of the programme, Saxon played at the sold out Sheffield City Hall. Saxon also performed at the 2008 Download Festival.&lt;br /&gt;
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&lt;a href="http://3.bp.blogspot.com/--kMmryBELO8/TZ-CvlgYVAI/AAAAAAAABBg/AYZeNk6CA9s/s1600/Saxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/--kMmryBELO8/TZ-CvlgYVAI/AAAAAAAABBg/AYZeNk6CA9s/s320/Saxon.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;i&gt;&lt;u&gt;Band members:&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;u&gt;Current members:&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;li&gt;Biff Byford – vocals (1976–present)&lt;/li&gt;
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&lt;li&gt;Doug Scarratt – lead guitar, rhythm guitar (1996–present)&lt;/li&gt;
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&lt;li&gt;Paul Quinn – lead guitar, rhythm guitar (1976–present)&lt;/li&gt;
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&lt;li&gt;Nigel Glockler – drums (1981–1987, 1988–1999, 2005–present)&lt;/li&gt;
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&lt;li&gt;Nibbs Carter – bass (1988–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;Former members:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Graham Oliver – lead guitar, rhythm guitar (1976–1996)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Steve Dawson – bass (1976–1986)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;David Ward – drums (1976–1978)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Pete Gill – drums (1978–1981)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Paul Johnson – bass (1986–1988)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Trevor Thorton – drums (1998-1999)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Fritz Randow – drums (1999–2004)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Jorg Michael – drums (2004–2005)&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;Discography:&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;SAXON&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1979)&lt;/span&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/92/Saxondebut.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/9/92/Saxondebut.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Saxon is the debut studio album by British heavy metal band Saxon released in 1979 (see 1979 in music).&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #bf9000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;WHEELS OF STEEL&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1980)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/a/a1/Wheelssaxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/a/a1/Wheelssaxon.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Wheels of Steel is the second studio album by heavy metal band Saxon. It was released in 1980 (see 1980 in music).&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Despite its lyric, "747 (Strangers in the Night)" does not appear to be based on any actual incidents.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The title track is featured in the video games Grand Theft Auto: Episodes From Liberty City (Grand Theft Auto IV: The Lost and Damned and Grand Theft Auto: The Ballad of Gay Tony) and Brütal Legend. It has also been covered by L.A. Guns on their album Rips the Covers Off.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;STRONG ARM OF THE LAW&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1980)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f0/Lawsaxon'.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/f0/Lawsaxon'.gif" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Strong Arm of The Law is the third studio album by heavy metal band Saxon released in 1980. This was released a few months after the classic Wheels of Steel and debuted on the UK chart at #11.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;"Dallas 1 PM" was written about the assassination of John F. Kennedy.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;DENIM AND LEATHER&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1981)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c9/Denimsaxon2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c9/Denimsaxon2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Denim and Leather is the fourth studio album by English heavy metal band Saxon released in 1981 (see 1981 in music). The name of the album and song was inspired by the popular attire of metalheads in the early 1980s, defined by denim pants and leather jackets. The song is seen as a tribute from the band to their fans while describing the history of the sub-culture and the rise of the New Wave of British Heavy Metal (NWOBHM). This was the last album with the classic line up of Saxon, as drummer Pete Gill would leave the band due to a hand injury, later joining Motörhead; this was also seen as the last of their triptych of classic albums (the previous two being Wheels of Steel and Strong Arm of the Law). Following the release of Denim and Leather the band stopped making albums for over a year, trying to reach mainstream success in the United States.&lt;/div&gt;
&lt;br /&gt;
Though the album is not Saxon's best selling, it spawned two of their most successful singles, "And the Bands Played On" and "Princess of the Night". There are nine songs on this album, which are noted for lyrics about a wide range of topics. "Princess of the Night" is a song about a powerful train and "And the Bands Played On" is about the resiliency of the heavy metal (particularly NWOBHM) bands. Other themes for the songs include: partying, the spirit of the music, fighting, and, like many of their songs, motorcycles.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;POWER &amp;amp; THE GLORY&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1983)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/0/01/Powerglorysaxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/0/01/Powerglorysaxon.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Power &amp;amp; the Glory is the fifth studio album by heavy metal band Saxon released in 1983 (see 1983 in music). This is the first Saxon studio album with new drummer Nigel Glockler.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;SAXON&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1984)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/3/3e/Crrusader2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/3/3e/Crrusader2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Crusader is the sixth studio album by heavy metal band Saxon released in 1984 (see 1984 in music). The album sold over 2 million copies.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;INNOCENCE IS NO EXCUSE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1985)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/e/eb/Excusesaxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/e/eb/Excusesaxon.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Innocence Is No Excuse is the seventh studio album by heavy metal band Saxon released in 1985 (see 1985 in music). it was the group's first album for EMI after a falling-out with their previous label, Carrere Records. The album was a relative disappointment in the group's native UK, only reaching #36 on the British album charts, although its #130 placement on the American charts was the group's highest ever in the USA.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The song "Everybody Up" was used in the 1985 horror movie Demoni.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b&gt;ROCK THE NATIONS&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1986)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/72/Nationssaxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/72/Nationssaxon.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Rock the Nations is the eighth studio album by heavy metal band Saxon released in 1986 (see 1986 in music). Elton John, who was recording the tracks for his album Leather Jackets in the same studio, is featured on the songs "Party Til You Puke" and "Northern Lady".&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;DESTINY&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1988)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/3/3b/Destinysaxon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/3/3b/Destinysaxon.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Destiny is the ninth studio album by heavy metal band Saxon released in 1988.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;SOLID BALL OF ROCK&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1991)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/76/Solidrock2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/76/Solidrock2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Solid Ball of Rock is the tenth studio album by heavy metal band Saxon released in 1991 (see 1991 in music).&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;Interestingly, five of the 11 tracks on Solid Ball of Rock were written by new bassist Nibbs Carter, who co-wrote an additional three songs.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;FOREVER FREE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1992)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/5d/Foreverfreesaxon2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/5d/Foreverfreesaxon2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Forever Free is the eleventh studio album by heavy metal band Saxon released in 1992 (see 1992 in music).&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;A UK version of the album features a cover of a biker Space Marine from the Warhammer 40,000 tabletop wargame.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;DOGS OF WAR&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1995)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/57/Saxon_dogs_of_war.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/5/57/Saxon_dogs_of_war.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Dogs of War is the twelfth studio album by heavy metal band Saxon released in 1995 (see 1995 in music). It is the last album to feature Graham Oliver on guitar.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;b&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;UNLEASH THE BEAST&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1997)&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f9/Unleashbeast2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/f9/Unleashbeast2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Unleash the Beast is Saxon's thirteenth studio album, released in 1997.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;METALHEAD&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1999)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/1/11/Saxonmet2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/1/11/Saxonmet2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Metalhead is the fourteenth studio album by heavy metal band Saxon released in 1999 (see 1999 in music).&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;KILLING GROUND&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2001)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/55/Killingground.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/55/Killingground.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Killing Ground is the fifteenth full-length studio album by heavy metal band Saxon released in 2001 (see 2001 in music).&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Killing Ground was also released as a special Digi-pack edition with a bonus disc featuring 8 classics re-recorded tracks which would later appear in Heavy Metal Thunder.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;"The Court of the Crimson King" is a King Crimson cover.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;LIONHEART&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2004)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/1/16/Saxon_lionheart.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/1/16/Saxon_lionheart.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Lionheart is the sixteenth studio album by heavy metal band Saxon released in 2004 (see 2004 in music). The album title is inspired from Richard Lionheart, King of England. "Beyond the Grave" was released as a single and a video. The album was re-released on 17 February 2006 in digipak format (limited to 10,000 copies) with a bonus DVD-Audio featuring previously unreleased material, videos, rough mixes and a new 5.1 / 96 K mix of the whole album, as well as a Saxon keyholder and a patch.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE INNER SANCTUM&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2007)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/e/e0/Saxon_-_The_Inner_Sanctum.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/e/e0/Saxon_-_The_Inner_Sanctum.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Inner Sanctum is the seventeenth album by the British heavy metal band Saxon, released on March 5, 2007. A limited edition with DVD is available too.&lt;/div&gt;
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&amp;nbsp; The single version of "I've Got to Rock (to Stay Alive)" features guest appearances by heavy metal musicians Lemmy Kilmister, Angry Anderson and Andi Deris.&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;INTO THE LABYRINTH&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2009)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/51/Into_the_Labyrinth_(Saxon_album).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/51/Into_the_Labyrinth_(Saxon_album).jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Into the Labyrinth is the 18th studio album by British heavy metal band Saxon, which was released on 9 January 2009. The album was made in between Saxon tours in 2008 and written by the band in England and at Biff Byford's house in France. The first single "Live to Rock" was released on 17 October 2008. The album sold about 1,000 copies in the US in the week after its release.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;A proper physical fourteenth track is featured on the Japanese CD pressing, released on Feb, 3rd 2009. Prior to Feb 3rd, the track was only sold as a compressed/lower bit rate download.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The song "Coming Home" is originally from Saxon's Killing Ground album, in an electric version.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;In November 2008, it was officially announced that the band would hold the 'Riff King' competition, where fans could play a solo for their single "Live to Rock".&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;CALL TO ARMS&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2011)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/54/Saxoncalltoarms.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/54/Saxoncalltoarms.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Call To Arms is the 19th studio album by British heavy metal band Saxon. Call to Arms was released the 3 June in Europe; 6 June in Denmark, Finland, and the UK; 8 June in Greece and Poland; 10 June in France. Previously, it was due to be released on 23 May 2011. The album was released on 27 September in North America by EMI. Current Deep Purple keyboardist Don Airey made a guest appearance on the album.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;A digipack version of the album for the North American market featured a seven track bonus disc containing Saxon's performance at Castle Donington in 1980.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Call to Arms debuted at number 6 on the UK Rock Albums chart. In the US, the album sold about 700 copies in its first week of release.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Two of the tracks on the album were written by the band for the movie Hybrid Theory.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;A music video was made for the title track, and was released on 5 August 2011.&lt;br /&gt;
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&amp;nbsp; The album artwork is derived from Lord Kitchener Wants You, a World War I-era British Army recruitment poster.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Saxon frontman Biff Byford has said that the band wanted to "get back to [their] roots," and aimed for a "more working-class sound" with the album.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Allmusic rated the album as 3.5/5 stars. Reviewer Eduardo Rivadavia commented that the band seems to have "stripped down" their sound. Rivadavia stated that "Surviving Against the Odds", "Chasing the Bullet" and "Ballad of the Working Man" were "refreshingly raw and direct". He also compared "Hammer of the Gods" and "Afterburner" to proto-thrash. Rivadavia ultimately said that Call to Arms can be seen as an "aesthetic cousin" to Denim and Leather from 1981.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;To promote the album, Saxon have embarked on the "Call to Arms World Tour". The band headlined shows in Europe, North and South America, and Japan. Anvil and Crimes of Passion opened for Saxon in Europe, while the North American shows were opened by Borealis. HammerFall appeared as special guests at the UK shows, while Vanderbuys were presented as special guests at shows in Spain.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;And now lovers of heavy metal bang your heads to these masterpieces:&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-8471516043089348242?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/8471516043089348242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/saxon.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8471516043089348242?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8471516043089348242?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/saxon.html' title='Saxon'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--kMmryBELO8/TZ-CvlgYVAI/AAAAAAAABBg/AYZeNk6CA9s/s72-c/Saxon.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSH4yfyp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-1155737159659346975</id><published>2012-03-01T20:56:00.000+02:00</published><updated>2012-03-07T14:35:39.097+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.097+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Action'/><title>The Lord of the Rings: The Two Towers (2002)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;a href="http://upload.wikimedia.org/wikipedia/en/2/2a/LOTRTTTmovie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/2/2a/LOTRTTTmovie.jpg" width="215" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
The Lord of the Rings: The Two Towers is a 2002 fantasy film directed by Peter Jackson based on the second volume of J. R. R. Tolkien's The Lord of the Rings. It is the second film in The Lord of the Rings trilogy, preceded by The Fellowship of the Ring (2001) and concluding with The Return of the King (2003).&lt;br /&gt;
&lt;br /&gt;
Continuing the plot of The Fellowship of the Ring, the film intercuts three storylines. Frodo and Sam continue their journey towards Mordor to destroy the One Ring, meeting and joined by Gollum, the ring's former owner. Aragorn, Legolas, and Gimli come to the war-torn nation of Rohan and are reunited with the resurrected Gandalf, before fighting at the Battle of Helm's Deep. Merry and Pippin escape capture, meet Treebeard the Ent, and help to plan an attack on Isengard.&lt;br /&gt;
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Meeting high critical acclaim, the film was an enormous box-office success, earning over $900 million worldwide and is currently the 18th highest-grossing film of all time (inflation-adjusted, it is the 60th most successful film in North America). The film won two Academy Awards.&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
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&lt;div style="text-align: center;"&gt;
Gandalf the Grey gives his life in battle against the Balrog, giving the Fellowship of the Ring time to escape from the Mines of Moria. Weeks later, Frodo Baggins and Samwise Gamgee continue their journey to Mordor to destroy the One Ring and, with it, the Dark Lord Sauron. One night, they are attacked by Gollum, who bore the Ring for centuries before losing it to Frodo's uncle Bilbo, and who now seeks to get it back. Frodo and Sam capture Gollum, but Frodo takes pity on him, understanding the burden of the Ring. Requiring a guide, Frodo persuades Gollum to lead them to Mordor. Sam, however, despises Gollum on sight and warns Frodo that the wily creature will betray them. In Rohan, Aragorn, Legolas and Gimli pursue the Uruk-hai, who have taken Merry and Pippin prisoner. Meanwhile, King Théoden of Rohan has been entranced by Gríma Wormtongue, who is secretly in the service of Saruman the White. Incited by Saruman, Orcs and Wild Men of Dunland lay siege to the lands. Théoden's nephew Éomer accuses Gríma of being a spy; Gríma has him banished for undermining him. Éomer sets forth to the countryside to gather the remaining loyal men of the Rohirrim. Éomer's army later ambush and kill the Uruk-hai holding Merry and Pippin. Merry and Pippin flee into Fangorn forest and meet Treebeard, the oldest of the Ents.&lt;br /&gt;
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&lt;a href="http://i2.listal.com/image/467309/600full-the-lord-of-the-rings:-the-two-towers-photo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="211" src="http://i2.listal.com/image/467309/600full-the-lord-of-the-rings:-the-two-towers-photo.jpg" width="320" /&gt;&lt;/a&gt;Frodo, Sam, and Gollum traverse the Dead Marshes, evading a Nazgûl. Upon reaching the Black Gate, they find it closed and guarded by Orcs. Gollum convinces the pair that attempting to enter the gate will lead to their capture, offering instead to lead them to an unguarded entrance. After being informed by Éomer of his ambush against the Uruk-hai, Aragorn, Legolas and Gimli find Merry and Pippin's trail. The trio are confronted by Gandalf, reborn as Gandalf the White after dying in battle. Gandalf joins with the trio as they journey to Edoras. After arriving, they free Théoden from Gríma's spell. Théoden decides to move his people to the stronghold Helm's Deep for safety. Fearing Helm's Deep will not survive, Gandalf leaves to find Éomer and his forces. Gríma flees to Orthanc and informs Saruman of a weakness in the outer wall of Helm's Deep. Saruman dispatches his army to the stronghold.&lt;br /&gt;
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Meanwhile, Gollum struggles with his loyalty to Frodo and his consuming need for the Ring. When Sam and Frodo are captured by Rangers of Ithilien, Frodo reveals Gollum's presence to spare his life; Gollum nevertheless feels betrayed, and begins plotting against his new "master". As Théoden's forces travel to Helm's Deep, they are attacked by Saruman's Warg riders and Aragorn is thrown from a cliff and believed to be dead. In Rivendell, Elrond convinces his daughter Arwen to abandon her love for Aragorn and leave Middle-earth with her fellow Elves. Learning of Frodo's Ring, the Rangers' captain, Faramir, orders that it be sent to Gondor. In Rohan, Aragorn washes up on a river bank and makes his way to Helm's deep. In Fangorn Forest, Merry, Pippin, Treebeard and other Ents hold a council to decide on the role of the Ents in the war with Saruman.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.thatfilmguy.co.uk/wp-content/uploads/2011/09/sam-frodo-gollum.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="189" src="http://www.thatfilmguy.co.uk/wp-content/uploads/2011/09/sam-frodo-gollum.jpg" width="320" /&gt;&lt;/a&gt;The battle of Helm's Deep begins between the Uruk-Hai and Rohirrim with Aragorn and his companions. Explosives are used against the weakness in the wall, allowing the Orcs to breach the fortress. In Fangorn, Treebeard and the other Ents initially refuse to get involved in the war until Pippin shows them that Saruman has decimated the forest; enraged, Treebeard commands the Ents to seek vengeance. Aragorn leads Théoden, Legolas and the remaining Rohirrim to attack the Uruk-hai army, allowing the Rohirrim's women and children to escape into the mountains. Gandalf appears, accompanied by Éomer and his men. The combined forces cause the Uruk-hai to flee into Fangorn, where the Ents and their Huorn allies attack them. At Isengard, the Ents destroy the Uruk-hai and release the river dam, drowning the surviving Orc defenders, flooding Isengard, and stranding Saruman in his tower.&lt;br /&gt;
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In the East, Faramir has the Hobbits taken to Osgiliath. Faramir's forces are attacked by Orcs led by a Nazgûl. With the aid of Sam and Faramir, Frodo escapes the Nazgûl's attempt to capture him and the Ring. Frodo momentarily succumbs to the Ring's influence and attacks Sam, but comes to his senses when Sam tearfully reminds him of their friendship. The Nazgûl is defeated and flees. Faramir frees the Hobbits and sends them on their journey, joined by Gollum. Gandalf remarks that Sauron will seek retribution for Saruman's defeat, stating that hope now rests with Frodo and Sam. At that same moment, Gollum vows to reclaim the Ring, and plans to have "her" kill Frodo and Sam.&lt;/div&gt;
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&lt;b&gt;Reviews and Awards&lt;/b&gt;&lt;/div&gt;
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The Lord of the Rings: The Two Towers received universal acclaim from fans and critics alike. On the reviewer aggregate website Rotten Tomatoes, based on 221 reviews, the film has a 96% rating, along with an average score of 8.4/10. It also has a 100% rating when narrowed to only professional critics. The Battle of Helm's Deep has been named as one of the greatest screen battles of all time, while Gollum was named as the third favorite computer generated film character by Entertainment Weekly in 2007.&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
Academy Awards&lt;br /&gt;
Winner: Best Visual Effects, Best Sound Editing.&lt;br /&gt;
Nominee: Best Picture, Best Art Direction, Best Film Editing, and Best Sound Mixing (Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek).&lt;br /&gt;
British Academy Film Awards: Best Costume Design, Best Special Visual Effects, Orange Film of the Year&lt;br /&gt;
Empire Awards: Best Picture&lt;br /&gt;
Grammy Award: Best Score (Howard Shore)&lt;br /&gt;
Hugo Award (World Science Fiction Society): Best Dramatic Presentation — Long Form&lt;br /&gt;
2003 MTV Movie Awards: Best virtual performance (Gollum)&lt;br /&gt;
Saturn Awards: Best Fantasy Film, Best Costume (Ngila Dickson), Best Supporting Actor (Andy Serkis)&lt;br /&gt;
American Film Institute Lists&lt;br /&gt;
AFI's 100 Years...100 Movie Quotes: &amp;nbsp;"My precious." – #85&lt;br /&gt;
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated&lt;/div&gt;
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&lt;a href="http://bluraymedia.ign.com/bluray/image/article/112/1121261/the-lord-of-the-rings-the-two-towers-20100916004047006-000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="211" src="http://bluraymedia.ign.com/bluray/image/article/112/1121261/the-lord-of-the-rings-the-two-towers-20100916004047006-000.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Bruce Allpress  as Aldor&lt;br /&gt;
&amp;nbsp;Sean Astin  as Samwise 'Sam' Gamgee&lt;br /&gt;
&amp;nbsp;John Bach  as Madril&lt;br /&gt;
&amp;nbsp;Sala Baker  as Man Flesh Uruk&lt;br /&gt;
&amp;nbsp;Cate Blanchett  as Galadriel&lt;br /&gt;
&amp;nbsp;Orlando Bloom  as Legolas Greenleaf&lt;br /&gt;
&amp;nbsp;Billy Boyd  as  Peregrin 'Pippin' Took&lt;br /&gt;
&amp;nbsp;Jed Brophy  as Sharku / Snaga&lt;br /&gt;
&amp;nbsp;Sam Comery  as Éothain&lt;br /&gt;
&amp;nbsp;Brad Dourif  as Grima Wormtongue&lt;br /&gt;
Calum Gittins  as Haleth&lt;br /&gt;
Bernard Hill  as Theoden&lt;br /&gt;
Bruce Hopkins  as Gamling&lt;br /&gt;
Paris Howe Strewe  as Théodred&lt;br /&gt;
Christopher Lee  as Saruman the White&lt;br /&gt;
Nathaniel Lees  as Uglúk&lt;br /&gt;
John Leigh  as Háma&lt;br /&gt;
Robbie Magasiva  as Mauhur&lt;br /&gt;
Robyn Malcolm  as Morwen&lt;br /&gt;
Ian McKellen  as Gandalf&lt;br /&gt;
Dominic Monaghan  as  Meriadoc 'Merry' Brandybuck&lt;br /&gt;
Viggo Mortensen  as Aragorn&lt;br /&gt;
Miranda Otto  as Eowyn&lt;br /&gt;
Craig Parker  as Haldir&lt;br /&gt;
John Rhys-Davies  as Gimli / Voice of Treebeard&lt;br /&gt;
Andy Serkis  as Gollum&lt;br /&gt;
Olivia Tennet  as Freda&lt;br /&gt;
Ray Trickett  as Bereg&lt;br /&gt;
Liv Tyler  as Arwen&lt;br /&gt;
Karl Urban  as Eomer&lt;br /&gt;
Stephen Ure  as Grishnákh&lt;br /&gt;
Hugo Weaving  as Elrond&lt;br /&gt;
David Wenham  as Faramir&lt;br /&gt;
Elijah Wood  as Frodo Baggins&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-1155737159659346975?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/1155737159659346975/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/lord-of-rings-two-towers-2002.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/1155737159659346975?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/1155737159659346975?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/lord-of-rings-two-towers-2002.html' title='The Lord of the Rings: The Two Towers (2002)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQX4_fCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-596670121955109989</id><published>2012-03-01T18:43:00.000+02:00</published><updated>2012-03-07T14:35:40.044+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.044+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Funny Videos'/><title>Fake Out Pranks (Funny Video)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-596670121955109989?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/596670121955109989/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/fake-out-pranks-funny-video.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/596670121955109989?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/596670121955109989?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/03/fake-out-pranks-funny-video.html' title='Fake Out Pranks (Funny Video)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAAQXg7eSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-8933447587704642417</id><published>2012-02-29T19:29:00.000+02:00</published><updated>2012-03-07T14:35:40.601+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:40.601+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Sci-Fi'/><title>Iron Man (2008)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/70/Ironmanposter.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/7/70/Ironmanposter.JPG" width="215" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Iron Man is a 2008 American science fiction superhero film based on the Marvel Comics character of the same name. Directed by Jon Favreau, the film stars Robert Downey, Jr. as Tony Stark, an industrialist and master engineer who builds a powered exoskeleton and becomes the technologically advanced superhero, Iron Man. Gwyneth Paltrow plays his personal assistant Pepper Potts, Terrence Howard plays military liaison James Rhodes and Jeff Bridges plays Stark Industries executive Obadiah Stane.&lt;br /&gt;
&lt;br /&gt;
The film was in development since 1990 at Universal Studios, 20th Century Fox, and New Line Cinema, before Marvel Studios reacquired the rights in 2006. Marvel put the project in production as its first self-financed film. Favreau signed on as director, aiming for a naturalistic feel, and he chose to shoot the film primarily in California, rejecting the East Coast setting of the comics to differentiate the film from numerous superhero films set in New York City-esque environments. During filming, the actors were free to create their own dialogue because pre-production was focused on the story and action. Rubber and metal versions of the armors, created by Stan Winston's company, were mixed with computer-generated imagery to create the title character. Hasbro and Sega sold merchandise, and product placement deals were made with Audi, Burger King, LG and 7-Eleven.&lt;br /&gt;
&lt;br /&gt;
Reviews were very positive, particularly praising Downey's performance. The American Film Institute selected the film as one of the ten best of the year. Downey, Favreau and Paltrow returned in the sequel Iron Man 2, released on May 7, 2010. Downey also made a cameo appearance as Stark in The Incredible Hulk and is scheduled to appear in the 2012 crossover film The Avengers. The film is the first installment of the Marvel Cinematic Universe. Another sequel, Iron Man 3 is set for a 2013 release, with Downey reprising his role.&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Tony Stark (Robert Downey, Jr.) is the head of Stark Industries, a major military contracting company he inherited from his father. Even though Stark is an inventive genius and wunderkind, he is also a playboy. One day, while his father's old partner, Obadiah Stane (Jeff Bridges), takes care of day-to-day operations, Stark flies to war-torn Afghanistan with his friend and military liaison, Lieutenant Colonel James Rhodes a.k.a. "Rhodey" (Terrence Howard), for a demonstration of Stark Industries' new weapon, the "Jericho" missile. However, Stark is critically wounded in an assault and finds himself the prisoner of an Afghan terrorist group known as the Ten Rings. An electromagnet built by fellow captive Dr. Yinsen (Shaun Toub) keeps the shrapnel in his chest from reaching his heart and killing him. The Ten Rings leader, Raza (Faran Tahir), offers Stark his freedom in exchange for building a Jericho missile for the group, but Tony and Yinsen agree Raza will not keep his word.&lt;br /&gt;
&lt;br /&gt;
During his three months of captivity, Stark and Yinsen secretly build a powerful electric generator called an arc reactor, which will power Stark's electromagnet, and then begin to build a suit of armor to escape. The Ten Rings attack the workshop when they discover what Stark is doing, and Yinsen fights back to buy Stark time as the suit powers up. The armored Stark battles his way out of the caves and finds the dying Yinsen, who tells him not to waste his life. Stark burns the terrorists' munitions and flies away to crash in the desert, destroying the suit. After being rescued by Rhodes, Stark returns home and announces that his company will no longer manufacture weapons. Stane advises Stark that this may ruin Stark Industries and his father's legacy. In his home workshop, Stark builds an improved version of his suit as well as a more powerful arc reactor for his chest.&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;a href="http://playeraffinity.com/images/ironman.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="189" src="http://playeraffinity.com/images/ironman.jpg" width="320" /&gt;&lt;/a&gt;When Stark makes his first public appearance after his return, reporter Christine Everhart (Leslie Bibb) informs him that Stark Industries' weapons, including the Jericho, were recently delivered to the Ten Rings and are being used to attack Yinsen's home village. He also learns that Stane is trying to succeed him as head of the company. Enraged, Stark decides to intervene using his now finished suit. In a lengthy and elaborate scene, Stark dons his new armor and then flies to Afghanistan where he saves Yinsen's village and turns Raza's subordinate over to the villagers. While flying home, Stark is shot at by two F-22 Raptor fighter jets. He calls Rhodes on his cell phone and reveals his secret identity in an attempt to get the attack called off. Meanwhile, the Ten Rings find the pieces of Stark's prototype suit and meet with Obadiah, who has the group eliminated and has the company's engineers reverse engineer a new suit from the wreck. Seeking to find any other weapons delivered to the Ten Rings, Stark sends his assistant Virginia "Pepper" Potts (Gwyneth Paltrow) to hack into the company computer system from Obadiah's office. She discovers Obadiah has been supplying terrorists with Stark weaponry and hired the Ten Rings to kill Stark, but the group reneged on the deal upon discovering who the target was. Pepper, soon after, meets with agent Phil Coulson (Clark Gregg) of the "Strategic Homeland Intervention, Enforcement and Logistics Division", a counter-terrorism agency, to inform him of Obadiah's activities.&lt;br /&gt;
&lt;br /&gt;
Stane's scientists cannot duplicate Stark's arc reactor, so Stane ambushes Stark in his home, using a sonic device to paralyze him and take his arc reactor. Left to die, Stark crawls to his lab and retrieves his original reactor. Potts and several S.H.I.E.L.D. agents attempt to arrest Stane, but are attacked by him in his now functional suit. Stark races to the rescue and fights Stane, but is quickly overpowered without his new reactor to run his suit at full capacity. Stark lures him atop the Stark Industries building and instructs Potts to overload the large arc reactor in the building. This unleashes a massive electrical surge that knocks Stane unconscious, causing him and his armor to fall into the exploding reactor. The next day, the press has dubbed Stark in his armor as "Iron Man". Agent Coulson gives him a cover story to explain the events of the night and Stane's death. At a press conference, Stark starts to tell the cover story given to him by S.H.I.E.L.D., but then announces that he is Iron Man.&lt;br /&gt;
&lt;br /&gt;
In a post-credits scene, S.H.I.E.L.D. Director Nick Fury (Samuel L. Jackson) visits Stark at home, and, noting that Iron Man is not "the only superhero in the world", says he wants to discuss the "Avenger Initiative".&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Iron Man received critical acclaim. On May 1, 2008, the film was identified as the "best-reviewed film of the year so far" by Jen Yamato of review aggregator Rotten Tomatoes, with the site reporting at that time the film had received a rating of 95% based on 107 reviews and this rating has held its place as of January 2010. The film currently holds a score of 94% based on 235 reviews, with selected top critics giving it a score of 93% based on 39 reviews. Metacritic gave the film normalized average score of 79%, based on 38 reviews.&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;a href="http://media.monstersandcritics.com/articles2/1439834/article_images/ironman.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://media.monstersandcritics.com/articles2/1439834/article_images/ironman.jpg" width="320" /&gt;&lt;/a&gt;Among the major trade journals, Todd McCarthy in Variety called the film an "expansively entertaining special effects extravaganza" with "fresh energy and stylistic polish", while Kirk Honeycutt of The Hollywood Reporter praised the film while nonetheless finding "disappointment in a climatic battle between different Iron Man prototypes how did Tony's nemesis learn how to use the suit?" In one of the first major-daily newspaper reviews, Frank Lovece of Newsday lauded the film's "emotional truth pitch-perfect casting and plausibly rendered super-science" that made it "faithful to the source material while updating it – and recognizing what's made that material so enduring isn't just the high-tech cool of a man in a metal suit, but the human condition that got him there". A. O. Scott of The New York Times called the film "an unusually good superhero picture. Or at least – since it certainly has its problems – a superhero movie that's good in unusual ways."&lt;br /&gt;
&lt;br /&gt;
Among the specialty press, Garth Franklin of Dark Horizons commended the "impressive sets and mechanics that combine smoothly with relatively seamless CG", and said, "Robert Downey Jr., along with director Jon Favreau help this rise above formula. The result is something that, whilst hardly original or groundbreaking, is nevertheless refreshing in its earnestness to avoid dark dramatic stylings in favor of an easy-going, crowd-pleasing action movie with a sprinkle of anti-war and redemption themes". IGN's Todd Gilchrist recognized Downey as "the best thing" in a film that "functions on autopilot, providing requisite story developments and character details to fill in this default 'origin story' while the actors successfully breathe life into their otherwise conventional roles".&lt;br /&gt;
&lt;br /&gt;
Among major metropolitan weeklies, David Edelstein of New York magazine called the film "a shapely piece of mythmaking Favreau doesn't go in for stylized comic-book frames, at least in the first half. He gets real with it – you'd think you were watching a military thriller", while conversely, David Denby of The New Yorker put forth a negative review, claiming "a slightly depressed, going-through-the-motions feel to the entire show Gwyneth Paltrow, widening her eyes and palpitating, can't do much with an antique role as Stark's girl Friday, who loves him but can't say so; Terrence Howard, playing a military man who chases around after Stark, looks dispirited and taken for granted". Looking at the sociocultural aspects of the film, Cristobal Giraldez Catalan at Bright Lights Film Journal argues that, "Iron Man is far more than playboy fantasy; it is American foreign policy realized without context....Iron Man, with narrative and directorial precision, once again provides the high-fidelity misogyny and anti-Muslim rhetoric Hollywood is known for."&lt;br /&gt;
&lt;br /&gt;
Roger Ebert and Richard Corliss named Iron Man as among their favorite films of 2008.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Robert Downey Jr. as Tony Stark / Iron Man&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
Terrence Howard  as Rhodey&lt;br /&gt;
&amp;nbsp;Jeff Bridges  as Obadiah Stane&lt;br /&gt;
&amp;nbsp;Gwyneth Paltrow  as Pepper Potts&lt;br /&gt;
&amp;nbsp;Leslie Bibb  as Christine Everhart&lt;br /&gt;
&amp;nbsp;Shaun Toub  as Yinsen&lt;br /&gt;
&amp;nbsp;Faran Tahir  as Raza&lt;br /&gt;
&amp;nbsp;Clark Gregg  as Agent Coulson&lt;br /&gt;
&amp;nbsp;Bill Smitrovich  as General Gabriel&lt;br /&gt;
&amp;nbsp;Sayed Badreya  as Abu Bakaar&lt;br /&gt;
&amp;nbsp;Paul Bettany  as Jarvis (voice)&lt;br /&gt;
&amp;nbsp;Jon Favreau  as Hogan&lt;br /&gt;
&amp;nbsp;Peter Billingsley  as William Ginter Riva&lt;br /&gt;
&amp;nbsp;Tim Guinee  as Major Allen&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-8933447587704642417?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/8933447587704642417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/iron-man-2008.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8933447587704642417?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8933447587704642417?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/iron-man-2008.html' title='Iron Man (2008)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSHk8fip7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-4400374134903065670</id><published>2012-02-29T18:44:00.000+02:00</published><updated>2012-03-07T14:35:39.776+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.776+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Funny Videos'/><title>Trolling Saruman (Funny Video)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-4400374134903065670?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/4400374134903065670/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/trolling-saruman-funny-video.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/4400374134903065670?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/4400374134903065670?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/trolling-saruman-funny-video.html' title='Trolling Saruman (Funny Video)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSH0-eSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-2580303273667207436</id><published>2012-02-29T13:43:00.000+02:00</published><updated>2012-03-07T14:35:39.351+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.351+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Rap'/><title>Kanye West</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;KANYE WEST&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://cdn.eurweb.com/wp-content/uploads/2011/01/kanye1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://cdn.eurweb.com/wp-content/uploads/2011/01/kanye1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Kanye Omari West born June 8, 1977 is an American rapper, singer, and record producer. West first rose to fame as a producer for Roc-A-Fella Records, where he eventually achieved recognition for his work on Jay-Z's album The Blueprint, as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used pitched-up vocal samples from soul songs incorporated with his own drums and instruments. However, subsequent productions saw him broadening his musical palette and expressing influences encompassing '70s R&amp;amp;B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synth-pop, and classical music.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;West released his debut album The College Dropout in 2004, his second album Late Registration in 2005, his third album Graduation in 2007, his fourth album 808s &amp;amp; Heartbreak in 2008, and his fifth album My Beautiful Dark Twisted Fantasy in 2010. West released a collaborative album, Watch the Throne, with Jay-Z on August 8, 2011, which is the duo's first collaborative album. His five solo albums, all of which have gone platinum, have received numerous awards and critical acclaim. As of 2011, West has won a total of fourteen Grammy Awards. All albums have been very commercially successful, with My Beautiful Dark Twisted Fantasy becoming his fourth consecutive No.1 album in the U.S. upon release. West has had 5 songs exceed 3 million in digital sales as of July 2011, with "Gold Digger" selling 3,086,000, "Stronger" selling 4,402,000, "Heartless" selling 3,742,000, "E.T." selling over 4,000,000 and "Love Lockdown" selling over 3,000,000 placing him third in overall digital sales of the past decade. He has sold over 25 million digital songs in the United States placing him second for solo male artists on the list and sixth overall for best selling digital artists.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;West also runs his own record label GOOD Music, home to artists such as John Legend, Common and Kid Cudi. West's mascot and trademark is "Dropout Bear," a teddy bear which has appeared on the covers of three of his five albums as well as various single covers and music videos. About.com ranked Kanye West No.8 on their "Top 50 Hip-Hop Producers" list. On May 16, 2008, Kanye West was crowned by MTV as the year's No.1 "Hottest MC in the Game." On December 17, 2010, Kanye West was voted as the MTV Man of the Year by MTV. Billboard ranked Kanye West No. 3 on their list of Top 10 Producers of the decade. West has also been included in the Time 100 list of the most influential people in the world as well as being listed in a number of Forbes' annual lists.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Kanye West was born in Atlanta, Georgia, where he lived with his parents. When he was three years old, his parents divorced, and he and his mother moved to Chicago, Illinois. His father was Ray West, a former Black Panther who was one of the first black photojournalists at The Atlanta Journal-Constitution, and is now a Christian counselor. West's mother, Dr. Donda West, was a Professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as West's manager. He was raised in a middle-class background, attending Polaris High School in suburban Oak Lawn, Illinois after living in Chicago. When asked about his grades in high school, West replied, "I got A's and B's. And I'm not even frontin'".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;West attended art classes at the American Academy of Art in Chicago, and also enrolled at Chicago State University, but dropped out to focus on his music career. While attending school, West produced for local artists. He later gained fame by producing hit singles for major hip hop/R&amp;amp;B artists, including Jay-Z, Talib Kweli, Cam'ron, Paul Wall, Common, Mobb Deep, Jermaine Dupri, Scarface, The Game, Alicia Keys, Janet Jackson, John Legend among others. He also "ghost-produced" for his mentor Deric Angelettie, according to his song "Last Call" and the credits of Nas' "Poppa Was a Playa".&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Kanye West's first career productions came on Chicago rapper Grav's 1996 debut album Down to Earth. West produced eight tracks on the album. While the album did not attract much attention and would be the only album released by Grav, West would soon be producing for higher profile artists. In 1998–1999 he produced for well-known artists such as Jermaine Dupri, Foxy Brown, Goodie Mob, and the group Harlem World.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;West got his big break in the year 2000, when he began to produce for artists on Roc-a-Fella Records. He produced the well-received Jay-Z song "This Can't Be Life" off of the album The Dynasty: Roc La Familia. West would later state that to create the beat for "This Can't Be Life", he sped up the drum beat from Dr. Dre's song "Xxplosive".&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;After producing for Jay-Z earlier, West’s sound was featured heavily on Jay-Z's critically acclaimed album The Blueprint, released September 11, 2001. His work was featured on the lead single "Izzo (H.O.V.A.)," "Heart of the City (Ain't No Love)" and a diss track against Nas and Mobb Deep named "Takeover"; West has worked with Mobb Deep and Nas since the track's release.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;After meeting great commercial success and critical acclaim for his productions on The Blueprint, West became a sought after producer in the hip-hop industry, even before he became known as a rapper and solo artist. In the years 2002–2003 he would produce for artists such as Nas, Scarface, Talib Kweli, Mos Def, T.I., Ludacris, DMX, and Monica. He also continued producing for Roc-a-Fella Records artists and contribued four tracks to Jay-Z's follow up album to The Blueprint, The Blueprint²: The Gift &amp;amp; the Curse.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;After great successes as a producer, West now looked to pursue a career as a rapper and solo artist, but struggled to get a record deal. Chris Anokute, then A&amp;amp;R at Def Jam, said that when West regularly dropped by the office to pick up his producer checks he would play demos of solo material to Anokute in his cubicle and bemoan the fact that no one was taking him seriously as a rapper. Jay-Z admitted that Roc-A-Fella was initially reluctant to support West as a rapper, claiming that he saw him as a producer first and foremost. Multiple record companies felt he was not as marketable as rappers who portray the "street image" prominent in hip hop culture. Beginning his career as a rapper, Kanye West recorded the third verse on the song "The Bounce" off of Jay-Z's The Blueprint²: The Gift &amp;amp; the Curse, an album he produced for, from the same label he was signed to as a rapper.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Kanye West and designer Alexis Phifer ended their 18-month engagement in 2008. The couple had been dating on and off since 2002, with West eventually proposing in August 2006. According to a friend, the couple's relationship had become increasingly strained, burdened by the sheer amount of time and attention West was dedicating to his current concert tour. "It's always sad when things like this end, and we remain friends," Phifer told People.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;West was also in a high profile on/off relationship with Amber Rose from 2008 until the summer of 2010.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;On November 10, 2007, West's mother, Donda West, died of complications from cosmetic surgery involving abdominoplasty and breast augmentation. TMZ reported that Beverly Hills plastic surgeon Andre Aboolian refused to do the surgery because Donda West had a health condition that placed her at risk for a heart attack. Aboolian referred her to an internist to investigate her cardiac issue. Donda never met with the doctor recommended by Aboolian and had the procedures performed by a third doctor, Jan Adams. She was 58 years old (1949–2007).&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Adams sent condolences to Donda West's family but declined to publicly discuss the procedure because of confidentiality. He had previously been under scrutiny by the medical board. Adams appeared on Larry King Live on November 20, 2007 but left before speaking. Two days later, he appeared again, with his attorney, stating he was there to "defend himself." He said that the recently released autopsy results "spoke for themselves". The final coroner's report January 10, 2008 concluded that Donda West died of "coronary artery disease and multiple post-operative factors due to or as a consequence of liposuction and mammoplasty."&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The funeral and burial for Donda West was held in Oklahoma City on November 20, 2007. West held his first concert following the funeral at The O2 in London on November 22. He dedicated a performance of "Hey Mama", as well as a cover of Journey's "Don't Stop Believin'", to his mother, and did so on all other dates of his Glow in the Dark tour.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;At a December 2008 press conference in New Zealand, West spoke about his mother's death for the first time. "It was like losing an arm and a leg and trying to walk through that," he told reporters.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;California governor Arnold Schwarzenegger passed the "Donda West Law," a legislation which makes it mandatory for patients to provide medical clearance for elective cosmetic surgery.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;In December 2006, Robert "Evel" Knievel sued West for trademark infringement in West's video for "Touch the Sky." Knievel took issue with a "sexually-charged video" in which West takes on the persona of "Evel Kanyevel" and attempts flying a rocket over a canyon. The suit filed in federal court claims infringement on his trademarked name and likeness. Knievel also claims the "vulgar and offensive" images depicted in the video damage his reputation. The suit seeks damages and to stop distribution of the video. West's attorneys argued that the music video amounted to satire and therefore was covered under the First Amendment. Just days before his death in November 2007, Knievel amicably settled the suit after being paid a visit from West, saying, "I thought he was a wonderful guy and quite a gentleman."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;On September 11, 2008, West and his road manager/bodyguard Don "Don C." Crowley were arrested at Los Angeles International Airport and booked on charges of felony vandalism after an altercation with the paparazzi in which West and Crowley broke the photographers' cameras. West was later released from the Los Angeles Police Department's Pacific Division station in Culver City on $20,000 bail bond. On September 26, 2008 the Los Angeles County District Attorney's Office said it would not file felony counts against West over the incident. Instead the case file was forwarded to the city attorney's office, which charged West with one count of misdemeanor vandalism, one count of grand theft and one count of battery and his manager with three counts of each on March 18, 2009. West's and Crowley's arraignment was delayed from an original date of April 14, 2009.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;West was arrested again on November 14, 2008 at the Hilton hotel near Gateshead after another scuffle involving a photographer outside the famous Tup Tup Palace nightclub in Newcastle Upon Tyne. He was later released "with no further action", according to a police spokesperson.&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #cc0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;u&gt;&lt;i&gt;Discography:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;THE COLLEGE DROPOUT&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2004)&lt;/span&gt;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The College Dropout is the debut album by American hip hop artist Kanye West, released February 10, 2004, on Roc-A-Fella Records. It was recorded over a period of four years, beginning in 1999. Prior to the album's release, West had worked on rapper Jay-Z's The Blueprint (2001), which showcased his melodic and soulful style of hip hop production. Produced entirely by West, The College Dropout features musical contributions from Jay-Z, John Legend, Ervin "EP" Pope, Miri Ben-Ari, and Syleena Johnson. Diverging from the then-dominant gangster persona in hip hop, West's lyrics on the album concern themes of family, religion, self-consciousness, materialism, and personal struggles.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number two on the U.S. Billboard 200 chart, selling 441,000 copies in its first week. It was a massive commercial success, producing five singles that achieved chart success. Upon its release, The College Dropout received general acclaim from music critics and earned West several accolades, including a Grammy Award for Best Rap Album at the 47th Grammy Awards. It is West's best-selling album in the United States, with domestic sales of over 3.1 million copies and worldwide sales of over four million copies. Rolling Stone named it the tenth-best album of the 2000s decade. In 2006, the album was named by Time as one of the 100 best albums of all time.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The College Dropout diverged from the then-dominant gangster persona in hip hop in favor of more diverse, topical proponents. Throughout the album, West touches on a number of different life-related issues, including organized religion, family, sexuality, excessive materialism, self-consciousness, minimum-wage labor, institutional prejudice, and personal struggles. Music journalist Kelefa Sanneh wrote, "Throughout the album Mr. West taunts everyone who didn't believe in him: teachers, record executives, police officers, even his former boss at the Gap". In an interview conducted just before the album's release, West commented, "My persona is that I'm the regular person. Just think about whatever you've been through in the past week, and I have a song about that on my album."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number two on the U.S. Billboard 200 chart, selling 441,000 copies in its first week. By April 2004, it had sold in excess of 1 million copies in the United States. On June 30, 2004, the album was certified double platinum in sales by the Recording Industry Association of America, following sales of 2 million copies. As of July 2009, The College Dropout is West's best-selling album in the United States, with domestic sales of over 3.1 million copies; it has sold over 4 million copies worldwide.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;LATE REGISTRATION&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2005)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Late Registration is the second studio album by American hip hop artist Kanye West, released August 30, 2005, on Roc-A-Fella Records. Recording sessions for the album took place over the course of a year at various recording studios located in New York City and Hollywood. West collaborated with American record producer and composer Jon Brion to produce Late Registration, and the album features guest contributions from artists including Jay-Z, Lupe Fiasco, Jamie Foxx, Nas, Brandy, and Adam Levine of Maroon 5.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 860,000 copies in its first week. It ultimately sold three million copies in the United States and spawned five singles that attained chart success. Upon its release, Late Registration received general acclaim from most music critics and earned West several accolades, including a Grammy Award for Best Rap Album at the 48th Grammy Awards. It appeared at the top of several publications year-end lists of top albums. Initially naming it the best album of 2005, Rolling Stone ranked the album number 40 on its list of the best albums of the 2000s decade.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;On Late Registration, West abstained from his characteristic sped-up soul style and instead took a far more eclectic approach to production. Drawing inspiration from English trip hop band Portishead and collaborating with film score composer Jon Brion, the second opus blends West's primary soulful hip-hop production with Brion's elaborate chamber pop orchestration and experimentally delves into a wide array of different genres, including alto jazz, blues, rock, R&amp;amp;B, spoken word, funk, turntablism, western classical, and psychedelic soul. With the presence of Brion, who conducts a twenty-piece orchestra and plays instruments individually selected by West, the album is largely orchestral in nature, brandishing a euphony of string arrangements, piano chords, brass flecks, and horn riffs among many other symphonic instrumentation. The two also incorporated a myriad of foreign and vintage instruments not typical utilized in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. The end result is a more diverse, ornate, polished production that retains a multi-layered, cinematic texture with a particularly heightened emphasis on instrumental passages and extended codas. Music writers have also noted the genre-defying styles and sudden musical shifts present within the song structures as reminiscent of The Beatles during their experimental era. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Vibe concurred with this sentiment, stating, "West ambitiously attempts to depart from the street sensibilities of Dropout by giving Late Registration a shiny, quasi-alt-pop finish."&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The art direction and music packaging for Late Registration was done by Brooklyn graphic design studio Morning Breath, Inc. Similar to its predecessor, the album artwork of the second album carries an educational motif. Where The College Dropout was designed in a manner reminiscent of a high school yearbook, the images contained within the liner notes of Late Registration were taken in a university. The scenes were photographed by Sarah A. Friedman and Kris Yiengst while the styling was done by Charlene Roxborough and groomed by Ibn Jasper of Partos. West's vision for the style of the pictures was inspired by the works of American satirical painter John Currin, one of West's favorite artist. The liner notes also contain a banner that reads Tardus Subcriptio, which is Latin for Late Registration. The album artwork centers around "Dropout Bear", West's anthropomorphic teddy bear mascot, who is dressed in a collegian outfit. Entering the university on the front cover, Dropout wanders its hallways, sits in empty lecture halls, and reads multiple library books before departing from the institution the same way he came in on the back cover.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;GRADUATION&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2007)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/70/Graduation_(album).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/70/Graduation_(album).jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Graduation is the third studio album by American hip hop artist Kanye West, released September 11, 2007 on Roc-A-Fella Records. Recording sessions for the album took place during 2005 to 2007 at Chung King Studios and Sony Music Studios in New York City and at Chalice Studios and The Record Plant in Los Angeles. It was primarily produced by West and DJ Toomp, and features guest contributions from artists including Mos Def, Dwele, T-Pain, Lil Wayne, and Chris Martin of Coldplay. The album's cover artwork was designed by Japanese artist Takashi Murakami.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Inspired by Irish rock band U2 and other musical groups to make more inspirational, anthemic hip hop music, West incorporated synthesizer sounds into his production and dabbled with electronic music, while sampling a wider spectrum of musical genres. Lyrically, Graduation is more introspective in comparison to its predecessors, as West dedicated much of the album towards analyzing himself and conveying his ambivalent outlook on his newfound fame. It continues the education theme of West's previous two studio albums, The College Dropout (2004) and Late Registration (2005).&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 957,000 copies in its first week. The coinciding release dates of Graduation and rapper 50 Cent's Curtis generated much publicity over the idea of a sales competition, resulting in record-breaking sales performances by both albums. Graduation received generally positive reviews from most music critics and earned West several accolades, including a Grammy Award for Best Rap Album. The album has sold 2,166,000 copies in the US and has been certified double platinum by the Recording Industry Association of America.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;With Graduation, West departed from the warm soul samples of The College Dropout and the lush chamber pop orchestration of Late Registration and moved towards a more atmospheric, rock-tinged, electronic soundscape. The musical evolution arose from him listening to musical genres encompassing European Britpop and Euro-disco, American alternative/indie rock, and his native Chicago house. Towards this end, Kanye retracted the live instrumentation that characterized his previous album and had it replaced with heavy, gothic synths. West injected distorted synth-riffs, rave stabs, house beats, electro-disco rhythms, and an array of modulated electronic sound effects into his hip hop production. Despite the dominant synthetic attributes, the emphasis on organic string arrangements that accentuated Late Registration remained a significant factor on Graduation. Also, similar to its predecessor, the album didn't relegate itself to simplistic looping techniques typical of conventional hip hop and instead continued to implement sudden musical shifts within its multi-layered song structures and express intricately composed introductions, bridges, and codas. Under the belief that his previous album had been too indulgent and poorly arranged, West fashioned Graduation to contain less ornate production, made the album completely devoid of skits, and sequenced it in such a way that it produced a more cohesive package.&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2008)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f1/808s_&amp;amp;_Heartbreak.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/f1/808s_&amp;amp;_Heartbreak.png" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;808s &amp;amp; Heartbreak is the fourth studio album by American hip hop artist Kanye West, released November 24, 2008 on Roc-A-Fella Records in the United States. Recording sessions for the album took place at Glenwood Studios in Burbank, California and Avex Recording Studio in Honolulu, Hawaii during September to October 2008. It was primarily produced by West, No I.D., and Jeff Bhasker. Conceived in the wake of multiple events that affected and distressed him during the previous year, 808s &amp;amp; Heartbreak marked a major musical departure for Kanye West from his previous work, lyrically, vocally, and production-wise.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Classified by West as a pop album, 808s &amp;amp; Heartbreak incorporates elements of synthpop, electronica, R&amp;amp;B, and electropop, while its tracks are primarily sung rather than rapped by West and contain lyrical themes such as love, loneliness, and heartache. The album also contains extensive use of the Auto-Tune voice processor and the Roland TR-808 drum machine, which was utilized and manipulated by West to produce a distorted, electronic sound. Approaching the album's production in a minimalist fashion, West intended to contravene the typical sound of hip hop beat and instead evoke a presence of tribal drums.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the U.S. Billboard 200 chart, selling 450,145 copies in its first week. It produced four singles, including the hit singles "Love Lockdown" and "Heartless". Despite having a divided reaction from music audiences towards West's stylistic change, 808s &amp;amp; Heartbreak received generally positive reviews from music critics upon its release. In 2009, Rolling Stone magazine named it the 63rd best album of the 2000s decade. 808s &amp;amp; Heartbreak has been certified platinum by the Recording Industry Association of America and has sold 1.63 million copies in the United States.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Following the release of his third studio album Graduation, the remainder of 2007 and the following year featured events that profoundly affected Kanye West. On November 10, 2007, West's mother Donda West died due to complications arising from cosmetic surgery involving a tummy tuck and breast reduction procedure. Months later, West and fiancée Alexis Phifer ended their engagement and their long-term on-off relationship, which had begun in 2002. At the same time, West struggled to adapt to his new found pop star status he had once striven to achieve, often becoming the subject of media scrutiny. The loss, loneliness and longing for companionship and a sense of normality served to inspire 808s &amp;amp; Heartbreak. West stated that "This album was therapeutic — it's lonely at the top." A photograph taken by Danny Clinch of West kissing his mother on the cheek was included in the album's booklet liner notes.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;West felt that the emotions he felt could not be fully expressed simply through rapping, saying that aside from the fact that rapping had limitations, there were "melodies that were in me — what was in me I couldn't stop." West went to classify 808s &amp;amp; Heartbreak as a pop album, asserting his disdain towards the contemporary backlash to the concept of pop music and expressed admiration for what some pop stars have accomplished in their careers. He later stated that he wishes to present the music as a new genre called "pop art", clarifying that he was well aware of the visual art movement of the same name and wished to present a musical equivalent. "Either call it 'pop' or 'pop art', either one I'm good with."&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;MY BEAUTIFUL DARK TWISTED FANTASY&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2010)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;My Beautiful Dark Twisted Fantasy is the fifth studio album by American hip hop recording artist Kanye West, released November 22, 2010, on Roc-A-Fella Records. Recording sessions for the album took place primarily at Avex Recording Studio in Honolulu, Hawaii during 2009 to 2010. Production was handled by West and several other record producers, including Jeff Bhasker, RZA, No I.D., and Mike Dean, among others. Following a hiatus from his music career, West worked on the album through a communal development that involved him and various other musicians and producers contributing collectively to its music. Noted by music writers for its varied elements, My Beautiful Dark Twisted Fantasy incorporates musical components from West's previous works and features themes regarding excess and celebrity.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 496,000 copies in its first week in the United States. It achieved respectable international charting and produced four singles that attained chart success, including US Billboard hits "Power", "Monster", "Runaway", and "All of the Lights". Upon its release, My Beautiful Dark Twisted Fantasy received general acclaim from music critics, earning praise for its varied musical style, opulent production quality, and West's dichotomous themes. It was also named the best album of 2010 in numerous critics' polls and year-end lists. The album has been certified platinum by the Recording Industry Association of America and, as of February 2012, has sold 1,254,000 copies in the United States.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The album was conceived during West's self-imposed exile in Oahu, Hawaii, following a period of legal and public image controversy amid an overworked mental state at the time. West later said that his fatigue from overworking led to his controversial outburst at the 2009 MTV Video Music Awards, his disgust with its ensuing media response, and his hiatus from recording. Amid negative response to the incident, his scheduled tour with recording artist Lady Gaga in promotion of his previous album, 808s &amp;amp; Heartbreak, was cancelled on October 1, 2009, without reason.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album was formerly known as Good Ass Job and tentatively Dark Twisted Fantasy. GOOD Music artist Big Sean was the second to announce the title of the album as Good Ass Job. On July 24, 2010, on Kanye West's blog, a banner appeared reading "My Dark Twisted Fantasy Trailer". On July 28, 2010, West announced via his new official Twitter account that "The album is no longer called 'Good Ass Job' I'm bouncing a couple of titles around now." The official title, My Beautiful Dark Twisted Fantasy, was announced on October 5, 2010.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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And now listen to some good hip hop:&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-2580303273667207436?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/2580303273667207436/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/kanye-west.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2580303273667207436?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2580303273667207436?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/kanye-west.html' title='Kanye West'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUAHSH08fSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-2914218331490968980</id><published>2012-02-28T19:45:00.000+02:00</published><updated>2012-03-07T14:35:39.375+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:39.375+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Drama'/><title>Beginners (2010)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f6/Beginners_Poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/f/f6/Beginners_Poster.jpg" width="207" /&gt;&lt;/a&gt;&lt;/div&gt;
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Beginners is a 2010 American romantic comedy-drama film written and directed by Mike Mills. It tells the story of Oliver (Ewan McGregor), a man reflecting on the life and death of his father while trying to forge a new romantic relationship with a woman dealing with father issues of her own.&lt;br /&gt;
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Beginners premiered at the 2010 Toronto International Film Festival, where the Los Angeles Times heralded it as a "heady, heartfelt film" with a cast who has "a strong sense of responsibility to their real-world counterparts".&lt;/div&gt;
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The film is structured as a series of interconnected flashbacks. Following the death of his father Hal, Oliver reflects on his relationship with him following the death of Oliver's mother Georgia. Shortly after her death Hal came out as gay to his son and began exploring that aspect of his life. Hal finds a boyfriend, Andy, and surrounds himself with a circle of gay friends. Hal is then diagnosed with terminal cancer. Following an extended illness during which Oliver helps care for him, Hal dies.&lt;br /&gt;
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Several months after Hal's death, Oliver meets Anna, a French actress, at a party and they begin a relationship. Oliver's unresolved emotions around his father's death and his parents' life together, along with Anna's conflicted feelings about her emotionally unstable father, initially interfere with their relationship but they resolve to stay together.&lt;/div&gt;
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&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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The film has received positive reviews upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Beginners received an average score of 81, based on 36 reviews, which indicates "universal acclaim reviews". Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of four, saying "It's a hopeful fable with deep optimism and a cheerful style that kids itself." Allrovi (All Media Guide) called it "a life-affirming drama" and gave the film four-and-a-half stars out of five.&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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Ewan McGregor  as Oliver Fields&lt;br /&gt;
&amp;nbsp;Christopher Plummer  as Hal Fields&lt;br /&gt;
&amp;nbsp;Mélanie Laurent  as Anna&lt;br /&gt;
&amp;nbsp;Goran Visnjic  as Andy&lt;br /&gt;
&amp;nbsp;Kai Lennox  as Elliot&lt;br /&gt;
&amp;nbsp;Mary Page Keller  as Georgia&lt;br /&gt;
&amp;nbsp;Keegan Boos  as Young Oliver Fields&lt;br /&gt;
&amp;nbsp;China Shavers  as Shauna&lt;br /&gt;
&amp;nbsp;Melissa Tang  as Liz&lt;br /&gt;
&amp;nbsp;Amanda Payton  as Party Person&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-2914218331490968980?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/2914218331490968980/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/beginners-2010.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2914218331490968980?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/2914218331490968980?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/beginners-2010.html' title='Beginners (2010)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHs9cCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-8833454301925189297</id><published>2012-02-28T18:42:00.000+02:00</published><updated>2012-03-07T14:35:55.568+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.568+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Pop'/><title>Pink</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;span style="color: magenta;"&gt;&lt;i&gt;PINK&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://videokeman.com/image/pics/PinksongPics1REqnQR7YLqLScM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://videokeman.com/image/pics/PinksongPics1REqnQR7YLqLScM.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Pink (born Alecia Beth Moore; September 8, 1979), often stylized as P!nk, is an American singer-songwriter, musician and actress. After her short, three-year career with the contemporary R&amp;amp;B girl group Choice, in 2000 she released her first single "There You Go", from her debut album Can't Take Me Home. The song garnered commercial success, peaking at #7 on the Billboard Hot 100. In 2001, she released her second, more pop rock-oriented, studio album, Missundaztood. The album went on to become a critical and commercial success, with estimated sales of 13 million. The album produced four singles, "Get the Party Started", "Don't Let Me Get Me", "Just Like a Pill" and "Family Portrait", each entering the Top 20, with "Get the Party Started" being her highest charting solo single (tied with "Most Girls") until "So What" in 2008, peaking at #4 on the Billboard Hot 100.&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: magenta;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In November 2003, Pink released her third album Try This. The album was, commercially, less successful than her previous album, but still managed to sell around 3 million copies, making it Pink's least successful album to date. It produced three singles, "Trouble", "God Is a DJ" and "Last to Know", with the first receiving a Grammy for Best Female Rock Vocal Performance. After taking a short break, she released I'm Not Dead, her fourth studio album, on April 4, 2006. It marks her comeback after the poor success of her previous album. The album debuted and peaked at #6 on the Billboard 200, Pink's highest debut on the chart. It was preceded by the controversial single "Stupid Girls" which garnered commercial success. &lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The second single, "Who Knew", was virtually ignored on American radio, but after the huge success of "U + Ur Hand", was re-released, peaking at #9 on the charts. "U + Ur Hand" is credited to have revived Pink's career in the US, and also to have brought the album back to the charts. Her fifth album, Funhouse, was released in late October 2008. It was preceded by her first solo number one on the Billboard Hot 100, "So What". The album notched three other Top 20 hits: "Sober", "Please Don't Leave Me" and "Glitter in the Air". On November 15, 2010, she released her first compilation album, Greatest Hits... So Far!!!. The album produced two singles, "Raise Your Glass" and "Fuckin' Perfect", the former reaching the top spot on the Billboard Hot 100.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;By the end of 2009, Billboard magazine named Pink the number one Pop Artist of the decade, as well as naming her the 13th overall music artist of the decade. A few months later, in June 2010, Forbes magazine named Pink the 27th most powerful celebrity in the world.Pink's career accomplishments include three Grammy Awards, five MTV Video Music Awards and two Brit Awards. In June 2011 Pink and her husband, Carey Hart, welcomed their first child, Willow Sage.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;i&gt;Influences:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Pink has named Madonna and Janis Joplin as two of her biggest musical influences.She stated that "I wanted to do it my way with my career, and I had this arrogant notion that people weren't just interested in my music but me as a person. That was my bit of arrogance, I guess. That's something I learned from Madonna. I was a fan right from the first time I heard 'Holiday'."Of Joplin she expressed: "She was so inspiring by singing blues music when it wasn't culturally acceptable for white women, and she wore her heart on her sleeve. She was so witty and charming and intelligent, but she also battled an ugly-duckling syndrome. I would love to play her in a movie."&lt;br /&gt;
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&lt;a href="http://www.chalkidanews.com/wp-content/uploads/pink.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="228" src="http://www.chalkidanews.com/wp-content/uploads/pink.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;i&gt;Legacy:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Pink has been described as an artist who has changed the scope of pop music, but has hardly received recognition for it.Referring to her as a "powerhouse vocalist", Ann Powers of The Chicago Tribune asked, "Why isn't she an even bigger star?" Rob Sheffield of Rolling Stone commented: "I think people respond to her sense of independence and dedication. It inspires people ... This is a prolific pop artist who is sometimes famous and successful, sometimes obscure, who nonetheless keeps making her own kind of music. Every few years, the spotlight comes back around to her—but her fans can trust that when the spotlight moves along, Pink will keep on writing Pink songs." Powers adds that her mix of rock-style rebellion, emotional rawness, humor and "infectious" dance beats created "a model for the mashup approach of latter-day divas such as Katy Perry, Lily Allen, Ke$ha, Lady Gaga, Rihanna and most noticeably Jessie J." James Montgomery of MTV describes her as "a fabulously fearless pop artist" who can "out-sing almost anyone out there. She can out-crazy Gaga or Lily. She's the total pop-star package, everything you'd want in a singer/entertainer/icon. And still, she remains oddly off the radar. Such is the price of busting borders, I suppose."&lt;br /&gt;
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British soul singer Adele considers Pink's performance at Brixton Academy in London as one of "the most defining moments" in her life.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;u&gt;&lt;i&gt;Discography:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;b&gt;CAN'T TAKE ME HOME&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;&amp;nbsp; &lt;i&gt;&amp;nbsp;(2000)&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;u&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/8/8b/Rsz_ctmh-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/8/8b/Rsz_ctmh-1.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Can't Take Me Home is the debut album by singer P!nk, released in the United States on April 4, 2000 by LaFace Records. It produced three singles ("There You Go", "Most Girls", and "You Make Me Sick") and peaked at number twenty-six on the U.S. Billboard 200. Producers included Kevin "She'kspere" Briggs, Babyface, Kandi Burruss, Terence "Tramp Baby" Abney, Daryl Simmons, and Tricky. Pink shared co-writing credit on seven of the album's tracks. This album featured a contemporary R&amp;amp;B sound; Pink went for a more pop-rock oriented sound on her follow-up albums. She later went on to admit that during the period of promoting this album, she felt trapped because she wasn't expressing her full musical influences. The album has sold over 6 million copies worldwide.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;MISSUNDAZTOOD&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; (2001)&lt;/span&gt;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/fc/MisundazztodAlbum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/fc/MisundazztodAlbum.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Missundaztood (stylized as M!ssundaztood) is the second studio album by American singer-songwriter Pink. The album was released worldwide in late 2001 to receive global commercial and critical success, with worldwide sales estimated to exceed 16 million units, and critics welcoming the new sound Pink presents on the record, switching to pop rock music, after an urban-influenced debut.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album's singles were positively-received by critics and fans. They all made chart debuts and became hits, thus were featured on Pink's 2010 Greatest Hits... So Far!!! album. They include the global chart topper "Get the Party Started," and hit singles "Don't Let Me Get Me" and "Just Like a Pill," all reaching the Top 10 on the Billboard Hot 100. The album's final single was "Family Portrait," a vulnerable R&amp;amp;B anthem that Pink wrote about her parents' separation. The song became a worldwide Top 20 hit, peaking at #20 on the Hot 100.&lt;br /&gt;
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&amp;nbsp; &lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;TRY THIS&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;&amp;nbsp; &amp;nbsp;(2003)&lt;/span&gt;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c2/TryThisCover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c2/TryThisCover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Try This is the third studio album by recording artist Pink. It was released on November 11, 2003 (see 2003 in music). It features the singles "Trouble", "God Is a DJ" and "Last to Know". Try This was certified platinum by the RIAA, worldwide sales stand at 4 million copies.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp; &lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;I'M NOT DEAD&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&amp;nbsp; (2006)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c4/ImNotDeadAlbu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c4/ImNotDeadAlbu.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;I'm Not Dead is the fourth studio album by American recording artist Pink. The album was released on April 4, 2006 in the United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;I'm Not Dead was preceded by its controversial lead single, "Stupid Girls", a top twenty hit on the U.S. Billboard Hot 100. The album's second and third singles, "Who Knew" and "U + Ur Hand", reached the top ten and revived the album's sales fortunes in the U.S., leading to a platinum certification from the RIAA for sales of one million. Subsequent, and less successful, singles were "Nobody Knows", "Leave Me Alone (I'm Lonely)", "Dear Mr. President" and "'Cuz I Can". A Platinum Edition of the album was issued with bonus tracks, remixes and a DVD,the album sold over 5 million copies worldwide.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;FUNHOUSE&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; (2008)&lt;/span&gt;&lt;u&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/8/86/Pinkfunhouse.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/8/86/Pinkfunhouse.png" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Funhouse is the fifth studio album by American singer-songwriter Pink, released by LaFace Records worldwide in October 2008. The album reached number one on the charts in six countries including Australia, New Zealand, Netherlands and United Kingdom, while debuting at number two in Germany, Ireland, and United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Singles from the album include the U.S. number-one single "So What", "Sober", "Please Don't Leave Me", "Funhouse", "I Don't Believe You", and "Glitter in the Air". Funhouse earned Pink three Grammy Award nominations and five MTV Video Music Award nominations. Funhouse was re-released in late 2009 to include a bonus DVD, and was accompanied by the release of Funhouse Tour: Live in Australia, a live album taped during Pink's Australian leg of the Funhouse Tour, worldwide the album sold 10 million copies.&lt;br /&gt;
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Finally, enjoy some of the best creations of Pink:&lt;/div&gt;
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&lt;i&gt;&lt;span style="font-size: small;"&gt;"This article is dedicated to Antigoni_Iommi"&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-8833454301925189297?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/8833454301925189297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/pink.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8833454301925189297?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/8833454301925189297?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/pink.html' title='Pink'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_s1UzadhWb3g/TTB4vv-7tmI/AAAAAAAAAw0/jcJbxsi5PeM/s72-c/pink.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHo7cSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-5016848219356910734</id><published>2012-02-28T16:20:00.000+02:00</published><updated>2012-03-07T14:35:55.409+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.409+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Short Stories'/><title>Eternal Love (Short Story)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&amp;nbsp; &amp;nbsp;Her face was basking in the sun's light... The flowers all around her filled the air with beautiful scents, her body was laying lightly on the blanket she laid on the ground so that she won't get stained by the dirt. However, something unearthly was there, an eerie being... The little god sat in a corner and watched with awe how beautiful a mortal woman could be... She surpassed every deity, every nymph...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;He wanted to get close to her, talk to her. He has been watching over her for two years. Here is where he saw her for the first time, in this illuminated part of the forest... He yearned to touch her golden hair, kiss her red lips... He approached and sat next to her without her knowing he was really there... Then he slowly began to chuck her face and a quiver passed through her body. She thought it was due to the cold that suddenly fell over the place, so she didn't budge... Even though she had her eyes closed, he knows how they look like... She has the most innocent look, one of a little girl that doesn't know how evil the world is... Knowing she won't hear him, he whispered once more, "I love you...", but was immediately surprised by the overthrow of the situation... The girl, without opening her eyes, answered in his words... The words "I love you too..." came out of her lips. Upon hearing these words, he opened his eyes wide open and hope filled his soul... But, quickly, her light breath made him realize that she was deeply sleeping... The little god seized the chance and softly, like touching an infant, gave her the sweetest kiss...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;No matter how many years go by, he would always love this mortal existence,he was sure about that... Unfortunately, the only way to have her as his own is to kill her by himself. But he would never do that to her... He wants to let her live... To marry a man worthy of her beauty and have gorgeous children with him, that may look like her...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;He knew he was doing something illegal. If someone found out what he was doing,his punishment would be awful... But he was indifferent, he loved her...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Some instant, after many hours of sitting and staring at her, she opened her eyes and turned her fairy face towards him. A smile carved on her lips , like she knew he was there... He shed tears of happiness, but then her mother's voice sounded from the distance calling her to join her family in the car, which they finally managed to repair. She started running towards it... She opened the door and entered the car... She waved her parents with the happiest look... Until she sees and remembers again... In the front mirror, her burned and malformed face was mirrored once again... She bent her head to avoid seeing it... But then she recalled the day of the accident...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Her father had lost control of his car and in an effort not to fall into an incoming vehicle, threw the car against a tree... Her parents went out to estimate the damage that was created, but she remained within... The family car suddenly exploded and caught fire... She can't remember anything else... Nor how she was saved... Only that she saw a strange dream before waking up...&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Once more, she raised her eyes watching her idol looking at her, full of ugliness, since everything on her was deformed... But the little god next to her, was looking at her pretty face, full of love and worship, once again...&lt;/div&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;
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&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Written by&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;b&gt;Elizabeth-Irene Pontiki&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-5016848219356910734?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/5016848219356910734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/eternal-love-short-story.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5016848219356910734?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5016848219356910734?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/eternal-love-short-story.html' title='Eternal Love (Short Story)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHw_cSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-1890892488972045184</id><published>2012-02-27T22:37:00.000+02:00</published><updated>2012-03-07T14:35:55.249+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.249+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Rap'/><title>Public Enemy</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #45818e;"&gt;P&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #45818e;"&gt;UBLIC ENEMY&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #45818e;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://assets.rollingstone.com/assets/images/artists/304x304/public-enemy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://assets.rollingstone.com/assets/images/artists/304x304/public-enemy.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff and his S1W group, DJ Lord (DJ who replaced Terminator X in 1999), and Music Director Khari Wynn. Formed in Long Island, New York in 1982, Public Enemy is known for their politically charged lyrics and criticism of the American media, with an active interest in the frustrations and concerns of the African American community.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;In 2004, Rolling Stone Magazine ranked Public Enemy number forty-four on its list of the Immortals: 100 Greatest Artists of All Time. Acclaimed Music ranks them the 29th most recommended musical act of all time and the highest hip-hop group. The group was inducted into the Long Island Music Hall of Fame in 2007.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;After a 1994 motorcycle accident shattered his left leg and kept him in the hospital for a full month, Terminator X relocated to his 15-acre farm in Vance County, North Carolina. By 1998, he was ready to retire from the group and focus full-time on raising African black ostriches on his farm.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;In late 1998, the group started looking for Terminator X's permanent replacement. Following several months of searching for a DJ, Professor Griff saw DJ Lord at a Vestax Battle and approached him about becoming the DJ for Public Enemy. DJ Lord joined as the group’s full-time DJ just in time for Public Enemy’s 40th World Tour. Since 1999, he has been the official DJ for Public Enemy on albums and world tours while winning numerous turntablist competitions, including multiple DMC finals.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/commons/a/af/Bilbao_BUM_Chuck_dedo_Flavor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://upload.wikimedia.org/wikipedia/commons/a/af/Bilbao_BUM_Chuck_dedo_Flavor.jpg" width="222" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Public Enemy's "Fight the Power" plays a central role in Spike Lee's 1989 film "Do the Right Thing." In addition to opening the film with the actors dancing to the song, Character "Radio Raheem" carries his beat-box everywhere listening to the same song, prompting one character to ask if he ever listens to anything else. Radio Raheem acts surprised and explains "It's Public Enemy!"&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;The song "Power of Equality" by the Red Hot Chili Peppers makes a reference, saying, "I got tapes I got CDs, I got my Public Enemy." The band have also performed segments of Public Enemy's You're Gonna Get Yours as an intro to their song Give It Away at concerts.&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;John Connor in the 1991 movie Terminator 2: Judgement Day wore a Public Enemy t-shirt for the majority of the film.&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;Part of NOFX song Franco Unamerican says "I´m watching Michael Moore expose the awful truth, I´m listening to Public Enemy and Reagan Youth."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The episode of Futurama titled 'Fear Of A Bot Planet' is a reference to the album 'Fear Of A Black Planet'&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Shawn Wayans' stage name while serving as DJ on "In Living Color" was SW1, a reference to Public Enemy's S1Ws.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;Band members:&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Chuck D – MC (1987–present)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Flavor Flav (William Drayton) - hype man, occasionally lead vocals&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Khari Wynn - Music Director&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;DJ Lord (Lord Aswod) - DJ&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Professor Griff&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;Former members:&lt;/u&gt;&lt;/i&gt;&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="color: #45818e;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style="text-align: justify;"&gt;
&lt;ul&gt;
&lt;li&gt;Terminator X (Norman Rogers) - DJ, producer&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Big Casper (Tracy Walker)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Brother James (James Norman)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Brother Roger&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The Interrorgator (Shawn K Carter),&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Crunch&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Jacob shankle AKA (big Jake)&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The Bomb Squad &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Hank Shocklee (James Henry Boxley III)&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Keith Shocklee (Keith Boxley)&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Eric "Vietnam" Sadler&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Gary G-Wiz (Gary Rinaldo)&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Kerwin "Sleek" Young&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Professor Griff (Richard Griffin)&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;blockquote class="tr_bq"&gt;
* Johnny "Juice" Rosado&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Brian Hardgroove - bassist&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;Discography:&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;YO! BURM RUSH THE SHOW&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1987)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/59/Yo!_Bum_Rush_the_Show.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/59/Yo!_Bum_Rush_the_Show.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Yo! Bum Rush the Show is the debut album of American hip hop group Public Enemy, released January 26, 1987 on Def Jam Recordings in the United States. The group's logo, a silhouette of a black man in a rifle's crosshairs, is debuted on the album's cover. Yo! Bum Rush the Show features a sample-heavy sound by production team The Bomb Squad.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album peaked at number 125 on the U.S. Billboard Top LPs chart and at number 28 on the Top Black Albums chart. NME magazine named it the best album of the year in its 1987 critics poll. Along with the Beastie Boys Licensed to Ill (1986) and LL Cool J's Radio (1985), music writer Cheo H. Coker has cited Yo! Bum Rush the Show as one of three of the most influential albums in hip hop history. In 1998, it was selected as one of The Source's 100 Best Rap Albums. In 2003, the album was ranked number 497 on Rolling Stone magazine's list of the 500 greatest albums of all time.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;According to Jon Pareles of The New York Times, "From its first album, Yo! Bum Rush the Show in 1987, the group marketed itself as a distillation of black anger and resistance. It set out to be the voice of a community, not just one more posse of boasters". Yo! Bum Rush the Show debuts The Bomb Squad's sample-heavy production style, which is prominent on the group's following work. Joe Brown of The Washington Post described the album's music as "a more serious brand of inner-city aggression", in comparison to Licensed to Ill (1986) by Def Jam label-mates the Beastie Boys. On its musical style, Brown wrote "Public Enemy's mean and minimalist rap is marked by an absolute absence of melody - the scary sound is just a throbbing pulse, hard drums and a designed-to-irritate electronic whine, like a dentist's drill or a persistent mosquito". The album's sound is accented by the scratching of DJ Terminator X. Chicago Tribune writer Daniel Brogan described Public Enemy's style on the album as "raw and confrontational", writing that the group "doesn't aim to -- or have a chance at -- crossing over".&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Q magazine (9/95, p. 132) - 4 Stars - Excellent - "...a stunning opening...just the first, in retrospect almost shy, step on a remarkable journey...a hard, droning extension of the basic drum`n'scratch Def Jam template that had served LL Cool J and the Beastie Boys so well."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Melody Maker (7/22/95, p. 35) - Recommended - "It wasn't just a new sound, a discovery. It was like being struck by a meteor."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;NME (9/25/93, p. 19) - Ranked #49 in NME's list of The 50 Greatest Albums Of The '80s.&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;NME (7/15/95, p. 47) - 9 (out of 10) - "Yo! Bum Rush The Show announced a hip-hop group who smouldered beneath dark, sparse beats like no other, introduced us to the coolest vocal double act ever...and featured as striking a statement of intent as you could wish for in `Public Enemy Number 1'....brilliant."&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;IT TAKES A NATION OF MILLIONS TO HOLD US BACK&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1988)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/73/PublicEnemyItTakesaNationofMillionstoHoldUsBack.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/73/PublicEnemyItTakesaNationofMillionstoHoldUsBack.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released April 14, 1988, on Def Jam Recordings. Recording sessions for the album took place at Chung King Studios, Greene Street Recording, and Sabella Studios in New York City. Noting the enthusiastic response over their live shows, the group intended with Nation of Millions to make the music of a faster tempo than the previous album for performance purposes.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album peaked at number 42 on the Billboard 200 chart. By August 1989, it was certified platinum by the Recording Industry Association of America, after shipments of one million copies in the United States. The album was very well received by writers and music critics, and appeared on many publications' "best album" lists. It Takes a Nation of Millions to Hold Us Back has since been regarded by music writers and publications as one of the greatest and most influential albums of all-time. The work has been hailed for its production techniques as well as the socially and politically charged lyricism of lead MC Chuck D. In 2003, the album was ranked number 48 on Rolling Stone magazine's list of the 500 greatest albums of all time, the highest ranking of all the hip hop albums on the list.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Public Enemy's 1987 debut album Yo! Bum Rush the Show, while acclaimed by hip hop critics and aficionados, had gone ignored for the most part by the rock and R&amp;amp;B mainstream, selling only 300,000 copies, which was relatively low by the high-selling standards of other Def Jam recording artists such as LL Cool J and the Beastie Boys at the time. However, the group continued to tour and record tirelessly. "On the day that Yo! Bum Rush the Show was released [in the spring of 1987], we was already in the trenches recording Nation of Millions," stated lead MC Chuck D.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;With It Takes a Nation of Millions to Hold Us Back, the group set out to make what they considered to be the hip hop equivalent to Marvin Gaye's What's Going On, an album noted for its strong social commentary. As said by Chuck, "our mission was to kill the 'Cold Gettin' Dumb' stuff and really address some situations." In order to ensure that their live shows would be as exciting as those when they played in London and Philadelphia, the group decided that the music on Nation of Millions would have to be faster than that found on Yo! Bum Rush the Show.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;In its first month of release, It Takes a Nation of Millions to Hold Us Back sold 500,000 copies without significant promotional efforts by its distributing label Columbia Records. It peaked at number 42 on the U.S. Billboard 200 chart and at number one on the Top Black Albums chart. On August 22, 1989, the album was certified platinum by the Recording Industry Association of America (RIAA), for shipments of at least one million copies in the United States. Since 1991, when the tracking system Nielsen SoundScan began tracking domestic sales data, It Takes a Nation of Millions to Hold Us Back has sold 722,000 additional copies as of 2010.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;FEAR OF A BLACK PLANET&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1990)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/6/6a/PublicEnemyFearofaBlackPlan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/6/6a/PublicEnemyFearofaBlackPlan.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Fear of a Black Planet is the third studio album by American hip hop group Public Enemy, released April 10, 1990, on Def Jam Recordings and Columbia Records. Production for the album was handled by the group's production team The Bomb Squad, who expanded on the dense, sample-layered sound of the group's previous album, It Takes a Nation of Millions to Hold Us Back (1988). They constructed elaborate sound collages for the album's music, incorporating varying rhythms, numerous samples, media sound bites, and eccentric music loops, which reflected the content's confrontational tone. Fear of a Black Planet contains themes concerning organization and empowerment within the African-American community, while presenting criticism of social issues affecting African Americans at the time of the album's conception.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album debuted at number 40 on the US Billboard Top Pop Albums, selling one million copies in its first week. It subsequently peaked at number 10 on the chart and was certified platinum by the Recording Industry Association of America. Upon its release, Fear of a Black Planet received general acclaim from music critics, who praised its musical quality, sonic detail, societal themes, and insightful lyrics, and was ranked one of the best albums in 1990 by various publications. It has since been recognized as one of hip hop's greatest and most important albums, as well as musically and culturally significant. In 2003, the album was ranked number 300 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2005, it was chosen by the Library of Congress to be added to the National Recording Registry.&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;b&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;APOCALYPSE 91... THE ENEMY STRIKES BLACK&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1991)&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f7/PublicEnemyApocalypse91.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/f7/PublicEnemyApocalypse91.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Apocalypse 91… The Enemy Strikes Black is the fourth studio album by American hip hop group Public Enemy, released October 3, 1991 on Def Jam Recordings in the United States. It debuts production team Imperial Grand Ministers of Funk, which consisted of producers Stuart Robertz, Cerwin 'C-Dawg' Depper, Gary G-Wiz, and The JBL. The album peaked at number 4 on the Billboard 200 chart and at number 1 on the Top R&amp;amp;B/Hip-Hop Albums chart. On November 26, 1991, it was certified platinum in sales by the Recording Industry Association of America, following sales in excess of 1 million copies.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;The album title refers to the film Apocalypse Now and Star Wars Episode V: The Empire Strikes Back.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The singles released from the album were "Can't Truss It", "Shut Em Down" and its B-side "By the Time I Get to Arizona" (samples "Two Sisters of Mystery" by Mandrill and a live version of "Walk on By" by the Jackson 5), in which Public Enemy was depicted in the video killing the Arizona governor, Evan Mecham, who refused to recognize Martin Luther King, Jr.'s birthday as a national holiday.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album also included the thrash cover of their earlier hit "Bring the Noise" featuring Anthrax and "Get the Fuck Outta Dodge" - a previously released B-Side to the "Can't Do Nuttin' for Ya Man" single from Fear of a Black Planet.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Rolling Stone (10/3/91) - 4 Stars - Excellent - "...attempts nothing short of setting a sociopolitical agenda for the black community....Apocalypse '91 needs to be watched..."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Q magazine (9/95, p. 132) - 4 Stars - Excellent - "...fine by any but their own Olympian standards...showed Public Enemy ploughing old furrows..."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;New York Times (9/29/91) - "...hip-hop's prophets of rage...with songs that mix political, personal and promotional statements in quick-cutting, often oblique language..."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;NME (7/15/95, p. 47) - 7 (out of 10) - "...a more soulful, funkier stew than previously served but there were a couple of fillers....Good, but not as indispensable as its predecessors..."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Spin - Ranked #7 in Spin's list of the 20 Best Albums of 1991.&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Melody Maker (12/91) - Ranked #21 in Melody Maker's list of the top 30 albums of 1991.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;GREATEST MISSES&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1992)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/8/8c/Pegm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/8/8c/Pegm.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Greatest Misses is Public Enemy's first compilation album released in 1992. It features new tracks (1-6) and re-mixes of previously released songs (7-13).&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;MUSE SICK-n-HOUR MESS AGE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1994)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/bf/Muse_Sick-n-Hour_Mess_Age.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/b/bf/Muse_Sick-n-Hour_Mess_Age.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Muse Sick-n-Hour Mess Age (stylization of Music and/in Our Message) is the fifth studio album by American hip hop group Public Enemy, released August 23, 1994 on Def Jam Recordings in the United States. The album debuted at number 14 on the U.S. Billboard 200 chart, selling 56,000 copies in its first week. Upon its release, Muse Sick-n-Hour Mess Age received generally mixed to positive reviews from most music critics, amid controversy among critics and fans over Public Enemy's relevance in hip hop at the time.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Due to a change of the album's release date, negative reviews from publications such as Rolling Stone and The Source were published a month prior to the album's first sales week. In spite of this, Muse Sick-n-Hour Mess Age fared better with its first week sales of 56,000 copies than most of Public Enemy's previous albums. The album quickly fell off the charts, as sales were negatively impacted by Def Jam's move from Sony to Polygram during its release.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;HE GOT GAME&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1998)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/5/55/Hegotgame.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/5/55/Hegotgame.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;He Got Game is the sixth studio album by American hip hop group Public Enemy, released April 21, 1998 on Def Jam Recordings in the United States. It also serves as the soundtrack companion album to Spike Lee's 1998 film of the same name and is the group's last album for the Def Jam label. The album debuted at number 26 on the U.S. Billboard 200 chart, selling 46,282 copies in its first week. Upon its release, He Got Game received generally positive reviews from most music critics.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THERE'S A POISON GOIN' ON&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(1999)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/0/0e/Pepoison.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/0/0e/Pepoison.jpg" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;There's a Poison Goin' On is the seventh studio album by American hip hop group Public Enemy, released July 20, 1999 on Atomic Pop Records in the United States. Its title is adapted from the title of Sly &amp;amp; the Family Stone's album There's a Riot Goin' On (1971). The album was originally made available through the Internet on May 18, 1999, via the now defunct Atomic Pop website.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Rolling Stone (8/5/99, p. 64) - 3½ stars (out of 5) - "...there is some jigginess on this record....the emphasis is on sparser, more spacious mixes- less claustrophobic and dizzying...but still gripping..."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Alternative Press (11/99, p. 119) - 4 out of 5 - "...the still-strident PE are back....best as an eyes-closed, headphones on high-volume experience. It takes extremely seriously the idea that hip hop should be consciousness-altering music..."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The Wire (8/99, p.55) - "Public Enemy are back and this time it's personal....Everyone...finds themselves caught in Chuck's rhetorical crosshairs and no one survives intact....this is the loudest, noisest Public Enemy album in nine years."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Muzik (8/99, p. 84) - 5 stars (out of 5) - "...defiant, provocative and reassuringly abrasive music....this album is a treat....Poison is vintage PE, all the more welcome at a time when there had seemed to be no one left who was prepared to make rational, thoughtful, incisive hip-hop."&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;REVOLVERLUTION&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(2002)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/7f/Publicenemy_revolverlution.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/7/7f/Publicenemy_revolverlution.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;Revolverlution is the eighth studio album by American hip hop group Public Enemy, released July 23, 2002 on Koch Records in the United States. The album debuted at number 110 on the U.S. Billboard 200 chart. Upon its release, it received generally positive reviews from most music critics, based on an aggregate score of 65/100 from Metacritic.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Rolling Stone (9/5/02, pp. 70,72) - 3 stars out of 5 - "The aural rummage sale brings some timely noise while proving D can still deliver lyrical knocks to the deserving."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Q (1/03, p. 123) - 3 stars out of 5 - "Bound to satisfy loyal fans."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Uncut (01/03, p. 126) - 3 stars out of 5 - "Brutally eloquent, anti-authority cyber-funk, PE are still fighting the powers that be."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Mojo (12/02, p. 122) - "Works very well indeed....Public Enemy are still making music of great substance and potency."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The Washington Post (9/13/02, p. 15) - "a marvel of snazzy production....musically speaking, the album never loses traction. Therefore, it is dismaying how much the lyrics muck things up....Chuck D. doesn't so much elucidate an issue as present topics of conversation, ladling out generous portions of ad hominem." &lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;NEW WHIRL ODOR&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(2005)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/cd/NWO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/c/cd/NWO.jpg" width="318" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;New Whirl Odor is the ninth studio album by American hip hop group Public Enemy, released in the U.S. on November 1, 2005. The title name for the album is a pun for New World Order. The song "MKLVFKWR" (Make Love, Fuck War) features the artist Moby.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Entertainment Weekly (No. 848, p.77) - "[I]t's refreshing to hear PE frontman Chuck D's stentorian voice hectoring, indicting, and pontificating like it was 1989 all over again." - Grade: B&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Mojo (p.120) - 4 stars out of 5 -- "Anyone needing passionate music that's both socially and politically engaged need look no further."&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;Mojo (p.60) - Ranked #2 in Mojo's "Top Ten Urban Albums of 2005."&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;REBIRTH OF A NATION&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(2006)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/4/41/Rebirth_of_a_Nation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/4/41/Rebirth_of_a_Nation.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Rebirth of a Nation is the tenth studio album by American hip hop group Public Enemy and Paris, released on March 7, 2006. The album was Mixed and mastered at Data Stream Studio in San Francisco, Ca.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Despite the Public Enemy branding on the album, many tracks were written and produced by MC Paris; the album itself was deemed a "special project" by Chuck D in order to differentiate it from other Public Enemy works. The album was released on Paris's own Guerrilla Funk label.&lt;/div&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The title of the album is a reference to the 1915 white supremacist film The Birth of a Nation as well as one of the group's prior albums, It Takes a Nation of Millions to Hold Us Back.&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp; &amp;nbsp;The album features appearances and guest spots by Dead Prez, Immortal Technique, Conscious Daughters, MC Ren, Sista Souljah, and Kam.&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Uncut (p. 94) - 3 stars out of 5 - "[T]he old blast furnace of focused fury still rages hard."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&amp;nbsp; &amp;nbsp;The album sold 5,592 units in its first week out.&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;HOW YOU SELL SOUL TO A SOULLESS PEOPLE WHO SOLD THEIR SOUL???&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;(2007)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/cf/How_you_sell_soul_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/cf/How_you_sell_soul_cover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&amp;nbsp; &amp;nbsp;How You Sell Soul to a Soulless People Who Sold Their Soul??? is the tenth studio album by American hip hop group Public Enemy, released August 7, 2007 on Slam Jamz Recordings in the United States. Its release coincided with the 20th anniversary of their career. The album debuted at number 49 on Independent Albums chart, and it received generally positive reviews from most music critics, based on an aggregate score of 71/100 from Metacritic. Music critic Robert Christgau named How You Sell Soul to a Soulless People Who Sold Their Soul??? the second best album of 2007.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Alternative Press (p.176) - 3.5 stars out of 5 -- "Public Enemy remain fiercely independent and definitely seem revitalized."&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;ul&gt;
&lt;li&gt;The Wire (p.75) - "[T]his is PE's tenth studio album in their 20th year and their blunt anti-artiste, anti-materialist stance carries serious weight."&lt;/li&gt;
&lt;/ul&gt;
And now people listen to some good ol' Public Enemy:&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-1890892488972045184?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/1890892488972045184/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/public-enemy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/1890892488972045184?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/1890892488972045184?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/public-enemy.html' title='Public Enemy'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHo9cSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-6456539864952949915</id><published>2012-02-27T21:01:00.000+02:00</published><updated>2012-03-07T14:35:55.469+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.469+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Action'/><title>The Lord of the Rings: The Fellowship of the Ring (2001)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;div style="text-align: center;"&gt;
&lt;a href="http://upload.wikimedia.org/wikipedia/en/0/0c/The_Fellowship_Of_The_Ring.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/0/0c/The_Fellowship_Of_The_Ring.jpg" width="215" /&gt;&lt;/a&gt;The Lord of the Rings: The Fellowship of the Ring is a 2001 fantasy film directed by Peter Jackson based on the first volume of J. R. R. Tolkien's The Lord of the Rings (1954–1955). It was followed by the sequels The Two Towers (2002) and The Return of the King (2003), based on the second and third volumes of The Lord of the Rings.&lt;br /&gt;
&lt;br /&gt;
Set in Middle-earth, the story tells of the Dark Lord Sauron, who is seeking the One Ring. The Ring has found its way to the young hobbit Frodo Baggins (Elijah Wood). The fate of Middle-earth hangs in the balance as Frodo and eight companions who form the Fellowship of the Ring begin their journey to Mount Doom in the land of Mordor, the only place where the Ring can be destroyed.&lt;br /&gt;
&lt;br /&gt;
Released on 10 December 2001, the film was highly acclaimed by critics and fans alike, especially as many of the latter judged it to be the most sufficiently faithful adaptation of the original story out of Jackson's film trilogy. It was a major box office success, earning over $870 million worldwide, and the second highest-grossing film of 2001 in the U.S. and worldwide (behind Harry Potter and the Philosopher's Stone) which made it the 5th highest-grossing film ever at the time.&lt;br /&gt;
&lt;br /&gt;
Today it is the 25th highest-grossing worldwide film of all time. It won four Academy Awards and five BAFTAs, including Best Film and Best Director BAFTA awards. The Special Extended Edition was released to DVD on November 12, 2002 and to Blu-ray on June 28, 2011. In 2007, The Fellowship of the Ring was voted number 50 on the American Film Institute's list of 100 greatest American films. The AFI also voted it the second greatest fantasy film of all time during their AFI's 10 Top 10 special.&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
In the Second Age, the Dark Lord Sauron attempts to conquer Middle-Earth using his One Ring. In battle against the Elves and Men, Prince Isildur cuts the Ring from Sauron's hand, destroying his physical form and vanquishing his army. However, Sauron's "life force" is bound to the Ring, allowing him to survive while the Ring remains. Isildur, corrupted by the Ring's power, refuses to destroy it. When Isildur is killed by Orcs, the Ring is lost in a river for 2,500 years. The Ring is found by Gollum, who possesses it for centuries until it is found by the Hobbit Bilbo Baggins.&lt;/div&gt;
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&lt;a href="http://i2.listal.com/image/450560/600full-the-lord-of-the-rings:-the-fellowship-of-the-ring-photo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://i2.listal.com/image/450560/600full-the-lord-of-the-rings:-the-fellowship-of-the-ring-photo.jpg" style="cursor: move;" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Sixty years later, Bilbo leaves the Ring to his nephew, Frodo Baggins. Upon learning that the Ring belonged to Sauron, the Wizard Gandalf the Grey warns Frodo that Sauron's forces will come for him. Gandalf catches Frodo's gardener Samwise Gamgee eavesdropping underneath a window and sends him with Frodo to leave the Shire. Gandalf rides to Isengard to meet with the head of his order, Saruman the White, who reveals that Sauron's servants, the Nazgûl, have been sent to capture the Ring. Saruman reveals himself to be in service to Sauron, and imprisons Gandalf atop his tower. Saruman commands Sauron's Orcs to construct weapons of war and produce a new breed of Orc fighters: the Uruk-hai.&lt;/div&gt;
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While traveling to Bree, Frodo and Sam are joined by Merry and Pippin, and are nearly captured by the Nazgûl. At the Inn of the Prancing Pony, Frodo meets the mysterious ranger Aragorn, who hides them from their pursuers and agrees to lead them to Rivendell. During the journey they are attacked by the Nazgûl. Aragorn fights off the creatures, but Frodo is wounded by their morgul blade, which will turn him into a wraith. While chased by the Nazgûl, Frodo is saved by the Elf Arwen who uses her magic to summon a surge of water that sweeps away the pursuing Nazgûl. Arwen takes Frodo to Rivendell where he is healed by her father, Elrond. Gandalf escapes Saruman's tower with the aid of Gwaihir the eagle and travels to Rivendell. Elrond calls a council of the races still loyal to Middle-Earth to decide what should be done with the Ring. It is revealed that the Ring can only be destroyed by throwing it into the fires of Mount Doom, where it was forged. Frodo volunteers to take the Ring, accompanied by Sam, Merry, Pippin, Gandalf, and Aragorn. They are joined by the Elf Legolas, the Dwarf Gimli, and Boromir, a man of Gondor, to form the Fellowship of the Ring.&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/_ucAE_GrFrfM/S7zit0XPkFI/AAAAAAAAEXc/agrWToFMqHk/s1600/lord-of-the-rings-fotr.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="218" src="http://1.bp.blogspot.com/_ucAE_GrFrfM/S7zit0XPkFI/AAAAAAAAEXc/agrWToFMqHk/s320/lord-of-the-rings-fotr.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
The Fellowship set out but are hindered by Saruman's magic. They travel through the dwarf Mines of Moria. Inside, they find that Orcs have overrun the mines and slain the Dwarves; they also realize that Gollum is following them, determined to reclaim the Ring. The Fellowship is attacked by Orcs and a Balrog, an ancient demon of fire and shadow. Gandalf confronts the Balrog, allowing the others to escape, but both Gandalf and the Balrog fall into an abyss. Mourning Gandalf's death, the group flees to Lothlórien, where they are sheltered by its rulers, the Elves Galadriel and Celeborn. That night, Galadriel informs Frodo that it is his destiny to destroy the Ring. The Fellowship continue their journey. Meanwhile, Saruman assembles a force of Uruk-hai to hunt the Fellowship.&lt;br /&gt;
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After arriving at Parth Galen, Boromir gives in to the Ring's corruption and tries to take it from Frodo, believing that it is the only way to save his realm. Frodo manages to escape by wearing the Ring and becoming invisible. Boromir realizes what he has done, and attempts to find Frodo, who decides to continue his journey alone, heeding Galadriel's warning that the Ring will eventually corrupt the other members of the Fellowship. The Uruk-hai arrive and Aragorn, Legolas, and Gimli attempt to hold them off while Frodo escapes. Merry and Pippin lead the Orcs away from Frodo and are nearly killed. Boromir tries to save them, but in the process is shot fatally by the Uruk-Hai leader, Lurtz. The Uruk-Hai capture Merry and Pippin. Aragorn slays Lurtz and tends to a dying Boromir, and promises him that the world of men will not fall. Boromir dies with Aragorn, Gimli and Legolas by his side.&lt;br /&gt;
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Sam finds Frodo, who reluctantly lets Sam join him. Aragorn, Legolas and Gimli set out to rescue Merry and Pippin. As Frodo and Sam gaze out at the land before them, they grieve over the others. Frodo says that he is glad that Sam is with him and the two Hobbits set off towards Mordor.&lt;/div&gt;
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&lt;b&gt;Reviews and Awards&lt;/b&gt;&lt;/div&gt;
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The Lord of the Rings: The Fellowship of the Ring was released on 19 December 2001 in 3,359 cinemas where it grossed $47.2 million on its opening weekend. It went on to make $314.7 million in North America and $555.9 million in the rest of the world for a worldwide total of $870.7 million.&lt;/div&gt;
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The Lord of the Rings: The Fellowship of the Ring received nearly universal acclaim from major film critics and was one of the best reviewed films of 2001, receiving 92% positive reviews on Rotten Tomatoes. Roger Ebert gave the film three out of four stars and wrote, "Peter Jackson ... has made a work for, and of, our times. It will be embraced, I suspect, by many Tolkien fans and take on aspects of a cult. It is a candidate for many Oscars. It is an awesome production in its daring and breadth, and there are small touches that are just right". USA Today also gave the film three out of four stars and wrote, "this movie version of a beloved book should please devotees as well as the uninitiated". In his review for The New York Times, Elvis Mitchell wrote, "The playful spookiness of Mr. Jackson's direction provides a lively, light touch, a gesture that doesn't normally come to mind when Tolkien's name is mentioned". Entertainment Weekly magazine gave the film an "A" rating and Lisa Schwarzbaum wrote, "The cast take to their roles with becoming modesty, certainly, but Jackson also makes it easy for them: His Fellowship flows, never lingering for the sake of admiring its own beauty ... Every detail of which engrossed me. I may have never turned a page of Tolkien, but I know enchantment when I see it".&lt;/div&gt;
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&lt;a href="http://i2.listal.com/image/450579/600full-the-lord-of-the-rings:-the-fellowship-of-the-ring-photo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="212" src="http://i2.listal.com/image/450579/600full-the-lord-of-the-rings:-the-fellowship-of-the-ring-photo.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
In her review for The Washington Post, Rita Kempley praised the cast, in particular, "Mortensen, as Strider, is a revelation, not to mention downright gorgeous. And McKellen, carrying the burden of thousands of years' worth of the fight against evil, is positively Merlinesque". Time magazine's Richard Corliss praised Jackson's work: "His movie achieves what the best fairy tales do: the creation of an alternate world, plausible and persuasive, where the young — and not only the young — can lose themselves. And perhaps, in identifying with the little Hobbit that could, find their better selves". In his review for The Village Voice, J. Hoberman wrote, "Peter Jackson's adaptation is certainly successful on its own terms". Rolling Stone magazine's Peter Travers wrote, "It's emotion that makes Fellowship stick hard in the memory ... Jackson deserves to revel in his success. He's made a three-hour film that leaves you wanting more". However, in his review for The Guardian, Peter Bradshaw wrote, "there is a strange paucity of plot complication, an absence of anything unfolding, all the more disconcerting because of the clotted and indigestible mythic back story that we have to wade through before anything happens at all.&lt;/div&gt;
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In 2002, the film won four Academy Awards out of thirteen nominations. The winning categories were for Best Cinematography, Best Visual Effects, Best Makeup, and Best Original Score. Despite its praise by fans, the other nominated categories of Best Actor in a Supporting Role (Ian McKellen), Best Art Direction, Best Director, Best Film Editing, Best Original Song (Enya, Nicky Ryan and Roma Ryan for "May It Be"), Best Picture, Best Sound (Christopher Boyes, Michael Semanick, Gethin Creagh and Hammond Peek), Costume Design and Best Adapted Screenplay were not won.&lt;br /&gt;
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As of June 2010, it is the 19th highest-grossing film worldwide, with takings of US$870,761,744 from worldwide theatrical box office receipts.&lt;br /&gt;
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The film won the 2002 Hugo Award for Best Dramatic Presentation. It also won Empire readers' Best Film award, as well as five BAFTAs, including Best Film, the David Lean Award for Direction, the Audience Award (voted for by the public), Best Special Effects, and Best Make-up. The film was nominated for an MTV Movie Award for Best Fight between Gandalf and Saruman.&lt;br /&gt;
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In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. The Lord of the Rings: The Fellowship of the Ring was acknowledged as the second best film in the fantasy genre.&lt;br /&gt;
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American Film Institute recognition&lt;br /&gt;
AFI's 100 Years...100 Heroes and Villains: &lt;br /&gt;
Gandalf the Grey - Nominated Hero&lt;br /&gt;
AFI's 100 Years of Film Scores - Nominated&lt;br /&gt;
AFI's 100 Years...100 Cheers - Nominated&lt;br /&gt;
AFI's 100 Years...100 Movies (10th Anniversary Edition) - #50&lt;br /&gt;
AFI's 10 Top 10 - #2 Fantasy film&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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&amp;nbsp;Elijah Wood  as Frodo Baggins&lt;br /&gt;
&amp;nbsp;Noel Appleby  as Everard Proudfoot&lt;br /&gt;
&amp;nbsp;Sean Astin  as Samwise 'Sam' Gamgee&lt;br /&gt;
&amp;nbsp;Sala Baker  as Sauron&lt;br /&gt;
&amp;nbsp;Sean Bean  as Boromir&lt;br /&gt;
&amp;nbsp;Cate Blanchett  as Galadriel&lt;br /&gt;
&amp;nbsp;Orlando Bloom  as Legolas Greenleaf&lt;br /&gt;
&amp;nbsp;Billy Boyd  as Peregrin 'Pippin' Took&lt;br /&gt;
&amp;nbsp;Marton Csokas  as  Celeborn&lt;br /&gt;
&amp;nbsp;Megan Edwards  as Mrs. Proudfoot&lt;br /&gt;
&amp;nbsp;Michael Elsworth  as Gondorian Archivist&lt;br /&gt;
&amp;nbsp;Mark Ferguson  as Gil-Galad&lt;br /&gt;
&amp;nbsp;Ian Holm  as Bilbo Baggins&lt;br /&gt;
&amp;nbsp;Christopher Lee  as Saruman&lt;br /&gt;
&amp;nbsp;Lawrence Makoare  as Lurtz&lt;br /&gt;
&amp;nbsp;Andy Serkis  as Gollum / Witch-King (voice)&lt;br /&gt;
&amp;nbsp;Brent McIntyre  as Witch-King&lt;br /&gt;
&amp;nbsp;Ian McKellen  as Gandalf the Grey&lt;br /&gt;
&amp;nbsp;Peter McKenzie  as Elendil&lt;br /&gt;
&amp;nbsp;Sarah McLeod  as Rose 'Rosie' Cotton&lt;br /&gt;
&amp;nbsp;Dominic Monaghan  as Meriadoc 'Merry' Brandybuck&lt;br /&gt;
&amp;nbsp;Viggo Mortensen  as Aragorn&lt;br /&gt;
&amp;nbsp;Ian Mune  as Bounder&lt;br /&gt;
&amp;nbsp;Craig Parker  as Haldir&lt;br /&gt;
&amp;nbsp;Cameron Rhodes  as Farmer Maggot&lt;br /&gt;
&amp;nbsp;John Rhys-Davies  as Gimli&lt;br /&gt;
&amp;nbsp; Harry Sinclair  as Isildur&lt;br /&gt;
&amp;nbsp;Liv Tyler  as Arwen&lt;br /&gt;
&amp;nbsp;David Weatherley  as Barliman Butterbur&lt;br /&gt;
&amp;nbsp;Hugo Weaving  as Elrond&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-6456539864952949915?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/6456539864952949915/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/lord-of-rings-fellowship-of-ring-2001.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6456539864952949915?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6456539864952949915?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/lord-of-rings-fellowship-of-ring-2001.html' title='The Lord of the Rings: The Fellowship of the Ring (2001)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ucAE_GrFrfM/S7zit0XPkFI/AAAAAAAAEXc/agrWToFMqHk/s72-c/lord-of-the-rings-fotr.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHo-eSp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-6305910326096321049</id><published>2012-02-27T21:00:00.000+02:00</published><updated>2012-03-07T14:35:55.451+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.451+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Music-Rap'/><title>Jay-Z</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;JAY-Z&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://www.hiphoparchive.org/files/images/Jay-Z%20hands%20folded.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.hiphoparchive.org/files/images/Jay-Z%20hands%20folded.jpg" width="259" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Shawn Corey Carter (born December 4, 1969), better known by his stage name Jay-Z, is an American rapper, record producer, entrepreneur, and occasional actor. He is one of the most financially successful hip hop artists and entrepreneurs in America, having a net worth of over $450 million as of 2010. He has sold approximately 50 million albums worldwide, while receiving thirteen Grammy Awards for his musical work, and numerous additional nominations. He is consistently ranked as one of the greatest rappers of all-time. He was ranked so by MTV in their list of The Greatest MCs of All-Time in 2006. Two of his albums, Reasonable Doubt (1996) and The Blueprint (2001) are considered landmarks in the genre with both of them being ranked in Rolling Stone magazine's list of the 500 greatest albums of all time. Blender included the former on their 500 CDs You Must Own Before You Die.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z co-owns the 40/40 Club, is part-owner of the NBA's New Jersey Nets and is also the creator of the line Rocawear. He is the former CEO of Def Jam Recordings, one of the three founders of Roc-A-Fella Records, and the founder of Roc Nation. As an artist, he holds the record for most number one albums by a solo artist on the Billboard 200 with eleven. Jay-Z also has had four number ones on the Billboard Hot 100, one as lead artist.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;He married American R&amp;amp;B superstar Beyoncé Knowles on April 4, 2008. On December 11, 2009, Jay-Z was ranked as the 10th most successful artist of the 2000's by Billboard and ranking as the 5th top solo male artist and as the 4th top rapper behind Eminem, Nelly, and 50 Cent.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Originally from Marcy Houses, a housing project in the Bedford-Stuyvesant neighborhood of Brooklyn in New York City, the future "Jay-Z" then known as Shawn Carter, was abandoned by his father and in 1982, he shot his brother in the shoulder for stealing his jewelry. Carter attended Eli Whitney High School in Brooklyn, along with future rapper AZ, until it was closed down. After that he attended George Westinghouse Career and Technical Education High School in Downtown Brooklyn, with fellow future rappers The Notorious B.I.G. and Busta Rhymes, and Trenton Central High School in Trenton, New Jersey, but did not graduate. In his music he refers to having been involved in selling crack cocaine.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;According to his mother, Gloria Carter, her son Shawn used to wake his siblings up at night banging out drum patterns on the kitchen table. Eventually, she bought him a boom box for his birthday, sparking his interest in music. He began freestyling, writing lyrics, and followed the music of many artists popular at the time. In his neighborhood, Carter was known as "Jazzy", a nickname that eventually developed into his showbiz/stage name, "Jay-Z". The moniker is also an homage to his musical mentor, Jaz-O, as well as to the J/Z subway lines that have a stop at Marcy Avenue in Brooklyn.&lt;br /&gt;
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&lt;a href="http://musicholics.gr/v2/wp-content/uploads/2011/09/jay-z.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://musicholics.gr/v2/wp-content/uploads/2011/09/jay-z.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z can briefly be heard on several of Jaz-O's early recordings in the late 1980s and early 1990s, including "The Originators" and "Hawaiian Sophie". Jay-Z was also involved in and won several battles with rapper LL Cool J in the early 90's as part of a plan to get a sought-after record deal. He first became known to a wide audience by being featured on the posse cut "Show and Prove" on the 1994 Big Daddy Kane album Daddy's Home. Jay-Z has been referred to as Big Daddy Kane's hype man during this period, though Kane explains that he didn't fill the traditional hype man role, instead Jay-Z "basically made cameo appearances on stage. When I would leave the stage to go change outfits, I would bring out Jay-Z and Positive K and let them freestyle until I came back to the stage". He made an appearance on a popular song by Big L, "Da Graveyard", and on Mic Geronimo's "Time to Build", which also featured early appearances by DMX, and Ja Rule in 1995. His first official rap single was called "I Can't Get With That", for which he released a music video.&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z that states his earliest exposure to music was through his parents' record collection, which was mostly of soul artists such as Marvin Gaye and Donny Hathaway. He says "I grew up around music, listening to all types of people... I'm into music that has soul in it, whether it be rap, R&amp;amp;B, pop music, whatever. As long as I can feel their soul through the wax, that's what I really listen to." He often uses excerpts from these artists as samples in his work, particularly in the Kanye West-productions included on The Blueprint.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Royce da 5'9" and Fredro Starr of Onyx both describe Jay-Z's emphasis on flow in the book How to Rap – Starr says that Jay-Z is "a master of the flow—he can flow fast, he can flow slow". The book describes how Jay-Z uses 'rests' to provide structure to a verse and how he uses 'partial linking' to add more rhymes to a verse. Jay-Z's early style is described by Vibe as "a distinctly Das EFX-type, stiggety style" on his 12" single "Can't Get With That", referring to the fast rhythms and vocal delivery of the group Das EFX. He is also known to write lyrics in his head, as described by Pusha T of Clipse in How to Rap, a style popular with many MCs such as The Notorious B.I.G., Everlast, Bobby Creekwater and Guerilla Black. Shock G of Digital Underground describes Jay-Z's performance style, saying he "rarely breaks a sweat, and instead uses smoothness and clever wordplay to keep the audience interested and entertained".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z is married to American R&amp;amp;B singer Beyoncé Knowles. In 2002, Jay-Z and Knowles collaborated for the song "'03 Bonnie &amp;amp; Clyde". Jay-Z also appeared on Knowles' hit single "Crazy In Love" and as well as "That's How You Like It" from her debut Dangerously in Love. On her second album, B'Day, he made appearances on the 2006 hits, "Déjà Vu" and "Upgrade U". In the video for the latter song, she comically imitates his appearance. The couple generally avoid discussing their relationship. Knowles has stated that she believes that not publicly discussing their relationship has helped them. Jay-Z said in a People article, "We don't play with our relationship." They kept a low profile while dating, and married quietly in April 2008. It became a matter of public record on April 22, 2008, but Knowles did not publicly debut her $5 million Lorraine Schwartz-designed wedding ring until the Fashion Rocks concert on September 5, 2008 in New York City. Knowles and Jay-Z were listed as the most powerful couple for TIME magazine's 100 most influential people of 2006. In January 2009, Forbes ranked them as Hollywood's top-earning couple, with a combined total of $162 million. They also made it to the top of the list the following year, with a combined total of $122 million between June 2008 and June 2009. At the 2011 MTV Video Music Awards, Beyoncé revealed that she was pregnant with their first child and on January 7, 2012, she gave birth to their daughter, named Blue Ivy Carter, at Lenox Hill Hospital in New York. On January 9, 2012, Jay-Z released "Glory", a song dedicated to their child, on his social website LifeandTimes.com. The song detailed the couple's pregnancy struggles, including a miscarriage Knowles suffered before becoming pregnant with their daughter. Because Blue's cries were included at the end of the song and she was officially credited on the song as "B.I.C", at 2 days old she became the youngest person ever to appear on a Billboard chart when "Glory" debuted on Hot R&amp;amp;B/Hip-Hop Songs at Number 74.&lt;/div&gt;
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&lt;a href="http://www.concerts.ws/images/JayZ.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.concerts.ws/images/JayZ.jpg" width="225" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;During his retirement, Jay-Z also became involved in philanthropic activity. On August 9, 2006, he met with United Nations Secretary General Kofi Annan at the organization's headquarters in New York City. The rapper pledged to use his upcoming world tour to raise awareness of and combat global water shortage. Already on the look-out for a way to, in his own words, "become helpful", he had been made aware of this issue during a visit to Africa. The effort took place in partnership with the UN, as well as MTV, which produced a documentary entitled Diary of Jay-Z: Water for Life, first airing in November 2006. Along with Sean "Diddy" Combs, Jay-Z pledged $1 million to the American Red Cross' relief effort after Hurricane Katrina. Jay-Z stated his support for Kanye West after the latter's outburst against President Bush during a live Katrina charity telethon. He also addressed the issue of the Katrina disaster, and the government's response, in his song "Minority Report".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z got actively involved in politics during the 2008 presidential campaign, where he supported increased voter participation and helped send voters to polling stations. He was an early supporter for the candidacy of Illinois senator and subsequent U.S. president Barack Obama, performing for free in voter-drive concerts financed by the Democrats' campaign. He also became acquainted with Obama himself, who stated "Every time I talk to Jay-Z, who is a brilliant talent and a good guy, I enjoy how he thinks. That's somebody who is going to start branching out and can help shape attitudes in a real positive way." During the 2010 mid-term elections' campaign, Jay-Z appeared, along with other artists, in an ad prepared by the HeadCount organization, urging voters, and especially younger ones, to register and vote.&lt;/div&gt;
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&lt;i&gt;&lt;u&gt;Discography:&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;REASONABLE DOUBT&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1996)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/f/f5/Reasonable_Doubt_New.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/f/f5/Reasonable_Doubt_New.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Reasonable Doubt is the debut album of American rapper Jay-Z, released June 25, 1996 on Roc-A-Fella Records in the United States and on Northwestside Records in the United Kingdom. The album features production by DJ Premier, Ski, Knobody and Clark Kent, and guest appearances from Memphis Bleek, Mary J. Blige, and The Notorious B.I.G., among others. Similar to Raekwon's Only Built 4 Cuban Linx... (1995), Reasonable Doubt incorporates a mafioso theme, while it also integrates topics such as betrayal and reminiscence.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album peaked at number 23 on the Billboard 200, received platinum status in 2002, and sold 1.5 million copies as of 2006. Four singles were released, with the most successful being "Ain't No Nigga" and "Can't Knock the Hustle". Reasonable Doubt has received strong critical reviews and has been heralded as Jay-Z's "crowning achievement", "a seminal work" and an "undisputed classic". Over the years, the album has appeared on a number of famous publishers "best of" lists, including The Source, which selected it on their 100 Best Rap Albums, Blender, which included it on their 500 CDs You Must Own Before You Die, and Rolling Stone, which ranked it number 248 on their 500 Greatest Albums of All Time.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;In 2006, Jay-Z performed the songs from Reasonable Doubt at the Radio City Music Hall to celebrate its tenth anniversary. The concert's band included The Roots' drummer Questlove, the Illadelphonics, a 50-piece orchestra dubbed The Hustla's Symphony and Just Blaze, the performance's disc jockey. It featured vocals from all original album guests except Mary J. Blige, The Notorious B.I.G. and Jaz-O. Beyoncé Knowles replaced Mary J. Blige for "Can't Knock the Hustle", Jay-Z rapped The Notorious B.I.G.'s verses on "Brooklyn's Finest" and Jaz-O's verse was left out of "Bring It On". While Blige was preparing for her Breakthrough Tour and The Notorious B.I.G. had died nine years before the concert, Jaz-O did not perform because of his feud with Jay-Z. Jay-Z added a verse to "22 Two's" in which he says variations of the words "for/four" 44 times over the beat of "Can I Kick It?" by A Tribe Called Quest. The track was later released on his 2006 album Kingdom Come, under the title "44 Fours". Other alterations include Jay-Z changing a lyrical mention of Cristal to Dom Pérignon and Jay-Z's band "spruc[ing] up tracks like 'Regrets' to add more energy". Celebrities including Alicia Keys, Young Jeezy, Jadakiss, Chris Tucker, LeBron James and Carmelo Anthony attended the concert. Three thousand tickets were put on sale; all were sold within two minutes according to Roc-A-Fella Records' website.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;IN MY LIFETIME, VOL. 1&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1997)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c9/Jayz_inmylifetime.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c9/Jayz_inmylifetime.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In My Lifetime, Vol. 1 is the second studio album by American rapper Jay-Z, released November 4, 1997 on Roc-A-Fella Records. Despite mixed criticism towards its more mainstream-oriented sound and lyrical substance, the album debuted at number 3 on the U.S. Billboard 200 chart and was certified platinum in sales by the RIAA in the United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album features guest contributions by Foxy Brown, Babyface, Blackstreet, Teddy Riley, Too $hort, Lil' Kim, and Puff Daddy. Producers for Reasonable Doubt such as DJ Premier and Ski contribute to a limited number of beats on this album, though the majority of the production is handled by beatmakers from Puff Daddy's Bad Boy label, giving the album a generally glossier sound than its predecessor. It displayed a shift from the mafioso rap themes of his first effort to the so called "jiggy" era of late 90's hip-hop, often credited to videos and albums from Puff Daddy and his Bad Boy record label's roster of artists including Notorious B.I.G. (the first two singles from his second album were both huge pop hits) and Mase.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;VOL.2... HARD KNOCK LIFE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1998)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/a/a1/Jay-z-vol-2-hard-knock-life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/a/a1/Jay-z-vol-2-hard-knock-life.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Vol. 2... Hard Knock Life is the third studio album by American rapper Jay-Z, released on September 29, 1998, on Roc-A-Fella Records in the United States. The album propelled Jay-Z into superstar status and cemented him as a household name in the post Biggie/Tupac era of hip hop. This album also won a Grammy Award for Best Rap Album in 1999. The album debuted at #1 on the Billboard 200, and also went to #1 on the Top R&amp;amp;B/Hip-Hop Albums chart. (This marks the first of nine consecutive chart-topping albums on both charts to date from Jay-Z, not counting the collaboration albums with R. Kelly or Kanye West.) Upon its release, the album received generally mixed to positive reviews from most music critics, while hip hop purists felt his aims to be a crossover success had compromised the quality and complexity of his music.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In the liner notes of the album, Jay-Z gives his thoughts on various tracks. The lyrics to the fast paced "Nigga What, Nigga Who (Originator 99)" are also included.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Speaking in December 1998 to noted UK urban writer Pete Lewis of the award-winning Blues &amp;amp; Soul, Jay described the background to the album's lyrical themes: "Primarily I see myself as so much more than a rapper. I really believe I'm the voice for a lot of people who don't have that microphone or who can't rap. So I wanted to represent and tell the story of everybody who's been through what I've been through, or knows somebody that has. I also wanted to speak about our lifestyle to people who - though they may live, say, in the suburbs and not be part of that world - still want to know about it and understand it."&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Several tracks on this album feature a rougher sound than the glossier Bad Boy production on In My Lifetime, Vol. 1, most notably the three tracks produced by Ruff Ryders beatmaker Swizz Beatz. With the exception of Stevie J on "Ride or Die," Bad Boy producers play no role in Vol. 2, though Jay-Z enlisted Jermaine Dupri, Timbaland and Irv Gotti for a more pop-oriented sound on three of the albums' singles. This would also be Jay-Z's last album to feature his mentor Big Jaz.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;VOL.3... LIFE AND TIMES OF S. CARTER&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(1999)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/7/74/Jay-z-vol-3-life-and-times-s-carter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/7/74/Jay-z-vol-3-life-and-times-s-carter.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Vol. 3… Life and Times of S. Carter is the fourth studio album by American rapper Jay-Z, released December 28, 1999 on Roc-A-Fella Records. It exhibits a return to the street-oriented sound of his debut album, Reasonable Doubt (1996). Production for the album was handled by several hip hop producers, including Swizz Beatz, Timbaland, K-Rob, DJ Premier, Rockwilder, DJ Clue, and Irv Gotti.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 462,000 copies in its first week. It was a significant commercial success, shipping two million copies within its first month of release. Upon its release, Vol. 3… Life and Times of S. Carter received positive reviews from most music critics. On February 14, 2001, the album was certified triple platinum by the Recording Industry Association of America, for shipments of three million copies in the United States.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;It debuted at number one on the US Billboard 200, selling 462,000 copies in its first week, which is thirty-percent more than the first-week sales of Jay-Z previous album Vol. 2... Hard Knock Life (1998). Vol. 3… Life and Times of S. Carter peaked at number one on Billboard's Top R&amp;amp;B/Hip-Hop Albums chart. The album shipped two million copies in its first month of release. On February 14, 2001, it was certified triple platinum in sales by the Recording Industry Association of America (RIAA), for shipments of three million copies in the United States.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In a retrospective review, Steve Juon of RapReviews gave it an eight-and-a-half out of 10 rating and viewed it as an improvement over Jay-Z's previous two albums. Allmusic editor John Bush complimented his lyricism and called the album "a set of hard-hitting tracks with some of the best rhymes of Jay-Z's career … much more invigorating than its predecessor, and almost as consistently entertaining as his best album, In My Lifetime, Vol. 1". However, IGN columnist Spence D. wrote that Vol. 3… Life and Times of S. Carter presents Jay-Z "in battle with his two personas: the street soldier and the pop star". The New Rolling Stone Album Guide (2004) gives the album four out of five stars and states, "Life &amp;amp; Times of S. Carter took [Vol. 2's] combination of style and substance to its apotheosis. In addition to maintaining a strong lyrical presence, Jay also showcased his talents as a master of flow, changing cadences and rhyme patterns with impressive regularity and flexibility. [...] Nearly every track on this album was sonically unique, and Jay rode each one with aplomb and skill".&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE DYNASTY: ROC LA FAMILIA&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2000)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/4/40/Jay-z-dynasty-roc-la-familia-2000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/4/40/Jay-z-dynasty-roc-la-familia-2000.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Dynasty: Roc La Familia is the fifth studio album released by American rapper Jay-Z. Its lead single, "I Just Wanna Love U (Give It 2 Me)", produced by The Neptunes, was one of Jay-Z's most successful singles peaking at number 11 on the Billboard Hot 100. On the Billboard 200, the album debuted at #1 on the charts with 557,000 copies sold in its first week and more than 2.3 million copies sold to date. The album ended up becoming the 20th Highest selling R&amp;amp;B/Hip-Hop Album of the 2000-2010 decade according to Billboard.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Originally a Roc-A-Fella Records collaboration album, a showcase for Roc-A-Fella artists such as Memphis Bleek, Beanie Sigel and Freeway, it eventually became another Jay-Z solo album (or at least marketed as one to increase sales), although the Roc-A-Fella artists are abundant on this album. Big name guest appearances have been limited to three – Snoop Dogg, R. Kelly, and Scarface – to make room for the Roc-A-Fella family. Rather than using big-name producers such as Swizz Beatz and Timbaland, who had featured prominently on Vol. 2 and Vol. 3, Jay-Z decided to feature more up-and-coming producers at the time of this album, such as Just Blaze, Kanye West, Bink! and The Neptunes. Partially as a result of this exposure, these producers would achieve notable success in the future. This was also the first album of Jay-Z 's not to feature work by long time producer DJ Premier. Given Just Blaze and Kanye West's penchant for utilizing soul samples in their beats, the album features a smoother sound than Jay-Z's previous efforts, though Bay Area-based producer Rick Rock includes a more minimalist sound in his four beats.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE BLUEPRINT&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2001)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/c/c9/Jay-z-the-blueprint.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/c/c9/Jay-z-the-blueprint.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Blueprint is the sixth studio album by American rapper Jay-Z, released September 11, 2001 on Roc-A-Fella Records in the United States. Its release was set a week earlier than initially planned in order to combat bootlegging. Recording sessions for the album took place during 2001 at Manhattan Center Studios and Baseline Studios in New York City. Contrasting the radio-friendly sound of Jay-Z's previous work, The Blueprint features soul-based sampling and production handled primarily by Kanye West and Just Blaze. At the time of its recording, Jay-Z was awaiting two criminal trials, one for gun possession and another for assault, and had become one of hip hop's most dissed artists, receiving insults from rappers such as Nas, Prodigy, and Jadakiss.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;In spite of its release coinciding with the 9/11 attacks, The Blueprint sold over 426,000 copies in its opening week, becoming Jay-Z's fourth consecutive album to reach number one on the Billboard 200 chart. It was certified double platinum as sales stand at over two million units in the U.S. The album received a perfect "XXL" rating from XXL magazine, while The Source awarded The Blueprint a classic 5 mic rating. The Blueprint received general acclaim from most music critics, based on an aggregate score of 88/100 from Metacritic. In 2003, the album was ranked number 464 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2010, Pitchfork Media ranked it number 5 on their The Top 200 Albums of the 2000s list.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;In late August, Jay-Z announced a September–October tour in small venues. Because of the 9/11 attacks, the first two performances were rescheduled, Chicago, San Francisco and Los Angeles were added and donated a dollar out of every ticket sold to relief organizations.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE BLUEPRINT 2: THE GIFT AND THE CURSE&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2002)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/9/9d/Jay-z-blueprint-2-gift-curse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/9/9d/Jay-z-blueprint-2-gift-curse.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Blueprint 2: The Gift &amp;amp; the Curse is rapper Jay-Z's seventh studio album, released in November 2002. Parts of the album were later reissued as The Blueprint 2.1 in 2003.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;This album, like Jay-Z's previous four, debuted at #1 with over 545,000 units shipped in its first week of sales, and eventually sold 2 million units in the U.S. The album was criticized for its more pop-oriented sound as well as its plethora of guests, while The Blueprint had been almost devoid of guest appearances.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Though the album has no strict concept in view, the first disc The Gift generally has more upbeat, party tracks, including the hit singles "'03 Bonnie &amp;amp; Clyde" and "Excuse Me Miss." The Curse has a somewhat darker tone, including fewer guest appearances, disses to Nas, Ja Rule, and Jay-Z's former mentor Jaz-O on "Blueprint²" and a dramatic street tale on "Meet the Parents."&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THA BLACK ALBUM&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2003)&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/4/4f/Jay-z-black-album.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/4/4f/Jay-z-black-album.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Black Album is the eighth studio album by American rapper Jay-Z, released November 14, 2003, on Roc-A-Fella Records. It was promoted as his final studio album, which serves as a recurring theme, although Jay-Z returned to solo recording with Kingdom Come in 2006.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 463,000 copies in its first week. It produced three singles that attained Billboard chart success, including Hot 100 top-ten hits "Change Clothes" and "Dirt Off Your Shoulder". Upon its release, The Black Album received general acclaim from most music critics. The Black Album was nominated for a Grammy Award for Best Rap Album at the 47th Grammy Awards, ultimately losing to Kanye West's The College Dropout.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;Jay-Z said the album would have a different producer for each track, and early magazine advertisements listed a series of numbers (representing tracks) and a producer for each number. The final album did feature a variety of producers, although Roc-A-Fella producers Kanye West and Just Blaze produced two tracks each, in addition to the two produced by frequent Jay-Z collaborators The Neptunes. Some of the albums CD pressings come in a transparent black jewel case.&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;KINGDOM COME&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2006)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/b5/Jayz-kingdomcome(Front).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/b/b5/Jayz-kingdomcome(Front).jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Kingdom Come is the ninth studio album by American rap artist Jay-Z. It was released on November 21, 2006. It was considered a "comeback album" for the established rapper, as 2003's The Black Album was slated to be his final release. The album was a big commercial success, selling about 680,000 copies in its first week, making it Jay-Z's highest selling album within a one-week period. The album received generally positive to mixed reviews. Kingdom Come was nominated for a Grammy Award for Best Rap Album, losing to Kanye West's Graduation at the 50th Grammy Awards Many of the CD pressings come in a transparent red jewel case.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Kingdom Come was a commercial success, with 680,000 copies sold in its first week of release. This also made it Jay-Z's highest selling album within one week. The album debuted at number 1 on the Billboard 200. As of December 14, 2009, the album has been certified platinum in the United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Kingdom Come opened up to generally positive reviews. It currently holds an average score of 67/100 on the website aggregator Metacritic. Andy Kellman of Allmusic wrote: "...the album is a display of complacency and retreads — a gratuitous, easily resistible victory lap — that very slightly upgrades the relative worth of The Blueprint²." Entertainment Weekly wrote: "Four duds out of 14 tracks isn't a fireable offense. But shouldn't the corner-office mogul demand more of his top earner?" Many critics criticised the album for it "not being the comeback fans were expecting."&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;AMERICAN GANGSTER&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2007)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/d/da/JayZ_American_Gangster_Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/d/da/JayZ_American_Gangster_Cover.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;American Gangster is the tenth studio album by American rapper Jay-Z, released November 6, 2007 on Roc-A-Fella Records. It is Jay-Z's last studio release for the Def Jam and Roc-A-Fella Records label and his first concept album, which was inspired by the film of the same name. The album features production from Diddy &amp;amp; The Hitmen, Just Blaze, and The Neptunes, among others. Guest appearances include Beanie Sigel, Lil Wayne, Pharrell, and Nas. Jay-Z released an a cappella version of the album on the date of his 38th birthday, December 4, 2007.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album was released to commercial success, despite being pulled from the iTunes Store at Jay-Z's request. It debuted at number one on the U.S. Billboard 200 chart, selling 425,861 copies in its first week, while tying Elvis Presley for the second most U.S. number-one albums. Upon its release, American Gangster received general acclaim from most music critics. Rolling Stone named it the third best album of 2007. The album has been certified platinum by the Recording Industry Association of America for shipments in excess of one million copies in the United States.&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The Neptunes provide production twice on the album, with the first single "Blue Magic" which is the fourteenth track, and the eighth track "I Know". Diddy and two of his producers known as LV &amp;amp; Sean C, who are from his production team, The Hitmen, are responsible for six tracks on the album. They are credited with the second single "Roc Boys (And the Winner Is)...", "American Dreamin'" (where his other production partner Mario Winans assists), "No Hook", "Party Life", "Pray", and finally "Sweet".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;DJ Toomp delivers one track for the album, while Just Blaze is credited for a bonus track and the re-make of "Ignorant Shit". Kanye West mentor No I.D. gives two tracks also, one which he co-produces with Jermaine Dupri and vice versa. Finally, three lesser known producers lend hand to the "Intro", which is credited to Chris Flames and co-production from Idris "Driis" Elba, while Bigg D produces the Beastie Boys sampling-Lil Wayne assisted track, "Hello Brooklyn 2.0".&lt;br /&gt;
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&amp;nbsp; Jay-Z pulled American Gangster from the popular iTunes Store. Jay-Z stated "as movies are not sold scene by scene, this collection will not be sold as individual singles." However, the album is available for digital download, in its entirety, at Amazon.com and Rhapsody.com.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;On October 21, 2007, Jay-Z announced his American Gangster Live tour to promote the album. Jay-Z stated that he would only perform material from American Gangster. The tour consisted of five smaller sized venues across the U.S., starting on November 6, 2007 in L.A. and ending on November 12, 2007 in Philadelphia.[16] According to a statement on the Roc-A-Fella website, the five-city club tour sold out in less than 60 seconds.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;American Gangster debuted at number one on the Billboard 200, Top R&amp;amp;B/Hip-Hop Albums and Top Rap Album charts selling 425,861 records in the United States its first week. American Gangster is Jay-Z's tenth number one album, officially tying him with Elvis Presley for the second highest number of number one albums behind The Beatles. On December 6, 2007, the album was certified platinum in sales by the Recording Industry Association of America, after sales in excess of one million copies in the United States.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;Two singles have been released from American Gangster. The first, "Blue Magic", was released on September 20, 2007, peaking at 55 on the U.S. Billboard Hot 100, 31 on the U.S. Billboard Hot R&amp;amp;B/Hip-Hop Songs, and 17 on the U.S. Billboard Hot Rap Tracks. The track's name is a reference to the kind of heroin that Frank Lucas sold in the movie American Gangster; the CD even came in a package similar to the one the heroin came in. The second single, "Roc Boys (And the Winner Is)..." was released on October 10, 2007, and reached 63 on the U.S. Billboard Hot 100, 15 on the U.S. Billboard Hot R&amp;amp;B/Hip-Hop Songs, and 8 on the U.S. Billboard Hot Rap Tracks.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;u&gt;THE BLUEPRINT 3&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: x-small;"&gt;(2009)&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/b/bb/Jay-Z_-_The_Blueprint_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://upload.wikimedia.org/wikipedia/en/b/bb/Jay-Z_-_The_Blueprint_3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The Blueprint 3 is the eleventh studio album by American rapper Jay-Z, released September 8, 2009, on Roc Nation. It is the final installment in The Blueprint trilogy, preceded by The Blueprint (2001) and The Blueprint 2: The Gift &amp;amp; The Curse (2002). Production for the album took place during 2008 to 2009 at several recording studios and was handled by Kanye West, The Neptunes, Jeff Bhasker, Al Shux, Jermone Harmon, No I.D., The Inkredibles, Swizz Beatz, and Timbaland.&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album debuted at number one on the US Billboard 200 chart, selling 476,000 copies in its first week. It became Jay-Z's eleventh US number-one album, breaking the record he had previously shared with Elvis Presley, and produced five singles that achieved chart success. Upon its release, The Blueprint 3 received generally mixed to positive reviews from music critics. Rolling Stone named it the fourth best album of 2009.&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&amp;nbsp; &amp;nbsp;The album was released September 8, 2009 on Roc Nation in the United States. It was also released digitally on September 11, 2009 in the US, and its United Kingdom and international release followed on September 14 that same year. Prior to its official release, the album leaked in its entirety on August 31, 2009. When asked about the leak, Jay-Z stated "It's a preview. I'm excited for people to hear the album. I'm very proud of the work I've done, so enjoy it".&lt;/div&gt;
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&amp;nbsp; &amp;nbsp;The album's promotional single "D.O.A. (Death of Auto-Tune)" was premiered on June 5, 2009 via New York radio station Hot 97. On June 7, 2009 Jay-Z made a guest appearance at Hot 97's Summer Jam concert, and performed D.O.A. live on stage, for the first time. On May 20, 2009, Jay-Z confirmed that he bought out the remainder of his contract from Def Jam Records in order to start his contract with Live Nation, as The Blueprint 3 was set to be released under Roc Nation and distributed by Atlantic Records. In August 2008, Jay-Z performed the Kanye West–produced song "Jockin' Jay-Z" during the latter's Glow in the Dark Tour.&lt;br /&gt;
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And now feel the beat of big Jay-Z:&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-6305910326096321049?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/6305910326096321049/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/jay-z.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6305910326096321049?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/6305910326096321049?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/jay-z.html' title='Jay-Z'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRHo5eCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-5622498427525810708</id><published>2012-02-26T19:02:00.000+02:00</published><updated>2012-03-07T14:35:55.420+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.420+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Horror'/><title>Red State (2011)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://upload.wikimedia.org/wikipedia/en/1/1e/Red_State_Poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/1/1e/Red_State_Poster.jpg" width="208" /&gt;&lt;/a&gt;Red State is a 2011 American independent action-horror film, written and directed by Kevin Smith, starring Michael Parks, John Goodman, Melissa Leo and Stephen Root. The film co-stars Ralph Garman, Kevin Pollak, Kerry Bishé, Haley Ramm, Kevin Alejandro, Anna Gunn, Kyle Gallner, Michael Angarano, and Nicholas Braun.&lt;br /&gt;
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For months, Smith had maintained that the rights to the film would be auctioned off to a distributor at a controversial event to be held after its premiere at the Sundance Film Festival, but instead Smith purchased the film himself which, according to analysts, "might have been a difficult sale for any distributor." Smith originally planned to self-distribute the picture under the "Smodcast Pictures" banner with a traveling show in select cities, before officially releasing the movie on October 19, 2011. Kevin Smith listed Mel Gibson as his inspiration for how he planned to distribute this movie, citing Gibson's The Passion of the Christ as an example of a successfully self-distributed movie.&lt;br /&gt;
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On June 28, 2011, Smith announced a one-week run in Quentin Tarantino's New Beverly Cinema (making the film and its actors eligible for Academy Award consideration). The film was released via video on demand on September 1, 2011 through Lionsgate, was released in select theaters again for a special one-night only engagement on September 23, 2011 (via Smodcast Pictures), and was released on home video October 18, 2011.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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&lt;div style="text-align: center;"&gt;
Being driven to school by his mother, Travis (Michael Angarano) notices first a fire station siren being removed from its pole and then members of the Five Points Trinity Church, led by Abin Cooper (Michael Parks) protesting the funeral of a local gay teenager who was found murdered. During Travis' first class, his teacher talks about how Cooper and his church had their town ridiculed for his actions and beliefs. Later, Jared (Kyle Gallner), a friend of Travis, reveals he received an invitation from a woman he met on a sex site for group sex with himself, Travis and Billy Ray (Nicholas Braun). They borrow Travis' parent's car and travel out into the country to meet with the woman.&lt;br /&gt;
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&lt;a href="http://0.tqn.com/d/horror/1/0/_/z/0/-/Red-State-08.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://0.tqn.com/d/horror/1/0/_/z/0/-/Red-State-08.jpg" width="320" /&gt;&lt;/a&gt;Along the way, they accidentally sideswipe the vehicle of Sheriff Wynan (Stephen Root), while he was engaged in a homosexual affair in his car. Afraid, the boys drive off. Sheriff Wynan returns to the station and tells his deputy Pete (Matt L. Jones) to go and look for the vehicle. Meanwhile, the boys arrive at the trailer of the woman who sent out the invitation, Sarah Cooper (Melissa Leo). She encourages them to drink, and after being drugged by the beer, they pass out while undressing. Jared wakes up while being moved in a covered cage. He realizes he is in the sanctuary at Five Points after he identifies Cooper. Cooper begins a long, hate-filled sermon before identifying another captive, a homosexual they lured in through an internet chat room. They bind him to a cross using plastic cling wrap, execute him with a revolver and drop him into a small crawl space where Travis and Billy Ray are bound together.&lt;br /&gt;
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Cooper then begins binding Jared to the cross, but stops when he notices Pete driving up to the church. Travis and Billy Ray use a protruding bone from the corpse to cut themselves free, which is heard by Caleb (Ralph Garman). He lifts up the trap door just in time to see Billy Ray escape and runs after him. Billy Ray is not able to help Travis out of his tight cling wrap cuffs and leaves him for dead. Caleb chases Billy Ray into a room stocked with weapons, where the two end up shooting each other. Pete hears the gunshots and calls Wynan for back-up, but is shot and killed by Mordechai (James Parks). Cooper then blackmails Wynan, telling him to stay away or he will reveal Wynan's homosexuality to his wife using explicit photos the church has taken of him. In despair, Wynan calls ATF Agent Joseph Keenan (John Goodman), who begins setting up outside of the church.&lt;br /&gt;
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While the family mourns Caleb, Travis (who had broken free and feigned death alongside Billy Ray's corpse) arms himself and makes a run for it, eventually making it outside where he is shot and killed by Wynan, who mistook him for a member of the congregation. Keenan tries to reason with the family but a shoot-out erupts instead after ATF Special Agent Brooks (Kevin Pollak) is shot in the head. In the midst of the shooting, Agent Keenan receives a call from ATF higher-ups ordering him to start a full raid of the complex to ensure that no witnesses remain of the operation to give details of the events. Another tactical agent named Harry (Kevin Alejandro) struggles with this decision and argues with Keenan in private against doing this. Keenan dismisses Harry's protests for personal reasons, rationalizing his decision based on personal gain and the&lt;br /&gt;
&lt;a href="http://www.chud.com/wp-content/uploads/2011/12/Red-State-07.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://www.chud.com/wp-content/uploads/2011/12/Red-State-07.jpg" width="320" /&gt;&lt;/a&gt;reputation of the ATF, and Harry storms off in disgust. During the shoot-out, Cheyenne (Kerry Bishé) escapes and is captured by an ATF agent (Marc Blucas) who is about to shoot her (per orders) but he is instead killed by Cheyenne's mother, Sarah. Cheyenne returns to the house and unbinds Jared, begging him to help her hide the congregation's children. Jared refuses due to the fact that the church had killed both his best friends, and her pleas turn into a fight. Sarah notices them and attacks Jared. Cheyenne tries to break up the fight and accidentally shoots Sarah in the process, killing her. Cheyenne sends the children up into the attic, and Jared changes his mind and decides to help Cheyenne hide the children. They run outside to plead with Keenan to spare the children but are killed by Harry, who has come around to accepting Keenan's rationales, though Keenan is now visibly disturbed by Harry's actions. The shoot-out is then suddenly interrupted when a mysterious loud trumpet blast echos across the sky. The remaining Coopers lower their weapons and run outside rejoicing, claiming that "the Rapture" has come upon them as the trumpet continues to play. Abin calmly approaches a stunned ATF team and confidently taunts them that God's wrath is upon the Earth. He raises his arms and stands in the face of a confused and worried Keenan in a moment of triumph, daring him to defy God as the trumpet blares.&lt;br /&gt;
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Several days later, during a briefing before high-ranking government officials, Keenan reports that he then head-butted Cooper and took the rest of the congregation into custody. He explains that the trumpet noises were not the Rapture but came from a group of marijuana farmers who lived down the road and were irritated with Cooper. As a prank they rigged up an old fire truck siren to an iPod with loud trumpet noises, unaware of the shootout taking place over the hill. Keenan is promoted despite disobeying a direct order from his superiors at the time to kill everyone at the compound. Keenan is surprised that he is not punished for his insubordinate actions but his superiors explain that their initial decision to kill the members of the congregation was mostly personal and that they are satisfied with the alternative punishment of taking away the prisoners' constitutional rights to due process, locking them up without ever letting them go to trial. They also laugh at the irony that Abin, who views homosexuality as an abomination, will more than likely be raped numerous times by his fellow male inmates. Keenan laments this outcome in a story he shares about a couple of hungry brawling dogs he once knew that taught him about the darker side of human nature and the way simple beliefs can turn humans into bloodthirsty animals.&lt;br /&gt;
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Abin is finally seen pacing around his cell singing to himself until he hears "Shut the fuck up!" being yelled by another prisoner (voiced by director Kevin Smith).&lt;/div&gt;
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&lt;span id="goog_877209824"&gt;&lt;b&gt;Reviews&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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The review aggregation site Rotten Tomatoes reports that reviews of the film have been mixed to positive. The film currently holds an overall approval rating of 58% based on 77 reviews with an average score of 5.9/10. Edward Douglas of Shock Till You Drop panned the movie saying that, "it feels like one of Smith's Twitter rants fleshed out into film with equal portions of bile sprayed at both church and state." Katey Rich of Cinema Blend reporting in her review, "Messy, overwritten, visually stylish, but kind of a bore. More like Kevin Smith than it looks because nobody ever stops talking. And it's not a horror movie by any usual definition. More like teen horror movie morphs into Waco disaster. Melissa Leo overacts, Michael Parks is impressive as Fred Phelps figure but the character's meaning and purpose in the narrative (or lack thereof) is fuzzy." Jordan Hoffman in his review for UGO also panned the film, saying, "Kevin Smith, a wonderful public speaker and genuinely fun guy, has yet to master the basics of movie making." According to Drew Mcweeny of "Motion Captured", "Kevin Smith's 'Red State' fails onscreen and off at its world premiere...A shoddy film and a bait-and-switch event fail to satisfy on any level." Raffi Asdourian of The Film Stage wrote that, "While there are glimpses of Smith's wry humor scattered throughout, Red State can't help but feel like a B action movie that started off with ambitious ideas but collapses under it's own preachy weight... it's clear that the smart alec writer still has some things to learn about making a great film." Matt Goldberg of Collider.com wrote that, "Red State is a radical departure for Smith and yet he lacks the confidence to properly execute the action-horror-thriller he's devised." James Rocchi writing for indieWire wrote that, "...Smith has gotten as far as he has with his comedies because it is a writer's genre more so than it is a director's. Horror is the genre of a director—pacing, feel, shots, editing—and Smith's skills are not up to the task..."&lt;br /&gt;
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&lt;a href="http://2.bp.blogspot.com/-N_qJTmpgZvA/Tnr6g3rSRMI/AAAAAAAADi0/KOQbyhDUWXY/s640/Red-State-Trailer-Snapshot.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="180" src="http://2.bp.blogspot.com/-N_qJTmpgZvA/Tnr6g3rSRMI/AAAAAAAADi0/KOQbyhDUWXY/s320/Red-State-Trailer-Snapshot.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Amongst the positive reactions to the film, Todd McCarthy of The Hollywood Reporter called the movie, "A potent cinematic hand grenade tossed to bigots everywhere." Jeff Sneider of TheWrap.com said, "The truth is that I didn't really know what to expect from 'Red State,' but regardless, I still had high expectations and am pleased to report that the film lived up to them. It brings something new to the genre, and that something is faith." Germain Lussier of /Film also praised the film, saying, "This is a maturing, confident Smith who proves, after Cop Out, he still has a unique voice. With Red State, that voice isn't saying anything incredibly groundbreaking, and at times it gets a tad preachy, but the director has expanded out of his comfort zone and given audiences a genuine piece of art." Director Richard Kelly also offered his take on the film and Smith while appearing on Smith's SMovieMakers podcast. He said "I have never seen a filmmaker reinvent himself the way you just have. I won't say anything else because I don't want to spoil anything. It's really really exciting…" Smith blogged on his official film website that filmmaker Quentin Tarantino saw the film and gave him positive feedback about it. Former collaborator Ben Affleck also loved the film and is casting Goodman, Parks and Bishe in his upcoming film Argo as a response.&lt;br /&gt;
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In October 2011, Red State won the Best Motion Picture award at the 2011 Sitges Film Festival, while Michael Parks was named Best Actor. Parks' character, Abin Cooper, received a nomination for Villain Of The Year from the Virgin Media Movie Awards.&lt;br /&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;br /&gt;
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Michael Angarano  as Travis&lt;br /&gt;
&amp;nbsp;Deborah Aquila  as Mrs. Vasquez&lt;br /&gt;
&amp;nbsp;Nicholas Braun  as Billy-Ray&lt;br /&gt;
&amp;nbsp;Ronnie Connell  as Randy&lt;br /&gt;
&amp;nbsp;Kaylee DeFer  as Dana&lt;br /&gt;
&amp;nbsp;Joey Figueroa  as Route 9 Friend&lt;br /&gt;
&amp;nbsp;Kyle Gallner  as Jarod&lt;br /&gt;
&amp;nbsp;Anna Gunn  as Travis' Mother&lt;br /&gt;
&amp;nbsp;Matt L. Jones  as Deputy Pete&lt;br /&gt;
&amp;nbsp;John Lacy  as Travis' Father&lt;br /&gt;
&amp;nbsp; Alexa Nikolas  as Jesse&lt;br /&gt;
&amp;nbsp;Stephen Root  as Sherrif Wynan&lt;br /&gt;
&amp;nbsp;Betty Aberlin  as Abigail&lt;br /&gt;
&amp;nbsp;Kerry Bishé  as Cheyenne&lt;br /&gt;
&amp;nbsp;Ralph Garman  as Caleb&lt;br /&gt;
&amp;nbsp;Melissa Leo  as Sara&lt;br /&gt;
&amp;nbsp;Molly Livingston  as Fiona May&lt;br /&gt;
&amp;nbsp;James Parks  as Mordechai&lt;br /&gt;
&amp;nbsp;Michael Parks  as Abin Cooper&lt;br /&gt;
&amp;nbsp;Haley Ramm  as Maggie&lt;br /&gt;
&amp;nbsp;Jennifer Schwalbach Smith  as Esther&amp;nbsp;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-5622498427525810708?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/5622498427525810708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/red-state-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5622498427525810708?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/5622498427525810708?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/red-state-2011.html' title='Red State (2011)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-N_qJTmpgZvA/Tnr6g3rSRMI/AAAAAAAADi0/KOQbyhDUWXY/s72-c/Red-State-Trailer-Snapshot.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry gd:etag='W/&quot;CUABRH0ycCp7ImA9WhVSEU8.&quot;'><id>tag:blogger.com,1999:blog-7533374759290259454.post-4508831860251153499</id><published>2012-02-25T19:47:00.000+02:00</published><updated>2012-03-07T14:35:55.398+02:00</updated><app:edited xmlns:app='http://www.w3.org/2007/app'>2012-03-07T14:35:55.398+02:00</app:edited><category scheme='http://www.blogger.com/atom/ns#' term='Movies-Drama'/><title>The Girl with the Dragon Tattoo (2011)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;

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The film stars Daniel Craig as Mikael Blomkvist and Rooney Mara as Lisbeth Salander and tells the story of a man's mission to find out what has happened to a girl who has been missing for 40 years, and who may have been murdered. The film is nominated for five Academy Awards, including one for Rooney Mara for Best Actress.&lt;/div&gt;
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&lt;b&gt;The Plot&lt;/b&gt;&lt;/div&gt;
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Mikael Blomkvist (Daniel Craig), co-owner of "Millennium" magazine, has just lost a libel case brought against him by crooked businessman Hans-Erik Wennerström. Meanwhile, Lisbeth Salander (Rooney Mara), a researcher and computer hacker, has compiled an extensive background check on Blomkvist for a job that Henrik Vanger (Christopher Plummer) wants him to perform.&lt;br /&gt;
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In exchange for damning information about Wenneström, Blomkvist agrees to investigate the disappearance and possible murder of Henrik's grandniece, Harriet, 40 years ago. While hunting for clues, Blomkvist uncovers a notebook filled with information that may help explain Harriet's disappearance.&lt;/div&gt;
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&lt;a href="http://reel.gr/wpress/wp-content/gallery/girl_with_the_dragon_tattoo2011/2011_the_girl_with_the_dragon_tattoo_012.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="212" src="http://reel.gr/wpress/wp-content/gallery/girl_with_the_dragon_tattoo2011/2011_the_girl_with_the_dragon_tattoo_012.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Salander is under legal guardianship due to diagnosed mental incompetency. Her new guardian, lawyer Nils Bjurman (Yorick van Wageningen), seizes control of Salander's bank account and rapes her.&lt;br /&gt;
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Blomkvist hires Salander to further investigate the notebook's content, and she uncovers a connection to a series of murders that occurred from the late 1940s to the mid 1960s. During further investigation, Salander and Blomkvist become lovers. Henrik's brother Harald (Per Myrberg) identifies Martin, Harriet's brother (Stellan Skarsgard), as a possible suspect. Meanwhile, Salander makes increasingly revealing connections between Harriet's disappearance and the entire Vanger dynasty.&lt;br /&gt;
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Blomkvist breaks into Martin's house to look for more clues, but Martin catches him. He brags about his crimes, but denies killing his sister. Salander arrives and saves Blomkvist. She pursues Martin, who dies when he loses control of his vehicle on an icy road.&lt;br /&gt;
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As more connections are made about the Vanger family, Blomkvist deduces that Harriet is still alive, living under a false identity to hide from Martin. Blomkvist confronts Harriet, who describes the generations of abuse within the Vanger family and Martin's knowledge of her involvement in her father's death. Finally free of her brother, thanks to Salander and Blomkvist, Harriet returns to Sweden and tearfully reunites with Henrik.&lt;br /&gt;
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As promised, Henrik gives Blomkvist the information on Wennerström, but it is not helpful. Salander responds by hacking Wennerström's computer and presenting Blomkvist with the necessary incriminating information about his activities. This evidence vindicates "Millennium" and destroys Wennerström.&lt;br /&gt;
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Salander also hacks into Wennerström's bank accounts and transfers two billion euros into her own accounts. During this time, Wennerström is murdered. On her way to give Blomkvist a Christmas present, Salander spots Blomkvist and his longtime lover and business partner Erika Berger (Robin Wright) walking together happily. Heartbroken, she throws the gift away and rides off on her motorcycle.&lt;/div&gt;
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&lt;b&gt;Reviews&lt;/b&gt;&lt;/div&gt;
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Film aggregator Rotten Tomatoes has reported that 87% of 191 critics who have reviewed the film have reviewed it positively. The site's consensus states: "Brutal yet captivating, The Girl with the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara." Critical aggregator Metacritic awarded the film a score of 71 out of 100, aggregating the reviews of 41 critics, and describing the consensus as "generally favorable reviews".&lt;br /&gt;
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Roger Ebert of the Chicago Sun-Times gave the film a rating of 3.5/4, particularly praising Rooney Mara's performance. "It has been a fascination with the lean, fierce Salander that draws me into the 'Girl' movies. We know horrible things happened to her earlier in life that explain her anger and proud isolation." Owen Gleiberman of Entertainment Weekly wrote that "Fincher has made The Girl with the Dragon Tattoo into an electrifying movie by turning the audience into addicts of the forbidden, looking for the sick and twisted things we can't see." While rewarding the film an "A" and praising Fincher's direction, he also gave high marks to Rooney Mara's performance which he stated "draws us to a quality deep inside her beyond her ability to solve a crime. By the end, she can feel something, maybe a touch of tenderness."&lt;/div&gt;
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&lt;a href="http://www.frontrowreviews.co.uk/wordpress/wp-content/uploads/2011/12/girl-with-the-dragon-tattoo-2011.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://www.frontrowreviews.co.uk/wordpress/wp-content/uploads/2011/12/girl-with-the-dragon-tattoo-2011.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
Mara has received acclaim for her performance, with Entertainment Weekly calling her a "revelation" going on to say that "Mara acts with a quiet power – a rage chilled into silence – that is almost ghostly." Variety noted her performance was "hypnotic".&lt;br /&gt;
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Daniel Craig has also received critical notice for his performance as Mikael Blomkvist, who was described by David Germain of the Associated Press "as an anchor of cool rationality and judiciousness." Germain gave the film a 3.5/4 rating. Scott Tobias of The A.V. Club gave the film a "B+" rating, praising the chemistry between Mara and Craig.&lt;br /&gt;
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David Denby, writing for The New Yorker, who created much controversy over his publishing of his review before the December 13 review embargo ended, reacted positively to the film and stated that it "is a bleak but mesmerizing piece of filmmaking; it offers a glancing, chilled view of a world in which brief moments of loyalty flicker between repeated acts of betrayal." Denby also gave praise to Rooney Mara, saying "Mara steals every scene she's in."&lt;br /&gt;
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The film is not without detractors, however. Kyle Smith, writing for the New York Post, described the film as "rubbish", adding that it "demonstrates merely that masses will thrill to an unaffecting, badly written, psychologically shallow and deeply unlikely pulp story so long as you allow them to feel sanctified by the occasional meaningless reference to feminism or Nazis."&lt;br /&gt;
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Niels Arden Oplev, the director of the 2009 Swedish film adaptation, has been quoted as saying, "Why would they remake something when they can just go see the original?"&lt;br /&gt;
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As of February 20, 2012, the film has grossed $101,431,090 in North America and $119,700,000 internationally for a worldwide total of $221,131,090, beating its $90 million budget.&lt;/div&gt;
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&lt;b&gt;The Cast&lt;/b&gt;&lt;/div&gt;
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Daniel Craig  as Mikael Blomkvist&lt;br /&gt;
&amp;nbsp;Rooney Mara  as Lisbeth Salander&lt;br /&gt;
&amp;nbsp;Christopher Plummer  as Henrik Vanger&lt;br /&gt;
&amp;nbsp;Stellan Skarsgård  as Martin Vanger&lt;br /&gt;
&amp;nbsp;Steven Berkoff  as Dirch Frode&lt;br /&gt;
&amp;nbsp;Robin Wright  as Erika Berger&lt;br /&gt;
&amp;nbsp;Yorick van Wageningen  as Nils Bjurman&lt;br /&gt;
&amp;nbsp;Joely Richardson  as Anita Vanger&lt;br /&gt;
&amp;nbsp;Geraldine James  as Cecilia Vanger&lt;br /&gt;
&amp;nbsp;Goran Visnjic  as Dragan Armansky&lt;br /&gt;
&amp;nbsp;Donald Sumpter  as Detective Inspector Gustaf Morell&lt;br /&gt;
&amp;nbsp;Ulf Friberg  as Hans-Erik Wennerström&lt;br /&gt;
&amp;nbsp;Bengt C.W. Carlsson  as Holger Palmgren&lt;br /&gt;
&amp;nbsp;Tony Way  as Plague&lt;br /&gt;
&amp;nbsp;Per Myrberg  as Harald Vanger&lt;br /&gt;
&amp;nbsp;Josefin Asplund  as Pernilla Blomkvist&lt;br /&gt;
&amp;nbsp;Eva Fritjofson  as Anna Nygren&lt;br /&gt;
&amp;nbsp;Moa Garpendal  as Harriet Vanger&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7533374759290259454-4508831860251153499?l=soultrapperopandemicdisaster.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://soultrapperopandemicdisaster.blogspot.com/feeds/4508831860251153499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/girl-with-dragon-tattoo-2011.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/4508831860251153499?v=2'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7533374759290259454/posts/default/4508831860251153499?v=2'/><link rel='alternate' type='text/html' href='http://soultrapperopandemicdisaster.blogspot.com/2012/02/girl-with-dragon-tattoo-2011.html' title='The Girl with the Dragon Tattoo (2011)'/><author><name>Soulmonium</name><uri>http://www.blogger.com/profile/02223138688820741713</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>