Josh's Blog.

My Recital at St.James on April 9, 2019

2019-04-15T10:26:00.000-04:00

Last Tuesday, I did the "Music at Midday" recital at St. James' Cathedral. I was asked to fill in just a week before, and I was really excited to help out.

I repeated the program for my last recital (in February) as I am still working on new pieces. My new pieces are really close to being ready, but I want to work on them some more with my teacher first.

My past performances have been arranged weeks or months in advance, so this was a new experience for me.

We recorded the Petite Suite by Gerald Bales.

Thank you so much to Robert and Elizabeth for your support and faith in me!

I really loved doing this performance!

My Recital at St. James' Cathedral on Feb 19, 2019

2019-02-24T18:58:00.000-05:00

On Tuesday, I had a recital at the Cathedral Church of St. James in Toronto.

I only just stopped having organ lessons here last month. I will miss going there each week but, I hope that I will be able to do more recitals in the future.

Stephen Boda, my new organ teacher, came to help me out for this recital. He is the Organist at Timothy Eaton Memorial Church. He is excellent!

Here are some audio recordings from the recital:

Petite Suite by Gerald Bales
https://soundcloud.com/joshua-duncan-lee/petite-suite-by-gerald-bales

Sarabande by Florence Durell Clark
https://soundcloud.com/joshua-duncan-lee/sarabande-by-florence-durell

Sonatine by Eugene HIll
https://soundcloud.com/joshua-duncan-lee/sonatine-by-eugene-hill-1909

Psalm-Prelude Op. 32, No. 2 by Herbert Howells
https://soundcloud.com/joshua-duncan-lee/psalm-prelude-op-32-no-2-by

Thank you to Stephen Boda for coming out to help; thank you to Philip Eliot for recording my recital;
And a HUGE thank you to Robert Busiakiewicz for your continuing support!

And of course, thank you to everyone who came out to listen!

A Special Thank you to Ian Sadler

2019-02-04T22:31:00.001-05:00

On January 24th, I had my last organ lesson at the Cathedral Church of St. James' with Ian Sadler. He is no longer the organist there, and I can't travel to Stratford.

I had my first lesson with him at St. James on October 30, 2016. It seems like it was too short a time. He's been compared to the Mary Poppins of the organ world, as he shows up just when he's needed.

I am certain that it is not the last time I'll be playing organ with him. ;-)

Here are some pictures:

At our last class:

When I got my RCCO Service Playing Certificate last year:

Here we are with Robert at one of my recitals:

And this was the day Robert first introduced me to Ian.

Thank you so much, Ian, for being a fantastic teacher!

And Thank you to Robert, for introducing me to Ian and for allowing me to have my lessons and my first recitals at St. James' Cathedral!

Thank you both for sharing your love of music with me!

Update and a few videos from my Oct 30th recital

2019-01-28T21:27:00.002-05:00

I am so sorry for neglecting my blog for so long!
I have been super busy!

I became the Junior Organ Scholar at Timothy Eaton Memorial Church. I have especially been involved with the Tone Chimes. I still sing with the choir, and I also played the piano for a couple pieces.

I have also been involved with Orchestra and I started substitute teaching piano at a Music School.
I did a few RCM exams too.... Organ Grade 8, History Grade 10, and Viola Grade 7.

On October 30, 2018, I did an Organ Recital at The Cathedral Church of St. James.
(My Dad had to be the videographer as my Mom started back classes at University of Toronto and couldn't make it.)

Here are 3 pieces from my October 30th recital:
Adagio Per Il Organo by C.P.E. Bach (1714 - 1788)

Leid by Louis Vierne (1870 - 1937)

Kleine Praludium und Intermezzo by Herman Schroeder (1904 - 1984)

My next recital will be at The Cathedral Church of St. James' "Music at Midday" on Tuesday, February 19, 2019 at 1pm.

Admission is free, but donations are appreciated.

My Recital at St. James' Cathedral - Music at Midday

2018-08-01T19:40:00.004-04:00

Last Tuesday, I did a recital at The Cathedral Church of St. James for "Music at Midday".
Philip Elliot recorded it for me and I uploaded the full recital to SoundCloud:

https://soundcloud.com/joshua-duncan-lee/full-july-24-2018-music-at-midday-recital-at-the-cathedral-church-of-st-james-live/s-6fQwB

I played:

Rigaudon by Andre Campra (1660 - 1744)
Largo e Spiccato by A. Vivali (1678 - 1741) arr. J. S. Bach
Prelude and Fugue in E Minor, BWV 533 by J. S. Bach (1685 - 1750)
Voluntary in A Minor by William Boyce (1710 - 1779)
Choral Song by Samuel Wesley (1810 - 1876)
Folk Tune by Percy Whitlock (1903 - 1946)
Trumpet Air by Bert van der Hoek (b. 1932)
Variations on 'Fidelis' by F.R.C. Clarke (1931 - 2009)
Gaelic Fantasy for Organ by Hans-Andre Stamm (b. 1958)

Just in case you don't have time to listen to the full recital, here are videos of a few of the pieces:

Rigaudon by Andre Campra

Prelude and Fugue in E Minor (BWV 533) by J.S. Bach

Choral Song by S.S. Wesley

Folk Tune by Percy Whitlock

Variations on 'Fidelis' by F.R.C. Clarke

It was a lot more relaxed than my first two recitals and I felt better prepared, mainly because I had done it before.

Thomas Fitches came to hear me play!
The first time I met him was just a couple days before I started doing organ lessons. I heard him play at "Music at Midday" and so it is really a big deal to me that he came to hear my recital. Thank you so much for coming!

The biggest surprise was that Chrissy Quigley came to my recital! She helps to organize the Leahy Music Camp and she mentioned that she might come but it was wonderful seeing her!
I made sure to upload both Choral Song and Folk Tune since I know you loved them! Thank you for coming all the way to Toronto to hear me play!

One of the highlights of the recital is showing people the Pipe Organ afterwards... I'm hoping that some of the kids will be interested in learning organ in the future!

A huge "Thank you" to my teacher, Ian Sadler and to Robert Busiakiewicz, the Director of Music at The Cathedral Church of St. James for allowing me to perform and do lessons there. And of course, thank you to Philip Elliot for the audio-recording and to my Mom for the videos!

Leahy Music Camp, 2018

2018-07-08T21:30:00.000-04:00

Last week, I went to the Leahy Music Camp.
It was at the beautiful Lakefield College School just outside Peterborough.

This year, I focussed on piano so each morning, I would go to workshops for piano where I learnt how to vary bass lines and chords when accompanying fiddle.

Each afternoon they had electives where you could choose to learn fiddle, guitar, piano, accordion, bagpipes, banjo, step dancing, composition, improvisation, arranging, computer lab or even recording!

It's really difficult to choose what to do in the electives.

I chose:

Beginner Step Dancing with Jacqueline Enright

Beginner Accordion with Timi Turmel

Improvising on Fiddle with Shane Cook

Intro to Bagpipes with Liam McGlashon

Composing with Erin Leahy

And Mac Lab with Gary Atkins.
(Sorry, I don't have a pic from this elective.)

Each evening they had lots of fun stuff planned for us.... You can choose to do as many or as little of the activities as you like.

Monday Evening, the Instructors put on a performance.
I put together a little montage of clips from their performance.

They were awesome!
So much talent in one room and to think they are the ones who would be teaching us for the week!

On Tuesday, we had a Dance.
It was so much fun and my legs were sore the following day. :-)

On Wednesday afternoon, we had a special Slow Fast Jam. In between some of the songs that we were all playing together, we got to see some of the campers perform.

I didn't do the evening activity on the Wednesday though.... We decided to stay in and rest for the busy Thursday ahead.

On the Thursday, we recorded the Camp Chorus.

For the Camp Chorus, I played in the piano section this year. (Last year, I did the fiddle.)
Each section learns their own part separately, and the first time we hear the full thing is when we get together to record it.

It is really exciting!

After the camp edits it and send it out this year, I will make a post about it here on my blog.

On the Thursday afternoon, we had our group challenge performance.

The group challenge is my favourite part of camp.
For the Group Challenge, we get together with other campers who we don't normally see or work with throughout the year and work together on something to perform for everyone.

This year, I worked with Olivia Werden and Gail Poulsen. Olivia wrote a beautiful song called Leia's Lullaby and we arranged and performed it for the group challenge.
We also performed it in the evening at the Grand Jam.

The Grand Jam is the final performance at the camp... It is a lot of fun but it also means that the camp is over. We all get to share the stage with the Instructors and play the tunes that we've learnt throughout the week.

Thank you so much to the Leahys for having such a wonderful camp. It is so nice to be around a family which really seems to like each other and take care of each other.

And of course, a special thanks to Frank Callaghan for opening doors once again for us!

And thanks to Mom for being my chaperone and taking such good videos throughout the camp!

Update:
This blog post has been edited to include a link to a video of the performance of "Leia's Lullaby".

Last Night of the Proms at Timothy Eaton

2018-06-05T11:32:00.002-04:00

On Sunday, I sang with the Northdale Concert Band, the Grace Church-on-the-Hill Choir, the Christ Church Deer Park Choir, and the Timothy Eaton Memorial Church Choir, at their Last Night of the Proms.

It was a lot of fun!

Here is a video from the TEMC's facebook page:
https://www.facebook.com/temctoronto/videos/2135190073361032/

Adagio Music Festival 2018

2018-06-05T11:21:00.000-04:00

May and June are always super busy because of all of the auditions, examinations, competitions and performances.

On Saturday, I performed at the Adagio Music Festival. It's a very small festival and I have been doing it on and off for years. They have pictures of me from 2011 and 2012 in their gallery.

Here is one of the pieces I did at the festival - Sonatina for Piano, 3rd Movement (1959) by Aram Khatchaturian.

The last time I did the festival was in 2015 when I played "Two Gossiping Old Women" by Aram Khatchaturian.... I guess I really like Khatchaturian.

Orienteering

2018-05-28T16:09:00.001-04:00

Practicing music keeps me inside a lot. I decided to join the Toronto Orienteering Club, so I have a regular way to get outside and enjoy the sunshine (or rain) in the warmer months.

I did my first workshop with them to learn map reading and compass skills.

I had an audition just before I went Orienteering, and because of the time, I had to make a decision of getting something to eat or going somewhere to change my clothes. I was hungry, so I ended up a bit overdressed for the workshop. I did change my shoes though.

Here are a couple pictures of me at G. Ross Lord Park.

Thanks for coming with me, Dad!

My Service Playing Exam

2018-05-28T16:05:00.001-04:00

On May 22nd, I did my Service Playing Exam through the Royal Canadian College of Organists. It was my first exam with them.
I attended a Hymn Playing Workshop with Thomas Fitches in preparation for the exam and I think it really helped.

My exam was at St. Clement's Anglican Church and I was allowed some practice time before.

Here are a few pictures from inside the church.

The RCCO exam was different from RCM (Royal Conservatory of Music) exams.
The RCCO examiner was behind a screen, so I wasn't able to see him or her and the examiner never spoke directly to me. Someone meets you before the exam and takes you to the organ and he was the person who gave me the sight reading and told me which hymn I would be playing.

I also didn't need to provide copies of my music for the examiner. I guess the examiner might see my name on the music if I had to provide copies.

Here are some videos of some of the pieces I prepared for the exam.

Rigaudon
(Processional for a wedding)

Anthems:
God Be In My Head

God In My Eternity

Hymns:
I chose "Lord Jesus Think On Me" for the hymn that I would definitely play and this is the one I worked on at the workshop.

Lord Jesus Think On Me

The hymn that the examiner selected was "Forth In Thy Name O Christ We Go"
I accidentally hit an extra note at the end of this video, but that didn't happen in the exam.

Forth In Thy Name O Christ We Go

Holy, Holy, Holy (Nicaea) was on the list of hymns that we could play. I had no idea that this was my Grandma's favourite. My Mom didn't tell me until after the exam as she didn't want to influence my choice of hymns. She also didn't want me to get emotional considering how much this piece meant to Grandma.

Holy, Holy, Holy (Nicaea)

Most of these videos are 'unlisted' on youtube and are a special treat here for people who read my blog.

I am still waiting for my results. I'm hoping I did well.

My Recital at St. James

2018-05-26T20:40:00.001-04:00

I did my second ever solo recital earlier this month. It was on May 8th at the Cathedral Church of St. James.
It wasn't as nerve-racking as the first time.

Normally when I do concerts or rehearsals, my parents record some of it, but this time, they sat and enjoyed it.

We arranged with Philip Elliot to do an audio recording of the concert for us.
I'm so happy that we could get such a wonderful recording!

My program included:

Rigaudon by Andre Campra (166 - 1744)
Trio in C Minor, BWV 585 by Johann Sebastian Bach (1685 - 1750)
Prelude and Fugue in E Minor, BWV 533 by J. S. Bach
Fantasia in C Minor, BWV 562 by J. S. Bach
Sonata de 1o Tono by Jose Lidon (1748 - 1827)
Folk Tune by Percy Whitlock (1903 - 1946)
Choral Song by Samuel Wesley (1810 - 1876)
Berceuse by Louis Vierne (1870 - 1937)
Gaelic Fantasy by Hans-Andre Stamm (b. 1958)

I finally had time to sit down and listen to the performance.

It is very different listening to the concert and comparing it to how I experienced it while playing. The Rigaudon and the Bach pieces all went really well. I stumbled in the Sonata; the stumble was only about a split second, but it seemed so much longer while playing. I approached the Gaelic Fantasy a little too fast..It would have sounded better if I had just gone a little slower. Everything else was good. :-)

I uploaded a few of the pieces from the concert to SoundCloud
Rigaudon by Andre Campra
https://soundcloud.com/joshua-duncan-lee/rigaudon-by-andre-campra-live

Fantasia in C Minor by J. S. Bach
https://soundcloud.com/joshua-duncan-lee/fantasia-in-c-minor-bwv-562-by-j-s-bach

Choral Song by Samuel Wesley
https://soundcloud.com/joshua-duncan-lee/choral-song-by-samuel-s-wesley

Lots of homeschoolers came out to listen. Thank you so much for coming, it was great having so much support from other homeschoolers! I really hope you all enjoyed it!

me with Robert Busiakiewicz (left) and Ian Sadler (right)

A special thank you to my teacher - Ian Sadler, Robert Busiakiewicz - the Director of Music at St. James, and to Philip for recording the concert. :-)

Hymn Accompaniment Workshop with Tom Fitches

2018-05-26T20:39:00.000-04:00

May has been a very exciting month for me. I have so much to blog about! I'll split them up into a series of blog posts so it's not one huge, rambling piece.

On May 5th, the Royal Canadian College of Organists (Toronto Chapter) had a workshop about how to play hymns. Thomas Fitches led the workshop at St. Clement's Church.

The description of the workshop said:

I had my first RCCO exam coming up - The Service Playing exam and, of course, I went.

Playing a hymn is different from doing a piece for a recital.

You have to think about where the congregation will breathe when they are singing.
You need to think about the introduction - The congregants need to know when to sing
Rhythm is important - it needs to be steady or the people singing might get confused
The tempo needs to be at a speed where the congregation can sing a line in one breath
You have to think about the meaning of the words and this should be reflected in your choice of registration.

At the hymn playing workshop we worked on all of these and more!

Here was the first time I played through the hymn, Lord Jesus Think on Me (Southwell)

https://youtu.be/zYpB7tdSiH8

I needed to play just a bit faster, and I needed to extend the introduction so that the last notes I'd play would be in the same key that the congregation would sing.

Here is how it sounded after and with people singing.

https://youtu.be/ieYT8YdTNT4

It is so different going from practicing alone to playing with people singing. I don't usually play for a congregation, so this was really good for me.

I think it is really helpful that the RCCO offers this kind of workshop and it's free!
Tom even brought tim-bits, pastries and coffee to share!

Thank you so much Tom, and thank you to the RCCO for putting on the workshop!

Next Week's Recital

2018-05-04T14:40:00.001-04:00

On Tuesday, May 8th at 1pm, I'll be doing a recital at St. James' Cathedral. :-)

I chose all of the pieces for this recital and I've put together a nice selection of Baroque, Romantic and Modern pieces.

I look forward to seeing you there!

Organ Masterclass with David Briggs

2018-04-30T22:33:00.000-04:00

David Briggs had a private Masterclass at St. James' Cathedral with me, Manuel Piazza and Gerald Loo on Saturday, April 28th.

Manuel Piazza is an organ student at the University of Toronto and he is the Bevan Organ Scholar and the Organ Scholar at St. James' Cathedral. Gerald Loo is working towards his Fellowship Diploma of the Royal College of Organists. He also plays at St. Paul's Bloor.
I was the most junior person there! But, I was invited because I take lessons at St. James with Ian Sadler.

We all worked on different things.

I worked on two pieces that I will be doing in my upcoming recital on Tuesday, May 8th at 1pm at St. James.

Manuel Piazza played Choral no. 2 in B minor by César Franck,

And Gerald improvised a passacaglia.

We each had about 40 minutes of one-on-one instruction with David.

I played Choral Song By Samuel Sebastian Wesley and Gaelic Fantasy by Hans André Stamm.

For Choral Song, David recommended that I change some fingering and registration to make it more stylistically appropriate for a mid 19th century piece.

Gaelic Fantasy is a contemporary piece. It doesn't have dynamic markings or suggestions for registration so he recommended making the whole piece a giant crescendo. It is a piece that makes you want to dance and you will love the celtic themes and the crescendo just works.

David suggested ways to make Manuel's piece more expressive. One way was by using rubato in a slightly different way. He also changed the registration to reflect the composer's intentions.

David is extraordinarily good at showing us such small things that make a huge difference. It is these details that make him such a good organist!

For Gerald's improvisation, David pointed out that you need to have a plan. You need to think about are the implied harmony and the variations that you might do. One specific thing he mentioned was that using thirds and sixths can help make it easier for the actual improvisation.

A special thank you to Robert Busiakiewicz, who organized the Masterclass and to David Briggs for being so patient!
Thank you!

My Grade 9 Piano RCM Exam

2018-04-17T09:40:00.000-04:00

This weekend we had a horrible ice storm but I recorded my Grade 9 Piano Royal Conservatory Examination pieces. What you can't see is that I spent lots of time shovelling the snow/ice mix outside and we have a blower drying the basement downstairs from the flooding.

My exam was last week, on a much nicer day than what we had this weekend.

In the exam, I made a mistake with one of my scales. I started playing the harmonic scale instead of the melodic, but I switched when I noticed. And I fumbled in one of my Etudes... I continued playing but I stopped playing the left hand for a short while while I recovered from the fumble. I hope they don't mark me down too hard for that.

My sight reading went really well, and everything else seemed fine.

Here are the pieces that I did:

Etudes

Restless (op. 77, no. 4) by Moritz Moszkowski

Etude in D Major (op. 45, no. 3) by Stephen Heller

Repertoire

List A (Baroque)

Prelude and Fugue in C Minor (BWV 847) by J. S. Bach

List B (Classical)

Fantasie in D Minor (K 397/385g) by W. A. Mozart

List C (Romantic)

June (Barcarole) (op. 37a, no. 6) by P. I. Tchaikovsky

List D (Modern)

Sonatina for Piano, 3rd Movement (1959) by A. Katchaturian

RCCO Toronto's Bach Walk 2018

2018-03-18T09:09:00.000-04:00

I love orchestra, but I also like having Saturdays free. Yesterday was the 4th Annual Toronto Bach Walk celebrating Johann Sebastian Bach's 333rd Birthday and because I had the day off, I was able to go!

We went to a series of churches and listened as people performed Bach compositions.

Church of the Redeemer at 1pm

Trinity College Chapel at 2pm

St. Thomas' Anglican Church at 3pm

The program is designed so you can easily walk from one church to the next.

It's cool being able to get up and switch locations in the middle of a performance!

~~~~~

At Church of the Redeemer, Daniel Norman played:

Prelude and Fugue in B minor, BWV 544

Passacaglia and Fugue in C minor, BWV 582

~~~~~

At Trinity College Chapel, John Tuttle played:

Prelude and Fugue in E minor (The "Wedge") BWV 548

and John Tuttle was joined by The Rev'd Andrea Budgey on Recorder for:

Sonata in F major, BWV 1035

Adagio ma non tanto

Allegro

Siciliano

Allegro assai

~~~~~

At St. Thomas' Anglican Church Elizabeth Anderson played:

Chorale Prelude: ' An Wasserflussen Babylon' BQV 653b (a 2 Clav. e Pedale doppio)

Chorale Prelude: 'Herr Gott, nun schleuss den Himmel auf', BWV 617

Chorale Prelude: 'Liebster Jesu', BWV 731

Prelude and Fugue in C minor, BWV 546

Dad came along with me for this event even though he isn't the biggest fan of Bach. I was able to bribe him with the Birthday cake they have at the end.
I just love the music, the performances and the churches!

Thanks so much for the wonderful music!

Mackenzie House on Pi Day - Eaton's Goes to War

2018-03-17T21:12:00.000-04:00

On Pi Day, we usually do something Pi/Pie related or go to the Science Centre. But, this year, Pi Day is smack in the middle of March Break and that means the Science Centre would be packed. So, instead, we decided to head downtown and visit one of our favourite museums.

We finally got to see the exhibit "Eaton's Goes to War: Family, Memory and Meaning" at Mackenzie House. It is about the people who went to fight in the First World War who worked at Eaton's Department Store.

I was at Timothy Eaton Memorial Church for Remembrance Day last year and they did a wonderful service with beautiful music paying special tribute to the members there who served in both of the World Wars. (The whole service is available online at https://www.temc.ca/sermon/decisions-nightfall.) It got me wondering about the people who served and so, I really wanted to see this exhibition.

I didn't expect to see something about someone younger than me going to war. He was 13, working at Eaton's and he enlisted in the army along with his older brother, Fred.

picture from Archives of Ontario's site http://www.archives.gov.on.ca/images/soldier/I0073097.jpg

Both brothers lied about their ages to enlist, but when they were in England, Fred told the army about Stanley's age and he was discharged.

picture from Archives of Ontario's site http://www.archives.gov.on.ca/images/soldier/I0073098.jpg

Fred Gledhill received a Distinguished Conduct Medal, and became the youngest Regimental Sergeant Major in the British Army.

One thing that is special about this exhibit is that it looks at how these men who served are remembered by their families and what happened after.

I always hear stories about my Grandfather (Mom's Dad) and my Great Grandfather and Great Uncle (Dad's Grandfather and grand-uncle) and I know that being in the army in World War II was a part of their lives, but they were so much more.

Eaton's Goes to War is on at Mackenzie House until April 30th this year.

Ryerson Interior Design Students also have an exhibit up at Mackenzie House.

Can you see the silhouettes of Mackenzie and his daughters?

There is also a display of objects made from human hair.

And of course, we spent some time in the Print Shop.

Thanks to Alex and Jared for the wonderful afternoon!

And a special thank you for having the well thought out exhibit on Eaton's Goes to War. You always have such great exhibits!

RCCO Masterclass with William Porter

2018-03-17T20:35:00.000-04:00

Since it was March Break, I had my entire Saturday free. My orchestra just had our concert and so we have a couple Saturdays off.

I was able to go to William Porter's Masterclass hosted by the RCCO (the Royal Canadian College of Organists) on March 10 at St. Andrew's Presbyterian Church at King & Simcoe.

It was my first time watching a Masterclass and it's quite different from a regular class as there is an audience. William Porter is a world-renowned performer and he is well known for his improvisations.

The participants in this Masterclass were, Manuel Piazza, Stefani Bedin, Zoe Lei and Martin Jongsma.

I got to the Masterclass early, so I was able to sit up front.

First we heard Manuel Piazza play the Bach Prelude in B Minor, BWV 544. Manuel is the Organ Scholar at St. James' Cathedral and Manuel played for the choir that I sang with in Chichester & Winchester in the UK over the New Year hoilday.

William Porter taught Manuel to slowly release the keys for certain chords so that it would be a more gentle release. He also had some feedback about the text. He commented that on the original manuscripts from the earlier years Bach was less strict about notation, but later on, he became more precise. Sometimes publishers or editors may have added things. William Porter noted that you need to understand the piece instead of entirely relying on the notation.

Next we heard Stefani Bedin play Bach's Allein Gott in der Höh sei Ehr, BWV 676.

(I believe Stefani's teacher is Kevin Komisaruk. Kevin played clavichord for my Grandma at her hospital bedside just a few days before she passed away. She was really comforted by his playing.)

William suggested that Stefani use some alternate fingering that would make it less tiring to play. He also had some feedback about the text and the consistency of certain elements like trills at choral entries.

We then heard Zoe Lei play Bach's Prelude in E flat Major.

William Porter asked her to focus on the rhythm of the piece. He also looked at the meaning of the phrase, "Pro organo pleno" and how it has changed over the years regarding registration. In Bach's time, it meant principals, mixtures and pedal reeds and then later on it evolved to include the manual reeds. She only needed to make a very simple change by adding the mixtures (stops with multiple ranks of high pitched pipes.)

The last organist we heard was Martin Jongsma. He was improvising a fugue and William Porter gave him feedback on how to improvise a fugue in the German Baroque style.
This was the most interesting part for me as improvisation is totally new to me. For the fugue, he suggested to keeping to 3rds and 6ths for the counter subject, and he also said that you shouldn't start a new voice from the same note but they shouldn't be too far apart from each other. I tried this when I got home, and it's so cool.

Thanks to the RCCO, William Porter and to all of the organists who played!
It was a great morning out!

Sea Kale Germination Experiment - Part 4 (Final Update)

2018-03-17T19:05:00.000-04:00

We started an experiment about Sea Kale germination. We wanted to see if it made any difference if we soaked the seeds or if the pericarp (the outer layer) of the seed was removed or cracked.
We put 2 seeds in each pot, and used 5 pots for each category.

Soaked overnight, Pericarp Removed - Floated
Soaked overnight, Pericarp Removed - Sank
Soaked overnight, Pericarp Cracked
Soaked overnight, Pericarp Intact (all floated)
Not Soaked, Pericarp Removed
Not Soaked, Pericarp Cracked
Not Soaked, Pericarp Intact

We observed the pots checking for germination daily from Jan 26th through to March 16th.
It has been almost a month since our last seedling emerged (on Feb 22nd) and therefore, we are wrapping up this experiment.

Sea Kale Experiment Results

Category	Container	Date 1^st Sprout Emerged	Date 2^nd Sprout Emerged
Soaked Overnight, Pericarp Removed, Floated	1	Jan 29 - Seedling was not Sea Kale	-
	2	-	-
	3	Feb 1	-
	4	Jan 28	Jan 29
	5	Jan 31	Feb 6
Soaked Overnight, Pericarp Removed, Sank	1	-	-
	2	Feb 1	-
	3	Feb 2	-
	4	Feb 1	Feb 4
	5	Feb 2	-
Soaked Overnight, Pericarp Cracked	1	-	-
	2	-	-
	3	-	-
	4	Feb 9	-
	5	Feb 3*	-
Soaked Overnight, Pericarp Intact	1	-	-
	2	Feb 17	-
	3	-	-
	4	Feb 9	-
	5	Feb 5	-
Not Soaked, Pericarp Removed	1	-	-
	2	Feb 8	Feb 9
	3	Feb 3	-
	4	Feb 3	Feb 22
	5	Feb 5	-
Not Soaked, Pericarp Cracked	1	-	-
	2	-	-
	3	Feb 4*	-
	4	Feb 1	Feb 4
	5	Feb 1	Feb 6
Not Soaked, Pericarp Intact	1	-	-
	2	Feb 17	-
	3	-	-
	4	-	-
	5	-	-

? - Not 100% sure it is a Sea Kale Seedling. Will know for certain when the true leaves emerge.
* The Seedling has emerged, but the pericarp is still over the cotyledons.

Summary of Results:

Category	Germination Rate		Average Number of Days for Germination
Soaked Overnight, Pericarp Removed, Floated	5/10	50%	(7+3+4+5+12) ÷ 5	6.2
Soaked Overnight, Pericarp Removed, Sank	5/10	50%	(7+8+7+10+8) ÷ 5	8
Soaked Overnight, Pericarp Cracked	2/10	20%	(15+9) ÷ 2	12
Soaked Overnight, Pericarp Intact	3/10	20%	(23+15+11) ÷ 3	16
Not Soaked, Pericarp Removed	6/10	60%	(14+15+9+9+28+11) ÷ 6	14.3
Not Soaked, Pericarp Cracked	5/10	50%	(10+7+10+7+12) ÷ 5	9.2
Not Soaked, Pericarp Intact	1/10	10%	(23) ÷ 1	23

General Observations:

When comparing the soaked seeds to the ones which were not soaked. The ones which were not soaked overnight had better germination rates when the pericarp was removed or cracked.

The rates of germination for the pericarp being removed whether they floated or sank when soaked overnight was 50%. For those that were not soaked, the germination rate was 60%, However, due to the small sample size this might not be that much of a difference.

With the pericarp cracked, the germination rate was lower when it was soaked overnight, 20% compared to the ones which were not soaked at 50%

When the pericarp was left intact, the soaked ones had a higher germination rate of 30% compared to 10% when not soaked.

Conclusion:
It seems as though the best results for germination is when the pericarp is cracked or removed without soaking overnight.

If you are not going to remove the pericarp, soak the seeds before planting.

__________________

This is a picture of the Sea Kale seedling which emerged with the pericarp cracked but the pericarp remained over the cotyledons.

We had a slight problem with dampening off for some of the seedlings, (in hindsight we probably should have sterilized our potting mix). We also lost a couple of seedlings when we transplanted them to larger pots. The rest are doing well but a bit leggy.

Here are a couple of pictures our other Sea Kale seedlings.

Sea Kale Germination Experiment - Part 3

2018-02-05T19:20:00.000-05:00

We are 11 days into our experiment and lots of Sea Kale seedlings have emerged!

More than we expected. :-)

The ones that we don't plant in our garden, we will be offering to friends, and to the City of Toronto Museums which have gardens.

Here are some pictures of the seedlings.

Here are the raw results of our Germination Experiment so far:

Sea Kale Experiment Results

Category	Container	Date 1^st Sprout Emerged	Date 2^nd Sprout Emerged
Soaked Overnight, Pericarp Removed, Floated	1	Jan 29?
	2
	3	Feb 1
	4	Jan 28?	Jan 29
	5	Jan 31
Soaked Overnight, Pericarp Removed, Sank	1
	2	Feb 1
	3	Feb 2
	4	Feb 1	Feb 4
	5	Feb 2
Soaked Overnight, Pericarp Cracked	1
	2
	3
	4
	5	Feb 3*
Soaked Overnight, Pericarp Intact	1
	2
	3
	4
	5	Feb 5
Not Soaked, Pericarp Removed	1
	2
	3	Feb 3
	4	Feb 3
	5	Feb 5
Not Soaked, Pericarp Cracked	1
	2
	3	Feb 4*
	4	Feb 1	Feb 4
	5	Feb 1?
Not Soaked, Pericarp Intact	1
	2
	3
	4
	5

? - Not 100% sure it is a Sea Kale Seedling. Will know for certain when the true leaves emerge.
* The Seedling has emerged, but the pericarp is still over the cotyledons.

The two seedlings in the front of this picture emerged with the pericarp still covering the cotyledons. We won't be 'helping' them off. Hopefully they will come off on their own.

More pictures.

Sea Kale Germination Experiment - Part 2

2018-01-29T15:35:00.001-05:00

It has been 4 days since we sowed the seeds and we have some preliminary results.
3 seedlings have emerged!

All of them were from the set that were Soaked overnight, Pericarp removed and floated.
2 were in the same pot.

These 2 pots have been moved so they can be under grow lights now.
We will still keep checking on them to see if the 4th seed germinates.
(There are 2 seeds in each pot.)

All of the other pots are still being observed as well.

Sea Kale Germination Experiment - Part 1

2018-01-25T13:34:00.000-05:00

Today we started a little experiment with some Sea Kale seeds (Crambe Maritima)

We (Mom & I) got our seeds from FedCo Seeds.

Our Sample Size for this experiment is 70 Seeds.

We put 2 seeds in each pot and clearly labelled the outside of the pots.
We have 5 pots with seeds from each category below:

Soaked overnight, Pericarp Removed - Floated
Soaked overnight, Pericarp Removed - Sank
Soaked overnight, Pericarp Cracked
Soaked overnight, Pericarp Intact (all floated)
Not Soaked, Pericarp Removed
Not Soaked, Pericarp Cracked
Not Soaked, Pericarp Intact

All of the seeds were sown in soil from the same bag of potting soil that was warmed to room temperature over the course of a few days.

All of the seeds were placed about a 1/4 inch deep.
All of the containers in this experiment are 4 inch plastic pots.

They are all in the same room with the same environmental conditions where other plants are thriving.

Predictions:

We expect that the seeds with the pericarp removed will be more likely to successfully sprout. However, we do not know if the pericarp will help or hinder germination - which is why we cracked some of them (for scarification) and left some intact.

We noticed that some of the seeds with the pericarp removed floated and some sank. We chose to separate these to find out if this is an indicator of viable seeds.

Limitations:
We have never successfully germinated Sea Kale seeds before.
We are not looking at how light affects germination as all of the seeds were initially put under about a 1/4 inch of dirt. Watering may change the depth of the seeds, either exposing them, or covering them up more.
We did not look at how sowing the seeds directly outside would affect germination.
Also, I am totally inexperienced with designing Science experiments.

For more information about Sea Kale please see:
https://www.fedcoseeds.com/seeds/search?item=3099
http://tcpermaculture.com/site/2014/03/03/permaculture-plants-sea-kale/
https://www.cultivariable.com/instructions/other-vegetables/how-to-grow-sea-kale/
https://www.monticello.org/site/house-and-gardens/in-bloom/sea-kale

Around Winchester

2018-01-15T14:40:00.000-05:00

Dad and I wandered around Winchester on the last full day of our trip to England.
Here are some pictures:

Winchester Cathedral

2018-01-15T14:36:00.002-05:00

After spending a week at Chichester, around the New Year holiday, I went with the Cathedral Singers of Ontario to Winchester.
We sang at Evensong at Winchester Cathedral.

Here are some pictures of the Cathedral:

I also got to rehearse at the Cathedral and do the prelude before Evensong.

Here is a video of me playing Siciliano by Max Reger there:

Thank you so much to Ian Sadler, the Conductor of the Cathedral Singers of Ontario for such a wonderful opportunity!
It was amazing!

I still can't believe I sang and played the organ in England!

Around Chichester

2018-01-11T09:07:00.001-05:00

I'm just sharing some more pictures from Chichester.
I like that it's close to London but still quiet.

This is the Town Cross, where the north, east, south and west streets meet.

Here, we are a little further from the Cross.

Christmas tree, right by Town Cross.

Outside of the Cathedral

The Sundial

The Bell Tower

The Bishop's Palace Garden

The Roman Wall

We got a lot of gifts for people at The Sweet Jar. :-)