tag:blogger.com,1999:blog-65675512024-03-13T04:33:27.743+00:00Mantex ...writing, typography, design <br>
music, literature, language<br>
from digital hub Manchester UKMANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.comBlogger529125tag:blogger.com,1999:blog-6567551.post-26637012578891215982015-08-13T14:56:00.000+01:002015-08-13T14:57:40.864+01:00Two Dickens Classics<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-s5hZ1L-YolM/Vcyh3boR-GI/AAAAAAAABWw/G_njtXfSyPE/s1600/Charles-Dickens.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-s5hZ1L-YolM/Vcyh3boR-GI/AAAAAAAABWw/G_njtXfSyPE/s320/Charles-Dickens.jpg" /></a></div>In the 1850s Charles Dickens was at the height of his powers as a novelist, and two of his greatest works from this period have been the highlights of my summer (re)reading. <a href="http://www.mantex.co.uk/2015/08/11/bleak-house/"><em>Bleak House</em></a> (1853) and <a href="http://www.mantex.co.uk/2015/08/12/little-dorrit/"><em>Little Dorrit</em></a> (1857) both appeared in monthly instalments, then as single volume publications. The nearest cultural equivalent these days might be a TV series or a soap opera, followed by the release of the same work as a boxed set of DVDs.<br />
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Both novels are heavily centred on London, and they explore the worlds of greed and capital accumulation which lay at the heart of the industrial revolution. Dickens was not only a genius at story telling and a master of comedy and pathos - he was also an incisive critic of the establishment institutions that tolerated poverty, neglect, child labour, and moral corruption. <br />
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He weighs into the Church, the Courts, and the banking system. Clergymen are exposed as pious frauds, lawyers as pariahs who profit from their clients' misfortunes, and bankers as dubious (and sometimes corrupt) manipulators who make fortunes with other people's money. In fact not much has changed in the intervening century and a half. <br />
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There are full tutorials on both novels, featuring plot summaries, lists of principal characters, critical commentaries, study resources, web links, and suggestions for further reading. There are also links to a variety of available editions - in paperback, Kindle eBooks, and free downloadable versions at Project Gutenberg.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-23754354776425199262015-05-26T11:40:00.001+01:002015-08-13T14:58:15.906+01:00Mad, Bad, and Dangerous to Know<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-EAlTRhO_7DM/VWRNRSsZ00I/AAAAAAAABWU/To5-ns5hEY0/s1600/Ludwig-Wittgenstein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-EAlTRhO_7DM/VWRNRSsZ00I/AAAAAAAABWU/To5-ns5hEY0/s320/Ludwig-Wittgenstein.jpg" /></a></div>No - not Byron, but Ludwig Wittgenstein, whose biography I have just finished. He might have been an important philosopher; he might have invented one of the first jet engines; and he might have come from one of the most illustrious families in Europe - but he lived at the bizarre end of the social spectrum. He was writing all the time, but only published one book in his own lifetime. He drove his colleagues to distraction with non-stop ranting. He physically assaulted his students. Suicide was never far from his mind. He inherited millions but lived like a hermit. He ruined the professional careers of his most promising students. And in the end he repudiated his own work. There is lots more <a href="http://www.mantex.co.uk/2015/05/08/ludwig-wittgenstein/"><strong>here</strong></a>.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-71536439660517291492015-02-25T11:59:00.000+00:002015-02-25T12:00:27.057+00:00Alejo Carpentier<img src="http://www.mantex.co.uk/wp-content/uploads/2015/01/Alejo-Carpentier.jpg" alt="The Road to Santiago" width="411" height="333" class="aligncenter size-full wp-image-52852" /><br />
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I have been reading (and writing on) the work of an amazing but little-known Cuban writer called <a href="http://www.mantex.co.uk/tutorials/20c-authors/alejo-carpentier/">Alejo Carpentier</a>. He was active in the European modernist and surrealist movements in the 1920s and 1930s, and was appointed Ambassador to France by Fidel Castro in 1967. He coined the term 'magical realism' to describe the mixture of fantasy and realism that characterises much of modern Latin-American literature. To give an example, his short story <a href="http://www.mantex.co.uk/2015/01/19/journey-back-to-the-source/"><em>Journey Back to the Source</em></a> describes a man's life - but with time going backwards. It begins with his death and the demolition of his house, then ends with his birth. His novella <a href="http://www.mantex.co.uk/2015/01/17/baroque-concerto/"><em>Baroque Concerto</em></a> is a musical extravaganza that starts in eighteenth century Mexico, where a rich burger travels to Europe. He attends a concert given by Scarlatti, Handel and Vivaldi, and ends up in La Fenice opera house listening to Louis Armstrong. These links take you to tutorials and study guides on his writing.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-85962246664399624762014-09-24T12:31:00.000+01:002014-09-24T12:31:56.622+01:00Henry James - two difficult novels<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-h7Gfl11ngAo/VCKrC5ToDFI/AAAAAAAABVQ/ulELUws9wfc/s1600/Wakehurst_Place_Mansion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-h7Gfl11ngAo/VCKrC5ToDFI/AAAAAAAABVQ/ulELUws9wfc/s320/Wakehurst_Place_Mansion.jpg" /></a></div><br />
On a recent break I decided to set myself the task of reading one of Henry James longest novels - <em>The Tragic Muse</em> - and one of his most obscure - <em>The Sacred Fount</em>. The first I had once read almost fifty years ago whilst on holiday in Ireland, but could remember nothing about it. The second I had been saving for years like some dark-flavoured liqueur reserved for a special occasion. Both proved difficult - but for quite different reasons. <br />
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<em>The Tragic Muse</em> is James exploring his love affair with the theatre and what it means to be an artist by profession. Miriam Rooth is an ambitious actress who claws her way to success by hard work and a belief in her own possibilities. She is counterpoised by Nick Dormer, a successful member of Parliament, who gives up his glittering career to become a painter. The problem with the novel is that it's quite long at nearly 200,000 words.<br />
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<em>The Sacred Fount</em> is much shorter - but difficult because it's not quite clear what's going on in the story. The narrator is a guest at a Downton Abbey-like country mansion weekend party. He realises that some of his fellow guests are engaged in undercover sexual liaisons, and he sets out to discover who is involved. But he will only use methods of psychological interpretation. The results are equally baffling for him and the reader in this 'detective story without a crime - and without a detective'.<br />
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Full tutorial notes and study guides here:<br />
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<a href="http://www.mantex.co.uk/2014/09/22/the-tragic-muse/"><em>The Tragic Muse</em></a><br />
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<a href="http://www.mantex.co.uk/2014/09/23/the-sacred-fount/"><em>The Sacred Fount</em></a><div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-91764398684047541832014-07-05T12:02:00.000+01:002014-09-24T12:32:16.953+01:00The Stories of Edith WhartonEdith Wharton was a prolific writer of stories - maybe call them tales - but not <em>short</em> stories because hardly any of them are what we would now classify as short. She favoured the extended story, often with multiple characters and issues. She produced over eighty stories - nearly as many as her good friend <a href="http://www.mantex.co.uk/2009/09/30/henry-james-biographical-notes/">Henry James</a> who clocked up over a <a href="http://www.mantex.co.uk/tutorials/james-tales/">hundred</a> - and they cover an impressive range of topics and themes. Social climbing and snobbery; Anglo-American relations; art and artists; tragedies of everyday life; and even ghost stories, for which she had a great fondness. She also produced these shorter works between an impressive series of full length novels, such as <a href="http://www.mantex.co.uk/2011/07/12/the-house-of-mirth-a-study-guide/"><em>The House of Mirth</em></a>, <a href="http://www.mantex.co.uk/2011/07/24/the-age-of-innocence-study-guide/"><em>The Age of Innocence</em></a>, and <a href="http://www.mantex.co.uk/2011/07/20/the-custom-of-the-country/"><em>The Custom of the Country</em></a>.<br />
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<p style="text-align: center;"><iframe width="400" height="260" src="//www.youtube.com/embed/g2eMW_Gvj3I" frameborder="0" allowfullscreen></iframe><br />
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It has to be said that they vary in quality. Some of the weakest seem to have been written just to fill space in the many literary and upmarket magazines for which she wrote. But her writing style is fluent and elegant no matter what her subject, and the best of her tales are tightly constructed masterpieces of the genre. <a href="http://www.mantex.co.uk/2014/04/14/xingu/"><em>Xingu</em></a> is a very amusing and much anthologised satire of a ladies' reading circle; <a href="http://www.mantex.co.uk/2013/11/18/after-holbein/"><em>After Holbein</em></a> is a macabre account of old age and senility (prefiguring Evelyn Waugh); <a href="http://www.mantex.co.uk/2014/07/04/the-pretext/"><em>The Pretext</em></a> is an almost heartbreaking study of a middle-aged woman who has fallen in love with a younger man; and <a href="http://www.mantex.co.uk/2014/02/17/the-touchstone/"><em>The Touchstone</em></a> (one of her earliest and longest tales, which qualifies as a novella) might well contain a self-portrait of Wharton herself in the figure of Margaret Aubyn, a novelist whose early love letters to a young man cause him moral problems long after her death.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-90723574165230579152014-07-05T00:13:00.000+01:002014-07-05T11:43:55.550+01:00Tour de France 2014My goodness! Just checked on the presentation photos for the start of tomorrow's Tour - and Andy Schleck already looks as if he is on another chemical planet.<br />
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<a href="http://www.steephill.tv/2014/tour-de-france/photos/stage-00/">Steephill.tv</a><br />
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Team Treck have got big problems I think.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-vGuzA981mf8/U7c06oz5tnI/AAAAAAAABVA/-B5b22UyBNU/s1600/schleck.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-vGuzA981mf8/U7c06oz5tnI/AAAAAAAABVA/-B5b22UyBNU/s320/schleck.jpg" /></a></div><br />
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-83644392461811483002014-02-16T17:31:00.000+00:002014-02-16T17:32:11.160+00:00Edith Wharton tutorials<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-sREXvgmc7lI/UwD1c4pdt3I/AAAAAAAABUw/Fzi4zGH1LbU/s1600/Edith-Wharton-001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-sREXvgmc7lI/UwD1c4pdt3I/AAAAAAAABUw/Fzi4zGH1LbU/s320/Edith-Wharton-001.jpg" /></a></div>Edith Wharton was a best-selling novelist, a Pulitzer prizewinner, and a close friend of Henry James. She also wrote a prodigious number of short stories and novellas - and the range of topics she covers is quite amazing. Her tales range from grim naturalistic depictions of lower-class life in New York, as in <a href="http://www.mantex.co.uk/2014/02/04/bunner-sisters/"><strong>Bunner Sisters</strong></a>, via social satires such as <a href="http://www.mantex.co.uk/2014/02/16/the-other-two/"><strong>The Other Two</strong></a> (a woman juggling two ex-husbands) and her best-known work <a href="http://www.mantex.co.uk/2012/08/21/roman-fever/"><strong>Roman Fever</strong></a>, to ghost stories such as <a href="http://www.mantex.co.uk/2014/01/31/afterward/"><strong>Afterward</strong></a> and <a href="http://www.mantex.co.uk/2014/02/16/the-triumph-of-night/"><strong>The Triumph of Night</strong></a>. Even an early work such as <a href="http://www.mantex.co.uk/2014/01/30/sanctuary/"><strong>Sanctuary</strong></a> shows amazing control of dramatic effects and her feeling for the shapliness of a form which is half way between a long story and a short novel. Full plot synopses and critical commentaries on all our new tutorials on these works - plus a nice documentary video showing the forty-two room house she designed and furnished herself. <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-9638888013580980282013-12-20T00:07:00.003+00:002013-12-20T00:07:55.712+00:00Woolwich & PanoramaThere was what appeared to be a very bad slip-up on the Panorama survey of the Woolwich murder this evening. Reporter Peter Taylor commented that the two defendants, now found guilty of the murder of Lee Rigby, would be going to serve "life sentences" starting today - on the day that they have been convicted - but NOT YET SENTENCED. That's jumping the gun somewhat I think, no matter what you might think about the issues of the case.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-75161102629422374242013-12-17T14:46:00.000+00:002013-12-17T14:48:03.570+00:00Celebrity Comment<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-rPiczrM42X0/UrBjWIY_uZI/AAAAAAAABUM/xXws9NejyNg/s1600/guardian+(1).jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-rPiczrM42X0/UrBjWIY_uZI/AAAAAAAABUM/xXws9NejyNg/s1600/guardian+(1).jpg" /></a></div>There is a class of celebrity commentators who write for newspapers (print and online) who seem to be hired for their ability to get things wrong and thereby generate attention and further comment. I am thinking of people such as Melanie Phillips, Peter Hitchens, and Polly Toynbee. (Yes - I'm aware that Melanie Phillips has recently 'moved on', but she pioneered this phenomenon.) And these people all have one thing in common. They put forward their views on a regularly paid weekly basis - but they never engage in the debate which ensues. <br />
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Readers of these newspapers point out the mistakes in their articles, refute their views, and underscore the lack of evidence or logic in their arguments. But they ignore all this feedback and simply write another equally fatuous article the following week, which is just as full of holes, inaccuracies, mistakes, and prejudice as the week before.<br />
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There is a growing suspicion that newspapers are deliberately following this policy of promoting half-baked and ill-informed 'journalism' because it generates controversy and thereby brings viewers to these pages. The viewers are what advertisers want to see - and the newspapers are kept alive only by the advertising revenue they generate.<br />
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It is worth keeping in mind that all national daily newspapers lose money, and are subsidised either by rich owners (Lord Rothsmere, the Barclay brothers) or off-shore tax status (the Guardian). <br />
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Today, Polly Toynbee is defending the indefensible: the right of people to have as many children as they wish, even when they cannot afford to keep them. Responses in <em>Comment is Free</em> demolished her argument within minutes, prompting these two responses:<br />
<blockquote>30 comments in and Polly Toynbee is getting a right thrashing already, I almost feel sorry for you, ... If anything, your argument illustrates completely the disconnect between London chattering classes and the rest of the country. Any chance you'll appear below the line sometime and answer some of the comments against you?<br />
</blockquote><blockquote>She won t be up and about yet? Polly earns over £100,000 a year for this stuff - no research needed, just politicking at its worst. But it gets loads of comments so keeps the Guardian and its advertisers happy.<br />
</blockquote><br />
This week the Guardian has already published an article by the Slovenian 'philosopher' Slavoj Zizek on the cultural significance of the fake signer-for-the-deaf at Nelson Mandela's funeral celebrations. This was nothing more than a summary of what had appeared in newspapers over the previous few days - the man was a fake and worse, his signing was gibberish - but Zizek's precis was dressed up as if some profound wisdom was on offer. <br />
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Today there's a piece of blatant self promotion from someone in Australia who claims to be an 'artist' with lots of viewings on YouTube for her video - which features her performance piece entitled 'Vaginal Knitting'. To quote the appalling Richard Littlejohn (another of this clan) 'You couldn't make it up'.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com1tag:blogger.com,1999:blog-6567551.post-91971409498129670462013-10-17T14:05:00.000+01:002013-10-17T14:05:17.754+01:00Henry James - master of the short story<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-hQ9PeLcwnpA/Ul_gDYZQKeI/AAAAAAAABSk/vN0gMrlvPdY/s1600/henry_james_portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-hQ9PeLcwnpA/Ul_gDYZQKeI/AAAAAAAABSk/vN0gMrlvPdY/s320/henry_james_portrait.jpg" /></a></div>Henry James is well known as the author of magnificent novels such as <a href="http://www.mantex.co.uk/2010/02/15/the-portrait-of-a-lady-a-study-guide/"><em>The Portrait of a Lady</em></a>, <a href="http://www.mantex.co.uk/2010/03/24/washington-square-a-study-guide/"><em>Washington Square</em></a>, and <a href="http://www.mantex.co.uk/2010/02/24/the-wings-of-the-dove-a-study-guide/"><em>The Wings of the Dove</em></a>. But at the same time as writing over twenty full-length novels he also produced over a hundred short stories. And it has to be said that most of them are not so short - some of them stretching to the form of novellas or even short novels - such as <a href="http://www.mantex.co.uk/2010/02/19/the-turn-of-the-screw-a-study-guide/"><em>The Turn of the Screw</em></a> and <a href="http://www.mantex.co.uk/2011/08/29/the-aspern-papers-a-study-guide/"><em>The Aspern Papers</em></a>. His collection of the <em>Complete Tales</em> runs to twelve handsome volumes - and if you ever spot volumes nine and ten in the Rupert Hart-Davis hardback edition of 1963 I will pay you good money for them. Coming forwards half a century I've spent much of this year writing tutorials on the lesser-known tales, and can report that there are some undiscovered gems amongst them and hardly a dud in sight. There are still a couple to be finished off, but one hundred and three, with story synopses, study resources, critical commentaries, illustrations, and suggestions for further reading are now available <a href="http://www.mantex.co.uk/tutorials/james-tales/"><strong>here</strong></a>. <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com2tag:blogger.com,1999:blog-6567551.post-22821972182762486522013-10-13T19:07:00.000+01:002013-10-13T19:07:48.613+01:00The Art of the Short Story<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-SWytDsIiWMQ/Ulrg91YUhDI/AAAAAAAABR0/_TOlRRHB1xo/s1600/Brett_Umbrellas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-SWytDsIiWMQ/Ulrg91YUhDI/AAAAAAAABR0/_TOlRRHB1xo/s320/Brett_Umbrellas.jpg" /></a></div>I've spent the summer months studying the art of the short story - and used some classic examples to develop tutorials and study guides for students of English Literature. The first group are from the late nineteenth century by Henry James. Then I selected a second group from the turn of the twentieth century by Joseph Conrad (which include some fine examples of the novella). Finally, a selection of experimental short fictions from the height of the modernist period by Virginia Woolf. The latest of these are <a href="http://www.mantex.co.uk/2013/10/13/the-new-dress/"><em>The New Dress</em></a> and <a href="http://www.mantex.co.uk/2013/10/12/moments-of-being/"><em>Moments of Being</em></a>, and there'll be more to come at <a href="http://www.mantex.co.uk/tutorials/woolf-stories/">Woolf - Stories</a>. <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-12928557633182235002012-10-19T15:02:00.001+01:002012-10-19T15:02:41.874+01:00Lance Armstrong - the solutionLance Armstrong could still make a significant contribution to the fight against drug abuse in cycle racing. The solution? Simply make a full confession - naming names, dates, and practices. Sure - he will lose a lot of supporters - but he's already doing that. He will also lose sponsors - but they are deserting the sinking ship already. And he may end up in court - but that too is already likely. Ironically, if he makes a full confession, he may get more lenient treatment because of public sympathy for someone who has fallen so far from grace. <br />
<br />
Most importantly, he should blow the whistle on the Verbruggens and McQuaids who have done so much to damage the sport of cycle racing - in the name of defending it. The change of personnel needs to start right at the top. The process has already begun with the sacking of team managers and major dopers this week. That process should continue - and Armstrong could give one hell of a Big Push if he had the guts. But I doubt that he has.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-75116465291995053562012-10-04T16:21:00.001+01:002012-10-04T16:21:13.028+01:00Jimmy SavileThere was a text version transcript of a reputed out-take from "Have I Got News for You" in which Paul Merton and Angus Deayton mercilessly expose Jimmy Savile as a man who has interfered with under-aged girls and deterred investigation with threats. It circulated widely on the Internet in the 1990s and beyond. This has since proved to be a fake. But the question remains - if it was a fabrication, how come the person who wrote it knew in so much detail what now appears to be the truth?<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-58497129527989204222012-09-29T18:19:00.000+01:002012-09-29T18:19:49.803+01:00An Island Tale<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-tFjMdkXxPbc/UGctOtdaLpI/AAAAAAAABPs/9cHirR3rZRs/s1600/victory.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="221" width="152" src="http://2.bp.blogspot.com/-tFjMdkXxPbc/UGctOtdaLpI/AAAAAAAABPs/9cHirR3rZRs/s320/victory.jpg" /></a></div>I seem to have spent ages re-reading Joseph Conrad's <a href="http://www.mantex.co.uk/2012/09/28/victory-a-study-guide/"><em>Victory: An Island Tale</em></a> in preparation for another study guide. It's one of his longer novels, and the experience was punctuated by hot sunshine and (brief) periods of swimming. The story has all the usual complexities of Conrad's fragmented time schemes and oblique manner of narration - but the story itself is a tense thriller. The Swedish recluse Axel Heyst rescues a beautiful young woman and takes her to a remote island. He's pursued by two criminals: one wants his money, and the other wants the girl. There's a gripping showdown when he faces them (unarmed) and all hell is let loose. <br />
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-39301975349792088272012-09-09T00:48:00.001+01:002012-09-09T14:41:12.936+01:00Vuelta 2012The twentieth and decisive stage of the Vuelta today. All the main contenders on another cripplingly hard day performed (reasonably) as expected. Maybe Rodriguez and Valverde should have attacked earlier - but who can blame anyone on those gradients at the finish. But Contador finished well adrift. Enough to stay in pole position for the overall win, but where was the superhuman elan he produced two stages ago? I remain conviced that his erratic performance reflects the selective use of chemical assistance. Time will tell. <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-57342915423573513502012-09-06T16:10:00.000+01:002012-09-06T16:26:11.239+01:00English Language Quizzes<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-XI-HBPrrYXg/UEi8XYYPV-I/AAAAAAAABPI/KFXx0z98rwg/s1600/apostrophe_2.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="160" width="160" src="http://3.bp.blogspot.com/-XI-HBPrrYXg/UEi8XYYPV-I/AAAAAAAABPI/KFXx0z98rwg/s320/apostrophe_2.jpg" /></a></div>Do you know where the apostrophe should go in "My greengrocers oranges"? We've started a new series of self-assessment quizzes, so that you can test your knowledge of English language basics. There's one on <a href="http://www.mantex.co.uk/2012/09/04/apostrophes-quiz/">Apostrophes</a>, one on <a href="http://www.mantex.co.uk/2012/09/06/spelling-quiz/">Spelling</a>, and another on the correct use of <a href="http://www.mantex.co.uk/2012/09/05/capital-letters-quiz">Capital letters</a>. More to come later<br />
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The answer to the question, by the way, is "My greengrocer's oranges". <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com2tag:blogger.com,1999:blog-6567551.post-76624608354922098962012-09-06T01:05:00.000+01:002012-09-06T01:05:09.327+01:00Vuelta a Espana 2012<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-rTch0bwLQro/UEfoe53MdeI/AAAAAAAABO4/mLXrVFuFiI8/s1600/contador.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="168" width="300" src="http://1.bp.blogspot.com/-rTch0bwLQro/UEfoe53MdeI/AAAAAAAABO4/mLXrVFuFiI8/s320/contador.jpg" /></a></div><br />
I'm very suspicious of Alberto Contador. For the last two weeks of the Vuelta he has been struggling to keep pace with the other leaders of the race. Then all of a sudden, today he takes off from out of nowhere and puts enormous amounts of time between himself and his nearest rivals. This is classic doping behaviour. It might take a year or two to become proven, but since he's only just emerging from a previous ban for doping, my money is on a longer term revelation.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-78367895227710670142012-08-24T13:18:00.000+01:002012-08-24T13:18:05.291+01:00Vuelta a Espana<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-rKabwt0TLZ4/UDdvIE_sWQI/AAAAAAAABOg/xqwXeGG-nHk/s1600/froome.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="174" width="290" src="http://2.bp.blogspot.com/-rKabwt0TLZ4/UDdvIE_sWQI/AAAAAAAABOg/xqwXeGG-nHk/s320/froome.jpg" /></a></div>Chris Froome and the Sky team released a brilliant performance on stage six of the Vuelta yesterday. It was like the Tour de France all over again. Sergio Henao, Rigoberto Urán, and Froome set a blistering pace up the final climb, and even though Joaquim Rodriguez beat Froome in the sprint, they burnt off Valverde and Contador in a way that suggested they are capable of dominating this race. <div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-13750958852955318622012-08-22T13:34:00.000+01:002012-08-22T13:34:22.704+01:00Edith Wharton - stories<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-RjfdM2QuXgQ/UDTRYcr-JMI/AAAAAAAABOM/lPXPEyEFicE/s1600/Edith_Wharton_Stories_2.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="221" width="146" src="http://2.bp.blogspot.com/-RjfdM2QuXgQ/UDTRYcr-JMI/AAAAAAAABOM/lPXPEyEFicE/s320/Edith_Wharton_Stories_2.jpg" /></a></div>My summer reading week(s) recently included two stunning texts by Edith Wharton. She's best known for her novels <a href="http://www.mantex.co.uk/2011/07/12/the-house-of-mirth-a-study-guide/"><em>The House of Mirth</em></a> and <a href="http://www.mantex.co.uk/2011/07/24/the-age-of-innocence-study-guide/"><em>The Age of Innocence</em></a>, but she was also a prolific writer of short stories. The first is a murder mystery which is loosely based on the notorious 1892 Lizzie Borden case. <a href="http://www.mantex.co.uk/2012/08/19/confession/"><em>Confession</em></a> explores a puzzling set of circumstances seen through the eyes of a decent but slightly naive narrator who meets a beautiful but enigmatic woman in a Swiss hotel and pursues her to Italy. The other tale, <a href="http://www.mantex.co.uk/2012/08/21/roman-fever/"><em>Roman Fever</em></a>, is her best known and most frequently anthologised. It's a witty and subtle study in manners as two middle-aged American women sit overlooking Rome after lunch, reminiscing about their younger days. One of the ladies comes in for a beautifully delivered shock.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-65827063199208506922012-08-19T19:45:00.000+01:002012-08-19T19:45:57.121+01:00Joseph Conrad - early novels<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-fQQ7dPcQXAU/UDEz8cINWpI/AAAAAAAABN4/4nWA8beJH-w/s1600/Outcast.JPG" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="221" width="152" src="http://2.bp.blogspot.com/-fQQ7dPcQXAU/UDEz8cINWpI/AAAAAAAABN4/4nWA8beJH-w/s320/Outcast.JPG" /></a></div>My summer reading has included the first two novels written by Joseph Conrad - <a href="http://www.mantex.co.uk/2012/08/19/almayers-folly/"><em>Almayer's Folly</em></a> and <a href="http://www.mantex.co.uk/2012/08/19/an-outcast-of-the-islands/"><em>An Outcast of the Islands</em></a> which I had not tackled before. They mark an interesting break with the gung-ho imperialism of works such as <em>King Solomon's Mines</em> and the start of a modern consciousness that took a more sceptical view on the activities of European nations in the far east. They also show the early signs of Conrad's famous literary modernism - long complex sentences, non-linear narrative, shifting point of view, dramatic suspensions and an all-pervasive sense of grim irony. The two books are populated by a number of the same characters, and it doesn't really matter in which order you read them. They're not in the same league as his greatest works such as <a href="http://www.mantex.co.uk/2010/01/27/nostromo-a-study-guide/"><em>Nostromo</em></a>, <a href="http://www.mantex.co.uk/2010/02/13/heart-of-darkness-a-study-guide/"><em>Heart of Darkness</em></a>, and <a href="http://www.mantex.co.uk/2010/02/12/the-secret-agent-a-study-guide/"><em>The Secret Agent</em></a>, but they are well worth reading.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com2tag:blogger.com,1999:blog-6567551.post-10263701867284310342012-08-16T20:22:00.000+01:002012-08-16T20:22:13.126+01:00The Assange Escape Solution<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-C2Rtojw5bQs/UC1IGQUm8mI/AAAAAAAABNk/OJWPMOkAdIU/s1600/Julian%2BAssange.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="182" width="184" src="http://3.bp.blogspot.com/-C2Rtojw5bQs/UC1IGQUm8mI/AAAAAAAABNk/OJWPMOkAdIU/s320/Julian%2BAssange.jpg" /></a></div><br />
Put him in a diplomatic car (which is immune from seizure) - drive to the docks - take car on board - sail to Ecuador - Simples!<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-42420642388618603962012-07-29T18:46:00.000+01:002012-07-29T18:55:30.382+01:00Muse to a generation<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-hkPWen6jxhA/UBV2Txhq_8I/AAAAAAAABM8/9D1Tf8GZiB8/s1600/Alma_Mahler.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="221" width="155" src="http://1.bp.blogspot.com/-hkPWen6jxhA/UBV2Txhq_8I/AAAAAAAABM8/9D1Tf8GZiB8/s320/Alma_Mahler.jpg" /></a></div>For many years I have read biographies of artists and critical analyses of early twentieth century culture in which one name has cropped up again and again - Alma Mahler, or to give her full due, Alma Mahler-Gropius-Werfel. She had a fling with Gustav Klimt, and was the inspiration behind many of her lover Oskar Kokoshka's best paintings. She married composer Gustav Mahler, then architect Walter Gropius (who founded the <a href="http://www.mantex.co.uk/2009/10/22/bauhaus-2/">Bauhaus</a>) and latterly the writer Franz Werfel. You might not be surprised to hear that she managed fit quite a number of other men in as well - so to speak. She composed songs, neglected her children, drank a bottle of Benedictine a day, and thought Hitler was a superman. All these colourful details, and a lot more, come from Susan Keegan's splendid biography, <a href="http://www.mantex.co.uk/2012/07/27/the-bride-of-the-wind/"><em>The Bride of the Wind</em></a>, with which I have just managed to catch up.<br />
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-36979228197670553312012-07-16T12:36:00.000+01:002012-07-16T12:36:24.898+01:00Tour de France 2012<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-0cl26EUR5kc/UAP8b7avxoI/AAAAAAAABMs/yC8aVyJqyYw/s1600/wiggo.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="213" width="320" src="http://4.bp.blogspot.com/-0cl26EUR5kc/UAP8b7avxoI/AAAAAAAABMs/yC8aVyJqyYw/s320/wiggo.jpg" /></a></div>In the last week of the tour, Bradley Wiggins has distinguished himself as an outstanding sportman, and stamped his authority on the race. Partly with the assistance of the expensive and powerfully gifted Sky team - but mainly through moments of real personal class. First the reconciliatory gesture to Nibali after their epic battle up the slopes of La Toussuire. Then his willingness to act as lead-out for his team-mate Edvald Boasson Hagen at Cap d'Agde. And yesterday his sporting close down of the chase, allowing Cadel Evans time to rejoin the peleton after puncturing. He didn't need to do any of these things, but he did them whilst wearing the yellow jersey. And my surmise is that respect for him will have spread throughout the race as a whole. <br />
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-49860301265311381312012-07-05T18:11:00.000+01:002012-07-05T18:11:25.728+01:00Elias Canetti's Memoirs<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-5pQt0mRvEIU/T_XJvReEjRI/AAAAAAAABMc/ixPva-ipdts/s1600/canetti_Ear.jpg" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="221" width="152" src="http://1.bp.blogspot.com/-5pQt0mRvEIU/T_XJvReEjRI/AAAAAAAABMc/ixPva-ipdts/s320/canetti_Ear.jpg" /></a></div>They've been in print for some time now, but I've only just got around to reading the three volumes of Elias Canetti's memoirs. He's an amazing writer who published a modernist European masterpiece when he was only twenty-six (<i>Auto-da-Fé</i>) and was awarded the Nobel Prize for Literature in 1981. He was also personally acquainted with just about every major German writer of the first half of the twentieth century - Berthold Brecht, Robert Musil, Hermann Broch, Karl Kraus - to name just a few. He even managed to get a doctorate in chemistry from the University of Vienna before he decided to be a writer. Oh - and he had an affair with Gustav Mahler's daughter. <br />
<br />
Volume One — <a href="http://www.mantex.co.uk/2012/05/23/the-tongue-set-free/"><em>The Tongue Set Free</em></a><br />
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Volume Two — <a href="http://www.mantex.co.uk/2012/07/02/the-torch-in-my-ear/"><em>The Torch in My Ear</em></a><br />
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Volume Three — <a href="http://www.mantex.co.uk/2012/07/05/the-play-of-the-eyes/"><em>The Play of the Eyes</em></a><br />
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0tag:blogger.com,1999:blog-6567551.post-28806179620152325912012-06-16T12:43:00.001+01:002012-06-16T12:43:11.819+01:00Ghost Stories<center><a href="http://2.bp.blogspot.com/-rAun_Ep-OWw/T9xw8MWP8eI/AAAAAAAABMM/5nqZN0gVxNY/s1600/henry_james_portrait.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="310" width="250" src="http://2.bp.blogspot.com/-rAun_Ep-OWw/T9xw8MWP8eI/AAAAAAAABMM/5nqZN0gVxNY/s320/henry_james_portrait.jpg" /></a></center><br />
Henry James is best known as a novelist, but he was also a prolific writer of short stories - or 'tales' as he called them. He wrote over a hundred, and he was particularly fond of ghost stories, which enjoyed something of a vogue at the end of the nineteenth century. His most famous is <a href="http://www.mantex.co.uk/2012/06/15/the-jolly-corner/"><i>The Jolly Corner</i></a>, which is the story of a man who returns to New York after living for thirty years in Europe. He visits his old family home, which he has inherited, and wonders what would have become of him if he had stayed. Wandering round the old house late at night, he gets the feeling that his 'other self' is waiting for hi. Then he finds a room with the door open ... I won't spoil the rest of the story for you.<br />
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He could even write ghost stories which are amusing, if not actually funny. In <a href="http://www.mantex.co.uk/2012/06/06/the-third-person/"><i>The Third Person</i></a> two elderly spinsters inherit an old house in Kent. They are so enthusiastic about its antiquity they convince themselves it must be haunted, and start to compete with each other for sightings of the resident ghost. And <a href="http://www.mantex.co.uk/2011/12/29/sir-edmund-orme-a-study-guide/"><i>Sir Edmund Orme</i></a> even has a benevolent ghost whose purpose is to protect bachelors from being ill-treated by a woman, as he once was. However, he does manage to scare her mother to death.<div class="blogger-post-footer"><!-- Kontera ContentLink(TM);-->
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<!-- Kontera ContentLink(TM) --></div>MANTEXhttp://www.blogger.com/profile/14711438259770578268noreply@blogger.com0