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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CEAMSXk6cSp7ImA9WhRUEE8.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149</id><updated>2012-01-19T20:26:28.719-05:00</updated><category term="oportunidad" /><category term="conservacion" /><category term="restauracion" /><category term="Arqueologo" /><category term="Trujillo" /><category term="Amazonas" /><category term="Ingeniero" /><category term="patrimonio" /><category term="vacaciones" /><category term="puente inka" /><category term="personal" /><category term="Kuelap" /><category term="modernidad" /><category term="Copesco" /><category term="Antropologo" /><category term="Arquitecto" /><category term="museo" /><category term="sociologo" /><category term="Inicio" /><category term="trabajo" /><title>Rispetto dell'autenticitá - Restauro                      (Restauracion-Respeto de la Autenticidad)</title><subtitle type="html">Espacio de trabajos, anuncios, Pronunciamientos, oportunidades, rescate de Patrimonio del Peru y del Mundo, Arqueológico , Arquitectónico , cultural y otros , la Gestión y la Puesta en Valor bajo actividades de explotación colateral: minería , Hidrocarburos, Fauna, Flora
Conservacion y Restauracion de bienes muebles e inmueble, Patrimonio Mundial en Peligro, Fotografia, Arte, Letras, Arqueologia, Arquitectura e Ingenieria.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://restauroperu-ecariv.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>416</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/blogspot/Uzrbf" /><feedburner:info uri="blogspot/uzrbf" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;CEAMSXk8cCp7ImA9WhRUEE8.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3499331647112669736</id><published>2012-01-19T20:26:00.001-05:00</published><updated>2012-01-19T20:26:28.778-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-19T20:26:28.778-05:00</app:edited><title>Descubren nuevo ingreso a Huaca de la Luna y un altar de sacrificios humanos</title><content type="html">
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&lt;span class="glr-left glr-post-date" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; display: inline; float: left !important; font-family: inherit; font-size: 11px; font-style: inherit; font: normal normal normal 11px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;ueves, 19 de enero de 2012 | 5:00 am&lt;/span&gt;&lt;/div&gt;
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&lt;img alt="Identidad. Siguen los hallazgos en la Huaca de la Luna." height="384&amp;quot;" src="http://cdn.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2012/01/18/imagen-foto21.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="640" /&gt;&lt;/div&gt;
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Uno a uno siguen develándose los secretos que guarda la milenaria cultura Mochica en las Huacas del Sol y la Luna, ubicadas en el distrito de Moche (Trujillo). Los nuevos hallazgos van a cambiar el rumbo de las investigaciones arqueológicas que existen a la fecha.&lt;br /&gt;&lt;br /&gt;Se trata de un nuevo acceso a la Plaza 1 de la Huaca de la Luna y de un muro policromado, ubicados en la parte suroeste, que colinda con la fachada de este monumento, que hoy puede ser observada en su totalidad por los visitantes, al visualizarse los siete niveles de esta pirámide. Hasta hace poco se creía que había solo un acceso a este recinto religioso.&lt;br /&gt;&lt;br /&gt;Pero, además, cerca a la nueva puerta de ingreso también se descubrió una estructura de adobe en forma de media luna piramidal, cuyas medidas son 5,5 metros en la base y 3,5 metros en la parte alta.&lt;br /&gt;&lt;br /&gt;Para el codirector del Proyecto Arqueológico Huacas del Sol y la Luna, Santiago Uceda, podría ser un altar de sacrificios.&lt;br /&gt;&lt;br /&gt;“El hecho de que hayamos encontrado una sola puerta en la Huaca de la Luna daba firmeza a la hipótesis de que una cuestión de sacrificio humana no eran un acto público o apto para todos", expresó. Uceda No descartó que en el lugar existan más altares.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-3499331647112669736?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/pMcSyCKk7gE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/3499331647112669736/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=3499331647112669736&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3499331647112669736?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3499331647112669736?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/pMcSyCKk7gE/descubren-nuevo-ingreso-huaca-de-la.html" title="Descubren nuevo ingreso a Huaca de la Luna y un altar de sacrificios humanos" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2012/01/descubren-nuevo-ingreso-huaca-de-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEMAR3s9eip7ImA9WhRUEE8.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3435990537799488068</id><published>2012-01-19T20:20:00.003-05:00</published><updated>2012-01-19T20:20:46.562-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-19T20:20:46.562-05:00</app:edited><title>Antiguos peruanos comían palomitas de maíz</title><content type="html">
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Jueves 19 de enero del 2012 | 03:56&lt;/div&gt;
&lt;h2 class="nota-bajada" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: none; background-origin: initial; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: initial; border-left-style: initial; border-left-width: 0px; border-right-color: initial; border-right-style: initial; border-right-width: 0px; border-style: initial; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #333333; float: none; font-family: Arial, Helvetica, sans-serif; font-size: 13px; font-weight: normal; line-height: 19px; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px !important; padding-left: 10px !important; padding-right: 10px !important; padding-top: 5px !important; vertical-align: baseline;"&gt;
Investigadores del Museo de Historia Natural de Washington encontraron que se consumía ese alimento 1,000 años antes de lo que se pensaba. Las mazorcas encontradas son las más antiguas de Sudamérica.&lt;/h2&gt;
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&lt;img alt="Estas fueron las mazorcas encontradas en Paredones y Huaca Prieta. (Foto: Tom D. Dillehay/Vanderbilt University)" height="355px" itemprop="image" src="http://peru21.e3.pe/ima/0/0/0/2/4/24714.png" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" title="Antiguos peruanos comían palomitas de maíz" width="630px" /&gt;&lt;div class="legend" style="background-attachment: initial; background-clip: initial; background-color: #f1f1f1; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 7px; padding-left: 7px; padding-right: 7px; padding-top: 7px; vertical-align: baseline;"&gt;
Estas fueron las mazorcas encontradas en Paredones y Huaca Prieta. (Foto: Tom D. Dillehay/Vanderbilt University)&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;div itemprop="articleBody" style="background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; line-height: 21px; margin-bottom: 10px; padding-bottom: 0px !important; padding-left: 240px !important; padding-right: 20px !important; padding-top: 0px !important; vertical-align: baseline;"&gt;
Hace 6,700 años los antiguos peruanos ya comían palomitas de maíz, 1,000 años antes de lo que se pensaba, según un estudio del&amp;nbsp;&lt;a href="http://www.mnh.si.edu/" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #005fa5; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Museo de Historia Natural de Washington&lt;/a&gt;, en&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;EEUU&lt;/span&gt;.&lt;/div&gt;
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&lt;span style="font-family: inherit; font-style: inherit;"&gt;El análisis reveló que las mazorcas más antiguas que se han hallado,&lt;/span&gt;&lt;span style="font-family: inherit; font-style: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong style="font-family: inherit; font-style: inherit; font-weight: bold;"&gt;que tienen entre 6,700 a 3,000 años,&lt;/strong&gt;&lt;span style="font-family: inherit; font-style: inherit;"&gt;fueron encontradas en Paredones (Ica) y Huaca Prieta (La Libertad), en la árida costa norte de nuestro país.&lt;/span&gt;&lt;/div&gt;
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Las características de las mazorcas, las primeras que se han descubierto en Sudamérica, indican que los habitantes de estos lugares&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;comían ese producto de varias maneras,&lt;/strong&gt;&amp;nbsp;incluso harina de maíz. Sin embargo, este grano no era todavía una parte importante de su dieta.&lt;/div&gt;
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El grupo de investigación, dirigido por Tom Dillehay de la&lt;a href="http://es.wikipedia.org/wiki/Universidad_Vanderbilt" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #005fa5; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Universidad de Vanderbilt&lt;/a&gt;&amp;nbsp;y Duccio Bonavia de la Academia Nacional de Historia de Perú,&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;encontró también granos de almidón y fitolitos.&lt;/strong&gt;&lt;/div&gt;
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&lt;strong style="font-weight: bold;"&gt;“El maíz fue cultivado por primera vez en México hace cerca de 9,000 años&lt;/strong&gt;&amp;nbsp;a partir de una hierba salvaje llamada teosinte. Nuestros resultados muestran que solo unos pocos miles de años más tarde llegó a América del Su”, explicó Dolores Piperno, coautora del estudio.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-3435990537799488068?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/YfrM9Rmav2E" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/3435990537799488068/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=3435990537799488068&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3435990537799488068?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3435990537799488068?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/YfrM9Rmav2E/antiguos-peruanos-comian-palomitas-de.html" title="Antiguos peruanos comían palomitas de maíz" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2012/01/antiguos-peruanos-comian-palomitas-de.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUCSXY8eip7ImA9WhRVFUk.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-6302189377769825177</id><published>2012-01-14T07:14:00.003-05:00</published><updated>2012-01-14T07:14:28.872-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-14T07:14:28.872-05:00</app:edited><title>Descubren tumbas del Paleolítico en Yemen</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PICfMvezhLdQGyQSBfSpcoZdaW4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PICfMvezhLdQGyQSBfSpcoZdaW4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PICfMvezhLdQGyQSBfSpcoZdaW4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PICfMvezhLdQGyQSBfSpcoZdaW4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;
&lt;div class="g-container" style="background-color: white; color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;"&gt;
&lt;div class="datestamp" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #666666; margin-bottom: 4px; margin-left: 0px; margin-right: 0px; margin-top: -16px; padding-bottom: 4px; padding-top: 11px; position: relative; top: 0px; visibility: visible;"&gt;
&amp;nbsp;Fuente BBC news&lt;/div&gt;
&lt;/div&gt;
&lt;div class="g-container story-body" style="background-color: white; clear: both; color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 16px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 160px; padding-top: 0px;"&gt;
&lt;div class="bodytext" style="font-size: 1em; padding-bottom: 16px;"&gt;
&lt;div class="module " style="clear: both; display: inline; font-size: 1em;"&gt;
&lt;div class="image img-w304" style="clear: right; float: right; font-size: 1em; margin-left: 16px; margin-right: -160px; margin-top: 12px; width: 304px;"&gt;
&lt;img alt="Mapa de Yemen." height="171" src="http://wscdn.bbc.co.uk/worldservice/assets/images/2012/01/10/120110002541_spmapayemen.jpg" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; padding-bottom: 5px;" width="304" /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="ingress" style="font-size: 16px; font-weight: bold; line-height: 20px; margin-bottom: 4px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 8px;"&gt;
Un grupo de arqueólogos descubrió en el oeste de Yemen 200 tumbas del Paleolítico, según la agencia estatal de noticia Saba.&lt;/div&gt;
&lt;div style="font-size: 14px; line-height: 20px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 5px;"&gt;
Las tumbas contienen momias y otras reliquias funerarias, según la información.&lt;/div&gt;
&lt;div style="font-size: 14px; line-height: 20px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 5px;"&gt;
Fueron excavadas en la roca y tienen una o más cámaras dependiendo del número de cuerpos que contienen, según le dijo a la agencia Mohamed Ahmad Qassim, responsable de antigüedades de la provincia de Al-Mahwit, donde se produjo el hallazgo.&lt;/div&gt;
&lt;div style="font-size: 14px; line-height: 20px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 5px;"&gt;
El descubrimiento refuerza la teoría de que en la región existía una cultura desarrollada en aquella época.&lt;/div&gt;
&lt;div style="font-size: 14px; line-height: 20px; margin-bottom: 3px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 5px;"&gt;
El período Paleolítico, el mayor de la prehistórica Edad de Piedra, comenzó hace unos dos millones de años y terminó alrededor del año 8.000 antes de Cristo.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-6302189377769825177?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/CyadJcN3WhI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/6302189377769825177/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=6302189377769825177&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6302189377769825177?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6302189377769825177?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/CyadJcN3WhI/descubren-tumbas-del-paleolitico-en.html" title="Descubren tumbas del Paleolítico en Yemen" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2012/01/descubren-tumbas-del-paleolitico-en.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0EARHs7fyp7ImA9WhRWGUo.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-6473510993014952526</id><published>2012-01-07T16:27:00.002-05:00</published><updated>2012-01-07T16:27:25.507-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-07T16:27:25.507-05:00</app:edited><title>Pronto culminará restauración de chullpas de Sillustani</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/79ReDtES7tmpzae1hEzPtW97qxE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/79ReDtES7tmpzae1hEzPtW97qxE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/79ReDtES7tmpzae1hEzPtW97qxE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/79ReDtES7tmpzae1hEzPtW97qxE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;a href="http://www.pachamamaradio.org/wp-content/uploads/2012/01/Chullpas-de-silustani-puno-promerpu.jpg" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #006699; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;"&gt;&lt;img alt="" class="alignleft size-medium wp-image-23547" height="196" src="http://www.pachamamaradio.org/wp-content/uploads/2012/01/Chullpas-de-silustani-puno-promerpu-300x196.jpg" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: rgb(170, 170, 170); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(170, 170, 170); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(170, 170, 170); border-top-style: solid; border-top-width: 1px; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 5px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px; vertical-align: baseline;" title="Chullpas de silustani - puno - promerpu" width="300" /&gt;&lt;/a&gt;Los trabajos de restauración de las Chullpas del Complejo Arqueológico de Sullustani tienen un avance del 95 por ciento y está próximo a inaugurarse, según informó el regidor de la municipalidad provincial de Puno, Javier Humpiri, esto tras realizar una verificación a la obra.&lt;/div&gt;
&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Los trabajos de restauración de las Chullpas de Sillustani, se están realizando con presupuesto del Plan Copesco y según el arqueólogo que dirige la obra, está elaborando el proyecto para continuar la restauración en su segunda etapa, dijo el regidor.&lt;/div&gt;
&lt;div style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Una delegación de regidores encabezada por el primer regidor, Humpiri Yucra, se trasladó hasta el Complejo Arqueológico de Sillustani, en el distrito de Atuncolla, para verificar el avance de la obra.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-6473510993014952526?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/oCv4Et2iCYw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/6473510993014952526/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=6473510993014952526&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6473510993014952526?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6473510993014952526?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/oCv4Et2iCYw/pronto-culminara-restauracion-de.html" title="Pronto culminará restauración de chullpas de Sillustani" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2012/01/pronto-culminara-restauracion-de.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkMFRnc9eCp7ImA9WhRSFks.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-8385222251943705156</id><published>2011-11-18T19:57:00.001-05:00</published><updated>2011-11-18T20:00:17.960-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-18T20:00:17.960-05:00</app:edited><title>Hallan momias con características “no humanas” en Cusco</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vpRooDfulOrQfccrREqy28t6R1I/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vpRooDfulOrQfccrREqy28t6R1I/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vpRooDfulOrQfccrREqy28t6R1I/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vpRooDfulOrQfccrREqy28t6R1I/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;
&lt;h2 class="post-sub-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3b3b; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal 700 16px/1.4em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
caso. después de dos años, antropólogo informó de “descubrimiento” en cerro de andahuaylillas&lt;/h2&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;h2 class="post-sub-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3b3b; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal 700 16px/1.4em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Presentarán informe la próxima semana&lt;/h2&gt;
&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Cusco: estudian osamenta de momia con características "no humanas"&lt;/h1&gt;
&lt;div class="glr-block glr-slider-post glr-w-640 glr-mb-10" id="glr_slider_post" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; height: auto !important; line-height: 24px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline; width: 640px;"&gt;
&lt;div class="glr-slider-list" style="background-attachment: initial; background-clip: initial; background-color: black; background-image: url(http://www.larepublica.pe/sites/all/themes/larepublica/modules/slider/img/loading.gif); background-origin: initial; background-position: 50% 50%; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 424px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline; width: 640px;"&gt;
&lt;div class="glr-slider-item" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 640px;"&gt;
&lt;div class="glr-slider-item-mm" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline; width: 640px;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;img alt="Osamenta de momia con características " humanas""="" no="" src="http://www.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2011/11/18/imagen-419590.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="640" /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="glr-slider-image-caption" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; height: 40px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;Osamenta de momia con características "no humanas"&lt;/span&gt;&lt;/div&gt;
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&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;span class="Apple-style-span" style="color: black; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal;"&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 15.36px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
&lt;strong&gt;La momia de características no humanas tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos.&lt;/strong&gt;&lt;/div&gt;
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Los especialistas de la Dirección Regional de Cultura (DRC) de Cusco realizaron estudios de las estructuras óseas de las dos momias,&amp;nbsp;&lt;strong&gt;una de ellas con características no humanas,&amp;nbsp;&lt;/strong&gt;que se encuentran en el museo privado Ritos Andinos, en el distrito de Andahuaylillas, en la provincia cusqueña de Quispicanchi.&lt;/div&gt;
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El titular de la DRC Cusco, David Ugarte Vega Centeno, precisó que los especialistas forman parte de la Dirección de Investigación de la entidad que dirige. "&lt;strong&gt;La aplicación de una investigación más específica dependerá de los resultados preliminares&amp;nbsp;&lt;/strong&gt;y de la importancia de los hallazgos", indicó a Andina.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Presentarán informe&lt;/strong&gt;&lt;/div&gt;
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El arqueólogo Domingo Farfán Acuña, que forma parte del grupo de especialistas,&amp;nbsp;&lt;strong&gt;indicó que se ha hecho la supervisión y verificación de las osamentas&amp;nbsp;&lt;/strong&gt;y que, al momento, se está en pleno proceso de análisis de los restos.&lt;/div&gt;
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"Al término de los estudios se emitirá un informe técnico&lt;strong&gt;, el cual se espera esté listo a más tardar la próxima semana&lt;/strong&gt;”, indicó tras precisar que la labor efectuada se prolongó por más de tres horas.&lt;/div&gt;
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En la tarea de supervisión y verificación también&lt;strong&gt;&amp;nbsp;participó la antropóloga física Elva Torres Pino&lt;/strong&gt;.&lt;/div&gt;
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&lt;strong&gt;Dato&lt;/strong&gt;&lt;/div&gt;
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El director del museo privado Ritos Andinos, Renato Dávila Riquelme,&amp;nbsp;&lt;strong&gt;informó el jueves sobre el hallazgo de dos momias, una de ellas con características no humanas&lt;/strong&gt;, en el cerro Wiracocha, ubicado a dos kilómetros de la ciudad de Andahuaylillas.&lt;/div&gt;
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La momia de características no humanas tiene 50 centímetros de estatura,&amp;nbsp;&lt;strong&gt;cabeza triangular, grandes cavidades en los ojos y molares no comunes&amp;nbsp;&lt;/strong&gt;en los seres humanos.&lt;/div&gt;
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La segunda momia, de sólo 30 centímetros, presenta similares características,&amp;nbsp;&lt;strong&gt;pero está incompleta pues no tiene rostro y está cubierta por una capa fina similar a la placenta&lt;/strong&gt;. Ambas fueron descubiertas hace dos años.&lt;/div&gt;
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&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;br /&gt;&lt;/h1&gt;
&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Hallan momias con características “no humanas” en Cusco&lt;/h1&gt;
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&lt;strong&gt;Cráneo es del mismo tamaño del cuerpo. Fueron examinadas por dos médicos españoles y un ruso.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
&lt;strong&gt;Miguel de la Cruz. Cusco. &amp;nbsp;&lt;/strong&gt;&lt;/div&gt;
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Gran desconcierto causó la información propalada por el director del Museo Privado de Ritos Andinos del distrito de Andahuaylillas, en la provincia de Quispicanchi, Renato Dávila Riquelme, sobre el descubrimiento de dos momias “con características no humanas”.&amp;nbsp;&lt;/div&gt;
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El antropólogo indicó que el descubrimiento fue hace dos años en el cerro Wiracochan, a dos kilómetros de la ciudad de Andahuaylillas, y que después de tratar de investigar la procedencia de los restos, recién se animó a divulgar el hecho. Pidió ayuda de las autoridades peruanas para terminar los estudios.&amp;nbsp;&lt;/div&gt;
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Dávila detalló que los restos óseos estaban envueltos en unas mantas antiguas y que la momia mejor conservada tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos. "Presenta unas aletas de dos centímetros de largo y medio de alto en la parte baja del maxilar superior, características no halladas en ninguna etnia”, dijo.&amp;nbsp;&lt;/div&gt;
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Explicó que el ojo derecho presenta restos del globo ocular. Un análisis de ADN permitiría determinar las características genéticas de los restos encontrados. La cavidad del ojo &amp;nbsp;izquierdo está vacía. Los huesos de la costilla y extremidades inferiores son muy delicados y finos. El tamaño del cráneo no concuerda con el cuerpo y la cara. En la parte superior de la cabeza existe una fontanela abierta, característica de los niños de un año, pero tiene la dentadura de una persona adulta. &amp;nbsp;&lt;/div&gt;
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La segunda momia es de 30 centímetros y presenta similares características, pero está incompleta, pues no tiene rostro y está cubierta por una capa fina similar a la placenta. Ambos restos están en posición fetal. Hace una semana tres médicos, dos españoles y un ruso, llegaron al museo y dijeron “que no se trataría de un ser humano", por lo que se comprometieron a regresar para realizar algunos estudios.&lt;/div&gt;
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&lt;img alt="Asombro. Restos óseos encontrados por antropólogo cusqueño no serían de ser humano. C-MOMIA  " src="http://www.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2011/11/17/imagen-MOMIA1.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="640" /&gt;&lt;/div&gt;
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&lt;div class="glr-slider-image-caption" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; height: 40px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;Asombro. Restos óseos encontrados por antropólogo cusqueño no serían de ser humano. C-MOMIA&lt;/span&gt;&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="glr-slider-image-excerpt" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; display: block; font-family: inherit; font-size: 12px; font-style: inherit; font-weight: inherit; font: normal normal normal 12px/1.3em Arial, Helvetica, sans-serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 10px; padding-left: 10px; padding-right: 10px; padding-top: 10px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: 'Times New Roman'; font-size: 16px; line-height: 24px;"&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 15.36px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
&lt;strong&gt;Cráneo es del mismo tamaño del cuerpo. Fueron examinadas por dos médicos españoles y un ruso.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
&lt;strong&gt;Miguel de la Cruz. Cusco. &amp;nbsp;&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
Gran desconcierto causó la información propalada por el director del Museo Privado de Ritos Andinos del distrito de Andahuaylillas, en la provincia de Quispicanchi, Renato Dávila Riquelme, sobre el descubrimiento de dos momias “con características no humanas”.&amp;nbsp;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
El antropólogo indicó que el descubrimiento fue hace dos años en el cerro Wiracochan, a dos kilómetros de la ciudad de Andahuaylillas, y que después de tratar de investigar la procedencia de los restos, recién se animó a divulgar el hecho. Pidió ayuda de las autoridades peruanas para terminar los estudios.&amp;nbsp;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
Dávila detalló que los restos óseos estaban envueltos en unas mantas antiguas y que la momia mejor conservada tiene 50 centímetros de estatura, cabeza triangular, grandes cavidades en los ojos y molares no comunes en los seres humanos. "Presenta unas aletas de dos centímetros de largo y medio de alto en la parte baja del maxilar superior, características no halladas en ninguna etnia”, dijo.&amp;nbsp;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
Explicó que el ojo derecho presenta restos del globo ocular. Un análisis de ADN permitiría determinar las características genéticas de los restos encontrados. La cavidad del ojo &amp;nbsp;izquierdo está vacía. Los huesos de la costilla y extremidades inferiores son muy delicados y finos. El tamaño del cráneo no concuerda con el cuerpo y la cara. En la parte superior de la cabeza existe una fontanela abierta, característica de los niños de un año, pero tiene la dentadura de una persona adulta. &amp;nbsp;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
La segunda momia es de 30 centímetros y presenta similares características, pero está incompleta, pues no tiene rostro y está cubierta por una capa fina similar a la placenta. Ambos restos están en posición fetal. Hace una semana tres médicos, dos españoles y un ruso, llegaron al museo y dijeron “que no se trataría de un ser humano", por lo que se comprometieron a regresar para realizar algunos estudios.&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-8385222251943705156?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/n8Xbi1HB1-w" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/8385222251943705156/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=8385222251943705156&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/8385222251943705156?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/8385222251943705156?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/n8Xbi1HB1-w/hallan-momias-con-caracteristicas-no.html" title="Hallan momias con características “no humanas” en Cusco" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/hallan-momias-con-caracteristicas-no.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkYNQ3wyfyp7ImA9WhRSFks.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-5236505754735366931</id><published>2011-11-18T19:56:00.001-05:00</published><updated>2011-11-18T19:56:32.297-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-18T19:56:32.297-05:00</app:edited><title>Hallan restos óseos incas y cerámicos de 800 años a.C en Cusco</title><content type="html">
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&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 15.36px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
&lt;strong&gt;El hallazgo de fragmentos de cerámica y elementos líticos como herramientas (percutores) se registró en el sector Isla Grande. El proceso de excavación en la zona continúa.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
La Dirección Regional de Cultura (DRC) de Cusco reportó el hallazgo de restos óseos de dos enterramientos de la época inca, así como objetos líticos y cerámicos de 800 años de antigüedad antes de Cristo,&amp;nbsp;&lt;strong&gt;en límites del parque arqueológico de Machu Picchu y el distrito de Ollantaytambo.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
El jefe del parque arqueológico,Fernando Astete Victoria, indicó que los hallazgos se produjeron hace unas semanas,&amp;nbsp;&lt;strong&gt;como parte del relanzamiento del Plan Maestro del Santuario de Machu Picchu&lt;/strong&gt;&amp;nbsp;que se inició el 10 de octubre pasado.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
Explicó que el primer hallazgo&amp;nbsp;&lt;strong&gt;se registró en el sector de Choquellusca&lt;/strong&gt;, cerca al kilómetro 82 de la vía férrea a Machu Picchu, en la comunidad de Piscacucho en el distrito de Ollantaytambo, que pertenece a la provincia de Urubamba.&lt;/div&gt;
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Especificó que se trata de cráneos, huesos largos (en mejor conservación),&lt;strong&gt;&amp;nbsp;y no descartó que pudieron haber sido momificados.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4d4d4d; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal normal 16px/1.4em Georgia, 'Times New Roman', Times, serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 15px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;
“Son enterramientos de la época inca; personas que seguramente laboraban en el área y que fueron enterradas en la zona. En su época seguramente fueron momificados,&lt;strong&gt;&amp;nbsp;pero a causa del ambiente fueron transformados y ya no queda el tejido&lt;/strong&gt;”, mencionó.&lt;/div&gt;
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Indicó que se efectuarán trabajos de investigación de los restos encontrados p&lt;strong&gt;ara determinar el sexo, tipo de individuos y cómo murieron dichos individuos.&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-5236505754735366931?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/eu-Fa_0d68o" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/5236505754735366931/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=5236505754735366931&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/5236505754735366931?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/5236505754735366931?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/eu-Fa_0d68o/hallan-restos-oseos-incas-y-ceramicos.html" title="Hallan restos óseos incas y cerámicos de 800 años a.C en Cusco" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/hallan-restos-oseos-incas-y-ceramicos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0QEQXo7fSp7ImA9WhRSE04.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3952414136041023957</id><published>2011-11-14T23:28:00.001-05:00</published><updated>2011-11-14T23:28:20.405-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-14T23:28:20.405-05:00</app:edited><title>Ornamentos hallados en tumba de guerrero serán exhibidos en 2012 en Lambayeque</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_uxXzuAFg2bocYVdFkntKVhz-MM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_uxXzuAFg2bocYVdFkntKVhz-MM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;div style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Arial, Helvetica, sans-serif; font-size: 12px; padding-bottom: 5px;"&gt;
&lt;span class="edpNoticiaContenido" id="lblDescripcion" style="font-size: 15px; line-height: 21px;"&gt;&lt;strong&gt;Chiclayo, &amp;nbsp;Fuente &amp;nbsp;:ANDINA.&lt;/strong&gt;&amp;nbsp;Los ornamentos descubiertos en la tumba 16 del complejo arqueológico Huaca Rajada Sipán, en Lambayeque, serán exhibidos al público en el primer trimestre de 2012 tras concluir los trabajos de restauración y conservación, que registran un avance del 80 por ciento, se informó hoy.&lt;/span&gt;&lt;/div&gt;
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&lt;table align="Left" border="0" cellpadding="2" cellspacing="0" id="ctl06_gvFotoPortada" rules="all" style="border-bottom-width: 0px; border-collapse: collapse; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px;"&gt;&lt;tbody&gt;
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&lt;div id="FotografiaNoticiaDetalle" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-bottom-color: rgb(192, 192, 192); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(192, 192, 192); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(192, 192, 192); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(192, 192, 192); border-top-style: solid; border-top-width: 1px; padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px;"&gt;
&lt;img alt="Joven noble hallado en tumba 15 del complejo arqueológico de Huaca Rajada-Sipán. Foto: ANDINA/Archivo/Silvia Depaz." border="0" src="http://portal.andina.com.pe/EDPFotografia/Thumbnail/2009/10/28/000109483T.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px;" /&gt;&lt;/div&gt;
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&lt;span class="edpNoticiaFotoLeyenda" id="ctl06_gvFotoPortada_ctl02_lblLeyenda" style="color: #666666; display: inline-block; font-size: 12px; font-style: normal; width: 193px;"&gt;Joven noble hallado en tumba 15 del complejo arqueológico de Huaca Rajada-Sipán. Foto: ANDINA/Archivo/Silvia Depaz.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="edpNoticiaContenido" id="lblContenido" style="font-size: 15px; line-height: 21px;"&gt;El director del museo de sitio Huaca Raja Sipán,&amp;nbsp;Luis Chero Zurita, precisó que son 80 los ornamentos y piezas arqueológicas sometidos al proceso de restauración, que empezó a inicios de 2011.&lt;br /&gt;
Sostuvo que, entre las reliquias destacan coronas en forma de V de cobre dorado, cetros y porras del llamado “guerrero del pututo”, encontrado en junio de 2010.&lt;br /&gt;&lt;br /&gt;“Lo más singular son las coronas en V y cetros, así como un estandarte. Son significativos y se está a punto de culminar con su restauración a cargo de&amp;nbsp;&amp;nbsp;&amp;nbsp; especialistas locales”, declaró a la&amp;nbsp;&lt;strong&gt;Agencia Andina&lt;/strong&gt;.&lt;br /&gt;
Refirió que los trabajos de recuperación se llevan a cabo en el laboratorio del museo y que los objetos de la tumba 16 están en mejores condiciones de conservación que los del entierro anterior (tumba 15), pues se encontraron en otro nivel.&lt;br /&gt;
“Esperamos que a más tardar en marzo de 2012 se tenga en exhibición&amp;nbsp;la tumba 16”, enfatizó tras estimar que en diciembre próximo tendrán todos los objetos restaurados.&lt;br /&gt;
Por otro lado, Chero Zurita informó que esperan cerrar este año con la visita de más de 50,000 turistas, entre nacionales y extranjeros, lo que convierte al museo en uno de los recintos culturales más concurridos de Lambayeque.&lt;br /&gt;
“A la fecha tenemos más de 42,000 visitantes, de los cuales el 80 por ciento corresponde a nacionales. Los extranjeros que más visitan el museo proceden de Estados Unidos y España”, comentó.&lt;br /&gt;
El museo de sitio de Huaca Rajada Sipán abrió sus puertas en enero de 2009 con los tesoros descubiertos en la tumba 14 del sacerdote guerrero, y actualmente exhibe los ornamentos y emblemas hallados en la tumba 15 de un noble guerrero de 21 años y 1.65 metros de estatura&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-3952414136041023957?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/rMIh1xaigN0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/3952414136041023957/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=3952414136041023957&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3952414136041023957?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3952414136041023957?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/rMIh1xaigN0/ornamentos-hallados-en-tumba-de.html" title="Ornamentos hallados en tumba de guerrero serán exhibidos en 2012 en Lambayeque" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/ornamentos-hallados-en-tumba-de.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4FRXs5fCp7ImA9WhRTFkQ.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-5811267382975664004</id><published>2011-11-07T14:08:00.002-05:00</published><updated>2011-11-07T14:08:34.524-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-07T14:08:34.524-05:00</app:edited><title>Instalarán moderno sistema de información en Marcahuamachuco</title><content type="html">
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&lt;b&gt;&lt;span lang="ES-PE" style="font-size: 12pt;"&gt;GHF&amp;nbsp; considera legado arqueológico como potencial patrimonio de la Humanidad&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span lang="ES" style="font-size: 26pt;"&gt;Instalarán moderno sistema de información en Marcahuamachuco&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span lang="ES" style="font-size: 12pt;"&gt;Organismo internacional incluye en plan de apoyo el desarrollo comunitario&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span lang="ES"&gt;(Huamachuco, 03 de noviembre 2011).- Un moderno sistema de información geográfica que permitirá realizar el mapeo para la conservación de las estructuras del sitio arqueológico Marcahuamachuco implementará la&amp;nbsp;&lt;i&gt;Global Heritage Fund&lt;/i&gt;&amp;nbsp;(GHF), gracias a un convenio suscrito con el Patronato Cultural del Perú y la Unidad Ejecutora 007 a cargo de este monumento. El director ejecutivo del GHF, Jeff Morgan, expresó que Marcahuamachuco constituye un bien arqueológico que podría ser nominado a la Lista del Patrimonio de la Humanidad de la UNESCO.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="ES"&gt;Este convenio incluye, además de apoyo en la investigación, un modelo de gestión del patrimonio arqueológico que involucrará activamente a los sectores público y privado, indicó la arqueóloga Alejandra Figueroa, coordinadora del proyecto, quien garantizará que las labores estén de acuerdo a los altos estándares internacionales que maneja el GHF.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span lang="ES"&gt;El sitio es uno de los más importantes tesoros arqueológicos de los Andes, y como muchos sitios en el Perú, es poco conocido. Nuestro trabajo en Chavín de Huántar demuestra que el GHF no solamente se preocupa por la planificación y conservación en un sitio arqueológico, sino también por el desarrollo de las comunidades aledañas y el potencial económico que el patrimonio cultural puede aportar en una región&lt;/span&gt;&lt;/i&gt;&lt;span lang="ES"&gt;,&lt;i&gt;&lt;/i&gt;remarcó Jeff Morgan.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="ES"&gt;La GHF es una organización internacional dedicada a proteger, preservar y sostener los sitios arqueológicos más importantes del mundo que se encuentren en situación de peligro. Usa la metodología que propone una visión de 360 grados sobre el monumento e incluye componentes de planificación con actores locales, apoyo científico, desarrollo comunitario y asociaciones con el sector público, la empresa privada y actores locales para la protección del patrimonio cultural y su sostenibilidad. Desde el 2002, GHF ha invertido más de 20 millones de dólares a nivel mundial, y ha logrado contribuciones de 18 millones de dólares en la protección de los 16 sitios en los que trabaja.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="ES"&gt;A la presentación del convenio, realizado el 02 de noviembre en las instalaciones del Club Central de Trujillo asistieron: Luís Javier Luna Elías, Viceministro de Patrimonio Cultural e Industrias Culturales; Teresita Bravo Malca, Directora Regional de Cultura de La Libertad; John Hurd, Director Internacional de Conservación de GHF; Alejandro Camino, Director del Programa Perú de GHF; Felipe&amp;nbsp; Custer Hallett, Presidente del Patronato Cultural del Perú; Guillermo Rebaza Jara, Jefe de la Unidad Ejecutora Marcahuamachuco y el renombrado arqueólogo Luis Guillermo Lumbreras.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-5811267382975664004?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/OOE6wn9ER7U" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/5811267382975664004/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=5811267382975664004&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/5811267382975664004?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/5811267382975664004?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/OOE6wn9ER7U/instalaran-moderno-sistema-de.html" title="Instalarán moderno sistema de información en Marcahuamachuco" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/instalaran-moderno-sistema-de.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEMBSXg7fyp7ImA9WhRTFkQ.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-1388568699488067469</id><published>2011-11-07T14:00:00.001-05:00</published><updated>2011-11-07T14:00:58.607-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-07T14:00:58.607-05:00</app:edited><title>Revista Digital PATRIMONIO Y DESARROLLO</title><content type="html">
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&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Estimados lectores:&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Reciban&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;la Revista&lt;u&gt;&lt;/u&gt;&amp;nbsp;Digital&lt;u&gt;&lt;/u&gt;&amp;nbsp;PATRIMONIO Y DESARROLLO No.&amp;nbsp;12 - 13&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;strong&gt;&lt;i&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;correspondiente al mes de octubre de&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&amp;nbsp;&lt;u&gt;&lt;/u&gt;2011&lt;strong&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;. A&lt;/span&gt;&lt;/strong&gt;&lt;u&gt;&lt;/u&gt;&lt;strong&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&amp;nbsp;la misma se puede acceder pulsando el siguiente enlace a nuestro sitio Web:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family: 'Arial Narrow'; font-size: 11pt;"&gt;&lt;a href="http://www.cencrem.co.cu/images/documents/revista_digital_12_13_2011.pdf" style="color: #1155cc;" target="_blank"&gt;http://www.cencrem.co.cu/&lt;wbr&gt;&lt;/wbr&gt;images/documents/revista_&lt;wbr&gt;&lt;/wbr&gt;digital_12_13_2011.pdf&lt;/a&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
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&lt;em&gt;&lt;u&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-style: normal;"&gt;&lt;span style="font-size: small;"&gt;SUMARIO:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/em&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-weight: normal;"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;En portada:&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Nueva forma de botija reportada en el antiguo Convento de Santa Clara de Asís, f&lt;span&gt;otografía de&amp;nbsp;&lt;/span&gt;Alejandro Cruz Pérez&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;Página 2 - 4&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;&lt;u&gt;Noticias Nacionales&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;El círculo de innovadores y racionalizadores&amp;nbsp;&lt;span style="text-transform: uppercase;"&gt;(&lt;/span&gt;CIR) del CENCREN rinde homenaje a sus innovadores&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, p&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;or&lt;span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span&gt;MSc. Xiomara Savón Espichicoque&lt;/span&gt;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Realizado en el CENCREM ejercicio académico de culminación de estudios del primer diplomado “La ciencia y la técnica al servicio de la conservación del Patrimonio Cultural”&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, p&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;or&amp;nbsp;&lt;span&gt;Dra. Beatriz Moreno Masó&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Declarada Plaza de&amp;nbsp;&lt;u&gt;&lt;/u&gt;la Revolución Mayor&lt;u&gt;&lt;/u&gt;&amp;nbsp;General Antonio Maceo Grajales, Monumento Nacional&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, p&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;or&amp;nbsp;&lt;span&gt;Orelvis Rodríguez Morales&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Ecos del VI Simposio Regional de Museología “&lt;i&gt;Francisco Fina García&lt;/i&gt;”&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, p&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;or&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;Orelvis Rodríguez Morales&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Preservan nuestro patrimonio con preparación y profesionalismo&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, p&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;or&amp;nbsp;&lt;span&gt;Darío Gabriel Sánchez García&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Página 5&lt;/span&gt;&lt;/strong&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;&lt;u&gt;Noticias Internacionales&lt;/u&gt;&lt;/b&gt;&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Concluye en&amp;nbsp;&lt;u&gt;&lt;/u&gt;la UNESCO&lt;u&gt;&lt;/u&gt;&amp;nbsp;la 187ª reunión del Consejo Ejecutivo&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;,&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;UNESCOPRESS&lt;/span&gt;&lt;span style="color: green;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;b&gt;Siete nuevas incorporaciones al Registro&lt;span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;Memoria del Mundo&lt;/b&gt;,&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;UNESCOPRESS&lt;/span&gt;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-size: 8pt;"&gt;&lt;/span&gt;&lt;span style="color: green;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Página 6&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Actividades de Superación Profesional&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&amp;nbsp;de&amp;nbsp;&lt;u&gt;&lt;/u&gt;la&amp;nbsp;&lt;span&gt;Cátedra Regional&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;span&gt;&amp;nbsp;de Ciencias de&lt;u&gt;&lt;/u&gt;la Conservación Integral&lt;u&gt;&lt;/u&gt;&amp;nbsp;de los Bienes Culturales y Naturales para América Latina y el Caribe de&amp;nbsp;&lt;u&gt;&lt;/u&gt;la UNESCO&lt;u&gt;&lt;/u&gt;&amp;nbsp;(CRECI) de noviembre – diciembre 2011.&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Página 7 - 8&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;Centro de Información&lt;/b&gt;&amp;nbsp;/ Canjes - Donaciones - Adquisiciones - Publicaciones&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Nuevas adquisiciones&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;:&lt;/span&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-style: normal;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Arquitectura: elección o destino adverso. Teoría del nuevo urbanismo&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;,&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Ediciones Unión:&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, Cuba, 2010. t. II.&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-style: normal;"&gt;–&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Meditaciones sobre la condición urbana. Problemática del nuevo urbanismo&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;,&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Ediciones Unión:&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, Cuba, 2010. t. I.&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-style: normal;"&gt;–&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Informática Museológica&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, No. 41 (1-4), 2010&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Croacia&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-style: normal;"&gt;–&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Cuartilla informativa&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, Año XVIII, No. 1 enero - marzo 2011, Oficina del Historiador de&amp;nbsp;&lt;u&gt;&lt;/u&gt;la Ciudad&lt;u&gt;&lt;/u&gt;&amp;nbsp;de&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, Cuba.&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;De nuestros archivos&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;u&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;–&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;/u&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;La Habana&lt;/span&gt;&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;: apuntes históricos&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;, de&amp;nbsp;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Emilio Roig de Leuchsenring, Editora del Consejo Nacional de Cultura,&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;,&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&amp;nbsp;Cuba,&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&amp;nbsp;1963. t.I.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: 9pt;"&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&amp;nbsp;&lt;b&gt;La restauración: examen científico aplicado a la conservación de obras de arte&lt;/b&gt;, de&amp;nbsp;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;María Luisa Gómez, Ediciones Cátedra, Madrid, España, 2000.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;–&amp;nbsp;&lt;b&gt;Repertorio de textos internacionales de Patrimonio Cultural&lt;/b&gt;&lt;span&gt;,&amp;nbsp;&lt;/span&gt;Junta de Andalucía. [CD-ROM]. Comares Editorial, Sevilla, España, 2004.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;b&gt;Patrimonio Cultural Subacuático&lt;/b&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;[CD-ROM]. UNESCO&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, 2007.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;Página 8&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;Convocatorias&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– IV Conferencia Internacional de&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;peligrosidad, riesgo geológico e&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;ingeniería sísmica y de desastres&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– Conferencia: Rutas turísticas e itinerarios culturales "Entre la memoria y el desarrollo"&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style="font-size: small;"&gt;&lt;strong&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Página 9 - 11&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Calibri; font-size: 11pt;"&gt;.-&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Artículo: “&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Reporte de dos nuevas formas de botijas en el antiguo convento de Santa Clara de Asís en&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana Vieja&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;” por:&amp;nbsp;&lt;/span&gt;&lt;span lang="ES-MX" style="color: green; font-family: 'Arial Narrow';"&gt;M.Sc.&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Darwin A. Arduengo García&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;Página 12&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;&lt;span style="color: green;"&gt;Monumentos&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;
&lt;span style="font-size: small;"&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;–&amp;nbsp;&lt;b&gt;&lt;span style="text-transform: uppercase;"&gt;F&lt;/span&gt;rancisco de&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;A&lt;/span&gt;lbear&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;&lt;/span&gt;y&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;F&lt;/span&gt;ernández&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;&lt;/span&gt;de&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;L&lt;/span&gt;ara&lt;span style="text-transform: uppercase;"&gt;&amp;nbsp;(1816-1887),&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;por Lic.&amp;nbsp;&lt;span&gt;Jorge Luis Oliva Almeida&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;.-&amp;nbsp;&lt;b&gt;&lt;span style="color: green;"&gt;Consejo Editorial&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– María Mercedes García Santana / Directora&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 16px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– Orelvis Rodríguez Morales / Coordinador&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 16px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– Jorge Luis Oliva Almeida / Corrección de estilo&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 16px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– Luanda O’Hallorans Rafuls / Traducción&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 16px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;span style="font-size: small;"&gt;– Darwin A. Arduengo García / Revisión&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;u&gt;&lt;span style="color: red; font-family: 'Arial Narrow';"&gt;Si es la primera vez que recibe esta Revista y quiere seguir recibiéndolo, o recibir números atrasados, o simplemente hacérselo llegar a algún colega, envíenos una comunicación para darle de alta en nuestra lista, así mismo si desea darse de baja&lt;/span&gt;&lt;/u&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="color: red; font-family: 'Arial Narrow';"&gt;.&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;u&gt;&lt;span style="color: #00ccff; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;Saludos,&lt;/span&gt;&lt;/em&gt;&lt;span style="color: green; font-family: 'Arial Narrow';"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;em&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-size: 12pt;"&gt;Orelvis Rodríguez Morales&lt;/span&gt;&lt;/em&gt;&lt;i&gt;&lt;span style="color: green; font-family: 'Arial Narrow'; font-size: 12pt;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;Coordinador&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;"Patrimonio y Desarrollo"&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;Centro Nacional de Conservación, Restauración y Museología (CENCREM)&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;Calle Cuba No. 610 e/ Sol y Luz,&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana Vieja.&lt;br /&gt;Ciuda&lt;u&gt;&lt;/u&gt;d de&amp;nbsp;&lt;u&gt;&lt;/u&gt;La Habana&lt;u&gt;&lt;/u&gt;, Cuba.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;C.P. 10 100&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;Teléfonos: (53 7) 861 3775, 861 2877, 861 5043, 866 3631 Ext. 12&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;Fax: (53 7) 861 3775&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: 'Arial Narrow';"&gt;&lt;a href="http://www.cencrem.co.cu/" style="color: #1155cc;" target="_blank"&gt;www.cencrem.co.cu&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-1388568699488067469?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/CDoxZ4G5P2Y" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/1388568699488067469/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=1388568699488067469&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/1388568699488067469?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/1388568699488067469?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/CDoxZ4G5P2Y/revista-digital-patrimonio-y-desarrollo.html" title="Revista Digital PATRIMONIO Y DESARROLLO" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/revista-digital-patrimonio-y-desarrollo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEUCQno-eyp7ImA9WhRTFkQ.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-6844014009412839805</id><published>2011-11-07T13:57:00.002-05:00</published><updated>2011-11-07T13:57:43.453-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-07T13:57:43.453-05:00</app:edited><title>INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NTCqg_u3ndV4PkRBhJAiQvi6sEc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NTCqg_u3ndV4PkRBhJAiQvi6sEc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NTCqg_u3ndV4PkRBhJAiQvi6sEc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NTCqg_u3ndV4PkRBhJAiQvi6sEc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;
&lt;h3 style="color: #222222; font-family: Arial, sans-serif; font-size: 16px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 6px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos&lt;/h3&gt;
&lt;div style="color: #222222; font-family: arial, sans-serif; font-size: 13px; padding-bottom: 15px; white-space: pre-wrap !important; word-wrap: break-word;"&gt;
Expositores:
José Osorio
Defensa del Patrimonio Cultural, Barrio Yungay, Chile

Irwin Ferrandiz
Caso: Hotel Marriot, Conservación del Patrimonio Cultural en Cusco 

Ana Elisa Berenguel
Caso: Casona Bodega y Cuadra, Puesta en Valor en el Centro Histórico de Lima *
* Por confirmar

Lugar: Iglesia de Nuestra Señora de la Soledad
Jr. Lampa esquina Jr. Ancash, Cercado de Lima
Día y hora: Jueves 17 de noviembre de 6.00 a 8.00 PM
INGRESO LIBRE&lt;/div&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" style="color: #222222; font-family: arial, sans-serif; font-size: 13px;" summary="Información del evento"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;" valign="top"&gt;&lt;div&gt;
&lt;i style="font-style: normal;"&gt;Cuándo&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style="color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;" valign="top"&gt;jue, 17 de noviembre, 18:00 – 20:00&amp;nbsp;&lt;span style="color: #888888;"&gt;GMT-05:00&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;" valign="top"&gt;&lt;div&gt;
&lt;i style="font-style: normal;"&gt;Dónde&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style="color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;" valign="top"&gt;Iglesia de Nuestra Señora de la Soledad&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="color: #888888; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 1em; padding-top: 0px; white-space: nowrap;" valign="top"&gt;&lt;div&gt;
&lt;i style="font-style: normal;"&gt;Quién&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td style="color: #222222; font-family: Arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px;" valign="top"&gt;La lista de invitados se ha ocultado porque así lo ha solicitado el organizador.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-6844014009412839805?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/jBdnj6syOoM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/6844014009412839805/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=6844014009412839805&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6844014009412839805?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6844014009412839805?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/jBdnj6syOoM/invitacion-foro-conservacion-del.html" title="INVITACION: FORO Conservación del Patrimonio Cultural en Centros Históricos" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/11/invitacion-foro-conservacion-del.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkECRH07eSp7ImA9WhdaGEw.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-514806277253125492</id><published>2011-10-28T10:10:00.001-05:00</published><updated>2011-10-28T10:11:05.301-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-28T10:11:05.301-05:00</app:edited><title>Cajamarca: hallan plataforma ceremonial</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_pv5ya1Kk1Jt_2KiJGO9h3FtO6M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_pv5ya1Kk1Jt_2KiJGO9h3FtO6M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_pv5ya1Kk1Jt_2KiJGO9h3FtO6M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_pv5ya1Kk1Jt_2KiJGO9h3FtO6M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;El descubrimiento, que data de unos 3,000 años de antigüedad, se dio cuando especialistas trabajaban en el centro arqueológico Cumbe Mayo.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="player" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; vertical-align: baseline;"&gt;
&lt;div class="image" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;img alt="" src="http://e.peru21.pe/102/ima/0/0/4/1/1/411294.jpg" style="border-bottom-color: rgb(229, 229, 229); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(229, 229, 229); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(229, 229, 229); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(229, 229, 229); border-top-style: solid; border-top-width: 1px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="480" /&gt;&lt;div class="legend" style="background-color: #f6e4b2; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4f5048; font-family: inherit; font-size: 11px; font-style: inherit; font-weight: inherit; line-height: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: -1px; padding-bottom: 4px; padding-left: 7px; padding-right: 7px; padding-top: 4px; text-align: left; vertical-align: baseline;"&gt;
La plataforma de roca volcánica habría sido utilizada para el culto al agua. (Andina)&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Una plataforma ceremonial&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;de roca volcánica que data de unos 3,000 años de antigüedad,&lt;/strong&gt;&amp;nbsp;que habría sido utilizada para el culto al agua, fue descubierta por arqueólogos que realizan trabajos de conservación y puesta en valor del centro&amp;nbsp;&lt;a href="http://wiki.sumaqperu.com/es/Cumbemayo" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Cumbe Mayo&lt;/a&gt;, en Cajamarca, informó hoy Elder Antezana Condori, uno de los encargados del proyecto.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Cinco arqueólogos y 10 obreros de la zona participan&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;en la excavación de 400 metros cuadrados del centro arqueológico,&lt;/strong&gt;&amp;nbsp;además de la conservación, limpieza y recomposición de 850 metros lineales del canal de agua, en cuyo recorrido se observan petroglifos.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
El proyecto de conservación y puesta en valor de Cumbe Mayo,&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;que cuenta con un presupuesto de S/.2.5 millones&lt;/strong&gt;&amp;nbsp;del&amp;nbsp;&lt;a href="http://www.copesco.gob.pe/" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Plan Copesco&lt;/a&gt;&amp;nbsp;y&lt;a href="http://www.regioncajamarca.gob.pe/" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Gobierno Regional de Cajamarca&lt;/a&gt;, se inició el 7 de setiembre y concluirá el 15 de diciembre.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
“Nos ha llamado la atención la ubicación de lo que sería el centro ceremonial más importante del culto al agua,&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;basado en las investigaciones de Julio C. Tello”,&lt;/strong&gt;&amp;nbsp;dijo el presidente regional de Cajamarca, Gregorio Santos Guerrero.&lt;/div&gt;
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Fuente : Peru 21&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-514806277253125492?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/2vtRyKM3oQk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/514806277253125492/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=514806277253125492&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/514806277253125492?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/514806277253125492?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/2vtRyKM3oQk/cajamarca-hallan-plataforma-ceremonial.html" title="Cajamarca: hallan plataforma ceremonial" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/cajamarca-hallan-plataforma-ceremonial.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIDSHw9eCp7ImA9WhdaFkg.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-7520572308249861881</id><published>2011-10-26T13:09:00.002-05:00</published><updated>2011-10-26T13:09:39.260-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-26T13:09:39.260-05:00</app:edited><title>Desentierran una tumba del siglo XII en Perú</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Lfz80QcpvhMZyd3n_Yg-x6cSu6Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Lfz80QcpvhMZyd3n_Yg-x6cSu6Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;embed src="http://www.bbc.co.uk/emp/external/player.swf" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="640" height="472" FlashVars="playlist=http%3A%2F%2Fwww%2Ebbc%2Eco%2Euk%2Fmundo%2Fmeta%2Fdps%2F2011%2F10%2Femp%2F111025%5Fvideo%5Fperu%5Ftumbas%5Fsican%5Flav%2Eemp%2Exml&amp;amp;config=http%3A%2F%2Fwww%2Ebbc%2Eco%2Euk%2Fworldservice%2Fscripts%2Fcore%2F2%2Femp%5Fjsapi%5Fconfig%2Exml&amp;amp;config_settings_showPopoutButton=true&amp;amp;config_settings_language=es&amp;amp;config_settings_displayMode=standard&amp;amp;config_settings_showFooter=true&amp;amp;"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-7520572308249861881?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/saxp12BA9h0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/7520572308249861881/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=7520572308249861881&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/7520572308249861881?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/7520572308249861881?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/saxp12BA9h0/desentierran-una-tumba-del-siglo-xii-en.html" title="Desentierran una tumba del siglo XII en Perú" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/desentierran-una-tumba-del-siglo-xii-en.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIDSHw9eyp7ImA9WhdaFkg.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-384246622165377043</id><published>2011-10-25T12:45:00.000-05:00</published><updated>2011-10-26T13:09:39.263-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-26T13:09:39.263-05:00</app:edited><title>Maravillas de Chavín</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mGl72NhCBe7ziqO3y-Z0-eed9kk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mGl72NhCBe7ziqO3y-Z0-eed9kk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mGl72NhCBe7ziqO3y-Z0-eed9kk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mGl72NhCBe7ziqO3y-Z0-eed9kk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://noticias.latam.msn.com/pe/maravillas-de-chav%C3%ADn"&gt;Maravillas de Chavín&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="articlehead galleryhead" id="ahead" style="color: #333333; font-family: tahoma, sans-serif; font-size: 11px; line-height: 13px;"&gt;
&lt;div class="articleabstract" style="clear: both; color: #666666; font-family: Tahoma; font-size: 1.25em; font-weight: bold; line-height: 1.2em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Un canal subterráneo de drenaje, construcciones superpuestas y fragmentos de litoesculturas han sido hallados en el complejo arqueológico.&lt;/div&gt;
&lt;/div&gt;
&lt;div class="articlebody" id="abody" style="clear: right; color: #333333; font-family: tahoma, sans-serif; font-size: 11px; line-height: 13px; min-width: 100%; overflow-x: hidden; overflow-y: hidden; width: 602px;"&gt;
&lt;div class="parent insert chrome6 single1 float2 cf" style="clear: both; float: left; margin-bottom: 6px; margin-left: 0px; margin-right: 15px; margin-top: 0.37em; width: 334px;"&gt;
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&lt;div class="img" style="font-size: 11px;"&gt;
&lt;div style="font-size: 11px; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;img alt="El interior del complejo arqueológico Chavín de Huántar(AFP)" class="img1" height="498" src="http://blu.stb.s-msn.com/i/F6/1FACB90AD22D902471BBBA704665.jpg" style="border-bottom-color: rgb(153, 153, 153); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(153, 153, 153); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(153, 153, 153); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(153, 153, 153); border-top-style: solid; border-top-width: 1px; font-size: 11px; padding-bottom: 1px; padding-left: 1px; padding-right: 1px; padding-top: 1px;" title="El interior del complejo arqueológico Chavín de Huántar(AFP)" width="330" /&gt;&lt;/div&gt;
&lt;div class="copyright" style="color: #999999; float: right; font-family: Tahoma; font-size: 11px; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0.5em; padding-top: 0px; text-align: right;"&gt;
AFP&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
El hallazgo de un canal subterráneo de drenaje, construcciones superpuestas y fragmentos de litoesculturas han sido hallados en el complejo arqueológico Chavín de Huántar, en la región norandina de Perú, que aportan nuevas luces sobre los misterios de esa cultura preincaica.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Chavín, uno de los monumentos más importantes de Perú, tuvo su auge entre los años 900 y 200 antes de nuestra y es considerado Patrimonio Cultural de la Humanidad por la UNESCO desde 1985.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Se ubica a una altura de 3.200 metros sobre el nivel del mar, en el flanco oriental de la Cordillera Blanca, en la zona denominada Callejón de Conchucos, en el departamento de Ancash, a unos 460 km al noreste de Lima.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Uno de los descubrimientos más importantes es lo que constituye "el más moderno sistema de drenaje del mundo antiguo", dijo el arqueólogo Luis Lumbreras, director del proyecto, quien visitó el lugar entre el jueves y el viernes.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
"Se trata de un canal colector de las aguas recibidas de todos los edificios que conforman la ciudadela Chavín de Huántar, conduciéndolas hacia el cercano río Mosna; es parte de un original sistema hidráulico de gran eficiencia", subrayó Lumbreras, ex director del Instituto Nacional de Cultura.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
La limpieza y habilitación del canal es vital para la conservación de todo el monumento arqueológico, subrayó Lumbreras.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
El arqueólogo estadounidense John Rick, estudioso de Chavín y profesor de la Universidad de Stanford en Estados Unidos, destacó la importancia de los hallazgos y aseveró que conforme avancen los trabajos de exploración "Chavín va a ser más cada vez más inmportante, motivo por el cual llegarán más turistas a la zona".&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Los trabajos de un equipo de arqueólogos dirigidos por Lumbreras y Rick han puesto en evidencia la fachada original y la habilitación de una plaza circular, la más importante del sitio arqueológico.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Lumbreras explicó que a primera vista se ven "un conjunto de montículos, pero en realidad son edificios que se están comenzando a descubrir" y que se ubican en los alrededores de la plaza circular.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Las excavaciones, que se iniciaron en mayo, "pusieron al descubierto una plataforma ubicada frente al edificio mayor, así como un cementerio y fragmentos de litoesculturas que eran de los paramentos ornamentales", según la explicación de Lumbreras.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Además se encontraron "una serie muy importante de contextos rituales Chavín, que permiten hacer inferencias nuevas en la vida ceremonial realizada en aquellos tiempos".&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Investigaciones arqueológicas señalan que Chavín de Huántar era un centro mágico-religioso construido aproximadamente en el año 327 AC, compuesto de muros de piedra y estructuras piramidales, adornados por "cabezas clavas", a la manera de una especie de centinelas enclavadas en las murallas de la construcción.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
Posee además una compleja red de caminos y galerías interiores de piedra únicamente iluminados por haces de luz que penetran a través de ductos estratégicamente dispuestos.&lt;/div&gt;
&lt;div style="font-family: Tahoma; font-size: 1.25em; line-height: 1.286em; margin-bottom: 0.714em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;strong&gt;Haz clic y recorre Chavín de Huántar a través de imágenes&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-384246622165377043?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/zvZU5u9vsd0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/384246622165377043/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=384246622165377043&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/384246622165377043?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/384246622165377043?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/zvZU5u9vsd0/maravillas-de-chavin.html" title="Maravillas de Chavín" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/maravillas-de-chavin.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak4ARXc4cCp7ImA9WhdaFEU.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-4546511484776062131</id><published>2011-10-24T15:42:00.000-05:00</published><updated>2011-10-24T15:42:24.938-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-24T15:42:24.938-05:00</app:edited><title>Inician trabajos de limpieza y restauración en Aypate</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hrcWK8lmcuSXCK2EUcVDyeFTN1A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hrcWK8lmcuSXCK2EUcVDyeFTN1A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;div class="volada-nota" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 0.925em !important; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;PALACIO&lt;/span&gt;&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;INCA&lt;/span&gt;&amp;nbsp;SE&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;UBICA&lt;/span&gt;&amp;nbsp;EN&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;AYABACA&lt;/span&gt;, A&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;OCHO&lt;/span&gt;&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;HORAS&lt;/span&gt;&amp;nbsp;DE&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;PIURA&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;h1 style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #0008b2; font-size: 2.5em; font-weight: normal; line-height: 43px; margin-bottom: 18px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Inician trabajos de limpieza y restauración en Aypate&lt;/h1&gt;
&lt;div class="nota-contenido left span-13" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 510px;"&gt;
&lt;div class="bajada-nota" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 10px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Ministerio de Cultura entregó 190 mil soles para puesta en valor del sitio. Proponen unir complejo arqueológico al Camino Inca&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 10px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 10px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
El director regional de Cultura de Piura, Rafael Sime Méndez, informó que el Ministerio de Cultura ha destinado 190 mil soles para los trabajos de limpieza y restauración de los muros de Aypate, palacio inca ubicado a ocho horas de Piura, en la provincia de Ayabaca. Este es el primer paso para poner en valor y dar a conocer al mundo este complejo arquitectónico, añadió Sime.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Con ese dinero, desde el pasado lunes un grupo de arqueólogos de la Universidad Autónoma de Madrid, acompañado por comuneros y trabajadores municipales, limpia la maleza, corta el pasto y restaura los muros del complejo. Asimismo, los investigadores estudiarán qué afecta y carcome las estructuras rocosas.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
No se trata de un trabajo aislado, sino de una iniciativa conjunta entre autoridades de la provincia de Ayabaca, la fundación española Educación y Desarrollo, universidades y representantes piuranos.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
“Este dinero nos servirá para estos tres últimos meses. Para el próximo año buscaremos financiamiento que nos permita continuar con las excavaciones”, contó Sime.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Actualmente, solo se han explorado 2 de las 17 hectáreas que forman el complejo de Aypate. Sime cree que aún hay un mundo desconocido para los peruanos escondido entre la maleza y la tierra. Por eso necesitan más de un millón y medio de soles para continuar con las labores de excavación.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;UNIRLO&lt;/span&gt;&amp;nbsp;AL&amp;nbsp;&lt;span class="caps" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;QHAPAQ&lt;/span&gt;&amp;nbsp;ÑAN&lt;/strong&gt;&lt;br /&gt;La docente de la Universidad de Piura Diana Aguirre Manrique cree que una buena idea sería unir el Camino Inca a Aypate con el fin de sacarle mayor provecho a este circuito cultural.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
“Si logramos poner en valor Aypate y unirlo a la red de Camino Inca [Qhapaq Ñan] que existe en Ayabaca y parte de Huancabamba, tendremos una oferta global. Así, el viajero podrá disfrutar del paisaje, el Camino Inca, la riqueza de la cultura local, la gastronomía. Sería una aventura fascinante y más completa”, explicó.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Aguirre elabora su tesis de maestría que revalora el Camino Inca en Ayabaca y lo propone como un circuito turístico. Ya ha recorrido gran parte de esta ruta que considera “una aventura que permite seguir los pasos de los incas, disfrutando de una maravilla de paisaje, la gente, las tradiciones”.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Con ella coincide el director regional de Comercio Exterior y Turismo de Piura, Pedro Ortiz, quien sueña con convertir Aypate y sus alrededores en un pequeño Machu Picchu. Una vez consolidado, lo venderá con fuerza a los ecuatorianos como destino arqueológico. Para ello hace falta mucho trabajo.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
“Allí hay una gran oferta exportable. La visita de los ecuatorianos a nuestras tierras viene incrementándose. Ya no solo vienen a hacer negocio o a comercializar sus productos. También andan en busca de diversión, de playas, de buena comida, de artesanía y de lugares poco comunes”, dijo.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;EN PUNTOS&lt;/strong&gt;&lt;br /&gt;La carretera que unirá Paymas con la provincia de Ayabaca se hará realidad el próximo año, indicó el presidente regional de Piura, Javier Atkins.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
La mejor época para visitar el complejo arqueológico Aypate es de junio a noviembre. El resto del año las fuertes lluvias dificultan el acceso hacia la zona.&lt;/div&gt;
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Fuente : El Comercio&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-4546511484776062131?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/SARxIjdGSRE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/4546511484776062131/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=4546511484776062131&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/4546511484776062131?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/4546511484776062131?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/SARxIjdGSRE/inician-trabajos-de-limpieza-y.html" title="Inician trabajos de limpieza y restauración en Aypate" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/inician-trabajos-de-limpieza-y.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE8DQn4zfip7ImA9WhdaE0Q.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-2611429141824080325</id><published>2011-10-23T14:07:00.001-05:00</published><updated>2011-10-23T14:07:53.086-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-23T14:07:53.086-05:00</app:edited><title>Conozca los nuevos hallazgos arquelógicos de Chavín</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ep6_4IXSDwASDgyHYhq1S3Ii1QE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ep6_4IXSDwASDgyHYhq1S3Ii1QE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ep6_4IXSDwASDgyHYhq1S3Ii1QE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ep6_4IXSDwASDgyHYhq1S3Ii1QE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;http://www.rpp.com.pe/2011-10-21-conozca-los-nuevos-hallazgos-arquelogicos-de-chavin-noticia_414960.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;ul class="bullet" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; font-size: 16px; font: inherit; line-height: 16px; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;li style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://www.rpp.com.pe/tmp/img/sprites-all.png); background-origin: initial; background-position: -390px -123px; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: none; font-family: 'Trebuchet MS'; font-size: 13px; font: inherit; line-height: 16px; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 20px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: auto;"&gt;El más moderno sistema de drenaje del mundo antiguo, la fachada del complejo y la habilitación de su plaza circular, son algunos hallazgos.&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="txt_a16-gris" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #262626; font-family: Arial; font-size: 16px; font-style: italic; font: inherit; line-height: 20px; margin-bottom: 0px !important; margin-left: 0px !important; margin-right: 0px !important; margin-top: 10px !important; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Chavín, uno de los monumentos arqueológicos más importantes que tiene el Perú renace gracias al proyecto de conservación Chavín de Huántar.&lt;/div&gt;
&lt;div class="box_width-560" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; float: left; font-size: 16px; font: inherit; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 25px; padding-bottom: 10px; padding-left: 0px; padding-right: 100px; padding-top: 0px; vertical-align: baseline; width: 560px;"&gt;
&lt;div class="nquote display_on" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://www.rpp.com.pe/tmp/img/sprites-ndetalle.png); background-origin: initial; background-position: 0px -190px; background-repeat: no-repeat no-repeat; border-bottom-color: rgb(144, 144, 144); border-bottom-style: solid; border-bottom-width: 5px; border-color: initial; border-left-color: rgb(144, 144, 144); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(144, 144, 144); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(144, 144, 144); border-top-style: solid; border-top-width: 5px; display: block; float: right; font-size: 16px; font: inherit; margin-bottom: 20px; margin-left: 25px; margin-right: 0px; margin-top: 0px; padding-bottom: 16px !important; padding-left: 85px !important; padding-right: 10px !important; padding-top: 15px !important; vertical-align: baseline; width: 175px;"&gt;
&lt;div class="cita" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: Georgia !important; font-size: 17px; font: inherit; line-height: 22px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Les aseguro que Chavin se hará más y más conocido en los proximos años&lt;span class="quotecierre_nd" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://www.rpp.com.pe/tmp/img/quote-cierre.gif); background-origin: initial; background-position: 0px 0px; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline-block; float: none; font-size: 17px; font: inherit; height: 18px; margin-bottom: 0px; margin-left: 5px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline; width: 18px;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 12px; font: inherit; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
John Rick Director del Poyecto y profesor de la Universidad Stanford.&lt;/div&gt;
&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 14px; font: inherit; line-height: 19px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 14px; font: inherit; line-height: 19px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
La alegría era más que evidente.&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&amp;nbsp;El arqueólogo Luis Lumbreras, co-director del Proyecto Arqueológico Chavín de Huántar, presentó&amp;nbsp;&lt;/strong&gt;en el mismo Chavín los descubrimientos arqueológicos realizados en 2011.&lt;br /&gt;&lt;br /&gt;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;El más moderno sistema de drenaje del mundo antiguo, la fachada original del complejo y la habilitación de su plaza circular,&lt;/strong&gt;&amp;nbsp;son sólo algunos de los hallazgos más resaltantes.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 14px; font: inherit; line-height: 19px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;El primer sitio aludido por Lumbreras es conocido como "Rocas",&lt;/strong&gt;&amp;nbsp;se trata de un canal colector de las aguas recibidas en todos los edificios principales de Chavín, "equivale a lo que se llema la cloaca máxima en Roma, es un lugar de drenaje que tiene con realmente realmente fabuloso sistema", explica.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 14px; font: inherit; line-height: 19px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
El Proyecto Arqueológico Chavín de Huántar, encargado de investigar y promover el sitio,&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;busca que el mundo conozca esta maravilla en toda su dimensión.&lt;/strong&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #555555; font-family: arial; font-size: 14px; font: inherit; line-height: 19px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
"Les aseguro que&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Chavin se hará más y más conocido en los proximos años&lt;/strong&gt;&amp;nbsp;y asi debe ser para bien de esta zona", indicó John Rick Director del Poyecto y profesor de la Universidad Stanford.&lt;br /&gt;&lt;br /&gt;Para los que quieran ver Chavín en el departamento de Ancash,&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; font-weight: bold; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&amp;nbsp;el trayecto es todavía difícil,&amp;nbsp;&lt;/strong&gt;por ello el Ministerio de Cultura pidió a las autoridades locales el desarrollo de un plan para poner en valor la zona.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-2611429141824080325?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/4rzvEy27UUg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/2611429141824080325/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=2611429141824080325&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/2611429141824080325?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/2611429141824080325?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/4rzvEy27UUg/conozca-los-nuevos-hallazgos.html" title="Conozca los nuevos hallazgos arquelógicos de Chavín" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/conozca-los-nuevos-hallazgos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkcFQ3oyfyp7ImA9WhdaEkQ.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-9127491034752454396</id><published>2011-10-22T09:33:00.000-05:00</published><updated>2011-10-22T09:33:32.497-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-22T09:33:32.497-05:00</app:edited><title>Lumbreras: Chavín de Huántar aún tiene un 80% por descubrir</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/IDGEZStl5ujBYvw1274pKu5IwOU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IDGEZStl5ujBYvw1274pKu5IwOU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;h2 class="post-sub-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3b3b; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal 700 16px/1.4em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Cultura tiene más de tres mil años de antiguedad.&lt;/h2&gt;
&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Lumbreras: Chavín de Huántar aún tiene un 80% por descubrir&lt;/h1&gt;
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&amp;nbsp;&lt;/div&gt;
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&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;br /&gt;Apenas un 20% del&amp;nbsp;&lt;strong&gt;complejo arqueológico Chavín de Huántar&lt;/strong&gt;, ubicado a 431 Kilómetros al noreste de Lima, ha sido descubierto, sostuvo el&amp;nbsp;&lt;strong&gt;arqueólogo, Luis Guillermo Lumbreras&lt;/strong&gt;.&lt;/div&gt;
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“La idea es descubrir Chavín, parte de Chavín está descubierto, pero son pedacitos, no se ve el templo todavía, aquí mismo está expuesto el 20%, hay un 80% que está detrás de estos muros, rellenos,&amp;nbsp;que hay que excavar”, señaló.&lt;br /&gt;&lt;br /&gt;Con un poco más de tres mil metros sobre el nivel del mar, la llamada&lt;strong&gt;&amp;nbsp;cultura matriz del Perú&lt;/strong&gt;&amp;nbsp;(supera los 3 mil años de antigüedad), destaca por sus esculturas de piedra.&lt;br /&gt;&lt;br /&gt;Lumbreras, director del&amp;nbsp;&lt;strong&gt;Proyecto de Investigación y Conservación de Chavín,&lt;/strong&gt;destacó la presencia de un canal subterráneo de rocas que recorre los templos del conjunto arqueológico.&lt;br /&gt;&lt;br /&gt;“Chavín técnicamente es mucho más de lo que pensamos, por su manejo de agua, piedra, y también de las construcciones”, dijo a su vez el arqueólogo estadounidense, John Rick, quien también está a cargo de la investigación y conservación de este conjunto arqueológico.&lt;br /&gt;&lt;br /&gt;Fuente: Andina.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-9127491034752454396?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/CRvRE2gZjxI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/9127491034752454396/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=9127491034752454396&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/9127491034752454396?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/9127491034752454396?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/CRvRE2gZjxI/lumbreras-chavin-de-huantar-aun-tiene.html" title="Lumbreras: Chavín de Huántar aún tiene un 80% por descubrir" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/lumbreras-chavin-de-huantar-aun-tiene.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CU4FSHgyeCp7ImA9WhdaEkQ.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3550419937828457835</id><published>2011-10-22T09:31:00.002-05:00</published><updated>2011-10-22T09:31:59.690-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-22T09:31:59.690-05:00</app:edited><title>Se derrumba parte de un muro romano en Pompeya</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/z3_BYlYrm8Rp-5iO1P2OrFFQHco/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z3_BYlYrm8Rp-5iO1P2OrFFQHco/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;h2 class="post-sub-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #3b3b3b; display: block; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; font: normal normal 700 16px/1.4em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Por infiltraciones de agua aparentemente.&lt;/h2&gt;
&lt;h1 class="post-title" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #c20000; display: block; font-family: inherit; font-size: 30px; font-style: inherit; font-weight: inherit; font: normal normal 700 30px/1.2em Arial, Helvetica, sans-serif; line-height: 24px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Se derrumba parte de un muro romano en Pompeya&lt;/h1&gt;
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&amp;nbsp;&lt;/div&gt;
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&lt;img alt="pompeya.JPG" src="http://www.larepublica.pe/sites/default/files/imagecache/img_noticia_640x384/imagen/2011/10/22/imagen-pompeya.JPG" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 16px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="640" /&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;/div&gt;
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&lt;/div&gt;
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&lt;br /&gt;Una parte de un&amp;nbsp;&lt;strong&gt;muro romano del área arqueológica de Pompeya&lt;/strong&gt;&amp;nbsp;en Italia se ha derrumbado a debido, al parecer, a infiltraciones de agua.&lt;br /&gt;&lt;br /&gt;El desplome se produjo en la tarde de ayer (viernes) en las inmediaciones de la llamada&lt;strong&gt;Porta de Nola&lt;/strong&gt;, en la zona norte de Pompeya, en la muralla del recinto arqueológico de la ciudad, sin que se hayan registrado daños personales.&lt;br /&gt;&lt;br /&gt;La parte de muro derrumbado mide tres metros de larga, por un metro y medio de alta. La zona ha sido cerrada al público por seguridad y para permitir una evaluación de los daños y la reparación de la misma.&lt;br /&gt;&lt;br /&gt;Ese hecho se produce a casi un año después de que en noviembre de 2010 se derrumbara totalmente la&amp;nbsp;&lt;strong&gt;Casa de los Gladiadores&lt;/strong&gt;, poco después se produjeran otros daños en el patio de la Casa del Moralista y a primeros de diciembre se desplomaran otros dos muros debidos a las abundantes lluvias registradas en la zona en aquellas fechas.&lt;br /&gt;&lt;br /&gt;Fuente: EFE&lt;/div&gt;
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&lt;strong&gt;MINISTERIO DE CULTURA RECIBIRÁ IMPORTANTE COOPERACIÓN INTERNACIONAL PARA PRESERVAR LÍNEAS DE NASCA&lt;/strong&gt;&lt;/div&gt;
&lt;div align="center"&gt;
&lt;b&gt;&lt;em&gt;&lt;img border="1" src="http://www.mcultura.gob.pe/documentosweb/3a5f510acc145ab3c490d6611b69d262/Nasca.jpg" style="border-bottom-color: rgb(154, 154, 154); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(154, 154, 154); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(154, 154, 154); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(154, 154, 154); border-top-style: solid; border-top-width: 1px; display: block; padding-bottom: 8px; padding-left: 8px; padding-right: 8px; padding-top: 8px;" width="350" /&gt;&lt;/em&gt;&lt;/b&gt;&lt;span style="color: #838383; font-family: Arial, Helvetica, sans-serif; font-size: 11px; font-style: normal; text-decoration: none;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
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La ministra de Cultura, Susana Baca informó que el Perú recibirá una importante cooperación de la World Monuments Fund para proteger las Líneas de Nasca y otros recintos históricos, declarados en riesgo por esta entidad encargada de la conservación de bienes artísticos y culturales.&lt;/div&gt;
&lt;div align="justify"&gt;
“World Monuments Fund dará una contraparte para la preservación, de las Líneas de Nasca, así como para la reconstrucción y puesta en valor de la Alameda de los Descalzos y la Quinta Presa, lo cual es una buena noticia”, refirió la ministra.&lt;/div&gt;
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Como se recuerda las Líneas de Nazca son Patrimonio de la Humanidad declarado por la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (Unesco).&lt;/div&gt;
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Susana Baca indicó que tuvo una reunión con Marcela Pérez de Cuellar, esposa del embajador Javier Pérez de Cuellar, y representante de dicha entidad estadounidense, dedicada a la conservación de bienes artísticos y culturales, para coordinar detalles de la cooperación.&lt;/div&gt;
&lt;div align="justify"&gt;
Asimismo, anunció una próxima reunión con dicha entidad, con sede en Nueva York, para estudiar otros proyectos de conservación de monumentos históricos en el país. La titular del sector recordó que la World Monuments Fund viene desarrollando trabajos de preservación en el Perú, en los Andenes de Laraos, en Yauyos; en la cuidad cusqueña de Andahuaylillas, en el centro histórico de Cusco, y en la Capilla de la Virgen de la Candelaria de la Catedral de Lima.&lt;/div&gt;
&lt;div align="justify"&gt;
De otro lado, la ministra de Cultura señaló que una de las principales causas que contribuyen al deterioro del patrimonio son las condiciones climáticas, y pese a los limitados recursos su cartera hace denodados esfuerzos en salvaguarda del patrimonio cultural del Perú.&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-8786845445840515816?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/_dJTVuoSZN4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/8786845445840515816/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=8786845445840515816&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/8786845445840515816?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/8786845445840515816?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/_dJTVuoSZN4/ministerio-de-cultura-recibira.html" title="MINISTERIO DE CULTURA RECIBIRÁ IMPORTANTE COOPERACIÓN INTERNACIONAL PARA PRESERVAR LÍNEAS DE NASCA" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/ministerio-de-cultura-recibira.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0cMSH08eyp7ImA9WhdbFkw.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-6584660065912609507</id><published>2011-10-14T12:58:00.000-05:00</published><updated>2011-10-14T12:58:09.373-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-14T12:58:09.373-05:00</app:edited><title>Descubren una tumba de élite en Pómac</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/F2eQl_LmyEegFBJS0aI0zby4uYQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/F2eQl_LmyEegFBJS0aI0zby4uYQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/F2eQl_LmyEegFBJS0aI0zby4uYQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/F2eQl_LmyEegFBJS0aI0zby4uYQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;El hallazgo arqueológico en el santuario de Lambayeque permitió dar con un personaje de gran importancia, similar al Señor de Sipán.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="player" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center; vertical-align: baseline;"&gt;
&lt;div class="image" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;img alt="" src="http://e.peru21.pe/102/ima/0/0/4/0/5/405747.jpg" style="border-bottom-color: rgb(229, 229, 229); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(229, 229, 229); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(229, 229, 229); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(229, 229, 229); border-top-style: solid; border-top-width: 1px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" width="480" /&gt;&lt;div class="legend" style="background-color: #f6e4b2; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #4f5048; font-family: inherit; font-size: 11px; font-style: inherit; font-weight: inherit; line-height: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: -1px; padding-bottom: 4px; padding-left: 7px; padding-right: 7px; padding-top: 4px; text-align: left; vertical-align: baseline;"&gt;
La excavación sigue en la huaca Lercanlech, en el santuario del bosque de Pómac. (Difusión)&lt;/div&gt;
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&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
La huaca Lercanlech, ubicada en el Santuario Histórico&amp;nbsp;&lt;a href="http://www.bosquedepomac.com/" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Bosque de Pómac&lt;/a&gt;&amp;nbsp;y considerada la pirámide más alta de la&amp;nbsp;&lt;a href="http://es.wikipedia.org/wiki/Cultura_Lambayeque" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;cultura Sicán&lt;/a&gt;&amp;nbsp;–por sus 35 metros de altura–, fue&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;escenario de un nuevo hallazgo arqueológico&lt;/strong&gt;.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Carlos Elera, presidente del comité de gestión del santuario, informó que se ha encontrado una&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;tumba de élite de grandes dimensiones&lt;/strong&gt;&amp;nbsp;junto con dos sacrificios humanos, objetos de metal y un ceramio de carácter religioso denominado Huaco Rey.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
El especialista dijo que, por el patrón cultural de Sicán,&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;se trataría de un personaje de gran importancia&lt;/strong&gt;&amp;nbsp;y de cierta similitud con el&amp;nbsp;&lt;a href="http://es.wikipedia.org/wiki/Se%C3%B1or_de_Sip%C3%A1n" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Señor de Sipán&lt;/a&gt;. “En mayo pasado iniciamos las investigaciones entre la plataforma este y la rampa norte del monumento, pero las excavaciones aún seguirán por tres meses más”, detalló. Fuente : Peru 21&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-6584660065912609507?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/6eRKCl5X5nE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/6584660065912609507/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=6584660065912609507&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6584660065912609507?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6584660065912609507?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/6eRKCl5X5nE/descubren-una-tumba-de-elite-en-pomac.html" title="Descubren una tumba de élite en Pómac" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/descubren-una-tumba-de-elite-en-pomac.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0MHSXo-cSp7ImA9WhdbFE4.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-1441272875271835984</id><published>2011-10-12T12:10:00.002-05:00</published><updated>2011-10-12T12:10:38.459-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-12T12:10:38.459-05:00</app:edited><title>(Editorial El Comercio) Machu Picchu: conservar y promover</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DpVgn9aCKTkZdY5xRLsvnCN66SA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DpVgn9aCKTkZdY5xRLsvnCN66SA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DpVgn9aCKTkZdY5xRLsvnCN66SA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DpVgn9aCKTkZdY5xRLsvnCN66SA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;span class="Apple-style-span" style="color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="bajada-nota" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 10px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Nuestro principal&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/787/machu-picchu" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;centro de atracción turística mundial&lt;/a&gt;&amp;nbsp;está descuidado y saturado en los últimos tiempos…&lt;/div&gt;
&lt;/div&gt;
&lt;div class="meta" style="border-bottom-color: rgb(229, 229, 229); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(229, 229, 229); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(229, 229, 229); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(229, 229, 229); border-top-style: solid; border-top-width: 1px; font-size: 0.79em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Miércoles 12 de octubre de 2011 - 07:00 am&lt;/div&gt;
&lt;div id="textonota" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Es oportuna y necesaria la reacción de las autoridades ante los problemas de&lt;a href="http://elcomercio.pe/tag/787/machu-picchu" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Machu Picchu&lt;/a&gt;, una de las siete maravillas del mundo y centro de atracción turística mundial, descuidado y saturado en los últimos tiempos, lo que pone en riesgo sus estructuras y su entorno natural.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
La&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/37685/unesco" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Unesco&lt;/a&gt;&amp;nbsp;(Organización de las Naciones Unidas para la Educación, Ciencia y Cultura) ha advertido, en varias oportunidades, sobre esta ingrata situación e incluso ha amenazado con incluir este ícono peruano en la lista de monumentos en riesgo. Al respecto, la ministra de Cultura, Susana Baca, ha anunciado que en enero del próximo año representantes de dicha entidad llegarán para inspeccionar in situ la situación de Machu Picchu.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Entre tanto, el ministerio y las autoridades regionales y locales del Cusco tienen que redoblar esfuerzos para evaluar exhaustivamente la preocupante coyuntura. El crecimiento de la industria turística debe complementarse con el imperativo nacional de conservar este legado único de la cultura incaica.&lt;/div&gt;
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Hay que mirar con detenimiento las experiencias de otros países con riqueza arqueológica como&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/132714/mexico" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;México&lt;/a&gt;&amp;nbsp;y Egipto, por ejemplo, que siguen recibiendo millones de turistas y cuidan el estado e integridad de sus monumentos. Con el mismo interés tiene que evaluarse la pertinencia de establecer turnos para el ingreso de turistas y también rutas peatonales, dentro de las ruinas, así como ordenar los accesos y la polución urbana de los distritos aledaños que han crecido caóticamente y amenazan el entorno.&lt;/div&gt;
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A propósito, la preocupación por Machu Picchu es indesligable de lo que pase en el Cusco, donde se ha generado una ardua polémica por la iniciativa municipal de trasladar los bares y discotecas del centro histórico a otras zonas.&lt;/div&gt;
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Lo urgente aquí es formalizar, poner orden, restaurar la seguridad y respetar el derecho de los vecinos y la integridad del casco urbano, condiciones que deben marcar el necesario diálogo entre las autoridades municipales y del&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/7176/ministerio-de-cultura" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Ministerio de Cultura&lt;/a&gt;&amp;nbsp;con los empresarios y representantes de la industria turística.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-1441272875271835984?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/S199USKglnw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/1441272875271835984/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=1441272875271835984&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/1441272875271835984?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/1441272875271835984?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/S199USKglnw/editorial-el-comercio-machu-picchu.html" title="(Editorial El Comercio) Machu Picchu: conservar y promover" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/10/editorial-el-comercio-machu-picchu.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkADSX44eip7ImA9WhdUE04.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-6968766397236271481</id><published>2011-09-29T18:26:00.001-05:00</published><updated>2011-09-29T18:26:18.032-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-29T18:26:18.032-05:00</app:edited><title>VIDEO: así se recuperan las catacumbas de la Catedral de Lima</title><content type="html">
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&lt;span class="Apple-style-span" style="background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;Se hallaron 5 tumbas en mayo y se trabaja en acondicionarlas para la visita de&lt;a href="http://elcomercio.pe/tag/576/turismo" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;turistas&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
Fuente el comercio&lt;br /&gt;
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&lt;span class="Apple-style-span" style="background-color: white; color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Una loseta de mármol se hundió&lt;/strong&gt;&amp;nbsp;y dejó al descubierto un secreto que muchos intuían. Allí, debajo del piso de la Capilla de la Virgen de la Candelaria, en la Catedral de Lima, había una escalera de ladrillos, con visos de un pequeño derrumbe, que descendía a un espacio más amplio, de techo abovedado y divisiones internas. Dentro de estas, reposaban las&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;estructuras óseas de 70 hombres, mujeres y niños&lt;/strong&gt;&amp;nbsp;de una Lima que supo ser virreinal. Una catacumba a la vista ahora de todos.&lt;/div&gt;
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El funerario hallazgo del 24 de mayo, hace cuatro meses, se condice con la fortuna y el azar, pero también con un proyecto varias veces postergado:&amp;nbsp;&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;la investigación y puesta en valor de los espacios sepulcrales&lt;/strong&gt;&amp;nbsp;en el templo mayor de la ciudad. Porque sabido es que el subsuelo de la&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/69329/catedral-de-lima" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Catedral&lt;/a&gt;, como el de muchos conventos, iglesias, hospicios y otros lugares sacros, fue utilizado para enterramientos –hasta que con la construcción del cementerio&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/258298/presbitero-maestro" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Presbítero Maestro&lt;/a&gt;, en 1808, se prohibieron–, pero no se sabe con exactitud dónde se encuentran.&lt;/div&gt;
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“A través de la muerte se puede reconstruir la vida, la visión de cómo se comportaba el hombre”, se le escucha convencido y convincente a Fernando López Sánchez, director del Museo de Arte Religioso de la sede episcopal al hablar de este hallazgo.&lt;/div&gt;
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“No se puede entender la historia del Perú y de Lima sin la Iglesia, no se puede negar su papel fundamental en la definición de las identidades locales”, añade detenido frente al ingreso de la cripta, que se muestra como una llamativa oquedad, antes de que bajemos a conocerla.&lt;/div&gt;
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Los trabajos de registro, recuperación e inventario de los objetos y artefactos en el nicho se iniciaron el último 13 de junio. Muebles, esculturas de madera, marcos de cuadros, candelabros de metal y otros objetos carcomidos y en desuso estaban apiñados sobre los huesos colocados en cinco tumbas de ladrillo y calicanto rellenas con tierra. Y confundidos con los restos, evidencias de ataduras en los miembros inferiores, vestimentas (mortajas funerarias, hábitos, sudarios) y calzado de cuero.&lt;/div&gt;
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Aunque todavía no se ha determinado una filiación cronológica, el arqueólogo Raúl Greenwich Centeno –encargado de la investigación– estima que el espacio se utilizó años posteriores al siglo XV hasta una fecha imprecisa. Probablemente –comenta– albergó a cófrades, benefactores, fieles y seguidores de la Virgen de la Candelaria. Y se entusiasma cuando refiere que, cruzando datos arqueológicos, antropológicos e históricos, se podría hasta identificar fidedignamente qué familias son las que ahí yacen.&lt;/div&gt;
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&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;CIRCUITO DE INTERÉS&lt;/strong&gt;&lt;br /&gt;“El objetivo de todo museo es sorprender y captar la atención del público con novedades, y parte de esa tarea es establecer subcircuitos. En este caso, la nueva veta de investigación que ofreceremos es una basada en la muerte”, refiere López Sánchez, mientras que Rubén Matzumura Miguita, administrador del Cabildo Metropolitano de la Catedral, asienta con la cabeza. Adelantan esperanzados que esos son los planes para fin de año, en el mejor de los casos, o entrado el primer semestre del 2012, si los recursos económicos fueran escasos.&lt;/div&gt;
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El objetivo lo tienen claro: rescatar para el&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/576/turismo" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;turismo&lt;/a&gt;&amp;nbsp;este espacio bajo la Capilla de la Virgen de la Candelaria. Para ello se colocarán luces direccionadas y un sistema de espejos a fin de que los visitantes puedan observar huesos y tumbas sin tener contacto directo con ellos y evitar así su posible manipulación y mayor deterioro.&lt;/div&gt;
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Mientras escuchamos las buenas intenciones, turistas se acercan curiosos con sus cámaras al ingreso del espacio mortuorio. Algunos se detienen unos minutos para oír la explicación. Otros preguntan si pueden bajar, al ver el movimiento y las lámparas encendidas dentro de la catacumba. Los guías aprovechan para ahondar en descripciones y varias cámaras de fotos entran en funcionamiento. Señales espontáneas e inequívocas del interés que podría tener este recorrido.&lt;/div&gt;
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El fúnebre –mas no funesto– subcircuito incluiría el paso por la cripta de&lt;a href="http://elcomercio.pe/tag/144688/francisco-pizarro" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Francisco&lt;/a&gt;&amp;nbsp;Pizarro, el fundador de la Lima colonial; la capilla de Santa Ana, donde reposan los restos de Nicolás de Ribera El Viejo, primer alcalde de la urbe, de su esposa y descendientes; la Cripta Arzobispal, donde yacen cardenales y arzobispos; y la Capilla de la Asunción.&lt;/div&gt;
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&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;EL SIGUIENTE DESCENSO&lt;/strong&gt;&lt;br /&gt;La cripta funeraria a la que sí podrán bajar los visitantes es una más grande, de tres bóvedas y 18 cubículos, donde en marzo del 2003 se hallaron los huesos de 110 personas, según la contabilidad de fémures que se hizo. Los ambientes habían sido perturbados, muchos huesos aparecieron amontonados en los costados, al pie de los muros, y abundante basura demostraban la desatención que con los años colmó el lugar.&lt;/div&gt;
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El acceso a este espacio, ubicado en la nave lateral derecha de la Catedral, era inicialmente por un túnel que se abrió a picota y pala por debajo de la Capilla de las Ánimas; sin embargo, ya han quedado limpios los ingresos originales a la altura de la Capilla de la Asunción, donde se han colocado rejillas para evitar –por ahora– entradas sin permiso.&lt;/div&gt;
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El arqueólogo Greenwich hace un ensayo de futurología cuando adelanta que aquí se colocarán barandas de metal y pisos de vidrio de gran grosor para que el público camine en medio de las tumbas y sobre ellas. Además, se harán escenificaciones para recrear los entierros de antaño, personajes de época y más. Recursos museográficos para que se entienda cómo era concebida la muerte. Eso sí, la entrada se hará en pequeños grupos, dada la estrechez del espacio.&lt;/div&gt;
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En el recorrido advertimos que la segunda bóveda de esta cripta se encuentra bajo el atrio de la Catedral, y que la tercera es en realidad una gran fosa de unos 6 metros de profundidad, posiblemente una estructura antisísmica, que se hunde por debajo de la pista del jirón Huallaga.&lt;/div&gt;
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Entonces hacemos mención a la atmósfera, a lo tétrico que puede ser el ambiente para algunos. “Sí, hasta nos han llamado de un programa de TV, uno en el que persiguen fantasmas, pero no es la clase de imagen que queremos proyectar”, refieren los anfitriones. Y no les falta razón, porque morbo es lo menos que hemos encontrado en estos largos minutos de subterránea peregrinación.&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-6968766397236271481?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/3EnP6V1DL34" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/6968766397236271481/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=6968766397236271481&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6968766397236271481?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/6968766397236271481?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/3EnP6V1DL34/video-asi-se-recuperan-las-catacumbas.html" title="VIDEO: así se recuperan las catacumbas de la Catedral de Lima" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/09/video-asi-se-recuperan-las-catacumbas.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4BRnkzfSp7ImA9WhdUEEg.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-7311119394859362701</id><published>2011-09-26T11:02:00.001-05:00</published><updated>2011-09-26T11:02:37.785-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-26T11:02:37.785-05:00</app:edited><title>Rollos del Mar Muerto pueden verse en Internet gracias a Google e Israel</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/KRHjVEH0o3WzUi0Q8gsBFNZvGeQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KRHjVEH0o3WzUi0Q8gsBFNZvGeQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/KRHjVEH0o3WzUi0Q8gsBFNZvGeQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KRHjVEH0o3WzUi0Q8gsBFNZvGeQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;object height="285" width="510"&gt;&lt;param name="movie" value="http://elcomercio.pe/player/1308599" /&gt;
&lt;param &amp;nbsp;&lt;="" name="allowFullScreen" p="" /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;Los&amp;nbsp;&lt;a href="http://es.wikipedia.org/wiki/Manuscritos_del_Mar_Muerto" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;documentos&lt;/a&gt;&amp;nbsp;contienen el testimonio más antiguo de las costumbres de la región. Fueron escritos en hebreo antiguo y en arameo&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #111111; font-family: Arial, Helvetica, sans-serif, Garuda; font-size: 14px; line-height: 21px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Jerusalén (EFE)&lt;/strong&gt;. El&amp;nbsp;&lt;a href="http://www.english.imjnet.org.il/htmls/home.aspx" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Museo de Israel&lt;/a&gt;&amp;nbsp;ha presentado hoy con&amp;nbsp;&lt;a href="http://elcomercio.pe/tag/113256/google" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;Google&lt;/a&gt;&amp;nbsp;el proyecto de digitalización de&amp;nbsp;&lt;a href="http://es.wikipedia.org/wiki/Manuscritos_del_Mar_Muerto" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;los rollos del Mar Muerto&lt;/a&gt;, una iniciativa que universaliza el contenido del que es el testimonio escrito más antiguo de las costumbres y prácticas de la región hace 2.000 años.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Escritos en hebreo antiguo y en arameo, el Museo&amp;nbsp;&lt;a href="http://dss.collections.imj.org.il/" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000cff; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;ha subido a Internet&lt;/a&gt;&amp;nbsp;cinco de los ocho rollos en su poder, en lo que el director de la institución, James Schneider, calificó de un “perfecto matrimonio” entre la tecnología y la historia.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Fotografiados página por página con una cámara especial de alta resolución, los rollos han sido después procesados y montados hasta darles su forma original.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
“Internet ha roto las barreras que había entre la información y la gente (..)”, explicó Yossi Matias, jefe de I+D de Google Israel, quien destacó la importancia de “universalizar” este tipo de contenidos.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;LOS PERGAMINOS&lt;/strong&gt;&lt;br /&gt;Por el momento, el motor de Google sólo traduce al inglés el principal de los rollos, atribuido a Isaías, pero está prevista también su traducción al español -entre otros idiomas preferentes-, dijo el comisario del Palacio del Libro, Adolfo Roitman.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Encontrados de manera fortuita por un pastor en 1947 en unas cuevas ubicadas en Qumran, un importante yacimiento arqueológico próximo al Mar Muerto, esos textos en pergamino contienen fragmentos de todos los libros del Antiguo Testamento, excepto el de Esther, así como varios apócrifos y escrituras de sectas.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #111111; font-size: 1em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Repartidos en más de 30.000 fragmentos, el Museo custodia ocho de los rollos en un edificio con forma de tapa de tinaja, pero existen otros en poder de la Autoridad de Antigüedades de Israel y coleccionistas privados.&lt;/div&gt;
&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-7311119394859362701?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/-wuzLx8Ajsk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/7311119394859362701/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=7311119394859362701&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/7311119394859362701?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/7311119394859362701?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/-wuzLx8Ajsk/rollos-del-mar-muerto-pueden-verse-en.html" title="Rollos del Mar Muerto pueden verse en Internet gracias a Google e Israel" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/09/rollos-del-mar-muerto-pueden-verse-en.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkINRHgzcSp7ImA9WhdVFUU.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3203247562488274729</id><published>2011-09-21T00:56:00.002-05:00</published><updated>2011-09-21T00:56:35.689-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-21T00:56:35.689-05:00</app:edited><title>SEMINARIO INTERNACIONAL</title><content type="html">
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&lt;span class="Apple-style-span" style="background-color: white; font-family: times, serif; font-size: 16px;"&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span lang="ES" style="line-height: 20px;"&gt;&lt;b&gt;" DIFUSIÓN Y PROTECCIÓN DEL PATRIMONIO RELIGIOSO EN AMÉRICA LATINA "&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span lang="ES" style="line-height: 20px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;span lang="ES" style="line-height: 14px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: small;"&gt;3, 4 y 5 de octubre&amp;nbsp; de 2011&lt;br /&gt;Buenos Aires, Argentina&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span lang="ES"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 14px;"&gt;&lt;span style="font-size: small;"&gt;Organiza&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;span lang="ES" style="line-height: 14px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;span lang="ES" style="line-height: 18px;"&gt;Cátedra UNESCO de Turismo Cultural Untref /Aamnba&lt;/span&gt;&lt;/b&gt;&lt;span lang="ES" style="line-height: 18px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;b&gt;&lt;span lang="ES" style="line-height: 14px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div align="center" style="text-align: center;"&gt;
&lt;span lang="ES" style="line-height: 14px;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Dirección académica: Arq.&amp;nbsp;&lt;b&gt;Ramón Gutiérrez&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="color: #000099; font-family: arial, helvetica, sans-serif; font-size: small;"&gt;&lt;b&gt;Ver programa adjunto&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: times, serif; font-size: 12pt; text-align: center;"&gt;
&lt;span style="color: #000099;"&gt;&lt;b&gt;&lt;img alt="collage (2).jpg" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=5e8a156bae&amp;amp;view=att&amp;amp;th=1324f06a295ad697&amp;amp;attid=0.0.2&amp;amp;disp=emb&amp;amp;zw" title="collage (2).jpg" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: times, serif; font-size: 12pt; text-align: left;"&gt;
&lt;span style="color: #000099;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div style="color: black; font-family: times, serif; font-size: 12pt; line-height: normal; margin-bottom: 0pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;El seminario internacional&amp;nbsp;&lt;b&gt;"Difusión y protección del patrimonio religioso en América latina"&lt;/b&gt;&amp;nbsp;fue aprobado por el&amp;nbsp;&lt;b&gt;Programa de Participación 2010-2011 de la UNESCO&lt;/b&gt;, cuenta con el apoyo de las Comisiones Nacionales de Chile, Bolivia y Perú.&lt;/span&gt;&lt;span style="font-family: Arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: black; font-family: times, serif; font-size: 12pt; line-height: normal; margin-bottom: 0pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Se realizará en el Auditorio de la&amp;nbsp;&lt;b&gt;Asociación Amigos del Museo Nacional de Bellas Artes&lt;/b&gt;, Av. Figueroa Alcorta 2280 (Buenos Aires) con&amp;nbsp;&lt;b&gt;entrada libre e inscripción previa&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: black; font-family: times, serif; font-size: 12pt; line-height: normal; margin-bottom: 0pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif;"&gt;&lt;span style="color: #000099; font-size: x-small;"&gt;&lt;span style="background-color: white; color: black; font-family: arial, helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-family: times, serif; font-size: 12pt; line-height: normal; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: center;"&gt;
&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span&gt;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="background-color: white; color: black; font-family: arial, helvetica, sans-serif;"&gt;&lt;div align="center" style="color: black; line-height: normal; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: center;"&gt;
Por favor completar el formulario adjunto y enviar a:&lt;/div&gt;
&lt;div align="center" style="line-height: normal; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: center;"&gt;
&lt;u&gt;&lt;a href="mailto:catedraunesco@turismoculturalun.org.ar" rel="nofollow" style="color: #0000cc;" target="_blank"&gt;&lt;b&gt;catedraunesco@&lt;wbr&gt;&lt;/wbr&gt;turismoculturalun.org.ar&lt;/b&gt;&lt;/a&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-size: 12pt; line-height: normal; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;div style="color: black; font-family: times, serif; font-size: 12pt; line-height: normal; margin-bottom: 0pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-family: times, serif; font-size: 12pt; text-align: center;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 9pt; line-height: 13px;"&gt;Auspician&lt;b&gt;&amp;nbsp;ICOM Argentina, Comisión Nacional de Museos y de Monumentos y Lugares Históricos, ICOMOS Argentina,&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 9pt; line-height: 13px;"&gt;&lt;b&gt;&amp;nbsp;Fundación YPF&amp;nbsp;&lt;/b&gt;y&lt;b&gt;Centro Cultural de España en Buenos Aires.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-family: times, serif; font-size: 12pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 9pt; line-height: 13px;"&gt;&lt;span style="color: #000099;"&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-family: times, serif; font-size: 12pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 9pt; line-height: 13px;"&gt;&lt;span style="color: #000099;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" style="color: black; font-family: times, serif; font-size: 12pt; text-align: center;"&gt;
&lt;span lang="ES" style="font-family: Arial, sans-serif; font-size: 9pt; line-height: 13px;"&gt;&lt;span style="color: #000099;"&gt;&lt;img alt="fotlogos 2.jpg" height="57" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=5e8a156bae&amp;amp;view=att&amp;amp;th=1324f06a295ad697&amp;amp;attid=0.0.3&amp;amp;disp=emb&amp;amp;zw" title="fotlogos 2.jpg" width="420" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-3203247562488274729?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/hTTZNDr-Pqk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/3203247562488274729/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=3203247562488274729&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3203247562488274729?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3203247562488274729?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/hTTZNDr-Pqk/seminario-internacional.html" title="SEMINARIO INTERNACIONAL" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/09/seminario-internacional.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkYARn84fSp7ImA9WhdVFUg.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-2750807948216202220</id><published>2011-09-20T15:21:00.000-05:00</published><updated>2011-09-20T15:22:27.135-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-20T15:22:27.135-05:00</app:edited><title>Descubren piedra de 12 ángulos en Puno y Restos Humanos</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OAGGVWgiglc7Ov6TJ-GLzNxZmb8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OAGGVWgiglc7Ov6TJ-GLzNxZmb8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://www.youtube.com/watch?v=QLY3qxBqCTE&amp;amp;feature=player_embedded"&gt;http://www.youtube.com/watch?v=QLY3qxBqCTE&amp;amp;feature=player_embedded&lt;/a&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 21px;"&gt;Un grupo de arqueológos dio con el importante hallazgo cuando restauraba unas chullpas en el complejo arqueológico Sillustani.&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 19px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Un grupo de arqueólogos halló una piedra de 12 ángulos durante los trabajos y refacción en 10 chullpas del&amp;nbsp;&lt;a href="http://www.arqueotur.org/yacimientos/complejo-arqueologico-de-sillustani.html" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;complejo arqueológico de Sillustani&lt;/a&gt;, en&amp;nbsp;&lt;a href="http://peru21.pe/buscar/?q=Puno" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #000099; font-family: inherit; font-style: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Puno&lt;/a&gt;.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Según Eduardo Arisaca Medina, director del proyecto arqueológico,&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;la piedra fue utilizada para la edificación de una chullpa rectangular&lt;/strong&gt;, pero que quedó inconclusa debido a un posible enfrentamiento entre los habitantes de esta zona con otra etnia invasora.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
&lt;strong style="font-weight: bold;"&gt;“Puno también tiene su piedra de 12 ángulos&lt;/strong&gt;, desconocemos por qué esta información no fue difundida en su momento”, manifestó Arisaca, quien añadió que los trabajos de restauración en el complejo continuarán hasta fin de año.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
Asimismo, señaló que también&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;se encontraron los restos de cinco personas adultas y cinco niños&lt;/strong&gt;&amp;nbsp;durante las excavaciones en la chullpa El Lagarto, además de cántaros, ollas y otras vasijas, que al parecer fueron enterrados como ofrendas.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
El arqueólogo no descarta que en las excavaciones se hallen metales preciosos, ya que&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;los restos óseos descubiertos pertenecerían a personajes importantes de la época&lt;/strong&gt;, debido al lugar en el que fueron sepultados.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-style: inherit; margin-bottom: 1.5em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;
fuente peru 21&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-2750807948216202220?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/k25L41Zr3E4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/2750807948216202220/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=2750807948216202220&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/2750807948216202220?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/2750807948216202220?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/k25L41Zr3E4/descubren-piedra-de-12-angulos-en-puno.html" title="Descubren piedra de 12 ángulos en Puno y Restos Humanos" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/09/descubren-piedra-de-12-angulos-en-puno.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C08NRnk8fip7ImA9WhdWF0o.&quot;"><id>tag:blogger.com,1999:blog-8381182709032161149.post-3500634532920660872</id><published>2011-09-11T15:11:00.002-05:00</published><updated>2011-09-11T15:11:37.776-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-11T15:11:37.776-05:00</app:edited><title>Ponen en valor dos caminos preincaicos en el valle del Colca de Arequipa</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/yru9ZTfQpdYOmuaDAryFPSTv1U4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yru9ZTfQpdYOmuaDAryFPSTv1U4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/yru9ZTfQpdYOmuaDAryFPSTv1U4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yru9ZTfQpdYOmuaDAryFPSTv1U4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;
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&lt;span class="edpNoticiaContenido" id="lblDescripcion" style="font-size: 15px; line-height: 21px;"&gt;&lt;strong&gt;Arequipa, Fuente :ANDINA.&lt;/strong&gt;&amp;nbsp;Con el propósito de ofrecer una nueva alternativa turística para quienes llegan al valle del Colca, la Organización de Gestión de Destino (OGD) Arequipa trabaja en la puesta en valor dos caminos preincaicos que conectan los distritos de Coporaque y Yanque.&lt;/span&gt;&lt;/div&gt;
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&lt;table align="Left" border="0" cellpadding="2" cellspacing="0" id="ctl06_gvFotoPortada" rules="all" style="border-bottom-width: 0px; border-collapse: collapse; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;&lt;div style="margin-right: 2px; padding-bottom: 2px;"&gt;
&lt;div id="FotografiaNoticiaDetalle" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-bottom-color: rgb(192, 192, 192); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(192, 192, 192); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(192, 192, 192); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(192, 192, 192); border-top-style: solid; border-top-width: 1px; padding-bottom: 2px; padding-left: 2px; padding-right: 2px; padding-top: 2px;"&gt;
&lt;img alt="ANDINA/archivo" border="0" src="http://portal.andina.com.pe/EDPFotografia/Thumbnail/2008/03/27/000057696T.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px;" /&gt;&lt;/div&gt;
&lt;div id="FotografiaNoticiaLeyenda" style="padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;span class="edpNoticiaFotoLeyenda" id="ctl06_gvFotoPortada_ctl02_lblLeyenda" style="color: #666666; display: inline-block; font-size: 12px; font-style: normal; width: 290px;"&gt;ANDINA/archivo&lt;/span&gt;&lt;/div&gt;
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&lt;div style="padding-bottom: 5px;"&gt;
&lt;span class="edpNoticiaContenido" id="lblContenido" style="font-size: 15px; line-height: 21px;"&gt;Melvi Vargas Benavente, directora ejecutiva de la OGD, explicó que el proyecto busca optimizar caminos que fueron utilizados por los primeros habitantes de la zona y cuyos recorridos permiten mostrar la belleza natural del sector.&lt;br /&gt;
Cruzar las dos rutas&amp;nbsp;demanda de dos horas y media a tres horas cada uno, tiempo en&amp;nbsp;que se puede observar el cañón del Colca, el complejo arqueológico Uyo Uyo, la andenería declarada Patrimonio Cultural de la Nación y otros paisajes.&lt;br /&gt;&lt;br /&gt;Refirió que existen al menos diez caminos que unen Coporaque y Yanque, pero ellos eligieron&amp;nbsp;dos debido a los paisajes que&amp;nbsp;permiten observar durante su recorrido.&lt;br /&gt;
Señaló también que ambas localidades fueron elegidas para desarrollar el proyecto, ya que en ellas existe un trabajo de turismo rural comunitario, propuestas que se complementan para ofrecer servicios adecuados a los visitantes.&lt;br /&gt;
“El trabajo que desarrolla la ODG Arequipa se hace&amp;nbsp;pensando en ofrecer nuevas alternativas turísticas a quienes llegan al valle del Colca, que ellos puedan contar con los servicios necesario y básicos para pasar una agradable estadía”, manifestó.&lt;br /&gt;
La OGD Arequipa invirtió al menos 150 mil nuevos soles en&amp;nbsp;el proyecto, financiado por entidades privadas ligadas al turismo y afiliadas a dicha organización; el Ministerio de Cultura autorizó y supervisó el trabajo.&lt;br /&gt;
Las obras se iniciaron en marzo y deben concluir en octubre para ser&amp;nbsp;presentadas oficialmente&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8381182709032161149-3500634532920660872?l=restauroperu-ecariv.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/Uzrbf/~4/HLqKRFAlKEE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://restauroperu-ecariv.blogspot.com/feeds/3500634532920660872/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=8381182709032161149&amp;postID=3500634532920660872&amp;isPopup=true" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3500634532920660872?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/8381182709032161149/posts/default/3500634532920660872?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/Uzrbf/~3/HLqKRFAlKEE/ponen-en-valor-dos-caminos-preincaicos.html" title="Ponen en valor dos caminos preincaicos en el valle del Colca de Arequipa" /><author><name>Elias Carlo Aguayo</name><uri>https://profiles.google.com/115802700678865525734</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh6.googleusercontent.com/-U9MvAq7pi7U/AAAAAAAAAAI/AAAAAAAAAAA/mBaNuXV-eNw/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://restauroperu-ecariv.blogspot.com/2011/09/ponen-en-valor-dos-caminos-preincaicos.html</feedburner:origLink></entry></feed>

