<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5569899750864732204</id><updated>2024-12-18T19:32:08.082-08:00</updated><category term="English"/><category term="News"/><category term="Thesis Project"/><category term="SFTS"/><category term="Bahasa"/><category term="Epiphany"/><category term="Christianity in Minahasa"/><category term="Minahasa"/><category term="St. Agustinus"/><category term="Ethnic Identity"/><category term="GKI Sacramento"/><category term="Pengakuan-Pengakuan"/><category term="Romans Euangelion"/><category term="Indonesia"/><category term="Puisi"/><category term="WTS"/><category term="Christianity and Colonialism"/><category term="My Story"/><category term="Post-Colonialism Study"/><category term="Quoted"/><category term="Research Paper"/><category term="Thank You"/><category term="Budaya Minahasa"/><category term="Cerita"/><category term="Christian Tradition"/><category term="Contextual Theology"/><category term="Doa"/><category term="Ethnicity"/><category term="GKI San Francisco"/><category term="Gospel as Hermeneutic"/><category term="Mapalus"/><category term="Photos"/><category term="Scripture and Culture"/><category term="Shorter Catechism"/><category term="Toar and Lumimuut"/><category term="All Saints Day"/><category term="Bibliography"/><category term="Budaya Mapalus"/><category term="Centrality of the Scripture"/><category term="Christian Education"/><category term="Christian Identity"/><category term="Church and Society"/><category term="Cultural Anthropology"/><category term="Culture and Religion"/><category term="Damai"/><category term="Eco-Christianity"/><category term="Ecocentric Environmental Theology"/><category term="Emblems of GMIM"/><category term="Essay"/><category term="Etnosentris"/><category term="Etnosentrisme"/><category term="Excerpt"/><category term="External Links"/><category term="FPPTST4"/><category term="Father&#39;s Day"/><category term="Fullerton"/><category term="GKKI"/><category term="Garam Hidup"/><category term="Ghana"/><category term="Gospel and Culture"/><category term="Gospel of Christ"/><category term="Happy Birthday"/><category term="Happy Mother&#39;s Day"/><category term="Hari Pahlawan"/><category term="History of Evangelization in Minahasa"/><category term="Hodegesis"/><category term="Honoring the Ancestors"/><category term="Inspirasi"/><category term="Inspiring"/><category term="Local Language and Christian Tradition"/><category term="Map of Minahasa"/><category term="Minahasan Walak"/><category term="Musyawarah Pinawetengan"/><category term="N. T. Wright"/><category term="Native Americans"/><category term="Notable"/><category term="Parkview Presbyterian Church"/><category term="Petaluma Bible Study Group"/><category term="Prayer"/><category term="Projects"/><category term="Quelle of Thomas"/><category term="Renungan"/><category term="Renungan Jumat Agung"/><category term="Rich in Christ"/><category term="Scripture"/><category term="Sermon"/><category term="Sermons File"/><category term="Si Tou Timou Tumou Tou"/><category term="Siloam Tonsea Lama"/><category term="Society"/><category term="Stone of Allotment"/><category term="Terbang Lepas"/><category term="Thanksgiving Day"/><category term="The Confessions"/><category term="The Inquiry Post"/><category term="The Song of Karema"/><category term="Theology and Action"/><category term="Thomas Merton"/><category term="Tondano Lake"/><category term="Toyohiko Kagawa"/><category term="UC Berkley"/><category term="Video"/><category term="Zazanian ni Karema"/><title type='text'>Benediction.</title><subtitle type='html'>And now these three remain: &#xa;faith, hope and love. &#xa;But the greatest of these is love.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default?start-index=26&amp;max-results=25'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>134</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-2480425455178508703</id><published>2013-10-23T22:26:00.002-07:00</published><updated>2013-10-23T22:26:24.481-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quoted"/><title type='text'>Existence</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;background-color: white;&quot;&gt;&lt;span style=&quot;font-family: Georgia, Times New Roman, serif;&quot;&gt;&quot;If there ever was a time that nothing existed, then nothing would exist now.&quot;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Georgia, Times New Roman, serif;&quot;&gt;-- C. S. Lewis&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/2480425455178508703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/2480425455178508703?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/2480425455178508703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/2480425455178508703'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/10/existence.html' title='Existence'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-8215915021861359417</id><published>2013-10-12T19:41:00.002-07:00</published><updated>2013-10-12T19:42:35.590-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Epiphany"/><title type='text'>Persuasion</title><content type='html'>Our persuasion should not be in merely words, though they are important. It must be a demonstration of faith, hope, and love; these three speak for themselves. </content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/8215915021861359417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/8215915021861359417?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/8215915021861359417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/8215915021861359417'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/10/persuasion.html' title='Persuasion'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-3980465222033408498</id><published>2013-09-12T23:59:00.000-07:00</published><updated>2013-09-16T13:16:28.744-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>TABLE OF CONTENT</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot;&gt;FRONT PAGE&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/non-english-terms-and-expressions.html&quot;&gt;NON-ENGLISH
TERMS AND EXPRESSIONS&lt;/a&gt; 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/map-of-minahasa.html&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;MAPS&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;CHAPTER
ONE: INTRODUCTION&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;1.1.
  &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-one.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Description
  of Topic&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;1.2.
  &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-one_12.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Limitation
  of Topic and Methodology&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;CHAPTER
TWO: THEORETICAL AND THEOLOGICAL ORIENTATIONS&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.1. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/03/the-centrality-of-scripture-in.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Centrality of the Scripture in Christian Tradition&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.2. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/03/the-gospel-as-hermeneutic-of-scripture.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Gospel as the Hermeneutic of the Scripture&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.3.
  &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-two_948.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Hodegesis
  as a Hermeneutical Tool for Christians in Bringing Out the Gospel
  Messages  into Real Life&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.4. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/04/christianity-colonialism-and-post.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Christianity,
  Colonialism and Post-colonialism&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.5. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-two_6489.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Ethnicity&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;2. 5. 1. Ethnic Group&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;2. 5. 2. Ethnic Identity and Ethnic
Identification&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;2. 5. 3. Ethnocentrism&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.6.&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-two_3010.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Culture, Religion and Ethnic Identity&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;2.7.&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-two_9038.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Contextual Theology&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;CHAPTER THREE: ROMANS EUANGELION&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;3.1. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Rome
  and Ethnic Diversity&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;3.2. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_12.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Author of Romans&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;3.3. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_8886.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Recipients&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;3.4. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_9994.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Purpose of the Epistle&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;3.5. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_6829.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Ethnic
  and Cultural Identity in the Epistle to the Romans&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204&quot; name=&quot;__RefHeading__23_19142533171&quot;&gt;&lt;/a&gt;
CHAPTER
FOUR: MINAHASA
TRADITIONS AND ETHNIC IDENTITY&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;4.1. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-four.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Name of Minahasa and Minahasan Ethnicity&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;4.2. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-four_12.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Toar
  and Lumimuut and Minahasan Traditional Society&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;4.2.1. Astronomical
Knowledge&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;4.2.2. Political
Organization&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;4.2.3.
Social-economic Practices&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;4.2.4. Medicine&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;4.2.4. Minahasan
Ethnic Religion&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-left: 0.29in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;CHAPTER
FIVE: CHRISTIANITY IN MINAHASA: FROM
THE ERA OF COLONIALISM TO INDEPENDENCE&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;5.1. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-five.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Period of the Spanish and Portuguese (1568-1666)&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;5.2. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-five_12.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Period of the V. O. C. and the Netherlands East Indies (1667-1945)&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;5.3. &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-five_5287.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Period of Indonesia&#39;s Independence (1945-present)&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204&quot; name=&quot;__RefHeading__25_19142533171&quot;&gt;&lt;/a&gt;
CHAPTER SIX: A
MINAHASAN LOCAL THEOLOGY&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;6.1.
  &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Role of Local Languages in Minahasan Christian Traditions&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;6.2.
  &lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_12.html&quot;&gt;Minahasan
  Christology: Jesus Christ as Our &lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;i&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_12.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;Empung&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;6.3.&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;i&gt;
  &lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_2634.html&quot;&gt;Empung
  Yesus &lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_2634.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;as
  &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;i&gt;Si
  Tou Timou Tumou Tou Paripurna&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;6.4.
  &lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_4083.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;The
  Honor and Honoring Our Ancestors&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-seven.html&quot;&gt;CHAPTER
SEVEN: &lt;span style=&quot;font-size: small;&quot;&gt;CONTEXT,
REFLECTION AND A PROPOSAL FOR ACTION&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/03/bibliography-on-ethnic-and-christian.html&quot;&gt;BIBLIOGRAPHY&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;APPENDIXES 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/appendix-i.html&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Appendix
1: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Zazanian
ni Karema&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(The Song of Karema)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/appendix-ii.html&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Appendix
2: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Minahasan
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Walak&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;s
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;±&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;1679-1817&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/appendix-iii.html&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Appendix
3: T&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;he
allotment of the land according to the rituals and languages at &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Watu
Pinawetengan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/appendix-iv.html&quot;&gt;Appendix
4: GMIM&#39;s emblem &lt;/a&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 0.14in; margin-right: 0.1in;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/appendix-5-mapalus-in-pictures.html&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Appendix
5: &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Mapalus&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
in pictures&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/3980465222033408498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/3980465222033408498?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3980465222033408498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3980465222033408498'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/table-of-content.html' title='TABLE OF CONTENT'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-6635999831425115033</id><published>2013-09-12T23:56:00.000-07:00</published><updated>2013-09-13T07:38:12.988-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Map of Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>MAP OF MINAHASA</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7IorOuABj3e65a9yIuaI41errUxVT2Nc2Ge0soXBiRYfJF6L9GNtnJK_J-jvHhAQCSC2B6l-3LjsIE6zCZk0129tesJ40eKchDGA-C5Jxh3IDUzQc0KZjGJdZPDQCJJBonkmCpu7GYwE/s1600/PETA+MINAHASA.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7IorOuABj3e65a9yIuaI41errUxVT2Nc2Ge0soXBiRYfJF6L9GNtnJK_J-jvHhAQCSC2B6l-3LjsIE6zCZk0129tesJ40eKchDGA-C5Jxh3IDUzQc0KZjGJdZPDQCJJBonkmCpu7GYwE/s640/PETA+MINAHASA.png&quot; width=&quot;628&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: x-small; text-align: -webkit-left;&quot;&gt;(&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: small; text-align: -webkit-left;&quot;&gt;source: www.minahasa.net&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: x-small; text-align: -webkit-left;&quot;&gt;)&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnsyUVwGstHX9YNSwABC4DThoACkcRVBVhIgQ_k-CDyYo8HF4ipSYTAvxU9Az4ZlRiSYKnvEhk_chyphenhyphenjGW6SroL_8d5sKQ1fJKnUz-nlHxKyVKMkkko0ydF-FL8gro8IXQsIfncqS3VEQkw/s1600/Peta+Indonesia.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;248&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnsyUVwGstHX9YNSwABC4DThoACkcRVBVhIgQ_k-CDyYo8HF4ipSYTAvxU9Az4ZlRiSYKnvEhk_chyphenhyphenjGW6SroL_8d5sKQ1fJKnUz-nlHxKyVKMkkko0ydF-FL8gro8IXQsIfncqS3VEQkw/s640/Peta+Indonesia.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Map of Indonesia (&lt;i style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: small; text-align: -webkit-left;&quot;&gt;www.worldatlas.com&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: x-small; text-align: -webkit-left;&quot;&gt;)&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/6635999831425115033/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/6635999831425115033?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6635999831425115033'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6635999831425115033'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/map-of-minahasa.html' title='MAP OF MINAHASA'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf7IorOuABj3e65a9yIuaI41errUxVT2Nc2Ge0soXBiRYfJF6L9GNtnJK_J-jvHhAQCSC2B6l-3LjsIE6zCZk0129tesJ40eKchDGA-C5Jxh3IDUzQc0KZjGJdZPDQCJJBonkmCpu7GYwE/s72-c/PETA+MINAHASA.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-7043167299058376729</id><published>2013-09-12T23:53:00.000-07:00</published><updated>2013-09-13T07:33:13.456-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Budaya Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>NON-ENGLISH TERMS AND EXPRESSIONS </title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table border=&quot;1&quot; bordercolor=&quot;#000000&quot; cellpadding=&quot;4&quot; cellspacing=&quot;0&quot; style=&quot;width: 616px;&quot;&gt;
 &lt;colgroup&gt;&lt;col width=&quot;171&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;123&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;296&quot;&gt;&lt;/col&gt;
 &lt;/colgroup&gt;&lt;tbody&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;CENTER&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;Term/Expression&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div align=&quot;CENTER&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;Language&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div align=&quot;CENTER&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;Meaning
   &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;adat-istiadat&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditions,
   customs&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;alifuru&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Moluccas
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;native,
   indigenous&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Amang&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Kasuruan Wangko&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Great Father Source of Life&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;apar&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   tend and cultivate a piece of land &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;apo&#39;
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;opo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ancestor;
   God &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;assa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;local
   plant&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;saccharum
   spontaneum&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;awahat&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;west
   wind&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;bangsa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;nation&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Bhineka
   Tunggal Ika&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Sanskrit&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;unity
   in diversity; various yet one; diverse, but united&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;borgo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;multi-ethnic
   descendants, usually of European and local origin&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;conquistador&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Spanish
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;conqueror;
   conquering (adj.) &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;cultuurstelsel&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;compulsory
   coffee cultivation&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;dikaiosune&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;righteousness
   and justice&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;dewa-dewi&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;male
   and female deities&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;dotu-dotu&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;forebears
    &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;empung&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ancestor,
   lord; Lord&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Empung
   Renga-rengan &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Ever-Present Lord&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Empung
   Wa&#39;ilan Wangko&#39; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Great and Abundant Lord&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;endo&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   also &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;edo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;sun
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;esa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;one&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;eschaton
   (tou chronou)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   end of time&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;ethnos&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   nation or people associated with common ancestry or descent,
   shared homeland, culture, etc. &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;euangelion&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;gospel,
   good news&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;fetor
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;petor&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Spanish
   official &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Gereja
   Masehi Injili di Minahasa &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(GMIM)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Christian Evangelical Church in Minahasa&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;guru
   jemaat&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;local
   church leader and teacher of the congregation&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;hodegeo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   guide&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;hodegesis&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(technical
   term) adopted into Bahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;cross-cultural,
   christocentric, hermeneutical approach to the Scripture, utilizing
   methods of interpretation, but primarily focusing on theological
   aspects, with technical apparatus in the margin, aimed at
   connecting the local traditions, the context, and the community of
   believers&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;hulptroepen&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasan
   personnel in the Dutch army &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;identitas&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(technical
   term)&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
“&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Idiosyncratic
   characteristics” that represent one&#39;s belonging to a categorical
   ethnic group&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Indische
   Kerk&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Protestant Church of the East Indies&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Injil&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Gospel&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Kaendoan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Morning Star; Venus &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kalewo&#39;an&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;evildoing
   (Bahasa, &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;kejahatan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Karema&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;A priest figure in
   &lt;i&gt;Zazanian ni Karema&lt;/i&gt;* &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kaselokan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;wrongdoing
   (Bahasa, &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;pelanggaran&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kasuat
   tou&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;fellow
   neighbor, fellow human being&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kasuruan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ancestor,
   lord; Lord&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kawanua&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;compatriots&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kawengian&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   darkness of the night or dark moon; the name of Lumimuut&#39;s father&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;kenaramen&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditions,
   customs&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;keter&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;see
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;mawai*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Kerapatan
   Gereja Protestan Minahasa &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;KGPM)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   Protestant Church Assemblies &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Kongres
   Minahasa Raya &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Pan-Minahasa Congress&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Koninklijk
   Nederlands Indisch Leger&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   (KNIL)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Royal Netherlands East Indies Army&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kotulus&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   doctor&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;kumuru
   e Minaesa!&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;get
   down Minaesa!&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;laïcité&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;French
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;French
   secularism &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Levensverzekering
   Maatschappij Indonesia&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Indonesia
   Life Insurance Company (might be the first public use of the word
   “Indonesia” in the Netherlands East Indies)&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;lisung&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;mortar,
   carved wood/stone to pound rice &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Lokon
   Telu &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   three peaks of the sacred mountains: Empung, Tatawiran, and Kasehe&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;maesa
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;maasa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   unite, to become one&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Maengket&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasan
   traditional dance&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Malesung&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   name for ancient Minahasa &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;mangasin&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;making
   salt; &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;se mangasin&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;:
   salt maker&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Mangorai&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;posan*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   associated with land fertility and ancestry&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;manguni&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;owl&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Makarua
   Siouw&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Two Times Nine: 18 ancestors regarded as the children of Toar and
   Lumimuut, also symbolizing &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;the
   office of &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;walian*&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Makatelu
   Pitu&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt; &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Three Times Seven: 21 ancestors regarded as the  grandchildren of
   Toar and Lumimuut, also symbolizing the office of &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;tona&#39;as*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;mapalus&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
    &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;mutual
   cooperation&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Mapalus
   Mesiani&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Messianic
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Mapalus&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;mapendang&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;teacher
   in the Minahasan traditional education system&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;masuat
   peleng &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;all
   are the same, equal&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;mawai
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;keter*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;physical
   s&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;trength to
   overcome challenges, also connotes economic strength&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;mengelot&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   doctor&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;mengundam
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   doctor &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;meniwo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;one
   who uses one&#39;s knowledge to impinge others with misfortune such as
   sickness, failure, etc.&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;metetamberan
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;
   metetaberan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;freely
   giving to one another&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;minaesa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;minaasa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;have
   become one, united&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Minawanua&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;once
   a dwelling place; t&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;he
   capital of the Tondano people, demolished by the Dutch army and
   local allies in 1809&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;mythos&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(1)
   a speech, word, saying; (2) a narrative, story: a) a true
   narrative, b) a fiction, a fable; universally, an invention,
   falsehood. In this thesis: a fiction or fable &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;nama
   Sarani &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Christian
   name given at baptism &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Nederlandsch
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;em class=&quot;western&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Zendelinggenootschap
   &lt;/span&gt;&lt;/em&gt;&lt;em class=&quot;western&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;NZG)&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Netherlands
   Missionary Society&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;nenek
   moyang&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ancestors&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;neumanen
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   bed-time story with animal or human characters&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Ngaasan
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;sigha&#39;*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   capability to take care of the &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;ro&#39;ong*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;/&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;wanua*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;;
   managerial skill/leadership &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;niatean&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204&quot; name=&quot;result_box111&quot;&gt;&lt;/a&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   have conscience, courage to lead, perseverance and tenacity in
   dealing with the challenges faced by &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;ro&#39;ong*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;/&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;wanua*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;opo&#39;
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;apo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ancestors;
   God&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Opo&#39;
   Mana en Atas &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Opo&#39; Wana en
   Atas&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;God
   in the Above/Sky/Heaven&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pahayoan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;student
   in the Minahasan traditional school &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;pahasaan
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;paasaan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;union;
   a group of &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;walaks*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   of the same group &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;entirety;
   a group of &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;walaks*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   of the same group &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Pancasila&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Sanskrit
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Five Principles, Nation-state philosophy of the Republic of
   Indonesia &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;papendangan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   traditional school in Minahasan society&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;paradosis&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;tradition
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;paraklete&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Greek
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;comforter
   (Bahasa, &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;penghibur&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;);
   a title for the Holy Spirit&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;paripurna&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;complete,
   perfect&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;paopo&#39;on&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   revere one as an ancestor&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Pasiouwan
   Telu&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt; &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Ninth Three: the third order of the offspring of To&#39;ar Lumimuut,
   symbolizing the people of Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Patu&#39;usan
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;potu&#39;usan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   advisory council in the community&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;peli&#39;i&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;rituals;
   see &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;*
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pemanuaan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   school subject pertaining to land/territory&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pemosanan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   school subject pertaining to Minahasan ethnic religion&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pengucapan
   syukur &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;festivals
   of thanksgiving following the harvest time in Minahasa &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pengumaan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   school subject pertaining to agriculture &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;pengundaman
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;traditional
   school subject pertaining to medicine&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Permesta
   (Perjuangan Rakyat Semesta)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Indonesia/Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;All
   People Struggle Movement 1958-1961 in East Indonesia&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;pinawetengan
   e nuwu wo pinawetengan um posan&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   allotment of languages and rituals&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;rituals
   in Minahasan ethnic religion &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;poso&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;foso&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;see
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;posan*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;puyun&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;grand
   children; offspring&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;puyun
   im puyun &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;puyun-makapuyun&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div align=&quot;LEFT&quot; style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;children
   and the children of their children&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;ra&#39;ar&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;sunny,
   solar heat&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;ro&#39;ong
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;also
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;village&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;rumaghes&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;posan*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   in Minahasan ethnic religion accompanied with sacrifice such as
   food, drink, and betel nut. &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;rumopa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;sago
   maker&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;sago-sago&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   kind of spear&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;sapientia&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Latin&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;wisdom&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;scientia&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Latin&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;science
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;si
   apo&#39; nimema&#39; in tana&#39;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   ancestor who made the land (of Minahasa); reference to Lumimuut&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Si
   Empung Wa&#39;ilan &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Almighty; Lord of Abundance &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Si
   Mapiara&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Care-giver of Life&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;si
   tou timou tumou tou&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   person lives to give life to others; or a &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;human
   lives to humanize others&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Sola
   Scriptura&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Latin&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;by
   Scripture alone &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(one
   of the basic teachings of the Reformation)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;sumungkul
   wo sumampet mauri&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;a
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;*
   that requires the obtaining of a human head as a symbol of
   bravery, which later due to colonial government&#39;s prohibition was
   substituted with an object smeared with animal blood &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;tamber
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;or
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;taber&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;to
   give something without any expectation in return or reciprocity&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;tanam
   paksa&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Bahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;see
   &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;cultuurstelsel*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Tasikela&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;local
   designation for the Spaniards &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;teterusan&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;commander-in-chief
   in war&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;teto&#39;uan
   makatana&#39;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   knowledge of the owner of the land; indigenous knowledge &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Toar
   and Lumimuut&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;two
   symbolic Minahasan ancestral figures as sung in the &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Zazanian
   ni Karema*&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;tona&#39;as&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;community
   leaders and experts (civil or military) &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div lang=&quot;en-US&quot; style=&quot;margin-right: 0.33in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;torang
   samua basudara&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Manado
   Malay&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;we
   all are brothers and sisters&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;to&#39;tok
   &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;cutting
   something into small pieces&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;tou&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Noun:
   a person (sg.); people, ethnic group (pl.)&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Verb:
   grow, live&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Adverb:
   like, similar to&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;tou
   Minahasa &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;people
   of Minahasa &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;tu&#39;is&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;local
   plant (&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;amomum album&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;ukung&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;head
   of a village&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;ukung
   wangko&#39;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;walak*
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;leader,
   chief &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Si
   Urang ni Empung &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;The
   Child of God&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;Vereenigde
   Oost-Indische Compagnie &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;(V.
   O. C.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Dutch
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;United
   East India Company &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;wangelei&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;ginger&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;village;
   dwelling &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;place
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;walak&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;cluster
   of &lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;ro’ong*&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;/&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;wanua*
   &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;of
   the same sub-ethnic group&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;waraney&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa
   &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;warriors&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;walian&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;priest/priestess&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Watu
   Pinawetengan &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Stone
   of Allotment &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;i&gt;wa&#39;ilan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;
   &lt;/span&gt;&lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;rich,
   wealthy, abundant&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;wengi&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;evening;
   the name of Lumimuut&#39;s mother&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;171&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Zazanian
   ni Karema&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;123&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;Minahasa&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;296&quot;&gt;&lt;div style=&quot;margin-right: 0.33in;&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;the
   Song of Karema&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-right: 0.33in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/7043167299058376729/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/7043167299058376729?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/7043167299058376729'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/7043167299058376729'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/non-english-terms-and-expressions.html' title='NON-ENGLISH TERMS AND EXPRESSIONS '/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-2397629901997278849</id><published>2013-09-12T23:50:00.000-07:00</published><updated>2013-09-13T07:13:42.148-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Budaya Mapalus"/><category scheme="http://www.blogger.com/atom/ns#" term="Budaya Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Mapalus"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>APPENDIX 5: MAPALUS IN PICTURES </title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh82QyzScjxGtGvMmMZqhdH0ckY4QxqfVN-nI8K9b4NvWppLQO6gVoJpk2MMtA5olcGjhQcSCqlIDl2YJjv4eCCNIfiqdawnEMjNlrAilrXw1GAGB95g4M2lX6m6j_wS-19nVDwciSwKwdd/s1600/Mapalus-Tomohon.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh82QyzScjxGtGvMmMZqhdH0ckY4QxqfVN-nI8K9b4NvWppLQO6gVoJpk2MMtA5olcGjhQcSCqlIDl2YJjv4eCCNIfiqdawnEMjNlrAilrXw1GAGB95g4M2lX6m6j_wS-19nVDwciSwKwdd/s640/Mapalus-Tomohon.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;frame-contents&quot;&gt;
A &lt;i&gt;mapalus&lt;/i&gt; group from Rurukan, East
Tomohon, working together to cultivate the field (photo:
manadotoday.com)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6T_RYoMRv6ezhg1Qy7ar4XhfBAf1Aze9Y1yj6DOC8kky2rcpTbiDpL-1S2c7dI8kUVLE_7F1C0J6yZO0zYZJm8f7uh-sju9TdDSd3YaO6BkfhyLdZ9uLEmy9wZSzXUaeyOyGyPVhup7kl/s1600/budaya-mapalus_antaranews.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;425&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6T_RYoMRv6ezhg1Qy7ar4XhfBAf1Aze9Y1yj6DOC8kky2rcpTbiDpL-1S2c7dI8kUVLE_7F1C0J6yZO0zYZJm8f7uh-sju9TdDSd3YaO6BkfhyLdZ9uLEmy9wZSzXUaeyOyGyPVhup7kl/s640/budaya-mapalus_antaranews.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;frame-contents&quot;&gt;
A number of people in Manado work hand in
hand to get the boat onto the water;&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;frame-contents&quot;&gt;
another form of &lt;i&gt;mapalus&lt;/i&gt;
(foto: antaranews.com)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/2397629901997278849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/2397629901997278849?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/2397629901997278849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/2397629901997278849'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/appendix-5-mapalus-in-pictures.html' title='APPENDIX 5: MAPALUS IN PICTURES '/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh82QyzScjxGtGvMmMZqhdH0ckY4QxqfVN-nI8K9b4NvWppLQO6gVoJpk2MMtA5olcGjhQcSCqlIDl2YJjv4eCCNIfiqdawnEMjNlrAilrXw1GAGB95g4M2lX6m6j_wS-19nVDwciSwKwdd/s72-c/Mapalus-Tomohon.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-3108563447034525153</id><published>2013-09-12T23:49:00.000-07:00</published><updated>2013-09-13T07:14:11.282-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Emblems of GMIM"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>APPENDIX IV: EMBLEM OF GMIM</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnXHpBC3gmDQrIdVMHY10OMv8MfZoqOTGdHODLpUXR9ll9RcSXsNDAIAXYLFui2HJM1kDYQ2PPYx_eBpJhnG9vg_MzpEO9KnZ9KpnN9YFrt0xt7OvSaG-yzBAPFx6anFnNDoqG6olDWIV/s1600/GMIM+logo.gif&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;393&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnXHpBC3gmDQrIdVMHY10OMv8MfZoqOTGdHODLpUXR9ll9RcSXsNDAIAXYLFui2HJM1kDYQ2PPYx_eBpJhnG9vg_MzpEO9KnZ9KpnN9YFrt0xt7OvSaG-yzBAPFx6anFnNDoqG6olDWIV/s400/GMIM+logo.gif&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/3108563447034525153/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/3108563447034525153?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3108563447034525153'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3108563447034525153'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/appendix-iv.html' title='APPENDIX IV: EMBLEM OF GMIM'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFnXHpBC3gmDQrIdVMHY10OMv8MfZoqOTGdHODLpUXR9ll9RcSXsNDAIAXYLFui2HJM1kDYQ2PPYx_eBpJhnG9vg_MzpEO9KnZ9KpnN9YFrt0xt7OvSaG-yzBAPFx6anFnNDoqG6olDWIV/s72-c/GMIM+logo.gif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-4010832893991617765</id><published>2013-09-12T23:40:00.000-07:00</published><updated>2013-09-13T07:15:22.448-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Musyawarah Pinawetengan"/><category scheme="http://www.blogger.com/atom/ns#" term="Stone of Allotment"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>APPENDIX III: THE ALLOTMENT AT WATU PINAWETENGAN</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The allotment of the land at &lt;i&gt;Watu
Pinawetengan &lt;/i&gt;according to the rituals and languages. This picture
is based on the figure provided by H. M. Taulu (&lt;i&gt;Sejarah dan
Antropologi Budaya Minahasa&lt;/i&gt;, 8) and the symbols provided by Ferry
Koagouw (“Poso Dalam Kehidupan,” in &lt;i&gt;Etnik
Minahasa Dalam Akselerasi Perubahan: Telaah Historis, Teologis,
Antropologis&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
297-299).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZNGL9PezCiz6QTleufkTFCSxrpBXWOiazIDod90J1mEteMvhZ5hZXSMovMfHjmGfSvkS1IbypNZ5qXFYiPNLGHoXOB-RqcjDNbZeK1TCkjcbiGG_7GYSIMf2UvJkyK5grA7oUhnspmUb6/s1600/Musyawarah+Pinawetengan.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZNGL9PezCiz6QTleufkTFCSxrpBXWOiazIDod90J1mEteMvhZ5hZXSMovMfHjmGfSvkS1IbypNZ5qXFYiPNLGHoXOB-RqcjDNbZeK1TCkjcbiGG_7GYSIMf2UvJkyK5grA7oUhnspmUb6/s640/Musyawarah+Pinawetengan.jpg&quot; width=&quot;625&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/4010832893991617765/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/4010832893991617765?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4010832893991617765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4010832893991617765'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/appendix-iii.html' title='APPENDIX III: THE ALLOTMENT AT WATU PINAWETENGAN'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZNGL9PezCiz6QTleufkTFCSxrpBXWOiazIDod90J1mEteMvhZ5hZXSMovMfHjmGfSvkS1IbypNZ5qXFYiPNLGHoXOB-RqcjDNbZeK1TCkjcbiGG_7GYSIMf2UvJkyK5grA7oUhnspmUb6/s72-c/Musyawarah+Pinawetengan.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-4346958484915251943</id><published>2013-09-12T23:39:00.000-07:00</published><updated>2013-09-13T07:16:19.010-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Minahasan Walak"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>APPENDIX II : MINAHASAN WALAK ±1679-1817</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;background: #ffffff; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;table border=&quot;1&quot; bordercolor=&quot;#000000&quot; cellpadding=&quot;4&quot; cellspacing=&quot;0&quot; style=&quot;width: 640px;&quot;&gt;
 &lt;colgroup&gt;&lt;col width=&quot;141&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;148&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;159&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;158&quot;&gt;&lt;/col&gt;
 &lt;/colgroup&gt;&lt;tbody&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;141&quot;&gt;&lt;div align=&quot;CENTER&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;±&lt;/span&gt;1679&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;148&quot;&gt;&lt;div align=&quot;CENTER&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;± 1699 &lt;/span&gt;
   &lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;159&quot;&gt;&lt;div align=&quot;CENTER&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;±1803-1810&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;158&quot;&gt;&lt;div align=&quot;CENTER&quot;&gt;
&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;±&lt;/span&gt;1810-1817&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;141&quot;&gt;&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ares&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Bantik&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kalabat Atas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kalabat Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kakas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kakaskasen&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Langowan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Manado 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Pasan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ponosakan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ratahan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Remboken&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Rumo&#39;ong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Sarongsong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tomohon&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tombasian 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tombariri&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tompaso 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tondano&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tonsawang&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tonsea&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tongkimbut Atas&lt;/div&gt;
&lt;div style=&quot;margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tongkimbut Bawah&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;148&quot;&gt;&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ares&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Bantik&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kalabat Atas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kalabat Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kakas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Kakaskasen&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Langowan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Manado 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Negeri Baru 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Pasan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ponosakan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Ratahan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Remboken&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Rumo&#39;ong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Sarongsong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tomohon&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tombasian 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tombariri&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tompaso 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tondano&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tonsawang&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tonsea&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tongkimbut Atas&lt;/div&gt;
&lt;div style=&quot;margin-left: 0.09in; margin-right: 0in;&quot;&gt;
Tongkimbut Bawah&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;159&quot;&gt;&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ares&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Bantik&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kalabat Atas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kalabat Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kakas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kakaskasen&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Langowan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Manado 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Mawuring&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Negeri Baru&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Pasan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ponosakan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ratahan (Bentenan)&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Remboken&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Rumo&#39;ong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsarongsong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tomohon&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tombasian 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tombariri&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tompaso 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tondano Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tondano-Touliang&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tondano-Toulimambot&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsawang&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsea&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tongkimbut Atas&lt;/div&gt;
&lt;div style=&quot;margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tongkimbut Bawah&lt;/div&gt;
&lt;/td&gt;
  &lt;td width=&quot;158&quot;&gt;&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ares&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Bantik&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kalabat Atas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kalabat Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kakas&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Kakaskasen&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Langowan&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Manado 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Mawuring&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Negeri Baru 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Pasan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ponosakan 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Ratahan (Bentenan)&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Remboken&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Rumo&#39;ong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsarongsong&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tomohon&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tombasian 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tombariri&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tompaso 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tondano Bawah&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tondano 
   &lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsawang&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tonsea&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in; margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tongkimbut Atas&lt;/div&gt;
&lt;div style=&quot;margin-left: 0.11in; margin-right: 0in;&quot;&gt;
Tongkimbut Bawah&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;Source: Watuseke,   &lt;i&gt;Sejarah Minahasa&lt;/i&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;,   Appendix IXA.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/4346958484915251943/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/4346958484915251943?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4346958484915251943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4346958484915251943'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/appendix-ii.html' title='APPENDIX II : MINAHASAN WALAK ±1679-1817'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-436189952871117040</id><published>2013-09-12T23:37:00.000-07:00</published><updated>2013-09-13T07:43:54.980-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="The Song of Karema"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><category scheme="http://www.blogger.com/atom/ns#" term="Zazanian ni Karema"/><title type='text'>APPENDIX I: THE SONG OF KAREMA</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div align=&quot;CENTER&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;ZAZANIAN
NI KAREMA&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align=&quot;CENTER&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;7&quot; cellspacing=&quot;0&quot; style=&quot;width: 100%px;&quot;&gt;
 &lt;colgroup&gt;&lt;col width=&quot;129*&quot;&gt;&lt;/col&gt;
 &lt;col width=&quot;127*&quot;&gt;&lt;/col&gt;
 &lt;/colgroup&gt;&lt;tbody&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Ooh
   talingannio un tenge’ minatontonai &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Ee
   Rambi-rambian &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   minatontonai, wanam puru’ u langit&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   zei’kan meilengkar, wo mawiame dungus in tana’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Si karengan nahtoume,
   meikolote um watu &lt;/i&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;O
   hear you all a story that was given&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Eh
   Rambi-rambian&lt;/i&gt;&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
   
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;It
   was given from over the sky&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;She
   was not born and then existed in this land&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;But she came out from
   inside of a splitting stone&lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Niakumo
   si mawe’e-na’as e &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;yah
   wiamo ang ka’aya’an &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   werenanku an tana’, a leme’ loyot kampe’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   suatan mahra’ar sumena-sena’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ta’an
   ka’asi’i um pele-peleng rima’i-za’i&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   am the one who, at the time I gained consciousness, 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   was here in this paradise&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   beheld the land, it was still muddy 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   sun was shining brightly 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;While
   also everything looked delightful&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Wo
   aku sumaru sendangan timu &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   sinumpak um werenku un akel matutung&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   tumaraktak an taliwatu maha ragos&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo ni’ilekku tawi
   ni’itu, sumo’so’an ne mengasin&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   I faced southeast 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;My
   eyes befell a sugar palm tree in flame 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Rattling,
   its fruits were falling 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And I saw near by the salt
   pond of the salt-makers&lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Wo
   mawiling aku, sumaru sendangan amian &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   kinapatesanku un assa retik&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   mahtou karete ni’itu, un tu’is rarawir&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo rimuru’
   mawire-wirei, u lahit im wene’&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Then
   I turned, facing northeast&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   saw an &lt;i&gt;assa&lt;/i&gt;
   (&lt;i&gt;saccharum
   spontaneum&lt;/i&gt;) &lt;i&gt;retik
   &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Growing
   in its row was a &lt;i&gt;tu&#39;is&lt;/i&gt;
   (&lt;i&gt;amomum album&lt;/i&gt;)
   &lt;i&gt;rarawir&lt;/i&gt;
   
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   at the corner waving the paddy leaves&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Tumondong
   aku mapasaru amian talikuran &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   kinawerenanku witu un wangelei ne kotulus&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   karuru’ – karete ni’itu, un wawali-kundamah&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   minahlung ni’itu, un tewasen ne rumopa&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Afterward,
   I faced northwest&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   saw there ginger of the medicine men 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;At
   the same corner – at its row – betel nut tree&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Underneath
   the sago palm of the &lt;i&gt;rumopa&lt;/i&gt;
   [the sago makers]&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Kamurian
   aku mapasaru timu talikuran&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   kapatesankuma witu, un ayamen-ka’ukur&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   sanaremong witu un tambelang tumitikak&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ta’an un antang witu
   un ate si Rahara, menorome niaku&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Lastly
   I faced southwest&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   saw there the &lt;i&gt;ayamen&lt;/i&gt;
   [water plant weaved for mat]&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Clustering
   there bamboo &lt;i&gt;tumitikak&lt;/i&gt;
    
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yet
   with courage the Young Woman was coming to me&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Liwaghanku
   sia sa apa u ngaranna&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   mingkot sia: Lumimu’ut ngaranku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo
   totozen kasi’i sia limiwag un ngaranku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo totozenku u ngaranku:
   Karema ne Rumerages&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   asked her what her name was&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;She
   answered: my name is Lumimuut&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   certainly she asked for my name, too&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   I mentioned my name: Karema of the &lt;i&gt;Rumeraghes&lt;/i&gt;
   [the giver of offerings] 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Witu,
   kai maesaän sanaririkezan, witu le’os wo u lewo’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Ya
   sanawalimokai, i minange tu mapaweha-wehan &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;In
   toro itu, kai timou, minaelu-eluzan mahwatu &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah witu, kai lawir wo
   zei’ kazei’an.&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;There
   we were of one accord, bound in life, in good or bad times&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Together
   we went to a dwelling place&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;At
   that time, we lived, firmed in comforting each other&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;There
   we were safe and sufficient&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Second
   stanza&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Pinahaleiku
   wia nisia, wehane a’asaren aku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sa
   sei si ama’na, wo sei si ina’na&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sa
   kura u lalanna, an ika’ayome wia&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo kura um pa’arna in
   tumou wia&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   pleaded her to tell me a story 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Who
   was her mother, and who was her father 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   how she came to be in this place&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   how she would like to live here&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   ongah u nuwu’na ing kumua&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wewehan
   un awoan, nahgio-gioan an kenap-sena’na&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ni’itu
   yah tanu lalem-lalemdeman, wo tanu zuni-zuni’an&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Yah
   wituma un arina linengkaran niaku &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   gracefully she replied&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;There
   is a hill, with various beams radiating&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;That
   is like misty, also colorful like rainbow 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;there at that high place I
   was born  
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;U
   ngaran neiketor un puser ni ina’ku en Wengi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Yah
   si ama’ku kahuman, wen Kawengian u ngaran &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Nisera
   se timahu’ niaku witu un wantang&lt;/i&gt;&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Nisera se nimayome niaku
   witu lour&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;At
   my mother&#39;s birth she was named Wengi [lit. the name with which my
   mother&#39;s umbilical cord was cut was Wengi (night)]&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   my father&#39;s name is Kawengian [darkness of the night]&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;They
   were the ones who put me into an ark 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   sent me away in the sea&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   ina’ si simipsipe witu kikile’ku kakan&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Un
   sinaputan, an i pespes, wo un atelu esa&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   ama’ku kahuman, si simipsipe witu ung kawihi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Un uka’ winutame an
   watuna tumotou&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;My
   mother put at my right armpit 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;[soil]
   wrapped, to be dispersed, together with an egg 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;While
   my father put at my left armpit 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Coconut
   shell filled with seeds that would grow&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Un
   wantangku ayur wo limbo, limaya wo u malending&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;U
   limingke-lingkei endo-wengi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ya
   niagom aku wo ikatekel, zei’mo si genangku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Le’os, limengkih um
   wantang simangkil wurias&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;My
   ark floats and carried by the water, wandering and buffeted by the
   waves&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Tossed
   by the water night and day 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   became seasick and fell asleep, loose my consciousness&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Fortunately,
   there was a hard sound when the ark hit a rock&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Tare
   aku mapolo, woan mawe’ena’as ung genangku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   tana’ rimagos witu un saput kakan, nimamualimo un tana’ kenu&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Kahuman
   an watuna i peresou, timoumo wangun sombor&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   un atelu’ minawalui tatamu ‘en-tuan&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;There
   I was awakened, and my mind gained consciousness 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   the soil that scattered from the cloth-wrapped [thing] in my right
   had become this land&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   the seed for seedling had grown to young beautiful plants 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   the egg had become cattle and also the wilds&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ya
   wisamo sei meiayur, kita winaway minasungkul&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ni’iamo
   kahpa un tinou-touan, un tounta in dua&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Niaku
   eh maäyang akaz i lumomei u mu’u ung gio&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Satoro kahu-kahuman, si
   menginalei kalalawirta in dua&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wherever the one who was floated of&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;We are destined to meet each other&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;This is our life to live, two of us&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I [Lumimuut] will work until my face
   filled with sweat&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;If it is granted she [referring to
   Karema] would plead for a well-being [lit. safety/longevity] for
   both of us&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Third
   stanza&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Laleiyo
   un tou-touan nera, zei’ si kawenduan, wo kalewo’an&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   Karema si nime’e-an kurang ung kawendu sa zei’ si tuama&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Nisia
   si mahalei si Kariana, &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   sigha’ kahuman mahlele-lele&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo
   sera mondole witi rurag, wen mekiraraäte si Empung&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;They
   had lived long, no tiresome, and no unsavory 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   felt the wariness of not having a man&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;She
   (Karema) pleaded her friend (Lumimuut), Truly she was skilled in
   beseeching    
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;So they went out of the
   cave and implored to the &lt;i&gt;Empung&lt;/i&gt;
   (Lord/God)&lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   Karema tare tumo’tol maendo walian&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   i rondorna si Lumimu’ut sumaru timu sendangan&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   Karema menginalei ung kala-lawir ni Lumimu’ut, ta’an zei’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Lumimu’ut si zei’ si
   torona, wo walinaän un rendaianna&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   prepared the matters to perform as a priestess&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Then
   she disposed Lumimuut to face southeast 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   pleaded the blessing [lit. safety, long life], but nothing
   [happened]&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;It
   did not hit Lumimuut, then her position was changed 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;An
   sia sumaru un amian sendangan &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   Karema menginalei wehane kalalawir si Lumimu’ut&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ta’an
   zei’ si wua’na, wen si Lumimu’ut zei’ si kaära’an&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Si Karema zei’ mento’,
   an enso’anna un rerendai ni Lumimu’ut &lt;/i&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;She
   faced northeast 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   pleaded for blessing upon Lumimuut 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;But
   she was not pregnant [lit. there was no fruit (in the womb)],
   because Lumimuut did not feel longing 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   did not stop, and then she changed again the stand of Lumimuut&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Lumimu’ut
   sumarulah un amian talikuran &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   walian manginalei kasi’i, ta’an zei’ si torona&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Ma’an
   zei’ si wua’na, ta’an zei’ mento sia mangimbali &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ni’itumo
   sia sumarumo kasi’i sanaera, lumele si Karema&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Lumimuut
   faced northwest 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   priestess pleaded again, but it did not hit 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Though
   it did not give fruit, but she wholeheartedly kept trying 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Hence she [Lumimuut] was
   faced to the other direction, Karema pleaded&lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   mera an sumaru si Empung ti timu talikuran si Lumimu’ut&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   un awahat timu talikuran menehe za’i si Lumimu’ut&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   neilengkarname si utu’ wangun, mehe kalo’oran wia ni sera&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Nisia si lumekep un
   katutu’a-kalalawir nera zua &lt;/i&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   Lumimuut faced the &lt;i&gt;Empung&lt;/i&gt;
   toward southwest 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   northwest wind gave what Lumimuut desired 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;She
   gave birth to a dashing boy, who gave happiness to both of them 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;He
   would make perfect the longevity and well being of the two of
   them. 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;An
   sia ngarananneralah un Toar&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si
   Toar timoume totoz sombor rimae&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Matu&#39;ame
   sia, yah rimae ung kasigha&#39; wo ketezen &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si Toar si
   kalaya-kaleong ni Ina&#39;na wo ni walian&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Then
   they named him Toar&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Toar
   grew up incredibly fast 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;When
   he was older he was incredibly ingenious and strong  
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;He
   became a friend to laugh with of his Mother and the priestess&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Apa
   in sana endo line&#39;os un teken zua ni Karema&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Un
   teken esa wen assa, ta&#39;an un esa wen tu&#39;is &lt;/i&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Un
   assa neiwehe si Toar, un tu&#39;is neiwehe si ina&#39;na&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Si Karema nimutum nisera
   wia si Empung&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;One
   day Karema made two fine staffs 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;One
   was of &lt;i&gt;assa&lt;/i&gt;
   (&lt;i&gt;saccharum
   spontaneum&lt;/i&gt;),&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;
   but the other was of &lt;i&gt;tu&#39;is&lt;/i&gt;
   (&lt;i&gt;amomum album&lt;/i&gt;)&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   &lt;i&gt;assa &lt;/i&gt;was
   given to Toar, the &lt;i&gt;tu&#39;is&lt;/i&gt;
   was given to his mother&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karema
   committed them to the &lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karia
   u nuwu&#39; ketez, kumua sia wia nisera&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Kamu
   yah lumampang lumi&#39;lik tana&#39;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Nikoo
   Toar lumampang kumakan&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Nikoo Lumimuut lumampang
   kumawihi&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;With
   a loud voice, she said to them 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Go
   around this land&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;You
   Toar go right&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;You
   Lumimuut go left 
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sa
   kamu masungkul, yah pahtoronange an teken&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Kura
   u mamualina an tekennio san&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Itu
   pahaline, meiasar niaku&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo itu ikuaku, u lekepen
   un pa&#39;ar ni Empung&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;If
   you meet [each other], measure the length of your staffs 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;How
   your staffs have become 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Bring
   them here to receive explanation from me 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;So
   that I can tell, to the fulfillment of the will of the &lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;An
   mawuat si ina&#39; wo si oki&#39;na&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Zei&#39;
   ure sera masungkul weki Tingkolongan&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   pahatoronera an teken wituma&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah weta&#39; un tu&#39;is u
   lambot ta&#39;an un assa&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   departed the mother and her son 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Not
   long they met at &lt;i&gt;Tingkolongan&lt;/i&gt;
   
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;They
   measured their staffs there&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;O
   how, the &lt;i&gt;tu’is&lt;/i&gt;
   is longer than the &lt;i&gt;assa&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;An
   sera zua mawurime wia si Karema&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wen
   mei maasar in nahsingkela&#39;mo an teken&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Kawusla
   un asarnera, numuwu&#39; si Karema&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karia u ngaran ni
   Wa&#39;ilan yah mazei&#39;mo un ma&#39;ina&#39;annio&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Then
   they went back to Karema&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;To
   tell her the staffs were no longer of the same length 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;After
   their words, Karema said, 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;In
   [lit. with] the name of &lt;i&gt;Wa&#39;ilan&lt;/i&gt;
   [the Abundant One] you are no longer mother and son [your
   relationship as mother and son is waived]&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Akaz
   inania wo mange, yah tou sana-awumo kamu&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Tumouma
   malawi-lawir witu rara&#39;atean ni Empung&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Niaku
   tumou kariamio, wen aku yah Karema wo Walian&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo zei&#39; lewo&#39;enta un
   kaaranta&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Now
   on you are husband and wife [lit. sharing one kitchen/of one
   cooking place]&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Live
   in peace in the love of &lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;I
   live as your friend, yet I am Karema and the priestess 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;And
   do not corrupt our bond of affection&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yah
   nisera sana-awu, se minakasuzume:&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Se
   Makazua Siouw, se oki&#39;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wo
   Makatelu Pitu, se puyun&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Karia
   ne Pasiouwan Telu, se tou lakez&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Se kinasuzuanpe&#39; ne
   kaasa puyun im puyun.&lt;/i&gt;&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;&lt;i&gt;
   &lt;/i&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   husband and wife produced offspring:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The
   &lt;i&gt;Makazua Siouw &lt;/i&gt;[two
   times nine], the children 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;and
   &lt;i&gt;Makatelu Pitu&lt;/i&gt;
   [three times seven], the grandchildren 
   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Together
   the &lt;i&gt;Pasiouwan Telu&lt;/i&gt;,
   the people&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;They
   also have many children and grandchildren.&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
  &lt;td width=&quot;50%&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
   &lt;/span&gt;&lt;/td&gt;
 &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div align=&quot;CENTER&quot; style=&quot;background: #ffffff; line-height: 100%; margin-bottom: 0.17in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;1&amp;nbsp;Following
 Wenas, this phrase, which is a sign to sound the gong, is given in
 the first verse, but omitted afterward (&lt;i&gt;S&lt;/i&gt;&lt;i&gt;ejarah dan
 Kebudayaan Minahasa&lt;/i&gt;, 75-76).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;2&amp;nbsp;&lt;i&gt;Wantang&lt;/i&gt;
 (Manado Malay, &lt;i&gt;gantang&lt;/i&gt;)
 is a wooden box used to measure the quantity of unhusked rice. One
 &lt;i&gt;wantang&lt;/i&gt; is equivalent
 to 27 litters. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;3&amp;nbsp;Possibly
 used for traditional medicine. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;4&amp;nbsp;Possibly
 used for traditional medicine.  
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div align=&quot;CENTER&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;5&amp;nbsp;J.
 G. F. Riedel, &lt;i&gt;[Yai jah un]&lt;/i&gt; &lt;i&gt;Aasaren Tuah Puhuna ne Mahasa
 &lt;/i&gt;(Batavia: Landsdrukkerij,&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;1870), 14 as quoted in Wenas, &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Sejarah dan Kebudayaan
 Minahasa&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;, 76-81. &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Wenas
 translates the source language of Tombulu into Bahasa Indonesia,
 from which I based most of this English translation. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Back to the &lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot;&gt;Front Page&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/436189952871117040/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/436189952871117040?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/436189952871117040'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/436189952871117040'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/appendix-i.html' title='APPENDIX I: THE SONG OF KAREMA'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-4474922045905721543</id><published>2013-09-12T23:32:00.000-07:00</published><updated>2013-09-13T06:34:12.740-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bibliography"/><category scheme="http://www.blogger.com/atom/ns#" term="Christian Identity"/><category scheme="http://www.blogger.com/atom/ns#" term="Ethnic Identity"/><category scheme="http://www.blogger.com/atom/ns#" term="Research Paper"/><title type='text'>BIBLIOGRAPHY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-size: small;&quot;&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Adamo,
David T. “Christianity and the African traditional religion[s]: The
postcolonial round of engagement.” &lt;i&gt;Verbum
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,
A. J. Van. ”Uit en Over the Minahasa: De Katolieke Kerk en Hare
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tot de Taal-, Land- en Volkenkunde &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Vol
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ashforth,
Blake E. and Fred Mael. “Social Identity Theory and the
Organization.” &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;The
Academy of Management Review&lt;/i&gt;&lt;/span&gt;,
Vol. 14, No. 1 (Jan. 1989):20-39. A&lt;span style=&quot;color: black;&quot;&gt;ccessed
September11, 2012&lt;/span&gt;,
JSTOR. &lt;span style=&quot;color: black;&quot;&gt;
&lt;/span&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Ashcroft,
Bill, Gareth Griffiths, and Helen Tiffin. &lt;i&gt;The
Empire Writes Back: Theory and Practice in Post-Colonial Literatures&lt;/i&gt;.
London: Routledge, 1989. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------.
&lt;i&gt;Key
Concepts in Post-Colonial Studies&lt;/i&gt;.
London: Routledge, 1998. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------.
&lt;i&gt;Post-Colonial
Studies: The Key Concepts&lt;/i&gt;.
London: Routledge, 2000. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Aritonang,
Jan S. “Sejarah Perjumpaan Gereja dan Islam di Indonesia.” [The
History of the Convergence of the Church and Islam in Indonesia] In
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Agama
dalam dialog: pencerahan, pendamaian, dan masa depan; punjung tulis
60 tahun Prof. Dr. Olaf Herbert Schumann. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;[Religion
in dialogue: enlightenment, peace-building, and the future; writings
plait for 60&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;th&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
anniversary of Prof. Dr. Olaf Herbert Schumann] edited by Dr. Soegeng
Hardiyanto, et. al., 179-&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;201&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;.
Jakarta: BPK Gunung Mulia, 1999.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------,
Jan. “Faith and Ethnic Conflicts in Indonesia: A brief historical
Survey and theological Reflection.” In &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Faith
and Ethnicity Vol 1, &lt;/i&gt;&lt;/span&gt;edited
by Eddy A. J. G. Van der Borght, Dirk van Keulen, Martien E.
Brinkman, &lt;span style=&quot;color: black;&quot;&gt;124-137&lt;/span&gt;.
&lt;span style=&quot;color: black;&quot;&gt;Zoetermeer:
Meinema, 2002.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Augustine
and R. P. H. Green. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;On
Christian Teaching. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Oxford:
Oxford University Press, 2011. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Azra,
Azyumardi. “1530-1670: A Race Between Islam and Christianity?” in
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;A
History of Christianity in Indonesia&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
edited by Jan S. Aritonang and Karel Steenbrink, 9-22. Leiden: Brill,
2008.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Balthasar,
Hans Urs von, and Graham Harrison. &lt;i&gt;The
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Palm,
Hetty. &quot;Ancient Art of the Minahasa.&quot; &lt;i&gt;Madjalah
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Djilid 86,&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;1958&lt;i&gt;.
&lt;/i&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Pantouw,
Bertha. “Beberapa Perubahan Kebudayaan di Minahasa Tengah
1829-1859: Suatu Kajian Sejarah Berdasarkan Tulisan-Tulisan J. G.
Schwarz.” [A Number of Cultural Changes in Mid-Minahassa 1829-1859:
A Historical Study Based on J. G. Schwarz Writings] Ph. D. dist.,
Universitas Indonesia, 1994.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------.
“Minahasa Sebelum Tahun 1829 dan Beberapa Perubahan Dalamnya, Kurun
Waktu 1824-1846.” [Minahasa before 1829 and Several Changes in It,
The Period of 1824-1849] In &lt;i&gt;Etnik
Minahasa Dalam Akselerasi Perubahan: Telaah Historis, Teologis,
Antropologis&lt;/i&gt;,
[Ethnic
Minahasa in the Acceleration of Change: Historical, Theological,
Anthropological Study] edited
by Roy E. Mamengko, 56-106. Jakarta: Pustaka Sinar Harapan, 2002. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Parker,
David. “Biblical Criticism.” In &lt;i&gt;The
Cambridge Dictionary of Christian Theology&lt;/i&gt;.
Edited by Ian Alexander McFarland. New York: Cambridge University
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&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Parsons,
Talcott. “Some Theoretical Considerations on the Nature and Trends
of Change of Ethnicity.” In &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Ethnicity:
Theory and Experience&lt;/i&gt;&lt;/span&gt;,
edited by Nathan Glazer, Daniel Patrick Moynihan, and Corinne Saposs
Schelling, 53-83. Cambridge, Mass: Harvard University Press, 1975.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Petrus
(Fr). &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Hidup
dan Mati Sjahidnya Abdi Tuhan yang Patut Dihargai: Pater Blas
Palomino, O.F.M. Misionaris di Minahasa&lt;/i&gt;&lt;/span&gt;
[The Commendable Life and Martyrdom of the Servant of God: Fr. Blas
Palomino, O.F.M. Missionary in Minahasa] (report written in Madrid
July 2, 1627, translated). In H. M. Taulu, &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Sebingkah
Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;/span&gt;.
&lt;span style=&quot;color: black;&quot;&gt;Manado:
Jajasan Membangun, 1966. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Razu,
J. Mohan. “Deciphering the Subaltern Terrain: Exploring Alternative
Sources for an Emancipatory Mission.” In &lt;i&gt;CTC
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XXVI, No. 1 (June 2010): 96-110.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Redaksi
Bulletin Dewan Gereja-gereja Sulutteng, &lt;i&gt;Ds.&lt;/i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;i&gt;A.
Z. R. Wenas (1897-1967): pelayan gereja di Minahasa. &lt;/i&gt;&lt;span style=&quot;color: black;&quot;&gt;Tomohon:
Redaksi Bulletin D.G.W. Sulutteng, 1969.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Reid,
Anthony. “Introduction: Muslims and power in a plural Asia.” In
&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Islamic
Legitimacy in a Plural Asia&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;,
edited by &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Michael
Gilsenan and Anthony Reid. London [u.a.]: Routledge, 2007.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Richard,
Marie E. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Philip
Jacob Spener and His Work&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
Philadelphia: Lutheran Publication Society, 1897.&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Richardson,
Peter. “Augustan-Era Synagogues in Rome.” In &lt;i&gt;Judaism
and Christianity in First Century Rome&lt;/i&gt;,
edited by Karl Paul Donfried and Peter Richardson, 17-29. Grand
Rapids, Mich. [u.a.]: Eerdmans, 1998). 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Riedel,
J. G. F. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;[Yai
jah un]&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Aasaren
Tuah Puhuna ne Mahasa. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;[The
Ancient Story of the Mahasa] Batavia: Landsdrukkerij, 1870.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;-------.
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Das
toumbuluhsche Pantheon&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;.
[The Pantheon of the Tombulu] Berlin: Friedländer, 1894. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Roeroe,
W. A. “Hidup ber-Mapalus Messiani.” [Living in Messianic Mapalus]
Sermon at the opening of the 61&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;th&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
Synod Assembly in Seretan Lembean, March 28&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;th&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
- 31&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;st&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;,
1983.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Said,
Edward W. &lt;i&gt;Orientalism&lt;/i&gt;.
New York: Pantheon Books, 1978. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sanneh,
Lamin O. &lt;i&gt;Whose
Religion Is Christianity?: The Gospel Beyond the West&lt;/i&gt;.
Grand Rapids, Mich: W.B. Eerdmans Pub, 2003. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Santoso, Soewito. &lt;/span&gt;&lt;i&gt;Sutasoma,
a Study of Old Javanese Wajrayana. &lt;/i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;New
Delhi: International Academy of Indian Culture, 1975.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Saruan,
Josef Manuel. “Opo dan Allah Bapa: Suatu Studi Mengenai Perjumpaan
Agama Suku dan Kekristenan di Minahasa,” [Opo&#39; and God the Father:
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School of Theology, 1991.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------.
“Profil Etnik Minahasa.” [Profile of Ethnic Minahasa] In &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Etnik
Minahasa Dalam Akselerasi Perubahan: Telaah Historis, Teologis,
Antropologis&lt;/i&gt;&lt;/span&gt;,
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Theological, Anthropological Study] edited by Roy E. Mamengko,
381-398. Jakarta: Pustaka Sinar Harapan, 2002. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Scheidel,
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http://www.princeton.edu/~pswpc/pdfs/scheidel/050704.pdf.  &lt;i&gt;
&lt;/i&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Schnelle,
Udo. &lt;i&gt;Apostle
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&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;&quot; name=&quot;result_box4&quot;&gt;&lt;/a&gt;
Schouten,
Mieke. &lt;i&gt;Minahasa
Bestuur: De Veranderende Positie van het walakhoofd in De
Minahasa,&lt;/i&gt;[&lt;span lang=&quot;en&quot;&gt;Minahasa
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&lt;/span&gt;&lt;/i&gt;Typed
manuscript.&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
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Vrije Universiteit Amsterdam, 1976.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;-------.
“Myth and Reality in Minahasan History: The Waworuntu-Gallois
Confrontation.” &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Archipel,
Année&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
Volume 34, Numéro 1 (1987):&lt;/span&gt;119-141.
Accessed September 11, 2012, Persee. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Schouten,
M. J. C.&lt;/span&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;i&gt;Leadership
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Leiden: KITLV, 1998. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Schreiter,
Robert J. &lt;i&gt;Constructing
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Maryknoll, N.Y.: Orbis Books, 1985. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Schwarz,
J. A. T. &lt;i&gt;Tontemboansche
teksten&lt;/i&gt;,
[Tontemboan Texts] Vol 2.
Leiden: E.J. Brill, 1907.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;&quot; name=&quot;result_box5&quot;&gt;&lt;/a&gt;
-------.
s.v. “Ruso.” In &lt;i&gt;Tontemboansch-Nederlandsch
woordenboek met Nederlandsch-Tontemboansch register&lt;/i&gt;.
[&lt;span lang=&quot;en&quot;&gt;Tontemboan-Dutch
dictionary with Dutch-Tontemboan wordlist]&lt;/span&gt;
Leiden: E.J. Brill, 1908. Available at
http://catalog.hathitrust.org/Record/000323281, accessed May 3, 2013.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Senduk,
Wem. “Ekonomi
Tamber – Secuil kajian tentang suatu Lembaga Tradisional Minahasa.
[The &lt;i&gt;Tamber&lt;/i&gt;
Economy -  A Short Assessment on a Minahasan Traditional Institution]
Manado: s.n., s.a.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;Sirita
ni Yusuf: Kejadian 37, 39-50 dalam bahasa Tondano&lt;/i&gt;.
[The Story of Joseph: Genesis 37, 39-50][S.l.]: Pusat Penerjemahan
Bahasa UKIT, 2006. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Smith,
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&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sneddon,
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&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;-------.
&quot;The North Sulawesi Microgroups: in Search of Higher Level
Connections.&quot; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Studies
in Sulawesi Linguistics &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;(1989):83-107.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sondakh,
A. J., Richard A. D. Siwu, and Reiner Emyot Ointoe. &lt;i&gt;Si
tou timou tumou tou = Manusia hidup untuk memanusiakan manusia:
refleksi atas evolusi nilai-nilai manusia&lt;/i&gt;.
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&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Stambaugh,
John E., and David L. Balch. &lt;i&gt;The
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Philadelphia: Westminster Press, 1986. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;&quot; name=&quot;result_box&quot;&gt;&lt;/a&gt;
Statistics
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&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Statistics
Indonesia (BPS), “&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Population
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http://sp2010.bps.go.id/index.php/site/tabel?tid=337&amp;amp;wid=7100000000.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Steinmetz,
David C. “The Superiority of Pre-Critical Exegesis.” &lt;i&gt;Theology
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&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Stone,
Bryan P. &lt;i&gt;Evangelism
After Christendom: The Theology and Practice of Christian Witness&lt;/i&gt;.
Grand Rapids, Mich: Brazos Press, 2007. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Sumner,
William Graham, and Albert Galloway Keller. &lt;i&gt;War,
and Other Essays&lt;/i&gt;.
New Haven: Yale University Press, 1911. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Suryadinata,
Leo, Evi Nurvidya Arifin, and Aris Ananta. &lt;i&gt;Indonesia&#39;s
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Singapore: Institute of Southeast Asian Studies, 2003. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Supit,
Bert. &lt;i&gt;Minahasa:
dari amanat Watu Pinawetengan sampai Gelora Minawanua &lt;/i&gt;[Minahasa:
From the Mandate of &lt;i&gt;Watu
Pinawetengan&lt;/i&gt;
to the Surge of Minawanua]. Jakarta: Penerbit Sinar Harapan, 1986. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Tajfel,
H. and J. C. Turner, “The Social Identity Theory of Intergroup
Behavior.” In &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;Psychology
of Intergroup Behavior &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;2&lt;/span&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;nd&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
ed., edited by S. Worchel &amp;amp; W. G. Austin. Chicago: Nelson Hall,
1985.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Tambasco,
Anthony J. &lt;i&gt;In
the Days of Paul: The Social World and Teaching of the Apostle&lt;/i&gt;.
New York: Paulist Press, 1991. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Taulu,
H. M. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sebingkah
Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
[A Bit about the History of Minahasa-Spain War] Manado: Jajasan
Membangun, 1966. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;-------.
Langkah Sedjarah Malesung-Minahasa: dari purba hingga pendjadjahan
Belanda&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
Jilid 1&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;.
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;[The
Historical Journey of Malesung-Minahasa: from ancient to the Dutch
colonialism]&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Manado:
Badan Budaja Jajasan Membangun, 1969.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;-------.
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Langkah
Sedjarah Malesung-Minahasa II&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
[The Historical Journey of Malesung-Minahasa II] Manado: Badan Budaja
Jajasan Membangun, 1971.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;-------.
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Bunga
Rampai: Sejarah dan Anthropologi Budaya &quot;Minahasa.&quot; &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;[The
Summary: History and Cultural Anthropology of “Minahasa.”]
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Manado:
Tunas Harapan, 1981. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Taylor,
Charles. “Foreword: What is Secularism.” In &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Secularism,
Religion, and Multicultural Citizenship, &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;edited
by Geoffrey Brahm Levey and Tariq Modood. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Cambridge,
UK: Cambridge University Press, 2009.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Thayer&#39;s
Greek Lexicon&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;s.v.
“&lt;/span&gt;&lt;span style=&quot;color: #001320;&quot;&gt;ἔθνος.&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;”
Accessed 11 September 2012, http://biblesuite.com/greek/1484.htm.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Thayer&#39;s
Greek Lexicon&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;s.v.
“μῦθος.” Accessed 11 September 2012,
http://biblesuite.com/greek/3454.htm. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Thayer&#39;s
Greek Lexicon&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;s.v.
“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;παραδίδωμι.”
A&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ccessed
September 11, 2012, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;http://biblesuite.com/greek/3860.htm&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Tobin,
Thomas H. &lt;i&gt;Paul&#39;s
Rhetoric in Its Contexts: The Argument of Romans&lt;/i&gt;.
Peabody, Mass: Hendrickson Publishers, 2004. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Turang,
Jan. “Pembangunan Daerah Minahasa Dengan Pertanian Inti Sistem
Mapalus: Suatu studi dari segi perencanaan,” [The Development of
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&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Van
der Borght, Ed.A.J.G., D. van Keulen, and Martien E. Brinkman. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Faith
and Ethnicity Vol. 1. Vol. 1&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
Faith and Ethnicity. Zoetermeer: Meinema, 2002.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;background-color: transparent; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; text-indent: -0.25in;&quot;&gt;Voorst, Robert E. Van. Reading the New Testament Today. Belmont, Calif: Thomson &amp;nbsp; &amp;nbsp;Wadsworth, 2005.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.2in; text-indent: -0.5in;&quot;&gt;Walls,
Andrew F. &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.2in; text-indent: -0.5in;&quot;&gt;The
Missionary Movement in Christian History: Studies in the Transmission
of Faith&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 0.2in; text-indent: -0.5in;&quot;&gt;.
Maryknoll, N.Y.: Orbis Books, 1996.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wantalangi,
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Watuseke,
F. S. &lt;i&gt;Sejarah
Minahasa. &lt;/i&gt;[The
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&lt;div style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------.
“Hukum and other administrative terms in the language of Minahasa.”
In &lt;i&gt;Bijdragen
tot de Taal-, Land,- en Volkenkunde&lt;/i&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wedderburn,
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Weichart,
Gabriele. “Identitas Minahasa: Sebuah Praktik Kuliner.”
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&lt;/span&gt;&lt;/i&gt;
 
&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wenas,
Jessy. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Sejarah
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&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wowor,
Ben. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;Sulawesi
Utara bergolak: peristiwa patriotik 14 Februari 1946, dalam rangka
revolusi bangsa Indonesia&lt;/i&gt;&lt;/span&gt;.
[The Turmoil in North Sulawesi: the patriotic event of February 14,
1946 for the revolution of Indonesian Nation] Jakarta: Alda, 1977. 
&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wuerl,
Donald W. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;The
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Wuntu,
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yewangoe,
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Yoder,
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&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; line-height: 100%;&quot;&gt;






















































































































































&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;background-color: white; line-height: 100%; margin-bottom: 0.17in; margin-left: 0.25in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Zangenberg,
Jürgen and Michael Labahn&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;.
Preface to Christians As a Religious Minority in a Multicultural
City: Modes of Interaction and Identity Formation in Early Imperial
Rome; Studies on the Basis of a Seminar at the Second Conference of
the European Association for Biblical Studies (EABS) from July 8-12,
2001, in Rome, &lt;/i&gt;&lt;/span&gt;edited
by Jürgen Zangenberg and Michael Labahn, vii-viii. London [u.a.]: T
&amp;amp; T Clark International, 2004.&lt;/span&gt;&lt;span style=&quot;font-family: Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;background: transparent;&quot;&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot;&gt;Back to Thesis Cover&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/4474922045905721543/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/4474922045905721543?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4474922045905721543'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4474922045905721543'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/03/bibliography-on-ethnic-and-christian.html' title='BIBLIOGRAPHY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-1363898255233954681</id><published>2013-09-12T23:27:00.000-07:00</published><updated>2013-09-16T13:41:48.293-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Contextual Theology"/><category scheme="http://www.blogger.com/atom/ns#" term="Theology and Action"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER SEVEN: CONTEXT, REFLECTION AND A PROPOSAL FOR ACTION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Reiterating the point stated above: “Contextual theology...is the biblical theology that speaks to the people and their needs.” In Minahasa, borrowing Bediako&#39;s words, this must be a theology that speaks to the needs of the Minahasans “in a way that assures us that we can be authentic [Minahasans] and true Christians.”&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; Christianity, first of all, is not a religion of mere theory, for Christ eats and drinks with sinners and call them into repentance. He speaks of the ethics of the Kingdom and washes the feet of His disciples. He heals the sick, raises the dead, opens the eyes of the blind, feeds the hungry, and lays down His life for each and everyone of us. He shows that He is worthy to receive our highest loyalty and our worship as One risen from the dead. Understanding that the Gospel bears significance in our daily lives, contextualization requires theological applications in the life of the community of believers according to their time, space, and contexts.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; It is obvious that Minahasa today is no longer the same as Minahasa in the past. This is something every society must expect. Yet Wenas&#39; alarming statement that Minahasan cultures have gone far away from their original forms&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt; must be taken seriously with the concern that we are losing the good traditions that were passed down from generation to generation. This situation is an invitation as well as a challenge for the Church in Minahasa to reflect theologically and culturally, and from there to come up with a proposal for action.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Following&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Hunsberger&#39;s position on cultures and Gospel, the Church has a task to spell out how “cultures illumine and incarnate the [G]ospel” and at the same time how the “[G]ospel illumines and transforms a culture.” &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;This is to be held with an understanding that culture is not “the proper &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;telos&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;” for theological and cultural reflection, but rather the humanity that bears the image of God (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;imago Dei&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;) for whom Christ has died and is risen plus the rest of the creation that bears the glory of God. Drawing from the local wisdom of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;si tou timou tumou tou&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;the Minahasan Church needs to be &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;the salt&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in preserving the ideals of the&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; communal traditions, at the same time, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;the light&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in bringing forth &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;love, peace, joy, righteousness and justice (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;dikaiosune&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;) into the life of the community at large.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Here I attempt to exemplify how theology and the community of believers are interconnected and how the relationship between Christianity, local culture and ethnic identity may occur. For this purpose, I choose &lt;i&gt;mapalus &lt;/i&gt;(discussed in Chapter Four of this thesis) because &lt;span style=&quot;color: black;&quot;&gt;it is part of the Minahasan sense of ethnicity, yet at the same time it &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;has become a special concern in Minahasan society today. I perceive that this traditional practice has something to offer in our discussion on the topic of ethnicity in the Body of Christ. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In &lt;i&gt;mapalus,&lt;/i&gt; individual autonomy as well as collective good are held together. The question of what is just and right when it comes to working together and building each other up is very important in &lt;i&gt;mapalus&lt;/i&gt;, where success depends on how all members discipline and prepare themselves to work together in harmony. Another aspect in &lt;i&gt;mapalus&lt;/i&gt; is that, with the coming together of different people into one organic group in order to work and strive together, a medium is born where love, peace and joy are to be exercised together with the principles of &lt;i&gt;dikaiosune.&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; &lt;/span&gt;From here, it becomes obvious that &lt;i&gt;mapalus&lt;/i&gt; features some ideal characteristics compatible with Christian faith. Unfortunately, this traditional practice has been in retreat, which has to be a grave concern for the Minahasan churches.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The practice of mutual cooperation, &lt;i&gt;mapalus&lt;/i&gt;, was born with the formation of Minahasan agricultural communities.&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt; Yet, while this practice has survived to this day, the complex struggle in connection to this practice reaches back into the 19&lt;sup&gt;th&lt;/sup&gt; century. Graafland observed:&lt;/span&gt;&lt;/div&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The ancestral custom [i.e. mapalus] is gradually disappearing . . . because in Minahasa some people began to become egoistic. Also there was instruction to jettison the practice. It may also due to the fact that the organization was handed to the people, whereas it should be the role of the community leaders. Or it may be because people are no longer free to use their time.&lt;/span&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/blockquote&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The “colonial oppression,” as Schouten points out, indeed transformed Minahasan cultures.&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt; The effect of political and economic dominion, including the presence of Christianity and the schools in Minahasa, altered the centuries old traditions, for better and for worse. Schouten makes a conclusion that with the spiritual integration of Minahasa into the world religion, “[b]eliefs and rituals of the newly accepted religion [i.e., Christianity] continued, linked with those of ethnic religion,” extrapolating, sometimes in a “syncretic” way.&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt; It is important to consider fully, even in the present day, how our traditional piety has traveled together with our Christian traditions.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In the meanwhile, the social challenge as the result of such radical changes is alarming. As Schouten writes:&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Social diversification was one of the results of cultural change. The internal dynamics of Minahasan society before the colonial era involved a flexible, ever-changing hierarchy. Under the colonial administrative system, this principles of ordering was largely dismantled, and social mobility according to the old pattern, based on the display of courage and generosity, was blocked. But the urge to get ahead persisted, not only due to cultural factors, but also as a result of repressive political and economic conditions.&lt;/span&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; line-height: 0.14in;&quot;&gt;&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;This social transformation that produces “the urge to get ahead” at the expense of others and the environment is at the core of Rambet&#39;s critique towards both the absence and the misuse of &lt;i&gt;mapalus&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt; He laments the reality that self-interest and egoism are becoming more prevalent in Minahasan society, which then finds its own expression popularized as “&lt;i&gt;si tou tumou tumongko&#39; tou&lt;/i&gt;” (lit. a person lives to prey on others).  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The situation seems to be made even more complex with the influence of globalization,&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt; economic demands brought about by new social development, and technological advancement, including the revolution in social interaction through online social networking. While these can be seen as an opportunity, they may also pose further threats to local cultures and social values such as &lt;i&gt;mapalus&lt;/i&gt; that is now, in a greater sense, endangered because of the prevailing social constructions inherited from colonialism.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; To start with, as a social and cultural preservation, &lt;i&gt;mapalus&lt;/i&gt; has been replaced by the later European education system in model and essence. The youngsters in general are no longer participating in the communal effort to tend the land or gather the harvest, where songs, proverbs, poems, and stories are shared, containing the wisdom of the old. Now the young go to school, which is good, and the community needs to ensure that the children receive holistic, constructive and cultural-based education for the sake of the children and their community. But the sad thing is the excess of the model of education in contemporary Minahasa, so that even working in the fields has been unpopular. Education is often meant to save children from working in the fields in the future. Minahasans have become staunch supporters of education, perhaps unaware that their approach has often estranged them from their own culture and from their own land. In many cases, in order to get a university degree, parents sell their land, with the hope that the son or daughter will get a job that later will pay off. Perhaps this contributes to the high degree of corruption in Minahasa and Indonesia in general.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;In Minahasa, &lt;/span&gt;&lt;i&gt;mapalus&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; is generally &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;neither&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; taught at school nor are the native &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;languages; if&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; these are taught now, they are still in the margins.&lt;/span&gt; In addition, teaching about the history of Minahasa has been almost entirety absent in the local educational curriculum. All this contributes to the setback of &lt;i&gt;mapalus&lt;/i&gt;. &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;In terms of &lt;/span&gt;&lt;i&gt;mapalus&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; as &lt;/span&gt;an economic strategy, the struggle with this traditional institution reveals a deeper problem. The absence of this practice, especially in urbanized areas but no less in remote areas, poses a real threat to the vulnerable. The poor farmers who cannot afford to take care of their fields will eventually lose their land and become landless farmers. This segment of the society is prone to exploitation in the monetarized system of today&#39;s world. The inability to access services so basic to human needs, like education, health services, and adequate housing, has dire consequences; the crime rate rises alongside the level of alcohol abuse, the spread of human trafficking and HIV/AIDS, including forest encroachment that causes environmental crises (especially around the Lake of Tondano).     &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In the midst of this bad news, there is good news. In certain places in Minahasa, where &lt;i&gt;mapalus&lt;/i&gt; has deeper roots, the traditional institution is still preserved. Also, as Turang has indicated, &lt;i&gt;mapalus&lt;/i&gt; today possesses different forms and functions according to the needs. Say that all of these forms of &lt;i&gt;mapalus&lt;/i&gt;, including a communal awareness of the importance of this practice, represent a trunk of a tree, where new shoots may grow into many trees. Now, a hand to cultivate (&lt;i&gt;tumou&lt;/i&gt; = to grow) these shoots into vigorous trees is needed. The Church has to play its role to bring shalom to the land where it is sent and beyond.  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;In this thesis, I propose five practical actions regarding &lt;i&gt;mapalus&lt;/i&gt; as a strategic socio-cultural preservation in Minahasa:&lt;/span&gt;&lt;/div&gt;
&lt;ol&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;For  the churches to encourage and facilitate training leadership in line  with the traditional wisdom (&lt;i&gt;ngaasan/sigha&#39;&lt;/i&gt;,  &lt;i&gt;nieatean,  mawai/keter&lt;/i&gt;).&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/sup&gt;  This is also what Rambet suggests as an effort to revive &lt;i&gt;mapalus&lt;/i&gt;  as social capital for Minahasa development.&lt;sup&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;For  the churches to initiate &lt;i&gt;Mapalus  Mesiani&lt;/i&gt;  (Messianic &lt;i&gt;Mapalus&lt;/i&gt;),  a term coined by Prof. Roeroe,&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt;  that members of the churches may nourish communal life in the  community, to work together for the good of all members of the  society, regardless of denominations or religious affiliations.   &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;For  the churches to join together in partnership with other religious  communities, cultural organizations, and the local government to  promote cultural-based education, whether formal or informal,  emphasizing local wisdom, local knowledge, and mother-tongue based  curriculum (mother tongue as the medium language of education), and  to facilitate and support &lt;i&gt;mapalus&lt;/i&gt;  groups.   &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/li&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;For  the youth organizations to take initiative in forming  community-based or organization-based &lt;i&gt;mapalus&lt;/i&gt;  groups and to promote different activities such as football  (soccer), social and spiritual activities, etc. to nurture the  spirit of &lt;i&gt;mapalus  &lt;/i&gt;and  creativity among  the youth.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Pioneering  a media communication among the &lt;i&gt;mapalus&lt;/i&gt;  groups, aimed at peer-training and information exchange; this may  also be instrumental as a motivating tool for the preservation of  the traditional institutions.    &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The main goal of these five recommendations is to further contextualize and develop &lt;i&gt;mapalus&lt;/i&gt; as contemporary practice, not just for the Church community but also for the community at large. At this point, I have to be content in saying that time and further research will be required to speak more on these practical actions. These five recommended actions demand further analysis and strategic implementation. Yet the trace has been made and a hope has been planted. It is my conviction that with the re-invigoration of this traditional institution by all elements of the society, &lt;i&gt;mapalus&lt;/i&gt; may be a stronghold to curve the negative impact of globalization and to mend the social disorder resulting from colonialism and upheaval situations that have taken place in Minahasa, and in the wider context of North Sulawesi. &lt;i&gt;Mapalus&lt;/i&gt; can replenish the ideals of our ancestors and reinforce Christian teaching based on egalitarianism, compassion, and solidarity. There is a hope that with the preservation of &lt;i&gt;mapalus&lt;/i&gt; as our cultural heritage, &lt;i&gt;tou &lt;/i&gt;Minahasa may enjoy the blessings of the land and, with it, the sustainability of the environment along with the preservation of our local languages. These proposals may come as good news, but they are &lt;i&gt;not&lt;/i&gt; the Gospel itself. The Gospel is once and for all the call into repentance and faith in Jesus Christ who has died, is risen, and will come again. With Him greater is our freedom than any independence from a colonial power.  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; At the end of this preliminary study on Christianity and ethnicity in Minahasa, I conclude that &lt;span style=&quot;color: black;&quot;&gt;Minahasans may remain Minahasans to respond to God&#39;s call in Christ Jesus, &lt;/span&gt;&lt;i&gt;Urang ni Opo&#39; Empung. &lt;/i&gt;He is our &lt;i&gt;Opo&#39;/Empung/Kasuruan&lt;/i&gt; who has conquered our worst enemy that is death, and set an example, as in the path of the tradition of our ancestors, to live a life-giving life, extending beyond our own &lt;i&gt;kawanua&lt;/i&gt;. Hence &lt;i&gt;Empung Yesus&lt;/i&gt;, &lt;i&gt;Si Tou Timou Tumou Tou&lt;/i&gt; &lt;i&gt;Paripurna&lt;/i&gt;, is the only Lord, to whom our ancestors&#39; and our &lt;i&gt;puyun&lt;/i&gt;&#39;s (offspring) worship is due.  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Minahasan Christianity is not an alien concept to the Minahasan Christians, discontinuous from our traditional piety in the form of our ethnic religion. Rather it is a tradition born out of religious experiences through the historical pilgrimage from our ancestors to the present &lt;i&gt;puyun&lt;/i&gt; of Minahasa to the day when together with all the believers “from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, robed in white, with palm branches in their hands...[all] cr[y] out in a loud voice, saying, ‘Salvation belongs to our God who is seated on the throne, and to the Lamb!’ (Revelation 7:9-10)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Following Bediako, our &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;dotu-dotu&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; (forebears) who embraced Christ as their ultimate loyalty, “like the apostle Paul, handed to us the assurance that with our Christian conversion, we are not introduced to a new God unrelated to the traditions of our past, but to One who brings to fulfillment all the highest religious and cultural aspirations of our heritage.” Therefore, being Minahasan-Christians, we are to respect and preserve our cultural heritage; we are to respect our ancestors by carrying out their ideals to protect and give life to their &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;puyun&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;;&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; &lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;to tend, cultivate (&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;apar&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;), and to care for the land which &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Si Opo&#39; Empung&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; gave to the children of Toar and Lumimuut. Through the transformation of our heart and mind, by the power of the Holy Spirit, in the name of Jesus Christ, our Lord and Savior, this shall be the Good News for all peoples. &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Euangelion&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/03/bibliography-on-ethnic-and-christian.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Bediako,  &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;, 23.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;See  Chapter Two on Culture,  religion and ethnic identity.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;See  Chapter Three and Six above.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;Graafland  and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;,  43; Sonny Rambet, “Mapalus  Sebagai Kapital Sosial Pembangunan di Minahasa”  (paper in the Philosophy of Science, Doctorate Program, Bogor  Agricultural University [Institut Pertanian Bogor], 2004:4).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Graafland  and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;,  42-43 (translation mine).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Schouten,  &lt;i&gt;Leadership and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  105.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Schouten,  &lt;i&gt;Leadership and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  124; See Sanneh&#39;s discussion on the topic of Conversion, Syncretism,  and Cross-Cultural Horizons in &lt;i&gt;Whose Religion Is Christianity?&lt;/i&gt;,  41ff.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Schouten,  &lt;i&gt;Leadership and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  124.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;Rambet,  “Mapalus  Sebagai Kapital Sosial Pembangunan di Minahasa,”  8-9.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;For  further discussion on this topic, see Goudzwaard, Vennen, and  Heemst, “Globalization,” in &lt;i&gt;Hope in Troubled Times&lt;/i&gt;,  139-155.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;For  leadership principles see Chapter Four, political organization.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;Rambet,  “Mapalus  Sebagai Kapital Sosial Pembangunan di Minahasa,”  5.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Mapalus  Mesiani&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt; is the baptism of the traditional practice into  Christian [religious] practice. As Prof. Roeroe explains: “&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Mapalus&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;  is a religious event – a form of communal cooperation and struggle  to overcome the powers of nature. Human beings cannot survive  without the help of &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Opo&#39; Wailan&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, [other title] &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Opo&#39;  Empung&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, and the ancestors, therefore it is a &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Mapalus Messiani&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;  which embraces all the members of the society” (W. A. Roeroe,  “Hidup ber-Mapalus Messiani,”  sermon at the opening of the 61&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;th&lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;  Synod Assembly in Seretan Lembean, March 28 - 31, 1983, as quoted in  Saruan, “Profil Etnik Minahasa,” in &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Etnik Minahasa  Dalam Akselerasi Perubahan&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;,  386). Prof. Roeroe succeeded  Rev. A. Z. R. Wenas, the first Minahasan pastor to serve as the  chair of the synod, and long served as as the moderator of GMIM.&lt;/span&gt;&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/1363898255233954681/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/1363898255233954681?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1363898255233954681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1363898255233954681'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-seven.html' title='CHAPTER SEVEN: CONTEXT, REFLECTION AND A PROPOSAL FOR ACTION'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-3876776856063498457</id><published>2013-09-12T23:20:00.000-07:00</published><updated>2013-09-16T13:38:50.856-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Honoring the Ancestors"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;6.4. The
Honor and Honoring our Ancestors&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; We
love and honor our ancestors, and we know that our &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;opo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(ancestors) were from among us. They are those, to reiterate Taulu,
whose lives brought the well-being of their &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;puyun&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(lit. grandchildren; offspring). This same tradition we find among
the Akkans in Ghana, West Africa. As Bediako puts it, “only those
who lived exemplary lives and from whom the community derived some
benefits” are considered ancestors.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;
Saruan writes, “Minahasans respect and honor the ancestors as when
they were alive, because death is understood as moving from this
world to another while still bearing continuity, and therefore their
roles, functions, responsibilities and authorities, characters and
status are deemed operative.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;
This understanding serves a particular function in our traditional
society. As Saruan further explains, in the Minahasan tradition, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;se
puyun&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(the offspring) understand that they live in fellowship with their
ancestors in all aspects of their lives.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;
Taking &lt;/span&gt;Bediako&#39;s
insight in relation to our experience, since we share the same
tradition, the &quot;ancestors cult,” meaning the respecting and
honoring of the ancestors, is “ensuring social harmony by
strengthening the ties that knit together all sections and
generations of the community, the present with the past and those as
yet unborn.”&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;
In Minahasa this across-all-time fellowship, as Saruan points out,
“produces prototypes that encourage physical and spiritual
prosperity, in this world and the one to come.”&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
Unfortunately, as Saruan acknowledges, oftentimes there is a
“&lt;i&gt;penghormatan yang
berlebihan&lt;/i&gt;” (an
excessive reverence) to the ancestor which can lead into idolatry.&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Our
ancestors were not demons, as was often suggested in the past,
although when we get into this kind of “excessive reverence,” it
is rather obvious that we are risking our ancestors to be deemed as
such. Because in making them into the objects of worship, which only
belongs to God, then indeed they may become a manifestation of other
spiritual powers. As it is for the Akkans, it is also for the
Minahasans; our ancestors do not originate from the transcendent
realm. It is for community harmony and the hope for prosperity and
security of the &lt;i&gt;puyun
&lt;/i&gt;(offspring) that they
were remembered, honored and appeased through different kind of
&lt;i&gt;p&lt;/i&gt;&lt;i&gt;osan.&lt;/i&gt;
Given their shared humanity with their &lt;i&gt;puyun,&lt;/i&gt;
Minahasan ancestors would not intend to be worshiped by their &lt;i&gt;puyun&lt;/i&gt;.
They for sure expected that we would respect our parents, the
elderly, and their ideals for the community; we are to remember them
as pillars of the community, to imitate them and make their spirits
(&lt;i&gt;semangat&lt;/i&gt;)
as our source of inspiration in building up our place
of living and fellow neighbors (&lt;i&gt;wanua
wo se kasuat tou&lt;/i&gt;).
With this understanding, while respect and appreciation for our
ancestors, including the desire to imitate their exemplary life,
should remain with us, our hope has to be with the One who has proven
Himself worthy above any other powers in this world. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Jesus
Christ has shown us that He is worthy to serve as our Great &lt;i&gt;W&lt;/i&gt;&lt;i&gt;alian
&lt;/i&gt;for&lt;i&gt;
&lt;/i&gt;He&lt;i&gt;
&lt;/i&gt;has
ushered one &lt;i&gt;posan&lt;/i&gt;
for the Minahasans as well as for the rest of the world. This &lt;i&gt;posan
&lt;/i&gt;did
not take a wooden doll, or a pig, or any other animal. It did not
take the blood of other fellow human beings. In fact, it is His blood
that He offered, and it was His own body that was stricken. He died
almost like a &lt;i&gt;waraney&lt;/i&gt;
with red-blood clothing all over His body, yet He was risen in a
white robe &lt;i&gt;sumeringat
tanu si edo&lt;/i&gt;
(bright like the sun). &lt;i&gt;Empung&lt;/i&gt;
&lt;i&gt;Yesus si
Kelawiranta &lt;/i&gt;(The
Lord Jesus is our Salvation).&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;&lt;sup&gt;
&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-seven.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;-------&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Bediako,
 &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;,
 30. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2
  Saruan, “Profil Etnik Minahasa,” in &lt;i&gt;Etnik Minahasa Dalam
 Akselerasi Perubahan&lt;/i&gt;, 394 (translation mine).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3
  Saruan, “Profil Etnik Minahasa,” in &lt;i&gt;Etnik Minahasa Dalam
 Akselerasi Perubahan&lt;/i&gt;, 394.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;4
  Bediako, &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;,
 30. &lt;/span&gt;
 &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5 Saruan,
 “Profil Etnik Minahasa,” in
 &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,
 394.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6 Saruan,
 “Profil Etnik Minahasa,” in
 &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,
 395.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7 Cf.
 Bediako, &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Jesus and the Gospel in Africa&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, 31.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/3876776856063498457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/3876776856063498457?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3876776856063498457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3876776856063498457'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-six_4083.html' title='CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-3000059180408113790</id><published>2013-09-12T23:12:00.000-07:00</published><updated>2013-09-16T13:37:00.497-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Mapalus"/><category scheme="http://www.blogger.com/atom/ns#" term="Si Tou Timou Tumou Tou"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;6.3.&lt;i&gt; Empung
Yesus&lt;/i&gt; as &lt;i&gt;Si
Tou Timou Tumou Tou&lt;/i&gt;
&lt;i&gt;Paripurna&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
maxim &lt;i&gt;si tou timou
tumou tou&lt;/i&gt; is at the
core of Minahasan traditions. &lt;i&gt;Si
tou&lt;/i&gt; points out that
each one is a &lt;i&gt;tou&lt;/i&gt;
(human being), distinct and endowed with uniqueness to being a&lt;i&gt;
tou&lt;/i&gt;, and therefore in
&lt;i&gt;timou&lt;/i&gt;,
meaning not only has one become or grown to be a human being, but
furthermore a virtuous human being, and being such a human being then
live in such a way that other(s) may live, that is &lt;i&gt;tumou
tou&lt;/i&gt;. The term for
young people is “&lt;i&gt;tare
tumou&lt;/i&gt;,”
still growing, yet also “is still becoming a &lt;i&gt;tou.&lt;/i&gt;”
This does not mean that young persons are not considered as &lt;i&gt;tou;
&lt;/i&gt;they
are. But the term signifies that young persons are going to take the
responsibilities in the society; hence they are to seek to be
equipped and educated so that they can each become a fully
responsible &lt;i&gt;tou
&lt;/i&gt;(contains
singular and plural meaning)&lt;i&gt;.
&lt;/i&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Other
significant meaning of the word &lt;i&gt;tou&lt;/i&gt;
is also “to live;” hence this expression &lt;i&gt;si
tou timou tumou tou&lt;/i&gt;
popularized by Sam
Ratulangie may also be translated “a person lives to give life to
others” (Bahasa, &lt;i&gt;orang
hidup untuk menghidupkan orang lain&lt;/i&gt;).
Practically, it means that one needs to have life before making
other(s) live(s). Theologically speaking, this expression is charged
with the core of all Christian thought. Jesus who died on the cross
to bear human sins was raised from the dead on the third day so that,
through faith in Him, believers receive life everlasting. Jesus lives
to make others live. He is &lt;i&gt;S&lt;/i&gt;&lt;i&gt;i
Tou Timou Tumou Tou&lt;/i&gt;
&lt;i&gt;Paripurna&lt;/i&gt;.
Jesus&#39; exemplary life shows that in order for one to be truly &lt;i&gt;tou&lt;/i&gt;,
one has to be willing to die to oneself, and in experiencing the life
as a result of dying in Christ, then one can truly live out this
philosophy of &lt;i&gt;tumou
tou&lt;/i&gt;,
for oneself, for another, and for others. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt; &lt;/b&gt;In
this vein, we remember a national heroine, Maria Walanda-Maramis.  A
daughter of Minahasa, she founded PIKAT (&lt;i&gt;Percintaan
Ibu terhadap Anak Turunannya&lt;/i&gt;,
The
Love of the Mother for her Children),
an organization that empowered, trained, and worked to improve the
lives of Minahasan women and children. Further, we ought not to miss
the socio-cultural practice that emerged out of the philosophy of
&lt;i&gt;tumou
tou:&lt;/i&gt;
&lt;i&gt;mapalus&lt;/i&gt;.
These are examples of how we may participate personally and
communally in living the life that reflects not only our ancestral
ideals but also the ethics of the Kingdom. 
&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_4083.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/3000059180408113790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/3000059180408113790?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3000059180408113790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/3000059180408113790'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-six_2634.html' title='CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-6555557633869067571</id><published>2013-09-12T23:07:00.000-07:00</published><updated>2013-09-16T13:34:42.262-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: black;&quot;&gt;6.2. Minahasan
Christology: Jesus Christ as Our &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;The
&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;Lokon
Telu &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;(the
three peaks of the sacred mountains: Empung, Tatawiran, and Kasehe)
has long been adopted to represent God the Father, God the Son, and
God the Holy Spirit. In the trinitarian context, as it is translated
into the Apostle&#39;s Creed in the Tondano language, the Christ is
“&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;UrangNa
Pengesan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;”
(His Only Child). Jesus as an &lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;urang
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;(a
child)&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;is
in a familial relationship with the Father in Minahasan linguistic
terms. This represents the closeness of the two, which speaks to
Christ&#39;s obedience to the Father and the Father&#39;s love to the Son.
This relationship is an ideal in Minahasan society, although it poses
a challenge to the Minahasan narrative of bravery. For within this
relationship, the Christ exemplified a different kind of bravery, a
bravery marked by humility and obedience “to the point of death,
even the death of the cross” (Phil 2:8). But for Minahasans,
Christ&#39;s suffering has also opened a way that may confer to us
courage, bravery and even compassion; this is no longer by way of
inflicting anyone with pain and death, because we as Minahasans also
laid hand on Him, making Him a sacrifice, yet this was a way to bear
our sins (&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;kaselokan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;
kalewo&#39;an&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;).&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;
For if we are no sinners, we have no story in Him.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;One
more significant expression is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
or &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Yesus&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
The use shows that Jesus Christ has been adopted into our ethnic
consciousness, although this should be differentiated from the
traditional understanding of ancestorship. It is true that Jesus, as
a fellow human being, lived a virtuous and exemplary life in
Judea-Palestine when the land was occupied by the Romans, but in this
particularity, Jesus was a Judean, and He cannot be regarded as our
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;opo&#39;
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;or
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;empung&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
or &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;kasuruan
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(ancestor).&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
For the Minahasans, only Minahasans can be regarded in those terms.
Yet, Jesus is an &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
or &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Empung&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
or &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Kasuruan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
to us because He Himself is the incarnated &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39;
Empung timaliaka en ataran wo lawanan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(LORD God who created the land and the sea). Jesus is He who brought
the knowledge &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;paripurna&lt;/i&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;
&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;of
the One we worship from time &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;immemorial&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
and through the Holy Spirit revealed God&#39;s love and grand plan of
salvation to the Minahasans as to the rest of the nations. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Jesus
also is our &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Empung
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;who&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;
&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;shares
our suffering (The One who suffers with us). The Christ experienced
the cruelty of Roman imperial/colonial oppression, with a plot made
by His own &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;kawanua&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
(compatriots). However,  this was done not outside of God&#39;s
redemptive action. According to the gospels, this was the cup that He
drank for our salvation. In this history of salvation, we find
ourselves sharing the scars of colonial oppression with the Christ,
and thus to live in freedom of such oppression, we may behold the
freedom offered to us in His resurrection and glorification.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six_2634.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;-------&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;See
 the &lt;i&gt;posan&lt;/i&gt; of bravery in Chapter Four, under Minahasan Ethnic
 Religion. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;Bahasa,
 “complete,” “perfect.”&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/6555557633869067571/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/6555557633869067571?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6555557633869067571'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6555557633869067571'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-six_12.html' title='CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-1914986812617137736</id><published>2013-09-12T23:00:00.000-07:00</published><updated>2013-09-16T13:32:25.371-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Local Language and Christian Tradition"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;In the opening of this thesis I drew our attention to a phenomenon wherein Minahasan Christians at the beginning of this third Millenium are promoting and conserving their cultural heritage as part of their ethnic identity, while seeking an answer to how this promotion and conservation relates to their Christian faith. This question will continue to be a part of Christian communities across time and place, and Minahasan Christians must have their own answers. That is why posing the question and finding the answer today means taking into account the wisdom of our ancestors and ancestors in faith, all the while being faithful to the unchanging Word of God.&lt;/span&gt;&lt;br /&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; I have demonstrated that from a biblical understanding as the result of my hodegetical work on the Epistle to the Romans, Christ&#39;s calling and God&#39;s salvation do not reject ethnic particularity; rather they embrace all particularities in the hope of the kingdom of God. Accordingly, the faithful may enter into God&#39;s presence as who they are, ethnically speaking. Minahasans may remain Minahasans to respond to God&#39;s call. The validity of this claim for the Minahasans is not found outside the Minahasans themselves as the actors of their ethnic identity and identification. Minahasan ethnicity is a valid human identity which must be understood in the greater story of humanity and cosmic history. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The Minahasans do not have to become Judeans in order to enter into the New Covenant established by God through Christ. What sets the matter is not culture or traditions of the Judeans, and by extention the Europeans; only &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;faith in Christ &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;leading into love (13:8,10), righteousness and justice (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;dikaiosune&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;), peace, and joy in the Holy Spirit (14:17); it is the Spirit-led life (cf. 8:4ff) that counts. Hence, Minahasan culture and tradition has the same right as that of the Judeans, Dutch, Ghanaians, Koreans and others to be a venue of self expression as well as a vessel to the knowledge of God in Christ. This also means that Minahasan cultures and expressions may be used together with the Judeans&#39;, Europeans&#39;, Ghanaians&#39;, Koreans&#39; and so forth in the worship and ministry of God in Christ. This is to be held with an awareness that human cultures may reflect our &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;imago Dei&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; as well as our fallen nature, and therefore we bear in mind that the Gospel “calls to question all cultures, including the one in which it was originally embodied.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; In this way, as George R. Hunsberger rightly points out, “[G]ospel illumines and transforms a culture, and cultures illumine and incarnate the [G]ospel.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Using the Epistle to the Romans as the basic for theological reflection, we may see how the theme of godliness (in the stereotype of the Yehudi) and ungodliness (in the stereotype of the gentiles) in Romans resonates with the experience of many Minahasans, although in different ways. In the past our traditional piety became evident in the many different &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;that we observed throughout the year. While they were expressions of dependency to the Divine&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; and communal fellowship with the ancestors and the coming generations,&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; some used them to obtain praise from others, being complimented for how many &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; one could perform in a year.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; In the meanwhile, some of the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walian &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(priests/priestesses) were using the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; for their own benefit.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Minahasan forebears, as the apostle Paul puts it, did “know God” (cf. 1:19-20). Their knowledge of the Almighty, as Saruan points out, is expressed in their traditional prayers, “where the Almighty is understood as the creator, the source of life, longevity, health, blessings, happiness, and richness. God is the generous one, the keeper, defender, protector, who also shows punishment and anger to those who live in rebellion.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; Yet their knowledge was not perfect and not without blemish, and so they convinced themselves that they could have God and especially the ancestors bless all their actions through &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;posan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;including &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;sumungkul wo sumampet mauri&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; in which &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;they legitimized acts of cruelty; killing others as a religio-cultural practice, to which God indeed gave them up, and yet in due time God gave Jesus Christ up to bear the sins of the world, so that whoever turned to God in repentance may be reconciled to the Creator. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Our forebears (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;dotu-dotu/opo&#39;-opo&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;) were not all Christians. It is God, the Creator of all that is and exists, who has the right and abundant mercy to judge them, together with us, and the rest of  humankind alike. While for those who came to faith, confessing the Christ as their savior and that God has raised him from the dead, they became the children of Abraham (4:1ff; 10:9-10). The name Abraham, the father of the believers, was given as &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;nama Sarani&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (Christian name) to Runtunuwu, a &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walian&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;  from Sawangan, who was baptized by J. G. Schwarz in 1840.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; Our baptism (6:1ff) is a symbol of our new identity and fellowship in the Body of Christ that consists of different nations and tribes. Hence, the idea of &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;minaesa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; receives a new and  greater significance in Christian faith that we are united, we are one, in Christ. Our ethnic identity is no longer a distinction for separation, but richness that inspires greater unity. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Those who came to Christ have passed the faith onto their &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;puyun im puyun &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;the children of their children), and hence now it is alive in Minahasa, and has even become a symbol of Minahasan identity. Yet not all Minahasans are Christians. Some choose to follow other faiths, while some stay as the guardian of our ethnic religion. At the end, we all are Minahasans. For Christians, the call to follow our Savior should take into account the trust of our forebears who must have seen that Christ is truly good for us. To follow Christ means to live in such a way that confirms our commitment and the commitment of those who have come before us, that is our ancestors and our ancestors in faith. At the same time, we have to be open to the fact that even Christ, with the power and ability that He could perform, never coerced anybody to accept who He was and is. As it always has been, the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Gospel is a demonstration of and invitation &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;into God&#39;s shalom. When it is not, it is no longer good news. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: #0047ff;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;With such understanding, I bring to our attention how “Minahasan traditions give flesh to Christian faith, and how in return Christian faith transcends, enlarges, and embodies the Minahasan ideals and envisions the good news for Minahasan people and beyond.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; This chapter discusses four theological aspects that speak to a Minahasan local theology. It begins with the role of local languages in the transmitting of the Gospel, followed by the role of Christ in Minahasan Christianity, and then what it means that He is the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Si Tou Timou Tumou Tou&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Paripurna&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;. At the end, I discuss how we are to honor Minahasan ancestors, knowing that they were our own and shared our need of God.  &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;b&gt;6.1. The role of local languages to Minahasan Christian traditions &lt;/b&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The convergence of different cultural and religious traditions took place in time, space and place, but without communication, there would have been no convergence at all. Sanneh makes this important point about the use of our mother tongues as “the indigenous discovery of Christianity.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; He differentiates this expression from “the Christian discovery of indigenous society,” wherein the missionaries from Europe had sought to convert people into Christianity “often with political incentive and material inducement.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;On the contrary, the indigenous discovery, according to Sanneh, “describes local people encountering the religion through mother tongue discernment and in the light of the people&#39;s own needs and experiences.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; This latter form of discovery has “unintended local consequence, leaving the way open for indigenous agency and leadership.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;One legendary story circulated among the Tondano was about a &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walian&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (priest) in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; Kendis by name Sumanti. J. F. Riedel went to see him, and the following conversation took place: &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Ds. Riedel : &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;O patuariku Sumanti koo manakan? &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;My brother Sumanti are you there?)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Walian :&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt; Patuariku&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt; tou wisa koo, koo kulo’?&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;My brother, where are you from, [why] are you white?)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;Ds. Riedel : &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;i&gt;Penampa’anku waki katerungan ni endo. Ni’itumou ku kulo’. Ku neireomi ni Telu Matuari, si minalar kaoatan ye’i, neiseron si patuarimu Sumanti waki Toudano.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;My place is where the sun sets [West]. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;That’s why I am white. I am commanded by the Three &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Matuari&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, creator of the world, go and find your brother Sumanti in Tondano.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;Walian :&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;i&gt; Em, sa tuana lumongkoti.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;If so come up.) He puts down the stairway, and Riedel climbed up&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;  &lt;/i&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Walian:&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;  Rumuber, tumenga’.&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Take a sit; please, chew betel nut.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Riedel took a seat and accepted the offer to chew betel nut. The conversation that took place led Sumanti, the respected &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walian&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; in Tondano, to embrace Christian faith, and with him many of the Tondano.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;/sup&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;Understanding that the Gospel was inaugurated in Minahasan “mother tongue idioms,”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; its expressions have become an authentic Minahasan expression. The Tombulu song &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39; Wana en Atas Ee &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(God of the Above) is a popular song and sung in worship across sub-ethnic groups in Minahasa&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;. &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;A different version of the song also exists in different sub-ethnic groups such as &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39; Mana en Atas&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;God of the Above) &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;in Tondano and &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Amang Kasuruan (Wangko&#39;) &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(Great Father Source of Life) in Tontemboan. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;The &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Maengket Makamberu &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;and &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Maramba&#39;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (traditional dances) have been an expression of thanksgiving to &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Opo&#39; Wa&#39;ilan Wangko&#39; &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(Great and Abundant God)&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;. &lt;/i&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The use of our own languages in Christian worship indicates that Minahasans have always been in communication with God, no matter how &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;wanting&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; it was. And the reason that Christianity has flourished in Minahasa also points out that, as Bediako asserts, no matter how inadequate the messengers of the Gospel were, God&#39;s Word will never be in vain, because “[t]he Holy Spirit is also present to interpret the Word of God directly to the hearers. The mercy and providence of God override human shortcomings.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; As it has been pointed out by other African theologians, ethnic religions “were a vital preparation for the Gospel.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; The use of Minahasan traditional titles for the Almighty in Christian worship, as Sanneh affirms, indicates “the indigenous theological advantage.” The understanding is not that “Christianity was completely interchangeable with indigenous religions, but that their theological compatibility allows Christian engagement to produce results that have indigenous credibility rather than just foreign approval.”&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;19&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Newbigin,  &lt;i&gt;Foolishness to the Greeks&lt;/i&gt;, 4.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;“Gospel  and Culture” in &lt;i&gt;Dictionary of the Ecumenical Movement &lt;/i&gt;(Geneva,  Switzerland: WCC Publications, 2002).    &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;As  &lt;span style=&quot;color: black;&quot;&gt;Graafland  rightly points out (Graafland and Montolalu, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  110-111).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;Cf.  Bediako, &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;,  30.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Graafland  and Montolalu, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  94.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Graafland  and Montolalu, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  94.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote7&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Saruan,  “Opo dan Allah Bapa,” 80 (translation mine).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote8&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;See  diary notes of J. G. Schwarz 10 and 12 February 1840 (translated) in  Bertha Pantouw, “Beberapa Perubahan Kebudayaan di Minahasa Tengah  1829-1859: Suatu Kajian Sejarah Berdasarkan Tulisan-Tulisan J. G.  Schwarz” (Ph. D. dist., Universitas Indonesia, 1994), 299-302.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote9&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;Chapter  One: Introduction.   &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote10&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;Sanneh,&lt;i&gt;  Whose Religion is Christianity?&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote11&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;Sanneh,&lt;i&gt;  Whose Religion is Christianity?&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote12&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;Sanneh,&lt;i&gt;  Whose Religion is Christianity?&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote13&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Sanneh,  &lt;i&gt;Whose Religion is Christianity?&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote14&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in; margin-left: 0in; text-indent: 0.03in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;14&amp;nbsp;  The traditional Minahasan house has a ladder that can be taken up  and down for safety.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote15&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in; margin-left: 0in; text-indent: -0.01in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;&lt;span lang=&quot;sv-SE&quot;&gt;   This story was told by &lt;/span&gt;&lt;span lang=&quot;sv-SE&quot;&gt;Willy Wakary,  Tondano resident (&lt;/span&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;i&gt;Sejarah Kristen Masuk  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span lang=&quot;sv-SE&quot;&gt;, &lt;/span&gt;&lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;http://sumanti-  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in; margin-left: 0in; text-indent: -0.01in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;family.blogspot.com/2011/02/sejarah-kristen-masuk-manahasa.html&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;  (accessed December 22, 2012);&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;  Cf.&lt;/span&gt; End, &lt;i&gt;Ragi   &lt;/i&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in; margin-left: 0in; text-indent: -0.01in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;i&gt;      Carita&lt;/i&gt;, 173.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote16&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;An  expression used by Sanneh in his book &lt;i&gt;Whose Religion is  Christianity?&lt;/i&gt;, 73.    &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote17&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;Bediako,  &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;,  20.   &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote18&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Bediako,  &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;, 21. Along the same line,  &lt;span style=&quot;color: black;&quot;&gt;Walls  asserts that ethnic religions “underlie...the Christian faith of  the vast majority of Christians of all ages and all nations”  (“Africa and Christian Identity,” in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Mission  Focus&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  vol. IV, no. 7, Nov. [1978]:11-13 as quoted in Bediako&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Jesus  and the Gospel in Africa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  21). &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;  &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div id=&quot;sdfootnote19&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;Sanneh,  &lt;i&gt;Whose Religion is Christianity?&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;78-79.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/1914986812617137736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/1914986812617137736?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1914986812617137736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1914986812617137736'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-six.html' title='CHAPTER SIX: A MINAHASAN LOCAL THEOLOGY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-6135650462877376034</id><published>2013-09-12T19:31:00.000-07:00</published><updated>2013-09-16T13:27:25.012-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Post-Colonialism Study"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;5.3.
The Period of Indonesia&#39;s Independence (1945-present)&lt;/b&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Before
Ir. Sukarno and Mohammad Hatta proclaimed the &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;national
i&lt;/span&gt;ndependence of Indonesia on August 17, 1945, some members of
the Protestant church in Minahasa had sought to be autonomous from
the &lt;i&gt;Indische Kerk &lt;/i&gt;(The Church of the Netherlands Indie)&lt;i&gt;.
&lt;/i&gt;This aspiration &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;materialized
&lt;/span&gt;with the inauguration of &lt;span style=&quot;font-size: small;&quot;&gt;Minahasa
Protestant Church Assemblies&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;
&lt;/span&gt;(&lt;i&gt;Kerapatan Gereja Protestan Minahasa &lt;/i&gt;or&lt;i&gt; &lt;/i&gt;KGPM)
in April 21, 1933, as a “revolutionary institution, not against
missionary organisations but in conflict with a state-dominated
Protestant church.”&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
KGPM is regarded as “the expression of the wish to be Minahasan,
Christian, and independent.”&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;
A year later, in September 30, 1934, with the blessing of the
&lt;i&gt;Indische Kerk&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;the Minahasan Protestant Church was
established with the name &lt;i&gt;Gereja Masehi Injili di Minahasa&lt;/i&gt;
(GMIM) or The Christian Evangelical Church in Minahasa.&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; A
historical event within GMIM was in 1942, when Rev. A. Z. R. Wenas,
who since 1927 had been the director of the theological college in
Tomohon, became the first Minahasan moderator of the GMIM. As a
capable leader and ecclesiastical figure, he was able to lead GMIM
through the rough time of Japanese occupation (1941-1945), the &lt;i&gt;Perang
Kemerdekaan&lt;/i&gt; (Independence War 1945-1949)&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;
and the Permesta (All people struggle) (1957-1961).&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
These incidents brought tremendous suffering to the people in
Minahasa and North Sulawesi in general. A relief in the form of a
sudden economic boom hit Minahasa in the early 1980s when the price
of cloves rose enormously. However, when the price crashed down, many
farmers abandoned their fields or sold them altogether. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In
2000, as reported by Verrianto Madjowa (&lt;i&gt;Tempo.co.id&lt;/i&gt;, August 5,
2000), more than a thousand Minahasans from each sub-ethnic group
gathered together at &lt;i&gt;Bukit Inspirasi&lt;/i&gt; (Inspiration Hill)
auditorium, Tomohon, for &lt;i&gt;Kongres Minahasa Raya &lt;/i&gt;(The
Pan-Minahasa Congress). The matter at hand was crucial because
Indonesia was at a crossroads, and Minahasa was ready for any
consequence if the Jakarta Charter, which prescribed Shari&#39;a Islam in
the Pancasila (five principles), would be adopted as an amendment to
the Constitution. At this time, grotesquely provoked ethnic and
religious conflicts were raging in several parts of Indonesia, such
as in Ambon (the Moluccas) and Poso (Central Sulawesi). &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Indonesia
made it through, and within two years, with Pancasila still as one of
the four pillars of the Republic,&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;
the bill of regional autonomy (UU No. 22) passed the House of
Representatives. In this so-called Reformation Era, mending the dark
social consequences of violent conflicts and building an open and
fair democracy, while fighting corrupt military and civil officials,
was not an easy task. Yet there seemed to be more synergy between the
people and the government in trying to make a better Indonesia, given
that it was not without blemish. Minahasa since then has been divided
into different regional and municipal administrations, though not
without pros and cons. In this case, the democracy in Minahasa had
grown more mature. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Minahasa,
which in Indonesia is better known as Manado, prides itself as a
compass of religious tolerance in Indonesia, as well as a pocket of
Christianity in otherwise the largest Muslim population in the world.
&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;In this region, other than
churches of different denominations, there are mosques, Mahayana and
Hinayana Temples, Sanatana Dharma Pura (Shrines), Confucian temples,
and Yehudi Sinagogues. The &lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Bukit
Kasih&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; (Hill of Love)
in &lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;wanua&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
Kanonang has been a symbol of the expression: &lt;/span&gt;&lt;i&gt;Torang Samua
Basudara &lt;/i&gt;(Manado Malay) “We all are brothers and sisters.”
This place features different symbols of the inter-ethnic religions
in Indonesia, including a stone called Toar-Lumimuut. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In
the celebration of the 177&lt;sup&gt;th&lt;/sup&gt; anniversary of GMIM’s
Evangelization and Christian Education in 2008, Elder Dr. Paula
Lumentut-Runtuwene, speaking on behalf of the committee, affirmed
that the success of the mission work in Minahasa was due to the work
of the Holy Spirit through Riedel and Schwarz (&lt;i&gt;eBAHANA.com&lt;/i&gt;,
August 9, 2008).&lt;sup&gt; &lt;/sup&gt; These two NZG missionaries have been
regarded as the primary figures in Minahasan mission, yet as we have
seen the history of Christian faith in this land goes back to the
first Catholic missionaries and forward beyond the NZG, including the
mission work within the Adventist, Pentecostal and Charismatic
movements, to mention but a few. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Back
to the early years, there were many people who gave up being in their
own homeland and came to work in Minahasa. This includes the natives
of Ambon. As we remember their labor, it is crucial also to remember
the Minahasan sons and daughters who shared the Gospel to their
&lt;i&gt;kawanua &lt;/i&gt;(compatriots) in the villages and schools,
notwithstanding the first generation of Minahasan Christians,
including the &lt;i&gt;walian &lt;/i&gt;and &lt;i&gt;tona&#39;as, &lt;/i&gt;who accepted the
faith of Christ when this meant losing their privileges and dignity
among their people. &lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; From
here it appears that the meeting of Minahasa and Christianity is very
much misrepresented by the term “christianization.” The idea
behind this term is deterministic, suggesting that the Minahasans
were passive recipients (object) of the faith preached by the
missionaries. But in our story, we initiated, acted and reacted, for
and against Christianity. It is true that some rejected the message
in total, some accepted it for practical benefits as it was the
religion of the colonial powers, but some upon hearing the message
repented and embraced the faith as theirs, totally aware of who they
were as Minahasans. “They have,” as Bediako writes, “like the
apostle Paul, handed to us the assurance that with our Christian
conversion, we are not introduced to a new God unrelated to the
traditions of our past, but to One who brings to fulfillment all the
highest religious and cultural aspirations of our heritage.”&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 32px;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 32px;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 32px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 32px;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-six.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 32px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
-------&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Jonge,
 Parengkuan, and Steenbrink, “How Christianity Obtained A Central
 Position in Minahasa Culture and Society,” in &lt;i&gt;History of
 Christianity in Indonesia&lt;/i&gt;, 434. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;KGPM
 listed 50,017 members in 2000 (Jonge, Parengkuan, and Steenbrink,
 “How Christianity Obtained A Central Position in Minahasa Culture
 and Society,” 434). 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Today
 GMIM is the largest church denomination in Minahasa overseeing
 schools, hospitals, a university, and engaging in ministries in and
 outside of Minahasa, with membership numbers above 800,000 people
 divided into more than 800 congregations.  
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;A
 number of Minahasan KNIL (The Royal Netherlands East Indies Army),
 led by Ch. Taulu, executed a coup d&#39;etat in Minahasa, known as
 &lt;i&gt;Peristiwa&lt;/i&gt; &lt;i&gt;14
 Februari 1946 &lt;/i&gt;(The
 February 14, 1946 Event). Although it
 lasted less than a month, the attempt sent a clear message about the
 aspiration of the majority of the Minahasan people to be
 independent. For this topic see, for example, Ben Wowor, &lt;i&gt;Sulawesi
 Utara bergolak: peristiwa patriotik 14 Februari1946, dalam rangka
 revolusi bangsa Indonesia&lt;/i&gt;
 (Jakarta: Alda,
 1977). 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;&lt;i&gt;Perjuangan
 Rakyat Semesta&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; or
 &lt;/span&gt;&lt;i&gt;Permesta&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 (All People Struggle) became a dark page in the history of Minahasa
 post-independence. Seeking regional autonomy, a number of East
 Indonesia military and civil elites, among which a good number were
 from Minahasa, declared &lt;/span&gt;&lt;i&gt;Permesta&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;.
 This demand was accompanied with military assaults against targets
 associated with the “central government.” As a result, full
 blown military action was taken against &lt;/span&gt;&lt;i&gt;Permesta&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
 which then developed into a civil war, especially among Minahasans
 themselves, the so-called pro-&lt;/span&gt;&lt;i&gt;Permesta&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 and pro-central government people, both in the military and
 civilians. In the midst of this great calamity, the GMIM under the
 leadership of Rev. A. Z. R. Wenas did not take sides and worked for
 peaceful resolution between the two sides, while providing spiritual
 guidance for all (Bodewyn G. Talumewo, “GMIM Masa Pergolakan
 Permesta,” &lt;/span&gt;&lt;i&gt;Inspirator
 &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Maret-Mei
 2007; for Rev. Wenas&#39; life and work see also Redaksi Bulletin Dewan
 Gereja-gereja Sulutteng, &lt;/span&gt;&lt;i&gt;Ds.&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 &lt;/span&gt;&lt;i&gt;A. Z. R.
 Wenas (1897-1967): pelayan gereja di Minahasa &lt;/i&gt;[&lt;span style=&quot;color: black;&quot;&gt;Tomohon:
 Redaksi Bulletin D.G.W. Sulutteng, 1969&lt;/span&gt;]&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;).
 &lt;/span&gt;
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;The
 four pillars of the Republic of Indonesia are Pancasila (the Five
 Principles), the Constitution of the Republic of Indonesia 1945, the
 Unitary State of the Republic of Indonesia, and the motto &lt;i&gt;Bhineka
 Tunggal Ika&lt;/i&gt; (Unity in diversity).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote7&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Bediako,
 &lt;i&gt;Jesus and the Gospel in Africa&lt;/i&gt;, 21.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/6135650462877376034/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/6135650462877376034?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6135650462877376034'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6135650462877376034'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-five_5287.html' title='CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-1801206150910587805</id><published>2013-09-12T19:26:00.002-07:00</published><updated>2013-09-16T13:24:39.385-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity and Colonialism"/><category scheme="http://www.blogger.com/atom/ns#" term="Post-Colonialism Study"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;
&lt;/b&gt; &lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;5. 2. The Period of the V. O. C. and the Netherlands East Indies (1661-1945)&lt;/b&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Not all four sub-ethnic groups in Malesung were open to trade with the V. O. C. The Tondano, then regarded as trade partners with Spain, refused to sell their rice to the V. O. C., threatening the strategic plan of making this region the rice-basket of the Moluccas.&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt; Simon Cos took the repressive route, causing the situation that led to the first Tondano War in 1661, which ended with the burning of the Tondano’s settlements on the lake.&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In the meanwhile, the kingdom of Manado was undergoing a political shift. It was taken over by the king of Bolaang, who then took up the title “king of Manado.” In the year 1670, however, the people of Manado disavowed the king, and it became &lt;i&gt;walak&lt;/i&gt; Manado, which reportedly in 1674 had one church, one school with 25 students, two teachers and about 600 inhabitants, among which 499 were Christians.&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Protestant pastors visited some villages in Minahasa and on the island to the North, starting in 1663.&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt; A minister called Zacharias Kahaeng came to Manado in 1677 to serve the V. O. C. workers in and around the fortress, including the &lt;i&gt;borgo &lt;/i&gt;(multi-ethnic descendants, usually of European and local origin).&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;  In 1679, the chiefs of the &lt;i&gt;walaks&lt;/i&gt;&lt;sup&gt;&lt;i&gt; &lt;/i&gt;&lt;/sup&gt;signed a treaty with the V. O. C. Wenas asserts that from that year up to 1819 (140 years), there was no evangelization done by the V. O. C.&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt; It must come as a surprise then that in 1783 the Toudano leaders (from its three &lt;i&gt;walaks&lt;/i&gt;: Tondano, Remboken, Kakas) wrote a petition to the V. O. C., asking to be baptized.&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt; This request was granted, and a pastor by the name of Adams was assigned to lead the Toudano in faith. A year later he was dismissed. It might be because he criticized the way Company officers treated the Tondano.&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Following the liquidation of the V. O. C. in 1799, the Dutch government assumed responsibility over Minahasa. The unstable situation in Europe, as the result of Napoleonic Wars (1799-1815), also pervaded into the so-called Netherlands East Indies. The war came to Minahasa, leaving a place called &lt;i&gt;Minawanua&lt;/i&gt;. For about seven years, Britain held its position in Minahasa, then complied with the Anglo-Dutch Treaty of 1814, in which one of its rulings was for Britain to return territories to the Netherlands. &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Following this British interregnum, there were two crucial developments in Minahasa: One is the colonial &lt;i&gt;cultuurstelsel&lt;/i&gt; (compulsory coffee cultivation, or &lt;i&gt;tanam paksa&lt;/i&gt;) and the other was the mission work by the Netherlands Missionary Organization (NZG).&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Coffee had been cultivated in Minahasa since 1796, but &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;from&lt;/span&gt;1822 until 1899 (longer than any other regions in present-day Indonesia), the Minahasans were forced to plant and transport coffee and other products such as cacao.&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt; According to Schouten, the chiefs were bought into this system, in which they became more and more dependent on the colonial rulers for their living and accumulation of wealth, as they attempted to gain a good deal of the profit over the suffering people they were supposed to protect.&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In 1817 and 1819, Joseph Kam, a missionary sent by the NZG to the East Indies, came to visit Minahasa. With his effort, two missionaries came to attend to the needs of two established congregations, but they died soon after their arrival, unable to make much progress.&lt;sup&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/sup&gt; This situation was compensated by G. J. Hellendorn, who arrived in Manado in 1828, and established schools. A year before his arrival, Minahasan chiefs signed a contract with the Dutch to form &lt;i&gt;hulptroepen&lt;/i&gt;, Minahasan personnel to fight along with the Dutch (This group was known as &lt;i&gt;Tulungan&lt;/i&gt; “help” and also &lt;i&gt;serdadu Manado&lt;/i&gt; “Manado soldier”).&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In 1830, upon Hellendorn’s request, two missionaries were sent by the NZG to reach out into the highlands, J. F. Riedel and J. A. Schwarz. After learning native languages, they took their post in Tondano and Langowan respectively. There were a small number of Christians in the highlands of Minahasa when they started their work in 1831, and about 50 years later, about 80 percent of the Minahasans in the highlands had become Christians.&lt;sup&gt;&lt;a class=&quot;sdfootnoteanc&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204#sdfootnote14sym&quot; name=&quot;sdfootnote14anc&quot;&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/a&gt;&lt;/sup&gt; In 1851, the Governor General of the East Indies in Batavia (Jakarta) declared that Catholic church workers were allowed to enter Minahasa again.&lt;sup&gt;&lt;sup&gt;&lt;a class=&quot;sdfootnoteanc&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204#sdfootnote15sym&quot; name=&quot;sdfootnote15anc&quot;&gt;15&lt;/a&gt;&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt; The characteristics of Minahasan Christianity were influenced by change that had been taking place in Europe. The wars that were invested in political and religious interests, &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;and now with their tragic consequences, led some people to reconsider the nature of the relationship between the state and religious institutions,&lt;/span&gt; as well as the nature of Christianity. In the heartland of the Reformation movement, Germany, P. J. Spener advocated the practical aspects of what it meant to be a Christian, not just theories (in the mind). Christian life must show fruits, so to say, in daily life; and in order to bear fruits, the seed must first be buried in the ground, meaning a true repentance.&lt;sup&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/sup&gt; Labeled as “&lt;i&gt;Pietism&lt;/i&gt;&lt;i&gt;,&lt;/i&gt;” (from “piety” or in Bahasa, “&lt;i&gt;kesalehan&lt;/i&gt;”), also referred to as “the religion of the heart,” this movement emphasized bringing Christian philosophy (&lt;i&gt;ratio&lt;/i&gt; &lt;i&gt;sapientia&lt;/i&gt;)&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt; and idealism back into public life. The missionaries that came to Minahasa shared the tradition of his Christian thought and practices.&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; On the other hand, an ideological-philosophy that distanced itself from religious institutions had begun. It is hard to pinpoint the entirety of this movement but, among other things, &lt;i&gt;Aufklärung&lt;/i&gt; (enlightenment) sought after the separation of church and state, partly because of the abuse of this relationship in the past. However, the radicalized movement went as far as to diminish the role of religion (i.e. Christianity) in the public sphere by creating the dichotomy of natural and supernatural, public and private, and scientific and superstitious.&lt;sup&gt;&lt;sup&gt;19&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The forefront of Christian mission in Minahasa was strongly connected with education, both &lt;i&gt;papendaan&lt;/i&gt; and the European school system. &lt;i&gt;Papendaan&lt;/i&gt;, the traditional education in Minahasa, had the students live, work, and study with the &lt;i&gt;walian &lt;/i&gt;or &lt;i&gt;tona’as&lt;/i&gt;, who would give them the license to exercise their knowledge in the society. This practice was adopted by the missionaries, and Minahasan children were sent by their parents to live with the missionaries and learn about Christianity, including how to read and write and behave like Europeans. They became the teachers at the schools and the &lt;i&gt;guru jemaat&lt;/i&gt;, the teachers of the Christian congregations. They were at the forefront of mission work in Minahasa, as they understood the complex situations at hand and how to convey the faith in Christ to their &lt;i&gt;kawanua&lt;/i&gt; (compatriots). With their participation, the NZG made this land the crown of its evangelization effort. &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The responsibility of the NZG in Minahasa grew so significantly that in 1873 it had to provide for the salaries of nine European missionaries, 14 native assistant missionaries, three helpers and 123 &lt;i&gt;guru jemaat&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;20&lt;/sup&gt;&lt;/sup&gt; The oldest mission organization in the Netherlands had to come up with 36,000 guilders per year to pay their workers’ “quite modest” salaries.&lt;sup&gt;&lt;sup&gt;21&lt;/sup&gt;&lt;/sup&gt; When financial responsibility became unbearable due to some internal conflict, the NZG took a controversial decision: They decided to hand over the new church to the &lt;i&gt;Indische Kerk&lt;/i&gt; (The Protestant Church of the East Indies), while maintaining their service through the mission school system.&lt;sup&gt;&lt;sup&gt;22&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;en-US&quot; style=&quot;line-height: 200%; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; This was not without repercussions. Some of the NZG workers protested this decision, not only because it had a significant effect on them, but also because they felt that it showed the impact of the &lt;i&gt;Aufklärung&lt;/i&gt; in the church. “They felt not free to preach as they wanted within the framework of the &lt;i&gt;Indische Kerk&lt;/i&gt;, considered a bastion of liberal Christianity where even the doctrine of the Trinity and of the divinity of Jesus as [S]on of God was not maintained.”&lt;sup&gt;&lt;sup&gt;23&lt;/sup&gt;&lt;/sup&gt; Earlier in 1844, Resident A. J. van Olphen instructed that the Christian religion was no longer to be taught in mission and public schools. A protest from the NZG succeeded in exempting the mission school from this policy.&lt;sup&gt;&lt;sup&gt;24&lt;/sup&gt;&lt;/sup&gt; But dirty play was not seen on one side only; a colonial official, Resident Jansen (1854-1860), required that the head of the district, Dutch rendition for &lt;i&gt;walak,&lt;/i&gt; and that the head of the village become Protestant. Those who refused would be dismissed from their office.&lt;sup&gt;&lt;sup&gt;25&lt;/sup&gt;  &lt;/sup&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
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&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204&quot; name=&quot;result_box11&quot;&gt;&lt;/a&gt;  The presumption that Minahasa was as an ally to the Dutch officially came to an end in 1870 with the announcement that Minahasa was a &lt;i&gt;rechtstreeks bestuurd gebied&lt;/i&gt; (directly controlled area).&lt;sup&gt;&lt;sup&gt;26&lt;/sup&gt;&lt;/sup&gt; In 1912 Minahasans who were in diaspora, especially in Java, formed the &lt;i&gt;Perserikatan Minahasa&lt;/i&gt; (the Minahasa League).&lt;sup&gt;&lt;sup&gt;27&lt;/sup&gt;&lt;/sup&gt; In 1927 this organization split into two, one for military memberships retaining the name &lt;i&gt;Perserikatan Minahasa &lt;/i&gt;and the other for civil memberships called the &lt;i&gt;Persatuan Minahasa &lt;/i&gt;(both share the same meaning in English); this latter group was initiated by Dr. Sam Ratulangi, a Minahasan intellectual who co-run the &lt;i&gt;Levensverzekering Maatschappij Indonesia &lt;/i&gt;(Life Insurance Company Indonesia) in the early 1920s. Just a year after its conception, the civil &lt;i&gt;Persatuan Minahasa&lt;/i&gt; declared the intention of “going toward the independence of Indonesia.”&lt;sup&gt;&lt;sup&gt;28&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Ratulangi not only championed the idea of Indonesia but also Minahasa. For him, the idea of “nations as a nation” meant also the place of his nation within the nation-state of Indonesia. This shows in one of his thoughts as expressed in the bulletin &lt;i&gt;Fikiran&lt;/i&gt; (Thought), May 31, 1930:&lt;/span&gt;&lt;/div&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Every self-respecting &lt;i&gt;[b]angsa &lt;/i&gt;[nation] receives a sacred heirloom of culture and tradition from its ancestors. We must preserve our Minahasa[n] culture and tradition with all our spirit, because that spirit itself consist[s] of nothing else but culture and tradition. The flower of our culture and tradition may change, and certainly we will modernize them, but we will not change the seeds, because those seeds are implanted in the blood and heart of our &lt;i&gt;bangsa&lt;/i&gt; [nation].&lt;sup&gt;&lt;sup&gt;29&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/blockquote&gt;
&lt;div style=&quot;line-height: 0.14in; margin-bottom: 0in; margin-left: 0.49in;&quot;&gt;
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&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The importance of Minahasa-ness, an ethnic identity, was not exclusive to Ratulangi. Supit mentions  M. D. Holleman who, at an &lt;i&gt;Indisch Genootschap&lt;/i&gt; (Indonesian Society) meeting in 1929, spoke about  a head of a &lt;i&gt;walak&lt;/i&gt;, who had been educated in a western system since childhood. The &lt;i&gt;ukung wangko&#39;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;said to him, “Sir, you are curious that we are still &lt;i&gt;Alifuru&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;30&lt;/sup&gt;&lt;/sup&gt; I can assure you that I am a good Christian, and with me there are still many others; however, in terms of the provisions outlined by our ancestors, we are still the same...”&lt;sup&gt;&lt;sup&gt;31&lt;/sup&gt;&lt;/sup&gt;   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In connection to Christianity, Schouten suggests that “Schooling and conversion were not just expressions of submission or compliance, but could also serve as means of approximating the Dutch, much in the spirit of &#39;if you can&#39;t beat them, join them&#39;.”&lt;sup&gt;&lt;sup&gt;32&lt;/sup&gt;&lt;/sup&gt; Following the thread so far, this argument overlooks many important aspects, including our forebears&#39; religious experiences, not to mention the role of the Minahasans in the independence movement of Indonesia. As pointed out by Harry Kawilarang, an international journalist: “For besides speaking Dutch, they also understood the norms, ethics, culture and Dutch laws as a result of their western education, which made it possible for the Minahasan intellectuals to deal with the Dutch in a &#39;Dutch-way&#39;, while preserving the existence of their self-identity and character of Minahasa-ness.”&lt;sup&gt;&lt;sup&gt;33&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-five_5287.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;-------&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;
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&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;The  expression used by two Dutch governors in the 18&lt;sup&gt;th&lt;/sup&gt;  century was &lt;i&gt;broodkamer der Molukken&lt;/i&gt; “the bread-basket of  the Moluccas” (Molsbergen, &lt;i&gt;Geschiedenis van de Minahassa tot  1829&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;105-106 as quoted in Schouten, &lt;i&gt;Leadership and  Social Mobility in a Southeast Asian Society&lt;/i&gt;, 41. Schouten  suggests “rice barn”).   &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 22. Spain still attempted to take over  Malesung, utilizing the Tondano in this quest.  According to Supit,  a priest called Fr. De Miedes later brought in ammunition for the  Tondano to fight against the Dutch. This time the Spaniards were  again defeated, and left the area. The Tondano were forced to give  into the Dutch demands; one of these was &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;to  burn their settlement on the Lake of Tondano. &lt;/span&gt;Then they moved  to the northern side of the lake, which later became the battlefield  of the Minahasa-Dutch War 1808-1809 (&lt;i&gt;Minahasa&lt;/i&gt;, 89-90).&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 24.    &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;“Catholic  Converts in the Moluccas, Minahasa, and Sangihe-Talaud, 1512-1680”  in&lt;i&gt; &lt;/i&gt;&lt;i&gt;History of Christianity in Indonesia&lt;/i&gt;, 63;  Wenas, quoting Molsbergen (&lt;i&gt;Geschiedenis van de Minahassa tot  1829&lt;/i&gt;, 13), mentions a Protestant Pastor called Burum, who began  baptizing around the Dutch Fortress in Manado in the same year  (&lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;123).&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;123.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan  Minahasa&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;123.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;The  petition was included in the Mangindaan article “Oud Tondano,”&lt;i&gt;  &lt;/i&gt;in&lt;i&gt; &lt;/i&gt;&lt;i&gt;Tijdschrift  voor Indische taal-, land- en volkenkunde, &lt;/i&gt;20,  373-377&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;i&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;End&lt;i&gt;,  Ragi Carita&lt;/i&gt;, 170.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;David  Henley, &quot;[Review of] &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Leadership  and Social Mobility &lt;/span&gt;in a Southeast Asian Society; Minahasa,  1677-1983,&quot; &lt;i&gt;Bijdragen Tot De Taal-, Land- En Volkenkunde.  &lt;/i&gt;157, no. 1 (2001):187,  http://www.kitlv-journals.nl/index.php/btlv/article/view/1759/2520  (accessed February 2, 2012).&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Christiaan  de Jonge, Arnold Parengkuan, and Karel Steenbrink, “How  Christianity Obtained A Central Position in Minahasa Culture and  Society” in &lt;/span&gt;&lt;i&gt;History  of Christianity in Indonesia&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  419-420. &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;See  Mieke Schouten, “Myth and Reality in Minahasan History: The  Waworuntu-Gallois Confrontation,” &lt;i&gt;Archipel, Année &lt;/i&gt;Volume  34, Numéro 1 (1987):121-124; Jonge, Parengkuan, and Steenbrink,  “How Christianity Obtained A Central Position in Minahasa Culture  and Society” in &lt;i&gt;History of Christianity in Indonesia&lt;/i&gt;,  419-420.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;End,  &lt;i&gt;Ragi Carita&lt;/i&gt;, 170.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan  Minahasa&lt;/i&gt;, 51.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, &lt;span lang=&quot;en-US&quot;&gt;128&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;For  further reading about Phillip Jacob Spener (1635-1705), his life,  the movement that grew out from his work, and its excess, see, for  example, Marie E. Richard, &lt;i&gt;Philip Jacob Spener and His Work&lt;/i&gt;  (&lt;span style=&quot;color: black;&quot;&gt;Philadelphia:  Lutheran Publication Society, 1897); Cf. &lt;/span&gt;Pantouw,  “Minahasa Sebelum Tahun 1829 dan Beberapa Perubahan Dalamnya” in  &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,  95.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;This  term goes back to the renowned Christian thinker Augustine. Charles  Norris Cochrane provides a great help to understand the thoughts of  this great Church Father and philosopher. As Cochrane writes,  Augustine perceives the limitation of “&lt;/span&gt;&lt;i&gt;scientia&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;”  or what he called “&lt;/span&gt;&lt;i&gt;ratio  scientiae;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;”  therefore he proposed the “&lt;/span&gt;&lt;i&gt;ratio  sapientiae,&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;” an  appeal “from the method of science to that of insight or wisdom.”  &lt;/span&gt;In this logic, the Christian sages/philosophers are those who  have, in Augustine&#39;s words, “the clearest possible knowledge of  man himself and of God, together with a mode of life consistent with  such knowledge” (&lt;i&gt;De Util. Cred&lt;/i&gt;. xii, 27). It is a &#39;paradigm  shift&#39;, or a “departure,” as Cochrane puts it, from “the  abstract and theoretical to the concrete and practical” (&lt;i&gt;De  Civ. Dei&lt;/i&gt;, xx) (see &lt;i&gt;Christianity and Classical Culture: A  Study of Thought and Action from Augustus to Augustine&lt;/i&gt; [London:  Oxford University Press, 1957], 414-415).&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Cf.  Pantouw, “Minahasa Sebelum Tahun 1829 dan Beberapa Perubahan  Dalamnya” in &lt;i&gt;Etnik  Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,  95ff.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;This  paradigm is more familiar to our contemporary ears as “modernism”  (see Hiebert, &lt;/span&gt;&lt;i&gt;Transforming  Worldviews&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  141-174). It is important to understand that there are both positive  and negative impacts associated with &lt;/span&gt;&lt;i&gt;Aufklärung&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  and what it entails. One positive contribution of the movement is  that the persecution of the Protestants by the Catholic Church  became milder due to the influence of this movement (End, &lt;/span&gt;&lt;i&gt;Ragi  Carita&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;, 211). I  describe some negative impacts further in this section. &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;20&amp;nbsp;Jonge,  Parengkuan, and Steenbrink, “How Christianity Obtained A Central  Position in Minahasa Culture and Society,” in &lt;i&gt;History of  Christianity in Indonesia&lt;/i&gt;, 423-424.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;21&amp;nbsp;Jonge,  Parengkuan, and Steenbrink, “How Christianity Obtained A Central  Position in Minahasa Culture and Society,” in &lt;i&gt;History of  Christianity in Indonesia&lt;/i&gt;, 424.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;22&amp;nbsp;Jonge,  Parengkuan, and Steenbrink, “How Christianity Obtained A Central  Position in Minahasa Culture and Society,” in &lt;i&gt;History of  Christianity in Indonesia&lt;/i&gt;, 424.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;23&amp;nbsp;Jonge,  Parengkuan, and Steenbrink, “How Christianity Obtained A Central  Position in Minahasa Culture and Society,” in &lt;i&gt;History of  Christianity in Indonesia&lt;/i&gt;, 427.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;24&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;According  to Watuseke, this policy was still applied to the government schools  (&lt;/span&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  40-41).&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Today, religions  are taught in public and private schools, following the idea of  holistic education for the children, and the application of the  first principle of the Pancasila: Belief in One supreme God. &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;25&amp;nbsp;Mieke  Schouten, &lt;i&gt;Minahasa Bestuur: De Veranderende Positie van het  walakhoofd in De Minahasa &lt;/i&gt;(Tesis Vrije Universiteit Amsterdam,  1976), 92 as quoted in Wenas, &lt;i&gt;Sejarah dan kebudayaan Minahasa&lt;/i&gt;,  128.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;29&amp;nbsp;This  quotation has been translated into English by Bert Adriaan Supit and  quoted in A. J. Sondakh, Richard A. D. Siwu, and Reiner E. Ointoe,  &lt;i&gt;Si tou timou tumou tou = Manusia hidup untuk memanusiakan manusia  : refleksi atas evolusi nilai-nilai manusia&lt;/i&gt; (Jakarta: Pustaka  Sinar Harapan, 2003), 88.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;31&amp;nbsp;The  rest of the quotation: “...If I put myself in that situation, I  will feel unusual things overwhelm me and automatically out of my  mouth words and sounds of ancient &lt;i&gt;Alifuru&lt;/i&gt;, and I feel like I  can predict the future” (F. D. Holleman, &lt;i&gt;De verhouding der  gemeenschappen [familie, dorp en district] in de Minahasa  &lt;/i&gt;[&#39;s-Gravenhage: Nijhoff, 1929], n.p.) as quoted in&lt;i&gt; &lt;/i&gt;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 30 in Bahasa (English translation mine). It is  arguable whether the &lt;i&gt;majoor&lt;/i&gt; was more a good Christian or a  good Minahasan, or both. This story is an example of a Minahasan who  embraced a Christian identity, or the other way around, a Christian  who embraced Minahasan identity.   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;32&amp;nbsp;Schouten,  &lt;i&gt;Leadership and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  107.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;33&amp;nbsp;“Peran  Politisi Minahasa Dalam Gerakan Politik Nasionalisme 1930-an” in  &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;matulanda.wordpress.com&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;,&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt; &lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;September 22, 2011,  http://matulanda.wordpress.com/2011/09/22/peran-politisi-minahasa-dalam-gerakan-politik-nasionalisme-1930an-oleh-harry-kawilarang/  (accessed May 3, 2013). &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/1801206150910587805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/1801206150910587805?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1801206150910587805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/1801206150910587805'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-five_12.html' title='CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-7191262301166213082</id><published>2013-09-12T19:16:00.000-07:00</published><updated>2013-09-16T13:20:40.078-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christianity and Colonialism"/><category scheme="http://www.blogger.com/atom/ns#" term="Christianity in Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%; orphans: 2; widows: 2;&quot;&gt;“There is probably no other region in Indonesia where so many people emphasise the close relationship between local or ethnic identity and Christianity,” write Christiaan de Jonge, Arnold Parengkuan, and Karel Steenbrink. They subsequently state: “This was the result of drastic changes in social, economic, and religious life during the period of the first inland missionary activities by the German NZG workers, J. G. Schwarz and J. F. Riedel.”&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%; orphans: 2; widows: 2;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt; &lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%; orphans: 2; widows: 2;&quot;&gt;While their conclusion is within the perimeter, this chapter shows that there is more to this relationship than just the NZG mission work. This chapter delineates the chronology of Minahasa’s encounter with Christianity in the context of colonialism and in the emergence of a new independent nation-state, Indonesia. We begin by following the time of enmity in the archipelago to the time of religious tolerance in Minahasa.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;5.1. The Period of the Spanish and Portuguese (1568-1666)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt; In April of 1511, the Portuguese led by Afonso de Albuquerque invaded Malacca in Southeast Asia. About six months later, he dispatched an expedition to explore the Moluccas, the source of spices traded in Malacca.&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt; Only a decade later (1521), King Manuel of Portugal sent an expedition to build a fortress in the Moluccas.&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt; They were welcomed in Ternate, and this became the center for Portugal’s economic and political activities, as well as a Catholic mission post, despite the fact that its king and many of its inhabitants had embraced Islam.&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt; &lt;/sup&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Francis Xavier arrived in the Moluccas in 1546 and worked for about one year and a half.&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt; Some have suggested that Xavier preached at Kema, a port village on the northeastern coast of Minahasa, as well as at Manado. However, A. J. Van Aernsbergen points out that these references are more likely an attribution to his legendary pioneering mission effort, which was carried on by his successors.&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In 1552, Fr. Juan de Beira wrote from Halmahera in the Moluccas: “We received relentlessly envoys: they want to embrace the faith of Christ…There are those who inhabited a remote region, divided into four kingdoms that speak the same language: good climate, fertile soil, not Muslims.”&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt; Aernsbergen suggests that the “four kingdoms” might have been the four &lt;i&gt;“stammen”&lt;/i&gt; (tribes) of Minahasa.&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt; The region was considered part of the kingdom of Manado, although as Ds. Montanus wrote in 1674, the kings of Manado never had any hold of the people in the interior.&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In 1563, Sultan Hairun engineered a plan to attack North Sulawesi. The plot came to the attention of the Society of Jesus in Ternate, and the Portuguese sailed to Manado.&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt; On board with the Portuguese fleet was Fr. Diego de Megalhaes, who then baptized the king of Manado together with 1500 of his people.&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;  &lt;/sup&gt;On this expedition de Megalhaes went on to Bolaang, ruled by the son of the king of Manado, where he was welcomed, but he hastily sailed to Toli-toli. From there he sailed back through Kaidipan, where he baptized 2000 adults, and stayed awhile in Manado to give instruction to the new converts.&lt;sup&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In 1568, Fr. Pero Mascarenhas also visited Manado, along with Siau and the surrounding islands, Kaidipan and Bolaang-Mongondow. Thousands asked for baptism, but he only accepted a few head villages, focusing more on religious instruction for those who had been baptized earlier. He promised to send another worker that would be able to stay and give instruction to the people.&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt; According to Molsbergen, mentioned in Fr. Mascarenhas&#39; letter written on March 1569 in Ternate, the “&lt;i&gt;Minahassa-bewoners&lt;/i&gt;” (Minahasan people) asked for the missionaries to come.&lt;sup&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/sup&gt; This attempt could  have been an effort to maintain independence from Ternate.&lt;sup&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/sup&gt; Supit, on the other hand, writes that when Fr. Megalhaes was in Manado, people from “southern Minahasa” came asking to be baptized, but this was not granted.&lt;sup&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/sup&gt; He does not speak about Fr. Mascarenhas’ visitation. He suggests that this movement on the part of Malesung to ask for baptism was propelled by the Spaniards’ cruelty in the interior.&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt; In contrast to the &lt;i&gt;Tasikela&lt;/i&gt; (designation for the Spaniards), the Portuguese were perceived as well-disposed in their interaction with the natives;&lt;sup&gt; &lt;/sup&gt;hence the highlanders, especially in this case from the south, sought to be Christians through Portuguese missionaries, which would mean also becoming friends with Portugal. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Nonetheless, only two years after Fr. Mascarenhas’ visitation in Manado, Sultan Hairun was murdered in the Portuguese fort in Ternate (1570), triggering the 36 year war led by Baabullah, the successor of the Sultan. Portuguese power in the Moluccas wilted at a fast pace so much so that in 1575 they had to evacuate from their fort in Ternate.&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt; During this period, mission work in North Sulawesi suffered tremendously, more still after Baabullah conquered the kingdom of Manado in 1580.&lt;sup&gt;&lt;sup&gt;19&lt;/sup&gt;&lt;/sup&gt; This same year, Portugal came under the Spanish crown.&lt;sup&gt;&lt;sup&gt;20&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The Spaniards maintained their presence in North Sulawesi and even intensified it following the establishment of a fort in Cebu, the Philippines (1565), and Manila’s capture (1571).&lt;sup&gt;&lt;sup&gt;21&lt;/sup&gt;&lt;/sup&gt;&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;Going after the rice in this area to support their interests in the Philippines and the Moluccas, the Spaniards ventured into the interior, spreading calamity among the people. Taulu provides some accounts of how the Spanish soldiers treated the Minahasans. They imposed rice taxation, harassed the women, and killed the elderly. Those who stood against their tyranny were killed. A&lt;i&gt; &lt;/i&gt;head of the &lt;i&gt;walak &lt;/i&gt;(&lt;i&gt;ukung wangko&#39;&lt;/i&gt;) by name Mononimbar in Tondano, one who refused to obey the taxation and banned religious activities by the Spanish in his region, was treacherously killed by Don Pedro Alkasas, a &lt;i&gt;fetor &lt;/i&gt;(Spanish official) in Manado.&lt;sup&gt;&lt;sup&gt;22&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Subsequent to the unification of the two Iberian kingdoms, Spain took measures to help Portugal against Ternate. In 1606 their reinforcements eventually arrived in the Moluccas to fight Ternate, which had itself allied with a newcomer in Nusantara: the &lt;em class=&quot;western&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;V. O. C&lt;/span&gt;&lt;/em&gt;. The fortune was still with Spain. Ternate was defeated, and its sultan was exiled to Manila, the Philippines. Spain then established alliances with different kingdoms in North Sulawesi who were fighting against Ternate, including the kingdom of Manado, whose king requested missionaries to come in 1617.&lt;sup&gt;&lt;sup&gt;23&lt;/sup&gt;&lt;/sup&gt; In response, Lucas de Vergara Gaviria, Governor of Ternate, sent Fr. Joannes Baptista Scialamonte and Cosmas Pinto to Manado. Both were received with great joy by the king and his people.&lt;sup&gt;&lt;sup&gt;24&lt;/sup&gt;&lt;/sup&gt; They baptized the king and, with his help, erected a church with a consistory (house for the priests). They also established the first Christian school in the northern peninsula; there also a Spanish fort was built.&lt;sup&gt;&lt;sup&gt;25&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Fr. Scialamonte reported that the earlier work of Fr. Mascarenhas had survived in Manado,&lt;sup&gt;&lt;sup&gt;26&lt;/sup&gt;&lt;/sup&gt; and that there were also native inhabitants living outside of it “with whom our work, with God’s help, will be prosperous, because the tribe is so numerous and spread over different villages, while the majority lived at the shore of a lake.”&lt;sup&gt;&lt;sup&gt;27&lt;/sup&gt;&lt;/sup&gt; In his travels to this area, which appears to be Tondano, Fr. Scialamonte was welcomed with a celebration, a big cross was erected at one village and the inhabitants of another village requested the same and openly promised to become Christians.&lt;sup&gt;&lt;sup&gt;28&lt;/sup&gt;&lt;/sup&gt; This all soon turned into wishful thinking, however, as Pinto became very ill and had to be transported back to Ternate. Fr. Scialamonte followed suit and died soon after. &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Aernsbergen points out that during this time, Manado received special attention from the Catholic Church. As he writes, when sickness or death took away the missionaries, they were soon replaced by others.&lt;sup&gt;&lt;sup&gt;29&lt;/sup&gt;&lt;/sup&gt; In 1620, Fr. A. Simi (or Simus) came to Manado with a number of Minahasans who had received religious education at a seminary in Ternate.&lt;sup&gt;&lt;sup&gt;30&lt;/sup&gt;&lt;/sup&gt; A year before, Fr. Blas Palomino and Fr. Diego de Rojas, both from the Franciscan order, arrived in this area.&lt;sup&gt;&lt;sup&gt;31&lt;/sup&gt;&lt;/sup&gt; Fr. Palomino made an effort to reach farther into the interior. Accompanied by Wongkar, chief of Kali, and several Spanish soldiers, he went to Kakaskasen, Tomohon, Sarongsong, Tombariri, Tondano, and Kema.&lt;sup&gt;&lt;sup&gt;32&lt;/sup&gt;&lt;/sup&gt; However, he was not well received in the region. Even in Tondano, where according to Fr. Scialamonte, people had initially expressed their intention to become Christians. In his report, dated June 8, 1619, where he tended to disparage the Minahasans, Fr. Palomino suggested that the best way to “christianize” the people was to subdue and govern them under the law and government.&lt;sup&gt;&lt;sup&gt;33&lt;/sup&gt;&lt;/sup&gt; His &lt;i&gt;conquistador&lt;/i&gt; mentality perhaps was a hindrance for him. In his conversation with the leaders in Tondano, he was told that in case the Tondano were willing to be Christian, the priests should not interfere or ban the rituals and responsibilities according to their ethnic religion. This same concern was expressed in Kali.&lt;sup&gt;&lt;sup&gt;34&lt;/sup&gt;&lt;/sup&gt; To this he responds that he will not force anybody to become Christian or interfere with them;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; those who by their own accord were willing to become Christians, must be taught first about Christianity and then be baptized.&lt;/span&gt;&lt;sup&gt;&lt;sup&gt;35&lt;/sup&gt;&lt;/sup&gt; According to Fr. Petrus, who gave the account of Fr. Palomino&#39;s martyrdom, in 1622, on the way to Ternate from Makassar, the ship Fr. Palomino boarded was carried away, due to heavy winds, to an island. Fr. Petrus identified the island as Manado (Tua). At a visitation with a number of people at the beach, reportedly from villages 14 miles away from Manado (Wenang), Fr.. Palomino was murdered.&lt;sup&gt;&lt;sup&gt;36&lt;/sup&gt;&lt;/sup&gt; Meanwhile, in 1624, Fr. de Rojas died and was buried with “great veneration at the city square.”&lt;sup&gt;&lt;sup&gt;37&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The unstable political situation that led to the conquest of Manado by Makassar in 1634 must have brought Catholic mission to a halt.&lt;sup&gt;&lt;sup&gt;38&lt;/sup&gt;&lt;/sup&gt; The mission work was restored in 1640 when Fr. Juan Yranzo, who reportedly was able to baptize 4000 people, settled in the interior (Tomohon).&lt;sup&gt;&lt;sup&gt;39&lt;/sup&gt;&lt;/sup&gt; He was joined by Fr. Lorenzo Garralda, who continued the post at Kali, Tombulu.&lt;sup&gt;&lt;sup&gt;40&lt;/sup&gt;&lt;/sup&gt; This growing mission work in the interior was abruptly interrupted after Spain appointed a king for Malesung. &lt;i&gt;Ukung&lt;/i&gt; &lt;i&gt;wangko&#39;&lt;/i&gt; Lumi of Toumu&#39;ung (today Tomohon) rejected this violation of the custom, who in turn was slapped by a Spanish soldier. Such humiliation was not accepted by his family, who then mobilized what Fr. Yranzo called “the three provinces” (Tombulu, Tondano, and Tonsea).&lt;sup&gt;&lt;sup&gt;41&lt;/sup&gt;&lt;/sup&gt; In August 10, 1643, Malesung stood up against the Spaniards.&lt;sup&gt;&lt;sup&gt;42&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; The people also turned against the Catholic missionaries, accusing them of invoking the anger of &lt;i&gt;opo&#39;-opo&#39; &lt;/i&gt;(ancestors) and bringing calamity among them. Fr. Lorenzo Garralda was said to have been wounded badly by a spear and was sacrificed in the ritual of &lt;i&gt;r&lt;/i&gt;&lt;i&gt;umaghes&lt;/i&gt;, in which those who participated ate a slice of his flesh.&lt;sup&gt;&lt;sup&gt;43&lt;/sup&gt;&lt;/sup&gt; As the story goes, these people later became the first among their kindred to become followers of Christ.&lt;sup&gt; &lt;/sup&gt; Fr. Juan Yranzo was taken into a hiding place for about eight months and cared for by native friends, until he left for Manila.&lt;sup&gt;&lt;sup&gt;44&lt;/sup&gt;&lt;/sup&gt;   &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In 1651, the Spaniards appeared again in Malesung. Knowing that the V. O. C. had gained a foothold in Ternate, Minahasa sent envoys to propose an alliance in 1654.&lt;sup&gt;&lt;sup&gt;45&lt;/sup&gt;&lt;/sup&gt; It was a Dutch Governor in Ternate, Simon Cos, who eventually made the move and built a wood fortress at Manado called &lt;i&gt;De Nederlandsche Vastigheid &lt;/i&gt;or The Netherlands Certainty (1657). Three years later, Spain left Malesung&lt;sup&gt;&lt;sup&gt;46&lt;/sup&gt;&lt;/sup&gt; yet the Catholic mission continued with the arrival of Fr. Buenventura in Manado (1656) and Fr. Francisco Midas in Tondano (1666). Nonetheless, this latter year marked the building of the stone fort, the Amsterdam, as well as the banning of the Catholic mission in Minahasa.&lt;sup&gt;&lt;sup&gt;47&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; During the Malesung-Spain War, Taulu points out that Spain brought in mercenaries from the Philippines: the islands of Pampango, Luzon, etc.&lt;sup&gt;&lt;sup&gt;48&lt;/sup&gt;&lt;/sup&gt; The victory of Malesung was also gained with the help of these mercenaries who eventually took the side of the people they perceived to be oppressed. Taulu adds that many of their descendants today live intermingled in Minahasa and become true Minahasans.&lt;sup&gt;&lt;sup&gt;49&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;“How  Christianity Obtained A Central Position in Minahasa Culture and  Society” in &lt;/span&gt;&lt;i&gt;History  of Christianity in Indonesia&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  ed. Jan S. Aritonang and Karel Steenbrink (Leiden: Brill, 2008),  419. &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;F.  C. Danvers, &lt;i&gt;The Portuguese in India: Being a History of the Rise  and Decline of Their Eastern Empire &lt;/i&gt;Vol. I (A.D. 1481-1571)  (London: W.H. Allen &amp;amp; Co, 1894), 234. Watuseke notes that three  times the Portuguese sailed to the archipelago before they built a  fortress in Ternate: 1511, 1512, and 1519 (&lt;i&gt;Sejarah Minahasa&lt;/i&gt;,  17).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Danvers,  &lt;i&gt;The Portuguese in India&lt;/i&gt;, 350.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;End,  &lt;i&gt;Ragi Carita&lt;/i&gt;, 52; Jan S. Aritonang provides an important  background on the relationship between Islam and Christianity during  this period, especially with regards to the series of wars during  the Crusade Era that caused enmity towards Islam and confrontation  towards Christianity. He also notes that “even though Indonesian  Christians and Muslims did not participate [in those wars], the  consequences, including the mentality, resulting from those wars  were present in Indonesia, even to this time” (“Sejarah  Perjumpaan Gereja dan Islam di Indonesia” in &lt;i&gt;Agama dalam  dialog: pencerahan, pendamaian, dan masa depan; punjung tulis 60  tahun Prof. Dr. Olaf Herbert Schumann&lt;/i&gt; [Jakarta: BPK Gunung  Mulia, 1999], 180-182 [translation mine]).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;This  was a time marked by a wide acceptance of the Christian faith among  the natives, whether royal or commoner, despite the unchristian  practices of his own countrymen&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;(End&lt;i&gt;,  Ragi Carita&lt;/i&gt;, 44).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;A.  J. Van Aernsbergen, ”Uit en Over the Minahasa: De Katolieke Kerk  en Hare Missie in de Minahasa,” &lt;i&gt;Bijdragen tot de Taal-, Land-  en Volkenkunde&lt;/i&gt; Vol 81, No 1 (1925):8-10,  http://www.kitlv-journals.nl/index.php/btlv/article/view/7268/8035  (accessed September 11, 2012).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;&lt;i&gt;Epistolae  Indicae&lt;/i&gt;, Leuven,  1556:173-174 as quoted in Aernsbergen, &lt;i&gt;Uit en Over the Minahasa&lt;/i&gt;,  9-10&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; (translation mine). &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Aernsbergen,  &lt;i&gt;Uit en Over the Minahasa&lt;/i&gt;, 8-10.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;J.  Montanus, 1674 as quoted by Supit, &lt;i&gt;Minahasa&lt;/i&gt;, 70-71.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;Today  the island is called Manado Tua (Old Manado).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;Adolf  Heuken SJ, “Catholic Converts in the Moluccas, Minahasa, and  Sangihe-Talaud, 1512-1680” in &lt;i&gt;History of Christianity in  Indonesia&lt;/i&gt;, 62; Watuseke, &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 17; Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 78-80).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;Fr.  Megalhaes still visited Manado several times from Ternate (Heuken,  “Catholic Converts in the Moluccas, Minahasa, and Sangihe-Talaud,  1512-1680” in &lt;i&gt;History of Christianity in Indonesia&lt;/i&gt;, 62).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Heuken,  “Catholic Converts in the  Moluccas, Minahasa, and Sangihe-Talaud, 1512-1680” in  &lt;i&gt;History of Christianity in Indonesia&lt;/i&gt;, 62.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;14&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Molsbergen,  &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Geschiedenis van de Minahassa tot 1829&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;, 9-10.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;Aernsbergen,  &lt;i&gt;Uit en Over the Minahasa&lt;/i&gt;, 12-13; Donald F. Lach, &lt;i&gt;Asia in  the Making of Europe Book 2&lt;/i&gt; (Chicago [u.a.]: The Univ. of  Chicago Press, 1994), 619.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 81.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 80.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Heuken,  “Catholic Converts in the  Moluccas, Minahasa, and Sangihe-Talaud, 1512-1680” in  &lt;i&gt;History of Christianity in Indonesia&lt;/i&gt;, 30.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 18.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;20&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 81.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;21&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 81; Taulu, &lt;i&gt;Langkah Sedjarah Malesung-Minahasa&lt;/i&gt;,&lt;i&gt;  djilid II &lt;/i&gt;(Manado: Badan Budaja  Jajasan Membangun, 1971), 11.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;22&amp;nbsp;H.  M. Taulu, &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt; [Manado:  Jajasan Membangun, 1966], 13-17).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;23&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Watuseke,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sejarah  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, 19. &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;24&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Based  on a letter sent by Fr. Scialamonte to the Provincial (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;De  Jaarbrief van Malabar ddo. &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;December  1, 1619) as quoted in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Uit en Over the  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  19-20). &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;25&amp;nbsp;At  this time, the kingdom of Manado had moved its base from the Manado  Island to the northern bay of North Sulawesi mainland, at the  estuary of the Tondano River, known then as Monango Labo. This place  acquired the group identification, Manado (probably from Maadon, see  Supit, &lt;i&gt;Minahasa&lt;/i&gt;, 70-77), which in turn made the Manado Island  become Manado Tua (Old Manado).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;26&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;In  his letter Fr. Scialamonte wrote about two elderly people, one with  Mascarenhas as his nick name, and the other who knew the Catechism.  It made him aware that they had received baptism; this is in  contrast to Heuken, who writes that “the Christians baptised by  Fr. Magelhaes in the 1560s had...become pagan again or turned  Muslim” (“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Catholic  Converts in the Moluccas, Minahasa, and Sangihe-Talaud, 1512-1680&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;”  in &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;History of  Christianity in Indonesia&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  63). &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div id=&quot;sdfootnote27&quot;&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;27&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Uit en Over the  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, 19-20  (translation mine); Supit, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  82-83.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div id=&quot;sdfootnote28&quot;&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;28&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Uit en Over the  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  19-20; Supit, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  83; Taulu, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  7.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;29&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Uit en Over the Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  22-23.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;30&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Aernsbergen,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Uit en Over the Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  23; Watuseke, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sejarah Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  19. &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;31&amp;nbsp;The  Franciscans called the major city where the king of Manado resided  as “Banta” (Félix de Huerta,&lt;i&gt;Estado geográfico,  topográfico, …&lt;/i&gt; [Binondo: Imprenta de M. Sanchez y Ca, 1865],  683); Kali (Cale) is a Tombulu village about 10 km from the shore of  Manado.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;32&amp;nbsp;The  name of the places in Spanish record are Manados, Cale, Cascasen,  Tomun, Saransong, Tombariri, Tandano, and Quemas (Huerta, &lt;i&gt;Estado  geográfico, topográfico…&lt;/i&gt; , 387); Wenas, &lt;i&gt;Sejarah dan  Kebudayaan Minahasa&lt;/i&gt;, 43.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;33&amp;nbsp;&lt;i&gt;Verslag  rapport&lt;/i&gt; Fr. Blas Palomino, written in Manado, June 8, 1916  translated in Taulu, &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;,  39-49.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;34&amp;nbsp;&lt;i&gt;Verslag  rapport&lt;/i&gt; Fr. Blas Palomino, written in Manado, June 8, 1916  translated in Taulu, &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;,  43-44, 48-49.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;35&amp;nbsp;&lt;i&gt;Verslag  rapport&lt;/i&gt; Fr. Blas Palomino, written in Manado, June 8, 1916  translated in Taulu, &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;,  39-49.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;36&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Fr.  Palomino was planning to stay with them and find his way back to  Manado (Report of Fr. Petrus of the Order of the Immaculate  Conception, &lt;/span&gt;&lt;i&gt;Hidup  dan Mati Sjahidnya Abdi Tuhan yang Patut Dihargai: Pater Blas  Palomino, O.F.M. Misionaris di Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  written in Madrid July 2, 1627 translated in Taulu, &lt;/span&gt;&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  50-53).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;37&amp;nbsp;Huerta,  &lt;i&gt;Estado geográfico, topográfico&lt;/i&gt;…, 683.    &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;38&amp;nbsp;Watuseke  writes that Makassar took over Manado, Gorontalo, and Tomini  (&lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 20).   &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;39&amp;nbsp;Huerta,  &lt;i&gt;Estado geográfico, topográfico&lt;/i&gt;…, 683-684.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;40&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 43. &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;41&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Taulu,  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  23.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;42&amp;nbsp;Based  on the report written by Fr. Juan Yranzo, as translated in Taulu,  &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;, 19; Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 86;&lt;i&gt;  &lt;/i&gt;Huerta gives the date of 1644 (&lt;i&gt;Estado geográfico,  topográfico&lt;/i&gt;…, 683-684).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;43&amp;nbsp;Wenas,  &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 45; &lt;i&gt;Rumaghes&lt;/i&gt; is a  &lt;i&gt;posan&lt;/i&gt; in Minahasan ethnic religion that involves the giving  of sacrifice such as food, drink, and betel nut (Ferry Koagow, “Poso  dalam Kehidupan,” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan,&lt;/i&gt;  333).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;44&amp;nbsp;Taulu,  &lt;i&gt;Sebingkah Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;, 2&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;4.  During this time, Fr. Yranzo carved some images on the cliff where  he was hiding concerning the war. The site is called today &lt;/span&gt;&lt;i&gt;Watu  Pinatik&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; (Written  Stone). &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div id=&quot;sdfootnote45&quot;&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;45&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;This  was the second effort to propose an alliance with the Dutch.  In  1644 Malesung also sent an envoy to the Dutch in Ternate &lt;/span&gt;(Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 20-21&lt;span style=&quot;color: black;&quot;&gt;);  Taulu, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  62-63.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;46&amp;nbsp;Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 21-22.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;47&amp;nbsp;M.  H. M. Muskens, &lt;i&gt;Sejarah Gereja Katolik di Indonesia&lt;/i&gt; Jilid 1  (Jakarta: Penerangan Kantor Wali Gereja Indonesia, 1974), 295 as  quoted in Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 123; Along  the same line, Heuken, “Catholic  Converts in the Moluccas, Minahasa, and Sangihe-Talaud, 1512-1680”  &lt;span style=&quot;color: black;&quot;&gt;in  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;History  of Christianity in Indonesia&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  &lt;/span&gt; 62.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;48&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;, 63.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;49&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Sebingkah  Sedjarah Perang Minahasa-Spanyol&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, 63-64.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/7191262301166213082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/7191262301166213082?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/7191262301166213082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/7191262301166213082'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-five.html' title='CHAPTER FIVE: CHRISTIANITY IN MINAHASA: FROM THE ERA OF COLONIALISM TO INDEPENDENCE'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-96621339534723744</id><published>2013-09-12T18:57:00.000-07:00</published><updated>2013-09-16T10:05:01.643-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ethnic Identity"/><category scheme="http://www.blogger.com/atom/ns#" term="Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><category scheme="http://www.blogger.com/atom/ns#" term="Toar and Lumimuut"/><title type='text'>CHAPTER FOUR: MINAHASA TRADITIONS AND ETHNIC IDENTITY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;b style=&quot;line-height: 200%;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
&lt;b style=&quot;line-height: 200%;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;4.2. Toar and
Lumimuut and Minahasan Traditional Society&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; If there is
anything in the history of Minahasa that deserves the title of a
meta-narrative, it will be the story of Toar and Lumimuut. Most of
the time, if not always, when Minahasans give the account of their
history or who they are, Toar and Lumimuut will be mentioned. This
story permeates the entirety of collective consciousness. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In some instances
this grand story has been dubbed as a myth; hence Toar and Lumimuut
has been regarded as the “myth of origin” of the Minahasans. This
notion, however, has a deep flaw. The wide range of meaning for the
Greek &lt;i&gt;mythos&lt;/i&gt;&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
has confused notions of narrative, tale, and fiction, and in part led
only into the practice of mythologizing, which in my estimation
treads dangerously into Said’s “Orientalism.” Mythologizing
means the myth-making of the Orient&#39;s story(-ies), resulting in the
depiction of the Orient as “promiscuous, superstitious, and less
capable of rational thought,” in contrast to the “rational,
scientific, moral, and universal view of modernism.”&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;
 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In Minahasa, this
mythologizing proved to be harmful. The story of Toar and Lumimuut,
which in origin is a sacred story sung in the ritual of &lt;i&gt;Mangorai&lt;/i&gt;,&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;
contains a wealth of information about Minahasan history, philosophy,
religion, astronomical knowledge, language, math, poetry, music,
medicine, collective consciousness, and, in general, our
meta-narrative. When the story was taught in schools to the children
of Minahasa since the 19&lt;sup&gt;th&lt;/sup&gt; century however, somehow it
became an incestuous story of a mother marrying a son, a despicable
notion to the mores of the people.&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The story of Toar
and Lumimuut has circulated in many different versions, but the
general theme (as it has been taken at face value by many Minahasans
for the sake of embracing their identity as Minahasans), Lumimuut,
the mother, becomes the wife of her son, Toar, with the blessing of
Karema, the priestess. (The Bantik&#39;s version of this story, however,
is an exception). The story, however, as J. A. T. Schwarz
demonstrates (see below), was not to be understood literally as
such.&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
But the fact that it was widely regarded as so is related to colonial
interests in Minahasa. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Supit asserts the
story (mythologized, as the two versions he presents)&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;
was utilized by the Dutch “as an instrument to exert colonialism in
Minahasa” by way of “subverting the election system of the &lt;i&gt;walak&lt;/i&gt;
leader, especially after 1881.”&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;
The colonial government made a rule that “[a]s long as a person is
a descendant of Toar and Lumimuut, that person may be elected as
&lt;i&gt;ukung&lt;/i&gt; and placed in any &lt;i&gt;walak&lt;/i&gt;, and not necessarily
one&#39;s own &lt;i&gt;walak&lt;/i&gt;.”&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt;
 In effect, not only did the colonial government create “undercover
feudalism” and ruin the democratic system of leadership, but it
also gained the upper hand by making puppet leaders to serve their
colonial interests.&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; To understand the
story right, there is a need to understand oral tradition in
Minahasa. While there are no formal categorizations, Minahasan
narratives are distinguishable based on their function and style.
Here, in order to avoid confusion with the word “myth,” let us
reserve it to mean “tale,” “fiction,” or a sort of Aesop&#39;s
fable.&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt;
Its equivalence in Minahasan oral tradition is &lt;i&gt;neumanen &lt;/i&gt;(a
bed-time story with animal and human characters to convey moral
teaching), such as &lt;i&gt;si wo&#39;u wo si woley &lt;/i&gt;(the turtle and the
monkey). Another example of a Minahasan narrative is the Tondano War
of 1807-1809, which is a narrative of history (oral history); there
are others, but then there is also sacred narrative, that is &lt;i&gt;teto&#39;uan
makatana&#39; &lt;/i&gt;(lit., knowledge of the owner of the land or
indigenous), known especially to the &lt;i&gt;walian &lt;/i&gt;(priest/priestess),
and an example is the sung-story of &lt;i&gt;Zazanian ni Karema &lt;/i&gt;(the
Song of Karema) from which the story of Toar and Lumimuut originated.
This one particularly is the meta-narrative of Minahasans. Jessy
Wenas, Minahasan cultural expert and music composer, writes
extensively about the history of Minahasa in his book &lt;i&gt;Sejarah dan
Kebudayaan Minahasa&lt;/i&gt; (History and Culture of Minahasa). He also
provides, quoting J. G. F. Riedel, the lyrics of the Song
of Karema in Tombulu. (See the sung-story in the appendix.)
The &lt;i&gt;walian&lt;/i&gt; (priests/priestesses) would sing this song with a
gong.&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; There are five
aspects that I&#39;d like to discuss in relation to the Song
of Karema:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.2.1. Astronomical
Knowledge 
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Astronomy
is considered among the highest knowledge in a traditional society,
as Wenas points out.&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
It is a way of explaining the natural phenomena that intersect with
the life of human beings. J. A. T. Schwarz was the first one who put
into writing the symbolic meaning of the Song of Karema. Analyzing
different versions of this story from different sources among the
Tontemboan, he points out that the story expresses the astronomical
knowledge of the Minahasans.&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;The word Toar is connected to the sun. Some have
mentioned that it comes from &lt;i&gt;tou arii&lt;/i&gt; (main pillar of the
house) or &lt;i&gt;tu&#39;ur&lt;/i&gt; (trunk of a tree), but the better explanation
is to see it as a combination of the word &lt;i&gt;tou &lt;/i&gt;and &lt;i&gt;ra&#39;ar&lt;/i&gt;.
 &lt;i&gt;Tou&lt;/i&gt; has a different meaning: (1) as a noun “person” (in
plural means “people”); (2) as a verb “grow” or “to make
alive” and (3) as an adverb “like” or “similar to.” The
word &lt;i&gt;ra&#39;ar&lt;/i&gt; means “solar heat” or “sunny.”&lt;sup&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/sup&gt;
Hence
Toar may be interpreted as “person of the sun” or “similar to
the sun,” which is then why the Tontemboan sang when they were
making salt (&lt;i&gt;mangasin&lt;/i&gt;)
at the shore: &lt;i&gt;&quot;Rumuso
wo rumangkang, e Toar!&quot; &lt;/i&gt;(“Make
our salt hard and ample, e To&#39;ar!”)&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
Schwarz writes that t&lt;span lang=&quot;en&quot;&gt;he
salt-makers need dry weather so they speak to Toar as to the giver of
sunshine, that is the sun.&lt;/span&gt;&lt;sup&gt;&lt;span lang=&quot;en&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Lumimuut comes from
the word &lt;i&gt;lu&#39;ut&lt;/i&gt; (perspire). The meaning is the earth that
perspires. The perspired earth is connected to the appearance of the
dew in the morning.&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt;
The Tontemboan revered Lumimuut as the great ancestor who gives
fertility to the soil and regarded her as &lt;i&gt;si apo&#39; nimema&#39; in
tana&lt;/i&gt;&lt;i&gt;&#39;&lt;/i&gt;&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt;
because, as in the Song of Karema, the soil she had with her became
the land. Limumu&#39;ut is associated with the land of Minahasa. And here
is the cleverness of the Song of Karema. In the morning, Toar, which
is the sun, raises in the east out of the earth. Hence symbolically,
Lumimuut gives birth to Toar. In the evening, the sun (Toar) sets in
and is perceived to penetrate the earth, hence Toar becomes the
husband of Lumimuut. Schwarz writes this in Tontemboan, &lt;i&gt;si endo
makesot a mitjona mauntep a makona&lt;/i&gt;
(the sun raises in the east and sets in the west).&lt;sup&gt;&lt;sup&gt;19&lt;/sup&gt;&lt;/sup&gt;
At night the sky is embellished by the stars; they are the children
of Toar and Lumimuut, the people of Minahasa.&lt;sup&gt;&lt;sup&gt;20&lt;/sup&gt;&lt;/sup&gt;
This is why the constellations of the stars, which mark the planting
and harvesting systems, are also used to symbolize the Minahasan form
of political organization, which will be explained shortly.   
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Lumimuut&#39;s mother
is Wengi (evening) and her father is Kawengian (the darkness of the
night or dark moon). In the story, Lumimuut is impregnated by the
wind called Awahat (from &lt;i&gt;wa&#39;at &lt;/i&gt;“west”).&lt;sup&gt;&lt;sup&gt;21&lt;/sup&gt;&lt;/sup&gt;
It is the west wind that brings the heavy cloud of rain in the rainy
season. Karema bears the symbol of the office of the priest in
Minahasan ethnic religion. As Wenas explains, the word comes from
&lt;i&gt;karerema&#39;&lt;/i&gt; (star); hence it may signify all the stars or a
particular star, like &lt;i&gt;Kaendoan&lt;/i&gt;, the morning star or Venus.&lt;sup&gt;&lt;sup&gt;22&lt;/sup&gt;&lt;/sup&gt;
&lt;i&gt;Kaendoan&lt;/i&gt; (Venus) is still observable when the sun is already
high in the morning. And in the evening, when the western horizon is
still bright, this star will appear. Figuratively, Karema witnesses
when Toar (the sun) was born out of Lumimuut (earth) in the morning,
and when Toar becomes the husband of Lumimuut in the evening.&lt;sup&gt;&lt;sup&gt;23&lt;/sup&gt;&lt;/sup&gt;
Karema also has a brother named Lumambot (long), perhaps related to
the so-called “star with a long tail” or comet.&lt;sup&gt;&lt;sup&gt;24&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Minahasan
traditional knowledge recognizes different celestial bodies that
inform the year-round life cycle. &lt;/span&gt;This astronomical knowledge
is particularly mastered by a person called &lt;i&gt;tona&#39;as pengumaan&lt;/i&gt;,
which is loosely defined as the agricultural expert responsible for
designating the season of planting certain crops, the rice
harvesting, fishing season, and the season of certain diseases.&lt;sup&gt;&lt;sup&gt;25&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; An important note
here is that &lt;i&gt;tou Minahasa &lt;/i&gt;(people of Minahasa) cannot be other
than the children of Toar and Lumimuut, but this is different from
the way this story has been misunderstood and misused. The story has
to be understood in the way the ancestors understood the story, that
it is the sun and the earth of Minahasa that symbolically gave birth
to the children of Minahasa, and therefore they have the right to
live on this land, to tend and cultivate it (&lt;i&gt;apar&lt;/i&gt;), to take
care of it generation after generation. This is not a myth as defined
above, but a meta-narrative. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.2.2. Political
Organization&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The Minahasan
traditional society was divided into three categories. As it is
symbolized in the Song of Karema, the offspring of Toar and Lumimuut
are:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;1) &lt;i&gt;Makarua Siouw
&lt;/i&gt;(the Two Times Nine), the children; 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;2) &lt;i&gt;Makatelu Pitu&lt;/i&gt;
(the Three Times Seven), the grandchildren; and 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;3) &lt;i&gt;Pasiouwan Telu&lt;/i&gt;
(the Nine-three), the people.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;The three names are
connected to the appearances of the stars in the sky. The Nine-three
may be the Nine stars group which is divided into 3-3-3. The three
brightest stars in this group are called &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Kateluan&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;. This
constellation is referred to as &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;Laker,&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; meaning “many.”&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;sup&gt;26&lt;/sup&gt;&lt;/sup&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The &lt;i&gt;Makarua
Siouw&lt;/i&gt; are the 18 names of the ancestors who were the first to
leave the hills of Wulur Mahatus, the first dwelling place of the
early Minahasans. Wenas, quoting J. G. F. Riedel, lists their names
as follows: Mande[y], Pinontoan, Rumengan, Manarangsang, Kumiwel,
Lololing, Makaliwey, Mangalu&#39;un, Manambeka, Manambe&#39;ang, Manawa&#39;ang,
Manalea, Totokai, Tingkulendeng, Soputan, Makawalang, Winowatan,
Kumambong.&lt;sup&gt;&lt;sup&gt;27&lt;/sup&gt;&lt;/sup&gt;
The &lt;i&gt;Makarua Siouw&lt;/i&gt; is also associated with the office of &lt;i&gt;walian
&lt;/i&gt;(priest/priestess). The term &lt;i&gt;walian &lt;/i&gt;comes from &lt;i&gt;wali
&lt;/i&gt;which means to escort in the sense of the hen escorting and
protecting its chicks.&lt;sup&gt;&lt;sup&gt;28&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt; &lt;/sup&gt;The
&lt;i&gt;Makatelu Pitu&lt;/i&gt; are the 21 names of the ancestors when the
people had spread throughout Minahasa: Rumoyong Porong, Tumewang,
Rimumbu&#39;uk, Siouw Kurur, Roring Se&#39;epang, Pangerapan, Pontoh
Mandolang, Talumangkun, Sumendap, Makarawung, Repi, Pangimbatan,
Muntu-untu, Marinoya, Pana&#39;aran, Tamantular, Mio-ioh, Mainalo,
Mamarimbing, Makara&#39;u, Tumila&#39;ar.&lt;sup&gt;&lt;sup&gt;29&lt;/sup&gt;&lt;/sup&gt;
The &lt;i&gt;Makatelu Pitu &lt;/i&gt;is also used to represent the office of
&lt;i&gt;tona&#39;as &lt;/i&gt;(from &lt;i&gt;ta&#39;as &lt;/i&gt;“tough,” “hard”),&lt;sup&gt;&lt;sup&gt;30&lt;/sup&gt;&lt;/sup&gt;&lt;i&gt;
&lt;/i&gt;that is the skillful, knowledgeable persons in the community &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(the
&lt;/span&gt;community leaders). 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Most of the names
above are listed with the names of their wives, children, places
where they went to stay, and also their expertise, whether in
military, agriculture, ritual, etc. It appears that these were people
who became prominent because of their significant contributions to
the society, and therefore they were regarded as &lt;i&gt;opo&#39;&lt;/i&gt; or
&lt;i&gt;empung&lt;/i&gt; or &lt;i&gt;kasuruan&lt;/i&gt; (ancestors). As Taulu explains, not
all the deceased became ancestors to the Minahasans, but only those
who had led exemplary lives for the well-being of their descendants.&lt;sup&gt;&lt;sup&gt;31&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; The
&lt;/span&gt;&lt;i&gt;Makarua Siouw&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
and &lt;/span&gt;&lt;i&gt;Makatelu Pitu&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
may be best understood from the zodiac table delineated by J. Ten
Hove.&lt;/span&gt;&lt;sup&gt;&lt;sup&gt;32&lt;/sup&gt;&lt;/sup&gt;
Before the &lt;i&gt;Kateluan&lt;/i&gt; (Nine-three stars), the zodiac symbol of
June, there is the six stars of May with the zodiac symbol &lt;i&gt;Lumbaken&lt;/i&gt;
(a shoe made of a python tail). Since&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
the &lt;/span&gt;number nine is perceived as sacred, two times nine may
have been used to represent the eighteen names of the &lt;i&gt;Makarua
Siouw&lt;/i&gt; ancestors, rather than three times six. The number nine
demonstrates importance and reverence. In the meanwhile, July counts
seven stars with the zodiac symbol &lt;i&gt;Ru&#39;aw&lt;/i&gt; (sea water half
receding, half moon). With the nine stars (June) enclosed by six
(May) and seven (July) stars, the idea might be that the people are
protected by the ancestors as well as the &lt;i&gt;walian&lt;/i&gt; and &lt;i&gt;tona&#39;as&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204&quot; name=&quot;result_box1&quot;&gt;&lt;/a&gt;
 The &lt;i&gt;Pasiouwan Telu&lt;/i&gt; symbolizes the people of Minahasa under
the leadership of the &lt;i&gt;walian&lt;/i&gt; (priests/priestesses) and the
&lt;i&gt;tona&#39;as &lt;/i&gt;(community leaders/experts).&lt;sup&gt;&lt;sup&gt;33&lt;/sup&gt;&lt;/sup&gt;
Supit asserts that the leaders in Minahasa were elected based on the
three principles of leadership: &lt;i&gt;ngaasan &lt;/i&gt;(also called &lt;i&gt;sigha&#39;&lt;/i&gt;)
that is the capability to take care of the &lt;i&gt;ro&#39;ong&lt;/i&gt;/&lt;i&gt;wanua&lt;/i&gt;;
&lt;i&gt;niatean&lt;/i&gt; &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(to have
conscience, courage to lead, perseverance and tenacity in dealing
with the challenges faced by &lt;/span&gt;&lt;i&gt;ro&#39;ong&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;/&lt;/span&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;)&lt;/span&gt;;
and &lt;i&gt;mawai &lt;/i&gt;(also &lt;i&gt;keter&lt;/i&gt;) that is&lt;i&gt; &lt;/i&gt;physical&lt;i&gt;
&lt;/i&gt;strength to overcome challenges&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
and may also include wealth.&lt;/span&gt;&lt;sup&gt;&lt;sup&gt;34&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; When the &lt;i&gt;walian&lt;/i&gt;
and &lt;i&gt;tona&#39;as &lt;/i&gt;grow old, they sit in the &lt;i&gt;patu&#39;usan &lt;/i&gt;(from
&lt;i&gt;tu&#39;us
&lt;/i&gt;“to
stare at something,” meaning those who the people look up to), the
advisory council that provides counsel and advice. This council is
influential in the matter of chief election.&lt;sup&gt;&lt;sup&gt;35&lt;/sup&gt;&lt;/sup&gt;
Ferry
R. Mawikere writes that the priests/priestesses (&lt;i&gt;walian
&lt;/i&gt;), experts (&lt;i&gt;tona&#39;as&lt;/i&gt;), members of advisory council
(&lt;i&gt;patu&#39;usan&lt;/i&gt;), commanders-in-chief (&lt;i&gt;teterusan&lt;/i&gt;), including
the chiefs of the village or &lt;i&gt;walak&lt;/i&gt; (&lt;i&gt;ukung &lt;/i&gt;and &lt;i&gt;ukung
wangko&#39;&lt;/i&gt;) are all categorized as &lt;i&gt;mapendang&lt;/i&gt;, that is the
teachers at the &lt;i&gt;papendangan&lt;/i&gt;, the traditional school in
Minahasan society. The students were called &lt;i&gt;pahayoan&lt;/i&gt;, and
their common subjects (called &lt;i&gt;papendeng&lt;/i&gt;) were &lt;i&gt;pemosanan
&lt;/i&gt;(rituals of Minahasan ethnic religion), &lt;i&gt;pemanuaan
&lt;/i&gt;(land/territory), &lt;i&gt;pengumaan &lt;/i&gt;(agriculture), and &lt;i&gt;pengundaman
&lt;/i&gt;(medicine).&lt;sup&gt;&lt;sup&gt;36&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;According
to the oral tradition recorded by Taulu, there was a time when a
number of &lt;i&gt;walian&lt;/i&gt;,
such as Mahawetik and Meikalalo, imitating the practice of the
neighboring kingdoms, behaved in opposition to the &lt;i&gt;kenaramen&lt;/i&gt;
(traditions).&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;37&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
Consequently, the oppressed &lt;i&gt;Pasiouwan
Telu&lt;/i&gt;
(the people), with Kopero as the leader, overthrew the ill-leadership
of the &lt;i&gt;Makarua
Siouw&lt;/i&gt;
(the priests/priestesses). Taulu writes that Kopero called a meeting
which was held at the place now known as &lt;i&gt;Watu
Pinawetengan&lt;/i&gt;
(Stone of Allotment) in order to restore the traditions inherited
from Toar and Lumimuut. These included: choosing leaders from the
elders who are honest, courageous, commanding, strong, etc;
deliberation in all decisions; bad leaders are to be dismissed;
&lt;i&gt;patu&#39;usan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;(the
board of elders) oversee the leaders; the &lt;i&gt;kenaramen&lt;/i&gt;
(traditions) are good customs and to be conserved; young men must
become &lt;i&gt;waraney
&lt;/i&gt;(soldiers/warriors)
in the &lt;i&gt;walak&lt;/i&gt;;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;&lt;/i&gt;women
and men are equal;&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;38&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
the counsel of the elderly should be heeded, parental authority must
be upheld; the leadership now is under the &lt;i&gt;Pasiowan
Telu&lt;/i&gt;;
democracy is to be guarded in the spirit of &lt;i&gt;masuat
peleng &lt;/i&gt;(all
are the same/equal), etc.&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;39&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
What Taulu lists here were the ideals of the Minahasan traditional
society.&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; At
&lt;i&gt;Watu
Pinawetengan&lt;/i&gt;,
according to Taulu, the leaders of Malesung assigned the languages
and rituals to each groups, hence known as &lt;i&gt;pinawetengan
e nuwu wo pinawetengan um posan&lt;/i&gt;
(the allotment of languages and rituals),&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;40&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
which refers to the four sub-ethnic territories alluded to in the
beginning of the Song of Karema: Tombulu, northwest to &lt;i&gt;wanua&lt;/i&gt;
Majesu; Tonsea, northeast to &lt;i&gt;wanua
&lt;/i&gt;Niaranan;
Tontemboan, southwest to &lt;i&gt;wanua
&lt;/i&gt;Kaiwasian;
and Tondano, southeast to &lt;i&gt;wanua&lt;/i&gt;
Atep.&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;41&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
After the meeting, the leader made a speech: “...&lt;i&gt;Esa
kita peleng! Esa woan pawetengan. Kumihit un posan. Ta&#39;an kita peleng
esa! Maesa wian untep! Maesa masaru se kaseke wana ngkesot!&lt;/i&gt;”
(We are one one! One, we separate according to the ritual of worship.
But we are one! One from inside! One in facing the enemies from
outside!)&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;42&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.2.3.
Social-economic practices 
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; There are
references to the soil, the land, seeds, paddy leaves, and working
until “my face filled with sweat” in the Song of Karema,&lt;sup&gt;&lt;sup&gt;43&lt;/sup&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
yet only &lt;/span&gt;by understanding the symbolic representation of the
song, then one may grasp that this song has its background in an
agricultural society: &lt;i&gt;A&lt;/i&gt;&lt;i&gt;wahat&lt;/i&gt; is the west wind that
brings the rain, and with the rain the land will yield produce, and
there will follow the thanksgiving to the &lt;i&gt;Empung&lt;/i&gt; &lt;i&gt;Wa&#39;ilan
Wangko&#39;&lt;/i&gt;, a tradition preserved until today called &lt;i&gt;Pengucapan
Syukur &lt;/i&gt;(festivals of
thanksgiving). Speaking about the zodiac previously, Minahasan
zodiac are associated with the paddy cultivation. &lt;i&gt;Lumbaken &lt;/i&gt;(with
six stars), for example, means that May is the time to harvest the
paddy fields. &lt;i&gt;Kateluan&lt;/i&gt;
(with nine stars) signifies that June is the time to separate the
paddy from hay, and &lt;i&gt;Ru&#39;aw &lt;/i&gt;(with
seven stars) is the time to bring the paddy home in July, and so on.&lt;sup&gt;&lt;sup&gt;44&lt;/sup&gt;&lt;/sup&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Egalitarianism
is the norm for Minahasan traditional society. Taulu asserts that in
Malesung &lt;i&gt;ukung
wangko&#39;&lt;/i&gt;
(the head of a &lt;i&gt;walak&lt;/i&gt;)
and a commoner shared the same right to the land that is owned by the
&lt;i&gt;walak&lt;/i&gt;.&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;45&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;
Being an agricultural society, Minahasans developed a system called
&lt;i&gt;mapalus,
&lt;/i&gt;a
socio-cultural and economic institution inspired by the philosophy of
&lt;i&gt;si
tou timou tumou tou&lt;/i&gt;.
Its essence, according to Jan
Turang, is “a system, procedure, method or technique of cooperation
for the interests of the group and its members&#39; in turns.”&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;46&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;As an organizing method, &lt;i&gt;mapalus&lt;/i&gt; combines
members&#39; resources for the purpose of the welfare of each member. The
way it functions in the traditional Minahasan society is not solely
as a tool for economic survival by way of cultivating one&#39;s field in
turn, or tackling heavy labor together, but also in cultivating
aspects of culture such as language, tradition, and familial
attitude.&lt;sup&gt;&lt;sup&gt;47&lt;/sup&gt;
&lt;/sup&gt;Hence, by definition &lt;i&gt;mapalus&lt;/i&gt; is also a socio-cultural
preservation.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt; &lt;/sup&gt;From the
concept of &lt;i&gt;mapalus&lt;/i&gt;, Saruan describes Wem Senduk&#39;s analysis of
the practice of &lt;i&gt;metetamberan &lt;/i&gt;(freely giving to one another),
which is not exactly a gift-exchange system, although this is also
present in Minahasan traditional society. The root word &lt;i&gt;tamber
&lt;/i&gt;means to give away something without any expectation of return or
reciprocity. The person who exercises &lt;i&gt;tumamber&lt;/i&gt; (to do &lt;i&gt;tamber&lt;/i&gt;)
does that autonomously towards a family or community. Paraphrasing
Senduk, Saruan writes that this practice “is a principal of social
concern, even an indicator of social cohesion...aimed at the well
being of the community (prosperity and security).”&lt;sup&gt;&lt;sup&gt;48&lt;/sup&gt;
&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-position: initial initial; background-repeat: initial initial; line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-position: initial initial; background-repeat: initial initial; line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;In
places where &lt;/span&gt;&lt;i&gt;mapalus&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
took stronger root, Taulu reminisces that well before World War II,
especially in the villages, the youngsters were still participating
in &lt;/span&gt;&lt;i&gt;mapalus.&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
It was the time they socialized with their friends, learned how to
cultivate, and heard the call and response songs and proverbs sung by
their parents, or the young people. If they had school, they joined
it after school.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;sup&gt;49&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
&lt;/span&gt;This obviously has
changed, yet &lt;i&gt;mapalus&lt;/i&gt;
today also has been expanded into “agriculture, fishery, money
rotation, funds in time of bereavement or wedding celebration, and in
different community groups.”&lt;sup&gt;&lt;sup&gt;50&lt;/sup&gt;&lt;/sup&gt;
In 2004, the Kawanua Minahasa organization (Kerukunan Keluarga
Kawanua, K3) published the “&lt;i&gt;Manifesto Manusia Kawanua&lt;/i&gt;”
(manifesto of the people of Kawanua), which also calls for an
economic development in Minahasa based on &lt;i&gt;mapalus &lt;/i&gt;or
“working together as free and autonomous person in togetherness
according to the condition of the social-economic and technology
today and in the future.”&lt;sup&gt;&lt;sup&gt;51&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.2.4. Medicine&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; There are several
vocations mentioned in the Song of Karema: the &lt;i&gt;mengasin&lt;/i&gt;
(salt-makers) the &lt;i&gt;rumopa&lt;/i&gt; (sago maker), the &lt;i&gt;walian
&lt;/i&gt;(priestess/priest), and&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; the
&lt;/span&gt;&lt;i&gt;kotulus &lt;/i&gt;(traditional doctors).&lt;sup&gt;&lt;sup&gt;52&lt;/sup&gt;&lt;/sup&gt;
The song also mentions some medicinal plants, such as ginger
(&lt;i&gt;wangelei &lt;/i&gt;or &lt;i&gt;lia&lt;/i&gt;)
which is common in traditional healing practice, also &lt;i&gt;tu&#39;is&lt;/i&gt;
(&lt;i&gt;amomum album)&lt;/i&gt;&lt;sup&gt; &lt;/sup&gt;and &lt;i&gt;assa&lt;/i&gt; (&lt;i&gt;saccharum
spontaneum&lt;/i&gt;)&lt;sup&gt; &lt;/sup&gt;which have medicinal expediency. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Illness in
traditional Minahasan society is categorized into two different
kinds, one is the natural illness/disease and the other is related to
the spiritual realm.&lt;sup&gt;&lt;sup&gt;53&lt;/sup&gt;&lt;/sup&gt;
The first are treated with different kinds of local herbs, which
involves knowledge of different plants and other ingredients, their
use and medicinal properties. Certain people also can heal through
massage. The second kind of illness may be a reprimand from the
ancestors due to one&#39;s transgression of the customs. Otherwise, it
may be caused by an ill-intention of a &lt;i&gt;meniwo&lt;/i&gt;,&lt;sup&gt;&lt;sup&gt;54&lt;/sup&gt;&lt;/sup&gt;
or else infuriated evil spirits. The treatment is through
communication with ancestral spirits by the mediation of the healer,
which usually involves being in trance/spirit possession. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Other terms for
medicine practitioners/traditional doctors are &lt;i&gt;mengundam &lt;/i&gt;(from
&lt;i&gt;undam &lt;/i&gt;“to cure”) and &lt;i&gt;mengelot &lt;/i&gt;(from &lt;i&gt;elot&lt;/i&gt; “to
cure”).&lt;i&gt; &lt;/i&gt;The contemporary meaning of the two connotes a
negative understanding as they have been associated with shamanism
(Bahasa, &lt;i&gt;perdukunan&lt;/i&gt;) across the board. They are deemed
unchristian; although many Christians still seek their help when
their sickness is prolonged, when medicines from the doctors are not
helping, or when they do not have money to go to the hospital.
Traditionally, the ability to heal among the traditional doctors is
considered a gift (&lt;i&gt;karunia&lt;/i&gt;) and must be performed not for
profit. Otherwise, the ability will be taken away. Today some of the
practitioners have also incorporated Christian or Muslim spirituality
by using the Bible or Al-Quran and prayers. In addition, there are
also religious spiritual healers who use water, ointment, herbs and
prayer to heal.&lt;sup&gt;&lt;sup&gt;55&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.2.5. Minahasan
ethnic religion&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; There is no
reference in either oral traditions or recorded ones where the
Almighty is addressed in a way that suggests a personal name. The
word “&lt;i&gt;Empung&lt;/i&gt;,” as
it is used in the Song of Karema&lt;i&gt; &lt;/i&gt;above, means “Lord.”
While the term is also used for Minahasan ancestors, the singular
form in this context is understood as “the Almighty.”&lt;sup&gt;&lt;sup&gt;56&lt;/sup&gt;&lt;/sup&gt;
Other renditions come with qualifiers, such as &lt;i&gt;Empung Renga-rengan
&lt;/i&gt;(The Ever-Present Lord)&lt;sup&gt;&lt;sup&gt;57&lt;/sup&gt;&lt;/sup&gt;
and &lt;i&gt;Empung Wa&#39;ilan Wangko&#39; &lt;/i&gt;(The Great and Abundant Lord); the
term &lt;i&gt;Wa&#39;ilan&lt;/i&gt; used in the Song of Karema signifies this
meaning. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The other term for
the Almighty is “&lt;i&gt;Opo&#39;&lt;/i&gt;,” which is also used for the
ancestors, but this is more in the sense of a reverent address rather
than ancestralship, although the Almighty is also considered as the
&lt;i&gt;suru&lt;/i&gt; in the sense of&lt;i&gt; &lt;/i&gt;“source.”&lt;sup&gt;&lt;sup&gt;58&lt;/sup&gt;&lt;/sup&gt;
Other titles for the Almighty include “&lt;i&gt;Opo&#39; Mana en Atas&lt;/i&gt;”
or “&lt;i&gt;Opo&#39; Wana en Atas&lt;/i&gt;” (God in the Above/Sky/Heaven).&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; There was a
difficulty between the Minahasans and the Christian missionaries in
trying to converse about their religious understandings. For
instance, N. Graafland, NZG missionary, writes that he heard several
Minahasan &lt;i&gt;walian&lt;/i&gt; say convincingly that there is only one God,
but there are many &lt;i&gt;empung&lt;/i&gt;. Yet he also heard others who said
that there is only one &lt;i&gt;Empung&lt;/i&gt;, the rest are &lt;i&gt;walian&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;59&lt;/sup&gt;&lt;/sup&gt;
Using the explanation above that both “&lt;i&gt;opo&#39;&lt;/i&gt;” and “&lt;i&gt;empung&lt;/i&gt;”
are used for the Almighty and the ancestors, the first statement may
be understood that there is only one God (&lt;i&gt;Opo&#39;&lt;/i&gt;), but there are
many ancestors (&lt;i&gt;opo&#39;-opo&#39;&lt;/i&gt;) who are called &lt;i&gt;se empung&lt;/i&gt;
(pl.). The second one may be similar, meaning that there is only one
&lt;i&gt;Empung&lt;/i&gt; (that is God) and the rest were &lt;i&gt;walian&lt;/i&gt;, as the
first order of the ancestors who are also rendered as &lt;i&gt;empung&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;60&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The words “&lt;i&gt;opo&#39;&lt;/i&gt;”
and “&lt;i&gt;empung&lt;/i&gt;” also “&lt;i&gt;kasuruan&lt;/i&gt;” (the last is used
among the Tontemboan) are often translated as “&lt;i&gt;dewa/dewi&lt;/i&gt;”
in Bahasa, connoting a divine origin, which in English is translated
as “male or female gods.” However, the more accurate translation
for these words is &quot;ancestor&quot; (Bahasa., “&lt;i&gt;nenek
moyang&lt;/i&gt;”). The names of the so-called “&lt;i&gt;dewa/dewi&lt;/i&gt;”
(“gods”) in Minahasa are used as family names, pointing out that
they were Minahasan ancestors.&lt;sup&gt;&lt;sup&gt;61&lt;/sup&gt;&lt;/sup&gt;
Taulu argues that this misunderstanding of the practice of &lt;i&gt;paopo&#39;on&lt;/i&gt;
(to revere one as an ancestor) has caused some writers to think of
Minahasa as a polytheistic society.&lt;sup&gt;&lt;sup&gt;62&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; As Graafland
rightly points out, Minahasans know that they have a spirit (&lt;i&gt;mukur&lt;/i&gt;)
which will not die.&lt;sup&gt;&lt;sup&gt;63&lt;/sup&gt;&lt;/sup&gt;
In Minahasan ethnic religion, death means moving into another world,
which is different yet not totally separated from the world that is.&lt;sup&gt;&lt;sup&gt;64&lt;/sup&gt;&lt;/sup&gt;
Hence, each group (whether in the level of a village
or a &lt;i&gt;walak&lt;/i&gt;) has their own revered ancestors, often founders of
the community, who are, as Saruan explains, “honored, respected,
and acknowledged as keepers, defenders, and protectors of the people
during their lifetime.”&lt;sup&gt;&lt;sup&gt;65&lt;/sup&gt;&lt;/sup&gt;
Saruan further explains that, on the one hand, these functions are
understood to come from the Almighty (&lt;i&gt;Si Empung Wa&#39;ilan&lt;/i&gt;) but,
on the other, they are manifested by the ancestors as the active and
concrete presence of the Almighty.&lt;sup&gt;&lt;sup&gt;66&lt;/sup&gt;&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Minahasans observed
different &lt;i&gt;posan &lt;/i&gt;or &lt;i&gt;peli&#39;i&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;rituals aimed to
avert diseases or disaster and to secure safety, blessings, success,
healing, including honoring the ancestors, invoking courage, and as
thanksgiving.&lt;sup&gt;&lt;sup&gt;67&lt;/sup&gt;&lt;/sup&gt;
They are categorized into two kinds, for family and for the
community.&lt;sup&gt;&lt;sup&gt;68&lt;/sup&gt;&lt;/sup&gt;
Graafland suggests that the many &lt;i&gt;posan,
&lt;/i&gt;which imply feasts, Minahasans observed in the past began
as a simple religious ritual and then developed into extensive and
complicated practices.&lt;sup&gt;&lt;sup&gt;69&lt;/sup&gt;&lt;/sup&gt;
One of the &lt;i&gt;posan&lt;/i&gt; that Graafland describes is called
&lt;i&gt;sumungkul wo sumampet mauri &lt;/i&gt;which is a replication of the
practice of obtaining human heads at the territorial borders.&lt;sup&gt;&lt;sup&gt;70&lt;/sup&gt;&lt;/sup&gt;
This practice may be a ritual of initiation to become a &lt;i&gt;waraney&lt;/i&gt;
(warrior) in the community. Graafland points out that, with the
colonial government&#39;s assertiveness to punish homicide, instead of
inflicting a victim, a wooden puppet smeared with animal&#39;s blood was
used as a target for their &lt;i&gt;sago-sago&lt;/i&gt; (kind of spear) and other
weaponry in this &lt;i&gt;posan&lt;/i&gt;, which
then is followed with a feast where they give thanks and praise the
bravery of one another.&lt;sup&gt;&lt;sup&gt;71&lt;/sup&gt;&lt;/sup&gt;
 &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;/span&gt;In
line with Saruan&#39;s explanation regarding the role of the ancestors
above, Wenas proposes that there are two ways of praying in Minahasan
ethnic religion. He calls these ways “direct” and “indirect,”
meaning that a prayer is addressed directly to &lt;i&gt;Empung&lt;/i&gt; or
through the proxy of the ancestors. If we take the Song of Karema as
a point of reference, assuming that it was the original matrix of
Minahasan ethnic religion, then the “direct” approach will appear
as the early form of Minahasan ethnic religion, wherein &lt;i&gt;Si Empung
Wa&#39;ilan &lt;/i&gt;is at the center of religious practice. It may then be
assumed that, along with Minahasans&#39; struggle to survive and build
new communities, their heroes which they then venerated as ancestors
received a high place in their communal consciousness.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-five.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;-------&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Thayer&#39;s
 Greek Lexicon defines &lt;/span&gt;&lt;i&gt;mythos&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 as: (1) a speech, word, saying; (2) a narrative, story: a) a true
 narrative. b) a fiction, a fable; universally, an invention,
 falsehood (http://biblesuite.com/greek/3454.htm [access 11 September
 2012]). The unspecific and potential contradiction of these meanings
 necessitates that the use of the term “myth” in place of other
 symbols. This is especially true when it comes to the term
 meta-narrative. It is of no use to take the meaning of
 “meta-narrative” and then define  or pigeon-hole it into the
 amorphous, ambiguous term “myth.”&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;This
 view is related to the evolutionary paradigm in early social
 science, which according to Hiebert, “accounted for both the
 inherent goodness of humans and the development and superiority of
 modernity. It led to the belief that whites are superior to blacks,
 men to women, and the elite to common people” (&lt;i&gt;Transforming
 Worldview&lt;/i&gt;, 202).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;&lt;i&gt;Mangorai&lt;/i&gt;
 is a ritual led by a special priest called a &lt;i&gt;walian Mangorai&lt;/i&gt;,
 associated with land fertility and ancestry. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;This
 kind of mythologizing, however, cannot be fully blamed on the
 outsiders who construct and paint the face of Minahasa through this
 story, because admittedly some of the misunderstanding we have today
 was borne out of the effort on the side of the local informants to
 hide local knowledge to some of the inquirers by giving them a
 partial or even just a plain made-up story. Some informants may also
 have shared from their own poor knowledge of the topic in question.
 In the case of J. A. T. Schwarz and J. G. F. Riedel, both are sons
 of the NZG missionaries in Minahasa, since they grew up in Minahasa
 and were familiar with the culture and language(s), they can be
 categorized as well-informed inquirers. This does not rule out that
 they may be mistaken, however. For example, J. G. F. Ridel&#39;s
 conclusion regarding the use of the word “&lt;i&gt;walak,&lt;/i&gt;” which
 he associates with the Manado Malay &lt;i&gt;balak&lt;/i&gt; “beam,” but
 then was corrected by J. A. T. Schwarz (see Supit, &lt;i&gt;Minahasa&lt;/i&gt;,
 52 and above discussion on the term). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Several
 Minahasan writers have defended the myth-version of the story,
 arguing that it is common in “mythology&#39;” by referring to the
 Greek story of Oedipus as well as to the story of Sangkuriang and
 Dayang Sumbi. However, this attempt does nothing more than prolong
 the misunderstanding of the Minahasan meta-narrative (see Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;,
 83).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Supit,
 &lt;i&gt;Minahasa&lt;/i&gt;, 18ff.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote7&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Supit,
 &lt;i&gt;Minahasa&lt;/i&gt;, 16-17 (translation mine). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote8&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Supit,
 &lt;i&gt;Minahasa&lt;/i&gt;, 16-17 (translation mine).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote9&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;Supit,
 &lt;i&gt;Minahasa&lt;/i&gt;, 16-17.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote10&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;Hiebert
 tries to explain the value of the term “myth,” which has been
 popular in social science, by connecting the meaning of
 “meta-narrative” in it. What Hiebert calls the “technical,
 scientific sense” (&lt;i&gt;Transforming Worldview&lt;/i&gt;, 27-28) of the
 word “myth,” however helpful, is pregnant with misunderstanding
 because of the popular use of the word either in English or in
 Bahasa; hence it can easily lead into “mythologizing” of the
 meta-narrative: the given-interpretation of the grand story that
 fails to take into consideration the symbolic and hidden
 understanding of the story itself. Hence, I choose to maintain the
 language “meta-narrative” for the grand story, while isolating
 the meaning of the word “myth” as mentioned above.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote11&quot;&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;11&amp;nbsp;Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 76. &lt;/span&gt;
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote12&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;&lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
 82-83&lt;/span&gt;. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote13&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;J.
 A. T. Schwarz, &lt;i&gt;Tontemboansche Teksten&lt;/i&gt; (Leiden: E.J. Brill,
 1907), 466; See Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;,
 82-83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote14&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;14&amp;nbsp;&lt;i&gt;Mera&#39;ar&lt;/i&gt;
 means “sunny,” &lt;i&gt;mara&#39;ar&lt;/i&gt; means “drying something (e.g.
 paddy or cloves) under the sun.” 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote15&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;J.
 A. T. Schwarz, “ruso,” in
 &lt;i&gt;Tontemboansch-Nederlandsch woordenboek met
 Nederlandsch-Tontemboansch register&lt;/i&gt; (Leiden: E.J. Brill, 1908),
 393-394. Available
 at http://catalog.hathitrust.org/Record/000323281 (accessed May 3,
 2013); Schwarz, &lt;i&gt;Tontemboansche Teksten&lt;/i&gt;, 377. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote16&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;Schwarz,
 &lt;i&gt;Tontemboansche Teksten&lt;/i&gt;, 377; Bertha Pantouw, “Minahasa
 Sebelum Tahun 1829 dan Beberapa Perubahan Dalamnya, Kurun Waktu
 1824-1846)” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,
 72.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote17&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote18&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Cf.
 Schwarz, &lt;i&gt;Tontemboansche Teksten&lt;/i&gt;, 466; Wenas, &lt;i&gt;Sejarah dan
 Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote19&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;Schwarz,
 &lt;i&gt;Tontemboansche Teksten&lt;/i&gt;, 466; Wenas, &lt;i&gt;Sejarah dan Kebudayaan
 Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote20&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;20&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Schwarz,
 &lt;/span&gt;&lt;i&gt;Tontemboansche
 Teksten&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;, 374-375 as
 quoted in Wenas, &lt;/span&gt;&lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
 82-83. &lt;/span&gt;
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote21&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;21&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote22&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;22&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote23&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;23&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote24&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;24&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Schwarz,
 &lt;/span&gt;&lt;i&gt;Tontemboansche
 Teksten&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;, 378;
 &lt;/span&gt;Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote25&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;25&amp;nbsp;Wenas
 provides the division of time of the day, days of the month and
 months of the year based on the lunar phase, and other Minahasan
 traditional knowledge, using, among others, resources written by a
 number of Europeans (&lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;,
 83). Here we need to acknowledge the role of the missionaries,
 colonial officials, anthropologists, naturalists, travelers, who
 made the effort to record the oral traditions, situations and
 conditions in Minahasa in the past, making it possible for the later
 generations to have access these traditions, although readers of
 these writings have to be critical (cf. Supit, &lt;i&gt;Minahasa&lt;/i&gt;,
 13). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote26&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;26&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 83.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote27&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;27&amp;nbsp;J.
 G. F. Riedel, &lt;i&gt;Das Toumbuluhsche Pantheon&lt;/i&gt; (Berlin:
 Friedländer, 1894), 5-7 as quoted in Wenas, &lt;i&gt;Sejarah dan
 Kebudayaan Minahasa&lt;/i&gt;, 8-10. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote28&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;28&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 69. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote29&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;29&amp;nbsp;Riedel,
 &lt;i&gt;Das Toumbuluhsche Pantheon&lt;/i&gt;, 4-10 as quoted in Wenas, &lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;, 8-10.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote30&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;30&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 69. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote31&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;31&amp;nbsp;Taulu,&lt;i&gt;
 Bunga rampai&lt;/i&gt;, 33. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote32&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;32&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;De
 Alifoersche Dierenriem&lt;/i&gt;&lt;/span&gt;
 (Rotterdam: Oegstgeest Zendings Bureau, 1887) as presented by Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 86-87. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote33&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;33&amp;nbsp;Wenas
 points out that the &lt;i&gt;Pasiouwan Telu&lt;/i&gt; are the offspring of the
 three women called &lt;i&gt;pasiouwan&lt;/i&gt; from three ancient &lt;i&gt;pakasaan
 &lt;/i&gt;(sub-ethnic groups): Tombulu, Tontewoh (which he suggests
 derived Tonsawang, Tondano, and Tonsea), and Tonkimbut (Tontemboan)
 (&lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 12).   
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote34&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;34&amp;nbsp;Supit,
 &lt;i&gt;Minahasa&lt;/i&gt;, 60. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote35&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;35&amp;nbsp;&lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;, 70-71. According to Wenas, the word
 &lt;i&gt;potu&#39;usan &lt;/i&gt;(i.e., &lt;i&gt;patu&#39;usan&lt;/i&gt;)
 comes from &lt;i&gt;tu&#39;us &lt;/i&gt;“counsel” or “explanation.”  
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote36&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;36&amp;nbsp;Ferry
 R. Mawikere, “Minahasa dan Kolonialisme: Warisan Sejarah,
 Akselerasi Perubahan, dan Dinamika Hubungan Sampai Akhir Abad
 ke-19,” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan: &lt;/i&gt;&lt;i&gt;Telaah
 Historis, Teologis, Antropologis, &lt;/i&gt;ed.
 Roy E. Mamengko (Jakarta: Pustaka Sinar Harapan, 2002),
 129. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote37&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;37&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Meaning
 they were acting as kings in the midst of their people &lt;/span&gt;(Taulu,
 &lt;i&gt;Bunga Rampai&lt;/i&gt;, 6). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote38&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;38&amp;nbsp;In
 another part of his book &lt;i&gt;Bunga Rampai&lt;/i&gt;, Taulu writes that
 according to “an old story” Lumimu&#39;ut was formerly a princess in
 a palace who left because of the strict customs where the women have
 to bow down to the men. She does not want to pass this down to her
 offspring (p&lt;i&gt;.&lt;/i&gt; 31).
 Taulu&#39;s expression “an old story” points that he is making a
 story (the kind of &lt;i&gt;neumanen&lt;/i&gt;/myth)
 to convey a point. Interestingly, today I found different
 stories about Toar and Lumimuut saying that they came from a
 Japanese imperial family, or Chinese or Mongol kingdoms. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote39&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;39&amp;nbsp;Taulu,
 &lt;i&gt;Bunga rampai&lt;/i&gt;, 6. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote40&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;40&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;See
 the four symbols of &lt;/span&gt;&lt;i&gt;posan
 &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(ritual)
 in the appendix. &lt;/span&gt;
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote41&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;41&amp;nbsp;Taulu,
 &lt;i&gt;Bunga rampai&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;6-8;
 Watuseke only mentions three groups in this meeting: Tombulu,
 Tonsea, and Tontemboan, suggesting that the Tondano came later to
 Malesung (&lt;i&gt;Sejarah Minahasa&lt;/i&gt;,
 14-15). Wenas postulates three groups also: Tombulu, Tontewoh, and
 Tongkimbut (Tontemboan) but argues that the Tontewoh split into
 Tonsea, Tondano and Tonsawang (&lt;i&gt;Sejarah dan Kebudayaan
 Minahasa&lt;/i&gt;, 8, 12-15).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote42&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;42&amp;nbsp;Taulu,
 &lt;i&gt;Bunga rampai&lt;/i&gt;, 8.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote43&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;43&amp;nbsp;See
 the song in the appendix.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote44&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;44&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;See Hove, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;De
 Alifoersche Dierenriem&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;;
 &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Wenas,
 &lt;/span&gt;&lt;i&gt;Sejarah dan
 Kebudayaan Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
 86-87.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote45&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;45&amp;nbsp;Taulu,
 &lt;i&gt;Bunga rampai&lt;/i&gt;, 31.&lt;i&gt; &lt;/i&gt;
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote46&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;46&amp;nbsp;“Pembangunan
 Daerah Minahasa Dengan Pertanian Inti Sistem Mapalus: Suatu studi
 dari segi perencanaan,” &lt;i&gt;Prisma&lt;/i&gt; (s.l.: Yayasan Mapalus,
 1984) as quoted by Saruan, “Profil Etnik Minahasa,” in &lt;i&gt;Etnik
 Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,
 386 (translation mine); Wil Lundstrom-Burghoorn refers to
 &lt;i&gt;mapalus&lt;/i&gt; as “&#39;task group&#39; – people who cooperate and
 exchange in a formalized manner” (&lt;i&gt;Minahasa Civilization&lt;/i&gt;,
 163).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote47&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;47&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;The
 practice of &lt;/span&gt;&lt;i&gt;mapalus
 &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;incorporated
 &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;songs, stories,
 poems, etc. as Graafland observes, “O&lt;/span&gt;&lt;span lang=&quot;en&quot;&gt;ther
 than spontaneous proverbs, there are songs, which are passed down
 orally among the people. Some are from the ancient times and some
 are from a much later time” &lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;(Graafland
 and Montolalu, &lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;,
 45).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span lang=&quot;en-US&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote48&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;48&amp;nbsp;“Profil
 Etnik Minahasa,” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi Perubahan&lt;/i&gt;,
 388.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote49&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;49&amp;nbsp;Taulu,
 &lt;i&gt;Bunga Rampai&lt;/i&gt;, 36.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote50&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;50&amp;nbsp;Turang,
 “Pembangunan Daerah Minahasa Dengan Pertanian Inti Sistem Mapalus:
 Suatu studi dari segi perencanaan,” as described by Saruan,
 “Profil Etnik Minahasa,” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi
 Perubahan&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;386.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote51&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;51&amp;nbsp;&lt;i&gt;Manifesto
 Manusia Kawanua “MAKAWANUA”&lt;/i&gt; (s. l.: Dewan Pembina Kerukunan
 Keluarga Kawanua, 2004), 6-7. Available at
 http://matulanda.wordpress.com/2010/08/23/makawanua-manifesto-manusia-kawanua/
 (accessed October 13, 2012). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote52&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;52&amp;nbsp;Wenas,
 quoting Riedel&#39;s &lt;i&gt;Toumbuluhsche Pantheon&lt;/i&gt;, p. 4, points out
 that &lt;i&gt;walian tulus &lt;/i&gt;(or
 &lt;i&gt;kotulus&lt;/i&gt;)&lt;i&gt; &lt;/i&gt;is
 the expert of spirit-related sickness (&lt;i&gt;Sejarah dan
 Kebudayaan Minahasa&lt;/i&gt;, 151). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote53&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;53&amp;nbsp;See
 Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;,
 151-153.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote54&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;54&amp;nbsp;Tondano
 variety, from the word &lt;i&gt;siwo &lt;/i&gt;“make.” &lt;i&gt;Meniwo &lt;/i&gt;carries
 the meaning of one who utilizes one&#39;s knowledge to impinge others
 with misfortune such as sickness, failure, etc. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote55&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;55&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Christopher
 K. Drysdale made an attempt to explore the topic of the religious
 spiritual healer in Minahasa in his thesis &lt;/span&gt;&lt;i&gt;The
 Effects of the Protestant Church on Identity Formation among the
 Minahasa of North Sulawes, Indonesia&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 (MA thesis, Northern Illinois University, 2005).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote56&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;56&amp;nbsp;Wenas
 consistently translates the word “&lt;i&gt;Empung&lt;/i&gt;” as Tuhan
 (Bahasa) that is “Lord” (&lt;i&gt;Sejarah
 dan Kebudayaan Minahasa&lt;/i&gt;, 79-81).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote57&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;57&amp;nbsp;The
 word &lt;i&gt;rengan&lt;/i&gt; means “during,” “of the same age;”
 &lt;i&gt;karengan&lt;/i&gt; “simultaneously;” &lt;i&gt;renga-rengan&lt;/i&gt; “spirit”
 or “spiritual.” A. Wantalangi, et.al. translate &lt;i&gt;Empung
 Renga-rengan&lt;/i&gt; as “God that is a spirit” (&lt;i&gt;Kamus
 Tondano-Indonesia&lt;/i&gt;, 1985). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote58&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;58&amp;nbsp;The
 Almighty is also addressed as “&lt;i&gt;Kasuruan,&lt;/i&gt;” (from &lt;i&gt;suru&lt;/i&gt;,
 “descent,” “offspring;” “ancestor”), meaning God as the
 Creator, the source from whom human beings and their offspring came
 into being. In the Tontemboan-speaking community, the Almighty is
 also addressed as &lt;i&gt;Amang Kasuruan Wangko&#39;, &lt;/i&gt;“Great
 Father Source of Life.” 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote59&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;59&amp;nbsp;Graafland
 and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 84.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote60&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;60&amp;nbsp;Graafland
 postulates that this trace of monotheism in Minahasan ethnic
 religion was due to Christian influence; he then presses for the
 notion of polytheism in Minahasan religiosity (see Graafland and
 Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 84). Saruan categorizes such argument as
 &lt;i&gt;Opo&#39;logi &lt;/i&gt;(Opo&#39;logy), an
 approach based on “&lt;i&gt;Teori Evolusionistis&lt;/i&gt;”
 of the West. In contrast, he proposes &lt;i&gt;Opo&#39;isme&lt;/i&gt;
 or &lt;i&gt;Empungisme&lt;/i&gt;
 (Opo&#39;ism or Empungism), described as a concept that is born out of
 unique cultural expressions of the Minahasan even before the arrival
 of the missionaries. He points at the Minahasan prayers to e.g.,
 &lt;i&gt;Empung Wa&#39;ilan Wangko&#39; &lt;/i&gt;in&lt;i&gt;
 &lt;/i&gt;line with Neundenberg&#39;s
 position tha&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;t
 “the beginning of human worship of the divine was monotheistic”
 (“Profil Etnik Minahasa,” in &lt;/span&gt;&lt;i&gt;Etnik
 Minahasa Dalam Akselerasi Perubahan,&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 392;&lt;/span&gt; Neudenberg was
 NZG secretary and his statement is quoted from Med. NZG 27 (1883),
 172-173). 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote61&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;61&amp;nbsp;Graafland
 and Montolalu,&lt;i&gt; Minahasa&lt;/i&gt;, 88-89, 93.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote62&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;62&amp;nbsp;Taulu,
 &lt;i&gt;Bunga Rampai&lt;/i&gt;,
 33; Graafland and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;,
 85; Also obvious on the title of Riedel&#39;s book &lt;i&gt;Das
 Toumbuluhsche Pantheon&lt;/i&gt;.
  
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote63&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;63&amp;nbsp;Graafland
 and Montolalu,&lt;i&gt; Minahasa&lt;/i&gt;, 324.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote64&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;64&amp;nbsp;Wenas,
 &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 148 with reference to
 Cornelis Tjenko Bertling, &lt;i&gt;De Minahasische &quot;waroega&quot; en
 &quot;hockerbestattung&quot; &lt;/i&gt;(Den
 Haag: [s.n.], 1931), 90.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote65&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;65&amp;nbsp;Saruan,
 “Profil Etnik Minahasa,” in &lt;i&gt;Etnik Minahasa Dalam Akselerasi
 Perubahan&lt;/i&gt;, 390.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote66&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;66&amp;nbsp;Saruan,
 &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;“Profil Etnik Minahasa,”
 in &lt;/span&gt;&lt;i&gt;Etnik Minahasa
 Dalam Akselerasi Perubahan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,
 390.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote67&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;67&amp;nbsp;See
 Graafland and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 92-93, 96, 110. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote68&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;68&amp;nbsp;Graafland
 and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 94. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote69&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;69&amp;nbsp;Graafland
 and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 92. 
 &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote70&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;70&amp;nbsp;Graafland
 and Montolalu, &lt;i&gt;Minahasa&lt;/i&gt;, 108ff. 
 &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;71&amp;nbsp;Graafland
 and Montolalu, &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, 108ff.&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/96621339534723744/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/96621339534723744?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/96621339534723744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/96621339534723744'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-four_12.html' title='CHAPTER FOUR: MINAHASA TRADITIONS AND ETHNIC IDENTITY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-4644642419449760489</id><published>2013-09-12T18:30:00.000-07:00</published><updated>2013-09-16T10:02:02.563-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ethnicity"/><category scheme="http://www.blogger.com/atom/ns#" term="Minahasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><category scheme="http://www.blogger.com/atom/ns#" term="Toar and Lumimuut"/><title type='text'>CHAPTER FOUR: MINAHASA TRADITIONS AND ETHNIC IDENTITY</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;This chapter provides insight into different aspects that constitute Minahasan ethnicity by looking at the story, history, and practices of the Minahasan people that form and inform their “tradition of change” to the present stage.&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;sup style=&quot;background-color: white;&quot;&gt;1&lt;/sup&gt;&lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; It starts with general information about the land of Minahasa, how the name came to be used, including how to understand Minahasan ethnicity. This is followed by a discussion on the story of Toar and Lumimuut, a symbol of Minahasan ethnic identity, which then leads into five topics related to Minahasan traditional society: astronomical knowledge, political organization, social-economic practices, medicine, and ethnic religion.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;4.1. The Name of Minahasa and Minahasan Ethnicity&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The northern tip of Sulawesi Island was known by several different names to the inhabitants, but most notable was Malesung&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;that comes from &lt;span style=&quot;color: black;&quot;&gt;the word &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;lisung&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (“mortar”).&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; It is a description of a region with a collection of non-volcanic and volcanic mountains.  Due to this fact, this land that later became Minahasa is a fertile one. The main agricultural products today are coconut, cloves and other spices. Coffee, a well-known cash-crop in the 19&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;th&lt;/sup&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; century, is pretty much left behind.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; Rice is still produced but no longer exported.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; In addition to being a fertile area, Minahasa also contains different minerals, including gold, which has lured several mining companies to operate in the region. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Being just above the equator, Minahasa, which according to archeological finding has been inhabited back to 6000 BC,&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;5&lt;/sup&gt; &lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;shares tropical seasons with an average rainfall between 2,000 to 3,000 millimeters per year.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; Hui Li et. al. point out that, based on their analysis on paternal genetic affinities between Western Austronesians and Daic population, most likely Minahasan ancestors (as other western Austronesian groups) have originated from the Gulf of Tonkin, the homeland of the Daic, and migrated to Indonesia through the Vietnam corridor.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;The languages spoken in this area&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;/sup&gt;are various and classified into Malayopolynesian in the category of Austronesian languages.&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt; The languages of Tombulu, Toudano (or Toulour), Tonsea, Tontemboan, Tonsawang (or Tombatu) are related and categorized as Proto-Minahasan languages.&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt; The language of the Bantik and Pasan-Ratahan (or Bentenan) are related to the Sangir in the northern islands of the Minahasa peninsula, while Ponosakan shares resemblances with the language of Mongondow, an ethnic group at the southern border of Minahasa.&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt;&lt;sup&gt; &lt;/sup&gt;Due to these lingual as well as “physiological and cultural differences,” Schouten categorizes the eight groups (supposed to be nine groups) as “ethnic groups.”&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt; &lt;/sup&gt;In this thesis, however, the nine groups are regarded as “sub-ethnic groups” and as a whole comprise Minahasa as an “ethnic group.” The reasons are as follow.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; In October 8, 1789, the Resident of Manado J. D. Schierstein wrote to his superior in Ternate about “&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;minhasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,” the meeting of the chiefs at the Dutch fort in Manado to overcome conflicts among the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walaks &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(see definition below)&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;This was the earliest known writing in the Latin &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;script&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;where we find the reference &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;minhasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; Later the name Minahasa was used as a political administration, covering all the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walak&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; communities in Malesung and vicinities. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;From the linguistic point of view, the spelling &lt;i&gt;minahasa&lt;/i&gt; comes from the Tombulu, meaning “have become one” or “united.”&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt; The concept behind it is related to &lt;i&gt;walak&lt;/i&gt; sovereignty in Malesung. &lt;i&gt;Walak &lt;/i&gt;is a local term signifying a cluster of &lt;i&gt;ro’ong &lt;/i&gt;or&lt;i&gt; wanua &lt;/i&gt;(settlement/village/dwelling place) of people with a common kinship and ethno-linguistic character.&lt;sup&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/sup&gt; A group of &lt;i&gt;walaks&lt;/i&gt; of the same group is designated as &lt;i&gt;pakasaan&lt;/i&gt;, used today in the sense of Minahasan “tribe” or “sub-ethnic group.”&lt;sup&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/sup&gt; While these groups at times engaged in conflict with one another, which is not unusual as it happens with other nations,&lt;sup&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/sup&gt; there was a tradition that when their common existence was threatened by outsiders, they would meet together, make an oath, and form a union (&lt;i&gt;maesa&lt;/i&gt;). When the threat was overcome, each would go back to their own &lt;i&gt;walak&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Supit points out that the term Minahasa was used formally as a political administration in the 19&lt;sup&gt;th&lt;/sup&gt; century.&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt; Along the same lines, Watuseke adds that the recognition of the region as Minahasa began at the end of the 17&lt;sup&gt;th&lt;/sup&gt; century (1693), when the four main groups united (&lt;i&gt;maesa&lt;/i&gt;) to repel the onslaught of the king of Manado (Bolaang).&lt;sup&gt;&lt;sup&gt;19&lt;/sup&gt; &lt;/sup&gt;&lt;span style=&quot;color: black;&quot;&gt;Others perceive the precursor of Minahasa even further back in history. In a colloquium conducted in May 1982 to date the anniversary of Minahasa, among the dates cast in the ballots were January 10, 1679, when the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walak &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;chiefs signed a treaty with the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Vereenigde Oost-Indische Compagnie&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; (V. O. C.) or Dutch East India Company, the year of 1643 when Malesung united against the Spaniards, including the meeting at &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Watu Pinawetengan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; “Stone of Allotment,&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;” traditionally understood as the time when the leaders of Malesung designated the territorial boundaries of the four main groups&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;20&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Another event which bears similar importance is &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;the Tondano War 1808-1809 (also known as Minahasa-Dutch war in Tondano) which later gains a prominent place in the history of Minahasa and inevitably &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;reinforces a sense of ethnicity among the children of Toar and Lumimuut&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; Earlier in 1799 the V. O. C. was dissolved, and all the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;walaks&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt; were considered to be under the auspices of the Dutch government. At this time, the Netherlands, under France, was at war against the British in the Napoleonic Wars (1799-1815). &lt;/span&gt;In order to defend Batavia (today Jakarta) from the British fleets, in 1808 Governor General H. W. Dandles requested 2400 soldiers from the Minahasan &lt;i&gt;walaks&lt;/i&gt;.&lt;sup&gt;&lt;sup&gt;21&lt;/sup&gt;&lt;/sup&gt; This &#39;military draft&#39; was rejected by the Minahasan people and became one of the primary reasons for the Tondano War 1808-1809.&lt;sup&gt;&lt;sup&gt;22&lt;/sup&gt;&lt;/sup&gt; On June 2, 1808, the leaders of the &lt;i&gt;walaks &lt;/i&gt;that disapproved of the military recruitment met in Tondano-Touliang to establish an oath of loyalty, in the case that the Dutch government insisted with force to make them comply. They called themselves “&lt;i&gt;se minaesa&lt;/i&gt;” (the united).&lt;sup&gt;&lt;sup&gt;23&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;After a futile attempt to discourage the movement, Prediger, the Resident of Manado, brought in a Dutch army from Ternate. The &lt;i&gt;walak&lt;/i&gt; leaders met again at &lt;i&gt;Watu Pinawetengan&lt;/i&gt; to discuss the matter. According to Giroth Wuntu, after a thorough discussion it was decided that the resistance in Tondano must go on, and those who could not continue, especially those who were far from the Minahasan fortresses in Tondano and close to the Dutch posts, could support with supplies and ammunition, while those who no longer wanted to support the war should not cooperate with the Dutch.&lt;sup&gt;&lt;sup&gt;24&lt;/sup&gt;&lt;/sup&gt; Months after, 13 &lt;i&gt;walaks&lt;/i&gt; out of 26 expressed their desire to submit to Prediger; some were even willing to aid him against the Tondano. Nonetheless, Wuntu postulates that there were those among the 13 &lt;i&gt;walaks&lt;/i&gt; who secretly supported the Tondano.&lt;sup&gt;&lt;sup&gt;25&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;This war became a symbol of Minahasa heroism. The &lt;i&gt;waraney&lt;/i&gt; (warriors) at Moraya fort shouted “&lt;i&gt;kumuru e Minaesa&lt;/i&gt;!” (get down &lt;i&gt;M&lt;/i&gt;&lt;i&gt;inaesa&lt;/i&gt;!) when they shot their canons toward the colonial army joined by their co-opted &lt;i&gt;kawanua&lt;/i&gt; (compatriots).&lt;sup&gt;&lt;sup&gt;26&lt;/sup&gt; &lt;/sup&gt;On August 4, 1809, the two fortresses of the Minahasans, including the Tondano settlements, were destroyed. F. Parengkuan points out that the Dutch committed genocide in Tondano, which gave birth to &lt;i&gt;Minawanua&lt;/i&gt; (once a dwelling place).&lt;sup&gt;&lt;sup&gt;27&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;In 1810, the region fell for the second time to the British, and Resident Thomas Nelson established a contract with the chiefs, among others for the recognition of Britain&#39;s authority by Minahasan &lt;i&gt;walaks&lt;/i&gt; and the banning of punishment by way of &lt;i&gt;to&#39;tok &lt;/i&gt;(cutting a person into small pieces), which also has been fought by the V. O .C.&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;28&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt; Shortly after, delegations from Britain and the Netherlands met in London and created what is called the Anglo-Dutch Treaty of 1814.  Herein, one of the rulings was for Britain to return Dutch-occupied territories to the Netherlands, so that their holdings were the same as before the disastrous Napoleonic Wars.&lt;sup&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;sup&gt;29&lt;/sup&gt;&lt;/span&gt;&lt;/sup&gt; This was implemented in 1817, and two years later, the Netherlands utilized &lt;i&gt;De Minahassa&lt;/i&gt; as a political administration.&lt;sup&gt;&lt;sup&gt;30&lt;/sup&gt;&lt;/sup&gt; This marked a major socio-religious and political change in the land of To’ar and Lumimu’ut.  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;The success of the Protestant mission became the answer to the question of unity among the Minahasans post the Tondano War of 1808-1809.&lt;sup&gt;&lt;sup&gt;31&lt;/sup&gt;&lt;/sup&gt; Mission schools encouraged a sense of brotherhood among the groups, which was something good not only for the mission work as well as the colonial interests but ultimately for the groups themselves. While writers such as Gabriele Weichart emphasize Minahasa as “acted upon” in terms of the communal identification of its people, she does not deny that such identification for “colonial purposes” is only feasible if it is consistent with how the people also identify themselves.&lt;sup&gt;&lt;sup&gt;32&lt;/sup&gt;&lt;/sup&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;In the midst of efforts to survive within this colonial reality, Minahasa fell into the categorization of being one of the Dutch collaborators in the archipelago. Down the line, cross sub-ethnic intermarriages, the widespread use of Manado Malay, the fight for independence, and the struggle for autonomy during the post-independence Permesta war (explained belo&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;w) all contributed to the solidification of Minahasan &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;ethnicity&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;.   &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; &lt;/span&gt;Minahasa was conceived in the story and history of its people. It is a symbol of an ethnic consciousness among the &lt;i&gt;walaks&lt;/i&gt;, best described as an adoptive ethnicity, where different yet related groups of people perceive their commonality despite their differences; thus, they&lt;b&gt; &lt;/b&gt;weave together their shared &lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;story and history, feeling that they are one by descent or by death-facing-oath, and therefore make one&#39;s burden as everybody&#39;s burden, and one&#39;s prosperity as the prosperity of the beloved land. &lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; Minahasa was not a colonial invention. Long before &lt;/span&gt;&lt;i&gt;De Minahassa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; was used to represent a regional administration, and long before &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Resident Schierstein wrote &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;minhasa &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;to refer to the&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; council of chiefs which congregated at the Dutch fort in Manado-Wenang, &lt;/span&gt;&lt;i&gt;minaesa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; has always been part of the Minahasan people. The Dutch colonial government engineered the unified political administration, but it was &lt;/span&gt;&lt;i&gt;Watu Pinawetengan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; that gave birth to Minahasa. The spirit of &lt;/span&gt;&lt;i&gt;minaesa &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;continues to inspire the people of Minahasa, although politically Minahasa proper is no longer under one administration. Thus, as in the expression: &lt;/span&gt;&lt;i&gt;Sa kita esa, sumerar kita. Sa kita sumerar, esa kita&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; (If we are one, we separate; if we separate, we are one).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;As  the title of Wil Lundström-Burghoorn&#39;s book &lt;i&gt;Minahasa  Civilization: A Tradition of Change&lt;/i&gt; (Göteborg: Acta  Universitatis Gothoburgensis, 1981).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;The  region is embellished with areas that resemble a mortar, along with  some big stone-mortars commonly found in the area, such as in  Likupang, Sonder, Ratahan, Pontak, and Wulur Mahatus area (H. M.  Taulu, &lt;/span&gt;&lt;i&gt;Langkah  Sedjarah Malesung-Minahasa: dari purba hingga pendjadjahan Belanda&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  djilid 1&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;[Manado: Badan  Budaja Jajasan Membangun, 1969], ii, 1). F. Watuseke also mentions  &lt;/span&gt;&lt;i&gt;Taure &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;and&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;i&gt;Makalesung&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  (&lt;/span&gt;&lt;i&gt;Sejarah Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  [&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Manado:  Pertjetakan Negara, 1968], &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;8).   &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Coffee  plants are grown in some places, like in Langowan, but in general it  is still unpopular to grow coffee for a cash crop. Schouten is right  in saying that the forced cultivation was internalized in the  collective memory of the Minahasans (Schouten, &lt;i&gt;Leadership  and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  57-64). It could be that the recovery is on the way; See Chapter  5.2.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;Taulu  points out that since the 1600s Minahasa had been “exporting”  rice to the Philippines and Ternate. Around 1840-1856 there were  still approximately 2000 tons of rice export per year. Subsequently,  the number decreased significantly due to the forced labor and  compulsory coffee plantation. In 1919, for the first time rice was  imported into Minahasa (&lt;i&gt;Bunga Rampai: Sejarah dan Antropologi  Budaya “Minahasa&lt;/i&gt;,&lt;i&gt;” &lt;/i&gt;Jilid 1&lt;i&gt; &lt;/i&gt;[Manado: Tunas  Harapan, 1981], 25).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Peter  Bellwood, then affiliated with Australian National University,  suggests this date following an excavation at the shell-mound  archeological site located at Paso village, southwest of Tondano  Lake, Minahasa  (“Archeological Research in Minahasa and the Talaud Islands,  Northeastern Indonesia,” &lt;i&gt;Asian  Perspectives&lt;/i&gt;, XIX [2]  [1976]:245,  &lt;cite&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;http://scholarspace.manoa.hawaii.edu/bitstream/handle/10125/19177/AP-v19n2-240-288.pdf?sequence=1&lt;/span&gt;&lt;/span&gt;&lt;/cite&gt;&lt;cite&gt;&lt;span style=&quot;color: maroon;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/cite&gt;[accessed  February 3, 2012]).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;&lt;i&gt;Monografi  daerah Sulawesi Utara&lt;/i&gt; ([Jakarta]: Proyek Pengembangan Media  Kebudayaan, Ditjen. Kebudayaan, Departemen Pendidikan dan Kebudayaan  RI, 1976), 15.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Hui  Li et. al. find that Western Austronesian population has a closer  link with the Daic populations compare to any other groups in East  Asia. Daic is a linguistic family located mainly in South China, the  north of the Island Southeast Asians (“Paternal genetic affinity  between western Austronesian and Daic populations,” &lt;i&gt;BMC  Evolutionary Biology &lt;/i&gt;2008; 8: 146,  http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2408594/pdf/1471-2148-8-146.pdf  [accessed August 28, 2012], 7-9); Cf. Watuseke, &lt;i&gt;Sejarah&lt;/i&gt;  &lt;i&gt;Minahasa&lt;/i&gt;, 13.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Wil  Lundström-Burghoorn, &lt;i&gt;Minahasa Civilization&lt;/i&gt;, 19.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;As  Schouten demonstrates in a figure based on J. N. Sneddon&#39;s &quot;The  North Sulawesi Microgroups: in Search of Higher Level Connections,&quot;  &lt;i&gt;Studies in Sulawesi Linguistics &lt;/i&gt;(1989):83-107 (&lt;i&gt;Leadership  and Social Mobility in a Southeast Asian Society&lt;/i&gt;, 15).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;For  further discussion on Minahasan languages, see also J. N. Sneddon,  “The Languages of Minahasa, North Celebes,” &lt;i&gt;Oceanic  Linguistics&lt;/i&gt;, Vol. 9, No. 1 (Summer, 1970), 11-36,  &lt;span style=&quot;color: black;&quot;&gt;http://www.jstor.org/stable/3622930  (accessed January 1, 2012). &lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;Schouten  fails to include the Bobontehu (or Bawontehu) into the Minahasan  sub-groups (&lt;i&gt;Leadership  and Social Mobility in a Southeast Asian Society&lt;/i&gt;,  13).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;E.  C.  Godée-Molsbergen, &lt;i&gt;Geschiedenis van de Minahasa tot 1829&lt;/i&gt;  (Weltevreden: Landsdrukkerij, 1928), 137; See Supit, &lt;i&gt;Minahasa&lt;/i&gt;,  141-142&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Watuseke,  &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 8. &lt;i&gt;Minaesa&lt;/i&gt;  or &lt;i&gt;nimaesa &lt;/i&gt;suggest&lt;i&gt; &lt;/i&gt;the same meaning as  &lt;i&gt;minahasa. &lt;/i&gt;The basic word is  the verb &lt;i&gt;maesa&lt;/i&gt; or  &lt;i&gt;maasa&lt;/i&gt; “to unite,”  “to become one;” &lt;i&gt;esa&lt;/i&gt;  means “one.”&lt;i&gt; &lt;/i&gt;While  the letter “h” in the word Minahasa shows a Tombulu variant, it  may also function as a glottal (stop sound), as it appears in the  writings during the colonial times, hence &lt;i&gt;mina&#39;asa&lt;/i&gt;.  Minahasan native speakers sometimes also use “k” in writing to  signify a glottal. In this thesis [&#39;] is used, following the  literature in Minahasan languages published by &lt;i&gt;Pusat  Penerjemahan Alkitab&lt;/i&gt; (Bible  Translation Center), Tomohon (see, for example, &lt;i&gt;Sirita ni  Yusuf: Kejadian 37, 39-50 dalam bahasa Tondano&lt;/i&gt;  [[S.l.]: Pusat Penerjemahan Bahasa UKIT, 2006]). In this thesis,  glottal is omitted in Minahasan familiar names and places. The  spelling “Toar,” for example, is pronounced “To&#39;ar,” while  “Lumimuut” is “Lumimu&#39;ut.” This is not used in suffixes or  prefixes, only in the root words, whether in the middle of the word  or at the end of it. For example, &lt;i&gt;ra&#39;ar&lt;/i&gt;  “sunny,” &lt;i&gt;sera&#39; “&lt;/i&gt;fish.”    &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;14&amp;nbsp;According  to Watuseke, the term &lt;i&gt;walak &lt;/i&gt;was unknown to the colonial  officials because they perceived the chiefs as &lt;i&gt;dorpshoofden  &lt;/i&gt;(village heads); hence their territories were villages. When  they came to use the local term in the sense of a district, it was  assumed to come from the Dutch &lt;i&gt;balk &lt;/i&gt;“beam.” As Watuseke  explains, Adriani, a Dutch linguist, corrected this view saying that  &lt;i&gt;walak&lt;/i&gt; is “an autochthonous Minahasan word denoting  &#39;relation&#39;, &#39;family&#39;, &#39;tribe&#39;.” He compares the word &lt;i&gt;walak&lt;/i&gt;  to the Sangirese word &lt;i&gt;balagheng &lt;/i&gt;and the Talaud &lt;i&gt;balaghana  &lt;/i&gt;both with the meanings “tribe,” “fellow companion,” and  “remote relation.” The stem is &lt;i&gt;balage&lt;/i&gt; and its old form is  &lt;i&gt;balag&lt;/i&gt;, which is a cognate of the Minahasan &lt;i&gt;walak. &lt;/i&gt;Also,  there is the Tontemboan expression &lt;i&gt;t&lt;/i&gt;&lt;i&gt;u&#39;ur im walak&lt;/i&gt;  translated by Schwarz (1908:572) as “capital,” “the first  settlement of the tribe, from which different branches later  dispersed; “the chief of a district” (F. S. Watuseke, “Hukum  and other administrative terms in the language of Minahasa” in  &lt;i&gt;Bijdragen tot de Taal-, Land,- en Volkenkunde&lt;/i&gt; 142, no:2/3,  [1986]:314-324,  http://www.kitlv-journals.nl/index.php/btlv/article/view/3004/3765  [accessed February 2, 2012]); Supit, &lt;i&gt;Minahasa&lt;/i&gt;, 52-53. See the  names of the Minahasan &lt;i&gt;walaks &lt;/i&gt;in  the appendix.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Yet  the terminology &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  is again disputed (see Supit, &lt;/span&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  53).&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Supit  emphasizes how the term &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  became prominent when the Dutch colonial government formalized the  territorial boundaries among the groups in the 19th century;  previously &lt;/span&gt;&lt;i&gt;walak&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  was the term widely used. He &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;suggests  that the term &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  originates from &lt;/span&gt;&lt;i&gt;papakasaan,  &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;explained  as &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;the principle  of “&lt;/span&gt;&lt;i&gt;tanggungan  bersama,&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;” the  collective responsibilities concerning the land belonging to the  &lt;/span&gt;&lt;i&gt;walak &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(Supit,  &lt;/span&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  53)&lt;/span&gt;&lt;i&gt;. &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;On  the other hand, Taulu&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;argues&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;that  &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  is a misnomer resulting from J. G. F. Riedel who, when writing the  history of ancient Minahasa in 1870, replaced the glottal with the  consonant [k]; hence the word &lt;/span&gt;&lt;i&gt;pahasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  (or &lt;/span&gt;&lt;i&gt;paasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;)  “union” became &lt;/span&gt;&lt;i&gt;pakasaan  &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;(&lt;/span&gt;&lt;i&gt;Sebingkah  Sedjarah Perang Minahasa Spanyol&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  75-76). However, Taulu may have overlooked that in Tondano and  Tontemboan the word &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  indeed exists. According to Watuseke, the term &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  is from the root &lt;/span&gt;&lt;i&gt;esa  &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;“one,”  meaning “to do something once,” “to cover the entirety at  once,” which refers to the “traditional district,” that is the  tribal territories, not the administrative district (&lt;/span&gt;&lt;i&gt;Sejarah&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  46, 74). A &lt;/span&gt;&lt;i&gt;pakasaan  &lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;may  consist of one &lt;/span&gt;&lt;i&gt;walak&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  (as in the case of Pasan, etc) or more (such as for Toudano/Toulour  with three &lt;/span&gt;&lt;i&gt;walaks&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;:  Tondano, Remboken, Kakas). While it may originally signify  sub-ethnic territory, the use of the word &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  today is understood in the sense of both territory and sub-ethnic  group. Minahasan communities originated as groups of kin, who  further established (called &lt;/span&gt;&lt;i&gt;tumani&#39;&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;)  new &lt;/span&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;;  with more &lt;/span&gt;&lt;i&gt;wanua&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  became &lt;/span&gt;&lt;i&gt;walak&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  and from different &lt;/span&gt;&lt;i&gt;walaks&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  became &lt;/span&gt;&lt;i&gt;pakasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;/&lt;/span&gt;&lt;i&gt;pahasaan&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote16&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;The  conflicts took place primarily because of territorial borders,  hunting areas, etc. notwithstanding insignificant issues that were  exaggerated, bringing great calamity (&lt;/span&gt;&lt;i&gt;Langkah  Sedjarah Malesung-Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  djilid 1, 13); &lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Watuseke,  &lt;/span&gt;&lt;i&gt;Sejarah Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  30-32. See also Supit, &lt;/span&gt;&lt;i&gt;Minahasa&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  135-140 about &lt;/span&gt;&lt;i&gt;walak&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  conflicts provoked by the Dutch. &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote17&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 141.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote18&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 111-115.   &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote19&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;The  four groups were Tombulu, Tondano, Tonsea, and Tontemboan. The  Manado kingdom at this time was under Loloda Mokoagow, the king of  Bolaang. When Manado was in power, the son of the king of Manado  ruled over Bolaang. The table turned when Loloda Mokoagouw became  king of Bolaang; he took over the kingdom of Manado, yet called  himself king of Manado. The Bantik, Tonsawang, Pasan-Ratahan, and  Ponosakan were his vassals (Watuseke, &lt;i&gt;Sejarah Minahasa&lt;/i&gt;,  23-24).    &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote20&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;20&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;Taulu,  quoting J. G. F. Riedel, points out that the meeting took place in  the seventh century (&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Bunga Rampai&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  6; see Appendix 3). &lt;/span&gt;Another date in the ballot was February  14, 1946, which signified a coup d&#39; etat in North Sulawesi by a  number of Minahasan KNIL (&lt;i&gt;Koninklijk Nederlands Indisch Leger&lt;/i&gt;  or The Royal Netherlands East Indies Army) in support of the  declaration of Indonesia&#39;s independence proclaimed in Java. In this  colloquium, the appointed committee decided to celebrate January 10,  1679 as the date for Minahasa&#39;s anniversary. As a result, the  majority of the participants walked out of the room. There was no  agreement. The 27&lt;sup&gt;th&lt;/sup&gt; Regent of Minahasa, A. L. Lelengboto,  then appointed November 5, 1428 as the date and pioneered the  celebration of the 555&lt;sup&gt;th&lt;/sup&gt; Minahasa anniversary in November  5, 1982. The reasons behind this date was: November 5 is the  birthday of the national hero Dr. Sam Ratulangi, and the year 1428  is uniquely taken from the dates of February 14, 1946 and October  28, 1928, this latter day commemorating the Oath of the Youth for  one mother land, one nation, and one unified language of Indonesia.  It has been a history of itself (&lt;i&gt;ManadoGo.com&lt;/i&gt;, November 8,  2011).&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote21&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;21&amp;nbsp;Supit,  &lt;i&gt;Minahasa&lt;/i&gt;, 161; Watuseke, &lt;i&gt;Sejarah Minahasa&lt;/i&gt;, 34; Taulu,  &lt;i&gt;Bunga Rampai&lt;/i&gt; 18-19.&lt;i&gt;  &lt;/i&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote22&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;22&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;See  R. E. H. Kotambunan, &lt;/span&gt;&lt;i&gt;Minahasa  2 &amp;amp; 3: pemerintahan purba sampai kedatangan V. O. C. dan tiga  perang Tondano&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  &lt;/span&gt;(&lt;span style=&quot;color: black;&quot;&gt;Manado:  s.n., 1985),&lt;/span&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;  47-55.  &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote23&quot;&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;23&amp;nbsp;Wenas, &lt;i&gt;Sejarah dan Kebudayaan Minahasa&lt;/i&gt;, 49.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote24&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;24&amp;nbsp;Giroth  Wuntu, &lt;i&gt;Perang Tondano 1661-1809 &lt;/i&gt;(Yogyakarta: Galang Press,  2001), 190-191.   &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote25&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;25&amp;nbsp;Wuntu,  &lt;i&gt;Perang Tondano 1661-1809&lt;/i&gt;, 192.   &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote26&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;26&amp;nbsp;L.  Mangindaan writes “kumur e Minahasa!” (“Oud Tondano,” in  &lt;i&gt;Tijdschrift voor Indische Taal-, Land-, en Volkenkunde &lt;/i&gt;20,&lt;i&gt;  &lt;/i&gt;Batavia, [1873]:368, available at  http://books.google.fr/books?id=CghJAAAAMAAJ&amp;amp;pg [accessed April  16, 2012], while Taulu writes “&lt;i&gt;Kumuru e Maasa&lt;/i&gt;” [&lt;i&gt;Bunga  Rampai&lt;/i&gt;, 19]).&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote27&quot;&gt;
&lt;div class=&quot;sdfootnote&quot; style=&quot;line-height: 0.14in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;27&amp;nbsp;Interview,  17 February 2013; Supit writes: “On one hand the fighters of  Minawanua showed a fighting spirit that is hard to find, on the  other the Dutch performed an atrocity. Children and elderly were  slaughtered so that Minawanua was flooded with blood (&lt;i&gt;Minahasa&lt;/i&gt;,  194 [translation mine]); U&lt;span style=&quot;color: black;&quot;&gt;nder  &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;the British, the surviving  Tondano returned to a new settlement at the northern side of Lake  Tondano, divided by the &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;teberan&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;  (Tondano River).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote28&quot;&gt;
&lt;div style=&quot;line-height: 0.07in; margin-bottom: 0in; orphans: 2; widows: 2;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;28&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;  Watuseke, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sejarah  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;, 35. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;  &lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote29&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;29&amp;nbsp;&lt;span style=&quot;color: black;&quot;&gt;This  was the second time Britain took over Minahasa. Previously they took  over Minahasa from 1801-1802, which was resolved in the same &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;manner  as the Anglo-Dutch Treaty of 1814 with the Treaty of Amiëns of 1802  (Watuseke, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sejarah  Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  33).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote30&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;30&amp;nbsp;See  Watuseke, &lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Sejarah Minahasa&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,  36.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote31&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;31&amp;nbsp;See  Chapter Five.   &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div id=&quot;sdfootnote32&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;32&amp;nbsp;“Identitas  Minahasa: Sebuah Praktik Kuliner,” &lt;i&gt;Antropologi Indonesia 74  &lt;/i&gt;(2004):62.&lt;/span&gt;&lt;i&gt; &lt;/i&gt;  &lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/4644642419449760489/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/4644642419449760489?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4644642419449760489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4644642419449760489'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-four.html' title='CHAPTER FOUR: MINAHASA TRADITIONS AND ETHNIC IDENTITY'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-5617479881567558683</id><published>2013-09-12T18:17:00.005-07:00</published><updated>2013-09-16T09:57:30.998-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Romans Euangelion"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER THREE: ROMANS EUANGELION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;3.5. Ethnic
Identity and Culture in the Epistle to the Romans&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
epistle to the Romans is written with the mind that there are no
Judean-Yehudi per se as there are no gentiles per se in the audience.
All are Christians with their own backgrounds, and in need of
understanding, borrowing Hiebert&#39;s words, the “truth, beauty, and
holiness” of the Gospel.&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
For this purpose the apostle masterfully engages the readers into a
deep, challenging, yet loving theological and ecclesiastical epistle.

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; A.
Andrew Das recognizes the “harshness” of the apostle&#39;s language
toward the Yehudi “interlocutor,” a fictive addressee propounded
by Stanley Stowers.&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;
The “harshness,” however, is not new. The “interlocutor” only
changes from “they” (the gentiles unbelievers) to “you” (the
Judean Yehudi). The apostle’s intention is to shake these two
‘worlds’ in order to bring Roman churches into one bigger world:
God’s world. He understands in-group dynamics within Roman
Christian circles; hence he uses Judean and gentile stereotypes as a
pedagogical tool to communicate the &lt;i&gt;euangelion&lt;/i&gt;
to Roman Christian communities that are struggling with ethnic
dynamics wherein some religio-cultural practices come into play.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
logical movement of the apostle’s theological engagement begins
with his pronouncement that “faith is the power of God to save”
(1:16-17). From here he continues to point out three areas of common
ground between Judeans and gentiles. He begins with the sinfulness of
the gentiles. Although St. Paul, in a way, is merely stating a
Judean&#39;s stereotypical view toward the gentiles, he is saying it from
a very different point of view. It is not that the true God is absent
among the gentiles, or that God is unknown to them; hence they live
in ungodliness. In contrast, this ungodliness is because they know
God (“they are without excuse” [1:20]), but do not glorify God as
God or give thanks to Him (1:21).  They turn to images of mortal
human beings, birds, and animals. Therefore, God gave them up&lt;i&gt;
&lt;/i&gt;to their bodily and
spiritually degrading lust and debased mind, which manifested in many
different vices (1:18-32). The word used for “gave up”
(&lt;i&gt;paredoken&lt;/i&gt;)&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;
in 1:24 is charged with theological significance with regards to
God&#39;s work in Christ. Yet see also another important point in the
apostle&#39;s statement here: He affirms that God is not only working
with the Judeans, but with the gentiles as well (cf. 3:29).&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In
turn, while the Judean Yehudi may think that they are safe because
they are not as ‘miserable’ as the gentiles, so to say in this
scenario, the apostle&#39;s news for them is the wrath of God. For they
indeed rely upon the Law (the Law itself is good),&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;
boast in God, know the will of God, etc., but they do still
transgress the Law (2:1-24). Hence both sides, or rather all, from
the most pious to the most degraded, whether Judeans or gentiles, are
set on the same level by the apostle: sinful (cf. 3:9). This is the
first common ground.    
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
second common ground is that the people of God are not defined by
ethnicity or religio-cultural practices, but by faith. The Judean
take their lineage from Abraham very seriously. It is the claim that
separates them from the rest of the nations; the presumption is that
God&#39;s people are within the perimeter of Israel (i.e. Judean)
ethnicity and circumcision is a significant sign of membership. Yet
the apostle points out that theologically not all of Israel are
children of Abraham, and that non-Israel may be children of Abraham.
The covenant of God with Abraham is received by faith, before Abraham
was circumcised, and “[t]he purpose was to make him the
ancestor of all who believe without being circumcised and who thus
have righteousness reckoned to them...”
(4:11, &lt;i&gt;NRSV&lt;/i&gt;).

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Being
Israel, in this sense the Judeans as the remnant of Israel, means
following their traditions, honoring their ancestors and preserving
their identity as Judeans. Circumcision is the symbol of God&#39;s
covenant with Abraham and his offspring (i.e., Israel&#39;s election to
be a blessing to the nations), and for the apostle, this sign of the
covenant is nullified for other nations because it is Israel&#39;s. In
other words, it is for the Judeans to have circumcision and not other
nations. The Judeans are free to observe the Mosaic Law and their
traditional practices, although it must be understood that they are
not warrants of God&#39;s salvation. For the apostle this is by no means
to eliminate the Law or the covenant, but to usher God&#39;s work of
salvation for all; this is salvation, through grace, accepted by
faith that bears fruit of the Spirit-led life. The Law shows that
everyone sins. It is faith in Jesus Christ that brings God&#39;s grace.
Jesus Christ is the fulfillment of the covenant that offers God&#39;s
blessing to the rest of the nations. The symbol of Judeans as the
people of God opens up a new metaphor that true
Judeans may also
come from other nations (4:1ff).    
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
third common ground is justification through faith in Christ Jesus
alone, which leads into &lt;i&gt;dikaiosune
&lt;/i&gt;(righteousness and
justice) and holiness,&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
applicable both for Judeans and gentiles. The apostle Paul uses the
same word &lt;i&gt;paradidomi&lt;/i&gt;
to express what God has done through Christ for every human being
from every nation. Jesus Who was given up (&lt;i&gt;paredothe&lt;/i&gt;)&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;
for our trespasses,&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;
and was raised again for our justification (4:25; cf. 8:25).
&lt;i&gt;Paradidomi&lt;/i&gt;
contains the idea of being surrendered to another&#39;s hand; hence one&#39;s
well-being depends on the one who is being surrendered to, whether to
be punished or to be saved. In God&#39;s work of salvation, the Messiah
is being surrendered for both reasons, to be punished and to be
vindicated. Jesus bears the punishment of sins, and here, while the
application is for all, it is with a special attention to the sins
and salvation of the gentiles. Jesus Christ “whom God hath set
forth as a propitiation by His blood, through faith, to demonstrate
His righteousness, because in His forbearance God has passed over the
sins that were previously committed, to demonstrate at the present
time His righteousness, that He might be just, and the justifier of
the one who has faith in Jesus” (3:25-26, &lt;i&gt;NKJV&lt;/i&gt;).

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; This
notion of faith in Christ culminates in chapter six with baptism.
Baptism symbolizes a new identity as a member of a new entity beyond
ethnic identity; it is still defined by blood, although not in the
meaning of blood-tie, but Christ&#39;s blood shed for the world that ties
every believer into one body. The language of kinship is retained,
that they have become the children of God; hence they become the
heirs of God (8:14-17) with citizenship in the Kingdom of God (cf.
14:17). Their life is marked by transformation into one
inter-national community of believers (12:1ff).  
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Chapters
9-11 serve as a new episode that bears the weight that is crucial to
drive home the apostle Paul&#39;s point on why, within their interaction
with one another, they should also consider the non-Christian
Judeans. The Judean Yehudi with their strong ethnic and religious
identity are still God’s people. It is not out of God’s plan that
they are estranged from the salvation of God through Christ. The
Church should perceive them as part of the future &lt;i&gt;eschaton
&lt;/i&gt;(cf.
11:11ff.), and if
they are part of the future &lt;i&gt;eschaton,&lt;/i&gt;
the Christians and the Yehudi should be able to live together in such
a manner that reflects this hope. The implication of this pastoral
exercise is that the Judeans, who are starting again in Rome, will
not be treated contemptuously by their Christian brothers and
sisters.&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt;
 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; By
living in faith, led by the Holy Spirit, Judeans and gentile
Christians will live a life that reflects God&#39;s grace and salvation
(cf. 7:6; 8:4ff). This implied message eventually has some in-group
implications to how those who have a different opinion, whether
within the context of the individual congregation or in their
inter-church relations, will behave. This is especially in regards to
things related to (Judean) culture, such as day observation and food
or drink prohibition. In effect, this is a call to provide the space
for “walking in love” with one another, which is not to cause
others to stumble (14:13-15). This admonition is indirectly
applicable to the God-fearer group. At the same time, Judean or
gentile Christians, who through faith in Christ have come to believe
that in Christ “nothing is unclean in itself” (14:14), may live
in that freedom, but they ought also to walk in love in order not to
make others stumble, “for the kingdom of God is not eating and
drinking, but righteousness and peace and joy in the Holy Spirit”
(14:17, &lt;i&gt;NKJV&lt;/i&gt;);
this is to be understood in contrast to the way of living the apostle
describes in chapters one and two. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In
conclusion the apostle accentuates the importance of understanding
the new identity possessed by the Roman Christians and invites them
to see it beyond their ethnic identity. This does not dismiss their
ethnic identity. As St. Paul maintains, “I myself a Judean,”
appointed as an apostle to the gentiles. He recognizes that God is
also at work in other nations, and the time has come, the promise has
been fulfilled, that all the nations shall be blessed. A good news
for all. Saul, the multicultural apostle, became Judean with those
who are Judeans and gentile to those who are gentiles. He sees it as
a freedom in Christ, the good news of the Gospel, not to despise but
to honor the richness of cultural differences among God&#39;s people.
This affirms that in Christ it is not Judean traditions and culture
that set the matter, nor any other traditions and cultures, but it is
&lt;i&gt;faith in Christ&lt;/i&gt;
that leads&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;into
love (13:8,10), righteousness and justice (&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;i&gt;dikaiosune&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;),
peace, and joy in the Holy Spirit (14:17), &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;that
is the Spirit-led life (&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;cf.
8:4ff&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;).&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Here, the question
of whether or not Minahasans may become Christians without having to
be Judeans, or European by extension, is answered. 
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Yes, we can. 
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; But now, what may
the term Minahasa suggest? 
&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-four.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;------&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;LEFT&quot; style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Hiebert,
 &lt;i&gt;Transforming Worldviews&lt;/i&gt;, 275. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;A.
 Andrew Das, &lt;i&gt;Solving the Romans Debate &lt;/i&gt;(Minneapolis: Fortress
 Press, 2007), 88.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;&lt;i&gt;Paradoken&lt;/i&gt;,
 verb aorist indicative active - 3&lt;sup&gt;rd&lt;/sup&gt; person
 singular from &lt;i&gt;paradidomi &lt;/i&gt;“[God]
 gave [them] up.” In Thayer&#39;s Greek Lexicon &lt;i&gt;paradidomi&lt;/i&gt;
 means (1) properly, to give into
 the hands (of another); (2) to give
 over into (one&#39;s) power or use, further explanation shows that in
 contexts it may mean either for the purpose of judgment,
 condemnation, punishment, etc. or to be taken care of, for one&#39;s
 salvation, etc.; (3) equivalent to to commit, to commend; (4)
 to deliver verbally; (5) to permit, allow
 (http://biblesuite.com/greek/3860.htm [accessed September 11,
 2012].)    
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;For
 apostle Paul, the Law is a tutor (&lt;i&gt;paidagogos&lt;/i&gt;)
 for the people of Israel, but cannot save, either Israel or
 non-Israel. “Therefore by the deeds of the law there shall no
 flesh be justified in his sight: for by the law &lt;i&gt;is&lt;/i&gt; the
 knowledge of sin” (3:20, &lt;i&gt;KJV&lt;/i&gt;); Cf. 3:31. The Law is good if
 one obeys it (cf. 1 Timothy 1:8).  
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Against
 the allegation of his &#39;anti-nomian&#39; Gospel apostle Paul reminds
 Roman Christians: “Owe no one anything, except to love one
 another; for the one who loves another has fulfilled the law…Love
 does no wrong to a neighbor; therefore, love is the fulfilling of
 the law” (13:8,10). Bruce points out that apostle Paul is not only
 preaching about “righteousness” but also “holiness” (The
 Romans Debate – Continued in &lt;i&gt;Romans Debate&lt;/i&gt;, 183).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Verb-&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;aorist&lt;/span&gt;
 indicative passive - 3&lt;sup&gt;rd&lt;/sup&gt; person singular&lt;i&gt; &lt;/i&gt;from
 &lt;i&gt;paradidomi&lt;/i&gt; “was delivered.” 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote7&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Bahasa,
 &lt;i&gt;pelanggaran&lt;/i&gt;;
 Minahasa, &lt;i&gt;kaselokan.
  &lt;/i&gt;
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote8&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Cf.
 Bruce, “The Romans Debate – Continued” in &lt;i&gt;Romans Debate&lt;/i&gt;,
 184.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/5617479881567558683/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/5617479881567558683?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/5617479881567558683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/5617479881567558683'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-three_6829.html' title='CHAPTER THREE: ROMANS EUANGELION'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-6684716337971169055</id><published>2013-09-12T18:12:00.001-07:00</published><updated>2013-09-16T09:49:48.511-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Romans Euangelion"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER THREE: ROMANS EUANGELION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;3.2. The
Author of Romans&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
Epistle to the Romans has been regarded as the “last will and
testament” of the apostle Paul (Saul).&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
He was one of the most prominent figures in early Christianity,
largely because of his evangelization efforts and also his writings
(epistles).&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;
Commonly, he wrote to either the congregations he founded or
individuals he knew. Nonetheless, the Epistle to the Romans was a
special case. The apostle might have never before stepped his feet in
the Empire’s capital city with which the symbol of his citizenship
was attached.&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
apostle puts his name as the sender of the epistle to the Romans.
“[From] Paul, a servant that belongs to Christ Jesus, called to be
an apostle, and set apart for God&#39;s &lt;i&gt;euangelion&lt;/i&gt;
(good news, &lt;i&gt;injil&lt;/i&gt;).”
(1:1). He further explains that this &lt;i&gt;euangelion&lt;/i&gt;
is what God has promised through His prophets in the Holy Scriptures,
regarding His Son, who according to the flesh was a descendant of
David, and according to the Spirit of holiness, declared to be the
Son of God with power, by the resurrection from the dead, Jesus
Christ our Lord (1:2-4).&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; This
epistle, which has been dated between 55 and 58 AD,&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
bears the deepest heart and highest mind of the apostle. “He was
the right person for the right time,” writes Anthony J. Tambasco,
“raised a Jew in [g]entile territory.”&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;
Fitzmyer highlights the apostle&#39;s own description of himself in this
letter: “I am an Israelite myself, a descendant of Abraham, from
the tribe of Benjamin” (11:1; cf. 2 Corinthians; Philippians 3:5).
He has a strong identification with his people: “For I could wish
that I myself were accursed and cut off from Christ for the sake of
my own people [Greek, my brothers], my kindred according to the flesh
(9:3, &lt;i&gt;NRSV&lt;/i&gt;).”
At the same time, he considered himself as Christ’s apostle to the
Greeks (11:13), yet also “indebted” to the non-Greeks, “the
barbarian” (1:14),&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;
which is the reason why he wanted to go to Rome and beyond. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_8886.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;------&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;Günther
 Bornkamm, “The Letter to the Romans as Paul’s Last Will and
 Testament,” in &lt;i&gt;Romans Debate&lt;/i&gt;, 16-28. While the content of
 the epistle has been regarded as evidence to the authorship of this
 epistle by St. Paul, it is also supported by external evidence. As
 Robert Van Voorst points out, “Marcion, the Muratorian fragment,
 and second-century writers such as Ignatius, Polycarp, Justin
 Martyr, and Irenaeus all affirm its Pauline authorship” (&lt;i&gt;Reading
 the New Testament Today &lt;/i&gt;[Belmont,
 Calif: Thomson Wadsworth, 2005], 385); Cf. Fitzmyer, &lt;i&gt;Romans&lt;/i&gt;,
 40-43.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;In
 early days the apostle Paul went to Jerusalem to embark in a
 rabbinic training under a member of the Sanhedrin, Gamaliel. He took
 the strictest camp of the Judaic religion, the Pharisee, and proved
 to be a leading figure among his peers. Burning with his zeal for
 God and the religion of Israel, he undertook a mission with the High
 Priest’s blessing to punish all ‘apostate’ Judeans who joined
 the Christ-movement. With this passion, he traveled to Damascus to
 bring back to Jerusalem the followers of The Way, but his experience
 of meeting with Christ at the gate of the city, which caused him
 temporary blindness, turned his course 180&lt;sup&gt; &lt;/sup&gt;degrees. He
 was baptized and continued his journey, now proclaiming the news he
 tried to previously muffle&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;
 (see The Acts of the Apostles 9ff.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Tarsus
 became the capital city of the Roman province Cilicia in 66 BC, and
 it had been a city that enjoyed special treatment by the Roman
 rulers. Udo Schnelle writes that in this “metropolitan center of
 Hellenistic culture,” a person with five hundred drachmas could
 obtain the rights of a citizen. He therefore postulates that the
 apostle&#39;s family could have purchased it. Without Roman citizenship,
 “it is difficult to explain the transfer of Paul&#39;s case to Rome”
 (&lt;i&gt;Apostle Paul: His Life and Theology&lt;/i&gt;, 58-62).  
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;The
 structure of the sentences here is similar to the &lt;i&gt;Terjemahan Baru
 &lt;/i&gt;version of the Indoneisan Bible
 Society (Lembaga Alkitab Indonesia) and Fitzmyer&#39;s
 translation (&lt;i&gt;Romans&lt;/i&gt;, 3). 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;“In
 the revisionist chronology” Voorst writes, “51-52 AD” (&lt;i&gt;Reading
 the New Testament Today&lt;/i&gt;,
 384-385). Fitzmyer prefers 57-58 AD, arguing that composition
 of Romans as early as 51/52 or 54/55 AD is “impossible” (see
 &lt;i&gt;Romans&lt;/i&gt;, 86-87).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;&lt;i&gt;In
 the Days of Paul: The Social World and Teaching of the Apostle &lt;/i&gt;(New
 York: Paulist Press, 1991), 13. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Fitzmyer,
 &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Romans&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, 40-42.&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/6684716337971169055/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/6684716337971169055?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6684716337971169055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/6684716337971169055'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-three_12.html' title='CHAPTER THREE: ROMANS EUANGELION'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-4443828125787848873</id><published>2013-09-12T18:12:00.000-07:00</published><updated>2013-09-16T09:47:20.292-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Romans Euangelion"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER THREE: ROMANS EUANGELION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;After establishing the direction adhered to in this thesis, we now come to the first step of the trilogy: Scripture, Tradition, and Context. The Epistle to the Romans&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; has been a theological reservoir from which great Christians across the ages have drawn. Yet at the same time, it has also has been a source of debate among scholars, giving birth to what has been called the Romans Debate. According to F. F. Bruce, the Romans Debate signifies “the debate about the character of the letter (including questions about its literary integrity, the possibility of it having circulated in longer and shorter recensions, the destination of chapter 16) and, above all, Paul’s purpose in sending it.”&lt;/span&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;&lt;sup style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt; &lt;/sup&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;This chapter is not meant to treat in detail every point in this debate; rather points are addressed in connection to the theme of ethnic and cultural identity in the epistle.&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The first part of this chapter deals with the background of the city of Rome in terms of ethnic plurality, while the second presents the apostle Paul as the author of this epistle. The third discusses the recipient of the epistle, which is then followed by the fourth part that is a cultural and rhetorical analysis of the letter concerning its purpose(s). &lt;span style=&quot;color: black;&quot;&gt;The fifth part provides&lt;/span&gt;&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;an overview of the content of Romans in connection with ethnic and culture identity.   &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;b&gt;3.1. Rome and Ethnic Diversity &lt;/b&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Rome, originally a shepherd’s village, had become cosmopolitan in the first century AD, serving as the capital of the Roman Empire, a vast range of political territory mostly acquired by wars.&lt;sup&gt;&lt;a class=&quot;sdfootnoteanc&quot; href=&quot;http://www.blogger.com/blogger.g?blogID=5569899750864732204#sdfootnote3sym&quot; name=&quot;sdfootnote3anc&quot;&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt;&lt;/sup&gt; It developed its military power and by 275 BC had gained control over Italy and even Macedonia in 148 BC. These conquests were followed by political unrest that bewildered Rome, so that in 60 BC it was governed by the first triumvirate of generals: Julius Caesar, Crassus, and Pompey.  The last of these three brought calamity to the land of the Judeans earlier in 63 BC and made it part of the reorganized province of Syria.&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In 27 BC, Octavius, whose edict later forced Joseph and Mary to go to Bethlehem, received the title Augustus from the Roman Senate, and reigned as &lt;i&gt;Princepts&lt;/i&gt; (Latin for “first one” or “leader”), which meant more or less “a benign dictator.”&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt; Named Gaius Julius Caesar Octavianus, he stabilized Rome and propagated “pax Augusta,” the era of peace in the entire Roman dominion. Octavianus Augustus died in 14 AD and was succeeded by Tiberius Caesar (14-37 AD), Gaius Caligula (37-41 AD), Claudius (41-54 AD), and then Nero (54-68 AD) who burnt the city of Rome in 64 AD and blamed the Christians.&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt; The Epistle to the Romans was written previous to this event, most probably at the time when Nero “had not [yet] become the ambitious and murderous tyrant (before 60 AD).”&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; “Early Imperial Rome truly was one of the most &#39;multicultural&#39; cities in antiquity,” Jurgen Zangenberg and Michael Labahn write. “...Syrians, Africans, Gauls, Egyptians, Jews and other groups flocked into the city and formed their communities – as well as Christians.”&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt; Although it seems rather peculiar to add Christians in a row of people defined by ethnic/regional origin, such statement points to the fact that later Christians&#39; opponents in Rome regarded the followers of Christ as “a third race” (&lt;i&gt;genus tertium&lt;/i&gt;).&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt; Tacitus makes a good case for a multicultural Rome and therein anti-Christian attitude. As Peter Lampe points out, he has the Christians in mind when he writes that in Rome “all detestable and appalling things from all over the world come together” (&lt;i&gt;Annales&lt;/i&gt; 15.44.3).&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; While some scholars testify to the migration into Rome in the way Zangenberg and Labhan imply above,&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/sup&gt; the reality of multiculturalism and ethnic plurality in Rome was to a great extent influenced by the practice of taking war prisoners as slaves in this era.&lt;sup&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/sup&gt; For example, Julius Caesar reportedly captured more than one million people during his campaign in Gaul (today France) in 58-59 BC.&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt; Similarly, Pompey transported many Judeans from the eastern Mediterranean in his campaign in 63 BC.&lt;sup&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/sup&gt; According to Lampe, many of these Judeans later received Roman citizenship, at the latest, under Augustus.&lt;sup&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/sup&gt; It is estimated that by the first century AD, there were about 50,000 Judeans in the Empire’s capital, organized in several different synagogues.&lt;sup&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; When the Romans took hold of the Mediterranean, they found that the Greeks had established a distinct cultural presence in the area. Quoting Isocrates, the term Hellene “no longer suggest[s] a race [meaning nation or ethnicity]&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt; but intelligence, and the title Hellene is applied rather to those who share our culture than to those who share our blood.”&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt; This statement does not suggest the adoption of Greek ethnicity by other nations or the inclusion of other nations into Greek ethnicity;&lt;sup&gt;&lt;sup&gt;19&lt;/sup&gt;&lt;/sup&gt; it shows how Hellene became an inter-ethnic culture in the Greco-Roman world and underlies Isocrates&#39; ethnocentrism.&lt;sup&gt;&lt;sup&gt;20&lt;/sup&gt;&lt;/sup&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; At the same time, the term &lt;i&gt;Ioudaioi &lt;/i&gt;also gained a cultural significance as those who were not of Judean origin but embraced the religion of Israel. Hence from this understanding, the expression “&lt;i&gt;Ioudaious te kai Hellenas&lt;/i&gt;”&lt;sup&gt;&lt;sup&gt;21&lt;/sup&gt;&lt;/sup&gt; may refer to an ethnic category: “Judeans and Greeks” or a religio-cultural category: “the Yehudi and the Hellene.”   &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;The  term “epistle” and “letter” both mean “surat” in Bahasa.  In this thesis, the term “epistle” is understood as a  “&lt;i&gt;Lehrbrief&lt;/i&gt;” (didactic letter) (Fitzmyer, &lt;i&gt;Romans&lt;/i&gt;,  69), written artistically by nature of the writer&#39;s ability to  produce such material and sent to a particular recipient, whose  relationship with the sender has been made close by their sheer  conviction.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;F.  F. Bruce, “The Romans Debate – Continued,” in &lt;i&gt;Romans  Debate&lt;/i&gt;, ed. Karl P. Donfried (Peabody, Massachusetts, 1991),  175.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Joseph  A. Fitzmyer writes that after about two hundred years from the time  it was founded (c. 753 BC), in which generations of kings had  reigned, Rome took up the form of a republic (c. 510 BC) and was  ruled by two yearly-elected magistrates called consuls (&lt;i&gt;Romans:  A New Translation with Introduction and Commentary&lt;/i&gt;  [London: G. Chapman, 1993], 25).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;Fitzmyer,  &lt;i&gt;Romans&lt;/i&gt;, 26.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Fitzmyer,  &lt;i&gt;Romans&lt;/i&gt;, 26.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Fitzmyer,  &lt;i&gt;Romans&lt;/i&gt;, 26.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;Fitzmyer,  &lt;/span&gt;&lt;i&gt;Romans&lt;/i&gt;&lt;span style=&quot;background-position: initial initial; background-repeat: initial initial;&quot;&gt;,  26; &lt;/span&gt;Udo  Schnelle makes available the accounts of Tacitus and Suetonius,  Roman historians, regarding the persecution of the Christians during  this period of time. Traditionally, the apostle Peter&#39;s and Paul&#39;s  martyrdom is associated with this persecution as attested in I  Clement 6.1 (&lt;i&gt;Apostle  Paul: His Life and Theology&lt;/i&gt;  [Grand Rapids, MI: Baker Academic, 2005], 381-386).&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;Jürgen  Zangenberg and Michael Labahn (ed.), preface to &lt;i&gt;Christians As a  Religious Minority in a Multicultural City&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;(London  [u.a.]: T &amp;amp; T Clark International, 2004), vii; Fitzmyer, &lt;i&gt;Romans&lt;/i&gt;,  26-27.&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;Adolf  Harnack, &lt;i&gt;The Mission and Expansion of Christianity in the First  Three Centuries&lt;/i&gt;, tr. and ed. James Moffatt (Grand Rapids, MI:  Christian Classics Ethereal Library, 2005), 231,  http://www.ccel.org/ccel/harnack/mission.pdf (accessed September 15,  2012).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;“Early  Christians in the City of Rome: Topographical and Social Historical  Aspects of the First Three Centuries,” in &lt;i&gt;Christians As a  Religious Minority in a Multicultural City&lt;/i&gt;, 20-32.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;For  example, Fitzmyer refers to the lists of names in Romans 16: ten  Latins, eighteen Greeks, and two perhaps Hebrew names. He continues,  quoting H. Lietzmann who writes, “everyone streams to Rome”  (&lt;i&gt;Romans&lt;/i&gt;, 36). In the same line, Claudia Moatti writes,  “Migration increased greatly from the end of the republic and the  beginning of the principate, chiefly because of peace”  (“Translation, Migration, and Communication in the Roman Empire:  Three Aspects of Movement in History,” &lt;i&gt;Classical Antiquity&lt;/i&gt;,  Vol. 25, Issue 1, [April 2006]:117-118,  &lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://hal-paris1.archives-ouvertes.fr/docs/00/65/86/82/PDF/translation.pdf  (accessed &lt;/span&gt;&lt;/span&gt;September &lt;span style=&quot;color: blue;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;15,&lt;/span&gt;&lt;/span&gt;  2012). Moatti further adds: “Ancient societies did not need to  identify all their inhabitants: identification could be left to  social networks, to indifference, or to uncertainty. In the same  way, all people did not need to be identified.” Yet she draws  attention to the Christians, who could escape identification, but  because of “their desire to affirm their strong personal  identities provoked administrative identification” (121).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;See  Walter Scheidel&#39;s analysis on the topic of slavery in Roman Empire  in his article “The Roman Slave Supply,” &lt;i&gt;Princeton/Stanford  Working Papers in Classics&lt;/i&gt;, Stanford University, 2007,  http://www.princeton.edu/~pswpc/pdfs/scheidel/050704.pdf  (accessed  September 15, 2012).  &lt;i&gt; &lt;/i&gt;  &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Scheidel,  “The Roman Slave Supply,” 8; Hays,  “Paul and the Multi-Ethnic First Century World,”&lt;i&gt;  &lt;/i&gt;in  &lt;i&gt;Paul as Missionary&lt;/i&gt;,  79-80.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;14&amp;nbsp;Fitzmyer,  &lt;i&gt;Romans&lt;/i&gt;, 27.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;“Early  Christians in the City of Rome,” in &lt;i&gt;Christians As a Religious  Minority in a Multicultural City&lt;/i&gt;, 20. Before the convoluted  relations between Judea and Rome, that is when the Greeks were still  strong in the Mediterranean, three times the Hasmoneans sent envoys  to the Roman Senate, establishing friendship between the two states.  First in c. 161 BC (1 Maccabeus 8:1-32); second c. 150 BC (1  Maccabeus 12:6); and third c. 139 BC (1 Maccabeus 14:24). These  friendship agreement may have been followed by the Judeans&#39; presence  in the city of Romulus (Peter Richardson, “Augustan-Era Synagogues  in Rome,” in &lt;i&gt;Judaism and Christianity in First Century Rome&lt;/i&gt;,  ed. Karl Paul Donfried and Peter Richardson [Grand Rapids, Mich.  [u.a.]: Eerdmans, 1998], 18).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;Fitzmyer,  &lt;i&gt;Romans&lt;/i&gt;, 27.   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;The  term “race” shares the meaning of “nation” and “ethnicity,”  although they are still used in different contexts (see Fenton,  &lt;i&gt;Ethnicity&lt;/i&gt;, 14ff). However, in the second quarter of 19&lt;sup&gt;th&lt;/sup&gt;  century to the first quarter of the 20&lt;sup&gt;th&lt;/sup&gt; century, “race”  became a specific scientific term, especially later during the Nazi  era in Germany. Among the assumptions held in the race-thinking, or  “racist theory” as Esler puts it, is that all of humankind may  be classified “into a relatively small number of races, defined  primarily by physical and visible difference” and that the  white-race is superior to all others (Fenton, &lt;i&gt;Ethnicity&lt;/i&gt;  19-20). This concept has been largely abandoned in social science  and, as with the term “race,” Esler points out “the  concept of ethnicity has become popular as a way of talking about  differences among peoples” (Esler, &lt;i&gt;Conflict and Identity in  Romans&lt;/i&gt;, 52).    &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Hays,  “Paul and the Multi-Ethnic First Century World,” in  &lt;i&gt;Paul as Missionary&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;76 referring to Harry Brewster&#39;s book &lt;i&gt;Classical  Anatolia: The Glory of Hellenism&lt;/i&gt;.&lt;i&gt;  &lt;/i&gt;According to the John Akritas Blog, this quotation appears in  &lt;i&gt;The Panegyricus &lt;/i&gt;in 380 BC (“Isocrates on Greek culture and  race,” posted March, 26, 2009,  http://hellenicantidote.blogspot.com/2009/03/isocrates-on-greek-culture-and-race.html  [accessed October 13, 2012]).   &lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;19&amp;nbsp;Cf.  Hays, “Paul and the Multi-Ethnic First Century World,” in  &lt;i&gt;Paul as Missionary&lt;/i&gt;,&lt;i&gt;  &lt;/i&gt;77.     &lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote20&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;20&amp;nbsp;Isocrates  seeks to unite the Greek sub-ethnic groups under Athens to march  against Persia by appealing to the idea of cultural superiority of  the Hellene (John Akritas Blog, “Isocrates on Greek culture  and race”).   &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div id=&quot;sdfootnote21&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;21&amp;nbsp;3:9;  Cf. 1:16; 2:9, 10; 10:12.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://raymaleke.blogspot.com/feeds/4443828125787848873/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/5569899750864732204/4443828125787848873?isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4443828125787848873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5569899750864732204/posts/default/4443828125787848873'/><link rel='alternate' type='text/html' href='http://raymaleke.blogspot.com/2013/09/chapter-three.html' title='CHAPTER THREE: ROMANS EUANGELION'/><author><name>Ray Maleke</name><uri>http://www.blogger.com/profile/04330152337456131654</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpenaftEeRhdTcOOGXD62gJBKfjFOV6Gr1X0Xf4UD4avD2DZyLxq3g_Vvk0iC5d32n4m0w3W12e6oF761Y_7tjVJzfymkDG7t1hdQLcB3n0Km9sisR4KplE6mH9NmXUA/s220/foto.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5569899750864732204.post-6568485034055672123</id><published>2013-09-12T18:11:00.002-07:00</published><updated>2013-09-16T09:51:47.934-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Romans Euangelion"/><category scheme="http://www.blogger.com/atom/ns#" term="Thesis Project"/><title type='text'>CHAPTER THREE: ROMANS EUANGELION</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;line-height: 200%; margin-top: 0.08in;&quot;&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; line-height: 200%;&quot;&gt;3.3. The
Recipients&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; Attempts
to define the recipients of Paul&#39;s Epistle to the Romans
abound. One example
is A. J. M. Wedderburn in his essay “The Purpose and Occasion of
Romans Again” wherein he evaluates the arguments of two scholars,
W. S. Campbell and W. Schmithals.&lt;sup&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/sup&gt;
As Wedderburn describes, Campbell&#39;s position is that the apostle Paul
writes to a mixed church predominantly of gentiles with the Judeans
as a minority.&lt;sup&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/sup&gt;
Schmithals, meanwhile, postulates that the recipients were former
God-fearers “who have received Christ but have not been weaned from
their close connection with, and dependence upon, the synagogue.”&lt;sup&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/sup&gt;
To this, Wedderburn asserts that the recipients are both God-fearers,
including a few Judean Christians who maintained their relationship
with the synagogue, and gentile Christians, including Judean
Christians who have severed their ties with the Judean Synagogue and
“embraced a ‘law-free gospel’ like St. Paul’s.”&lt;sup&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/sup&gt;
These positions offers insights into the recipients of the epistle. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; F.
F. Bruce asserts that Christianity, or the Christ-movement, as Esler
suggests, probably found its way to Rome within a few years of its
inception, considering the social mobility at that time.&lt;sup&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/sup&gt;
The Lukan account of the “visitors from Rome, both Jews and
proselytes” in the momentous Pentecost described in Acts 2 is
significant in postulating the existence of Romans Christians, and
more importantly, their connection to the Jerusalem church. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
“visitors from Rome” may be an indication that there are a number
of diaspora-Judeans and God-fearers who join the early church
movement and take it with them back to Rome after their pilgrimage.
They might be joined by some Judean-Christians who escape persecution
in Judea by Herod Agrippa I (41 AD).&lt;sup&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/sup&gt;
The initial make-up of the Christian community in Rome, therefore, is
mainly from a Judean religio-cultural (Yehudi) background. Possibly
in this metropolis, members of the Christ-movement are meeting from
house to house to break bread together, as was exercised by the
community of believers in Jerusalem (Acts 2:46), while keeping their
social identity and social support as a minority in a larger
Greco-Roman society which is attached to their synagogues
respectively. In other words, they become a group within a group.   
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; However,
the nature of the Christ-movement and the Judean religion itself
determine this mode of relationship to be short-lived. Frictions as
appear between Stephen and some members of the Synagogue of the
Freedman (Acts 6:9) is evidence. The “parting of the way” is
inevitable and evidently accelerated by the apostle Paul’s
evangelistic effort. He engages different synagogues in the
Mediterranean, which reportedly receives a good response primarily
from those from gentile background, albeit with some backlash from
the Yehudi authority.&lt;sup&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/sup&gt;
In the case of Rome, the clash between the Judean Yehudi and the
Christ-movement happens around 49 AD, which results in the expulsion
of the Judeans (including the Judean Christian) from Rome by Emperor
Claudius on the allegation of the creation of disorder.&lt;sup&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/sup&gt;&lt;sup&gt;
&lt;/sup&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; The
edict of expulsion itself, according to Orosius,&lt;sup&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/sup&gt;
was issued in 49 AD.&lt;sup&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/sup&gt;
Though Orosius’ credibility raises some questions, his dating is
supported by the Lucan record in Acts 18:2.&lt;sup&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/sup&gt;
There we find information about St. Paul’s meeting with a Judean
named Aquila who came from Italy with his wife Priscilla, “because
Claudius had commanded all the Judeans to leave Rome.” According to
Bruce, the apostle arrives in Corinth in the late summer of A. D. 50;
hence it may be that Priscilla and Aquila, perhaps both
“foundation-members”&lt;sup&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/sup&gt;
of the Christ-movement in Rome, left Rome the previous year.&lt;sup&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In
this light, given that there were some later converts from gentile
background that joined the church in Rome, the Christ-movement there
is left predominantly gentile due to Claudius’ edict. As of 54 AD,
when Nero became the emperor, the Roman Christians must have grown
into full-scale gentile communities, with those who probably assumed
leadership, as Schmithals rightly points out, “leaning toward
Judean practices.”&lt;sup&gt;&lt;sup&gt;14&lt;/sup&gt;&lt;/sup&gt;

&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; By
the time the apostle Paul writes his epistle to the Roman Christians
(c. A. D. 57), there must be interesting ramifications in the dynamic
of the Christian community in Rome. Priscilla and Aquila apparently
have gone back to Rome and, as in Ephesus, are hosting a house
church.&lt;sup&gt;&lt;sup&gt;15&lt;/sup&gt;&lt;/sup&gt;
It is not redundant to entertain the question of whether or not their
house church is primarily Judean or inter-national. Robert Jewett
provides a construct of five house church profiles in Rome that are
known to the apostle, and the one meeting at Priscilla and Aquila’s
is supposed to be of mixed-ethnicity.&lt;sup&gt;&lt;sup&gt;16&lt;/sup&gt;&lt;/sup&gt;
 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;sup&gt;&lt;sup&gt;&lt;br /&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt; In
chapter 16, we find the apostle Paul’s commendation of Phoebe, a
deacon or a minister from Cenchreae,&lt;sup&gt;&lt;sup&gt;17&lt;/sup&gt;&lt;/sup&gt;
who apparently is the courier of the epistle, together with
twenty-six other individual names with some uniqueness as to Judean,
Greek, and Roman names. Bruce postulates that these people are
members to at least five groups of house churches in Rome.&lt;sup&gt;&lt;sup&gt;18&lt;/sup&gt;&lt;/sup&gt;
From here we may perceive that the epistle to the Romans is written
not to a single church, but as a circular epistle to different
churches, characterized by different ethnic dynamics. And looking
from the construction of the setting behind the epistle, the
intention is, among others, to address the intra-church dynamics
(within each of the congregations), inter-church dynamics (among the
churches in Rome) and also outer-church dynamics (the Christian and
the Yehudi). Hence, in this conclusion, Campbell’s, Schmithals’
and alsoWedderburn’s positions (without including
any ties with synagogues) are all incorporated. 
&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;lt;&amp;lt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/the-romans-euangelion-and-minahasan.html&quot; style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;Back to the Front Page&amp;nbsp;&lt;/a&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif;&quot;&gt;&lt;a href=&quot;http://raymaleke.blogspot.com/2013/09/chapter-three_9994.html&quot;&gt;&amp;gt;&amp;gt; Go to the Next Page&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;------&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 200%; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div id=&quot;sdfootnote1&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;1&amp;nbsp;In
 &lt;i&gt;Romans Debate&lt;/i&gt;, 195-202. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote2&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;2&amp;nbsp;Wedderburn,
 “The Purpose and Occasion of Romans Again” in &lt;i&gt;Romans Debate&lt;/i&gt;,
 195.  
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote3&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;3&amp;nbsp;Wedderburn,
 “The Purpose and Occasion of Romans Again” in &lt;i&gt;Romans Debate&lt;/i&gt;,
 196.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote4&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;4&amp;nbsp;Wedderburn,
 “The Purpose and Occasion of Romans Again” in &lt;i&gt;Romans Debate&lt;/i&gt;,
 202. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote5&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;5&amp;nbsp;Those
 who more likely identified with this movement were
 Hellenistic-Jewish Christians, such as  Stephen and Philip (Bruce,
 “The Romans Debate – Continued” in &lt;i&gt;Romans Debate&lt;/i&gt;, 178).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote6&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;6&amp;nbsp;Cf.
 Acts 12:1-9; John E. Stambaugh and David L. Balch, &lt;i&gt;The New
 Testament in Its Social Environment &lt;/i&gt;(Westminster: John Knox
 Press, 1986), 61. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote7&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;7&amp;nbsp;Cf.
 Acts 13:13-41.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote8&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;8&amp;nbsp;There
 is a debate concerning the expulsion of the Judeans&lt;b&gt;.&lt;/b&gt;
 Suetonius reports on tumults stirred up by “Chresto.” Scholars
 disagree on the certainty of this reference. Nonetheless, there is a
 strong argument that Suetonius is referring to the Christ here.
 Bruce explains: 
 &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in; margin-left: 0.49in; text-indent: -0.25in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; While
 Suetonius has the spelling Chresto here, he has Christiani in Nero
 16.2. But in Tacitus, Ann, 15.44.3 the MS Mediceus 68.2 had
 originally (it appears) Chrestianos, which was corrected to
 Christianos by a later hand. Tacitus himself, however, may have
 spelled the word Christianos, since he links it closely with
 Christus (“auctor nominis eisu”). In the NT the first hand in
 Vaticanus consistently shows the spelling Chrestianos. The
 apologists exploit the confusion between the two forms: ‘We are
 accused of being Christianoi but it is unjust that one should be
 hated for being chrestos’ (Justin, Apol. 1.4.5) (“The Romans
 Debate – Continued” in &lt;i&gt;Romans
 Debate&lt;/i&gt;, footnote 16,
 178).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in; margin-left: 0.24in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt; Further,
 according to Bruce, if Suetonius would have been talking about an
 unknown person named Chresto, he  would have said &lt;i&gt;impulsore
 Chresto quodam&lt;/i&gt;
 (“The Romans Debate – Continued” &lt;i&gt;in
 Romans Debate&lt;/i&gt;,
 178).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 100%; margin-bottom: 0in; margin-left: 0.24in;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote9&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;9&amp;nbsp;Writing
 in 417-418 AD.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote10&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;10&amp;nbsp;Bruce,
 “The Romans Debate – Continued”in &lt;i&gt;Romans Debate&lt;/i&gt;, 179;
 Orosius quotes Josephus for the information he provides, while
 Josephus does not mention anything about this incident. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote11&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;11&amp;nbsp;This
 is based on the following report in Acts 18:12 where Galio is
 mentioned as proconsul of Achaia during Paul’s stay in Corinth.
 Bruce suggests that the apostle Paul’s arrival in this city was in
 the late summer of 50 AD (Bruce, “The Romans Debate – Continued”
 in &lt;i&gt;Romans Debate&lt;/i&gt;, 178); Fitzmyer postulates summer or early
 autumn of 52 AD (&lt;i&gt;Romans&lt;/i&gt;, 86).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote12&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;12&amp;nbsp;Bruce,
 “The Romans Debate – Continued” in &lt;i&gt;Romans Debate&lt;/i&gt;, 178.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote13&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;13&amp;nbsp;Bruce,
 “The Romans Debate – Continued” in &lt;i&gt;Romans Debate&lt;/i&gt;, 179. 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote14&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;14&amp;nbsp;Wedderburn,
 “The Purpose and Occasion of Romans Again” in &lt;i&gt;Romans Debate&lt;/i&gt;,
 196.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote15&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;15&amp;nbsp;16:3-5;
 cf. I Corinthians 16:19 (Bruce, “The Romans Debate – Continued”
 in &lt;i&gt;Romans Debate&lt;/i&gt;, 180).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote16&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;16&amp;nbsp;According
 to the profile Reta Halteman Finger provides based on Robert
 Jewett’s description of the churches in Rome (&lt;i&gt;Paul and the
 Roman House Churches &lt;/i&gt;[Waterloo: Herald Press, 1993], 34.)&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;sdfootnote17&quot;&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;17&amp;nbsp;This
 is a city in Corinth where the Epistle to the Romans is supposed to
 be written from (following Fitzmyer, &lt;i&gt;Romans&lt;/i&gt;, 85) 
 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;sdfootnote&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;18&amp;nbsp;Bruce,
 “The Romans Debate – Continued” in &lt;/span&gt;&lt;i style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: small;&quot;&gt;Romans Debate&lt;/i&gt;&lt;span style=&quot;font-family: &#39;Helvetica Neue&#39;, Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;, 180.&lt;/span&gt;&lt;/div&gt;
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