<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7102584924702893283</id><updated>2024-09-01T18:42:47.413-04:00</updated><category term="Free Guitar Lessons"/><title type='text'>Guitar Lessons</title><subtitle type='html'>Guitar lessons, equipment tips, and wisdom.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://guitarchive.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://guitarchive.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Revolution Memoirs</name><uri>http://www.blogger.com/profile/04388506839891515074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7102584924702893283.post-1890994964602036580</id><published>2012-03-18T12:44:00.000-04:00</published><updated>2012-03-18T12:44:40.560-04:00</updated><title type='text'>Sequencing</title><content type='html'>Sequencing is a technique that many musicians employ to break up the monotony of playing scales straight up and down.&amp;nbsp; In addition, the technique can be used to create longer lines.&amp;nbsp; The way I like to think of it is to play a group of notes (usually starting with a 4 note group) up a scale.&amp;nbsp; When you get to the 4th note, you then go to the second note of the scale and play up 4 notes from the 2nd note.&amp;nbsp; Then, continue the pattern.&amp;nbsp; The examples use the minor pentatonic scale but the technique can be used with any scale.&amp;nbsp; Additionally, there are examples that have groups of notes other than 4 note groups.&amp;nbsp; You can create sequences using any number of notes.&amp;nbsp; Each example should be played with strict alternate picking.&amp;nbsp; For questions click &lt;a href=&quot;http://www.ethangutzeit.com/Contact.html&quot; target=&quot;_blank&quot;&gt;http://www.ethangutzeit.com/Contact.html&lt;/a&gt;.&amp;nbsp; To access the lesson click the link below.&lt;br /&gt;
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&lt;a href=&quot;http://www.ethangutzeit.com/Licks_and_Lessons.html&quot; target=&quot;_blank&quot;&gt;http://www.ethangutzeit.com/Licks_and_Lessons.html&lt;/a&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;www.ethangutzeit.com
www.babyjazzmusic.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://guitarchive.blogspot.com/feeds/1890994964602036580/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://guitarchive.blogspot.com/2012/03/sequencing.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/1890994964602036580'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/1890994964602036580'/><link rel='alternate' type='text/html' href='http://guitarchive.blogspot.com/2012/03/sequencing.html' title='Sequencing'/><author><name>Revolution Memoirs</name><uri>http://www.blogger.com/profile/04388506839891515074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7102584924702893283.post-299019197171869166</id><published>2012-03-09T09:04:00.000-05:00</published><updated>2012-03-09T09:04:58.899-05:00</updated><title type='text'>Sweep Picking</title><content type='html'>Some form of sweep picking exists in almost every style of guitar playing.&amp;nbsp; Some great players who employ this technique are Frank Gambale, Jason Becker, and Yngwie Malmsteen.&amp;nbsp; The idea behind the technique is to keep the pick moving in one direction across the strings.&amp;nbsp; Typically, arpeggios (chords played one note at a time) are played with this technique but it can also be applied to other ideas.&amp;nbsp; Usually a hammer on or pull off is used to switch picking direction.&amp;nbsp; The main thing to remember when attempting to sweep pick is (like everything else) to start slowly.&amp;nbsp; Make sure each note can be heard cleanly and separately.&amp;nbsp; A huge part of playing any instrument is muscle memory.&amp;nbsp; Muscle memory is your body&#39;s ability to remember actions, in which your muscles have engaged, in a repetitive manner.&amp;nbsp; When sweeping across several strings,&amp;nbsp; you will only be playing a single note on most of them.&amp;nbsp; The musical examples contain 5 and 6 string sweeps as well as 2 string sweeps.&amp;nbsp; Keep in mind that you can use this technique on any number of strings above one string.&amp;nbsp; For the 5 and 6 string sweeps all of the notes in the middle of each example are played by the pick moving in a single direction.&amp;nbsp; For the 2 string sweeps the pick is alternating down, up, down, up.&amp;nbsp; Remember also that the hammer ons and pull offs are only picked once.&amp;nbsp; Feel free to ask me a question here &lt;a href=&quot;http://www.ethangutzeit.com/Contact.html&quot;&gt;http://www.ethangutzeit.com/Contact.html&lt;/a&gt; Thanks for checking out the lesson.&amp;nbsp; To access the musical examples click the link below.&amp;nbsp; Have fun!&lt;br /&gt;
&lt;a href=&quot;http://www.blogger.com/goog_857585910&quot;&gt;&lt;br /&gt;
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&lt;a href=&quot;http://www.ethangutzeit.com/Licks_and_Lessons.html&quot;&gt;http://www.ethangutzeit.com/Licks_and_Lessons.html&lt;/a&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;www.ethangutzeit.com
www.babyjazzmusic.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://guitarchive.blogspot.com/feeds/299019197171869166/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://guitarchive.blogspot.com/2012/03/sweep-picking.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/299019197171869166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/299019197171869166'/><link rel='alternate' type='text/html' href='http://guitarchive.blogspot.com/2012/03/sweep-picking.html' title='Sweep Picking'/><author><name>Revolution Memoirs</name><uri>http://www.blogger.com/profile/04388506839891515074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7102584924702893283.post-551118682863783935</id><published>2012-03-04T16:02:00.000-05:00</published><updated>2012-03-04T16:02:16.220-05:00</updated><title type='text'>Legato Technique</title><content type='html'>Here are some ideas using the legato technique.&amp;nbsp; Legato is an Italian word meaning smooth and connected.&amp;nbsp; The idea with these exercises is to only pick when you are switching strings.&amp;nbsp; In other words, only pick the first note you play on any string.&amp;nbsp; Once you become more advanced using this technique you may not need to pick at all.&amp;nbsp; Some great players that employ this technique are Allan Holdsworth, Bret Garsed, and Richie Kotzen.&amp;nbsp; The first few examples are hammer on, pull off exercises using only two fingers at a time.&amp;nbsp; When playing them use the same finger numbers as fret numbers in the tab (ex. 1st fret to 2nd fret hammer on in the tab - use your first finger and second finger to play it.).&amp;nbsp; For these examples play each one up to the twelfth fret and back down with a metronome.&amp;nbsp; Take your time and play it slow.&amp;nbsp; If you feel pain in any part of your body stop and take a break.&amp;nbsp; You can really hurt yourself by not stopping.&amp;nbsp; The examples that use more than two fingers should be played slowly at first.&amp;nbsp; When you have learned them - try to play them as fast as possible continuously for one minute.&amp;nbsp; This may be tough at first but with time you will be able to do it.&amp;nbsp; Again, if you feel pain - take a break.&amp;nbsp; To access the lesson click the link below.&amp;nbsp; Thanks and have fun!&lt;br /&gt;
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&lt;a href=&quot;http://www.ethangutzeit.com/Licks_and_Lessons.html&quot; target=&quot;_blank&quot;&gt;http://www.ethangutzeit.com/Licks_and_Lessons.html&lt;/a&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;www.ethangutzeit.com
www.babyjazzmusic.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://guitarchive.blogspot.com/feeds/551118682863783935/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://guitarchive.blogspot.com/2012/03/legato-technique.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/551118682863783935'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/551118682863783935'/><link rel='alternate' type='text/html' href='http://guitarchive.blogspot.com/2012/03/legato-technique.html' title='Legato Technique'/><author><name>Revolution Memoirs</name><uri>http://www.blogger.com/profile/04388506839891515074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7102584924702893283.post-687346064840415683</id><published>2012-03-02T23:22:00.000-05:00</published><updated>2012-03-02T23:22:25.635-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Free Guitar Lessons"/><title type='text'>Welcome!</title><content type='html'>Welcome to my Blog!&amp;nbsp; What you can expect to find here is a wealth of information about guitars, equipment and how to play them.&amp;nbsp; Let me tell you a bit about myself.&amp;nbsp; I hold a Bachelor&#39;s Degree in Jazz Performance from Berklee College of Music and a Master&#39;s Degree in Jazz Performance from SUNY Purchase.&amp;nbsp; I have studied with several people considered to be at the top of the field in the jazz world.&amp;nbsp; Some of them include - Steve Khan, Mick Goodrick, John Abercrombie and Wayne Krantz.&amp;nbsp; I have been playing guitar since 1990 and I have devoted my life to it.&amp;nbsp; I currently teach, play and write music.&amp;nbsp; I am including these details not to brag but to let you know what my experience is.&amp;nbsp; College degrees don&#39;t necessarily matter.&amp;nbsp; Most of my favorite players don&#39;t have one.&amp;nbsp; I just wanted to give some background information about myself that might add some credence to the things you will read here.&amp;nbsp; Some examples of my playing can be found at myspace.com/ethangutzeit.&amp;nbsp; Thanks for taking the time to check out my blog.&lt;br /&gt;
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Check out this alternate picking exercise.&amp;nbsp; The exercise is actually several exercises using different combinations or finger orders with the fretting hand.&amp;nbsp; The idea is to use pick strokes that alternate down, up, down, up.&amp;nbsp; The best way to maximize your economy of motion is to mostly use the wrist to move the pick up and down while keeping your pick gripping fingers still.&amp;nbsp; Your elbow should not be active either.&amp;nbsp; To really make sure that your are keeping time properly this exercise should be done with a metronome.&amp;nbsp; Start slowly and make sure each group of 4 16th notes is played evenly from tick to tick.&amp;nbsp; The first note in each group should &quot;disappear&quot; into the tick.&amp;nbsp; Keep in mind that you can move these examples up and down the neck to be played on any 4 consecutive frets.&amp;nbsp; To access the lesson click the link below.&amp;nbsp; Have fun!&lt;br /&gt;
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&amp;nbsp;&lt;a href=&quot;http://www.ethangutzeit.com/Licks_and_Lessons.html&quot; target=&quot;_blank&quot;&gt;http://www.ethangutzeit.com/Licks_and_Lessons.html&lt;/a&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;www.ethangutzeit.com
www.babyjazzmusic.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://guitarchive.blogspot.com/feeds/687346064840415683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://guitarchive.blogspot.com/2012/03/welcome.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/687346064840415683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7102584924702893283/posts/default/687346064840415683'/><link rel='alternate' type='text/html' href='http://guitarchive.blogspot.com/2012/03/welcome.html' title='Welcome!'/><author><name>Revolution Memoirs</name><uri>http://www.blogger.com/profile/04388506839891515074</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>