<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8381182709032161149</id><updated>2024-08-31T10:19:44.525-05:00</updated><category term="Kuelap"/><category term="conservacion"/><category term="Amazonas"/><category term="Antropologo"/><category term="Arqueologo"/><category term="Arquitecto"/><category term="Copesco"/><category term="Ingeniero"/><category term="Inicio"/><category term="Trujillo"/><category term="modernidad"/><category term="museo"/><category term="oportunidad"/><category term="patrimonio"/><category term="personal"/><category term="puente inka"/><category term="restauracion"/><category term="sociologo"/><category term="trabajo"/><category term="vacaciones"/><title type='text'>Rispetto dell&#39;autenticitá - Restauro                      (Restauracion-Respeto de la Autenticidad)</title><subtitle type='html'>Espacio de trabajos, anuncios, Pronunciamientos, oportunidades, rescate de Patrimonio del Peru y del Mundo, Arqueológico , Arquitectónico , cultural y otros , la Gestión y la Puesta en Valor bajo actividades de explotación colateral: minería , Hidrocarburos, Fauna, Flora&#xa;Conservacion y Restauracion de bienes muebles e inmueble, Patrimonio Mundial en Peligro, Fotografia, Arte, Letras, Arqueologia, Arquitectura e Ingenieria.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>431</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-5488208572976535092</id><published>2015-07-09T15:10:00.000-05:00</published><updated>2015-07-09T15:10:16.411-05:00</updated><title type='text'> IV Encuentro Nacional de Centros Históricos - Perú (PONENCIAS)</title><content type='html'>Fuente : patrimonio Vivo&lt;br /&gt;&lt;br /&gt;&lt;strong style=&quot;background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8000001907349px;&quot;&gt;Estimados Participantes&lt;/strong&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;IV Encuentro Nacional de Centros Históricos - Perú&lt;/b&gt;&lt;/span&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;div&gt;
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Hacemos de su conocimiento que las&amp;nbsp;ponencias&amp;nbsp;del IV Encuentro Nacional de Centros Históricos - Perú, Cajamarca, se encuentran publicadas en la pagina web, (botón: Ponencias) o desde el siguiente link:&lt;/div&gt;
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&lt;a href=&quot;http://4toencuentroch.blogspot.com/p/ponencias.html&quot; style=&quot;color: #1155cc;&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;http://4toencuentroch.&lt;wbr&gt;&lt;/wbr&gt;blogspot.com/p/ponencias.html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style=&quot;color: #303030;&quot;&gt;PONENCIAS PUBLICADAS&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style=&quot;color: #303030;&quot;&gt;ENCUESTA&lt;/span&gt;&lt;/strong&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;Resultados de la Encuesta&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_peru_(resultados_encuesta).pdf&quot; style=&quot;color: #990000; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;peru_(resultados_encuesta).pdf&lt;/a&gt;&lt;/div&gt;
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&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;Resumen Centros&amp;nbsp;Históricos&amp;nbsp;Perú&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_peru_(resumen).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;peru_(resumen).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;MVCS&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/MVCS_(acciones_dererioro_barrios_tradicionales).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;MVCS_(acciones_dererioro_&lt;wbr&gt;&lt;/wbr&gt;barrios_tradicionales).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;MCULTURA&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Ministerio_cultura.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Ministerio_cultura.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Ministerio_cultura_(acciones_gestion_recuperacion_del_patrimonio).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Ministerio_cultura_(acciones_&lt;wbr&gt;&lt;/wbr&gt;gestion_recuperacion_del_&lt;wbr&gt;&lt;/wbr&gt;patrimonio).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;MVCS-AECID&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Herramientas_Digitales_Registro_CHs.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Herramientas_Digitales_&lt;wbr&gt;&lt;/wbr&gt;Registro_CHs.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;AECID&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/AECID_(Concursos_Ideas).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;AECID_(Concursos_Ideas).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/AECID_(problematica_chs).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;AECID_(problematica_chs).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;ALAC&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/ALAC_(participacion_en_la_conservaci%C3%B3n_del_patrimonio_cultural_cajamarca).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;ALAC_(participacion_en_la_&lt;wbr&gt;&lt;/wbr&gt;conservación_del_patrimonio_&lt;wbr&gt;&lt;/wbr&gt;cultural_cajamarca).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CIDAP&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/CIDAP_(revitalizacion_participativa).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;CIDAP_(revitalizacion_&lt;wbr&gt;&lt;/wbr&gt;participativa).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;UNESCO&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/UNESCO_(Plan_de_asistencia_integral).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;UNESCO_(Plan_de_asistencia_&lt;wbr&gt;&lt;/wbr&gt;integral).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Diagnostico_monitoreo_estructural_edificios_historicos.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Diagnostico_monitoreo_&lt;wbr&gt;&lt;/wbr&gt;estructural_edificios_&lt;wbr&gt;&lt;/wbr&gt;historicos.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;DOCUMENTAL&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Esa_gente_existe_(documental).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Esa_gente_existe_(documental).&lt;wbr&gt;&lt;/wbr&gt;pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;PUCP&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Intervenciones_espacios_publicos_(PUCP).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Intervenciones_espacios_&lt;wbr&gt;&lt;/wbr&gt;publicos_(PUCP).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Las_plazas_de_los_chs_(oscar_garcia).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Las_plazas_de_los_chs_(oscar_&lt;wbr&gt;&lt;/wbr&gt;garcia).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/inst/Planes_de_manejo_de_los_chs.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/inst/&lt;wbr&gt;&lt;/wbr&gt;Planes_de_manejo_de_los_chs.&lt;wbr&gt;&lt;/wbr&gt;pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH AREQUIPA&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_arequipa_(Gestion_Centro_Historico_2015).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;arequipa_(Gestion_Centro_&lt;wbr&gt;&lt;/wbr&gt;Historico_2015).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_arequipa_(peatonalizacion_plaza_armas).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;arequipa_(peatonalizacion_&lt;wbr&gt;&lt;/wbr&gt;plaza_armas).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH CAJAMARCA&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_cajamarca_(plan_de_gestion).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;cajamarca_(plan_de_gestion).&lt;wbr&gt;&lt;/wbr&gt;pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH CALLAO&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_callao_(intervenciones_entidades_publicas).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;callao_(intervenciones_&lt;wbr&gt;&lt;/wbr&gt;entidades_publicas).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH CHACHAPOLLAS&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_chachapoyas.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;chachapoyas.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_chachapoyas.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;chachapoyas.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH CUENCA - QUITO&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_cuenca_(patrimonio_y_cultura_en_los_centros).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;cuenca_(patrimonio_y_cultura_&lt;wbr&gt;&lt;/wbr&gt;en_los_centros).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_cuenca_quito.pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;cuenca_quito.pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH RIMAC&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_rimac_(municipalidad).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;rimac_(municipalidad).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www..programapd.pe/4toencuentroch/ponencias/ch_rimac_(Patronato).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www..programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;rimac_(Patronato).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;b style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; line-height: 18.47px;&quot;&gt;CH TRUJILLO&lt;/b&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_trujillo_(Presentacion).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;trujillo_(Presentacion).pdf&lt;/a&gt;&lt;br style=&quot;color: #303030; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px;&quot; /&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/ponencias/ch_trujillo_(valores_gestion_del_sitio_del_agua_y_la_conservacion).pdf&quot; style=&quot;color: #898989; font-family: &#39;Josefin Sans&#39;; font-size: 13.19px; font-stretch: normal; line-height: 18.47px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;http://www.programapd.pe/&lt;wbr&gt;&lt;/wbr&gt;4toencuentroch/ponencias/ch_&lt;wbr&gt;&lt;/wbr&gt;trujillo_(valores_gestion_del_&lt;wbr&gt;&lt;/wbr&gt;sitio_del_agua_y_la_&lt;wbr&gt;&lt;/wbr&gt;conservacion).pdf&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: arial; font-size: small;&quot;&gt;
------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;---------&lt;/div&gt;
&lt;div style=&quot;font-family: arial; font-size: small;&quot;&gt;
Atentamente&lt;/div&gt;
&lt;div style=&quot;font-family: arial; font-size: small;&quot;&gt;
&lt;b&gt;El comité organizador&amp;nbsp;&lt;/b&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;gmail_quote&quot;&gt;
&lt;br /&gt;&lt;br /&gt;&lt;div dir=&quot;ltr&quot;&gt;
&lt;div&gt;
&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/&quot; style=&quot;color: #1155cc;&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: Calibri; font-size: large;&quot;&gt;IV Encuentro Nacional de Centros Históricos - Perú&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style=&quot;color: #0f243e;&quot;&gt;&lt;span style=&quot;color: black; font-family: Arial; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;em&gt;“Patrimonio y Cultura en los Centros Históricos”&lt;br /&gt;Jueves 18, Viernes 19 y Sábado 20 de Junio&amp;nbsp;del 2015&lt;br /&gt;Cajamarca - Perú&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;color: black; font-size: small;&quot;&gt;&lt;a href=&quot;http://www.programapd.pe/4toencuentroch/&quot; style=&quot;color: #1155cc;&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #2672ec;&quot;&gt;&lt;span style=&quot;font-family: Calibri; font-size: x-small;&quot;&gt;http://www.programapd.pe/&lt;/span&gt;4toen&lt;wbr&gt;&lt;/wbr&gt;cuentroch/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/5488208572976535092/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/5488208572976535092?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5488208572976535092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5488208572976535092'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2015/07/iv-encuentro-nacional-de-centros.html' title=' IV Encuentro Nacional de Centros Históricos - Perú (PONENCIAS)'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-9195845788731615753</id><published>2015-07-06T07:50:00.001-05:00</published><updated>2015-07-06T07:50:05.966-05:00</updated><title type='text'>Siguientes Datos en el Facebbok </title><content type='html'>&lt;a href=&quot;https://www.facebook.com/conservacionpatrimoniofaua&quot; target=&quot;_blank&quot;&gt;https://www.facebook.com/conservacionpatrimoniofaua&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 12px; line-height: 16px;&quot;&gt;Agrupación de estudiantes de la Facultad de Arquitectura, Urbanismo y Artes de la UNI que busca concientizar sobre la problemática del patrimonio.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 12px; line-height: 16px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;h2 class=&quot;_58gi&quot; style=&quot;background-color: #e9eaed; font-family: helvetica, arial, sans-serif; font-size: 24px; margin: 0px; padding: 0px;&quot;&gt;
Colectivo Conservación del Patrimonio FAUA UNI&lt;span class=&quot;_5rqt&quot; style=&quot;position: absolute;&quot;&gt;&lt;span class=&quot;_5rqu&quot; style=&quot;position: relative;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;b&gt;&lt;span class=&quot;_50f6&quot; style=&quot;background-color: #e9eaed; font-family: helvetica, arial, sans-serif; font-size: 18px; line-height: 22px;&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div class=&quot;_58gj fsxxl fwn fcw&quot; style=&quot;font-size: 18px;&quot;&gt;
&lt;b&gt;Comunidade&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;_58gj fsxxl fwn fcw&quot; style=&quot;font-size: 18px;&quot;&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;_58gj fsxxl fwn fcw&quot; style=&quot;font-size: 18px;&quot;&gt;
&lt;a href=&quot;https://www.facebook.com/conservacionpatrimoniofaua&quot; target=&quot;_blank&quot;&gt;https://www.facebook.com/conservacionpatrimoniofaua&lt;/a&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/9195845788731615753/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/9195845788731615753?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/9195845788731615753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/9195845788731615753'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2015/07/siguientes-datos-en-el-facebbok.html' title='Siguientes Datos en el Facebbok '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-971894255104106806</id><published>2012-04-19T08:46:00.002-05:00</published><updated>2012-04-19T08:46:48.480-05:00</updated><title type='text'>Seminario – Taller</title><content type='html'>Las Inscripciones se cierran este Jueves 19 de abril de 5 a 10 pm.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Total de vacantes 25&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Seminario – Taller&lt;br /&gt;
&lt;br /&gt;
APLICACIÓN DE MATERIALES INNOVADORES Y TÉCNICAS&lt;br /&gt;
&lt;br /&gt;
AVANZADAS EN EL REFORZAMIENTO SÍSMICO Y LA&lt;br /&gt;
&lt;br /&gt;
PRESERVACIÓN DEL PATRIMONIO CULTURAL&lt;br /&gt;
&lt;br /&gt;
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La preservación del patrimonio cultural inmueble, se enfrenta a la amenaza&lt;br /&gt;
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constante de los sismos. Esta es una realidad que en muchos países se viene&lt;br /&gt;
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abordando y en nuestro país debemos ponernos al tanto de ello. El refuerzo&lt;br /&gt;
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estructural con materiales innovadores y técnicas avanzadas en casos de otros&lt;br /&gt;
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países serán los temas que se estudiarán.&lt;br /&gt;
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Docente: Valter SANTORO&lt;br /&gt;
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Ingeniero civil y geotécnico italiano, por la Università degli Studi di Roma “La&lt;br /&gt;
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Sapienza”. Consultor para UNESCO, PNUD, Consejo de Europa en el ámbito del&lt;br /&gt;
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patrimonio cultural en varios países: Italia, Camboya, Uzbekistan, Turkmennistan,&lt;br /&gt;
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Egipto, India, Albania, Rumanía, México y Perú.&lt;br /&gt;
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Dirigido a: estudiantes y profesionales en Arquitectura, Ingeniería y Arqueología.&lt;br /&gt;
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Vacantes: 25&lt;br /&gt;
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Duración: 2 días&lt;br /&gt;
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21 – 22 de abril del 2012&lt;br /&gt;
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Horas: doce (12).&lt;br /&gt;
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Horario: 8:00 – 14:00 horas.&lt;br /&gt;
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Se entregará constancia de participación.&lt;br /&gt;
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Costo: S/. 360.00.&lt;br /&gt;
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Modalidad de pago: una cuota.&lt;br /&gt;
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Titular de la Cta. UNIVERSIDAD NACIONAL DE INGENIERÍA&lt;br /&gt;
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Informes:&lt;br /&gt;
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Av. Ernesto Diez Canseco 434 Miraflores .&lt;br /&gt;
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Teléfonos 242 9720 / 444 9715 / 241 1857&lt;br /&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/971894255104106806/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/971894255104106806?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/971894255104106806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/971894255104106806'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/04/seminario-taller_19.html' title='Seminario – Taller'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-1850389747932485713</id><published>2012-04-06T00:40:00.000-05:00</published><updated>2012-04-06T00:40:01.463-05:00</updated><title type='text'>Complejo arqueológico de Sacsayhuaman amenazado</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;glr-block glr-mb-5 glr-overflow-h&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 16px; line-height: 24px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;span class=&quot;glr-left glr-post-date&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; display: inline; float: left !important; font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 1.3em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Fuente : &amp;nbsp;La Republica&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;glr-slider-item-mm&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline; width: 640px;&quot;&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;img alt=&quot;Sacsayhuaman. Complejo arqueológico está en peligro por el avance de construcciones en zonas aledañas. &quot; height=&quot;426&amp;quot;&quot; src=&quot;http://cdn.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2012/04/05/imagen-CSACSAYHUAMAN.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
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&lt;div class=&quot;glr-slider-image-caption&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 1.3em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 6px; padding-left: 10px; padding-right: 10px; padding-top: 6px; text-align: center; vertical-align: baseline;&quot;&gt;Sacsayhuaman. Complejo arqueológico está en peligro por el avance de construcciones en zonas aledañas.&lt;/span&gt;&lt;/div&gt;
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&lt;strong&gt;Reacciones. Dirección Regional de Cultura declarará en emergencia el lugar debido a las nuevas construcciones de material noble que ponen en peligro vestigios incas. Luego buscarán que el Congreso apruebe iniciativa de expropiación.&lt;/strong&gt;&lt;/div&gt;
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Miguel De la Cruz.&lt;/div&gt;
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Cusco.&lt;/div&gt;
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Buscará concluir una tarea pendiente en defensa de Sacsayhuaman. Ahora que David Ugarte Vega Centeno, es nuevamente director regional de Cultura, quiere concluir una misión que no logró concretar en&amp;nbsp; su gestión del 2003 al 2007. Nuevamente intentará que el estado expropie los terrenos adyacentes al Conjunto Arqueológico de Sacsayhuaman&amp;nbsp; para impedir el daño de los vestigios incas existentes en la zona.&lt;/div&gt;
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Medidas inmediatas&lt;/div&gt;
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El director de Cultura, señaló que en los próximos días se declarará en emergencia toda la zona de Sacsayhuaman. Este paso servirá para evitar nuevas construcciones en los alrededores. Existen más de 14 asentamientos humanos. La medida es necesaria para proteger del “inminente” peligro en que se encuentra el complejo. Posteriormente, el Congreso de la República, debe aprobar una ley de expropiación.&amp;nbsp;&lt;/div&gt;
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“Hemos constatado que las edificaciones provisionales que existían antes, ahora son de material noble y cada día son más grandes. Este crecimiento urbanístico pone en peligro todos los vestigios incas y pre incas. No podemos quedarnos con los brazos cruzados, la historia juzgará a quienes atentaron contra el patrimonio y a quienes lo permitieron”, reflexionó Ugarte.&lt;/div&gt;
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Los funcionarios y técnicos de la DRC constataron la existencia de invasiones en distintas áreas del complejo arqueológico. Un grupo de vecinos del lugar, señalan poseer derechos&amp;nbsp; de propiedad sobre los terrenos. Indican que el gobierno militar de Juan Velasco Alvarado les habría quitado sus terrenos de manera “arbitraria” y que nunca los llegaron a ocupar.&lt;/div&gt;
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David Ugarte señaló que la protección del patrimonio es un deber de su institución. Informó que comprometerán parte de su presupuesto anual para pagar el justiprecio que determine el estado por los terrenos.&lt;/div&gt;
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Tráfico de terrenos&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Además del crecimiento urbano en los alrededores que amenaza el complejo, también hay tráfico de terrenos. Algunos moradores de la zona, habrían vendido las propiedades sin amparo legal.&lt;/div&gt;
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“Unas ocho familias del lugar se creen las dueñas de los terrenos, pero no tienen certificados. Iniciaremos un proceso de expropiación para comprar los terrenos a los propietarios que tengan documentos. No podemos someternos a abusos, ni ilegalidades. La expropiación es una herramienta amparada por nuestra Constitución, justamente para casos como éstos en que está comprometido nuestro patrimonio”, resaltó Ugarte.&lt;/div&gt;
&lt;div class=&quot;p3&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Fallido intento el 2005&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
El año 2005, el entonces Instituto Nacional de Cultura (hoy DRC) del Cusco a cargo de David Ugarte, intentó que el Congreso de la República apruebe la ley de expropiación para comprar los terrenos que son ocupados por particulares en Sacsayhuaman. La iniciativa fue archivada.&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;p4&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
En aquella oportunidad, algunos de los propietarios habrían realizado “lobbies” con los parlamentarios apristas para evitar que la iniciativa se debata en el pleno. Los ocupantes de las zonas adyacentes a Sacsayhuaman también presentaron recursos de inconstitucionalidad para que se rechace la ley. El Tribunal Constitucional declaró infundada su demanda.&lt;/div&gt;
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Se calcula que existen más de 40 asentamientos humanos, organizaciones populares, urbanizaciones, asociaciones pro vivienda, entre otros, que conforman la zona noreste de la ciudad del Cusco, donde está ubicado el complejo.&lt;/div&gt;
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De promulgarse el proyecto, un aproximado de 2,600 personas resultarían afectadas. En Yuncaypata, Tambomachay, Huayllarccoca, P&#39;ucro, Fortaleza, entre otros. ❧&lt;/div&gt;
&lt;div class=&quot;p4&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;strong&gt;Tiendas, restaurantes y caballerizas en Sacsayhuaman&lt;/strong&gt;&lt;/div&gt;
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La Municipalidad Provincial del Cusco también aprobará una ordenanza para impedir la crianza de caballos en el sector de Sacsayhuaman. Las caballerizas ofrecen el servicio de paseo a los turistas que llegan al lugar.&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Los caballos ya habrían causado daños&amp;nbsp; a algunos muros y piedras incas del lugar con sus herraduras. También originaron un foco infeccioso en la zona debido a la contaminación de sus excretas. Algunos turistas, denunciaron asaltos de parte de los encargados de prestar el servicio de paseo.&lt;/div&gt;
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Los moradores de la zona también construyeron restaurantes y tiendas donde se ofrecen textiles y cerámicas incas. Sacsayhuaman está a cargo de la DRC y del Boleto Turístico.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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CLAVES&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;p1&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Sacsayhuaman es un centro ceremonial inca que se comenzó a construir durante el gobierno de Pachacútec, en el siglo XV; sin embargo, fue Huayna Cápac quien le dio el toque final en el siglo XVI. Según algunos estudiosos, este lugar tiene una antigüedad de 3,000 años o más. La metodología de la construcción aún es una incógnita y solo se conoce el 20% del complejo.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/1850389747932485713/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/1850389747932485713?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1850389747932485713'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1850389747932485713'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/04/complejo-arqueologico-de-sacsayhuaman.html' title='Complejo arqueológico de Sacsayhuaman amenazado'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-1687717797979691599</id><published>2012-04-04T08:18:00.002-05:00</published><updated>2012-04-04T08:18:20.205-05:00</updated><title type='text'>Seminario – Taller</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;
FACUL TAD DE ARQUI T E CTURA, URBANI SMO Y ART ES&lt;/div&gt;
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SECCION DE POSGRADO Y SEGUNDA ESPECIALIZACIÓN&lt;/div&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;strong&gt;APLICACIÓN DE MATERIALES INNOVADORES Y TÉCNICAS&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;AVANZADAS EN EL REFORZAMIENTO SÍSMICO Y LA&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;PRESERVACIÓN DEL PATRIMONIO CULTURAL&lt;/strong&gt; &lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&amp;nbsp; &lt;/div&gt;
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&lt;strong&gt;U N I V E R S I D A D N A C I O N A L D E I N G E N I E R I A&lt;/strong&gt; &lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&amp;nbsp; &lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&amp;nbsp; &lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&amp;nbsp; &lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&amp;nbsp; &lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
La preservación del patrimonio cultural inmueble, se enfrenta a la amenaza &lt;/div&gt;
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constante de los sismos. Esta es una realidad que en muchos países se viene&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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abordando y en nuestro país debemos ponernos al tanto de ello. El refuerzo&lt;/div&gt;
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estructural con materiales innovadores y técnicas avanzadas en casos de otros&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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países serán los temas que se estudiarán.&lt;/div&gt;
&lt;br /&gt;
Docente: Valter SANTORO&lt;br /&gt;
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Ingeniero civil y geotécnico italiano, por la Università degli Studi di Roma “La&lt;br /&gt;
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Sapienza”. Consultor para UNESCO, PNUD, Consejo de Europa en el ámbito del&lt;br /&gt;
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patrimonio cultural en varios países: Italia, Camboya, Uzbekistan, Turkmennistan,&lt;br /&gt;
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Egipto, India, Albania, Rumanía, México y Perú.&lt;br /&gt;
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Dirigido a: estudiantes y profesionales en Arquitectura, Ingeniería y Arqueología.&lt;br /&gt;
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Vacantes: 25&lt;br /&gt;
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Duración: 2 días&lt;br /&gt;
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21 – 22 de abril del 2012&lt;br /&gt;
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Horas: doce (12).&lt;br /&gt;
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Horario: 8:00 – 14:00 horas.&lt;br /&gt;
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Se entregará constancia de participación.&lt;br /&gt;
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Costo: S/. 360.00.&lt;br /&gt;
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Modalidad de pago: una cuota.&lt;br /&gt;
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Informes:&lt;br /&gt;
&lt;br /&gt;
Av. Ernesto Diez Canseco 434 Miraflores .&lt;br /&gt;
&lt;br /&gt;
Teléfonos 784 4781 / 242 9720 / 444 9715 / 241 1857&lt;br /&gt;
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Email: posgrado@spfaua-uni.edu.pe &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/1687717797979691599/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/1687717797979691599?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1687717797979691599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1687717797979691599'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/04/seminario-taller.html' title='Seminario – Taller'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-2826883227482846712</id><published>2012-04-04T08:15:00.003-05:00</published><updated>2012-04-04T08:15:47.059-05:00</updated><title type='text'>Encuentran altar de sacrificios humanos de 1.500 años de antigüedad en Perú</title><content type='html'>&lt;br /&gt;
&lt;a href=&quot;http://lamula.pe/2012/04/03/encuentran-altar-de-sacrificios-humanos-de-1-500-anos-de-antiguedad-en-peru/estebanmarchand&quot; target=&quot;_blank&quot;&gt;http://lamula.pe/2012/04/03/encuentran-altar-de-sacrificios-humanos-de-1-500-anos-de-antiguedad-en-peru/estebanmarchand&lt;/a&gt;&lt;br /&gt;
Fuente la mula - EFE &lt;br /&gt;
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Un grupo de arqueólogos peruanos hallaron lo que parece ser un altar de sacrificios humanos en la cima de un cerro en la región norteña de La Libertad, de unos 1.500 años de antigüedad.&lt;br /&gt;
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La estructura se ubica a 1.000 metros de altura en el cerro Campana y fue tallada sobre una roca del lugar donde se construyeron tres peldaños que accedían a una pequeña plataforma, por la cultura Moche.&lt;br /&gt;
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“Muchos arqueólogos identificaron en las representaciones escultóricas de la cerámica Moche un antiguo rito de sacrificio (…). Ahora con este hallazgo estamos seguros que lo que aparecía en los ceramios (las cerámicas) fue el cerro Campana”, afirmó el director del equipo de arqueólogos, Régulo Franco.&lt;br /&gt;
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En la zona también se halló una pequeña pintura rupestre de hace 2.800 años, además de cerámicas y entierros.&lt;br /&gt;
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Percy Valladares, presidente de la Asociación de Rescate y Defensa del Cerro Campana, alertó que el lugar se encuentra en peligro por la falta de delimitación, los invasores y el crecimiento urbano.&lt;br /&gt;
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En el cerro Campana habitan 254 especies de flora y 118 de fauna, según el microbiólogo Carlos Quiroz, citado por el diario. EFE&lt;br /&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/2826883227482846712/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/2826883227482846712?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/2826883227482846712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/2826883227482846712'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/04/encuentran-altar-de-sacrificios-humanos.html' title='Encuentran altar de sacrificios humanos de 1.500 años de antigüedad en Perú'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-4734390649719208629</id><published>2012-03-14T06:44:00.002-05:00</published><updated>2012-03-14T06:44:16.782-05:00</updated><title type='text'>Pinturas halladas en Bagua cambiarán concepto arqueológico en el Perú</title><content type='html'>Fuente: RPP&lt;br /&gt;
&lt;div id=&quot;swfplayer2&quot;&gt;
&lt;img alt=&quot;Pinturas murales de la civilización en la amazonía&quot; class=&quot;img_640x480&quot; src=&quot;http://www.rpp.com.pe/pict.php?a=1&amp;amp;g=8&amp;amp;c=n&amp;amp;p=multimedia.rpp.com.pe!files!]f|!fotos!actualidad!130312muralenbagua!130312muralenbagua1.jpg&quot; title=&quot;Pinturas murales de la civilización en la amazonía&quot; /&gt;&lt;/div&gt;
&lt;br /&gt;
Durante varios años se ignoró la existencia de una zona arquitectónica monumental en la amazonía peruana; sin embargo, un reciente descubrimiento de pinturas murales de forma geométrica y lineales en un templo ceremonial de planta rectangular, con una antigüedad de 3.200 años, en el sector Las Juntas, en Bagua (&lt;a href=&quot;http://www.rpp.com.pe/noticias-amazonas-region__PEAMA.html&quot; target=&quot;_blank&quot;&gt;Amazonas&lt;/a&gt;), podría cambiar el concepto que se ha tenido en cuanto a arqueología, en el Perú, afirma el arqueólogo Quirino Olivera Núñez.&lt;br /&gt;
Algo que ha dejado sorprendidos a los arqueólogos, sobre este templo, es que entre pilastra y pilastra (especie de columnas, pero bajas), hay una distancia exacta de 1.40 centímetros. Lo que hace deducir que esa sociedad tenía un manejo muy adelantado de la medida del espacio y trabajo colectivo, revela Olivera Núñez.&lt;br /&gt;
Las pilastras están unidas por una pared de adobe, en algunos casos, de quincha inducida con arcilla; la zona superior ha sido pintada de color amarillo. En la parte alta han hecho una franja donde dibujaron signos verticales y horizontales- y diagonales en algunos casos-, que son de color blanco, rojo y negro (colores vivos); y en el centro, una figura casi triangular como una especie de patas de araña (aún no se ha logrado identificar la figura completa), indicó.&lt;br /&gt;
&quot;Actualmente se realizan trabajos de investigación para determinar, si el negro es un color elaborado con carbón vegetal o algún mineral&quot;, precisó.&lt;br /&gt;
&lt;strong&gt;Trabajo colectivo &lt;/strong&gt;&lt;br /&gt;
La arquitectura monumental establecida, revela que la población de este grupo social tenía un desarrollo tecnológico adelantado.&lt;br /&gt;
Para construir un monumento de esta magnitud con columnas y piedra (sacada de los ríos), se necesita un trabajo colectivo bastante amplio y una alta especialización de la gente. Eso explica que esta civilización permaneció por muchos años, contó el investigador.&lt;br /&gt;
Asimismo, el monumento-especie de centro ceremonial- al cual la gente de ese tiempo acudía a rendir culto a los dioses, fue remodelado en varias oportunidades.&lt;br /&gt;
&lt;strong&gt;Campo de investigación&lt;/strong&gt;&lt;br /&gt;
El espacio de estudio abarca cuatro provincias del Amazonas: Bagua, Utcubamba, San Ignacio y Jaén que comprende parte de la cuenca baja del río Utcubamba, parte del Marañón y casi toda la cuenca del río Chinchipe en el lado peruano.&lt;br /&gt;
En zonas cercanas “se ha encontrado algunas especies de entierros secundarios donde tenemos la esperanza de encontrar la gran tumba del personaje que lideró al grupo social que habitó en esta parte de la amazonía&quot;, detalló Olivera Núñez.&lt;br /&gt;
El proyecto se inició dentro de un marco binacional Perú-Ecuador con la autorización de la Dirección General de Patrimonio Cultural, que se vence el 17 de junio.&lt;br /&gt;
Es importante que el Gobierno Regional de Amazonas garantice las medidas de conservación de este importante hallazgo para evitar amenazas de huaqueros, advirtió el investigador.&lt;br /&gt;
&lt;strong&gt;Equipo de trabajo&lt;/strong&gt;&lt;br /&gt;
Un grupo de arqueólogos y técnicos especialistas, junto a unos 14 obreros (que vivían en extrema pobreza) realizan las tareas de campo, todos los días de 6:00 a.m. hasta las 5:00 p.m., a una temperatura habitual de 34 grados centígrados bajo sombra.&lt;br /&gt;
&lt;strong&gt;Civilizaciones paralelas &lt;/strong&gt;&lt;br /&gt;
Mientras se desarrollaba esta cultura en la amazonía, en la sierra emergía Chavín y en la costa Caral.&lt;br /&gt;
&lt;strong&gt;Por Edgar Romero&lt;/strong&gt;&lt;br /&gt;
Lea más noticias de la región &lt;a href=&quot;http://www.rpp.com.pe/noticias-amazonas-region__PEAMA.html&quot; target=&quot;_blank&quot;&gt;Amazonas&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/4734390649719208629/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/4734390649719208629?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/4734390649719208629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/4734390649719208629'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/03/pinturas-halladas-en-bagua-cambiaran.html' title='Pinturas halladas en Bagua cambiarán concepto arqueológico en el Perú'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-6483021594999996622</id><published>2012-02-22T01:32:00.000-05:00</published><updated>2012-02-22T01:32:04.610-05:00</updated><title type='text'>Nat Geo difundirá a la Dama de Cao</title><content type='html'>&lt;br /&gt;
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Nat Geo difundirá a la Dama de Cao&lt;/h1&gt;
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&lt;span style=&quot;color: #555555; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 11px; line-height: 14px;&quot;&gt;Fuente la Republica&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;img alt=&quot;Escenario real.  Los camarógrafos de Explora Films graban una escena en los propios ambientes de la Huaca El Brujo,.&quot; height=&quot;384&amp;quot;&quot; src=&quot;http://cdn.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2012/02/18/imagen-43a.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
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&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 1.3em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 6px; padding-left: 10px; padding-right: 10px; padding-top: 6px; text-align: center; vertical-align: baseline;&quot;&gt;Escenario real. Los camarógrafos de Explora Films graban una escena en los propios ambientes de la Huaca El Brujo,.&lt;/span&gt;&lt;/div&gt;
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&lt;strong&gt;Documental. Más de 200 actores peruanos participan en la filmación del documental dedicado a la enigmática soberana Moche. Será difundida en las principales cadenas de TV del mundo.&lt;/strong&gt;&lt;/div&gt;
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Roberto Ochoa B.&lt;/div&gt;
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Hoy culmina la filmación del documental dedicado a la Dama de Cao en los ambientes de Huaca El Brujo, vecina a Trujillo, con escenas del fastuoso entierro de la soberana, amparada en entrevistas a la antropóloga Sonia Guillén y al arqueólogo Régulo Franco Jordán, representante de la Fundación Wiese y descubridor de la tumba real de esta enigmática reina mochica.&lt;/div&gt;
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El documental de la Señora de Cao es producido por Explora Films -la empresa española que también produjo un exitoso documental dedicado al Señor de Sipán- y dirigido por José Manuel Novoa.&lt;br /&gt;El film será transmitido en&amp;nbsp; todo el mundo a fines de mayo del presente año por la cadena Nat-Geo, de la National Geographic Channel.&lt;/div&gt;
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Lo destacable del documental es que en la filmación participan directamente los profesionales responsables del descubrimiento y rescate científico de la tumba real de la Dama de Cao, en el año 2007.&lt;/div&gt;
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El propio Régulo Franco es el responsable científico del film, mientras que la arquéologa Arabel Fernández López, responsable del rescate del fardo funerario de la Dama de Cao y del posterior desenfardamiento,&amp;nbsp; fue elegida para el papel principal de la soberana moche.&lt;/div&gt;
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El documental contó también con la participación como “extras” de casi 200 vecinos de Magdalena de Cao, mientras que los numerosos guerreros moches fueron representados&amp;nbsp; por soldados del 32° Regimiento de Infantería del Ejército Peruano, acantonado en Trujillo.&lt;/div&gt;
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Como se sabe, hace cinco años el descubrimiento de una tumba intacta en una de las terrazas de la Huaca El Brujo provocó una enorme expectativa científica. La noticia movilizó a expertos de todo el mundo interesados en presenciar el hallazgo.&lt;/div&gt;
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La sorpresa fue mayor cuando el equipo liderado por Régulo Franco descubrió que el soberano enterrado era una una mujer que lucía delicados tatuajes en brazos, manos y pies, así como un finísimo ajuar funerario.&lt;/div&gt;
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El hallazgo aportó nuevos conceptos sobre la civilización Moche y mereció la atención mundial hacia Huaca El Brujo. Fue por eso que se construyó un imponente museo de sitio que hoy en día es visitado por miles de turistas peruanos y extranjeros.&lt;/div&gt;
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Claves&lt;/div&gt;
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El rodaje del documental La Señora de Cao es producido por la Fundación Wiese con la participación de Explora Films y TV España.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 15px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
También cuenta con los auspicios de PromPerú, National Geographic, Casa Andina y Orf Austria.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/6483021594999996622/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/6483021594999996622?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6483021594999996622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6483021594999996622'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/nat-geo-difundira-la-dama-de-cao.html' title='Nat Geo difundirá a la Dama de Cao'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-5006192914858699162</id><published>2012-02-18T21:18:00.003-05:00</published><updated>2012-02-18T21:18:50.085-05:00</updated><title type='text'>GUIA PARA LA GESTION PUBLICA DE MONUMENTOS ARQUEOLOGICOS DE LA REGION LIMA</title><content type='html'>&lt;a href=&quot;http://issuu.com/waldopaulgaraypalomo/docs/guia10&quot; target=&quot;_blank&quot;&gt;http://issuu.com/waldopaulgaraypalomo/docs/guia10&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/5006192914858699162/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/5006192914858699162?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5006192914858699162'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5006192914858699162'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/guia-para-la-gestion-publica-de.html' title='GUIA PARA LA GESTION PUBLICA DE MONUMENTOS ARQUEOLOGICOS DE LA REGION LIMA'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-3547420922455334468</id><published>2012-02-18T13:48:00.004-05:00</published><updated>2012-02-18T13:48:59.638-05:00</updated><title type='text'>INFOGRAFIA LAS HUACAS DE LIMA</title><content type='html'>&lt;div&gt;
Fuente el Comercio&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;a href=&quot;http://a.elcomercio.pe/infografia/huacasdelima/index.html&quot; target=&quot;_blank&quot;&gt;http://a.elcomercio.pe/infografia/huacasdelima/index.html&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/3547420922455334468/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/3547420922455334468?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3547420922455334468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3547420922455334468'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/infografia-las-huacas-de-lima.html' title='INFOGRAFIA LAS HUACAS DE LIMA'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-6493036243176343713</id><published>2012-02-17T20:47:00.001-05:00</published><updated>2012-02-17T20:47:15.496-05:00</updated><title type='text'>Muros de Wiracochapampa en peligro de colapsar por lluvias en La Libertad</title><content type='html'>&lt;span style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;Piden que sea declarado en emergencia&lt;/span&gt;
&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-left;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;edpNoticiaContenido&quot; id=&quot;lblDescripcion&quot; style=&quot;font-size: 15px; line-height: 21px;&quot;&gt;&lt;strong&gt;Fuente :ANDINA.&lt;/strong&gt;&amp;nbsp;Las fuertes lluvias que caen en la sierra de La Libertad podrían hacer colapsar unos diez muros del complejo arqueológico Wiracochapampa, ubicado en la provincia de Sánchez Carrión, advirtió hoy la Unidad Ejecutora Nº 007: Marcahuamachuco.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12px; min-height: 400px; text-align: -webkit-left;&quot;&gt;
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&lt;div id=&quot;ctl06_upFotografiaNoticia&quot;&gt;
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&lt;tr&gt;&lt;td&gt;&lt;div style=&quot;margin-right: 2px; padding-bottom: 2px;&quot;&gt;
&lt;div id=&quot;FotografiaNoticiaDetalle&quot; style=&quot;-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-bottom-color: rgb(192, 192, 192); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(192, 192, 192); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(192, 192, 192); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(192, 192, 192); border-top-style: solid; border-top-width: 1px; padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px;&quot;&gt;
&lt;a href=&quot;http://www.andina.com.pe/Espanol/DownloadPhoto.aspx?myPhoto=EBfTvHwA2Fk=&quot; style=&quot;color: #c42236; font-family: Arial, Helvetica, sans-serif, &#39;MS sans serif&#39;; font-size: 13px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;Lluvias podrían hacer colapsar unos diez muros antiguos del complejo arqueológico Wiracochapampa, en La Libertad. Foto: Unidad Ejecutora Nº 007.&quot; border=&quot;0&quot; src=&quot;http://portal.andina.com.pe/EDPFotografia/Thumbnail/2012/02/17/000176241T.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div id=&quot;FotografiaNoticiaLeyenda&quot; style=&quot;padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;span class=&quot;edpNoticiaFotoLeyenda&quot; id=&quot;ctl06_gvFotoPortada_ctl02_lblLeyenda&quot; style=&quot;color: #666666; display: inline-block; font-size: 12px; width: 290px;&quot;&gt;Lluvias podrían hacer colapsar unos diez muros antiguos del complejo arqueológico Wiracochapampa, en La Libertad. Foto: Unidad Ejecutora Nº 007.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;tr align=&quot;center&quot; class=&quot;edpPieFotoPortada&quot; style=&quot;color: #c42236; font-size: 10px; font-weight: bold; text-decoration: none;&quot;&gt;&lt;td&gt;&lt;table&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;padding-bottom: 2px; padding-right: 4px;&quot;&gt;&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/td&gt;&lt;/tr&gt;
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&lt;span class=&quot;edpNoticiaContenido&quot; id=&quot;lblContenido&quot; style=&quot;font-size: 15px; line-height: 21px;&quot;&gt;El arqueólogo Nilton Ríos, responsable de los trabajos de conservación en la zona, dijo que en los sectores 1, 2 y 3 del sitio se ha empozado agua de lluvia, la cual discurre desde una quebrada cercana a través de varios canales obstruidos.&lt;br /&gt;
“Lo que está ocasionando es que el barro de los muros de piedra se humedezca y, como consecuencia, las estructuras se inclinen a tal punto que podrían colapsar”, indicó a la&amp;nbsp;&lt;strong&gt;Agencia Andina&lt;/strong&gt;.&lt;br /&gt;
Además, apuntó, la humedad genera hongos y moho, que también perjudican el patrimonio cultural.&lt;br /&gt;
El director de la Unidad Ejecutora Nº 007, Guillermo Rebaza, solicitó a la Dirección General de Patrimonio Cultural del Ministerio de Cultura declarar en emergencia el sitio y, a la vez, destinar los recursos&amp;nbsp;para encauzar el agua que llega desde la quebrada.&lt;br /&gt;
Dijo que estos trabajos de emergencia son necesarios porque cada vez que llueva fuerte el monumento enfrentará problemas de inundación. También ha solicitado cooperación de la comuna provincial y de las comunidades aledañas, agregó.&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://1.bp.blogspot.com/-2YzU3iTvuwo/Tz8CtraZIQI/AAAAAAAAAwo/j62IX6xAHL8/s1600/muro+inundad0.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://1.bp.blogspot.com/-2YzU3iTvuwo/Tz8CtraZIQI/AAAAAAAAAwo/j62IX6xAHL8/s1600/muro+inundad0.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
Según los estudios arqueológicos, Wiracochapampa es un centro urbano de la cultura Wari, cuya construcción no fue culminada. Tiene una extensión de casi 37 hectáreas y se ubica a 2.5 kilómetros de la ciudad de Huamachuco, capital provincial.&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;http://3.bp.blogspot.com/-TH0w9tiKNHQ/Tz8DD5kAmPI/AAAAAAAAAww/v7coZ7TnWd4/s1600/muro+inundad1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://3.bp.blogspot.com/-TH0w9tiKNHQ/Tz8DD5kAmPI/AAAAAAAAAww/v7coZ7TnWd4/s1600/muro+inundad1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/6493036243176343713/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/6493036243176343713?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6493036243176343713'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6493036243176343713'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/muros-de-wiracochapampa-en-peligro-de.html' title='Muros de Wiracochapampa en peligro de colapsar por lluvias en La Libertad'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-2YzU3iTvuwo/Tz8CtraZIQI/AAAAAAAAAwo/j62IX6xAHL8/s72-c/muro+inundad0.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-1199572620588466037</id><published>2012-02-17T20:42:00.000-05:00</published><updated>2012-02-17T20:42:13.925-05:00</updated><title type='text'>MÁS DE 2,700 MONUMENTOS ARQUEOLÓGICOS EXISTEN EN LA REGIÓN LIMA</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;newimg&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 20px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
Fuente : MIMCUL- PERU&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.mcultura.gob.pe/sites/default/files/styles/590xauto/public/new/image/guia.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; color: transparent; font-size: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: middle;&quot; /&gt;&lt;/div&gt;
&lt;div class=&quot;drescrp&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 19px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;&quot;&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;em style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;“Guía para la Gestión Pública de Monumentos Arqueológicos de la Región Lima” contempla experiencias en inversión pública y legislación para el Monumentos Arqueológicos.&lt;/em&gt;&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;La Región Lima alberga en su territorio 1,292 monumentos arqueológicos declarados Patrimonio Cultural de la Nación, otros 1,500 aún no registrados, así como pueblos cuya riqueza cultural y legado histórico que se remontan a más&amp;nbsp; de 5000 años de antigüedad, revela la “Guía para la Gestión Pública de Monumentos Arqueológicos de la Región Lima”.&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;El documento es una propuesta innovadora que pretende brindar a las autoridades municipales herramientas básicas para transformar el patrimonio arqueológico en fuente de desarrollo social, que dinamice la economía de los pueblos y fortalezca la identidad local y regional, así como contribuir en el análisis de las posibilidades de iniciar inversiones en la protección y recuperación de los monumentos arqueológicos.&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;La Guía, elaborada por la Dirección General de Fiscalización y Control del Ministerio de Cultura y la Dirección Regional de Comercio Exterior y Turismo del Gobierno Regional de Lima, fue presentada oficialmente en ceremonia realizada en el Museo de la Nación, en presencia del Ministro de Cultura, Luís Peirano y el Presidente de la Región de Lima, Javier Alvarado.&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;Peirano Falconí dijo que se trata de la primera guía de gestión pública para una adecuada preservación, puesta en valor y promoción del vasto patrimonio arqueológico que existe en el Perú, y que servirá de modelo a otros gobiernos regionales y municipios para que realicen un adecuado registro o catastro de monumentos en sus jurisdicciones, a fin de que desarrollen acciones de conservación con apoyo de la comunidad.&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;Consideró que en el marco del proceso descentralizador del país, corresponde a los gobiernos regionales y locales asumir la responsabilidad de cautelar la herencia cultural, expresada en construcciones que están amenazadas por el olvido, el desconocimiento y la inacción de las autoridades.&lt;br style=&quot;margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot; /&gt;En tanto, el Presidente Regional de Lima, Javier Alvarado, enfatizó que los monumentos arqueológicos deben servir como instrumentos para mejorar la autoestima de los peruanos, convirtiéndose en el símbolo más destacado de la identidad nacional.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/1199572620588466037/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/1199572620588466037?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1199572620588466037'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1199572620588466037'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/mas-de-2700-monumentos-arqueologicos.html' title='MÁS DE 2,700 MONUMENTOS ARQUEOLÓGICOS EXISTEN EN LA REGIÓN LIMA'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-5767578791494934371</id><published>2012-02-17T20:36:00.002-05:00</published><updated>2012-02-17T20:36:40.264-05:00</updated><title type='text'>COMPLEJOS ARQUEOLÓGICOS DE LAMBAYEQUE PROTEGIDOS CONTRA LAS LLUVIAS</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;title&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7b2b07; font-family: Arial, Helvetica, sans-serif; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;&quot;&gt;
COMPLEJOS ARQUEOLÓGICOS DE LAMBAYEQUE PROTEGIDOS CONTRA LAS LLUVIAS&lt;/div&gt;
&lt;div class=&quot;title&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #7b2b07; font-family: Arial, Helvetica, sans-serif; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;&quot;&gt;
Fuente : MIMCUL-Peru&lt;/div&gt;
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&lt;img alt=&quot;&quot; src=&quot;http://www.mcultura.gob.pe/sites/default/files/styles/590xauto/public/new/image/foto1_vista_de_la_huaca_lercanlech_santuario_historico_bosque_de_pomac.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; color: transparent; font-size: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: middle;&quot; /&gt;&lt;/div&gt;
&lt;div class=&quot;drescrp&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 19px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;&quot;&gt;
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Desde diciembre pasado, la Unidad Ejecutora Nº 005 Naylamp-Lambayeque puso en marcha un plan de acciones de contingencia y mantenimiento, destinado a proteger siete zonas arqueológicas de las fuertes precipitaciones que se producen durante el verano.&lt;/div&gt;
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Este plan cuenta con una inversión de S/. 133,000 e incluye los complejos arqueológicos lambayecanos de Collud, Ventarrón, huaca Lercanlech y Las Ventanas (en el Santuario Bosque Histórico de Pómac), huaca Rajada-Sipán, Palacio de Úcupe, huaca Santa Rosa y Chotuna-Chornancap.&amp;nbsp;&lt;/div&gt;
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Actualmente se vienen ejecutando distintas acciones como la colocación de cubiertas, limpieza de drenes, construcción de barreras, instalación de canaletas y desvío de causes de las lluvias. También se han cerrado unidades de excavación y, en el caso de Chotuna-Chornancap, se ha construido un almacén de preservación de material arqueológico.&amp;nbsp;&lt;/div&gt;
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Cabe destacar que en algunas de estas zonas se han realizado importantes hallazgos para la arqueología peruana, como es el caso del famoso Tumi de Oro, encontrado en el Santuario Bosque Histórico de Pómac, y la tumba del Señor de Sipán hallada en huaca Rajada-Sipán. Se están tomando, por lo tanto, todas las medidas preventivas para resguardarlas del clima.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/5767578791494934371/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/5767578791494934371?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5767578791494934371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5767578791494934371'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/complejos-arqueologicos-de-lambayeque.html' title='COMPLEJOS ARQUEOLÓGICOS DE LAMBAYEQUE PROTEGIDOS CONTRA LAS LLUVIAS'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-4010654975566749221</id><published>2012-02-17T20:28:00.004-05:00</published><updated>2012-02-17T20:28:52.697-05:00</updated><title type='text'>Robaron antigüedades de Grecia y renunció su ministro de cultura</title><content type='html'>&lt;span style=&quot;background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;&quot;&gt;Pavlos Gerulanos&amp;nbsp;&lt;/span&gt;&lt;strong style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;presentó su dimisión&lt;/strong&gt;&lt;span style=&quot;background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;&quot;&gt;&amp;nbsp;al conocerse el saqueo del museo Olimpia. Es el segundo robo de este tipo en el año&lt;/span&gt;
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&lt;div class=&quot;meta&quot; style=&quot;background-color: white; border-bottom-color: rgb(229, 229, 229); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: rgb(229, 229, 229); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(229, 229, 229); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(229, 229, 229); border-top-style: solid; border-top-width: 1px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 0.79em; line-height: 21px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
Fuente : el comercio&lt;/div&gt;
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&lt;img alt=&quot;Atenas, Antigüedades, Grecia&quot; height=&quot;285&quot; src=&quot;http://elcomercio.e3.pe/66/ima/0/0/4/4/7/447834.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; white-space: nowrap;&quot; title=&quot;Robaron antigüedades de Grecia y renunció su ministro de cultura&quot; width=&quot;510&quot; /&gt;&lt;/div&gt;
&lt;div class=&quot;detalle-player&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 12px; line-height: 21px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: -10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px;&quot;&gt;
(Difusión)&lt;/div&gt;
&lt;div id=&quot;textonota&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;Atenas (DPA)&lt;/strong&gt;. Dos hombres armados&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;asaltaron hoy el museo de la Antigua Olimpia y robaron más de 65 antigüedades de valor incalculable&lt;/strong&gt;&amp;nbsp;que se encontraban en el edificio, ubicado en la parte oeste de la península del Peloponeso, en lo que supone el segundo gran robo a un museo griego en lo que va de año.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
Tras concocerse el robo,&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;el ministro griego de Cultura, Pavlos Gerulanos, presentó su dimisión,&lt;/strong&gt;&amp;nbsp;aunque todavía no se conoce si el primer ministro,&lt;a href=&quot;http://elcomercio.pe/tag/324332/lucas-papademos&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;Lucas Papademos&lt;/a&gt;, la aceptará.&lt;/div&gt;
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Según dijo a la radio el alcalde de Olimpia, Efthimios Kotzas, los asaltantes actuaron en la mañana, cuando se producía el cambio de guardia. “Metieron en un saco más de 65 objetos de barro y bronce y huyeron”, explicó el alcalde. “Las piezas de barro seguramente habrán resultado dañadas”, agregó.&lt;/div&gt;
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La policía ha iniciado un gran operativo de búsqueda y captura. Aún&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;no se sabe como huyeron los ladrones&lt;/strong&gt;, pero se sospecha que lo hicieron en un automóvil que habían aparcado cerca del recinto.&lt;/div&gt;
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El museo, que se encuentra en la localidad donde inicialmente se comenzaron a disputar los Juegos Olímpicos, fue restaurado para los Juegos Olímpidos de 2004 en Atenas. La colección que alberga se remite a la historia de los juegos olímpicos en la antigua&amp;nbsp;&lt;a href=&quot;http://elcomercio.pe/tag/151199/grecia&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;Grecia&lt;/a&gt;.&lt;/div&gt;
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El de hoy es el segundo gran robo en un museo griego desde comienzos de 2012. En enero, unos desconocidos sustrajeron un cuadro de Pablo Piccasso, una obra del pintor holandés Piet Mondrian y un dibujo del itliano Guglielmo Caccia de la Galería Nacional de Atenas.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/4010654975566749221/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/4010654975566749221?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/4010654975566749221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/4010654975566749221'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/robaron-antiguedades-de-grecia-y.html' title='Robaron antigüedades de Grecia y renunció su ministro de cultura'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-7829216327164255841</id><published>2012-02-15T23:15:00.000-05:00</published><updated>2012-02-15T23:15:00.408-05:00</updated><title type='text'>Puno: chullpas de Sillustani fueron restauradas y puestas en valor</title><content type='html'>&lt;span style=&quot;background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;&quot;&gt;El&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://elcomercio.pe/tag/252357/chullpas-de-sillustani&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;complejo arqueológico&lt;/a&gt;&lt;span style=&quot;background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;&quot;&gt;&amp;nbsp;recibe cada año casi 80 mil turistas. Mincetur invirtió alrededor de S/.4,6 millones para las obras&lt;/span&gt;
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&lt;div class=&quot;meta&quot; style=&quot;background-color: white; border-bottom-color: rgb(229, 229, 229); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: rgb(229, 229, 229); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(229, 229, 229); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(229, 229, 229); border-top-style: solid; border-top-width: 1px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 0.79em; line-height: 21px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
Fuente el comercio&lt;/div&gt;
&lt;div class=&quot;cnt-player&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: url(http://elcomercio.pe/f/i/processing.gif); background-origin: initial; background-position: 50% 50%; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; height: 285px; line-height: 21px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 510px;&quot;&gt;
&lt;img alt=&quot;Mincetur, Puno, Chullpas de Sillustani&quot; height=&quot;285&quot; src=&quot;http://elcomercio.e3.pe/66/ima/0/0/4/4/7/447270.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; white-space: nowrap;&quot; title=&quot;Puno: chullpas de Sillustani fueron restauradas y puestas en valor&quot; width=&quot;510&quot; /&gt;&lt;/div&gt;
&lt;div class=&quot;detalle-player&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 12px; line-height: 21px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: -10px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px;&quot;&gt;
(Foto: Juan Ponce / Archivo)&lt;/div&gt;
&lt;div id=&quot;textonota&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
El ministro de Comercio Exterior y Turismo (Mincetur),&amp;nbsp;&lt;a href=&quot;http://elcomercio.pe/tag/10870/jose-luis-silva&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;José Luis Silva&lt;/a&gt;, inauguró las obras de acondicionamiento y&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;puesta en valor de diez chullpas&lt;/strong&gt;&amp;nbsp;del complejo arqueológico de&amp;nbsp;&lt;a href=&quot;http://elcomercio.pe/tag/252357/chullpas-de-sillustani&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;Sillustani&lt;/a&gt;, en Puno.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
El titular del&amp;nbsp;&lt;a href=&quot;http://elcomercio.pe/tag/55898/micetur&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;&quot; target=&quot;_blank&quot;&gt;Mincetur&lt;/a&gt;&amp;nbsp;indicó que como parte de los trabajos en el lugar se pavimentaron y señalizaron trece kilómetros de carretera y se instalaron cordones de seguridad y pararrayos para conservar las chullpas.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;El monto de las obras, reveló Silva, es de más de 4,6 millones de nuevos soles&lt;/strong&gt;.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
Las chullpas de Sillustani son torreones circulares de piedra que servían para albergar los restos funerarios de las principales autoridades de las autoridades de los antiguos pobladores del Collao.&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;Algunas de estas construcciones alcanzan hasta 12,5 metros de altura&lt;/strong&gt;.&lt;/div&gt;
&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
El complejo arqueológico de Sillustani recibe anualmente la visita de casi 80.000 turistas entre nacionales y extranjeros, y es&amp;nbsp;&lt;strong style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;uno de los principales atractivos de Puno&lt;/strong&gt;.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/7829216327164255841/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/7829216327164255841?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/7829216327164255841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/7829216327164255841'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/02/puno-chullpas-de-sillustani-fueron.html' title='Puno: chullpas de Sillustani fueron restauradas y puestas en valor'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-3499331647112669736</id><published>2012-01-19T20:26:00.001-05:00</published><updated>2012-01-19T20:26:28.778-05:00</updated><title type='text'>Descubren nuevo ingreso a Huaca de la Luna y un altar de sacrificios humanos</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;glr-block glr-mb-5 glr-overflow-h&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 16px; line-height: 24px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;span class=&quot;glr-left glr-post-date&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; display: inline; float: left !important; font-family: inherit; font-size: 11px; font-style: inherit; font: normal normal normal 11px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;ueves, 19 de enero de 2012 | 5:00 am&lt;/span&gt;&lt;/div&gt;
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&lt;img alt=&quot;Identidad. Siguen los hallazgos en la Huaca de la Luna.&quot; height=&quot;384&amp;quot;&quot; src=&quot;http://cdn.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2012/01/18/imagen-foto21.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
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&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 11px; font-style: inherit; font: normal normal normal 11px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 6px; padding-left: 10px; padding-right: 10px; padding-top: 6px; text-align: center; vertical-align: baseline;&quot;&gt;Identidad. Siguen los hallazgos en la Huaca de la Luna.&lt;/span&gt;&lt;/div&gt;
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Uno a uno siguen develándose los secretos que guarda la milenaria cultura Mochica en las Huacas del Sol y la Luna, ubicadas en el distrito de Moche (Trujillo). Los nuevos hallazgos van a cambiar el rumbo de las investigaciones arqueológicas que existen a la fecha.&lt;br /&gt;&lt;br /&gt;Se trata de un nuevo acceso a la Plaza 1 de la Huaca de la Luna y de un muro policromado, ubicados en la parte suroeste, que colinda con la fachada de este monumento, que hoy puede ser observada en su totalidad por los visitantes, al visualizarse los siete niveles de esta pirámide. Hasta hace poco se creía que había solo un acceso a este recinto religioso.&lt;br /&gt;&lt;br /&gt;Pero, además, cerca a la nueva puerta de ingreso también se descubrió una estructura de adobe en forma de media luna piramidal, cuyas medidas son 5,5 metros en la base y 3,5 metros en la parte alta.&lt;br /&gt;&lt;br /&gt;Para el codirector del Proyecto Arqueológico Huacas del Sol y la Luna, Santiago Uceda, podría ser un altar de sacrificios.&lt;br /&gt;&lt;br /&gt;“El hecho de que hayamos encontrado una sola puerta en la Huaca de la Luna daba firmeza a la hipótesis de que una cuestión de sacrificio humana no eran un acto público o apto para todos&quot;, expresó. Uceda No descartó que en el lugar existan más altares.&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/3499331647112669736/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/3499331647112669736?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3499331647112669736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3499331647112669736'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/01/descubren-nuevo-ingreso-huaca-de-la.html' title='Descubren nuevo ingreso a Huaca de la Luna y un altar de sacrificios humanos'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-3435990537799488068</id><published>2012-01-19T20:20:00.003-05:00</published><updated>2012-01-19T20:20:46.562-05:00</updated><title type='text'>Antiguos peruanos comían palomitas de maíz</title><content type='html'>&lt;br /&gt;
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Jueves 19 de enero del 2012 | 03:56&lt;/div&gt;
&lt;h2 class=&quot;nota-bajada&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: none; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: initial; border-left-style: initial; border-left-width: 0px; border-right-color: initial; border-right-style: initial; border-right-width: 0px; border-style: initial; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #333333; float: none; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-weight: normal; line-height: 19px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px !important; padding-left: 10px !important; padding-right: 10px !important; padding-top: 5px !important; vertical-align: baseline;&quot;&gt;
Investigadores del Museo de Historia Natural de Washington encontraron que se consumía ese alimento 1,000 años antes de lo que se pensaba. Las mazorcas encontradas son las más antiguas de Sudamérica.&lt;/h2&gt;
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&lt;img alt=&quot;Estas fueron las mazorcas encontradas en Paredones y Huaca Prieta. (Foto: Tom D. Dillehay/Vanderbilt University)&quot; height=&quot;355px&quot; itemprop=&quot;image&quot; src=&quot;http://peru21.e3.pe/ima/0/0/0/2/4/24714.png&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; title=&quot;Antiguos peruanos comían palomitas de maíz&quot; width=&quot;630px&quot; /&gt;&lt;div class=&quot;legend&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: #f1f1f1; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 7px; padding-right: 7px; padding-top: 7px; vertical-align: baseline;&quot;&gt;
Estas fueron las mazorcas encontradas en Paredones y Huaca Prieta. (Foto: Tom D. Dillehay/Vanderbilt University)&lt;/div&gt;
&lt;div class=&quot;legend&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: #f1f1f1; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 7px; padding-right: 7px; padding-top: 7px; vertical-align: baseline;&quot;&gt;
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&lt;div class=&quot;legend&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: #f1f1f1; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 7px; padding-right: 7px; padding-top: 7px; vertical-align: baseline;&quot;&gt;
&lt;div itemprop=&quot;articleBody&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; line-height: 21px; margin-bottom: 10px; padding-bottom: 0px !important; padding-left: 240px !important; padding-right: 20px !important; padding-top: 0px !important; vertical-align: baseline;&quot;&gt;
Hace 6,700 años los antiguos peruanos ya comían palomitas de maíz, 1,000 años antes de lo que se pensaba, según un estudio del&amp;nbsp;&lt;a href=&quot;http://www.mnh.si.edu/&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #005fa5; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; target=&quot;_blank&quot;&gt;Museo de Historia Natural de Washington&lt;/a&gt;, en&amp;nbsp;&lt;span class=&quot;caps&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;EEUU&lt;/span&gt;.&lt;/div&gt;
&lt;div itemprop=&quot;articleBody&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; line-height: 21px; margin-bottom: 10px; padding-bottom: 0px !important; padding-left: 240px !important; padding-right: 20px !important; padding-top: 0px !important; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;font-family: inherit; font-style: inherit;&quot;&gt;El análisis reveló que las mazorcas más antiguas que se han hallado,&lt;/span&gt;&lt;span style=&quot;font-family: inherit; font-style: inherit;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;strong style=&quot;font-family: inherit; font-style: inherit; font-weight: bold;&quot;&gt;que tienen entre 6,700 a 3,000 años,&lt;/strong&gt;&lt;span style=&quot;font-family: inherit; font-style: inherit;&quot;&gt;fueron encontradas en Paredones (Ica) y Huaca Prieta (La Libertad), en la árida costa norte de nuestro país.&lt;/span&gt;&lt;/div&gt;
&lt;div itemprop=&quot;articleBody&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; line-height: 21px; margin-bottom: 10px; padding-bottom: 0px !important; padding-left: 240px !important; padding-right: 20px !important; padding-top: 0px !important; vertical-align: baseline;&quot;&gt;
Las características de las mazorcas, las primeras que se han descubierto en Sudamérica, indican que los habitantes de estos lugares&amp;nbsp;&lt;strong style=&quot;font-weight: bold;&quot;&gt;comían ese producto de varias maneras,&lt;/strong&gt;&amp;nbsp;incluso harina de maíz. Sin embargo, este grano no era todavía una parte importante de su dieta.&lt;/div&gt;
&lt;div itemprop=&quot;articleBody&quot; style=&quot;background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; line-height: 21px; margin-bottom: 10px; padding-bottom: 0px !important; padding-left: 240px !important; padding-right: 20px !important; padding-top: 0px !important; vertical-align: baseline;&quot;&gt;
El grupo de investigación, dirigido por Tom Dillehay de la&lt;a href=&quot;http://es.wikipedia.org/wiki/Universidad_Vanderbilt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #005fa5; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; target=&quot;_blank&quot;&gt;Universidad de Vanderbilt&lt;/a&gt;&amp;nbsp;y Duccio Bonavia de la Academia Nacional de Historia de Perú,&amp;nbsp;&lt;strong style=&quot;font-weight: bold;&quot;&gt;encontró también granos de almidón y fitolitos.&lt;/strong&gt;&lt;/div&gt;
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&lt;strong style=&quot;font-weight: bold;&quot;&gt;“El maíz fue cultivado por primera vez en México hace cerca de 9,000 años&lt;/strong&gt;&amp;nbsp;a partir de una hierba salvaje llamada teosinte. Nuestros resultados muestran que solo unos pocos miles de años más tarde llegó a América del Su”, explicó Dolores Piperno, coautora del estudio.&lt;/div&gt;
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&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/3435990537799488068/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/3435990537799488068?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3435990537799488068'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3435990537799488068'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/01/antiguos-peruanos-comian-palomitas-de.html' title='Antiguos peruanos comían palomitas de maíz'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-6302189377769825177</id><published>2012-01-14T07:14:00.003-05:00</published><updated>2012-01-14T07:14:28.872-05:00</updated><title type='text'>Descubren tumbas del Paleolítico en Yemen</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;g-container&quot; style=&quot;background-color: white; color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;&quot;&gt;
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&amp;nbsp;Fuente BBC news&lt;/div&gt;
&lt;/div&gt;
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&lt;img alt=&quot;Mapa de Yemen.&quot; height=&quot;171&quot; src=&quot;http://wscdn.bbc.co.uk/worldservice/assets/images/2012/01/10/120110002541_spmapayemen.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; padding-bottom: 5px;&quot; width=&quot;304&quot; /&gt;&lt;/div&gt;
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Un grupo de arqueólogos descubrió en el oeste de Yemen 200 tumbas del Paleolítico, según la agencia estatal de noticia Saba.&lt;/div&gt;
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Las tumbas contienen momias y otras reliquias funerarias, según la información.&lt;/div&gt;
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Fueron excavadas en la roca y tienen una o más cámaras dependiendo del número de cuerpos que contienen, según le dijo a la agencia Mohamed Ahmad Qassim, responsable de antigüedades de la provincia de Al-Mahwit, donde se produjo el hallazgo.&lt;/div&gt;
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El descubrimiento refuerza la teoría de que en la región existía una cultura desarrollada en aquella época.&lt;/div&gt;
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El período Paleolítico, el mayor de la prehistórica Edad de Piedra, comenzó hace unos dos millones de años y terminó alrededor del año 8.000 antes de Cristo.&lt;/div&gt;
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&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/6302189377769825177/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/6302189377769825177?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6302189377769825177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6302189377769825177'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/01/descubren-tumbas-del-paleolitico-en.html' title='Descubren tumbas del Paleolítico en Yemen'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-6473510993014952526</id><published>2012-01-07T16:27:00.002-05:00</published><updated>2012-01-07T16:27:25.507-05:00</updated><title type='text'>Pronto culminará restauración de chullpas de Sillustani</title><content type='html'>&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;a href=&quot;http://www.pachamamaradio.org/wp-content/uploads/2012/01/Chullpas-de-silustani-puno-promerpu.jpg&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #006699; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;img alt=&quot;&quot; class=&quot;alignleft size-medium wp-image-23547&quot; height=&quot;196&quot; src=&quot;http://www.pachamamaradio.org/wp-content/uploads/2012/01/Chullpas-de-silustani-puno-promerpu-300x196.jpg&quot; style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: rgb(170, 170, 170); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(170, 170, 170); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(170, 170, 170); border-top-style: solid; border-top-width: 1px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 5px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px; vertical-align: baseline;&quot; title=&quot;Chullpas de silustani - puno - promerpu&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;Los trabajos de restauración de las Chullpas del Complejo Arqueológico de Sullustani tienen un avance del 95 por ciento y está próximo a inaugurarse, según informó el regidor de la municipalidad provincial de Puno, Javier Humpiri, esto tras realizar una verificación a la obra.&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Los trabajos de restauración de las Chullpas de Sillustani, se están realizando con presupuesto del Plan Copesco y según el arqueólogo que dirige la obra, está elaborando el proyecto para continuar la restauración en su segunda etapa, dijo el regidor.&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Una delegación de regidores encabezada por el primer regidor, Humpiri Yucra, se trasladó hasta el Complejo Arqueológico de Sillustani, en el distrito de Atuncolla, para verificar el avance de la obra.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/6473510993014952526/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/6473510993014952526?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6473510993014952526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6473510993014952526'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2012/01/pronto-culminara-restauracion-de.html' title='Pronto culminará restauración de chullpas de Sillustani'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-8385222251943705156</id><published>2011-11-18T19:57:00.001-05:00</published><updated>2011-11-18T20:00:17.960-05:00</updated><title type='text'>Hallan momias con características “no humanas” en Cusco</title><content type='html'>&lt;br /&gt;
&lt;h2 class=&quot;post-sub-title&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3b3b; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal 700 16px/1.4em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
caso. después de dos años, antropólogo informó de “descubrimiento” en cerro de andahuaylillas&lt;/h2&gt;
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Presentarán informe la próxima semana&lt;/h2&gt;
&lt;h1 class=&quot;post-title&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
Cusco: estudian osamenta de momia con características &quot;no humanas&quot;&lt;/h1&gt;
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&lt;img alt=&quot;Osamenta de momia con características &quot; humanas&quot;&quot;=&quot;&quot; no=&quot;&quot; src=&quot;http://www.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2011/11/18/imagen-419590.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
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&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;Osamenta de momia con características &quot;no humanas&quot;&lt;/span&gt;&lt;/div&gt;
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&lt;h1 class=&quot;post-title&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
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&lt;strong&gt;La momia de características no humanas tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos.&lt;/strong&gt;&lt;/div&gt;
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Los especialistas de la Dirección Regional de Cultura (DRC) de Cusco realizaron estudios de las estructuras óseas de las dos momias,&amp;nbsp;&lt;strong&gt;una de ellas con características no humanas,&amp;nbsp;&lt;/strong&gt;que se encuentran en el museo privado Ritos Andinos, en el distrito de Andahuaylillas, en la provincia cusqueña de Quispicanchi.&lt;/div&gt;
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El titular de la DRC Cusco, David Ugarte Vega Centeno, precisó que los especialistas forman parte de la Dirección de Investigación de la entidad que dirige. &quot;&lt;strong&gt;La aplicación de una investigación más específica dependerá de los resultados preliminares&amp;nbsp;&lt;/strong&gt;y de la importancia de los hallazgos&quot;, indicó a Andina.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Presentarán informe&lt;/strong&gt;&lt;/div&gt;
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El arqueólogo Domingo Farfán Acuña, que forma parte del grupo de especialistas,&amp;nbsp;&lt;strong&gt;indicó que se ha hecho la supervisión y verificación de las osamentas&amp;nbsp;&lt;/strong&gt;y que, al momento, se está en pleno proceso de análisis de los restos.&lt;/div&gt;
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&quot;Al término de los estudios se emitirá un informe técnico&lt;strong&gt;, el cual se espera esté listo a más tardar la próxima semana&lt;/strong&gt;”, indicó tras precisar que la labor efectuada se prolongó por más de tres horas.&lt;/div&gt;
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En la tarea de supervisión y verificación también&lt;strong&gt;&amp;nbsp;participó la antropóloga física Elva Torres Pino&lt;/strong&gt;.&lt;/div&gt;
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&lt;strong&gt;Dato&lt;/strong&gt;&lt;/div&gt;
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El director del museo privado Ritos Andinos, Renato Dávila Riquelme,&amp;nbsp;&lt;strong&gt;informó el jueves sobre el hallazgo de dos momias, una de ellas con características no humanas&lt;/strong&gt;, en el cerro Wiracocha, ubicado a dos kilómetros de la ciudad de Andahuaylillas.&lt;/div&gt;
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La momia de características no humanas tiene 50 centímetros de estatura,&amp;nbsp;&lt;strong&gt;cabeza triangular, grandes cavidades en los ojos y molares no comunes&amp;nbsp;&lt;/strong&gt;en los seres humanos.&lt;/div&gt;
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La segunda momia, de sólo 30 centímetros, presenta similares características,&amp;nbsp;&lt;strong&gt;pero está incompleta pues no tiene rostro y está cubierta por una capa fina similar a la placenta&lt;/strong&gt;. Ambas fueron descubiertas hace dos años.&lt;/div&gt;
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Hallan momias con características “no humanas” en Cusco&lt;/h1&gt;
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&lt;strong&gt;Cráneo es del mismo tamaño del cuerpo. Fueron examinadas por dos médicos españoles y un ruso.&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;Miguel de la Cruz. Cusco. &amp;nbsp;&lt;/strong&gt;&lt;/div&gt;
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Gran desconcierto causó la información propalada por el director del Museo Privado de Ritos Andinos del distrito de Andahuaylillas, en la provincia de Quispicanchi, Renato Dávila Riquelme, sobre el descubrimiento de dos momias “con características no humanas”.&amp;nbsp;&lt;/div&gt;
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El antropólogo indicó que el descubrimiento fue hace dos años en el cerro Wiracochan, a dos kilómetros de la ciudad de Andahuaylillas, y que después de tratar de investigar la procedencia de los restos, recién se animó a divulgar el hecho. Pidió ayuda de las autoridades peruanas para terminar los estudios.&amp;nbsp;&lt;/div&gt;
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Dávila detalló que los restos óseos estaban envueltos en unas mantas antiguas y que la momia mejor conservada tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos. &quot;Presenta unas aletas de dos centímetros de largo y medio de alto en la parte baja del maxilar superior, características no halladas en ninguna etnia”, dijo.&amp;nbsp;&lt;/div&gt;
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Explicó que el ojo derecho presenta restos del globo ocular. Un análisis de ADN permitiría determinar las características genéticas de los restos encontrados. La cavidad del ojo &amp;nbsp;izquierdo está vacía. Los huesos de la costilla y extremidades inferiores son muy delicados y finos. El tamaño del cráneo no concuerda con el cuerpo y la cara. En la parte superior de la cabeza existe una fontanela abierta, característica de los niños de un año, pero tiene la dentadura de una persona adulta. &amp;nbsp;&lt;/div&gt;
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La segunda momia es de 30 centímetros y presenta similares características, pero está incompleta, pues no tiene rostro y está cubierta por una capa fina similar a la placenta. Ambos restos están en posición fetal. Hace una semana tres médicos, dos españoles y un ruso, llegaron al museo y dijeron “que no se trataría de un ser humano&quot;, por lo que se comprometieron a regresar para realizar algunos estudios.&lt;/div&gt;
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&lt;img alt=&quot;Asombro. Restos óseos encontrados por antropólogo cusqueño no serían de ser humano. C-MOMIA  &quot; src=&quot;http://www.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2011/11/17/imagen-MOMIA1.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;640&quot; /&gt;&lt;/div&gt;
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&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;Asombro. Restos óseos encontrados por antropólogo cusqueño no serían de ser humano. C-MOMIA&lt;/span&gt;&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class=&quot;glr-slider-image-excerpt&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: black; font-family: &#39;Times New Roman&#39;; font-size: 16px; line-height: 24px;&quot;&gt;&lt;div style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 15.36px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, &#39;Times New Roman&#39;, Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;&quot;&gt;
&lt;strong&gt;Cráneo es del mismo tamaño del cuerpo. Fueron examinadas por dos médicos españoles y un ruso.&lt;/strong&gt;&lt;/div&gt;
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&lt;strong&gt;Miguel de la Cruz. Cusco. &amp;nbsp;&lt;/strong&gt;&lt;/div&gt;
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Gran desconcierto causó la información propalada por el director del Museo Privado de Ritos Andinos del distrito de Andahuaylillas, en la provincia de Quispicanchi, Renato Dávila Riquelme, sobre el descubrimiento de dos momias “con características no humanas”.&amp;nbsp;&lt;/div&gt;
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El antropólogo indicó que el descubrimiento fue hace dos años en el cerro Wiracochan, a dos kilómetros de la ciudad de Andahuaylillas, y que después de tratar de investigar la procedencia de los restos, recién se animó a divulgar el hecho. Pidió ayuda de las autoridades peruanas para terminar los estudios.&amp;nbsp;&lt;/div&gt;
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Dávila detalló que los restos óseos estaban envueltos en unas mantas antiguas y que la momia mejor conservada tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos. &quot;Presenta unas aletas de dos centímetros de largo y medio de alto en la parte baja del maxilar superior, características no halladas en ninguna etnia”, dijo.&amp;nbsp;&lt;/div&gt;
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Explicó que el ojo derecho presenta restos del globo ocular. Un análisis de ADN permitiría determinar las características genéticas de los restos encontrados. La cavidad del ojo &amp;nbsp;izquierdo está vacía. Los huesos de la costilla y extremidades inferiores son muy delicados y finos. El tamaño del cráneo no concuerda con el cuerpo y la cara. En la parte superior de la cabeza existe una fontanela abierta, característica de los niños de un año, pero tiene la dentadura de una persona adulta. &amp;nbsp;&lt;/div&gt;
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La segunda momia es de 30 centímetros y presenta similares características, pero está incompleta, pues no tiene rostro y está cubierta por una capa fina similar a la placenta. Ambos restos están en posición fetal. Hace una semana tres médicos, dos españoles y un ruso, llegaron al museo y dijeron “que no se trataría de un ser humano&quot;, por lo que se comprometieron a regresar para realizar algunos estudios.&lt;/div&gt;
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&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/8385222251943705156/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/8385222251943705156?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/8385222251943705156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/8385222251943705156'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/hallan-momias-con-caracteristicas-no.html' title='Hallan momias con características “no humanas” en Cusco'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-5236505754735366931</id><published>2011-11-18T19:56:00.001-05:00</published><updated>2011-11-18T19:56:32.297-05:00</updated><title type='text'>Hallan restos óseos incas y cerámicos de 800 años a.C en Cusco</title><content type='html'>&lt;br /&gt;
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&lt;strong&gt;El hallazgo de fragmentos de cerámica y elementos líticos como herramientas (percutores) se registró en el sector Isla Grande. El proceso de excavación en la zona continúa.&lt;/strong&gt;&lt;/div&gt;
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La Dirección Regional de Cultura (DRC) de Cusco reportó el hallazgo de restos óseos de dos enterramientos de la época inca, así como objetos líticos y cerámicos de 800 años de antigüedad antes de Cristo,&amp;nbsp;&lt;strong&gt;en límites del parque arqueológico de Machu Picchu y el distrito de Ollantaytambo.&lt;/strong&gt;&lt;/div&gt;
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El jefe del parque arqueológico,Fernando Astete Victoria, indicó que los hallazgos se produjeron hace unas semanas,&amp;nbsp;&lt;strong&gt;como parte del relanzamiento del Plan Maestro del Santuario de Machu Picchu&lt;/strong&gt;&amp;nbsp;que se inició el 10 de octubre pasado.&lt;/div&gt;
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Explicó que el primer hallazgo&amp;nbsp;&lt;strong&gt;se registró en el sector de Choquellusca&lt;/strong&gt;, cerca al kilómetro 82 de la vía férrea a Machu Picchu, en la comunidad de Piscacucho en el distrito de Ollantaytambo, que pertenece a la provincia de Urubamba.&lt;/div&gt;
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Especificó que se trata de cráneos, huesos largos (en mejor conservación),&lt;strong&gt;&amp;nbsp;y no descartó que pudieron haber sido momificados.&lt;/strong&gt;&lt;/div&gt;
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“Son enterramientos de la época inca; personas que seguramente laboraban en el área y que fueron enterradas en la zona. En su época seguramente fueron momificados,&lt;strong&gt;&amp;nbsp;pero a causa del ambiente fueron transformados y ya no queda el tejido&lt;/strong&gt;”, mencionó.&lt;/div&gt;
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Indicó que se efectuarán trabajos de investigación de los restos encontrados p&lt;strong&gt;ara determinar el sexo, tipo de individuos y cómo murieron dichos individuos.&lt;/strong&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/5236505754735366931/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/5236505754735366931?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5236505754735366931'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5236505754735366931'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/hallan-restos-oseos-incas-y-ceramicos.html' title='Hallan restos óseos incas y cerámicos de 800 años a.C en Cusco'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-3952414136041023957</id><published>2011-11-14T23:28:00.001-05:00</published><updated>2011-11-14T23:28:20.405-05:00</updated><title type='text'>Ornamentos hallados en tumba de guerrero serán exhibidos en 2012 en Lambayeque</title><content type='html'>&lt;br /&gt;
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&lt;span class=&quot;edpNoticiaContenido&quot; id=&quot;lblDescripcion&quot; style=&quot;font-size: 15px; line-height: 21px;&quot;&gt;&lt;strong&gt;Chiclayo, &amp;nbsp;Fuente &amp;nbsp;:ANDINA.&lt;/strong&gt;&amp;nbsp;Los ornamentos descubiertos en la tumba 16 del complejo arqueológico Huaca Rajada Sipán, en Lambayeque, serán exhibidos al público en el primer trimestre de 2012 tras concluir los trabajos de restauración y conservación, que registran un avance del 80 por ciento, se informó hoy.&lt;/span&gt;&lt;/div&gt;
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&lt;img alt=&quot;Joven noble hallado en tumba 15 del complejo arqueológico de Huaca Rajada-Sipán. Foto: ANDINA/Archivo/Silvia Depaz.&quot; border=&quot;0&quot; src=&quot;http://portal.andina.com.pe/EDPFotografia/Thumbnail/2009/10/28/000109483T.jpg&quot; style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px;&quot; /&gt;&lt;/div&gt;
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&lt;span class=&quot;edpNoticiaFotoLeyenda&quot; id=&quot;ctl06_gvFotoPortada_ctl02_lblLeyenda&quot; style=&quot;color: #666666; display: inline-block; font-size: 12px; font-style: normal; width: 193px;&quot;&gt;Joven noble hallado en tumba 15 del complejo arqueológico de Huaca Rajada-Sipán. Foto: ANDINA/Archivo/Silvia Depaz.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;edpNoticiaContenido&quot; id=&quot;lblContenido&quot; style=&quot;font-size: 15px; line-height: 21px;&quot;&gt;El director del museo de sitio Huaca Raja Sipán,&amp;nbsp;Luis Chero Zurita, precisó que son 80 los ornamentos y piezas arqueológicas sometidos al proceso de restauración, que empezó a inicios de 2011.&lt;br /&gt;
Sostuvo que, entre las reliquias destacan coronas en forma de V de cobre dorado, cetros y porras del llamado “guerrero del pututo”, encontrado en junio de 2010.&lt;br /&gt;&lt;br /&gt;“Lo más singular son las coronas en V y cetros, así como un estandarte. Son significativos y se está a punto de culminar con su restauración a cargo de&amp;nbsp;&amp;nbsp;&amp;nbsp; especialistas locales”, declaró a la&amp;nbsp;&lt;strong&gt;Agencia Andina&lt;/strong&gt;.&lt;br /&gt;
Refirió que los trabajos de recuperación se llevan a cabo en el laboratorio del museo y que los objetos de la tumba 16 están en mejores condiciones de conservación que los del entierro anterior (tumba 15), pues se encontraron en otro nivel.&lt;br /&gt;
“Esperamos que a más tardar en marzo de 2012 se tenga en exhibición&amp;nbsp;la tumba 16”, enfatizó tras estimar que en diciembre próximo tendrán todos los objetos restaurados.&lt;br /&gt;
Por otro lado, Chero Zurita informó que esperan cerrar este año con la visita de más de 50,000 turistas, entre nacionales y extranjeros, lo que convierte al museo en uno de los recintos culturales más concurridos de Lambayeque.&lt;br /&gt;
“A la fecha tenemos más de 42,000 visitantes, de los cuales el 80 por ciento corresponde a nacionales. Los extranjeros que más visitan el museo proceden de Estados Unidos y España”, comentó.&lt;br /&gt;
El museo de sitio de Huaca Rajada Sipán abrió sus puertas en enero de 2009 con los tesoros descubiertos en la tumba 14 del sacerdote guerrero, y actualmente exhibe los ornamentos y emblemas hallados en la tumba 15 de un noble guerrero de 21 años y 1.65 metros de estatura&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/3952414136041023957/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/3952414136041023957?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3952414136041023957'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/3952414136041023957'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/ornamentos-hallados-en-tumba-de.html' title='Ornamentos hallados en tumba de guerrero serán exhibidos en 2012 en Lambayeque'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-5811267382975664004</id><published>2011-11-07T14:08:00.002-05:00</published><updated>2011-11-07T14:08:34.524-05:00</updated><title type='text'>Instalarán moderno sistema de información en Marcahuamachuco</title><content type='html'>&lt;br /&gt;
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&lt;b&gt;&lt;span lang=&quot;ES-PE&quot; style=&quot;font-size: 12pt;&quot;&gt;GHF&amp;nbsp; considera legado arqueológico como potencial patrimonio de la Humanidad&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: 26pt;&quot;&gt;Instalarán moderno sistema de información en Marcahuamachuco&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12pt;&quot;&gt;Organismo internacional incluye en plan de apoyo el desarrollo comunitario&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span lang=&quot;ES&quot;&gt;(Huamachuco, 03 de noviembre 2011).- Un moderno sistema de información geográfica que permitirá realizar el mapeo para la conservación de las estructuras del sitio arqueológico Marcahuamachuco implementará la&amp;nbsp;&lt;i&gt;Global Heritage Fund&lt;/i&gt;&amp;nbsp;(GHF), gracias a un convenio suscrito con el Patronato Cultural del Perú y la Unidad Ejecutora 007 a cargo de este monumento. El director ejecutivo del GHF, Jeff Morgan, expresó que Marcahuamachuco constituye un bien arqueológico que podría ser nominado a la Lista del Patrimonio de la Humanidad de la UNESCO.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;ES&quot;&gt;Este convenio incluye, además de apoyo en la investigación, un modelo de gestión del patrimonio arqueológico que involucrará activamente a los sectores público y privado, indicó la arqueóloga Alejandra Figueroa, coordinadora del proyecto, quien garantizará que las labores estén de acuerdo a los altos estándares internacionales que maneja el GHF.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El sitio es uno de los más importantes tesoros arqueológicos de los Andes, y como muchos sitios en el Perú, es poco conocido. Nuestro trabajo en Chavín de Huántar demuestra que el GHF no solamente se preocupa por la planificación y conservación en un sitio arqueológico, sino también por el desarrollo de las comunidades aledañas y el potencial económico que el patrimonio cultural puede aportar en una región&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;,&lt;i&gt;&lt;/i&gt;remarcó Jeff Morgan.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;ES&quot;&gt;La GHF es una organización internacional dedicada a proteger, preservar y sostener los sitios arqueológicos más importantes del mundo que se encuentren en situación de peligro. Usa la metodología que propone una visión de 360 grados sobre el monumento e incluye componentes de planificación con actores locales, apoyo científico, desarrollo comunitario y asociaciones con el sector público, la empresa privada y actores locales para la protección del patrimonio cultural y su sostenibilidad. Desde el 2002, GHF ha invertido más de 20 millones de dólares a nivel mundial, y ha logrado contribuciones de 18 millones de dólares en la protección de los 16 sitios en los que trabaja.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;ES&quot;&gt;A la presentación del convenio, realizado el 02 de noviembre en las instalaciones del Club Central de Trujillo asistieron: Luís Javier Luna Elías, Viceministro de Patrimonio Cultural e Industrias Culturales; Teresita Bravo Malca, Directora Regional de Cultura de La Libertad; John Hurd, Director Internacional de Conservación de GHF; Alejandro Camino, Director del Programa Perú de GHF; Felipe&amp;nbsp; Custer Hallett, Presidente del Patronato Cultural del Perú; Guillermo Rebaza Jara, Jefe de la Unidad Ejecutora Marcahuamachuco y el renombrado arqueólogo Luis Guillermo Lumbreras.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/5811267382975664004/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/5811267382975664004?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5811267382975664004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/5811267382975664004'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/instalaran-moderno-sistema-de.html' title='Instalarán moderno sistema de información en Marcahuamachuco'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-1388568699488067469</id><published>2011-11-07T14:00:00.001-05:00</published><updated>2011-11-07T14:00:58.607-05:00</updated><title type='text'>Revista Digital PATRIMONIO Y DESARROLLO</title><content type='html'>&lt;br /&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Estimados lectores:&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Reciban&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;la Revista&lt;u&gt;&lt;/u&gt;&amp;nbsp;Digital&lt;u&gt;&lt;/u&gt;&amp;nbsp;PATRIMONIO Y DESARROLLO No.&amp;nbsp;12 - 13&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;strong&gt;&lt;i&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;correspondiente al mes de octubre de&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;em&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&amp;nbsp;&lt;u&gt;&lt;/u&gt;2011&lt;strong&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;. A&lt;/span&gt;&lt;/strong&gt;&lt;u&gt;&lt;/u&gt;&lt;strong&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&amp;nbsp;la misma se puede acceder pulsando el siguiente enlace a nuestro sitio Web:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;; font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://www.cencrem.co.cu/images/documents/revista_digital_12_13_2011.pdf&quot; style=&quot;color: #1155cc;&quot; target=&quot;_blank&quot;&gt;http://www.cencrem.co.cu/&lt;wbr&gt;&lt;/wbr&gt;images/documents/revista_&lt;wbr&gt;&lt;/wbr&gt;digital_12_13_2011.pdf&lt;/a&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
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&lt;em&gt;&lt;u&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;; font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;SUMARIO:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/em&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;; font-weight: normal;&quot;&gt;.-&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;En portada:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Nueva forma de botija reportada en el antiguo Convento de Santa Clara de Asís, f&lt;span&gt;otografía de&amp;nbsp;&lt;/span&gt;Alejandro Cruz Pérez&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Página 2 - 4&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;.-&amp;nbsp;&lt;b&gt;&lt;u&gt;Noticias Nacionales&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;–&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;El círculo de innovadores y racionalizadores&amp;nbsp;&lt;span style=&quot;text-transform: uppercase;&quot;&gt;(&lt;/span&gt;CIR) del CENCREN rinde homenaje a sus innovadores&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;, p&lt;/span&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;or&lt;span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span&gt;MSc. Xiomara Savón Espichicoque&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Realizado en el CENCREM ejercicio académico de culminación de estudios del primer diplomado “La ciencia y la técnica al servicio de la conservación del Patrimonio Cultural”&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;, p&lt;/span&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;or&amp;nbsp;&lt;span&gt;Dra. Beatriz Moreno Masó&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Declarada Plaza de&amp;nbsp;&lt;u&gt;&lt;/u&gt;la Revolución Mayor&lt;u&gt;&lt;/u&gt;&amp;nbsp;General Antonio Maceo Grajales, Monumento Nacional&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;, p&lt;/span&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;or&amp;nbsp;&lt;span&gt;Orelvis Rodríguez Morales&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Página 12&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;.-&amp;nbsp;&lt;b&gt;&lt;span style=&quot;color: green;&quot;&gt;Monumentos&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;–&amp;nbsp;&lt;b&gt;&lt;span style=&quot;text-transform: uppercase;&quot;&gt;F&lt;/span&gt;rancisco de&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;A&lt;/span&gt;lbear&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;&lt;/span&gt;y&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;F&lt;/span&gt;ernández&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;&lt;/span&gt;de&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;L&lt;/span&gt;ara&lt;span style=&quot;text-transform: uppercase;&quot;&gt;&amp;nbsp;(1816-1887),&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;por Lic.&amp;nbsp;&lt;span&gt;Jorge Luis Oliva Almeida&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;.-&amp;nbsp;&lt;b&gt;&lt;span style=&quot;color: green;&quot;&gt;Consejo Editorial&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;– María Mercedes García Santana / Directora&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;– Orelvis Rodríguez Morales / Coordinador&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;– Jorge Luis Oliva Almeida / Corrección de estilo&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;– Luanda O’Hallorans Rafuls / Traducción&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;– Darwin A. Arduengo García / Revisión&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;&lt;u&gt;&lt;span style=&quot;color: red; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Si es la primera vez que recibe esta Revista y quiere seguir recibiéndolo, o recibir números atrasados, o simplemente hacérselo llegar a algún colega, envíenos una comunicación para darle de alta en nuestra lista, así mismo si desea darse de baja&lt;/span&gt;&lt;/u&gt;&lt;/em&gt;&lt;em&gt;&lt;span style=&quot;color: red; font-family: &#39;Arial Narrow&#39;;&quot;&gt;.&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;u&gt;&lt;span style=&quot;color: #00ccff; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;Saludos,&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;em&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;; font-size: 12pt;&quot;&gt;Orelvis Rodríguez Morales&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style=&quot;color: green; font-family: &#39;Arial Narrow&#39;; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;Coordinador&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&quot;Patrimonio y Desarrollo&quot;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;Centro Nacional de Conservación, Restauración y Museología (CENCREM)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;Calle Cuba No. 610 e/ Sol y Luz,&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana Vieja.&lt;br /&gt;Ciuda&lt;u&gt;&lt;/u&gt;d de&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, Cuba.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;C.P. 10 100&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;Teléfonos: (53 7) 861 3775, 861 2877, 861 5043, 866 3631 Ext. 12&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;Fax: (53 7) 861 3775&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;font-family: &#39;Arial Narrow&#39;;&quot;&gt;&lt;a href=&quot;http://www.cencrem.co.cu/&quot; style=&quot;color: #1155cc;&quot; target=&quot;_blank&quot;&gt;www.cencrem.co.cu&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/1388568699488067469/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/1388568699488067469?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1388568699488067469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/1388568699488067469'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/revista-digital-patrimonio-y-desarrollo.html' title='Revista Digital PATRIMONIO Y DESARROLLO'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8381182709032161149.post-6844014009412839805</id><published>2011-11-07T13:57:00.002-05:00</published><updated>2011-11-07T13:57:43.453-05:00</updated><title type='text'>INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos</title><content type='html'>&lt;br /&gt;
&lt;h3 style=&quot;color: #222222; font-family: Arial, sans-serif; font-size: 16px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 6px; padding-left: 0px; padding-right: 0px; padding-top: 0px;&quot;&gt;
INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos&lt;/h3&gt;
&lt;div style=&quot;color: #222222; font-family: arial, sans-serif; font-size: 13px; padding-bottom: 15px; white-space: pre-wrap !important; word-wrap: break-word;&quot;&gt;
Expositores:
José Osorio
Defensa del Patrimonio Cultural, Barrio Yungay, Chile

Irwin Ferrandiz
Caso: Hotel Marriot, Conservación del Patrimonio Cultural en Cusco 

Ana Elisa Berenguel
Caso: Casona Bodega y Cuadra, Puesta en Valor en el Centro Histórico de Lima *
* Por confirmar

Lugar: Iglesia de Nuestra Señora de la Soledad
Jr. Lampa esquina Jr. Ancash, Cercado de Lima
Día y hora: Jueves 17 de noviembre de 6.00 a 8.00 PM
INGRESO LIBRE&lt;/div&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;color: #222222; font-family: arial, sans-serif; font-size: 13px;&quot; summary=&quot;Información del evento&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;&quot; valign=&quot;top&quot;&gt;&lt;div&gt;
&lt;i style=&quot;font-style: normal;&quot;&gt;Cuándo&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style=&quot;color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;&quot; valign=&quot;top&quot;&gt;jue, 17 de noviembre, 18:00 – 20:00&amp;nbsp;&lt;span style=&quot;color: #888888;&quot;&gt;GMT-05:00&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style=&quot;color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;&quot; valign=&quot;top&quot;&gt;&lt;div&gt;
&lt;i style=&quot;font-style: normal;&quot;&gt;Dónde&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style=&quot;color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;&quot; valign=&quot;top&quot;&gt;Iglesia de Nuestra Señora de la Soledad&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style=&quot;color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;&quot; valign=&quot;top&quot;&gt;&lt;div&gt;
&lt;i style=&quot;font-style: normal;&quot;&gt;Quién&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style=&quot;color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;&quot; valign=&quot;top&quot;&gt;La lista de invitados se ha ocultado porque así lo ha solicitado el organizador.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='http://restauroperu-ecariv.blogspot.com/feeds/6844014009412839805/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8381182709032161149/6844014009412839805?isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6844014009412839805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8381182709032161149/posts/default/6844014009412839805'/><link rel='alternate' type='text/html' href='http://restauroperu-ecariv.blogspot.com/2011/11/invitacion-foro-conservacion-del.html' title='INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/05482359891068390704</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>