GRABBAG

How to be a Princess of Gotham

2012-10-12T07:46:00.000-07:00

I feel like there are too many terms being thrown around right now. Industrial. Dark. Macabre. "Emo," for the undereducated. But the overarching theme this autumn has been unabashedly and undeniably

GOTHIC.

Now would be a good time to distinguish the difference between "gothic" and "goth." Gothic is a bit more grown up in itself. It's as though someone going through their goth phase decided to never leave, and grow with it rather than abandon the darker designs for something more refined and...let's face it, common. There's a slight bit of punk-inspired edge, all of it lacking in the traditionally torn and frayed, replaced now with an elegant twist of soft fabrics and colors (such as the ever popular cotton candy hair), and mingled with the likes of spikes.

Personally, I love this reinvention. It gives me happy feelings to see designers taking a twist on something both outdated and disliked at this point, reviving it to a new stature. Our shitty youth is back, but it's not shitty anymore. It's...really really beautiful! Not found at Hot Topic, but instead made custom and not entirely cheap either, more for the fashion-minded art collector rather than the pissy punk youth of yesterday. To say that to be "goth" or "punk" wasn't a style trend is a lie that most people have left to the past.

I think now more than ever, fashion is willing to humble itself to its founders, even when they didn't know who they were or what they were even doing by wearing such intentionally ugly and abrasive adornments. They were simultaneously angering their parents and teachers, while inspiring their own future children. The great circle of style! Gotta love that.

With a hint of Harajuku, acting wildly over the top at times with pieces such as Jeffery Campbell boots, or the new Doc Marten's, either delicately camouflaged with studs or painted a easter-egg pastel, all come together marvelously with a touch of death on the lips and nails. The contrast is way too fun to not try, especially as the clouds come in darker while the seasons change.

Colors such as Oxblood, Grey Lilac, and Rose Smoke are becoming a hot commodity. Not a bad thing to have when it's so chilly out...see what I did there.

A few items that I am really in love with at the moment are:

All things Jeffery. Campbell, that is. His boots and flats are knocking my socks off, either spiked, wooden-heeled, or no-heeled.

La Moss, by Butter LONDON nail polish. Their polishes contain zero formaldehyde, toluene or DBP, and are actually long-lasting. Oh yeah, and stellar colors.

Long-back button ups, which offer even more extension when wearing those insane boots I mentioned.

Pretty much everything that Valentino is up to for the autumn/winter collection: flowing and feminine, bruised with rich, darker shades.

Oxblood lips paired with minimal facial makeup- I know it's impossible to say no to longer lashes, but try clear mascara with this.

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Photo Series by Guillaume Herbaut: Welcome to Asgarda.

2012-10-11T10:45:00.000-07:00

Sexual trafficking and gender oppression is nothing new to Ukraine. What is fairly recent is the push from women to end it and fight back.

Residing in the Carpathian Mountains, there is a new tribe of women living as examples for each other and for women all around the world, ranging in age but mostly made up of students. They call themselves The Women of Asgarda. There are about 150 of them, all led by a 30 year old Ukrainian named Katerina Tarnouska, unapologetically beautiful and strong (as seen above). When viewing their tactics, it is clear that the Asgarda women have several focuses.

The Scythians, known as a mythological people of tribal descent from Ancient Greece, is a main focus in their weaponry and combat techniques. Volodymyr Stepanovytch has also left his mark on these women as a Soviet karate master. They study his teachings and perfect themselves based on his methodology, also focusing closely on science-studies in order to continue their own individual education and better their knowledge.

Very little had been known of the tribe until 2004, when French photographer Guillaume Herbaut had the chance to view and document them in action in the midst of the Orange Revolution, a time in which more than ever, corruption and Ukrainian government were seen as one in the same. This is where the tribes near-worship of Yulia Tymoshenko, key figure and co-leader within the Orange Revolution (so named after Viktor Yushchenko's campaign color) came from. The election that took place could be compared to the Bush Vs. Gore situation, and caused an outcry from the public, backed by people such as Tymoshenko.

She was and is a public figure within the All-Ukrainian Union Fatherland party, willing to speak out about humanitarian issues and fight against them. The focus of the Fatherland party (not to be confused with the German Fatherland Party) is to convey the "tradition, the legend, and the uneasiness among women in Ukraine." A pretty straightforward statement that can be clearly linked to what drives the Women of Asgarda directly.

They are described as "devout," and "austere," donning traditional clothing with the new and performing in ritualistic ceremonies in order to band together on a regular basis, resulting in a strong sisterhood, knit as tightly as the braids they wear.

It feels extreme, but these are very extreme times.

I for one am not going to take up swordplay or move to the mountains, but I can certainly see what it means to these women and what they could mean to the world, then write about it. It feels similar as Herbaut taking photographs. The old and the new can come together and help one another, promoting new ideas and insights instead of letting them hide away in the mountains unknown. There is a fine line between education and exploitation, and these photographs are clearly meant to educate. I'm fascinated with what they do, and between the action of these women and the photographs taken with grace and respect, I have been inspired and made stronger on several levels.

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Micklish: Zen and the Art of Wood Working

2012-10-08T11:26:00.000-07:00

Curtis Micklish.

Heard of him?
Probably not, because he's not exactly looking for an open space at the Guggenheim for his work. He justs wants to make your living room look a little prettier.

I discovered Micklish while snooping through the endless digital isles of Etsy. What first grabbed my attention was the simple wooden item simply titled, "The Butler." It's compact, aesthetically very pleasing, can be mounted or used as a travel device, and holds everything that should be right next to your door so you don't forget them when you leave: keys, wallet, glasses, phone. This seems to reflect the majority of things made by Micklish; all having a common theme being both beautiful and functional.

There is a calmness that is worked into his creations. Certainly any work of art will display the disposition of its maker, and this couldn't be seen clearer than in his natural designs, made to effortlessly blend into any surrounding. One lamp, coaster table, or thumb-print stool would look just as elegant in an unfinished brick-walled room as it would standing as a centerpiece to a brightly lit, color-filled space.

Etsy seems to be a simple outlet for selling his smaller and most popular pieces, though a larger range of items are readily available on his website, ranging from massively crafted rolling dining room tables to small steel hang-man hat hangers.

Micklish's work is made to not only beautify a room, but provide a calming reminder. Sit. Stay. Enjoy. Relax. All the while, doing so with items that are made to last, not to be used and replaced. The quietness that his work invokes isn't an Ikea item that pretends to say these things. They actually do, and will continue to as long as they are around...which will invariably be a long, long time.

To see more from Micklish, be sure to view his website as well as his Etsy page.
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Pump It Up!

2012-10-06T09:58:00.001-07:00

Halloween is my favorite holiday, official or unofficial. I'll probably be heading to the pumpkin patch within the next week to get a few pretty pieces to use as canvases. Though I do love to see the traditionally carved ones with sharp snaggle-teeth and big gaping triangle eyes, this year I'm going to change it up a bit and do something a bit brighter, "vamping" 'em up a little.

Tape n' Paint

If you've got duct tape and a paintbrush, this should be a cinche! Simply cut the tape into angled ribbons, placing them around your pumpkin in upwards and downwards positions, connected at the top and bottom. Paint between them and voila! A quick and easy design. Multiple colors and variations of width, combined with different sizes of pumpkins looks great. Mismatch with a common theme for a stylized appearance.

Mesh Carving

This takes a bit more dexterity, but is still remarkably simple to accomplish. To get this design without any issues towards the end, I recommend making a stencil of a diamond (or whichever shape you'd like) on envelope paper or cardboard and drawing each one around with pencil before it goes under the knife. Once they are all even (not hard to do if the outside of the stencil isn't overlapping on itself when drawn in), take a small serrated knife and go to town! This is a simple design and looks very elegant, either in the day or at night when lit.

Super Duper On-The-Go Mummy Pumps

Have you got a party to go to, or are you moments away from people coming to yours? If you need a quick and cute idea for pumpkin decor, this is a sure-fire winner. Grab an old t-shirt (don't do the toilet paper thing, unless you want a naked pumpkin by the time the party starts), ideally a white button-up, t-shirt or tank top, cut it into thick ribbons and wrap. Anything from 80s shades, old prescriptions, to 3D glasses would look fun on these guys. Add an old fedora if you have one for that classic Invisible Man look.

Paint & Carve

This is a brilliant way to showcase the exterior while combining with the bright orange that's naturally provided through the inside of the pumpkin. To make this work really well, you will ideally be looking at larger designs such as hearts, or large chunky triangles, if you're wanting something simple. If you're ready to take a plunge into a real project, try this with the mesh carving, or any other design with larger openings. Any color clashes well with the vibrancy of orange, even a different shade of orange! I recommend painting in acrylic for quick and even drying, as well as a matte finish.

Tiny Tealight Pumps

These guys are adorable to have on the dinner table, or to highlight any space of a room to prep for a festive occasion. These are also awesome for not only Halloween, but any Thanksgiving party or dinner. They can also be used as placemarkers too by simply writing or painting a persons name on the front, or by placing the name on a small piece of paper, leaning against the front.

Hole-y Rollers

These are also deviously simple to make. If you are using a small knife, you can make holes by simply stabbing into your pumpkin and spinning your knife around until a perfect hole is carved. Different sizes can be made using different widths of knives. For very tiny ones, you can use a push-pin to start it, then a simple skewer to push the rest of the way through. Rotating it around once it's in will ensure a big enough hole to allow light through, but will still appear very small when illuminated. Draw your pattern on in pencil first, then pick your sizes of knives. Dashes or slits are also an option and can be done using a knife too. Slide the knife in where you want your dash mark, then gentle wiggle it back and forth.

Hooray!! So you've perhaps carved a pumpkin, and now you've got a counter full of sloppy orange pumpkin guts. Watcha gonna do with all that mess??

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Scary Good: The Unbeatable Beats of TROUBLE LIGHTS

2012-10-04T07:57:00.001-07:00

Adrien Daller, First Lady of the duo TROUBLE LIGHTS, is really really excited right now. Why, you ask? Because she's getting a ton of shit done. With their debut album The Endless Prom just hitting the digital (and actual) shelves, they've been setting the midwest on fire, and that fire is quickly spreading. Let's get burned, y'all!

When asked, "Who is TROUBLE LIGHTS?" You would get two names: Adrien Daller and Philip Rabalalais, both of whom have been making music individually for quite a long time. Being a classically trained singer and performer, Adrien has taken a recent turn to the dance floor, clearly a second home she was meant to discover, if not a forgotten first. Philip has been involved with other midwest-based music projects (Porno Galactica, Animal, and Utopia Park to name a few), and now is the music man of TROUBLE LIGHTS. As Ms. Daller puts it,

"We don't want to lose sight of the fact that I'm a little girl who loves to play dress up, and he's a geeky guy who loves computers."

This is a fairly straightforward answer, but branching out a bit into the midwest music scene which they consider their community, you would soon discover that to them, this may be their own music project, but without the support of others they wouldn't exist. Combining forces with the likes of Leslie Hall of Leslie and the Lies, Mumford's, Surgery, Little Ruckus (the alter-ego of Philip Rabalais' brother Dom Rabalais) and Christopher the Conquered to name a few, they hang out under the cozy umbrella of the Maximum Ames record label and the community around it, creating what it is, while simultaneously shifting its form at will.

"There's a really awesome trend going on right now, not only in Iowa, of supporting your local community, and that being cool again," Daller says. This is the second answer to "Who is TROUBLE LIGHTS?" On the one hand, you've got two insanely talented and driven people. On the other, you've got them mixed into a handful of other bands and artists, all who are completely stoked to contribute to one another musically, or with their talent in filmmaking, photography, fashion design, stagework, makeup...the list goes on as they write it. "I like making music because I like collaborating. I don't want to just do this by myself, I want to be surrounded by amazing people," Adrien says.

Inspired by a number of bands out of Sweden, Denmark and elsewhere such as iamamiwhoami, Robyn, Bjork, "the birthmother of this style," and other "art bands," where music is the seed of what they deliver, but not even close to what they represent. There are also storylines and elaborate costume designs, beautifully filmed and edited videos and kick-ass personal style all tied within who they are as musicians, performers, and individuals.

There is a simultaneous expression of darkness and light, both stylistically and emotionally within the music of TROUBLE LIGHTS. The album is wholly focused on heartbreak, with the encouragement of dancing your way through it, so to speak. There are also songs that are simply sweet, others fiercely driven by sexuality. The joyful melancholy is gorgeous enough, but paired with the androgynous attitude and style of the duo, the level of sexy goes up exponentially and mirrors the genius of the tracks themselves.

The vinyl of The Endless Prom is available on the Maximum Ames Records website, and if you order that ASAP, you'll be gifted a free fashion magazine made by TROUBLE LIGHTS themselves. The photos are looped with quotes from Adrien and Philip's old journals and diaries and as she puts it, "it is so brutal." This was enough to get me to order mine. Guys. I'm so down with this album.

For more info on other Maximum Ames bands and projects, click here.
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Interview : The Real Ones

2012-09-16T12:40:00.000-07:00

Ever wonder why some music gets your attention and some doesn't? Upon hearing the Real Ones for the first time, I knew they were replicating something beautiful in the vein of Americana though simultaneously unamerican in style. Becoming smitten, I decided an interview would have to be conducted in order to find a few more details as to what it was I had fallen in love with. Ivar, guitarist and singer speaks to G/B.

GRABBAG: Hey there! Who all am I speaking to this fine day?

REAL ONES: This is Ivar. The rest of the guys are sleeping off last nights studio session.

G/B: And what roles do each of you play in the band?

RO: We all sing, but the lead vocals are shared between David, Jørgen and I. The three of us also write the songs. Sometimes together and sometimes on our own. Jørgen plays guitar, sitar, banjo and pretty much any instrument with strings. David plays violin and piano/organ/synthesizers. Kåre plays drums, Øystein bass and I play guitars and keyboards.

G/B: How has your style changed since you began in 2003? It was 2003, correct?

RO: We actually started the band in 1994. We were still teenagers back then and our style has changed a lot. We started out as a folk group playing traditionals. When we started writing our own songs the music evolved into what we play today. We are always trying to expand our music, so we hope that we sound very different in another 10 years. On the album we are working on now, we are fascinated by the relationship between acoustic and electronic music. Making use of a lot of synthesizers together with acoustic instruments and making it sound organic and natural. The next album after this one might go in a totally different direction.

G/B: Would you call yourselves a "folk" band? I feel like there's too much grit and at times really excellent danceable beats to be just folk.

RO: In lack of a better description we call our music folk rock. We feel there is a lot of folk left, but we are as much inspired by electronic music, african music, kambodian pop music etc.

G/B: Bergen seems like a very creative locale, with the likes of Kings of Convenience and Sondre Lerche as well as you guys, Real Ones. Do you consider Bergen a music-driven environment?

RO: Bergen is a small town and geographically isolated so if you are into music you know all the other musicians, and people end up playing on each others projects. There is no music industry in Bergen so people are left alone to create their own styles.

G/B: Do you collectively have a favorite album you've made thus far?

RO: Our favorite is always the last things we have made. I think that is why we keep making more.

G/B: I saw that you went to China and India, what were these places like to perform in? I saw some of the photos and videos, and it seems like you had a chance to really interact with the people there.

RO: India and China where great places to play and far out in very different ways. Playing in China felt like playing as The Beatles in 1964. We played at universities, and for some of the students I think it was their first concert with a western rock band. They went from extremely polite and attentive to totally crazy, screaming as if possessed by the devil at the end of the shows. India is in many ways more relaxed but also totally chaotic. You just have to go with the flow and not get stressed. It was easier to get to know people in India because many speak English well.

G/B: Could you describe a few moments that left an impact?

RO: Playing concerts with the great Indian slide guitar guru Debashish Bhattacharya and his tabla playing brother Subashish was fantastic. We started out playing regular one-hour concerts. At the end of the tour the concerts were more like two to five hours because it was so fun jamming and playing around with the songs.

G/B: Do you ever get comparisons to the Black Keys? If so, how does this resonate?

RO: I have never heard us being compared to them, but people hear different things in our music. Sometimes we get compared to bands that we have never had a relationship to ourselves but that's fine.

G/B: My first comparison wasn't so much in the way you sound, but more in the history. They took a long time to get the attention they deserve. How would you feel being approached commercially? If say 10 car companies and another 10 beer companies all wanted to use your music overnight?

RO: Would we get free beer and cars? I think we could handle that! :-)

G/B: Where did the album title, "First Night on Earth" come from?

RO: It is from the song "Sister To All" that David wrote for his daughter Ella, about the night she was born. It also represents that we feel the album in many ways was a new start musically for us.

G/B: Can I just say, "Yaya" is such an amazing tune. I also really really love "Every Dog Has Its Day." Where did this song come from? It's playful, but in a slightly bitter way.

RO: "Every Dog Has Its Day" is a song about luck. Basically dealing with the rather ridiculous idea that good things happen to good people, saying instead that we all should stop thinking we deserve this or that. "Yaya" is a song about subversive activities at work.

G/B: Why do you love Saskatoon? And also, where IS Saskatoon? That songs harmonies give me chills.

RO: David's and my mother are from the lovely city Saskatoon, Saskatchewan, Canada. It is our second home. We spent a lot of time there when we were young, and the song is about coming back there after many years.

G/B: Norway has a longstanding history with what sounds like American Country Music. Who are your personal influences, either Norwegian, American, or otherwise?

RO: There are lots, but artist like The Band, Bob Dylan and Wilco are great American artists that have inspired us.

G/B: What track would you contribute to GRABBAG's autumn playlist, "Songs for Falling Leaves?" How about one from yourselves, and one from another artist.

RO: Just heard a nice song by Kishi Bashi, "Bright Whites."
Our own: How about "The World Says No," a new one that we co-wrote and performed with Sondre Lerche.

G/B: Sounds lovely. Any chance we can expect to see you here in the US, or will we just have to pack our bags and hitch a ride to Europe?

RO: We really would like to return to the US very soon. You always give us a warm welcome and are an enthusiastic audience. If we get an invite, we'll come!

G/B: I really look forward to the chance of seeing you perform live someday.
Try to stay warm guys, looks like rain for the next week in Bergen! Cheers, and thanks so much for good company over mediocre coffee.

RO: It always rains here in Bergen, so we are used to it. Makes staying inside writing songs easier :-)

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Here are two of my favorites. Enjoy, y'alls!

"Saskatoon"

"Every Dog Has Its Day"

Interview with Stranger of the Week, Brendan Tufts: Androgyny is for Lovers

2012-09-09T10:22:00.005-07:00

Brendan Tufts is pretty hard to miss in a crowd.

Deliciously fantastic, Brendan speaks to G/B about being a young creative mind armed with keen wit and a sewing machine. Conversing with people like this is what keeps me so aware that the world is indeed headed in amazing places. Ready to be provoked and moved by a complete stranger? Read on!

GRABBAG:Interview commencing. You ready?

Brendan Tufts: Born ready.

G/B: Beautiful. So, let's get through the basics. Born in 1990, that makes you 22, right?

BT: Yes, nearly 22 and a half.

G/B: That's quite young. Have you always had fashion in your blood?

BT: Most definitely not.

G/B: When did it come around, and what did it morph from?

BT: I always kind of appreciated fashion, but i never really considered it to be something i could get into. I ended up going to University of Virginia because I thought i wanted to be a doctor. I ended up taking an intro sewing class because I needed one more (fun) class to fill my schedule, and I absolutely loved it.

G/B: Wow. Well you can still be a doctor! Doctors are allowed to be stylish. Were you more of a ties and polos type back then?

BT: More of a jean and t-shirts type.

G/B: That was me as well when I was...what, 19?

BT: 18.

G/B: May I ask, are you gay?

BT: Yes I am, and proud of it.

G/B: And were you openly so when you were 18?

BT: In social circles, yes. I came out when I was 17, but not to my family. It was always just a taboo subject.

G/B: And they're still a bit in the dark about it?

BT: Not anymore. It was definitely brought to light under some unfortunate circumstances.

G/B: You still seem to be a rather jovial person. It's much more comfortable easing into yourself publicly when you have people who support you, so I definitely understand telling friends first. What was it like being young, gay, and remarkably stylish at a school like UVA?

BT: It's a lot of fun. I mean, in general the town is very conservative, but there is a great, really supportive community.

G/B: I believe that once a person becomes comfortable with making themselves known, it inspires others to do the same. Often times really good friends are found that way.

BT: That is very true. There are a lot of really wonderful accepting people.

G/B: Is Virginia your home?

BT: I wasn't born in Virginia, but it's where I've lived the longest. I live in NYC now.

G/B: How do you find the comparison? Do you miss Virginia at all, or do you feel more at home in a city like New York?

BT: I'm most definitely more at home here, but I do miss the people I left behind in VA. Although, living in a big city is much more anonymous. In Charlottesville, I was practically a celebrity.

G/B: I think you still will be someday, which is why I'm chuffed to be getting the chance to interview you now!

BT: Thank you. *smile*

G/B: Well my darling, what words of wisdom would you like the kids to wake up with today?

BT: People always say, "Be Yourself," but don't just be yourself; be anything and everything you want to be. Don't settle for who you think you already are.

G/B: Damn. I don't think anyone could top that. Thank you for being so incredible. I can't wait to say "I knew him sort of!" someday when you're on the cover of all my favorites.

BT: Hahaha! hopefully that day will come soon.
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Gangnam Style - The Seoul of Korean Fashion

2012-09-08T14:58:00.001-07:00

Ko Tae-yong. Choi Chul-yong. Kang Dong-jun. Choi Bum-suk. Sheen Je-hee. Lee Suk-tae. Lee Seung-hee. Im Seon-oc. Steve J. & Yoni P. Hong Hye-jin.

Did you get all that? To the simple-syllabic minds of English speaking readers, these names could translate as difficult sounds, but the titles you just attempted to read are the names of Korea's top 10 fashion designers of 2012, chosen by the Metropolitan Government program Seoul's 10 Soul, which kicked off in 2009, now in it's third running year. This initiative offers the chance to debut independent fashion designers and grant them financial support in creating new styles, hoping to reach international attention.

North Korea has projected depictions of extremism and political controversy, casting a thick shadow over South Korea, and any media opportunities towards creative claims and achievements to be celebrated. Through creative outlets, it's really not so hard to see the crossover between one nations artists and designers versus another. The styles themselves are solid and concrete, mimicking the force of manmade structures and architectural feats, paired with the androgynous touch of natural motion. The pieces themselves are almost uniformly soft and dynamic in flow, juxtaposed by neutral and mostly cold colors. Steve J. & Yoni P seem to be an exception to this rule, opting for bright poppy colors, with the capacity to shock while capturing a stylistic grace.

The goal within the Seoul's 10 Soul initiative is to reach the standards of large name houses such as Louis Vuitton and Chanel by 2020. This will not only generate a new appeal towards Korea, shifting the focus to the more youth-oriented, but also aid in Korean commerce, building revenue in a globally minded arena and bridging the gaps between cultures.

If you happen to be in Paris this month, you'll be just in time to see the debut of the womenswear collection on display at the Seoul's 10 Soul showroom, Acrex. The men's collection, having already run it's course in Paris throughout July, will be in the Milan sister-showroom in October.

Below are some designs by a few of this years winners:

By Ko Tae-yong

By Choi Chul-yong

By Sheen Je-hee

By Lee Suk-tae

By Im Seon-oc

By Steve J. & Yoni P

By Hong Hye-jin

For more details, visit the official twitter page of Seouls' 10 Soul.

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Carl Sagan, Adam Winnik, and a Birthday Party in Space

2012-09-06T10:29:00.002-07:00

On the 5th of September, 35 years ago, the Voyager 1 took flight to the skies representing the human hopes of discovery and unveiling of mysteries beyond.

Voyager 1 could be seen as the ultimate cosmic sound system, carrying with it the Golden Record, a phonographic binary compilation of sounds and images chosen to display what it meant to be human. There is little else more stunning than the notion of sending a mixtape of love songs from one race to a possible variety of others, somewhere out there in the unknown.

Carl Sagan, astrophysicist, author, seeker of truth and all around mind-blower, said of this project,

"The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space. But the launching of this 'bottle' into the cosmic 'ocean' says something very hopeful about life on this planet."

It would be hard to challenge his statement, especially now in 2012, a year when things seem to be changing, and very quickly. It's a bit of a wonder to witness it all, as though suspended in the safe center of a tornado while houses, cows, Toto and the wicked witch all circle around our heads.

This video by Adam Winnik, a Toronto-based artist and visionary, was his graduation thesis project. The words are directly taken from the colorful mind of Carl Sagan himself, drawn from his writing in Pale Blue Dot, and perfectly illuminated by Winnik's fantastic vision. I'll consider it a birthday present to The Voyager 1, and a thank-you for carrying such delicate and valuable material within it, protecting it so diligently.

I think we can all be proud, not only of our cultures and personalities, all of which are worth being very excited about, but even more so to be human. We're all in this together, and it's a very very big cake, so let's all enjoy this birthday party. Sure it can be a scary place, full of dreaded darknesses, but also brightened with unfaltering beauty. It really is quite the honor being here, and very worth enjoying while we can.

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Fashion Week...The Burning Man Edition!

2012-09-05T08:55:00.002-07:00

If you attended this years Burning Man in the ever-wondrous Black Rock City, you'll know that there were plenty of wildly innovative machines, works of art, and interactive architectural structures to marvel at and enjoy.

You were probably also sure to have noticed the equally impressive styles and clothing creations, probably sporting a few yourself. Don't be bashful. You looked fabulous and it's okay to admit it.

The theme this year was "Fertility 2.0," and the various takes on the word were limitless, from The Temple (2011's depicted above), to hyper-saturated cosmonaut families.

I've actually never been to Burning Man. Originally, I felt it may be somewhat too over the top for the likes of me, but the more I see and hear about it (especially from people who had felt timid, and are now believers after they themselves went), I become all the more convinced that not only do I need to experience this at least once, but I need to invest in a decent camera beforehand too. An attendee named Sascha said of it,

"It was like a cross between Mad Max, Aliens landing, and the Matrix cave orgy rave. It was uncomfortable and incredible."

A dear friend of mine introduced me to this video, which is probably one of the most uplifting things I've ever seen on YouTube. There is something so beautiful about all the weirdos telling you to your face that you can be one too if you'd like, joining the ranks of those who are unafraid to show themselves as their inner dream may depict.

And isn't that what fashion and art is truly all about? After all, what would we be creatively if we didn't have these freedoms of thought and expression? It's always the "bizarre," unorthodox ones who end up changing the way the world sees itself. They are the ones who remind us that we can and should be more, continually rotating our thoughts and modalities into a stronger and more defined version of ourselves and what we wish to represent and cultivate.

At the root of creativity, there is a cyclical percolation of death and rebirth; new ideas form constantly to replace and upgrade the old ones.

Until Fashion Week kicks off, we may as well take a gander at some of the people who get less attention than the folks on the runway, walking on a catwalk of their own design.

Here are a few of my favorites from this years Burning Man:

Fertility 2.0

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Safety & Style: The Invisible Helmet

2012-09-04T09:21:00.000-07:00

Riding a bike is a wonderful alternative to driving a car for so many reasons.

It's resourceful, cheaper, encourages physical health and longevity, easily transportable, and zero emissions mean kinder to the environment. It's also something fun to do with friends. However, there always comes the annoyance of a helmet. You know, the bulky bit that goes on your head, making riding feel like a chore. Some people don't hate helmets as much as I do, and they can stick with what they've got, but for needy me, there is a new product on the market from Sweden. Anything hailing from the Nords will intrigue me. This though? It's not only intriguing, but it's inspiring me to save up on my paychecks. It's name?

Hövding.

The word that translates from Swedish to English into "Chiefs" seems to suggest a masculine and sporty design. Not so. This helmet, developed over the course of 7 years by Anna Hauptmann and Terese Alstin, is as sleek as it is safe. The collar is the visible part, worn around ones neck while cycling and at first glance resembles nothing more than a scarf. On impact, the outer shell expresses an airbag-designed helmet, encasing the wearers head, inflating instantly, as the crash test videos have proven.

Impressed yet? No? Really?? Okay, well check this out. If you're wondering how this helmet detects impact, look no further than "the black box." This is a unit embedded in the back of the collar which can be turned on and off, recharged through the USB port. It's so super smart that it can tell the difference between you throwing your head back in a hearty laugh, and being seconds away from curb-splat. It also records the 10 seconds during and just before an accident, which can be valuable when detecting what caused the impact, and how you were physically effected. Pretty amazing.

If you're still not impressed, then keep your hardhat and don't worry about it. As for me? I'm calling some buddies in the EU (since it's not available in America yet) and having mine shipped as soon as I can.

Fore more info, visit hovding.com.

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Yves Saint Laurent & the Quest for Elegance

2012-04-11T09:14:00.000-07:00

Yves Saint Laurent, the man who adored the female form more than anything else, dedicated his life to designing clothes, accessories, and even perfumes meant to not only accentuate the elegance of women's physicality, but to freely express the natural beauty of what it means to be blessed with a human body. His designs were seen as influential even in his youth, becoming the Chief Designer at Dior at only 21 years old. As his career continued, so did his desire to explore and create.

I personally believe that elegance comes in the appreciation and practice of style over fashion. This means that in order to be yourself, you can look the part, and be comfortable while doing so. There should be no effort in the personal appeal of style, but rather an excitement in trying new things, and finally discovering who you are and how to outwardly express it. YSL was a practitioner of style yet destined to be a creator of fashion, unbeknownst to him. Like any designer who loves beauty and uniqueness, the ingenious designs reached the platforms of celebrities, models, and self-made fashionistas, staking their claim only in the cost of their wardrobe.

This is the unfortunate curse of the passionate designer or true stylist. Creating looks that will appeal to the glorious human form is one thing; however, it is usually not the body it appeals to more than the mind. People rarely purchase something simply because they are in love with it. You would never find the perfect dress only to frame it on the wall. People are in love with the way an item makes them feel when they imagine themselves in it. Actually being in any article of clothing can be a very different sensation than conceptualizing it, but that is never present on the catwalk of our minds. We simply know it is fabulous and desired, and to be associated with it will make us fabulous too.

Yves did not like to travel, though you would assume he had been around the world many times based on the variations of designs he crafted over the years. Saint Laurent lifted inspiration from Morocco, Spain, Japan, Russia and China, amongst many other places. When asked about his affection for these particular designs, he said that the notions arose from his imagination upon reading books. Down to the veins, the man was an artist, needing nothing "real" to take from; except of course, the skin of a woman.

It is known through interviews and writings by Yves that he was not an altogether happy man. He struggled with depression throughout his career, which could have been a symptom of being misunderstood. At a recent exhibit I had the honor of touring, a vastly huge collection of Saint Laurent's designs were openly displayed, like shining bones of some wild vibrant animal. Each served as clothing for small framed simple mannequins.

The one wearing the featured dress on the program cover was in a room that appeared to be a party scene- several socializing mannequins stood together in small clusters beneath a starry ceiling of crystal chandeliers. Canned music pumped out the sounds of people talking in the distance mingled with lively ball music. The environment could have been anything from a French socialites supper party to an Academy Award pre-show. It was easy to miss the one wearing the featured dress, stunningly decorated with a very low cut back, and completed with a humongous pink bow.

The party appeared to be bustling, but the one mannequin wearing this particular piece stood on the sidelines, faced away and holding a single hand out and down, just barely escaping the scene so full of commotion. Perhaps this is the way Yves felt finding himself in a room of people excited about his art, only to misunderstand his purpose entirely. Yves Saint Laurent was and still remains part of the fashion culture as well as standing outside of it, representing something individual, magical, loud and classic all at once.

- Check here to find out more about the Denver Art Museums exhibition of Yves Saint Laurent -
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Featured Artist: N.J. Campbell - A Man and his Camera

2012-04-09T07:54:00.000-07:00

Recently discovered artist N. J. Campbell is blowing my brain synapses with the way he views the world through a lens.
Seeing his work makes me want to say wildly douchy things about "the juxtaposition between colors and texture!" and all that hushy museum banter. But seriously. I should be whispering about it at a museum, because that's where it belongs. It's that good. Maybe it's just because I have a deep affinity for well-made minimalist art, especially when it comes to photography. It is truly a sight to behold an image simple enough to express something bigger than itself.

Here are a few of my favorites of his images. Take 'em in, and check out more here. He does paintings as well, which you should probably give a seconds attention. Be there or be square.

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There's a New Thom Yorke in Town...and He's From Australia.

2012-04-07T11:47:00.001-07:00

Last night I went to Denver's Ogden Theater to see a guy I've been oogling over since his hit single hit the airwaves.

"Somebody that I Used to Know" felt like it was an overnight epidemic; the moment I heard the melody, I recognized it EVERYwhere. The name "Gotye," Wouter De Backer's stage name, seemed to permeate the air like some sort of blissful plague. The show sold out instantly, and feeling like a sardine (at least a sardine with a great spot in the crowd!) was nothing short of a clear representation of what his fan base has become: a giant wounded monster with a big bleeding heart.

I couldn't help but notice that very few songs were sang along to, save for the single, which you can't help but know even if you claim to not have listened to it. Everyone in the crowd swayed, screamed, or quietly worded the lyrics along…though based on the volume, it was clear that most people were competing with Gotye for them, as though they wanted to prove that those words belonged to them now. Understandably so, considering the context of the track. However, with the powerful emotions of the artist being projected behind him on a large white screen, it became all the more obvious that this single song that could have otherwise been called "You Bruised My Ego and Now I'm Kinda Sad" was the one that hit people the hardest, perhaps because it's entirely too easy to relate to.

The other songs heard last night such as "Eyes Wide Open," "Smoke and Mirrors," "Easy Way Out," and "State of the Art" (links to video clips used during live performance) to name a few, seemed to go over peoples heads. They went over mine, until I had the visual aspect of each song paired with clear audio and seriously high energy. By the middle of the set, I was crying inside for Kimbra to come back out and sing me a soulful pop lullaby, assuring me that there was nothing to worry about, that love is all I need, and that Gotye was just a bad fit of reality. It didn't happen. Until of course she made her way into that reality, as the spurned lover in their duet single. Oh no, she's part of this truth too?! Well, naturally.

Having her perform first was like having dessert before your broccoli. So easy to take in, enjoyable, amazing even, and then comes the pain- as represented in Gotye's music and complimentary animation for each song. Both are important, the sweet and the sour, but this spoon full of sugar was taken just a moment before the medicine, not after. The world is burning. We watch it burn. Hearts are being shredded. Minds are empty. Life is a crashing disappointment, and carelessness reigns supreme. Of course not all of his songs are this depressing. He managed to shift the mood from time to time with tracks like, "In Your Light" and "I Feel Better," but more than anything, last night made me see how big of a heart this man has, and how wide he views the world and it's current state.

The combination of Kimbra and Gotye took me back to a time of pop-musical genius and honesty. I couldn't help but be reminded of my times seeing Radiohead and Björk and how completely all-encompassing it was. These are the kind of artists that demand attention, but only by being themselves. Kimbra, the little porcelain doll possessed by the soul of James Brown, practically oozed kindness, freedom, compassion and fierce joy. Gotye on the other hand, represents the process of youth growing up. Not by becoming a suit, or a successful family man, but by exposing truths hidden in plain sight, and through a common artistic vein that runs through everyone. Music is a conduit, and he's using it in one of the best ways possible. Not so much to witness the rockstar that is himself, but as a prophet, bearing words to see more than hear.

I left the show feeling provoked (not just by the drunk girls in the crowd), and ready to take life on a little bit more. This is the feeling that says "yes, that experience was worth it." I wish I could say thanks to Gotye and Kimbra for bringing such wisdom to the Ogden last night. Hopefully they can sense the impact they're leaving, just by singing a song.
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Stranger of the Week: Meet Tiffany!

2012-04-06T14:20:00.000-07:00

Tiffany grabbed my attention with her great style while taking a photo on Pearl Street. With a camera in hand, first thing I needed to know was if she was a photographer.

TIFFANY: Yes, I'm actually taking two art classes for my last semester.

GRAB/BAG: Do you think you'll be a photographer once your done with school?

T: I'd like to...I've been studying pre-med for four years, and in this last semester I just decided to take a painting and photography class. I realized it took me this long to find something I actually enjoy doing.

G/B: It's good to have that balance between something cerebral and something artistic. A lot of people end up doing one or the other, but if you can handle both then go for it.

T: I just felt like I was restricted for a while, and this really helped me open up and be myself...fill out what I'm supposed to do.

G/B: Good for you, that's actually really inspirational for all the people being beaten up by the daily grind. Tell us a little about your style, how would you describe it?

T: I'd describe my style as really relaxed, casual, light, BoHo. Easy. I'm wearing a long striped skirt by Chelsea & Violet.

G/B: And what about this necklace, it's quite the statement piece. Any story behind it?

T: Yeah, it's by Tous. My aunt gave it to me for Christmas, and I feel like it perfectly reflects my personality. This little bubbly bear.

GB: Good, we need as many bubbly bears as we can get.

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Rubber Sole - Melissa Shoes from Brazil

2012-04-04T11:20:00.000-07:00

These. Are. Awesome.

I have felt put off about the concept of rubber shoes since the second Crocs became all the rage. However, it looks like you can do something with rubber for your feet that results in something other than a big bubble around them. Bubbles on your feet may sound okay, but in my opinion, avoiding them is not a bad move.

After seeing the results from what they've done in their Brazilian-based factory, I may be sold to the new trend. Melissa Shoes are doing mindblowing things. I first came across this brand while traveling in Singapore and picking up a magazine called Plastic, which focuses on their mission of creating epically cute styles out of, you guessed it, plastic and rubber. It seems like since I first checked out their designs, they've gone even further with even better new ones too. And their collaborators list is quite impressive, sharing skills with the likes of the amaaazing Gaetano Pesce, and the ever-fierce Vivienne Westwood.

The only place you can officially purchase them are in New York (of course, right), but there are plenty of online shoe shops that carry them. To see the whole collection, go here, and go crazy.

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Justin's Answer to Snicker's

2012-04-02T11:41:00.001-07:00

On a recent raid in Whole Foods, I happened to notice a new Justin's product that I'd yet to try. If you aren't familiar, Justin Gold is the founder of Justin's nut butters, a company based in Boulder Colorado. And being the self-established peanut butter connoisseur I am, there can't be a long span of time for me to discover a new Justin's product and then try it as quickly as possible.

Of course peanut butter cups have always held a special place in my heart, Justin's especially. They're starting to pop up everywhere it seems, as are the conveniently sized squeeze packets of nut butters. I'm even noticing a girl sucking one down in the cafe I'm siting in! They're not only packed with natural and organic protein, but curb my very predominant sweet tooth on a regular occasion. The ingredients are so good that you don't need tons of them to feel satisfied. In fact, one of their candy bars (a brand new product that I'm thrilled about) is more than enough for one sitting, and I can usually put away a lot of chocolate and peanut butter, especially when combined.

Years ago, when my search for wellness began, I started seeing a pattern in my happiness and health in conjunction with the quality of food I was consuming. I have always had a twisted relationship with both Reese's and Snicker's, feeling the strong pull of lust only to crash into sleepiness and sadness once my craving was satiated. This went on for years, until I discovered organic alternatives. If you think there is little difference between candy with organic ingredients and ones without, then try some and feel the difference for yourself.

I was speaking to a girl at Whole Foods named Caitlin, who agrees that these new candy bars by Justin's are indeed the answer I've been looking for to Snicker's. I have her to thank for suggesting them in the first place. Who can say no to a little bit of a Snicker's bar, especially when crushed and sprinkled over ice cream! Now I can, because there are so many awesome alternatives. Coconut Bliss ice cream and Justin's is just what the homeopath ordered, and if you find yourself wondering why the cost is a few dollars extra, you can get a reminder by the way you feel when you wake up in the morning...not like a puffy-faced couch potato. More like, I dunno, a real human being who just ate real food! I love when I can treat myself and have something healthy too.
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A Gentlemans Skin Solution...For the Ladies

2011-12-04T12:34:00.001-08:00

Trying to find the best products to suit your skin type can be tricky, I know. Some people aren't as particular as me, but I'm really happy to find a product that feels good, and is affordable to boot.

First, let me mention that one of the best tricks for getting deliciously nourishing, organic skincare that doesn't leave your wallet dry is to look in the mens department. These companies know that guys aren't as willing to spend big bucks on lotions as the ladies are, so while paroosing the isles of washroom supplies, don't pass off the "mens" products as they are labeled: For Men. I recommend Bulldog Natural Skincare, which is a line of lotions and bodycare items meant to be for the guys, but don't actually contain any ingredients that would be detrimental to women. Like, at all.

Something else that is often pushed to be for men are hair products, and for the ones that you shave in particular. If you've got more sensitive skin, get the items that are meant for sensitive skin. Legs are underarms are actually much more resilient than the skin on our faces. Bliss makes awesome ingrown eliminating pads (not just for your face and neck!), and Welda, usually a rather pricey brand, has a great mens shaving cream for only $13.

Joe Grooming, another bodycare brand that's clearly named for the gents, has come out with a paraben-free line that are quality products as well as affordable. The shampoos and conditioners are great for all kinds of hair including curly and coarse, and is pure enough for everyday use. The styling gel, besides smelling a little Old Spicey, is definitely not a bad way to go for the girls either. Just a little dab'll do ya!

Oh, and speaking of Old Spice...I know plenty of ladies who use Old Spice deodorant and NOT antiperspirant, which is a very smart move. You wouldn't think that the smell of your armpits and the health of your boobs would have much in common, but they are in fact connected at the lymph. The risk is present for men as well, but since women commonly shave their underarms, the skin is more often open and raw, which means that whatever you throw on (like aluminum, yuck), it's going directly into your lymphatic and circulatory system.

Antiperspirants have a nasty habit of blocking pores and causing damage to vital sources of inner cleansing, such as sweating. When this happens, those blockages can grow and become something a lot worse than an enflamed lymph node. Breast cancer is a risk, so ladies (and gents!), be sure to use deodorants, and let yourself sweat if ya need to. It might save your life. Why not live longer, and look wonderful while doing it?

If you're on a super tight budget but don't want to smell like it, then simply use baking soda! Pat a little on your underarms in the morning and you'll be right as rain. There is also crystal deodorant which I personally love.

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World Premiere: Marry The Night

2011-12-02T14:27:00.001-08:00

Gotta be honest, here. I feel I owe that much, after Stefani Joanne Angelina Germanotta makes it continually obvious that honesty is indeed the best policy. This video got my eyes pretty wet, and it's all completely due to that same stroke of humanity.
Lady Gaga's new video for Marry the Night has finally arrived. I was thinking it would be another dramatic epic such as Alejandro, which it is, though containing a lot more personal detail. Directed by the Lady herself, she displays her own vision of the activities that took place during the worst day of her life, and the effect it has had on it since. My favorite part of the video features a dance class, a space for learning, filled with personified symbols of her past self, and possibly future or current. These were the people she had "left behind" in her old apartment building (maybe?), which in itself is huge, cavernous, and cathedralesque. The building could be seen as her mind, or her life, both of which she was walking out of in order to begin something fresh. However, she continues to go through her trials simultaneously alone and ever surrounded by her memories and alter egos, feeling trapped by some, comforting others, and agreeing to share space with all of them.

This is a tribute to her own life, as well as to anyone who's ever suffered fates wrath. It commends those who have stood up against the weight of the world and said, "I'm going to be a star," in whatever way they say it.
Any and all hats off to Gaga. Big ass hats. Hats made of hair. Fur hats, meat hats, lace and iron hats. I can't imagine one I could wear that she wouldn't accept gratitude from. And that's just one thing I like about her. _____________________________________________________

Hear Ye, Hear Ye! Unouomedude: an Artist Interview

2011-12-01T15:48:00.001-08:00

The new track Frequency by Unouomedude (you-know-you-owe-me-dude ) has finally made its way to my open ears, and they are so so happy to make its acquaintance. This 20 year old Jacksonville Florida-based musician has succeeded in creating sounds that feel like the beach, even when there's snow outside my window. Not only does he look awesome, but has succeeded in creating music that would sound amazing in the likes of road trip sequences of indie films, background music in the car with that-cool-dude-who-gave-you-a-ride, or slow motion montages in your mind of a girl you fell in love with. It's that kind of music. Cinematic, and authentically youthful.

You can download this track or check out more of Unouomedude here.

Check out the interview below:

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GRABBAG: 20 years old, huh? When did you start making music?

Unouomedude: I wrote and recorded my first song in 8th grade, but I started this project when I was 16.

GB: Your sound is pretty chill. What kind of musicians would you like to talk to, either for musical influence or otherwise?

UNO: I'm not sure really who I'd specifically like to talk to. I think I'd like to watch them work more. People like Beck, Dave Longstreth, Chris Walla. Any musician or producer that I like, really.

GB: I have to say, I'm very impressed with your style, especially for such a young man.

UNO: Well thank you. I just wear whatever I like that is cheap or from Forty Ounce. I've been wearing the same hat for over five years now, though. There is a chance that this isn't about clothes, so thanks for that compliment too!

GB: Here's the big question. What's. With. The name. You know you owe me dude? Who owes you? What's it mean?

UNO: It doesn't mean anything, really. My cousin came up with Unoiouboi or "you know I owe you boy," and I was starting to set up accounts online, so I needed a username and I made "unouomedude." When it came to making music, I just couldn't think of anything else so I used that.

GB: Easy enough. So, when can we expect a full length album to drop?

UNO: I'm not sure exactly. As soon as have the tools to make the record I really want to make. I am really look forward to recording a full length!

GB: That sounds like a wise choice. Waiting isn't always a bad idea. Personal question here, but what's your favorite part about making music? How does it effect your everyday life?

UNO: Recording is my favourite part of making music. Just adding more and more parts until the song becomes a whole. There is always a point when I'm making a song and I just get this really giddy feeling. If I don't feel that, then I usually scrap the song. When the song is finished, I don't even remember coming up with it, but I just end up chasing that giddy feeling again. I usually make up at least on song in my head a day. Usually I don't record them, but sometimes they'll turn into something. I also walk around freestyling regularly.

GB: You rule. and something tells me that the music is only a side effect of this.

UNO: Thanks, but I'm sure you rule more.

GB: Psssh. Thanks for being a pioneer to all things rad. Will you let us know when you'll be touring?

UNO: I should be touring as soon as my next record is out, so I'm banking on early 2012. I can't wait!

GB: That makes two of us!!

Le Petit Prints

2011-12-01T07:49:00.001-08:00

Technology has now gone so far, that it's managed to 180* on itself. Not that I have a problem with that! Little Printer, an adorable new digital product created by a London-based design group called BERG, acts as a small mechanism to produce a physical copy of whatever you would like from your smartphone. It's inkless, which means that the paper itself is heat-sensitive, thus producing a crisp, clear image with a manageable machine. Imagine trying to install mice-sized ink cartridges!
Pretty neat, huh? Yyyyyeah, I thought so too.

This of course means that the colors are limited to black and white, but when you're printing things smaller than a grocery store list, colors aren't entirely necessary. Check out the video above to see what all Little Printer is capable of...which...is just printing. But it's pretty impressive to watch a teeny tiny printer with perfectly combed hair smile at you and print out a receipt of whatever you'd like.

It's kind of a tease telling you about it now during the Christmas season, since Little Printer won't be available until 2012. If this looks too good to miss though, sign up to join the mailing list, and be the first to find out when pre-order is available.

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Girl Walk // All Day

2011-11-29T19:40:00.001-08:00

Have you ever had the feeling that your just strolling through a crowd of zombies, and suddenly your life has become a bubble of music and joy amidst a foggy cloud of mediocrity? Yes? Really?? Well then, I think we've found a match made in New York!

The purpose of this abstract tale is to express the joy of movement through a movement of joy. We observe three dancers as they make their way around the city, transforming it into a stage. Director Jacob Krupnick has had a number of other projects, from creating a new kind of photobooth to various photography projects, but Girl Walk // All Day will be his first feature length film.

The name of the film is derived from the Girl Talk album All Day, serving as a soundtrack and theme to the film (and can be obtained here for free).

The first chapter of the movie can be viewed above, or on the website, and the next one will be released online on December 2nd...or, if you live in New York, you can attend the screening party on December 8th and see the whole thing! There will be other premieres around the country, though the dates have yet to be released. If this looks awesome to you, request a screening! Don't be shy about it, just make it happen. Your town will thank you.

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Slingback Attack: Shoes to Fall in Love to

2011-11-28T13:17:00.001-08:00

Everyone has a few songs that just make them feel like kissing someone. Now, you can have the shoes to match that emotion.

In the Resort line by CARVEN, designs are inspired by vintage dolls, if you're into being porcelain and perfect. I'm not too keen on being pale, but these would go with anything, from rolled jeans to colored stockings.

It's unusual for me to be so captivated by these. It's as though I've always gone for the boys with scars, riding apocalyptic motorbikes and dragging their boots through gravel, when all the sudden, an angelically androgynous man comes floating into reality from sorbet-colored clouds and you think, "...what?? Why am I feeling this...this draw??" Just for the record, I don't have a type when it comes to guys, but I certainly thought I had more of a type when it came to footwear. However, here I am, confessing my folly.
Want to grab some of these for yourself? Check Net-A-Porter, or FarFetch for your own pair. Don't be embarrassed. They've got a bow, consider it a gift to your toes to make them twinkle!
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Super 8 Release Party Review

2011-11-27T22:15:00.001-08:00

The film Super 8 seems to be one of these interesting cases that hits everyone in the same way...
I call it the Caulfield Effect. Corny, I know, but it works. This takes place when someone experiences something which they feel is entirely individual, beyond the scope of anyone else and their reality, only to discover that they are amidst an ocean of like minds. I call it this because after anyone reads Catcher in the Rye, there comes a point where they slowly close the book after digesting whatever profound paragraph they’ve just completed and think to themselves, “oh my god. I am Holden Caulfield.” The truth is, everybody is Holden Caulfield. There are a few universal truths that every so often are gathered in a way glorious enough to have each viewer feel it as entirely their own.

Writer and director J.J. Abrams has transformed a feature length film into a projection of our most personal memories. It was unquestionably necessary for it to be a period piece, having certain cinematically time-sensitive moments such as the inaccuracy of Dr. Woodward’s survival. This professor had not only been in a truck hit hard by a train traveling at full speed, but also suffered a major explosion resulting from the impact. Even if we allowed these details to slide, there would still be no defense for the piece of paper that he’s holding, which ends up being important evidence explaining his actions. At least the paper would have caught fire…right? An explosion that big would probably have made its way to a piece of perfectly dry paper. However, this movie is set in 1979. At least this is my assumption, based on the excitement over The Knack's song “My Sharona,” which was released early that year. If it hadn’t been for this time period, the “Hey, Wait a Minute!” rule would absolutely apply, but since we’re watching a science fiction movie set in the late 70’s, it would be ridiculous to ask for specificities that are much more oriented to the critical views of the modern movie-goer. The addition of Dr. Woodward, first appearing dead then proving otherwise, is an obvious tribute to the film that the children are in the process of creating for the Cleveland film festival. The movie they are making is a zombie-murder-mystery called “The Case,” dealing primarily with the living dead. This could be seen as a metaphor since the kids themselves are living in a world of adults who lack their childlike understanding. They could be interpreted as the living dead, having squandered their souls in exchange for the stresses that are expected to accompany growing up. This idea is directly personified through the parents of the two main protagonists, Joe and Alice.

They come from different sides of the tracks, Alice being from the rougher side of town and Joe living on the upper end, but both sharing one similarity- they both are stuck in a position where they must pick up the pieces of a broken home, and at very young ages. Both are around the age of 13, which is a strange time in a young persons life. This age is the beginning step into the teen years, and for these children represents a time of exorcising their own rights and defying the rules, for passions sake. It’s very much a tale of Innocence Vs. The World, only now they are becoming a part of its chaos due to their involvement with the mysteries taking place in their town. The train tracks and their separate sides no longer matter- all corners are effected by terror and confusion, while the space between strangers, enemies, family and friends alike rapidly begins to close.

The two families symbolizing a kind of Montague and Capulets ordeal are brought together and simultaneously torn apart by the death of Joe’s mother, who had died covering a shift for Alice’s drunken father. The two men, left alone with their young children, represent the two sides of carelessness. There is the kind that comes from duty, and over-attention to ones work, and there is the kind that sprouts from the complete lack thereof. These alternate sides come together to form the forces which, as we learn from a reel of secret footage discovered by the children, the creature had to endure as well.

And here lies the true parable of the movie. The kids are at the point in their lives when they begin making decisions that will shape who they become. If they are continually neglected, they will end up just as this creature has- alone, afraid, defensive, violent, and lost. But that’s just my inner mother talking.

Joe must allow himself to let go of the past, just as the alien must. This moment is gathered into a single statement in the film, when Joe looks into the eyes of the alien and without any panic states, “bad things happen. But you can still live.” This movie seems to be made specifically for anyone who has been through anything that has left a scar, whether the viewer is a kid on the verge of abandoning their innocence, or anyone who has yet to let go of irreversible moments that plague their minds. This movie manages to push several sensitive points on any given person, and at times it is unavoidable to admit that we all have parts of each character within us. Part of me wants to drink my sorrows away. Part of me wants to forget my problems and just make something cool. Part of me wants to blow up my friends train set. Part of me takes my life entirely too seriously at times, and part of me feels like an alien.

If this film included a group discussion involving everyone in the theater, I’m sure we would quickly discover that people who seem to have nothing to say to one another have much more in common than what meets the eye. Whether or not they talk about it is up to them. But thankfully, there are artistic ways to help people understand themselves a bit more. There are creative outlets that join strangers together, and this film is a brand new one. Someone was brave enough to forget their problems, and just make something cool.
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Eric Berglund: Weirdo of my Dreams

2011-11-27T09:41:00.001-08:00

CEO should stand for Commendable Ear Orgasm.

I've been a listener of The Tough Alliance since their first album The New School was released in 2005. I remember my ex boyfriend, a Swede himself, walked into my work and dropped a CD on the table. "You should listen to this," he said. I did listen, and have been a devoted fan and listener ever since, keeping up to date on their labels progress over the years. The Tough Alliance is Eric Berglund and Henning Fürst, who together make some of the most acceptable sounds I've ever heard, pairing them with lyrics that are simple but marvelously effective. Berglund has since established himself not only as co-owner of the label Sincerely Yours (Air France, jj), but as a solo artist.
He calls himself CEO.
The album White Magic hit last year, and is similar to the sounds of The Tough Alliance, but less boyish and a touch more on the darker side, yet still managing to be gorgeous and uplifting. When does the next album come out, you ask? It's very hard to tell. Berglund is a mysterious character, and doesn't talk much about his projects. I recently saw this video, which features Russian tennis demon Maria Sharapova. It's a love letter of sorts, made just for her. The song is of course Maria, by Blondie, though Berglund titles it "Ave Maria," restating his adoration of the Venus-esque iconic athlete. To see more behind the mask, check out The Tough Alliance or CEO on youtube, or grab the albums . The videos alone will make you cry. Oh, and do read the lyrics. _____________________________________________________