An Artist's Journey

Art Immersion / Workshop

2017-10-22T14:49:00.000-04:00

Do you wish you painted better? Are you looking to hone your skills as an artist?

How about an Art Immersion!

What is that specifically?

It is plunging yourself fully into a week of art. It's more than a workshop. It's a personalized educational experience. An educational experience that is designed uniquely for you and addresses your own art improvement needs.

Where are you in your art journey? Are you a beginner? Have you been painting for awhile, selling, but still strive to improve your work? Are you blocked? Do you feel like you keep working at it, but nothing's really changing? Nothing is improving? Are you an advanced painter who desires a week away, to a new environment, that offers instructional benefits? If so, this Art Immersion is for you!

What would an Art Immersion look like?

Consider spending a week living with an artist. Conversations evolve around art all day long. You paint all week as though you were on a painting vacation. A painting vacation that includes instructions to help you through whatever is blocking you from achieving the results you desire.

If you don't know me yet, I'm Susan Roux. I own the largest art gallery in Portland Maine (3000 sq. ft.). I teach 5 classes a week at the gallery, from raw beginners to advanced students. I've been teaching for over 20 years and still love helping people improve their skills. I have a great eye. I can help you see what your work is missing. Together let's change your work to the "wow" you desire!

This is what the Art Immersion package at Roux & Cyr International Fine Art Gallery looks like.

It's Monday. You arrive in Portland, ME where I will meet you and take you to my home in Poland Spring. You will have a private room for the week and share my home including use of my kitchen. Tuesday through Saturday we travel to the gallery during my usual work hours. Once there you will set yourself up and begin painting. You have the option to set up in the studio space or at the front windows of the gallery. I am available to discuss your art, your desires towards your art and be your personal teacher and advisor for the week.

I will also be doing my usual gallery duties, so learning how the in's and out's of the gallery world works is available information to you. You catch it all. Where art is created, displayed and sold. You will be there during my 5 weekly classes, with the option to share our studio space or paint separately at the front window. You may choose to try both.

My hours are long. The gallery is located in the center of Portland, which is a lovely walking city known for it's amazing food. Since this is a unique educational experience designed specifically for you, you choose how that experience develops. Maybe you want to do some plein air painting? Maybe you want to take in a photo shoot? Maybe you want to take the ferry to the islands in Casco Bay. Maybe you want to enjoy some quiet time on the rooftop patio overlooking the city and ocean? Whatever works to inspire you during this immersion is acceptable. You get to design what your experience will be like.

You leave on Sunday. I'll take you to the Portland airport or bus/train station. You can choose to fly out on Saturday evening if you'd prefer. I am available to bring you to the airport after 5:00.

A little about your host... Susan Roux

You need to know I have a humorous personality. I'm smart and serious when need be but have no problems being silly and funny. I'm very comfortable hosting people and you will be made to feel at home right from the start. My gallery is warm, inviting and uplifting. It is a welcoming environment to work in, not one that is unapproachable. My students love me and I love them too. You will enter into that part of my life. Be prepared to learn and laugh. I laugh a lot at the gallery.

Drinking wine is acceptable, sometimes encouraged, as I find it helps many students relax enough to tap into their creative side. For some it helps them find courage to try something new, something scary, something that's holding them back.

I am neat and clean, but not to a fault.

Daily hours includes traveling time:
(leaving and arriving from and to my Poland Spring home)

Tuesday: 9:30-9:30
Wednesday: 9:30-9:30
Thursday: 9:30-9:30
Friday: 9:30-6:00
Saturday: 9:30-6:00

Cost for one week Art Immersion: $1000

This includes room, use of home kitchen, art education, travel pick up and delivery in Portland, ME.

Please call to make arrangements. 207-576-7787 As part of the uniqueness of this program, you can select a week that suits your schedule.

Let's get you Immersed In Art!

Deadline for Submissions - Saturday!!!

2017-09-06T12:20:00.001-04:00

Call to Artists deadline for submission is fast approaching.

Click here to enter the juried exhibition to be held in Portland Maine at

Roux & Cyr International Fine Art Gallery.

Best of luck!

It's been a full week here at the gallery. Stas Borodin, our Russian artist, has been visiting for the past two weeks. He's been busy painting plein air every day. It's the only way he paints. We opened his exhibition on Friday. It was very well attended. The gallery was packed all night!

Borodin travels all over the world painting, much like olden day artists such as Monet and the other Impressionist who found families to host them while they painted distant landscapes. From China to Israel to France, Cuba, Germany and the United States, he paints and exhibits everywhere he goes. He lives the true life of a traveling artist. And rest assured he has stories to boot! He has been staying in my guest room while painting Maine. Luckily the weather has been favorable, at least until now.

He leaves for Rhode Island on Friday, but only after he completes a portrait of a darling little two year old named Abby. He plans to sit her in front of a movie so she can be still for a duration. It should be an interesting undertaking. You know how energetic two year old's can be..! I wish I could be present, but I will be at the gallery teaching during that time.

I want to wish Stas Borodin safe travels and hope he returns again next year.

Happy painting everyone! Don't forget to enter the juried show. It will be our October exhibition!

Call to Artists

2017-08-25T13:00:00.001-04:00

I know I've been away from Blogger for a long time, but with good reason... As some of you may remember, I opened an art gallery in Portland, ME in 2014. This endeavor is going very well and I'm finally finding a bit of time to resume blogging. I want to say, I'm thrilled to be back!

I'd love to tell you all about the gallery and the exciting things we are doing, but there is a special opportunity that I want to share with you right away.

We are hosting our first Juried Exhibition!

The deadline for submission is coming right up on September 9.

I wanted to inform you before it was too late.

It's very simple. I want to help as many people as possible, especially artists. Artists like you!

Call to Artists

Passionate Color

I don't want to get into all the details here, so a simple click on the above link will put you in the right place for that!

Here are a few basics:

Deadline for submission is Sept 9
Juried process is done by images only, no need to ship art at this time
Size restriction: 12x16" or smaller
Paintings in some form of realistic interpretation
Cost is $25 for 3 images

I really hope you'll consider applying. Roux & Cyr International Fine Art Gallery is hoping to make this a yearly event. With your help and the success of this juried exhibition, we can make it happen.

Best of luck and I look forward to hanging your lovely paintings in my gallery!

Color Workshop

2014-08-11T11:17:00.001-04:00

Whoops!

Original oil painting 20x16"

by Susan Roux

Are you ready to use color freely? Would you like to be confident enough to use color freely? Are you caught in a cycle where you paint mostly with local color? Let's change that.

Sign up for a color workshop now!

October 13, 14 and 15

Monday, Tuesday and Wednesday

9:30-4:30

$200

Roux & Cyr International Fine Art Gallery

48 Free Street

Portland, Maine

207-576-7787

Join in the fun as we explore color and arm you with the tools necessary to use color creatively. Color is emotion in a painting and you can learn to manipulate the emotion your paintings emit. Don't be satisfied by just capturing the essence of your subject, learn to be in control of how your painting "feels".

Take a look in the shadows of her dress. So much excitement and interest can be captured with the creative use of color. Be in control of color harmony in your paintings.

Play with color. Let it explode on canvas while still capturing your forms. You'll have so much fun letting your brush dip into all those pretty colors on your palette. Aren't you ready for a color party? Aren't your paintings ready for a color party?

Website

2014-02-05T11:46:00.000-05:00

Sea Angel

Original oil painting 24x18"

by Susan Roux

Things here are very exciting as the opening of Roux & Cyr International Fine Art Gallery nears. We have a wonderful body of 25 artists, representing 6 countries. You can see them all on our website. Come view the beautiful work that will be adorning our gallery walls!

Our Grand Opening is:

Memorial Day Weekend

Saturday, May 24, 2014

You are all invited to attend. If you can't make it but find yourself in Portland Maine at some point, please stop in! We are at 48 Free Street, across the street from the Civic Center in the Arts District. I'd be very happy to show you around!

We will not be a typical art gallery. We have a lot going on and are working to be community friendly and an inviting place for people to come see art, talk about art, learn about art, create art and last but not least buy art! I'll be busy in our back studio continuing to teach weekly courses to beginners and intermediates. We will also be offering workshops from our very talented artists, so keep an eye out for anyone you'd like to learn from. You can also contact me with a request and I'll urge that artist to set up a workshop. Our first scheduled workshop is a 2-day workshop by artist Sandra Leinonen Dunn on August 7-8, 2014. It is at a very reasonable cost of $200. Please contact me if you'd like to attend.

Bean Pot and Green Apple

Original oil painting 16x20"

by Sandra Leinonen Dunn

The best way to keep up with this schedule is through our Facebook page. Please come like us here. Don't forget to share us as well! It's the best place to keep up with our latest news, rotating monthly exhibits, any events and openings. You can also let me know if you'd like to be on our mailing list by emailing me. Unfortunately as you already know, my blogging time has been severely cut since I began planning this gallery a full year ago. It's no longer the most efficient way to keep up with our news.

I must admit that I miss coming here and interacting with all of you. I also miss seeing all your great art. It's so inspiring to see how committed you are and how often you post. It helped motivate me as well.

So what happens to an artist when they decide to open a large art gallery?

Every emotion you can think of! I'm busy beyond comprehension, but doing all the work with love and passion. It's been amazing to start with a vision and step by step move it forward until eventually all the parts fall into place. Watching it all turn into reality... Paintings are beginning to pour into my home and that like none other, is making it all feel so real. The day we enter our space and begin to build wall partitions will be huge as well.

Thank you for stopping by and do leave a comment so I'll know you came. Don't forget to like us on Facebook and email me if you'd like to join our gallery mailing list. Have a good day!

Uniting the World Through Art

2013-11-01T16:57:00.000-04:00

Vessels

Original oil painting 18x24"

by Susan Roux

It's a very exciting time as my business partner Paul and I prepare to open a Fine Art Gallery in Portland, Maine. This past Monday we signed our lease for a nearly 3000 sq. ft. space at 48 Free Street, located in the Art's District. It's been a long road acquiring this space. Suffice it to say, many long hours have poured into our grand project!

Roux & Cyr International Fine Art Gallery

will have their grand opening on Memorial Day Weekend 2014.

Everyone is invited to come join us for this momentous occasion. The gallery will be Uniting the World Through Art. We are representing 25 artists from five different countries and hope to grow those numbers within our first year. We are showing mid-range to high-end representational paintings in both traditional and impressionistic styles. The collective we have gathered together should be a stunning exhibition. I can't wait to see all our great artists' work together in one place. Our place!

It's been a busy stretch with some tasks being fun while others, daunting. Some of the fun things have been purchasing antiques, hand crocheted doilies and fine china cups and saucers. I've been busy working on wood finishes and reupholstering chairs in coordinating fabrics. Our color scheme is burgundy and gold. As each piece comes to completion, the look emerging is rich and classy.

One of my favorite aspects of the gallery is a large teaching room in the rear. It allows me to continue to teach my weekly classes. I hope to reach out to more people, going from my rural location to the center of the city. The gallery will also offer amazing workshops from our represented artists. So prepare yourselves for announcements here with regards to that. Where else can you get international workshops without leaving the country? Our high-end artists are eager to come share their talents and secrets with you.

I know I've been very absent from this blog, but I hope to be posting on a more regular basis. I'll have lots of information to share with you as well as introduce you to our roster of high achieving artists.

Thank you for stopping by and please take a moment to say hi and let me know you were here. Have a great creative day!

Color Workshop

2013-08-15T09:23:00.000-04:00

Burning Through the Fog

Original oil painting 24x36"

by Susan Roux

This is for all of you spontaneous artists out there.

I was approached by an out-of-state artist who requested I teach a workshop at the end of this month. I've decided to honor her request. Most slots filled quickly by my current students, but there remains a few slots open. It will be an intimate/friendly workshop, held in Poland, Maine. Bring your oil paints and your sense of humor!

The focus is on color. Understanding color and using it creatively to aid in capturing your emotional response to your subject. I won't try to change your painting style, just arm you with new color-usage tools. Capture form while using color creatively. We will work with a series of exercises, a painting demo and time for artists to practice what they've learned while I assist everyone with helpful instructions. My students who took this workshop last year improved in leaps and bounds. It was so visible to all those students who hadn't participated that those who had were approaching painting with a new found fearlessness to color that translated into beautiful work. I'm positive I can help you move forward in your own artistic journey. What do you have to loose?

Dates: August 26, 27, 28. Monday, Tuesday, Wednesday.

Time: 9-4

Location: Poland, Maine

Bargain price: $100. for 3 days

Contact me if you're spontaneous and interested.

Harmony with light

2013-07-22T09:39:00.000-04:00

Sand Beach

Original oil painting 18x24"

by Susan Roux

Light.

The same light drapes itself on an entire scene. It was the lesson I taught my class through this painting. Light comes from one source, the sun and whatever time of day or weather condition you're trying to capture that single source illuminates it all. We all know golden hour, when for a brief time our surroundings become transformed and everything looks gilded. Golden light is draped everywhere.

The same is true for every type of light, every weather condition. It's just not as dramatic and probably harder to see.

Let's put this in terms for the artist. How do we apply this fact to our work?

Whatever color you choose to paint the light in one spot must be used to paint the light throughout. So if you decided to use a mixture of cadmium yellow, white and a dab of yellow ocher to highlight your brightest spots, then a bit of that same mixture should be added to all sunlit colors. Don't get this confused with your values (how light or dark an area is). I'm not saying you need to bring your colors to this same intensity, just add some of this same light to everything in sunlight. Here's one way to approach it. You may want to mix a little pile of cadmium yellow with your dab of yellow ocher without the white. That way you can easily add it to your other mixtures and then add as much lightener as you please to achieve the value you want.

It's the color of light you create that must drape itself on everything.

Your light could be a number of combinations. On a sunny day, it's usually the yellow combination you add to your white. Whatever you choose, be it lemon yellow, naples yellow, indian yellow, cad, ocher etc. Often this light you create might also include a bit of pink if you desire to warm it. Be creative with your light! Don't paint every painting with the same combination. Weather conditions create different shades of light all the time. So if you're trying to capture what's actually around you, you'll need to adjust the combination of pigments in your highlights.

Just remember to add those same colors everywhere in your painting!

It's as easy as that to capture harmony with light.

So if you've shied away from experimenting with colors of light because you lose harmony, there's no need to fear it anymore. Have fun with the light. Play with the light. Just remember to make the same light kiss everything sunlit in your painting!

Thank you everyone for your comments. You make my day! Please leave me a quick hi to let me know you stopped by. It's fast, you won't have to prove you're not a robot here.

All paintings are for sale. Simply contact me if you're interested...

Have a great day my friends and thank you so much for stopping by!

Sowing seeds

2013-06-22T09:56:00.000-04:00

Coastal Light

Original oil painting 24x18"

by Susan Roux

I know of a small fishing village that's been in existence since the 1700's. It's been fished ever since and there's still fish and shellfish to catch today. How is that possible?

I found out their little secret. For instance in harvesting clams, the fisherman agree on reaping only from certain areas a year. While this harvest goes on, part of their duty is to "replant" or seed clams in a different area. These new clams that are relocated will be allowed to grow and multiply for several years before being harvested. There are a lot of small islands in this village, which means lots of shoreline creating the perfect stage for making this possible.

Ingenious! Renewing their food supply insures a continued harvest, year after year. Talk about looking ahead and planning for the future...

Those same lessons can apply to artists as well. Of course I don't mean take some of your small paintings out of the studio and go plant them outdoors so they can grow and multiply, but I do mean sowing seeds. Sowing seeds today can lead to an unexpected harvest in your future.

These seeds can be anything from simple acts of kindness to conscious steps in marketing to help propel you in the future. Simple acts of kindness are selfless things we do for others. The benefits can be far reaching for both parties involved, the receiver as well as the giver.

Do something nice for somebody without expecting anything in return and you will be rewarded down the road. Some call it karma and the TV series My Name is Earl explained that very well.

We're creative and we possess lots of gifts because of it. We have a lot to offer and we can come up with very interesting ways to share our gifts. Helping someone, giving them a hand. It all counts. The real trick is not to expect anything in return. It's not I'll do this for you today, but then you must do this for me tomorrow. Selfless and without expectations.

It will leave you happy and uplifted. The feeling is so great that it tends to multiply. It can grow in you like an addiction. Reach out to people. Send them a smile. Share something with them. It can take minutes or even seconds, but it all matters.

I have lived my life doing acts of kindness for people. Now in this new phase as I work towards opening an art gallery, I'm amazed at how many of these seeds have grown to harvest. It's overwhelming actually. Things I never thought amounted to much, things that took so little of my time, have grown into compassion and trust. I find myself surrounded by a sea of grateful people all willing to help. My heart smiles as I bask in the warmth of the love.

The other type of seed you can sow for your future are seeds of marketing. It's ok if you don't have a whole plan figured out in your mind. Most of us don't. But everything adds up. If you're here, most likely you're already networking. Socializing with like minded people, sharing ideas and offering words of encouragement. (We're back to those acts of kindness again... See how easy it is?)

Have you met Debbie? I recently stumbled upon her. She offers many helpful ideas on marketing your art. Are you showing your work on Facebook? How about Pinterest? Sign up with her and she will include you in her weekly tips. Here she posts an article from Christine Corretti who explains how to make the most of your Pinterest account.

The marketing thing can be a real pain, since all we want to be doing is pain-ting instead!!! So all the help we can get, especially to simplify things is welcomed.

Do yourself a favor and sow some marketing seeds for your future. In the meantime, work hard, smile at people and the benefits will come to harvest in due time...

Happy planting everyone!

Color vs Value

2013-06-01T11:46:00.000-04:00

Ahoy Maties

Original oil painting 24x18"

by Susan Roux

Color and Value. They're quite different.

Color, we all know. It's how we've been taught to refer to the pigment of everything we see. It's green, it's blue, it's yellow, it's red... Of course as artists we know there is a lot more to color than just identifying it's pigment. We train our eyes to see beyond mere childlike identifications. Is the color neutralized? Is it saturated? Has it been lightened or perhaps darkened? Is the color in sunlight or in shadow? This is where it can get tricky.

As soon as we start thinking in terms of how light or dark the color is, we switch to talking about it's value as opposed to it's pigment. Here lies a very confusing fine line for a lot of people. My students stumble on it a lot. Value becomes confused with color.

It's pretty easy to do since we are always using color to paint our paintings. Whether we're depicting value or color, it's with mixtures of color that we work with. Even trying to write it feels like a tongue twister.

The most important thing to capture in representational painting is the correct value. How light or dark a passage is. It's what identifies form. Three values, a light, a dark and a mid-tone placed between the two will create the illusion of 3-D form. As for color, the skies the limit!

Unlike needing the correct value, color can be as expressive as the artist chooses. So long as the value is right in a passage, any pigment can be used. The decision is up to the artist. Some will opt for a close representation of what they see while others will play with the emotional factor color possesses.

I experimented once and painted an entire painting with very wrong colors, but kept the values correct. It was pretty bizarre to look at, yet when you looked at it through a red-sheet value finder, it appeared to be totally correct. A friend said it would make a great exhibition. Paint all these crazy paintings and have value finder glasses for viewers to use. I could actually picture it in large cities, but never followed up with the idea from my rural area.

Do you have a red value finder? I like to pass some around during my first class with beginner students. It blocks out color and helps you focus on the actual values. As I try to have them look at things in terms of value, it's a great tool. Squinting does a similar thing and I'm sure a lot of you are accustomed to doing so as you paint.

Are you getting your values right? An easy way to check is to turn your image to black and white. Eliminate the color and what remains are the values. Does your work hold up to this test? If not, try focusing on it and you'll find your work will improve. Your images will become stronger. Getting the values right is primo in representational painting.

-----------------------

Ha ha. I have to laugh at myself. It's wasn't until I was sitting here looking at my image in black and white that I noticed the reflection doesn't line up with her right leg. I moved her leg to the left near the end as an adjustment, but never moved the reflection! I guess she needs to come sit on my easel a bit longer...

See. There's proof that turning your painting to black and white can help you improve your work!

"the thing"

2013-05-08T09:12:00.002-04:00

Temptation

Original oil painting 14x18"

by Susan Roux

What are you striving to capture in your paintings?

Place a bunch of artists in front of the same scene or set-up and everyone has a different interpretation. Are we not seeing the same colors? Are we not seeing the same light?

There is much more to painting than meets the eye...

Emotion. Our own unique response to whatever subject we choose to paint. Even the same artist on a different day will interpret the same subject differently. Who we are. What we are. Everything we've been through physically and emotionally effects how we place paint to canvas. I've been reminded of this recently.

I've noticed over the years when my actual life feels out of my control, my art tightens. It's as though I'm looking to have control over something when everything else feels chaotic. I have a student who reacts completely in the opposite way. She unleashes wildly and boldly in an emotional abstract outpour that has the illusion of somebody screaming!

What happens to your art when life feels out of your control?

Even when life is going along normally, we focus on capturing different things. Is it a feeling you're trying to capture? Perhaps creating an ambiance? It is technical fundamentals? Is it certain colors you wish to play with?

When we decide on a subject to paint, there is something about that subject that spoke to us to make us choose it over all other subjects at that moment. What is that something? What was it about your subject that spoke to you? Whatever it was: the shadow play, the colors, the movement, the serenity, the lines, the structure... This should be your top priority. This should be "the thing" you're trying to capture. It is where your passion lies.

No one will feel about "the thing" exactly like you do. What captures you about the subject is what you should be striving to capture in your painting.

Ignore all those voices in your head that are telling you so and so said I should do it like this or so and so would do it this way. When you're trying too hard to focus on someone else's method, you're not following your own unique voice. Yes there are those times of learning/studying which require thought about the teacher's words. But any other time, the only thing you should be following is your own gut feeling. Let that brush go on auto pilot. Focus on "the thing" that inspired you to paint your subject. Exaggerate it even, so your viewers won't miss it. Everything else will fall into place.

When it comes to art the thing is, expressing "the thing" is what it's always been all about.

The Teaching Component

2013-04-18T11:37:00.000-04:00

Papaver

Original oil painting 14x11"

by Susan Roux

As the last of our snow melted this week, I found myself painting reminders of my garden from last summer. This lovely poppy was a new addition and I'm wondering if it survived the winter. I was so attracted to the delicateness of it's petals. They're thin and floppy much like fine transparent rice paper. It was fun trying to capture that quality with paint. I wonder if the name papaver has to do with paper? It seemed the appropriate title for this showy, dainty blossom.

As you well know, I'm in the process of opening an international fine art gallery. It's been consuming most of my time and the prime reason why my posts here are so far apart. Don't worry though, I'm still painting.

I'm so happy to announce that the gallery will have a teaching room. My classes will move from my home studio to Portland. I'm really excited about that component. Not only will it give me the opportunity to continue inspiring lots of people to paint, it offers a space to conduct workshops. My plan is to have some of my represented artists travel here to Maine and teach directly in the gallery. How fun and a wonderful opportunity for you!

Until everything is set in stone I don't want to formally announce our intended workshops just yet, but keep your calendars open for late summer, early fall. If you're curious to know right away who's tentatively coming and when, you can contact me personally. As soon as everything is definite, I'll let you know.

One of the great things about teaching at the gallery is all the wonderful art that will serve as examples of the concepts being taught. Often at home, I pull out my own work to help explain things. Now there will be a whole range of works from many different amazing artists to refer to. I think it will elevate the teaching component and offer such inspiring stimulation for all the students. It will do everyone good to be experiencing diverse works of quality art, including myself. When the bar is set high, people tend to strive for higher achievements. It will be an honor to teach in such surroundings.

Please stay tuned for future announcements of upcoming workshops. There'll be lots of exciting news in the near future!

Keep painting everyone. It's wonderful for the soul...

International Fine Art Gallery

2013-04-01T10:32:00.000-04:00

Uniting the world through art

How do you like our sign design so far? Our round logo will fit nicely in the empty space beneath the word Gallery. It's all coming together. Just as the sign design develops, so does the entire vision. It's so fascinating to watch the individual parts begin to fall into place. It's very similar to how a painting comes together. Having a general idea and building upon it by responding to everything else you've already done, while keeping the final goal in mind.

I'm a colorist. I teach and promote the use of creative color. Color can be a crazy thing. Each has its own mood and by combining them differently, the artist can infuse different emotions into their work.

We are also affected by the colors around us.

I laugh sometimes as my students create paintings that would fit wonderfully in my home. Every color around them, though they don't even realize it, affects the color choices they make. Even those colors way off in their peripheral vision.

I like to use this concept as an advantage. In the initial block in, I encourage wild freedom of color. Grab whatever color you feel like dipping your brush into. It's just the underpainting and most of it will be covered again anyway. Nothing too scary about that.

Some students are more daring than others. I really discourage beginning with local color (the color we perceive things to be. The leaves are green, the sky is blue...). Those students that begin with the funnest colors create the most energetic and emotionally filled paintings. As the students take breaks and view each others work, the more conservative ones ooh and aah over the wild colored ones. Why? Because the creative use of color infuses emotion.

Those initial colors keep affecting the color choices we make. Just as color around us affects our painting, so do the colors staring bluntly at us from our canvas. This is an important point that I cannot accentuate enough. An emotion you set early on in the process will strive to carry through until the end. As I tell my students, if you begin to paint something with local color, you have no place to go with it. Adding green to something that is already green is not exciting. Adding green to something that is purple, magenta, blue or red creates energy and excitement. That energy translates back to you as the artist. The funner your painting is, the more you wish to continue painting. Like a good book you can't put down.

How many times have you lost steam while working on a painting? Perhaps you had imagined it more exciting than what was reflecting back at you. Grab some color! Have some fun! You'll like it better in no time.

I'm following this concept as I put together ideas for the gallery. Every time I begin to get too bogged down with the more serious business side of things, I throw in something creative. By keeping it colorful and exciting it reflects back a wonderful energy that makes the continued journey forward easier and fun.

Art has it's difficult side too. Focusing to improve can hurt your head. If you can remember to keep it interesting and fun, the journey and the outcome will always be more exciting.

Thank you for stopping by and leaving your wonderful comments. You really make my day!

Note: Roux & Cyr (pronounced Roo & Sear)

Artistic voice

2013-02-27T09:50:00.000-05:00

Water Yoga

Original oil painting 16x20"

by Susan Roux

When art wants to pour out of you, let it.

Sometimes what feels the most natural in painting gets pushed aside by the artist and thought of as being "nothing" because of the ease with which it was created.

Please don't do this to yourself. I know too many artists that have turned away from their most exciting works because they feel it isn't worthy. How many times have I heard, "Oh that. It's nothing. I came to my studio the other night and just scribbled that out." They're almost embarrassed you saw it. They feel it doesn't compare with their other studio work and frankly at this beginning stage, maybe it doesn't. But with a little time spent developing that different look, it could be your winning ticket.

What pours out of you naturally is YOUR ARTISTIC VOICE.

Make no mistake about that.

The artist's journey can be very confusing and difficult. We spend time looking at art we admire and there's a certain trigger that drives us to try and emulate those aspects we're drawn to. It can be a very good learning tool, but when it really comes down to it, that voice inside is the one we need to listen to. There are two parts to developing as an artist. The learning part and the creative part.

These two parts are very different and shouldn't be confused, though many times they're intertwined and weave in and out of each other. We often become lost in our own webs. After all doesn't it make sense to try to paint what we love? Well, not exactly...

Your voice, like your brushstroke should be as unique to you as your signature. Nothing more exciting and invigorating will pour out of you than your own voice. It might look a bit rough at first, so don't waste time trying to paint like so and so, because what you really need to do is start working on painting like you! Do I really need to point out how many artists are trying to paint like certain leaders of our day? It takes very little time searching the internet to find dozens of painters painting in a very similar style.

You want your art to stand out. People should be able to look at your work and know instantly it's yours.

As many of you know, I'm in the process of opening an International Fine Art Gallery in Portland, Maine. I've been busy scouring the internet for artists to represent. Those artists that are painting what pours out of them without any concern to whether they have an outlet for it or not, stand out above all the rest. I know I have a good eye, but seriously, it isn't hard to spot a true artistic voice when it's floating in a sea of similarity.

So if you're caught in a flood of artists and want to be noticed, remember to shout loudly! (in your own voice...)

the Swan

2013-02-17T14:23:00.000-05:00

Plumed Elegance

Original oil painting 24x36"

by Susan Roux

It was by accident that I stumbled upon the amazing swan photos I took several years back, when Martine-Alison visited for a month. The day was beautifully warm and sunny and we wondered into the lovely Boston Public Garden. Somehow in the hustle of that busy summer, I'd forgotten that I'd taken them. It was a nice find in my photo library.

The swans were building their nest.

I was mesmerized watching them and I remember staying for a long time at the edge of the roped off privacy railing that had been erected to protect them. As one bird gathered long sticks and twigs that had fallen from nearby trees, the other sat in the nest weaving with it's beak. Some of the sticks were way too large and heavy. They needed to be broken. We would have easily snapped them with our hands, but the swans are only equipped with beautiful feathers on their wings. They had to rely on the power in their strong necks to twist and snap the branches. They worked so hard, pushing limbs against the ground. How I wished I could have gone pass the barrier and snap those large branches for them.

After awhile, they swapped places. It was moving to see how well they worked together in preparation for the little one's to come.

Eventually one left the nesting area for a nice relaxing swim on the pond. I can only assume it was the male, as his display of plumage was quite spectacular. He eventually drifted to a cove where the long reflections of the distant trees darkened the water. It was as though my heart stopped. Such a spectacular scene.

The swan lit up with amazing beauty. I took several photos of him glowing before he drifted back into bright water. I remember that encounter like it was yesterday, yet somehow I forgot about those wonderful photos I'd always intended to paint. Perhaps the time wasn't right.

This is a large canvas, 24x36". It used to be a common size for me, but I have to admit, it's been years since I've painted on this format. My admiration for these swans was still quite powerful and to this moment I remain in awe of what I experienced that day. I needed to paint it large. It just seemed to be the right choice for such an elegant waterbird.

I suspect I'll be painting more of these... It was just too fun.

Say WHAT..?

2013-02-02T07:08:00.002-05:00

Grandma's Tea Set

Original oil painting 20x16"

by Susan Roux

Life takes us on some pretty interesting journeys sometimes. Not just art journeys, but all sorts of different types.

I am diving head first into a new project that is about as shocking to me as it will be to you. I always think decisions like this are well thought out and the germination process is at least a year, usually longer, but not in my case. I used to tell people if they looked up stressed in the dictionary, they'd find my picture. Now the word I'm sitting next to would be spontaneity.

What is my project? I'm in the beginning stages of opening an art gallery. Not a typical art gallery, mind you. Oh no, if you know anything about me by now, you already know I don't follow the pack. My gallery will focus on international art. It would have been too easy to contact all you talented, trusted artist friends and fill my space with wonderful art. Why is it, I wonder, that I always push towards the most challenging avenue I can find? Don't wait for an answer here. I don't know why myself...

It seems to be that the nightmare of learning about importing, which by the way also includes exporting (the country the art is leaving) will be at the crux of my journey. By this time next year I might be very educated on the subject and a whiz at filling out the paperwork. (One can only hope...) My nights have become nearly sleepless as I continually ask myself if I've gone completely nuts!

They do say that about artists, you know.

Much like most of you, I've often wondered why artists got the reputation of being loony? I've felt level headed journeying through life and I'm an artist. The common phrase didn't seem to apply at all. But as I look at how I'm completely driven on my rash decision, I understand how the average business person could never move forward on such a venture by simply following their heart. I suppose this is where we are viewed as crazy. Creative people are the ones who carve their way with their hearts.

Now isn't that appropriate for the month of February?

Grandma's Tea Set is not a new painting here on my blog. I've reposted it because I'll be exhibiting it in the Art of Heart exhibition at House Arts Gallery in Gray, Maine. It will hang for a month in a special impromptu exhibition that resembles the type of spontaneity that pushes me forward. Gotta love that!

The opening is Friday, Feb 15, a post-Valentine wine and cheese event. It's 5-9. Please stop in and say hi. Mary Colangelo, the bubbly owner, will be happy to make your acquaintance and I'll be happy to spend some time with you...

Scattered

2013-01-24T08:53:00.000-05:00

Awakening

Original oil painting 16x20"

by Susan Roux

I've been absent from my blog for so long, it almost feels foreign to me now. I'll have to try to reacquaint myself. For those of you who are loyal followers, I do apologize for not stopping by to say hi once in a while.

I may not have been blogging, but don't worry, I have been busy painting. Painting and experimenting. My subjects have been all over the place. Unlike working in a series, I'm bouncing from on thing to another without any apparent relationship to the previous. I can't explain why. Perhaps I'm searching for something internally and I don't even know what it is! Boy that has a whole level of whacky written all over it.

Scattered.

It's been me. My thoughts, my art, my journey. It's as though the new year held so many possibilities with an enormous amount of time to achieve it that I've become giddy with freedom and lost in terms of a specific goal. I try to put the logic of it all aside, get the analytical me to stop analyzing everything and just go paint. But honestly I can't seem to stop the analyzing part. Must we always know the "why"? Shouldn't it be possible to just "do"? Good luck trying to tell my brain that.

I was looking at some wonderful old art on the internet that just captured my heart. It was so beautiful in light and use of color. You could dream away in it. It just took my breath away...

Of course the analyzing me couldn't just enjoy that experience. It began to analyze why it was so breathtaking. Color associations came into view. There was simplicity in it. It seemed easily understood. I asked myself why I wasn't painting like that? I have the knowledge to understand everything that makes these works so amazing. Why aren't I just implementing all this into my own work? This is when I became scattered.

Perhaps it's much like a block. The awareness of a concept, without complete clarity on how to execute it. The odd thing is, I don't feel blocked at all. I feel something is awakening in me. I don't even know what it is to put it into words. But certainly something is gnawing at me from inside. As I write about my journey, trying to explain it to you, it seems clear that my answer lies in going back to view old beautiful art. What made it so powerful yet dreamy all at the same time? It's how I'd like my art to be. Grab you and put you into a dream.

Wow, I've never been so resolute with a definition of what I'm working towards. Is this what artist's statements are made of?

Here are some of my scattered paintings:

Orange on White

Original oil painting 20x16"

Orange on White, detail

Victorian Porch

Original oil painting 18x24"

Oceanside Rose Cottage

Original oil painting 18x24"

Sun Dappled Garden

Original oil painting 20x16"

Just as the sun is firing up, percolating, getting ready to explode out in my top painting, Awakening, I feel something is bubbling inside me just waiting to burst out. I can't wait to see what it will be...

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Dreams and goals

2013-01-04T11:41:00.000-05:00

Up On Lighthouse Hill

Original oil painting 22x28"

by Susan Roux

I love this time of year.

In Maine the weather's raw, the snow is bright and glorious and my focus is to jump head first into (no not Sebago Lake with the other Polar Bears...) my art! There's something cozy about winter after the holidays. The house is warm with the smell of wood wafting each time the stoves are loaded. You could cozy up by the fire with your favorite drink or... spend relentless hours in front of your easel.

I usually choose the latter.

It's also a time to look at life and your current direction to see if you're staying on track. Goals have been made over time and if you're like the pack, the end of a year has us thinking about them more than usual. With it also comes the feeling of time. A whole new year ahead of us, much like a blank canvas, to be filled with something new. Endless possibilities. What will you fill your new calendar with?

Are you looking for gallery representation? Perhaps you'll peruse new opportunities for artist? A competition? Will you be taking a workshop or two? Maybe your contemplating teaching, sharing your skills? Will your focus be on marketing yourself? There's a certain excitement in knowing you have a choice to plan and choose whichever direction you want. Sure it will take a lot of motivation and hard work, but you have a whole year ahead of you! Piece of cake.

As for myself, yes I have approached a few new galleries for further representation. To be honest, it's still scary. The first time you put yourself out there to be judged can be terrifying but for those of us who've been out there awhile, it still holds a level of anxiety.

The anxiety goes both ways. You feel like you're holding your breath waiting for their response. You're trying to brace yourself for the rejection. Are you standing firmly enough or will it knock you right over? Those nagging questions circle in your head. I like to think I'm sturdy enough to have it bounce right off of me. Shake it off like it wasn't a big deal. But we all know that those rejections can be crippling.

Then there's the other side of the pending anxiety. What if they do accept me??? It will be very affirming and a wonderful boost. Complete joy! You can just imagine your creative energy escalating. Escalating until you get to that point when you doubt yourself and wonder if you can continue to create a level of quality that satisfies your new gallery? Ouch. The things we do to ourselves.

Art has to be one of the most difficult ventures. I know we can't help ourselves and the desire to create can consume us. But the reality of it is we are drawing from within. Exposing ourselves in our most naked form and the fear of being judged and then rejected is terrifying. I don't care how long you've been doing it. It's as terrifying each and every time. The better you get, the higher the bar you're reaching for. Will you grab and slip and come crashing to the floor? Or will you reach to a comforting hand that pulls you upward towards your dreams?

I've been looking at your blogs and I love your goals. It's so inspiring to read. My favorite is those of you professing to paint 30 painting in 30 days. It's a huge commitment. I think of it differently than the daily painters. I imagine normal size canvases with full fledge paintings. I don't think I could keep up that momentum. I'm pretty prolific but that would do me in. I applaud you for your gumption and drive.

Whatever your goals are, I wish you the tenacity to push on no matter how terrifying it might be and be successful in achieving them.

What are you dreaming for this year? What bar are you reaching for?

Company

2012-12-10T11:00:00.001-05:00

Purple Passion

Original oil painting 16x20"

by Susan Roux

Company. Isn't it part of the holidays? The best part, I'd say. I have to confess I love having people stay over. Whether loved ones arriving or casual acquaintances, it puts the house in an air of celebration.

Purple Passion developed quite differently than my previous still life. When I look at it, it reminds me of the feeling of holiday company. There's a big difference in hosting a holiday meal and having overnight guests. The meal has the house filled to capacity with a fancy table and wonderful smells wafting through the air. Overnight company, on the other hand, is filled with special quiet moments that can remain in your heart forever.

Like early morning conversation when only two people in the house have awaken. It doesn't matter that your hair is a mess, nor that you're in your bathrobe. Some nice quality time emerges while sipping your first cup of coffee. Don Hatfield and I met like this every morning when he visited a few years ago. As you can imagine, conversations were always deep and about art. Priceless... The same is true with the evening. Cuddled up in front of the warm fire sipping whatever makes you feel cozy inside. This is what I see when I look at this painting. The fancy of company with warm hugs surrounding it all.

My middle son arrives today. I'm ecstatic. Yes I still have plenty to do before my house is company ready. It's exactly like what I read recently on Sally Rosenbaum's blog, the reason women have difficulty rising in their careers to the same capacity as men is: We don't have wives! Consequently, if we're devoted to our work, the house suffers. Let me tell you, I've been very devoted to my art! So after this post, I'll be busy with a plethora of household chores...

I know I'll miss my routine of painting. I always do in December. My classes will still run as usual for the most part. Students really need the break from holiday madness this time of year. They're so thankful for a reprieve and a bit of stress-free time with a brush in their hands. I too am happy to pick up my brushes. What I miss the most is time to paint on my own.

Come January I'm usually ready to explode on canvas! (not a bad thing.)

So if I don't post again before Christmas or don't stop by as often as usual, know that I'm cozied up in front of the fire sipping something special with my very welcomed company.

Happy holidays to all of you. May you find time to enjoy those special quiet moments amidst the hustle. I also want to take time to thank all of you for stopping by throughout the year. Whether you leave a comment or not, I love that you take time to pop in. And for those of you who are so dedicated to leaving me a little note, know you're the ones who put a huge smile on my face... Blessings to all and have a safe and happy holiday.

Project Graduation Raffle

2012-12-05T09:08:00.000-05:00

Magical Garden

Original oil painting 16x20"

by Susan Roux

Are you familiar with Project Graduation?

It's a good program organized by Mom's of high school seniors to raise money for a safe graduation party. I don't know if you recall, but each year there were news of seniors dying in car accidents after celebrating their graduation by partying it up too much. It was sad indeed. So sad actually that parents, mother's particularly, began Project Graduation.

The fundraising goes on all year. A huge alcohol-free celebration is planned. It's a big secret. Not a secret that the fundraising is going on, but a secret as to the location of the party and the activities involved. Depending on the amount raised, more "fun things" can be rented to spice up the party. The seniors are bussed away, directly following the graduation ceremony and don't return until the following morning. It's an all nighter with all their friends and everyone arrives home safe.

Arriving home safe. That's the whole purpose of this project.

I remember one of my sons cruised out on Casco Bay. (That's where Portland Head Light sits.) Imagine the fun all night with the city lights as a backdrop? He recalls it as a blast and so romantic. My other son was taken to a resort. Indoor pool for the whole senior class! How fun! They also had rented sumo costumes. Yes big inflated puffy costumes and they had wrestling matches. His stories were priceless!

And everyone arrived home safe...

The above painting is my donation to the project. It's hanging in the school lobby showcase all dressed up in a beautiful 3" gold frame. Raffle tickets are being sold until the drawing on February 9.

Would you like a chance at winning this original Susan Roux? (I'll tell you, it's much prettier in life than on this photo...)

Tickets are $3.00 each or $5.00 for two.

It's a great deal! Someone will walk off with Magical Garden at this low price. Shouldn't it be you?

Just send me an email or snail mail me at:

Susan Roux

50 Bishop Rd.

Poland Spring, ME 04274

Your donations are really appreciated. Please take a few minutes to buy a chance. After all, it's like we're giving it away!

Thank you in advance for your kindness. You might also want to contact your local high school and make a donation towards their project graduation. After all it's for the safety of our kids!

Thank you very much.

In the wake of it all

2012-11-29T10:52:00.000-05:00

Portland Head Light on Sandy's Heels

Original oil painting 18x24"

by Susan Roux

It was the day following the hurricane.

I was down in Portland helping my husband hang his photography show. It was nearing noon and he wanted to swing by the lighthouse to snap a few photos of the ocean. The sky was dark. Not my idea of a perfect photo shoot day. As we drove in the winding road of Fort Williams Park we could see huge waves spraying off the fort. Wow, I'd never seen spray like that! It must have reached 30' or more in the air.

I was surprised to see the parking lot so full. Mike is known to be a storm chaser, but I don't usually tag along. Who would have known there were so many storm chasers? Typically he goes on the following day. I'd have a hard time letting him go during a furious storm, though if it were up to him he'd probably be there. Just as we approached the lighthouse, the thick gray sky opened up. Everything suddenly lit up. The lighthouse brightened into a shooting white tower against the blackened sky. Such drama! The ocean appeared strange to me. The roaring sound seemed to overlap itself creating a stereophonic harmonious rhythm. It was filled with unbelievably powerful energy. Relentless energy. I was deeply moved. The froth it stirred resembled whipped cream. From the safety of the tall cliffs I watched in amazement. The sun shone brightly in the opened sky and all of the lovely sea foam sparkled spectacularly. Mike told me it was high tide and he'd planned to be here at this particular moment. Little did he know the clouds would open briefly for all the shutterbugs gathered.

The drama was so breathtaking, it was beyond words. How could this scene of beauty be the culprit of the disastrous effects only a short day ago? My emotions were mixed. I felt guilty for finding beauty in what caused so much suffering for others. But it was beautiful. Spectacularly beautiful...

The cliffs circle around the foamy area. When we stood facing the huge sprays, it resembled snowballs exploding like giant fireworks. There was so much froth generated that rather than a typical spray splashing, each droplet became a clump of froth. It was a scene like none I've ever experienced. The sunlight created soft delicate shadows within the clusters. I stood there watching and watching. Wave after wave the energy persisted. I prayed for my friends caught in the disaster. I prayed for everyone caught in it.

It's in moments like these that I recognize how tiny we are. Like little specks on a huge planet. The forces of nature are no match for us. I felt humbled. As the ocean persisted my thoughts drifted in so many directions. All the while, viewing spectacular beauty...

Just as we began to return to our car, the sky closed back up and all became dark again. For photographers, it was a gift of light.

Our photographs could not capture the feeling of being there. The sounds, the cold gentle spray reaching us at times, the ocean's strength and energy couldn't be contained in a still shot. Yet we had a record of being there.

I began this painting that night. It's been difficult trying to capture my emotions from that day. As usual my art photography is lacking and what you see here is just an echo of the actual painting. It is filled with light and every pastel color you could imagine.

Recently in my post titled Red, I spoke about popular subjects that have been painted over and over again by artists. The Portland Head Light certainly qualifies as one of those. But you can expect that if I paint it, I'll be giving you a different version than what you're used to seeing. This one is no exception.

I apologize to anyone this may offend. Know that I'm not insensitive to the horror Sandy caused. I just needed to paint and share my own experience, in the wake of it all.

Still life. Really???

2012-11-22T11:26:00.000-05:00

Grandma's Tea Set

Original oil painting 20x16"

by Susan Roux

From a teaching point of view, I've been wanting to introduce my students to still life painting for a while now. It requires close attention to values and defined light and shadow patterns. Much like the challenge of doing a figure without the proportions being as important, so long as the overall composition still works.

I wasn't sure how to go about this. Each class meets once a week and it can take a good month to finish a painting. How could I possibly set up a still life that would last that long without being moved? Not to mention any flowers. The other problem I faced was everyone's vantage point would be different. A set-up could be very pleasing from one persons perspective, but very unattractive from another's.

One day the solution came to me.

A photo shoot. Yes, it was that simple.

I'm predominantly a studio painter. I work from images most of the time. Why having images of a still life didn't occur to me is baffling. I did still life work over a decade ago. It fascinated me and made me focus differently than painting landscapes. I enjoyed the challenge a few times a year. Each time, I'd prepare a set-up on my bay window to paint from at the same time of day. It was my time to explore painting from life and I loved the light and colors I'd see.

It came as an unusual thought to paint one from a photograph, but it seemed the perfect solution. So one day I called a student in to help me. Bring along some things that would work in a still life, I said. Much to my surprise, he arrived with a car full of unusual and interesting things. We set up a table in the hallway, the darkest place in the house. A single light source could be brought in. We worked for hours that day, setting up various things on different cloths. Click, click, click went the camera. Artifacts were strewed all over the house by the time we finished.

Those photos sat in my file for at least a month. Last week a class wanted to begin a still life. It hit me that I was perhaps not the best teacher for this, not having done one in so long myself. We began. A loose background and the objects drawn in with paint was the extent of our progress.

I found myself wanting to continue after class, but since I paint along with my students, I couldn't. The next best thing was to do another one on my own. I figured it would really help me direct the class though the process if I did. So here it is. Grandma's Tea Set.

I surprised myself. I don't know if it was the emotion around the memory of my Grandmother or the fact that artists were in and out of my house to paint that day, but something extraordinary seemed to happen.

You work for years trying to establish your own style and define yourself uniquely as an artist. It's odd when you suddenly choose a completely different subject and it falls into place so naturally. The fascination for creating still life feels awakened in me. Where has this desire been hiding all these years?

The artist journey is too complicated to describe in a few phrases. Even to the artist himself, it is full of surprises.

You can expect to see a few more still life paintings show up here. I can't promise they will all turn out like this, but time will tell.

Behind the easel, the adventure continues...

Silent Auction

2012-11-18T15:27:00.002-05:00

Billowing Cloud

Original oil painting 16x12"

by Susan Roux

I had lunch at a local brew pub today and learned about a cook who'd been hospitalized with a growing number of problems. What started out as shortness of breath was soon diagnosed with failed kidneys and an enlarged heart. A biopsy attempt went awry and accidently cut an artery in his bladder.

This feels like a scenario from a movie script.

The bartender/waitress at Gritty McDuff's continued to inform us that this unfortunate man has a wife and seven kids. Seven kids? I can't even imagine having seven kids when life is going great. With the holidays right around the corner, the added worry and stress of this situation has people opening their hearts to help out. Don't you just love how giving people can be when someone else is in need? It's the true meaning of Christmas.

I'm donating the above painting for the silent auction which takes place on Black Friday, Nov. 23. If you'd like to put in your bid, please call 207-376-2739.

Thank you for your help.

Wouldn't it make a lovely Christmas gift for someone on your list???

Red?

2012-11-06T10:11:00.000-05:00

Daybreak Silence

Original oil painting 20x10"

by Susan Roux

This is the popular red house on Monhegan Island. Some subjects from the island have been painted over and over again. This is true of this unusual house. It sits on a rock face with a small beach tuck inside my hidden cove. Most of the day, this facade is in shadow. I was stunned early one morning as I walked the silent streets at daybreak to see it lit in glorious golden sunlight.

I've never been a follower. I pride myself for seeing things from a different angle. I've been approached before by artists asking where on Monhegan is a particular scene I've depicted? So when I saw the crimson colored house transformed to a stunning cadmium red in morning light, I knew right away I had to paint it.

It's November already and many of us are thinking of holiday art. The color red is suddenly in the forefront of our minds. I had to chuckle at myself for choosing to paint this now, when clearly it appears to be orange next to a true Christmas red.

It's a lovely red and green scene, isn't it?

You can expect the unexpected from me. I work hard. I feel deeply. I notice things that many others never see. My view is often slanted, skewed. The photos I work from are usually from an angle that would be impossible to capture painting plein air. I like to duck low, perhaps with a few forefront flowers veiling the distance. I tingle with joy at offering people a view they wouldn't usually experience.

So if you're used to seeing this house painted in lovely crimson, my version might look unusual to you. Unusual yes, but not a fantasy. Just remember, early in the day it shines in lit-up beauty!

So are you painting red for the upcoming holiday season?

What shade are you using?

Make my day!

2012-10-22T09:01:00.000-04:00

Garden Girl

Original oil painting 28x22"

by Susan Roux

It was Saturday evening. Charlie called disguising his voice and asking me to guess who he was. It sounded nothing like him or like anyone else I knew, so I didn't offer a guess. I think he was disappointed I wouldn't even try.

Whenever anyone does that, I'm always afraid to offend them if I guess the wrong person.

Charlie is the owner of The Wright Gallery. You know, the one in Cape Porpoise, Maine. He lives upstairs from the gallery. It's a wonderful 3-story old building with an ocean view. He called to tell me that typically at 5:00 he closes his doors and is eager to scoot upstairs and be done with work for the day. But today, he said, my sister is meeting me for diner at 7:00, so I decided what the heck, I'll just leave the front door open until she arrives.

Lucky for me, because someone walked in and purchased Garden Girl!

I don't usually post my sales, but I did like this little story. The next morning I awoke to an email from the buyer. Oh how I wish they would all contact me after a purchase. It was so refreshing to hear someone's opinion of my work. It's been years since I've done festivals and that wonderful interaction with the buyers is what I miss the most.

These are the words I read. I was stunned by it on display. It offers to us serenity, warm springs, and bright futures... I feel like I found a gem!

If you're reading Eric, thank you for that. You made my day! I'm so happy she's found a home where she'll really be appreciated.

I painted Garden Girl the first year I went on artists retreat at the mansion in Freeport. We go during February school vacation. I'm sure you remember me talking about it before. It's where we host Champagne Thursday... I knew that would jar your memory.

I'm mentioning it because this year we aren't certain we'll return. The cost is high if all the rooms aren't rented out and so far we don't have occupants for a few of them. I know if I don't book it, come February vacation I'll be booting myself for not being there. It's such a productive week filled with laughter, great food and conversation, plus lots of wonderful creative energy. So if any of you would be interested in renting with us, please step forward.

As always, thanks again for stopping by and leaving your wonderful comments. I do love hearing from you. You all make my day!