<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-4055059889011462095</atom:id><lastBuildDate>Fri, 01 Nov 2024 10:39:22 +0000</lastBuildDate><category>Lesson</category><category>Scales and Modes</category><category>Introduction</category><category>Guitarline</category><category>Music Instructor</category><category>Session Musician</category><category>Soloist</category><title>guitar-line</title><description></description><link>http://guitar-line.blogspot.com/</link><managingEditor>noreply@blogger.com (Gani Trisna)</managingEditor><generator>Blogger</generator><openSearch:totalResults>20</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:keywords>Digital,Audio,Recording,Software,Method,Tutorial</itunes:keywords><itunes:subtitle/><itunes:category text="Music"/><itunes:owner><itunes:email>ganitrisna@gmail.com</itunes:email></itunes:owner><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-8777105612321204667</guid><pubDate>Sun, 06 Mar 2016 16:05:00 +0000</pubDate><atom:updated>2016-03-06T08:05:51.957-08:00</atom:updated><title>Chord Circle</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2016/03/chord-circle.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLR4x9IrisQJ6gKhDOiBy2g4C8f6m3jHc1ezxWA3RT9rL5QfPEft8-6sMlETRj-T5PanTS2KZ0zphu5zA8MFpnDnrYO_s2477H4x2ypUIX89rkrV6C3CrK09-rM_OAekbb7Xn0RQEnjYA/s72-c/Chord+Circle.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-7908756059132161879</guid><pubDate>Tue, 01 Mar 2016 16:02:00 +0000</pubDate><atom:updated>2016-03-01T08:02:48.632-08:00</atom:updated><title>OLP Silhouette Special - Pickguard Design-2</title><atom:summary type="text">



</atom:summary><link>http://guitar-line.blogspot.com/2016/03/olp-silhouette-special-pickguard-design_1.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtSNE05k9m7oGwBsHw15yCBv8ky9ytlxiYpGQ8JCj1ynNJYmiVBNWGsFpgiwpAT1xetK8oBIxdqc3h5f0BdosCHcupNqGf23iaRTw78veL_A44A7_0DnG0uTj_OudXPwn_hqlCxn7FDcE/s72-c/OLP+Silhouette+Special+-+Pickguard+Design-2.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-16933893199914788</guid><pubDate>Tue, 01 Mar 2016 16:01:00 +0000</pubDate><atom:updated>2016-03-01T08:01:13.183-08:00</atom:updated><title>OLP Silhouette Special - Pickguard Design-1</title><atom:summary type="text">



</atom:summary><link>http://guitar-line.blogspot.com/2016/03/olp-silhouette-special-pickguard-design.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4zCSVHt7G7Z1TaBTcrt4C_Wb6t7D1LhUtgPxVYXotERxjg7wvQtfDfuNUjYPZMjVJ5zY-nSQejQOcYoVrHjh2SIhRCIESom_tB9jgT4tzJvtycELnyH3OrPvK_AEmF1Muzew8tGzWeUg/s72-c/OLP+Silhouette+Special+-+Pickguard+Design-1.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-1030479052048823725</guid><pubDate>Tue, 01 Mar 2016 15:59:00 +0000</pubDate><atom:updated>2016-03-01T07:59:17.521-08:00</atom:updated><title>Silhouette Special Wiring Diagram</title><atom:summary type="text">



</atom:summary><link>http://guitar-line.blogspot.com/2016/03/silhouette-special-wiring-diagram.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpH36gNWOZXTVEPPslCcCp9140eOBeXeM5yprrc8fp55pC11qQhZQEQfI_4NDsv39ePagqD2g5SNRP8mk4pGLde34bL7ezuct8kOk9HUinsL5zjlH6CGyzTMleNgGkDH79KYr8_NjFVE8/s72-c/Silhouette+Special+Wiring+Diagram.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-8028643854875466085</guid><pubDate>Tue, 08 Oct 2013 06:00:00 +0000</pubDate><atom:updated>2016-03-01T07:55:01.973-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>Minor Pentatonic &amp; Blues Scale</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2013/10/minor-pentatonic-blues-scale.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXhBryYH3thgRo9uCH4Mb_fqygrf7c0eEBGVixb94xN0h6kx9HPJmqiFTIW_HZ7DXyOEjJUTtEF_PX3mttUBIwKq5qcrLaEwsJm62IeCKUiekt6OU5a7Sw6eColLHYXxfAVMurAQBA5QY/s72-c/Minor+Pentatonic.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-6350871973498086592</guid><pubDate>Tue, 08 Oct 2013 05:58:00 +0000</pubDate><atom:updated>2014-08-10T03:05:37.689-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>Major Pentatonic &amp; Passing Tones</title><atom:summary type="text">



</atom:summary><link>http://guitar-line.blogspot.com/2013/10/major-pentatonic-passing-tones.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpg9QzlIQToUCPwn9xgIqvt6svke-_NEtcXoO4hDYur20urWMIkbb7Aq4oRkb6UxDUhIathfrAcqQc7zGROx4Yu9zrAnYgX3W7GnVHvoaaZZP3FCGrQBmDjlIEHpEbpQdfOpR1u3GpGnw/s72-c/Major+Pentatonic.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-2021873510056867039</guid><pubDate>Tue, 08 Oct 2013 05:56:00 +0000</pubDate><atom:updated>2014-08-10T03:05:24.745-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>3 Minor Scales</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2013/10/3-minor-scales.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglzqD5J1okV_SzNZsICwTBKPKZMJ-AxSLtFTElNSutvlRweMGMqzf0ByfdpOxf0gjQLFE25V9CD-XRHu3Y7E4WyQPS3uKR3KxCsNh7HGNVQ6yWlbKdH_ihMXtuUc7x-OGAYTx77aK1Gig/s72-c/3+Minor+Scales.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-2747884500080564509</guid><pubDate>Tue, 08 Oct 2013 05:54:00 +0000</pubDate><atom:updated>2014-08-10T03:05:09.497-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>4 Minor Scales on Modes</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2013/10/4-minor-scales-on-modes.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirkpDDWRgo-4fzevHGAe3CD-gdUIQWBq9V-6r55KXMeofHqjOpKVwHUA8l1r-aQMlevEExxK9kuWFfYrRACy0Zesz3rPggXV1KXifcEwpyh-1QQIQTbruquQR9hsdKSVWrKBSi9qI9oF0/s72-c/4+Minor+Scales+on+Modes.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-4091859033676337214</guid><pubDate>Tue, 08 Oct 2013 05:53:00 +0000</pubDate><atom:updated>2014-08-10T03:04:54.577-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>3 Major Scales on Modes</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2013/10/3-major-scales-on-modes.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg-BxrMfPpgch5LKD6_LRwQRM2qBwImXhJLbAif1yq1TF7Np16uD_hV-iVOqinwg8cJThyZUxxayTjooHIQLtOwPj155XHh9zVaE2AIk-FALA6unz9PQu3KuyHTVy_sVJ9FHHwQQyMsO8/s72-c/3+Major+Scales+on+Modes.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-7958814752143705416</guid><pubDate>Wed, 02 Oct 2013 13:01:00 +0000</pubDate><atom:updated>2015-03-19T05:36:11.077-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lesson</category><title>Name &amp; Placement of Notes</title><atom:summary type="text">





</atom:summary><link>http://guitar-line.blogspot.com/2013/10/name-placement-of-notes.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTZJPbTE7VUxPwbk07Rfdhwa010qxh0WpYYlOM__1BU63YF_3qbqx1KSa5GEj_aw8e_ZXErQNPQZ812aRo5wkjAsN5jwkCwnyoQZChpkWqZOylVVjLIKgO5FKE90IxNsa1VdzyZzVSU2o/s72-c/Name+&amp;+Replacement+of+Notes.jpg" width="72"/><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-8900942835128718533</guid><pubDate>Fri, 07 Dec 2012 14:51:00 +0000</pubDate><atom:updated>2015-03-17T04:08:29.143-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Introduction</category><title>Introduction To Guitar Notation</title><atom:summary type="text">
Basically the musical notation on a guitar can be written using 3 different ways to the development&amp;nbsp;
of modern music. Of the 3 ways is then written in the form of a special&amp;nbsp;sheet notation called guitar &amp;nbsp;
notation sheet, each adapted to function&amp;nbsp;in its use. 

Guitar Chord Grid is a piece of writing guitar parts designed specifically for&amp;nbsp;chord&amp;nbsp;and rhythm &amp;nbsp;
</atom:summary><link>http://guitar-line.blogspot.com/2012/12/introduction-of-guitar-notation.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-8805479103576933091</guid><pubDate>Mon, 03 Dec 2012 08:00:00 +0000</pubDate><atom:updated>2012-12-03T00:04:43.004-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Scales and Modes</category><title>The Extended Scales</title><atom:summary type="text">
DIMINISHEDTones: 1, b3, b5, 6Notes: C, Eb, Gb, AWork Over Chords: C7, Em7b5, Gm7, Bbmaj7SUSPENDEDTones: 1, 4, 5Notes: C, F, GWork Over Chords: C7, Em7b5, Gm7, Bbmaj7AUGMENTEDTones: 1, 2, 3, #4, #5, b7Notes: C, D, E, F#, G#, BbWork Over Chords: C7, Em7b5, Gm7, Bbmaj7ALTERED (SUPER LOCRIAN)Tones: 1, b2, b3, b4, b5, b6, b7Notes: C, Db, Eb, Fb, Gb, Ab, Bb,Work Over Chords: C7, Em7b5, Gm7, </atom:summary><link>http://guitar-line.blogspot.com/2012/12/the-extended-scales.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-3813272971654550855</guid><pubDate>Mon, 03 Dec 2012 07:57:00 +0000</pubDate><atom:updated>2012-12-03T00:06:48.275-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Scales and Modes</category><title>The Seventh</title><atom:summary type="text">
MAJOR 7Tones: 1, 3, 5, 7Notes: C, E, G, BMINOR 7Tones: 1, b3, 5, b7Notes: C, Eb, G, BbDOMINANT 7 (MIXOLYDIAN)Tones: 1, 3, 5, b7Notes: C, E, G, Bb









</atom:summary><link>http://guitar-line.blogspot.com/2012/12/the-seventh.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-350952702801211605</guid><pubDate>Mon, 03 Dec 2012 07:54:00 +0000</pubDate><atom:updated>2012-12-03T00:07:20.217-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Scales and Modes</category><title>The Minor Scales</title><atom:summary type="text">
NATURAL MINORTones: 1, 2, b3, 4, 5, b6, b7Notes: C, D, Eb, F, G, Ab, BbHarmonized: Cm7, Dm7b5, Ebmaj7, Fm7, Gm7, Abmaj7, Bb7HARMONIC MINORTones: 1, 2, b3, 4, 5, b6, 7Notes: C, D, Eb, F, G, Ab, BHarmonized: Cm(maj7), Dm7b5, Ebmaj7#5, Fm7, G7, Abmaj7, Bdim7MELODIC MINORTones: 1, 2, b3, 4, 5, 6, 7Notes: C, D, Eb, F, G, A, BHarmonized: Cm(maj7), Dm7b5, Ebmaj7#5, Fm7, G7, Am7b5, Bdim7PENTATONICTones:</atom:summary><link>http://guitar-line.blogspot.com/2012/12/the-minor-scales.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-5454113236308426226</guid><pubDate>Mon, 03 Dec 2012 07:52:00 +0000</pubDate><atom:updated>2012-12-02T23:56:06.013-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Scales and Modes</category><title>The 7 Modes</title><atom:summary type="text">
IONIANTones: 1, 2, 3, 4, 5, 6, 7Notes: C, D, E, F, G, A, BDORIANTones: 1, 2, b3, 4, 5, 6, b7Notes: C, D, Eb, F, G, A, BbPHRYGIANTones: 1, b2, b3, 4, 5, b6, b7Notes: C, Db, Eb, F, G, Ab, BbLYDIANTones: 1, 2, 3, #4, 5, 6, 7Notes: C, D, E, F#, G, A, BMIXOLYDIANTones: 1, 2, 3, 4, 5, 6, b7Notes: C, D, E, F, G, A, BbAEOLIANTones: 1, 2, b3, 4, 5, b6, b7Notes: C, D, Eb, F, G, Ab, BbLOCRIANTones: 1, b2, </atom:summary><link>http://guitar-line.blogspot.com/2012/12/the-7-modes.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-7825174849576134818</guid><pubDate>Mon, 03 Dec 2012 07:45:00 +0000</pubDate><atom:updated>2012-12-02T23:45:41.370-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Soloist</category><title>Soloist</title><atom:summary type="text">
Soloist is similar to a performing artist and may perform in much the same capacity. Butthis artist may also work as a contracted performer with a group or in a recording situation.For example, an orchestra, church group or a recording ensemble may hire a soloist. When performing as a contracted soloist, the artist has a responsibility to rehearse and perform the selected music as directed by </atom:summary><link>http://guitar-line.blogspot.com/2012/12/soloist.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-3462390345225977417</guid><pubDate>Mon, 03 Dec 2012 07:44:00 +0000</pubDate><atom:updated>2012-12-02T23:44:58.904-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Session Musician</category><title>Session Musician</title><atom:summary type="text">
Session Musician is an instrumental or vocal performer who are available to work withothers at live performances or recording sessions. Usually such musicians are not permanent members of a musical ensemble and often do not achieve fame in their own right as soloistsor bandleaders.The term is applied not only to those working in contemporary musical styles such as rock,jazz, country, R&amp;amp;B and</atom:summary><link>http://guitar-line.blogspot.com/2012/12/session-musician_2.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-1880060503588046479</guid><pubDate>Mon, 03 Dec 2012 07:44:00 +0000</pubDate><atom:updated>2012-12-02T23:44:13.186-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Music Instructor</category><title>Music Instructor</title><atom:summary type="text">
Music Instructor usually does not work through a school, but gives individual instructionto students on a regular basis. They set their own fees, unless contracted by a music storeor teaching group, and develop their own teaching plans and guidelines.
Private instructors may work alone out of an office or home, with a group of teachers or ata music store that offers lessons. They may teach </atom:summary><link>http://guitar-line.blogspot.com/2012/12/music-instructor.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-2116417407957770066</guid><pubDate>Sun, 06 Jun 2010 17:52:00 +0000</pubDate><atom:updated>2012-12-02T23:22:48.679-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Guitarline</category><title>Guitarline</title><atom:summary type="text">
Guitarline is a guitar study club who founded the network with the aim of broaden
insight and knowledge about guitars and related musical instruments world development. 
The main goal is to establish basic skills and improve their skills individual or group
music technically and non-technical properly.

By applying the method of recognition and understanding of the instruments are systematic.
</atom:summary><link>http://guitar-line.blogspot.com/2010/06/verse-1.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-4055059889011462095.post-4813920413040946147</guid><pubDate>Sun, 06 Jun 2010 16:37:00 +0000</pubDate><atom:updated>2012-12-03T08:26:20.700-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Introduction</category><title>Introduction</title><atom:summary type="text">
Guitar is one of easiest instruments for beginner to learn but one of the most difficult to master.
For thousands of poeple, a handful of simple chords is all that is needed to work out how to play many of the popular songs we hear every day.

But at the same time, the guitar also offers limitless scope for musical expressions to devote the
time and practice to it. The great guitarists will all </atom:summary><link>http://guitar-line.blogspot.com/2010/06/introduction.html</link><thr:total>0</thr:total><author>ganitrisna@gmail.com (Gani Trisna)</author></item></channel></rss>