Infographics news

2012: the year of Malofiej 20

2012-01-14T15:55:00.001+01:00

The Malofiej Awards, the most important awards-summit-workshops-party of infographics in this world, is becoming 20 in 2012. As John Grimwade says and malofiej20.com remebers "You must attend Malofiej at least once in your life". And this is the right time, as the infographics Mecca is preparing a great program of high-class events to commemorate its anniversary.

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Texas and weather graphics: the Dallas Morning News instant classic

2012-01-02T22:37:00.001+01:00

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I've seen today a superb job by one of myy favourites infographics journalists, Jay Carr from the Houston Chronicle. It was a graphic showing the evolution of weather in Texas.

But I had a problem. It resembles too much to an example I loved form a neighbour newspaper some years ago, The Dallas Morning News.

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The Functional Art: all you need to know about infographics, coming next summer

2011-12-07T15:28:00.000+01:00

If you're reading this blog, you may know who Alberto Cairo is. Former graphics director at elmundo.es, infographics professor at Chapel Hill, Infographics director at Globo (Brazil) and, most recently, infographics professor at the University of Miami.
After this (useless) introduction, there's something you need to know: his most recent book, El Arte Funcional, is being translated to english and The Functional Art will be available in summer 2012.
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Amanda Cox: "Shaping data for news"

2011-12-05T23:52:00.001+01:00

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Amanda Cox - Eyeo Festival 2011 from Eyeo Festival on Vimeo.

A very interesting video of Amanda Cox (one of the persons I admire the most in the world of infographics) talking abut her work (and the work of all the infographics team) in The New York Times.
I think this introduction is more than enough to know this video will be interesting and I don't need to encourage you to watch it!

PS. Thanks to Amanda for her kind words. I can die happy now :)

Why infographics are a good business for media

2011-11-30T21:52:00.005+01:00

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I was hired by lainformacion.com two years and a half ago, a just-online young information site in Spain. I came from Publico, a print national newspapers. My task at lainformacion.com was leading the New Narratives Department. I could call it the infographics department, but the concept it's wider than that.
By then, I always had thought than infographics were very useful for readers, give very good image to the media and helped to build that scarcity that made people buy one newspaper and not another. What I didn't knew and was about to discover, is that infographics could become so important for media, not just in terms of quality, journalism and image, but also in visits and time in page.

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The best graphics of Spain & Portugal - August 2010/August 2011

2011-10-06T21:33:00.001+02:00

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Público, La Verdad de Murcia, Heraldo de Soria, Yorokobu, elpais.com and eitb.com have been chosen the best designed media of Spain and Portugal in the 8th edition of the ÑH awards, the prizes awarded by the Spanish Chapter of the SND which select the best design of the iberian countries. You can see the complete list at the web of the SND-E. But here you will find the infographics awards (and it will be updated)

NEWSPAPERS

Breaking news

Silver
El Correo (Bilbao)
La Vuelta looks to the Basque Country again

Mention
Heraldo de Aragón (Zaragoza)
Bad synchronization of the traffic lights

Features

Gold
Público (Madrid) - Samuel Granados
Flamenco. From prosecution to salvation

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Those in infographics... and in Google+

2011-07-27T11:12:00.005+02:00

Google+ is the new Twitter, the new Facebook... or not.
But, anyway,is the new social network everybody talks about.
If you are one of those early adopters already enjoying it, here you are a list with some people related with infographics you can find in Google+ to create your Infographics circle

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InGraphics vol.02

2011-07-18T06:00:00.003+02:00

Golden Section Graphics, the Germany-based infographics studio, has reeased the second issue (third counting the Berlin wall special) of their already famous just-graphics magazine InGraphics.

This issue is released after being one of the big winners of the last Malofiej awards, some of the InGraphics products were awarded, including a gold medal for the transfer market calligraphy stunning work.

So, what to expect from the second issue? The same as the first one, a good bunch of high quality works: 3d, diagrams, maps, visualizations...

(Continue clicking on more information...)

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Visual.ly finally released

2011-07-13T17:42:00.000+02:00

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There was something that many of us were expecting from a long time, the final release of Visual.ly, a web which tries to be the big showcase of infographics and visualizations. And it has been finally inaugurated.
Anyway, many of us (me included), feared that it can become a bunch of infoposters or tower-graphics.

At first sight, I see just a few things that I really like, with many decorated texts on an hypervertical format.

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Four things you should see if you are an infographics person

2011-07-10T18:48:00.000+02:00

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You should visit these five links if you really like infographics, visualizations, visual narratives or however you call it.

10 significant visualisation developments: January to June 2011
Visualising Data

These frists months of 2010 has been really interesting for the graphics world: good works, tools, statements, discussions... Ten of the top worth-visiting liks of the year on VisualisingData.

22 free tools for data visualization and analysis
Computer World

Making graphics and visualizations is getting easier day by day (the quality of interest of those is another discussion). The technological barrier is falling down and now you don't even have to pay for licences. People got plenty of tools online, free and easy to use. From the ones by the omnipresent Google (Fusion Tables, Refine...) to others, independent but interesting like Impure.
Here you got a good list with a good bunch of them.

Visual pieces by Antonio Pasagali
lainformacion.com

Antonio Pasagali is Art Director at lainformacion.com, the news web I work for. He has published a couple of Visual Pieces, with really nice aesthetics, but also informative. Something different. And that's a good thing.
1. Pedestrians in New York
2. Madrid-BCN: train and plane

The functional art
Alberto Cairo

Alberto Cairo's book (called in spanish 'El arte funcional' and which could be translated as 'The Functional Art') has become famous before being in the shops. And now it's on its last steps before being released. By the moment, we know that it will be published between spetember and novembre, 2011, at least in spanish. And also what does Nigel Holmes thinks about it:

Welcome to Alberto’s world. Cairo has done it all here: history, theory, practice, examples. And he's done it brilliantly. It's the most comprehensive and sensible book yet on real-world information graphics; we won’t need another for a long time (or until he writes his next one!)"

The famous coffee infographic

2011-07-01T16:25:00.000+02:00

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Some time ago (maybe years) I saw this coffee infographic at Lokesh Dhakar's web, maybe you know it.

Since then, I've seen many many graphics inspired by it (sometimes that 'inspired' told in the best of the meaning,s sometimes on the worst)

I've seen it done with cocktails (watch all)

Or about italian coffee

Re-thought as part of an horrible poster

Oe directly in coffee shops (via noisebetweenstations)

The same idea with a different visualization

Or even published in The Independent, mixed with another graphic by David McCandless ans signed as if him was the author.

But, after all these examples, my favourite is still the original one.

Malofiej 20: dates confirmed

2011-06-14T13:10:00.000+02:00

From March 18th to 23rd, 2012. Malofiej 20 has confirmed its dates and shown its new identity, as we can see at the SND-E web. An edition with surprises, according to the Spanish Chapter of the SND.
Judges will start their work on 18th and the International Summit will be inaugurated the 21st.

Census: a great opportunity for databases and maps

2011-06-13T21:10:00.003+02:00

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United States is not just the 'land of opportunities', but also the land of Open Data. From Spain, we are really jealous of how the government offers data in different lenguages and formats to be used and consulted by citizens and media.

One good example is the 2010 census: all kind of data about the population of such big and heterogeneous country is a very big opportunity to show what can we do with all that data and make it easy to access for citizens. Global and local, giving a general idea of the country, but also allowing people to check information of their own neighborhoods.

These are some examples of work with this information:
(If you know other interesting examples, just tell me in the comments of this post)

The New York Times
Mapping America: Every city, every block

I've talked about it separately. It really amazed me when I first looked at it. The different layers of information, the details, the fact that you can take a look to all the country, but also look for the data not just of your neighborhood but, in some cases, your own building!

Moonshadow Mobile
Censusmaps 2010: Washington, California...

It gives you the possibilty to go really deep and with many options, but only state by state (and just some of them). The creators of this technology think that what makes these maps different is the speed and the amount of data they can handle: "Our technology is software only and it is typically hosted in the cloud. As a result of our speed advantage we can work with much larger databases. Whereas others visualize 1,000 to 10,000 records in Google Maps we have visualized databases with over 100 million records. "

The Washington Post
Explore the 2010 Census

The Washington Post graphic is not as complete as the previous one, but gives you the option to compare the data with previous census. You could also seacrh for different visual stories on their main page of the census.

The Wall Street Journal
America in 2010

Although you can find different graphics of the census on WSJ.com, they are not as easy to use as WaPo's or NYT. The good thing is you can reach the information of each county, with goes more local than WaPo's, but not as detailed as its neighbour, the Gray Lady.

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These are just some examples. Share in comments other interesting things if you know them, and I'll add them to this post.

iGraphics, an independent greek infographics agency

2011-06-11T16:41:00.000+02:00

Dimitris Kabitis, Galatsidis Achileas (both former Eleftheros Typos) and some other journalists and designers have released iGraphics, the first independent greek infographic agency according to themselves.

They create print and online information graphics, and they have even translated some of them to english. From here, good luck!

Do you want to work in Dubai?

2011-06-06T18:23:00.000+02:00

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Al Bayan and Emirates 24/7 are two Dubai newspapers with a very good infographics department. The peruvian Luis Chumpitaz leads a great and heterogeneus team, showing every day the quality of their works, winning international awards on each contest they participate.

Now, SND jobs announces two information graphic designers positions in their team. They ask for someone who can talk in english or arabic, with journalistic background. They are also looking for two online developers (AS3-HTML5) and one digital illustrator.

So, if you feel attracted by working in Emirates, with am award-winning team in two quality newspapers, this is your chance.

Working for National Geographic:

2011-05-25T18:30:00.011+02:00

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Fernando Baptista, graphics editor at NG, explains it on the spanish blog La Buena Prensa (amazing images...). It's in spanish, but it's Show-Don't-Tell-expalined... So it's worths a visit.

And if, even with those images, you don't get the whole picture, National Geographic has released a video with explanation (click on iamge to watch it at NG's web)

Statement against fictional infographics

2011-05-09T15:51:00.001+02:00

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I have signed, along with many other visual journalist from all over the world, an statement written by Juan Antonio Giner and Alberto Cairo published on the Nieman Watchdog Journalism web.
These are the points of the statement, which I strongly support. Visual journalism is, above any other thing, journalism.

1. An infographic is, by definition, a visual display of facts and data. Therefore, no infographic can be produced in the absence of reliable information.

2. No infographic should include elements that are not based on known facts and available evidence.

3. No infographic should be presented as being factual when it is fictional or based on unverified assumptions.

4. No infographic should be published without crediting its source(s) of information.

5. Information graphics professionals should refuse to produce any visual presentation that includes imaginary components designed to make it more "appealing" or "spectacular". Editors must refrain from asking for graphics that don't stick to available evidence.

6. Infographics are neither illustrations nor "art". Infographics are visual journalism and must be governed by the same ethical standards that apply to other areas of the profession.

Read complete and endorse at NiemanWatchdog.org.

Making the best online infographic of the year

2011-04-28T22:14:00.001+02:00

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This is the translation to english of an article written by me at 233grados.com, the communication blog of lainformacion.com. The original Q&A were in english, so just the lead is translated. I have to thank Joe Ward very much for his time and help with this interview.

This is an explanation for general public, if you want a more specialized explanation, you have it at Xocas.com

The New York Times won (once more) the Peter Sullivan award to the best online infographic of the year with 'How Mariano Rivera dominates hitters'. This video explanation was told to be 'the path for the future of infographics'.
We talk with Joe Ward, sports infographics editor at The New York Times and one of the authors of this work, about this particular infographic and about how does one of the best infographics department of the world works.

With all the possibilities that interactivity offers, why did you decide to use a video for the Mariano Rivera graphic?

Making a video wasn’t our first idea for the graphic. Shan Carter had been fooling around with all the pitch data we had and wrote a program to see what the data might show.

This led to an idea for making a user-based interactive that would allow the user to sift through the data themselves.

But this presented a lot of problems. Only serious baseball fans would want to spend the time manipulating the data and we wanted this to appeal to a broader audience. And the idea was to show what made him so good and this approach would not accomplish that.
So we decided on two things. First, we wanted to do the work for the audience; figure out what the data showed and present only that data without any other noise. Second, we thought that if we could give people the sense that they were trying to hit against him, that might show how hard it is and why he was so good. Graham Roberts, using Maya, did a nice job creating the sensation that you were going against Rivera.

We had a handful of points we wanted to show, which included the speed of the pitch coming in (0.4 seconds, which is accurate in the graphic); how hitters identify pitches by their spin (and how his cutter was hard to identify); and a map of how accurate he was with his pitches.
So to make these points and to give people the experience of what it must be like to hit against him, we thought it made the most sense to just let them watch it and with narration we could explain what it was they were seeing.

Do you think the success of the NYT sports graphics that mixes video and graphics would be the next fashion in infrographics?

I certainly think that the mix of graphics and videos have a lot of benefits. The history of graphics is filled with attempts of trying to show motion in print. But, of course with the Web, we no longer have to fake it, we can show motion when motion is called for. It seems like the natural progression. But I think that audio can also be very effective and is underused. I think even simple charts can have some added value if they are accompanied by well-edited and simple narration. Interactivity certainly has a place in Web graphics, but I also think that the more work you can do for the viewer, the better. And sometimes that means narrating the explanation instead of making them read it. The more things you make them read, the less time they will spend looking at your charts or drawings. What we all try to do is tell stories and oftentimes it is better to actually TELL them.

What particular thing do you think that makes NYT the best infographics department?

Well, it is nice that you think we are the best.
There are a lot of factors that go into making a successful infographics department. The Times has a rich history of cartography and graphics that has continued to evolve through the years and the newsroom has long embraced these as viable and critical ways to tell or enrich stories. Under the stewardship of Tom Bodkin, the assistant managing editor who has overseen our department for many years, our group has grown in stature and in number. Steve Duenes, our graphics director and Matt Ericson, his deputy, create a productive and creative environment where we are free to try new things and attempt to expand what we do. Collaboration is also a key ingredient at The Times. We have a staff with diverse skills and Steve and Matt are very good at putting the right people together on projects to best exploit those skills.

What are the keys to create graphics for both print and online products?
The basic principles for each type of graphic are the same: make it clear, informative and easy to navigate. The online versions allow for more options, and if used properly, can aid in achieving the goals of those principles. For instance, no matter how well a print graphic is designed for navigation, you can never really control where a reader is going to look. But with an interactive, you can control how much information the viewer sees and in what order they see it.

Some people think that many NYT graphics are too complicated for the regular readers. What do you think about that perception?
Sometimes graphics are complicated because the information itself is complicated. But our job is to make sense out of the information and try to make it clear for the reader. Do as much work for the reader as we can. But sometimes the graphics still remain complicated. These should be the exception, though.
I think when infographics people get in trouble is when they design graphics with other infographics people in mind, instead of with the reader in mind. I think it is a part of all of us to try to impress other people in the business with the work we do, but those instincts need to be kept in check most of the time because in the end we are doing this for the reader, not for each other..

Stephen Few, David McCandless, FlowingData and a great lesson of infographics

2011-04-19T20:31:00.002+02:00

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FlowingData published some days ago a short post entitled Business intelligence vs. Infotainment about a comment by Stephen Few (Perceptual Edge) talking about the work of David McCandless (Information is Beautiful), saying, among other things, that McCandless "don’t point the way to a productive future for analytics".

But the most interesting part of the post came in the comments. Stephen Few, along with anothers, included Nathan Yau, started changing impressions on the comments, ideas and one of the big discussions in infographics and data visualization: the hard balance between an informative and a decorative infographic.

Very interesting to read. A discussion to share, participate and learn from it.

My personal portfolio, in english

2011-04-14T22:56:00.000+02:00

Sorry for the autopromotion. I've just released my personal portfolio in english, at chiquiesteban.com/en.
You can choose graphics by categories (print, online, video...) and tags (3d, science, breaking news...). It's just a selection of my favourite graphics for different reasons.

All kind of critiques are welcome!

50 years ago: Gagarin in the space, a graphic on the frontpage

2011-04-12T19:34:00.001+02:00

50 years Gagarin was the first man in the space. And that big event took the russian pioneer to La Vanguardia frontpage. This is still hard to see nowadays... so imagine then.
Some texts are in english, so it makes me think that some stuff was taken form a book or any other place. BUt that's not the important thing. The important thing is to deccide and create this kind of work with 1961 technology.

Vía @aitorlagunas

Infographics at La Vanguardia

2011-04-04T22:29:00.001+02:00

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I've talked about the infographics department of La Vanguardia before on this blog, about this catalonian newspaper hired Jaime Serra as head of infographics. I've talked about the blog of the department, Jaime's blog, some awards they got in Malofiej, its redesign, some historic infographic...

Here's just some examples of the kind of things they're doing at the moment as I've done with other infographics departments.

The head of graphics, as I was telling before, is Jaime Serra, who became famous leading the infographics department of the argentinian newspaper Clarín doing some famous stuff as the whale graphic or the one of the bread. Always tryning to innovate and give more tha news to the readers, Jaime publish now a visual column in the newspaper
(Clic on images)

Along with Jaime works as deputy graphics director Josep Ramos, and the rest of the departemnt are Raúl Camañas, Alan Jürgens, Rosa Mª Anechina, Jordi Bagué, Anna Monell, and very usual collaborations by the illustrator Oriol Malet And, as a team, they produce works like this one of the Sagrada Familia, something important for a newspaper from Barcelona.

And talking about Barcelona... What a soccer team! Here you have a comparison of its stars with the Real Madrid ones.

In this time full of data visualizationss, La Vanguardia keeps doing a terrific job with illustrated classic infographics. With such quality as these ones of the Solomon Temple or How volcanoes work.

Sometimes with an schematic style, like this one about the path of suitcases in El Prat airport.

And the difference sometimes comes by the topic. This one, about the Rubik cube.

And one extra, this magazine double spread. Infoat a glance: How big is that ship? Place it on Paseo de la Castellana, one of the most famous streets of Madrid and you'll know...

Alberto Cairo: "Brazilian infographics have less taboos"

2011-04-04T17:51:00.001+02:00

I think I don't need to introduce Alberto Cairo, but just in case I'll say he's a spanish infographics journalist who has become one of the most important theorical (and practical) leaders of this subject after being head of graphics at elmundo.es, teacher of multimedia infographics at the Univesity of North Carolina Chapel Hill and now director of infographics at Editorial Globo (Brazil).

He has spoken about brazilian graphics on an interesting interview in the spanish communication blog '233 Grados'. But, as a spanish blog, it's written in spanish, so here you are some of the most intersting quotes:

"I don't think Brazil has a different visual culture. It's just they have less taboos with some topics"

"In these years, brazilian infographics have taken a big step forward. Some media are investing in high level professionals"

"In Época, infographics should be considered a journalistic product. That's something new in Brazil, where graphics used to be in hands of designers and illustrators"

Malofiej 19 (from my own point of view)

2011-03-31T11:10:00.001+02:00

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This year, I've been part of the jury of Malofiej 19, but I'm talking about the awards and summit not as part of the jury, but as any other infographic journalist.

Just a few things as jury: Very special thanks to Javier Errea (and Álvaro Gil) for calling me to be judging this year. Something that has been very special for me, being part of the students that help in the organization now 10 years ago. Thanks also to the students group for their job. And the rest of the members of the jury: I really enjoyed being and learning with them.

And now, my two cents:

Visualization vs. Ilustration
This is not the first year that I find many people evaluating the awards as a fight of datavis vs. 'classic' infographics. I can't see a fight. And, specially, this year. There are better and worse infographics. Of any kind. I look at the awarded this edition and I find more 'classic' graphics than visualizations, although these last ones catch the eye very fast.
I don't care how the graphic is done if it is telling a story, gives proper information to the reader and explain what they want to explain in an effective way.
Maybe we have to create a friendly soccer game 'Friends of Amanda Cox vs. Friends of Fernando Baptista'

The New York Times and National Geographic
The big winners of this edition (one more time). Both are the big stars of each of the styles we were talking about. But this success is not a surprise.
Althought I can uderstand Alberto Cairo's question: "And the rest of us, what can we do?", we can expect that the two big media that has devoted such huge resources to create the bests infographics departments of the world will win so many awards.
But some other media, not so big, as Público (Spain) that keeps winning lots of awards with a department of just five. Very talented, but just five. Or IL, the italian magazine. It takes its time, but it's easier to succeed if the media (or at leat the art department) really cares about making good (and not just many) infographics.

My favourite of the year: When we tell storiesd with infographics

In my opinion, infographics in journalistic media should be, above all, journalism. And that's what this infographic published on the Washington Post does. It was awarded with a gold medal.

It's easy to understand: localizes a gun store and places crimes with guns purchased in that particular store in several miles around it.

Very high journalist value: it tells a story, warns about a problem and show the data to prove it.

It's visual: I don't need the text of the article to understand the problem, how deep it is and many other things around it.

A modern version of the Dr. John Snow's cholera graphic.

All this, thinking at the same time that NYT graphic about the pitcher Mariano Rivera really deserved the Peter Sullivan award that it got. That's a kind of graphic that will make us all think twice on how are we showing the data. Once again.

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These are my ideas, but here you are some others:

- Javier Errea, presidentof the Spanish Chpater of the SND (in spanish)
- Gert K. Nielsen, on his blog VisualJournalism, who was covering the awards and Summit.

All the Malofiej 19 awards

2011-03-29T19:43:00.011+02:00

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I'll be updating everything with links and images.

IMPRESOS / PRINT

Noticias de Actualidad Inmediata / Breaking News

1CB Bronce / Bronze

Público (España)

Radiografía de la posesión en el clásico

Más sobre este gráfico en Cuatro Tipos / More on this graphic in CuatroTipos: Buenafuente no entiende los gráficos de Público

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1CC Bronce / Bronze

The New York Times (USA)

Districts Across the Country Shift to the Right

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1CC Bronce / Bronze

Clarín (Argentina)

Radiografía Argentina-Corea del Sur

1DC Plata / Silver

The New York Times (USA)

Oil Spill: Disaster in the Gulf

1DC Bronce / Bronze

The New York Times (USA)

The 2010 Election

Reportajes / Features

2AA Bronce / Bronze

Al Shabiba (Oman)

Four Decades of Progress

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2AB Plata / Silver

La Voz del Interior (Argentina)

Bicentenario Argentino

Más en Infografistas: 200 años de historia en una infografía

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2AB Plata / Silver

Público (España)

Info 2009: El pulso informativo del año

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2AB Bronce / Bronze

Público (España)

Los siete países implicados en el 'Plan Cóndor'

2AC Plata / Silver

The New York Times (USA)

As Floodwaters Recede, a Crisis Emerges

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2AC Bronce / Bronze

Folha de S.Paulo (Brasil)

Genealogía de los partidos politicos

2AC Bronce / Bronze

The New York Times (USA)

How the Oil Slick Grew and Dissipated

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2AD Oro / Gold

National Geographic Magazine (USA)

World of Rivers (Premio Miguel Urabayen Award Best Map)

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2AD Bronce / Bronze

Vanguardia Grandes Temas (España)

La Sagrada Familia

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2AD Bronce / Bronze

National Geographic Magazine (USA)

The Battered Gulf Coast

2AD Bronce / Bronze

National Geographic Magazine (USA)

Templo Mayor

2AD Bronce / Bronze

National Geographic Magazine (USA)

Cost of Living

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2AD Bronce / Bronze

Época Magazine (Brasil)

The Changes in Prison Population in Brazil

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2AE Bronce / Bronze

Golden Section Graphics

Wer Wird Präsident for Die Zeit (Germany)

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2BB Bronce / Bronze

Público (Portugal)

Bandeiras Azuis em 2010

2BC Oro / Gold

The Washington Post (USA)

One Shop, Over 2,500 Crime Guns

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2BC Plata / Silver

The Washington Post (USA)

One Gun Store's 'Time to crime'

2BC Bronce / Bronze

El Mundo (España)

Gran Vía, Cien años de historia

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2BC Bronce / Bronze

The New York Times (USA)

Stop, Question and Frisk in New York Neighborhoods

2CC Bronce / Bronze

Die Zeit (Germany)

Seid verschlungen, Milliarden!

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2CD Bronce / Bronze

In Graphics (Germany)

Large Scale Projects

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2DA Bronce / Bronze

Superdeporte (España)

33ª Copa del América

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2DA Bronce / Bronze

i (Portugal)

Dicionário do Surf

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2DA Bronce / Bronze

i (Portugal)

Formula 1, Championship review

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2DB Oro / Gold

Público (España)

Los abuelos de Alonso

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2DB Plata / Silver

Al Bayan Newspaper (UAE)

F1 Red Bull Car

2DC Plata / Silver

The New York Times (USA)

Strikeouts (and Questions) Are on the Rise

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2DD Bronce / Bronze

In Graphics (Germany)

Climbing the 8000ers

Más sobre / More on In Graphics

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2EC Plata / Silver

Clarín (Argentina)

El túnel de San Gotardo

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2EC Bronce / Bronze

Folha de S.Paulo (Brasil)

La vida a bordo de una plataforma petrolera

2EC Bronce / Bronze

O Estado de S.Paulo (Brasil)

Baleia-jubarte

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2EC Bronce / Bronze

O Estado de S.Paulo (Brasil)

Tapuiassauro

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2EC Bronce / Bronze

The New York Times (USA)

A Bewildering Tangle of Options

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2EC Bronce / Bronze

The New York Times (USA)

Orbital Mechanics

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2ED Plata / Silver

National Geographic Magazine (USA)

Blue Holes of the Bahamas

2ED Bronce / Bronze

Galileu Magazine (Brasil)

As pedras do caminho

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2ED Bronce / Bronze

National Geographic Magazine (USA)

Our Sprawling, Evolving Grid

2ED Bronce / Bronze

National Geographic Magazine (USA)

Japan's Swirling Seas

2EE Bronce / Bronze

KircherBurkhardt for Gas Winner Wertvolle Rohstoffe

2FD Oro / Gold

National Geographic Magazine (USA)

Gulf of Mexico (Premio Peter Sullivan Award Best of Show)

-------------------------

2FD Plata / Silver

National Geographic Magazine (USA)

Barcelona's Natural Wonder

------------------------------

2FD Bronce / Bronze

IL-Intelligence in lifestyle (Italy)

Materia Prima

---------------------------

2GB Plata / Silver

Público (España)

Cuadernos de viajes

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2GB Bronce / Bronze

El Correo (España)

El encierro

-------------------------------------

2GC Bronce / Bronze

The New York Times (USA)

A Peek Into Netflix Queues

------------------------------

2GD Bronce / Bronze

Clarín (Argentina)

Teatro Colón: La trama secreta

2HB Plata / Silver

Al Bayan Newspaper (UAE)

F1, The Checkered Flag

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2HB Bronce / Bronze

Público (España)

Juegos Olímpicos de invierno

2HC Bronce / Bronze

Clarín (Argentina)

La concentración argentina

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2HC Bronce / Bronze

O Estado de S.Paulo (Brasil)

Geography of voting

--------------------------------

2HC Bronce / Bronze

Il Sole 24 Ore (Italy)

Dentro la Sagrada Familia

----------------------------------------

Una columna / One column

3C Bronce / Bronze

La Vanguardia (España)

Data81

Criterios / Criteria

5AB Bronce / Bronze

Expresso (Portugal)

Um exercicio de equilibrismo

5CD Oro / Gold

In Graphics (Germany)

Transfer Calligraphy

---------------------------------

Portafolios / Portfolios

6BB Bronce / Bronze

Público (España)

Tramas y procesos

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6BC Bronce / Bronze

Clarín (Argentina)

Mundial Sudáfrica 2010

6BD Plata / Silver

National Geographic Magazine (USA)

Features Portfolio

6BD Bronce / Bronze

IL-Intelligence in lifestyle (Italy)

Analisi Grafica

6BD Bronce / Bronze

IL-Intelligence in lifestyle (Italy)

Piccolo Lord

6BE Plata / Silver

Golden Section Graphics for Geo (Germany)

Geo Kosmos Weltspiel

-----------------------------

6BE Bronce / Bronze

Golden Section Graphics (Germany)

Features Portfolio Agencies

6CC Plata / Silver

The Washington Post (USA)

Todd Lindeman

6CC Bronce / Bronze

Clarín (Argentina)

Florencia Caramignoli

6CC Bronce / Bronze

The New York Times (USA)

Ford Fessenden

Promocionales / Promotional

7B Bronce / Bronze

Gulf News (UAE)

Burj Dubai, World's tallest skycrapper

7C Plata / Silver

The Guardian (UK)

Fact File UK

----------------------

ONLINE

Noticias de Actualidad Inmediata / Breaking News

8AA Bronce / Bronze

The Sunday Times (UK)

Luge death at 90 mph

8AB Bronce / Bronze

NYTimes.com (USA)

Haiti earthquake: The Destruction in Port-au-Prince

8CB Bronce / Bronze

NYTimes.com (USA)

Vonn’s Ragged, Aggressive Run

8DA Bronce / Bronze

Associated Press (USA)

Oil Spill

8DB Oro / Gold

NYTimes.com (USA)

Oil Spill: Tracking the Spill in the Gulf

-------------------------------

Reportajes / Features

9AA Bronce / Bronze

ultimosegundo.ig.com.br (Brasil)

World's Worst 10 Air Disasters

9AB Bronce / Bronze

NYTimes.com (USA)

How Your Views Compare With the Court

9AB Bronce / Bronze

NYTimes.com (USA)

Mapping America: Every City, Every Block

9AB Bronce / Bronze

The Washington Post (USA)

2010 Campaign and Election

9AB Bronce / Bronze

The Washington Post (USA)

The Hidden Life of Guns

9BA Bronce / Bronze

Népszabadság (Hungary)

The reconstruction of Margit bridge

9BB Plata / Silver

NYTimes.com (USA)

Reviving Ground Zero

9BB Plata / Silver

NYTimes.com (USA)

Stop, Question and Frisk in New York Neighborhoods

9BB Bronce / Bronze

NYTimes.com (USA)

Is It Better to Buy or Rent?

9CB Bronce / Bronze

The Washington Post (USA)

Why it doesn't feel like a recovery

9DA Bronce / Bronze

Al Bayan (UAE)

Formula 1: The Race - Original file in Arabic

9DA Bronce / Bronze

The Sunday Times (UK)

Skydiver (Coming down)

9DB Oro / Gold

NYTimes.com (USA)

How Mariano Rivera Dominates Hitters

(Premio Peter Sullivan Award Best of Show)

------------------------------

9DB Bronce / Bronze

NYTimes.com (USA)

Fractions of a Second: An Olympic Musical

9DB Plata / Silver

NYTimes.com (USA)

Olympic Pictograms Through the Ages

9DB Plata / Silver

NYTimes.com (USA)

Inside the Action: Snowboard Halfpipe

9DB Bronce / Bronze

NYTimes.com (USA)

2010 World Cup Rankings

9DB Bronce / Bronze

NYTimes.com (USA)

Wozniacki Plays the Odds and the Angles

9EB Oro / Gold

Estadao.com.br (Brasil)

Tapuiassauro, o novo dinossauro do Brasil

-----------------------------

9EB Bronce / Bronze

NYTimes.com (USA)

Fatal Radiation

9FA Bronce / Bronze

Al Bayan (UAE)

Beyond the Sky - Original file in Arabic

9GB Plata / Silver

NYTimes.com (USA)

A Peek Into Netflix Queues

Portafolios / Portfolios

10AB Bronce / Bronze

NYTimes.com (USA)

Election Results

10BB Bronce / Bronze

BBC (UK)

Election 2010

10BB Bronce / Bronze

veja.com (Brasil)

Quanto você sabe sobre os candidatos a presidente?

10BB Bronce / Bronze

Consumer.es (España)

Energía eólica marina

Instalación de calderas

Sanitarios secos

-----------------------------------

Criterios / Criteria

11CA Bronce / Bronze

economia.ig.com.br (Brasil)

Who Needs A Driver? Future Cars Explained

11CB Plata / Silver

Estadao.com.br (Brasil)

Onde atuam os 736 jogadores da copa

11CB Bronce / Bronze

Clarín (Argentina)

La sala del jucio

11DB Plata / Silver

NYTimes.com (USA)

Haiti earthquake: Scenes From a Ruined Boulevard

11DB Bronce / Bronze

The Guardian (UK)

World Cup twitter replay

11DB Bronce / Bronze

BBC Dimensions (UK)

How Big Really

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Aplicaciones / Apps

12BA Bronce / Bronze

The Sunday Times (UK)

Whale graphic on iPad

12BB Plata / Silver

ligaBBVA.com (España)

LigaBBVA HD