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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;Dk8ESH49eSp7ImA9WhRbEk0.&quot;"><id>tag:blogger.com,1999:blog-32633789</id><updated>2012-02-02T15:46:49.061-02:00</updated><category term="são-paulino" /><category term="canavial" /><category term="Bin Laden" /><category term="workaholic" /><category term="canário" /><category term="leitura" /><category term="CF2008" /><category term="sogra" /><category term="quebra o ovo" /><category term="Vida Simples" /><category term="Consinha" /><category term="bote Bate Forte" /><category term="tricolor" /><category term="obra" /><category term="mulher" /><category term="centenário" /><category term="Ventura Picasso" /><category term="crianças" /><category term="e-book" /><category term="Palmeiras" /><category term="são-paulinos" /><category term="ler" /><category term="travessos" /><category term="Dia da Mulher" /><category term="enterro" /><category term="Campeonato Paulista" /><category term="corpo" /><category term="literatura" /><category term="ecologia" /><category term="Tarso José Ferreira" /><category term="Valdivia" /><category term="cachaça" /><category term="lazer" /><category term="Corinthians" /><category term="traveco" /><category term="execrável" /><category term="simplicidade voluntária" /><category term="velhice" /><category term="escritora" /><category term="lábios" /><category term="imanentismo" /><category term="bênção" /><category term="Bate Forte" /><category term="feminino" /><category term="Dia das Mães" /><category term="gay" /><category term="Sesi" /><category term="forasteiro" /><category term="Mário de Alencar" /><category term="saber morrer" /><category term="Dr. Duas Caras" /><category term="casamento gay" /><category term="ladrão" /><category term="livro" /><category term="Japa" /><category term="Araçatuba" /><category term="casamento" /><category term="Edna Rufino" /><category term="igreja" /><category term="Saddam Hussein" /><category term="Momo senhor do tempo" /><category term="Machado de Assis" /><category term="corpo e alma" /><category term="templo" /><category term="Dia da Sogra" /><category term="trabalho vicia" /><category term="jovens" /><category term="bebê" /><category term="missa" /><category term="Dia Internacional da Mulher" /><category term="masculino" /><category term="sofá" /><category term="viver" /><category term="Subversivo" /><category term="Ronaldinho" /><category term="Paulo e Margarida" /><category term="livros" /><category term="Hino Nacional" /><category term="vida vazia" /><category term="alma" /><category term="crônicas" /><category term="pitibul" /><category term="transcendentalismo" /><category term="beijos" /><category term="morte" /><category term="hospital" /><category term="barrigudinhos" /><title>Blog do Consa</title><subtitle type="html">Está autorizado o uso de parte ou de todo o artigo (ou crônica) assinado por Hélio Consolaro, desde que seja dado o crédito.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://blogdoconsa.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>1737</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/blogspot/jdxecQ" /><feedburner:info uri="blogspot/jdxecq" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;AkYNRHoyfSp7ImA9WhRbEUs.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-805449366923661550</id><published>2012-02-02T05:36:00.002-02:00</published><updated>2012-02-02T05:36:35.495-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-02T05:36:35.495-02:00</app:edited><title>Fast Fusion e Araçatuba</title><content type="html">
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&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.aracatubaeregiao.com.br/danielfreitas02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://www.aracatubaeregiao.com.br/danielfreitas02.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Daniel Freitas&lt;/td&gt;&lt;/tr&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;É com muito prazer que apresentamos a todos o primeiro videoclipe da banda instrumental FAST FUSION com a música "Vivendo em Araçatuba".&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&amp;nbsp;&lt;b style="text-align: center;"&gt;Uma Justa Homenagem à cidade de Araçatuba dos músicos:&amp;nbsp;&lt;/b&gt;&lt;b style="text-align: center;"&gt;Daniel Freitas, Fabiano Neves, Christian Freitas, Henrique Pereira, Julinho Mouro, Dr. Rodrigo Mendonça e Marinos Instrumentos Musical.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;a href="http://www.youtube.com/watch?v=cczBhnqtHAw" style="color: #1155cc;" target="_blank"&gt;http://www&lt;/a&gt;&lt;a href="http://www.youtube.com/watch?v=cczBhnqtHAw" style="color: #1155cc;" target="_blank"&gt;.youtube.com/watch?&lt;wbr&gt;&lt;/wbr&gt;v=cczBhnqtHAw&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;Dados Técnicos:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Banda Fast Fusion:&lt;/b&gt;&amp;nbsp;Daniel Freitas (bateria), Fabiano Neves "Biba" (guitarra), Júlio Mouro (guitarra), Christian Freitas (teclados), Henrique Pereira (baixo)&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Participação Especial&lt;/b&gt;&amp;nbsp;de Dr. Rodrigo Mendonça como Manobrista Oportunista&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Produção:&lt;/b&gt;&amp;nbsp;Rodrigo Sabino&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Realização:&lt;/b&gt;&amp;nbsp;Marinos Instrumentos Musicais&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;Gravações realizadas no dia 11 de dezembro de 2011 no Edifício Eldorado&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;Lançamento dia 16 de janeiro de 2012&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Música:&lt;/b&gt;&amp;nbsp;"Vivendo em Araçatuba"&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Composição:&lt;/b&gt;&amp;nbsp;Daniel Freitas&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Roteiro:&lt;/b&gt;&amp;nbsp;Daniel Freitas&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-805449366923661550?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/UP6yZ39rv0k" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/805449366923661550/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=805449366923661550&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/805449366923661550?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/805449366923661550?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/UP6yZ39rv0k/fast-fusion-e-aracatuba.html" title="Fast Fusion e Araçatuba" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/02/fast-fusion-e-aracatuba.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUIDSX0_fCp7ImA9WhRbEUk.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-4766631368558678242</id><published>2012-02-01T22:27:00.005-02:00</published><updated>2012-02-01T22:46:18.344-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-01T22:46:18.344-02:00</app:edited><title>O sociólogo analisa o impacto da mundialização na produção e acesso aos bens culturais e como isso se reflete nas identidades nacionais</title><content type="html">
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
Revista E - Sesc:&amp;nbsp;&lt;a href="http://www.sescsp.org.br/"&gt;www.sescsp.org.br&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://www.sescsp.org.br/sesc/controle/dynimages/abre_ortiz.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://www.sescsp.org.br/sesc/controle/dynimages/abre_ortiz.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="background-color: white; color: #525252; text-align: justify;"&gt;Professor titular do Departamento de Sociologia da Universidade Estadual de Campinas (Unicamp), Renato Ortiz se dedica à pesquisa nas áreas de globalização, ideologia e cultura desde o fim da década de 1980. O sociólogo é autor de Cultura Brasileira e Identidade Nacional (Brasiliense, 1998), A Moderna Tradição Brasileira (Brasiliense, 1994) e Mundialização e Cultura (Brasiliense, 1996), entre outros.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;span style="background-color: white; color: #525252; text-align: justify;"&gt;Em entrevista à Revista E, ele afirma que é um erro pensar que a globalização extinguiria a diversidade cultural. “Fica evidente hoje que o processo de globalização constitui uma totalidade na qual as diferenças se manifestam”, explica. “O mundo é um todo, mas nada tem de homogêneo.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;br style="background-color: white; color: #525252; text-align: justify;" /&gt;&lt;span style="background-color: white; color: #525252; text-align: justify;"&gt;Tampouco ele é plural, como diziam os pós-modernos as diferenças encontram-se hierarquizadas e constituem relações de poder bem determinadas.” Graduado na Universidade de Paris 8, é doutor em Sociologia pela École des Hautes Études en Sciences Sociales, em Paris, e pós-doutor na mesma área pela Columbia University, em Nova York.&amp;nbsp;&lt;/span&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="background-color: white; color: #525252; text-align: justify;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="background-color: white; color: #525252; text-align: justify;"&gt;Alguns trechos da entrevista:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;div style="text-align: justify;"&gt;
&lt;span style="color: #351c75;"&gt;&lt;span style="background-color: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size: small;"&gt;“A emergência do&amp;nbsp; mundo digital traz certamente novas formas de se ‘fazer política’,&amp;nbsp; mas a democracia não é uma questão de tecnologia. Pensar dessa maneira seria reduzir os dilemas humanos às conquistas da técnica”&lt;br /&gt;&lt;br /&gt;“Madonna já não é mais americana, assim como Gisele Bündchen não é brasileira, ou Pokemon é japonês. Eles são personagens-ícones desterritorializados de seus lugares de origem”&lt;br /&gt;&lt;br /&gt;“O processo de globalização&amp;nbsp; não significa massificação. Pelo contrário, ele pressupõe&amp;nbsp; a ideia de diversidade. As bolsas Gucci são produtos globais, mas nada têm de ‘massa’, elas são vendidas em todo o planeta nas boutiques de luxo”&lt;br /&gt;&lt;br /&gt;“Num mundo em que tudo se encontra submetido à utilidade, política ou mercadológica, a poesia tem dificuldade de encontrar seu lugar. O poeta é uma figura fora dos padrões, ele nada solitário contra a corrente”&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.sescsp.org.br/sesc/revistas/revistas_link.cfm?Edicao_Id=422&amp;amp;Artigo_ID=6408&amp;amp;IDCategoria=7405&amp;amp;reftype=2"&gt;LEIA A ENTREVISTA COMPLETA&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-4766631368558678242?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/0f1UnevY6bw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/4766631368558678242/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=4766631368558678242&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4766631368558678242?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4766631368558678242?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/0f1UnevY6bw/o-sociologo-analisa-o-impacto-da.html" title="O sociólogo analisa o impacto da mundialização na produção e acesso aos bens culturais e como isso se reflete nas identidades nacionais" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/02/o-sociologo-analisa-o-impacto-da.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0EFQXo6cSp7ImA9WhRbEUk.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-3221989242512928037</id><published>2012-02-01T22:13:00.002-02:00</published><updated>2012-02-01T22:13:30.419-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-01T22:13:30.419-02:00</app:edited><title>Portunhol sem fronteiras</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5vnsP-GOcpdZBhPpgwO-5qiW668/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5vnsP-GOcpdZBhPpgwO-5qiW668/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5vnsP-GOcpdZBhPpgwO-5qiW668/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5vnsP-GOcpdZBhPpgwO-5qiW668/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;h2 style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #515151; float: left; font-size: 18px; font: italic normal normal 18px/normal Arial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline; width: 580px;"&gt;
O idioma freestyle e anárquico não tem fronteiras&lt;/h2&gt;
&lt;h3 class="assing" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #515151; float: left; font-size: 14px; font: normal normal normal 14px/normal Arial; margin-bottom: 18px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline; width: 580px;"&gt;
Texto: Paula Alzugaray&lt;/h3&gt;
&lt;h3 class="assing" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #515151; float: left; font-size: 14px; font: normal normal normal 14px/normal Arial; margin-bottom: 18px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: -webkit-auto; vertical-align: baseline; width: 580px;"&gt;
&lt;strong style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-weight: bold !important; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;sub style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://www.select.art.br/images/quote_mark.gif); background-origin: initial; background-position: 0% 0%; background-repeat: no-repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline !important; font-size: 16px; font: italic normal bold 16px/normal Arial; margin-bottom: 24px; margin-left: 36px; margin-right: 0px; margin-top: 18px; padding-bottom: 0px; padding-left: 40px; padding-right: 0px; padding-top: 13px; vertical-align: baseline; width: 428px;"&gt;O portuñol é pessoal, intransferível e tem desdobramentos inesperados: o portunhol selvagem e o transportunhol borracho&lt;/sub&gt;&lt;/strong&gt;&amp;nbsp;&lt;/h3&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.select.art.br/system/images/BAhbB1sHOgZmSSIqMjAxMS8xMi8wMS8xN18yNF80NF83MzdfcG9ydHVuaG9sLmpwZwY6BkVUWwg6BnA6CnRodW1iSSINNDUweDQ1MD4GOwZU/portunhol.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="260" src="http://www.select.art.br/system/images/BAhbB1sHOgZmSSIqMjAxMS8xMi8wMS8xN18yNF80NF83MzdfcG9ydHVuaG9sLmpwZwY6BkVUWwg6BnA6CnRodW1iSSINNDUweDQ1MD4GOwZU/portunhol.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href="http://www.select.art.br/article/reportagens_e_artigos/portunhol-sem-fronteiras"&gt;Veja reportagem&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-3221989242512928037?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/1qKkpFvRvcg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/3221989242512928037/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=3221989242512928037&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3221989242512928037?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3221989242512928037?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/1qKkpFvRvcg/portunhol-sem-fronteiras.html" title="Portunhol sem fronteiras" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/02/portunhol-sem-fronteiras.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMCQ3kzfyp7ImA9WhRbEEQ.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-2947947281348939423</id><published>2012-01-31T14:49:00.001-02:00</published><updated>2012-02-01T08:01:02.787-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-01T08:01:02.787-02:00</app:edited><title>Como jornal manipula a primeira página</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jJZ_C36bcOp0L6SOgZVEPb7a8as/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jJZ_C36bcOp0L6SOgZVEPb7a8as/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jJZ_C36bcOp0L6SOgZVEPb7a8as/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jJZ_C36bcOp0L6SOgZVEPb7a8as/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Alguém me disse:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;- Você viu, Consa, a Folha da Região pôs uma foto de uma mansão alagada para ilustrar um alagamento que não houve na Lagoa das Flores!&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;- Mas aquele guarda-roupa bonito da &amp;nbsp;primeira página do dia 27 de janeiro não é de morador da Lagoa das Flores?&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;- Não! - respondeu meu interlocutor. Leia lá - continuou.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Bem que eu pensei: "Poxa, o pessoal da Lagoa das Flores tem móveis de primeira linha, caríssimo!" &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Eu que passei os olhos pelo jornal, não havia percebido isso. Veja como se monta uma primeira página manipulada.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;A manchete falava da compra de equipamentos para gabinetes dos vereadores (deixando o leitor raivoso). Ao lado, a foto do prefeito Cido Sério, para se fazer a ligação: prefeito, vereadores, enchentes. Cenário bem montado. Uma situação de ódio montada.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;E a manchete continuava no primeiro título com a expressão "enquanto isso".&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Quantos não fizeram a mesma leitura, induzida pela ligeireza, pelo apenas passar de olhos?&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Veja&lt;/span&gt;&lt;br /&gt;
&lt;iframe frameborder="0" height="510" marginheight="0" marginwidth="0" scrolling="no" src="http://www.slideshare.net/slideshow/embed_code/11352472" width="477"&gt;&lt;/iframe&gt; &lt;br /&gt;
&lt;div id="__ss_11352472" style="width: 477px;"&gt;
&lt;div style="padding: 5px 0 12px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;O segundo título falava de enchente na Lagoa das Flores, mas a foto e o texto da chamada eram de enchente de uma chácara com mansão alagada (nada a ver com Lagoa das Flores). Uma casa de dois milhões de reais.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;No caderno Cidades, página B3, para onde remetia a chamada de primeira página, só falava de outras enchentes, apresentando a foto da mansão alagada.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div id="__ss_11352492" style="width: 477px;"&gt;
&lt;iframe frameborder="0" height="510" marginheight="0" marginwidth="0" scrolling="no" src="http://www.slideshare.net/slideshow/embed_code/11352492" width="477"&gt;&lt;/iframe&gt; &lt;br /&gt;
&lt;div style="padding: 5px 0 12px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;b&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;Lá no meio da matéria, havia um subtítulo LAGOA, com o seguinte conteúdo:&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;"Com a chuva, a Lagoa das Flores chegou a transbordar, mas nenhuma casa foi inundada, somente os quintais de algumas. Na noite de quarta-feira, a reportagem encontrou com o secretário de Obras e Serviços Públicos, Tadami Kawata, que vistoriava a região. Ele disse que passaria a madrugada percorrendo pontos críticos."&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Quem fez a sacanagem? Os donos do jornal? Não sei, estavam dormindo, pois &amp;nbsp;a primeira página é a última parte do jornal a ser editada, à noite. O editor-chefe, dúvida. O repórter, com certeza, não, pois o texto da página B3 não trazia título de Lagoa das Flores. O sacana foi o editor da primeira página.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Como fiquei sabendo, embora ainda não conste no expediente, a editora-chefe efetiva passou a ser Maira Cibele Miranda, com muitos anos de Folha da Região, com senso de responsabilidade jornalística, uma pessoa portadora de ética, por isso espero que as notícias sejam dadas, ruins ou boas, com mais imparcialidade, e a manipulações, grotescas como esta, sejam evitadas. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Gosto da Folha da Região, assino-a, não a boicoto. Mando os escritores editarem seus livros na SOMOS, sou eternamente grato à família Senche, tenho amigos na redação, mas não posso me calar diante de falha tão gritante. Se fosse falha de um iniciante, até entenderia. Trata-se de maldade mesmo. &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-2947947281348939423?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/WNEFnCQ-gUY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/2947947281348939423/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=2947947281348939423&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2947947281348939423?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2947947281348939423?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/WNEFnCQ-gUY/como-jornal-manipula-noticias.html" title="Como jornal manipula a primeira página" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>2</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/como-jornal-manipula-noticias.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0ANRHwycCp7ImA9WhRUGUs.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-8023865454328041674</id><published>2012-01-30T22:29:00.002-02:00</published><updated>2012-01-30T22:29:55.298-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-30T22:29:55.298-02:00</app:edited><title>A abelha e o pardal</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_o_G1WwxTa81IHB1V8d3xaCwYNk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_o_G1WwxTa81IHB1V8d3xaCwYNk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_o_G1WwxTa81IHB1V8d3xaCwYNk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_o_G1WwxTa81IHB1V8d3xaCwYNk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/FUfHCzWBRq0" width="420"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="color: #333333; font-family: Arial, sans-serif; font-size: 10pt;"&gt;&amp;nbsp;Mais uma belíssima interpretação da cantora
Jordana, desta vez uma versão rock'n'roll para o blues rural "A Abelha e o
Pardal" de Edvaldo Santana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-8023865454328041674?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/aMZpsPDtgRU" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/8023865454328041674/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=8023865454328041674&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8023865454328041674?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8023865454328041674?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/aMZpsPDtgRU/uma-belissima-interpretacao-da.html" title="A abelha e o pardal" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/FUfHCzWBRq0/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/uma-belissima-interpretacao-da.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak4AQ3s-fCp7ImA9WhRUGUs.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-8876204893626952883</id><published>2012-01-30T22:15:00.001-02:00</published><updated>2012-01-30T22:15:42.554-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-30T22:15:42.554-02:00</app:edited><title>Não deixe a rotina e os hábitos levarem seu relacionamento à falência</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/O9C8p3Z6IS1zqREa5PLfiJTYlhs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/O9C8p3Z6IS1zqREa5PLfiJTYlhs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;br /&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Vilões do relacionamento a dois&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Llana Ramos - &lt;a href="http://www.maisde50.com.br/"&gt;www.maisde50.com.br&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://cinemaeafins.com/files/2009/06/david-e-rosa-sirmar-antunes-e-vera-lopes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://cinemaeafins.com/files/2009/06/david-e-rosa-sirmar-antunes-e-vera-lopes.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Armário
bagunçado, louça suja na pia, tolha molhada em cima da cama. Pequenos hábitos
da rotina podem ser muito irritantes para o casal quando não há tolerância e
compreensão. É preciso haver adaptação aos hábitos do outro, capacidade que
tende a ser cada vez menor conforme os anos passam. Para evitar brigas, e até
separações, é preciso que haja muita conversa e entendimento porque, afinal,
ninguém é igual. Entenda quais são os maiores vilões do relacionamento e como
impedir que eles infernizem a vida a dois.&lt;br /&gt;
&lt;br /&gt;
São coisas simples, pequenas, até irrelevantes – se você considerar que
acontecem apenas de vez em quando. No entanto, quando repetidas continuamente,
geram grande desconforto. É o que diz a comerciante Rosilene Silva, de 51 anos:
"fui casada durante 17 anos e já estou divorciada há 11. Incomodava muito
em mim hábitos que meu parceiro tinha como não abaixar a tampa da privada após
usar o banheiro, escovar os dentes com a porta do banheiro aberta, sem se
incomodar que a parceira veja a espuma ao redor da boca e os cuspes. Mas o que
eu mais odiava mesmo é quando ele atrapalhava meu sono, ligando a TV ou fazendo
barulho. Meu marido, na maioria das vezes, não compreendia isso. Hoje, eu não
suporto ver TV no quarto".&lt;br /&gt;
&lt;br /&gt;
Conviver não é fácil. A convivência envolve hábitos, costumes, gostos e rotinas
diferentes. Segundo a psiquiatra, chefe do setor de Psicoterapia da Santa Casa
de Misericórdia, no Rio de Janeiro, Vera Lemgruber, "a adaptação
geralmente tem que ocorrer logo no início do casamento. Se a pessoa tem mais de
50 anos, ela deve ter tido tempo para adaptar-se às rotinas. A pessoa madura é
capaz de se reinventar, dar um novo significado ao seu passado. Mesmo assim, no
cotidiano, ela quer cada vez mais conforto, ela precisa de certas coisas. Quem
está entrando em um novo relacionamento agora vai sentir grande dificuldade de
adaptar-se a uma nova rotina. Mudar de hábitos é complicado, especialmente
nessa idade".&lt;br /&gt;
&lt;br /&gt;
Contudo, é possível, sim, encontrar um ponto de equilíbrio e lidar bem com as
dificuldades da convivência. Levy Delfino, 75 anos, está casado há 57 com a
mesma mulher e o que mais lhe incomoda já nem são os hábitos da rotina.
"Já passamos momentos difíceis para criar e educar cinco filhos, mas não
há como odiar nada. Às vezes fico chateado quando ela quer controlar as
cervejas, as quais não passam de duas ou três nos finais de semana. Chateia
também quando quero levá-la em alguma festa, mas ela não quer ir e eu também
deixo de sair. Ela toma decisões apressadas e quer resolver tudo rapidinho, e
eu já sou mais calmo e ponderado antes de qualquer decisão. Mas o motivo que
mais me aborrece é quando ela lembra o passado, principalmente os mais
trabalhosos, e fica triste. Tento explicar que devemos viver somente no agora,
no presente, mas ela não me ouve até esquecer o assunto", conta o
aposentado.&lt;br /&gt;
&lt;br /&gt;
Quando flui, o casamento pode ser muito bom. No entanto, mesmo existindo o amor
entre o casal, nem sempre é fácil adequar os hábitos e conviver sob o mesmo
teto. Nesse caso, Vera argumenta que pode uma boa opção é viver em casas
separadas. "São duas pessoas que precisam adaptar-se à rotina do outro.
Elas precisam aprender a administrar, juntas, o casamento e as relações
custo-benefício da convivência. Se os benefícios forem maiores, vale a pena
engolir a chateação e adaptar-se. Porém, se os custos da relação sob um mesmo
teto forem muito altos, eles podem optar por morar separados, sem acabar com a
relação. Vida a dois é trabalho de administrador de empresas, tem que ter um
acordo ou não dá para viver", diz.&lt;br /&gt;
&lt;br /&gt;
Depois dos 50, mudar não é nada fácil. No entanto, estar disposto a fazer isso
já faz uma grande diferença na vida do casal. Vera diz que "pessoas com
mais de 50 anos têm a tendência de serem mais rígidos com algumas coisas,
talvez até pelas limitações do próprio físico. Mas aqueles que se percebem
intolerantes a certas coisas menores devem tomar cuidado para não ser um velho
chato. Uma conversa é sempre boa para resolver essas questões da convivência. É
o que a garotada hoje em dia chama de DR, ou discutir a relação, que muita
gente da nossa geração, mais madura, não sabe fazer. Homem, então, foge que nem
o diabo da cruz. Mas é sempre bom ter uma 'DRzinha' de vez em quando, para
ajustar certos pontos"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-8876204893626952883?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/o0K5sUc0Yd0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/8876204893626952883/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=8876204893626952883&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8876204893626952883?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8876204893626952883?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/o0K5sUc0Yd0/nao-deixe-rotina-e-os-habitos-levarem.html" title="Não deixe a rotina e os hábitos levarem seu relacionamento à falência" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/nao-deixe-rotina-e-os-habitos-levarem.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE8CRXk4cSp7ImA9WhRUGEs.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-974344397802337560</id><published>2012-01-29T16:47:00.003-02:00</published><updated>2012-01-29T16:47:44.739-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-29T16:47:44.739-02:00</app:edited><title>Uma revista de literatura - Desenredo</title><content type="html">
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&lt;br /&gt;
&lt;table background="http://www.desenredos.com.br/img/base/ba200.gif" border="0" cellpadding="0" cellspacing="0" height="242" id="Table_02" style="background-color: white; width: 654px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td background="http://www.desenredos.com.br/img/base/ba105.gif" height="202" valign="top" width="614"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #333333; font-size: 15px; line-height: 23px; text-align: left;"&gt;A revista Desenredo, virtual, uma publicação do escritor Adriano Lobão, de Teresina-PI. Uma publicação que deve ser lida. A revista já está no número 12. Se não me engano, devo ter escrito alguma coisa na primeira edição. Pus tudo lincado, para facilitar o primeiro acesso. O endereço é&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.desenredos.com.br/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-size: 13px; text-align: center; text-decoration: none;" target="_blank"&gt;www.&lt;b&gt;desenredos&lt;/b&gt;.com.br&lt;/a&gt;&lt;br style="color: #333333; font-size: 15px; line-height: 23px; text-align: left;" /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;edição atual&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;ano IV -&amp;nbsp;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: #990000;"&gt;número doze&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;janeiro fevereiro março 2012&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;ISSN&lt;/span&gt;&lt;/span&gt;&amp;nbsp;2175 3903&lt;br /&gt;&lt;br /&gt;&lt;span style="cursor: pointer;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="margin-left: 80px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/entrevista_12.html" id="p1250270076486"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;entrevista&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Regionalismo, modernismo e literaturas locais&lt;br /&gt;&lt;span style="color: black;"&gt;uma entrevista com Humberto Hermenegildo&lt;/span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ent_humberto_331.html" id="p1326318820387"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;por Wanderson Lima&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;As fronteiras de Fredric Jameson&lt;br /&gt;&lt;span style="color: black;"&gt;uma entrevista com Francisco Rüdiger&lt;/span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ent_rudiger_324.html" id="p1326149944159"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;por Caroline da Silva&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;"Minha vivência acaba se transformando na poesia que construo"&amp;nbsp;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ent_thiago_323.html" id="p1326149956401"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;uma entrevista com Thiago E&lt;/span&gt;&lt;br /&gt;por Adriano Lobão Aragão&amp;nbsp;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/poesia_5.html" id="p1250270064327"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;poesia&lt;/span&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Chiu Yi Chin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-poesia-ChiuYiChih.pdf" id="f1325956529313" target="blank"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Claudio Willer&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-poesia-ClaudioWiller.pdf" id="f1325956587720" target="blank"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Dora Gago&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12poe_dora_325.html" id="p1325956619248"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;f.f.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-poesia-ff.pdf" id="f1325956650152" target="blank"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Renato Suttana&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12poe_suttana_326.html" id="p1325956677459"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span ,="" ;="" new="" roman="" serif="" times=""&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Thiago E.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12poe_thiago_320.html" id="p1325956699050"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span ,="" ;="" new="" roman="" serif="" times=""&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/prosa_6.html" id="p1250270045948"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&amp;nbsp;prosa&lt;/span&gt;&amp;nbsp;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Amailton Magno Azevedo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12prs_amailton_330.html" id="p1325958450575"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Éverton Diego&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ps_diego_321.html" id="p1326151505988"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Geovane Monteiro&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12prs_geovane_329.html" id="p1325958519725"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;João Pinto&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ps_joao_322.html" id="p1325958554593"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Rogério Newton&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12ps_rogerio_327.html" id="p1325958570223"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/traducao_13.html" id="p1250270031261"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&amp;nbsp;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;tradução&lt;/span&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Alejandra Pizarnik&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.desenredos.com.br/websites/..trad_wanderson_27.html" id="p1246053154723"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-traducao-AlejandraPizarnik-ClarisseLyra.pdf" id="f1325958886282" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br style="font-weight: bold;" /&gt;por&lt;span style="font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Clarisse Lyra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Diana Der Hovanessian&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.desenredos.com.br/websites/websites/..trad_wanderson_27.html" id="p1246053154723"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.desenredos.com.br/websites/websites/..trad_wanderson_27.html" id="p1246053154723"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-traducao-DianaDerHovanessian-Macedo.pdf" id="f1325958907041" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br style="font-weight: bold;" /&gt;por&lt;span style="font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Sebastião Edson Macedo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Jakob Van Hoddis&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;a href="http://www.desenredos.com.br/websites/websites/..trad_wanderson_27.html" id="p1246053154723"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-traducao-JakobVanHoddis-AndrePinheiro.pdf" id="f1325958973971" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br style="font-weight: bold;" /&gt;por&lt;span style="font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;André Pinheiro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;a href="http://www.desenredos.com.br/ensaio_8.html" id="p1250270644495"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;ensaio&lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal" style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;A Flor e a Águia: uma leitura de&amp;nbsp;&lt;span style="font-style: italic;"&gt;O Sertanejo&lt;/span&gt;, de José de Alencar&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-AdrianoLobao-sertanejo.pdf" id="f1326148009505" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;br style="color: #990000; font-weight: bold;" /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Adriano Lobão Aragão&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;A Poética da vadiagem&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-DaviLara-DonaFlor.pdf" id="f1326051808323" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;br style="color: #990000; font-weight: bold;" /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Davi Santana de Lara&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Walter Benjamin: progresso e pobreza de experiência&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-jSaraiva-benjamin.pdf" id="f1326051860237" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;br style="color: #990000; font-weight: bold;" /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;J. Francisco Saraiva de Sousa&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Os nomes do amor em Nelson Rodrigues&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-LenitaBentes-N-Rodrigues.pdf" id="f1327785577579" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Lenita Bentes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;A fotografia, a arte, a vida e a morte: diálogo, questionamento e reverência a Roland Barthes&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-PaulaCabral-barthes.pdf" id="f1326051945267" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Paula Cabral&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Back to Impivaara&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensaio-RitaDahl.pdf" id="f1326051987083" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Rita Dahl&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Alain Resnais em Marienbad&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-ensao-Acioli-AlainResnais.pdf" id="f1326548117963" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="opacity: 1;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Roberto Acioli de Oliveira&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/bloco_de_notas_158.html" id="p1278718026149"&gt;&lt;img align="Default" border="0" height="15" hspace="0" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&amp;nbsp;&lt;span style="color: #990000; font-weight: bold;"&gt;bloco de notas&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.desenredos.com.br/resenha_7.html" id="p1251852492460"&gt;&lt;img align="Default" border="0" height="15" hspace="0" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&lt;/span&gt;&amp;nbsp;&lt;span style="color: #990000; font-weight: bold;"&gt;resenha&lt;/span&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;A memória de Ulisses&lt;/span&gt;, de Marco Lucchesi&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-resenha-Wanderson-Lucchesi.pdf" id="f1325959745601" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;Wanderson Lima&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/artigo_9.html" id="p1251853326431"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;artigo acadêmico&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-align: justify; text-decoration: none;"&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;div class="MsoNormal"&gt;
&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;O canto que rasga a noite: uma leitura semiótica da poesia de Paula Tavares&amp;nbsp;&amp;nbsp;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-AlfredoWerney-PaulaTavares.pdf" id="f1326639166146" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="opacity: 1;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Alfredo Werney Lima Torres&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Tempestades, Vitorino e Sena&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-DoraGago-tempestades.pdf" id="f1326149150281" target="blank"&gt;&lt;img align="Default" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Dora Gago&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;A terceira margem: o rio é da linguagem?&amp;nbsp;&amp;nbsp;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-Galera-terceiramargem.pdf" id="f1326149122389" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="opacity: 1;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Fábio Galera&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;O elemento histórico no conto&amp;nbsp;&lt;span style="font-style: italic;"&gt;As Ruínas Circulares&lt;/span&gt;, de Jorge Luís Borges&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&amp;nbsp;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-Lais-borges.pdf" id="f1326149102620" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="opacity: 1;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Laís de Sousa Romero&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Especulações do discurso amoroso&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-Maria-e-Rodrigo-Barthes.pdf" id="f1326149082988" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="opacity: 1;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Maria Neli Costa Neves &amp;amp; Rodrigo da Costa Araujo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;Identidades em diáspora: o movimento Black no Brasil&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://desenredos.dominiotemporario.com/doc/12-artigo-Rafaela-BlackMusic.pdf" id="f1326149066235" target="blank"&gt;&lt;img align="textTop" border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Rafaela Capelossa Nacked&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;div&gt;
&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;a href="http://www.desenredos.com.br/imagem_4.html" id="p1270322170546"&gt;&lt;img align="Default" border="0" height="15" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_clean.png" style="height: 15px; opacity: 1; width: 15px;" width="15" /&gt;&lt;/a&gt;&amp;nbsp;galeria&lt;/span&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="margin-left: 40px;"&gt;
&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;Luciana Rodrigues&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;a href="http://www.desenredos.com.br/12img_luciana_328.html" id="p1325959384166"&gt;&lt;img border="0" height="13" src="http://www.desenredos.com.br/images/32px-Crystal_Clear_app_restart.png" style="height: 13px; opacity: 1; width: 13px;" width="13" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="smalltext" style="text-decoration: none;"&gt;&lt;span class="textjustified" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span class="text" style="text-decoration: none;"&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #990000;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-left: 40px;"&gt;
&lt;span style="color: #990000;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #990000; font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;[revista&amp;nbsp;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: #990000;"&gt;dEsEnrEdoS&lt;/span&gt;&lt;/span&gt;&amp;nbsp;-&amp;nbsp;&lt;span style="color: black;"&gt;&lt;span class="redtext" style="color: #990000; font-weight: bold; text-align: justify; text-decoration: none;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: #990000;"&gt;ISSN&lt;/span&gt;&amp;nbsp;2175-3903 -&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;ano IV - número 12 - teresina - piauí - janeiro fevereiro março de 2012]&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-left: 80px;"&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/td&gt;&lt;td rowspan="2" valign="top"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;img height="212" src="http://www.desenredos.com.br/img/base/ba56.gif" width="20" /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;br class="Apple-interchange-newline" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-974344397802337560?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/Mg8uPEfRchg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/974344397802337560/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=974344397802337560&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/974344397802337560?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/974344397802337560?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/Mg8uPEfRchg/uma-revista-de-literatura-desenredo_29.html" title="Uma revista de literatura - Desenredo" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/uma-revista-de-literatura-desenredo_29.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkIHRn45fip7ImA9WhRUGE4.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-233135692251144835</id><published>2012-01-29T09:58:00.000-02:00</published><updated>2012-01-29T10:02:17.026-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-29T10:02:17.026-02:00</app:edited><title>O causo do rádio - audição</title><content type="html">
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&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/sx-mlIgnDvA" width="420"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/results?search_query=causos+caipiras&amp;amp;oq=causos&amp;amp;aq=3&amp;amp;aqi=g10&amp;amp;aql=&amp;amp;gs_sm=c&amp;amp;gs_upl=2592l3969l0l10926l6l6l0l0l0l0l318l1086l2-3.1l4l0"&gt;OUTROS CAUSOS CAIPIRAS NO YOUTUBE&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-233135692251144835?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/mPsdVO_hvII" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/233135692251144835/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=233135692251144835&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/233135692251144835?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/233135692251144835?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/mPsdVO_hvII/o-causo-do-radio-audicao.html" title="O causo do rádio - audição" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/sx-mlIgnDvA/default.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/o-causo-do-radio-audicao.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUcGQn8yeip7ImA9WhRUGE4.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-7769816518983480341</id><published>2012-01-29T09:37:00.000-02:00</published><updated>2012-01-29T09:37:03.192-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-29T09:37:03.192-02:00</app:edited><title>A hora chega: ex-tudo</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/I6Gb4FANPQrL70RAxY_aQZIGuqg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/I6Gb4FANPQrL70RAxY_aQZIGuqg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_TTHV-7NZuB0/TTm4_FRhA0I/AAAAAAAABno/8P7CFsskV2E/s1600/blogue-velhice-12monkey-wii1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="224" src="http://1.bp.blogspot.com/_TTHV-7NZuB0/TTm4_FRhA0I/AAAAAAAABno/8P7CFsskV2E/s320/blogue-velhice-12monkey-wii1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;i&gt;Hélio Consolaro&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
A infância é uma referência ao passado, a saudade. Há o mito de que a felicidade esta nela, para quem já a viveu. Para o longevo, a velhice é o presente. Época de administrar perdas. E ela chega de vez, quando deixamos de executar certas tarefas, exercer certos papeis.&amp;nbsp;Nada resolve se revoltar, é aceitá-la, e pronto, ou ponto.&lt;br /&gt;
&lt;br /&gt;
Outro mito entre nós é que a velhice traz sabedoria. Nem sempre, há velhos que se tornam cada vez mais teimosos, caturras. A abertura de espírito na velhice vai depender muito de como a pessoa viveu sua juventude. Tudo é um processo, uma construção. Os canalhas e as megeras também envelhecem.&lt;br /&gt;
&lt;br /&gt;
Toda essa reflexão, porque o jornal O LIBERAL noticiou que no sábado, 28 de janeiro de 2012, o ex-prefeito de Araçatuba completou 81 anos com uma festa entre amigos e familiares. E quer influenciar no processo eleitoral de 2012, não desiste nunca. O prefeito Cido Sério passou para cumprimentá-lo, e lá estiveram a corte carnavalesca: rei momo, rainha e princesas do carnaval de 2012.&lt;br /&gt;
&lt;br /&gt;
Outro aniversariante foi Marilene Magri, 67 anos, ex-prefeita por 4 meses, e ex-vice-prefeito também. Uma festa familiar, porque dependurou as chuteiras em termos de militância política.&lt;br /&gt;
&lt;br /&gt;
Há uma hora em que nos tornamos ex-tudo e ficamos apenas nos cuidando para que haja uma prorrogação. &amp;nbsp;O Consa está a caminho.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-7769816518983480341?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/ax3tQpOK8Pc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/7769816518983480341/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=7769816518983480341&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7769816518983480341?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7769816518983480341?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/ax3tQpOK8Pc/hora-chega-ex-tudo.html" title="A hora chega: ex-tudo" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_TTHV-7NZuB0/TTm4_FRhA0I/AAAAAAAABno/8P7CFsskV2E/s72-c/blogue-velhice-12monkey-wii1.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/hora-chega-ex-tudo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4MQnk6fip7ImA9WhRUF0k.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-7945940933110433458</id><published>2012-01-28T18:05:00.000-02:00</published><updated>2012-01-28T07:29:43.716-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T07:29:43.716-02:00</app:edited><title>Lagoa das Flores foi aterrada com entulhos da demolição da antiga Igreja Matriz</title><content type="html">
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;A professora Silva A.Santos Paupitz escreveu o artigo abaixo, sob o título "Lagoa das Flores - lenda urbana", que foi postado neste blog no dia 22/10/2010. Houve um prefeito, que Deus o tenha, mandou aterrar a Lagoa das Flores e jogar o entulho da demolição da Igreja Matriz de Araçatuba, hoje Catedral Nossa Senhora Aparecida.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Diz a lenda que enquanto tiver um caco da velha igreja na Lagoa da Flores, aquele lugar será amaldiçoado. As enchentes continuarão assolando seus moradores ao redor.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Na verdade, a grande maldição (ou burrice administrativa) foi aterrar a lagoa e autorizar loteamento na sua margem nos velhos tempos, quando nem se falava em meio ambiente, tirando o espaço da água.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Tenho certeza de que o prefeito Cido Sério retirará o último caco da Igreja Matriz daquele lugar para que o martírio cesse. As escavações por parte da Prefeitura foram feitas e não terminaram&lt;/b&gt;. &lt;b&gt;Haverá no local uma bonita área de lazer.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/_7fBMwJV7rOg/TRJZnGb-rPI/AAAAAAAABuE/Y4cWVDO-86M/s1600/ara%25C3%25A7atuba+058.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/TRJZnGb-rPI/AAAAAAAABuE/Y4cWVDO-86M/s320/ara%25C3%25A7atuba+058.jpg" width="224" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Antiga igreja matriz N.S. Aparecida&lt;br /&gt;
Demolida para construir um templo de &lt;br /&gt;
arquitetura moderna - o disco voador&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: Verdana, sans-serif;"&gt;Silvana A. Santos Paupitz*&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Há mais ou menos cinco anos moro nas proximidades da tão polêmica Lagoa&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;das Flores, e lamentavelmente esse nome não lhes faz justiça! Sendo&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;assim, portanto parte da minha realidade é parte da Lagoa que tem sido&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;objeto de meus estudos e projetos desenvolvidos com alunos da Unidade&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Escolar José Augusto Lopes Borges, Araçatuba-SP. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: right;"&gt;
&lt;/div&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_7fBMwJV7rOg/TRJWMvA_WMI/AAAAAAAABt4/QDi_sGUPPBQ/s1600/Lagoa+das+Flores.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/TRJWMvA_WMI/AAAAAAAABt4/QDi_sGUPPBQ/s1600/Lagoa+das+Flores.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Vítima de enchente&lt;br /&gt;
Lagoa das Flores de Araçatuba-SP&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Na busca do histórico do local&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;referido, percebi uma forte ligação desta parte da natureza com a&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;derrubada e destituição da igreja de Santo Onofre que sustentava com&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;orgulho o título de padroeiro da cidade e para alguns,&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;lamentavelmente, conhecido por proteger bêbados e prostitutas. &amp;nbsp;Sobre&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;seus destroços construíram uma suntuosa catedral homenageando uma&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;santa de altíssimo valor, Nossa Senhora Aparecida. Por favor, não me&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;entendam mal, nada tenho contra os santos e as santas, sou contra&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;atitudes arbitrárias, e como diziam os “antigos”, desvestir um santo&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;para vestir o outro...&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Conta à história que um representante da Igreja&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Católica ordenou a construção da nova igreja, mas que fosse conservada&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;em seu interior uma pequena relíquia da antiga igreja daquele santo&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;não muito “católico”. De fato a igreja enchia os olhos dos crentes e&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;não crentes. Era um belíssimo cartão postal, mas, como o ser humano&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;nunca está contente e necessita se encaixar na tão famosa era da&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;modernidade trouxe abaixo a venerada Igreja Matriz Nossa Senhora&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Aparecida para mais uma bela homenagem a santa de valor.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_7fBMwJV7rOg/TRJWx1Jyi4I/AAAAAAAABt8/xMuKlgHhkzU/s1600/Catedral+N.S.+Aparecida.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="219" src="http://2.bp.blogspot.com/_7fBMwJV7rOg/TRJWx1Jyi4I/AAAAAAAABt8/xMuKlgHhkzU/s320/Catedral+N.S.+Aparecida.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Catedral Nossa Senhora Aparecida&lt;br /&gt;
Araçatuba-SP- o disco voador&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Se me&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;permitem a comparação ousada, um “disco voador” de concreto armado&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;sobre a base da antiga igreja fora construído. &amp;nbsp;Bom, retomamos o nosso&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;ponto de partida; a Lagoa das Flores, esta recebeu em seu veio, sem&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;reclamar a priori, os destroços da igreja que havia através da força&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;humana desabado. Um verdadeiro sítio arqueológico santo nasce neste&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;local. Sem que o algoz perceba, a mãe natureza cava seus tuneis entre&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;as entranhas da terra em absoluto silêncio e aflora a alguns metros do&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;antigo leito, pequenas vidas aquáticas. &amp;nbsp;Mansa, serena e ao mesmo&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;tempo forte, ameaçadora, vingativa foi se apoderando do local&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;transformando-o na nova moradia. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Lenda urbana? Não. &amp;nbsp;Oficial ou&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;oficioso são fatos até agora relatados. Tomo por lenda urbana, talvez,&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;a história oficiosa de que alguns esotéricos que por Araçatuba&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;passaram, alegaram que em seus corpos e espíritos sentiam uma força&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;negativa demasiadamente grande devido à aura pesada e assustadora que&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;paira sobre toda a cidade e se contextualizarmos essa parte da&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;história de Araçatuba com a história do México, percebemos que sua&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;capital fora construída pelos seus colonizadores sobre a antiga cidade&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;asteca de nome Tenochtitlá. &amp;nbsp;Será que a cidade do México sofre o mesmo&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;estigma?&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_7fBMwJV7rOg/TRJXdNNUnBI/AAAAAAAABuA/FUhLbqX89v4/s1600/1%25C2%25AA+Igreja+Matriz+de+Ara%25C3%25A7atuba+Santo+Onofre+Constru%25C3%25ADda+em+1915.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_7fBMwJV7rOg/TRJXdNNUnBI/AAAAAAAABuA/FUhLbqX89v4/s320/1%25C2%25AA+Igreja+Matriz+de+Ara%25C3%25A7atuba+Santo+Onofre+Constru%25C3%25ADda+em+1915.JPG" width="213" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Capela de Santo Onofre&lt;br /&gt;
Primeira igreja de Araçatuba - 1915&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Qual seria a solução para acabar com essa “urucubaca” que envolve&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;nossa cidade? Reconstruir as igrejas destruídas sem nenhum censo de&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;preservação da memória histórica e cultural? Remover os destroços da&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Matriz que furiosamente obstruiu o veio da vida e repousa no leito&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;natural da lagoa? Devolver ao santo dos bêbados e das prostitutas, o&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;que é seu por direito, e que sem pudor alguns homens de “moral”&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;surrupiaram? Agindo assim a Lagoa das Flores se tornaria inofensiva e&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;pacata novamente onde fora esculpida de forma natural ou humana?&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;Enchentes não mais levariam pequenos seres para os quintais de nossas&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;casas e o que foi conquistado com muito suor e a longas prestações&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;seriam preservados?&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;*Silvana A. Santos Paupitz é professora de História.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-7945940933110433458?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/R8WrCDEGwWE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/7945940933110433458/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=7945940933110433458&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7945940933110433458?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7945940933110433458?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/R8WrCDEGwWE/lagoa-das-flores-lenda-urbana.html" title="Lagoa das Flores foi aterrada com entulhos da demolição da antiga Igreja Matriz" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_7fBMwJV7rOg/TRJZnGb-rPI/AAAAAAAABuE/Y4cWVDO-86M/s72-c/ara%25C3%25A7atuba+058.jpg" height="72" width="72" /><thr:total>2</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2010/12/lagoa-das-flores-lenda-urbana.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YGQHk8eSp7ImA9WhRUF0g.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-3233504831206017672</id><published>2012-01-28T09:45:00.000-02:00</published><updated>2012-01-28T09:45:21.771-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T09:45:21.771-02:00</app:edited><title>Jovem tenor deu espetáculo</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/qr6H4IlSoqPHYjFex9mi_Z-Ufjg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qr6H4IlSoqPHYjFex9mi_Z-Ufjg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/qr6H4IlSoqPHYjFex9mi_Z-Ufjg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qr6H4IlSoqPHYjFex9mi_Z-Ufjg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&amp;nbsp;Na noite de 27 de janeiro de 2012, à noite, sob forte chuva, a plateia lotou o teatro municipal Paulo Alcides Jorge, ficando gente de pé, para ouvir a voz de Rafael Campos Salles, tenor, 20 anos, tendo ao piano sua mestra Maria Cecília Forastieri. A família vibrando, a avó Regina Rocha gritando: bravo!&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-mGnYa_2hIj0/TyPb8LDA3kI/AAAAAAAADVo/TFVKkkwSDXM/s1600/Rafael+-+cantando+-+baixa.BMP" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="239" src="http://4.bp.blogspot.com/-mGnYa_2hIj0/TyPb8LDA3kI/AAAAAAAADVo/TFVKkkwSDXM/s320/Rafael+-+cantando+-+baixa.BMP" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Rafael cantou sem microfone, como manda a tradição&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
"Rãs, Estrelas e Mutucas - recital de canto &amp;amp; piano" era o nome do espetáculo, dividido em duas partes:&lt;br /&gt;
&lt;b&gt;PARTE 1&lt;/b&gt;&lt;br /&gt;
1. M. Camargo Guarnieri (1907-1993)&lt;br /&gt;
Canção ingênua&lt;br /&gt;
2. Stephen Sondheim (1930)&lt;br /&gt;
Sen in the clows (A little Nigh Music)&lt;br /&gt;
3. Ennio Morricone&lt;br /&gt;
Se (do filme "Cinema Paradiso")&lt;br /&gt;
4. Andrew Lloyd Webber (1948) -&lt;br /&gt;
Letra de Alan Ayckbowen Half a moment&lt;br /&gt;
5. Emmanuel Gabrier (poesia de Lterrier &amp;amp; A. Vanloo)&lt;br /&gt;
Romance de L'etoile&lt;br /&gt;
6. Francis Poulenc (letra de Jean Anouilh)&lt;br /&gt;
Les Chemins de L'amour&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8GEzxAf3Dow/TyPc6M2FqWI/AAAAAAAADVw/OnwC78uf4hw/s1600/Rafael+-+palco+-+baixa.BMP" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="239" src="http://1.bp.blogspot.com/-8GEzxAf3Dow/TyPc6M2FqWI/AAAAAAAADVw/OnwC78uf4hw/s320/Rafael+-+palco+-+baixa.BMP" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;O palco completo&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;b&gt;PARTE 2&lt;/b&gt;&lt;br /&gt;
7. Eric Satie&lt;br /&gt;
La satie de bronze (n.º 1 de Trois Melodies)&lt;br /&gt;
Daphénéo (n.º 2 de Trois Melodies)&lt;br /&gt;
8. Antônio Ribeiro&lt;br /&gt;
Trovas&lt;br /&gt;
9. M. Camargo Guarnieri (1907-1993)&lt;br /&gt;
Quatro cantigas&lt;br /&gt;
I. A cantiga da mutuca&lt;br /&gt;
II. Cantiga&lt;br /&gt;
III. Não sei...&lt;br /&gt;
IV. Vamos dar a despedida&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-KG98Zr5-lK4/TyPeD6Ouh6I/AAAAAAAADV4/X6UqhObN81U/s1600/P%25C3%25BAblico+-+Rafael+-+baixa.BMP" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="239" src="http://3.bp.blogspot.com/-KG98Zr5-lK4/TyPeD6Ouh6I/AAAAAAAADV4/X6UqhObN81U/s320/P%25C3%25BAblico+-+Rafael+-+baixa.BMP" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;O grande público presente&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Com certeza, Rafael nunca mais se esquecerá da noite de ontem, pois a presença massiva de amigos para prestigiar o artista ainda jovenzinho é uma atitude necessária do processo de seu amadurecimento pessoal e artístico. As plateias exercem um papel pedagógico importante na carreira de um artista. Compareça sempre, participe sempre, ajudar um artista não se resume a financiamentos, faz parte também o apoio da família, da comunidade. Os aplausos funcionam como alimento. &amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-3233504831206017672?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/VNllm_WgpCc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/3233504831206017672/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=3233504831206017672&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3233504831206017672?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3233504831206017672?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/VNllm_WgpCc/jovem-tenor-deu-espetaculo.html" title="Jovem tenor deu espetáculo" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-mGnYa_2hIj0/TyPb8LDA3kI/AAAAAAAADVo/TFVKkkwSDXM/s72-c/Rafael+-+cantando+-+baixa.BMP" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/jovem-tenor-deu-espetaculo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk4HSXc6fip7ImA9WhRUF0k.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-940657467443083228</id><published>2012-01-28T07:29:00.000-02:00</published><updated>2012-01-28T08:02:18.916-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T08:02:18.916-02:00</app:edited><title>Os sapos da Lagoa das Flores</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/13D2IDoKCEnC5X_B-VJ9SJcCfpQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/13D2IDoKCEnC5X_B-VJ9SJcCfpQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.saudeanimal.com.br/imagens/sapo_cururu.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://www.saudeanimal.com.br/imagens/sapo_cururu.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Sapo-boi&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Se há lagoa, há sapos. Não é diferente na Lagoa das Flores. Dentre eles, há o sapo-boi, gorduchão, cheio de empáfia, é o Gigi Balofo. Ele canta grosso em tempo de chuva, na seca, não coaxa. Ele anda levando vassouradas da população, até jogaram sal nas costas do coitado, mas ele insiste:&lt;br /&gt;
&lt;br /&gt;
- Chove mais! Chove mais! Manda da chuva grossa, porque da fina o prefeito não gosta! &lt;br /&gt;
&lt;br /&gt;
Outro dia, ele apareceu com outro sapo, amigo dele de outra lagoa, o Sapo-Dila. E cantaram em dueto:&lt;br /&gt;
&lt;br /&gt;
- Chove mais! Chove mais! Manda da chuva grossa, porque da fina o prefeito não gosta! &amp;nbsp;
&lt;br /&gt;
&lt;br /&gt;
E os moradores apreensivos com a chuva, com medo de enchente. E eles pedindo chuva, mais chuva!&lt;br /&gt;
&lt;br /&gt;
Chegou um bando de sapos cururu, que detestam sapos-boi, comandados por um sapo magrinho, o prefeito da lagoa, e coaxaram:&lt;br /&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://oglobo.globo.com/blogs/arquivos_upload/2008/09/236_1943-Luiz%20Almeida%20-%20Sapo%20Cururu.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="236" src="http://oglobo.globo.com/blogs/arquivos_upload/2008/09/236_1943-Luiz%20Almeida%20-%20Sapo%20Cururu.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;sapo cururu&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
- Vamos secar a lagoa e matar de sede esses dois sapos agourentos, inimigos do povo.&lt;br /&gt;
&lt;br /&gt;
Um morador gritou:&lt;br /&gt;
&lt;br /&gt;
- Gente, a lagoa parece uma urna eleitoral!&lt;br /&gt;
&lt;br /&gt;
E os sapos saíram cantando:&lt;br /&gt;
&lt;br /&gt;
- Voto! Não voto! Voto! Não voto!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-940657467443083228?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/4sMnT3-0ga8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/940657467443083228/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=940657467443083228&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/940657467443083228?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/940657467443083228?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/4sMnT3-0ga8/os-sapos-da-lagoa-das-flores.html" title="Os sapos da Lagoa das Flores" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>1</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/os-sapos-da-lagoa-das-flores.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8BR3s9eyp7ImA9WhRUFkg.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-4963244823490913497</id><published>2012-01-27T07:46:00.004-02:00</published><updated>2012-01-27T07:50:56.563-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-27T07:50:56.563-02:00</app:edited><title>Sérgio Vaz recebe o prêmio Destaque Cultural pelo voto popular</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/eFnVJ8AIOQk8f3OQpM8vjjRzg9w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/eFnVJ8AIOQk8f3OQpM8vjjRzg9w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/eFnVJ8AIOQk8f3OQpM8vjjRzg9w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/eFnVJ8AIOQk8f3OQpM8vjjRzg9w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div style="text-align: -webkit-auto;"&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;Na categoria Inclusão Cultural, Vaz recebeu dois prêmios, o de escolha do público, obtendo mais de 4.700 votos e também pela escolha do júri especial, o que lhe rendeu o prêmio de R$ 60 mil. O dinheiro será investido em um novo projeto. “Vou montar a ‘casa da Ignorância’, um lugar para se pensar literatura”, afirmou Sérgio Vaz.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;O prêmio mais importante da noite, o Destaque Cultural de 2011, também parou nas mãos de Sérgio Vaz, na escolha do público. O poeta agradeceu e dedicou o troféu recebido das mãos do governado Geraldo Alckmin dedicando a comunidades das favelas do Moinho e Pinheirinho, além dos bairros Pirajuçara, em Taboão da Serra, e Piraporinha, na Zona Sul da capital.&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.overmundo.com.br/uploads/overblog/multiplas/1237308959_sergiovaz_01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://www.overmundo.com.br/uploads/overblog/multiplas/1237308959_sergiovaz_01.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;Mesmo acostumado com as homenagens (Sérgio Vaz recebeu recentemente os prêmios Transformadores, da revista Trip e Hútuz, da Cufa) o escritor disse que ficou bastante emocionado. “Olha, fiquei um pouco surpreso com os três prêmios, mas a emoção ficou por conta de concorrer com pessoas consagradas do meio cultural como Ruth Escobar, Beatriz Segall, Ana Maria Martin e a Renata de Almeida“.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;Criado na década de 50, o Prêmio Governador do Estado foi por vários anos um dos mais tradicionais do país. Nos anos 90, deixou de ser entregue e ficou suspenso por mais de duas décadas, até ser retomado em 2010. Sérgio Vaz se junta a grandes nomesque já receberam a premiação como Stênio Garcia, Esther Góes, o músico Tom Zé, a artista plástica Amélia Toledo e a atriz Nydia Lícia.&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: verdana, sans-serif; font-size: 13px; line-height: 22px;"&gt;&lt;a href="http://youtu.be/f8NP9c4Fdx4"&gt;Veja entrevista de Sérgio Vaz no programa de Marília Gabriela&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-4963244823490913497?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/Nha956BDJvM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/4963244823490913497/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=4963244823490913497&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4963244823490913497?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4963244823490913497?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/Nha956BDJvM/sergio-vaz-recebe-o-premio-destaque.html" title="Sérgio Vaz recebe o prêmio Destaque Cultural pelo voto popular" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/sergio-vaz-recebe-o-premio-destaque.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0YBSHc9cCp7ImA9WhRUFk8.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-3667375772015440978</id><published>2012-01-26T22:45:00.004-02:00</published><updated>2012-01-26T22:45:59.968-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T22:45:59.968-02:00</app:edited><title>Casamento é bom, em casas separadas pode ser ainda melhor</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iKT1lfXtZ-nNopU4wsPufkTNuxQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iKT1lfXtZ-nNopU4wsPufkTNuxQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/iKT1lfXtZ-nNopU4wsPufkTNuxQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iKT1lfXtZ-nNopU4wsPufkTNuxQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Por Simone Muniz&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/_p1OGY1a1TJE/SkkKMBrd9XI/AAAAAAAAACw/IJcME5lQzZQ/s400/casamento1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="311" src="http://1.bp.blogspot.com/_p1OGY1a1TJE/SkkKMBrd9XI/AAAAAAAAACw/IJcME5lQzZQ/s320/casamento1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Aos 15, cadê o namorado. Aos 25, quando é o casamento. Aos
30, e o nenê, quando vem? Felizes os que passaram dos 50 e, livres das pressões
sociais e com uma situação financeira mais definida, podem optar pelo tipo de
arranjo mais adequado. Manter um relacionamento estável mas morar em casas
separadas é uma alternativa cada vez mais cobiçada pelos casais. Fora o peso no
orçamento, quem vive a experiência garante que as vantagens são muitas.
Preserva-se o compromisso, sem abrir mão da liberdade. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;"Intimidade e respeito não dependem do espaço
físico", afirma o casal Teodoro Schimidt, de 73 anos e Teresa Creusa de
Góes Monteiro Negreiros, de 61 anos. Ele, arquiteto, e ela, psicanalista. Para
Teresa, dividir os ambientes de maneira forçada desgasta o relacionamento.
"Ao separarmos o espaço físico e mantermos a proximidade dos apartamentos,
evitamos uma enorme quantidade de contrariedades e prestamos atenção apenas no
que é importante para os dois, sejam os prazeres ou as dores", afirma. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Ao ser questionado porque optou por viver separado da amada,
Téo brinca que essa é a opção mais "higiênica". Ele se mudou para o
bairro de Teresa depois de assumirem o namoro e conta que sente falta dos mimos
que tem a casa da mulher, como a arrumação e a comida bem feita. Ainda assim,
para ele, morar separado é questão tanto de comodidade quanto de personalidade.
Por exemplo, ele usa o escritório para projetos profissionais. Gosta de
trabalhar até tarde e, às vezes, descansar no meio do dia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;"Quando fui casado, tive a experiência de me distrair
na presença da mulher e ter a atenção exigida em momentos que precisava me
concentrar, sem que ela percebesse isso, já que ambos estávamos em casa",
diz Téo. A sexóloga Regina Navarro Lins também já experimentou a opção de
passar um tempo morando em casas separadas e hoje vive sob o mesmo teto com o
marido. Para ela, "qualquer maneira de amor vale a pena. É bom poder
escolher". &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Regina ressalta que morar separado é uma alternativa e não
uma solução. "Existem casais de namorados que moram separados e ligam um
para o outro a cada minuto, controlam-se mutuamente e não dão espaço para a
liberdade", diz. Para ela, intimidade é algo que se desenvolve no plano do
afeto. "Pessoas podem morar juntas e não ter nenhuma intimidade", lembra.
O engenheiro Alberto, de 61 anos, que prefere não revelar o nome completo,
também pensa que separar as casas é uma questão de escolha. "Há 40 anos,
seria censurado por querer morar em casas separadas. Hoje, moro com meus filhos
e minha namorada vive com os filhos dela. Todos respeitamos o espaço, confiamos
um no outro, convivemos bem com as famílias e passamos festas juntos",
conta. Morar separado, no entanto, pode ser um luxo, já que juntar trapinhos ou
casar significa, normalmente, dividir contas.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;"As pessoas escolhem morar
juntas, normalmente, para dividir despesas ou vontade de compor família".
É aí que a idade conta. "Depois dos 50, quem tem família e patrimônio
formados pode se presentear com essa oportunidade", reforça a psicanalista
Teresa Creusa. A convivência com os filhos é fator dos mais importantes para
decidir por casas separadas. "Hoje é cada vez mais comum os mais jovens
não terem condições de morar longe dos pais, pois além do mercado de trabalho
estar muito competitivo, eles tendem também a voltar para casa após a falência
de seus casamentos ", argumenta Teresa. Na contramão da norma social que
pressiona os namorados para o casamento, quem acumulou seus bens ao longo da
vida sofre pressões da família para não misturar patrimônio com relacionamento.
Só que o Novo Código Civil facilitou quem deseja assumir o compromisso sem
dividir o lar.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;A união estável, quando notória, se tornou motivo para divisão
de bens, mesmo sem haver casamento. Fazer com que os novos arranjos em casas
separadas dêem certo exige criatividade, principalmente, quando se vive com os
filhos. Como no caso de uma amiga de Teresa que mora perto do namorado porque
divide o apartamento com a filha. Ela aproveita as vezes em que a filha vai
dormir fora para poder conviver com o namorado em sua própria casa. Apesar dos
desafios para conseguir momentos íntimos, para os adeptos das casas separadas,
troca-se quantidade de convivência por qualidade. É o que confirma Teresa,
ressaltando que as opções são múltiplas e o que vale é cada um escolher o que
acha melhor para si.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-3667375772015440978?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/l3L2O6otVM4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/3667375772015440978/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=3667375772015440978&amp;isPopup=true" title="1 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3667375772015440978?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/3667375772015440978?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/l3L2O6otVM4/casamento-e-bom-em-casas-separadas-pode.html" title="Casamento é bom, em casas separadas pode ser ainda melhor" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_p1OGY1a1TJE/SkkKMBrd9XI/AAAAAAAAACw/IJcME5lQzZQ/s72-c/casamento1.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/casamento-e-bom-em-casas-separadas-pode.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkMAQ3o-fCp7ImA9WhRUFk8.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-5621369982850615812</id><published>2012-01-26T22:34:00.000-02:00</published><updated>2012-01-26T22:34:02.454-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T22:34:02.454-02:00</app:edited><title>O que o seu perfil no Facebook revela sobre sua personalidade</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9bHzx_TYFcmKKDv0-mWAlYoVZhk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9bHzx_TYFcmKKDv0-mWAlYoVZhk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/9bHzx_TYFcmKKDv0-mWAlYoVZhk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9bHzx_TYFcmKKDv0-mWAlYoVZhk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://edgblogs.s3.amazonaws.com/mulher7por7/files/2012/01/facebook.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://edgblogs.s3.amazonaws.com/mulher7por7/files/2012/01/facebook.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
Um estudo do departamento de psicologia da Universidade do Texas divulgado pelo site ReadWriteWeb revelou que os perfis das pessoas no Facebook são muito parecidos com a personalidade que elas apresentam na vida real.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
Para chegar a essa conclusão, os pesquisadores fizeram um grupo de pessoas responder a um questionário sobre sua própria personalidade, e depois compararam os resultados com as informações dos perfis do Facebook, como os números de fotos no perfil, os grupos a que o usuário pertence, a quantidade de posts no mural, e o total de amigos.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
O resultado foi uma relação clara entre a personalidade sugerida pelo teste e a representada no Facebook: os mais extrovertidos apresentaram mais amigos e mais interações na página da rede social.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
Parece meio óbvio, né? Mas não é, não. A pesquisa mostra que, diferente do que muitos imaginam, as redes sociais não apresentam uma fuga da realidade, e sim uma extensão dela. Mais do que isso, os pesquisadores acreditam que a “personalidade virtual” está ficando cada vez mais atrelada à “personalidade real”, e que isso deixa a linha entre o mundo real e o mundo virtual cada vez mais tênue.&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
Acho difícil concordar totalmente com isso. Olhando os perfis dos meus amigos próximos (do mundo real) é fácil constatar que a pesquisa faz sentido, mas não completamente. De fato, cada um deixa ali um pouquinho do que gosta e do que pensa. Mas só um pouquinho. A diferença é que na página social todo mundo só revela o que quer. É como se fosse uma amostra grátis do que cada um tem de melhor. E o que cada um tem de pior? Onde fica? Fica no mundo real mesmo. Não sei, não, mas essa linha entre o real e o virtual não me parece tão tênue quanto diz a pesquisa…&lt;/div&gt;
&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: 'trebuchet MS'; font-size: 15px; line-height: 19px; list-style-image: initial; list-style-position: initial; list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 10px; text-align: -webkit-auto; text-decoration: none;"&gt;
E você? Revela totalmente sua personalidade nas redes sociais?&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-5621369982850615812?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/6vjrQg-Kzr0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/5621369982850615812/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=5621369982850615812&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5621369982850615812?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5621369982850615812?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/6vjrQg-Kzr0/o-que-o-seu-perfil-no-facebook-revela.html" title="O que o seu perfil no Facebook revela sobre sua personalidade" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>2</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/o-que-o-seu-perfil-no-facebook-revela.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkcASXg8fSp7ImA9WhRUFk8.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-1983456477366472977</id><published>2012-01-26T22:27:00.002-02:00</published><updated>2012-01-26T22:27:28.675-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T22:27:28.675-02:00</app:edited><title>A amante de Machado de Assis?</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8hWzoeGsQWrQ4GLvEBj66jdls_M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8hWzoeGsQWrQ4GLvEBj66jdls_M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8hWzoeGsQWrQ4GLvEBj66jdls_M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8hWzoeGsQWrQ4GLvEBj66jdls_M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="materia-cabecalho" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; margin-bottom: 2px; margin-left: 0px; margin-right: 0px; margin-top: 10px; outline-color: initial; outline-style: initial; outline-width: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 620px;"&gt;
&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; color: #929292; float: left; font-family: inherit; font-size: 11px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;abbr class="palavra" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;a href="http://revistaepoca.globo.com/palavrachave/luis-antonio-giron/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #d44545; font-family: tahoma; font-size: 10px; font-weight: bold; letter-spacing: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;LUIS ANTONIO GIRON -&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/abbr&gt;&lt;abbr class="published" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #d44545; font-family: tahoma; font-size: 10px; font-weight: bold; letter-spacing: 0.03em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;17/01/2012 08h10&lt;/strong&gt;&lt;/abbr&gt;&amp;nbsp;&lt;span class="materia-atualizada" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; font-family: tahoma !important; font-size: 10px !important; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;- Atualizado em&amp;nbsp;&lt;abbr class="updated" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;17/01/2012 09h53&lt;/abbr&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: #a3a3a3; font-family: Arial;"&gt;&lt;span style="font-size: 9px; text-transform: uppercase;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="materia-titulo" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-family: arial, helvetica, freesans, sans-serif; font-size: 12px; line-height: 12px; margin-bottom: 11px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;h2 style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; color: #666666; font-family: Arial; font-size: 16px; letter-spacing: 0px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 1px; padding-right: 0px; padding-top: 2px;"&gt;
Em cartas, o escritor maduro revela afeto incomum por uma jovem casada&lt;/h2&gt;
&lt;/div&gt;
&lt;div class="materia-assinatura-letra" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; border-top-color: initial; border-top-style: initial; border-top-width: 0px; font-family: arial, helvetica, freesans, sans-serif; font-size: 12px; line-height: 12px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 620px;"&gt;
&lt;div class="materia-assinatura" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; float: left; font-family: inherit; margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-width: 472px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 39.33em;"&gt;
&lt;div class="vcard author" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; color: #666666; font-family: inherit; font-size: 0.915em; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;strong class="fn" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; color: #2d2d2d; font-family: inherit; letter-spacing: 0.007em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0.25em;"&gt;LUÍS ANTÔNIO GIRON&amp;nbsp;&lt;/strong&gt;&lt;span style="background-color: transparent; color: #c5c5c5; font-family: inherit; font-size: 12px;"&gt;|&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="materia-conteudo entry-content cda-materia" id="materia-letra" style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-family: arial, helvetica, freesans, sans-serif; font-size: 12px; line-height: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div id="materia-parsed-corpo" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
&lt;div class="foto componente_materia midia-largura-180" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; float: left; font-family: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 200px; outline-color: initial; outline-style: initial; outline-width: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0px; padding-left: 0px; padding-right: 15px; padding-top: 0px; position: relative; width: 180px; zoom: 1;"&gt;
&lt;img alt="Luís Antônio Giron Editor da seção Mente Aberta de ÉPOCA, escreve sobre os principais fatos do universo da literatura, do cinema e da TV (Foto: ÉPOCA)" height="220" src="http://e.glbimg.com/og/ed/f/original/2011/08/16/giron.jpg" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="Luís Antônio Giron Editor da seção Mente Aberta de ÉPOCA, escreve sobre os principais fatos do universo da literatura, do cinema e da TV (Foto: ÉPOCA)" width="180" /&gt;&lt;label class="foto-legenda" style="background-attachment: scroll; background-clip: initial; background-color: #eeeeee; background-image: none; background-origin: initial; background-position: 0px 0px; background-repeat: repeat repeat; display: block; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0.67em; padding-left: 0.67em; padding-right: 0.67em; padding-top: 0.67em;"&gt;LUÍS ANTÔNIO GIRON&amp;nbsp;&lt;br style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;Editor da&amp;nbsp;seção Mente Aberta de ÉPOCA,&amp;nbsp;escreve sobre os principais&amp;nbsp;fatos do universo da literatura,&amp;nbsp;do cinema e da TV (Foto: ÉPOCA)&lt;/label&gt;&lt;/div&gt;
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&lt;b&gt;Machado de Assis (1839-1908) teve uma amante?&lt;/b&gt;&lt;/div&gt;
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É a questão que o diplomata e crítico literário Sergio Paulo Rouanet deixa entrever, com extrema discrição, no recém-lançado volume III da Correspondência de Machado de Assis, publicado pela Academia Brasileira de Letras, que abrange o período que vai de 1890 a 1900, dos 51 aos 61 anos do escritor. Na condição de jornalista abelhudo que não tem mais uma reputação a perder (se é que teve um dia), eu tomo a liberdade e cometo a indiscrição de levantar mais abertamente a suspeita – ou, como prefere denominar Rouanet, “bisbilhotice póstuma”. Trata-se de um sentimento indigno, porém próprio ao cético Bentinho sobre a fidelidade de Capitu em Dom Casmurro, romance que Machado escreveu ao longo de quatro anos e a editora Garnier fez imprimir em Paris no final de 1899 e só lançado no início do ano seguinte. É apenas um detalhe aparentemente sem importância, trazido à tona pelo trabalho monumental de Rouanet, que traz não só informações importantes sobre a trajetória de Machado, como corrige muitos erros e omissões.&amp;nbsp;&lt;/div&gt;
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As cartas, bilhetes e cartões a ser distribuídas em cinco volumes (a ser publicados até o fim de 2013, o quarto neste ano) ajudam a compreender o papel de Machado de Assis como fundador da Academia de Letras, correspondente ativo e passivo de ficcionistas como Magalhães de Azeredo e de críticos como José Veríssimo, cidadão discreto, avesso à política e afeito às questões estéticas. No entanto, sob a barba já branca do “Bruxo do Cosme Velho” (detesto esse apelido popularizado pelo poema “A um bruxo, com amor”, de Carlos Drummond de Andrade, mas vá lá), batia um coração quem sabe não raro inconstante, dado, talvez, a devaneios amorosos, e certamente atento à alma feminina, que retratou em várias personagens, como a intrigante Capitu, a doce Helena e a sorrateira Sofia, de Quincas Borba. Na juventude, convém lembrar, ele dedicou seu primeiro poema publicado à soprano italiana Anette Casaloni, por quem teria se apaixonado. Teve algumas aventuras quando jovem. Uma carta, de 30 de outubro de 1899, seu colega maranhense Graça Aranha cometia várias indiscrições que devem ter enfurecido Machado. Uma delas foi contar, por imagens canhestras, que havia lido Dom Casmurro em primeira mão em Paris, sem a devida permissão do autor (e tinha certeza de que Capitu era adúltera). Outra foi fazer a seguinte declaração meio como desculpa: “Se em alguma coisa alguma evocação de figura amada, em tocar em certas reminiscências lhe causei qualquer inquietação ou sobressalto perdoe-me porque, meu bom amigo, entre os homens ninguém o ama mais. Entre homens, por que entre as mulheres...”&lt;/div&gt;
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Para alimentar a suspeita sobre o caso de Machado, inspiro-me nesse tipo de declaração de Graça Aranha e nas entrelinhas das duas cartas que Machado enviou à jovem aspirante a escritora paulistana Rafaelina de Barros (1878-1943) em 1896, quando Machado, no ápice da fama, funcionário público exemplar e casado havia 26 anos com a portuguesa Carolina Augusta Xavier de Morais, contava 56 anos e Rafaelina, apenas 18. Isso segundo as datas oficiais, sobre as quais Rouanet e suas duas escudeiras no projeto de organizar a correspondência completa do autor, as pesquisadoras-detetives Irene Moutinho e Sílvia Eleutério, lançam dúvidas. Afinal, a intrépida Rafaelina já era casada com um comerciante quando escreveu a Machado. Além disso, começava a iniciar uma relação com o poeta paranaense Emílio de Meneses (1866-1918), também casado, bem como excêntrico e conhecido boêmio do Rio de Janeiro.&amp;nbsp;&lt;/div&gt;
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Rafaelina e Emílio viveriam uma paixão arrebatadora em meados da década de 1890. O caso provocou escândalo na Capital Federal. Emílio levou uma surra do marido ultrajado, e Rafaelina abandonou o lar tornando-se companheira e musa para a vida inteira do escritor. Ela estreou na ficção como volume de contos Almanara (192) e, em 1923, publicou o livro de poemas Bíblicas. Quando enviuvou, tornou-se zeladora e organizadora da correspondência de Emílio (hoje desaparecida) e ajudou com dinheiro ao escritor Lima Barreto, que vivia praticamente como mendigo no fim da vida.&amp;nbsp;&lt;/div&gt;
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&lt;span style="background-color: transparent; font-family: inherit; letter-spacing: 0px;"&gt;vivesse hoje, faria networking nas várias festas literárias espalhadas pelo país). Ela já morava com Emílio quando escreveu duas cartas a Machado. “O que é surpreendente nessas duas cartas de Machado é o tom misterioso, cheio de subentendidos”, afirma Rouanet. A primeira, datada de 6 de abril de 1896, solicitando que ele lhe enviasse uma cópia da tradução do poema “Corvo”, de Edgar Allan Poe, que Machado havia feito e ainda era inédita em livro. As cartas se perderam (ou teria sido eliminada pelo pudor do próprio destinatário?). Segundo Rouanet, é provável que Rafaelina atendesse a um pedido do companheiro Emílio, que também estava preparando uma tradução do poema. Em 20 de abril, Machado envia uma carta à “prezada Senhora Dona Rafaelina de Barros”. Ele cumpria uma das duas promessas que fizera a ela, enviando incluso o poema de Poe. Quanto à segunda, escreve Machado, “pesa-me confessá-lo, há razão que só à vista lhe poderei dizer, e que me impede de a cumprir, como deseja cordialmente. Creio que o meu pesar é maior que o seu, por mais amável que seja da sua parte sentir algum.”&lt;/span&gt;&lt;/div&gt;
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A segunda carta, datada de 25 de maio de 1896, responde à de Rafaelina, que deve ter declarado que a leitura da tradução do poema de Poe a fez se alegrar, em uma espécie de alteração do efeito da ave, agora tropical e alegre. Traz comentários de Machado sobre a tradução: “Que o Corvo tivesse produzido nessas sertanias, o efeito da ave alegre e feliz, é notícia que me lisonjeia muito, mas não atribua só a mim este grande regalo. É principalmente do poeta americano. Sem a beleza original da concepção, é certo que eu não chegaria a fazer coisa que prestasse. Como, porém servi de intermediário à inspiração original, fico satisfeito pela parte que tive nas suas comoções.” Rafaelina parece ter se encontrado com Machado, e falado sobre lágrimas antigas. A isso, Machado respondeu, com alguma indiscrição: “Sobre as lágrimas de tempos idos não lhe digo mais nada, além do que falamos sábado. É memória que nunca perdi, e pode imaginar-se se me haverá penalizado tamanha dor sem culpas de uma por causa involuntária de outro”.&lt;/div&gt;
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Rafaelina certamente havia trocado confidências com o escritor três dias antes, no sábado, 23 de maio de 1896. Onde teriam se encontrado? Certamente não no Cosme Velho nº 18, onde o escritor vivia aparentemente em harmonia com Carolina. Será lícito desconfiar de que Rafaelina seduziu definitivamente Machado de Assis naquela ocasião? Será que falaram de seus respectivos cônjuges – e talvez dessa palestra adúltera tenha surgido a inspiração para construir a personagem da adúltera (ou não) Capitu? Leram juntos “Corvo”? Ou juraram não se encontrar, feito o corvo, “nunca mais”, e assim potencializar a paixão? Pois, conforme escreveu Machado, "A ausência diminui as paixões medíocres e aumenta as grandes, como o vento apaga as velas e atiça as fogueiras.”&lt;/div&gt;
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A suposição mais racional é de que houve simplesmente um encantamento, uma simpatia de Machado pela moça e vice-versa, e nada mais. Talvez uma paixonite que um e outro tratou de sarar. Daí a prudência dos organizadores do volume em não extrapolar os limites da pesquisa. Mas, para um reles jornalista – e que me perdoem Rouanet, Irene e Sílvia – , não deixa de ser tentador imaginar a queda do autor de meia-idade por uma jovem de 18 anos, no esplendor da curiosidade, inclusive literária. Toda esta fantasia já me inspira um conto...&lt;/div&gt;
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(&lt;em style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Luís Antônio Giron escreve às terças-feiras, no site da revista Época&lt;/em&gt;)&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-1983456477366472977?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/MM6tkTIruLc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/1983456477366472977/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=1983456477366472977&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/1983456477366472977?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/1983456477366472977?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/MM6tkTIruLc/amante-de-machado-de-assis.html" title="A amante de Machado de Assis?" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/amante-de-machado-de-assis.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4GRX0-fCp7ImA9WhRUFk8.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-2908040943478855295</id><published>2012-01-26T22:08:00.001-02:00</published><updated>2012-01-26T22:08:44.354-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T22:08:44.354-02:00</app:edited><title>Vizinhos de útero</title><content type="html">
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&lt;a href="http://1.bp.blogspot.com/-J_jvFrWpcNI/TxQS2d219aI/AAAAAAAAJ1Q/30JXdf6jtdc/s1600/UEM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-J_jvFrWpcNI/TxQS2d219aI/AAAAAAAAJ1Q/30JXdf6jtdc/s320/UEM.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;i&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;Com base na minha pesquisa e na investigação atual da psicologia tradicional, posso afirmar que o relacionamento entre gêmeos é o mais íntimo de todos os relacionamentos humanos. Consequentemente, a experiência de perder um irmão gêmeo em qualquer momento ao longo da vida pode ser a mais dolorosa das perdas de relacionamento humano.&lt;/span&gt;&lt;/i&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #ff6666; line-height: 16px;"&gt;Costumava-se pensar que a perda de um filho era para uma mãe a forma mais sofrida de perda. Hoje se considera que a perda de irmãos gêmeos tem condições para ser mais dolorosa. Isso acontece porque a relação entre gêmeos é mais próxima, mais íntima e mais entrelaçada (física, emocional, psicológica e espiritualmente) que a relação entre mãe e filho.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;É importante dizer que, devido à ligação profunda entre gêmeos, a perda de um irmão gêmeo, independentemente da idade em que ocorra, pode deixar no sobrevivente marcas para toda a vida. Essas marcas variam e pode afetar a forma como o gêmeo sobrevivente se sente.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;Pode haver uma sensação de falta de alguém que devia acompanhar o gêmeo sobrevivente ao longo da sua vida, bem como uma sensação de incompletude e profunda solidão. Podem persistir ainda sentimentos de perda não identificada, tristeza, culpa, saudade ou confusão etc.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;Dada esta explicação sobre a profundidade e a intimidade gemelar, quero referir que a minha área de trabalho, conhecida como "psicologia pré e perinatal" acredita que desde a concepção há consciência presente no novo ser.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;Acredita também que talvez até 70% de nós, que pensamos ser singulares, podemos na realidade ter sido concebidos como gêmeos ou múltiplos, tendo um ou mais dos gêmeos morrido durante as primeiras semanas da nossa gestação. Isto é conhecido como “síndrome do gêmeo desaparecido”&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;A pesquisa sugere então que devido à presença de consciência já no útero a relação gemelar embrionária tem o mesmo nível de intimidade que uma relação de gêmeos após o nascimento e durante outros períodos da vida.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;Portanto, uma perda de um dos gêmeos durante a fase embrionária ou durante a gestação, pode ser tão devastadora e dolorosa para o feto ou recém nascido sobrevivente, como uma perda que ocorra a qualquer momento após o nascimento ou longo da vida."&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #6666cc; line-height: 16px;"&gt;Drª Nancy Greenfield, de Miami / Flórida - PHD em Psiquiatria.&lt;/span&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;br style="background-color: white; color: #334455; line-height: 16px;" /&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;(Fonte: Blog da&amp;nbsp;&lt;/span&gt;&lt;a href="http://gemeo-singular.blogspot.com/" style="background-color: white; color: #666666; line-height: 16px;"&gt;Claudia Pinheiro&lt;/a&gt;&lt;span style="background-color: white; color: #334455; line-height: 16px;"&gt;&amp;nbsp;/ Portugal)&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-2908040943478855295?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/nJ4kjZZ0nik" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/2908040943478855295/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=2908040943478855295&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2908040943478855295?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2908040943478855295?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/nJ4kjZZ0nik/vizinhos-de-utero.html" title="Vizinhos de útero" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-J_jvFrWpcNI/TxQS2d219aI/AAAAAAAAJ1Q/30JXdf6jtdc/s72-c/UEM.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/vizinhos-de-utero.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YDSXc7fyp7ImA9WhRUF0k.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-6402441952821802530</id><published>2012-01-26T21:52:00.001-02:00</published><updated>2012-01-28T06:59:38.907-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T06:59:38.907-02:00</app:edited><title>A cidade se preparou para a chuva</title><content type="html">
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&lt;a href="http://www.aracatuba.sp.gov.br/userfiles_prefeitura/site02(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://www.aracatuba.sp.gov.br/userfiles_prefeitura/site02(1).jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
Não inventei a frase que é título. Isso eu ouço nas ruas de Araçatuba, inclusive de gente da oposição sensata. Em todo o verão chuvoso, a cidade (ou as cidades) se vê em situação de amargura. Todas as desgraças ocorrem nesta estação. Quem assiste ao telejornais, acompanha as tragédias diárias.&lt;br /&gt;
&lt;br /&gt;
Araçatuba, hoje, se encontra melhor preparada para enfrentar tais intempéries. Não está no ponto ideal, temos problemas, mas avançamos. Graças ao prefeito Cido Sério (PT), os bueiros foram todos limpos com antecipação.Quatro locais de alagamentos tiveram seus problemas resolvidos (Av. Pompeu, Umuarama, São Sebastião e &amp;nbsp;jardim Alvorada), as áreas de alagamento restantes (duas), como Juçara- Lago Azul, Lagoa das Flores, têm tido assistência permanente, com a presença de agentes da assistência social.&lt;br /&gt;
&lt;br /&gt;
As áreas afetadas por desbarrancamento, por exemplo, têm ações concretas e imediatas. O discurso catastrófico é o viés de uma oposição irresponsável. Há pessoas que gostam de faturar votos com a desgraça alheia.&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-6402441952821802530?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/48Um9cRR29g" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/6402441952821802530/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=6402441952821802530&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/6402441952821802530?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/6402441952821802530?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/48Um9cRR29g/cidade-se-preparou-para-chuva.html" title="A cidade se preparou para a chuva" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>3</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/cidade-se-preparou-para-chuva.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUBRno_cSp7ImA9WhRUFUQ.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-4760054339786937172</id><published>2012-01-26T15:00:00.003-02:00</published><updated>2012-01-26T15:00:57.449-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T15:00:57.449-02:00</app:edited><title>Cultura realiza Recital: Rãs, Estrelas e Mutucas</title><content type="html">
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&lt;a href="http://3.bp.blogspot.com/-gvwNKj9Qh00/Txta8VqvZjI/AAAAAAAAgvQ/4sIZHR6GKJ4/s320/Rafael_campos_014.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-gvwNKj9Qh00/Txta8VqvZjI/AAAAAAAAgvQ/4sIZHR6GKJ4/s320/Rafael_campos_014.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;span style="color: #222222; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;A Prefeitura Municipal de Araçatuba, por meio da Secretaria Municipal de Cultura (SMC), promove, nesta sexta-feira (27), às 20h, no Teatro Paulo Alcides Jorge, o recital Rãs, Estrelas e Mutucas com o cantor e pianista Rafael Campos Salles. A entrada é gratuita.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-size: 13px; text-align: -webkit-auto;"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;Serão realizadas peças de Erik Satie, Francis Poulenc, Emmanuel Chabrier, Stephen Sondheim, Camargo Guarnieri, entre outros. O recital também terá a participação especial da pianista, Cecília Raab.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;BIOGRAFIA&lt;/b&gt;&lt;br /&gt;Campos Salles iniciou seus estudos musicais aos dez anos de idade, tendo aulas de piano e teoria musical com a pianista Maria Cecília Raab Forastieri. Mais tarde, iniciou aulas de canto com a educadora musical e preparadora vocal, Neila Fontão.&lt;br /&gt;&lt;br /&gt;Rafael também estudou na Itália com os artistas musicais, Alessandro Luongo e Susanna Rigacci. Atualmente, ele mora em São Paulo, aonde cursa bacharelado em Música, no Instituto de Artes da Universidade Estadual Paulista (UNESP). Na faculdade, ele é aluno da famosa professora de canto, Martha Herr. Bolsista do 42º festival de Campos do Jordão, o pianista também estudou com o professor, Dr. Robert Harrison da Indiana University.&lt;br /&gt;&lt;br /&gt;Em 2011, o pianista participou de duas estréias nacionais, sendo elas a ópera "Promethée" de Gabriel Fauré, e da ópera "The Gondoliers" de Gilbert and Sullivan, com a companhia NUO (Núcleo Universitário de Ópera) em São Paulo.&lt;br /&gt;&lt;br /&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------&lt;br /&gt;Secretaria de Comunicação Social – SMCS&lt;br /&gt;Prefeitura Municipal de Araçatuba – PMA&lt;br /&gt;(18) 3607-6611&lt;br /&gt;&lt;a href="http://www.aracatuba.sp.gov.br/" style="color: #1155cc;" target="_blank"&gt;www.aracatuba.sp.gov.br&lt;/a&gt;&lt;br /&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;--&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-4760054339786937172?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/VtOT71Vkh7w" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/4760054339786937172/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=4760054339786937172&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4760054339786937172?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/4760054339786937172?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/VtOT71Vkh7w/cultura-realiza-recital-ras-estrelas-e.html" title="Cultura realiza Recital: Rãs, Estrelas e Mutucas" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-gvwNKj9Qh00/Txta8VqvZjI/AAAAAAAAgvQ/4sIZHR6GKJ4/s72-c/Rafael_campos_014.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/cultura-realiza-recital-ras-estrelas-e.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUMHQX8yeyp7ImA9WhRUFUo.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-8921627462172929916</id><published>2012-01-26T08:06:00.002-02:00</published><updated>2012-01-26T08:23:50.193-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T08:23:50.193-02:00</app:edited><title>Vítima da própria armadilha</title><content type="html">
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&lt;a href="http://cercaeletricaresidencial.com/wp-content/uploads/2010/03/cerca_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://cercaeletricaresidencial.com/wp-content/uploads/2010/03/cerca_3.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;No início desta semana, 25 de janeiro de 2012, um cidadão de Araçatuba, como muitos fazemos, pôs cerca elétrica sobre o muro. Com 50 anos idade, foi ele mesmo fazer reparos no telhado da casa nesse tempo de chuva. Despencou do telhado, caiu na cerca elétrica e morreu eletrocutado.&amp;nbsp;O morador da casa não quis criar pitibul para não ser atacado pelo próprio cachorro, optou pela cerca elétrica, mas não teve sorte. Foi vítima do próprio mecanismo que instalou, diria Raul Seixas.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Quem já não fez isso, pensando em economizar ou por não encontrar um profissional para o serviço? &amp;nbsp;Há muitos exemplos por aí. Meu amigo Toninho fez isso na casa dele, caiu do telhado e ficou quase um mês na UTI da Santa Casa, saiu bom, está com saúde, pois não tinha cerca elétrica, mas correu grande risco. Nosso Franco Baruselli, com quase 80 anos, subiu numa escada no sítio dele, despencou e ficou de molho por mais de ano. Achava que ainda era mocinho.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;O nome da vítima aqui não interessa, porque podia ser qualquer um de nós. No dia a dia, cometemos cada imprecaução... Eu mesmo já escapei de situações perigosas, mas nem sempre nos livramos dela. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;Algumas reflexões:&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;1. A cerca não estava com excesso de carga?&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;2. O cidadão armou a arapuca para pegar o ladrão e caiu nela. Que ironia... Socialmente, estamos fazendo isso faz tempo, nos tornando prisioneiros de nossas armadilhas. Nada de cerca, mais inclusão social. A melhor proteção é o sorriso, o abraço, o acolhimento.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;3. Os vendedores de cerca elétrica dirão: - Está vendo, cerca elétrica funciona mesmo! Nem que o dono da casa seja a própria vítima.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Como somos todos parciais, cada um tira a lição que lhe convém.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;OBSERVAÇÃO: minha solidariedade aos familiares por esse fato doloroso. Perder o marido, o pai, o genro, o sogro ou o filho sempre é motivo de muita tristeza.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-8921627462172929916?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/sb14FMOgMfA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/8921627462172929916/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=8921627462172929916&amp;isPopup=true" title="3 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8921627462172929916?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/8921627462172929916?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/sb14FMOgMfA/vitima-da-propria-armadilha.html" title="Vítima da própria armadilha" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>3</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/vitima-da-propria-armadilha.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUDSXg7eyp7ImA9WhRUFU4.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-5530448160599581730</id><published>2012-01-25T21:14:00.001-02:00</published><updated>2012-01-25T21:14:38.603-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T21:14:38.603-02:00</app:edited><title>Mesmo com vida breve, Paulo Leminsk se consagrou na música e na poesia</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kf5bEceHrmWG2hJMtYJIsAb_AeQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kf5bEceHrmWG2hJMtYJIsAb_AeQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;strong style="background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-color: rgb(221, 221, 221); border-top-style: solid; border-top-width: 1px; color: #333333; display: block; font-family: arial, helvetica, freesans, sans-serif; font-size: 12px; margin-bottom: 0.3em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 1.33em;"&gt;Sábado, 22/10/2011&lt;/strong&gt;&lt;br /&gt;
&lt;div style="background-color: white; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #333333; font-family: arial, helvetica, freesans, sans-serif; font-size: 12px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;
Filho de um polonês e uma negra brasileira, o curitibano Paulo Leminsk foi um dos melhores poetas de sua geração. Leminsk foi ainda parceiro de Gilberto Gil e Caetano Veloso, deixando uma vasta obra musical e poética.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-5530448160599581730?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/NFSwDf3luwA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/5530448160599581730/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=5530448160599581730&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5530448160599581730?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5530448160599581730?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/NFSwDf3luwA/mesmo-com-vida-breve-paulo-leminsk-se.html" title="Mesmo com vida breve, Paulo Leminsk se consagrou na música e na poesia" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/mesmo-com-vida-breve-paulo-leminsk-se.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkYAQHc8fyp7ImA9WhRUFU4.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-2731598789112253574</id><published>2012-01-25T20:22:00.001-02:00</published><updated>2012-01-25T20:22:21.977-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T20:22:21.977-02:00</app:edited><title>Zé Renato dando cursos pelo Brasil</title><content type="html">
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&lt;br /&gt;
&lt;div id="__ss_11260641" style="width: 425px;"&gt;
 &lt;strong style="display: block; margin: 12px 0 4px;"&gt;&lt;a href="http://www.slideshare.net/Conselio/zrg-sons-vnculos-2012" target="_blank" title="Zrg sons &amp;amp; vínculos 2012"&gt;Zrg sons &amp;amp; vínculos 2012&lt;/a&gt;&lt;/strong&gt; &lt;iframe frameborder="0" height="355" marginheight="0" marginwidth="0" scrolling="no" src="http://www.slideshare.net/slideshow/embed_code/11260641" width="425"&gt;&lt;/iframe&gt; &lt;div style="padding: 5px 0 12px;"&gt;
 View more &lt;a href="http://www.slideshare.net/" target="_blank"&gt;presentations&lt;/a&gt; from &lt;a href="http://www.slideshare.net/Conselio" target="_blank"&gt;Hélio Consolaro&lt;/a&gt; &lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-2731598789112253574?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/LyD9UO2mrG0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/2731598789112253574/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=2731598789112253574&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2731598789112253574?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/2731598789112253574?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/LyD9UO2mrG0/ze-renato-dando-cursos-pelo-brasil.html" title="Zé Renato dando cursos pelo Brasil" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/ze-renato-dando-cursos-pelo-brasil.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUDQng8eip7ImA9WhRUFUw.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-7095778717340723039</id><published>2012-01-25T16:47:00.003-02:00</published><updated>2012-01-25T16:47:53.672-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T16:47:53.672-02:00</app:edited><title>Araçatuba terá dois dias de muito agito no Verão</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Qef3iHEgBZjlg2Fj-QUZwj6hPJE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Qef3iHEgBZjlg2Fj-QUZwj6hPJE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;tr&gt;&lt;td align="center" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;img height="203" src="http://www.aracatuba.sp.gov.br/Painel/fs/9D38WBBy.jpg" width="274" /&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: -webkit-auto;"&gt;Os dias 28 e 29 de janeiro serão abrasadores em animação em Araçatuba. Nestas datas, a Prefeitura de Araçatuba, por meio da Secretaria Municipal de Cultural (SMC) e, em parceria com a Rede de TV Bandeirantes (Band), realizará uma edição recheadíssima de atrações do “Agita Verão”. A entrada é gratuita.&lt;br /&gt;&lt;br /&gt;Uma série de show será realizada na praça São Joaquim, localizada na região central da cidade. Serão seis atrações no sábado (28) e outras 13 no dia seguinte. Um dos destaques é a presença da banda “Bonde do Tigrão”, que se apresentará no domingo, às 22h.&lt;br /&gt;&lt;b&gt;&lt;br /&gt;DIVERSÃO&lt;/b&gt;&lt;br /&gt;De acordo com o secretário de Cultura, Hélio Consolaro, esta parceria foi firmada para levar mais opções de lazer para os araçatubenses e também para as pessoas da região que gostam de curtir os mais variados tipos de música e de performances.&lt;br /&gt;&lt;br /&gt;“A programação está abraçando desde artistas locais e regionais, a algumas expressões de outras partes do país. Pretendemos realizar uma confraternização para as famílias nestes dias quentes de verão. Todos poderão sair de suas casas para curtir dois dias diferentes”, destaca Consolaro.&lt;br /&gt;&lt;br /&gt;Assim, o entretenimento proporcionado em projetos como o Agito Verão promovem a integração da comunidade. Com as atividades de lazer programadas pelo Governo Municipal as pessoas se comunicam e descobrem juntas a diversidade de Araçatuba.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;PROGRAMAÇÃO&lt;/b&gt;&lt;br /&gt;Agito Verão 2012 em Araçatuba&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dia 28&lt;/b&gt;&lt;br /&gt;18h - BLACKOUT GERAL&lt;br /&gt;19h - RACIOCÍNIO PERIFÉRICO&lt;br /&gt;20h - RESUMANÇA&lt;br /&gt;21h - BOLA E NOSSO PAGODE&lt;br /&gt;22h - MAIS QUE POR ACASO&lt;br /&gt;23h - SWINGUERA BRASIL&lt;br /&gt;&lt;i&gt;O DIA TODO DJ SANCLER&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dia 29&lt;/b&gt;&lt;br /&gt;18h - DISCÍPULOS DE CRISTO&lt;br /&gt;18h20 - BLACK STAR&lt;br /&gt;18h40 - MC DEE E CIRILO&lt;br /&gt;19h - GINGA DO GUETO&lt;br /&gt;19h20 - SDJ&lt;br /&gt;19h40 - IRMÃOS JACKSON&lt;br /&gt;20h&amp;nbsp; -ENERGY&lt;br /&gt;20h20 - ENERGY MIX&lt;br /&gt;20h40 - GRUPO ÁGUIA&lt;br /&gt;21h - EVOLUTIONS BOYS&lt;br /&gt;21h20 - MC CASSIANO &amp;amp; DENTINHO&lt;br /&gt;21h40 - AMANTES DA DANÇA&lt;br /&gt;22h - BONDE DO TIGRÃO&lt;br /&gt;&lt;i&gt;O DIA TODO DJ BALL&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------&lt;br /&gt;Secretaria de Comunicação Social – SMCS&lt;br /&gt;Prefeitura Municipal de Araçatuba – PMA&lt;br /&gt;(18) 3607-6611&lt;br /&gt;&lt;a href="http://www.aracatuba.sp.gov.br/" style="color: #1155cc;" target="_blank"&gt;www.aracatuba.sp.gov.br&lt;/a&gt;&lt;br /&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------------------------&lt;wbr&gt;&lt;/wbr&gt;------------&lt;/span&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-7095778717340723039?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/RZWy1Avj_UQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/7095778717340723039/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=7095778717340723039&amp;isPopup=true" title="0 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7095778717340723039?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/7095778717340723039?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/RZWy1Avj_UQ/aracatuba-tera-dois-dias-de-muito-agito.html" title="Araçatuba terá dois dias de muito agito no Verão" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/aracatuba-tera-dois-dias-de-muito-agito.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0EMRX8_eyp7ImA9WhRUFU0.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-5554938182881105347</id><published>2012-01-25T06:47:00.000-02:00</published><updated>2012-01-25T13:34:44.143-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-25T13:34:44.143-02:00</app:edited><title>O amor é lindo - BBB</title><content type="html">
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&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Coluna publicada no jornal Folha de S. Paulo do dia 21.01.2012.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Marta Suplicy - senadora - PT-SP&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.conversaafiada.com.br/wp-content/uploads/2012/01/ChargeBessinha_GloboEdredon_tvdestaques.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="140" src="http://www.conversaafiada.com.br/wp-content/uploads/2012/01/ChargeBessinha_GloboEdredon_tvdestaques.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Coloque um monte de jovens -homens e mulheres- com pouca roupa, jogos e brincadeiras que propiciem tensão e esfrega-esfrega, menos camas do que participantes (esta eu achei incrível!), muita bebida, diversão suficiente para descontrair, intrigas para algum suspense e você tem o "BBB". Acrescente uma busca e seleção de personagens em escala nacional com promoção de mídia, todos com perfil para o enredo ter o mix mais picante e consegue-se a garantia de boa audiência, um pornô palatável, pois os que gostam se deliciam e os que desprezam passam longe e não criam confusão.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Até que das redes sociais ouvimos um grito de protesto. Este, agora, seguido por várias instituições que exigem apuração e questionam os procedimentos no programa. Duas novidades importantes: as redes sociais fizeram diferença e a questão da violência contra a mulher entrou na pauta!&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;A falta de intimidade, as dificuldades nos relacionamentos ditadas pela competitividade, o estresse, o cotidiano das cidades, a ruptura de laços familiares, tudo colaborou para uma enorme vontade de pertencer, saber mais (de longe) sobre o outro. Acrescente a curiosidade gerada por este mundo novo, fruto das mudanças dos anos 60, e dá para entender o surgimento do "An American Family", no ano de 1973, que precedeu as variações que hoje temos. Falou-se então de divórcio e homossexualidade.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;O desejo por mais adrenalina, a exploração cada vez maior da sexualidade, o prazer sádico, as alternativas pobres de entretenimento, somadas à contínua tensão deste mundo globalizado, onde cada vez mais cada um é mais por si e sozinho, levaram ao que temos hoje.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Não teríamos coisas mais interessantes do que estarmos aqui discutindo esse programa? Creio que sim. Mas o suposto estupro -negado pelos participantes do "BBB", assim como foi ignorada pelos editores a vulnerabilidade da moça alcoolizada-, além de desencadear uma discussão sobre a adequação e a ética dos responsáveis pelo "BBB", trouxe visibilidade a uma forma de violência pouco denunciada e que defendo revisão.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;Há meses, apresentei um projeto de lei ao Senado que recria o tipo penal do "atentado violento ao pudor". Isso porque depois de uma mudança de lei, em 2009, passou-se a considerar também como estupro atos libidinosos.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;As condenações por tais atos diminuíram em virtude de os juízes ficarem constrangidos em dar penas tão severas por ato que consideram não tão grave quanto o estupro. O novo projeto mantém a pena de reclusão de seis a dez anos, em caso de estupro, e pena de dois a seis anos de reclusão, quando ocorrer o atentado violento ao pudor.&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="background-color: rgba(255, 255, 255, 0.917969); text-align: -webkit-auto;"&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;O amor é lindo, como disse Pedro Bial olhando a movimentação debaixo do edredom. Mas passa longe do "BBB".&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-5554938182881105347?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/dCH_HBEK4go" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/5554938182881105347/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=5554938182881105347&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5554938182881105347?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/5554938182881105347?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/dCH_HBEK4go/o-amor-e-lindo-bbb.html" title="O amor é lindo - BBB" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><thr:total>2</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/o-amor-e-lindo-bbb.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak8DR347eyp7ImA9WhRUFUs.&quot;"><id>tag:blogger.com,1999:blog-32633789.post-6538498590968534624</id><published>2012-01-24T22:44:00.003-02:00</published><updated>2012-01-26T07:07:56.003-02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T07:07:56.003-02:00</app:edited><title>Cidadão  encrenqueiro</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xViyN6EM0iUR6jVRHJ3AqzHZrm4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xViyN6EM0iUR6jVRHJ3AqzHZrm4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-Nc-ppHo1LPY/Tx9OjiompuI/AAAAAAAADVY/FPbzN8XaCXA/s1600/encrenqueiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-Nc-ppHo1LPY/Tx9OjiompuI/AAAAAAAADVY/FPbzN8XaCXA/s1600/encrenqueiro.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Hélio Consolaro*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Ser cidadão é conhecer os
direitos, mas antes devemos cumprir nossos deveres. Assim dizia Mahatma Gandhi,
meu guru. O cumprimento dos deveres é uma senha que facilita a cobrança dos
direitos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Cidadão consciente, crítico,
base da democracia, não é sinônimo de encrenqueiro, criador de caso. Acha mil
defeitos em todos e se acha um poço de virtudes. Infelizmente, em nossa
sociedade, que prima pelo respeito à pessoa humana, encontra-se cada figura, parasita.
E temos o dever de aturá-los, sustentá-los.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Há uma tipologia infinita de
encrenqueiros, em ambos os gêneros, sujeitos pesados na convivência social, os
eternos conspiradores ou se julgam vítimas da conspiração, desconfiam de tudo e
de todos, aliás, não confiam na própria sombra. Sempre estão maldizendo alguém
numa roda de conversa. É só fazer uma perguntinha sobre o passado de cada um,
descobre-se onde está a causa do desajuste. &amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;- Lá vem o chato! Lá vem o
mala!&lt;/span&gt;&lt;span style="font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Não gosto de julgar os outros,
porque eu também tenho milhões de defeitos, mas as palavras do Meritíssimo
Emerson Sumariva Júnior, Juiz Eleitoral de Araçatuba, reproduzidas por jornais,
têm dito algumas verdades e me assanharam a escreve este texto, o trecho
seguinte foi excelente:&lt;/span&gt;&lt;span style="font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;i&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Não podemos mais, em plena
geração avançada, materialmente falando, ficarmos presos em conceitos e valores
mesquinhos, dando importância para pessoas &amp;nbsp;fofoqueiras, maldosas, que não
conseguiram se firmar em profissão nenhuma [eternos desempregados], ou mesmo na
própria política, que teimam em atrapalhar o processo eleitoral sadio.&lt;/span&gt;&lt;/i&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Em todas as cidades há tipo de gente assim,
quase o Dr. Sumariva deu as iniciais de alguns.&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Juízes e promotores trabalham
no olho do furacão, convivem com a tragédia da limitação humana, no depósito de
conflitos registrados em autos. Eles vivem às voltas, quase sempre, com
encrenqueiros. Por qualquer coisinha, logo diz: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;- Vou procurar meu advogado!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Não prego aqui o conformismo do
cidadão, que ele aguente tudo calado, nem que ser oposição é aviltante. Tudo
tem o seu equilíbrio. Estou analisando os desvios de comportamento, que também
foram objeto de análise do Dr. Sumariva. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Machado de Assis, niilista
convicto, sempre escreveu que o ser humano é uma caca. O escritor não teve
filhos. O seu personagem Brás Cubas também, e se gabava de não ter contribuído
para a proliferação da mediocridade.&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;Aliás, eu sempre fui chamado ao
fórum, mas por que alguém moveu ação contra mim. Nem ação trabalhista movi
contra meus empregadores. Trabalhar como jornalista e ser político, dois seres
que vivem numa tensão natural, visitam constantemente o fórum, precisamos saber
administrar isso, entender a tragédia humana.&amp;nbsp;
&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: 13.5pt;"&gt;*Hélio Consolaro é professor,
jornalista e escritor. Atualmente é secretário municipal de Cultura de Araçatuba-SP.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0cm;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Hélio Consolaro é professor, jornalista, escritor. Membro da Academia Araçatubense de Letras.&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/32633789-6538498590968534624?l=blogdoconsa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/blogspot/jdxecQ/~4/uN7hVBTuohk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://blogdoconsa.blogspot.com/feeds/6538498590968534624/comments/default" title="Postar comentários" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=32633789&amp;postID=6538498590968534624&amp;isPopup=true" title="2 Comentários" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/6538498590968534624?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/32633789/posts/default/6538498590968534624?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/blogspot/jdxecQ/~3/uN7hVBTuohk/cidadao-e-encrenqueiro-sao-bem.html" title="Cidadão  encrenqueiro" /><author><name>Hélio Consolaro</name><uri>http://www.blogger.com/profile/11066942683365049551</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://3.bp.blogspot.com/_7fBMwJV7rOg/ST57OxtjbNI/AAAAAAAAAyQ/sILxfZRugS8/S220/MSN.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Nc-ppHo1LPY/Tx9OjiompuI/AAAAAAAADVY/FPbzN8XaCXA/s72-c/encrenqueiro.jpg" height="72" width="72" /><thr:total>2</thr:total><feedburner:origLink>http://blogdoconsa.blogspot.com/2012/01/cidadao-e-encrenqueiro-sao-bem.html</feedburner:origLink></entry></feed>

