Hindu Today News

Decorate Your Pooja Room with Traditional Varalakshmi Photo Frames

2026-07-15T12:02:31.475+05:30

A beautifully decorated pooja room creates a peaceful and spiritual atmosphere, especially during the auspicious occasion of Varalakshmi Vratham. Adding a traditional Varalakshmi photo frame is a wonderful way to enhance your home temple and invite the divine presence of Goddess Lakshmi. Whether crafted from wood, metal, silver, or decorated with intricate carvings, a well-designed photo frame serves as a graceful centerpiece for your pooja setup.

Place the Varalakshmi photo frame on a clean, elevated altar and decorate it with fresh flower garlands, turmeric, kumkum, and fragrant incense. Complement the frame with brass lamps, diyas, mango leaf torans, and colorful rangoli to create a festive ambience. You can also arrange fresh fruits, coconuts, betel leaves, sweets, and traditional pooja accessories around the frame as offerings to Goddess Lakshmi.

Choosing a photo frame that reflects traditional craftsmanship not only enhances the beauty of your pooja room but also symbolizes devotion, prosperity, and positive energy. Combined with elegant decorations and heartfelt prayers, a traditional Varalakshmi photo frame becomes a meaningful part of your Varalakshmi Vratham celebration, creating a divine space where family and guests can gather to seek the blessings of Goddess Lakshmi.

If you want more items please visit;https://giri.in/collections/varalakshmi-vratham

Traditional Fabric and Floral Backdrops for Varalakshmi Vratham

2026-07-15T11:52:12.361+05:30

Traditional fabric and floral backdrops are a beautiful way to enhance the spiritual atmosphere of your Varalakshmi Vratham celebration. A thoughtfully designed backdrop not only highlights the Goddess Lakshmi idol or Kalasam but also creates a serene and devotional setting for the pooja. Choosing fabrics in auspicious colors such as red, yellow, green, or gold symbolizes prosperity, happiness, and divine blessings. Rich silk, cotton, or decorative drapes can be paired with fresh flower garlands made of jasmine, marigold, and roses to create a timeless traditional look.

To make the backdrop even more elegant, decorate it with mango leaf torans, brass hanging lamps, bells, lotus motifs, and traditional ornaments that reflect South Indian culture. Soft LED lights or diyas can add a warm glow, making the pooja space feel inviting and peaceful. You can also arrange decorative umbrellas, banana leaves, or handcrafted wooden panels to give the setup a grand festive appearance. Whether you prefer a simple floral arrangement or an elaborate traditional design, a well-decorated fabric and floral backdrop creates a divine ambience, reflects your devotion to Goddess Lakshmi, and makes your Varalakshmi Vratham celebration truly memorable for family and guests.

If you want more items please visit;https://giri.in/collections/varalakshmi-vratham

Simple and Elegant Varalakshmi Vratham Decoration Guide

2026-07-15T11:42:13.148+05:30

Varalakshmi Vratham is a celebration of faith, gratitude, and prosperity, making a thoughtfully decorated pooja space an important part of the occasion. A simple yet elegant decoration creates a peaceful atmosphere and reflects the devotion offered to Goddess Lakshmi. Begin by thoroughly cleaning the pooja area and decorating the entrance with a vibrant rangoli to symbolize positivity and welcome divine blessings. Adorn the doorway and mandap with fresh mango leaf torans, fragrant jasmine garlands, and colorful flowers for a traditional festive touch.

Place the Kalasam on a beautifully decorated wooden plank or pedestal, arranging it with turmeric, kumkum, betel leaves, coconuts, and fresh flowers. Light brass lamps and diyas to fill the space with warmth and spiritual energy. You can also decorate the backdrop with fabric drapes, flower strings, or traditional hanging ornaments to enhance the festive ambience. Complete the setup with neatly arranged pooja accessories, fruits, sweets, and prasadam, creating a graceful and inviting space that beautifully honors Goddess Lakshmi and makes your Varalakshmi Vratham celebration truly memorable.

If you want more items please visit;https://giri.in/collections/varalakshmi-vratham

The Spiritual Significance of Thamboolam Sets in Hindu Traditions

2026-07-15T11:34:59.454+05:30

The Thamboolam Set holds a cherished place in Hindu culture, symbolizing respect, gratitude, prosperity, and the sharing of blessings. Rooted in centuries-old traditions, offering Thamboolam is considered an auspicious gesture during poojas, weddings, festivals, housewarming ceremonies, and other sacred occasions. More than a customary gift, a Thamboolam Set reflects the values of hospitality, devotion, and goodwill that are deeply woven into Indian spiritual practices.

Traditionally, a Thamboolam Set includes betel leaves, areca nuts, turmeric, kumkum, coconuts, fruits, flowers, and other sacred items, often presented in beautifully crafted brass, silver, or decorative containers. Each element carries symbolic meaning. Betel leaves represent freshness and prosperity, turmeric signifies purity and auspiciousness, kumkum reflects divine energy, while fruits and coconuts symbolize abundance, fulfillment, and gratitude.

Beyond its ritual significance, a beautifully designed Thamboolam Set showcases India's rich artistic heritage. Crafted from durable materials such as brass, silver, stainless steel, or traditional metals, these sets combine elegance with practicality, making them ideal for both ceremonial use and meaningful gifting. Their timeless appeal helps preserve sacred customs while adding beauty to every celebration.

Whether used for daily pooja, festive rituals, or special family occasions, a Thamboolam Set serves as a reminder of generosity, gratitude, and the importance of honoring traditions.

Bring Home Divine Blessings with an Exquisite Ammavari Face

2026-07-15T11:20:26.618+05:30

The Ammavari Face, a beautifully crafted representation of the Divine Mother, holds a revered place in Hindu worship and spiritual traditions. Symbolizing the grace, compassion, strength, and protective presence of the Goddess, it is widely used in homes, temples, and festive celebrations to invoke divine blessings. Whether representing Goddess Lakshmi, Durga, Saraswati, or other revered forms of Devi, the Ammavari Face serves as a sacred reminder of the Divine Mother's eternal guidance and nurturing energy.

Keeping an Ammavari Face in your pooja room creates a spiritually uplifting atmosphere and inspires devotion, positivity, and inner peace. Devotees adorn it with flowers, kumkum, turmeric, and traditional jewelry during daily worship and special occasions, expressing reverence and gratitude to the Goddess. The radiant form of the Ammavari Face symbolizes auspiciousness, prosperity, wisdom, courage, and protection, making it a cherished addition to every sacred space.

The Ammavari Face is especially significant during festivals such as Navaratri, Varalakshmi Vratham, Durga Puja, and Fridays dedicated to the Divine Mother. It is beautifully decorated with silk vastrams, fresh flower garlands, and ornaments, transforming the altar into a vibrant expression of devotion. During these celebrations, families gather to offer prayers, chant sacred hymns, and seek the blessings of the Goddess for health, happiness, harmony, and success.

Traditional Dressing Guide for Varalakshmi Vratham 2026: Sarees, Jewellery & Accessories

2026-07-15T11:13:27.029+05:30

Varalakshmi Vratham is a cherished festival dedicated to Goddess Lakshmi, celebrated with devotion, prayers, and traditional attire. Choosing the right saree, jewellery, and accessories adds to the festive spirit and helps create an elegant look for the occasion. Silk sarees, Kanchipuram sarees, and traditional South Indian sarees are popular choices for Varalakshmi Vratham 2026, offering timeless beauty and cultural significance.

Pair your saree with classic temple jewellery, gold-plated ornaments, bangles, necklaces, earrings, and maang tikkas to enhance your festive appearance. Fresh flower garlands, decorative bindis, and traditional hair accessories complete the look while reflecting the grace of the celebration. Whether performing the pooja at home or attending family gatherings, traditional dressing helps honor the occasion and makes Varalakshmi Vratham 2026 even more memorable and auspicious.

Temple jewellery is one of the most preferred choices, as its intricate designs and divine motifs beautifully complement silk sarees and reflect the spiritual significance of the festival. A classic necklace paired with matching earrings creates an elegant appearance, while bangles, vanki (armlet), maang tikka, and anklets add a graceful finishing touch. Gold-plated and antique-finish jewellery are popular alternatives that offer a rich traditional look.

If you want more items please visit;https://giri.in/collections/varalakshmi-vratham

How a Kalasam Represents Abundance, Purity, and Divine Presence

2026-07-15T11:06:17.691+05:30

The Kalasam, also known as the Kalash, is one of the most sacred symbols in Hindu tradition, representing abundance, purity, prosperity, and the presence of the Divine. Revered in temples, homes, and religious ceremonies, the Kalasam is an essential part of poojas, festivals, housewarming ceremonies, weddings, and other auspicious occasions. More than a decorative vessel, it embodies the belief that divine energy resides wherever devotion and righteousness flourish.

Traditionally, a Kalasam is made of brass, copper, silver, or other sacred metals and is filled with water, topped with fresh mango leaves, and crowned with a coconut. Each element carries profound spiritual meaning. The water symbolizes the source of life and purity, the mango leaves represent vitality and growth, while the coconut signifies selflessness, wisdom, and the offering of one's ego to the Divine. Together, these elements transform the Kalasam into a sacred vessel that is believed to invite divine blessings into the home.

Keeping a Kalasam in the pooja room during special ceremonies signifies the welcoming of positive energy, peace, abundance, and spiritual harmony. It reminds devotees that true prosperity extends beyond material wealth to include good health, wisdom, compassion, and inner contentment. Regular worship of the Kalasam encourages mindfulness, gratitude, and devotion, helping families strengthen their spiritual traditions across generations.

When selecting a Kalasam, choose one crafted with quality and traditional artistry to complement your sacred space. Brass Kalasams are especially popular for their durability, timeless beauty, and suitability for daily worship and festive rituals.

The Spiritual Significance of Keeping a Lakshmi Idol at Home

2026-07-15T10:55:34.211+05:30

Goddess Lakshmi, the divine embodiment of wealth, prosperity, abundance, and auspiciousness, is worshipped in homes across India for her blessings of harmony and well-being. Keeping a Lakshmi idol at home is more than a devotional practice—it is a symbol of inviting positive energy, spiritual growth, and lasting prosperity into your life.

According to Hindu tradition, Goddess Lakshmi resides in places that are clean, peaceful, and filled with devotion. Placing a Lakshmi idol in your pooja room or a sacred space serves as a reminder to cultivate gratitude, generosity, and righteousness. Daily prayers, lighting a lamp, and offering fresh flowers before the idol help create a serene atmosphere that nurtures inner peace and strengthens your connection with the Divine.

The form of the Lakshmi idol also carries profound symbolism. Her lotus seat represents purity and spiritual awakening, while the gold coins flowing from her hand signify abundance earned through honest effort and virtuous living. The gesture of blessing (Abhaya Mudra) conveys protection, reassurance, and divine grace, inspiring devotees to face life's challenges with faith and confidence.

Worshipping a Lakshmi idol is especially significant during festivals such as Diwali, Varalakshmi Vratham, and Fridays dedicated to Goddess Lakshmi. However, offering prayers daily can foster a sense of discipline, positivity, and gratitude throughout the year. Many families also believe that sincere devotion to Goddess Lakshmi encourages harmony, success, and prosperity in both personal and professional life.

When selecting a Lakshmi idol, choose one crafted with care and devotion that reflects the sacredness of the Goddess. Whether made of brass, bronze, silver, or marble, a beautifully designed idol can become the spiritual centerpiece of your home altar and a cherished part of your family's traditions.

Beyond Chants Understanding The Power and Significance of Vel Maaral Mantras

2025-10-18T10:04:00.003+05:30

Beyond Chants Understanding The Power and Significance of Vel Maaral Mantras

Speaking of spiritual practices, potency of mantras is topic spoken of in whispers. They are given a special status in Hindu practices, particularly those associated with Lord Murugan, who is also referred to as Kartikeya, deity of war, wisdom and triumph. Among such powerful mantras is the Vel Maaral. While some of us are familiar with the chants of "Om Murugaya Namah," Vel Maaral mantras delve deeper, providing multiple layers of meaning that can enhance the spiritual experience. In this blog post, we will delve into the meaning and potency of Vel Maaral mantras, beyond simply repeating words, and guide you through reasons why they are so significant in devotion practice.

The Symbolism of the Vel

The Vel in Tamil civilization is not merely a weapon but also a tool of spiritual advancement. The Vel represents the power to cross impediments in life either external or internal impediments such as fear and uncertainty. It represents godly grace the victory of good over bad and wisdom which enables us to distinguish between right and wrong. In this way, Vel Maaral mantras are not only chants but positive affirmations that attune the practitioner to power of Lord Murugan, assisting in accessing divine power as well as wisdom.

What Differentiates Vel Maaral Mantras?

Vel Maaral mantras form a unique group of mantras intended for Lord Murugan. These are intended to draw forth the attributes of the Vel – wisdom, victory, protection, and power. Chanting these mantras is said to emit divine frequencies when chanted, uplifting the consciousness of the devotee.

In contrast to generic mantras that center around the name of a deity or certain qualities, mantras of Vel Maaral are more action-oriented. They give the devotee the power to control their fate. This makes them not just spiritual instruments but also functional ones. They are utilized in prayers, rituals, and meditation to look for guidance, protection and blessings. Chanting the mantras is said to result in peace of mind, clear thinking and success in undertaking, both material and spiritual.

The Power of Sound and Vibration

Mantras and Vibrational Energy: The sound of mantras creates vibrations that resonate with the energy field around us.

Connection with Cosmic Frequencies: Ancient sages designed mantras in such a way to align with cosmic frequencies, facilitating a connection with higher consciousness.

Purification of Mind and Body: The repeated chanting of Vel Maaral mantras helps cleanse the mind and body and spirit of negative energies.

Invokes a Meditative State: The tempo of chant invites tranquility, enabling practitioner to achieve a meditative state.

Strengthens the Energy Field: Routine chanting makes the mantra stronger and its impact on mental acuity and emotional stability becomes more profound.

Bridge to Divine Communication: Such vibrations serve as medium for communication between the human being and the divine bringing about spiritual interaction.

Effect of Repetition: The stronger the repetition, more powerful the vibrations are, making the mantra more powerful and spiritually uplifting.

The Role of Intent in Chanting

While chanting Vel Maaral mantras, the intent of the devotee is just as significant as the words. Intention is the driving power behind the efficacy of any spiritual practice. If the intention behind the chanting is pure and well defined the mantra can serve as potent tool for change. For example, if you are in need of wisdom or counsel, chanting with a clear and sincere heart will open your mind to divine wisdom.

The most important thing here is to use the mantra with faith and humility. These mantras are not magic words; they are the vessels of divine energy. These are a call for the presence of Lord Murugan to come into your life. Used with pure intention, Vel Maaral mantras serve as ray of light that guides you through adversities and enables you to confront difficulties of life with poise and courage.

Spiritual Significance: Resonating with Divine Energy

In a way, mantras of Vel Maaral remind you of your own potential. They challenge you to go beyond surface level wants & relate with your higher self. The energy released from the Vel when awakened by these mantras serves as both shield against evil forces along with source of energy. It keeps devotee safe from evil forces and creates a profound sense of peace, balance and wisdom.

Also, the mantras are said to clear obstacles, either physical, mental, or spiritual. They purify the mind and heart, allowing room for change to occur in a positive way. The Vel, being a divine implement of annihilation, destroys the ego and attachments, allowing the devotee to have proper spiritual awakening.

How to Use Vel Maaral Mantras in Daily Life

It is not necessary to have intricate rituals or training to incorporate Vel Maaral mantras in your life. It simply requires an openness to work with Lord Murugan's energy. Start by committing a few minutes each day towards chanting the mantras, either first thing in the morning or right before sleeping.

Aside from chanting, you can also use these mantras while praying, meditating, or doing your daily tasks. With consistent chanting, after some time, you will feel that there are subtle changes occurring in your thoughts and experiences. You will feel more patient, more tolerable, and more in tune with your life's true purpose. That's the power of Vel Maaral mantras, they impose positive changes in your life along in your spiritual path.

Conclusion

Vel Maaral mantras are not just a source of spiritual energy; they are a key to self-transformation. By their profound symbolism, vibrational resonant sounds and divine purpose behind the chanting, these mantras strengthen the practitioner to conquer challenges, become wise and finally unite with the divine. Chanting is a means to synchronize with Lord Murugan's energy, infusing one's life with peace, understanding, and safety.

By accepting the practice of chanting Vel Maaral mantras, you not only pay respects to Lord Murugan but also open yourself to the possibilities of inner change. The strength of the mantras is in their simplicity – they can be practiced by anybody who opens his or her heart to a spiritual path. If you are looking for guidance, protection, or serenity, the Vel Maaral mantras can help you in every step of your journey.

Traditional Meets Convenient – Buy Varalakshmi Pooja Decoration Items from GIRI

2025-07-14T12:46:00.003+05:30

Combining tradition with convenience, GIRI offers everything from decorated Amman faces to vibrant pooja cloths under one spiritual roof. Our range of Varalakshmi pooja decoration items ensures your vratam is visually and spiritually complete.

Acharya – Traditional Wisdom in Every Product | Now at Giri!

2025-04-12T11:00:00.002+05:30

In the sacred path of devotion and spiritual discipline, the tools we use matter just as much as the rituals we follow. Acharya is a trusted brand that brings you authentic pooja essentials, combining age-old traditions with purity and quality. And now, all your favorite Acharya products are available at your spiritual destination – Giri Trading Agency Pvt. Ltd.

What Makes Acharya Special?

Acharya is a name that resonates with tradition, devotion, and uncompromising quality. Whether you're setting up your daily pooja altar or preparing for grand festivities, Acharya offers everything you need – crafted with devotion and blessed with purity.

Discover the Range:

Acharya Sambrani & Dhoop – Known for its rich, temple-like aroma, perfect for purifying spaces
Acharya Ghee Wicks & Cotton Wicks – Ideal for daily deepa pooja and aarthi
Acharya Camphor Tablets – Clean-burning and pure, for an uplifting pooja experience
Acharya Herbal Powders – Including turmeric, sandalwood, kumkum, and more for ritual use
Acharya Vibhuti & Kumkuma – Sourced and prepared traditionally, perfect for divine blessings

Why Buy Acharya from Giri?

At Giri, we uphold tradition and quality, curating only the most trusted devotional brands. Our shelves carry a full range of Acharya products that support your pooja rituals, meditation practices, and festival preparations. Every product is authentic, spiritual, and made with care.

Elevate Your Daily Rituals

From the scent of sambrani to the light of a ghee lamp, let Acharya bring divine grace into your home. Visit Giri Showrooms across India or explore our online store to shop a wide selection of Acharya pooja essentials.

Available at Giri in Mylapore, Matunga, Anna Nagar, Thiruvanmiyur, Malleshwaram, Madurai, Salem, and more.

Shop with faith. Worship with devotion. Choose Acharya – only at Giri.

Experience Divine Fragrance with Zed Black Agarbatti – Now Available at Giri!

2025-04-11T14:44:00.001+05:30

In every pooja, fragrance plays a vital role—it uplifts the mind, purifies the surroundings, and invites divine energies into your sacred space. When it comes to choosing agarbattis that combine tradition with quality, Zed Black Agarbatti stands out as a household name. Now, devotees and spiritual seekers can find their favorite Zed Black incense sticks at Giri Trading Agency Pvt. Ltd., your one-stop destination for authentic spiritual products.

Why Choose Zed Black?

Zed Black is known for its long-lasting aroma, eco-friendly ingredients, and soothing blends that create the perfect devotional ambience. Whether you’re performing your morning pooja or evening meditation, the divine fragrances of Zed Black offer a calming presence that transforms your space into a spiritual sanctuary.

Popular Fragrance Varieties:

Zed Black Manthan – Deep, spiritual scent ideal for rituals and yajnas
Zed Black 3-in-1 – A unique blend that refreshes, relaxes, and rejuvenates
Zed Black Arij – Smooth floral aroma for daily pooja and home freshness
Zed Black Premium Range – Luxurious scents crafted for special occasions

Available Now at Giri Stores

Visit your nearest Giri Showroom or shop online to explore the wide range of Zed Black incense sticks. Giri ensures that every product is carefully selected to support your spiritual journey—whether you seek devotion, relaxation, or clarity.

Create a Divine Atmosphere Every Day

Let every prayer and chant rise with the gentle aroma of Zed Black. Enhance your rituals, invite serenity into your home, and feel the presence of the divine with every fragrant swirl.

Available at Giri outlets in Chennai, Bangalore, Madurai, Salem, and across India.

Experience purity. Experience devotion. Experience Zed Black with Giri.

How to Use Nag Champa Incense During Varalakshmi Vratham & Other Poojas

2025-04-09T10:48:00.005+05:30

In the world of exquisite fragrances, Nag Champa incense holds a special place. Its pleasant, earthy, and peaceful perfume is associated with tranquility, prayer, and optimism. During auspicious holidays such as Varalakshmi Vratham, this divine aroma enhances the spiritual experience and purifies your pooja space.

Giri Trading Agency Pvt. Ltd. offers excellent Nag Champa incense sticks and dhoop made with age-old traditions and the best natural ingredients.

The Spiritual Significance of Nag Champa

Nag Champa is more than a smell; it is a spiritual assistance. Nag Champa incense is noted for its use of natural materials such as sandalwood, magnolia (champaka) flower extracts, resins, and herbs.

Purifying the space before and during pooja
Creating a meditative and calming atmosphere
Enhancing focus during chanting and rituals
Acting as a divine offering to the deity

Often used in temples and homes, it is especially popular during goddess poojas, which makes it ideal for Varalakshmi Vratham, which honors Goddess Lakshmi, the bringer of prosperity and health.

Using Nag Champa Incense During Varalakshmi Vratham

Varalakshmi Vratham is a day of dedication, discipline, and elaborate ceremonies. Here's how to add Nag Champa incense to your pooja:

1. Purify the Space

Before you put up the Varalakshmi idol and pooja objects, smoke a Nag Champa incense stick or cone in each corner of the room. This removes any negative energy and prepares the environment for divine presence.

2. Invoke Positive Vibes During Setup

While decorating the Kalasham, lay the saree over the idol, and put your Varalakshmi Vratham pooja items, keep an incense stick burning nearby. The perfume provides a relaxing backdrop to the preparations.

3. During the Main Pooja

When giving the Deepa (light), include Nag Champa incense as part of the dhupa deepa naivedyam. The incense stick is used to honor the Goddess with devotion and fragrance by waving it in circular motions (pradakshinam).

4. Aromatic Presence Through the Day

Allow a Nag Champa stick to slowly burn in the background while doing Lakshmi Ashtothram, singing bhajans, or reading slokas. Its aroma keeps the atmosphere pure and tranquil during the ceremony.

5. Evening Aarti & Prayers

Many devotees do a second pooja in the evening. Lighting another stick of Nag Champa incense at this time cleanses the aura and maintains the spiritual rhythm of the day.

How to Use Nag Champa in Other Poojas

Nag Champa is not exclusive to Varalakshmi Vratham. You can include it into numerous rituals, such as:

Lakshmi Pooja on Fridays
Sathyanarayana Pooja
Ganesh Chaturthi
Navaratri & Dussehra Celebrations
Diwali Lakshmi Pooja
Daily Morning & Evening Prayers

In each of these rites, incense serves as a link between the physical and the heavenly.

Stick or Dhoop – What Should You Choose?

Nag Champa Incense Sticks
Ideal for smaller spaces
Burns slowly, emits consistent fragrance
Easy to place on incense holders

Nag Champa Dhoop Cones
Stronger, thicker aroma
Perfect for open areas or temples
Traditional feel, ideal for grand poojas

Giri provides both alternatives in a variety of sizes and pack combinations, including Nag Champa combo boxes and bulk packs for temples and community events.

How to Properly Burn Nag Champa Incense

Hold the stick by the wooden base and light the coated end.
Let the flame catch for a few seconds.
Gently blow out the flame, allowing the stick to smolder.
Place it in a safe incense holder away from wind or fans.
Never leave incense unattended.

Always burn incense in a well-ventilated space for best results.

Where to Buy Authentic Nag Champa Incense?

Giri’s wide range of Nag Champa incense sticks, cones, and dhoop is available:

In all Giri stores across India
On our official website for online orders
In eco-friendly, traditional packaging
With options in single packs, combo sets, and festive gift boxes

Each product is made with natural ingredients, hand-rolled by artisans, and spiritually charged to enhance your pooja experience.

Final Thoughts

Using Nag Champa incense in your Varalakshmi Vratham and everyday poojas is a sign of devotion, tradition, and attention. The sacred smell not only pleases the deities, but it also instills tranquility and happiness in your home.

Whether you're a seasoned devotee or doing pooja for the first time, Giri's Nag Champa incense is a reliable companion for every prayer.

Shop Now and bring home the divine scent of Nag Champa this Varalakshmi Vratham.
Explore Nag Champa Collection at Giri
Visit your nearest Giri store or shop online at [giri.in]

Spread the Scent of Devotion with Acharya Agarbatti – Available at Giri

2025-04-08T15:01:00.004+05:30

Fragrance has an important part in prayer and meditation. A peaceful and sweet-smelling environment makes us feel closer to God and brings tranquility to our minds. Lighting a nice agarbatti (incense stick) is one of the most effective ways to achieve that spiritual sensation.

We are pleased to introduce to you Acharya Agarbatti, a reputable and age-old incense brand that is ideal for your everyday pooja, meditation, and celebrations.

Why Choose Acharya Agarbatti?

Acharya Agarbatti is recognized for its sweet, long-lasting scent. Each stick is carefully crafted from natural materials like as herbs, floral extracts, and essential oils. The pleasant smell pervades the atmosphere, making your puja experience more serene and wonderful.

Many families in India use Acharya incense because it reminds them of temple prayers, spiritual traditions, and the benefits of tradition.

Best Time to Use Acharya Agarbatti

You can light Acharya Agarbatti at any time of day.

During the morning or evening puja

While performing meditation or chanting.

During important celebrations and temple rites

Freshen up your home with a natural, pleasant smell.

Before beginning your day or before going to bed for relaxation.

It purifies the air, relaxes the mind, and attracts positive energy into your environment.

Available Fragrances at Giri

Giri offers a wide selection of Acharya perfumes to fit a variety of emotions and events. Whether you prefer light, floral scents or bolder, traditional ones, there is something for everyone. Each pack is meticulously crafted and packed fresh to maintain the fragrance's purity.

Safe and Pure for Everyday Use

Acharya incense sticks are manufactured from safe, natural components. They contain no dangerous chemicals or excessive artificial odors. They are safe to use on a daily basis in homes, temples, and pooja rooms, including around youngsters and the elderly.

Buy Acharya Agarbatti at Giri Stores or Online

Acharya Agarbatti is available at all Giri stores and may also be ordered online through our website. We provide speedy delivery, authentic products, and friendly customer service. Whether you want one pack or need a bulk order for festivals or temples, Giri is here to help.

Let Your Prayers Rise with Fragrance

Lighting Acharya Agarbatti is a simple way to bring cleanliness, tranquility, and devotion into your day. With each stick, you create a room full with divine energy and tranquility.

Visit Giri today to see our whole selection of Acharya incense sticks and take home the smell of faith.

Shop now at Giri and take home the soothing aroma of affection.

Feel the Fragrance of Devotion with Cycle Agarbatti – Now available at Giri

2025-04-07T12:01:00.003+05:30

Every sacred area has a subtle connection between the heart and the divine—a soft wisp of fragrant smoke rising slowly with our prayers. For years, Cycle Agarbatti has contributed to that tranquil time. Its distinct and relaxing smells elevate ordinary prayer to a particular level.

Giri is happy to offer the trusted variety of Cycle incense sticks, which are known throughout India and the world for their purity, quality, and beautiful smell.

Why Choose Cycle Agarbatti?

Cycle Brand Agarbatti has been spreading spiritual calmness since 1948. These incense sticks are cherished for their enduring scent and capacity to cleanse the atmosphere because they are made using natural materials, essential oils, and traditional recipes.

Whether you're beginning your day with pooja, meditating, or simply wanting to create a serene atmosphere at home, Cycle Agarbatti provides warmth and comfort into every corner.

Popular Cycle Agarbatti Fragrances Available at Giri

Giri has a wide range of Cycle incense sticks to meet your spiritual demands and personal preferences. Some of the most popular possibilities are:

Cycle Three in One - A combination of three rich smells in one sachet, ideal for daily puja.

Cycle Heritage - Made with rich, woody notes that evoke a temple-like atmosphere.

Cycle Lia - Mild and floral, perfect for modern homes and mild meditation sessions.

Cycle Serene - Refreshing and calming, ideal for unwinding after a long day.

These incense sticks burn for an extended period and provide a consistent smell, allowing you to totally immerse yourself in devotion.

A Ritual of Purity and Peace

Lighting an incense stick is not only a regular habit; it is a ritual. It signals the start of your prayer, concentrates your thoughts, and cleanses the space. The Cycle Agarbatti collection is meticulously crafted using spiritual concepts, so each stick supports your intention, whether it's serenity, gratitude, healing, or dedication.

Safe, Natural, and Trusted

All Cycle incense products have natural components and are devoid of toxic chemicals. They are suitable for daily usage, including in homes with children and the elderly. The aroma is light and non-irritating, making them excellent for indoor use.

Available at Giri Stores and Online

You can now purchase your favorite Cycle Agarbatti from Giri stores around India or online via our website. Whether you're storing up for the month or preparing for a special puja, Giri guarantees you'll get only genuine and fresh items.

Our staff also provides bulk ordering, tailored pooja kits, and home delivery to make your spiritual journey easier and more fulfilling.

Let Every Prayer Begin with Fragrance

The smell of Cycle Agarbatti is more than just a scent; it evokes feelings of home, comfort, and heavenly presence. Giri believes in providing only the best for your spiritual pursuits.

Explore our entire range of Cycle incense sticks today and fill your home with the soothing force of prayer and purity.

Shop at Giri. Light the Cycle Agarbatti. Let your devotion grow with each inhale of aroma.

Zed Black Agarbatti – Now Available at Giri

2025-04-05T16:33:00.004+05:30

In every Indian household, the gentle glow of a diya and the soothing aroma of agarbatti mark the beginning of peace, prayer, and purity. Now, Giri brings to you the trusted and divine fragrance of Zed Black Agarbatti – one of India’s most loved incense brands, known for its quality, innovation, and spiritual essence.

Whether it’s for your daily pooja, meditation, or to simply enhance your home’s ambience, Zed Black incense sticks—now available at Giri Stores and giri.in—offer a rich aromatic experience that’s rooted in tradition and crafted for the modern devotee.

The Power of Fragrance in Spirituality

Fragrance plays a subtle yet powerful role in rituals. It purifies the air, calms the mind, and creates a spiritually charged atmosphere ideal for chanting, meditation, and worship.

Zed Black Agarbatti uses carefully blended natural oils and traditional ingredients like sandalwood, rose, mogra, and herbs that are aligned with Vedic principles of sacred rituals. As devotees ourselves, Giri understands the need for incense that’s both spiritually pure and of the highest quality.

Why Choose Zed Black Agarbatti from Giri?

At Giri, we curate products that support your spiritual journey, and Zed Black is no exception. Here’s why it stands out:

Authentic & Long-Lasting Fragrance

Each stick is made to deliver a consistent, long-lasting aroma that enhances focus and devotion during pooja or meditation.

Wide Range of Scents

From divine Sandalwood and Guggal to refreshing Jasmine, Rose, and Oudh, Zed Black offers something for every taste and occasion.

Charcoal-Free Options

Ideal for daily use, Zed Black’s charcoal-free variants are low in smoke and high in purity—perfect for homes with children, elders, or asthmatics.

Perfect for All Rituals

Whether it's Varalakshmi Vratham, Navaratri, Amavasya pooja, or daily temple offerings, Zed Black Agarbatti fits every ritual with grace and fragrance.

Available Now at Giri Stores & Online

You can now shop the full range of Zed Black Agarbatti at:

All Giri retail outlets across India

Online at www.giri.in

Also available in special combo gift packs for festivals and special occasions

From daily use to temple-grade varieties, Giri brings you authentic incense that transforms any space into a divine abode.

\Ideal for Gifting – A Touch of Tradition

Festivals, weddings, or spiritual milestones—Zed Black incense gift packs available at Giri make thoughtful and auspicious gifts. Beautifully packed and spiritually meaningful, they’re a fragrant way to share positivity and blessings.

Tradition Meets Innovation

Both Giri and Zed Black share a common goal: to bring age-old traditions into modern homes with authenticity and care. Zed Black continues to innovate with eco-friendly packaging and ethically sourced ingredients, while Giri ensures these offerings reach devotees with love and respect.

Let Fragrance Connect You to the Divine

A single stick of Zed Black Agarbatti does more than fill a room with aroma—it fills the heart with peace. Now, with Giri, you can bring this sacred fragrance into your daily life effortlessly.

Feel the Divine with Nag Champa Agarbatti from Giri

2025-04-03T16:05:00.002+05:30

Feel the Divine with Nag Champa Agarbatti from Giri

There’s something truly peaceful about the gentle fragrance of incense in a prayer room. It calms the mind, clears the space, and brings a spiritual feeling into the home. One of the most loved incense scents across the world is Nag Champa Agarbatti.

At Giri, we bring you authentic Nag Champa incense sticks made with care and tradition. Whether you're doing pooja, meditating, or simply wanting a fresh and calming space, our Nag Champa Agarbatti is the perfect choice.

What is Nag Champa?

Nag Champa is a popular incense made from natural flowers, herbs, and resins. The main ingredient is the champa flower, which gives it a sweet and earthy fragrance. It also contains halmaddi, a natural resin that helps the stick burn slowly and evenly.

This unique mix gives Nag Champa its warm, relaxing smell that many people use during prayers, yoga, or meditation. It helps set a peaceful mood wherever it is used.

Why Buy Nag Champa Agarbatti from Giri?

At Giri, we focus on purity and tradition. Our Nag Champa Agarbatti is made using high-quality natural ingredients. Each stick is hand-rolled by skilled workers who know the spiritual value behind every incense stick.

Our incense sticks are:

Long-lasting
Free from harmful chemicals
Made from natural materials

Lighting a stick from Giri doesn’t just make your space smell nice—it fills the room with peace and positive energy.

Benefits of Nag Champa Agarbatti

Using Nag Champa incense has many benefits:

Helps in prayer and meditation: The soothing scent helps you stay focused and calm.
Reduces stress: Its relaxing aroma helps the mind feel peaceful and less anxious.
Cleanses the air: It removes negative vibes and brings freshness to the space.
Improves mood: It creates a pleasant and uplifting atmosphere in your home or workspace.

When Can You Use It?

You can light Nag Champa Agarbatti:

During daily pooja or prayer
While doing meditation or yoga
Before guests arrive
To remove bad odors or create a fresh feeling
To start your morning with peace and clarity

Giri’s Commitment to Quality

Giri has been a trusted name since 1951 for spiritual and religious products. We are proud to offer incense sticks that are pure, safe, and filled with tradition. No matter where you live, you can order our products online and receive them at your doorstep with care.

With Giri, you don’t just buy incense—you welcome tradition, blessings, and purity into your home.

Bring Home Peace and Fragrance

Let the soft smoke of Nag Champa Agarbatti fill your home with calmness and joy. Whether for daily rituals or quiet moments, this fragrance brings the feeling of a temple into your space.

Order now from Giri and enjoy the divine scent of Nag Champa.

The Timeless Essence of Agarbatti: Discover Premium Incense Sticks at Giri

2024-12-16T12:39:00.002+05:30

In the spiritual practices of India, agarbattis (incense sticks) hold a revered place, seamlessly blending tradition, spirituality, and wellness. Whether it’s for daily pooja, meditation, or simply to create a tranquil ambiance at home, agarbattis have been an integral part of our lives for centuries. At Giri, we celebrate this tradition by offering a wide variety of premium incense sticks that cater to every preference and occasion.

Why Are Agarbattis Important?

The fragrance of agarbattis is more than just a sensory delight. It holds deep spiritual significance and is believed to:

Purify the air: The aromatic compounds in agarbattis help cleanse the environment of impurities.
Create a calming atmosphere: The soothing fragrances promote relaxation and mindfulness.
Enhance meditation and spiritual practices: A key element in rituals, agarbattis aid in focusing the mind and uplifting the spirit.
Connect with tradition: Burning incense during poojas invokes divine blessings and fosters a connection with cultural heritage.

Types of Agarbattis at Giri

At Giri, we bring you a curated selection of incense sticks crafted from the finest natural ingredients. Each variety reflects our commitment to quality and authenticity:

Floral Fragrances: Rose, jasmine, and sandalwood for those who love the scent of nature.
Herbal & Ayurvedic: Made with traditional recipes to create a therapeutic experience.
Masala Agarbattis: Hand-rolled sticks offering long-lasting, earthy fragrances.
Specialty Incense: Unique blends tailored for specific occasions and rituals.

Our agarbattis are not just products; they are an embodiment of devotion, love, and peace. With every stick, you’ll experience the essence of tradition, packaged in modern designs for easy use.

Why Choose Giri for Your Agarbatti Needs?

Giri has been a trusted name in spiritual and cultural products since 1951, serving devotees and households across the globe. Here’s why customers choose us:

Quality Assurance: Every incense stick is crafted with care, ensuring a perfect blend of fragrance and longevity.
Variety to Suit All Preferences: Whether you prefer subtle floral notes or bold woody aromas, we have it all.
Eco-Friendly Options: Supporting sustainability, many of our agarbattis are made with natural, biodegradable ingredients.
Affordable Pricing: High-quality products that suit every budget.

How to Incorporate Agarbattis in Your Daily Life?

Morning Rituals: Light an agarbatti during your morning prayers to start the day on a spiritual note.
Meditation Practice: Use soothing fragrances to enhance focus and tranquility.
Relaxation: After a long day, unwind with the calming aroma of incense sticks.
Special Occasions: Add a touch of divinity to festivals, family gatherings, or housewarming ceremonies.

Shop Agarbattis Online at Giri

Ready to immerse yourself in the world of divine fragrances? Visit Giri to explore our extensive collection of agarbattis and spiritual products. With secure online shopping, doorstep delivery, and a commitment to excellence, Giri makes it convenient for you to bring home the best.

Embrace the timeless charm of agarbattis and let the divine aroma transform your space into a haven of peace and positivity. Discover the perfect agarbatti for your home, only at Giri!

Navarathri Day 8 - Maha Gauri

2024-12-03T14:09:00.003+05:30

Day eight of Navarathri(Ashtami): Goddess Maha Gauri

Maha Gauri = Maha(Very) + Gauri(Fair/white), the most beautiful Goddesss who looks as white as milk.

Appearance of Maha Gauri

The eighth manifestation of Goddess Durga is Maha Gauri. She is white in complexion with three eyes and four hands. Her dress is white and rides on white bull. Her upper right hand holds Trishul and lower right hand alleviates fear to her devotees. Her upper left hand grants boon and her other left hand holds damaru.

Prayers Offered to Goddess Maha Gauri

या देवी सर्वभू‍तेषु माँ गौरी रूपेण संस्थिता।

नमस्तस्यै नमस्तस्यै नमस्तस्यै नमो नम:।।
Ya devi Sarvabhuteshu Ma Maha Gauri Rupen Sansthita |
Namastaseya Namastaseya Namastaseya Namoh Namah ||

Legend of Maha Gauri

Maha Gauri is a manifestation is of Goddess Parvati. When Parvati observed a hard sacrament to obtain Lord Shiva in the forest of Himalayas, she developed a dark complexion. When Lord Shiva accepted her great devotion, he washed the body of Parvati with water of “pure Gange”s or “Ganga” and her body regained its beauty. She came to be recognized as “Maha Gauri”, meaning “extremely white” and became prominent as the consort of Mahadev(Lord Shiva). Devi Gauri is bright, peaceful and calm and her beauty glows like sparkling White Pearl.

It is believed that if the unmarried girls observe fast on this Ashtami, they are blessed with desired husband and peaceful married life.

GIRI’s Navarathri Pick - Soundarya Lahari
Lyrics in Sanskrit & English

प्रथम भागः – आनन्द लहरि (prathama bhāgaḥ – ānanda lahari)

भुमौस्खलित पादानाम् भूमिरेवा वलम्बनम् ।
त्वयी जाता पराधानाम् त्वमेव शरणम् शिवे ॥
bhumauskhalita pādānām bhūmirevā valambanam |
tvayī jātā parādhānām tvameva śaraṇam śive ||

शिवः शक्त्या युक्तो यदि भवति शक्तः प्रभवितुं
न चेदेवं देवो न खलु कुशलः स्पन्दितुमपि।
अतस्त्वाम् आराध्यां हरि-हर-विरिन्चादिभि रपि
प्रणन्तुं स्तोतुं वा कथ-मक्र्त पुण्यः प्रभवति॥ 1 ॥
śivaḥ śaktyā yukto yadi bhavati śaktaḥ prabhavituṃ
na cedevaṃ devo na khalu kuśalaḥ spanditumapi|
atastvām ārādhyāṃ hari-hara-virincādibhi rapi
praṇantuṃ stotuṃ vā katha-makrta puṇyaḥ prabhavati|| 1 ||

तनीयांसुं पांसुं तव चरण पङ्केरुह-भवं
विरिञ्चिः सञ्चिन्वन् विरचयति लोका-नविकलम् ।
वहत्येनं शौरिः कथमपि सहस्रेण शिरसां
हरः सङ्क्षुद्-यैनं भजति भसितोद्धूल नविधिम्॥ 2 ॥
tanīyāṃsuṃ pāṃsuṃ tava caraṇa paṅkeruha-bhavaṃ
viriñciḥ sañcinvan viracayati lokā-navikalam |
vahatyenaṃ śauriḥ kathamapi sahasreṇa śirasāṃ
haraḥ saṅkṣud-yainaṃ bhajati bhasitoddhūḷa navidhim|| 2 ||

अविद्याना-मन्त-स्तिमिर-मिहिर द्वीपनगरी
जडानां चैतन्य-स्तबक मकरन्द श्रुतिझरी ।
दरिद्राणां चिन्तामणि गुणनिका जन्मजलधौ
निमग्नानां दंष्ट्रा मुररिपु वराहस्य भवति॥ 3 ॥
avidyānā-manta-stimira-mihira dvīpanagarī
jaḍānāṃ caitanya-stabaka makaranda śrutijharī |
daridrāṇāṃ cintāmaṇi guṇanikā janmajaladhau
nimagnānāṃ daṃṣṭrā muraripu varāhasya bhavati|| 3 ||

त्वदन्यः पाणिभया-मभयवरदो दैवतगणः
त्वमेका नैवासि प्रकटित-वरभीत्यभिनया ।
भयात् त्रातुं दातुं फलमपि च वांछासमधिकं
शरण्ये लोकानां तव हि चरणावेव निपुणौ ॥ 4 ॥
tvadanyaḥ pāṇibhayā-mabhayavarado daivatagaṇaḥ
tvamekā naivāsi prakaṭita-varabhītyabhinayā |
bhayāt trātuṃ dātuṃ phalamapi ca vāṃchāsamadhikaṃ
śaraṇye lokānāṃ tava hi caraṇāveva nipuṇau || 4 ||

हरिस्त्वामारध्य प्रणत-जन-सौभाग्य-जननीं
पुरा नारी भूत्वा पुररिपुमपि क्षोभ मनयत् ।
स्मरो‌உपि त्वां नत्वा रतिनयन-लेह्येन वपुषा
मुनीनामप्यन्तः प्रभवति हि मोहाय महताम् ॥ 5 ॥
haristvāmāradhya praṇata-jana-saubhāgya-jananīṃ
purā nārī bhūtvā puraripumapi kṣobha manayat |
smaro‌உpi tvāṃ natvā ratinayana-lehyena vapuṣā
munīnāmapyantaḥ prabhavati hi mohāya mahatām || 5 ||

धनुः पौष्पं मौर्वी मधुकरमयी पञ्च विशिखाः
वसन्तः सामन्तो मलयमरु-दायोधन-रथः ।
तथाप्येकः सर्वं हिमगिरिसुते कामपि कृपां
अपाङ्गात्ते लब्ध्वा जगदिद-मनङ्गो विजयते ॥ 6 ॥
dhanuḥ pauṣpaṃ maurvī madhukaramayī pañca viśikhāḥ
vasantaḥ sāmanto malayamaru-dāyodhana-rathaḥ |
tathāpyekaḥ sarvaṃ himagirisute kāmapi kṛpāṃ
apāṅgātte labdhvā jagadida-manaṅgo vijayate || 6 ||

क्वणत्काञ्ची-दामा करि कलभ कुम्भ-स्तननता
परिक्षीणा मध्ये परिणत शरच्चन्द्र-वदना ।
धनुर्बाणान् पाशं सृ॒णिमपि दधाना करतलैः
पुरस्ता दास्तां नः पुरमथितु राहो-पुरुषिका ॥ 7 ॥
kvaṇatkāñcī-dāmā kari kalabha kumbha-stananatā
parikṣīṇā madhye pariṇata śaraccandra-vadanā |
dhanurbāṇān pāśaṃ sṛṇimapi dadhānā karatalaiḥ
purastā dāstāṃ naḥ puramathitu rāho-puruṣikā || 7 ||

सुधासिन्धोर्मध्ये सुरविट-पिवाटी-परिवृते
मणिद्वीपे नीपो-पवनवति चिन्तामणि गृहे ।
शिवकारे मञ्चे परमशिव-पर्यङ्क निलयाम्
भजन्ति त्वां धन्याः कतिचन चिदानन्द-लहरीम् ॥ 8 ॥
sudhāsindhormadhye suraviṭa-pivāṭī-parivṛte
maṇidvīpe nīpo-pavanavati cintāmaṇi gṛhe |
śivakāre mañce paramaśiva-paryaṅka nilayām
bhajanti tvāṃ dhanyāḥ katicana cidānanda-laharīm || 8 ||

महीं मूलाधारे कमपि मणिपूरे हुतवहं
स्थितं स्वधिष्टाने हृदि मरुत-माकाश-मुपरि ।
मनो‌உपि भ्रूमध्ये सकलमपि भित्वा कुलपथं
सहस्रारे पद्मे स हरहसि पत्या विहरसे ॥ 9 ॥
mahīṃ mūlādhāre kamapi maṇipūre hutavahaṃ
sthitaṃ svadhiṣṭāne hṛdi maruta-mākāśa-mupari |
mano‌உpi bhrūmadhye sakalamapi bhitvā kulapathaṃ
sahasrāre padme sa harahasi patyā viharase || 9 ||

सुधाधारासारै-श्चरणयुगलान्त-र्विगलितैः
प्रपञ्चं सिन्ञ्न्ती पुनरपि रसाम्नाय-महसः।
अवाप्य स्वां भूमिं भुजगनिभ-मध्युष्ट-वलयं
स्वमात्मानं कृत्वा स्वपिषि कुलकुण्डे कुहरिणि ॥ 10 ॥
sudhādhārāsārai-ścaraṇayugalānta-rvigalitaiḥ
prapañcaṃ sinñntī punarapi rasāmnāya-mahasaḥ|
avāpya svāṃ bhūmiṃ bhujaganibha-madhyuṣṭa-valayaṃ
svamātmānaṃ kṛtvā svapiṣi kulakuṇḍe kuhariṇi || 10 ||

चतुर्भिः श्रीकण्ठैः शिवयुवतिभिः पञ्चभिपि
प्रभिन्नाभिः शम्भोर्नवभिरपि मूलप्रकृतिभिः ।
चतुश्चत्वारिंशद्-वसुदल-कलाश्च्-त्रिवलय-
त्रिरेखभिः सार्धं तव शरणकोणाः परिणताः ॥ 11 ॥
caturbhiḥ śrīkaṇṭhaiḥ śivayuvatibhiḥ pañcabhipi
prabhinnābhiḥ śambhornavabhirapi mūlaprakṛtibhiḥ |
catuścatvāriṃśad-vasudala-kalāśc-trivalaya-
trirekhabhiḥ sārdhaṃ tava śaraṇakoṇāḥ pariṇatāḥ || 11 ||

त्वदीयं सौन्दर्यं तुहिनगिरिकन्ये तुलयितुं
कवीन्द्राः कल्पन्ते कथमपि विरिञ्चि-प्रभृतयः ।
यदालोकौत्सुक्या-दमरललना यान्ति मनसा
तपोभिर्दुष्प्रापामपि गिरिश-सायुज्य-पदवीम् ॥ 12 ॥
tvadīyaṃ saundaryaṃ tuhinagirikanye tulayituṃ
kavīndrāḥ kalpante kathamapi viriñci-prabhṛtayaḥ |
yadālokautsukyā-damaralalanā yānti manasā
tapobhirduṣprāpāmapi giriśa-sāyujya-padavīm || 12 ||

नरं वर्षीयांसं नयनविरसं नर्मसु जडं
तवापाङ्गालोके पतित-मनुधावन्ति शतशः ।
गलद्वेणीबन्धाः कुचकलश-विस्त्रिस्त-सिचया
हटात् त्रुट्यत्काञ्यो विगलित-दुकूला युवतयः ॥ 13 ॥
naraṃ varṣīyāṃsaṃ nayanavirasaṃ narmasu jaḍaṃ
tavāpāṅgāloke patita-manudhāvanti śataśaḥ |
galadveṇībandhāḥ kucakalaśa-vistrista-sicayā
haṭāt truṭyatkāñyo vigalita-dukūlā yuvatayaḥ || 13 ||

क्षितौ षट्पञ्चाशद्-द्विसमधिक-पञ्चाश-दुदके
हुतशे द्वाषष्टि-श्चतुरधिक-पञ्चाश-दनिले ।
दिवि द्विः षट् त्रिंशन् मनसि च चतुःषष्टिरिति ये
मयूखा-स्तेषा-मप्युपरि तव पादाम्बुज-युगम् ॥ 14 ॥
kṣitau ṣaṭpañcāśad-dvisamadhika-pañcāśa-dudake
hutaśe dvāṣaṣṭi-ścaturadhika-pañcāśa-danile |
divi dviḥ ṣaṭ triṃśan manasi ca catuḥṣaṣṭiriti ye
mayūkhā-steṣā-mapyupari tava pādāmbuja-yugam || 14 ||

शरज्ज्योत्स्ना शुद्धां शशियुत-जटाजूट-मकुटां
वर-त्रास-त्राण-स्फटिकघुटिका-पुस्तक-कराम् ।
सकृन्न त्वा नत्वा कथमिव सतां सन्निदधते
मधु-क्षीर-द्राक्षा-मधुरिम-धुरीणाः फणितयः ॥ 15 ॥
śarajjyotsnā śuddhāṃ śaśiyuta-jaṭājūṭa-makuṭāṃ
vara-trāsa-trāṇa-sphaṭikaghuṭikā-pustaka-karām |
sakṛnna tvā natvā kathamiva satāṃ sannidadhate
madhu-kṣīra-drākṣā-madhurima-dhurīṇāḥ phaṇitayaḥ || 15 ||

कवीन्द्राणां चेतः कमलवन-बालातप-रुचिं
भजन्ते ये सन्तः कतिचिदरुणामेव भवतीम् ।
विरिञ्चि-प्रेयस्या-स्तरुणतर-श्रृङ्गर लहरी-
गभीराभि-र्वाग्भिः र्विदधति सतां रञ्जनममी ॥ 16 ॥
kavīndrāṇāṃ cetaḥ kamalavana-bālātapa-ruciṃ
bhajante ye santaḥ katicidaruṇāmeva bhavatīm |
viriñci-preyasyā-staruṇatara-śrṛṅgara laharī-
gabhīrābhi-rvāgbhiḥ rvidadhati satāṃ rañjanamamī || 16 ||

सवित्रीभि-र्वाचां चशि-मणि शिला-भङ्ग रुचिभि-
र्वशिन्यद्याभि-स्त्वां सह जननि सञ्चिन्तयति यः ।
स कर्ता काव्यानां भवति महतां भङ्गिरुचिभि-
र्वचोभि-र्वाग्देवी-वदन-कमलामोद मधुरैः ॥ 17 ॥
savitrībhi-rvācāṃ caśi-maṇi śilā-bhaṅga rucibhi-
rvaśinyadyābhi-stvāṃ saha janani sañcintayati yaḥ |
sa kartā kāvyānāṃ bhavati mahatāṃ bhaṅgirucibhi-
rvacobhi-rvāgdevī-vadana-kamalāmoda madhuraiḥ || 17 ||

तनुच्छायाभिस्ते तरुण-तरणि-श्रीसरणिभि-
र्दिवं सर्वा-मुर्वी-मरुणिमनि मग्नां स्मरति यः ।
भवन्त्यस्य त्रस्य-द्वनहरिण-शालीन-नयनाः
सहोर्वश्या वश्याः कति कति न गीर्वाण-गणिकाः ॥ 18 ॥
tanucchāyābhiste taruṇa-taraṇi-śrīsaraṇibhi-
rdivaṃ sarvā-murvī-maruṇimani magnāṃ smarati yaḥ |
bhavantyasya trasya-dvanahariṇa-śālīna-nayanāḥ
sahorvaśyā vaśyāḥ kati kati na gīrvāṇa-gaṇikāḥ || 18 ||

मुखं बिन्दुं कृत्वा कुचयुगमध-स्तस्य तदधो
हरार्धं ध्यायेद्यो हरमहिषि ते मन्मथकलाम् ।
स सद्यः सङ्क्षोभं नयति वनिता इत्यतिलघु
त्रिलोकीमप्याशु भ्रमयति रवीन्दु-स्तनयुगाम् ॥ 19 ॥
mukhaṃ binduṃ kṛtvā kucayugamadha-stasya tadadho
harārdhaṃ dhyāyedyo haramahiṣi te manmathakalām |
sa sadyaḥ saṅkṣobhaṃ nayati vanitā ityatilaghu
trilokīmapyāśu bhramayati ravīndu-stanayugām || 19 ||

किरन्ती-मङ्गेभ्यः किरण-निकुरुम्बमृतरसं
हृदि त्वा माधत्ते हिमकरशिला-मूर्तिमिव यः ।
स सर्पाणां दर्पं शमयति शकुन्तधिप इव
ज्वरप्लुष्टान् दृष्ट्या सुखयति सुधाधारसिरया ॥ 20 ॥
kirantī-maṅgebhyaḥ kiraṇa-nikurumbamṛtarasaṃ
hṛdi tvā mādhatte himakaraśilā-mūrtimiva yaḥ |
sa sarpāṇāṃ darpaṃ śamayati śakuntadhipa iva
jvarapluṣṭān dṛṣṭyā sukhayati sudhādhārasirayā || 20 ||

तटिल्लेखा-तन्वीं तपन शशि वै॒श्वानर मयीं
निष्ण्णां षण्णामप्युपरि कमलानां तव कलाम् ।
महापद्मातव्यां मृदित-मलमायेन मनसा
महान्तः पश्यन्तो दधति परमाह्लाद-लहरीम् ॥ 21 ॥
taṭillekhā-tanvīṃ tapana śaśi vaiśvānara mayīṃ
niṣṇṇāṃ ṣaṇṇāmapyupari kamalānāṃ tava kalām |
mahāpadmātavyāṃ mṛdita-malamāyena manasā
mahāntaḥ paśyanto dadhati paramāhlāda-laharīm || 21 ||

भवानि त्वं दासे मयि वितर दृष्टिं सकरुणां
इति स्तोतुं वाञ्छन् कथयति भवानि त्वमिति यः ।
तदैव त्वं तस्मै दिशसि निजसायुज्य-पदवीं
मुकुन्द-ब्रम्हेन्द्र स्फुट मकुट नीराजितपदाम् ॥ 22 ॥
bhavāni tvaṃ dāse mayi vitara dṛṣṭiṃ sakaruṇāṃ
iti stotuṃ vāñchan kathayati bhavāni tvamiti yaḥ |
tadaiva tvaṃ tasmai diśasi nijasāyujya-padavīṃ
mukunda-bramhendra sphuṭa makuṭa nīrājitapadām || 22 ||

त्वया हृत्वा वामं वपु-रपरितृप्तेन मनसा
शरीरार्धं शम्भो-रपरमपि शङ्के हृतमभूत् ।
यदेतत् त्वद्रूपं सकलमरुणाभं त्रिनयनं
कुचाभ्यामानम्रं कुटिल-शशिचूडाल-मकुटम् ॥ 23 ॥
tvayā hṛtvā vāmaṃ vapu-raparitṛptena manasā
śarīrārdhaṃ śambho-raparamapi śaṅke hṛtamabhūt |
yadetat tvadrūpaṃ sakalamaruṇābhaṃ trinayanaṃ
kucābhyāmānamraṃ kuṭila-śaśicūḍāla-makuṭam || 23 ||

जगत्सूते धाता हरिरवति रुद्रः क्षपयते
तिरस्कुर्व-न्नेतत् स्वमपि वपु-रीश-स्तिरयति ।
सदा पूर्वः सर्वं तदिद मनुगृह्णाति च शिव-
स्तवाज्ञा मलम्ब्य क्षणचलितयो र्भ्रूलतिकयोः ॥ 24 ॥
jagatsūte dhātā hariravati rudraḥ kṣapayate
tiraskurva-nnetat svamapi vapu-rīśa-stirayati |
sadā pūrvaḥ sarvaṃ tadida manugṛhṇāti ca śiva-
stavāṅñā malambya kṣaṇacalitayo rbhrūlatikayoḥ || 24 ||

त्रयाणां देवानां त्रिगुण-जनितानां तव शिवे
भवेत् पूजा पूजा तव चरणयो-र्या विरचिता ।
तथा हि त्वत्पादोद्वहन-मणिपीठस्य निकटे
स्थिता ह्येते-शश्वन्मुकुलित करोत्तंस-मकुटाः ॥ 25 ॥
trayāṇāṃ devānāṃ triguṇa-janitānāṃ tava śive
bhavet pūjā pūjā tava caraṇayo-ryā viracitā |
tathā hi tvatpādodvahana-maṇipīṭhasya nikaṭe
sthitā hyete-śaśvanmukulita karottaṃsa-makuṭāḥ || 25 ||

विरिञ्चिः पञ्चत्वं व्रजति हरिराप्नोति विरतिं
विनाशं कीनाशो भजति धनदो याति निधनम् ।
वितन्द्री माहेन्द्री-विततिरपि संमीलित-दृशा
महासंहारे‌உस्मिन् विहरति सति त्वत्पति रसौ ॥ 26 ॥
viriñciḥ pañcatvaṃ vrajati harirāpnoti viratiṃ
vināśaṃ kīnāśo bhajati dhanado yāti nidhanam |
vitandrī māhendrī-vitatirapi saṃmīlita-dṛśā
mahāsaṃhāre‌உsmin viharati sati tvatpati rasau || 26 ||

जपो जल्पः शिल्पं सकलमपि मुद्राविरचना
गतिः प्रादक्षिण्य-क्रमण-मशनाद्या हुति-विधिः ।
प्रणामः संवेशः सुखमखिल-मात्मार्पण-दृशा
सपर्या पर्याय-स्तव भवतु यन्मे विलसितम् ॥ 27 ॥
japo jalpaḥ śilpaṃ sakalamapi mudrāviracanā
gatiḥ prādakṣiṇya-kramaṇa-maśanādyā huti-vidhiḥ |
praṇāmaḥ saṃveśaḥ sukhamakhila-mātmārpaṇa-dṛśā
saparyā paryāya-stava bhavatu yanme vilasitam || 27 ||

सुधामप्यास्वाद्य प्रति-भय-जरमृत्यु-हरिणीं
विपद्यन्ते विश्वे विधि-शतमखाद्या दिविषदः ।
करालं यत् क्ष्वेलं कबलितवतः कालकलना
न शम्भोस्तन्मूलं तव जननि ताटङ्क महिमा ॥ 28 ॥
sudhāmapyāsvādya prati-bhaya-jaramṛtyu-hariṇīṃ
vipadyante viśve vidhi-śatamakhādyā diviṣadaḥ |
karālaṃ yat kṣvelaṃ kabalitavataḥ kālakalanā
na śambhostanmūlaṃ tava janani tāṭaṅka mahimā || 28 ||

किरीटं वैरिञ्चं परिहर पुरः कैटभभिदः
कठोरे कोठीरे स्कलसि जहि जम्भारि-मकुटम् ।
प्रणम्रेष्वेतेषु प्रसभ-मुपयातस्य भवनं
भवस्यभ्युत्थाने तव परिजनोक्ति-र्विजयते ॥ 29 ॥
kirīṭaṃ vairiñcaṃ parihara puraḥ kaiṭabhabhidaḥ
kaṭhore koṭhīre skalasi jahi jambhāri-makuṭam |
praṇamreṣveteṣu prasabha-mupayātasya bhavanaṃ
bhavasyabhyutthāne tava parijanokti-rvijayate || 29 ||

स्वदेहोद्भूताभि-र्घृणिभि-रणिमाद्याभि-रभितो
निषेव्ये नित्ये त्वा महमिति सदा भावयति यः ।
किमाश्चर्यं तस्य त्रिनयन-समृद्धिं तृणयतो
महासंवर्ताग्नि-र्विरचयति नीराजनविधिम् ॥ 30 ॥
svadehodbhūtābhi-rghṛṇibhi-raṇimādyābhi-rabhito
niṣevye nitye tvā mahamiti sadā bhāvayati yaḥ |
kimāścaryaṃ tasya trinayana-samṛddhiṃ tṛṇayato
mahāsaṃvartāgni-rviracayati nīrājanavidhim || 30 ||

चतुः-षष्टया तन्त्रैः सकल मतिसन्धाय भुवनं
स्थितस्तत्त्त-सिद्धि प्रसव परतन्त्रैः पशुपतिः ।
पुनस्त्व-न्निर्बन्धा दखिल-पुरुषार्थैक घटना-
स्वतन्त्रं ते तन्त्रं क्षितितल मवातीतर-दिदम् ॥ 31 ॥
catuḥ-ṣaṣṭayā tantraiḥ sakala matisandhāya bhuvanaṃ
sthitastattta-siddhi prasava paratantraiḥ paśupatiḥ |
punastva-nnirbandhā dakhila-puruṣārthaika ghaṭanā-
svatantraṃ te tantraṃ kṣititala mavātītara-didam || 31 ||

शिवः शक्तिः कामः क्षिति-रथ रविः शीतकिरणः
स्मरो हंसः शक्र-स्तदनु च परा-मार-हरयः ।
अमी हृल्लेखाभि-स्तिसृभि-रवसानेषु घटिता
भजन्ते वर्णास्ते तव जननि नामावयवताम् ॥ 32 ॥
śivaḥ śaktiḥ kāmaḥ kṣiti-ratha raviḥ śītakiraṇaḥ
smaro haṃsaḥ śakra-stadanu ca parā-māra-harayaḥ |
amī hṛllekhābhi-stisṛbhi-ravasāneṣu ghaṭitā
bhajante varṇāste tava janani nāmāvayavatām || 32 ||

स्मरं योनिं लक्ष्मीं त्रितय-मिद-मादौ तव मनो
र्निधायैके नित्ये निरवधि-महाभोग-रसिकाः ।
भजन्ति त्वां चिन्तामणि-गुणनिबद्धाक्ष-वलयाः
शिवाग्नौ जुह्वन्तः सुरभिघृत-धाराहुति-शतै ॥ 33 ॥
smaraṃ yoniṃ lakṣmīṃ tritaya-mida-mādau tava mano
rnidhāyaike nitye niravadhi-mahābhoga-rasikāḥ |
bhajanti tvāṃ cintāmaṇi-guṇanibaddhākṣa-valayāḥ
śivāgnau juhvantaḥ surabhighṛta-dhārāhuti-śatai || 33 ||

शरीरं त्वं शम्भोः शशि-मिहिर-वक्षोरुह-युगं
तवात्मानं मन्ये भगवति नवात्मान-मनघम् ।
अतः शेषः शेषीत्यय-मुभय-साधारणतया
स्थितः सम्बन्धो वां समरस-परानन्द-परयोः ॥ 34 ॥
śarīraṃ tvaṃ śambhoḥ śaśi-mihira-vakṣoruha-yugaṃ
tavātmānaṃ manye bhagavati navātmāna-managham |
ataḥ śeṣaḥ śeṣītyaya-mubhaya-sādhāraṇatayā
sthitaḥ sambandho vāṃ samarasa-parānanda-parayoḥ || 34 ||

मनस्त्वं व्योम त्वं मरुदसि मरुत्सारथि-रसि
त्वमाप-स्त्वं भूमि-स्त्वयि परिणतायां न हि परम् ।
त्वमेव स्वात्मानं परिण्मयितुं विश्व वपुषा
चिदानन्दाकारं शिवयुवति भावेन बिभृषे ॥ 35 ॥
manastvaṃ vyoma tvaṃ marudasi marutsārathi-rasi
tvamāpa-stvaṃ bhūmi-stvayi pariṇatāyāṃ na hi param |
tvameva svātmānaṃ pariṇmayituṃ viśva vapuṣā
cidānandākāraṃ śivayuvati bhāvena bibhṛṣe || 35 ||

तवाज्ञचक्रस्थं तपन-शशि कोटि-द्युतिधरं
परं शम्भु वन्दे परिमिलित-पार्श्वं परचिता ।
यमाराध्यन् भक्त्या रवि शशि शुचीना-मविषये
निरालोके ‌உलोके निवसति हि भालोक-भुवने ॥ 36 ॥
tavāṅñacakrasthaṃ tapana-śaśi koṭi-dyutidharaṃ
paraṃ śambhu vande parimilita-pārśvaṃ paracitā |
yamārādhyan bhaktyā ravi śaśi śucīnā-maviṣaye
nirāloke ‌உloke nivasati hi bhāloka-bhuvane || 36 ||

विशुद्धौ ते शुद्धस्फतिक विशदं व्योम-जनकं
शिवं सेवे देवीमपि शिवसमान-व्यवसिताम् ।
ययोः कान्त्या यान्त्याः शशिकिरण्-सारूप्यसरणे
विधूतान्त-र्ध्वान्ता विलसति चकोरीव जगती ॥ 37 ॥
viśuddhau te śuddhasphatika viśadaṃ vyoma-janakaṃ
śivaṃ seve devīmapi śivasamāna-vyavasitām |
yayoḥ kāntyā yāntyāḥ śaśikiraṇ-sārūpyasaraṇe
vidhūtānta-rdhvāntā vilasati cakorīva jagatī || 37 ||

समुन्मीलत् संवित्कमल-मकरन्दैक-रसिकं
भजे हंसद्वन्द्वं किमपि महतां मानसचरम् ।
यदालापा-दष्टादश-गुणित-विद्यापरिणतिः
यदादत्ते दोषाद् गुण-मखिल-मद्भ्यः पय इव ॥ 38 ॥
samunmīlat saṃvitkamala-makarandaika-rasikaṃ
bhaje haṃsadvandvaṃ kimapi mahatāṃ mānasacaram |
yadālāpā-daṣṭādaśa-guṇita-vidyāpariṇatiḥ
yadādatte doṣād guṇa-makhila-madbhyaḥ paya iva || 38 ||

तव स्वाधिष्ठाने हुतवह-मधिष्ठाय निरतं
तमीडे संवर्तं जननि महतीं तां च समयाम् ।
यदालोके लोकान् दहति महसि क्रोध-कलिते
दयार्द्रा या दृष्टिः शिशिर-मुपचारं रचयति ॥ 39 ॥
tava svādhiṣṭhāne hutavaha-madhiṣṭhāya nirataṃ
tamīḍe saṃvartaṃ janani mahatīṃ tāṃ ca samayām |
yadāloke lokān dahati mahasi krodha-kalite
dayārdrā yā dṛṣṭiḥ śiśira-mupacāraṃ racayati || 39 ||

तटित्वन्तं शक्त्या तिमिर-परिपन्थि-स्फुरणया
स्फुर-न्ना नरत्नाभरण-परिणद्धेन्द्र-धनुषम् ।
तव श्यामं मेघं कमपि मणिपूरैक-शरणं
निषेवे वर्षन्तं-हरमिहिर-तप्तं त्रिभुवनम् ॥ 40 ॥
taṭitvantaṃ śaktyā timira-paripanthi-sphuraṇayā
sphura-nnā naratnābharaṇa-pariṇaddhendra-dhanuṣam |
tava śyāmaṃ meghaṃ kamapi maṇipūraika-śaraṇaṃ
niṣeve varṣantaṃ-haramihira-taptaṃ tribhuvanam || 40 ||

तवाधारे मूले सह समयया लास्यपरया
नवात्मान मन्ये नवरस-महाताण्डव-नटम् ।
उभाभ्या मेताभ्या-मुदय-विधि मुद्दिश्य दयया
सनाथाभ्यां जज्ञे जनक जननीमत् जगदिदम् ॥ 41 ॥
tavādhāre mūle saha samayayā lāsyaparayā
navātmāna manye navarasa-mahātāṇḍava-naṭam |
ubhābhyā metābhyā-mudaya-vidhi muddiśya dayayā
sanāthābhyāṃ jaṅñe janaka jananīmat jagadidam || 41 ||

द्वितीय भागः – सौन्दर्य लहरी (dvitīya bhāgaḥ – saundarya laharī)

गतै-र्माणिक्यत्वं गगनमणिभिः सान्द्रघटितं
किरीटं ते हैमं हिमगिरिसुते कीतयति यः ॥
स नीडेयच्छाया-च्छुरण-शकलं चन्द्र-शकलं
धनुः शौनासीरं किमिति न निबध्नाति धिषणाम् ॥ 42 ॥
gatai-rmāṇikyatvaṃ gaganamaṇibhiḥ sāndraghaṭitaṃ
kirīṭaṃ te haimaṃ himagirisute kītayati yaḥ ||
sa nīḍeyacchāyā-cchuraṇa-śakalaṃ candra-śakalaṃ
dhanuḥ śaunāsīraṃ kimiti na nibadhnāti dhiṣaṇām || 42 ||

धुनोतु ध्वान्तं न-स्तुलित-दलितेन्दीवर-वनं
घनस्निग्ध-श्लक्ष्णं चिकुर निकुरुम्बं तव शिवे ।
यदीयं सौरभ्यं सहज-मुपलब्धुं सुमनसो
वसन्त्यस्मिन् मन्ये बलमथन वाटी-विटपिनाम् ॥ 43 ॥
dhunotu dhvāntaṃ na-stulita-dalitendīvara-vanaṃ
ghanasnigdha-ślakṣṇaṃ cikura nikurumbaṃ tava śive |
yadīyaṃ saurabhyaṃ sahaja-mupalabdhuṃ sumanaso
vasantyasmin manye balamathana vāṭī-viṭapinām || 43 ||

तनोतु क्षेमं न-स्तव वदनसौन्दर्यलहरी
परीवाहस्रोतः-सरणिरिव सीमन्तसरणिः।
वहन्ती- सिन्दूरं प्रबलकबरी-भार-तिमिर
द्विषां बृन्दै-र्वन्दीकृतमेव नवीनार्क केरणम् ॥ 44 ॥
tanotu kṣemaṃ na-stava vadanasaundaryalaharī
parīvāhasrotaḥ-saraṇiriva sīmantasaraṇiḥ|
vahantī- sindūraṃ prabalakabarī-bhāra-timira
dviṣāṃ bṛndai-rvandīkṛtameva navīnārka keraṇam || 44 ||

अरालै स्वाभाव्या-दलिकलभ-सश्रीभि रलकैः
परीतं ते वक्त्रं परिहसति पङ्केरुहरुचिम् ।
दरस्मेरे यस्मिन् दशनरुचि किञ्जल्क-रुचिरे
सुगन्धौ माद्यन्ति स्मरदहन चक्षु-र्मधुलिहः ॥ 45 ॥
arālai svābhāvyā-dalikalabha-saśrībhi ralakaiḥ
parītaṃ te vaktraṃ parihasati paṅkeruharucim |
darasmere yasmin daśanaruci kiñjalka-rucire
sugandhau mādyanti smaradahana cakṣu-rmadhulihaḥ || 45 ||

ललाटं लावण्य द्युति विमल-माभाति तव यत्
द्वितीयं तन्मन्ये मकुटघटितं चन्द्रशकलम् ।
विपर्यास-न्यासा दुभयमपि सम्भूय च मिथः
सुधालेपस्यूतिः परिणमति राका-हिमकरः ॥ 46 ॥
lalāṭaṃ lāvaṇya dyuti vimala-mābhāti tava yat
dvitīyaṃ tanmanye makuṭaghaṭitaṃ candraśakalam |
viparyāsa-nyāsā dubhayamapi sambhūya ca mithaḥ
sudhālepasyūtiḥ pariṇamati rākā-himakaraḥ || 46 ||

भ्रुवौ भुग्ने किञ्चिद्भुवन-भय-भङ्गव्यसनिनि
त्वदीये नेत्राभ्यां मधुकर-रुचिभ्यां धृतगुणम् ।
धनु र्मन्ये सव्येतरकर गृहीतं रतिपतेः
प्रकोष्टे मुष्टौ च स्थगयते निगूढान्तर-मुमे ॥ 47 ॥
bhruvau bhugne kiñcidbhuvana-bhaya-bhaṅgavyasanini
tvadīye netrābhyāṃ madhukara-rucibhyāṃ dhṛtaguṇam |
dhanu rmanye savyetarakara gṛhītaṃ ratipateḥ
prakoṣṭe muṣṭau ca sthagayate nigūḍhāntara-mume || 47 ||

अहः सूते सव्य तव नयन-मर्कात्मकतया
त्रियामां वामं ते सृजति रजनीनायकतया ।
तृतीया ते दृष्टि-र्दरदलित-हेमाम्बुज-रुचिः
समाधत्ते सन्ध्यां दिवसर्-निशयो-रन्तरचरीम् ॥ 48 ॥
ahaḥ sūte savya tava nayana-markātmakatayā
triyāmāṃ vāmaṃ te sṛjati rajanīnāyakatayā |
tṛtīyā te dṛṣṭi-rdaradalita-hemāmbuja-ruciḥ
samādhatte sandhyāṃ divasar-niśayo-rantaracarīm || 48 ||

विशाला कल्याणी स्फुतरुचि-रयोध्या कुवलयैः
कृपाधाराधारा किमपि मधुरा‌உ‌உभोगवतिका ।
अवन्ती दृष्टिस्ते बहुनगर-विस्तार-विजया
ध्रुवं तत्तन्नाम-व्यवहरण-योग्याविजयते ॥ 49 ॥
viśālā kalyāṇī sphutaruci-rayodhyā kuvalayaiḥ
kṛpādhārādhārā kimapi madhurā‌உ‌உbhogavatikā |
avantī dṛṣṭiste bahunagara-vistāra-vijayā
dhruvaṃ tattannāma-vyavaharaṇa-yogyāvijayate || 49 ||

कवीनां सन्दर्भ-स्तबक-मकरन्दैक-रसिकं
कटाक्ष-व्याक्षेप-भ्रमरकलभौ कर्णयुगलम् ।
अमुञ्च्न्तौ दृष्ट्वा तव नवरसास्वाद-तरलौ
असूया-संसर्गा-दलिकनयनं किञ्चिदरुणम् ॥ 50 ॥
kavīnāṃ sandarbha-stabaka-makarandaika-rasikaṃ
kaṭākṣa-vyākṣepa-bhramarakalabhau karṇayugalam |
amuñcntau dṛṣṭvā tava navarasāsvāda-taralau
asūyā-saṃsargā-dalikanayanaṃ kiñcidaruṇam || 50 ||

शिवे शङ्गारार्द्रा तदितरजने कुत्सनपरा
सरोषा गङ्गायां गिरिशचरिते विस्मयवती ।
हराहिभ्यो भीता सरसिरुह सौभाग्य-जननी
सखीषु स्मेरा ते मयि जननि दृष्टिः सकरुणा ॥ 51 ॥
śive śaṅgārārdrā taditarajane kutsanaparā
saroṣā gaṅgāyāṃ giriśacarite vismayavatī |
harāhibhyo bhītā sarasiruha saubhāgya-jananī
sakhīṣu smerā te mayi janani dṛṣṭiḥ sakaruṇā || 51 ||

गते कर्णाभ्यर्णं गरुत इव पक्ष्माणि दधती
पुरां भेत्तु-श्चित्तप्रशम-रस-विद्रावण फले ।
इमे नेत्रे गोत्राधरपति-कुलोत्तंस-कलिके
तवाकर्णाकृष्ट स्मरशर-विलासं कलयतः॥ 52 ॥
gate karṇābhyarṇaṃ garuta iva pakṣmāṇi dadhatī
purāṃ bhettu-ścittapraśama-rasa-vidrāvaṇa phale |
ime netre gotrādharapati-kulottaṃsa-kalike
tavākarṇākṛṣṭa smaraśara-vilāsaṃ kalayataḥ|| 52 ||

विभक्त-त्रैवर्ण्यं व्यतिकरित-लीलाञ्जनतया
विभाति त्वन्नेत्र त्रितय मिद-मीशानदयिते ।
पुनः स्रष्टुं देवान् द्रुहिण हरि-रुद्रानुपरतान्
रजः सत्वं वेभ्रत् तम इति गुणानां त्रयमिव ॥ 53 ॥
vibhakta-traivarṇyaṃ vyatikarita-līlāñjanatayā
vibhāti tvannetra tritaya mida-mīśānadayite |
punaḥ sraṣṭuṃ devān druhiṇa hari-rudrānuparatān
rajaḥ satvaṃ vebhrat tama iti guṇānāṃ trayamiva || 53 ||

पवित्रीकर्तुं नः पशुपति-पराधीन-हृदये
दयामित्रै र्नेत्रै-ररुण-धवल-श्याम रुचिभिः ।
नदः शोणो गङ्गा तपनतनयेति ध्रुवमुम्
त्रयाणां तीर्थाना-मुपनयसि सम्भेद-मनघम् ॥ 54 ॥
pavitrīkartuṃ naḥ paśupati-parādhīna-hṛdaye
dayāmitrai rnetrai-raruṇa-dhavala-śyāma rucibhiḥ |
nadaḥ śoṇo gaṅgā tapanatanayeti dhruvamum
trayāṇāṃ tīrthānā-mupanayasi sambheda-managham || 54 ||

निमेषोन्मेषाभ्यां प्रलयमुदयं याति जगति
तवेत्याहुः सन्तो धरणिधर-राजन्यतनये ।
त्वदुन्मेषाज्जातं जगदिद-मशेषं प्रलयतः
परेत्रातुं शंङ्के परिहृत-निमेषा-स्तव दृशः ॥ 55 ॥
nimeṣonmeṣābhyāṃ pralayamudayaṃ yāti jagati
tavetyāhuḥ santo dharaṇidhara-rājanyatanaye |
tvadunmeṣājjātaṃ jagadida-maśeṣaṃ pralayataḥ
paretrātuṃ śaṃṅke parihṛta-nimeṣā-stava dṛśaḥ || 55 ||

तवापर्णे कर्णे जपनयन पैशुन्य चकिता
निलीयन्ते तोये नियत मनिमेषाः शफरिकाः ।
इयं च श्री-र्बद्धच्छदपुटकवाटं कुवलयं
जहाति प्रत्यूषे निशि च विघतय्य प्रविशति॥ 56 ॥
tavāparṇe karṇe japanayana paiśunya cakitā
nilīyante toye niyata manimeṣāḥ śapharikāḥ |
iyaṃ ca śrī-rbaddhacchadapuṭakavāṭaṃ kuvalayaṃ
jahāti pratyūṣe niśi ca vighatayya praviśati|| 56 ||

दृशा द्राघीयस्या दरदलित नीलोत्पल रुचा
दवीयांसं दीनं स्नपा कृपया मामपि शिवे ।
अनेनायं धन्यो भवति न च ते हानिरियता
वने वा हर्म्ये वा समकर निपातो हिमकरः ॥ 57 ॥
dṛśā drāghīyasyā daradalita nīlotpala rucā
davīyāṃsaṃ dīnaṃ snapā kṛpayā māmapi śive |
anenāyaṃ dhanyo bhavati na ca te hāniriyatā
vane vā harmye vā samakara nipāto himakaraḥ || 57 ||

अरालं ते पालीयुगल-मगराजन्यतनये
न केषा-माधत्ते कुसुमशर कोदण्ड-कुतुकम् ।
तिरश्चीनो यत्र श्रवणपथ-मुल्ल्ङ्य्य विलसन्
अपाङ्ग व्यासङ्गो दिशति शरसन्धान धिषणाम् ॥ 58 ॥
arālaṃ te pālīyugala-magarājanyatanaye
na keṣā-mādhatte kusumaśara kodaṇḍa-kutukam |
tiraścīno yatra śravaṇapatha-mullṅyya vilasan
apāṅga vyāsaṅgo diśati śarasandhāna dhiṣaṇām || 58 ||

स्फुरद्गण्डाभोग-प्रतिफलित ताट्ङ्क युगलं
चतुश्चक्रं मन्ये तव मुखमिदं मन्मथरथम् ।
यमारुह्य द्रुह्य त्यवनिरथ मर्केन्दुचरणं
महावीरो मारः प्रमथपतये सज्जितवते ॥ 59 ॥
sphuradgaṇḍābhoga-pratiphalita tāṭṅka yugalaṃ
catuścakraṃ manye tava mukhamidaṃ manmatharatham |
yamāruhya druhya tyavaniratha markenducaraṇaṃ
mahāvīro māraḥ pramathapataye sajjitavate || 59 ||

सरस्वत्याः सूक्ती-रमृतलहरी कौशलहरीः
पिब्नत्याः शर्वाणि श्रवण-चुलुकाभ्या-मविरलम् ।
चमत्कारः-श्लाघाचलित-शिरसः कुण्डलगणो
झणत्करैस्तारैः प्रतिवचन-माचष्ट इव ते ॥ 60 ॥
sarasvatyāḥ sūktī-ramṛtalaharī kauśalaharīḥ
pibnatyāḥ śarvāṇi śravaṇa-culukābhyā-maviralam |
camatkāraḥ-ślāghācalita-śirasaḥ kuṇḍalagaṇo
jhaṇatkaraistāraiḥ prativacana-mācaṣṭa iva te || 60 ||

असौ नासावंश-स्तुहिनगिरिवण्श-ध्वजपटि
त्वदीयो नेदीयः फलतु फल-मस्माकमुचितम् ।
वहत्यन्तर्मुक्ताः शिशिरकर-निश्वास-गलितं
समृद्ध्या यत्तासां बहिरपि च मुक्तामणिधरः ॥ 61 ॥
asau nāsāvaṃśa-stuhinagirivaṇśa-dhvajapaṭi
tvadīyo nedīyaḥ phalatu phala-masmākamucitam |
vahatyantarmuktāḥ śiśirakara-niśvāsa-galitaṃ
samṛddhyā yattāsāṃ bahirapi ca muktāmaṇidharaḥ || 61 ||

प्रकृत्या‌உ‌உरक्ताया-स्तव सुदति दन्दच्छदरुचेः
प्रवक्ष्ये सदृश्यं जनयतु फलं विद्रुमलता ।
न बिम्बं तद्बिम्ब-प्रतिफलन-रागा-दरुणितं
तुलामध्रारोढुं कथमिव विलज्जेत कलया ॥ 62 ॥
prakṛtyā‌உ‌உraktāyā-stava sudati dandacchadaruceḥ
pravakṣye sadṛśyaṃ janayatu phalaṃ vidrumalatā |
na bimbaṃ tadbimba-pratiphalana-rāgā-daruṇitaṃ
tulāmadhrāroḍhuṃ kathamiva vilajjeta kalayā || 62 ||

स्मितज्योत्स्नाजालं तव वदनचन्द्रस्य पिबतां
चकोराणा-मासी-दतिरसतया चञ्चु-जडिमा ।
अतस्ते शीतांशो-रमृतलहरी माम्लरुचयः
पिबन्ती स्वच्छन्दं निशि निशि भृशं काञ्जि कधिया ॥ 63 ॥
smitajyotsnājālaṃ tava vadanacandrasya pibatāṃ
cakorāṇā-māsī-datirasatayā cañcu-jaḍimā |
ataste śītāṃśo-ramṛtalaharī māmlarucayaḥ
pibantī svacchandaṃ niśi niśi bhṛśaṃ kāñji kadhiyā || 63 ||

अविश्रान्तं पत्युर्गुणगण कथाम्रेडनजपा
जपापुष्पच्छाया तव जननि जिह्वा जयति सा ।
यदग्रासीनायाः स्फटिकदृष-दच्छच्छविमयि
सरस्वत्या मूर्तिः परिणमति माणिक्यवपुषा ॥ 64 ॥
aviśrāntaṃ patyurguṇagaṇa kathāmreḍanajapā
japāpuṣpacchāyā tava janani jihvā jayati sā |
yadagrāsīnāyāḥ sphaṭikadṛṣa-dacchacchavimayi
sarasvatyā mūrtiḥ pariṇamati māṇikyavapuṣā || 64 ||

रणे जित्वा दैत्या नपहृत-शिरस्त्रैः कवचिभिः
निवृत्तै-श्चण्डांश-त्रिपुरहर-निर्माल्य-विमुखैः ।
विशाखेन्द्रोपेन्द्रैः शशिविशद-कर्पूरशकला
विलीयन्ते मातस्तव वदनताम्बूल-कबलाः ॥ 65 ॥
raṇe jitvā daityā napahṛta-śirastraiḥ kavacibhiḥ
nivṛttai-ścaṇḍāṃśa-tripurahara-nirmālya-vimukhaiḥ |
viśākhendropendraiḥ śaśiviśada-karpūraśakalā
vilīyante mātastava vadanatāmbūla-kabalāḥ || 65 ||

विपञ्च्या गायन्ती विविध-मपदानं पशुपते-
स्त्वयारब्धे वक्तुं चलितशिरसा साधुवचने ।
तदीयै-र्माधुर्यै-रपलपित-तन्त्रीकलरवां
निजां वीणां वाणीं निचुलयति चोलेन निभृतम् ॥ 66 ॥
vipañcyā gāyantī vividha-mapadānaṃ paśupate-
stvayārabdhe vaktuṃ calitaśirasā sādhuvacane |
tadīyai-rmādhuryai-rapalapita-tantrīkalaravāṃ
nijāṃ vīṇāṃ vāṇīṃ niculayati colena nibhṛtam || 66 ||

करग्रेण स्पृष्टं तुहिनगिरिणा वत्सलतया
गिरिशेनो-दस्तं मुहुरधरपानाकुलतया ।
करग्राह्यं शम्भोर्मुखमुकुरवृन्तं गिरिसुते
कथङ्करं ब्रूम-स्तव चुबुकमोपम्यरहितम् ॥ 67 ॥
karagreṇa spṛṣṭaṃ tuhinagiriṇā vatsalatayā
giriśeno-dastaṃ muhuradharapānākulatayā |
karagrāhyaṃ śambhormukhamukuravṛntaṃ girisute
kathaṅkaraṃ brūma-stava cubukamopamyarahitam || 67 ||
भुजाश्लेषान्नित्यं पुरदमयितुः कन्टकवती
तव ग्रीवा धत्ते मुखकमलनाल-श्रियमियम् ।
स्वतः श्वेता काला गरु बहुल-जम्बालमलिना
मृणालीलालित्यं वहति यदधो हारलतिका ॥ 68 ॥
bhujāśleṣānnityaṃ puradamayituḥ kanṭakavatī
tava grīvā dhatte mukhakamalanāla-śriyamiyam |
svataḥ śvetā kālā garu bahula-jambālamalinā
mṛṇālīlālityaṃ vahati yadadho hāralatikā || 68 ||

गले रेखास्तिस्रो गति गमक गीतैक निपुणे
विवाह-व्यानद्ध-प्रगुणगुण-सङ्ख्या प्रतिभुवः ।
विराजन्ते नानाविध-मधुर-रागाकर-भुवां
त्रयाणां ग्रामाणां स्थिति-नियम-सीमान इव ते ॥ 69 ॥
gale rekhāstisro gati gamaka gītaika nipuṇe
vivāha-vyānaddha-praguṇaguṇa-saṅkhyā pratibhuvaḥ |
virājante nānāvidha-madhura-rāgākara-bhuvāṃ
trayāṇāṃ grāmāṇāṃ sthiti-niyama-sīmāna iva te || 69 ||

मृणाली-मृद्वीनां तव भुजलतानां चतसृणां
चतुर्भिः सौन्द्रयं सरसिजभवः स्तौति वदनैः ।
नखेभ्यः सन्त्रस्यन् प्रथम-मथना दन्तकरिपोः
चतुर्णां शीर्षाणां सम-मभयहस्तार्पण-धिया ॥ 70 ॥
mṛṇālī-mṛdvīnāṃ tava bhujalatānāṃ catasṛṇāṃ
caturbhiḥ saundrayaṃ sarasijabhavaḥ stauti vadanaiḥ |
nakhebhyaḥ santrasyan prathama-mathanā dantakaripoḥ
caturṇāṃ śīrṣāṇāṃ sama-mabhayahastārpaṇa-dhiyā || 70 ||

नखाना-मुद्योतै-र्नवनलिनरागं विहसतां
कराणां ते कान्तिं कथय कथयामः कथमुमे ।
कयाचिद्वा साम्यं भजतु कलया हन्त कमलं
यदि क्रीडल्लक्ष्मी-चरणतल-लाक्षारस-चणम् ॥ 71 ॥
nakhānā-mudyotai-rnavanalinarāgaṃ vihasatāṃ
karāṇāṃ te kāntiṃ kathaya kathayāmaḥ kathamume |
kayācidvā sāmyaṃ bhajatu kalayā hanta kamalaṃ
yadi krīḍallakṣmī-caraṇatala-lākṣārasa-caṇam || 71 ||

समं देवि स्कन्द द्विपिवदन पीतं स्तनयुगं
तवेदं नः खेदं हरतु सततं प्रस्नुत-मुखम् ।
यदालोक्याशङ्काकुलित हृदयो हासजनकः
स्वकुम्भौ हेरम्बः परिमृशति हस्तेन झडिति ॥ 72 ॥
samaṃ devi skanda dvipivadana pītaṃ stanayugaṃ
tavedaṃ naḥ khedaṃ haratu satataṃ prasnuta-mukham |
yadālokyāśaṅkākulita hṛdayo hāsajanakaḥ
svakumbhau herambaḥ parimṛśati hastena jhaḍiti || 72 ||

अमू ते वक्षोजा-वमृतरस-माणिक्य कुतुपौ
न सन्देहस्पन्दो नगपति पताके मनसि नः ।
पिबन्तौ तौ यस्मा दविदित वधूसङ्ग रसिकौ
कुमारावद्यापि द्विरदवदन-क्रौञ्च्दलनौ ॥ 73 ॥
amū te vakṣojā-vamṛtarasa-māṇikya kutupau
na sandehaspando nagapati patāke manasi naḥ |
pibantau tau yasmā davidita vadhūsaṅga rasikau
kumārāvadyāpi dviradavadana-krauñcdalanau || 73 ||

वहत्यम्ब स्त्म्बेरम-दनुज-कुम्भप्रकृतिभिः
समारब्धां मुक्तामणिभिरमलां हारलतिकाम् ।
कुचाभोगो बिम्बाधर-रुचिभि-रन्तः शबलितां
प्रताप-व्यामिश्रां पुरदमयितुः कीर्तिमिव ते ॥ 74 ॥
vahatyamba stmberama-danuja-kumbhaprakṛtibhiḥ
samārabdhāṃ muktāmaṇibhiramalāṃ hāralatikām |
kucābhogo bimbādhara-rucibhi-rantaḥ śabalitāṃ
pratāpa-vyāmiśrāṃ puradamayituḥ kīrtimiva te || 74 ||

तव स्तन्यं मन्ये धरणिधरकन्ये हृदयतः
पयः पारावारः परिवहति सारस्वतमिव ।
दयावत्या दत्तं द्रविडशिशु-रास्वाद्य तव यत्
कवीनां प्रौढाना मजनि कमनीयः कवयिता ॥ 75 ॥
tava stanyaṃ manye dharaṇidharakanye hṛdayataḥ
payaḥ pārāvāraḥ parivahati sārasvatamiva |
dayāvatyā dattaṃ draviḍaśiśu-rāsvādya tava yat
kavīnāṃ prauḍhānā majani kamanīyaḥ kavayitā || 75 ||

हरक्रोध-ज्वालावलिभि-रवलीढेन वपु
षागभीरे ते नाभीसरसि कृतसङो मनसिजः ।
समुत्तस्थौ तस्मा-दचलतनये धूमलतिका
जनस्तां जानीते तव जननि रोमावलिरिति ॥ 76 ॥
harakrodha-jvālāvalibhi-ravalīḍhena vapu
ṣāgabhīre te nābhīsarasi kṛtasaṅo manasijaḥ |
samuttasthau tasmā-dacalatanaye dhūmalatikā
janastāṃ jānīte tava janani romāvaliriti || 76 ||

यदेतत्कालिन्दी-तनुतर-तरङ्गाकृति शिवे
कृशे मध्ये किञ्चिज्जननि तव यद्भाति सुधियाम् ।
विमर्दा-दन्योन्यं कुचकलशयो-रन्तरगतं
तनूभूतं व्योम प्रविशदिव नाभिं कुहरिणीम् ॥ 77 ॥
yadetatkālindī-tanutara-taraṅgākṛti śive
kṛśe madhye kiñcijjanani tava yadbhāti sudhiyām |
vimardā-danyonyaṃ kucakalaśayo-rantaragataṃ
tanūbhūtaṃ vyoma praviśadiva nābhiṃ kuhariṇīm || 77 ||

स्थिरो गङ्गा वर्तः स्तनमुकुल-रोमावलि-लता
कलावालं कुण्डं कुसुमशर तेजो-हुतभुजः ।
रते-र्लीलागारं किमपि तव नाभिर्गिरिसुते
बेलद्वारं सिद्धे-र्गिरिशनयनानां विजयते ॥ 78 ॥
sthiro gaṅgā vartaḥ stanamukula-romāvali-latā
kalāvālaṃ kuṇḍaṃ kusumaśara tejo-hutabhujaḥ |
rate-rlīlāgāraṃ kimapi tava nābhirgirisute
beladvāraṃ siddhe-rgiriśanayanānāṃ vijayate || 78 ||

निसर्ग-क्षीणस्य स्तनतट-भरेण क्लमजुषो
नमन्मूर्ते र्नारीतिलक शनकै-स्त्रुट्यत इव ।
चिरं ते मध्यस्य त्रुटित तटिनी-तीर-तरुणा
समावस्था-स्थेम्नो भवतु कुशलं शैलतनये ॥ 79 ॥
nisarga-kṣīṇasya stanataṭa-bhareṇa klamajuṣo
namanmūrte rnārītilaka śanakai-struṭyata iva |
ciraṃ te madhyasya truṭita taṭinī-tīra-taruṇā
samāvasthā-sthemno bhavatu kuśalaṃ śailatanaye || 79 ||

कुचौ सद्यः स्विद्य-त्तटघटित-कूर्पासभिदुरौ
कषन्तौ-दौर्मूले कनककलशाभौ कलयता ।
तव त्रातुं भङ्गादलमिति वलग्नं तनुभुवा
त्रिधा नद्ध्म् देवी त्रिवलि लवलीवल्लिभिरिव ॥ 80 ॥
kucau sadyaḥ svidya-ttaṭaghaṭita-kūrpāsabhidurau
kaṣantau-daurmūle kanakakalaśābhau kalayatā |
tava trātuṃ bhaṅgādalamiti valagnaṃ tanubhuvā
tridhā naddhm devī trivali lavalīvallibhiriva || 80 ||

गुरुत्वं विस्तारं क्षितिधरपतिः पार्वति निजात्
नितम्बा-दाच्छिद्य त्वयि हरण रूपेण निदधे ।
अतस्ते विस्तीर्णो गुरुरयमशेषां वसुमतीं
नितम्ब-प्राग्भारः स्थगयति सघुत्वं नयति च ॥ 81 ॥
gurutvaṃ vistāraṃ kṣitidharapatiḥ pārvati nijāt
nitambā-dācchidya tvayi haraṇa rūpeṇa nidadhe |
ataste vistīrṇo gururayamaśeṣāṃ vasumatīṃ
nitamba-prāgbhāraḥ sthagayati saghutvaṃ nayati ca || 81 ||

करीन्द्राणां शुण्डान्-कनककदली-काण्डपटलीं
उभाभ्यामूरुभ्या-मुभयमपि निर्जित्य भवति ।
सुवृत्ताभ्यां पत्युः प्रणतिकठिनाभ्यां गिरिसुते
विधिज्ञे जानुभ्यां विबुध करिकुम्भ द्वयमसि ॥ 82 ॥
karīndrāṇāṃ śuṇḍān-kanakakadalī-kāṇḍapaṭalīṃ
ubhābhyāmūrubhyā-mubhayamapi nirjitya bhavati |
suvṛttābhyāṃ patyuḥ praṇatikaṭhinābhyāṃ girisute
vidhiṅñe jānubhyāṃ vibudha karikumbha dvayamasi || 82 ||

पराजेतुं रुद्रं द्विगुणशरगर्भौ गिरिसुते
निषङ्गौ जङ्घे ते विषमविशिखो बाढ-मकृत ।
यदग्रे दृस्यन्ते दशशरफलाः पादयुगली
नखाग्रच्छन्मानः सुर मुकुट-शाणैक-निशिताः ॥ 83 ॥
parājetuṃ rudraṃ dviguṇaśaragarbhau girisute
niṣaṅgau jaṅghe te viṣamaviśikho bāḍha-makṛta |
yadagre dṛsyante daśaśaraphalāḥ pādayugalī
nakhāgracchanmānaḥ sura mukuṭa-śāṇaika-niśitāḥ || 83 ||

श्रुतीनां मूर्धानो दधति तव यौ शेखरतया
ममाप्येतौ मातः शेरसि दयया देहि चरणौ ।
यय‌ओः पाद्यं पाथः पशुपति जटाजूट तटिनी
ययो-र्लाक्षा-लक्ष्मी-ररुण हरिचूडामणि रुचिः ॥ 84 ॥
śrutīnāṃ mūrdhāno dadhati tava yau śekharatayā
mamāpyetau mātaḥ śerasi dayayā dehi caraṇau |
yaya–oḥ pādyaṃ pāthaḥ paśupati jaṭājūṭa taṭinī
yayo-rlākṣā-lakṣmī-raruṇa haricūḍāmaṇi ruciḥ || 84 ||

नमो वाकं ब्रूमो नयन-रमणीयाय पदयोः
तवास्मै द्वन्द्वाय स्फुट-रुचि रसालक्तकवते ।
असूयत्यत्यन्तं यदभिहननाय स्पृहयते
पशूना-मीशानः प्रमदवन-कङ्केलितरवे ॥ 85 ॥
namo vākaṃ brūmo nayana-ramaṇīyāya padayoḥ
tavāsmai dvandvāya sphuṭa-ruci rasālaktakavate |
asūyatyatyantaṃ yadabhihananāya spṛhayate
paśūnā-mīśānaḥ pramadavana-kaṅkelitarave || 85 ||

मृषा कृत्वा गोत्रस्खलन-मथ वैलक्ष्यनमितं
ललाटे भर्तारं चरणकमले ताडयति ते ।
चिरादन्तः शल्यं दहनकृत मुन्मूलितवता
तुलाकोटिक्वाणैः किलिकिलित मीशान रिपुणा ॥ 86 ॥
mṛṣā kṛtvā gotraskhalana-matha vailakṣyanamitaṃ
lalāṭe bhartāraṃ caraṇakamale tāḍayati te |
cirādantaḥ śalyaṃ dahanakṛta munmūlitavatā
tulākoṭikvāṇaiḥ kilikilita mīśāna ripuṇā || 86 ||

हिमानी हन्तव्यं हिमगिरिनिवासैक-चतुरौ
निशायां निद्राणं निशि-चरमभागे च विशदौ ।
वरं लक्ष्मीपात्रं श्रिय-मतिसृहन्तो समयिनां
सरोजं त्वत्पादौ जननि जयत-श्चित्रमिह किम् ॥ 87 ॥
himānī hantavyaṃ himagirinivāsaika-caturau
niśāyāṃ nidrāṇaṃ niśi-caramabhāge ca viśadau |
varaṃ lakṣmīpātraṃ śriya-matisṛhanto samayināṃ
sarojaṃ tvatpādau janani jayata-ścitramiha kim || 87 ||

पदं ते कीर्तीनां प्रपदमपदं देवि विपदां
कथं नीतं सद्भिः कठिन-कमठी-कर्पर-तुलाम् ।
कथं वा बाहुभ्या-मुपयमनकाले पुरभिदा
यदादाय न्यस्तं दृषदि दयमानेन मनसा ॥ 88 ॥
padaṃ te kīrtīnāṃ prapadamapadaṃ devi vipadāṃ
kathaṃ nītaṃ sadbhiḥ kaṭhina-kamaṭhī-karpara-tulām |
kathaṃ vā bāhubhyā-mupayamanakāle purabhidā
yadādāya nyastaṃ dṛṣadi dayamānena manasā || 88 ||

नखै-र्नाकस्त्रीणां करकमल-सङ्कोच-शशिभिः
तरूणां दिव्यानां हसत इव ते चण्डि चरणौ ।
फलानि स्वःस्थेभ्यः किसलय-कराग्रेण ददतां
दरिद्रेभ्यो भद्रां श्रियमनिश-मह्नाय ददतौ ॥ 89 ॥
nakhai-rnākastrīṇāṃ karakamala-saṅkoca-śaśibhiḥ
tarūṇāṃ divyānāṃ hasata iva te caṇḍi caraṇau |
phalāni svaḥsthebhyaḥ kisalaya-karāgreṇa dadatāṃ
daridrebhyo bhadrāṃ śriyamaniśa-mahnāya dadatau || 89 ||

ददाने दीनेभ्यः श्रियमनिश-माशानुसदृशीं
अमन्दं सौन्दर्यं प्रकर-मकरन्दं विकिरति ।
तवास्मिन् मन्दार-स्तबक-सुभगे यातु चरणे
निमज्जन् मज्जीवः करणचरणः ष्ट्चरणताम् ॥ 90 ॥
dadāne dīnebhyaḥ śriyamaniśa-māśānusadṛśīṃ
amandaṃ saundaryaṃ prakara-makarandaṃ vikirati |
tavāsmin mandāra-stabaka-subhage yātu caraṇe
nimajjan majjīvaḥ karaṇacaraṇaḥ ṣṭcaraṇatām || 90 ||

पदन्यास-क्रीडा परिचय-मिवारब्धु-मनसः
स्खलन्तस्ते खेलं भवनकलहंसा न जहति ।
अतस्तेषां शिक्षां सुभगमणि-मञ्जीर-रणित-
च्छलादाचक्षाणं चरणकमलं चारुचरिते ॥ 91 ॥
padanyāsa-krīḍā paricaya-mivārabdhu-manasaḥ
skhalantaste khelaṃ bhavanakalahaṃsā na jahati |
atasteṣāṃ śikṣāṃ subhagamaṇi-mañjīra-raṇita-
cchalādācakṣāṇaṃ caraṇakamalaṃ cārucarite || 91 ||

गतास्ते मञ्चत्वं द्रुहिण हरि रुद्रेश्वर भृतः
शिवः स्वच्छ-च्छाया-घटित-कपट-प्रच्छदपटः ।
त्वदीयानां भासां प्रतिफलन रागारुणतया
शरीरी शृङ्गारो रस इव दृशां दोग्धि कुतुकम् ॥ 92 ॥
gatāste mañcatvaṃ druhiṇa hari rudreśvara bhṛtaḥ
śivaḥ svaccha-cchāyā-ghaṭita-kapaṭa-pracchadapaṭaḥ |
tvadīyānāṃ bhāsāṃ pratiphalana rāgāruṇatayā
śarīrī śṛṅgāro rasa iva dṛśāṃ dogdhi kutukam || 92 ||

अराला केशेषु प्रकृति सरला मन्दहसिते
शिरीषाभा चित्ते दृषदुपलशोभा कुचतटे ।
भृशं तन्वी मध्ये पृथु-रुरसिजारोह विषये
जगत्त्रतुं शम्भो-र्जयति करुणा काचिदरुणा ॥ 93 ॥
arālā keśeṣu prakṛti saralā mandahasite
śirīṣābhā citte dṛṣadupalaśobhā kucataṭe |
bhṛśaṃ tanvī madhye pṛthu-rurasijāroha viṣaye
jagattratuṃ śambho-rjayati karuṇā kācidaruṇā || 93 ||

कलङ्कः कस्तूरी रजनिकर बिम्बं जलमयं
कलाभिः कर्पूरै-र्मरकतकरण्डं निबिडितम् ।
अतस्त्वद्भोगेन प्रतिदिनमिदं रिक्तकुहरं
विधि-र्भूयो भूयो निबिडयति नूनं तव कृते ॥ 94 ॥
kalaṅkaḥ kastūrī rajanikara bimbaṃ jalamayaṃ
kalābhiḥ karpūrai-rmarakatakaraṇḍaṃ nibiḍitam |
atastvadbhogena pratidinamidaṃ riktakuharaṃ
vidhi-rbhūyo bhūyo nibiḍayati nūnaṃ tava kṛte || 94 ||

पुरारन्ते-रन्तः पुरमसि तत-स्त्वचरणयोः
सपर्या-मर्यादा तरलकरणाना-मसुलभा ।
तथा ह्येते नीताः शतमखमुखाः सिद्धिमतुलां
तव द्वारोपान्तः स्थितिभि-रणिमाद्याभि-रमराः ॥ 95 ॥
purārante-rantaḥ puramasi tata-stvacaraṇayoḥ
saparyā-maryādā taralakaraṇānā-masulabhā |
tathā hyete nītāḥ śatamakhamukhāḥ siddhimatulāṃ
tava dvāropāntaḥ sthitibhi-raṇimādyābhi-ramarāḥ || 95 ||

कलत्रं वैधात्रं कतिकति भजन्ते न कवयः
श्रियो देव्याः को वा न भवति पतिः कैरपि धनैः ।
महादेवं हित्वा तव सति सतीना-मचरमे
कुचभ्या-मासङ्गः कुरवक-तरो-रप्यसुलभः ॥ 96 ॥
kalatraṃ vaidhātraṃ katikati bhajante na kavayaḥ
śriyo devyāḥ ko vā na bhavati patiḥ kairapi dhanaiḥ |
mahādevaṃ hitvā tava sati satīnā-macarame
kucabhyā-māsaṅgaḥ kuravaka-taro-rapyasulabhaḥ || 96 ||

गिरामाहु-र्देवीं द्रुहिणगृहिणी-मागमविदो
हरेः पत्नीं पद्मां हरसहचरी-मद्रितनयाम् ।
तुरीया कापि त्वं दुरधिगम-निस्सीम-महिमा
महामाया विश्वं भ्रमयसि परब्रह्ममहिषि ॥ 97 ॥
girāmāhu-rdevīṃ druhiṇagṛhiṇī-māgamavido
hareḥ patnīṃ padmāṃ harasahacarī-madritanayām |
turīyā kāpi tvaṃ duradhigama-nissīma-mahimā
mahāmāyā viśvaṃ bhramayasi parabrahmamahiṣi || 97 ||

कदा काले मातः कथय कलितालक्तकरसं
पिबेयं विद्यार्थी तव चरण-निर्णेजनजलम् ।
प्रकृत्या मूकानामपि च कविता0कारणतया
कदा धत्ते वाणीमुखकमल-ताम्बूल-रसताम् ॥ 98 ॥
kadā kāle mātaḥ kathaya kalitālaktakarasaṃ
pibeyaṃ vidyārthī tava caraṇa-nirṇejanajalam |
prakṛtyā mūkānāmapi ca kavitā0kāraṇatayā
kadā dhatte vāṇīmukhakamala-tāmbūla-rasatām || 98 ||

सरस्वत्या लक्ष्म्या विधि हरि सपत्नो विहरते
रतेः पतिव्रत्यं शिथिलपति रम्येण वपुषा ।
चिरं जीवन्नेव क्षपित-पशुपाश-व्यतिकरः
परानन्दाभिख्यं रसयति रसं त्वद्भजनवान् ॥ 99 ॥s
arasvatyā lakṣmyā vidhi hari sapatno viharate
rateḥ pativratyaṃ śithilapati ramyeṇa vapuṣā |
ciraṃ jīvanneva kṣapita-paśupāśa-vyatikaraḥ
parānandābhikhyaṃ rasayati rasaṃ tvadbhajanavān || 99 ||

प्रदीप ज्वालाभि-र्दिवसकर-नीराजनविधिः
सुधासूते-श्चन्द्रोपल-जललवै-रघ्यरचना ।
स्वकीयैरम्भोभिः सलिल-निधि-सौहित्यकरणं
त्वदीयाभि-र्वाग्भि-स्तव जननि वाचां स्तुतिरियम् ॥ 100 ॥
pradīpa jvālābhi-rdivasakara-nīrājanavidhiḥ
sudhāsūte-ścandropala-jalalavai-raghyaracanā |
svakīyairambhobhiḥ salila-nidhi-sauhityakaraṇaṃ
tvadīyābhi-rvāgbhi-stava janani vācāṃ stutiriyam || 100 ||

सौन्दयलहरि मुख्यस्तोत्रं संवार्तदायकम् ।
भगवद्पाद सन्क्लुप्तं पठेन् मुक्तौ भवेन्नरः ॥
सौन्दर्यलहरि स्तोत्रं सम्पूर्णं
saundayalahari mukhyastotraṃ saṃvārtadāyakam |
bhagavadpāda sankluptaṃ paṭhen muktau bhavennaraḥ ||
saundaryalahari stotraṃ sampūrṇaṃ

GIRI Customer's "My Kolu" - A Customer Testimonial

2024-12-03T14:09:00.002+05:30

Dolls sent to a customer in US.

Kolu of K K Mangalam

I K K Mangalam murali purchased 5 steps kolu plastic padi from ur mylapore store this year. The arrangement of kolu 2013 at my Trivandrum home is postedIt is worth buying and at the same time thank you for your prompt door delivery.

Dolls sent to another customer - Mohan Sriram

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Thiruvannamalai Karthigai Deepam: A Divine Celebration and its Historic Significance

2024-11-23T17:32:00.001+05:30

Introduction:

Welcome to GIRI Blogger! In this blog post, we delve into the rich history and significance of Thiruvannamalai Karthigai Deepam, a magnificent festival celebrated in the town of Thiruvannamalai, Tamil Nadu. Join us as we explore the origins, rituals, and the spiritual essence of this divine celebration.

The Mythological Connection: Discover the mythological significance behind Thiruvannamalai Karthigai Deepam. Explore the ancient legend of Lord Shiva appearing as the infinite flame of light, known as the "Arunachala Hill" or the "Agni Lingam." Uncover the divine grace and power associated with this sacred manifestation.

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Historical Background: Trace the historical roots of Thiruvannamalai Karthigai Deepam and how it has evolved over the centuries. Learn about the contributions of the Chola and Pandya dynasties, as well as the significance of the Karthigai Deepam festival in the region's cultural heritage.
Rituals and Customs: Delve into the traditional rituals and customs observed during Thiruvannamalai Karthigai Deepam. Explore the preparations leading up to the festival, the ceremonial lighting of the Maha Deepam atop the Annamalai Hill, and the mesmerizing sight of the illuminated city.
Significance for Devotees: Understand the spiritual significance of Thiruvannamalai Karthigai Deepam for devotees. Explore the symbolism behind the festival, such as the victory of light over darkness and the inner awakening of the divine flame within oneself. Discover how the festival inspires devotion, introspection, and unity among worshippers.

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Essential Elements for Thiruvannamalai Deepam: Learn about the key components needed for the grand celebration of Thiruvannamalai Karthigai Deepam. From the colossal fire lamp to the traditional ghee-filled clay lamps and the vibrant processions, explore the elements that create a truly enchanting atmosphere during the festival.

Conclusion: Thiruvannamalai Karthigai Deepam is a captivating celebration that combines myth, history, and spirituality. By understanding its origins, rituals, and significance, we can immerse ourselves in the divine energy that radiates during this grand festival. Join us in embracing the spiritual essence of Thiruvannamalai Karthigai Deepam and its ability to ignite the flames of devotion and enlightenment within us.

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Our Ancesters Traditional following Methods for Vaikunda Ekadasi

2024-11-23T17:28:00.002+05:30

Introduction:

We explore the sacred significance of Vaikunta Ekadasi, a revered festival celebrated by Hindus around the world. Join us on this spiritual journey as we uncover the profound benefits and blessings associated with this auspicious day.

Understanding Vaikunta Ekadasi: Discover the meaning and essence of Vaikunta Ekadasi, also known as Mukkoti Ekadasi or Swarga Vathil Ekadasi. Explore the ancient scriptures and legends that highlight the significance of this sacred day, which falls on the 11th day of the waxing moon in the month of Margazhi.

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Divine Gateway to Vaikunta: Unveil the belief that observing Vaikunta Ekadasi offers devotees a unique opportunity to attain liberation and reach the abode of Lord Vishnu, known as Vaikunta. Explore the symbolism behind the opening of the "Vaikunta Dwaram" or the gates to the celestial realm, granting devotees passage to divine blessings.
Spiritual Practices and Observances: Learn about the traditional practices and rituals associated with Vaikunta Ekadasi. Discover the significance of fasting, meditation, recitation of sacred mantras, and engaging in acts of charity and selfless service. Explore how these practices purify the mind, body, and soul, fostering spiritual growth and connecting with the divine.
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Attaining Blessings and Spiritual Benefits: Uncover the abundant blessings and spiritual benefits that come with observing Vaikunta Ekadasi. From the forgiveness of sins and the eradication of negative karma to the bestowal of prosperity, peace, and divine grace, understand how this sacred day can transform lives and bring about spiritual upliftment.
Significance for Devotees: Explore the personal experiences and testimonials of devotees who have witnessed the transformative power of Vaikunta Ekadasi. Learn how observing this auspicious day has brought about positive changes, deepened their faith, and strengthened their spiritual connection with the divine.
Embracing Devotion and Faith: Reflect on the essence of devotion and faith in the context of Vaikunta Ekadasi. Discover how unwavering belief, sincere prayers, and surrendering to the divine can enhance the spiritual experience and invite the blessings of Lord Vishnu into our lives.

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Conclusion: Vaikunta Ekadasi is a gateway to spiritual transformation, liberation, and divine blessings. By observing this sacred day with devotion, fasting, and engaging in spiritual practices, we can unlock the profound benefits it offers. Let us embrace the power of Vaikunta Ekadasi to deepen our spiritual connection and embark on a path of inner growth, peace, and eternal bliss.

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Celebrating Sri Ramana Maharshi Jayanti: Honoring the Spiritual Luminary and His Teachings

2024-11-23T17:24:00.003+05:30

Introduction:

We delve into the significance of Sri Ramana Maharshi Jayanti, a special day dedicated to commemorating the birth anniversary of the renowned spiritual luminary, Sri Ramana Maharshi. Join us as we explore the unique qualities of Sri Ramana Maharshi and discover the practices and observances that can enrich our celebration of this auspicious occasion.

Sri Ramana Maharshi: A Spiritual Beacon: Uncover the life and teachings of Sri Ramana Maharshi, a revered sage who epitomized self-realization and profound spiritual wisdom. Learn about his journey of self-discovery, his emphasis on self-inquiry, and his timeless teachings of Advaita Vedanta.
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Significance of Sri Ramana Maharshi Jayanti: Understand the importance of Sri Ramana Maharshi Jayanti as a day to honor the birth anniversary of this great spiritual master. Explore how it provides an opportunity for devotees to deepen their connection with Sri Ramana Maharshi's teachings and absorb his divine presence.
Reflection and Contemplation: On Sri Ramana Maharshi Jayanti, take time for self-reflection and introspection. Contemplate the core teachings of Sri Ramana Maharshi, such as "Who am I?" and "Enquiring into the nature of the Self." Engage in silent meditation or journaling to explore the depths of your own consciousness and connect with the essence of Sri Ramana Maharshi's teachings.
Reading and Studying His Works: Immerse yourself in the writings and teachings of Sri Ramana Maharshi. Read his seminal work, "Who am I?" or explore other books that delve into his teachings and experiences. Reflect on his profound insights and contemplate their relevance in your own spiritual journey.

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Chanting and Mantra Recitation: Invoke the spiritual energy of Sri Ramana Maharshi by chanting his sacred mantras, such as "Arunachala Siva" or "Om Namo Bhagavate Sri Ramanaya." Engage in japa (repetitive recitation) of these mantras, allowing their vibrations to purify your mind and deepen your connection with the divine.
Visiting Sacred Places: If feasible, consider visiting sacred places associated with Sri Ramana Maharshi, such as his ashram in Tiruvannamalai, Tamil Nadu. Take part in special ceremonies, satsangs (spiritual gatherings), or meditation sessions held on Sri Ramana Maharshi Jayanti. Absorb the spiritual vibrations of these places and seek inspiration from the atmosphere of devotion.
Spreading His Teachings: Share the profound teachings of Sri Ramana Maharshi with others. Write about his teachings on social media, participate in online discussions, or organize study groups to explore his wisdom collectively. By spreading his teachings, you contribute to the dissemination of his spiritual legacy.
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Cultivating Compassion and Service: Embrace the spirit of compassion and selfless service on Sri Ramana Maharshi Jayanti. Engage in acts of kindness, charity, or seva (selfless service) as a way to honor his teachings and embody his message of love and unity.
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Conclusion: Sri Ramana Maharshi Jayanti is a time to honor and celebrate the life and teachings of a great spiritual luminary. By engaging in practices such as reflection, contemplation, studying his works, chanting, visiting sacred places, spreading his teachings, and performing acts of service, we can deepen our connection with Sri Ramana Maharshi's profound wisdom and embody his teachings in our daily lives. Let us celebrate Sri Ramana Maharshi Jayanti with reverence, gratitude, and a sincere commitment to self-inquiry and spiritual growth.

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The Transformative Benefits of Observing Ayyappan Mandala Vrata

2024-11-23T17:17:00.002+05:30

Observing the Ayyappan Mandala Vrata, a sacred vow dedicated to Lord Ayyappan, is an opportunity for spiritual seekers to embark on a transformative journey of devotion and self-discovery. This period of intense austerity and devotion offers numerous benefits that go beyond the material realm, nurturing the mind, body, and soul. In this article, we explore the profound advantages and transformative effects of undertaking the Ayyappan Mandala Vrata.

Cultivating Self-Discipline and Willpower: The Mandala Vrata demands a high level of self-discipline and willpower. Devotees commit to strict observances, including abstinence from non-vegetarian food, alcohol, and other indulgences. By adhering to these practices, individuals strengthen their self-control and develop the ability to overcome desires and temptations. This enhanced self-discipline extends beyond the Vrata period and positively impacts various aspects of life.
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Deepening Spiritual Connection: The Mandala Vrata offers a unique opportunity to deepen one's spiritual connection with Lord Ayyappan. Through intense prayer, meditation, and the recitation of sacred mantras, devotees foster a profound sense of devotion and surrender to the divine. This heightened spiritual connection brings a sense of peace, contentment, and clarity, helping individuals navigate life's challenges with a greater sense of purpose.
Purification of Body and Mind: During the Mandala Vrata, devotees engage in physical and mental purification practices. The adherence to a vegetarian diet, regular fasting, and participating in the rituals of worship contribute to detoxifying the body. Simultaneously, the daily practice of meditation, introspection, and self-reflection purges negative thoughts and emotions, fostering mental clarity and emotional balance. The purification of body and mind allows for a deeper experience of spirituality.
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Strengthening Virtues and Values: The Mandala Vrata encourages the cultivation of virtues such as compassion, humility, and gratitude. Devotees engage in acts of charity, service to others, and community participation as a way to express their devotion to lord Ayyappan. These selfless actions promote a sense of unity, empathy, and a greater appreciation for the interconnectedness of all beings. As virtues are nurtured, individuals become more compassionate, patient, and understanding in their interactions with others.
Seeking Inner Transformation: One of the most significant benefits of the Ayyappan Mandala Vrata is the potential for inner transformation. The rigorous practices and rituals create an environment conducive to self-discovery and self-improvement. Through introspection and introspection, individuals gain insights into their strengths, weaknesses, and patterns of behavior. This newfound self-awareness empowers devotees to make positive changes, overcome limitations, and align their actions with higher principles.

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Embrace the Blessings of Akshaya Tritiya: Why this Hindu Festival is the Perfect Day for New Beginnings

2023-10-08T16:00:00.002+05:30

Akshaya Tritiya is a Hindu festival that is celebrated with great zeal and enthusiasm by people all over India. It falls on the third day of the Hindu month of Vaishakh and is considered to be one of the most auspicious days for performing religious rituals, buying new items, and starting new ventures.

The word "Akshaya" means "never-ending" or "eternal" and symbolizes abundance, good luck, and success. On this day, people believe that any good deed performed, such as charity or puja, will bring eternal blessings and good fortune.

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One of the most popular customs associated with Akshaya Tritiya is the purchase of gold or other valuable items. People believe that buying gold on this day will bring prosperity and good luck. It is also a common practice to buy new clothes, start new business ventures, or make investments on this day.

In Hindu mythology, Akshaya Tritiya is considered to be the day when Lord Vishnu started the creation of the world, and Lord Parashurama, the sixth avatar of Lord Vishnu, was born on this day. It is also believed that on this day, the river Ganges descended to earth and Lord Ganesha wrote the Hindu epic, the Mahabharata.

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In modern times, Akshaya Tritiya has become an important day for Hindu communities worldwide. Many temples and religious organizations organize special prayers and puja to mark the occasion. People also visit relatives and friends to share gifts and sweets.

To conclude, Akshaya Tritiya is an important day in the Hindu calendar and is celebrated with great devotion and enthusiasm. Whether you are participating in religious rituals, buying gold, or starting a new venture, the day is considered to bring good luck and blessings for the future. So, make the most of this auspicious day and start your new ventures with positivity and hope.

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