A huge thank you to everyone who has read and supported me and Experiments in Manga over the years! In part I started this blog as a way to connect with other people interested in manga. I am delighted that I can say I was successful in doing that. I have met so many wonderful people because of Experiments in Manga and it makes me tremendously happy to know that from time to time others found it useful, interesting, or even entertaining. To all of my friends–readers, fellow bloggers, creators, and more–thank you and thank you again. Writing at Experiments in Manga and getting to know you all has meant more to me than I can adequately express.

WINNER’S CHOICE!

2017 was a great year for manga. Publishers continued to expand their print and digital offerings. Genres and titles that at one point seemed untouchable in the past were licensed and released. There were deluxe editions, rescues and reissues, and so much more. I recently wrote about some of the debut manga published within the last year that to me were notable for one reason or another, but that post featured only a very small tip of a very large iceberg. This is a great time to be a manga fan.

So, you may be wondering, how can you win your choice of a manga released in 2017?

1) In the comments below, tell me which volume of manga released in 2017 you would like to win and why. (Need some help figuring out what was published? Check out non-preorders from pages 4-15 of RightStuf’s online manga catalog for some ideas.)
2) For a second entry, tell me a little about something that you read in 2017, manga or otherwise, that you particularly enjoyed. (It can be a release from any year.)
3) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Participants have one week to submit comments and can earn up to three entries for this giveaway. Comments can also be sent directly to phoenixterran(at)gmail(dot)com if needed or preferred. I will then post the comments here in your name. The giveaway winner will be randomly selected and contacted on January 3, 2018.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Congratulations, Nate E.!

Well, this is it! The final My Week in Manga feature here at Experiments in Manga before my semi-retirement. The fun isn’t quite over yet, though–later this week there will be one last giveaway. For anyone who wants a head start, I’ll be asking participants to tell me a little about some of the favorite things that they’ve read in the past year. And while the list doesn’t include all of my personal favorites, I recently posted my own random musings on some of the notable releases from 2017.

Quick Takes

Children of the Whales, Volume 1 by Abi Umeda. With such a striking cover, and interior artwork to match, I couldn’t help but be curious about the first volume of Children of the Whales. It also doesn’t hurt that the manga is the start of shoujo fantasy series, a category of work that I generally tend to appreciate. And indeed, I thoroughly enjoyed the first volume of Children of the Whales. The setting is incredibly intriguing, the majority of the story taking place on the Mud Whale, a largely self-sustaining ship-like island that has been adrift on a sea of sand for nearly a century. Most of the people on the Mud Whale can work a kind of magic based on the power of emotions. However, they are very short-lived; only the few people who aren’t magically inclined reach old age. This has an interesting impact on their civilization. Control over one’s feelings is very important culturally and the community as a whole has a disconcerting lack of knowledge about their own history and the greater world. And so when they encounter a human from outside the Mud Whale she is greeted with excitement, but her arrival is also a harbinger of greater misfortune.

Kakegurui: Compulsive Gambler, Volume 1 written by Homura Kawamoto and illustrated by Tōru Naomura. The cover art of Kakegurui is fairly eye-catching as well. The series takes place at Hyakkaou Private Academy, a school for the wealthy elite in which the entire social structure is based on how well the students can gamble. In many cases, this translates directly to how much money they can throw around or how skilled they are at cheating the system. Yumeko Jabami is a new transfer student whose sweet demeanor makes her appear to be an easy mark. However, her classmates soon discover that her personality completely changes when presented with a risky enough proposition. That and she has the skill and luck needed take any one of them down. Despite the dramatic artwork and high stakes, I actually didn’t find Kakegurui nearly as engaging as I hoped or expected it to be. While entertaining, I didn’t feel particularly invested in the characters or their plights. The games played were interesting, with some clever twists, but as a whole the first volume didn’t seem to have much depth to it.

That being said, one of the manga that left the deepest and most lasting impressions on me in 2017 was The Girl from the Other Side: Siúil, a Rún by Nagabe. Both the series’ haunting story and beautiful artwork are marvelously atmospheric. Nagabe delicately balances sweetness and charm with darkness and tragedy. It isn’t unusual for horror manga to explore the monstrosity of humans and the humanity of monsters, but The Girl from the Other Side does so with incredible nuance.

Manga tends to be a niche within the larger niche of comics, but every so often there is a work that gains recognition and acclaim outside of the usual audiences. Kabi Nagata ‘s autobiographical My Lesbian Experience with Loneliness is one example of a manga from 2017 that found a wide readership; Nagata’s authentic, frank, and honest depiction of her struggles with depression, anxiety, sexuality, and feelings of isolation resonated deeply with others’ personal experiences.

Gengoroh Tagame is an important creator who is known worldwide, so it’s probably no surprise that his series My Brother’s Husband would garner a fair amount of attention as well. Quite different in tone from Tagame’s sadomasochistic and homoerotic manga, My Brother’s Husband is a wholesome work which tackles and refutes socially and culturally ingrained prejudices–such as homophobia–through the lens of family. The manga’s message is not subtle, but it is a good one.

I Hear the Sunspot by Yuki Fumino is a quieter and more understated work dealing with the impact of disabilities on relationships, romantic and otherwise. It’s a lovely and thoughtful manga which treats its naturally complex characters with respect, acceptance, and understanding. I Hear the Sunspot is actually the beginning of a series, something that I didn’t realize when I first read it. The volume stands very well on its own, but I certainly look forward to reading more.

My introduction to the work of Takako Shimura was through Wandering Son, a manga which is tremendously meaningful to me. I was very happy then when her other major series, Sweet Blue Flowers, finally received a proper release in English in 2017. (It only took three different publishers.) On the surface, Sweet Blue Flowers can tend towards the melodramatic, but Shimura’s layered portrayals of young women who love other young women are still emotionally convincing and compelling.

Most of the yuri that has so far been translated into English generally falls into the category of schoolgirl manga, so it is wonderfully refreshing to see series featuring adult women, like Yuhta Nishio’s After Hours, being published as well. It’s also immensely satisfying to see a relationship develop between two women that, while not without its complications, is largely free of angst. After Hours, along with Sweet Blue Flowers, is also notable for being Viz Media’s first real foray into the yuri genre.

Yoshimurakana’s Murciélago is likewise a manga that features adult women in adult situations. But in this case, the series makes no attempt at realism. Murciélago is ridiculously over-the-top top and extreme. The manga is lewd and crass, but it can also be massively entertaining in its outrageousness. However, due to the explicit sex, violence, and gore, Murciélago is definitely not a series that can be recommended to just anyone. Predatory lesbian assassins understandably have limited appeal.

There were a great number of wonderful queer-friendly comics released in 2017, but James Tynion IV and Rian Sygh’s The Backstagers  is particularly delightful. The comic is a tremendous amount of fun, featuring energetic artwork, an entertaining story, and a marvelously diverse cast. Especially noteworthy is the series’ challenging of gender stereotypes through the positive representations of a wide range of masculinities. The Backstagers even includes a transguy as a prominent character!

Another engaging work from 2017 that deals with gender, identity, and self-expression in interesting ways is So Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Cute Culture by Jane Mai and An Nguyen. The individual pieces in the collaboration vary significantly in tone and style, ranging from accessibly academic to intensely personal, but the volume is an informative and fascinating examination of Lolita culture and its influence both inside and outside of Japan.

I don’t tend to seek out vampire fiction, so was it not for the fact that A Small Charred Face was written by Kazuki Sakuraba, translated by Jocelyne Allen, and published by Haikasoru, I might not have gotten around to reading the novel. Hearing A Small Charred Face described as being BL-adjacent certainly caught my attention, too. The novel is an unexpectedly beautiful and heartbreaking work about outsiders, found family, and the intimate connections that tie people together.

Miaojin Qiu was an influential lesbian author whose work has made a lasting impact on Taiwanese culture; her acclaimed novel Notes of a Crocodile is considered to be a cult classic of queer literature. The work is both metaphorical and literal in its exploration of gender, sexuality, and identity, combining fantasy and reality in a way that is tremendously compelling and at times even devastating. While not always an easy read, Notes of a Crocodile is a rich and powerful work.

Last week I posted the Bookshelf Overload for November, which also happens to be the final Bookshelf Overload feature here at Experiments in Manga since I will be entering semi-retirement as a manga blogger very soon. Otherwise, it was a fairly quiet week, as has been the case for quite some time now. I’ve been very busy at work trying to get a bunch of stuff done before the end of the year, so I haven’t even been paying much attention to what’s going on online. However, last week I discovered (or perhaps re-discovered?) that The Beast Player by Nahoko Uehashi will be published in English next year! Uehashi is the creator of Moribito, which I adore along with its anime adaptation. (Moribito would  have made a great topic for an Adaptation Adventures feature.) Sadly, only the first two novels in the Moribito series were ever released in English–Guardian of the Spirit and Guardian of the Darkness–but I’m very happy to see more of her work in translation.

Quick Takes

In This Corner of the World by Fumiyo Kouno. Both of the manga by Kouno that have been released in print in English–Town of Evening Calm, Country of Cherry Blossoms and now In This Corner of the World–use the atomic bombing of Hiroshima during World War II as a major touchstone. However, while the event is certainly important to In This Corner of the World, it’s not the central focus of the series. In This Corner of the World largely follows the everyday life of Suzu, a young woman from a small fishing village in Hiroshima who has recently married and moved in with her husband’s family in the nearby city of Kure. The three-volume series, collected into a single omnibus for its English-language release, isn’t a manga with a driving plot. Instead, the chapters read like a compilation of closely-related remembrances. The theme of memories is one that is echoed throughout the entire manga. Although the subject matter of In This Corner of the World is certainly serious, with an authentic portrayal of some of the tragedies and heartbreak associated with war, Kouno has also created a quiet and lovely work with significant charm.

The Promised Neverland, Volume 1 written by Kaiu Shirai and illustrated by Posuka Demizu. The beginning of The Promised Neverland is very bright, but it doesn’t take much time at all for the series to execute an exceptionally dark turn. Emma and the other orphans at Grace Field House lead happy lives. They are surprisingly well-cared-for, provided with delicious food and an idyllic environment in which to grow into young, healthy children. But when Emma discovers the horrifying truth behind the orphanage’s purpose, she becomes determined to find a way for all of the children to escape. However, running away will be an extremely difficult task to accomplish, especially when plans must be devised and executed in complete secrecy. The Promised Neverland features an intense battle of wits as Emma and the others are suddenly faced with securing their own survival in an unforgiving world that is unlike anything that they were previously led to believe. The story is deeply unsettling, and Demizu’s artwork is more than up to the task of creating a chilling atmosphere. I am incredibly interested to see how The Promised Neverland continues to develop from here.

Manga!
ACCA: 13-Territory Inspection Department, Volume 1 by Natsume Ono
Arakawa Under the Bridge, Omnibus 1 by Hikaru Nakamura
Complex Age, Volumes 3-4 by Yui Sakuma
Delicious in Dungeon, Volume 3 by Ryoko Kui
Descending Stories: Showa Genroku Rakugo Shinju, Volume 3 by Haruko Kumota
Devilman Grimoire, Volume 1 written by Go Nagai, illustrated by Rui Takato
Dokudami Tenement, Volume 1 by Takashi Fukutani
Erased, Omnibus 3 by Kei Sanbe
Food Wars!: Shokugeki no Soma, Volume 19 written by Yuto Tsukuda, illustrated by Shun Saeki
The Girl from the Other Side: Siúil, a Rún, Volume 3 by Nagabe
In This Corner of the World by Fumiyo Kouno
Kakegurui: Compulsive Gambler, Volume 1 written by Homura Kawamoto, illustrated by Tōru Naomura
Land of the Lustrous, Volumes 2-3 by Haruko Ichikawa
Murciélago, Volume 4 by Yoshimurakana
Neo-Parasyte M by Various
Ōoku: The Inner Chambers, Volume 13 by Fumi Yoshinaga
A Polar Bear in Love, Volume 1 by Koromo
Requiem of the Rose King, Volume 7 by Aya Kanno
Shirley, Volume 1 by Kaoru Mori
Skip Beat!, Omnibus 2-12 by Yoshiki Nakamura
Sweetness and Lightning, Volume 8 by Gido Amagakure
To Your Eternity, Volume 1 by Yoshitoki Oima

Comics!
After Laughter by Jonathan Djob Nkondo
As the Crow Flies by Melanie Gillman
Barbara by Nicole Miles
A Body Beneath by Michael DeForge
Elysium by Caroline Dougherty and Femi Sobowale
Everyone’s an Aliebn When Ur a Aliebn Too by Jomny Sun
The Good Prince, Volume 1 by Denise Schroeder
Goro, Issue 2 by Sarah Horrocks
A Long Distance by Jean Wei
Love Your Rogue by Billie Snippet
Men + Monsters, Volume 1 by Aero Zero
Musings of a Muslim Hipster by Areeba Siddique
The Pit of Tar by Jeremy Sorese
Sukibito Diary by Chu Nap
Super Tokyoland by Benjamin Reiss
What Is Left by Rosemary Valero-O’Connell

Artbooks!
Sari Sari by Corinne Caro and Issel De Leon

Novels!
Legend of the Galactic Heroes, Volume 5: Mobilization by Yoshiki Tanaka

Anthologies!
The Ise Stories: Ise Monogatari translated by Joshua S. Mostow and Royall Tyler
Panic and Deaf by Xiaosheng Liang

Anime!
Genocidal Organ directed by Shukō Murase
In This Corner of the World directed by Sunao Katabuchi
Kaiba directed by Masaaki Yuasa
Mind Game directed by Masaaki Yuasa
Skip Beat! directed by Kiyoko Sayama
Tokyo Godfathers directed by Satoshi Kon
Your Name directed by Makoto Shinkai

Film!
Funeral Parade of Roses directed by Toshio Matsumoto

Last week at Experiments in Manga I announced the winner of the Cache of Kodansha Comics giveaway. The post also includes a list of Kodansha Comics’ manga debuts from 2017. Before the year is over and Experiments in Manga enters retirement I will be holding one last manga giveaway. This week, however, I will be posting the final Bookshelf Overload feature. As for other thing found elsewhere online: Anime Feminist has been posting some really interesting content lately, including but certainly not limited to an interview with Arina Tanemura. Iron Circus Comix recently revealed that it would be releasing Japanese creator Sachiko Kaneoya’s first English-language collection. And speaking of Iron Circus Comix, the publisher’s most recent Kickstarter for Niki Smith’s erotic graphic novel Crossplay may also be of interest. Another Kickstarter project that is worth taking a look at is for the second volume of Minna Sundberg’s fantastic comic Stand Still, Stay Silent. (I enjoyed the first book tremendously.)

Quick Takes

ACCA: 13-Territory Inspection Department, Volume 1 by Natsume Ono. My first encounter with Ono’s work was through the anime adaptation of House of Five Leaves. After watching it, I immediately sought out the original along with Ono’s other manga available in English. I was very happy when Yen Press announced it would be releasing ACCA (which itself recently received an anime adaptation). The country of Dowa is divided into thirteen separate districts, each of which independently operates a branch of ACCA, a civil service-orientated organization. Jean Otus works for ACCA’s Inspection Department which is always on the alert for and investigates possible corruption within the agency. When the situation demands it, Jean’s colleagues at the office are shown to be quite capable at their jobs, but most of their time seems to be spent bantering over pastries. This does reinforce the perception that the Inspection Department has become superfluous in a time of peace and prosperity, but I also find it to be a delightful bit of characterization. The first volume of ACCA is a slow burn, but it has incredible atmosphere and I enjoyed it greatly.

Neo-Parasyte M by Various. It’s been a while since I first read it, but I still remember the huge impression that Hitoshi Iwaaki’s horror manga series Parasyte made on me. (I really need to reread it again sometime in the near future.) Last year Kodansha Comics released Neo-Parasyte F, a shoujo/josei anthology created as a tribute to the original Parasyte. It was a fantastic anthology, so I was very excited when its shounen/seinen counterpart (and technically its predecessor) was also licensed. As a whole, I think that Neo-Parasyte F worked better or at least more consistently for me than Neo-Parasyte M, but there are still some terrific stories in the collection. The roster of contributors is rather impressive, too. Of particular note, a piece by Moto Hagio opens the volume. As is to be expected, most of the short manga in the anthology require at least a basic familiarity with Parasyte to be fully appreciated. The twelve stories in Neo-Parastye M take a variety of approaches. Some are more serious while others are more comedic, and a few can even be described as endearing. Not every contribution is successful, but overall Neo-Parasyte M is a great collection.

And the winner of the manga giveaway for a cache of Kodansha Comics is… Dawn!

As the winner, Dawn (whose terrific Anime Nostalgia Podcast also happens to be hosting a giveaway right now) will be receiving the first volumes of Descending Stories: Showa Genroku Rakugo Shinju by Haruko Kumota, Kigurumi Guardians by Lily Hoshino, Land of the Lustrous by Haruko Ichikawa, and Love & Lies by Musawo, all of which debuted in English from Kodansha Comics this past year. In addition to its print releases, Kodansha Comics has also had a particularly good showing in 2017 digitally. And so for this giveaway, I asked participants to tell me a little about their own reading habits and preferences when it comes to print versus digital manga. The responses were really great, so be sure to check out the giveaway comments!

Kodansha Comics’ 2017 Print Manga Debuts
Aho-Girl by Hiroyuki
Appleseed Alpha by Iou Kuroda
Battle Angel Alita by Yukito Kishiro
Cardcaptor Sakura: Clear Card by CLAMP
Clockwork Planet by Kuro
Descending Stories: Showa Genroku Rakugo Shinju by Haruko Kumota
Fairy Tail: Rhodonite by Kyouta Shibano
Fairy Tail: S by Hiro Mashima
Frau Faust by Kore Yamazaki
Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta
Kigurumi Guardians by Lily Hoshino
Kiss Me at the Stroke of Midnight by Rin Mikimoto
Land of the Lustrous by Haruko Ichikawa
Love and Lies by Musawo
Neo Parasyte M by Various
That Time I Got Reincarnated as a Slime written by Fuse and illustrated by Taiki Kawakami
To Your Eternity by Yoshitoki Oima
Toppu GP by Kosuke Fujishima
Waiting for Spring by Anashin
Wake Up, Sleeping Beauty by Megumi Morino

Kodansha Comics’ 2017 Digital Debuts
Ace of the Diamond by Yuji Terajima
All-Out by Shiori Amase]
All-Rounder Meguru by Hiroki Endo
Altair: A Record of Battles by Kotono Kato
Aoba-kun’s Confessions by Ema Toyama
Ayanashi by Yukihiro Kajimoto
Beauty Bunny by Mari Yoshino
Black Panther and Sweet by Pedoro Toriumi
Blame! Academy and So On by Tsutomu Nihei
Chihayafuru by Yuki Suetsugu
Cosplay Animal by Watari Sakou
Days by Tsuyoshi Yasuda
Deathtopia by Yoshinobu Yamada
Domestic Girlfriend by Kei Sasuga
Drifting Dragons by Taku Kuwabara
Drowning Love by George Asakura
Elegant Yokai Apartment Life written by Hinowa Kouzuki, illustrated by Waka Miyama
The Full-Time Wife Escapist by Tsunami Umino
Giant Killing written by Masaya Tsunamoto, illustrated by Tsujitomo
Grand Blue Dreaming written by Kenji Inoue, illustrated by Kimitake Yoshioka
GTO: Paradise Lost by Toru Fujisawa
Hotaru’s Way by Satoru Hiura
House of the Sun by Taamo
Hozuki’s Coolheadedness by Natsumi Eguchi
I Want to Hold Aono-kun So Badly I Could Die by Umi Shiina
I’m in Love and It’s the End of the World by Taamo
Kasane by Daruma Matsuura
Kokkoku: Moment by Moment by Seita Horio
Koundori: Dr. Stork by You Suzunoki
Love’s Reach by Rin Mikimoto
Lovesick Ellie by Fujimomo
Magical Sempai by Azu
Museum by Ryousuke Tomoe
My Brother the Shut In by Kinoko Higurashi
Our Precious Conversations by Robico
Peach Heaven by Mari Yoshino
PTSD Radio by Masaaki Nakayama
Rave Master by Hiro Mashima
Real Girl by Mao Nanami
Shojo Fight! by Yoko Nihonbashi
A Springtime with Ninjas by Narumi Hasegaki
Tokyo Tarareba Girls by Akiko Higashimura
Tsuredure Children by Toshiya Wakabayashi
Until Your Bones Rot by Yae Utsumi
Wave, Listen to Me! by Hiroaki Samura

Assuming that I didn’t miss any (I’m sure I have and some of the digital titles probably haven’t even been revealed yet), Kodansha Comics had twenty print debuts last year (most if not all of which are also available digitally) and forty-five digital debuts (a few of which will eventually be released in print, too). By the end of the year, Kodansha Comics will have debuted more than sixty-five new titles in addition to its other continuing series! It’s great to see how much is being published in English these days in print and digitally, and not just by Kodansha Comics. Thank you to everyone who shared your reading preferences with me! Both digital and print manga have their pros and cons, so I found all of your responses very interesting. I hope to see you again at the end of December for one last giveaway here at Experiments in Manga!

The most recent manga giveaway at Experiments in Manga is currently underway! The winner will be announced on Wednesday, so there’s still a little time left to enter for a chance to win four of Kodansha Comics’ print debuts from 2017: Haruko Kumota’s Descending Stories: Showa Genroku Rakugo Shinju, Lily Hoshino’s Kigurumi Guardians, Haruko Ichikawa’s Land of the Lustrous, and Musawo’s Love & Lies. (Also, a couple other giveaways are going on right now that I would like to highlight: The Manga Test Drive’s annual holiday giveaway and Taneka Stott’s third annual queer comics giveaway.) Last week I finally managed to post the in-depth review that I’ve been working on for a while now, taking a closer look at Knights-Errant, Volume 1 by Jennifer Doyle. Knights-Errant is a fantastic comic, a queer-positive, dark historical fantasy with a compelling story and characters. I highly, highly recommend the series. (It can also be read online for free at Sparkler Monthly!) Initially I was intending to write one more in-depth review before the year was over (and before I retire Experiments in Manga), but after some thought I think that Knights-Errant will have the honor of receiving the last. However, I am still working on and will be posting my random musings on some of year’s notable releases, so there is that to look forward to.

Quick Takes

Arakawa Under the Bridge, Omnibus 1 (equivalent to Volumes 1-2) by Hikaru Nakamura. My introduction to Arakawa Under the Bridge was through its anime adaptation, an incredibly quirky and bizarre work which I found to be highly entertaining. Only later did I discover that the creator of the original manga was also the creator of Saint Young Men, a series that I hope might one day be translated as well. (Despite interest from fans and publishers alike, Saint Young Men has been unlicensable for the North American market, but I can’t help hoping that if Arakawa Under the Bridge is successful that might change.) Arakawa Under the Bridge is an absolutely ridiculous manga and I enjoyed it immensely. The chapters are short and somewhat episodic so the narrative flow can be disjointed, but Nakamura eventually develops a nice rhythm as more of the increasingly large, and strange, cast is introduced. The absurdity of the characters is really what makes Arakawa Under the Bridge work. I’m particularly fond of Sister, an ex-mercenary who crossdresses as a nun, but the manga is filled with astonishing personalities.

A Polar Bear in Love, Volume 1 by Koromo. Stories about star-crossed lovers aren’t especially rare, but none in my experience are quite like A Polar Bear in Love. Granted, at this point only one of the pair is actually in love. As impossible as it seems, Mr. Polar Bear as fallen for Li’l Seal. Understandably, considering the normal order of the food chain, Li’l Seal is a bit concerned by this. They’re both males, too, but the real issue is that Li’l Seal expects to be eaten at any moment. The power dynamics are a little tricky, but over the course of the first volume, Mr. Polar Bear demonstrates the earnestness of his love and at least tries not to be too pushy about his feelings. Li’l Seal slowly realizes he might not actually be on the menu, but that’s not going to solve everything about their relationship, either. A Polar Bear in Love can be both incredibly adorable and surprisingly dark, occasionally even at the same time. Even while being anthropomorphized, Li’l Seal and and Mr. Polar Bear also have to face more realistic concerns of survival. On the surface A Polar Bear in Love is delightfully silly manga, but it also has a thing or two to say about love and relationships.

To Your Eternity, Volume 1 by Yoshitoki Oima. I have been following Oima’s progress as an artist and storyteller with great interest. Oima’s first major work was the manga adaptation of Tow Ubukata’s novel Mardock Scramble, parts of which I actually greatly preferred over its source material. However, what really impressed me was her powerful original series, A Silent Voice. When Kodansha Comics announced it would be releasing To Your Eternity, Oima’s current ongoing series, I immediately took note and looked forward to reading it with great anticipation. The first chapter of To Your Eternity is one of the most beautifully devastating narratives that I’ve read in a while and it seems as though it may only be a prelude for what is to come. (It also includes a fairly significant plot twist which makes the series a little difficult to discuss without giving away major spoilers.) Oima has created a complex fantasy world complete with it’s own legends and lore exploring the meaning of life and loyalty to family and community. To Your Eternity is absolutely heartbreaking, unsettling, and striking in both its story and artwork. I definitely plan on reading more.

Jennifer Doyle’s series Knights-Errant had its beginnings as a webcomic in 2009. It was Doyle’s first attempt at a long-form comic. Somewhat unsatisfied with how the story’s structure was developing, Doyle decided to reboot the series as Knights-Errant: Pavane. The subtitle was eventually dropped and Knights-Errant ultimately became a part of Chromatic Press’ online multimedia magazine Sparkler Monthly in 2015. As a beautifully illustrated, queer-positive historical fantasy with compelling characters and engaging story, Knights-Errant was a perfect addition to the lineup. In 2016, the first volume of Knights-Errant was released in both print and digital formats. The book is in full-color and collects the first three chapters of Knights-Errant serialized online between 2015 and 2016 in addition to content not previously released: a short comic, “Anton & Beppe,” exploring the backstory of those characters, and a short story, “Justice,” written by Doyle’s partner Ursula Wood and featuring the characters Kadeen and Oswald.

The city of Adigo in North Vetal is under siege by the army of its own king. The population is slowly starving, essentially being held hostage by an influential but traitorous margrave whose loyalty to his god comes before his faith in the monarchy. Not all of the margrave’s soldiers share or support their commander’s fervent beliefs, however. At least one guard, Beppe, is working to end the deadly impasse by conspiring with a criminal. Wilfrid, after some amount of convincing, has become vital to Beppe’s plans. Jailed for stabbing two men, Wilfrid is given a choice: certain death by hanging for the crime or almost certain death by attempting to guide the king’s forces into the city. But only the latter gives Wilfrid the chance of surviving long enough to seek retribution and exact revenge. Wilfrid’s fundamental goals may only temporarily align with those of the soldiers who are are hoping break the margrave’s self-destructive control over the city and its people, but it is a risk that they are all willing to take.

Doyle has on occasion described Knights-Errant as a “hate/love letter” to Kentaro Miura’s Berserk. While that influence and inspiration can be seen in the comic, Knights-Errant is more than just a response to a single series–it is a brilliant work based completely on its own merits and worth. One of the many things that I particularly love about Knights-Errant, and one of Doyle’s intentions behind its creation, is the inclusion of queer themes and representation. Notably in the first volume, Wilfrid’s gender is naturally complex and Beppe’s closest and most intimate relationship is with his fellow guardsman Anton. But these sorts of personal qualities make up only one aspect of the series’ believably imperfect and multi-faceted characters. The layered portrayal of both the antagonists and protagonists–many of whom are dealing with traumatic pasts, grim presents, and potentially tragic futures–is excellent. The evocative artwork, colored with subdued but striking tones, seems to effortlessly carry and support the emotional weight demanded by the story. However, in part due to the comic’s admittedly dark and sardonic sense of humor, Knights-Errant does manage to avoid being overly oppressive.

Knights-Errant is a nuanced tale of politics, religion, intrigue, and revenge. It’s amazing how high the stakes have already risen in the first volume with the main players and the beginnings of the underlying plot having only just been introduced. The fate of a city and the lives both within and outside of its walls are at stake, and the threat of psychological and physical violence that the series’ main characters must personally face is tremendous. The entire situation is extremely volatile and everyone knows it–whatever happens next will not only have a major impact on the people who are directly involved, it may very well change the course of history for the kingdom as a whole. The tension and pacing in the first volume of Knights-Errant is magnificent, the intertwining complexities of the characters’ individual stories unfolding within the context of a much larger narrative developing on an even grander scale. Everything about Knights-Errant is intense in the best way possible, from the sophisticated dynamics of the characters’ relationships, to the intricacies of the plot and fully-realized setting, to the dramatic and expressive artwork. The comic is incredibly easy to recommend.

Although many manga publishers have started to release more and more titles digitally, Kodansha Comics in particular has been making tremendous strides in the digital realm over the last year or so. Personally, I much prefer a physical volume that I can hold in my hands, but I am still very happy that so much content is being officially translated and released. Even if it’s not in my preferred format, at least it’s available. But while I lament the digital titles that for one reason or another will likely never be published physically, there are still plenty of interesting and intriguing manga being released in print to keep me occupied.

So, you may be wondering, how can you win a cache of Kodansha Comics?

1) In the comments below, tell me a little about your manga reading preferences and habits when it comes to print versus digital debate.
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Participants in the giveaway can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent to me via email at phoenixterran(at)gmail(dot)com which I will then post here in your name. The giveaway winner will be randomly selected and announced on December 6, 2017. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway Winner: A Cache of Kodansha Comics Winner

For everyone following along with Experiments in Manga, it’s probably obvious that things are running a little behind here right now. I intended to post an in-depth review last week (actually, two weeks ago), but life intervened. While I did manage to make some significant progress, the review is just not quite ready. However, I can confidently say that I’ll be able to post it later this week. (For real, this time!) There’s this month’s manga giveaway to look forward to on Wednesday, as well. So, after a couple of weeks of quiet, this week will be relatively busy here at the blog.

Quick Takes

Descending Stories: Showa Genroku Rakugo Shinju, Volumes 2-3 by Haruko Kumota. Although rakugo isn’t completely unknown to me (I’ve even seen a live performance), most of my exposure to the art form has been through reading Descending Stories. The first volume introduced Kyoji, a young man who is given the name of Yotaro as part of his apprenticeship under a Yakumo, a highly-respected rakugo artist. While Yotaro does put hard work into learning the craft, his successes can more often be attributed to his natural charisma and earnest enthusiasm than actual technique. Yakumo’s stage presence and approach to rakugo is dramatically different. With the second and third volumes, Descending Stories begins to explore Yakumo’s backstory in greater detail. He details his own coming of age and relationship with and to rakugo. Yakumo, like Yotaro, struggled to find a way express himself through performance, bringing him into conflict with those closest to him. Descending Stories is an engrossing drama that becomes more compelling with each volume; I definitely plan on reading more of the series.

The Girl from the Other Side: Siúil, a Rún, Volumes 2-3 by Nagabe. One of the most beautiful, unusual, and unsettling manga that I’ve encountered this year is Nagabe’s The Girl from the Other Side. The artwork in particular is striking, but the series as a whole is incredibly atmospheric, a chilling fairytale-like story that unfolds at a tantalizingly slow pace with bursts of shocking violence and heartbreak. At times The Girl from the Other Side can be delightfully charming, but a sense of foreboding is a constant shadow. Shiva was abandoned to the Outside, perhaps for her own sake or perhaps for the sake of others. Now, however, she is being deliberately sought out to be brought back Inside. But while for the time being Shiva’s life may no longer be in immediate danger, her innocence is still poised to be shattered. Teacher continues to guard and protect her even as the curse, and the human response to that curse, threatens to destroy the two of them and their world. With both exceptional artwork and storytelling, The Girl from the Other Side is easily one of my favorite manga currently being released in English.

Last week was a very quiet one here at Experiments in Manga with nothing posted other than the usual My Week in Manga feature. However, I did manage to make some progress with my next in-depth review, so that should (hopefully!) be posted later this week. While not much was happening here at the blog, the North American manga publishers were all keeping pretty busy last week with a variety of license announcements, made either online or while at Anime NYC.

Starting with the online licensing spree from Seven Seas: The Bride & the Exorcist Knight manga by Keiko Ishihara; The Bride Was a Boy manga by Chii (an autobio comic by a transwoman–I’ll definitely be picking this up!); the Claudine manga by Riyoko Ikeda (I am absolutely thrilled by this license); teh Fairy Tale Battle Royale manga by Soraho Ina; the Harukana Receive manga by Nyoijizai; the How a Realist Hero Rebuilt the Kingdom light novels by Dojyomaru and Fuyuyuki (previously released digitally by J-Novel Club); the My Solo Exchange Diary manga by Nagata Kabi (a follow-up to My Lesbian Experience with Loneliness); the Ojojojo manga by coolkyousinnjya; the Plus-Sized Elf manga by Synecdoche; the Space Battleship Yamato manga by Leiji Matsumoto (I’m so happy more influential classic manga is being translated); the True Tenchi Muyo! light novels is written by Masaki Kajishima and Yousuke Kuroda; the Versailles of the Dead manga by Kumiko Suekane; and the Wonderland manga by Yugo Ishikawa.

At Anime NYC, Kodansha Comics announced that it would be releasing Yasushi Baba’s Golosseum manga and Vertical Comics revealed that it would be publishing Tsutomu Nihei’s Aposimz. As for Viz Media, the publisher announced that it would be releasing a print edition of Hideyuki Furuhashi and Betten Court’s My Hero Academia: Vigilantes manga (currently being released digitally) in addition to a brand new license, Okura and Coma Hashii’s That Blue Sky Feeling manga (I’m really looking forward to this one).

Yen Press has picked up quite a few things as well: Sanzo’s Caterpillar Girl and Bad Texter Boy manga; Tsukikage and Bob’s Defeating the Demon Lord’s a Cinch (If You Have a Ringer) light novels; Kazushige Nojima’s Final Fantasy VII short story collection; Natsuki Takaya’s Fruits Basket Another manga; Yoh Yoshinari’s Little Witch Academia manga; Hiroumi Aoi’s Shibuya Goldfish manga; Yusaku Komiyama’s Star Wars: Lost Stars manga; Gao Yuzuki’s The Strange Creature at Kuroyuri Apartments manga; Keiichi Sigsawa’s Sword Art Online: Alternative Gun Gale Online light novels; Soichiro Yamamoto’s Teasing Master Takagi-san manga; Mito Aoi’s Tsuno no Gakuen manga; and Akira Kareno’s WorldEnd light novels.

 Quick Takes

Land of the Lustrous, Volumes 2-3 by Haruko Ichikawa. I found the first volume of Land of the Lustrous to be pretty, but perplexing; Ichikawa’s artwork can be absolutely stunning even while the plot remains somewhat impenetrable. Even so, I was and remain intrigued by Land of the Lustrous and its peculiar charm. The second and third volumes continue to explore the world that Ichikawa has created. Largely following Phos, who has been charged with writing a natural history (providing an excellent excuse to show readers around), more is slowly revealed about the Lustrous, the Lunarians with whom they battle, and the larger environment in which they live. The manga still seems to be primarily concerned about finding opportunities to display exquisite visuals–and there are certainly plenty of those–but the series’ underlying symbolism, themes, and mythologies are starting to coalesce and crystallize as well. Land of the Lustrous can be surprisingly philosophical even while being strange and surreal. I may not always understand exactly what’s going on, but I am captivated by the manga’s allure.

Void’s Enigmatic Mansion, Volumes 1-2 by HeeEun Kim. It seems as though there are fewer manhwa being translated into English these days, but Yen Press still publishes some. The fifth and final volume of Void’s Enigmatic Mansion was released earlier this year which made me realize that I hadn’t actually gotten around to reading any of the series yet. JiEun Ha is credited as the creator of the original, but I haven’t been able to determine if that means there’s another version of the story out there in a different medium or if Ha simply developed the basic manhwa’s premise. In either case, Kim is the series’ adapter and artist. The titular mansion is a seven-story building, most of which the owner rents out. The mysterious Mr. Void hasn’t been seen yet (as far as readers know), but a number of his tenants have, none of whom live particularly happy lives. Void’s Enigmatic Mansion tends to be fairly episodic although there are also threads tying all of the characters and their unsettling stories together. Kim’s full-color illustrations can be quite beautiful, but they are also punctuated by shocking moments of blood and gore befitting the series’ horror.

The Bookshelf Overload for October was posted at Experiments in Manga last week, giving a quick summary of some of the interesting manga, anime, and other media that made their way into my home last month. Otherwise, it was a fairly quiet week at the blog, and it’s going to be even quieter this week. I’m currently work on my next in-depth review, but I suspect that it won’t be ready to reveal to the world until sometime next week. (Hopefully it will be worth the wait.) As for other interesting things recently found online: Brigid Alverson wrote up a recap of an interview with Fairy Tail creator Hiro Mashima from this year’s New York Comic Con for Barnes & Noble and over at Crunchyroll Evan Minto interviewed Frederik L. Schodt, a manga translator, scholar, and personal friend of Osamu Tezuka.

Quick Takes

Shirley, Volume 1 by Kaoru Mori. Only the first volume of Shirley was ever released in English. It’s now well out-of-print, but it’s also well-worth picking up. I would love to see Yen Press release the entire series in a handsome omnibus that would be at home next to the new edition of Mori’s Emma. I believe that most if not all of the short manga in the first volume of Shirley precede Emma, but the collection was only published after the first volume of Emma was released. The artwork is simpler than that found in Mori’s most recent series in translation, A Bride’s Story, but it is still quite lovely and evocative. As a whole, Shirley is a charming work. Mori’s love of maids is quite evident. The first volume collects five episodic chapters which follow Bennett Cranley and the titular Shirley Madison, a young maid that Bennett hires, in addition to two other stories unrelated by plot although they both also feature Edwardian-era maids. Shirley is only thirteen when she starts working for Bennett and they develop a close, if somewhat unusual, relationship as a result. While Shirley is a very capable maid she is still young–at times its as though she’s more like Bennett’s ward rather than her employee. She’s a sweet, likeable girl, so it’s easy to see why Bennett would be so taken with her.

The Witch Boy by Molly Knox Ostertag. I first learned about The Witch Boy while at the Toronto Comic Arts Festival earlier this year. Ostertag was on the panel “LGBTQ Comics Abroad” along with several other creators when she mentioned the upcoming publication of the graphic novel; I immediately added it to my list of comics to pick up when it was released. Ostertag is probably best known as the artist of the ongoing webcomic Strong Female Protagonist and has collaborated as an illustrator on several other comics projects as well. However, The Witch Boy is her debut work as both author and artist. The graphic novel is aimed at middle grade readers, but the comic will be able to be appreciated by adult audiences as well. Aster comes from a family of magic users–the women are taught the secrets of witchery while the men are expected to learn how to shapeshift, a tradition which is strictly adhered to. Much to his family’s dismay, Aster would much rather study with the girls than roughhouse with the boys. Forbidden from learning the women’s magic despite his talent for it, Aster longs for his family to accept his true self. The Witch Boy is a beautiful story with a wonderful message; I hope to read more of Ostertag’s writing in the future.

Attack on Titan: The Anime Guide by Ryosuke Sakuma and Munehiko Inagaki. Kodansha Comics almost exclusively publishes manga, although over time a few other things have been released as well, most of which are in some way a part of the massively successful Attack on Titan franchise. One of the more recent non-manga offerings is Attack on Titan: The Anime Guide, a full-color volume consisting of artwork, character designs, process overviews, and other background information relating to the first season of the Attack on Titan anime. The Anime Guide will mostly appeal to readers who are already devoted fans of Attack on Titan. What interested me most were the numerous interviews included in the book. The most notable is the lengthy interview with and conversation between Hajime Isayama and Tetsuro Araki, the original creator of Attack on Titan and the series director of the anime respectively. (Isayama saw the anime as an opportunity to improve upon or even correct aspects of the manga with which he wasn’t completely satisfied.) The interviews with the anime’s chief animation directors, Titan designer, action animation directors, scriptwriter, voice actors, and theme song musicians were also interesting to read.

Manga!
Ajin: Demi-Human, Volume 10 by Gamon Sakurai
Akuma no Riddle, Volumes 2-4 written by Yun Kouga, illustrated by Sunao Minakata
Food Wars!: Shokugeki no Soma, Volume 20 written by Yuto Tsukuda, illustrated by Shun Saeki
Gangsta: Cursed, Volume 3 written by Kohske, illustrated by Syuhei Kamo
Imperfect Girl, Volume 1 by Mitsuru Hattori
Jackass! by Scarlet Beriko
The Key to the Kingdom, Volumes 1-6 by Kyoko Shitou
Kitaro’s Strange Adventures by Shigeru Mizuki
Prison School, Omnibus 8 by Akira Hiramoto
Spirit Circle, Volume 1 by Satoshi Mizukami
Super Dimensional Love Gun by Shintaro Kago
Vagabond, Omnibus 7-8 by Takehiko Inoue
Yokai Rental Shop, Volume 1 by Shin Mashiba

Comics!
The Academic Hour by Keren Katz
Awaken, Volume 1 by Koti Saavedra
The Big Book of Bisexual Trials and Errors by Elizabeth Beier
Can I Pet Your Werewolf? edited by Kel McDonald and Molly Muldoon
Cosmoknights: Prologue by Hannah Fisher
Flutter, Volume 3 written by Jennie Wood, illustrated by Jeff McComsey
Fujoshi Trapped in a Seme’s Perfect Body, Volume 3 written by Seru, illustrated by Joberu
Generations by Flavia Biondi
Goro, Issue 1 by Sarah Horrocks
Ladycastle written by Delilah Dawson, illustrated by Ashley A. Woods
Mis(h)adra by Iasmin Omar Ata
Oh Joy, Sex Toy, Volume 4 created by Erika Moen and Matthew Nolan
Spinning by Tillie Walden
The Tea Dragon Society by Katie O’Neill
The Witch Boy by Molly Knox Ostertag

Light Novels!
Juni Taisen: Zodiac War written by Nisiosin, illustrated by Hikaru Nakamura

Novels!
The Explosion Chronicles by Yan Lianke
Milky Way Railroad by Kenji Miyazawa
Snakelust by Kenji Kagagami

Anthologies!
Japanese Gothic Tales by Kyōka Izumi

Poetry!
Bashō’s Narrow Road: Spring and Autumn Passages by Bashō Matsuo
Night Sky with Exit Wounds by Ocean Vuong

Nonfiction!
Kaibyo: The Supernatural Cats of Japan by Zack Davisson
The Silver Spoon: Memoir of a Boyhood in Japan by Kansuke Naka

Anime!
Food Wars! directed by Yoshitomo Yonetani
Gosick, Part 2 directed by Hitoshi Nanba
Hozuki’s Coolheadedness directed by Hiro Kaburaki
Orange directed by Hiroshi Hamasaki
Pet Shop of Horrors directed by Toshio Hirata
Space Brothers directed by Ayumu Watanabe

Last week at Experiments in Manga I announced the winner of the Oresama Teacher giveaway. The post also includes a select list of some of the manga released in English that have notable delinquents (and in some cases ex-delinquents) in them. In licensing news, Dark Horse recently announced that it will be releasing The Flame Dragon Knight, a novel by Makoto Fukami which is based on Kentaro Miura’s manga series Berserk. Also, Yen Press is adding more yuri to its catalog: the manga anthology Eclair and the light novel adaptation of Napping Princess will both be released in English in 2018.

Quick Takes

Yokai Rental Shop, Volume 1 by Shin Mashiba. I greatly enjoyed Mashiba’s earlier manga series Nightmare Inspector: Yumekui Kenbun and so was very excited when Yokai Rental Shop was licensed. I have been looking forward to giving the manga a try not only because of Mashiba’s involvement but also because yokai play a prominent role. Hiiragi is a public servant who recently learned, on his mother’s deathbed, that he has a half-brother. Initially he’s thrilled, but then he actually meets Karasu, a man who doesn’t hesitate to help his customers realize their darkest desires. So far, Yokai Rental Shop has yet to really distinguish itself from any number of other horror series featuring a supernatural boutique. Additionally, one of the things that made Nightmare Inspector so engaging–the use of a wide variety of illustration styles–is largely missing from Yokai Rental Shop. The major exception to this is how most of the yokai in the spirit district are drawn to be more reminiscent of traditional ink drawings, an artistic touch that I particularly appreciated. While at this point Nightmare Inspector would seem to be the stronger manga of the two, there’s enough about Yokai Rental Shop that interests me that I plan on continuing the short series.

Otomo: A Global Tribute to the Mind Behind Akira edited by Julien Brugeas and Ben Applegate. In 2015, Katsuhiro Otomo won the Angoulême International Comics Festival’s Grand Prix, a prestigious award recognizing comics creators for their lifetime achievements. As part of the celebration, an art exhibition showing work by creators from around the world in a tribute to Otomo was held. A limited-edition catalog of illustrations was also produced at that time, becoming the basis for the Otomo artbook. The English-language edition expands upon the original and includes contributions from more than eighty creatives, resulting in an attractive, oversized, 168-paged hardcover volume. Otomo is probably best known as the creator of Akira, so it isn’t too surprising that most of the artwork in Otomo make reference to either the anime or manga version of that story, but other works like Domu also provide a source of inspiration. There is a fantastic variety and a great range of styles represented in Otomo; some of the individual pieces are truly stunning. Accompanying each illustration is a short biography of the artist. Some also include a section in which the contributors write about their encounters with Otomo and his work. (I wish there were more of these.)

Juni Taisen: Zodiac War written by Nisiosin, illustrated by Hikaru Nakamura. My interest in the Juni Taisen novel largely stemmed from creators associated with it. Nisiosin seems to be something of a cult favorite and has had a fair number of stories translated recently (Juni Taisen is actually the first that I’ve read, however) and Nakamura is the creator of Saint Young Men and Arakawa Under the Bridge (it turns out Nakamura’s contributions to the novel are fairly limited). On top of having notable creators, the physical production and design of Viz Media’s release of Juni Taisen is beautiful. I have also been known to enjoy battle royale-type stories. Sadly, Juni Taisen is rather unsatisfactory as a novel and comes across as superficial, though I suspect the related manga and anime will be more successful. Twelve characters, none of them particularly likeable, are brought together in a battle to the death known as the Zodiac War. The winner will be granted a single wish, although there’s an even greater purpose to the contest. Juni Taisen has potential. The various super powers and abilities of the characters result in tactics and strategies that are interesting and even clever. Unfortunately, the coolness factor is undermined by inconsistent logic, repetitiveness, predictable narrative developments, and a sore lack of worldbuilding and a meaningful context.

As the winner, Candy will be receiving the first volume of Izumi Tsubaki’s manga series Oresama Teacher as released in English by Viz Media’s Shojo Beat imprint. I’m behind the times and only recently started reading Oresama Teacher but I’ve been enjoying it tremendously. In particular, the series reminded me of how much I enjoy manga about delinquents, so for this giveaway I asked participants to tell me a little about their favorite delinquents from manga. As usual, I’ve gathered together a list of manga below, but be sure to check out the giveaway comments for everyone’s individual responses.

Some of the manga released in English with notable delinquents:
Arisa by Natsumi Ando
Banana Fish by Akimi Yoshida
Blue Spring by Taiyo Matsumoto
Cromartie High School by Eiji Nonaka
Dengeki Daisy by Kyousuke Motomi
Fruits Basket by Natsuki Takaya
Great Teacher Onizuka by Tohru Fujisawa
Great Teacher Onizuka: 14 Day in Shonan by Tohru Fujisawa
Great Teacher Onizuka: The Early Years by Tohru Fujisawa
Haven’t You Heard? I’m Sakamoto by Nami Sano
Hey, Sensei? by Yaya Sakuragi
Kamikaze Girls by Yukio Kanesada
Karakuri Odette by Julietta Suzuki
Love Attack by Shizuru Seino
Love Full of Scars by Psyche Delico
Mars by Fuyumi Soryo
Midori Days by Kazurou Inoue
My Little Monster by Robico
Oresama Teacher by Izumi Tsubaki
Persona 4 by Shuji Sogabe
Real by Takehiko Inoue
Silent Voice by Yoshitoki Oima
Slam Dunk by Takehiko Inoue
Tekkon Kinkreet by Taiyo Matsumoto
Yamada and the Seven Witches by Miki Yoshikawa
Yu Yu Hakusho by Yoshihiro Togashi
Worst by Hiroshi Takahashi

Once again, the above list isn’t at all comprehensive, but it does include a variety of different types of manga. Delinquents show up in sports manga, speculative fiction, boys’ love, romance, comedy, drama, and more. Thank you to everyone who took the time to participate in the giveaway by sharing your favorite manga delinquents with me. I’m already thinking ahead to the next monthly giveaway and hope that you’ll all join me in the fun again!

In addition to the usual My Week in Manga, two other features were posted at Experiments in Manga last week. First up was the most recent monthly giveaway. The winner won’t be announced until Wednesday, so there’s still a little time left to enter for a chance to win the first volume of Oresama Teacher by Izumi Tsubaki. (I finally got around to reading Oresama Teacher because I love Tusbaki’s other manga series Monthly Girls’ Nozaki-kun so much. I am delighted to report that Oresama Teacher is great, too.) I also posted my review of the first omnibus of Sweet Blue Flowers by Takako Shimura last week. The manga was one of the debuts that I was most excited for this year and I was not at all disappointed. Like Shimura’s earlier series Wandering Son (which is an extremely important manga to me personally), Sweet Blue Flowers is a beautiful work. I’m so glad that it’s finally getting the print release it deserves and look forward to reading the rest of the series. (Now if only the rest of Wandering Son could be published, too! My fantasy is that Sweet Blue Flowers will be so successful that more of Shimura’s work will be translated.) Once again, I wasn’t actually online much last week and I worked on Sunday so I’m sure there’s plenty of news that I’ve missed. However, I did catch that Thomas Baudinette posted a translation of “Painting the essence of gay erotic art”–an interview with Gengoroh Tagame from a 2014 issue of the art magazine Bijutsu Techo.

Quick Takes

Fairy Tail: Rhodonite by Kyouta Shibano. At first I was a little confused by the “2” emblazoned upon the cover of Rhodonite since it’s not in fact the second volume of Rhodonite. Instead, it’s the second volume in Shibano’s Fairy Tail Gaiden manga, one of a multitude of series spinning off from Hiro Mashima’s Fairy Tail that have recently been translated into English. Despite retaining the volume designations, the Fairy Tail Gaiden manga are being released as independent works by Kodansha Comics. Shibano’s three spinoff volumes, while relying very heavily on the original series, largely stand alone from one another. Rhodonite collects two side stories featuring Gajeel Redfox, one of the Dragon Slayers associated with the Fairy Tail Guild. Since I’m not especially well-versed in the Fairy Tail franchise, I’m not exactly sure where the first story, from which the volume gains its name, fits in. However, it does reveal more of Gajeel’s past and backstory as the guild is investigating the magic drug trade. The second story takes place while Gajeel is a member of the Magic Council during Fairy Tail’s disbandment. In this story he temporarily teams up with Cobra to rescue a group of children who were kidnapped to be sold as slaves. Already intended for those already familiar with Fairy Tail, Rhodonite will even more specifically appeal to those who are fans of Gajeel.

Spirit Circle, Volume 1 by Satoshi Mizukami. I rather enjoyed Lucifer and the Biscuit Hammer, currently the only other manga series by Mizukami to be licensed in English. I would have been interested in Spirit Circle for that reason alone, but I’ve also been hearing great (and well-deserved) things about the manga beyond that. Like it’s predecessor in English (which is actually briefly referenced in passing), Spirit Circle is a manga that’s a little strange and quirky but that also has a great deal of heart and soul. Fuuta Okeya has the ability to see ghosts. That by itself would generally be enough to form the basic premise of a series, but thanks to a new transfer student, Fuuta must now also confront his past lives. Though meeting Fuuta for the first time in this life, Kouko Ishigami is very familiar with his previous incarnations. Historically, their encounters haven’t always gone so well, though. In the first volume of Spirit Circle, Fuuta is made to relive two of his pasts to the point of his deaths and parts of a third life are revealed as well. So far, I’m loving Spirit Circle. Fuuta and Kouko’s past lives are filled with heartbreaks and joys, echoes of which are apparent in the teenagers’ current existences. Taken separately, the stories are interesting, but together they’re marvelous. I’m very curious to see where Mizukami takes the series next.

Sweet Bean Paste by Durian Sukegawa. The 2015 film adaptation of Sukegawa’s novel An has been released internationally under several different titles–Sweet Red Bean Paste, An, and Sweet Bean–and now the original work has been translated into English with yet another title variation, Sweet Bean Paste. I’ve not seen Naomi Kawase’s film, but it seems to have been generally well-received. As for Sukegawa’s original novel, it makes for a fairly quick and light read despite some of the story’s more tragic undercurrents and philosophical musings. Sentaro is a man with a criminal past, out of prison but still working off his debt by making and selling dorayaki in a confectionery shop owned by the widow of his boss. He’s not particularly invested in the job, but that begins to change when an elderly woman named Tokue, her hands disfigured from a childhood illness, convinces him to let her join him at the shop. Bringing a unique perspective on life along with a recipe for sweet bean paste more delicious than any other Sentaro has tasted, Tokue has a huge influence upon the younger man as their unexpected friendship blossoms. Although much about Tokue’s past is unfortunate and she continues to deal with the stigma associated with leprosy, she has still found a way to live on in the face of prejudice and discontent. Sentaro has much to learn from Tokue, even if the lessons are bittersweet.

Takako Shimura is probably best known for two manga series. The first, and my introduction to her work, is Wandering Son, a series which sympathetically explores some of the challenges faced by transgender and gender non-conforming youth. (Wandering Son is an incredibly important manga to me personally and I will forever lament the fact that it will likely never be released in English in its entirety.) The second manga is Sweet Blue Flowers, another series with queer themes, this time focusing on bisexual young woman and lesbian teenagers. While the anime adaptation of Sweet Blue Flowers has been readily available in English for years, the publication history of Shimura’s original manga has been more fraught. Originally translated in 2012 as part of the failed JManga digital initiative, the first volume was subsequently released by Digital Manga in a less than stellar ebook version after which the series languished unfinished. Surprisingly, Sweet Blue Flowers would be rescued by Viz Media, making it one of the first yuri manga to ever be released by the publisher. The first print omnibus of the Viz Signature edition of Sweet Blue Flowers, collecting the first and second volumes of the series originally published in Japan in 2005 and 2006, was easily one of my most anticipated debuts of 2017.

Fumi Manjome and Akira Okudaira were very close as children but the two girls fell out of touch after Fumi’s family moved away. Many years later they meet again by chance while commuting by train on the way to their first day of high school. They don’t actually realize who the other one is at first, but soon Fumi and Akira’s friendship is rekindled and their relationship blossoms once more. Since they attend different all-girls schools they don’t get a chance to see each other as much as they might like, though. Even so, both Akira and Fumi are faced with some similar trials which bring them together–making friends at their new schools and finding an extracurricular club to join that interests them among other things–but not everything is the same for them. Although complimentary, the two young women have strikingly different personalities, resulting in drastically different experiences and interactions. And while Akira doesn’t seem to have put much thought into romance, Fumi has recently had her heart broken. But now Fumi has fallen for an older student at her school, Yasuko Sugimoto, a young woman who is interested in Fumi but who is also dealing with an unrequited love of her own.

Shimura’s artwork in Sweet Blue Flowers is simple and refined, but is still able to carry the emotional weight and expressiveness of the story. The focus of the manga’s illustrations is almost entirely on the characters themselves. Except for when the actual setting is intended to make an impact, such as the hallowed halls of a prestigious school or the imposing home of a distinguished family, backgrounds are minimalistic and sometimes even non-existent. Just enough is implied to give readers an impression of place and location. This technique, along with Shimura’s use of light and shadow, is reminiscent of intentionally minimal set design used in some theatrical performances which in turn nicely echoes the high school stage production of Wuthering Heights featured prominently in the first omnibus of Sweet Blue Flowers. The characters’ involvement with the play is an important part of the series both aesthetically and thematically. The connections to theater and creative performance arts present in Sweet Blue Flowers can also be found in Shimura’s other work, including but not limited to Wandering Son.

Sweet Blue Flowers is a wonderful series. The manga is emotionally resonate, with a realistic portrayal of the experiences of young women who love other young women. The characterizations and character development in Sweet Blue Flowers in particular are marvelous. Shimura effectively captures the nuances of a multitude of personalities and how they interact with one another, showing both individuals and their relationships as believably layered and convincingly complex. Sweet Blue Flowers is a relatively quiet story, but the emotional drama is powerful and the manga conveys a compelling sense of authenticity and honesty. I am loving the series and find that I am completely invested in the lives and well-being of Fumi, Akira, and the other characters as they navigate their adolescence. Life and relationships can be challenging and messy, something that Shimura does not shy away from in the manga. The young women in Sweet Blue Flowers grow and change, gaining maturity through their mistakes and missteps as well as personal clarity as they slowly discover their own identities. Sweet Blue Flowers is a worthwhile and lovely work; I’m so glad that it’s finally receiving a proper release in English.

I’m not sure exactly why it is, but I really enjoy manga about delinquents. There’s just something about ruffians with hearts of gold that warms my own heart. Granted, not all delinquents in manga are so benevolent, and some series can be quite brutal, but I tend to enjoy those as well. Whether a manga takes a more comedic or more dramatic approach the the pervasive delinquent character type there’s usually some sort of well-deserved ass-kicking involved which, in general, is something that I can appreciate. All that being said, I’m a little uncertain why it took me so long to give Oresama Teacher a try considering the prominence of delinquents and ex-delinquents in the story, but now that I have I am completely hooked. And I am completely okay with that.

So, you may be wondering, how can you win a copy of Oresama Teacher, Volume 1?

1) In the comments below, tell me a little about your favorite manga delinquent. (If you don’t have a favorite, or haven’t encountered any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Giveaway participants can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent to phoenixterran(at)gmail(dot)com which I will then post here in your name. The giveaway winner will be randomly selected and announced on November 1, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Oresama Teacher Giveaway Winner

Well, it was a very quiet week at Experiments in Manga last week. I was hoping to post my review of the first omnibus of Takako Shimura’s Sweet Blue Flowers, but a variety of things came up–little dude’s preschool open house, helping family members with their cross-country move, spending most of a day on the road for an out-of-state taiko performance, to name just a few. But never fear! I’ll almost certainly be posting the review later this week instead. I haven’t been online much recently either, but I did catch a couple of thing of interest last week. The first was an announcement from Dark Horse, which will be releasing Kentaro Miura’s official Berserk guidebook in March of next year. The second was Brigid Alverson’s discussion with Akira Himekawa, the two-person creative team behind most of the manga adaptations of The Legend of Zelda.

Quick Takes

Goodnight Punpun, Omnibus 6-7 (equivalent to Volumes 11-13) by Inio Asano. It feels like it’s been forever since I’ve read the fifth omnibus of Goodnight Punpun, but in reality it’s only been a few months. Perhaps it seems so long since Goodnight Punpun can be such a hard-hitting, exhausting experience which requires time to fully recover between volumes. (At least, that tends to be the case for me.) Goodnight Punpun is a surreal and extremely dark coming-of-age story. The series is intense, easily earning its explicit content warning with the manga’s portrayal of emotional, psychological, and physical violence. But while much of Goodnight Punpun is incredibly bleak, there are also moments of hope. Granted, that hope can also be extremely painful. Goodnight Punpun worked best for me when it was exploring the inner turmoil of its titular protagonist. I was actually frequently reminded of Osamu Dazai’s No Longer Human as the series approached its conclusion. The manga’s second major plot involving the cult wasn’t nearly as compelling or convincing, coming across as superfluous and tangential to me. But having now reached the end of Goodnight Punpun, I find that I want to read it again. The manga has multiple layers to it and I’m fairly certain there are elements that I either missed entirely or didn’t fully appreciate my first time through the series.

Waiting for Spring, Volume 1 by Anashin. Although the basic premise of Waiting for Spring makes it seem like the manga’s setup could easily slip into a reverse harem territory, after reading the first volume I don’t think that’s the direction Anashin will be taking with the series. However, it does still look like there will be at least some romantic rivalry involved. If there’s one thing that Mitsuki wants from high school, it’s to finally make some friends. She’s having a difficult time of it, though. The other young women in her class aren’t really hostile towards her, but she hasn’t been able to really connect with them, either. But things start to change when she gets mixed up with and is unexpectedly befriended by the four stars of the men’s basketball team. In general, most of the relationships in Waiting for Spring are very well done. The blossoming romance between Mitsuki and one of the basketball players is very sweet, but I’m particularly enjoying the friendships in the first volume. Mitsuki treats all of the guys like they’re real people. She isn’t blinded by their good looks and athletic talent (though she can still appreciate them) and doesn’t hesitate to give them what for when needed. This is actually something of a novelty for them, but it’s what allows their friendships with her to naturally develop. The already well-established relationships between the four young men are also very entertaining.

Attack on Titan Adventure: Year 850: Last Stand at Wall Rose written by Tomoyuki Fujinami and illustrated by Ryosuke Fuji and Toru Yoshii. Growing up, I was a huge fan of the Choose Your Own Adventure series and other types of gamebooks. (I’ve even held onto a few particularly well-loved volumes from my youth.) And so I was very curious about Last Stand at Wall Rose, an interactive novel set during the Battle of Trost which takes place early on in Hajime Isayama’s original Attack on Titan manga. The mechanics of Last Stand at Wall Rose are interesting, incorporating elements of roleplaying games. Since I’m used to standard branching-plot stories, the book wasn’t as linear as I was expecting and in some ways was even more interactive than I thought it would be. Keeping pencil and paper nearby while reading can be very useful. Last Stand at Wall Rose was fun, but I did find some of the formatting and gameplay to be annoying. The most egregious issue was the amount of unnecessary flipping of pages which made the narrative more disjointed than it otherwise would have been. I also almost wish that page numbers hadn’t been included since the novel’s navigation is based on a system of independently numbered story sections rather than pages. (Also of note: Readers of the first printing of Last Stand at Wall Rose will want to refer to the errata posted online.)

Last week at Experiments in Manga I posted the Bookshelf Overload for September which includes lists of some of the manga and other books that I picked up last month (along with some brief commentary). Looking forward to future manga releases, Vertical Comics recently announced two new titles: Pop Team Epic by Bkub Okawa and The Delinquent Housewife! by Yoko Nemu. Seven Seas also had an interesting announcement to make. In addition to two licenses–Yuuna and the Haunted Hot Springs by Tadahiro Miura and World’s End Harem by Link and Kotaro Shono–Seven Seas is launching Ghost Ship, a new imprint for the publishers’ more mature titles.

Quick Takes

Captain Harlock: Dimensional Voyage, Volume 1 written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi. Although I immediately recognize the name of Captain Harlock, Dimensional Voyage is actually the first incarnation of his story that I’ve read or watched except for the short crossover manga  included in Kodansha Comics’ recent release of Queen Emeraldas. (Emeraldas actually makes a brief appearance in the first volume of Dimensional Voyage, too.) My understanding is that Dimensional Voyage is either a reboot or retelling of Matsumoto’s original Captain Harlock manga, written by Matsumoto himself but illustrated by a different artist. The series is completely accessible to readers who are unfamiliar with Harlock though I suspect that established fans will find the manga to be appealing as well. Shimaboshi’s designs are obviously based on Matsumoto’s though many of the main characters are much more conventionally attractive in this version. Both the dialogue and the artwork of Dimensional Voyage tends to be very dramatic and at times even melodramatic, but I don’t at all consider that to be a bad thing. As for the story itself, the manga is just getting started. The first volume establishes the basic setting and premise, but much of it is spent introducing the legends surrounding Harlock, the series’ titular space pirate.

Jackass! by Scarlet Beriko. I forget exactly how Beriko’s work as a whole was first brought to my attention, but my curiosity was immediately piqued by Jackass! when SuBLime announced that it would be publishing the manga. It’s not a terribly uncommon trope in boys’ love for two friends to ultimately fall deeply in love with each other, so Jackass! isn’t particularly surprising in that way. However, it is the first manga that I’ve read in the genre in which women’s stockings provide the initial impetus for a relationship to take that particular turn. Keisuke’s best friend Masayuki has a leg fetish. In a rather awkward turn of events, and much to Keisuke’s embarrassment, Masayuki catches a glimpse of him wearing his sister’s pantyhose. Masayuki is instantly smitten with Keisuke’s perfect legs, which understandably complicates their relationship somewhat. At times Jackass! can be unexpectedly sweet and even touches on more sobering subject matter like homophobia, but for the most part it reads as a comedy not to be taken too seriously. Jackass! includes a strong supporting cast, including Keisuke’s older sister and his confidently gay cousin, which add a great deal to the manga; the entertaining and occasionally ridiculous character interactions are the highlight of the story. I enjoyed Jackass! and would certainly be interested in reading more of Beriko’s work.

Kiss Me at the Stroke of Midnight, Volume 1 by Rin Mikimoto. Hinana is known for her seriousness so most of her friends and classmates are unaware that she’s also a romantic hoping to find a fairy tale-like love. Kaede is a celebrity and rising star, admired for both his talent and incredibly good looks. The two of them meet, somewhat by chance, when Kaede is shooting on location at Hinana’s high school for an upcoming film and they end up hitting it off. Mikimoto’s artwork in Kiss Me at the Stroke of Midnight comes across as attractive but a little generic overall except for the hilariously exaggerated reaction shots drawn for comedic effect. And there is plenty of humor in the series. Kaede, idolized by his fans, does not at all have the personality that they would expect. He can be kind but, despite how he generally presents himself professionally, Kaede’s not exactly a refined gentleman. He’s also really into butts, and isn’t ashamed of that fact. Most people would probably be slightly taken aback by this, but Hinana finds his candidness refreshing. (I appreciated that aspect of his personality as well.) I was a little surprised by how much I enjoyed the first volume of Kiss Me at the Stroke of Midnight. I’m not overly interested in manga about celebrities, but Kaede is such a weirdo and Hinana is likeable, so I’m curious to see what turns their relationship might take from here.

Manga!
Aho-Girl, Volume 1 by Hiroyuki
Appleseed Alpha by Iou Kuroda
A Bride’s Story, Volume 9 by Kaoru Mori
Blame, Omnibus 3 by Tsutomu Nihei
Bungo Stray Dogs, Volume 4 by Kafka Asagiri
Captain Harlock: Dimensional Voyage, Volume 1 written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi
Fairy Tail: Rhodonite by Kyouta Shibano
Frau Faust, Volume 1 by Kore Yamazaki
Golden Kamuy, Volume 2 by Satoru Noda
Haikyu!!, Volume 16 by Haruichi Furudate
Kigurumi Guardians, Volume 1 by Lily Hoshino
Kiss Me at the Stroke of Midnight, Volume 1 by Rin Mikimoto
NG Life, Volumes 1-9 by Mizuho Kusanagi
Princess Jellyfish, Omnibus 6 by Akiko Higashimura
Sweet Blue Flowers, Omnibus 1 by Takako Shimura
That Time I Got Reincarnated as a Slime written by Fuse, illustrated by Taiki Kawakami.
Waiting for Spring, Volume 1 by Anashin
What’s Michael?, Volumes 1-11 by Makoto Kobayashi
Yona of the Dawn, Volume 8 by Mizuho Kusanagi

Comics!
Breaks, Volume 1 by Emma Vieceli and Malin Ryden
The Clerics of Midsummer by Victoria Grace Elliott
Empowered, Omnibus 3 by Adam Warren
Finding Molly: An Adventure in Catsitting written by Justine Prado, illustrated by Jenn St-Onge
Finding Peace by Jordan Alsaqa and Marie Enger
Fresh Romance, Volume 2 edited by Maytal Gilboa
Galahad and the Far-Off Horizon written by Hansel Moreno
M.F.K. by Nilah Magruder
Minority Monsters by Tab Kimpton
The Mystery of La Luna written by Rhiannon Rasmussen-Silverstein, illustrated by Ainsley Yeager
Not Stray by Wai Au
Off the Ice by Wai Au
Sex Fantasy by Sophia Foster-Dimino
Taproot by Keezy Young
Venture Forth by Ainsley Yeager
Verona written by Emily Dell, illustrated by Bryndon Everett and Mollie Helms
White Rice Fish by Wai Au

Artbooks!
Bubbly by Meredith McClaren

Novels!
Attack on Titan Adventure: Year 850: Last Stand at Wall Rose by Tomoyuki Fujinami
The Black Tides of Heaven by Jy Yang
Death’s End by Cixin Liu
Last Words from Montmartre by Miaojin Qiu
Quantum Devil Saga: Avatar Tuner, Volume 2 by Yu Godai
The Part of Me That Isn’t Broken Inside by Kazufumi Shiraishi
The Red Threads of Fortune by Jy Yang
Sweet Bean Paste by Durian Sukegawa
Yesterday by Felicia Yap

Anthologies!
The Ginza Ghost and Other Stories by Keikichi Osaka
Into the Light: An Anthology of Literature by Koreans in Japan edited by Melissa L. Wender

Nonfiction!
Womansword: What Japanese Words Say About Women by Kittredge Cherry

Last week at Experiments in Manga I announced the winner of the Assassin’s Creed manga giveaway. The post also includes a list of manga published in English that feature pirates of various types, including historical pirates, fantasy pirates, space pirates, and others. Then New York Comic Con (which is still going on) and Yaoi Con were held last week as well. I didn’t attend either event, but there were some announcements made by Kodansha Comics, Viz Media, and SuBLime Manga (which is technically Viz Media, too). Kodansha revealed plans to release Kenji Inoue and Kimitake Yoshioka’s Grand Blue Dreaming, Mitsurou Kubo’s Again!!, and Akiko Higashimura’s Tokyo Tarareba Girls in print. Among other things, Viz will be adding Hidenori Kusaka and Satoshi Yamamoto’s Pokémon Sun & Moon and Tenya Yabuno’s Pokémon Horizon: Sun & Moon and will be re-releasing Naoki Urasawa’s 20th Century Boys and 21st Century Boys in a hardcover edition in addition to speeding up the release of Kōhei Horikoshi’s My Hero Academia. SuBLime announced a few new digital titles, but Ranmaru Zariya’s Coyote and Ogeretsu Tanaka’s Escape Journey will receive print runs, too.

Quick Takes

Aho-Girl, Volume 1 by Hiroyuki. I only realized it after I finished the first volume of Ah0-Girl, but I’ve actually read another of Hiroyuki’s four-panel manga, Dojin Work, which was never released in its entirety in English. It’s been a long while since I’ve read Dojin Work, but I get the sense that in general I prefer that earlier series over this more recent one. Aho-Girl, while it did legitimately make me laugh on multiple occasions, tends to rub me the wrong way and I personally could have done without all of the sexual harassment being used as the basis for comedy. The dirty jokes I don’t particularly mind, though. As defined by first volume’s cover, “aho-girl” is Japanese for a clueless girl. Yoshiko Hanabatake, the series’ titular character, is indeed an astonishingly dense airhead. Oh, and she really, really likes bananas. Other major characters in the first volume of the manga include Akuru Akutsu, her long-suffering next door neighbor and supposed childhood friend (who doesn’t seem to have many friends in part due to his own unfortunate personality), her mother Yoshie, who would like nothing more than to see the two of the together, and Sayaka Sumino, a genuinely kind girl, classmate, and friend. As may safely be assumed, most of the humor of Aho-Girl revolves around Yoshiko’s sheer stupidity, for better and for worse.

Appleseed Alpha by Iou Kuroda. An adaptation of sorts of the Appleseed Alpha anime, which itself is a spinoff of sorts of Masamune Shirow’s Appleseed manga, Kuroda’s Appleseed Alpha manga forms a prequel to the original story. Although to be completely honest, I’m not entirely sure exactly how the Appleseed Alpha fits into the larger Appleseed franchise since I’m not familiar with any of the other manga or anime. What drew me to the Appleseed Alpha manga was Kuroda’s involvement. It’s been a few years since I’ve read it, but I remember enjoying Kuroda’s alternative manga Sexy Voice and Robo, so I was glad to see more of the creator’s work with its distinctive illustration style released. Kuroda’s Appleseed Alpha was longer than I originally thought it was–Kodansha Comics’ hardcover edition is in fact an omnibus collecting the entire two-volume series, but somehow manages to look much shorter than it actually is. Appleseed Alpha is not a quick read although the plot and action moves at a fairly steady pace. The story follows Deunan, a very competent ex-SWAT officer, and her combat cyborg boyfriend Briareos as the couple makes their way through a dystopic cyberpunk Western version of the United States. Previous knowledge of Appleseed is not needed to enjoy Kuroda’s somewhat quirky contribution.

QQ Sweeper, Volumes 1-3 by Kyousuke Motomi. I greatly enjoyed Motomi’s earlier manga series Dengeki Daisy, so I was looking forward to giving another of the creator’s series a try, which is what ultimately led me to QQ Sweeper. (A few of the characters from Dengeki Daisy actually happen to make quick cameo appearances in the series, too.) Fumi’s dream in life is to find a prince charming to sweep her off her feet. Instead, she finds Kyutaro who has a fixation on literally sweeping. He has a pretty good reason for it, though. Kyutaro and his family are responsible for ridding the local area of dangerous infestations of malicious thoughts and psychological torment which manifest as bugs and physical cleanliness can go far to help with spiritual cleanliness. Of course, sometimes the bugs really are just bugs. For as seemingly silly and charmingly goofy as QQ Sweeper can often be–it can essentially be summed up as a supernatural cleaning manga–the series quickly becomes surprisingly dark. QQ Sweeper ends somewhat suddenly with the third volume and doesn’t really provide much of a satisfying conclusion, but fortunately the sequel series Queen’s Quality has been licensed as well. The series’ humor and seriousness occasionally seems a little off-balance, but I really liked QQ Sweeper and certainly plan on continuing with the story.

As the winner, Sean (who does some great writing about comics) will be receiving a copy of the first volume in Takashi Yano and Kenji Oiwa’s Assassin’s Creed: Awakening as published in English by Titan Comics. Since pirates feature very prominently in the series, I wanted to learn about some of the giveaway participant’s favorite pirates from manga. Perhaps unsurprisingly considering the popularity of the series characters from Eiichiro Oda’s One Piece were mentioned several times, but some lesser-known pirates can be found in the giveaway comments, too.

Some of the manga released in English featuring pirates:
Assassin’s Creed: Awakening written by Takashi Yano, illustrated by Kenji Oiwa
Basara by Yumi Tamura
Berserk by Kentaro Miura
Black Lagoon by Rei Hiroe
Bodacious Space Pirates: Abyss of Hyperspace by Chibimaru
Captain Harlock by Leiji Matsumoto
Captain Harlock: Dimensional Voyage written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi
Cirque du Freak by Takahiro Arai
Elemental Gelade by Mayumi Azuma
The Legend of Zelda: Phantom Hourglass by Akira Himekawa
One Piece by Eiichiro Oda
Princess Knight by Osamu Tezuka
Queen Emeraldas by Leiji Matsumoto
Stone by Sin-ichi Hiromoto
Vinland Saga by Makoto Yukimura
Wanted by Matsuri Hino
Yona of the Dawn by Mizuho Kusanagi

I’m certain that the above list isn’t comprehensive, but I was a little surprised by how few series I was able to easily come up with that feature pirates! Still, it’s an interesting mix which includes historical pirates, fantasy pirates, space pirates, and more. Thank you to everyone who participated by sharing your personal favorites with me! I hope to see you all again for the next monthly giveaway.

September has ended and October has begun, but there’s still a little time left to enter the most recent manga giveaway at Experiments in Manga! The results will be announce on Wednesday, so be sure to get your comments in for a chance to win the first volume (actually, I think it may even be the first half) of Takashi Yano and Kenji Oiwa’s Assassin’s Creed: Awakening. For this giveaway, I’m interested in learning more about everyone’s favorite pirate characters in manga. Otherwise, it was once again a fairly quiet week here at the blog. It’s been a while since I’ve last mentioned any of the Kickstarter’s that have caught my eye, but Matthew Meyer’s campaign to continue his series of illustrated yokai guides launched last week. The Book of the Hakutaku: A Bestiary of Japanese Monsters will be the third volume following The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai (which I’ve previously reviewed) and The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic. I really love these books, and the artwork is fantastic.

Quick Takes

Love & Lies, Volume 1 by Musawo. In general, I don’t tend to gravitate towards high school romances, but I am a sucker for utopian and dystopian fiction, so when those two genres mix I can’t help but want to give the resulting story a try. Love & Lies is set in Japan in the near future. In response to the crisis of an extreme decline in population, the government has implemented a program which assigns marriage partners based on their genetic makeup and social circumstances so that any children born will be healthy, skilled, contributing members of society. Once both partners have turned 16, they receive a notice from the government revealing their identities to each other for the first time. Who they may or may not truly love isn’t really taken into consideration, but it also seems that program may be susceptible to corruption. I find the premise of Love & Lies to be very interesting; it has great potential to explore the nature of love and personal relationships in a dramatic and engaging way. When the entire purpose of marriage has become a government-funded reproduction program, the impact on society and its people will be tremendous. I also especially appreciate that Love & Lies includes at least one character who isn’t heterosexual seeing as a marriage program of this type would have particularly drastic social implications for a person who is queer in some way.

Taproot: A Comic about a Gardener and a Ghost by Keezy Young. I first encountered Young’s work through the ongoing webcomic Yellow Hearts which joined Sparkler Monthly‘s lineup of online comics relatively recently. Part of what I love about Yellow Hearts is Young’s gorgeous illustrations and use of color as well as the natural inclusion of queer characters in the story. Taproot is Young’s debut graphic novel and it, too, has what I’ve come to love and expect from the creator’s other comics. The graphic novel has a great amount of depth to it, more than the rather simple, straightforward subtitle would seem to imply. Hamal is young man who can see ghosts, an ability which has made it difficult for him to find acceptance from others. At least from those who are living. Many of the ghosts, on the other hand, are drawn to and quite like Hamal; Blue has even fallen in love with him, although being incorporeal presents a few challenges. But there’s an even greater problem that the two of them must face–the very existence of the local ghosts is being threatened by a frighting supernatural disturbance. There is a sense of loneliness and melancholy to be found in Taproot, but the comic is also incredibly heartwarming and endearing. Taproot is a sweet and touching queer romance with beautiful artwork, making it something that’s extremely easy to recommend.

That Time I Got Reincarnated as a Slime written by Fuse and illustrated by Taiki Kawakami. There seems to be a preponderance of manga series right now with the underlying conceit of a person dying and then being reincarnated in some sort of fantasy world. I have read a few of these series, so I haven’t been completely avoiding them, but I’ve not really been seeking them out, either, having experienced genre-fatigue by proxy. However, That Time I Got Reincarnated as a Slime still managed to pique my interest simply because it sounded like such a ridiculous spin on what has become such a well-worn story. And I’ll admit, the first volume of the That Time I Got Reincarnated as a Slime manga is surprisingly entertaining. The protagonist of the series also happens to be a 37-year-old man, which isn’t the most common in translated manga. Of course, as can be safely assumed from the title, he soon dies only to start life again as a slime, one of the lowliest monsters there is. Mikami accepts this turn of fate pretty quickly and focuses his attention on gaining the ability to verbally communicate with the adventurers and other creatures he encounters. What he doesn’t realize is that he’s essentially been leveling up the entire time he’s been trying to find a way to talk and has unintentionally become one of the most powerful monsters in the area, inadvertently gaining a large following in the process.

Notes of a Crocodile by Miaojin Qiu. So far, only two of Qiu’s long-form works have been translated into English. Last Words from Montmarte, originally published posthumously after the author’s suicide at the age of twenty-six, was released in translation in 2014 and the English-language edition of Notes of a Crocodile, described as a cult classic of queer Taiwanese literature, was more recently released in 2017. Notes of a Crocodile is also one of Qiu’s most highly acclaimed and well-known works. The novel is about a small group of lovesick and psychologically troubled queer college students coming of age in Taipei in the late 1980s. The narrative unfolds as a series of notebooks which contain a combination of diary-like entries, letters between friends and lovers, and fragments of a surreal story about crocodiles posing as humans, in part a metaphor for those who have to live hidden lives. The narrator of Notes of a Crocodile is nicknamed Lazi, a young lesbian woman with self-destructive tendencies who is struggling to come to terms with her sexuality. The women she falls obsessively in love with and their doomed romances feature prominently as do the tumultuous and fraught relationships between her and her small group of extremely close friends. Notes of a Crocodile is a beautiful work but it is also filled with pain, desperation, and longing–the novel resonated very strongly with me and I hope to read more of Qiu’s work.

Pirates, noble or otherwise, are a fairly popular character type in all sorts of media. The presence of pirates in a story generally brings along with it a promise of action, adventure, and sometimes even a bit of romance. Often their portrayal in fiction tends to be fairly glamorized when compared with historical and modern-day realities although there are certainly some stories that favor a more gritty approach.  When it comes to manga, there’s one particularly successful series that most people probably immediately think of when considering pirates (Eiichiro Oda’s One Piece), but there are plenty of other, lesser-known manga that feature pirates of one ilk or another as well. Part of Assasin’s Creed: Awakening, for example, takes place on the high seas during the early eighteenth century and, yes, there are most certainly pirates to be found.

So, you may be wondering, how can you win a copy of Assassin’s Creed: Awakening, Volume 1?

1) In the comments below, tell me a little about your favorite pirate from a manga. (If you don’t have a favorite, or haven’t read any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Anyone participating in the giveaway has one week to submit comments and can earn up to two entries. Comments can also be sent to me directly at phoenixterran(at)gmail(dot)com if either needed or preferred. Those comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on October 4, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Assassin’s Creed Giveaway Winner

I was running a little behind my intended schedule last week (and today for that matter–this seems to be somewhat par for the course lately), but over the weekend I was finally able to post my review of the ninth omnibus of Vinland Saga, an award-winning historical manga by Makoto Yukimura which has become one of my favorite series currently being released in English. Last week I also attend a talk by Hiroshi Yoshioka, a professor at Kyoto University’s Kokoro Research Center, called Hiroshima, Fukushima, and Beyond: Borders and Transgressions in Nuclear Imagination. Yoshioka’s research addresses the portrayal of nuclear power within popular culture, whether that be manga like Keiji Nakazawa’s Barefoot Gen, Sunao Katabuchi’s In This Corner of the World anime adaptation, other visual arts, or even Giant Baba’s “atomic drop” in professional wrestling. I won’t be doing a full write-up of the talk (although perhaps I should), but I did find it to be fascinating. A couple of other interesting things that I’ve come across recently include Ryan Holmberg’s two part article “Yokoyama Yuichi and Audiovisual Abstraction in Comics” as well as an edited version of a talk by Tyran Grillo, the translator working on the Legend of the Galactic Heroes novels, about the series and its author Yoshiki Tanaka.

Quick Takes

Frau Faust, Volume 1 by Kore Yamazaki. The German legend of Faust, a scholar who sells his soul to the Devil in order to gain great knowledge and worldly delights, has had numerous interpretations over the centuries. (Considering my background in music, I’m personally most familiar with the various operatic and symphonic renditions of the tale.) Faust being the subject of a manga would be enough for me to take an immediate interest, but the fact that Frau Faust is by Yamazaki, the creator of The Ancient Magus’ Bride which I greatly enjoy, made it a series that I absolutely knew I needed to read. One volume in, not only am I intrigued, I am completely on board with Yamazaki’s reimagining of the classic tale. As can be gathered from the title, Faust in this case is a woman. Johanna is strikingly enigmatic, the complexity of her true nature slowly revealed over the course of the first volume of the manga. The pacing of Frau Faust is excellent. Plenty of mystery remains by the first volume’s end, but rather than the story feeling like it’s being unnecessarily drawn out, it simply makes me want to read more. The only real complaint I have about the manga, and it’s a relatively minor one at that, is Johanna’s eyeglasses which tend to inexplicably appear and disappear from one panel to the next and I can’t tell if it’s meant to be intentional or not.

Kiss of the Rose Princess, Volumes 1-2 by Aya Shouoto. Since I’ve been enjoying The Demon Prince of Momochi House I’ve been making a point to try some of the other manga by Shouoto available in English. Sadly, I haven’t been nearly as taken with Kiss of the Rose Princess, one of Shouoto’s earlier series. I think that part of my lack of interest in the series stems from the fact that there’s not much of a plot even hinted at until the second volume. It’s almost as if the first volume, and much of the second, is devoted to a side quest before really getting to the meat of the story. Anise is a high school student who quite unexpectedly finds herself in command of a quartet of knights (who are also her classmates) that she can magically summon, a situation that hasn’t been fully explained. More than anything else, the setup comes across as a convenient excuse for the series’ heroine have a number of young men who are in some way bound to her if not vying for her attention. There’s nothing inherently wrong with that, but at this point most of the characters come across as “types” and any convincing romantic tension is nearly nonexistent. Everyone is very prettily drawn, however. Shouoto seems to be favoring silliness over seriousness in Kiss of the Rose Princess, which again isn’t necessarily bad, but a satisfying balance between the tones hasn’t been reached yet.

Queen Emeraldas, Volume 2 by Leiji Matsumoto. In addition to being a classic manga, which I’m always happy to see more of in translation, I found the first half of Queen Emeraldas to be wonderfully engrossing, so I was looking forward to reading the conclusion of the series. One of the things that particularly appeals to me about the Queen Emeraldas is the mood that Matsumoto is able to create–the melancholic atmosphere of the manga as well as the portrayal of the great expanse and loneliness of the universe. (I also adore Matsumoto’s illustrations of space.) Emeraldas is a woman traveling the stars, her ship her only constant companion. However, her destiny still frequently crosses paths with those of others. Hiroshi Umino repeatedly finds himself drawn into her orbit as he tries to establish a life of freedom in space. The chapters of Queen Emeraldas are loosely-connected stories with the presence of Emeraldas as the uniting factor. She herself is frequently the narrator of the tales, but the focus is often on the follies and arrogance of the men she meets. I was actually hoping to learn more about Emeraldas and her personal story, but by the end of the series very little has been explicitly stated about her past. Even so, Emeraldas is a marvelously charismatic character, capable of great empathy and compassion but dedicated to justice.

Having read and greatly enjoyed Makoto Yukimura’s near-future science fiction series Planetes, I was very curious to see how he would apply his character-driven approach to Vinland Saga, a manga with a historical setting. The resulting work is phenomenal–in addition to earning multiple awards, including a Japan Media Arts Award and a Kodansha Manga Award, Vinland Saga quickly became and remains one of my favorite manga series currently being released in English. The ninth hardcover omnibus of Vinland Saga was published in 2017 by Kodansha Comics with a translation by Stephen Paul. It collects the seventeenth and eighteenth volumes of the original Japanese series, both of which were released in 2016, in addition to the continuation of “Ask Yukimura,” a section of questions and answers providing further insight into the series and its creation which is exclusive to the English-language edition of Vinland Saga. “Ask Yukimura” was absent from the eighth omnibus, so I was very happy to see its return.

Hild, a skilled hunter, may have saved Thorfinn’s life as he and his companions were accosted by a man-eating bear, but now that she knows exactly who he is, she is determined to take that life from him. Thorfinn has killed countless people during his time employed as a mercenary in pursuit of his own revenge, drastically altering the lives of the victims’ surviving family members and loved ones. It’s a past that continues to haunt him and Hild isn’t the only person to have come to harm due to his actions or who he will have to confront once again. Thorfinn hopes to atone for the death, violence, and destruction he has helped to bring down upon others by establishing a new nation of peace away from the wars, conflict, and struggles for power that plague Europe. But it is a very difficult thing to try to put a stop to a cycle of systemic retribution condoned by society. Thorfinn has convinced others of the worthiness of his cause, but now he must convince Hild who has every right to want him dead.

All-consuming revenge is one of the major themes of Vinland Saga. Yukimura explores how such a single-minded pursuit can dramatically change a person, impacting them on a deep, psychological level, and examines how that internalized violence is reflected in and perpetuated by the world at large. Much of Vinland Saga up until this point has been devoted to Thorfinn’s private struggles and growth as he has tried to come to terms with the irrevocable damage that he has wrought not only upon others but upon himself. With the introduction of Hild, Vinalnd Saga turns its focus outward, delving into the long-lasting and increasingly far-reaching effects of Thorfinn’s past misdeeds. Although this isn’t the first time that the series has shown this sort of tragedy, never before has it been made so cuttingly personal in the manga. Hild isn’t some nameless character met passing; Yukimura shows the entirety of Hild’s story–her life before her family was killed in front of her eyes and how she grew to become the fierce opponent who Thorfinn has no option but to face.

The parallels between Hild and Thorfinn’s individual quests for revenge are numerous although there are still significant differences and Thorfinn is much further along on his personal journey–while he’s chosen a path of peace, it remains to be seen what choices Hild will ultimately make fore herself. But even though Thorfinn is pursuing pacifism, he continues to be drawn into violent confrontations. A large part of why I find Vinland Saga such a tremendous series is due to the compelling character development that it exhibits, but another reason the manga is so incredibly engaging is the result of Yukimura’s spectacular action and fight sequences. They are exciting as well as meaningful, serving not only to move the plot along but frequently to provide an external expression of the characters’ internal struggles. How they fight and what they are willing to risk goes far to reveal who they truly are and what they value most. Vinland Saga continues to greatly impress me; I’m so glad that it’s being translated and look forward to future volumes with immense anticipation.

Last week at Experiments in Manga I posted August’s Bookshelf Overload which lists the manga, comics, and other media that found their way into my home last month. Otherwise, it was fairly quiet here at the blog, but I did come across some great interviews elsewhere online: Paul Semel interviewed author Kazuki Sakuraba whose novel A Small Charred Face will be released in translation this week. (I actually recently reviewed the book; it’s well-worth picking up.) Susannah Greenblatt interviewed Motoyuki Shibata, one of the cofounders of the Monkey Business literary magazine, discussing translation and Japanese literature among other things. (I’ve previously reviewed some of the early issues of Monkey Business.) And for something a little more manga-centric, Brigid Alverson interviewed manga editor Yumi Sukimune who works with Akiko Higashimura on Princess Jellyfish (which I greatly enjoy) in addition to other series.

And then there’s the licensing news from last week. Udon Entertainment, for example has plans to release Yuztan’s Dragon’s Crown manga adaptation. Most of last week’s manga and light novel licensing announcements came from another Seven Seas’ sprees, though: Accomplishments of the Duke’s Daughter manga by Reia and Suki Umemiya; two companion volumes to Kore Yamazaki’s The Ancient Magus’ Bride (which I’ll definitely be picking up); Arifureta: From Commonplace to World’s Strongest manga by Ryou Hakumai and RoGa; the original Cutie Honey manga by Go Nagai; The Dungeon of Black Company manga by Youhei Yasumura; Didn’t I Say to Make My Abilities Average in the Next Life?! light novels and manga by FUNA, Itsuki Akata, and Neko Mint; Go For It, Nakamura! manga by Syundei (probably the one I’m personally most excited about); Himouto! Umaru-chan manga by Sankaku Head; How Not to Summon a Demon Lord manga by Yukiya Murasaki and Naoto Fukuda; How to Treat Magical Beasts manga by Kajiya; Hungry For You: Endo Yasuko Stalks the Night manga by Flowerchild; If It’s for My Daughter, I’d Even Defeat a Demon Lord manga by CHIROLU and Hota; Little Devils manga by Uuumi; Mushroom Girls in Love, a one-volume manga by Kei Murayama; Precarious Woman Executive Miss Black General by Jin; Satan’s Secretary manga by Kamotsu Kamonabe; The Voynich Hotel manga by Seiman Doumanv. It’s an interesting mix!

Quick Takes

Delicious in Dungeon, Volume 2 by Ryoko Kui. I absolutely loved the first volume of Delicious in Dungeon and after reading the second volume my opinion of the series hasn’t changed–I still find it tremendously entertaining. The conceit of Delicious in Dungeon is fairly simple and straightforward. Basically, Kui has taken a dungeon-crawling adventure and turned it into a food manga. It’s a brilliant combination of subgenres with endless possibilities when it comes to the sheer variety monsters that could end up as a meal for the manga’s protagonists. While this alone could carry the series a fair distance (especially considering the immense creativity Kui exhibits in how fantasy creatures might be used to either directly or indirectly support an adventurer’s diet), Delicious in Dungeon also benefits from having a main cast that largely consists of a bunch of endearing goofballs. Kui has also started to expand on the actual worldbuilding of the series, too. While the manga still relies fairly heavily on the well-established tropes of fantasy role-playing games, small details are being introduced that make the setting of Delicious in Dungeon a little less generic. Of course, part of the series’ humor and charm is firmly based on Kui taking familiar fantasy elements and twisting them just a bit. It’s all great fun.

Sweetness & Lightning, Volumes 6-7 by Gido Amagakure. Although I love food manga, I never generally read a particular title thinking that I’ll actually make any of the recipes that might be contained within it. If I ever did, though, Sweetness & Lightning is probably the series that I would turn to. Since the main characters are in the process of learning to cook (and one of them is a preschooler about to start kindergarten), the dishes that they tackle typically tend to be within the reach of a beginner and aren’t usually overly-complicated. The fact that Sweetness & Lightning is a food manga is what initially brought the series to my attention, but at this point it’s really the characters which keep me coming back for more. I’m particularly impressed by the portrayal of the father-daughter relationship between Inuzuka and Tsumugi. Amagakure is also incredibly successful in depicting little kids in a convincing way. Sweetness & Lightning is in turns adorable and bittersweet, and these two volumes have some especially poignant and heartbreaking moments. Since Tsumugi is so young she still doesn’t entirely understand the death of her mother and Inuzuka still grieves the loss of his wife. But the sixth and seventh volumes also introduce more members of their extended family which was lovely.

What Did You Eat Yesterday?, Volume 12 by Fumi Yoshinaga. The English-language edition of What Did You Eat Yesterday? has essentially caught up with the original Japanese release so the individual aren’t published as frequently as they once were, but I’m always very happy to get my hands on the latest installment in the series. The food in What Did You Eat Yesterday? is beautifully illustrated from start to finish. The individual ingredients, the techniques used, and the resulting dishes are wonderfully and realistically rendered. Visually, the people in What Did You Eat Yesterday? aren’t nearly as detailed as the food they are eating, but the believably complex and nuanced characterizations in the series is exceptional. The characters certainly have their personal flaws and Yoshinaga isn’t afraid to reveal them; rather than portraying some sort of romanticized ideal, Yoshinaga captures the messiness of real-life relationships in the series. It’s an approach that I particularly appreciate. What Did You Eat Yesterday? follows the day-to-day lives of two adult men who are in a committed, long-term relationship with each other which of course is something that I also greatly value. At times the food aspects of What Did You Eat Yesterday? seem tangential to everything else going on, but it’s still a great series.

Manga!
Assassin’s Creed: Awakening, Volume 1 written by Takashi Yano, illustrated by Kenji Oiwa
Blame!, Omnibus 4 by Tsutomu Nihei
Cells at Work!, Volumes 2-3 by Akane Shimizu
The Crater by Osamu Tezuka
Delicious in Dungeon, Volume 2 by Ryoko Kui
Drifters, Volume 4 by Kohta Hirano
Fruits Basket, Omnibus 3 by Natsuki Takaya
Girls’ Last Tour, Volume 2 Tsukumizu
Goodnight Punpun, Volume 7 by Inio Asano
Haikyu!!, Volumes 13-15 by Haruichi Furudate
Iceland by Yuichi Yokoyama
I Am a Hero, Omnibus 4 by Kengo Hanazawa
JoJo’s Bizarre Adventure, Part 3: Stardust Crusaders, Volume 4 by Hirohiko Araki
The Legend of Zelda: Ocarina of Time by Akira Himekawa
Love and Lies, Volume 1 by Musawo
Nirvana, Volume 1 by Jin and Sayuki
Melody of Iron and Other Short Stories by Osamu Tezuka
Murciélago, Volume 3 by Yoshimurakana
My Love Story!!, Volume 13 written by Kazune Kawahara, illustrated by Aruko
Of the Red, the Light, and the Ayakashi, Volumes 6 by Nanao
Oresama Teacher, Volumes 2-13 by Izumi Tsubaki
Otherworld Barbara, Omnibus 2 by Moto Hagio
Queen Emeraldas, Volume 2 by Leiji Matsumoto
Record of the Glass Castle by Osamu Tezuka
She and Her Cat written by Makoto Shinkai, illustrated by Tsubasa Yamaguchi
Sweetness and Lightning, Volumes 6-7 by Gido Amagakure
Survival in the Office, Volume 1 by Risu Akizuki
Under the Air by Osamu Tezuka
What Did You Eat Yesterday?, Volume 12 by Fumi Yoshinaga
Wolfsmund, Volume 8 by Mitsuhisa Kuji
Yona of the Dawn, Volume 7 by Mizuho Kusanagi
Yowamushi Pedal, Omnibus 6 by Wataru Watanabe

Comics!
Always Raining Here, Volume 2 by Hazel and Bell
By Chance or Providence by Becky Cloonan, colors by Lee Loughridge
Dates, Volume 2 edited by Zora Gilbert and Cat Parra
Fantasy Sports, Volume 3: The Green King by Sam Bosma
Fallen, Volumes 1-2 by Burukku Ogawa
How to Be Alive by Tara Booth
Mirror Mirror, Volume 2 edited by Julia Gfrörer and Sean T. Collins
Monster Pop!, Volumes 1-2 by Maya Kern
Moonshot, Volumes 1-2 edited by Hope Nicholson
Short Gay Stories by Hanna-Pirita Lehkonen
Sound of Snow Falling by Maggie Umber
Starfighter, Chapter 4 by HamletMachine
Titty-Time, Volume 2 by Amanda Lafrenais

Novels!
The Book of the Dead by Shinobu Origuchi

Anime!
JoJo’s Bizarre Adventure: Phantom Blood & Battle Tendency directed by Naokatsu Tsuda and Ken’ichi Suzuki
Rampo Kitan: Game of Laplace directed by Seiji Kishi

Last week I took a short family vacation so I wasn’t really online much, but I did announce the winner of the Vertical Comics giveaway before disappearing to the land of limited Internet. The post also includes a list of the manga that have been released (or will soon be released) by Vertical’s manga- and anime-related imprint, Vertical Comics. I’ve been pretty busy over the last few weeks, so I’m sure that I’ve missed out on plenty of news and announcements. Do let me know if there’s something that I should really be paying attention to or need to catch up on!

Quick Takes

Kigurumi Guardians, Volume 1 by Lily Hoshino. I actually haven’t read very many of Hoshino’s manga despite a fair number of them having been translated into English. Hoshino is probably best known as a creator of boys’ love manga, although she was also notably the character designer for Manwaru Penguindrum and her seinen series Otome Yokai Zakuro received and anime adaptation in 2010. Kigurumi Guardians is Hoshino’s most recent series, a prettily drawn but rather strange shoujo manga when it comes down to its story. Hakka Sasakura is a pure-hearted middle school student who, along with two of her schoolmates, has been paired off with a living, breathing, giant stuffed animal which transforms into a beautifully handsome man and back when kissed. This, of course, is all in order to save, or at least protect, the world from creatures from another dimension which steal the hearts of humans. The charm of Kigurumi Guardians is largely derived from the fact that the series’ doesn’t take itself or its weird humor very seriously at all. On the other hand, it doesn’t seem to have much depth to it either. Or at least not yet. The ending scene of the first volume would seem to imply that there’s much more going on than might be initially assumed from the series’ inherent and deliberate goofiness.

Oresama Teacher, Volumes 1-6 by Izumi Tsubaki. I absolutely adore Monthly Girls’ Nozaki-kun, so while waiting for new volumes in that series to be released I figured it was about time that I finally gave another of Tsubaki’s manga a try. And because as far as I know Tsubaki only has three series (all of which are available in translation), my choices came down to The Magic Touch and Oresama Teacher. Although I’ll probably still read The Magic Touch at some point, ultimately I decided to pursue Oresama Teacher first, mostly because I have a huge soft spot for delinquents in Japanese popular culture. I really should have picked up the series much sooner; I’m loving the manga and its tremendous heart. I find Tsubaki’s sense of humor in Oresama Teacher to be similar to that in Monthly Girls’ Nozaki-kun–played fairly straight while still being completely ridiculous with a cast filled with incredibly endearing characters. Granted, some of them can be pretty asshole-ish at times, too. The plot wanders around a fair bit, mostly for comedy’s sake, but the series generally follows Mafuyu Kurosaki, an ex-gang leader who is attempting to clean up her act by transferring schools and trying to become a “normal” high school girl. This proves to be rather difficult when her homeroom teacher and newfound friends all have pasts as troublemakers, too.

Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics by Casey Brienza. Relatively few academic writings have been specifically devoted to the North American manga industry; so far, Manga in America is both the first and only book-length work to tackle the subject. Although it was published in 2016, Manga in America was originally written in 2012. There have been some significant changes and developments in the United States manga industry since then, but the book is still an informative and valuable ethnographic study. A significant portion of the volume and Brienza’s research was informed by a series of confidential, in-depth interviews that were conducted with seventy people who had experience working within the industry. Manga in America is undoubtedly the most comprehensive look at the North American manga industry that I’ve seen in a single volume, providing insight into all aspects of what Brienza terms the “domestication” of manga. Licensing, translation, editing, sales, design, and more are all addressed as is the historical context of the industry and possible future developments. Overall, Manga in America is accessible to a general audience although some sections will likely be more interesting or meaningful to readers with some familiarity with sociology.

And the winner of the Variety of Vertical Comics manga giveaway is… Michelle Gauthier!

As the winner, Michelle will be receiving the first volume of four manga series released by Vertical Comics: Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life. Since this giveaway focused on Vertical Comics, I asked participants to tell me a little about their favorite Vertical manga, too. Check out the giveaway comments for everyone’s detailed responses, and check out below for a list of some of Vertical’s manga.

Manga from Vertical Comics:
Arakawa under the Bridge by Hikaru Nakamura
Blame! by Tsutomu Nihei
Chi’s Sweet Home by Konami Kanata
Devil’s Line by Ryo Hanada
Dissolving Classroom by Junji Ito
Dream Fossil by Satoshi Kon
Flying Witch by Chihiro Ishizuka
The Flowers of Evil by Shuzo Oshimi
FukuFuku: Kitten Tales by Konami Kanata
The Garden of Words written by Makoto Shinkai, illustrated by Midori Motohashi
A Girl on the Shore by Inio Asano
The Gods Lie by Kaori Okazaki
Helvetica Standard Bold by Keiichi Arawai
Immortal Hounds by Ryo Yasohachi
Imperfect Girl written by Nisioisin, illustrated by Mitsuru Hattori
Mobile Suit Gundam Wing written by Katsuyuki Sumizawa, illustrated by Tomofumi Ogasawara
My Neighbor Seki by Takuma Morishige
Mysterious Girlfriend X by Riichi Ueshiba
Nichijou: My Ordinary Life by Keiichi Arawi
Ninja Slayer written by Yoshiaki Tabata, illustrated by Yuuki Yogo
Prophecy by Tetsuya Tsutsui
She and Her Cat written by Makoto Shinkai, illustrated by Tsubasa Yamaguchi
To the Abandoned Sacred Beasts by Maybe
Tokyo ESP by Hajime Segawa
Witchcraft Works by Ryu Mizunagi

The above list only includes the manga that have been released (or will be released very soon) under the Vertical Comics imprint which was launched in 2014, but Vertical began publishing manga well before then. (I’m fairly certain that Vertical’s first manga was Osamu Tezuka’s Buddha back in 2003, but I could be wrong.) Even before specifically devoting an imprint to manga and anime-related titles, Vertical has always had a strong catalog of titles which are well-worth reading. Thank you to everyone who shared your particular Vertical favorites with me! I hope you’ll all participate in the next giveaway, too.

Last week saw the end of one month and the beginning of another, which means the most recent monthly giveaway is currently underway at Experiments in Manga! Partially in honor of the seventh anniversary of Experiments in Manga (but largely just because I feel like it) this is a giveaway for four volumes of manga rather than just one. The winner will be announced on Wednesday, so there’s still time to enter for a chance to pick up a Variety of Vertical Comics: the first volumes of Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life. (I tried to make sure there was a good assortment of the types of manga currently being released by Vertical.)

Quick Takes

Cells at Work, Volumes 2-4 by by Akane Shimizu. I enjoyed the first volume of Cells at Work tremendously, but I did wonder just how long Shimizu would be able to carry the series’ conceit without it becoming tedious. I’m still not entirely sure, but apparently for at least four volumes because I still find myself highly entertained by Cells at Work. I’ve even learned a few things about the human immune system that I either didn’t previously know or had forgotten. (It’s been a long time since I’ve taken an anatomy or physiology class.) While there are a number of recurring characters–the anthropomorphized personifications of the various types of cells and organisms found in the human body–there’s not much of an overarching story or any real character development. Cells at Work is an episodic series with each chapter’s plot generally following some variation of the same theme: the body becomes compromised and an immune response is triggered because of it. Shimizu’s approach to the subject matter is to make it as epic and frequently as comedic as possible. The artwork is great, too. Cells at Work can be spectacularly violent, but it can also be surprisingly endearing. I continue to enjoy the series a great deal and look forward seeing more of Shimizu’s mayhem.

Otherworld Barbara, Omnibus 2 (equivalent to Volumes 3-4) by Moto Hagio. It’s been around a year or so since the first half of the award-winning manga series Otherworld Barbara was released in English, long enough for me to have forgotten some of the nuances of the story. Granted, I’m not sure that I was necessarily picking up on all of the nuances to begin with. I definitely enjoyed Otherworld Barbara, and am very glad that it has been released in English, but I will admit that the manga can be frustratingly confusing and difficult to follow at times. (Perhaps I should try reading the series all in one go.) Otherworld Barbara is a very strange series and there’s a lot going on in it. Arguably a bit too much. Among many other things genetic experimentation, the search for immortality, Martian wars, dreams which impact reality and influence the future, existential crises, psychic confrontations, disastrous relationships, and precarious family dynamics all contribute to the narrative’s chaos and occasional lack of cohesiveness. In the end everything does successfully come together in a way that largely makes sense, but it does take some seemingly convenient plot twists for it all to happen. Even so, I found Otherworld Barbara to be immensely intriguing.

Wolfsmund, Volumes 7-8 by Mitsuhisa Kuji. While it seemed like Wolfsmund had reached a natural ending point in the sixth volume, apparently Kuji had always intended the manga to be longer than that; with eight volumes, Kuji was able to reach the series’ conclusion as it was originally envisioned. Wolfsmund is an incredibly violent and frequently gruesome manga based on the historical conflict between the Swiss Confederacy and the Habspurg-led Austrian occupying forces in the early fourteenth century. The series culminates with the Battle of Morgarten, a pivotal moment in the history of Switzerland. That battle and the various skirmishes that lead up to it are brutal and legitimately gut-wrenching. Kuji does not at all shy away from showing the blood and gore associated with pre-modern warfare. The atmosphere that Kuji creates is exceptionally dark, heavy, and oppressive, the few moments of hope overshadowed by desperation and despair. However, the members of the Confederacy’s peasant army show astounding devotion to their cause even when faced with overwhelming odds. I can’t say that I was ever emotionally invested in Wolfsmund, but it was a gripping retelling.

I’ve been a big fan of Vertical releases for years, not only of its manga, but its prose works, too, both fiction and nonfiction. (Two of my younger sisters also greatly enjoy Vertical’s puzzle books, although I think it’s been a few years since the last one was published). In 2014, Vertical launched Vertical Comics, an imprint specializing in the publisher’s manga and anime-related titles. Since then, Vertical Comics has continued to expand and offer more and more manga of a wide variety–there seems to be a little bit of something for just about everyone. And I’m always happy to give just about any manga a chance when it’s released by Vertical Comics.

So, you may be wondering, how can you win a variety of Vertical Comics?

1) In the comments below, tell me a little about your favorite manga that has been released by Vertical Comics. (If you don’t have a favorite, or haven’t read any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And it’s as easy as that! Giveaway participants can earn up to two entries and have one week to submit comments. If needed or if preferred, comments can also be sent to me at phoenixterran(at)gmail(dot)com and I will then post them here in your name. The giveaway winner will be randomly selected and announced on September 6, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: A Variety of Vertical Comics Winner

I was away last week traveling for work as well as for yet another family wedding (this year has been full of them), but I still managed to post a review before it was all said and done. It’s several month’s later than I really intended it to be since the manga was actually released back in May, but I’ve finally reviewed the first omnibus of My Brother’s Husband by Gengoroh Tagame. The manga was easily one of my most anticipated releases for 2017. I’ve actually been collecting the series in Japanese (even though my reading comprehension of the language isn’t quite where it needs to be yet), but I am incredibly happy that it’s being translated into English. I’m not sure when the second and final omnibus is scheduled to be released, but there’s not question that I’ll be picking it up once it’s available.

Quick Takes

Assassin’s Creed: Awakening, Volume 1 written by Takashi Yano and illustrated by Kenji Oiwa. There have been numerous Assassin’s Creed comic adaptations published by Titan Comics, so including Yano and Oiwa’s Awakening  as part of its catalog seems an obvious choice to make even though the publisher doesn’t typically release many manga. Admittedly, I’ve not played very much of any of the Assassin’s Creed video games (although what I have played I’ve largely liked) and I’m not especially familiar with Assassin’s Creed IV: Black Flag, the installment upon which Awakening is loosely based. What primarily drew me to the series was the involvement of Oiwa, one of the creators behind the manga adaptations of Otsuichi’s Goth and Welcome to the N.H.K., both of which I greatly enjoyed. Awakening alternates between two stories taking place in different time periods which turn out to be deeply connected to each other although the depth of that connection isn’t immediately clear. The first, and the one I prefer, is set in the early eighteenth century and follows Edward Kenway, a pirate captain who gets caught up in the conflict between the Templars and Assassins. Centuries later, that conflict is still ongoing, impacting the life of Masato Yagyu and his family in unexpected ways.

The Backstagers, Volume 1: Rebels without Applause written by James Tynion IV, illustrated by Rian Sygh, and colors by Walter Baiamonte. I believe The Backstagers first came to my attention when it was featured on a list of ongoing comics series which included trans characters. And indeed, one of the characters in The Backstagers–and an important main character at that–is a transguy, something that is almost unheard of in mainstream comics. (Also of note, the series’ co-creator and illustrator is also trans, which I hadn’t initially realized.) That was enough to make me interested in the series, and the first volume was more than enough to make me a fan. The Backstagers is set at an all-boys high school and largely follows the stage crew of the drama club. Jory, a recent transfer student, who at first he thought he wanted to be an actor ultimately finds himself swept up in the magic of what happens behind the scenes. Quite literally, actually. The Backstagers is a tremendous amount of high-energy fun with brightly colored artwork and sparkles, blushing, and flowers galore. The comic is also delightfully queer and diverse, breaking down gender stereotypes by presenting a wide variety of masculinities. I absolutely loved the first volume of The Backstagers and definitely look forward to more.

Nirvana, Volume 1 by Jin and Sayuki. Due to her selflessness and devotion to volunteer efforts, Yachiyo Hitotose has become known as the Modern-Day Florence Nightingale. While on a trip to help those in need overseas, Yachiyo’s flight crashes and she suddenly finds herself reincarnated in another world known as Gulgraf. Believed to be the new embodiment of the divine goddess Sakuya, the bringer of light, Yachiyo has naturally taken upon herself to rescue and protect the residents of Gulgaf from the powers of darkness. As well-meaning as she is, Yachiyo will still need plenty of help if she wants to make a difference, especially as there are those who already want her dead. And so she sets off on an adventure, traveling across the world in search of allies as she learns to control the new powers she has been granted. Nirvana does seem to at least in part be be inspired by Buddhist and Hindu mythologies and mysticism–which honestly is what compelled me to give the series a try–but at this point they seem to be used mostly as a veneer and to provide the series’ most basic narrative structure and worldbuilding. I wasn’t as captivated as I was hoping to be with Nirvana, but I was still entertained by the first volume which takes a much more comedic approach than I was expecting.

Gengoroh Tagame is an extremely influential manga creator known worldwide for his work in sadomasochistic, homoerotic fantasies. More recently, however, he has garnered a significant amount of attention for his series My Brother’s Husband, a four-volume manga aimed at general audience which directly addresses homophobia and other forms of discrimination in Japanese culture–one of the first works of its kind created for a prominent, mainstream magazine. My Brother’s Husband began serialization in Monthly Action in 2014 and would go on to win a Japan Media Arts Excellence Award in 2015. The series is one of the very few manga which I have made the point of collecting in the original Japanese, but I was absolutely thrilled when it was licensed for an English-language release. Translated by Anne Ishii, who has been instrumental in bringing Tagame’s work as a whole to English-reading audiences, the first omnibus in Pantheon Books’ hardcover edition of My Brother’s Husband was published in 2017 and is equivalent to the first two Japanese volumes released in 2015 and 2016.

Yaichi is a single father in Japan raising his young daughter Kana. Following the unexpected death of his estranged twin brother Ryoji, his brother’s Canadian husband Mike Flanagan arrives to meet the family and pay his respects. Yaichi’s life is suddenly upended–out of touch with Ryoji for years, he had never entirely come to terms with the fact that his younger brother was gay, but with Mike around it becomes something impossible for him to ignore. As for Kana, she is absolutely delighted to discover an uncle who she never knew existed and manages to convince her father to allow Mike to stay in their home while he’s in the area. As the days pass, the three of them become closer despite the occasional awkward clash of cultures; Mike’s kindhearted, gentle nature combined with Kana’s infectious exuberance and curiosity force Yaichi to reflect on his own learned attitudes and preconceived notions regarding homosexuality as well as confront the gulf that formed between him and Ryoji because of them. Through Mike, Yaichi is finally able reconnect with and learn more about his brother and who he was.

Tagame’s message of kindness, love, and acceptance in My Brother’s Husband is not at all subtle. At times it may come across as obvious or even like preaching to the choir for some readers, but the manga is really intended more for those who, like Yaichi, have casually conformed with and promulgated a culture of discrimination and misinformed stereotypes within society without putting much thought into it than it is for those who have personally experienced the negative effects of that discrimination. Even so, My Brother’s Husband still has plenty to offer that will appeal to a wide audience. The series is in turns heartwarming and heartbreaking, an honest and earnest exploration of family and the complex and often complicated relationships that exist between people. It’s a beautiful and moving story supported by strong, expressive artwork. Unsurprisingly, considering his artistic background, Tagame particularly excels in the realistic portrayal of adult masculine forms, but Kana’s cute character design can be quite effective as well. The backgrounds in the manga are fairly simple, the focus of Tageme’s illustrations is definitely on the characters, their facial expressions and body language adeptly conveying their thoughts and feelings, helping to establish the emotional core of the manga.

I unequivocally love the three lead characters and the development of their relationships in My Brother’s Husband. One of ways this is frequently accomplished in the manga which I particularly appreciate is through the sharing of meals and food, a natural and important way that people form connections in real life which serves to further cement those that exist in My Brother’s Husband. In addition to providing the series’ primary point of perspective, Yaichi is also probably the most well-rounded character. He has his flaws, but he is also a devoted and caring father who is willing to challenge his own internalized prejudices, initially for the sake of his daughter but ultimately for himself and the others, like Mike, he has come to care about as well. Seeing Yaichi slowly grow as a person and become more accepting over the course of the first omnibus of My Brother’s Husband has been wonderful. Mike, while overall coming across as a less nuanced character, is still a very positive and sympathetic portrayal of a gay man, his incredible patience and understanding adding to what makes him so immensely endearing. And of course there’s Kana, too, who can so easily love others despite their differences, her youth and innocence allowing her an amount of freedom and flexibility that’s not as easily accessible to adults who have already become set in their ways. I am very much looking forward to the continuation and conclusion of the story of these three in the second omnibus of My Brother’s Husband.

It’s been a while since there have been two features posted at Experiments in Manga within the same week in addition to the usual My Week in Manga, but that’s exactly what happened last week. First there was July’s Bookshelf Overload which, minus the replacement copies for some of my recently water-damaged books, provides a list of the manga and other media that I picked up last month. (Normally I post the Bookshelf Overload feature in the second week of the month, but I switched things up a little in order to post my review of Kazuki Sakuraba’s A Small Charred Face sooner rather than later.) Last week was also Experiments in Manga’s seven-year anniversary! I wrote a little about the past year and, with some amount of sadness, also announced my upcoming (semi)-retirement from manga blogging. I’ll continue to post here at Experiments in Manga for the rest of 2017, but once 2018 arrives most of my short ramblings on manga will be found over at Manga Bookshelf (and probably at my Twitter account, too).

Quick Takes

H. P. Lovecraft’s The Hound and Other Stories by Gou Tanabe. While I am very aware of Lovecraft’s work and influence (the Cthulhu Mythos in particular was tremendously popular among a certain segment of my friends for quite some time), I’ve actually only ever read a single collection of his short horror stories. I largely enjoy their bizarre creepiness, and so I immediately took note when I learned that Dark Horse would be releasing a volume of some of Tanabe’s manga adaptations of Lovecraft stories. Plus, I was simply happy to see more mature horror manga being licensed. The Hound and Other Stories collects the adaptations of three of Lovecraft’s stories from the early 1920s: “The Temple,” “The Hound” (the only one of which I had read the original), and “The Nameless City.” Of the three, “The Temple” was the most successful for me, Tanbe’s deliberately disconcerting artwork perfectly conveying the narrative’s dark and increasingly claustrophobic sense of dread. The Hound and Other Stories is actually the first volume in a series. Nothing official has been announced regarding the translation of future volumes, but Dark Horse has indicated that the possibility is there. I know I’d certainly be interested in reading more of Tanabe’s work, Lovecraftian or otherwise.

Hana & Hina After School, Volume 2 by Milk Morinaga. I’m not as interested in schoolgirl yuri manga as I am in those that feature adult women–which seem to be very few and far between in translation–but I will still happily read them. Which is probably a good thing seeing as most of the yuri manga that has been published in English tend to be set in either middle or high school. (To be fair, that can be said of numerous other genres as well.) Hana & Hina After School definitely falls into that category, and I certainly have been enjoying the manga. While it’s clear that Hina and Hana care for each other a great deal, the romance in the series is actually a little slow to develop, though it does feel more natural that way. Hina recognizes that she has a crush on Hana, and has known for some time, but Hana tends to be a little more oblivious. Hana & Hina After School concludes with the next volume; I would be incredibly surprised if the ending isn’t a happy one, but both Hina and Hana will need to fully come to terms with their feelings before that happens. In general, Hana & Hina After School is a cute and sweet series, but I do appreciate that Morinaga also incorporates some of the real-world concerns faced by people in non-heterosexual relationships.

Samurai Crusader: The Kumomaru Chronicles, Volumes 1-3 written by Oji Hiroi and illustrated by Ryoichi Ikegami. At this point I’ve read most of the manga available in English with which Ikegami has been involved, Samurai Crusader being one of the few exceptions up until now. Hiroi is probably best known as the creator of Sakura Wars, which I’m not particularly familiar with. (I believe Samurai Crusader is the only other manga of Hiroi’s to have been released in English.) Samurai Crusader is currently out-of-print and can be a little tricky to find, but the series can usually be found for a fairly reasonable price. (Note that the individual volumes aren’t numbered and after the first are given unique subtitles instead; Samurai Crusader is followed by Way of the Dragon and Sunrise Over Shanghai.) Taking place in the 1930s with the Second World War looming on the horizon, Samurai Crusader is an tale of action and adventure spanning the globe and featuring Ernest Hemingway as the a sidekick to the series’ protagonist Kumomaru, a noble young man who finds himself fighting against those intent on world domination. Samurai Crusader is admittedly outrageous and over-the-top, but that’s also a large part of why the series is so highly entertaining.

Unlike past years, there weren’t really any big projects or special features at Experiments in Manga this time around. In fact, much to my dismay, I actually even stopped writing in-depth reviews for a few months. However, I re-found some of my inspiration to write after reading and reviewing the eighth omnibus of Makoto Yukimura’s Vinland Saga after which I finally started to post long-form features a little more regularly again. Other reviews from the past year that were personally memorable or meaningful to me in some way include those for the marvelous children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko, Yeon-sik Hong’s autobiographical manhwa Uncomfortably Happily, and most recently Kazuki Sakuraba’s soon to be released novel A Small Charred Face. I also continued two annual features that I especially enjoy, my random musings on notable releases for the year and my Toronto Comic Arts Festival adventures.

I started writing at Experiments in Manga seven years ago as a way to more actively engage with the online manga community. To some extent, I was successful with that. Not all of my experiences have necessarily been positive ones, but Experiments in Manga has given me the opportunity to meet and interact with a wide variety of people that otherwise I never would have. I especially cherish the friendships that have been fostered because of it. While I primarily write for myself, I also love sharing my excitement for manga and such with people; it makes me incredibly happy to know that at least from time to time others have found Experiments in Manga interesting, entertaining, or useful.

And so, while I am celebrating seven years of Experiments in Manga, it is with some amount of sadness that I am also announcing my semi-retirement from manga blogging. I will continue to regularly write at Experiments in Manga through the end of 2017, but once 2018 arrives I will no longer be actively posting here. However, I’ll still be a contributor at Manga Bookshelf, chiming in on the Manga the Week of and Pick of the Week features, and starting in January my quick takes on manga will be included as part of the Bookshelf Briefs. I’ll likely be a little more active on my Twitter account, too, using it as an additional outlet for my thoughts on a variety of topics. This all was an extremely difficult and even heart-wrenching decision for me to make, but while I remain conflicted, I do feel that it was ultimately the right choice. There are a number of different reasons behind it, but perhaps the most obvious is that the demands on my time only seem to increase with every year that goes by. And at this particular point in my life, I find I most want to return to my roots in music and to be able to devote more of my attention to studying, performing, and teaching taiko.

To conclude, I would like to thank everyone who has supported me and Experiments in Manga over these last seven years–my readers, colleagues, contributors, friends, family, publishers, industry contacts, the creators I’ve met, and anyone else who has taken the time to care, participate, comment, provide feedback, or share. Experiments in Manga truly couldn’t have lasted this long without your encouragement; I am incredibly grateful and appreciative of you all. Writing here has been an illuminating experience and I’ve learned a lot along the way. I’m also going to miss it tremendously. Experiments in Manga and I have had our ups and downs, but I am honestly proud of some of the things that I have been able to accomplish both with and through it. Going forward I won’t be writing as much, but I will certainly be reading even more and hope to continue finding ways to share my love of manga, Japanese literature, and all of the other wonderful things that mean so much to me.

Manga!
The Ancient Magus’ Bride, Volume 7 by Kore Yamazaki
Berserk, Volume 38 by Kentaro Miura
Blame!, Omnibus 2 by Tsutomu Nihei
Bungo Stray Dogs, Volume 3 by Kafka Asagiri
Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota
Food Wars!: Shokugeki no Soma, Volume 18 written by Yuto Tsukuda, illustrated by Shun Saeki
Fruits Basket, Omnibus 2 by Natsuki Takaya
Hana & Hina After School, Volume 2 by Milk Morinaga
H.P. Lovecraft’s The Hound and Other Stories by Gou Tanabe
I Hear the Sunspot by Yuki Fumino
Kitaro and the Great Tanuki War by Shigeru Mizuki
Land of the Lustrous, Volume 1 by Haruko Ichikawa
The Legend of Zelda: Legendary Edition, Omnibuses 3-5 by Akira Himekawa
Love Com, Volumes 5-13 by Aya Nakahara
Million Tears, Volume 1 by Yuana Kazumi
Monthly Girls’ Nozaki-kun, Volume 8 by Izumi Tsubaki
Oishinbo, A la Carte: Izakaya: Pub Food written by Tetsu Kariya, illustrated by Akira Hanasaki
Princess Jellyfish, Omnibus 5 by Akiko Higashimura
Samurai Crusader, Volumes 1-3 written by Hiroi Oji, illustrated by Ryoichi Ikegami
Twinkle Stars, Omnibus 3 by Natsuki Takaya
Your Name, Volume 1 written by Makoto Shinkai, illustrated by Ranmaru Kotone

Comics!
The Backstagers, Volume 1 written by James Tynion IV, illustrated by Rian Sygh
Blood Brothers: Hermanos de Sangre written by Fabian Rangel Jr., illustrated by Javier Martin Caba
Electric Ant, Issue 1: Your First Kiss edited by Ryan Sands
For When You Can’t Sleep at Night by Skye Ali
Husband & Husband, Volume 1 by Aaron Ferrara
Living Space by Elise Schuenke
Loved & Lost written by Tyler Chin-Tanner
Ravina the Witch? by Junko Mizuno
Rutabaga the Adventure Chef, Book 2: Feasts of Fury by Eric Colossal
Stages of Rot by Linnea Sterte

Novels!
Gosick, Volumes 1-2 by Kazuki Sakuraba
Legend of the Galactic Heroes, Volume 4: Strategem by Yoshiki Tanaka
Your Name by Makoto Shinkai

Anime!
Captain Harlock Space Pirate: The Complete Series directed by Rintaro
Death Parade: The Complete Series directed by Yuzuru Tachikawa
Gangsta: The Complete Series directed by Shukō Murase
Gosick: The Complete Series, Part 1 directed by Hitoshi Nanba
The Story of Saiunkoku: Season 1, Parts 1-3 directed by Jun Shishido
Space Dandy, Seasons 1-2  directed by Shinichirō Watanabe
Yona of the Dawn, Parts 1-2 directed by Kazuhiro Yoneda

I shifted around my usual posting schedule at Experiments in Manga a little last week so, instead of posting July’s Bookshelf Overload, I ended up featuring my review of Kazuki Sakuraba’s most recent work to be released in English, A Small Charred Face. The book is scheduled to be released in September (I received an advanced copy from Haikasoru for review purposes), and is definitely worth checking out. I’m not especially interested in vampire fiction, but A Small Charred Face makes for a very interesting contribution to the genre and I loved the queerness present in the story. Sakuraba is probably best known as the creator of Gosick, which I’ve been meaning to read, but my introduction to her work was through Red Girls: The Legend of the Akakuchibas.

Elsewhere online last week: Justin of The OASG posted a transcript of Four Hundred Pages of Manga Every Single Week, a roundtable discussion held in July which was sponsored by Kodansha Comics and featured three of Weekly Shonen Magazine‘s editors, including the editor-in-chief; Anime News Network interviewed Akira Himekawa, the creative team behind most of The Legend of Zelda manga adaptations; Viz Media made a some licensing announcements while at Otakon including RWBY by Shirow Miwa, Takane & Hana by Yuki Shiwasu, and The Young Master’s Revenge by Meca Tanaka; Also at Otakon, Sekai Project, which is still relatively new to manga publishing, announced the acquisition of Keika Hanada and Kanemune’s manga adaptation of The House in Fata Morgana.

Quick Takes

Clockwork Apple by Osamu Tezuka. I’ll admit, I managed to burn myself out on Tezuka for a bit, so I’ve managed to amass quite a stockpile of his recently-translated manga which I haven’t actually gotten around to reading yet. Clockwork Apple is a collection of eight short manga originally published between 1968 to 1973. While they aren’t directly related to one another, they do share a similar tone, were generally intended for an adult audience (mostly seinen, I believe), and can all broadly be described as speculative fiction. The stories in Clockwork Apple tend to be fairly dark, dramatic, and serious. The visual humor, breaking of the forth wall, and self-awareness frequently present in Tezuka’s other non-comedic works are nearly nonexistent in the Clockwork Apple. (I don’t think the Tezuka’s Star System was applied, either.) Tezuka was personally having a difficult time in the late 1960s and early 1970s, so perhaps the tenor of these stories is partly a reflection of that. In general, I enjoyed the stories collected in Clockwork Apple even though the endings would sometimes be a little hit-or-miss or feel rushed. Each story would have at least one plot-altering twist, some had several, but occasionally those developments would come across as convenient rather than compelling.

Flesh-Colored Horror by Junji Ito. Most of Ito’s manga to have been translated into English are currently in print or have been recently reissued in a new edition and even more have been scheduled to be released in the near future. One of the few exceptions is Flesh-Colored Horror, the third and final volume in The Junji Ito Horror Comic Collection series released by ComicsOne. Currently, the volume can be a little difficult and expensive to find, but fortunately one of my local libraries had a copy. (I really hope to be able to find a reasonably-priced one of my own someday.) In addition to the titular story, Flesh-Colored Horror collects five of Ito’s other short horror manga. The six unrelated stories were originally published between 1988 and 1994 in Monthly Halloween, a shoujo manga magazine specializing in horror. Flesh-Colored Horror is a fantastic collection that is well-worth seeking out for either fans of Ito’s work or of weird horror in general. Ito has a way of starting with a simple and at times even mundane premise and twisting it into something truly strange and horrific. For whatever reason, while I greatly enjoy most of Ito’s work, I do find that I often prefer Ito’s older short manga over more recent collections; Flesh-Colored Horror continues that trend.

Giant Days, Volume 1 written by John Allison and illustrated by Lissa Treiman and Whitney Cogar. I’ve been hearing good things about Giant Days for a while–the series has been nominated for multiple Eisner and Harvey Awards in the past, and several of my friends keep up with the comic–but I’m only getting around to reading it now. One thing that I didn’t realize about Giant Days, which initially started as a self-published webcomic before being picked up by Boom! Studios, is that it’s actually a spinoff of Allison’s earlier series Scary Go Round. I haven’t actually read Scary Go Round, but fortunately familiarity with that comic isn’t at all necessary to understand Giant Days. The comic largely follows three university students–Esther, Daisy, and Susan–who become close friends after living together in the same residence hall. The first volume seems to favor exploring the characters, their personalities, and relationships over having a strong overarching plotline. At times the comic feels somewhat disjointed and the scene changes can be rather abrupt, but the series has a good sense of humor and I do honestly like the characters. I think I would need to read a little more of Giant Days to really feel invested in their stories, but I greatly appreciate the inclusion of queer characters in the increasingly large cast.

Kazuki Sakuraba is a fairly prolific author in Japan, having written numerous short stories, essays, and novels; sadly, only a small handful of those have been translated into English thus far. Although Sakuraba is probably best known as the creator of Gosick (which, I’ll admit, I still need to actually read), my introduction to her work was through Red Girls: The Legend of the Akakuhchibas, an award-winning, multi-generational epic which I thoroughly enjoyed. When Haikasoru, Viz Media’s speculative fiction imprint, announced that it would be releasing Sakuraba’s A Small Charred Face with a translation by Jocelyne Allen in 2017, I immediately took note. I was previously unaware of A Small Charred Face, originally published in Japan in 2014, and I’m not especially interested in vampire fiction, but with Sakuraba as the author, Haikasoru as the publisher and Allen as the translator–a winning combination with Red Girls–it instantly became something that I wanted to read.

The Japanese town in which Kyo lives is bathed in blood, a hotbed of organized crime, murder, and vice. With a population willing to avoid looking too closely at the surrounding bloodshed, resulting in a plentiful and readily accessible supply of food, it’s the perfect place for the Bamboo, vampiric creatures originating from the deep mountains of China, to secretly coexist with humans. Carnivorous grass monsters but human-like in appearance, the Bamboo are extremely powerful and resilient but vulnerable to sunlight, never age but are still mortal. Up until the point he meets one, Kyo was never quite sure if the stories he heard about the monstrous Bamboo were true or if they were just told to frighten children. Confronted with the immediacy of his own impending death while only ten years old, his mother and sister having already been killed by a group of hitmen, Kyo is unexpectedly rescued by a Bamboo. Mustah, impulsively acting in blatant disregard for the rules of his own kind by taking him in, saves Kyos’ life and in the process changes it forever. But even while Kyo, Mustah, and Mustah’s partner Bamboo Yoji form a peculiar, tightly-knit family, it will never be entirely safe from the dangers presented by humans or the Bamboo alike.

At its very core, A Small Charred Face is about the curious, complex, exhilarating, and often fraught relationships that evolve between Bamboo and humans. The novel is divided into three distinct parts–three tangentially related stories which can all be connected to Kyo and his personal experiences with the Bamboo. In some ways the stories are able to stand alone, but the references they contain make them more powerful when taken together as a whole. The first and longest section, “A Small Charred Face,” focuses on Kyo’s life with Mustah and Yoji. The two men are fascinated and enthralled by his humanity, at times treating him as something akin to a pet but also raising him as family while protecting him through his adolescence. To Kyo, Mustah and Yoji are his saviors, parents, and something even more which is difficult to define. The second part “I Came to Show You Real Flowers” serves as an epilogue of sorts to the first, following another Bamboo who becomes incredibly important to Kyo as well as a young woman who plays a crucial role late in his life. Finally there is “You Will Go to the Land of the Future,” a story which delves into the history of the Japanese Bamboo. Linking back to the Chinese Cultural Revolution, it traces the tragic origins of the Bamboo’s strained relations with humans and the strict, harshly-enforced rules implemented to guard their society and existence.

A Small Charred Face opens with the brutal aftermath of the rape and murder of those close to Kyo with him facing a similar fate. It is a horrific, gut-wrenching scene, but the story that follows becomes surprisingly beautiful. Though still punctuated by moments of extraordinary violence and devastating heartbreak, A Small Charred Face is a relatively quiet and at times even contemplative work. The relationships shown are intensely intimate, with love, desire, and devotion taking on multiple, varied forms. The characters struggle and frequently fail to completely understand one another–the worldviews, life experiences, and fundamental natures of humans and Bamboo occasionally at odds–but the strength of the connections that they form regardless of and in some cases because of their differences is tremendously compelling and affecting. There’s also an inherent queerness to the stories that I loved. It’s perhaps most obvious through Yoji and Mustah’s partnership and the fact that Kyo spends a significant portion of his life presenting himself as a girl for his own safety, but many of the novel’s essential underlying themes explore found family, the need for acceptance, and what it is like in one way or another to be a hidden outsider within society. While A Small Charred Face resides firmly within the tradition of vampire fiction, Sakuraba’s contemporary take on the genre is still somewhat unusual and unexpected; I enjoyed the work immensely.

Thank you to Viz Media for providing a copy of A Small Charred Face for review.

The winner of The Royal Tutor manga giveaway was announced last week at Experiments in Manga. As usual, I also used the giveaway as an excuse to compile a thematic list of manga–in this particular case, a list of some of the manga available in English which feature royalty. This week I’m (once again) probably going to be switching around my regular posting schedule a little bit. Normally, this week would feature the Bookshelf Overload for July, but I’ve been working on an in-depth review of Kazuki Sakuraba’s A Small Charred Face which I would like to post sooner rather than later.

There are a few interesting things that I’ve recently encountered online that I’d like to share. First of all, MariNaomi has created the Queer Cartoonists Database (which does include mangaka), a followup of sorts to the Cartoonists of Color Database, both of which are fantastic resources. Khursten Santos and Thomas Baudinette, both scholars of queer themes in Japanese media, discuss gay manga, boys’ love, and such on the latest episode of the Fujojocast. Also, hat tip to Khursten for pointing out the recent audio recording and transcript of Masafumi Monden’s fascinating talk A Portrait of Shōjo: The Poetic Ambience of Japanese Girlhood.

As for some of the Kickstarter projects that have caught my attention lately: Sweethearts of 1989 is a queer romance comic by Kale Jeffery which is also in part an homage to anime and manga from the 1980s and 1990s. Zainab Akhtar is campaigning for a second volume of Critical Chips, an anthology of comics and comics criticism. (At least one essay will be about manga, specifically Taiyo Matsumoto’s No. 5.) Allison Shaw’s ongoing comic adaptation of the Greek myth of Persephone looks lovely. And of course, the Sparkler Monthly Year 5 campaign is still underway and could use a boost to help fund another twelve months of fantastic new content.

Quick Takes

I Hear the Sunspot by Yuki Fumino. Although in Japan it was serialized in a magazine that focuses on boys’ love manga, Fumino didn’t originally envision the story of I Hear the Sunspot with that in mind. However, even if the potential for the manga’s to lead characters to become romantically involved was added at a later point, their relationship grows and develops beautifully. After an illness in middle school resulted in permanent hearing loss, Kohei has struggled not only with his sudden disability but also with finding acceptance and understanding from others. Now in law school, Kohei has become withdrawn and has closed himself off from his peers, though that doesn’t stop his more outgoing and personable classmate Taichi from trying to become his friend. As the importance of their unexpected friendship naturally takes hold both Kohei and Taichi have their own issues to deal with, but it is obvious that they care tremendously for each other. As a whole, I Hear the Sunspot is a lovely story, but the nuanced characterization and character growth in the manga is particularly excellent. The depiction of Kohei’s hearing loss and how it has impacted his life and who he is also handled very well. I wholeheartedly loved I Hear the Sunspot.

Liselotte & Witch’s Forest, Volumes 1-3 by Natsuki Takaya. While waiting for the next volume of Twinkle Stars to be released, I figured I might as well give another of Takaya’s recently-translated manga series a try. (Liselotte & Witch’s Forest is actually one of Takaya’s most recent manga period, although I believe in Japan it’s on hiatus at the moment.) So far, while I am still enjoying the series, Liselotte & Witch’s Forest doesn’t work as well for me as either Twinkle Stars or Fruits Basket. I think the biggest impediment is that there seems to be a significant imbalance in the tone of the manga. The underlying story is dark and tragic–Liselotte & Witch’s Forest largely following in the tradition of Western fairy tales–but the narrative often relies heavily on lighthearted humor to carry it out. As a result, it feels as though Takaya can’t quite decide whether the series should be a drama or a comedy; every time something serious happens it’s countered by something ridiculous and it doesn’t always mesh well. It also takes a little while for the story to take off, although it’s interesting once it does. A young woman of noble birth, the titular Liselotte is now living in exile along with two servants, her stubborn cheerfulness obscuring the anguish she feels.

Stages of Rot by Linnea Sterte. The comic Stages of Rot is the first published work by Sterte, an illustrator and animator currently based in Sweden. I wasn’t previously aware of Sterte’s creative output before reading Stages of Rot, but if the comic is at all representative, it will be well worth seeking out more. Although Stages of Rot does include some dialogue and narration, the comic is largely wordless, the strength of Sterte’s gorgeous illustrations easily carrying the flow of the narrative. The story unfolds in five chapters, each of which uses a different palette of muted colors to depict the passage of time and the evolution of nature and civilization within the fantastical world that Sterte has created. The title is derived from the comic’s narrative impetus–the body of a giant sky whale has crashed to the earth, the creature’s death allowing both life and conflict to flourish in ways that would have otherwise been impossible, the accomplishments of one era in some ways dependent on the decay of another. If nothing else, the comic is visually stunning, but the themes exploring the cyclical nature of life and death are also marvelously executed. Stages of Rot is a curious, beautiful, and ultimately hopeful work; I am very glad to have encountered it.

As the winner, Black_wind will be receiving a copy of The Royal Tutor, Volume 1 by Higasa Akai as published in English by Yen Press. I have a particular fondness for court intrigue, so for this giveaway I asked participants to tell me a little about their favorite member of royalty from a manga since it often seems as though you can’t have one without the other. Be sure to check out the giveaway comments for everyone’s detailed responses as well as the list below for even more manga!

Some of the manga available in English featuring royalty:
ACCA 13 by Natsume Ono
Andromeda Stories written by Ryu Mitsuse, illustrated by Keiko Takemiya
The Angel of Elhamburg by Aki
Attack on Titan by Hajime Isayama
Basara by Yumi Tamura
Crimson Spell by Ayano Yamane
Dawn of the Arcana by Rei Toma
Emma by Kaoru Mori
The Heroic Legend of Arslan by Hiromu Arakawa
Iono-sama Fanatics by Miyabi Fujieda
Ludwig II by You Higuri
Princess Knight by Osamu Tezuka
Pretty Guardian Sailor Moon by Naoko Takeuchi
No Need for Tenchi! by Hitoshi Okuda
Ōoku: The Inner Chambers by Fumi Yoshinaga
Red River by Chie Shinohara
Requiem of the Rose King by Aya Kanno
The Rose of Versailles by Riyoko Ikeda
The Royal Tutor by Higasa Akai
The Seven Princes of the Thousand-Year Labyrinth written by Yu Aikawa, illustrated by Haruno Atori
The Story of Saiunkoku written by Sai Yukino, illustrated by Kairi Yura
Sugar Sugar Rune by Moyoco Anno
Two Flowers for the Dragon by Nari Kusakawa
Vinland Saga by Makoto Yukimura
Yona of the Dawn by Mizuho Kusanagi

As usual, the above certainly isn’t an exhaustive list, but it should at least provide some interesting starting places for readers looking for a bit of royal flair in their manga. Thank you to everyone who participated in the giveaway and shared your favorite members of royalty with me. I hope to see you again for the next giveaway!

Last week saw the beginning of the most recent manga giveaway here at Experiments in Manga. This time around I’m giving away a copy of Higasa Akai’s The Royal Tutor, Volume 1 which was recently released by Yen Press in print after having previously only been available digitally. The winner will be announced this coming Wednesday, so there’s still a little time left to enter for a chance to win; simply tell me a little about one of your favorite members of royalty from a manga. Otherwise, it was fairly quiet around here last week, although one of my many cousins got married so I did spend a long weekend in Pittsburgh with my parents and siblings. Pittsburgh’s a really interesting place and we had good time. I’m really glad I wasn’t the one driving, though; Pittsburgh’s roadways are intense!

Anyway. Elsewhere online, Japanese author Hiromi Kawakami was recently interviewed for the Huffington Post–”The Stories Behind Ordinary Lives and Things.” I definitely need to read more of Kawakami’s work, but I have reviewed her novel Manazuru in the past. She’s also a frequent contributor to the literary magazine Monkey Business which I enjoy a great deal. Udon Entertainment hasn’t made many public comments regarding the status of The Rose of Versailles, but Nick Rowe recently talked to the publisher and it sounds like the manga might finally be released sometime next year. If you didn’t make it to the San Diego Comic Con, Jamie Coville has posted audio recordings of many of the panels including Manga Superheroes: Super Differences Between Japan and US. Heidi MacDonald, Deb Aoki, and Brigid Alverson recorded a few more episodes of Three Women in a Hotel Room at SDCC, too, talking about all sorts of things related to comics, manga, and pop culture in North America.

Quick Takes

Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota. I’ve been meaning to read Nekota’s boys’ love manga series Don’t Be Cruel, but I haven’t actually had the opportunity to yet. However, I did recently  find myself in the possession of the first volume of Don’t Be Cruel: Plus+, a manga which more or less collects the main series’ side stories along with some additional content. I’m sure that Plus+ would be more meaningful to someone has read Don’t Be Cruel proper, but I was pleasantly surprised by how accessible it was even though I haven’t. (It probably does help that I have read a fair amount of boys’ love in general, though.) I don’t know how much humor is in the main series, but Plus+ is definitely not attempting to be serious. The manga basically brings Nekota’s Don’t Be Cruel doujinshi together, and some of them are intentionally unrealistic and over-the-top ridiculous, including one in which the characters switch bodies. There’s also a fair amount of sex, too. The stories focus on the physical and emotional relationships that have developed between Maya and Nemugasa, two young men with vastly different personalities. Even though I haven’t read Don’t Be Cruel, I found myself consistently amused by the surprisingly sweet mix of silliness and smuttiness in Plus+.

The Venus Wars, Volume 1 by Yoshikazu Yasuhiko. Not very many of Yasuhiko’s manga have been released in English and of those only one Mobile Suit Gundam: The Origin is currently available in print. In Japan, The Venus Wars was four volumes long. One volume was released in English, but as far as I can tell, Dark Horse actually published about half of the series as individual floppy comic issues. The Venus Wars is similar in genre, tone, and illustration to Yasuhiko’s work on Gundam, but I didn’t find myself quite as engaged by it. (I may have felt differently if more had been translated.) However, I did really like the series’ setting and basic premise. After Venus is struck by an asteroid in 2003, the planet is so greatly changed that it becomes possible for humans to terraform and colonize it. By 2089, the two major powers on Venus–Ishtar and Aphrodia–are drawing closer to all-out war and Earth is far enough away that its government and military can do very little to effectively intervene. Ken Seno is a young man who has been scouted by an elite unit of the Aphrodia military. He eventually joins, although initially it seems that his decision is based less on of any sort of patriotic duty than it is on his interest in the powerful, high-tech battlebikes that will come along with his assignment.

Wolf Children: Ame & Yuki by Yu. I haven’t actually seen Mamoru Hosoda’s film Wolf Children, so I have no idea how Yu’s adaptation compares with the original anime, but I can definitely say that I enjoyed the manga. Originally a three-volume series, Wolf Children has been collected into a single, hardcover omnibus for it’s English-language release. At its heart, Wolf Children is a lovely, bittersweet tale about love, family, and growing up. Hana is a young woman in college who becomes romantically involved with a man who is half-wolf. They eventually marry and have two children together who, like their father, can also transform into wolves. After he dies unexpectedly, Hana finds it more and more difficult to provide for and protect her daughter and son. In order to keep them and their secret safe, Hana ultimately moves the family to the secluded countryside where, for the first time, they truly become part of a community. Wolf Children is largely told by Yuki, the oldest of the two siblings, tracing both her family history and her and her brother Ame’s childhood. Over time, Yuki and Ame grow and change, their lives taking drastically different paths as they struggle with being part-wolf and part-human. But through everything, their mother Hana and her immense love for them is always there.

While I have almost no interest whatsoever in the lives of contemporary royal or imperial families, I find that I actually do have a significant fondness for fictional stories, historical or otherwise, that deal with royal dynasties and their courts. Generally, what particularly captures my attention is the seemingly inevitable court intrigue–the intense relationships that develop between people and the resulting complicated, shifting web of power. Potentially, all of this drama can lead to a very serious story, but some manga like The Royal Tutor are also able to incorporate a fair amount of humor and levity into the narrative.

So, you may be wondering, how can you a copy The Royal Tutor, Volume 1?

1) In the comments below, tell me a little about one of your favorite members of royalty from a manga. (Don’t have a favorite? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s really all there is to it. Participants in the giveaway have one week to submit comments and can earn up to two entries. Comments can also be sent to me directly via email using the address phoenixterran(at)gmail(dot)com if needed or desired. I will then post those entries here in your name. The giveaway winner will be randomly selected and announced on August 2, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: The Royal Tutor Giveaway Winner

Although I’ve started to include Quick Takes of novels as part of the weekly My Week in Manga feature, it’s been a little while since I’ve actually written and in-depth review of a novel here at Experiments in Manga. However, last week featured my review of Tomoyuki Hoshino’s ME, one of my most anticipated literary releases of 2017. Much like the rest of Hoshino’s work available in translation, ME is challenging and can demand quite a bit from the reader, but I found it to be worth the effort. The novel is an incredibly surreal but thought-provoking exploration of identity, self, and society. Hoshino’s fiction definitely isn’t for everyone, but I hope to see even more of it translated in the future.

Last week there were also some manga-related licensing announcements made at the San Diego Comic Con. Among other things, Udon Entertainment has picked up Virginia Nitōhei’s manga adaptation of Otherwordly Izakaya “Nobu,” will be adding Romeo & Juliet, Adventures of Tom Sawyer, and Adventures of Huckleberry Fin to its Manga Classics line, and will be releasing Mega Man MasterMix, a full-color edition of Hitoshi Ariga’s Mega Man Megamix. Vertical Comics will be publishing Kinoko Natsume’s Chi’s Sweet Adventure, a spin-off of Konami Kanata’s Chi’s Sweet Home. And finally, Viz Media announced that it would be releasing Tsuyoshi Takaki’s Black Torch, Inio Asano’s Dead Dead Demon’s Dededededestruction (I’m definitely interested in this), Aka Akasaka’s Kaguya-sama: Love is War, and Koyoharu Gotouge’s Demon Slayer: Kimetsu no Yaiba.

Elsewhere online, a recent episode of the Manga Mavericks podcast provides an overview of the licensing news from Anime Expo in addition to digging into Kabi Nagata’s My Lesbian Experience in Loneliness and Gengoroh Tagame’s My Brother’s Husband. Over at The OASG, Krystallina expresses some valid concerns and criticisms of Digital Manga’s most recent crowdfunding efforts. And speaking of crowdfunding campaigns, there have been several less dubious projects that have caught my eye recently: Deer Woman is an anthology featuring comics created by Native and Indigenous woman which are inspired by traditional Deer Woman stories; Gothic Tales of Haunted Love is a collection of full-color gothic romance comics; and then of course there’s Sparkler Monthly Magazine: Year 5 which is particularly important to me. With every year that passes Sparkler Monthly just keeps getting better and better. I’ve featured a small selection of some of the magazine’s content before, but there’s so much more that I’ve never even mentioned here and it’s all great stuff. Please consider contributing to the campaign if you’re able!

Quick Takes

After Hours, Volume 1 by Yuhta Nishio. Recently there has been a notable surge of yuri and other lesbian-themed manga being released in English, mostly by Seven Seas, although other publishers have been licensing some as well. After Hours, for example, is the first yuri title from Viz Media if not ever at least in a very long time. That certainly caught my attention, but even more so was the fact that After Hours is not a schoolgirl manga and is instead about adult women (although the cover art does make Emi in particular look fairly young). Emi is invited out to a club by her friend but is generally left to fend for herself once she’s there. That’s when Kei more or less comes to her rescue. The two women hit it off and Emi ends up going home with Kei that night, one thing leading to another. It’s incredibly refreshing that Emi and Kei’s mutual attraction isn’t treated like an aberration or made out to be like it’s a big deal simply because they’re both women. After that first night their relationship continues to naturally develop, largely without angst, as they get to know each other better, Kei introducing Emi to her friends, the local music scene, and her passion as a DJ. The release of second volume of After Hours hasn’t been publicly announced yet, but there is no question that I’ll be picking it up; I absolutely loved the first volume and look forward to reading more.

Blindsprings, Volume 1 by Kadi Fedoruk. Sadly, I was unable to contribute to the Blindsprings Kickstarter campagin which raised funds to release the first print volume of the webcomic, so I was thrilled when I had the chance to pick up an early copy and chat a little with Fedoruk at this year’s Toronto Comic Arts Festival. In addition to first five chapters of the comic, the first volume also includes twenty-six pages of bonus content, artwork, and character profiles. Blindsprings is a beautifully illustrated, full-color comic with an engaging story, a diverse cast of characters, and an intriguing, complex, and well-developed world. (I especially appreciate how a variety of genders and sexualities are naturally and unobtrusively incorporated into the story.) Princess Tamaura is about to complete her 300-year agreement to serve the as an Orphic priestess for the sake of her sister, but her contract with the Spirits is broken when she is “rescued” against her will by a young man determined to prove a point. Tammy is torn from her sanctuary and thrust into a modern world in which Orphic traditions and their practitioners are harshly oppressed, the Academists and their magic now largely in control of what was her homeland. But there are still those who resist, and Tammy soon finds herself caught up in the conflict.

Tokyo Ghoul: Past written by Shin Towada Sui Ishida and illustrated by Sui Ishida. Viz Media doesn’t publish many novels outside of its Haikasoru imprint, but considering the popularity of Ishida’s Tokyo Ghoul manga series, it’s not too surprising that Towada’s trilogy of light novels were released as well. Although Past is Towada’s third Tokyo Ghoul novel (well, technically it’s more of a collection of vaguely-related short stories), the volume serves as a prequel to Tokyo Ghoul as a whole, the six chapters delving into the backstories of many of the Tokyo Ghoul‘s prominent characters. Despite taking place before the main series, Past is definitely not an introduction. It is intended for readers who are already invested in the franchise–a few of the stories don’t absolutely require prior knowledge in order to follow them, but others are nearly incomprehensible without at least some basic familiarity with Tokyo Ghoul. The general premise of Past is great, the volume allowing fans of Tokyo Ghoul the chance to spend more time with and gain a better understanding of some of the characters, especially as Past is able to tell stories that wouldn’t have immediately fit in the primary series. It’s unfortunate then that the actual writing is frustratingly awful much of the time with drama and angst frequently favored over plot developments that make logical sense.

My introduction to the work of Tomoyuki Hoshino was through We, the Children of Cats, a volume containing a selection of his short stories and novellas which left a tremendous impression on me. Since encountering that collection, I’ve made a point to seek out and read everything of Hoshino’s that has been translated into English. (Sadly, there hasn’t been very much.) I was very excited to learn that Akashic Books would be publishing Charles De Wolf’s translation of ME, a book which quickly become one of my most anticipated literary releases of 2017. After Lonely Hearts Killer, ME is only the second of Hoshino’s novels to be released in English. Originally published in Japan in 2010 under the title Ore Ore (It’s Me, It’s Me, a reference to a common telephone scam), the novel would go on to win the 2011 Kenzaburō Ōe Prize and was later adapted as a live-action film directed by Satoshi Miki in 2013. In addition to the main text, the English-language edition of the novel also includes an afterword by Kenzaburō Ōe as well as a brief essay from the translator. Hoshino’s works can be challenging and demanding, but in my experience they can also be powerfully rewarding and meaningful; I was looking forward to reading ME a great deal.

When a stranger accidentally leaves his cellphone on the wrong food tray at a McDonald’s, the novel’s narrator Hitoshi Nagano makes an impulsive decision–he simply walks out of the restaurant with it. As a joke he calls the mother of the cell phone’s owner, pretending to be her son Daiki Hiyama. But he ends up taking the prank a little too far, not quite intentionally convincing her to transfer ¥900,000 into his bank account. Much to Hitoshi’s surprise, a few days later Daiki’s mother suddenly shows up at his apartment acting as though he is in fact her erstwhile son. Understandably and extraordinarily confused by this turn of events, Hitoshi makes a point to visit the home of his own mother only to discover that there’s already a Hitoshi Nagano there. And what’s more, he isn’t the only one to have recently visited claiming to be Hitoshi Nagano. With multiple people seeming to be posing as him, the only identity that remains available for Hitoshi to take appears to be that of Daiki Hiyama. And that’s when things start to get really strange.

Themes of identity and the fluidity of self can be found in many of Hoshino’s translated works, but they are particularly prominent in ME where they form the absolute core of the story being told. Both Hoshino’s long fiction and short stories can often be fairly surreal and ME is certainly no exception, although I do feel that the novel is probably one of his more readily accessible long-form works. Granted, none of the characters are especially likeable, but the basic premise of ME, while incredibly and increasingly strange, is still straightforward enough to follow at the surface level. However, to truly and fully appreciate the entirety of the novel and its depth not only demands but requires a particularly careful and close reading of the text. It would be very easy for readers to get lost if they don’t pay close attention to what is happening and how the novel and its language subtly shifts and changes along with the narrator’s identity. Even the genre isn’t fixed and transforms as the story progresses–ME begins as a peculiar comedy but by its end has dramatically evolved into dystopic horror. The narrative development of ME is both fascinating and perplexing.

Similar to other works by Hoshino, reading ME is an immensely thought-provoking but disorienting experience. The novel’s narrator, who is always himself but not always in the ways he expects to be, is enduring a fantastical identity crisis which, on occasion, still manages to be oddly relatable. He encounters more and more people who are him but not him, their backgrounds and personalities slowly blending together with less and less to differentiate among them. At first there is a sense of euphoria in finding like-minded people, but eventually a tremendous uneasiness begins to develop–hatred of others becomes hatred of self and vice versa, ultimately erupting in a violent confrontation which is part of a vicious cycle that is extremely difficult to escape or nullify. ME is intensely psychological and philosophical, the story using speculative fiction to outline a cerebral exploration of self, society, and the relationship between them. The novel can be simply read for entertainment, but if allowed it also prompts readers to examine the volatile nature and meaning of identity. Hoshino’s work tends to stick with me and I know I’ll be thinking about ME and the ideas it presents for quite some time.

Thank you to Akashic Books for providing a copy of ME for review.

Things are more or less back on regular schedule here at Experiments in Manga which means last week I posted the Bookshelf Overload for June. It was a relatively small month, especially when compared to other recent months, but I was still very excited about the various manga, comics, and other books that I picked up. Since I’m back on schedule, later this week I’ll be posting my long-overdue review of Tomoyuki Hoshino’s novel ME. Like the rest of Hoshino’s work available in English (I’ve also reviewed We, the Children of Cats and Lonely Hearts Killer in the past), the novel is challenging but I think worth the effort it takes to read.

Speaking of things that I’ve reviewed in the past, Yeon-sik Hong’s Uncomfortably Happily was a manhwa that I greatly enjoyed. The translator, Hellen Jo, was recently interviewed about her work on the comic and how she personally related to Hong’s story. Manga podcasts seem to be making a comeback these days, and I don’t see that as a bad thing. Last week saw the release of the first episode of Manga in Your Ears, a podcast featuring a few of the manga bloggers that I particularly admire, so I’m very excited to give it listen. Another interesting development that I caught wind of last week was Digital Manga’s most recent crowdfunding campaign. Juné Manga is attempting to raise funds to reprint some titles (A Promise of Romance by Kyoko Akitsu, Endless Comfort by Sakuya Sakura, and Secrecy of the Shivering Night by Muku Ogura) directly through its website rather than through Kickstarter.

Lately, I’ve been somewhat remiss in mentioning the Kickstarter projects that have caught my eye, so here’s a quick list of some of the comics campaigns that are currently running: Lucy Bellwood’s 100 Demon Dialogues is a collection of wonderful short comics exploring themes of anxiety and self-doubt; Elizabeth Beier’s autobiographical comics about bisexuality are being collected together in The Big Book of Bisexual Trials and Errors; the comics anthology Immortal Souls, which focuses on queer witches and dark magicis the followup to the excellent Power & Magic; the third and final volume of Speculative Relationships brings together a variety of science fiction romance comics; Tim’rous Beastie has a great lineup of creators whose comics take inspiration from works like Redwall, The Rats of NIHM, and Watership Down; and finally there’s We’re Still Here, an anthology bringing together fifty-five trans comic creators in what should be phenomenal collection.

Quick Takes

Land of the Lustrous, Volume 1 by Haruko Ichikawa. Despite the frequently heavy-handed and detailed exposition present in the first volume of Land of the Lustrous, I can’t say that I necessarily understand everything that’s going in the series yet, but I am most definitely intrigued. If nothing else, Ichikawa’s illustrations are incredibly striking and I would be happy to read more of the manga for no other reason than the artwork. Twenty-eight crystalline lifeforms known as the Lustrous, each with their own unique qualities and abilities, battle for survival against the enigmatic Lunarians. Phosphophyllite wants nothing more than to fight but, being such a fragile gem, is instead given the task of writing a natural history. Though it’s said to be a vitally important job, Phos isn’t particularly pleased but comes to realize that many of the other gems aren’t wholly satisfied with their lots either. The first volume’s theme is “searching for purpose” which at this point seems to apply both to the series itself as well as to its characters. At first the narrative feels somewhat directionless, generally serving as a vehicle for stunning visuals and not much else, but once the peculiar world and characters have been thoroughly established, a tantalizing potential for greater drive and meaning begins to coalesce.

Sacred Heart by Liz Suburbia. Sacred Heart is Suburbia’s debut graphic novel, a completely redrawn version of her webcomic by the same name. When Ben Schiller comes across the dead body of someone she knows very early on in the comic–a moment that is acknowledged but passes with surprisingly little excitement or comment–it’s one of the first clues that something is off about the town of Alexandria. Eventually it’s revealed that all of the adults have left, supposedly to return, but no one knows when that will be. In the meantime the teenagers have the run of the place, waiting for their parents and distracting themselves from their predicament by spending their time partying and hooking up. But that can only last for so long–tensions are high and more and more people are dying under peculiar circumstances. While there is an underlying and marvelously ominous unease pervading the story, Suburbia also shows a great sense of humor in the comic. The very end of Sacred Heart was a bit abrupt and not everything is completely explained (which admittedly isn’t necessary), but for the most part I really enjoyed the comic and would be interested in reading more of Suburbia’s work. Fortunately, it seems that Suburbia has plans for three more volumes to follow Sacred Heart as sequels.

Whispered Words, Omnibuses 2-3 (equivalent to Volumes 4-9) by Takashi Ikeda. While I enjoyed Whispered Words from its very start, I do feel that it’s a series that gets even better as it progresses. Though there is still a fair amount of humor, Ikeda largely moves away from the over-the-top ridiculousness found in the early series in favor of a more mature exploration of Sumika and Ushio’s changing relationship. It’s extremely unfortunate then that the quality of One Peace Books’ edition somehow manages to get even worse as it goes along. Probably most problematic is that partway through the third and final omnibus a page was skipped. The series is still readable, but the flow of the manga and the two-page spreads are completely ruined as a result. Ikeda has a tendency to develop the story by simultaneously exploring the character’s feelings and experiences from multiple points in time. It’s a technique that can be quite effective, but the printing error can make the transitions between the flashforwards and flashbacks jarring. I do believe the publisher corrected the issue of the missing page in later printings, so it’s something to be aware of and look out for. Quality control aside, Whispered Words is generally a pretty great yuri series. (It also gets bonus points from me for being about karate, too.)

Manga!
After Hours, Volume 1 by Yuhta Nishio
Dorohedoro, Volume 21 by Q Hayashida
Erased, Omnibus 2 by Kei Sanbe
Golden Kamuy, Volume 1 by Satoru Noda
Goodnight Punpun, Omnibus 6 by Inio Asano
Liselotte & Witch’s Forest, Volumes 1-3 by Natsuki Takaya
My Lesbian Experience with Loneliness by Kabi Nagata
Pet Shop of Horrors, Volume 9 by Matsuri Akino
Prison School, Omnibus 7 by Akira Hiramoto
The Royal Tutor, Volume 1 by Higasa Akai
Sweetness and Lightning, Volume 5 by Gido Amagakure
Ten Count, Volume 4 by Rihito Takarai
Vagabond, Omnibuses 10-12 by Takehiko Inoue
Vinland Saga, Omnibus 9 by Makoto Yukimura
The Water Dragon’s Bride, Volume 1 by Rei Toma

Comics!
Bara Emergency, Collection 1 by Nero O’Reilly
Boundless by Jillian Tamaki
Boy, I Love You edited by Kou Chen, Emily Forster, and Eric Alexander Arroyo.
Combed Clap of Thunder by Zach Hazard Vaupen
Cosmic Commandos by Chris Eliopoulos
Deanthology: Collected Works of Dechanique, 1995-2016 by Deanna Echanique
Destiny, NY, Volume 1 written by Pat Shand, illustrated by Manuel Preitano
Let’s Speak English by Mary Cagle
Not Drunk Enough, Volume 1 by Tessa Stone
Siegfried, Volume 3 by Alex Alice
Space Battle Lunchtime, Volume 2 by Natalie Riess
Steam Clean by Laura Kenins

Novels!
The Great Passage by Shion Miura
The Sacred Era by Aramaki Yoshio
Slow Boat by Hideo Furukawa
A Small Charred Face by Kazuki Sakuraba
Sound! Euphonium by Ayano Takeda

Nonfiction!
The Cultural Revolution: A People’s History, 1962―1976 by Frank Dikötter
Manga in Theory and Practice: The Craft of Creating Manga by Hirohiko Araki