<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4697917198112653307</id><updated>2024-09-05T07:55:45.852-04:00</updated><category term="jung"/><category term="Erel Shalit"/><category term="israel"/><category term="analytical psychology"/><category term="Jung Neumann Conference"/><category term="Neumann"/><category term="Jung Neumann Correspondence"/><category term="Jung Neumann Letters"/><category term="Jung Neumann"/><category term="beggar"/><category term="cripple"/><category term="enemy"/><category term="Shalit"/><category term="fisher king"/><category term="requiem"/><category term="Murray Stein"/><category term="Netanyahu"/><category term="archetype"/><category term="c.g. jung"/><category term="shadow"/><category term="Erich Neumann"/><category term="IAAP"/><category term="complex"/><category term="cycle of life"/><category term="dreams"/><category term="Kafka"/><category term="Middle East"/><category term="psychoanalysis"/><category term="psychology"/><category term="psychology book"/><category term="ra&#39;anana"/><category term="Amplification"/><category term="Pacifica"/><category term="fisher king press"/><category term="hero"/><category term="holocaust"/><category term="stages of life"/><category term="יונג"/><category term="Jacob and Esau"/><category term="Palestine"/><category term="Transiency"/><category term="book review"/><category term="dream"/><category term="path to transformation"/><category term="peace"/><category term="postmodern"/><category term="shoah"/><category term="Abbas"/><category term="Gaza"/><category term="Hamas"/><category term="Jung Foundation New York"/><category term="Jungian Psychology"/><category term="Palestinians"/><category term="Rabin"/><category term="life cycle"/><category term="occupation"/><category term="red book"/><category term="כנס יונג נוימן"/><category term="America on the Couch"/><category term="Ann Lammers"/><category term="Christian Gaillard"/><category term="Donald Trump"/><category term="Heine"/><category term="ISAP"/><category term="Jerusalem"/><category term="Jung Journal"/><category term="Martin Liebscher"/><category term="Nancy Swift Furlotti"/><category term="Obama"/><category term="Pythia Peay"/><category term="Riccardo Bernardini"/><category term="Steve Zemmelman"/><category term="Theresienstadt"/><category term="Tom Kelly"/><category term="Tom Singer"/><category term="Turbulent Times"/><category term="analytical psychology and Judaism"/><category term="assisi institute"/><category term="binding of Isaac; 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jung; freud; archetype; archetypes; mimir; neuroscience;"/><category term="metaphor"/><category term="metaphysical literature"/><category term="metaphysical novella"/><category term="metaphysics"/><category term="minority"/><category term="modern soul"/><category term="mother earth"/><category term="mother nature"/><category term="murmelstein"/><category term="mythology"/><category term="naomi"/><category term="naomi ruth lowinsky"/><category term="navaho"/><category term="negotiations"/><category term="netanyahu peace"/><category term="neumann and art"/><category term="neumann and hassidism"/><category term="news release"/><category term="noah beck"/><category term="novella"/><category term="oren hazan; donald trump; beniamin netanyahu; sheldon adelson"/><category term="pathology"/><category term="paul brutsche"/><category term="peace talks"/><category term="persona"/><category term="peter"/><category term="politics of soul"/><category term="prophet Elijah"/><category term="psychiatrist"/><category term="psycholgical publication"/><category term="psychological study of society"/><category term="psychology and relligion"/><category term="psychopolitics"/><category term="quest"/><category term="rabbi nachman"/><category term="remembrance day"/><category term="requiem; shalit; eid; eid mubarak; exile and return"/><category term="review"/><category term="review of books"/><category term="rhizome"/><category term="road to recovery"/><category term="robbery"/><category term="robert henderson"/><category term="sacred trees"/><category term="san francisco"/><category term="schizophrenia"/><category term="settlers"/><category term="shadow."/><category term="shrink rap radio"/><category term="social psychology"/><category term="social science"/><category term="sociology"/><category term="sofia"/><category term="soul of art"/><category term="space"/><category term="spoon river; sartre; no exit; mirror; mirroring"/><category term="students"/><category term="susan bostrom"/><category term="symbol"/><category term="syndrome"/><category term="teachers"/><category term="technology"/><category term="teen"/><category term="terrestrial Jerusalem"/><category term="terror"/><category term="terrorism"/><category term="terrorists"/><category term="the conscious life"/><category term="the eternal Jew"/><category term="the last israelis"/><category term="the last of the unjust"/><category term="the unexamined life"/><category term="tisha b&#39;av"/><category term="transient"/><category term="transition"/><category term="trauma"/><category term="trepidation"/><category term="two state solution"/><category term="uprising"/><category term="vayishlach"/><category term="vision lectures"/><category term="volcano"/><category term="yom kippur; atonement; legend; analytical psychology; shalit"/><category term="zionism"/><category term="אבי באומן"/><category term="אהוד ברק"/><category term="אראל שליט"/><category term="בר אילן"/><category term="גדעון עפרת"/><category term="גיבור"/><category term="גלות"/><category term="גלות ושיבה"/><category term="דרך להחלמה"/><category term="הגירה"/><category term="חוסן"/><category term="חזרה: סיפור של גלות ושיבה; ישראל; ספרות עברית; אראל שליט;"/><category term="יונג בר אילן"/><category term="יונג וקולנוע"/><category term="יונג נוימן"/><category term="יונג; פסיכותרפיה; לימודי פסיכותרפיה; גישה יונגיאנית"/><category term="יצחק רבין"/><category term="ירושלים"/><category term="ירידה"/><category term="לימודי יונג"/><category term="לימודי פסיכותרפיה; פסיכותרפיה יונגיאנית; בר אילן"/><category term="מילקי"/><category term="מכתבי יונג נוימן"/><category term="מלחמה"/><category term="נוה צאלים"/><category term="נתניהו"/><category term="סעיד"/><category term="עופר אדרת"/><category term="פסיכותרפיה"/><category term="ציונות"/><category term="צל"/><category term="רות נצר"/><category term="רן כהן"/><category term="שדרות"/><category term="שוד"/><category term="שיבה"/><category term="שמאל ישראלי"/><category term="שעונים"/><category term="תולעת ספרים"/><category term="תמר קרון"/><title type='text'>Erel Shalit</title><subtitle type='html'>Featuring articles by Dr. Shalit as well as updates, news and reviews about his many publications.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Fisher King Press</name><uri>http://www.blogger.com/profile/01252617630238504236</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='32' src='http://1.bp.blogspot.com/-h1LygSmJ8v8/UrVNMT0wfLI/AAAAAAAABPA/He1rHIcTGqk/s220/fkplogo.png'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>294</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-7433499551869186180</id><published>2018-01-19T07:19:00.003-05:00</published><updated>2018-01-19T09:47:02.262-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ann Casement"/><category scheme="http://www.blogger.com/atom/ns#" term="Ann Lammers"/><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="Murray Stein"/><category scheme="http://www.blogger.com/atom/ns#" term="Neumann"/><category scheme="http://www.blogger.com/atom/ns#" term="Paul Mendes-Flohr"/><category scheme="http://www.blogger.com/atom/ns#" term="Shalit"/><category scheme="http://www.blogger.com/atom/ns#" term="Turbulent Times"/><title type='text'>Turbulent Times, Creative Minds - A review by Ann Casement</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; 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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0oIH2M2qi5UOmaew_tKILLdbqlGH384CnHtU-zwyrt6xAREeSS4z10ntNfo1yGzlIluekFo-PzNxyL4HRPbRAnD3ZY46FVInbN92HlqbiI8q2_cxv8VL4b5ka8lo2L74TMtiO0a_s3Lo/s1600/TTCM+cover.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1092&quot; data-original-width=&quot;725&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0oIH2M2qi5UOmaew_tKILLdbqlGH384CnHtU-zwyrt6xAREeSS4z10ntNfo1yGzlIluekFo-PzNxyL4HRPbRAnD3ZY46FVInbN92HlqbiI8q2_cxv8VL4b5ka8lo2L74TMtiO0a_s3Lo/s320/TTCM+cover.png&quot; width=&quot;212&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;color: #990000; font-size: large;&quot;&gt;Turbulent
Times, Creative Minds&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: center;&quot;&gt;
&lt;b style=&quot;text-align: justify;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.0pt;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;Edited: Erel Shalit and Murray Stein&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.0pt;&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;This reviewer of &lt;i&gt;Turbulent Times, Creative Minds&lt;/i&gt; was introduced to the work of Erich
Neumann decades ago by his close friend, Gerhard Adler, who thought highly of
him.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.0pt;&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;In complete contrast, Michael Fordham was critical of Neumann’s thinking
on the child and told this reviewer he doubted that Neumann had ever
encountered an &lt;i&gt;actual &lt;/i&gt;child – thereby
enacting an actual experience of the opposites. In addition, the profound Jung thinker,
Wolfgang Giegerich, has also written critically on Neumann.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.0pt;&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;In order to
experience Neumann’s thinking at first-hand, this reviewer participated in the
2015 conference held at Kibbutz Shefayim to mark the publication of the correspondence
between Jung and Neumann edited by Martin Liebscher. The current skillfully
edited book arising from that conference is an &lt;i&gt;homage &lt;/i&gt;to the exceptional personal and professional relationship
between Jung and Neumann, including in its pages masterly chapters by Lammers,
Mendes-Flohr, Shalit and Stein.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; text-align: justify;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12.0pt;&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;The book ranges over such vital topics as the New
Ethic linked to the eternal problem of evil (Stein’s in-depth thinking is
outstanding here), the ego-self axis, sibling rivalry, the German-Jewish experience,
Eranos, religion, clinical issues and art. The Jung and Neumann families’ memories
and contributions add noteworthy personal touches to this highly recommended volume.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;i&gt;Ann Casement&lt;/i&gt;,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;color: #666666; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Licensed Psychoanalyst/Fellow
of the Royal Anthropological Institute&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot;&gt;&lt;span style=&quot;font-size: x-large; text-align: center;&quot;&gt;&lt;span style=&quot;color: #990000;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #666666;&quot;&gt;This volume of essays by well-known Jungian analysts and scholars provides the most comprehensive comparison to date between the works of C.G. Jung and Erich Neumann. Reflections are based on their extensive correspondence recently published, their differing cultural backgrounds, and the turbulent times surrounding their personal and professional relationship. Among the many specific subjects discussed are Jung and Neumann on art and religion, their views on the problem of evil, and clinical aspects of Neumann’s work. Also included are personal memories of both Jung and Neumann family members.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #666666; font-size: large;&quot;&gt;&lt;b&gt;Sections:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;line-height: 32px; text-indent: -0.5in;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;I. The Correspondence (1933–1960)&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;II. Cultural Backgrounds&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;III. Troubled Times&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;IV. The Problem of Evil&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;V. Neumann and Eranos (1948–1960)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;VI. On the Arts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;VII. Clinical Contributions&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;VIII. On Religion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraph&quot; style=&quot;border: none; line-height: 32px; margin-bottom: 0.0001pt; text-align: center; text-indent: -0.5in;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;IX. On Synchronicity&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #666666;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;X.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;“Memories from My (Grand)Father’s House”&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; line-height: 32px;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;Available on &lt;a href=&quot;https://www.amazon.com/Turbulent-Times-Creative-Minds-Relationship/dp/1630514454/ref=tmm_pap_title_0?_encoding=UTF8&amp;amp;qid=&amp;amp;sr=&quot; target=&quot;_blank&quot;&gt;Amazon&lt;/a&gt;, &lt;a href=&quot;http://chironpublications.com/shop/turbulent-times/&quot; target=&quot;_blank&quot;&gt;Chiron&lt;/a&gt; and other book sellers.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #0b5394; font-size: x-large;&quot;&gt;***********&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #0b5394; font-size: x-large;&quot;&gt;Jacob and Esau&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;color: #0b5394; font-size: large;&quot;&gt;On the Collective Symbolism of the Brother Motif (&lt;/span&gt;&lt;span style=&quot;color: #134f5c; font-size: large;&quot;&gt;2nd printing&lt;/span&gt;&lt;span style=&quot;color: #0b5394; font-size: large;&quot;&gt;)&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;color: #666666; font-size: large;&quot;&gt;by Erich Neumann&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;font-size: 12.8px;&quot;&gt;cover image by Meir Gur Arieh&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbTQBUxPfcrV5fUTI-qcEmfy33ZxBvoDtmCpkS84nmDXIuA8BVOb2iqbOw4S2Yi4bz9l94DuORTiU_a-nS2jgGQIvyVHmtkGMM-OmzB-Iy3h57V0cy3E6zO1YoAzZrC_1JRU0HlnVvJ_8/s1600/ba1+%25282%2529.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;248&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbTQBUxPfcrV5fUTI-qcEmfy33ZxBvoDtmCpkS84nmDXIuA8BVOb2iqbOw4S2Yi4bz9l94DuORTiU_a-nS2jgGQIvyVHmtkGMM-OmzB-Iy3h57V0cy3E6zO1YoAzZrC_1JRU0HlnVvJ_8/s320/ba1+%25282%2529.jpg&quot; style=&quot;cursor: move;&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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title page image by Jacob Steinhardt&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/7433499551869186180/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/7433499551869186180' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7433499551869186180'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7433499551869186180'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2018/01/turbulent-times-creative-minds-review.html' title='Turbulent Times, Creative Minds - A review by Ann Casement'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0oIH2M2qi5UOmaew_tKILLdbqlGH384CnHtU-zwyrt6xAREeSS4z10ntNfo1yGzlIluekFo-PzNxyL4HRPbRAnD3ZY46FVInbN92HlqbiI8q2_cxv8VL4b5ka8lo2L74TMtiO0a_s3Lo/s72-c/TTCM+cover.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-1626318248535627069</id><published>2017-12-22T09:22:00.000-05:00</published><updated>2017-12-23T10:50:56.934-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="contemporary literature"/><category scheme="http://www.blogger.com/atom/ns#" term="exile"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="metaphysics"/><category scheme="http://www.blogger.com/atom/ns#" term="postmodern"/><category scheme="http://www.blogger.com/atom/ns#" term="requiem"/><title type='text'>The Story of Requiem on YouTube</title><content type='html'>&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;span data-mce-style=&quot;color: #993300;&quot; style=&quot;color: #993300;&quot;&gt;&lt;strong&gt;&lt;span data-mce-style=&quot;font-size: 14pt; font-family: Papyrus;&quot; style=&quot;font-family: &amp;quot;papyrus&amp;quot;; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;strong style=&quot;color: #993300;&quot;&gt;&lt;span data-mce-style=&quot;font-size: 14pt; font-family: Papyrus;&quot; style=&quot;font-family: &amp;quot;papyrus&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Requiem: A Tale of Exile and Return&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-family: &#39;book antiqua&#39;, palatino; font-size: 12pt; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;The razor-sharp edge of religious beliefs and national conflict, of shadowy projections and existential anxiety, that characterize Israel and its neighbors, gives rise to a particular blend of archetypal fate and personal destiny, of doubt and conviction, despair and commitment, of collective identity and personal choice.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; color: #808080; font-family: &#39;book antiqua&#39;, palatino;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;However, I do believe that the essence of my wonderings reach beyond the shores of the eastern Mediterranean or Jewish tradition. I believe the tension between a sense of exile and return, belongingness and estrangement, are universal aspects, certainly in our post-modern world. While Israeli reality provides the external context, the story serves, as well, as a metaphor for the exile and return of the soul, which necessarily is a journey through shadowy valleys.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;color: #993300;&quot; style=&quot;color: #993300;&quot;&gt;&lt;i data-mce-style=&quot;font-size: 12pt;&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;b&gt;Requiem&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span data-mce-style=&quot;font-size: 12pt; color: #808080;&quot; style=&quot;color: grey; font-size: 12pt;&quot;&gt;returns us to an eternal theme, a dialogue with Soul, and we know quite well what happens when one dialogues with Soul—we change, consciousness is enlarged, the impossible becomes possible and we no longer are compelled to blindly follow in the deathly path of our forefathers.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt;&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span data-mce-style=&quot;color: #993300;&quot; style=&quot;color: #993300;&quot;&gt;&lt;i&gt;&lt;b&gt;Requiem&lt;/b&gt;&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;span data-mce-style=&quot;color: #808080;&quot; style=&quot;color: grey;&quot;&gt;is a fictitious account of a scenario played out in the mind of many Israelis, pertaining to existential reflections and apocalyptic fears, but then, as well, the hope and commitment that arise from the abyss of trepidation. While set in Israel sometime in the present, it is a story that reaches into the timelessness of history, weaving discussions with Heine and Kafka into a tale of universal implications.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 14pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 14pt;&quot;&gt;&lt;a data-mce-href=&quot;https://youtu.be/WJvoK3LXNPk&quot; href=&quot;https://youtu.be/WJvoK3LXNPk&quot; style=&quot;color: #428bca; text-decoration-line: none;&quot;&gt;&lt;em&gt;The Story of Requiem&lt;/em&gt;&amp;nbsp;on YouTube&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
This YouTube presentation tells the story of Requiem, with brief quotes from the novella itself.&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;img alt=&quot;Related image&quot; data-mce-src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG9V5xB-UG2Sydg7ZiNuxTVA1hzDSxRm-gKLxhUQVHKG8R6Eg3CjRs7AcRLRhbmX5_EI5Oaj0NGEvTwaFPaO_lj5S1vmcY7UBvuoqovc0KIxVpYWS_kft-41GuwQOPp7fp6xy7_eD9nLnR/s640/129398097149559373_e1f8a293-68b7-438e-b113-cccea6802368_305467.Jpeg&quot; height=&quot;252&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG9V5xB-UG2Sydg7ZiNuxTVA1hzDSxRm-gKLxhUQVHKG8R6Eg3CjRs7AcRLRhbmX5_EI5Oaj0NGEvTwaFPaO_lj5S1vmcY7UBvuoqovc0KIxVpYWS_kft-41GuwQOPp7fp6xy7_eD9nLnR/s640/129398097149559373_e1f8a293-68b7-438e-b113-cccea6802368_305467.Jpeg&quot; style=&quot;border: 0px; cursor: default; vertical-align: middle;&quot; width=&quot;509&quot; /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;helvetica neue&amp;quot;, helvetica, arial, sans-serif; margin-bottom: 10px;&quot;&gt;
&lt;div style=&quot;font-size: 13px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
A review by Grady Harp&lt;/div&gt;
&lt;div style=&quot;font-size: 13px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: Calibri, sans-serif; line-height: 107%;&quot;&gt;Requiem
aeternam dona eis, Domine: Grant them eternal rest, O Lord&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px; text-align: center;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,sans-serif; font-size: 11.0pt; line-height: 107%; mso-ansi-language: #0C00; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-language: HE; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;The title of this meditative book, REQUIEM:
A Tale of Exile and Return&#39;, seems inappropriate when the reader begins Erel
Shalit&#39;s story: if these are the thought patterns that are seething through the
mind of our narrator Professor Eliezer Shimeoni as he prepares a lecture on the
fate of Israel and the fate of the Jews, why then open with a &#39;Christian&#39; mass
for the dead? But then we are reminded that this is yet another work by the
author of &lt;i&gt;Enemy, Cripple, &amp;amp; Beggar: Shadows in the Hero&#39;s Path&lt;/i&gt;, and his
life&#39;s work is not only a Jungian Pyschoanalyst but he is
also a man consumed with the great literature and the important writers of the
world.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;He begins this story simply enough as
Professor Shimeoni reflects on the history of the Jews post WW II, the
formation of the independent home state of Israel and then the gradual failure
of that land to maintain. &#39;That very moment he understood why the passionate
longing for home had anchored in the Jewish soul, and why the sense of the
soul&#39;s exile wandered like a shadow behind every Jew.&#39; He quotes the words of
Chaim Potok &#39;To be a Jew in this century is to understand fully the possibility
of the end of mankind, while at the same time believing with certain faith that
we will survive.&#39; Shimeoni has faith that the Jews will survive, given the
history of the suffering of the Pogrom. &#39;His belief was that the Jews thrived
at the edge of pathology - their individual pathology, but also their
collective pathology as a people.&#39;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;Given his theme for investigation Shimeoni
examines an imagined end of Israel and then pastes together his responses to
that concept with post-modern thinking. &#39;He recalled the words of Ben-Gurion,
that in Israel, in order to be a realist you must believe in miracles.
&quot;Was Israel not the miraculous realization and the triumph of the spirit
of life, forever hovering over the primordial abyss?&quot; he said in a loud
and clear voice, adjusting the microphone. As the lights were turned on, he
emerged from the shadow of catatonia, and began his lecture&#39;. This is from the
last paragraph of this novel.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-size: 13px;&quot;&gt;











&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;font-size: 13px;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;But what Erel Shalit has accomplished in
this very brief but intoxicating book is to provide a path for each of us to
follow, wisely using the plight of the Jews during the last century as a matrix
from which to judge our own individual exile and return. He is an accomplished
thinker and he is also a very brilliant writer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 14pt;&quot;&gt;A review by Marcela London&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;Erel Shalit’s&amp;nbsp;&lt;i&gt;&lt;span data-mce-style=&quot;color: #800000;&quot; style=&quot;color: maroon;&quot;&gt;Requiem: A Tale of Exile and Return&lt;/span&gt;&amp;nbsp;&lt;/i&gt;touched me deeply, deep into the waters of my soul. From that ocean, I will choose to mention a few of the many emerging waves.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;The book traces historical events, in which the longing for home can be felt: a real home, a collective home, and the personal and internal home that the author aims at, by means of the narrator of the book, Eliezer Shimeoni.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;This is his private odyssey, but in distinction from Ulysses, he chooses not to relate to the siren’s song as merely a danger, but rather as a call to make the journey towards the soul’s home.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTSBOdqga7eSMGjA_3LnxxF6vKKwgl-rs7HxRuZ1j7AeuqeZJmVksjsf0aMX9_WF79uaepoXgXG6EuESoS-oIe9P2CSPhDqDY6Qpz1U7XrXYrsoUBuTFfDWXJ9-uDt4G5ZCq4eYNyfAOs/s1600/Requiem_C1medium.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;743&quot; data-original-width=&quot;456&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTSBOdqga7eSMGjA_3LnxxF6vKKwgl-rs7HxRuZ1j7AeuqeZJmVksjsf0aMX9_WF79uaepoXgXG6EuESoS-oIe9P2CSPhDqDY6Qpz1U7XrXYrsoUBuTFfDWXJ9-uDt4G5ZCq4eYNyfAOs/s200/Requiem_C1medium.JPG&quot; width=&quot;121&quot; /&gt;&lt;/a&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;Erel Shalit’s narrative has a unique, fascinating and powerful style, which touches you strongly. Particularly, he has a way of leading the reader to grasp complicated historical processes with unusual ease.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;Interwoven in a narrative of fiction and seeming non-fiction, we meet familiar figures from philosophy and literature, such as Kafka, who asked his friend Max Brod to burn his books after his death, a wish which, to the great fortune of humankind, the latter did not fulfill. In&amp;nbsp;&lt;i&gt;Requiem&lt;/i&gt;&amp;nbsp;the author brings us both to Heine and the burning of books, and back to the fate of Hananiah ben Terdion in the second century.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;The story of the second-hand bookshop reminded me of Borges’s famous library; Shimeoni also found refuge in the many old books: “The old bookshop granted an escape into a world of history books and timeworn atlases in which he could sail across the sea of time and continents, where fear and excitement and heroism were free and asked no price. It was a world of books that he could browse but never buy, an odyssey that could only be traveled, but never owned.”&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDMed9B_BdkbPFR4o8aN4xUnTIFOPpqetWZ8SQJF13JTuEyaJk2DYqxpKEDWy84MCOEfGALxVLdBlXc7_t15Z6IEIp2wBUoxLTGtayGvIwQdboB4_uPeAlgxaDgCESa2fvWYOk8GTPnQI/s1600/hazera+front+cover.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;472&quot; data-original-width=&quot;295&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDMed9B_BdkbPFR4o8aN4xUnTIFOPpqetWZ8SQJF13JTuEyaJk2DYqxpKEDWy84MCOEfGALxVLdBlXc7_t15Z6IEIp2wBUoxLTGtayGvIwQdboB4_uPeAlgxaDgCESa2fvWYOk8GTPnQI/s200/hazera+front+cover.jpg&quot; width=&quot;125&quot; /&gt;&lt;/a&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;I was carried away by the ruminations of the protagonist who wonders if he was “a mere actor in the play? What he believed to be his own, free and individual will, his personal determination, his choice and his decisions, his own peculiar thoughts, were they nothing but the manifestation of his allocated role, the text he had been given, none of his own creation?” And, “Without soul, there is no water and no liquid, no stream, no steam, and perhaps also no dream, he told himself, almost speaking out loudly. Soul does not have material substance,” says Shimeoni in the book, in his Zen-like reflections. And he is reminded of the film Smoke, based on a script by Paul Auster. The film tells the story of Sir Walter Raleigh who asked Queen Elizabeth in the 16th century, “How do you weigh smoke?” Clever as she was, she supposedly answered him, “How can you weigh smoke? It’s like weighing air or someone’s soul,” we are told. But the narrator contemplates and eventually provides us with the surprising answer.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;In&amp;nbsp;&lt;i&gt;Requiem&lt;/i&gt;&amp;nbsp;we are presented with two distinct styles of writing, so that we are almost led to believe that two different authors wrote the book. We find not only the narrator of a story, but also the spiritual and lyrical face of the author.&lt;/span&gt;&lt;/div&gt;
&lt;div data-mce-style=&quot;text-align: justify;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: justify;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;; font-size: 12pt;&quot;&gt;I highly recommend this fascinating and important book, which presents the reader with the simultaneously intellectual and emotional landscapes of Erel Shalit.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; color: #808080;&quot; style=&quot;color: grey; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;span data-mce-style=&quot;font-family: &#39;book antiqua&#39;, palatino;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;;&quot;&gt;&amp;nbsp;Marcela London, poet, author of&amp;nbsp;&lt;i&gt;The Beginning Was Longing&lt;/i&gt;&amp;nbsp;(Hebrew, 2013)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
A review by Junko Chodes&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;REQUIEM - The Tone of a Masterpiece&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;From the first pages of this book, the tone
of a masterpiece emerges powerfully.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;This book makes us realize that the
&quot;Israel problem&quot; cannot be understood in a journalistic frame of
mind. Politics, war, land, culture, and contemporary experience are expressions
of the deep core of human life, the core of the human soul.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;This is an important book for anyone who
thinks about &quot;cultural identity&quot; and the love of one&#39;s own country
and culture.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; color: #808080;&quot; style=&quot;color: grey; font-size: 12pt;&quot;&gt;&lt;span data-mce-style=&quot;font-family: &#39;book antiqua&#39;, palatino;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , &amp;quot;palatino&amp;quot;;&quot;&gt;&lt;a href=&quot;http://eshalit.us4.list-manage.com/subscribe?u=57c4fe583b7a95e10b9605db7&amp;amp;id=de8ec07ed2&quot; style=&quot;font-family: Verdana, sans-serif; font-size: medium; text-align: center;&quot; target=&quot;_blank&quot;&gt;Subscribe to Erel Shalit&#39;s Newsletter&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/1626318248535627069/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/1626318248535627069' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/1626318248535627069'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/1626318248535627069'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/08/the-story-of-requiem-on-youtube.html' title='The Story of Requiem on YouTube'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG9V5xB-UG2Sydg7ZiNuxTVA1hzDSxRm-gKLxhUQVHKG8R6Eg3CjRs7AcRLRhbmX5_EI5Oaj0NGEvTwaFPaO_lj5S1vmcY7UBvuoqovc0KIxVpYWS_kft-41GuwQOPp7fp6xy7_eD9nLnR/s72-c/129398097149559373_e1f8a293-68b7-438e-b113-cccea6802368_305467.Jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-784864731089543973</id><published>2017-12-08T11:34:00.000-05:00</published><updated>2017-12-08T11:40:11.248-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Abbas"/><category scheme="http://www.blogger.com/atom/ns#" term="Donald Trump"/><category scheme="http://www.blogger.com/atom/ns#" term="Erel Shalit"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Jerusalem"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="Palestinians"/><category scheme="http://www.blogger.com/atom/ns#" term="Tom Singer"/><title type='text'>Jerusalem, the Capital</title><content type='html'>&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkk-j4-m6Q5c17mLpKDJ_EKZDSF-gb1COyGxaxPHENKH-zHod1u6RrxgfMNx9d3KGEtVHChtpesyAXLBUrDqytJbH0tWbZ_wgVHwFQ4HkCehnnvXeHv8MYMKiizWMgLgi0s1hjYztgaM4/s1600/Jerusalem+General.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;735&quot; data-original-width=&quot;1397&quot; height=&quot;168&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkk-j4-m6Q5c17mLpKDJ_EKZDSF-gb1COyGxaxPHENKH-zHod1u6RrxgfMNx9d3KGEtVHChtpesyAXLBUrDqytJbH0tWbZ_wgVHwFQ4HkCehnnvXeHv8MYMKiizWMgLgi0s1hjYztgaM4/s320/Jerusalem+General.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;Jerusalem
is the capital of Israel, the center of the Jewish people, whether the American
President says so or not, and whether the Palestinians accept it or reject it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;Hopefully
the Arab part of &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;Jerusalem,
&lt;/span&gt;&lt;span lang=&quot;en-IL&quot;&gt;what in Arabic is
Al-Quds will, one day, also be the capital of a Palestinian State. Not instead
of Jewish Jerusalem, but alongside.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;The
Palestinians and other Arab countries have tried to deny the intimate&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt; and historic&lt;/span&gt;&lt;span lang=&quot;en-IL&quot;&gt; link between the Jewish people and
Jerusalem - rather successfully so &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;for instance &lt;/span&gt;&lt;span lang=&quot;en-IL&quot;&gt;at
UNESCO. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;It would
be conducive, if the Palestinians recognize Israel’s right to exist as a Jewish
and democratic state, just like Israel needs to recognize the legitimate right
of the Palestinians to establish a separate Arabic State alongside Israel –
something which the present extreme right-wing Netanyahu government does not
do.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Israel needs to recognize that today there is a national Palestinian identity, which requires the boundaries of statehood to crystallize in its collective colors, differently from a collective identity which relies on the denial of the other side&#39;s rights. Likewise, the Palestinians need to recognize Jewish, Hebrew and Israeli history - which includes not claiming that the Dead Sea Scrolls, for instance, is part of the Palestinian heritage, rather than Hebrew.&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;A one-state
solution is not a viable option, only a prescription for never-ending violence.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;There are
many possible roads toward a two-state solutions even in times characterized by animosity
and frustration, though it may not be carried out by the three limping leaders –
Trump, corrupt Netanyahu, Abbas who&amp;nbsp;&lt;/span&gt;hangs on to power though he was supposed to stand for re-election nearly a decade ago but hangs on to power.&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
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&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Regarding
the boundaries and borders of Jerusalem, one of the most practical suggestions
has been presented by the &lt;a href=&quot;http://www.geneva-accord.org/&quot;&gt;Geneva
Initiative&lt;/a&gt;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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The following
is excerpted from the beginning of my chapter on Jerusalem, published in Tom
Singer’s (ed.) excellent volume &lt;i&gt;Psyche and the City: A Soul’s Guide to the
Modern Metropolis&lt;/i&gt;.&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;line-height: 107%;&quot;&gt;&lt;span style=&quot;color: #7f6000;&quot;&gt;Jerusalem&lt;/span&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;line-height: 107%;&quot;&gt;&lt;span style=&quot;color: #7f6000;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;line-height: 107%;&quot;&gt;&lt;span style=&quot;color: #7f6000; font-size: large;&quot;&gt;Human Ground, Archetypal Spirit&lt;/span&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;Unlike Rome, not all roads
lead to Jerusalem, and those that do may all too easily lead the visitor astray
in a labyrinth of divinity and madness. In the course of history, when &lt;st1:city w:st=&quot;on&quot;&gt;Rome&lt;/st1:city&gt; became the center of power, sanctity and glory, &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:city&gt;&lt;/st1:place&gt; sank into
spiritual ruin and peripheral oblivion.&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn1&quot; name=&quot;_ftnref1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
Thus, even those modern roads that bring you smoothly to the city may force the
pilgrim to pass “through thorny hedges…”&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn2&quot; name=&quot;_ftnref2&quot; title=&quot;&quot;&gt;&lt;sup&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;sup&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[2]&lt;/span&gt;&lt;/sup&gt;&lt;!--[endif]--&gt;&lt;/sup&gt;&lt;/a&gt;
of his or her mind. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;One may
conveniently approach Jerusalem from the west, ascending the modern highway,
which climbs eastward through the Judean Hills–like a Western mind moving
toward the Orient.&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn3&quot; name=&quot;_ftnref3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt; By
approaching &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:city&gt;&lt;/st1:place&gt;
driving on the comfortable asphalt that smoothly covers the ground and softens
the bumps, one may arrive only to find a noisy and neglected city, tired by too
much spirit and worn out by too much poverty. Slowly winding upward through the
hills, parallel to the highway, runs the dusty old donkey path, burdened by
archetypal history. Arriving this way, one may find the sparks of illumination
that shine from within the dry stones, as well as the strife and conflict that
cut through the rocks of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;Alternatively,
one may proceed toward &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:city&gt;&lt;/st1:place&gt;
on the Route of the Patriarchs, from the desert in the east. This is the path
on which the ancient Hebrews arrived, as they crossed the river into the land
of Canaan, thus gaining their name and reputation as &lt;i&gt;Hebrews&lt;/i&gt;, which
means “those that came from across the river.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;One may
capture Jerusalem by drawing the sword against evil spells, as did King David
from the Jebusites three millennia ago, or enter the city humbly on a donkey,
like Jesus did and any future Messiah is supposed to do as well, or like the
Caliph Omar majestically riding on a white camel. In whatever way one arrives,
the visitor must be ready to overcome the obstacles of Earthly Jerusalem, which
far from always mirrors her Heavenly Sister’s image of completeness and
redemption.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; “Crouched among its hills,”&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn4&quot; name=&quot;_ftnref4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
Jerusalem is immersed with mythological, religious, and symbolic significance.
Yet, scarce in natural resources, the surrounding land is cultivated rather
than fertile by nature, and the so-called Jerusalem stone, the pale limestone
that characterizes many of the city houses, nearly cracks and shatters by
carrying the burden of Heavenly Jerusalem. In its often shabby garb,
terrestrial &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;
seems to want to shake off its Celestial Glory, releasing itself from the task
of being “the gateway to heaven.”&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn5&quot; name=&quot;_ftnref5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
At other times, when the light from above is reflected in her harsh stones, &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt; seems to
embrace the presence of the Shekhinah, the earthly dwelling of the divine.&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn6&quot; name=&quot;_ftnref6&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
Especially at dawn and at dusk, the reflection of the light may bring that
which is below and that which is above, earth and heaven, reality and
imagination into play with each other–marble-like clouds weighing heavily
above, and stones that radiate light.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;st1:city w:st=&quot;on&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;Jerusalem&lt;/span&gt;&lt;/st1:city&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt; wavers between the spirit that takes her to be God’s joyous
garden, the fountain of the awakening love and beauty of the Shulamite, the
bride of Wise King Solomon, builder of the &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Temple&lt;/st1:place&gt;&lt;/st1:city&gt;,&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn7&quot; name=&quot;_ftnref7&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
and her Godforsaken body, poor and neglected, a shameful and condemned whore,
as she is described in Ezekiel.&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn8&quot; name=&quot;_ftnref8&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;Significant
Dates in the History of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;Jerusalem
dates back to the fourth millennium B.C.E. It became a permanently settled
Canaanite city in the nineteenth Century B.C.E, mentioned in the Egyptian
Execration Texts as &lt;i&gt;Rushlamem&lt;/i&gt;.&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftn9&quot; name=&quot;_ftnref9&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 14.0pt; line-height: 107%;&quot;&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;
The Bible first mentions Jerusalem in Genesis 14:18-20, when Melchizedek, “king
of Shalem,” greeted and blessed Abram upon his arrival. According to the Biblical
narrative, it was a small, fortified Jebusite city for about two centuries until
captured and made capital by King David in the tenth century B.C.E., after he
had ruled for seven years in Hebron. He brought the Ark of the Covenant,
holding the stone tablets with the engraved Ten Commandments, to &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;. The &lt;st1:state w:st=&quot;on&quot;&gt;Ark&lt;/st1:state&gt; was later placed in the &lt;i&gt;Holy of Holie&lt;/i&gt;s in the &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Temple&lt;/st1:place&gt;&lt;/st1:city&gt; built by his son,
King Solomon. &lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;The
Babylonian King Nebuchadnezzar, who with his one hand built the Hanging Gardens
of Babylon, destroyed Jerusalem with his other, and deported much of the
population in 586 B.C.E. However, a few decades later King Cyrus the Great allowed
the Jews to return and to rebuild the &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Temple&lt;/st1:place&gt;&lt;/st1:city&gt;.
The Second Temple was completed in 516 B.C.E., and later enlarged by Herod in
the first century B.C.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;The Hellenistic
period began with Alexander the Great’s conquest of Jerusalem in 332 B.C.E.&lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;Following
the Maccabean revolt the Jews recaptured Jerusalem and restored the Temple in
164 B.C.E. However, a century later General Pompey captured the city. The
Romans would reign until the beginning of the Byzantine period, &lt;st1:metricconverter productid=&quot;324 C&quot; w:st=&quot;on&quot;&gt;324 C&lt;/st1:metricconverter&gt;.E. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;Jesus, born ca. 6/5 B.C.E., towards the end of the great and cruel King Herod’s
reign, was crucified at the hill of Golgotha, then outside the ancient walls, probably
in &lt;st1:metricconverter productid=&quot;30 C&quot; w:st=&quot;on&quot;&gt;30 C&lt;/st1:metricconverter&gt;.E.
The Church of the Holy Sepulchre, inside the present walls surrounding the old
city, was built by Emperor Constantine early in the fourth century, likely at
the site of crucifixion.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;The Second Temple was destroyed, presumably on the same day as the
destruction of the first Temple, on the ninth of the Hebrew month Av, late
summer &lt;st1:metricconverter productid=&quot;70 C&quot; w:st=&quot;on&quot;&gt;70 C&lt;/st1:metricconverter&gt;.E.,
which for the observant Jew is a day of fasting and mourning the destruction of
Jerusalem. Yet, Talmudic legend raises the idea of transformation, suggesting
that the day of destruction signifies the birth of the Messiah. After defeating
the revolt of Bar Kokhba in &lt;st1:metricconverter productid=&quot;135 C&quot; w:st=&quot;on&quot;&gt;135
 C&lt;/st1:metricconverter&gt;.E., the Roman Emperor Hadrian renamed the destroyed
city Aelia Capitolina. He prohibited the Jews from entering the city, and on
the ruins of the former temple, he built one to the worship of Jupiter. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;The Byzantine period lasted from the beginning of the fourth to the
middle of the seventh century, followed by the Muslim period. The al-Aqsa–i.e.,
“the furthest”–Mosque was built at the Temple Mount during the &lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;Umayyad period&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;,
early eighth century. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;The Crusaders ruled from 1099, barring non-Christians from the city,
which then was captured by Saladin in 1187. Following the Mameluk period, Jerusalem
and the Holy Land were conquered by the Ottoman Empire in the early sixteenth
century. Sultan Suleiman I, alternatively called the Magnificent and the
Lawgiver, rebuilt the city walls, which had been razed three centuries earlier.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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remained desolate for centuries. The Zurich-born Dominican Friar Felix Fabri,
who visited the Holy Land late in the fifteenth century, wrote of Jerusalem’s
destroyed buildings, abandoned by its inhabitants. At the same time, &lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;Obadiah of Bertinoro, the
intellectual leader of the Jewish community in Jerusalem, described the city as
poor and largely desolate. &lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 14.0pt; line-height: 150%; mso-ansi-language: EN-GB;&quot;&gt;While at the end of the &lt;st1:placename w:st=&quot;on&quot;&gt;Second&lt;/st1:placename&gt; &lt;st1:placetype w:st=&quot;on&quot;&gt;Temple&lt;/st1:placetype&gt;
period the population of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;
reached 100,000, it had been reduced to less than nine thousand in 1800. Only
in the mid-1800s did the city wake up from its slumber, beginning to recover
and grow again.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span lang=&quot;en-IL&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #312d2c; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;The Cities:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-color: white; background-image: initial; background-position: initial; background-repeat: initial; box-sizing: border-box; color: #312d2c; font-family: Roboto, sans-serif; font-size: 14px; line-height: 12.75pt; margin-bottom: 10px;&quot;&gt;
&lt;span style=&quot;box-sizing: border-box; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Bangalore • Berlin • Cairo • Cape Town • Jerusalem • London • Los Angeles • Mexico City • Montreal • Moscow • New Orleans • New York • Paris • San Francisco • Sao Paulo • Shanghai • Sydney • Zurich&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-color: white; background-image: initial; background-position: initial; background-repeat: initial; box-sizing: border-box; color: #312d2c; font-family: Roboto, sans-serif; font-size: 14px; line-height: 12.75pt; margin-bottom: 10px;&quot;&gt;
&lt;span style=&quot;box-sizing: border-box; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;The Contributors:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-color: white; background-image: initial; background-position: initial; background-repeat: initial; box-sizing: border-box; color: #312d2c; font-family: Roboto, sans-serif; font-size: 14px; line-height: 12.75pt; margin-bottom: 10px;&quot;&gt;
&lt;span style=&quot;box-sizing: border-box; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Paul Ashton • Gustavo Barcellos • John Beebe • Nancy Furlotti • Jacqueline Gerson • Christopher Hauke • Thomas Kelly • Thomas Kirsch • Antonio Karim Lanfranchi • Charlotte Mathes • Elena Pourtova • Kusum Dhar Prabhu • Joerg Rasche • Craig San Roque • Erel Shalit • Heyong Shen • Thomas Singer • Murray Stein • Craig Stephenson • Viviane Thibaudier • Beverley Zabriskie • Luigi Zoja&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; text-align: right; unicode-bidi: embed;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;!--[if !supportFootnotes]--&gt;Psyche and the City is available on &lt;a href=&quot;https://www.amazon.com/Erel-Shalit/e/B001JX2Q9A/ref=dp_byline_cont_book_1&quot; target=&quot;_blank&quot;&gt;Amazon &lt;/a&gt;and other sellers.&lt;br /&gt;
&lt;br /&gt;
&lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;
&lt;!--[endif]--&gt;

&lt;br /&gt;
&lt;div id=&quot;ftn1&quot;&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref1&quot; name=&quot;_ftn1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;
&lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;Cf. Martin
Goodman, &lt;i&gt;Rome and Jerusalem: The Clash of Ancient Civilizations&lt;/i&gt; (New
York: Vintage, 2008), for the history of the two cities and the civilizations
they represent. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn2&quot;&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref2&quot; name=&quot;_ftn2&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;
&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&amp;nbsp;Zev Vilnay, &lt;i&gt;Legends of Jerusalem&lt;/i&gt;
(Philadelphia: Jewish Publication Society, 1973), p. 304.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn3&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; text-align: justify; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref3&quot; name=&quot;_ftn3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt; &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;It is by facing the orient, the east where the sun rises, that we
find our way, i.e., orientate ourselves.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn4&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref4&quot; name=&quot;_ftn4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt; &lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&amp;nbsp;Yehuda Amichai, &lt;i&gt;Poems of Jerusalem and Love
Poems&lt;/i&gt; (New York: Sheep Meadow, 1992), p. 49.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn5&quot;&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref5&quot; name=&quot;_ftn5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;en-IL&quot; style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;
&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;en-IL&quot; style=&quot;font-size: 10.0pt; line-height: 107%;&quot;&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&amp;nbsp;“And Jacob awoke from his sleep, and he said,
Surely the Lord is in this place; and I knew it not. And he was afraid, and
said, How awesome is this place! this is no other but the house of God, and
this is the gate of heaven” (Genesis 28:17). Rabbinic folklore (midrash) says
that while the foot of Jacob’s ladder was in Bet El, the top, which reached the
gates of heaven, was in &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:city w:st=&quot;on&quot;&gt;Jerusalem&lt;/st1:city&gt;&lt;/st1:place&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn6&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref6&quot; name=&quot;_ftn6&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt; &lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;“And they shall call
Jerusalem the &lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;Dwelling Place&lt;/st1:address&gt;&lt;/st1:street&gt;,”
“At that time they shall call Jerusalem the throne of the Lord” (respective
translations of Jeremiah 3:17).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn7&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref7&quot; name=&quot;_ftn7&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt; &lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;/span&gt;&amp;nbsp;Isaiah 51:3; Song of Songs, e.g. 7:1. The
eleventh century Rabbi Ibn Ezra interprets the Shulamite here to represent
Jerusalem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn8&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref8&quot; name=&quot;_ftn8&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;EN-US&quot;&gt; Ezekiel 16.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div id=&quot;ftn9&quot;&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;direction: ltr; unicode-bidi: embed;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=4697917198112653307#_ftnref9&quot; name=&quot;_ftn9&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 10.0pt; line-height: 107%;&quot;&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;EN-US&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt; &lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;Menashe Har-El, &lt;i&gt;Golden Jerusalem&lt;/i&gt; (Jerusalem: Gefen, 2004), p.
22.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/784864731089543973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/784864731089543973' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/784864731089543973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/784864731089543973'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/12/jerusalem-capital.html' title='Jerusalem, the Capital'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkk-j4-m6Q5c17mLpKDJ_EKZDSF-gb1COyGxaxPHENKH-zHod1u6RrxgfMNx9d3KGEtVHChtpesyAXLBUrDqytJbH0tWbZ_wgVHwFQ4HkCehnnvXeHv8MYMKiizWMgLgi0s1hjYztgaM4/s72-c/Jerusalem+General.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-3829236736725145056</id><published>2017-12-01T02:38:00.000-05:00</published><updated>2017-12-02T06:06:12.466-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="analytical psychology"/><category scheme="http://www.blogger.com/atom/ns#" term="imitation"/><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="pathology"/><category scheme="http://www.blogger.com/atom/ns#" term="stages of life"/><title type='text'>Imitation and the Archetypal Adult</title><content type='html'>&lt;div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;In &lt;i&gt;The Cycle of Life: Themes and Tales of the Journey&lt;/i&gt;, I
mention five pathologies that I relate to the idea of the Archetypal Adult. In
this brief presentation I mention an additional one, which Jung speaks about –
imitation. In the Red Book he writes, “The new God laughs at imitation and
discipleship.”&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;In &lt;/span&gt;&lt;i style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Two Essays in Analytical Psychology&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt; he writes,&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&quot;The human being has one faculty which, though it is of the
greatest utility from the collective point of view, is immeasurably detrimental
from the standpoint of individuality; the faculty of imitation. Collective
psychology can never dispense with imitation, for without it the organization
of the masses, that of the state and of society, is quite simply impossible.
Society is organized, indeed, less by law than by the propensity to imitation,
implying equally suggestibility, suggestion, and moral contagion.&quot;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;Imitation
is a shadow-side of the self. The Self means authenticity, and in its wholeness
it includes its opposite – imitation.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;This beautiful ten-minute video, which you can &lt;a href=&quot;https://www.youtube.com/watch?v=EZOb-X5eZr4&amp;amp;t=149s&quot; target=&quot;_blank&quot;&gt;watch here&lt;/a&gt;,
was created by Karol Domanski and Adam Kosciuk.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/3829236736725145056/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/3829236736725145056' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3829236736725145056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3829236736725145056'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/11/imitation-and-archetypal-adult.html' title='Imitation and the Archetypal Adult'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIjzA8jD38y2LoXIOmc7OUrtw9LOsGn2a_PVMmA3IPZchxAR5KNzMUcP7Zk11dNntXsrFIEsrA7D8zKQvOBPQ6_1f7JluTWZbWMYfa6_UPu5L31ZRC813uCFfkXjZNY0w8lDwHAswcqg8/s72-c/paintings_thomas_cole_thevoyageoflife_youth_1842_painting_desktop_1920x1200_hd-wallpaper-620128%255B1%255D.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-7543810547969935368</id><published>2017-11-24T03:32:00.000-05:00</published><updated>2017-12-02T06:07:28.900-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="c.g. jung"/><category scheme="http://www.blogger.com/atom/ns#" term="enemy cripple beggar"/><category scheme="http://www.blogger.com/atom/ns#" term="Erel Shalit"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="shadow"/><category scheme="http://www.blogger.com/atom/ns#" term="soul"/><title type='text'>The Sun and the Sword,  The Moon and the Mirror</title><content type='html'>&lt;b&gt;&lt;i&gt;The Sun and the Sword, &lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;The Moon and the Mirror&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
by Erel Shalit&lt;br /&gt;
&lt;br /&gt;
Besides the more commonly accounted for masculine, solar aspect of the hero’s journey, we may refer to a feminine, lunar attribute as well. They represent different attitudes vis-à-vis the unconscious.&lt;br /&gt;
&lt;br /&gt;
The sun-hero has a dual relationship to the Great Mother, as exemplified by Heracles; his name means Glory of Hera, yet the goddess drives him to madness. He sets out on the mission to break free from the bonds of the Great Mother, to face her magnitude, ready to draw his sword in combat with her however awesome she seems to be, and to enhance his ego-consciousness. The sun-hero, while not always able to fulfill the entire mission of his journey, works towards replacing id and the unconscious with ego. He must abandon the comfort and the security of the kingdom of childhood, about which Jung writes:&lt;br /&gt;
&lt;blockquote&gt;
For him who looks backwards the whole world, even the starry sky, becomes the mother who bends over him and enfolds him on all sides ... As such a condition must be terminated, and as it is at the same time an object of regressive longing, it must be sacrificed in order that discriminated entities - i.e., conscious contents - may come into being.(1)&lt;/blockquote&gt;
On his way to consciousness the hero encounters monstrous and malicious obstacles that, as Jung says, rise in his path and hamper his ascent, wearing “the shadowy features of the Terrible Mother, who saps his strength with the poison of secret doubt and retrospective longing.”(2) He risks being devoured by the Earth Mother, destroyed by the gods, to burn in the flames of passion set afire by the nymphs, or die in battle with his competing Martian warriors. His world is patriarchal, goal-directed and lawful, thus he may lose direction and plunge into unconsciousness, teased and tantalized by the feminine seductress intruding from afar, as became the tragic fate of Samson.&lt;br /&gt;
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It is the sun-hero’s undertaking to break away, to free himself from the archetypal world. &lt;br /&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDRViJnIhMw_Xqn6zSg11lhs0UqQt7gySI8MSbuffY2asRiRbTW2xxPv6VrGBHEBZEjTbMQ1J8eJHivH7cBtlU7zEV3_8t_T4hXMxanic_0tPnsG_nQnhyCDPsVWFVqvmhUsNkb2kz9Yw/s1600/ecbcover+dror+green.bmp&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;502&quot; data-original-width=&quot;322&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDRViJnIhMw_Xqn6zSg11lhs0UqQt7gySI8MSbuffY2asRiRbTW2xxPv6VrGBHEBZEjTbMQ1J8eJHivH7cBtlU7zEV3_8t_T4hXMxanic_0tPnsG_nQnhyCDPsVWFVqvmhUsNkb2kz9Yw/s320/ecbcover+dror+green.bmp&quot; width=&quot;205&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Cover image by&amp;nbsp;@ Susan Bostrom-Wong&lt;/td&gt;&lt;/tr&gt;
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Simultaneously, as part of his mission, he must gather the strength required to bring the very same archetypal energy into the ego and human consciousness. Thus, the hero has one foot in divinity, one in the world of mortals. It is the hero’s task to dismember the archetypal energies and transpose them as increasingly human complexes into the personal world and the realm of the ego. This is what Prometheus does when he brings fire to man. His name means forethinker; the Promethean fire is the capacity to plan the use of that natural transformative energy, fire, for the benefit of mankind, to create consciousness and acculturation, heating and cooking, creating new materials and fresh ideas.(3) But also when the complex has become autonomous, split-off from consciousness and detracting energy from the ego, the hero is called for. The man who compulsively clung to a job far below his capabilities because of his fear of losing it was constantly threatened by dismissal until he gathered his strength to fight the complex that nearly destroyed him.&lt;br /&gt;
&lt;br /&gt;
The sun-hero may be the obstinate two-year-old who repeatedly says no and no to being dressed, “I dress.” Or the five-year-old who pulls the hero’s phallic sword with which he fights the beasts within—as they are projected upon the little kindergarten-brutes of the real world without. The sun-hero is unmistakably masculine, a He, whether a boy or a girl. &lt;br /&gt;
&lt;br /&gt;
The solar hero brings something new, something formerly unknown into the consciousness of the individual or that of society. By means of the adventures of the sun-hero, man has, for instance, accomplished scientific achievements and expanded geographical boundaries. The solar aspect of the hero pertains to patriarchal consciousness. With his sword, the hero cuts and divides, which is structurally essential for the establishment and expansion of consciousness.&lt;br /&gt;
&lt;br /&gt;
But there is a lunar aspect or phase of the hero’s journey as well, which may likewise unfold when the hero abandons the conventions of the royal throne and the safe rule of ego, when he stands up against and turns away from collective consciousness. This is the case, for instance, with Buddha, whose way is enlightened by reflection rather than by the splendor of the sword. It pertains to conceiving, rather than “deliberate doing,” and, says Neumann, “time must ripen, and with it, like the seeds sown in the earth, knowledge matures.”(4)&lt;br /&gt;
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This is the moon-hero. He, or in fact She, because it pertains rather to the feminine, whether in man or woman, ventures into the dangerous paths, the forests and the rivers, the hills and the valleys, the labyrinths and the netherworlds, the pandemonium, the chaos and the torment outside the boundaries of collective consciousness, beyond norms and conventions. She is maybe not the skillful goal-directed archer Apollo, but rather his twin sister Artemis, the hunter goddess roaming in the wilderness and the forest, armed with silver bow and arrows. This may be the sense of drifting around the outskirts of town, sneaking into backyards, to hike around in foreign places in the geography of the world or in the psychography of the soul, learning “how to observe nature, the way it grows and changes.”(5) It is dangerous; as happens to Artemis, by mistake, you may kill your loved one, or if you come too close you may be transformed into a stag, because it is an oscillating journey between death and rebirth, waxing and waning, appearance and disappearance, love and disaster, reflection and deflection, healing and wounding. The ground easily quakes, and on winding roads and behind thorny bushes the forces of love and madness, pain and desire, despair and anticipation struggle with savage ferocity. The lunar hero pertains to relationship and unification, but breakup and falling apart, as well.&lt;br /&gt;
&lt;br /&gt;
The hero’s lunar quality refers to the mirror and reflection, rather than the sword and division. As we shall see later, Perseus is equipped with both.&lt;br /&gt;
&lt;br /&gt;
In its lunar aspect, the hero does not attack the unconscious. It entails a conscious turning towards the unconscious, quietly and humbly awaiting what in the course of time arises and unfolds in the hero’s reflective mirror. As Campbell says:&lt;br /&gt;
&lt;blockquote&gt;
The mirror, reflecting the goddess and drawing her forth from the august repose of her divine non-manifestation, is symbolic of the world, the field of the reflected image. Therein divinity is pleased to regard its own glory, and this pleasure is itself inducement to the act of manifestation or “creation.”(6)&lt;/blockquote&gt;
The following is the dream of a sixty-year-old man, slowly finding his way home to himself after having “been away” for a long time, during an extraverted career:&lt;br /&gt;
&lt;blockquote&gt;
I feel an urge to return home. I have been away for a long time. As I get home, I see that a man sits on a chair in the attic, watching the dark sky through a telescope—there is a big opening in the roof. He calls me to look, and I try to look carefully through the telescope, but I see nothing. I turn and turn the telescope, yet, I can’t see anything. He shouts and yells at me and I feel very embarrassed, and he tells me angrily to go and sit and wait next to a little girl who sits on a bench. She looks like she is in a dream state, just looking up at the sky. First I look at her, and then I lose the focus, and like her I just look at the dark sky, and then, suddenly, a very bright star shines far far away but very very clearly, and then I see the moon, so close, almost as if I could touch it.&lt;/blockquote&gt;
Naturally, the lunar aspect of the hero is closely related to matriarchal consciousness, as elaborated in depth by Erich Neumann.(7) Queen Jocasta, Shining Moon, as representative of the feminine side of consciousness, has been discussed elsewhere.(8) However, Neumann is mainly concerned with matriarchal or moon-consciousness as something preceding patriarchal consciousness, pertaining to “enchantment and magic, ... inspiration and prophecy” rather than “its recurrence in the psychology of individuation, which is a reappearance at a higher level, as is always the case where, in the course of normal development, we again encounter something already experienced.”(9) I believe the lunar and the solar elements constitute complementary aspects of the hero and his/her journey, even if the one may precede or dominate the other.&lt;br /&gt;
&lt;br /&gt;
In fact, as regards the lunar aspect of the hero’s journey, he naturally ventures into darkness only as the sun sets, rather than at dawn. Yet, the hero needs to be equipped with some of the day’s light to withstand the night’s depressive darkness, and with summer’s warmth for the cold loneliness of winter not to overwhelm him.&lt;br /&gt;
&lt;br /&gt;
He travels at night-time, west to east, in the reflective light of the moon rather than in the unambiguous light of day. “The alchemical work starts with the descent into darkness (nigredo), i.e., the unconscious” says Jung.(10) Only thereafter “one arrives at the east and the newborn sun,” says Edinger.(11) Ayala, a forty-year-old woman, dreams: &lt;br /&gt;
&lt;blockquote&gt;
It is midnight, midsummer night. I am barefoot, walking from the sea eastward, on a thorny field. My feet hurt, I am bleeding. Then, suddenly, a path opens up, crossing the field in the centre, dividing it in two, lit up by the light of the moon. As I walk along, still feeling the pain in my feet, a man suddenly appears from the dark and blocks my way. He is religious, completely shrouded in his Tallith [the prayer shawl], even his head is covered. He barely notices me, and he does not move to let me pass. I have to stop and wait, and listen to him reciting a prayer. I look at him as he prays, and very quietly he looks at me, in a warm and kind way. I feel his quiet prayer fills me up within, and he then blows the shofar [the ram’s horn], and I feel a wave of excitement.&lt;/blockquote&gt;
While the dream was experienced during an afternoon nap, it takes place during summer’s brief night. The dreamer is guided along her path by the moon. The peripeteia occurs when her road is blocked, but she need not actively struggle with her adversary. Rather, this woman, who had experienced a deep narcissistic wound due to lack of adequate mirroring in early childhood, allows herself in the dream to be mirrored by the religious man’s chanting prayer. Jung says:&lt;br /&gt;
&lt;blockquote&gt;
Christ, or the self, is a “mirror”: on the one hand it reflects the subjective consciousness of the disciple, making it visible to him, and on the other hand it “knows” Christ, that is to say it does not merely reflect the empirical man, it also shows him as a (transcendental) whole.(12)&lt;/blockquote&gt;
The dream-ego, the I in our dreams, is our recurrent nightly hero, our messenger who ventures into dreamland, and returns home with a letter from the Self.(13) In the above dream, Ayala encounters her adversary who emerges from the shadow, not as an enemy to be fought, but as a mirroring or reflecting other. This is the hero’s lunar rather than solar attribute. It may even be that the dream ego will not really bring anything new into consciousness, but her soul becomes inspired and excited, i.e., setting the breath of life in motion. From the lunar perspective, the event, such as in this dream, needs less to be interpreted, but rather be libidinized by the moisture of the Self.&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(1) C.G. Jung, CW 5, par. 646.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(2)“The Dual Mother,” CW 5, par. 611.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(3) Shalit,  The Hero and His Shadow, p. 151.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(4) Erich Neumann, The Fear of the Feminine, pp. 92, 94.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(5) Verena Kast, The Mermaid in the Pond, p. 55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(6) The Hero with a Thousand Faces, p. 213.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(7) ‘The Moon and Matriarchal Consciousness,’ in The Fear of the Feminine, pp. 64-118.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(8) Shalit, The Complex, p. 55.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(9) The Fear of the Feminine, pp. 74, 92.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(10) CW 9ii., par. 231.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(11) Edward Edinger, The Aion Lectures, p. 116.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(12) CW 11, par. 427.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;(13) The Talmudic dictum says: “A dream not interpreted is like a letter not read.”&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
This article is an excerpt from &lt;a href=&quot;https://www.amazon.com/Enemy-Cripple-Beggar-Shadows-Heros/dp/0977607674/ref=asap_bc?ie=UTF8&quot;&gt;Enemy, Cripple, Beggar: Shadows in the Hero’s Path&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
For a review of the book by Ann Walker in &lt;i&gt;Psychological Perspectives&lt;/i&gt;, &lt;a href=&quot;http://eshalit.co.il/8-book/6-book-6.html&quot; target=&quot;_blank&quot;&gt;please see here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Erel Shalit is a Jungian psychoanalyst in Tel Aviv, Israel. He is a training and supervising analyst, and past president of the Israel Society of Analytical Psychology (ISAP). He is the author of the novella, &lt;i&gt;Requiem: A Tale of Exile and Return&lt;/i&gt;, and several other publications, including &lt;i&gt;The Hero and His Shadow: Psychopolitical Aspects of Myth and Reality in Israel&lt;/i&gt; and T&lt;i&gt;he Complex: Path of Transformation from Archetype to Ego&lt;/i&gt;. &lt;br /&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/7543810547969935368/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/7543810547969935368' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7543810547969935368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7543810547969935368'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2010/05/sun-and-sword-moon-and-mirror.html' title='The Sun and the Sword,  The Moon and the Mirror'/><author><name>Fisher King Press</name><uri>http://www.blogger.com/profile/01252617630238504236</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='32' src='http://1.bp.blogspot.com/-h1LygSmJ8v8/UrVNMT0wfLI/AAAAAAAABPA/He1rHIcTGqk/s220/fkplogo.png'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDRViJnIhMw_Xqn6zSg11lhs0UqQt7gySI8MSbuffY2asRiRbTW2xxPv6VrGBHEBZEjTbMQ1J8eJHivH7cBtlU7zEV3_8t_T4hXMxanic_0tPnsG_nQnhyCDPsVWFVqvmhUsNkb2kz9Yw/s72-c/ecbcover+dror+green.bmp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-3448817244870017285</id><published>2017-11-17T05:38:00.000-05:00</published><updated>2017-12-02T06:06:59.992-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="psychoanalysis"/><category scheme="http://www.blogger.com/atom/ns#" term="schizophrenia"/><title type='text'>Jung&#39;s Understanding of Schizophrenia -- Is it Still Relevant in the &quot;Era of the Brain&quot;?</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: large;&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=pLoJ_8q9G80&quot; target=&quot;_blank&quot;&gt;A presentation on YouTube by&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;
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&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Yehuda Abramovitch&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
M.D. Psychiatrist at Beer-Yaakov Mental Health
Center and Sackler School of Medicine, Tel Aviv University. Senior Analyst,
Israel Institute of Jungian Psychology.&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif1DAspDMUjQI3l34i0Ijqu6_wKvVGSb48fMoj7MT6kyzf3B2BIVkjW0MrwhZNJiBjXh18uzovWM6dlGmD_LRbJ-gUHcBpRME5Gp7n5ZhjeDfRohLZrs_vMvO8cGTNsYi1ntJL5A77nY8/s1600/yehuda+abramovitch.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;168&quot; data-original-width=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif1DAspDMUjQI3l34i0Ijqu6_wKvVGSb48fMoj7MT6kyzf3B2BIVkjW0MrwhZNJiBjXh18uzovWM6dlGmD_LRbJ-gUHcBpRME5Gp7n5ZhjeDfRohLZrs_vMvO8cGTNsYi1ntJL5A77nY8/s1600/yehuda+abramovitch.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-GB&quot; style=&quot;font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB;&quot;&gt;Jung
understood Schizophrenia as an &quot;Abaissement du Niveau Mental&quot;, a
similar phenomenon to the one encountered in dreams, and caused by a peculiar
&quot;Faiblesse de la Volonté&quot;. He contested that complexes in
Schizophrenia, in contrast with neurotic disorders, are disconnected and can
either never reintegrate to the psychic totality or they can join together in
remission &quot;like a mirror broke into splinters&quot;. Accordingly, a person
who does not fight for the supremacy of his ego-consciousness and for the
subjugation of unconscious forces, a person who lets himself be swayed by the
intrusion of alien contents arising from the unconscious (or even is fascinated
by regression) exposes himself to the danger of Schizophrenia.&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;HE&quot; style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 12.0pt; line-height: 107%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;youtube noto&amp;quot; , &amp;quot;roboto&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=pLoJ_8q9G80&quot; target=&quot;_blank&quot;&gt;Watch here&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/3448817244870017285/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/3448817244870017285' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3448817244870017285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3448817244870017285'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/11/jungs-understanding-of-schizophrenia-is.html' title='Jung&#39;s Understanding of Schizophrenia -- Is it Still Relevant in the &quot;Era of the Brain&quot;?'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif1DAspDMUjQI3l34i0Ijqu6_wKvVGSb48fMoj7MT6kyzf3B2BIVkjW0MrwhZNJiBjXh18uzovWM6dlGmD_LRbJ-gUHcBpRME5Gp7n5ZhjeDfRohLZrs_vMvO8cGTNsYi1ntJL5A77nY8/s72-c/yehuda+abramovitch.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-2490295569764998678</id><published>2017-11-08T16:45:00.000-05:00</published><updated>2017-12-02T09:29:19.297-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="der ewige Jude"/><category scheme="http://www.blogger.com/atom/ns#" term="Europe&#39;s many souls"/><category scheme="http://www.blogger.com/atom/ns#" term="Joerg Rasche"/><category scheme="http://www.blogger.com/atom/ns#" term="kristalnight"/><category scheme="http://www.blogger.com/atom/ns#" term="requiem"/><category scheme="http://www.blogger.com/atom/ns#" term="the eternal Jew"/><category scheme="http://www.blogger.com/atom/ns#" term="Tom Singer"/><title type='text'>Kristallnacht and the Eternal Jew</title><content type='html'>&lt;div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8cYjbBeu-zdTkFHT_E4-AIrJ9m3s7UVsWZEiWqkF-W_W7Td7Sp8PTA0O9w6kxu9uvIxOj1jV3QmHx6KdQYICrLmeJSlodgC10v9lAfAXkXUIm-PKBpkO3uou-7U_NpOtfbcdo_VIu5QQ/s1600/kristallnacht2.jpg&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8cYjbBeu-zdTkFHT_E4-AIrJ9m3s7UVsWZEiWqkF-W_W7Td7Sp8PTA0O9w6kxu9uvIxOj1jV3QmHx6KdQYICrLmeJSlodgC10v9lAfAXkXUIm-PKBpkO3uou-7U_NpOtfbcdo_VIu5QQ/s320/kristallnacht2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTCnAjtvz3GcG33c2Y2lB4SUuo-P9wgFDIrUek4az6l9JXjdD10IuofDWp3chyo-YQJtb9A6HZ1cqfa1Hfa-pm1uFq2Zb75ikuljfYRjLiU0Cdgjh4Ax8CaQNaIYjJUwYPyG-GVliB9sA/s1600/kristallnacht.jpg&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTCnAjtvz3GcG33c2Y2lB4SUuo-P9wgFDIrUek4az6l9JXjdD10IuofDWp3chyo-YQJtb9A6HZ1cqfa1Hfa-pm1uFq2Zb75ikuljfYRjLiU0Cdgjh4Ax8CaQNaIYjJUwYPyG-GVliB9sA/s320/kristallnacht.jpg&quot; /&gt;&lt;/a&gt;79 years ago, on the night between November 9-10, 1938, pogroms took place during the so called Kristallnacht, in which more than 90 Jews were killed, 30,000 incarcerated in concentration camps, 1,000 synagogues were burned, thousands of Jewish business, schools, homes and buildings damaged and destroyed.&lt;br /&gt;
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The Eternal Jew exhibition first
opened in the Library of the German Museum in Munich on November 8, 1937, and
ended on January 31, 1938, thus preceding the Kristalnight by exactly a year.. Billed as a degenerate-art exhibition, it was the
largest prewar anti-Semitic exhibit thus far produced by the Nazi&#39;s. The
exhibit featured photographs pointing out the typically &quot;Jewish&quot;
features of political figures, such as Leon Trotsky, and international film star
Charlie Chaplin. [who, btw, was not Jeiwsh]&lt;br /&gt;
&lt;span dir=&quot;RTL&quot; lang=&quot;HE&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
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The displays emphasized supposed
attempts by Jews to bolshevize Germany, It did this by revealing an &#39;eastern&#39;
Jew - wearing a kaftan, and holding gold coins in one hand and a whip in the
other. Under his arm is a map of the world, with the imprint of the hammer and
sickle. The exhibition attracted 412,300 visitors, over 5,000 per day.&amp;nbsp;&lt;/div&gt;
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Read more &lt;a href=&quot;http://www.holocaustresearchproject.org/holoprelude/derewigejude.html&quot;&gt;here&lt;/a&gt;,
also about the film of that name produced a year later.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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The following are excerpts from the novella&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;i&gt;&lt;a href=&quot;https://fisherkingpress.com/n/product/requiem&quot; target=&quot;_blank&quot;&gt;Requiem: A Tale of Exile and Return&lt;/a&gt;:&lt;/i&gt;&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
Eliezer Shimeoni recalled the words of Chaim Potok, who so poignantly gave voice to that collective concern, “To be a Jew in this century is to understand fully the possibility of the end of mankind, while at the same time believing with certain faith that we will survive.” Living in Israel was certainly living at life’s edge, at the edge of survival.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr-RuJn6iJC0XWYJzoIJgTPFR5lDmERRaxgA1iKVCeUPBRTOKeHXIFgaz-9OD1JXeyttOrWdbVln8rOkA0j5h7ymPHo6UgJ8mvQR448x3b6vtES-s4LcedD6gm9STnGz19bwSP8-A3tng/s1600/Requiem_C1.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;980&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr-RuJn6iJC0XWYJzoIJgTPFR5lDmERRaxgA1iKVCeUPBRTOKeHXIFgaz-9OD1JXeyttOrWdbVln8rOkA0j5h7ymPHo6UgJ8mvQR448x3b6vtES-s4LcedD6gm9STnGz19bwSP8-A3tng/s200/Requiem_C1.JPG&quot; width=&quot;122&quot; /&gt;&lt;/a&gt;Bitter irony turned into sour cynicism, as Professor Shimeoni reflected on the word “certain.” He was convinced that an eloquent writer such as Potok had purposefully used the ambiguous word certain. “Is there a word more uncertain than certain?” he asked himself rhetorically. “Did Potok mean that we could be sure, could be certain in our faith that we will survive, or did he mean that we may have some, a bit, perhaps a certain bit of faith that we will survive?”&amp;nbsp;&lt;/blockquote&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
Eliezer Shimeoni did indeed have a certain, a very certain faith that the Jews would survive.&lt;br /&gt;
....&amp;nbsp;&lt;/blockquote&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_-pEKWyOlHDqsVB4NQ2ppUjnte0ishE7M1pYr-UcjxgWiWoAgOxfmUoYNTm-qhTPCTQeOSp7kANjN0wSk-1sOa2sBLaENFp04RMNHP3tn5uzoA5k-xgJTxBH5QVbjPaCxldssqQgH1E/s1600/hitler-chamberlain-2-2%5B1%5D.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_-pEKWyOlHDqsVB4NQ2ppUjnte0ishE7M1pYr-UcjxgWiWoAgOxfmUoYNTm-qhTPCTQeOSp7kANjN0wSk-1sOa2sBLaENFp04RMNHP3tn5uzoA5k-xgJTxBH5QVbjPaCxldssqQgH1E/s320/hitler-chamberlain-2-2%5B1%5D.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsUewD47swMj_CfGUkITFZcVlJz32mc4_aPpQXum1_AUjSZ9MkUI8yfqb7bRaFdFBeHNpywik9NNveAXlS7bQMrSY36FFGUF3wabbyuM6xMxjElWwNLPiwVDcodQNI_-QgxtkxA0adYlw/s1600/Chamberlain-Peace-in-our-Time-1938%5B1%5D.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsUewD47swMj_CfGUkITFZcVlJz32mc4_aPpQXum1_AUjSZ9MkUI8yfqb7bRaFdFBeHNpywik9NNveAXlS7bQMrSY36FFGUF3wabbyuM6xMxjElWwNLPiwVDcodQNI_-QgxtkxA0adYlw/s200/Chamberlain-Peace-in-our-Time-1938%5B1%5D.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;font-size: 12.8px;&quot;&gt;&quot;Peace in our time&quot;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Had not the ordinary German, covering the gamut from willing collaborator to frightened compliant, been infected by years of indoctrination and selective information? “When I myself look into the mirror,” he said to himself, “it is somewhat embarrassing to admit that, perhaps, I may have wished Chamberlain success in his mission of appeasement. I have always had a soft spot for Neville Chamberlain. He pronounced himself to be ‘a man of peace to the depths of my soul,’ and I believed him, and I like to see myself as a man of peace to the depth of my soul.” ...&lt;/blockquote&gt;
&lt;div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
And Professor Shimeoni, for one, would have made his way to Heston Airport and applauded him upon his return, because he is a man of hope and peace.&lt;/blockquote&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwpD-0jDTt13UH_hg-IUDuhq1nnrTi1ATxut8F_TbalUU-PFkDfLi2Ye_YIR3cJP5VMw1G-WYS_-1VkuXsbHcpQw-006KKDApacX-W1rf7yJohfRTdUeY2_-hS9tzMyySMkTBDU_oqNs/s1600/hazera+front+cover.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;472&quot; data-original-width=&quot;295&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwpD-0jDTt13UH_hg-IUDuhq1nnrTi1ATxut8F_TbalUU-PFkDfLi2Ye_YIR3cJP5VMw1G-WYS_-1VkuXsbHcpQw-006KKDApacX-W1rf7yJohfRTdUeY2_-hS9tzMyySMkTBDU_oqNs/s200/hazera+front+cover.jpg&quot; width=&quot;125&quot; /&gt;&lt;/a&gt;Thus, he told himself, “I cannot blame the passively collaborating German, and can only admire and feel a deep love for those who dared to see and those that dared to act.” Particularly he thought of Wickard von Bredow, as the example of exceptional heroism: As County Officer (Landrat), he received the order, November 9, 1938, to burn down the synagogue in the East Prussian town of Shirwindt, just like all the synagogues in Germany that were to be destroyed during the next few hours. Von Bredow put on his German Army uniform, said goodbye to his wife, and, ...&lt;/blockquote&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0EYnd2JZJGVDSh5xq_jC2hPhLN3VMEh2_7YmTB3_65xN_w2tKNiFH04bC_w2DV9swPsc-q50FxtGibU2Yt5hiyDClU_RYBUXwwA433bktXo92dP73jTAD70zCaygnvN5c2TBBsUYvbqA/s1600/shirwindt2%5B1%5D.jpg&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0EYnd2JZJGVDSh5xq_jC2hPhLN3VMEh2_7YmTB3_65xN_w2tKNiFH04bC_w2DV9swPsc-q50FxtGibU2Yt5hiyDClU_RYBUXwwA433bktXo92dP73jTAD70zCaygnvN5c2TBBsUYvbqA/s320/shirwindt2%5B1%5D.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
Eli Shimeoni wondered, “Would I have dared to trespass the prohibitions, would I have dared to buy from a Jewish store? I hope so, but the honesty that fears evoke, makes me wonder. If I would have been a 1938 German, may I not have looked the other way, avoiding the shame and the guilt gazing back at me in the store owner’s eyes of shattered glass.”&lt;/blockquote&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkSSr3hLsxEC8UA-6jH22PE3uEkVQqiOkWv_TI_XiHsqrsY998-ZGRJTNLn-S-SArJvULPNy4J60PrJ9fwU1SSngqOe3ozHJ9K1h9qIeH_dySN-xHFR8J7lhpQ3eX4b02oYFEMzZ61q5I/s1600/brokewin%255B1%255D.jpg&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkSSr3hLsxEC8UA-6jH22PE3uEkVQqiOkWv_TI_XiHsqrsY998-ZGRJTNLn-S-SArJvULPNy4J60PrJ9fwU1SSngqOe3ozHJ9K1h9qIeH_dySN-xHFR8J7lhpQ3eX4b02oYFEMzZ61q5I/s320/brokewin%255B1%255D.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
And he knew very well that pathology is always stronger and more powerful than sanity, just like hatred settles into scorched ground, while love forever remains aloft, like letters written in the clouds. Does not Father Death eventually swallow every one of Life’s Children? ...&lt;/blockquote&gt;
&lt;br /&gt;
&amp;nbsp;&lt;span style=&quot;text-align: justify;&quot;&gt;The following is an excerpt from “My
European Animus,” a brief chapter in response to Joerg Rashe’s touching chapter
“My Jewish Anima,” in the book he and Tom Singer edited, &lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;The Many Souls of
Europe&lt;/i&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;:&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
“Little wonder,
then, that to me Jörg represents the best of Europe – its culture and
enlightenment, as well as depth, reflection and integrity. But we live lives
and worlds apart. The times we live in, the geography in which we dwell, the
people and the tradition, the culture and the ancestry into which we are born
is our fate, says Neumann. They do shape the contours of our ‘psychography.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQxzN_vVNt0ZPYfDIVkKN-5xpAHQe80VgynNhGUWd_snFm4WZF4eyipzloR7SOVPT8W_QwnEajwrUZiai8WOboXGeCF-ToRzulVO5TS4H7hxvlBsWPqjrYPd1-Rnk5oG8UJQ5OOUjMPus/s1600/europes_many_souls2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;267&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQxzN_vVNt0ZPYfDIVkKN-5xpAHQe80VgynNhGUWd_snFm4WZF4eyipzloR7SOVPT8W_QwnEajwrUZiai8WOboXGeCF-ToRzulVO5TS4H7hxvlBsWPqjrYPd1-Rnk5oG8UJQ5OOUjMPus/s320/europes_many_souls2.jpg&quot; width=&quot;213&quot; /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; My parents never met in Germany. At
thirteen, my mother was thrown out of the illusion of enlightened Mosaic
assimilation. The light was turned off, crashing into the black hole of
shattered glass at Kristallnacht, walking through the night in the streets of
her childhood’s Hamburg. She never really arrived at morning’s light, perhaps
because she didn’t meet Dr. Brod. For the rest of her life, she would wait for
him, always prepared, dressed up for his arrival. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; My father, a broken link in a long chain
of rabbis, crossed Nazi-Germany on his way to work on a farm. He was saved by
the unknown, righteous officer at the Gestapo HQ, who saved him by that German
word, which otherwise evokes such horrendous connotations – &lt;i&gt;herauss&lt;/i&gt;, get
out! And so I learned that just like evil dwells in all of us, the spark of
goodness may be found in evil’s cellar. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; My father was a man who set out on
his road but never arrived at his destination. Thrown into disarray by the
losses, my grandmother turned into the ashes of Auschwitz, his grandmother
dying in Theresienstadt’s shadows of deception, he tried to create a life for his
offspring. On his way to the kibbutz in the Land of Israel, his wings had lost
their wind, and his legs, stifled into clay, remained stuck in the charred
earth of Europe.”&lt;/div&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/2490295569764998678/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/2490295569764998678' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2490295569764998678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2490295569764998678'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/11/kristallnight-and-eternal-jew.html' title='Kristallnacht and the Eternal Jew'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8cYjbBeu-zdTkFHT_E4-AIrJ9m3s7UVsWZEiWqkF-W_W7Td7Sp8PTA0O9w6kxu9uvIxOj1jV3QmHx6KdQYICrLmeJSlodgC10v9lAfAXkXUIm-PKBpkO3uou-7U_NpOtfbcdo_VIu5QQ/s72-c/kristallnacht2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-4339860809380258201</id><published>2017-11-06T08:57:00.000-05:00</published><updated>2017-11-06T12:21:01.219-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="יונג"/><category scheme="http://www.blogger.com/atom/ns#" term="תולעת ספרים"/><title type='text'>בין נפש לתרבות - סדרת הרצאות בתולעת ספרים</title><content type='html'>&lt;div align=&quot;center&quot;&gt;
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          &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; min-width: 100%; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
           &lt;tbody&gt;
&lt;tr&gt;
            &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 6.75pt 6.75pt 6.75pt 6.75pt;&quot; valign=&quot;top&quot;&gt;&lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-table-anchor-horizontal: column; mso-table-anchor-vertical: paragraph; mso-table-left: left; mso-table-lspace: 2.25pt; mso-table-rspace: 2.25pt; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
             &lt;tbody&gt;
&lt;tr&gt;
              &lt;td style=&quot;padding: 0in 6.75pt 0in 6.75pt;&quot; valign=&quot;top&quot;&gt;&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;img align=&quot;center&quot; class=&quot;mcnImage&quot; id=&quot;_x0000_i1025&quot; src=&quot;https://gallery.mailchimp.com/77a1f4b4876e598ccd672d6bd/images/bcf6af3d-8dea-45c9-a78c-4874ff9c4585.png&quot; style=&quot;border-width: 0in; display: inline; height: auto; max-width: 295px; outline: none; padding-bottom: 0in; vertical-align: bottom;&quot; width=&quot;262&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/td&gt;
             &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
           &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
        &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 0in 0in 0in 0in; width: 223.5pt;&quot; valign=&quot;top&quot; width=&quot;300&quot;&gt;&lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 298px; mso-padding-alt: 0in 0in 0in 0in; mso-table-anchor-horizontal: column; mso-table-anchor-vertical: paragraph; mso-table-left: left; mso-table-lspace: 2.25pt; mso-table-rspace: 2.25pt; mso-yfti-tbllook: 1184; width: 50%px;&quot;&gt;
         &lt;tbody&gt;
&lt;tr&gt;
          &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; min-width: 100%; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
           &lt;tbody&gt;
&lt;tr&gt;
            &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; min-width: 100%; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-table-anchor-horizontal: column; mso-table-anchor-vertical: paragraph; mso-table-left: left; mso-table-lspace: 2.25pt; mso-table-rspace: 2.25pt; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
             &lt;tbody&gt;
&lt;tr&gt;
              &lt;td style=&quot;padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;img align=&quot;center&quot; class=&quot;mcnImage&quot; id=&quot;_x0000_i1026&quot; src=&quot;https://gallery.mailchimp.com/77a1f4b4876e598ccd672d6bd/images/dc0067ae-c452-4264-9e79-9abf86bdd578.jpg&quot; style=&quot;border-width: 0in; display: inline; height: auto; max-width: 528px; outline: none; padding-bottom: 0in; vertical-align: bottom;&quot; width=&quot;298&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/td&gt;
             &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
           &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/td&gt;
       &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/td&gt;
     &lt;/tr&gt;
&lt;!-- // END INDIVIDUAL COLUMNS --&gt;
    &lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;/td&gt;
   &lt;/tr&gt;
&lt;!-- // END UPPER COLUMNS --&gt;
&lt;tr&gt;
    &lt;td id=&quot;templateBody&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; background: white; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;!-- BEGIN  BODY // --&gt;
    &lt;br /&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 600px; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 0px;&quot;&gt;
     &lt;tbody&gt;
&lt;tr&gt;
      &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;div align=&quot;center&quot;&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
       &lt;tbody&gt;
&lt;tr&gt;
        &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
         &lt;tbody&gt;
&lt;tr&gt;
          &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 6.75pt 13.5pt 6.75pt 13.5pt;&quot; valign=&quot;top&quot;&gt;&lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;background: #882B0B; border-collapse: collapse; mso-padding-alt: 0in 0in 0in 0in; mso-table-anchor-horizontal: column; mso-table-anchor-vertical: paragraph; mso-table-left: left; mso-table-lspace: 2.25pt; mso-table-rspace: 2.25pt; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
           &lt;tbody&gt;
&lt;tr&gt;
            &lt;td style=&quot;padding: 0in 0in 0in 0in;&quot; valign=&quot;top&quot;&gt;&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;img class=&quot;mcnImage&quot; id=&quot;_x0000_i1027&quot; src=&quot;https://gallery.mailchimp.com/77a1f4b4876e598ccd672d6bd/images/908006e6-b3bd-402d-a998-2e2fd08bda00.jpg&quot; style=&quot;border-width: 0in; height: auto; max-width: 1502px; outline: none; vertical-align: bottom;&quot; width=&quot;564&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/td&gt;
           &lt;/tr&gt;
&lt;tr&gt;
            &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 6.75pt 13.5pt 6.75pt 13.5pt; width: 409.5pt;&quot; valign=&quot;top&quot; width=&quot;564&quot;&gt;&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcb6-38be-6a15-02d72f3f4133&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;המכון הישראלי לפסיכולוגיה יונגיאנית מזמין לסדרת
            הרצאות:&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;br /&gt;
            &lt;/span&gt;&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcb7-487f-4ff8-a37c4b63846b&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 24.0pt; line-height: 150%;&quot;&gt;&quot;בין נפש לתרבות&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;/span&gt;&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcb7-487f-4ff8-a37c4b63846b&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;הגישה היונגיאנית שמה דגש על רוח האדם, על יצירה ועל
            משמעות ועל התפתחותו של האדם לאורך חייו האישיים ולאורך התרבות.
            בסידרת ההרצאות המוצעת יביאו מספר מחברי המכון מיצירותיהם ויחברו ישן
            עם חדש, אקטואלי עם נצחי ומיתי.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;/span&gt;&lt;strong id=&quot;docs-internal-guid-5a14c496-0579-8303-6a2b-ccad58dc665f&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;ההרצאות יתקיימו בתולעת ספרים, מזא&quot;ה 7 תל אביב&lt;/span&gt;&lt;/strong&gt;&lt;b&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;strong&gt;&amp;nbsp;בימי
            חמישי בשעה 19:30.&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;/span&gt;&lt;u&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;עלות
            ההשתתפות בסדרה כולה: 180 ₪. עלות השתתפות בהרצאה בודדת: 40₪.&lt;/span&gt;&lt;/u&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;/span&gt;&lt;u&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 11.5pt; line-height: 150%;&quot;&gt;להרשמה:
            03-5357907&lt;/span&gt;&lt;/u&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;br /&gt;
            &lt;/span&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;תכנית
            ההרצאות:&lt;/span&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &amp;nbsp;&lt;/span&gt;&lt;span dir=&quot;LTR&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;21/12/17:
            פתיחה והצגת הסדרה: &amp;nbsp;ד&quot;ר יהודה אברמוביץ&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 18.0pt; line-height: 150%;&quot;&gt;&quot;יוקסטה: גורלה של פנטזיית התיקון האימהית&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;מרצה:
            &amp;nbsp;פרופ&#39; תמר קרון&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;br /&gt;
            &lt;br /&gt;
            &lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;יוקסטה, אמו של
            אדיפוס, היא דמות צל במיתוס ובמחזות. בעוד שסיפור חייו וגורלו של בנה,
            אדיפוס, הפך למיתוס מרכזי בפסיכולוגיית המעמקים, יוקסטה מצטיירת כאם
            המפתה, אשר בסופו של דבר מביאה להרס בנה. בספרות הפסיכואנליטית אנו
            מוצאים אפילו תאור של &#39;תסביך יוקסטה&#39;. בכתיבה היונגיאנית מזוהה יוקסטה
            עם ארכיטיפ האם הגדולה הנוראה המפתה את הבן-המאהב ומביאה עליו כליה.
            בהרצאה זו ננסה לתת קול לאם המוכחשת והדחויה ולתאר את תהליך
            האינדיבידואציה שלה: מקורבן להתעללות מינית, דרך מאבקה ללדת ועד
            לנסיונה לתקן את הקשר אם-ילד הפגוע שנכפה עליה. &amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;קשר ארכיטיפי זה עלול להיות מופעל גם היום: פגיעות של
            טראומות קודמות, של דחייה ונטישה עלולות &amp;nbsp;לעורר את פנטזיית
            התיקון. &amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- דיון בהשתתפות הקהל&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- קטע ג&#39;אז: &amp;nbsp;עילי אברמוביץ ועמית וולצקי&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;11/1/18: &amp;nbsp;פותחת ומנחה: בתיה ברוש-פלמוני&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 18.0pt; line-height: 150%;&quot;&gt;&quot;נמציא אויב!&quot; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;מרצה: ד&quot;ר יהודה אברמוביץ &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;ההרצאה תעסוק בצורך ב&quot;אחר&quot; על מנת לסמן את
            גבולות ה&quot;אני&quot; ולאפשר תחושה של נפרדות וחיוניות. בד בבד
            תעסוק ההרצאה בתהליך הפסיכולוגי דרכו ה&quot;אחר&quot; הופך לאויב או
            שלחלופין נמחקת &amp;nbsp;&quot;אחרותו&quot;.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;מוצע ניסיון להביט על חיי הנפש כעל דיאלוג מתמשך בין מבנים
            מודעים ושאינם מודעים – נפרדים אך משלימים אלה את אלה, מתוך עמדה של
            הדדיות ושוויון ביניהם.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;הרחבות מהמיתולוגיה והספרות ידגימו תהליכים אלו.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- &amp;nbsp;המשורר גיא פרל יצטרף בקריאת שירה&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- דיון בהשתתפות הקהל&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;1/2/18: פותח&amp;nbsp;ומנחה: יהושע זיו&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 18.0pt; line-height: 150%;&quot;&gt;&quot;על הודו בחלומותיו, ביצירותיו ובמשנתו של
            יונג&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;מרצה: נעה שוורץ-פוירשטיין&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;לק.ג.יונג שמורה זכות ראשונים ביצירת שיח פסיכולוגי
            משמעותי עם המזרח בכלל ועם הודו בפרט. בתחילת דרכו חווה יונג זיקה
            עמוקה והערצה לחכמת הודו, והיא שימשה לו &amp;nbsp;מקור השראה לרעיונותיו
            פורצי הדרך. עם הזמן פינתה ההערצה את מקומה לרתיעה חשדנית, ויונג הפנה
            אזהרות נוקבות לבני דורו מפני אימוץ רעיונות מן המזרח, שראה בהם גוף
            זר בתודעת האדם המערבי. בהרצאה נתחקה אחר המפגש רב השנים של יונג עם
            הודו, &amp;nbsp;מופעיה של הודו בכתביו התיאורטיים וחוויותיו המכוננות
            במסע בהודו. נסיים בתיאור חלומותיו ה&quot;הודיים&quot;, על סף מוות.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;דיון בהשתתפות הקהל&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;קטע ג&#39;אז: &amp;nbsp;עילי אברמוביץ &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;22/2/18 : פותח ומנחה: יהושע זיו&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 18.0pt; line-height: 150%;&quot;&gt;&quot;אוצרות חבויים בעולם של שקיפות ונראות&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;מרצה: מיכל טרודרט&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;הרצאה זו תעסוק בייחודיותו של הטיפול האנליטי כמרחב
            לאינטימיות וחלימה בהקיץ. תוך דיאלוג עם הפילוסוף הצרפתי גסטון בשלאר
            (&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span dir=&quot;LTR&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;Gaston Bachelard&lt;/span&gt;&lt;/strong&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;&lt;span dir=&quot;RTL&quot;&gt;&lt;/span&gt;)&amp;nbsp;נבחן
            את חדר הטיפול כמיכל לסודות ולמסתורין וכפינה חבויה לנפש. נדון
            בתפקידו המכריע של המיכל הטיפולי בשיקום מקומו של העולם הפנימי בעידן
            האינטרנט, הריאליטי והסמרטפון, עידן בו האינדיבידואליות והפרטיות
            נרמסות על ידי הטכנולוגיה של המדיה. ההרצאה תלווה בהדגמות (וינייטות)
            מתוך אנליזות ומטיפול במשחק בחול.&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- &amp;nbsp;דיון בהשתתפות הקהל&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- &amp;nbsp;קטע ג&#39;אז: &amp;nbsp;עילי אברמוביץ &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 13.5pt; line-height: 150%;&quot;&gt;15/3/18: פותחת ומנחה: בתיה ברוש פלמוני&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 18.0pt; line-height: 150%;&quot;&gt;&quot;כל אחד והאיתקה שלו – ה&#39;אודיסאה&#39; כמסע הביתה
            בחצי השני של החיים&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 15.0pt; line-height: 150%;&quot;&gt;מרצה: ד&quot;ר אבי באומן&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;במחצית השנייה של חיינו מתחילה בתוך נפשנו מגמה פנימית
            חדשה. המסע הזה, שבו אנו מתחילים להשתחרר מהמלחמות הגדולות של
            ה&quot;אני&quot;, מהקולקטיב התובעני, מהתפקידים שלקחנו על עצמנו או
            שהוטלו עלינו, הוא כמעין מסע הביתה אל המהות של עצמנו. הדרך הזו גובה מאתנו
            את הקרבת ההיבריס, את המפגש עם השאול ואת העמידה מול תוצאות מעשינו.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;ה&quot;אודיסיאה&quot;, מסעו של אודיסאוס הביתה
            לאיתקה, ההשתחררות הקשה שלו מתוצאות המלחמה, המפגש עם הבית שזנח, עם
            בנו טלמכוס ועם אשתו פנלופה, משמשים &amp;nbsp;כמעין השראה למסע החשוב
            הזה, שמתחיל בחצי השני של החיים, לעיתים לאחר משבר, התפקחות ואפילו
            זעזוע.&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- חברת המכון המשוררת חגית חוף תקרא מספרה &quot;ברכבת
            לנהריה&quot;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;strong id=&quot;docs-internal-guid-c7b66c77-fcc3-fdba-fb23-ebe669850e89&quot;&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;lucida sans unicode&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;- &amp;nbsp;דיון בהשתתפות הקהל&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;span lang=&quot;HE&quot; style=&quot;color: #f2f2f2; font-family: &amp;quot;helvetica&amp;quot; , sans-serif; font-size: 10.5pt; line-height: 150%;&quot;&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; dir=&quot;RTL&quot; style=&quot;direction: rtl; line-height: 150%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: 0in; margin-top: 12.0pt; text-align: center; unicode-bidi: embed;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/td&gt;
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&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/td&gt;
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&lt;/td&gt;
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&lt;/div&gt;
&lt;!-- // END  BODY --&gt;&lt;/td&gt;
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&lt;div align=&quot;center&quot;&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 600px; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
     &lt;tbody&gt;
&lt;tr&gt;
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&lt;div align=&quot;center&quot;&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 298px; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 0px;&quot;&gt;
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        &lt;td style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; padding: 0in 0in 0in 0in; width: 223.5pt;&quot; valign=&quot;top&quot; width=&quot;300&quot;&gt;&lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 298px; mso-padding-alt: 0in 0in 0in 0in; mso-table-anchor-horizontal: column; mso-table-anchor-vertical: paragraph; mso-table-left: left; mso-table-lspace: 2.25pt; mso-table-rspace: 2.25pt; mso-yfti-tbllook: 1184; width: 50%px;&quot;&gt;
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&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoNormalTable&quot; style=&quot;-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; min-width: 100%; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184; width: 100%px;&quot;&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/4339860809380258201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/4339860809380258201' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4339860809380258201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4339860809380258201'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/11/blog-post.html' title='בין נפש לתרבות - סדרת הרצאות בתולעת ספרים'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-2477729429265567538</id><published>2017-11-03T10:25:00.000-04:00</published><updated>2017-11-03T10:55:46.695-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="assaination of Rabin"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="peace"/><category scheme="http://www.blogger.com/atom/ns#" term="Rabin"/><category scheme="http://www.blogger.com/atom/ns#" term="יצחק רבין"/><category scheme="http://www.blogger.com/atom/ns#" term="נתניהו"/><title type='text'>22 years to the assassination of Yitzhak Rabin</title><content type='html'>&lt;div&gt;
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&lt;img alt=&quot;Image result for rabin&quot; src=&quot;http://www.jpost.com/HttpHandlers/ShowImage.ashx?ID=312463&quot; height=&quot;279&quot; width=&quot;400&quot; /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;color: #0c343d;&quot;&gt;4th of November marks twenty-two years since the assassination of&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #0c343d; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Prime Minister Yitzhak Rabin.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #0c343d; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;A gathering is held on that day, 4th of November 2017, end of Sabbath,&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #0c343d; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;at Rabin Square in Tel Aviv.&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://msc.wcdn.co.il/w/w-700/14274-5.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Image result for ‫רבין שיר לשלום‬‎&quot; border=&quot;0&quot; src=&quot;http://msc.wcdn.co.il/w/w-700/14274-5.jpg&quot; height=&quot;320&quot; width=&quot;195&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;The blood-stained text of the Song for Peace&lt;br /&gt;
found in Rabin&#39;s pocket&lt;/td&gt;&lt;/tr&gt;
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For most of forty years the right-wing has ruled Israel, and the present Netanyahu government is not only the most extremist of them all, it bears far too many of the insignia of neo-fascism.&lt;/div&gt;
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Netanyahu was one of the most visible and audible instigators prior to Rabin&#39;s assassination. Now, with a sense of safety in his position of power, he paranoically persecutes the institutes of democracy, such as the media, the legal system, and the police. In his fight to retain power in spite of allegations of severe corruption, he spares no means.&lt;br /&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;font-size: 12.8px;&quot;&gt;Netanyahu at an anti-Rabin demonstration&lt;/td&gt;&lt;/tr&gt;
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The present government is reluctant to reach out for serious negotiations with the (itself reluctant) Palestinian partner, it is a spearhead for settlements beyond the security fence, spending a fortune on what eventually will have to be dismantled or withdrawn, rather than enabling the young, creative, hard-working Israelis to attain affordable housing.&lt;/div&gt;
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As a totalitarian inclined politician in power, he is a Prime Minister, who accuses and lashes out at big parts of the population, in the most vulgar of ways. He does not see the media as legitimate in its role as scrutinizing the regime, but adheres to media as his megaphone (the Sheldon Adelson owned Israel Hayom). Likewise, in his view, the Supreme Court should not be the independent defender of democracy, as it still remains, but be ruled by the Netanyahu regime - he is making every effort to subjugate the legislative and judicial arms of democracy to the exclusive rule of the executive arm.&amp;nbsp;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;The song for Peace, Nov 4, 1995.&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;The vulgarity of PM Netanyahu.&lt;/td&gt;&lt;/tr&gt;
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Netanyahu represents another Israel than Yitzhak Rabin, who wanted to unite the people around peace and saying no to violence, while Netanyahu lashes out at big parts of the population, calling them &quot;sourpussies,&quot; and in a peak of vulgarity takes a picture of himself with a tin of pickles (both sourpussies and pickles are hamuzim in Hebrew). In spite of Netanyahu&#39;s present rule, the large segment of the Israeli population, Ashkenazi and Sefaradic, young and old, which is hard-working, creative and contributing to Israeli society, paying for the madness of a rule that many oppose, will inevitably return to lead politically, and not only carry the economics, technology, science and culture - the very well-fare of Israeli society.&lt;br /&gt;
Netanyahu does not miss an opportunity to brag about Israeli hi-tech and Israel as the only democracy in the area. That is exactly the Israel that he aggressively fights against and incites against.&lt;br /&gt;
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But the winds of change are blowing. Polls are not to be relied upon, but for the first time since the early 1990s, the center-left is gaining enough strength to possibly form a government, when Netanyahu will have to leave, possibly. His indictments are coming closer, in spite of his attempts to prevent them by absurd and esoteric laws.&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/2477729429265567538/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/2477729429265567538' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2477729429265567538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2477729429265567538'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/11/22-years-to-assassination-of-yitzhak.html' title='22 years to the assassination of Yitzhak Rabin'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPXszDpuzMSpswG_a8UU5qf9lzt-4aIvSIeHRBi3yTt_qM70fyp7JQSuNiYxA1GCpzt0nnXOjRolnEHkNdHvTIbKe09jdmucYGhQ0xDyjd0LzGQzwgptx9gOS3UDVbDry7aou6bfVjROo/s72-c/netanyahu+demonstration+against+rabin.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-5621137067749187943</id><published>2017-10-24T07:39:00.000-04:00</published><updated>2017-11-11T09:21:24.264-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A Jungian Life"/><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="Jungians"/><category scheme="http://www.blogger.com/atom/ns#" term="Neumann"/><category scheme="http://www.blogger.com/atom/ns#" term="Tom Kirsch"/><title type='text'>We mourn the passing of Tom Kirsch</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwTCE1Qn3jjzuRhcqSV9wIJ3oNn7Nu30vtT0nGRh5TG7eSJfpLC_oLym_XiNoebtAQO4h1tu91NPCE7IrUwxGrZMOGRp6oF045ZxliC_qtQ9YXDMWZJWs1HSg2M1qqrKbFvr9lYEjRcuc/s1600/tom+kirsch.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;509&quot; data-original-width=&quot;409&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwTCE1Qn3jjzuRhcqSV9wIJ3oNn7Nu30vtT0nGRh5TG7eSJfpLC_oLym_XiNoebtAQO4h1tu91NPCE7IrUwxGrZMOGRp6oF045ZxliC_qtQ9YXDMWZJWs1HSg2M1qqrKbFvr9lYEjRcuc/s320/tom+kirsch.jpg&quot; width=&quot;257&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;We mourn the passing of Tom Kirsch, after a long and courageous battle with terminal illness.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;Tom was one of the leading torch bearers in the tradition of Jungian psychology.&amp;nbsp;He was a Graduate of Yale Medical School, Stanford Department of Psychiatry and
C.G. Jung Institute of San Francisco.&amp;nbsp; He was president of the Jung Institute
of&amp;nbsp; San Francisco, as well as of the International
Association for Analytical Psychology. He wrote &lt;i&gt;The Jungians&lt;/i&gt;, and in 2014, Fisher King Press published his&amp;nbsp;&lt;i&gt;A
Jungian Life, &lt;/i&gt;of which Irvin Yalom writes:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-size: 12pt; text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&quot;This book is aptly titled. Thomas
Kirsch writes not only a fine autobiography but also a fascinating profile of
Jungian life in the last several decades. Thomas was the son of two
psychoanalysts, disciples of Carl Jung. Thomas&#39;s father knew Jung well in Europe
before fleeing from Nazi Germany and coming to California, where he and
Thomas&#39;s mother practiced for many years. The younger Kirsch followed in the
footsteps of his parents and became a highly influential scholar and leader of
The International Association for Analytical Psychology for many years. His
life story is both a personal tale and a wide sweeping panorama of Jungian
thought.&quot;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 12pt; text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Cz42WlzDLTUQaUjmTYIhVI4EGII5-kO9NrmJCOhRyTo2WrKFvU0eRAX0hevoDSNDLX6YfMq8fZX0-Z3lqngGLbUFnuU-bmeKbxbrb_QFCxxDVOq2Efyvdd6kdNXoMFr0nmvEIJivkq0/s1600/jung+kirsch+letters.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;275&quot; data-original-width=&quot;183&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Cz42WlzDLTUQaUjmTYIhVI4EGII5-kO9NrmJCOhRyTo2WrKFvU0eRAX0hevoDSNDLX6YfMq8fZX0-Z3lqngGLbUFnuU-bmeKbxbrb_QFCxxDVOq2Efyvdd6kdNXoMFr0nmvEIJivkq0/s1600/jung+kirsch+letters.jpg&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;The correspondence between Jung and his father, James Kirsch,was edited by Ann Lammers, and published by Routledge.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;From the back cover:&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;The Jung-Kirsch Letters&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt; belongs
to a category of literature where the thoughts and ideas of the psychoanalytic
masters are revealed behind their more formal writings. We are here served an
exceptional vista of ruminations, theoretical and clinical discussions, dreams
and personal emotions, as they crystallize into meaningful ideas. Ann Lammers’
skillful editing renders this correspondence between Jung and one of his most
prominent Jewish disciples into a masterful volume of great interest for
readers, both professional and lay, interested in depth psychology.&lt;/span&gt;&lt;span dir=&quot;RTL&quot; lang=&quot;HE&quot; style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif;&quot;&gt;Erel Shalit&lt;/i&gt;&lt;/div&gt;
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From Tom Kirsch&#39;s contribution to &lt;i&gt;Turbulent Times, Creative Minds: The Relationship between C.G. Jung and Erich Neumann&lt;/i&gt;:&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&quot;Overall, this correspondence is of
immense importance to the history of the Jungian movement. Neumann was
considered by many, but by no means all, especially in Jung’s inner circle in
Zurich in the 1940s, to be Jung’s intellectual and spiritual son. Jung certainly
implies as much in his foreword to &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The
Origins and History of Consciousness&lt;/i&gt; (1949/1954), where he writes, “he
arrives at conclusions that are among the most important ever to be reached in
this field.” In an interview recently available from the Library of Congress in
the United States in which Kurt Eissler interviewed Jung on Freud in 1953, Jung
discusses the difficulty of being a leading figure but then having a student
continuing in a creative way one’s most important thoughts. Jung thought that
he was doing that with Freud’s ideas of “archaic vestiges” into archetypes.
Freud could not accept that. Jung has the same feeling about Neumann furthering
his work. It is not easy when a student makes a real contribution to one’s own
most cherished work, but Jung says, “I have a very talented student, Neumann,
in . . . Tel Aviv. He is truly a significant person! And, he took hold of some
of my material and did something with it. You know, when one is overtaken in
this manner, it is not easy for someone who has been in front.” High praise,
indeed!&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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...&lt;/div&gt;
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On a personal
note, when Erich Neumann was still in Berlin, my favorite aunt was engaged to
his older brother Franz, before marrying my favorite Uncle Walter, my mother’s
older brother. This is another piece of evidence that the German Jews in Berlin
were quite involved with each other.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-indent: .5in;&quot;&gt;
People may be
interested to know that my parents always read Neumann, and I never heard a bad
word about him at home! My mother read him avidly, and so did my dad. I have
often wondered what my life would have been had my parents stayed in Palestine in
1935. I could have been a Sabra. Hebrew would be my mother tongue. What would I
be saying today, at this conference, about Erich Neumann? A path not taken.&quot;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;https://www.forevermissed.com/thomas-b-kirsch/#about&quot; target=&quot;_blank&quot;&gt;The Tom Kirsch memorial website&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/5621137067749187943/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/5621137067749187943' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/5621137067749187943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/5621137067749187943'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/10/we-mourn-passing-of-tom-kirsch.html' title='We mourn the passing of Tom Kirsch'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwTCE1Qn3jjzuRhcqSV9wIJ3oNn7Nu30vtT0nGRh5TG7eSJfpLC_oLym_XiNoebtAQO4h1tu91NPCE7IrUwxGrZMOGRp6oF045ZxliC_qtQ9YXDMWZJWs1HSg2M1qqrKbFvr9lYEjRcuc/s72-c/tom+kirsch.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-4851753547861398969</id><published>2017-10-17T15:36:00.000-04:00</published><updated>2017-10-17T15:46:48.019-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="Murray Stein"/><category scheme="http://www.blogger.com/atom/ns#" term="postmodern"/><category scheme="http://www.blogger.com/atom/ns#" term="red book"/><title type='text'>Jung`s Red Book For Our Time: Searching for Soul under Postmodern Conditions</title><content type='html'>&lt;div class=&quot;&quot; data-block=&quot;true&quot; data-editor=&quot;5v625&quot; data-offset-key=&quot;d9vi8-0-0&quot; style=&quot;background-color: white;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJkOB765-3sh5KmWWVaIWdfSvVHkzxQAUyTUtJI1cbD6CFX4Ghep8WSavvJMc-oJbdAv2dCuzuIFako54PPDoU0Li3HR2B_20_rtw28JsFHdIG5_dgHaQyzksklejoHANrMlCz6bdPp_k/s1600/Red-Book-for-Our-Time.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJkOB765-3sh5KmWWVaIWdfSvVHkzxQAUyTUtJI1cbD6CFX4Ghep8WSavvJMc-oJbdAv2dCuzuIFako54PPDoU0Li3HR2B_20_rtw28JsFHdIG5_dgHaQyzksklejoHANrMlCz6bdPp_k/s320/Red-Book-for-Our-Time.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;h2&gt;
&lt;span style=&quot;font-family: &amp;quot;georgia&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;Jung`s Red Book For Our Time: &lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2&gt;
&lt;span style=&quot;font-family: &amp;quot;georgia&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;Searching for Soul &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;under Postmodern &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;Conditions &lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2&gt;
&lt;span style=&quot;font-family: &amp;quot;georgia&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;by Murray Stein (Editor), Thomas Arzt (Editor)&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;
&lt;div style=&quot;font-family: helvetica, arial, sans-serif; white-space: pre-wrap;&quot;&gt;
&lt;span style=&quot;color: #444444;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;The essays in this volume are geared to the recognition that the &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;posthumous publication of The Red Book: Liber Novus by C. G. Jung in 2009 was a &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;meaningful gift to our contemporary world. Similar to the volatile times Jung &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;confronted with highly turbulent and uncertain conditions of world affairs that &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;found himself in when he created this work a century ago, we today too are &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;threaten any sense of coherent meaning, personally and collectively. &lt;/span&gt;The Red Book promises to become an epochal opus for the 21st century in that it offers&amp;nbsp;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;us guidance for finding soul under postmodern conditions.&lt;/span&gt;This is the first volume of a three-volume series set up on a global and multicultural level and compiling essays from distinguished Jungian analysts and scholars.&lt;/span&gt;&lt;/div&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
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&lt;span style=&quot;color: #1d2129; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f;&quot;&gt;Contributions by:&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Murray Stein: Introduction&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Thomas Arzt: “The Way of What Is to Come”: Searching for Soul under &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;Postmodern Conditions&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Ashok Bedi: Jung’s Red Book: A Compensatory Image for Our &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;Contemporary Culture: A Hindu Perspective&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Paul Bishop: In a World That Has Gone Mad, Is What We Really Need &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;A Red Book? Plato, Goethe, Schelling, Nietzsche and Jung&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #7F7F7F; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background1; mso-themecolor: background1; mso-themeshade: 128;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Ann Casement: “O tempora! O mores!”&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Josephine Evetts-Secker: “The Incandescent Matter”: Shudder, &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Shimmer, Stammer, Solitude&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Nancy Swift Furlotti: Encounters with the Animal Soul: A Voice of &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Hope for Our Precarious World&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Liz Greene: “The Way of What Is to Come”: Jung’s Vision of the &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Aquarian Age&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;John Hill: Confronting Jung: The Red Book Speaks to Our Time&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Stephan A. Hoeller: Abraxas: Jung’s Gnostic Demiurge in Liber Novus&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Russell A. Lockhart: Appassionato for the Imagination&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Lance S. Owens: C.G. Jung and the Prophet Puzzle&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Dariane Pictet: Movements of Soul in The Red Book&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Susan Rowland: The Red Book for Dionysus: A Literary and &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Transdisciplinary Interpretation&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Andreas Schweizer: Encountering the Spirit of the Depths and the &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Divine Child&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Heyong Shen: Why Is The Red Book “Red”? – A Chinese Reader’s &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Reflections&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Marvin Spiegelman: On the Impact of Jung and his Red Book: A &lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Personal Story&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;Liliana Liviano Wahba: Imagination for Evil&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif; font-size: 14px; white-space: pre-wrap;&quot;&gt;John C. Woodcock: The Red Book and the Posthuman&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/4851753547861398969/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/4851753547861398969' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4851753547861398969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4851753547861398969'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/10/jungs-red-book-for-our-time-searching.html' title='Jung`s Red Book For Our Time: Searching for Soul under Postmodern Conditions'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJkOB765-3sh5KmWWVaIWdfSvVHkzxQAUyTUtJI1cbD6CFX4Ghep8WSavvJMc-oJbdAv2dCuzuIFako54PPDoU0Li3HR2B_20_rtw28JsFHdIG5_dgHaQyzksklejoHANrMlCz6bdPp_k/s72-c/Red-Book-for-Our-Time.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-6663872447648031506</id><published>2017-10-14T08:10:00.002-04:00</published><updated>2017-10-14T08:10:41.954-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="No room for small dreams"/><category scheme="http://www.blogger.com/atom/ns#" term="Shimon Peres"/><title type='text'>No Room for Small Dreams by Shimon Peres</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLBMTJWWAD4Md7V8SrLmldeOGyOD7Awvh1eRqQL1wxOvVWz2lhdwTEkkXoIlChBCqFGwfqALh3Zj_AjRTtWA2WYOyhj1ft7ePSdQfS5h99lqQP2iUJJNTrY5lD0fNcz7AOfm7-iEHbe10/s1600/peres+no+room.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;276&quot; data-original-width=&quot;183&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLBMTJWWAD4Md7V8SrLmldeOGyOD7Awvh1eRqQL1wxOvVWz2lhdwTEkkXoIlChBCqFGwfqALh3Zj_AjRTtWA2WYOyhj1ft7ePSdQfS5h99lqQP2iUJJNTrY5lD0fNcz7AOfm7-iEHbe10/s1600/peres+no+room.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: transparent; color: #444444; font-family: &amp;quot;Trebuchet MS&amp;quot;, sans-serif; text-align: justify;&quot;&gt;This book is so full of life that it should be read by everyone, especially the young, and the leaders of the region, particularly those on both the Israeli and Palestinian side who find and raise every obstacle possible to avoid what Peres so pertinently calls “the necessity of peace.”&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&quot;In 1934 eleven-year-old
Shimon Peres&amp;nbsp; emigrated to the land of
Israel from his native Poland, leaving behind an extended family who would
later be murdered in the Holocaust.&quot;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;Toward the end of his memoirs
he writes:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&quot;I believe in the
inevitability of peace because I understand the necessity of peace. Necessity
... drove the pioneers to settle the land. It pushed them to think creatively -
to turn salted dirt into fertile ground, and transform a fallow desert into a
community that could bear fruit. ...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; margin-bottom: .0001pt; margin: 0in;&quot;&gt;















&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;I believe with all my being
in the virtue of Zionism, and in the historic decision made by Ben-Gurion to
accept the UN resolution for a partitioned Palestine. Even then, Ben-Gurion
understood that in order to retain the Jewish character of our state, we had to
uphold our values, and that our values are fundamentally democratic. Jews are
taught that we are all born in the image of God. To believe this fundamental
tenet, a Jewish state must embrace democracy, which demands full equality
between the Jews and non-Jews. Democracy, after all, is not only the right of
every citizen to be equal, but also the equal right of every citizen to be
different. The future of the Zionist project depends on our embrace of the
two-state solution.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-size: 14.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-size: 14.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfkzMGetMX7lAX3Cg6XSdBxTnvzryIxqsJOOceVgy-1ZTAPjdF1leRb9HdK0HcQLhceX8WpYxn6j_GvYR15UV3uXGfRFosp3s-Kb-N35YaSk2sXIAs204MxrxlESSeS0hHF5G57QSevVI/s1600/%25D7%25A2%25D7%25A6%25D7%25A8%25D7%25AA+%25D7%2594%25D7%25A9%25D7%259C%25D7%2595%25D7%259D+%25D7%25A8%25D7%25A6%25D7%2597+%25D7%25A8%25D7%2591%25D7%2599%25D7%259F2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;530&quot; data-original-width=&quot;758&quot; height=&quot;223&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfkzMGetMX7lAX3Cg6XSdBxTnvzryIxqsJOOceVgy-1ZTAPjdF1leRb9HdK0HcQLhceX8WpYxn6j_GvYR15UV3uXGfRFosp3s-Kb-N35YaSk2sXIAs204MxrxlESSeS0hHF5G57QSevVI/s320/%25D7%25A2%25D7%25A6%25D7%25A8%25D7%25AA+%25D7%2594%25D7%25A9%25D7%259C%25D7%2595%25D7%259D+%25D7%25A8%25D7%25A6%25D7%2597+%25D7%25A8%25D7%2591%25D7%2599%25D7%259F2.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;... To give up on democracy is to abandon our Jewish values. We
didn&#39;t give up our values even when we were facing furnaces and gas chambers.
We lived as Jews and died as Jews and rose again as free Jewish people. We
didn&#39;t survive merely to be a passing shadow in history, but as a new genesis,
a nation intent on &lt;i&gt;tikkun olam&lt;/i&gt;, on making the world aright.&quot;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAbInlPv18U-WV1T4JXcaLPpR9PmY2-aRxSFYEVaVmXkuNGqaK7pCCCRQu_FkMP-y9DXvDFoze8eoMPLLS6f1DfcfSmM5walllxpw-XVZQJpu3JwbKHPTrhtA1lUpuCcWCvWtuDzVH7X8/s1600/%25D7%25A2%25D7%25A6%25D7%25A8%25D7%25AA+%25D7%2594%25D7%25A9%25D7%259C%25D7%2595%25D7%259D+%25D7%25A8%25D7%25A6%25D7%2597+%25D7%25A8%25D7%2591%25D7%2599%25D7%259F3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;530&quot; data-original-width=&quot;758&quot; height=&quot;278&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAbInlPv18U-WV1T4JXcaLPpR9PmY2-aRxSFYEVaVmXkuNGqaK7pCCCRQu_FkMP-y9DXvDFoze8eoMPLLS6f1DfcfSmM5walllxpw-XVZQJpu3JwbKHPTrhtA1lUpuCcWCvWtuDzVH7X8/s400/%25D7%25A2%25D7%25A6%25D7%25A8%25D7%25AA+%25D7%2594%25D7%25A9%25D7%259C%25D7%2595%25D7%259D+%25D7%25A8%25D7%25A6%25D7%2597+%25D7%25A8%25D7%2591%25D7%2599%25D7%259F3.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Rabin and Peres at the peace gathering, Nov. 4, 1995&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: right; margin-left: 1em; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3UlBbYUt5ykKfTXK5TLvZ8ccEgXVBcAnnG5qoYIcxOrIeyF11UMekfMckvKFXAMJCbguTjP7nbp1sakasgg2rhyphenhyphendzvlD8dmvTIF_NkE6xLC6xZ2N_MZ4AK-CMvOtjLSdl_P93NJ3eBGg/s1600/netanyahu+demonstration+against+rabin.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;655&quot; data-original-width=&quot;540&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3UlBbYUt5ykKfTXK5TLvZ8ccEgXVBcAnnG5qoYIcxOrIeyF11UMekfMckvKFXAMJCbguTjP7nbp1sakasgg2rhyphenhyphendzvlD8dmvTIF_NkE6xLC6xZ2N_MZ4AK-CMvOtjLSdl_P93NJ3eBGg/s400/netanyahu+demonstration+against+rabin.png&quot; width=&quot;327&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Netanyahu in a pre-Rabin assasination demonstration, &lt;br /&gt;next to a coffin bearing the name of Rabin&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/6663872447648031506/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/6663872447648031506' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6663872447648031506'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6663872447648031506'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/10/no-room-for-small-dreams-by-shimon-peres.html' title='No Room for Small Dreams by Shimon Peres'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLBMTJWWAD4Md7V8SrLmldeOGyOD7Awvh1eRqQL1wxOvVWz2lhdwTEkkXoIlChBCqFGwfqALh3Zj_AjRTtWA2WYOyhj1ft7ePSdQfS5h99lqQP2iUJJNTrY5lD0fNcz7AOfm7-iEHbe10/s72-c/peres+no+room.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-7804531282271743467</id><published>2017-10-13T01:46:00.002-04:00</published><updated>2017-10-15T00:23:30.656-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hasmoneans"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Joshua Sobol"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="Shalit"/><title type='text'>Netanyahu the Hasmonean</title><content type='html'>&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;Joshua Sobol, the outstanding Israeli playwright and director, writes the following, after Benjamin Netanyahu&#39;s comment in a Bible class that he hopes Israel will last longer than the rule of the Hasmoneans:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZV2Ta9_rtXnco45oCkl8kQzhwgwEUUJny0B85ctU8V_EwlsgmCLytGJeH9aqcc6fmS6wDP7rshG-oLTF5NUNLCehEzdZ4VlnlQSxXQNJvY3-hx0j48ho9IrXPUUleHoZlCe7XAPNAo0/s1600/Joshuasobol.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;235&quot; data-original-width=&quot;170&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZV2Ta9_rtXnco45oCkl8kQzhwgwEUUJny0B85ctU8V_EwlsgmCLytGJeH9aqcc6fmS6wDP7rshG-oLTF5NUNLCehEzdZ4VlnlQSxXQNJvY3-hx0j48ho9IrXPUUleHoZlCe7XAPNAo0/s1600/Joshuasobol.jpg&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&quot;Bibi compares the
life expectancy of the State of Israel with that of the Hasmoneans, which
lasted a merely 77 years, while he wishes Israel to be able to celebrate its hundredth
birthday.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;In other words: let’s
hope Israel will continue to exist another thirty years.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;Those words by the
Prime Minister of Israel uncannily recall the prophecy by Ali Khamenei, who
gave Israel another merely twenty-five years until it will be destroyed in war
and disappear from the map.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;“After us the
deluge,” said Madame de Pompadour, the mistress of Louis XV. Louis adopted her nihilistic
statement, who after France’s defeat in the battle of Rossbach in 1757, reformulated
it thus: “After me, the deluge.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;This is the spirit
that now emanates from “Israel’s Royal House.” The message to the young is: Go
search for a place where life expectancy is more than thirty years. And for
those who remain in this place, and desire to raise their children, grandchildren
and their great-grandchildren, the message is: Our Louis XV and Madame
Pompadour have to be speedily replaced by those that ensure Israel’s existence
over the generations, by its peaceful regional integration, rather than being
sentenced to disappear within three decades of continuous conflicts and wars.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;Who wants to live
under rulers who say, “After us, the deluge”?&quot;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;color: #666666; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;It should be added that the fall of the Hasmoneans was mainly due to strife and infighting, rather than the external onslaught (which Netanyahu refers to). And Bibi, seemingly to defend his rule against the investigations carried out against him, has increased his attacks on big parts of the population, against the media and the State&#39;s democratic institutions, such as the legal system and the police.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;color: #7f7f7f; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;The following is an excerpt from my novella &lt;i&gt;Requiem: A Tale of Exile and Return&lt;/i&gt;, referring to the defeatist view reflected by Netanyahu - which I personally do not share. I trust Israel&#39;s past, present and future capability to fight against external forces that aim at its destruction. Leaders like Netanyahu, who with hate speeches set the torches of extremism on fire, do have the capability of tearing up the social fabric.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAJkLT4bv4AWUXUn3adZRPIL6LpRJal-I9E3WzKAfJdbGUB02nPPGwmLnV_n8HR-ZrK1FK1IOVWh1KmXLwEPrYRoxISaZdjzy5p9L_3bW0UKHjjSo__1Ra73TSD88z5tPXU5i-yfYoKnA/s1600/Requiem_C1.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;421&quot; data-original-width=&quot;258&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAJkLT4bv4AWUXUn3adZRPIL6LpRJal-I9E3WzKAfJdbGUB02nPPGwmLnV_n8HR-ZrK1FK1IOVWh1KmXLwEPrYRoxISaZdjzy5p9L_3bW0UKHjjSo__1Ra73TSD88z5tPXU5i-yfYoKnA/s320/Requiem_C1.JPG&quot; width=&quot;196&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;True, not everyone had left. There
were those who remained behind – he thought of the many poor who had no means
to get away, and &lt;i&gt;the baalei teshuvah&lt;/i&gt;, those Masters of Repentance who
had returned to the fold of the orthodox fathers. It seemed to Eli Shimeoni
that their return to the straight path of God had given them the freedom not to
ask any questions. They always knew the answer so well, claiming that “in the
War of the End of Days, the War of Gog and Magog, total defeat would precede
the ultimate victory over evil,” as they knew to repeat by heart.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;He had been fascinated by the fanatic
obsession with the graves of holy men, whether those scattered over the
country, prominently Shimon Bar Yochai at Meron, or those orgiastic journeys by
the Bratslav Hassidim to visit the grave of Rabbi Nahman in Uman, or Uriah the
Hittite in Iraq – what a thrill! Himself from a somewhat religious background,
he often wondered about the fundamentalist need of doomsday fantasies, their
need to split the world in good and evil, a “pure” world in which the
“impurity” of the “evil other” will be persecuted and exterminated, without the
simple realization that this means that if I succeed in my crusade, I will
remain trapped as the evil exterminator.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;First his children had left, gone
abroad to study. One had taken up a prominent position at the University of
Stamville, while the other was doing gender research at the Institute of
Harback. Then his wife had followed, accusing him of being a fanatic and an archaic
idealist, or derogatively calling him silly and stubborn, an obsolete Zionist.
Friends and colleagues had discreetly taken farewell. Initially they would
apologetically say, “if things ever change, you can be sure I will be the first
one to return home. After all, there is nothing like Israel, and you can not
really extract Israel from an Israeli.” But then, people became increasingly
forceful and determined as they said goodbye. The cultured ones would say with
bleeding hearts, “this is not the country we prayed for,” and the
self-proclaimed prophets would plainly tell him, “everything is collapsing,
there is no future here.” Some would reinforce their doomsday prediction,
relying on historical evidence that an independent Jewish nation could not
survive more than a hundred years.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;But what struck him the most was,
that everything was so everyday-like. Nothing special, nothing particular to
notice. So similar to Elie Wiesel’s pastoral description, “I left my native
town in the spring of 1944. It was a beautiful day. The surrounding mountains,
in their verdure, seemed taller than usual. Our neighbors were out strolling in
their shirt-sleeves. Some turned their heads away, others sneered.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;That’s all. Nothing unusual. Only the
mountains were taller than usual. And yet, when as a young man Eli had read
those few lines, which he had memorized ever since, the impact on him had been
shocking. In lieu of immanent mass murder, there was an uncanny sense of the
ordinary, sensed by the mountains that were moved more than people were. As man
became smaller, the mountains became taller. The uninvolved, the willing or
unwilling bystander, may, or may not, have struggled to wrestle himself out of
the conflict that the disruption of the ordinary entailed. The victim, on the
other hand, would already have been transported away from the reality of a
beautiful day in spring, however, not yet fully trampled down by the boots of
the octopus. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;













&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-size: 14.0pt; line-height: 150%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: .5in;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 150%;&quot;&gt;“From the first pages of this book,
the tone of a masterpiece emerges powerfully.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: .5in;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 150%;&quot;&gt;This book makes us realize that the “Israel
problem” cannot be understood in a journalistic frame of mind. Politics, war,
land, culture, and contemporary experience are expressions of the deep core of
human life, the core of the human soul.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: .5in;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 150%;&quot;&gt;This is an important book for anyone
who thinks about “cultural identity” and the love of one’s own country and
culture.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;





&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Junko Chodos&lt;/span&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;color: #660000; font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;&lt;i&gt;Requiem: A Tale of Exile and Return&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;tahoma&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;&lt;span style=&quot;color: #660000;&quot;&gt;is available, in English as well as in Hebrew, at &lt;a href=&quot;https://www.amazon.com/Requiem-Exile-Return-Erel-Shalit/dp/1926715039/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;amp;qid=&amp;amp;sr=&quot; target=&quot;_blank&quot;&gt;Amazon &lt;/a&gt;and other booksellers&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div align=&quot;center&quot; style=&quot;background: white; margin-bottom: .0001pt; margin: 0in; text-align: center;&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAJkLT4bv4AWUXUn3adZRPIL6LpRJal-I9E3WzKAfJdbGUB02nPPGwmLnV_n8HR-ZrK1FK1IOVWh1KmXLwEPrYRoxISaZdjzy5p9L_3bW0UKHjjSo__1Ra73TSD88z5tPXU5i-yfYoKnA/s1600/Requiem_C1.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;421&quot; data-original-width=&quot;258&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAJkLT4bv4AWUXUn3adZRPIL6LpRJal-I9E3WzKAfJdbGUB02nPPGwmLnV_n8HR-ZrK1FK1IOVWh1KmXLwEPrYRoxISaZdjzy5p9L_3bW0UKHjjSo__1Ra73TSD88z5tPXU5i-yfYoKnA/s200/Requiem_C1.JPG&quot; width=&quot;122&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwpD-0jDTt13UH_hg-IUDuhq1nnrTi1ATxut8F_TbalUU-PFkDfLi2Ye_YIR3cJP5VMw1G-WYS_-1VkuXsbHcpQw-006KKDApacX-W1rf7yJohfRTdUeY2_-hS9tzMyySMkTBDU_oqNs/s1600/hazera+front+cover.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;472&quot; data-original-width=&quot;295&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwpD-0jDTt13UH_hg-IUDuhq1nnrTi1ATxut8F_TbalUU-PFkDfLi2Ye_YIR3cJP5VMw1G-WYS_-1VkuXsbHcpQw-006KKDApacX-W1rf7yJohfRTdUeY2_-hS9tzMyySMkTBDU_oqNs/s200/hazera+front+cover.jpg&quot; width=&quot;125&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/7804531282271743467/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/7804531282271743467' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7804531282271743467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7804531282271743467'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/10/netanyahu-hasmonean.html' title='Netanyahu the Hasmonean'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZV2Ta9_rtXnco45oCkl8kQzhwgwEUUJny0B85ctU8V_EwlsgmCLytGJeH9aqcc6fmS6wDP7rshG-oLTF5NUNLCehEzdZ4VlnlQSxXQNJvY3-hx0j48ho9IrXPUUleHoZlCe7XAPNAo0/s72-c/Joshuasobol.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-2987510125274562762</id><published>2017-10-03T05:35:00.000-04:00</published><updated>2017-10-03T05:35:28.553-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Avi Gabai"/><category scheme="http://www.blogger.com/atom/ns#" term="Ehud Barak"/><category scheme="http://www.blogger.com/atom/ns#" term="hero"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Middle East"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="occupation"/><category scheme="http://www.blogger.com/atom/ns#" term="shadow"/><category scheme="http://www.blogger.com/atom/ns#" term="yom kippur war"/><title type='text'>Netanyahu&#39;s shameful government</title><content type='html'>&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwrldv-jmObR8rvGWzq97IEHXEiVCPXTJUoEWXsEVl1iQoZ7t0wyYzLXDTchiGXBtC3ril3O0UMRta9mo-iDAWBsi7MhTr14MRWca72TXS4kdL4qJzDtgjF5DdaVQ2lLEPSDgyBgdnpmw/s1600/yom+kippur+memorial+oct+1+2017.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;640&quot; data-original-width=&quot;1024&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwrldv-jmObR8rvGWzq97IEHXEiVCPXTJUoEWXsEVl1iQoZ7t0wyYzLXDTchiGXBtC3ril3O0UMRta9mo-iDAWBsi7MhTr14MRWca72TXS4kdL4qJzDtgjF5DdaVQ2lLEPSDgyBgdnpmw/s320/yom+kippur+memorial+oct+1+2017.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;President Reuven Rivlin attends the state ceremony &lt;br /&gt;marking 44 years since the Yom Kippur War. (Mark Neyman/GPO)&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;h2 class=&quot;article-top-box-data-teaser&quot; style=&quot;border: 0px; color: #5f5f5f; font-family: RobotoCondensed-regular-webfont; font-size: 20px; font-stretch: inherit; font-variant-numeric: inherit; font-weight: inherit; line-height: 25px; margin: 0px 0px 25px; padding: 0px; vertical-align: baseline; width: 574px;&quot;&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Not a single member of Netanyahu&#39;s government saw it fit to
honor the memorial service to the fallen soldiers of the Yom Kippur War, held
at the military cemetery at Jerusalem&#39;s Mount Herzl, on October 1, 2017. When
contacted by the organization commemorating the fallen soldiers, the office of
the PM responded that the ministers are very busy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyxk-syGpxSwu9AZvyjw8L10mNxm4J7GIgkuWQp3AMYHnHujoFDSOSv9dsrpofjKGWYOjJL9eV3ahAOdXZICMUgy9ozytRNCHWWnZNmkJYQ9y8bC8fPVkLSsNTDcBeuxef_bAihs-DJ6s/s1600/Ehud_Barak_Herzliya_Conference_2016.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;291&quot; data-original-width=&quot;250&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyxk-syGpxSwu9AZvyjw8L10mNxm4J7GIgkuWQp3AMYHnHujoFDSOSv9dsrpofjKGWYOjJL9eV3ahAOdXZICMUgy9ozytRNCHWWnZNmkJYQ9y8bC8fPVkLSsNTDcBeuxef_bAihs-DJ6s/s1600/Ehud_Barak_Herzliya_Conference_2016.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Ehud Barak expressed outrage at the ministers’ absence,
“This is shameful and infuriating. This shames the soldiers who died. Where
were Bibi and his ministers? Too busy making political appointments or at a
political ceremony in Gush Etzion? This is a new low.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;span style=&quot;font-weight: inherit;&quot;&gt;Ehud Barak further noted that a government that &quot;forgets the fallen soldiers,&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-weight: inherit;&quot;&gt;will eventually fall and be forgotten.&quot;&lt;/span&gt;&lt;/div&gt;
&lt;/h2&gt;
&lt;h2 class=&quot;article-top-box-data-teaser&quot; style=&quot;border: 0px; color: #5f5f5f; font-family: RobotoCondensed-regular-webfont; font-size: 20px; font-stretch: inherit; font-variant-numeric: inherit; font-weight: inherit; line-height: 25px; margin: 0px 0px 25px; padding: 0px; vertical-align: baseline; width: 574px;&quot;&gt;
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&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/h2&gt;
&lt;h2 class=&quot;article-top-box-data-teaser&quot; style=&quot;border: 0px; color: #5f5f5f; font-family: RobotoCondensed-regular-webfont; font-size: 20px; font-stretch: inherit; font-variant-numeric: inherit; font-weight: inherit; line-height: 25px; margin: 0px 0px 25px; padding: 0px; vertical-align: baseline; width: 574px;&quot;&gt;

&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5193Dv6zMoJBPLNt6jB7vmWm2dLNuY7lOBoqPjXYWMVrGuIVmnSJXcj1tpgD1PST17E0fKoSNBtpCNJbCEQkqzm__677ytBgAErURbrIz1N6PD-qC2aUluA-MvTHB-eGmk1urpeCaENc/s1600/%25D7%2590%25D7%2591%25D7%2599+%25D7%2592%25D7%2591%25D7%2590%25D7%2599.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;173&quot; data-original-width=&quot;291&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5193Dv6zMoJBPLNt6jB7vmWm2dLNuY7lOBoqPjXYWMVrGuIVmnSJXcj1tpgD1PST17E0fKoSNBtpCNJbCEQkqzm__677ytBgAErURbrIz1N6PD-qC2aUluA-MvTHB-eGmk1urpeCaENc/s1600/%25D7%2590%25D7%2591%25D7%2599+%25D7%2592%25D7%2591%25D7%2590%25D7%2599.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Labor leader Avi Gabbay said, “A government that does not
respect its past&amp;nbsp;&lt;span style=&quot;font-weight: inherit;&quot;&gt;and does not have an impressive present does not have much
of a future.”&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: right; margin-left: 1em; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmGjhzPurHMZ7K4pZTtK4gBGtBNORGeUI_gj2Nys5bqncgmM4bWU7u9Dg4cSgnOkKDaLnmBaIjUrr9BZkcZ3XcWiPcwmMfCklbwDyjDzU_4GIeaLaHUJsvNQvOzMsV-NhLa9lgwus6Mo/s1600/%25D7%2599%25D7%2595%25D7%2591%25D7%259C+%25D7%25A9%25D7%2597%25D7%25A8%25D7%2595%25D7%25A8+%25D7%2599%25D7%2594%25D7%2595%25D7%2593%25D7%2594+%25D7%25A9%25D7%2595%25D7%259E%25D7%25A8%25D7%2595%25D7%259F+%25D7%2598%25D7%25A7%25D7%25A1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;960&quot; data-original-width=&quot;540&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmGjhzPurHMZ7K4pZTtK4gBGtBNORGeUI_gj2Nys5bqncgmM4bWU7u9Dg4cSgnOkKDaLnmBaIjUrr9BZkcZ3XcWiPcwmMfCklbwDyjDzU_4GIeaLaHUJsvNQvOzMsV-NhLa9lgwus6Mo/s320/%25D7%2599%25D7%2595%25D7%2591%25D7%259C+%25D7%25A9%25D7%2597%25D7%25A8%25D7%2595%25D7%25A8+%25D7%2599%25D7%2594%25D7%2595%25D7%2593%25D7%2594+%25D7%25A9%25D7%2595%25D7%259E%25D7%25A8%25D7%2595%25D7%259F+%25D7%2598%25D7%25A7%25D7%25A1.jpg&quot; width=&quot;180&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;empty seats at the 10 million shekel&lt;br /&gt;ceremony, Sept. 27, 2017&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/h2&gt;
&lt;h2 class=&quot;article-top-box-data-teaser&quot; style=&quot;border: 0px; color: #5f5f5f; font-family: RobotoCondensed-regular-webfont; font-size: 20px; font-stretch: inherit; font-variant-numeric: inherit; font-weight: inherit; line-height: 25px; margin: 0px 0px 25px; padding: 0px; vertical-align: baseline; width: 574px;&quot;&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-weight: inherit;&quot;&gt;Netanyahu and his government did have the time - and the money, 10 million shekel - to arrange what they claimed to be a &#39;state ceremony&#39;, celebrating fifty years of settlements. They expressed outrage at the absence of the opposition, the High Court of Justice (as well as the President) from the ceremony, but managed to gather a merely 1600 attendees.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/h2&gt;
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&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
More than two thousand Israeli soldiers were killed in the Yom Kippur War, that began when Arab armies attacked Israel on October 6, 1973, on the holiest day of the Jewish year, and more than seven thousand were wounded. Considering that Israel&#39;s population in 1973 was 3,338,000, the number of killed would correspond to two hundred thousand in the US of today.&lt;/div&gt;
&lt;/h2&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;The following is an excerpt from &lt;i&gt;The Hero and His Shadow: Psychopolitical Aspects of Myth and Reality in Israel&lt;/i&gt;:&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-size: 14.0pt;&quot;&gt;Inflated Strength and Denial
of Fear&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIvMW_wQdEhlazgEP4pXZJPHxA8mwScTnn9Mqo39TWmXKHRgeLKulh-ZUeAqD0ACxOqFo0vqKncimDNclGdV0tXM-qA2VXYWv54-Xq36CUhwtmvteT2XuJNfnACGU4SzNEuv9Kmsv5U2Y/s1600/%25D7%2594%25D7%2592%25D7%2599%25D7%2591%25D7%2595%25D7%25A8+%25D7%2595%25D7%25A6%25D7%259C%25D7%2595+20100430.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;1019&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIvMW_wQdEhlazgEP4pXZJPHxA8mwScTnn9Mqo39TWmXKHRgeLKulh-ZUeAqD0ACxOqFo0vqKncimDNclGdV0tXM-qA2VXYWv54-Xq36CUhwtmvteT2XuJNfnACGU4SzNEuv9Kmsv5U2Y/s320/%25D7%2594%25D7%2592%25D7%2599%25D7%2591%25D7%2595%25D7%25A8+%25D7%2595%25D7%25A6%25D7%259C%25D7%2595+20100430.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;Illusions of safety and self sufficiency were the result of
excessive reliance on strength with concomitant denial of fear following the
Six Day War.&amp;nbsp; President Sadat’s attempt
to initiate negotiations in 1971 72 did not elicit an unambiguous Israeli
response, because there was no real feeling of need.&amp;nbsp; The psychological frame of mind was such that
no one seemed able to pose a threat to Israel, or even evoke fear.&amp;nbsp; Thus, despite Sadat’s repeated declarations
that the coming year would be one of either war or peace, the warnings were
foregone and the 1973 Yom Kippur War erupted in complete surprise to the
Israelis.&amp;nbsp; As a consequence of such an
illusion of self sufficiency and invulnerability, Israel’s leadership was
unable to correctly interpret the intelligence at hand about imminent
attack.&amp;nbsp; Like the entire Israeli
collective, the leadership was caught in the dangerous psychological condition
of fusion between the individual ego and the extended national or collective
self. Personal and collective identities had merged, they were as if
inseparable. The individual could (and, in fact, social undercurrents
encouraged him to) identify with the national image of strength, omnipotence
and fearlessness.&amp;nbsp; Even death was
challenged.&amp;nbsp; Nothing could inflict harm
or injury.&amp;nbsp; This state of psychological
inflation affected the entire nation, including the political leadership, which
was unable to differentiate itself from the collective process.&amp;nbsp; The leadership had fallen victim to the collective
self-image of invincibility, and was therefore unable to prevent the war.&amp;nbsp; In striking contrast, following the
Declaration of Independence, May 14, 1948, when the people rejoiced and danced
in the streets, Ben-Gurion was gravely concerned with what lie ahead,
contemplating the possibility of the Arab nations’ forthcoming attack.&amp;nbsp; In 1973, however, the process of redemption,
of the individual ego merging with the collective self, had attained its tragic
peak.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The position of strength, force, and power, disconnected
from its opposite pole of loss and fear of annihilation, collapsed following
the Yom Kippur War.&amp;nbsp; Since any trace of
weakness might have threatened the sense of hubris, and therefore had been
denied, the gap between reality and self-perception had reached unhealthy
proportions.&amp;nbsp; With devastating clarity,
the Yom Kippur War brought to light the weakness that lingered in the shadow
behind the persona of strength and self sufficiency, by which the collective
ego had become possessed.&amp;nbsp; The war brought
forth the sense of loss and – again – the deeply rooted fear of ultimate
destruction.&amp;nbsp; This, in turn, generated
the release of strength and the will to survive.&amp;nbsp; The Yom Kippur War was the tragic outcome of
a complex having taken possession of a nation’s collective consciousness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-size: 14.0pt;&quot;&gt;The Yom Kippur War and Its
Aftermath &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
From Ambivalence to Unconditional Ideology&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The mood in the wake of the Yom Kippur War was entirely
different than the triumph and euphoria that had followed upon the Six Day War.
Israelis now found themselves depressed and in grief, the narcissistic illusion
of grandiosity and invulnerability had shattered.&amp;nbsp; …&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdWN7vKRBVfdtrQLY8LU1Taq2R2oZ2ogksynMT92y7XVqnRdLXXo5aja_MX1CUuPFlmwLP2mbvQOV1M0AxqxtARi7-aAeAEQ1UupsRchb3vKzWGCXNO2dmbY9rZldPx8jynhFj1tHCLhI/s1600/Hero_9781926715698%255B1%255D.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;210&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdWN7vKRBVfdtrQLY8LU1Taq2R2oZ2ogksynMT92y7XVqnRdLXXo5aja_MX1CUuPFlmwLP2mbvQOV1M0AxqxtARi7-aAeAEQ1UupsRchb3vKzWGCXNO2dmbY9rZldPx8jynhFj1tHCLhI/s1600/Hero_9781926715698%255B1%255D.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;Contents&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Preface &amp;nbsp; &amp;nbsp; &amp;nbsp; The Beggar in the Hero’s Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 1&amp;nbsp;&amp;nbsp;&amp;nbsp; Return to the Source&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 2&amp;nbsp;&amp;nbsp;&amp;nbsp; From My Notebook&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 3&amp;nbsp;&amp;nbsp;&amp;nbsp; From Dream to Reality&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 4&amp;nbsp;&amp;nbsp;&amp;nbsp; Origins and Myths&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 5&amp;nbsp;&amp;nbsp;&amp;nbsp; From Redemption to Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 6&amp;nbsp;&amp;nbsp;&amp;nbsp; Wholeness Apart&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 7&amp;nbsp;&amp;nbsp;&amp;nbsp; Myth, Shadow and Projection&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 8&amp;nbsp;&amp;nbsp;&amp;nbsp; A Crack in the Mask&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Chapter 9 &amp;nbsp;&amp;nbsp;&amp;nbsp;The Death of the Mythical and the Voice of the Soul&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;i style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;color: #3d85c6; font-size: large;&quot;&gt;Dedication of The Hero and His Shadow&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;I dedicate this book to those, all too many, whose voices were silenced by man’s evil.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoPlainText&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate it to those, all too few, who raise their voice against fascism, who speak up in the struggle for peace and reconciliation, especially between Palestinians and Israelis, incessantly on the verge of yet another cycle of violence and hostilities.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoPlainText&quot; style=&quot;-webkit-text-stroke-width: 0px; color: black; font-family: &amp;quot;Times New Roman&amp;quot;; font-size: medium; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; letter-spacing: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;&quot;&gt;
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&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate it to those who try to hold the vulnerable balance in that ultimate conflict of Abraham between Father and Son, divine and human, idea and implementation, past and future, ego and self.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate this book to the daughters and the sons whose future is endangered.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;color: #444444; font-family: Trebuchet MS, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/2987510125274562762/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/2987510125274562762' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2987510125274562762'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2987510125274562762'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/10/netanyahus-shameful-government.html' title='Netanyahu&#39;s shameful government'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwrldv-jmObR8rvGWzq97IEHXEiVCPXTJUoEWXsEVl1iQoZ7t0wyYzLXDTchiGXBtC3ril3O0UMRta9mo-iDAWBsi7MhTr14MRWca72TXS4kdL4qJzDtgjF5DdaVQ2lLEPSDgyBgdnpmw/s72-c/yom+kippur+memorial+oct+1+2017.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-6346970672618589120</id><published>2017-09-28T14:02:00.000-04:00</published><updated>2017-10-06T04:33:29.994-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="yom kippur; atonement; legend; analytical psychology; shalit"/><title type='text'>The Rope on the Eve of Atonement</title><content type='html'>&lt;br /&gt;
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&lt;br /&gt;
A legend tells us that when a person is created, s/he is tied to God with a string. If s/he sins, the string breaks. But repentance during the Days of Awe brings the angel Gabriel down to make a knot in the string, and the person is once again tied to God. Because we all sin once in a while, our strings become full of knots.&lt;br /&gt;
&lt;br /&gt;
But a string with many knots is, clearly, shorter than one without knots. Therefore repentance brings a person closer to God and, evidently, there is no repentance without a sin.&lt;br /&gt;
&lt;br /&gt;
We cannot, so it seems, live a life without shadows, the completely pure, good and sin-free life. Such a life would be a clean and straight line. We spontaneously think of our string to God vertically, but if we imagine the line horizontally, the straight line characterizes life that has come to a standstill.&lt;br /&gt;
&lt;br /&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;© Benjamin Schiff&lt;/td&gt;&lt;/tr&gt;
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The knots of sin and remorse repair the torn rope and make it shorter. The knots show us the rope is no longer innocently unbroken. And the knots add width and curves and complexity to the string by which we are attached to the transcendent.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
And the knots add knots – they link and connect, they bind and harden, they snare and ensnare, they complicate the passage but they enable holding on to the rope.&lt;br /&gt;
&lt;br /&gt;
Not speaking about the professional sinner, sins are often committed unawarely, because we have not reflected well enough on our deeds, or when we have found ourselves torn by strife and conflict, or when “clouds have blurred our vision.”&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;
Do the knots of sin and repentance really bring us closer to God, to the divine, to higher principles, to greater morality, to the Self as the messenger and seat of the divine in our souls?&lt;br /&gt;
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Perhaps it depends on the manner in which we carry the burden of our sins, how we allow the sins we commit to affect us, to bring us out of innocence into greater complexity, how we reflect upon the sins we commit, how ably we respond – that is, what responsibility we take upon us, rather than the resolution and dissolution of crime and conflict.&lt;br /&gt;
&lt;br /&gt;
The contact with our inner self may require the knots on the rope. &lt;i&gt;Contact, relationship&amp;nbsp;&lt;/i&gt;and &lt;i&gt;knot &lt;/i&gt;are the same in Hebrew, &lt;b&gt;kesher&lt;/b&gt;. The contact between human and transcendent, and the relationship between ourselves and others, upon which sins and shame, guilt and remorse are tied like knots, require, so it seems, that we hold the rope, in all its imperfection and complexity, with all its knotted tears.&lt;br /&gt;
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&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/6346970672618589120/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/6346970672618589120' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6346970672618589120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6346970672618589120'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2012/09/the-rope-on-eve-of-atonement.html' title='The Rope on the Eve of Atonement'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSbbb7jZbugY0XyN475tF76FwhAGwOrVCgN4caA7DNKZkqyPX4199RvAQtbCeCpYngJYiB3vqBmH97cmhzBmD3eHFlGPPGxRALprVmejMuOr8ZusbEiIRHyIuPJtjGtwpsBLA03T8B-Qo/s72-c/ropeknot.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-8142086828254375485</id><published>2017-09-28T13:14:00.000-04:00</published><updated>2017-09-29T06:02:44.360-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="אהוד ברק"/><title type='text'>אהוד ברק: הטקס בגוש עציון - גושי היישובים מול התנחלויות מבודדות</title><content type='html'>&lt;div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;יציעים ריקים בטקס ה&quot;ממלכתי&quot;י&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;מאמר בהארץ של אהוד ברק&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;הטקס בגוש עציון לציון 50 שנה לחזרתנו אל כל ארץ ישראל, ערש לידתנו כאומה וכנושאי שליחות אוניברסלית, הוא הכל מלבד טקס ממלכתי. זהו אירוע שעוצב כניסיון פוליטי זול ובוטה לנכס לימין בישראל את הישגי מלחמת ששת הימים ואת אהבת הארץ, ולעזאזל האמת והעובדות.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; color: #1d2129; margin-bottom: 6px; margin-top: 6px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;טקס ממלכתי היה מדגיש את המאחד והמוסכם ולא את המפלג והמפריד, שלא לומר המסית. טקס ממלכתי היה משקף את תרומת כל הזרמים בעם להישגי ההתיישבות ביהודה ושומרון ואף את המחלוקת הלגיטימית&amp;nbsp;&lt;span class=&quot;text_exposed_show&quot; style=&quot;display: inline;&quot;&gt;על מטרות ודרכים.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;טקס ממלכתי היה מציין שמי שבנה את צה״ל והוביל את המערכה לשחרור חלקי ארץ היו יצחק רבין, חיים בר לב, מוטה גור ואחרים (שהתבררו לימים כ&quot;שמאלנים&quot; רחמנא ליצלן), ושמי שגיבש והוביל לאורך עשור את ביצוע ההתיישבות, בעיקר על פי שיקולים ביטחוניים, היה המערך השנוא כל כך.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;טקס ממלכתי היה מעלה אל דוכן המברכים את אלוף (מיל׳) אלעד פלד, האיש שבגיל 21 בראש מחלקת פלמ״ח שחרר את צפת ובגיל 40 בראש אוגדה 36 שחרר את כל השומרון. איש מעשה חכם וצנוע, שמעולם לא דרש &quot;כפיים!&quot;, ומעולם לא קיטר על &quot;אפס כיסוי תקשורתי&quot; של הישגיו, אך תרם לשחרור יהודה ושומרון יותר מכל המברכים והאורחים בטקס – יחד. או את דליה רבין, בתו של רמטכ&quot;ל הניצחון ואדריכל השלום יצחק רבין, שנרצח על ידי בן עוולה, איש ימין קיצוני מוסת. או את יצחק הרצוג, ראש האופוזיציה ובנו של ראש אמ״ן והנשיא לשעבר, חיים הרצוג, שפוגג בהופעות ייחודיות בטלוויזיה שזה עתה באה לעולם את חרדות הציבור טרם ובמהלך המלחמה והיה מושלה הראשון של ירושלים המאוחדת. או את הילה אלעזר-כהן, בתו הבכורה של האלוף דויד אלעזר, דדו, שתבע מהיום הראשון והוביל מהיום הרביעי את כיבוש רמת הגולן בסערה.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;טקס ממלכתי היה מעלה על נס את בהירות הראייה של &quot;תכנית אלון&quot; ואת ההיגיון הפנימי של תפיסת &quot;גושי היישובים&quot; ושכונות יהודיות במזרח העיר, לצד אחיזה התיישבותית לאורך הירדן - כממדי תפיסה ביטחונית מפוכחת ומוסכמת על כל חלקי הציבור; ולא מטשטש בכוונת מכוון את ההבדל הקריטי בין גושי היישובים - שבהם 80% ממתיישבי יו״ש ושערכם לביטחון מוסכם על כולנו - לבין ההתנחלויות המבודדות, שאפילו על פי ראשי ההתיישבות ייחודם איננו בתרומה לביטחון אלא בהיותם &quot;קיום מצוות יישוב הארץ&quot;.&lt;/span&gt;&lt;/div&gt;
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&lt;img alt=&quot;Image may contain: 4 people, people standing and outdoor&quot; height=&quot;400&quot; src=&quot;https://fb-s-a-a.akamaihd.net/h-ak-fbx/v/t1.0-9/22008060_1678101598888776_7011915060129753486_n.jpg?oh=a205fa5e4cd03c5f74624a7ca00d5546&amp;amp;oe=5A7EC0E4&amp;amp;__gda__=1514156303_630f23daf5783694102981cfdbcf0aa4&quot; width=&quot;265&quot; /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;טקס כזה לא יתקיים, משום שהמטרה היא לנכס, לפלג ולאחז עיניים דרך טשטוש הקו המפריד בין מה שמשותף לכולנו - ביטחון תחילה, שלמות העם קודמת לשלמות הארץ וערכי מגילת העצמאות - לבין מה שמשרת אג׳נדה לאומנית ואפלה, נגועה במשיחיות, המאיימת על עתיד כולנו.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;סיפורה המופלא של חזרתנו לציון והתיישבותנו בחלקי מולדת החיוניים להבטחת עתידנו, הוא המשך סיפור הלאומיות הישראלית הגאה. מחליף אותו בתודעת מנהיגי הימין חזון העוועים של &quot;מדינה אחת&quot; עם מלחמת אזרחים מתמשכת ו&quot;אפרטהייד יהודי&quot; או רוב ערבי. זהו חזון שבמוקדו כיום הניסיון לסכל כל סיכוי להסדר עם ביטחון בעתיד, באמצעות ההתנחלויות המבודדות, וזהו מרשם אסוני שחיוני לעצור.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;צודקים לכן אלה האומרים: אנו גאים בחלקנו בשיבה אל כל חבלי הארץ ובמפעל ההתיישבות החיוני לביטחוננו. בה בעת אנו דוחים את הניסיון הזול והמביך לנכס פוליטית את ההורות על ההישג לצד אחד במארג הפוליטי תוך טשטוש מודע של ההבדל בין &quot;אין ברירה&quot;, רגעים של אחדות מופלאה ומעשה ציוני גדול בעקבותיה, לבין לאומנות אפלה, שהעירה חזון משיחי, שיישומו מאיים על הפרויקט הציוני כולו.&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/8142086828254375485/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/8142086828254375485' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/8142086828254375485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/8142086828254375485'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/09/blog-post_28.html' title='אהוד ברק: הטקס בגוש עציון - גושי היישובים מול התנחלויות מבודדות'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfnR-Vayx5u6bpZLTa1x5LoZldiDYbc1zFV-ta9VdyVBL3oV9qvTEGNEnUDSde6cBw_BhyloLdcQbXLh0e-YLT8jWwm9o5WEOgHZDkUBMRH9zhXPmV2xhsVenQHoM4dbmIJHyMZ_CcIrE/s72-c/%25D7%2599%25D7%2595%25D7%2591%25D7%259C+%25D7%25A9%25D7%2597%25D7%25A8%25D7%2595%25D7%25A8+%25D7%2599%25D7%2594%25D7%2595%25D7%2593%25D7%2594+%25D7%25A9%25D7%2595%25D7%259E%25D7%25A8%25D7%2595%25D7%259F+%25D7%2598%25D7%25A7%25D7%25A1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-8116431573660136630</id><published>2017-09-24T08:24:00.000-04:00</published><updated>2017-09-24T08:24:47.957-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="analytical psychology"/><category scheme="http://www.blogger.com/atom/ns#" term="Ann Lammers"/><category scheme="http://www.blogger.com/atom/ns#" term="Erich Neumann"/><category scheme="http://www.blogger.com/atom/ns#" term="Judaism"/><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="Mark Kyburz"/><category scheme="http://www.blogger.com/atom/ns#" term="Murray Stein"/><category scheme="http://www.blogger.com/atom/ns#" term="psychoanalysis"/><category scheme="http://www.blogger.com/atom/ns#" term="religion"/><title type='text'>Erich Neumann: The Roots of Jewish Consciousness</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
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&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;With the publication in 2015 of the important correspondence
between C.G. Jung and Erich Neumann (edited by Martin Liebscher), there has
been something of a Neumann renaissance. A major international conference was
held in 2015 at Kibbutz Shefayim, with participants from more than 25 countries,
and in 2016 a symposium was held at the Pacifica Institute in California.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;Neumann’s
slim but brilliant book,&amp;nbsp;&lt;i&gt;Jacob and Esau: On the collective symbolism of the
brother motif,&amp;nbsp;&lt;/i&gt;was recently published by Chiron in collaboration with
Recollections.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;A volume of essays by prominent Jungians, as well as members of the Jung and Neumann families, has also&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;trebuchet ms&amp;quot;, sans-serif;&quot;&gt;een published by Chiron/Recollections.&lt;/span&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;trebuchet ms&amp;quot;, sans-serif;&quot;&gt;&amp;nbsp;It is edited by Erel Shalit and Murray Stein,&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;color: #444444; font-family: &amp;quot;trebuchet ms&amp;quot;, sans-serif;&quot;&gt;Turbulent Times, Creative Minds: The relationship
between Erich Neumann and C.G. Jung (1933-1960).&lt;/i&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;trebuchet ms&amp;quot;, sans-serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: right; margin-left: 1em; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG89u3QExzSWeohVsqSklWqHyDA_hOBOU5pNAW9_0OjfrQS_51Fq2273aCwtcQdIwHzIewYstl8EGHMAipdN_FYlrZJK_jYG6zVwPIFxI15gXNIT1k_XT9k6nenC_bvZzFmqwjZhezp-w/s1600/27955555635_db6d129c0a_b.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;683&quot; data-original-width=&quot;1024&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG89u3QExzSWeohVsqSklWqHyDA_hOBOU5pNAW9_0OjfrQS_51Fq2273aCwtcQdIwHzIewYstl8EGHMAipdN_FYlrZJK_jYG6zVwPIFxI15gXNIT1k_XT9k6nenC_bvZzFmqwjZhezp-w/s320/27955555635_db6d129c0a_b.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Ann Conrad Lammers&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;calibri&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif;&quot;&gt;Soon, in late 2018 or early 2019, Routledge will publish Neumann’s major treatise on &lt;i&gt;The Roots of Jewish Consciousness&lt;/i&gt;&amp;nbsp;in an impressive two-volume set&amp;nbsp;(Volume 1 on
the psychological significance of revelation, Volume 2 on Hasidism), edited by
Ann Lammers, and translated by Mark Kyburz with Ann Lammers. This work,
written between 1934 and 1945 but never published, is a treasure trove, a wealth of pearls. Although Neumann mined its themes in several of his Eranos lectures, the work as a whole holds a unique place in his opus.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #444444;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;trebuchet ms&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;Further announcements will be posted as the work of translation and
editing progresses, but here is a taste of Neumann’s writing:&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;span style=&quot;color: #444444; font-family: &amp;quot;georgia&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;... for Hasidism the world consists of a great, diffusely distributed creative nothingness, whose points of concentration, in varying degrees of power, reshape and form this unformed energy and cause it to shine. These points of concentration are the world&#39;s individuals, created in the tzimtzum, having a smaller and greater circumference and varying energy charge. They can also diminish or increase the extent and intensity of their radiance, depending on the level they attain, that is, their ability to enter into contact with divine nothingness.&lt;/span&gt;&lt;/blockquote&gt;
&lt;span style=&quot;color: #444444; font-family: Georgia, Times New Roman, serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;color: #444444; text-align: center;&quot;&gt;Read more about Erich Neumann&#39;s&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://eshalit.co.il/8-book/40-roots-of-jewish-consciousness.html&quot; target=&quot;_blank&quot;&gt;The Roots of Jewish Consciousness&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Georgia, Times New Roman, serif;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;calibri&amp;quot; , sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;span style=&quot;text-align: center;&quot;&gt;Read more about Erich Neumann&#39;s&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;i style=&quot;color: #444444;&quot;&gt;&lt;a href=&quot;http://eshalit.co.il/8-book/1-book-1.html&quot; target=&quot;_blank&quot;&gt;Jacob and Esau: On the collective symbolism of the brother motif&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Georgia, Times New Roman, serif;&quot;&gt;Read more about&amp;nbsp;&lt;i style=&quot;color: #444444;&quot;&gt;&lt;a href=&quot;http://eshalit.co.il/8-book/25-book-1-19.html&quot; target=&quot;_blank&quot;&gt;Turbulent Times, Creative Minds: The relationship between Erich Neumann and C.G. Jung (1933-1960)&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0oIH2M2qi5UOmaew_tKILLdbqlGH384CnHtU-zwyrt6xAREeSS4z10ntNfo1yGzlIluekFo-PzNxyL4HRPbRAnD3ZY46FVInbN92HlqbiI8q2_cxv8VL4b5ka8lo2L74TMtiO0a_s3Lo/s1600/TTCM+cover.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1092&quot; data-original-width=&quot;725&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0oIH2M2qi5UOmaew_tKILLdbqlGH384CnHtU-zwyrt6xAREeSS4z10ntNfo1yGzlIluekFo-PzNxyL4HRPbRAnD3ZY46FVInbN92HlqbiI8q2_cxv8VL4b5ka8lo2L74TMtiO0a_s3Lo/s320/TTCM+cover.png&quot; width=&quot;211&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Cover painting by Mordecai Arnon&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUjfpHuUa-B4xvlZ_uH3QkOnYAHJLoHd1GA0dyyhJc1GZElBwIALSJ7E7oyBekphoOum0258dN9U1mj1RMeDzTPB-2OGOzTQCXkOYwoEel8NyhDu3gSKcNka54Sbv8TeFJtgdzdqrtj9Y/s1600/jacob-esau+3.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: left;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;997&quot; data-original-width=&quot;657&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUjfpHuUa-B4xvlZ_uH3QkOnYAHJLoHd1GA0dyyhJc1GZElBwIALSJ7E7oyBekphoOum0258dN9U1mj1RMeDzTPB-2OGOzTQCXkOYwoEel8NyhDu3gSKcNka54Sbv8TeFJtgdzdqrtj9Y/s320/jacob-esau+3.png&quot; width=&quot;209&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Cover image silhouette by Meir Gur Arieh&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxeIe8qvFfwkP1Lo19r2lb79rDJ45oQsp8AFipma1y4MqsxuEppBEK_hNx8kZzX2EPWz_ku2P9S3XsQzdhOkHV3Xx3Q4eST1XkZO_n01lD3Z21pNp32hSVd7gKvDq7qRfYpJUKeFM5u90/s1600/ba1+%25282%2529.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;910&quot; data-original-width=&quot;1172&quot; height=&quot;248&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxeIe8qvFfwkP1Lo19r2lb79rDJ45oQsp8AFipma1y4MqsxuEppBEK_hNx8kZzX2EPWz_ku2P9S3XsQzdhOkHV3Xx3Q4eST1XkZO_n01lD3Z21pNp32hSVd7gKvDq7qRfYpJUKeFM5u90/s320/ba1+%25282%2529.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Etching by Jacob Steinhardt&lt;/td&gt;&lt;/tr&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/8116431573660136630/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/8116431573660136630' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/8116431573660136630'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/8116431573660136630'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/07/erich-neumann-roots-of-jewish.html' title='Erich Neumann: The Roots of Jewish Consciousness'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2W2kYejCH56jAIE4ThbKZDv5LCbS9jMaVUpgWvkKxPKmLo3ZPUsKlGzTNESOMvVs1oA00d3jhrSiyMxP7ZD19V0sHL8feEY0A2PEs9IcsiXnba4Wu9kj81MkuHlCXq1nZdvEXrAenGtA/s72-c/erich+neumann+01670004.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-2018141208610829232</id><published>2017-09-16T09:15:00.001-04:00</published><updated>2017-09-29T06:00:43.543-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="cycle of life"/><category scheme="http://www.blogger.com/atom/ns#" term="jung"/><category scheme="http://www.blogger.com/atom/ns#" term="Kafka"/><category scheme="http://www.blogger.com/atom/ns#" term="Socrates"/><category scheme="http://www.blogger.com/atom/ns#" term="stages of life"/><category scheme="http://www.blogger.com/atom/ns#" term="the conscious life"/><category scheme="http://www.blogger.com/atom/ns#" term="The next village"/><category scheme="http://www.blogger.com/atom/ns#" term="the unexamined life"/><title type='text'>On Kafka&#39;s short story The Next Village</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;“The
art of life is the most distinguished and rarest of all the arts.”&lt;span style=&quot;font-size: large;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;&lt;i&gt;C.G. Jung&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
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&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLM4zob_wUCDxkzXC4V1z-wHyEVKG8EGGcom_N-sfDMUXa2OE3BswN54BbocWY3NHFJkDA9jF8Yg9UPBtsEz-zMpwlkjYcevv3uT7toNpfluZrgwpPft3ktpUoNggOVzDtwi0ZNp1GJgE/s1600/the+next+village.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;750&quot; data-original-width=&quot;1120&quot; height=&quot;214&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLM4zob_wUCDxkzXC4V1z-wHyEVKG8EGGcom_N-sfDMUXa2OE3BswN54BbocWY3NHFJkDA9jF8Yg9UPBtsEz-zMpwlkjYcevv3uT7toNpfluZrgwpPft3ktpUoNggOVzDtwi0ZNp1GJgE/s320/the+next+village.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;Kafka&#39;s
short story &lt;i&gt;The Next Village&lt;/i&gt; illustrates two aspects of the cycle, or the
stages, of life - the experience and the memory. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=QpgSAPB4etI&amp;amp;feature=youtu.be&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #660000; font-size: large;&quot;&gt;You are invited to watch an 8 minute video on YouTube, excerpted from a lecture on &lt;i&gt;The Cycle of Life.&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;I
am grateful to Adam Kościuk and Karol Domański who have prepared and edited
this video, as always in the most wonderful way. (The video can also be watched with Polish subtitles &lt;a href=&quot;https://www.youtube.com/watch?v=oLbaAyYOJHE&amp;amp;t=68s&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;).&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif;&quot;&gt;Topics
explored in the book&amp;nbsp;&lt;i&gt;The Cycle of Life&lt;/i&gt; include: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;I. The Journey &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;Stages
and Seasons &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Jung’s Stages of Life &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;All the World’s a Stage, and a Stage of Life &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Being on the Way—A Way of Being &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;Hermes
and the Journey: Being on the Way &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;The
Crossroads &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;II.
The Child &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;The
Child in the Mirror &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Psychotherapy and Childhood &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;The Divine Child &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;From Divine to Human &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Eros, Psyche and Pleasure &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;III.
The Puer and the Puella &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Between Shame and Fear &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Wine, Spirit and Fire &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Prometheus—the Thoughtful Thief &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;IV.
The Adult &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;King on Earth &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Boundaries of Reality &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Celestial Jerusalem—Terrestrial Jerusalem &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;The King who Refuses to Die &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;The Dried-up Earth &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;The Limping Ego &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;The Empty Shell &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;V.
i. The Senex &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;V.
ii. Homage to Sophocles &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;V.
iii. The Last Chapter: Self and Meaning &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;Ancestral Roots &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;An Oak and an Acorn &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;book antiqua&amp;quot; , serif; font-size: 11.0pt;&quot;&gt;&amp;nbsp;We Are All Beggars, Are We Not?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;i&gt;The Cycle of Life&lt;/i&gt; is available on &lt;a href=&quot;https://www.amazon.com/Cycle-Life-Themes-Tales-Journey/dp/1926715500/ref=la_B001JX2Q9A_1_2?s=books&amp;amp;ie=UTF8&amp;amp;qid=1500382831&amp;amp;sr=1-2&quot; target=&quot;_blank&quot;&gt;Amazon&lt;/a&gt;, &lt;a href=&quot;https://fisherkingpress.com/n/product-category/erel-shalit&quot; target=&quot;_blank&quot;&gt;Fisher King Press&lt;/a&gt;, and other
book sellers.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/2018141208610829232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/2018141208610829232' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2018141208610829232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/2018141208610829232'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/09/on-kafkas-short-story-next-village.html' title='On Kafka&#39;s short story The Next Village'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLM4zob_wUCDxkzXC4V1z-wHyEVKG8EGGcom_N-sfDMUXa2OE3BswN54BbocWY3NHFJkDA9jF8Yg9UPBtsEz-zMpwlkjYcevv3uT7toNpfluZrgwpPft3ktpUoNggOVzDtwi0ZNp1GJgE/s72-c/the+next+village.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-652011713429848955</id><published>2017-09-16T06:25:00.000-04:00</published><updated>2017-09-16T06:25:02.033-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="enemy"/><category scheme="http://www.blogger.com/atom/ns#" term="Enemy cripple and beggar"/><category scheme="http://www.blogger.com/atom/ns#" term="fisher king press"/><category scheme="http://www.blogger.com/atom/ns#" term="Rosh Hashana"/><category scheme="http://www.blogger.com/atom/ns#" term="Shofar"/><title type='text'>Shana Tova - A Year of Health, Peace and Creativity</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;אני מאחל לכולם שנת בריאות, שלום ויצירה&lt;/span&gt;&lt;/div&gt;
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An excerpt from &lt;i&gt;Enemy, Cripple, Beggar: Shadows in the Hero&#39;s Path&lt;/i&gt;:&lt;/div&gt;
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....&lt;/div&gt;
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In &lt;st1:place w:st=&quot;on&quot;&gt;Egypt&lt;/st1:place&gt; the ram was a sign of
Amon-Ra, the sun-god. In Jewish symbolism we find it in the Shofar, the ram’s
horn, and its call for repentance and freedom, and in the bonding of Isaac,
where the ram is sacrificed in exchange of Isaac, in Abraham’s act of
submission to the male God. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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The Shofar, in fact, is a symbol that
unites the opposites. It represents freedom as well as repentance, triumph and
suffering, the soul’s (and the nation’s) redemption, as well as exile. It has
been likened to the contrite heart bent in repentance, as well as the trachea,
the windpipe, the spiritual part of the body, as opposed to, but alongside, the
esophagus, the gullet, through which the food or the earthly part passes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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The ram’s horn refers to two important
Biblical events, the binding of Isaac and Moses receiving the Tablets at &lt;st1:place w:st=&quot;on&quot;&gt;Mount Sinai&lt;/st1:place&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;/div&gt;
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Abraham &lt;i&gt;nearly&lt;/i&gt; sacrificed Isaac,
but Isaac, which means ‘he laughed,’ was not &lt;i&gt;actually&lt;/i&gt; sacrificed. The
Hebrew speaks of the &lt;i&gt;binding&lt;/i&gt; of Isaac, indicating the dramatic cultural
transition from &lt;i&gt;actual deed&lt;/i&gt; to &lt;i&gt;internalized faith&lt;/i&gt;, from the
worship of stonehard gods to ideational images. In place of Isaac, the ram was
sacrificed to God, and Isaac, son of Abraham, was spared and given to life. The
sacrifice need not be complete: to make sacred is no longer engraved in stone;
that is, it is not literal. Yet, to make sacred, to inspire the soul and ensoul
the spirit, we need to sacrifice, renounce, give up the ego’s hubris, the
belief that the conscious ego is all and be all. The centrality of this
remarkable transitional event is reflected in tradition, which tells us the
sacrifice of the horned ram instead of Isaac took place on &lt;st1:placetype w:st=&quot;on&quot;&gt;Mount&lt;/st1:placetype&gt; &lt;st1:placename w:st=&quot;on&quot;&gt;Moriah&lt;/st1:placename&gt;,
the &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:placetype w:st=&quot;on&quot;&gt;Temple&lt;/st1:placetype&gt; &lt;st1:placename w:st=&quot;on&quot;&gt;Mount&lt;/st1:placename&gt;&lt;/st1:place&gt;, on Rosh Hashana, the Jewish New
Year – which is when the ram’s horn is blown.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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....&lt;/div&gt;
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Available on &lt;a href=&quot;https://www.amazon.com/Enemy-Cripple-Beggar-Shadows-Heros/dp/0977607674/ref=asap_bc?ie=UTF8&quot; target=&quot;_blank&quot;&gt;Amazon&lt;/a&gt;, and right now at a 40% discount on &lt;a href=&quot;https://fisherkingpress.com/n/product/enemy-cripple-beggar&quot; target=&quot;_blank&quot;&gt;Fisher King Press&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/652011713429848955/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/652011713429848955' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/652011713429848955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/652011713429848955'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/09/shana-tova-year-of-health-peace-and.html' title='Shana Tova - A Year of Health, Peace and Creativity'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5X0sA9D3DMp90ttcABDwHwXPu6cC0NmqWUkDToSyBi7qfqLSvRtk9MhxitCxMI00SxDRuenjLi19CD2eLpOymYOz5bghL3he8GFrAgEdo6l6N0-kDONU7YTpnAG999Cv8SaKxEYcfAtc/s72-c/%25D7%25A9%25D7%25A0%25D7%2594+%25D7%2598%25D7%2595%25D7%2591%25D7%2594+2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-7462642230835593076</id><published>2017-09-14T06:55:00.000-04:00</published><updated>2017-09-14T06:55:34.754-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beggar; Jung; Jungian psychology"/><category scheme="http://www.blogger.com/atom/ns#" term="enemies"/><category scheme="http://www.blogger.com/atom/ns#" term="enemy"/><category scheme="http://www.blogger.com/atom/ns#" term="enemy cripple and beggar; Fisher King Press"/><category scheme="http://www.blogger.com/atom/ns#" term="Erel Shalit"/><category scheme="http://www.blogger.com/atom/ns#" term="war"/><title type='text'>War and The Enemy in the 21st Century - by Mel Mathews</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://fisherkingpress.com/n/product/enemy-cripple-beggar&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;510&quot; height=&quot;200&quot; src=&quot;https://fisherkingpress.com/images/9780977607679.jpg&quot; width=&quot;127&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
One of the greatest rewards of being a publisher is in reflecting and rejoicing in the many meaningful and timely Fisher King Press publications. It truly is a privilege to be the midwife of these newborns—many of whom arrive far ahead of their time—and to witness their maturing and assimilation into the collective consciousness.&lt;br /&gt;
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With the wars being fought on many fronts, and with the posturing and possibility of yet more, I reached for Erel Shalit’s &lt;i&gt;Enemy, Cripple, Beggar: Shadows in the Hero’s Path&lt;/i&gt; (which we published in 2008) and have been reading from Shalit’s chapter on &lt;i&gt;The Enemy&lt;/i&gt;, which in the beginning of the chapter, states:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
On [the journey], the hero initially meets the Enemy, because the previously unrealized and unconscious dark side, the shadow, is often first encountered in projection, as carried by the enemy.&amp;nbsp;&lt;/blockquote&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
In reference to the First World War, Jung wrote in 1916: &quot;As events in wartime have clearly shown, our mentality is distinguished by the shameless naïveté with which we judge our enemy, and in the judgment we pronounce upon him we unwittingly reveal our own defects: we simply accuse our enemy of our own unadmitted faults.&quot; (C.G. Jung, &lt;i&gt;Collected Works 8&lt;/i&gt;, 2nd ed., par. 516.)&lt;/blockquote&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
The realization of the enemy shadow—whether persecuted by it, or when trying to flee or to fight it—provides a possibility of energizing the ego. In the inward process of finding one’s pain and resources, and in order to eventually find one’s way to the inner wounds that unsettle us if we do not attend to them, to find the wounded child in our soul, it is necessary to go through the projections of the shadow . . .&lt;/blockquote&gt;
This is just the first few paragraphs of the chapter that explores many facets of the enemy archetype. If you have a copy of &lt;i&gt;Enemy, Cripple, Beggar&lt;/i&gt;, I encourage you to revisit this timely publication. If you do not have a copy . . . well, here’s a link to purchase a copy of this rich and worthy book:&amp;nbsp;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://fisherkingpress.com/n/product/enemy-cripple-beggar&quot; target=&quot;_blank&quot;&gt;Enemy, Cripple, Beggar&lt;/a&gt;&amp;nbsp;- right now at a 40% discount!&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;
As the publisher of Fisher King Press, I would also like to extend a heartfelt thank you to the many readers of our publications, and to our authors who have done the hard work of research, mining the depths of their inner worlds, and for bring back to us these timeless gems.&lt;br /&gt;
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&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;http://www.fisherkingpress.com/&quot; target=&quot;_blank&quot;&gt;Fisher King Press&lt;/a&gt;&amp;nbsp;publishes an eclectic mix of worthy books including&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;Jungian Psychological Perspectives&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;and a growing list of&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;Cutting-Edge&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;alternative titles.&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;http://www.fisherkingpress.com/&quot;&gt;www.fisherkingpress.com&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/7462642230835593076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/7462642230835593076' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7462642230835593076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/7462642230835593076'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/09/war-and-enemy-in-21st-century-by-mel.html' title='War and The Enemy in the 21st Century - by Mel Mathews'/><author><name>Fisher King Press</name><uri>http://www.blogger.com/profile/01252617630238504236</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='32' src='http://1.bp.blogspot.com/-h1LygSmJ8v8/UrVNMT0wfLI/AAAAAAAABPA/He1rHIcTGqk/s220/fkplogo.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-6951206047610718993</id><published>2017-09-07T09:29:00.000-04:00</published><updated>2017-09-07T09:29:08.819-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="סעיד"/><category scheme="http://www.blogger.com/atom/ns#" term="ציונות"/><category scheme="http://www.blogger.com/atom/ns#" term="רן כהן"/><category scheme="http://www.blogger.com/atom/ns#" term="שמאל ישראלי"/><title type='text'>&quot;סעיד&quot; של רן כהן</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGsOnzO9RGtwTYxwhj8Gi7i_GBjUaHQzRXd3Q4h2Y-eDeyrCuqmmtt7yp32afcUDBqe4hPb0xMW8_UNztFJjBpHRLQhDwxRm2flVnR80_JQxM8lbZXfe4hWNnhtMgF-3inPa_iNYCNTiQ/s1600/%25D7%25A1%25D7%25A2%25D7%2599%25D7%2593.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;582&quot; data-original-width=&quot;380&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGsOnzO9RGtwTYxwhj8Gi7i_GBjUaHQzRXd3Q4h2Y-eDeyrCuqmmtt7yp32afcUDBqe4hPb0xMW8_UNztFJjBpHRLQhDwxRm2flVnR80_JQxM8lbZXfe4hWNnhtMgF-3inPa_iNYCNTiQ/s320/%25D7%25A1%25D7%25A2%25D7%2599%25D7%2593.jpg&quot; width=&quot;208&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class=&quot;oneandhalf&quot; style=&quot;font-size: 14px; line-height: 21px;&quot;&gt;מיהו&amp;nbsp;&lt;strong&gt;סעיד&amp;nbsp;&lt;/strong&gt;הקטן, שהוברח לבדו אחרי הפרעות ביהודי בגדד אל מעבר לנהר &amp;nbsp;שאט־אל־ערב לאיראן? מיהו הילד העירקי שהגיע לבדו לישראל הצעירה והוא רק בן עשר? איך הצליח ילד דובר ערבית, להיטמע ולהתערות באופן מלא כל־כך בלב ליבו של הנוער הישראלי של שנות החמישים? איך צמח עד שהיה מִבן מיעוט נרדף בגולת־בבל למנהיג של ציבור בישראל?&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;oneandhalf&quot; style=&quot;font-size: 14px; line-height: 21px;&quot;&gt;הסיפור המרתק הזה מחיה את דרכו של סעיד כהן הקטן עד שהיה ל&lt;strong&gt;רן כהן&lt;/strong&gt;המוכּר כחבר כנסת ואף כשר בממשלת ישראל. לא סוד הוא שחייו הציבוריים של רן הובילו אותו הרבה יותר גבוה מבחירתו לתפקיד מזכיר הקיבוץ שאליו הגיע כפליט קטן, אבל בעיניו התפקיד הזה הוא בלי ספק פסגת התערותו בחברה הישראלית.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;oneandhalf&quot; style=&quot;font-size: 14px; line-height: 21px;&quot;&gt;&lt;strong&gt;רן כהן&amp;nbsp;&lt;/strong&gt;משקף את מיטב המורשת שהביאה עמה יהדות עיראק לישראל.&lt;strong&gt;סעיד&amp;nbsp;&lt;/strong&gt;הוא יצירה מלהיבה המהווה נדבך נוסף ביצירותיהם של אינטלקטואלים ילידי עיראק, אשר עלה בידם לנתץ חומות של התבדלות ולהרבות גוונים בחברה הישראלית, ובכך מפליאים בתרומתם ליצירת תרבות עשירה, רבת־פנים וחיונית. &lt;br /&gt;סמי מיכאל&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;oneandhalf&quot; style=&quot;font-size: 14px; line-height: 21px;&quot;&gt;סיפור ישראלי מרתק שמוסיף נדבך מרנין של בריחה, עלייה וקליטה נפלאה בארץ. רן זכה במה שאנחנו, ילדי חברות נוער בקיבוצים, לא זכינו, הוא היה למזכיר הקיבוץ ומנהיגו, חבר כנסת ושר שלאורך כל הדרך ניהל מאבקים חברתיים ומדיניים מרשימים שהביאו לו ולנו גאווה רבה. סיפור עוצר נשימה של מאבק והצלחה.&lt;br /&gt;אלי עמיר&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;oneandhalf&quot; style=&quot;font-size: 14px; line-height: 21px;&quot;&gt;&lt;strong&gt;סעיד&amp;nbsp;&lt;/strong&gt;הוא סיפור מרתק, קולח ומרגש, שבד בבד עם היותו אישי מאוד, אינטימי מאוד, שופע חום אנושי ואהבה, הוא גם סיפור של תקופה סוערת, קשה, רוויית מלחמות ומאבקים פוליטיים, וזה גם סיפור של עם שנוצר מיוצאי קהילות אנושיות ותרבויות חיים שונות, שמתמזגות והולכות בתשוקה גדולה ובסבל לישות הישראלית המורכבת כל כך .&lt;br /&gt;יהושוע סובול&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;ספר מרגש ומרתק של רן הכן, מנהיג, ח&quot;כ ושר לשעבר. חובה לקרוא, וללמוד ממנו מהי ציונות אמיתית. שונה מהקיצוניות של ממשל ביבי&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;&lt;a href=&quot;https://he.wikipedia.org/wiki/%D7%A8%D7%9F_%D7%9B%D7%94%D7%9F&quot; target=&quot;_blank&quot;&gt;על רן בויקיפדיה&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/6951206047610718993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/6951206047610718993' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6951206047610718993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/6951206047610718993'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/09/blog-post.html' title='&quot;סעיד&quot; של רן כהן'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGsOnzO9RGtwTYxwhj8Gi7i_GBjUaHQzRXd3Q4h2Y-eDeyrCuqmmtt7yp32afcUDBqe4hPb0xMW8_UNztFJjBpHRLQhDwxRm2flVnR80_JQxM8lbZXfe4hWNnhtMgF-3inPa_iNYCNTiQ/s72-c/%25D7%25A1%25D7%25A2%25D7%2599%25D7%2593.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-3417576369946112171</id><published>2017-08-26T08:45:00.000-04:00</published><updated>2017-08-28T12:09:52.662-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="first zionist congress"/><category scheme="http://www.blogger.com/atom/ns#" term="herzl"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="Shalit"/><title type='text'>Herzl vs. Bibi</title><content type='html'>&lt;div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFtiYn9GiYcfX1Dab8RS3d71W8QwtNeWK4zxza69kaL5WWBYf7Kl2PA2IGdHH1VFs8bFjXK1M3smy4k8YRTc6zLxBynEJKwRQHs8D8jl_9niKl55cur_q8OJCuhjuvqRuuZsX8td9lFCI/s1600/First-Zionist-Congress.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;625&quot; data-original-width=&quot;1024&quot; height=&quot;242&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFtiYn9GiYcfX1Dab8RS3d71W8QwtNeWK4zxza69kaL5WWBYf7Kl2PA2IGdHH1VFs8bFjXK1M3smy4k8YRTc6zLxBynEJKwRQHs8D8jl_9niKl55cur_q8OJCuhjuvqRuuZsX8td9lFCI/s400/First-Zionist-Congress.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;The English will follow the Hebrew&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;.קונגרס הציוני הראשון התקיים בין 29 ל31 באוגוסט, 1897, כלומר, לפני 120 שנה&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;:לאחר הקונגרס, הרצל כתב בעיתונו, ב10 לספטמבר&lt;/span&gt;&lt;/div&gt;
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&lt;blockquote class=&quot;tr_bq&quot; style=&quot;text-align: right;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;מסתבר שלרעיון הלאומי היהודי הכח המאחד אנשים בעלי הבדלי שפה, הבדלים חברתיים, &amp;nbsp;פוליטיים ודתיים לשלם אחד&lt;/span&gt;&lt;/blockquote&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;בהסתתו, שממשיכה יותר מעשרים שנה, הן כמנהיג האופוזיציה בתקופת רבין בתחילת שנות התשעים, הן כראש הממשלה בהווה, נתניהו עושה כל מאמץ (מוצלח מבחינתו) להפריד בין חלקי העם ולהסית נגד כל מי שחושב אחרת ממנו&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;ללא רמז של יושרה או רסן, הוא עושה הכל כדי לפרק את המרקם העדין של החברה הישראלית,&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;באמצעות&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;שחיתות והסתה&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;לצערינו, חברי הממשלה, הן ממפלגתו של נתניהו, הן מהמפלגות הקואליציה, שותקים. כפי שאלי ויזל אמר, הצופה מן הצד, ושותק, רע יותר לקורבן מן התוקפן עצמו&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;למזלנו, ישנם אנשים, ארגונים ומוסדות שפועלים בארצינו הקרועה ואהובה כדי לשמור ולהגן על הדמוקרטיה&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif;&quot;&gt;והשפיות&lt;/span&gt;&lt;br /&gt;
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&lt;div lang=&quot;he&quot; style=&quot;color: #1d2129; direction: rtl; direction: rtl; font-family: Tahoma; font-size: 10.0pt; margin-bottom: 4pt; margin-top: 0pt; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;background: white;&quot;&gt;כמה הערות ביחס להפגנות פתח תקוה:&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;he&quot; style=&quot;color: #1d2129; direction: rtl; direction: rtl; font-family: Tahoma; font-size: 10.0pt; margin-bottom: 4pt; margin-top: 4pt; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;background: white;&quot;&gt;היועץ המשפטי לממשלה מנדלבליט אינו חלק מהרשות השופטת,
אלא מהרשות המבצעת, מינוי אישי של ראש הממשלה נתניהו. לכן הפגנה מול ביתו או במרחק
מאות מטרים מביתו אינה דומה להפגנה מול בית של שופט.&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;he&quot; style=&quot;color: #1d2129; direction: rtl; direction: rtl; font-family: Tahoma; font-size: 10.0pt; margin-bottom: 4pt; margin-top: 4pt; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;background: white;&quot;&gt;בנובמבר 2016 מנדלבליט הכריז שאין חשד לפלילים בפרשת
הצוללות. איך ידע?&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;he&quot; style=&quot;color: #1d2129; direction: rtl; direction: rtl; font-family: Tahoma; font-size: 10.0pt; margin-bottom: 4pt; margin-top: 4pt; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;background: white;&quot;&gt;הפגנות פתח תקווה החלו בנובמבר 2016 כדרישה ממנדלבליט לא
לגרור רגליים ולהתחיל בחקירות או להתפטר.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div lang=&quot;he&quot; style=&quot;color: #1d2129; direction: rtl; direction: rtl; font-family: Tahoma; font-size: 10.0pt; margin-bottom: 4pt; margin-top: 4pt; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;background: white;&quot;&gt;היום יש חקירה ועד מדינה, לא רק בפרשה זו, אלא בפרשות
נוספות שסיומן מתעכב.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white;&quot;&gt;עד כה, מי ומה השפיע יותר על היועץ המשפטי לממשלת נתניהו
- נתניהו או העם שדורש חקירות יעילות של השחיתות?&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white;&quot;&gt;בין 1984 ל 1987 דתיים לאומיים וחרדים הפגינו במוצ״ש נגד
פתיחת קולנוע בשבת בפתח תקוה. גם כאשר בג״צ אסר על ההפגנות, המשיכו אלפים להפגין.
היכן הם היום בהגנה על הזכות הדמוקרטית לחופש הביטוי?&lt;/span&gt;&lt;/div&gt;
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&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQuTYQ5xgaLGAR2gmdtNN6z_kRgdNl1DJVJjNoWSV04ZMlGu-5eVgem93dBVu2gBu4zcY6MoOGEyktvOtzgaRHXv9bD6hEjSD5sXKIIY_Ww90JDL-WElqdHGhFJq66cnBxaOJ8qIgN7k/s1600/herzl+balcony.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;441&quot; data-original-width=&quot;784&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQuTYQ5xgaLGAR2gmdtNN6z_kRgdNl1DJVJjNoWSV04ZMlGu-5eVgem93dBVu2gBu4zcY6MoOGEyktvOtzgaRHXv9bD6hEjSD5sXKIIY_Ww90JDL-WElqdHGhFJq66cnBxaOJ8qIgN7k/s320/herzl+balcony.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Herzl on the balcony in Basel&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
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The first Zionist Congress was held in Basel, August 29-31, 1897, that is, 120 years ago.&lt;/div&gt;
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Following the Congress, Herzl wrote a piece in&amp;nbsp;&lt;em&gt;Die Welt&lt;/em&gt;, September 10:&lt;/div&gt;
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&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;blockquote class=&quot;tr_bq&quot; style=&quot;text-align: justify;&quot;&gt;
&quot;[I]t turned out that the Jewish national idea possesses the unifying power to wield together people with linguistic, social, political, and religious differences into one united whole. . . . &quot;&lt;/blockquote&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIU7SoncUcTEB7rp7AKZJHxPM_a93nr7HkmRBKgza2TecBrYTsBPypPEbbrVreCr5W5m8ylOZg3sZXqDJV7-EmJE-T1yjeMH3DRYkP-xLJ_0RWhJbEvl7K5UPPtodB36L1C6i2oHiftXY/s1600/netanyahu+balcony.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;194&quot; data-original-width=&quot;259&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIU7SoncUcTEB7rp7AKZJHxPM_a93nr7HkmRBKgza2TecBrYTsBPypPEbbrVreCr5W5m8ylOZg3sZXqDJV7-EmJE-T1yjeMH3DRYkP-xLJ_0RWhJbEvl7K5UPPtodB36L1C6i2oHiftXY/s1600/netanyahu+balcony.jpg&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Netanyahu on the balcony at Zion Square&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
With his incitement, which has continued over twenty years, both as leader of the opposition during the premiership of Yitzhak Rabin in the early 1990s, and presently as Prime Minister, Netanyahu makes every possible (and from his point of view successful) effort to divide, instigating against those who think differently from him, rather than to bring &quot;together&amp;nbsp;people with linguistic, social, political, and religious differences into one united whole.&quot;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;Without any sense of integrity or inhibition, he is doing whatever he can to destroy the fabric of Israeli society, by corruption and incitement.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;Tragically, the members of the government, from his own party and his coalition partners, remain silent. They have turned into bystanders, who, as Elie Wiesel said, are worse to the victims than the aggressor.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjp8xoJYamCmZhCIEdMa1Lkpde2poPc-y6u_skpmuIstlDVi19AXwDA0NgI1PypAUXGyUF3uKRVf-784ZZ1mICG0PPc-NZxxL8nDD6AvpEGzOgkpSjkZsVTyDcotubPgd1rbGnghg7Ztg/s1600/%25D7%25A4%25D7%25AA%25D7%2597+%25D7%25AA%25D7%25A7%25D7%2595%25D7%2594+20170826.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;540&quot; data-original-width=&quot;960&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjp8xoJYamCmZhCIEdMa1Lkpde2poPc-y6u_skpmuIstlDVi19AXwDA0NgI1PypAUXGyUF3uKRVf-784ZZ1mICG0PPc-NZxxL8nDD6AvpEGzOgkpSjkZsVTyDcotubPgd1rbGnghg7Ztg/s320/%25D7%25A4%25D7%25AA%25D7%2597+%25D7%25AA%25D7%25A7%25D7%2595%25D7%2594+20170826.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;Fortunately, there are people, organisations and institutions in this torn country who stand up to defend and protect democracy and the sanity of this beloved country.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;color: #073763;&quot;&gt;The Hero&lt;/span&gt; and His Shadow&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;Psychopolitical Aspects of Myth and Reality in Israel&lt;/span&gt;&lt;/div&gt;
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&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;Contents&lt;/div&gt;
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Preface &amp;nbsp; &amp;nbsp; &amp;nbsp; The Beggar in the Hero’s Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 1&amp;nbsp;&amp;nbsp;&amp;nbsp; Return to the Source&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 2&amp;nbsp;&amp;nbsp;&amp;nbsp; From My Notebook&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 3&amp;nbsp;&amp;nbsp;&amp;nbsp; From Dream to Reality&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 4&amp;nbsp;&amp;nbsp;&amp;nbsp; Origins and Myths&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 5&amp;nbsp;&amp;nbsp;&amp;nbsp; From Redemption to Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 6&amp;nbsp;&amp;nbsp;&amp;nbsp; Wholeness Apart&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 7&amp;nbsp;&amp;nbsp;&amp;nbsp; Myth, Shadow and Projection&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 8&amp;nbsp;&amp;nbsp;&amp;nbsp; A Crack in the Mask&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 9 &amp;nbsp;&amp;nbsp;&amp;nbsp;The Death of the Mythical and the Voice of the Soul&lt;/div&gt;
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available on&amp;nbsp;&lt;a href=&quot;https://www.amazon.com/Hero-His-Shadow-Psychopolitical-Aspects-ebook/dp/B006OF8BXI/ref=asap_bc?ie=UTF8&quot; target=&quot;_blank&quot;&gt;Kindle&amp;nbsp;&lt;/a&gt;($9.99) and in&amp;nbsp;&lt;a href=&quot;https://www.amazon.com/Hero-His-Shadow-Psychopolitical-Aspects/dp/1926715691/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;amp;qid=&amp;amp;sr=&quot; target=&quot;_blank&quot;&gt;paperback&amp;nbsp;&lt;/a&gt;($29.00)&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/3417576369946112171/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/3417576369946112171' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3417576369946112171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/3417576369946112171'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/08/herzl-vs-bibi.html' title='Herzl vs. Bibi'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFtiYn9GiYcfX1Dab8RS3d71W8QwtNeWK4zxza69kaL5WWBYf7Kl2PA2IGdHH1VFs8bFjXK1M3smy4k8YRTc6zLxBynEJKwRQHs8D8jl_9niKl55cur_q8OJCuhjuvqRuuZsX8td9lFCI/s72-c/First-Zionist-Congress.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-1664937624180398052</id><published>2017-08-20T06:54:00.000-04:00</published><updated>2017-09-16T08:14:10.645-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="fascism"/><category scheme="http://www.blogger.com/atom/ns#" term="israel"/><category scheme="http://www.blogger.com/atom/ns#" term="Netanyahu"/><category scheme="http://www.blogger.com/atom/ns#" term="peace"/><category scheme="http://www.blogger.com/atom/ns#" term="Rabin"/><title type='text'>When Bibi&#39;s bubble bursts</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-G50a35fZelJ-PRETmbhap4s7pteICzHETl29vANtGy0ZyNkgiIW5l10Xja2PH0T92H25cveIwAphopVzn46bKsRH01vbQTwT-hicb_uQQSx5BQVwUfIIeY9yua7E_q_Af0iEkgH__rE/s1600/netanyahu+demonstration+against+rabin.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;655&quot; data-original-width=&quot;540&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-G50a35fZelJ-PRETmbhap4s7pteICzHETl29vANtGy0ZyNkgiIW5l10Xja2PH0T92H25cveIwAphopVzn46bKsRH01vbQTwT-hicb_uQQSx5BQVwUfIIeY9yua7E_q_Af0iEkgH__rE/s320/netanyahu+demonstration+against+rabin.png&quot; width=&quot;263&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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PM. Netanyahu, leader of the most extreme and anti-democratic government that has ever ruled in Israel, has declared that he is no longer Prime Minister of the entire population, inciting against the left, the media, Arabs, and whoever does not directly swear allegiance to him.&lt;/div&gt;
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The police was ordered on August 19 to prevent the demonstrations against his corruption, carried out hundreds of meters from the home of the Attorney General, and the arrest of leaders of the manifestation.&amp;nbsp;&lt;/div&gt;
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One of the reasons given by the police was &quot;undue pressure&quot; on the AG.&amp;nbsp;&lt;/div&gt;
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The AG is a political appointee, by Netanyahu, and not a civil servant in the Department of Justice. He has severely delayed the corruption investigations against Netanyahu, a great many of whose government ministers and advisers have been tried and judged or are under investigation for a variety of crimes, many of them on charges of corruption.&lt;/div&gt;
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It is not the task of the police to determine if demonstrators exert due or undue pressure.&lt;/div&gt;
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The photo above is from a demonstration against the policies of Yitzhak Rabin, in 1995, where Netanyahu marches in front of a &#39;coffin&#39; that bears Rabin&#39;s name.&lt;/div&gt;
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The inflamed atmosphere, of which Netanyahu as then leader of the opposition was partly responsible, led up to Rabin&#39;s assassination.&lt;/div&gt;
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Netanyahu should be tried for this, as well as his present incitement and the crimes presently under investigation. The fact that 22 years have passed should at least not make us forget.&lt;/div&gt;
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When Bibi&#39;s bubble bursts, and it will, sooner rather than later, the &lt;u&gt;extreme &lt;/u&gt;right in Israel will have a harsh awakening. The more moderate right, which has collaborated by silence and participation, will have a shameful awakening that fascism can take grip of any society, if the watchdogs are not constantly on the alert.&lt;/div&gt;
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&lt;i&gt;&lt;span style=&quot;color: #0b5394; font-size: large;&quot;&gt;The Hero and His Shadow&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span style=&quot;color: #0b5394; font-size: large;&quot;&gt;Psychopolitical Aspects of Myth and Reality in Israel&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUA73XZMGpF6bfGIvuY4oH26RgnMlJRSgotRaLBCufPUj3tM_1FVveiOCqP9uDQ3fRj8hxhCm8OpKUoKcQtzK65T6rHTGr8L8bx1wjly65ven4rvPy7AV5XdUTGRgFcs8Ai-t9nnXK__A/s1600/hesh+front+2012.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;1051&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUA73XZMGpF6bfGIvuY4oH26RgnMlJRSgotRaLBCufPUj3tM_1FVveiOCqP9uDQ3fRj8hxhCm8OpKUoKcQtzK65T6rHTGr8L8bx1wjly65ven4rvPy7AV5XdUTGRgFcs8Ai-t9nnXK__A/s320/hesh+front+2012.jpg&quot; width=&quot;210&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;Contents&lt;/div&gt;
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&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Preface &amp;nbsp; &amp;nbsp; &amp;nbsp; The Beggar in the Hero’s Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 1&amp;nbsp;&amp;nbsp;&amp;nbsp; Return to the Source&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 2&amp;nbsp;&amp;nbsp;&amp;nbsp; From My Notebook&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 3&amp;nbsp;&amp;nbsp;&amp;nbsp; From Dream to Reality&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 4&amp;nbsp;&amp;nbsp;&amp;nbsp; Origins and Myths&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 5&amp;nbsp;&amp;nbsp;&amp;nbsp; From Redemption to Shadow&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 6&amp;nbsp;&amp;nbsp;&amp;nbsp; Wholeness Apart&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 7&amp;nbsp;&amp;nbsp;&amp;nbsp; Myth, Shadow and Projection&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 8&amp;nbsp;&amp;nbsp;&amp;nbsp; A Crack in the Mask&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Chapter 9 &amp;nbsp;&amp;nbsp;&amp;nbsp;The Death of the Mythical and the Voice of the Soul&lt;/div&gt;
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available on &lt;a href=&quot;https://www.amazon.com/Hero-His-Shadow-Psychopolitical-Aspects-ebook/dp/B006OF8BXI/ref=asap_bc?ie=UTF8&quot; target=&quot;_blank&quot;&gt;Kindle &lt;/a&gt;($9.99) and in &lt;a href=&quot;https://www.amazon.com/Hero-His-Shadow-Psychopolitical-Aspects/dp/1926715691/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;amp;qid=&amp;amp;sr=&quot; target=&quot;_blank&quot;&gt;paperback &lt;/a&gt;($29.00)&lt;/div&gt;
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&lt;i style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;, serif;&quot;&gt;&lt;span style=&quot;color: #3d85c6; font-size: large;&quot;&gt;Dedication of The Hero and His Shadow&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;I dedicate this book to those, all too many, whose voices were silenced by man’s evil.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate it to those, all too few, who raise their voice against fascism, who speak up in the struggle for peace and reconciliation, especially between Palestinians and Israelis, incessantly on the verge of yet another cycle of violence and hostilities.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate it to those who try to hold the vulnerable balance in that ultimate conflict of Abraham between Father and Son, divine and human, idea and implementation, past and future, ego and self.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&amp;nbsp; &amp;nbsp;I dedicate this book to the daughters and the sons whose future is endangered.&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/1664937624180398052/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/1664937624180398052' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/1664937624180398052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/1664937624180398052'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/08/when-bibis-bubble-bursts.html' title='When Bibi&#39;s bubble bursts'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-G50a35fZelJ-PRETmbhap4s7pteICzHETl29vANtGy0ZyNkgiIW5l10Xja2PH0T92H25cveIwAphopVzn46bKsRH01vbQTwT-hicb_uQQSx5BQVwUfIIeY9yua7E_q_Af0iEkgH__rE/s72-c/netanyahu+demonstration+against+rabin.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-4163677861925070222</id><published>2017-08-11T11:02:00.000-04:00</published><updated>2017-08-13T13:50:10.277-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Erel Shalit"/><category scheme="http://www.blogger.com/atom/ns#" term="postmodern"/><category scheme="http://www.blogger.com/atom/ns#" term="Quadrant"/><category scheme="http://www.blogger.com/atom/ns#" term="technological revolution"/><title type='text'>The Human Soul (Lost?) in Transition, at the Dawn of a New Era - Quadrant</title><content type='html'>&lt;h2 class=&quot;ci&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px; margin: 0px 0px 0px 30px; padding: 0px; text-align: center;&quot;&gt;
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&lt;span style=&quot;color: #444444; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-weight: normal;&quot;&gt;This essay, in the
&lt;a href=&quot;http://www.cgjungny.org/quadrant.html&quot; target=&quot;_blank&quot;&gt;Spring 2017 issue of Quadrant&lt;/a&gt;, examines the liminal phase of society and
interiority in which we find ourselves today and poses several questions to the
irrepressibly optimistic inventors of a techno-utopian future: Can we really be
and feel happy if we need to be informed about it by a cellphone app? Do 93
million selfies a day replace a single moment of true reflection? How can we
remain relatively integrated individuals in the transiency of the present?&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;The essay will be part of a forthcoming book.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #702f10;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSCkdO3U6W4txzAtrTTHl9_2mAScOiuZkiti4VwG0uY3ityLnsRUDowfdwMIRn6-dk7mJLWR55I-2MdKjzAOp1qgz7UM6odgEQaHMjhUBSC2cv8Ka_2ecH_OPgJ0VP5MNPCtFZqT_gGEM/s1600/aquarius-gross2small.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;205&quot; data-original-width=&quot;260&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSCkdO3U6W4txzAtrTTHl9_2mAScOiuZkiti4VwG0uY3ityLnsRUDowfdwMIRn6-dk7mJLWR55I-2MdKjzAOp1qgz7UM6odgEQaHMjhUBSC2cv8Ka_2ecH_OPgJ0VP5MNPCtFZqT_gGEM/s1600/aquarius-gross2small.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;From the introduction:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;Jung says, “Whoever speaks in primordial images
speaks with a thousand voices…,” and “In each of these images there is a little
piece of human psychology and human fate, a remnant of the joys and sorrows
that have been repeated countless times in our ancestral history…” (CW15, par.
129, 127). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;The image, the images of interiority, cannot exist
without the soul. In soullessness, in fundamentalism and totalitarianism there
are no images.The existence of the soul, that elusive, purely poetical idea of &lt;i&gt;anima&lt;/i&gt;,
whether in man or woman, cannot be bound by earthly empires, neither by
imperial rules nor by imperatives, but can only be poetically imagined, for
instance, as that image of a mirror that mirrors the image.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;But the soul also relies on the capacity of
imagelessness, in the sense of an absence of externally generated images. In
their discussion centered around Neumann’s manuscript on Jacob and Esau, Jung
writes that “the ‘imagelessness’ [that is, of the God-image] is exceedingly
important for the free exercise of intuition that would be prejudiced by a
fixed image, and thereby rendered unusable.” (Jung and Neumann, 2015, p. 56). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;direction: ltr; line-height: 200%; text-align: justify; text-indent: .5in; unicode-bidi: embed;&quot;&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;While images take shape within our individual
psyches, the image is not only within us, but we are also within the image, as
Henry Corbin says (Cheetham, 2003, p. 71). We reside within an image of the
world, within the world soul, and we relate to the world according to the
images, ideas and perspectives that we have developed, and to a large extent,
according to the views and the spirit of our times.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;When listening to the brilliant young men and
women at the forefront of progress, those that hold the trigger to the chips
and the apps of the future, one cannot refrain from being amazed at the firm
belief and complete conviction that technology is the remedy of all ills and
the foundation of all future viruses – sorry! virtues, not viruses.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;This essay is an attempt to cause a slight
crack in the confidence of the young, and perhaps it is merely an old man’s
pathetic envy of tomorrow’s triumphant heroes, to whisper in their ears, “you
are also mortals.” .....&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=k8TupCPipFI&amp;amp;feature=youtu.be&quot; target=&quot;_blank&quot;&gt;The Human Soul in Transition&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=k8TupCPipFI&amp;amp;feature=youtu.be&quot; target=&quot;_blank&quot;&gt;an interview with Bonnie Bright on YouTube&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/h2&gt;
&lt;h2 class=&quot;ci&quot; style=&quot;color: #702f10; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px; margin: 0px 0px 0px 30px; padding: 0px; text-align: center;&quot;&gt;
&lt;/h2&gt;
&lt;h2 class=&quot;ci&quot; style=&quot;color: #702f10; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px; margin: 0px 0px 0px 30px; padding: 0px; text-align: center;&quot;&gt;
&lt;a href=&quot;http://www.cgjungny.org/quadrant.html&quot; target=&quot;_blank&quot;&gt;Quadrant, Spring 17 -&amp;nbsp;Volume XLVII:1&lt;/a&gt;&lt;/h2&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a href=&quot;http://www.cgjungny.org/images/Q.sp17.Cover.150x223.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://www.cgjungny.org/images/Q.sp17.Cover.150x223.jpg&quot; /&gt;&lt;/a&gt;&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/sp17.full.content/sp17.edit.06-07.pdf&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;From the Editor&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Kathryn Madden&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/sp17.full.content/sp17.mcniff.08-09.pdf&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;Featured Artist&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Shaun McNiff&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/p/q47n1.html#shalit&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;The Human Soul (Lost?) in Transition, at the Dawn of a New Era&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Erel Shalit&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/p/q47n1.html#oneil&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;Meditations on the Birth of Self: Archetypal Revelations in Whitman&#39;s 1855 &quot;Song of Myself&quot;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Brandon J. O&#39;Neil&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/p/q47n1.html#colistra&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;Black Holes &amp;amp; The Negative Mother Complex&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Elizabeth Colistra&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/p/q47n1.html#peasley&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;Living Multiplicity: A Sideways Perspective&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 80px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;Roger Peasley&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;ciart&quot; style=&quot;font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 1.5em; margin-left: 50px; margin-top: 20px;&quot;&gt;
&lt;a class=&quot;elist&quot; href=&quot;http://www.cgjungny.org/q/p/q47n1.html#bkreviews&quot; style=&quot;color: #993300; font-weight: bold; text-decoration-line: none;&quot;&gt;Book Reviews&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;ciauth&quot; style=&quot;line-height: 1.5em; margin-left: 80px;&quot;&gt;
&lt;div style=&quot;font-family: verdana, arial, helvetica, sans-serif; font-size: 12px;&quot;&gt;
—&amp;nbsp;&lt;i&gt;&lt;br /&gt;&lt;i&gt;Beth Darlington,&lt;/i&gt;&amp;nbsp;review editor. Reviews by&amp;nbsp;&lt;i&gt;Deborah Stewart, Mark Dean&lt;/i&gt;, and&amp;nbsp;&lt;i&gt;Chris Beach&lt;/i&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: verdana, arial, helvetica, sans-serif; font-size: 12px;&quot;&gt;
&lt;i&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/i&gt;&lt;/div&gt;
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&lt;i&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/i&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;i&gt;&lt;/i&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/4163677861925070222/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/4163677861925070222' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4163677861925070222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/4163677861925070222'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/08/the-human-soul-lost-in-transition-at.html' title='The Human Soul (Lost?) in Transition, at the Dawn of a New Era - Quadrant'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSCkdO3U6W4txzAtrTTHl9_2mAScOiuZkiti4VwG0uY3ityLnsRUDowfdwMIRn6-dk7mJLWR55I-2MdKjzAOp1qgz7UM6odgEQaHMjhUBSC2cv8Ka_2ecH_OPgJ0VP5MNPCtFZqT_gGEM/s72-c/aquarius-gross2small.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4697917198112653307.post-5180081289674901805</id><published>2017-08-02T08:56:00.000-04:00</published><updated>2017-08-02T08:56:42.734-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cycle of Life; Depth Psychology; Erel Shalit; Life&#39;s journey; Jung; Jungian psychology; psychology books; goodreads; life cycle; Erikson"/><category scheme="http://www.blogger.com/atom/ns#" term="Cykl życia"/><title type='text'>Cykl życia. Archetypowa droga człowieka - The Cycle of Life: Themes and Tales of the Journey - now in Polish</title><content type='html'>&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyv77PYATum5-t-g2D3jB8512nUp4UgXzjwsZscKhrj5s9rio0g-7HCXYRq6rbQkf0rYQ15oC0b1Ry-ezHeTQVJIoE1s0qZii_VxpqU06J9Gu666eaiiQBjp1dWD7qOOPGpP0s5ak5Sz8/s1600/Cykl-zycia_okladka_FRONT.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;581&quot; data-original-width=&quot;382&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyv77PYATum5-t-g2D3jB8512nUp4UgXzjwsZscKhrj5s9rio0g-7HCXYRq6rbQkf0rYQ15oC0b1Ry-ezHeTQVJIoE1s0qZii_VxpqU06J9Gu666eaiiQBjp1dWD7qOOPGpP0s5ak5Sz8/s320/Cykl-zycia_okladka_FRONT.jpg&quot; width=&quot;210&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;The Polish edition of &lt;i&gt;The Cycle of Life: Themes and Tales of the Journey&lt;/i&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Translation by Karol Domanski and Adam Kosciuk.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Introduction by Aleksandra Szczepaniak&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Design:&amp;nbsp;Marta Rydz&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&amp;nbsp;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;From the introduction by Aleksandra Szczepaniak:&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #7d5e5e;&quot; style=&quot;color: #7d5e5e; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This is a journey leading us along the paths of human life. It is also an introduction to the art of amplification that being a method of broadening of the meaning through myths, legends, tales and stories from the cultural treasury of the world. It illustrates the river-like course of human life. It is only the image that can fully reflect the process and the interweaving of plots and motives of psychic life. This book is like a current of a river - sometimes it flows slowly and clearly, sometimes it speeds up falling into meanders of meanings and nuances. Its tone rises and falls - short phrases change into descriptions filled with silence. In a way, through its changing dynamics,it reflects the process of Jungian analysis –here, likewise, various stories mingle in the analytical vessel.The authour sometimes speaks with the voice of Puer, joyous and vivacious, sometimes he sounds like Senex and at other times he falls into a discourse so characteristic for Jewish culture of which he is a representative.&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #808080;&quot; style=&quot;color: grey; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;I would like to thank Aleksandra, Karol, Adam, Marta, and all those who have worked to enable the publishing of the book in Polish. They have all been incredibly devoted and done a wonderful job - THANK YOU!&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
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&lt;div style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Już w piątek ukaże się polskie wydanie książki &quot;Cykl życia. Archetypowa droga człowieka&quot; autorstwa Erela Shalita w tłumaczeniu Karola Domańskiego i Adama Kościuka.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Według teorii Junga życie człowieka składa się z kilku etapów. Faza pierwsza, obejmująca dzieciństwo i młodość, jest adaptacją do świata zewnętrznego; faza druga, dojrzałość, to adaptacja do świata wewnętrznego; faza trzecia, starość, jest adaptacją do śmierci. Erel Shalit podkreśla, że rozwój człowieka trwa przez całe życie i ma charakter nie linearny, a cyrkularny. W istocie jest cyrkumambulacją – okrążaniem znaczenia.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;(...) Ta książka nie jest łatwa – autor prowadzi Czytelnika przez meandry życia i rozwoju, wprowadzając w świat znaczeń, których nie dostrzegamy w pędzie współczesnego świata. Wiedzie nas przez przestrzeń wewnętrzną, której portalami są marzenia senne, zapomniane opowieści, mity i dzieła literackie. Opisuje proces, którego nie da się w pełni przekazać, można go jedynie zobaczyć czy poczuć za pośrednictwem zmieniających się obrazów.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Z Przedmowy do wydania polskiego&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Aleksandra Szczepaniak&lt;/span&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;analityk jungowski&lt;/span&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Polskie Towarzystwo Psychologii Analitycznej&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino; color: #045304;&quot; style=&quot;color: #045304; font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;&lt;a href=&quot;http://sklep.eneteia.pl/cykl-zycia-archetypowa-droga-czlowieka-485.html&quot; target=&quot;_blank&quot;&gt;Książkę można nabyć tutaj&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBZHsKMyJZdZ6se6L9fkOkenFf3rFeLR3xY6IZ-0Ao36HY0Yyat_ohj4Am9UpqLtqCL0PW3tjd66Aj2Io0vqPH9LDkMtK5-6LkvZfIf-GB86G-XwqcUCdTthQkqHZXToIiLTq32D1Wo0/s1600/Cykl-zycia_okladka_v14.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;581&quot; data-original-width=&quot;1244&quot; height=&quot;149&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBZHsKMyJZdZ6se6L9fkOkenFf3rFeLR3xY6IZ-0Ao36HY0Yyat_ohj4Am9UpqLtqCL0PW3tjd66Aj2Io0vqPH9LDkMtK5-6LkvZfIf-GB86G-XwqcUCdTthQkqHZXToIiLTq32D1Wo0/s320/Cykl-zycia_okladka_v14.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div data-mce-style=&quot;text-align: center;&quot; style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 13px; margin-bottom: 10px; text-align: center;&quot;&gt;
&lt;span data-mce-style=&quot;font-size: 12pt; font-family: &#39;book antiqua&#39;, palatino;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot;, palatino; font-size: 12pt;&quot;&gt;Watch&amp;nbsp;&lt;em&gt;Cycle of Life&lt;/em&gt;&amp;nbsp;on YouTube, with Polish subtitles,&amp;nbsp;&lt;a data-mce-href=&quot;https://www.youtube.com/watch?v=3Eb0VbEFIrc&quot; href=&quot;https://www.youtube.com/watch?v=3Eb0VbEFIrc&quot; rel=&quot;noopener noreferrer&quot; style=&quot;color: #428bca; text-decoration-line: none;&quot; target=&quot;_blank&quot;&gt;part 1&lt;/a&gt;,&amp;nbsp;&lt;a data-mce-href=&quot;https://www.youtube.com/watch?v=H5fspebmli0&amp;amp;t=48s&quot; href=&quot;https://www.youtube.com/watch?v=H5fspebmli0&amp;amp;t=48s&quot; rel=&quot;noopener noreferrer&quot; style=&quot;color: #428bca; text-decoration-line: none;&quot; target=&quot;_blank&quot;&gt;part 2&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span data-mce-style=&quot;font-size: 12pt; color: #808080;&quot; style=&quot;color: grey; font-size: 12pt;&quot;&gt;&lt;a data-mce-href=&quot;https://www.youtube.com/watch?v=Ru6LDv9yQGw&amp;amp;t=6s&quot; data-mce-style=&quot;color: #808080;&quot; href=&quot;https://www.youtube.com/watch?v=Ru6LDv9yQGw&amp;amp;t=6s&quot; rel=&quot;noopener noreferrer&quot; style=&quot;color: grey; text-decoration-line: none;&quot; target=&quot;_blank&quot;&gt;&lt;span data-mce-style=&quot;font-family: &#39;book antiqua&#39;, palatino;&quot; style=&quot;font-family: &amp;quot;book antiqua&amp;quot;, palatino;&quot;&gt;Watch&amp;nbsp;&lt;em&gt;Cycle of Life&lt;/em&gt;&amp;nbsp;on YouTube, with English subtitles&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;a href=&quot;http://www.scoop.it&quot; class=&quot;scoopit-button&quot; scit-position=&quot;none&quot; &gt;Scoop.it&lt;/a&gt;&lt;script type=&quot;text/javascript&quot; src=&quot;http://www.scoop.it/button/scit.js&quot;&gt;&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://erelshalit.blogspot.com/feeds/5180081289674901805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4697917198112653307/5180081289674901805' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/5180081289674901805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4697917198112653307/posts/default/5180081289674901805'/><link rel='alternate' type='text/html' href='http://erelshalit.blogspot.com/2017/08/cykl-zycia-archetypowa-droga-czowieka.html' title='Cykl życia. Archetypowa droga człowieka - The Cycle of Life: Themes and Tales of the Journey - now in Polish'/><author><name>Erel Shalit</name><uri>http://www.blogger.com/profile/18444818195256153108</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwBrLneM77gJek8tE85lcdXkccWFlRMXWjVa-vkKuMLzB7iQ-oKFPrAIq2HXttBETwqyCirin1yutxTPZJUBUF032A8R6wDSUCiJDuZYoONPS8D0cS7w5JcLSsx4xnwK8/s220/3337796%5B1%5D.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyv77PYATum5-t-g2D3jB8512nUp4UgXzjwsZscKhrj5s9rio0g-7HCXYRq6rbQkf0rYQ15oC0b1Ry-ezHeTQVJIoE1s0qZii_VxpqU06J9Gu666eaiiQBjp1dWD7qOOPGpP0s5ak5Sz8/s72-c/Cykl-zycia_okladka_FRONT.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>