<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>Out On The Stoop</title><description>Out On The Stoop is my exploration about things to know, talk about or experience these amazing times. The Stoop mantra is Think, think, it ain't illegal yet.</description><managingEditor>noreply@blogger.com (Gena)</managingEditor><pubDate>Tue, 30 Jun 2026 11:12:06 -0700</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1259</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>https://outonthestoop.blogspot.com/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><copyright>2008 Gena Haskett</copyright><itunes:keywords>community,conversation,essay,citizen,reporter,citizen,journalism,videoblogging,vlogging,stories</itunes:keywords><itunes:summary>Out On The Stoop is a web guide and conversation generator for newbies, concerned citizens and the group mind. Think, think, it ain't illegal yet.</itunes:summary><itunes:subtitle>Out On The Stoop</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><item><title>AudioMo Day 30 - The Past and Present Memory</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-30-past-and-present-memory.html</link><category>AudioMo</category><category>food</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 30 Jun 2026 11:12:06 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-5541938697689016490</guid><description>&lt;p&gt;I had to race up to 2026 but that doesn't mean that we are free and clear of minstrel's influence on American culture.&amp;nbsp;&lt;/p&gt;&lt;p&gt;It is embedded. It is transmitted. It is encoded in a lot of things. Even a 2026 food commercial. This is my subjected look at how the past is influencing the present.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/A_xCsJCsa6A?si=Pm_Um-b2nEaoMXON" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/A_xCsJCsa6A/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>ARP Day 25-28 A Slight Detour</title><link>https://outonthestoop.blogspot.com/2026/06/arp-day-25-28-slight-detour.html</link><category>health</category><category>thinking</category><author>noreply@blogger.com (Gena)</author><pubDate>Mon, 29 Jun 2026 18:23:47 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2076240359590580450</guid><description>&lt;p&gt;&amp;nbsp;Sometimes you are yanked out of your normal life and put into a holding pattern.&lt;/p&gt;&lt;p&gt;You can fight it but I might be a good time to accept and see what you can learn from it.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/lmAAxe9-fPE?si=qPfdpJwI3ISgYKh5" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;That is what I told myself. Sometimes it worked, sometimes it didn't. I will wrap up the minstrel entertainment connection tomorrow.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/lmAAxe9-fPE/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 25 Imitation of Life</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-25-imitation-of-life.html</link><category>AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Thu, 25 Jun 2026 22:18:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2204016785879279610</guid><description>&lt;p&gt;According to the Britannica website, Fannie Hurst was an author who was concerned about romance and also social issues.&lt;/p&gt;&lt;p&gt;Fannie, to the best of her abilities, wanted to know what real people experienced. She took low wage jobs, she traveled with the common folk and made an effort to inject those experiences in her writing.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/NHogKEBnud0?si=e8M3lkF2ZzirVJq-" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;This is a quick look at two film version of one of her works, Imitation of Life.&lt;/p&gt;&lt;p&gt;If you would like to know more about Fannie Hurst, there is the &lt;a href="https://www.literaryladiesguide.com/author-biography/hurst-fannie/" target="_blank"&gt;Literary Ladies Guide biography&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;And another biography at the&amp;nbsp;The State Historical Society of Missouri &lt;a href="https://missouriencyclopedia.org/people/hurst-fannie" target="_blank"&gt;Missouri Encyclopedia&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/NHogKEBnud0/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 24 Theatrical Animation</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-24-theatrical-animation.html</link><category>AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Wed, 24 Jun 2026 16:07:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-8078836106055944626</guid><description>&lt;p&gt;A little more personal than I would like, but I do mention some of the cartoons that have links to minstrel and vaudeville.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/Asy504glwTY?si=shWXRAeoMZAnSXwk" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Most animators were not intending to harm but they repeated what they knew or saw on stage. If all you know is snow, how can you recognize the green grass?&amp;nbsp;&lt;/p&gt;&lt;p&gt;I do think the website TV Tropes does a good job explaining the cartoon &lt;a href="https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/CoalBlackAndDeSebbenDwarfs" target="_blank"&gt;Coal Black and De Sebben Dwarfs&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&lt;p&gt;You can probably find a copy of that cartoon on YouTube. I have no desire to link to it.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/Asy504glwTY/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 23 The Beulah Show</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-23-beulah-show.html</link><category>AudioMo</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 23 Jun 2026 09:23:22 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2780319231443057770</guid><description>&lt;p&gt;There are times when the fiction is simple but the reality behind it is complex. Such is the case with the radio and television shows eventually called The Beulah Show.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/Fq45jTmzXcw?si=WLTwWwxvuYIFVbmG" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For More Information:&lt;/p&gt;&lt;p&gt;Television Academy &lt;a href="https://interviews.televisionacademy.com/shows/beulah?chapter=2&amp;amp;clip=37936" target="_blank"&gt;Interviews&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Hattie McDaniel &lt;a href="https://hattiemcdaniel.com/filmography/" target="_blank"&gt;Filmography&lt;/a&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/Fq45jTmzXcw/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 22 Mantan Moreland</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-22-mantan-moreland.html</link><category>AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Mon, 22 Jun 2026 08:18:17 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-9119210992616468901</guid><description>&lt;p&gt;In movies, there wasn't just blackface. There was yellowface too. The Charlie Chan movies always had the character Charlie Chan performed by a white man.&amp;nbsp;&lt;/p&gt;&lt;p&gt;There various sons and daughters were portrayed by Asian actors.&amp;nbsp; At some point, someone at Monogram Studios decided it was a good idea for Mr. Chan to have a driver called Birmingham Brown.&lt;/p&gt;&lt;p&gt;Before Charlie, we have to talk about Mantan Moreland.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/5lJt5mWBNZg?si=9Q-EV8UxYf5wO-s7" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;&lt;p&gt;For more information:&lt;/p&gt;&lt;p&gt;Today I Found Out - &lt;a href="https://www.todayifoundout.com/index.php/2016/03/mantan-moreland-black-comedian-almost-one-three-stooges/" target="_blank"&gt;Mantan Moreland&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Yellow Face - &lt;a href="https://www.yellow-face.com/" target="_blank"&gt;History of Yellow Face in American movies&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Same Passage &lt;a href="https://samepassage.org/mantan-moreland/" target="_blank"&gt;page on the actor&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/5lJt5mWBNZg/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 21 - Amos and Andy Radio Show</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-21-amos-and-andy-radio-show.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Sun, 21 Jun 2026 14:34:04 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-4113590618240410005</guid><description>The history of the Amos and Andy radio show is all about uncomfortable history. But uncomfortable history doesn't exempt you from knowing about it.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This team pioneered a form of storytelling and method of syndication. On the other hand, they brought every trope that was in minstrel and vaudeville performances to a national audience.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp;
&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/gi2HwyTXWNo?si=CK_r_mNOMDHdIfzT" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;

AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.
&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;For more information:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This Old Radio Show page on the &lt;a href="https://www.thisoldradioshow.com/TheStoryOfAmosAndAndy.php" target="_blank"&gt;radio and television show&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Underground History for a &lt;a href="https://www.undergroundhistory.com/stories/amos-n-andy/" target="_blank"&gt;different point of view&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;The Jim Crow Museum page &lt;a href="https://jimcrowmuseum.ferris.edu/question/2005/october.htm" target="_blank"&gt;on the program&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/gi2HwyTXWNo/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 20 Arthur Wilson AKA Dooley Wilson</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-20-arthur-wilson-aka-dooley.html</link><category>#AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Sat, 20 Jun 2026 16:26:14 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-6317210357709838993</guid><description>&lt;p&gt;You might know Dooley Wilson from the movie Casablanca. But there is a lot more to learn about this performer.&lt;/p&gt;&lt;p&gt;He started and worked with the first professional black theater group. That he traveled across the county and to Europe as a singer and had his own band.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/MCc6Jq4ijhk?si=T0osIxXqxJm06Wts" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Wilson was under contract with Paramount Pictures. Who the proceeded to cast him as the porter, the driver and characters with one word names that spoke no more than two or more lines.&lt;/p&gt;&lt;p&gt;But in 1942 that changed with the movie, Casablanca.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h3 style="text-align: left;"&gt;For more information:&lt;/h3&gt;&lt;p&gt;IMDB page on &lt;a href="https://www.imdb.com/name/nm0933330/bio/" target="_blank"&gt;Dooley Wilson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;New York Amsterdam &lt;a href="https://amsterdamnews.com/news/2021/11/11/dooley-wilson-often-uncredited-and-dubbed-in-his-films/" target="_blank"&gt;News Article&lt;/a&gt; on Dooley Wilson with info about his early days and career journey.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/MCc6Jq4ijhk/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 19 Lincoln Theodore Monroe Andrew Perry</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-19-lincoln-theodore-monroe.html</link><category>AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Fri, 19 Jun 2026 21:22:42 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-499515497033969195</guid><description>&lt;p&gt;You might not know the name of Lincoln Perry but you might recognize the name of Stepin Fetchit. Mr. Perry's career is the living proof of being between and rock and a hard place.&lt;/p&gt;&lt;p&gt;This is a brief look at his career and some of the challenges he faced. If you would like to know more:&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/X66bS7e_yyk?si=1P7KXihxT5wJz-He" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Lincoln Theodore Monroe Andrew Perry, “Stepin Fetchit,” &lt;a href="https://www.harlemworldmagazine.com/lincoln-theodore-monroe-andrew-perry-stepin-fetchit-the-rise-and-fall-of-the-first-black-super-star-1902-1985/" target="_blank"&gt;The Rise And Fall Of The First Black Super Star&lt;/a&gt;, 1902 – 1985&lt;/p&gt;&lt;p&gt;The “&lt;a href="https://actorsunderthestars.com/the-stepin-fetchit/" target="_blank"&gt;Stepin Fetchi&lt;/a&gt;t” via the Actors Under the Stars website.&lt;/p&gt;&lt;p&gt;Turner Classic Movies did a review about the movie &lt;a href="https://www.tcm.com/articles/133210/judge-priest" target="_blank"&gt;Judge Priest&lt;/a&gt; that had both Stepin Fetchit and Hattie McDaniel as featured players.&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/X66bS7e_yyk/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 18 Start of Black Cinema</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-18-start-of-black-cinema.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Fri, 19 Jun 2026 20:53:52 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-3241619866831495500</guid><description>With the Hayes code and Jim Crow in effect, the ancestors decided to make their own movies.
They started out with short films but soon were making full length films.&amp;nbsp;&lt;p style="text-align: center;"&gt;&amp;nbsp;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/CDblcyayo2U?si=lXpAXpzY94x-0qN4" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/CDblcyayo2U/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 17 The Hays Code</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-17.html</link><category>Audio</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Wed, 17 Jun 2026 20:56:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-4837977581154716910</guid><description>1930 was the creation of the Hays code, which dictated what you could and could not do in movies.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;One of those things was a reduction in the amount of love and sexuality that could appear in a Hollywood movie. TLDL, not much.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/2rEwdtGSw7E?si=nAhSMiaXc-FgdQbF" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.

#AudioMo #History&lt;/div&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/2rEwdtGSw7E/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 16 The Decline of TOBA</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-16-decline-of-toba.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 16 Jun 2026 19:02:40 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-1664326779349964686</guid><description>&lt;p&gt;There are forces that are causing the downfall of TOBA and black vaudeville. There is that pesky technology, the great depression and an audience that is exercising their right of choice.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/J93m3feX84o?si=oRp87cVu4MwFlU65" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/J93m3feX84o/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 15 Al Jolson and the Journey</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-15-al-jolson-and-journey.html</link><category>AudioMo</category><category>Movie History</category><author>noreply@blogger.com (Gena)</author><pubDate>Mon, 15 Jun 2026 12:15:57 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-3724393686744283929</guid><description>Al Jolson is a time marker between the past and the future. He had extensive experience in vaudeville as well as traditional theater. He did that using his blackface persona on stage.
In 1929 he appeared in the first sound movie, The Jazz Singer.&lt;div&gt;&lt;br /&gt;&lt;p style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/nNz7N9etYMw?si=Yp5VjKlh-hVwu5W7" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;




AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/nNz7N9etYMw/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 14 Bessie Smith</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-14-bessie-smith.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Sun, 14 Jun 2026 21:04:41 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-3944020211027117333</guid><description>&lt;p&gt;Many of the minstrels and vaudeville performers were poor or were born on the so-called wrong side of the tracks.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Being able to sing and dance might help you and your family eat or have a place to live. And that could start in childhood or as a teenage. Survival was everything and with no social support system people did what they could do.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/T6272REf_BM?si=IMEQk4FayskEgRc9" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Bessie Smith lost her father and mother early in life. Some reports say an older sister took care of the siblings, other state it was an aunt.&amp;nbsp;&lt;/p&gt;&lt;p&gt;In either case, those who were old enough were expected to find ways to bring home some money.&lt;/p&gt;&lt;p&gt;Bessie, and two of her brothers Clarence and Andrew busked around the city getting those coins by singing and dancing on the street.&lt;/p&gt;&lt;p&gt;Bessie's life was complicated and I encourage you to check out the following resources:&lt;/p&gt;&lt;p&gt;Bessie Smith (ca. 1895–1937) was a blues and jazz singer from the Harlem Renaissance who is remembered at as the &lt;a href="https://nmaahc.si.edu/lgbtq/bessie-smith" target="_blank"&gt;Empress of the Blues&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&lt;p&gt;From the Women and the American Story there is "&lt;a href="https://wams.nyhistory.org/life-story/bessie-smith/" target="_blank"&gt;Bessie Smith&lt;/a&gt;." The New York Historical,&amp;nbsp;&lt;/p&gt;&lt;p&gt;National Public Radio did a 2019 story about Bessie's &lt;a href="https://www.npr.org/2019/08/05/747738120/how-bessie-smith-influenced-a-century-of-popular-music" target="_blank"&gt;influence on popular music&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/T6272REf_BM/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 13 Bessie Lamb and Her Genre of Music</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-13-bessie-lamb-and-her.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Sat, 13 Jun 2026 14:12:27 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-4752422862523906556</guid><description>&lt;p&gt;This isn't getting any easier. There were multiple genres of music between 1870 to 1920. There was high brow, low brow, dirty also known as blue and then there is this specific genre which I really don't want to name.&amp;nbsp;&lt;/p&gt;&lt;p&gt;But I can show it to you on this blog.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf6CjGNN9pfP-P7lQdZH_IFM8D1JfP_KxrFdyWP74jEGzSfE7Aaic-UXYxVWh-UdG4YG9nBCGk7h3sHB2AWaiQfxHXz9bwy7iJ-RDynoSw5zoDF7VkxngplWFNqOGSYj_pHNXIsFxs1wEN6n_5PayYGPe56Q-Nngumrx3822gh7KtfC0PoVZ5m/s564/Sheet%20Music%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img alt="Cover of sheet music with the title of Coon and Plantation Songs" border="0" data-original-height="564" data-original-width="443" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf6CjGNN9pfP-P7lQdZH_IFM8D1JfP_KxrFdyWP74jEGzSfE7Aaic-UXYxVWh-UdG4YG9nBCGk7h3sHB2AWaiQfxHXz9bwy7iJ-RDynoSw5zoDF7VkxngplWFNqOGSYj_pHNXIsFxs1wEN6n_5PayYGPe56Q-Nngumrx3822gh7KtfC0PoVZ5m/w251-h320/Sheet%20Music%20Cover.jpg" title="Sheet Music Cover of Coon and Plantation Songs" width="251" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;And this is one of the more benign covers. Bessie is the means of introducing this type of songs that were popular and were sung on Vaudeville stages, bars and even in homes.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/BMJIS6ALERg?si=YIkfKAm-bPdGMbqu" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf6CjGNN9pfP-P7lQdZH_IFM8D1JfP_KxrFdyWP74jEGzSfE7Aaic-UXYxVWh-UdG4YG9nBCGk7h3sHB2AWaiQfxHXz9bwy7iJ-RDynoSw5zoDF7VkxngplWFNqOGSYj_pHNXIsFxs1wEN6n_5PayYGPe56Q-Nngumrx3822gh7KtfC0PoVZ5m/s72-w251-h320-c/Sheet%20Music%20Cover.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Day 12 - Shadow of the Crow</title><link>https://outonthestoop.blogspot.com/2026/06/day-12-shadow-of-crow.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Fri, 12 Jun 2026 21:39:23 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2820172605008930333</guid><description>&lt;p&gt;&amp;nbsp;This is an extract from a book about this time period:&lt;/p&gt;&lt;p&gt;During the post-Civil War era, black performers struggled with the dual burden of seeking paying roles in entertainment and presenting the black community with dignity.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Minstrelsy was still a prominent form of entertainment in the early twentieth century. Black performers like Bert Williams and Ernest Hogan entered the space only to modernize and update it.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/gqzwZQGlHT0?si=KQ_0iyk7v2lOkaha" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;They served as a bridge between the minstrel show and the growing popularity of vaudeville, an increasingly popular form of theater that included musical, dance, and comedic acts. Black stage entertainers like Williams and Hogan could blacken their faces, sing, and perform comedy revolving around ill-fated schemes.&lt;/p&gt;&lt;p&gt;But they also introduced performances which added a greater humanity into their characters. Productions by black producers like Bert Williams could also include discussions of anti-colonialism in Africa and critiques against further development of Jim Crow laws.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This political critique was disguised as comedy for largely white audiences. These performances gave African Americans a fullness not often seen when white actors sought to “depict” African Americans in blackface.&lt;/p&gt;&lt;p&gt;Kenya Davis-Hayes, &lt;a href="https://www.gilderlehrman.org/ap-african-american-studies/unit-3/black-organizing-early-twentieth-century/african-american-representation-stage-screen-airwaves-2025" target="_blank"&gt;African American Representation on the Stage, Screen, and Airwaves&lt;/a&gt; (2025)&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/gqzwZQGlHT0/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Audio Mo Day 10 and 11</title><link>https://outonthestoop.blogspot.com/2026/06/audio-mo-day-10-and-11.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Fri, 12 Jun 2026 21:33:42 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-5716036044401788228</guid><description>&lt;p&gt;&amp;nbsp;Just a quickie on the growing popularity of the two separate but unequal forms of vaudeville.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/7WckMNjOcnE?si=AA_0JeMFlZN4aggt" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/7WckMNjOcnE/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 9 Butterbeans and Susie</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-9-butterbeans-and-susie.html</link><category>#AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 9 Jun 2026 17:19:01 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2694549294599402065</guid><description>&lt;p&gt;Butterbeans and Susie worked for over 40 years with their comedy routine of marriage, jokes and dance numbers.&amp;nbsp;&lt;/p&gt;&lt;div&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/8v7p6AEdJ_0?si=RBUyGYaDYCMsTnlM" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;They also had hit records that could have never been played on the radio.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This is a moment with pioneers of comedy.

AudioMo is an international participation of folks that want to share what they can do with the audio format.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/8v7p6AEdJ_0/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 8 TOBA and Black Vaudeville</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-8-toba-and-black-vaudeville.html</link><category>#AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 9 Jun 2026 16:49:50 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-7792051122766954212</guid><description>&lt;p&gt;There were segregation rules. There were theaters that did not allow black performers and certainly not black audiences.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Sherman Dudley thought there has to be a better way. And then he created it.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/iQm5_GErPKc?si=itA7Qt0og7yeg-DS" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;This is an introduction to&amp;nbsp;The Theatre Owners Booking Association aka TOBA and some of the pros and cons about the theater circuit for black performers and audiences.&lt;/p&gt;&lt;p&gt;If you like to know more, there is a 2023 book by Michelle R. Scott 2023 book about TOBA called &lt;a href="https://lit.newcity.com/2023/01/30/get-the-show-on-the-road-t-o-b-a-time-black-vaudeville-and-the-theater-owners-booking-association-in-jazz-age-america/" target="_blank"&gt;Get the show on the road&lt;/a&gt;&amp;nbsp;and ABS History video about &lt;a href="https://www.youtube.com/watch?v=fifeuYEXgMQ" target="_blank"&gt;Black Vaudeville&lt;/a&gt; on YouTube.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/iQm5_GErPKc/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 7 Birth of Vaudeville From Beer Hall to Stage</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-7-birth-of-vaudeville-from.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Sun, 7 Jun 2026 09:33:44 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-7270473741189710435</guid><description>The American version of vaudeville grew out of beer halls. This is how it got started and the links to known performers and minstrel connections.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp; 


&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/xodEJGTfoiI?si=10gmMdWzdOS9TsQW" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;If you want to know more, the University of Arizona has an excellent page on Vaudeville&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;The online version of Britannica has info about vaudeville, burlesque and the UK Tavern version of performing in alcohol establishments.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.


&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/xodEJGTfoiI/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 6 Bert Williams Stagecraft Under Duress</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-6-bert-williams-stagecraft.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Sat, 6 Jun 2026 08:09:48 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2598890427173022066</guid><description>Bert Williams worked in minstrel shows. When those shows started to fade in popularity, he was able to transition to vaudeville. This is an overview of his career and some of the challenges he faced.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/DC0Rt-SmiZc?si=VwnwPBlO8aTHsW7F" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to learn more about Bert Williams here are some resources:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;ul style="text-align: left;"&gt;&lt;li&gt;There is a &lt;a href="https://www.loc.gov/item/n82115395/bert-austin-williams/ " target="_blank"&gt;short bio&lt;/a&gt; page from Library of Congress&amp;nbsp;&lt;/li&gt;&lt;li&gt;IMDB has a bio page and lists his &lt;a href="https://www.imdb.com/name/nm0930094/?ref_=tt_ov_3_1" target="_blank"&gt;four known movies&lt;/a&gt;.&amp;nbsp;&lt;/li&gt;&lt;li&gt;&lt;a href="https://journeys.dartmouth.edu/bertwilliams/biography/" target="_blank"&gt;Dartmouth University&lt;/a&gt; page on Bert Williams https://journeys.dartmouth.edu/bertwilliams/biography/&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&amp;nbsp;&lt;/p&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/DC0Rt-SmiZc/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 5 Minstrel Show Roots of American Comedy</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-5-minstrel-show-roots-of.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Fri, 5 Jun 2026 21:11:46 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2944677815497438799</guid><description>&lt;p&gt;Folks like WC Fields, Abbot and Costello, Martin &amp;amp; Lewis all used element of holding an audience that was transmitted from minstrel shows and vaudeville. In this episode, the elements of comedy used in those shows.&lt;/p&gt;

&lt;div style="text-align: center;"&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/arZdi8yIO4w?si=p4I99kgXpzCZQA8t" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For more info there is the &lt;a href="https://jimcrowmuseum.ferris.edu/links/essays/comer.htm" target="_blank"&gt;The Jim Crow Museum &lt;/a&gt;at Ferris University.&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/arZdi8yIO4w/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 4 - George Washington's President's House</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-4-george-washingtons.html</link><category>AudioMo History</category><author>noreply@blogger.com (Gena)</author><pubDate>Thu, 4 Jun 2026 19:53:11 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-3971159074599034482</guid><description>A detour into 2026 with the current actions regarding the President's House in Philadelphia. George Washington had slaves.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Lots of them. But due to an White House executive order, the exhibit was removed.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The more interesting story is about Ona Judge. If you would like more info abut Ona, and a more accurate history here is what I have for you:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/m4ce2NqbC8A?si=bt2wrUFX8qU5sg-O" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;On the Mount Vernon website is the story about &lt;a href="https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/ona-judge " target="_blank"&gt;Ona Judge&lt;/a&gt;.
https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/ona-judge&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Shush, don't tell anybody but some of the &lt;a href="https://www.nps.gov/inde/planyourvisit/presidentshousesite.htm" target="_blank"&gt;exhibit&lt;/a&gt; is still on the National Parks website. https://www.nps.gov/inde/planyourvisit/presidentshousesite.htm&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;And the Encyclopedia of Virginia has more information about his &lt;a href="https://encyclopediavirginia.org/entries/washington-george-and-slavery/" target="_blank"&gt;ownership activities&lt;/a&gt;.
https://encyclopediavirginia.org/entries/washington-george-and-slavery/&amp;nbsp;&lt;br /&gt;



&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/m4ce2NqbC8A/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day 3 - Black Minstrels</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-3-black-minstrels.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Wed, 3 Jun 2026 17:19:14 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-2826014166646183877</guid><description>&lt;p&gt;It didn't take long for slaves and free black folks to want to get in on the action. They knew that they could do it. But they faced laws, slave codes and other barriers to performance.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is the TLDR version of how the ancestors broke into the industry.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/I2xr00K85cs?si=LGfqK_2v86W9EB0D" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;AudioMo is an international participation of folks that want to share what they can do with the audio format.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.&lt;/p&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/I2xr00K85cs/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>AudioMo Day Two History Behind Stephen Foster's Old Black Joe</title><link>https://outonthestoop.blogspot.com/2026/06/audiomo-day-two-history-behind-stephen.html</link><category>AudioMo</category><category>history</category><author>noreply@blogger.com (Gena)</author><pubDate>Tue, 2 Jun 2026 07:41:48 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-6867185.post-871203519033876235</guid><description>Stephen Foster was a songwriter. He had two styles of composition. One for the minstrel stage where he wrote in a stereotypical style and one for the parlor or for family occasions.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Old Black Joe was created for the singing in the parlor audience.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/EqX7tzzR7K0?si=p7VoJ1nGMIg2W07N" title="YouTube video player" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;If you would like to see the poem/song lyrics, there is a version of it on the &lt;a href="https://www.poetryfoundation.org/poems/44257/old-black-joe" target="_blank"&gt;Poetry Foundation&lt;/a&gt;'s website.&amp;nbsp;&lt;/p&gt;&lt;p&gt;If you would like to know more about Stephen Foster, the Library of Congress has a &lt;a href="https://www.loc.gov/item/n50023175/stephen-collins-foster-1826-1864/" target="_blank"&gt;biography&lt;/a&gt; of the songwriter.&amp;nbsp;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;

AudioMo is an international participation of folks that want to share what they can do with the audio format. This is a captioned audio for those folks that are deaf, hearing impaired or English is not their native language.


&lt;/div&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/EqX7tzzR7K0/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item></channel></rss>