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Macy" /><category term="Acquire" /><category term="Dan Futterman" /><category term="The Tripods" /><category term="Movies" /><category term="Navy" /><category term="John Cusack" /><category term="Eliza Carthy" /><category term="Alaska" /><category term="Michael Barry" /><category term="The Social Network" /><category term="John Krasinski" /><category term="Dónal Lunny" /><category term="Footloose" /><category term="Zack and Miri Make a Porno" /><category term="Bonnie Hunt" /><category term="Stanley Tucci" /><category term="Romantic Comedy" /><category term="Lost" /><category term="Andy Griffith" /><category term="John Arch" /><category term="Glee" /><category term="Johnny Clegg" /><category term="Hillary Swank" /><category term="Ian McKellen" /><category term="Patrick Dempsey" /><category term="Cycling" /><category term="Star Fluxx" /><category term="Melinda Page Harrison" /><category term="photos" /><category term="Ben Stiller" /><category term="Chris Rock" /><category term="Cyanide 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term="Secret Girlfriend" /><category term="Sam Raimi" /><category term="Sierra Leone" /><category term="Justin Currie" /><category term="Fetish" /><category term="Visitor Q" /><category term="Joan Cusack" /><category term="The '59 Sound" /><category term="Toboggans of Doom" /><category term="Charlotte Gainsbourgh" /><category term="Neil Gaiman" /><category term="Cedric the Entertainer" /><category term="Harps and Angels" /><category term="The Crazies" /><category term="Paranormal Activity" /><category term="Art" /><category term="Science" /><category term="John Travolta" /><category term="Captain America" /><category term="Umbrella Academy" /><category term="Germany" /><category term="Sports Illustrated Swimsuit: The Complete Portfolio" /><category term="Pussycat Dolls" /><category term="David Fleming" /><category term="Matthew McConaughey" /><category term="José González" /><category term="Emile Hirsch" /><category term="Torchwood" /><category term="Give Me the Brain" /><category term="Jason Statham" /><category term="Garret Hedlund" /><category term="Daniel Day-Lewis" /><category term="Denzel Washington" /><category term="Gjallarhorn" /><category term="Rap/Hip-Hop" /><category term="Reality Show" /><category term="The Book of Mormon" /><category term="Dr. Horrible's Sing-Along Blog" /><category term="Tyler Perry" /><category term="WEB Griffin" /><category term="Nellie McKay" /><title>The Armchair Critic</title><subtitle type="html">Bringing you the most opinionated reviews from the world of entertainment!</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://thearmchaircritic.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>digitaldoc</name><uri>http://www.blogger.com/profile/13568754021777120336</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>1360</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/blogspot/SYZKv" /><feedburner:info uri="blogspot/syzkv" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;C0UGR34-fip7ImA9WhRUE0g.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3841009418076203571</id><published>2012-01-23T15:36:00.004-05:00</published><updated>2012-01-23T15:40:26.056-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T15:40:26.056-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="USA" /><category scheme="http://www.blogger.com/atom/ns#" term="American Café Orchestra" /><category scheme="http://www.blogger.com/atom/ns#" term="Finland" /><category scheme="http://www.blogger.com/atom/ns#" term="Denmark" /><category scheme="http://www.blogger.com/atom/ns#" term="Ruthie Dornfeld" /><category scheme="http://www.blogger.com/atom/ns#" term="Haugaard and Høirup" /><title>American Café Orchestra, Nightmare Polka (ACO, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3841009418076203571/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3841009418076203571&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3841009418076203571?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3841009418076203571?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/DUq-Tm4k3A0/american-cafe-orchestra-nightmare-polka.html" title="American Café Orchestra, Nightmare Polka (ACO, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UA6F41AlRqQ/Tx3E69PpKaI/AAAAAAAABIw/z9ltQ9juoeI/s72-c/bignightmare.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">American fiddler Ruthie Dornfeld, Danish guitarist Morten Høirup, and Finnish bassist Tapani Varis, collectively known as American Café Orchestra, have a planet full of musical influences between them.  Their new CD Nightmare Polka takes full advantage of these influences, mixing the musical traditions of their respective homelands with an awareness of modern and post-modern compositional styles 
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&lt;a href="http://feedads.g.doubleclick.net/~a/KIHLelJEDIusPB1mw15CschaCoQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KIHLelJEDIusPB1mw15CschaCoQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/DUq-Tm4k3A0" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/american-cafe-orchestra-nightmare-polka.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE4CQ3w5fSp7ImA9WhRUEkQ.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-8420790909411246838</id><published>2012-01-22T23:25:00.010-05:00</published><updated>2012-01-23T00:36:02.225-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T00:36:02.225-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Horror" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><category scheme="http://www.blogger.com/atom/ns#" term="Action" /><category scheme="http://www.blogger.com/atom/ns#" term="Kate Beckinsale" /><category scheme="http://www.blogger.com/atom/ns#" term="Underworld Awakening" /><title>UNDERWORLD AWAKENING</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/8420790909411246838/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=8420790909411246838&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8420790909411246838?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8420790909411246838?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/_lpOqav4SEc/underworld-awakening.html" title="UNDERWORLD AWAKENING" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-S4utHYzKRcY/TxzhzpBGhMI/AAAAAAAADIg/9mDBLkrf1s8/s72-c/Underworld%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> The Underworld movies have always revolved around the war between the vampires and werewolves, er, Lycans, but in Underworld: Awakening a new enemy enters the mix: humans. Also, Kate Beckinsale returns as Selena, the ultra-lethal vampire Death Dealer (still wearing her fetish-inspired outfit, of course).Set shortly after the second movie (and largely ignoring the prequel Underworld: Rise of the 
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&lt;a href="http://feedads.g.doubleclick.net/~a/csMR4S1tFgzsSOlnReVYd02q7e4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/csMR4S1tFgzsSOlnReVYd02q7e4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/_lpOqav4SEc" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/underworld-awakening.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0AMRnoycSp7ImA9WhRUEkw.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-4058796713213615358</id><published>2012-01-22T00:25:00.007-05:00</published><updated>2012-01-22T00:56:27.499-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-22T00:56:27.499-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Games" /><category scheme="http://www.blogger.com/atom/ns#" term="We Didn't Playtest This at All" /><title>WE DIDN'T PLAYTEST THIS AT ALL</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/4058796713213615358/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=4058796713213615358&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/4058796713213615358?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/4058796713213615358?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/qzhwTLMqwyw/we-didnt-playtest-this-at-all.html" title="WE DIDN'T PLAYTEST THIS AT ALL" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-wtIOYOtlPlU/Txuef3fFYwI/AAAAAAAADH8/vNvp9Yq-lfU/s72-c/We%2BDidn%2527t%2BPlaytest%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> When developing a game, playtesting is a rigorous and vital process where rules, gameplay, and other aspects of the game are tested to see if they work, need changing, or need removing. So when I saw that there was a game called We Didn't Playtest This at All (from Asmadi Games), I suspected it would be pretty silly. And I called that one right!Gameplay is amazingly simple. Everyone starts with 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/w-IYk659rLg0mfDYweG18sv2WK0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/w-IYk659rLg0mfDYweG18sv2WK0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/w-IYk659rLg0mfDYweG18sv2WK0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/w-IYk659rLg0mfDYweG18sv2WK0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/qzhwTLMqwyw" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/we-didnt-playtest-this-at-all.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A04HQHY_eip7ImA9WhRUEk0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-4381259482277598765</id><published>2012-01-21T22:09:00.008-05:00</published><updated>2012-01-22T00:25:31.842-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-22T00:25:31.842-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Writer of O" /><category scheme="http://www.blogger.com/atom/ns#" term="Documentaries" /><category scheme="http://www.blogger.com/atom/ns#" term="Story of O" /><category scheme="http://www.blogger.com/atom/ns#" term="DVD" /><title>WRITER OF O dvd</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/4381259482277598765/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=4381259482277598765&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/4381259482277598765?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/4381259482277598765?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/YII3pCXIcAE/writer-of-o-dvd.html" title="WRITER OF O dvd" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-JY7Mazm3J2M/Txt-PR3OJzI/AAAAAAAADHY/QR3tDhTWbmI/s72-c/Writer%2Bof%2BO%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> The novel Story of O by Pauline Reage was controversial when released in 1954 and still retains its (in)famous reputation -- but what of its history? Who was the woman behind the pseudonym Pauline Reage? What happened when the book was released? And was Story of O more fantasy or reality? Director Pola Rapaport explores the fact behind the fiction in the documentary Writer of O.Dominique Aury 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kIjwcHVkC1lfD4szygDp7Nx828c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kIjwcHVkC1lfD4szygDp7Nx828c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kIjwcHVkC1lfD4szygDp7Nx828c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kIjwcHVkC1lfD4szygDp7Nx828c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/YII3pCXIcAE" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/writer-of-o-dvd.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0EFQXk-fSp7ImA9WhRVGU0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-1611169473819674045</id><published>2012-01-18T12:51:00.003-05:00</published><updated>2012-01-18T13:00:10.755-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-18T13:00:10.755-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Roachford" /><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Rock" /><category scheme="http://www.blogger.com/atom/ns#" term="England" /><title>Andrew Roachford, Addictive (M3 Records, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/1611169473819674045/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=1611169473819674045&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1611169473819674045?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1611169473819674045?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/AZXvB3uoZFw/andrew-roachford-addictive-m3-records.html" title="Andrew Roachford, Addictive (M3 Records, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-DWZo08-W5Kg/TxcG4k5AeMI/AAAAAAAABIk/A6X4qcNr4zI/s72-c/41vODbW59mL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">He's still an extremely well-kept secret in the United States, but UK soul singer Andrew Roachford has been making records for over twenty years now.  He was originally the leader of the group Roachford, with whom he created a unique blend of old-school soul and brazen hard rock which, to the group's commercial detriment, defied easy categorization.  Songs like "Cuddly Toy (Feel for Me)" and "How
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2qE-okTvDvu-4KbkFSQu6Y-etbs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2qE-okTvDvu-4KbkFSQu6Y-etbs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2qE-okTvDvu-4KbkFSQu6Y-etbs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2qE-okTvDvu-4KbkFSQu6Y-etbs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/AZXvB3uoZFw" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/andrew-roachford-addictive-m3-records.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkYMR3k7fCp7ImA9WhRVFkk.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3264317726570796094</id><published>2012-01-15T11:44:00.007-05:00</published><updated>2012-01-15T12:23:06.704-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-15T12:23:06.704-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Suspense" /><category scheme="http://www.blogger.com/atom/ns#" term="Horror" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><category scheme="http://www.blogger.com/atom/ns#" term="Action" /><category scheme="http://www.blogger.com/atom/ns#" term="I Saw the Devil" /><title>I SAW THE DEVIL</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3264317726570796094/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3264317726570796094&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3264317726570796094?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3264317726570796094?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/6r-r87ggyRo/i-saw-devil.html" title="I SAW THE DEVIL" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-uHbHBNO1QbI/TxMD2htEHaI/AAAAAAAADG0/TIL5rJxhXQE/s72-c/I%2BSaw%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> The revenge flick is such a staple of action movies it's almost a cliche: someone close to the hero is attacked or killed or kidnapped, and the hero seeks violent revenge when the authorities can't do anything. But Nietzsche warned, "Battle not with monsters, lest you become a monster" -- so what happens when the hero's tactics bring him closer and closer to the behavior of the villain? This is 
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&lt;a href="http://feedads.g.doubleclick.net/~a/-jKNpbCzL1ysEq3T3_82-vOOTsA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-jKNpbCzL1ysEq3T3_82-vOOTsA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/6r-r87ggyRo" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/i-saw-devil.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CU4AQ30-fyp7ImA9WhRVE0k.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-6956738506328566531</id><published>2012-01-11T22:59:00.012-05:00</published><updated>2012-01-11T23:52:22.357-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-11T23:52:22.357-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Kylie Minogue" /><category scheme="http://www.blogger.com/atom/ns#" term="Music video" /><category scheme="http://www.blogger.com/atom/ns#" term="Aphrodite Les Folies" /><category scheme="http://www.blogger.com/atom/ns#" term="DVD" /><title>Kylie Minogue, APHRODITE LES FOLIES [LIVE IN LONDON]</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/6956738506328566531/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=6956738506328566531&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/6956738506328566531?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/6956738506328566531?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/3ajzGvT15DY/kylie-minogue-aphrodite-les-folies-live.html" title="Kylie Minogue, APHRODITE LES FOLIES [LIVE IN LONDON]" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-jtRuQMKeE48/Tw5bnYLCrNI/AAAAAAAADGQ/dG0yqVjDLU4/s72-c/Aphrodite%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> What is the concert experience? It should provide impressive music, either familiar songs that go beyond the studio version or new songs you won't hear elsewhere. It should also provide some spectacle, the "show" in "showmanship," often with dancing, costuming, or both. So what happens when Kylie Minogue -- the pop princess who makes the closest we have to disco today -- goes on tour? Aphrodite 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lD27Wk-52G4iVFzhiFLYL7q-S0M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lD27Wk-52G4iVFzhiFLYL7q-S0M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lD27Wk-52G4iVFzhiFLYL7q-S0M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lD27Wk-52G4iVFzhiFLYL7q-S0M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/3ajzGvT15DY" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/kylie-minogue-aphrodite-les-folies-live.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0UDRH06eCp7ImA9WhRVE00.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-7269463092649060293</id><published>2012-01-11T11:48:00.003-05:00</published><updated>2012-01-11T12:01:15.310-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-11T12:01:15.310-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Rock" /><category scheme="http://www.blogger.com/atom/ns#" term="England" /><category scheme="http://www.blogger.com/atom/ns#" term="Stephen Fry" /><category scheme="http://www.blogger.com/atom/ns#" term="Kate Bush" /><title>Kate Bush, 50 Words for Snow (Anti-, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/7269463092649060293/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=7269463092649060293&amp;isPopup=true" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7269463092649060293?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7269463092649060293?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/8jKznCLjyhw/kate-bush-50-words-for-snow-anti-2011.html" title="Kate Bush, 50 Words for Snow (Anti-, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-4Qfg2EUQfjo/Tw29dvFWp6I/AAAAAAAABIY/PP6fGiU-ic0/s72-c/511FW2fY%252B8L._SS500_.jpg" height="72" width="72" /><thr:total>1</thr:total><content type="html">Unique, always challenging, and often perplexing, Kate Bush has had a remarkable career that now spans close to thirty-five years.  She has a reputation for working very slowly and deliberately -- her 2005 CD Aerial came twelve years after her previous release The Red Shoes -- but lately she has actually been quite busy.  May 2011 saw the release of Director's Cut, a collection of reworked 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/VHXt-Y5T03Nz6Sw4lOhWRPw8kiE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VHXt-Y5T03Nz6Sw4lOhWRPw8kiE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/VHXt-Y5T03Nz6Sw4lOhWRPw8kiE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VHXt-Y5T03Nz6Sw4lOhWRPw8kiE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/8jKznCLjyhw" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/kate-bush-50-words-for-snow-anti-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkACSHo9cCp7ImA9WhRVEkk.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3880853289292017524</id><published>2012-01-10T21:14:00.003-05:00</published><updated>2012-01-10T21:26:09.468-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-10T21:26:09.468-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="USA" /><category scheme="http://www.blogger.com/atom/ns#" term="Rock" /><category scheme="http://www.blogger.com/atom/ns#" term="Sam Phillips" /><title>Sam Phillips, Solid State (Littlebox Recordings, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3880853289292017524/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3880853289292017524&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3880853289292017524?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3880853289292017524?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/EYGBupO5h1M/sam-phillips-solid-state-littlebox.html" title="Sam Phillips, Solid State (Littlebox Recordings, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-KCnQqtAmpak/TwzxazUEP4I/AAAAAAAABIM/ojOqXWkZXsA/s72-c/001.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">From her Christian rock beginnings, to her albums produced by ex-husband T Bone Burnett, and through to her present work, Sam Phillips has made a career out of doing things her own peculiar way.  Over the past two years, she has worked on an extended project called The Long Play, for which she has written and recorded a steady stream of EPs plus one full-length album available via subscription 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uX8blvce-gMRe4Y_IGFvZjYV3gY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uX8blvce-gMRe4Y_IGFvZjYV3gY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uX8blvce-gMRe4Y_IGFvZjYV3gY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uX8blvce-gMRe4Y_IGFvZjYV3gY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/EYGBupO5h1M" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/sam-phillips-solid-state-littlebox.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUQCQXoyfCp7ImA9WhRVEUs.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-2827164790553095967</id><published>2012-01-09T22:23:00.004-05:00</published><updated>2012-01-09T22:49:20.494-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-09T22:49:20.494-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Horror" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><category scheme="http://www.blogger.com/atom/ns#" term="The Whisperer in Darkness" /><category scheme="http://www.blogger.com/atom/ns#" term="H.P. Lovecraft" /><category scheme="http://www.blogger.com/atom/ns#" term="DVD" /><title>THE WHISPERER IN DARKNESS dvd</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/2827164790553095967/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=2827164790553095967&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2827164790553095967?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2827164790553095967?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/oG2hXwKslH0/whisperer-in-darkness-dvd.html" title="THE WHISPERER IN DARKNESS dvd" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-ImoNIMaLu_Q/TwuvSwbwSFI/AAAAAAAADFg/0JK2olbWr0A/s72-c/Whisperer%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The good folks at the H.P. Lovecraft Historical Society have once again endeavored -- successfully -- to present a work of H.P. Lovecraft as a movie from the 1920s. Their version of The Call of Cthulhu was a black and white silent film. Their latest venture is a version of The Whisperer in Darkness that maintains the atmosphere and horror of the original tale, while exanding it well past the 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ZzeX8kWdlUmR7b2YKTJtSmp6aDg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZzeX8kWdlUmR7b2YKTJtSmp6aDg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ZzeX8kWdlUmR7b2YKTJtSmp6aDg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZzeX8kWdlUmR7b2YKTJtSmp6aDg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/oG2hXwKslH0" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/whisperer-in-darkness-dvd.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkIFR3c9fSp7ImA9WhRWGUU.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-8730061472561925613</id><published>2012-01-07T20:42:00.006-05:00</published><updated>2012-01-07T21:08:36.965-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-07T21:08:36.965-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Elder Sign" /><category scheme="http://www.blogger.com/atom/ns#" term="Games" /><category scheme="http://www.blogger.com/atom/ns#" term="H.P. Lovecraft" /><title>ELDER SIGN</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/8730061472561925613/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=8730061472561925613&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8730061472561925613?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8730061472561925613?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/hVN3RMLD7N0/elder-sign.html" title="ELDER SIGN" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-nNFZl2iS1e4/Twj0roBNwwI/AAAAAAAADE8/0CXYUItXRH8/s72-c/Elder%2BSign%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The problem with the boardgame Arkham Horror is that while it does a fine job of creating the 1920s world of H.P. Lovecraft, it is also far too complex. Elder Sign, also from Fantasy Flight Games, simplifies the Lovecraftian world -- and in this case, less is definitely not better. Like Arkham Horror, Elder Sign is a cooperative game where players work to either prevent a monstrous Ancient One 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/txCt-1e0iuAuSEgKRbQJI3UQCh8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/txCt-1e0iuAuSEgKRbQJI3UQCh8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/txCt-1e0iuAuSEgKRbQJI3UQCh8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/txCt-1e0iuAuSEgKRbQJI3UQCh8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/hVN3RMLD7N0" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/elder-sign.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE4HQ30_eCp7ImA9WhRWGUU.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-1434885328344253756</id><published>2012-01-07T20:02:00.003-05:00</published><updated>2012-01-07T20:42:12.340-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-07T20:42:12.340-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sex" /><category scheme="http://www.blogger.com/atom/ns#" term="Science Fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="Books" /><category scheme="http://www.blogger.com/atom/ns#" term="John Norman" /><category scheme="http://www.blogger.com/atom/ns#" term="Dancer of Gor" /><title>John Nornan, DANCER OF GOR</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/1434885328344253756/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=1434885328344253756&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1434885328344253756?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1434885328344253756?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/NFwMH0xXoko/john-nornan-dancer-of-gor.html" title="John Nornan, DANCER OF GOR" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-EMD2R4u76D8/TwjreH2sMvI/AAAAAAAADEY/CNMx7a6Wk8s/s72-c/DoG.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> John Norman has written over 20 books in the Gor series, creating the alien world of Gor where humans are brought to live adventures that combine sword and sorcery wth periods from ancient human history. Well, that's what happens to men: Dancer of Gor shows Norman fantasizing about the absolute captivity, submission, and degredation of women -- and contempt for women who resist this.The 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Tc5wRau-tgUEO1jDV1TuO1YVBFY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Tc5wRau-tgUEO1jDV1TuO1YVBFY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Tc5wRau-tgUEO1jDV1TuO1YVBFY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Tc5wRau-tgUEO1jDV1TuO1YVBFY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/NFwMH0xXoko" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/john-nornan-dancer-of-gor.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkQCQXw8eSp7ImA9WhRWGE8.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-2402494435916404002</id><published>2012-01-05T22:19:00.002-05:00</published><updated>2012-01-05T22:26:00.271-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-05T22:26:00.271-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Africa" /><category scheme="http://www.blogger.com/atom/ns#" term="Vieux Farka Touré" /><category scheme="http://www.blogger.com/atom/ns#" term="Mali" /><title>Vieux Farka Touré, The Secret (Six Degrees, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/2402494435916404002/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=2402494435916404002&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2402494435916404002?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2402494435916404002?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/Bqq4_ugKt1s/vieux-farka-toure-secret-six-degrees.html" title="Vieux Farka Touré, The Secret (Six Degrees, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-u64X_HQcZfs/TwZofS_bIQI/AAAAAAAABIA/4GuOlNgOHVs/s72-c/51dutrRa%252BfL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Vieux Farka Touré's new album may be called The Secret, but it's no secret that the guy can play guitar.  The son of Malian musical legend Ali Farka Touré has made a career out of combining the rhythms and styles of his homeland with some fierce electric guitar, but while some of his work is really good, a lot of it is uneven as well.  His new album brings more of the same, which is both good and
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PJkHOL-cqyJJdaeJkoMSe4IV5vI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PJkHOL-cqyJJdaeJkoMSe4IV5vI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PJkHOL-cqyJJdaeJkoMSe4IV5vI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PJkHOL-cqyJJdaeJkoMSe4IV5vI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/Bqq4_ugKt1s" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/vieux-farka-toure-secret-six-degrees.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkYDSXw8eip7ImA9WhRWFEs.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-2448825742470166932</id><published>2012-01-01T20:02:00.005-05:00</published><updated>2012-01-01T20:36:18.272-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-01T20:36:18.272-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Games" /><category scheme="http://www.blogger.com/atom/ns#" term="Munchkin Zombies" /><category scheme="http://www.blogger.com/atom/ns#" term="Comedy" /><category scheme="http://www.blogger.com/atom/ns#" term="zombie" /><category scheme="http://www.blogger.com/atom/ns#" term="Armed and Dangerous" /><title>MUNCHKIN ZOMBIES 2: ARMED AND DANGEROUS</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/2448825742470166932/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=2448825742470166932&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2448825742470166932?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/2448825742470166932?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/Rt6Wd_eE_sY/munchkin-zombies-2-armed-and-dangerous.html" title="MUNCHKIN ZOMBIES 2: ARMED AND DANGEROUS" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-uugs8DvejP0/TwECdeo8wgI/AAAAAAAADEM/9bJ6suOGOP0/s72-c/MZ%2B2%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> Sure, Munchkin Zombies gave players the opportunity to feast on human brains while fighting to be the first person, er, zombie to level 10 -- but what if you want more? You'll get more (cards, not rules) with the game's first expansion: Munchkin Zombies 2: Armed and Dangerous.This 112-card expansion provides players with new opportunities to arm themselves with treasures (like bowling attire, a 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JjhpC20unHNc8o5OA5YmLpRRF5I/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JjhpC20unHNc8o5OA5YmLpRRF5I/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/JjhpC20unHNc8o5OA5YmLpRRF5I/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JjhpC20unHNc8o5OA5YmLpRRF5I/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/Rt6Wd_eE_sY" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2012/01/munchkin-zombies-2-armed-and-dangerous.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0QAQXo6eSp7ImA9WhRWEko.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-8217994920804790166</id><published>2011-12-29T23:04:00.010-05:00</published><updated>2011-12-30T13:55:40.411-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-30T13:55:40.411-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Horror" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><category scheme="http://www.blogger.com/atom/ns#" term="The Darkest Hour" /><title>THE DARKEST HOUR</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/8217994920804790166/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=8217994920804790166&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8217994920804790166?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8217994920804790166?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/OPisx1oJU_8/darkest-hour.html" title="THE DARKEST HOUR" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-EQj5jFhM5ec/Tv0_5pz2KzI/AAAAAAAADDc/qCSYtC-4Sm8/s72-c/Darkest%2BHour%2B11.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">A change in locale is no substitute for an original plot, creative creatures, or exciting action. This lesson was lost on the makers of The Darkest Hour, an alien invasion/monster attack movie that feels like a SyFy Channel movie with a bigger budget.The characters in The Darkest Hour are as paper-thin as they come, but here's the background. Young adult buddies and business partners Sean (Emile 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7QerJ9MqYEcyjfA0WnGzpAW9Gp8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7QerJ9MqYEcyjfA0WnGzpAW9Gp8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7QerJ9MqYEcyjfA0WnGzpAW9Gp8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7QerJ9MqYEcyjfA0WnGzpAW9Gp8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/OPisx1oJU_8" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/darkest-hour.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0MBQHoyfip7ImA9WhRWEU0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-7727346654539337034</id><published>2011-12-28T15:41:00.005-05:00</published><updated>2011-12-28T15:50:51.496-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-28T15:50:51.496-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Africa" /><category scheme="http://www.blogger.com/atom/ns#" term="Tinariwen" /><category scheme="http://www.blogger.com/atom/ns#" term="Mali" /><title>Tinariwen, Tassili (Anti-, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/7727346654539337034/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=7727346654539337034&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7727346654539337034?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7727346654539337034?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/oDZxslQZZN8/tinariwen-tassili-anti-2011.html" title="Tinariwen, Tassili (Anti-, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-LALCScf1qP0/Tvt_ESVwQGI/AAAAAAAABH0/_iTH-x3ZvxU/s72-c/51DkEX1mvqL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The African nation of Mali has produced an abundance of quality performers in recent years, most of whom come from the country's green, southern portion. A small part of the population, though, eke out a living in the quite inhospitable northern half of the country that is part of the vast Sahara desert.  These desert people are called the Tuareg, and they have often found themselves at odds with
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&lt;a href="http://feedads.g.doubleclick.net/~a/lXJIJa7SmJkJykH4dAAxQpaC0eI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lXJIJa7SmJkJykH4dAAxQpaC0eI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/oDZxslQZZN8" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/tinariwen-tassili-anti-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0EDRHk9cCp7ImA9WhRWEEQ.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-1561886546546435422</id><published>2011-12-28T12:52:00.005-05:00</published><updated>2011-12-28T13:07:55.768-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-28T13:07:55.768-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Comedy" /><category scheme="http://www.blogger.com/atom/ns#" term="Science Fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="Randall Garrett" /><category scheme="http://www.blogger.com/atom/ns#" term="Books" /><category scheme="http://www.blogger.com/atom/ns#" term="Takeoff" /><title>Randall Garrett, TAKEOFF!</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/1561886546546435422/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=1561886546546435422&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1561886546546435422?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1561886546546435422?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/t_kWF3HrvdI/randall-garrett-takeoff.html" title="Randall Garrett, TAKEOFF!" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-sQNooUQ-aSQ/TvtXdYPbyZI/AAAAAAAADCg/nhpaZDHFx-s/s72-c/TakeOff%2521.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">There's plenty of silliness in the world of science fiction that makes it a ripe target for parody. Randall Garrett took a more subtle -- but quite humorous -- approach to his beloved genre in Takeoff! This collection of stories, and a few poems, lovingly mimics and spoofs some of the sci-fi classics.The stories here range from the subtle to the extreme. His "The Horror out of Time" adopts the 
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&lt;a href="http://feedads.g.doubleclick.net/~a/iC9GWbTnqScjmsws8LGrw6VN-OQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iC9GWbTnqScjmsws8LGrw6VN-OQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/t_kWF3HrvdI" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/randall-garrett-takeoff.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUcERHY4eyp7ImA9WhRXFk0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-8688996322696459465</id><published>2011-12-22T19:57:00.011-05:00</published><updated>2011-12-22T21:23:25.833-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-22T21:23:25.833-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Suspense" /><category scheme="http://www.blogger.com/atom/ns#" term="Daniel Craig" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><category scheme="http://www.blogger.com/atom/ns#" term="Rooney Mara" /><category scheme="http://www.blogger.com/atom/ns#" term="Mystery" /><category scheme="http://www.blogger.com/atom/ns#" term="The Girl with the Dragon Tattoo" /><title>THE GIRL WITH THE DRAGON TATTOO  (2011 movie)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/8688996322696459465/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=8688996322696459465&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8688996322696459465?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8688996322696459465?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/drhq99jojuc/girl-with-dragon-tattoo-2011-movie.html" title="THE GIRL WITH THE DRAGON TATTOO  (2011 movie)" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Ddh1lRr46Co/TvPdkH0koJI/AAAAAAAADCU/iG0vZK7mSMM/s72-c/Tattoo%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Stieg Larsson's novel The Girl with the Dragon Tattoo is a brilliant, brutal, and popular mystery. It makes sense that the American film adaption would be directed by David Fincher, whose work includes Seven, Fight Club and The Social Network. This film of The Girl with the Dragon Tattoo loses none of the tough hits of the original book -- though some of the changes lessen the final impact. The 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uRW0QB6SSJGpntuZrdJL3a63tfQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uRW0QB6SSJGpntuZrdJL3a63tfQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uRW0QB6SSJGpntuZrdJL3a63tfQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uRW0QB6SSJGpntuZrdJL3a63tfQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/drhq99jojuc" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/girl-with-dragon-tattoo-2011-movie.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C08CQXk7eyp7ImA9WhRXFk0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3144241638623882494</id><published>2011-12-22T19:21:00.006-05:00</published><updated>2011-12-22T19:57:40.703-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-22T19:57:40.703-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Felicia Day" /><category scheme="http://www.blogger.com/atom/ns#" term="gaming" /><category scheme="http://www.blogger.com/atom/ns#" term="The Guild" /><category scheme="http://www.blogger.com/atom/ns#" term="DVD" /><title>THE GUILD season 5 dvd</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3144241638623882494/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3144241638623882494&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3144241638623882494?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3144241638623882494?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/dc_LO5ll574/guild-season-5-dvd.html" title="THE GUILD season 5 dvd" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-jnCMScs0xnc/TvPJ3_HvTPI/AAAAAAAADBw/wQo9nNld4GY/s72-c/The%2BGuild%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">What happens when a comedy series that began on the Internet becomes incredibly popular? For The Guild season 5, the MMORPG denizens go beyond their computers and local town to a gaming convention -- jamp-packed with celebrities! Fortunately, the series manages to stay true to its nerdy roots. The Guild season 5 has the Knights of Good travelling together to MegaGame-O-RamaCon, a convention that 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/K4QOuKQBgwUD7Ze_eNh0odRLc1Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/K4QOuKQBgwUD7Ze_eNh0odRLc1Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/K4QOuKQBgwUD7Ze_eNh0odRLc1Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/K4QOuKQBgwUD7Ze_eNh0odRLc1Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/dc_LO5ll574" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/guild-season-5-dvd.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0EMRX89fyp7ImA9WhRXE0w.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3291049139486822618</id><published>2011-12-19T13:28:00.004-05:00</published><updated>2011-12-19T13:34:44.167-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-19T13:34:44.167-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="USA" /><category scheme="http://www.blogger.com/atom/ns#" term="Balkan" /><category scheme="http://www.blogger.com/atom/ns#" term="Classical" /><category scheme="http://www.blogger.com/atom/ns#" term="Ljova" /><title>Ljova, Lost in Kino (Kapustnik Records, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3291049139486822618/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3291049139486822618&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3291049139486822618?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3291049139486822618?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/Ztdefpkk-4E/ljova-lost-in-kino-kapustnik-records.html" title="Ljova, Lost in Kino (Kapustnik Records, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ZfzI3nEiN6E/Tu-Cccx76-I/AAAAAAAABHo/f1L5OWmbKa8/s72-c/518nob2d8zL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">As an in-demand classical violist, member of the New York gypsy band Romashka, and leader of his own group the Kontraband, Lev "Ljova" Zhurbin keeps himself busy.  Perhaps the most interesting facet of his work, though, is his scoring of the soundtracks to numerous films, from low-budget art house movies to more ambitious projects directed by people like Francis Ford Coppola.  On Lost in Kino, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OAHev5D8Ky8dkIUhPXge0kSL2Jg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OAHev5D8Ky8dkIUhPXge0kSL2Jg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OAHev5D8Ky8dkIUhPXge0kSL2Jg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OAHev5D8Ky8dkIUhPXge0kSL2Jg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/Ztdefpkk-4E" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/ljova-lost-in-kino-kapustnik-records.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkcMQHY-cSp7ImA9WhRXEEQ.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-8827687579285376391</id><published>2011-12-16T23:27:00.004-05:00</published><updated>2011-12-17T00:01:21.859-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-17T00:01:21.859-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Books" /><category scheme="http://www.blogger.com/atom/ns#" term="Stieg Larsson" /><category scheme="http://www.blogger.com/atom/ns#" term="Mystery" /><category scheme="http://www.blogger.com/atom/ns#" term="The Girl with the Dragon Tattoo" /><title>THE GIRL WITH THE DRAGON TATTOO  by Stieg Larsson</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/8827687579285376391/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=8827687579285376391&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8827687579285376391?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/8827687579285376391?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/euciGGvut00/girl-with-dragon-tattoo-by-stieg.html" title="THE GIRL WITH THE DRAGON TATTOO  by Stieg Larsson" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-XeI-bolZkYg/TuwabDmc2JI/AAAAAAAADBM/IktwnYdr-sU/s72-c/Girl%2Bwith%2BTattoo.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html"> How do you solve a murder that happened 36 years ago -- if it happened at all? What distinguishes retribution from revenge -- or is there a difference? And just how dysfunctional can one family be? These are the ingredients of The Girl with the Dragon Tattoo, the insanely popular mystery novel from late authir Stieg Larsson.At the book's opening in December 2002, things are very rough for 
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&lt;a href="http://feedads.g.doubleclick.net/~a/FG17REbCaPJ8_3LLsUAvXUI9ewE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FG17REbCaPJ8_3LLsUAvXUI9ewE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/euciGGvut00" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/girl-with-dragon-tattoo-by-stieg.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEcGR3k6eCp7ImA9WhRXEEQ.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-3931175420170654185</id><published>2011-12-16T22:44:00.005-05:00</published><updated>2011-12-16T23:27:06.710-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-16T23:27:06.710-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Playboy" /><category scheme="http://www.blogger.com/atom/ns#" term="photos" /><category scheme="http://www.blogger.com/atom/ns#" term="Lindsay Lohan" /><title>Lindsay Lohan Does PLAYBOY</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/3931175420170654185/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=3931175420170654185&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3931175420170654185?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/3931175420170654185?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/k4jnX-IoMH4/lindsay-lohan-does-playboy.html" title="Lindsay Lohan Does PLAYBOY" /><author><name>James Lynch</name><uri>http://www.blogger.com/profile/11000091537803718303</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-eek2kAmitsA/TuwQSQKtWMI/AAAAAAAADBE/5ak3jOcPoNo/s72-c/Lohan%2B1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The book Ebert's Bigger Little Book Glossary includes this entry: "Centerfold Folly. With the exception of Marilyn Monroe, no actress who has appeared nude in Playboy to advance her acting career has ever actually advanced her acting career." But does this apply to an actress hoping to re-start her career? And what if she channels Marilyn Monroe while appearing nude in Playboy? Time will tell if 
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&lt;a href="http://feedads.g.doubleclick.net/~a/O_SCpP18DtWBSipsPawdlG0M2L8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/O_SCpP18DtWBSipsPawdlG0M2L8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/k4jnX-IoMH4" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/lindsay-lohan-does-playboy.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0QAQnk4eip7ImA9WhRXEE4.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-5522876318468154314</id><published>2011-12-16T06:27:00.003-05:00</published><updated>2011-12-16T06:35:43.732-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-16T06:35:43.732-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Derek Trucks" /><category scheme="http://www.blogger.com/atom/ns#" term="USA" /><category scheme="http://www.blogger.com/atom/ns#" term="Rock" /><title>The Derek Trucks Band, Already Free (Sony, 2009)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/5522876318468154314/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=5522876318468154314&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/5522876318468154314?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/5522876318468154314?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/JRLukTPgNOQ/derek-trucks-band-already-free-sony.html" title="The Derek Trucks Band, Already Free (Sony, 2009)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-K5ReDE-2i1o/TustC6EKWdI/AAAAAAAABHc/G_5R6d67YhI/s72-c/51JGdP8xooL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">Guitarist Derek Trucks has built a strong reputation over the past decade and a half both as a member of The Allman Brothers Band (his uncle, drummer Butch Trucks, is one of the remaining original members) and as the leader of his own band.  Already Free, the 2009 release of The Derek Trucks Band, showcases his mastery of the slide guitar and boasts a number of good songs.While Trucks is the 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/qIBybO4ixF9VkZctxr006wDrces/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qIBybO4ixF9VkZctxr006wDrces/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/qIBybO4ixF9VkZctxr006wDrces/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qIBybO4ixF9VkZctxr006wDrces/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/JRLukTPgNOQ" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/derek-trucks-band-already-free-sony.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUQGR3s5fyp7ImA9WhRQGUo.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-7565496257448301243</id><published>2011-12-15T13:09:00.003-05:00</published><updated>2011-12-15T13:22:06.527-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-15T13:22:06.527-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Rodrigo y Gabriela" /><category scheme="http://www.blogger.com/atom/ns#" term="Mexico" /><title>Rodrigo y Gabriela, Live in France (ATO Records, 2011)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/7565496257448301243/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=7565496257448301243&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7565496257448301243?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/7565496257448301243?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/E4A_1gZVYsA/rodrigo-y-gabriela-live-in-france-ato.html" title="Rodrigo y Gabriela, Live in France (ATO Records, 2011)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-tXYftqEHpRE/Tuo4W9qAErI/AAAAAAAABHQ/v68zqs4xm6A/s72-c/51jkcy0C1xL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">The Mexican guitar duo Rodrigo y Gabriela have had a busy couple of years, between the release of their album 11:11 in 2009, their contribution to the soundtrack of Pirates of the Caribbean: On Stranger Tides, and the run of shows that culminated in the recording of their newest album, Live in France. The live album has a considerable amount of overlap with 11:11, but the context of a concert 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Tkuz_nAiVdEqqsNaPDNJfj-fNjg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Tkuz_nAiVdEqqsNaPDNJfj-fNjg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Tkuz_nAiVdEqqsNaPDNJfj-fNjg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Tkuz_nAiVdEqqsNaPDNJfj-fNjg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/E4A_1gZVYsA" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/rodrigo-y-gabriela-live-in-france-ato.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkQNQ34_cSp7ImA9WhRQGU0.&quot;"><id>tag:blogger.com,1999:blog-19763280.post-1908913150333286639</id><published>2011-12-14T16:57:00.003-05:00</published><updated>2011-12-14T17:06:32.049-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-14T17:06:32.049-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="USA" /><category scheme="http://www.blogger.com/atom/ns#" term="Rock" /><category scheme="http://www.blogger.com/atom/ns#" term="Rufus Wainwright" /><title>Rufus Wainwright, Want One (Dreamworks, 2003)</title><link rel="replies" type="application/atom+xml" href="http://thearmchaircritic.blogspot.com/feeds/1908913150333286639/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=19763280&amp;postID=1908913150333286639&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1908913150333286639?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/19763280/posts/default/1908913150333286639?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/SYZKv/~3/Blgw5-JQZbo/rufus-wainwright-want-one-dreamworks.html" title="Rufus Wainwright, Want One (Dreamworks, 2003)" /><author><name>smg58</name><uri>http://www.blogger.com/profile/15384782593003758798</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Ill35jobMUM/TukcDTwCNyI/AAAAAAAABHE/VAMrxAKJUcw/s72-c/61YCQ7bWeLL._SS500_.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">As the son of Loudon Wainwright III and the late Kate McGarrigle and the brother of Martha Wainwright, Rufus Wainwright certainly has pedigree.  He makes a point of following the beat of his own drum, though, eschewing the more straightforward folk of his parents in favor of an alternation between lush, often operatic rock arrangements and distinctively eccentric pop.  His third album Want One, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cuVe8K1ytYjhQRqF_J1Kcuwb0Z4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cuVe8K1ytYjhQRqF_J1Kcuwb0Z4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cuVe8K1ytYjhQRqF_J1Kcuwb0Z4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cuVe8K1ytYjhQRqF_J1Kcuwb0Z4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/SYZKv/~4/Blgw5-JQZbo" height="1" width="1"/&gt;</content><feedburner:origLink>http://thearmchaircritic.blogspot.com/2011/12/rufus-wainwright-want-one-dreamworks.html</feedburner:origLink></entry></feed>

